The Nostalgia Museum, a short film on San Francisco's Musée Mécanique
The Titan Rises Explores Gun Violence and High School Football amid a Pandemic
Emancipating from the foster care system explored in the short documentary, Unadopted.
The Missfits: An All Girls Robotics Team Takes on Engineering
A View from the Window - A short documentary on hearing impaired youth
Futbolistas 4 Life
F R E E
First Friday
Sponsored
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As the end of school approaches, these displaced teens grapple with their fading youth like their peers across the country —\u003cbr>\nstruggling to stay motivated in class, fighting to be heard, capriciously asserting newfound independence, and deciding what to do after graduation. But these moments of classic teenage drama are routinely ruptured by jarring reminders that they have lived through one of the greatest disasters in their country’s history. Told from the perspective of America's youngest climate refugees, Last Days at Paradise High is an intimate portrait of fading youth and the search for home after it's gone.\u003c/p>\n\u003cp>[gallery columns=\"2\" ids=\"3469,3468,3467,3466,3465,3464,3463,3462,3461,3460\"]\u003c/p>\n\u003cp>Directors’ Statement\u003cbr>\nIncreasing traumatic events around the nation and world—from school shootings to COVID-19—are bringing a new generation of young adults into adulthood with inherited trauma. These events are creating a generation of survivors with a shared understanding of the impermanence of our world, anxiety about impending disaster,\u003cbr>\nand a resolve to embark upon radical change. As filmmakers, we hope to honor and highlight their stories so that they not be forgotten. The ultimate aim with this film is to include the good with the bad, the familiar with the unexpected, to broaden the perception and deepen the understanding of a disaster and its unforeseen impacts. We want to show both young and old generations how\u003cbr>\nthey might live beyond the grim issues of the day, to remind them of the complications and joys of youth, and to demonstrate, through the examples of our subjects, the opportunity for collective healing\u003cbr>\nList of film festival screenings SFFILM, DocLands, DCEFF, Alexander Valley Film Festival, Sebastopol Film Festival’s, Declare Your Independents program.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>EMILY THOMAS | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nEmily is a nonfiction filmmaker and cinematographer driven by a passion for documenting the human experience. Her work is rooted in the belief that stories are the most powerful way to connect people, bridge cultures, and embolden the voiceless.\u003c/p>\n\u003cp>She is co-director of Last Days at Paradise High, a documentary chronicling the end of adolescence in the wake of the devastating wildfire in Northern California that burned down the town of Paradise. The film screened at film festivals around the country and was originally published in The New Yorker. She is currently working on her first feature-length documentary, The Price of Freedom, a vignette film that illuminates the hidden worlds at the gates of the criminal justice system. Her work can be seen on Frontline, CBS, POV, The Guardian and many others.\u003c/p>\n\u003cp>DEREK KNOWLES | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nDerek Knowles is a documentary filmmaker whose work has been featured as a Vimeo Staff pick and on outlets like The Atlantic. He prefers to focus his work on people’s unheralded, often overlooked experiences, and has been a part of projects for Frontline, National Geographic, CNN, POV, and The Documentary Group. Recently, he\u003cbr>\nwas an Artist-in-Residence at “the camp” in the south of France where he developed an interactive intergenerational project aimed at connecting young and older generations. His recent film, \"After the Fire,\" winner of the Tribeca Film Institute's \"If/Then\" Shorts Award, follows three residents of his hometown in the months\u003cbr>\nfollowing 2017’s historic wildfires. It aired on California PBS stations in August 2019.\u003c/p>\n\u003cp>Derek graduated with honors from Stanford University in 2011 with a degree in American Studies.\u003c/p>\n\u003cp>PETER RICHARDS | EXECUTIVE-PRODUCER\u003cbr>\nPeter Richardson’s thoughtful and compelling documentary work has gained widespread recognition, including the Sundance Grand Jury Prize for Best Documentary and an Emmy Nomination for Best Documentary for How to Die in Oregon, his second feature. The film was broadcast on HBO, and the Chicago Sun-Times noted that “it will likely be viewed as one of the most historically significant\u003cbr>\ndocumentaries of this decade.” Richardson’s first feature doc also premiered at Sundance and was broadcast on the Sundance Channel. Richardson has worked extensively on premium documentary series, most recently show running two seasons\u003cbr>\nof QB1: Beyond the Lights, a 10-part documentary series about high school football, executive produced by Peter Berg. Prior to his work on QB1, Richardson was Series Director of Dark Net and Co-Executive Producer of The Circus: The Greatest Political\u003cbr>\nShow on Earth, both for Showtime Networks.\u003c/p>\n\u003cp>CREDITS\u003cbr>\nA Film By:\u003cbr>\nEmily Thomas and Derek Knowles\u003c/p>\n\u003cp>Featuring:\u003cbr>\nVirginia Partain\u003cbr>\nHarmony VonStockhausen\u003cbr>\nKody Loesch\u003cbr>\nJennifer Lyle\u003c/p>\n\u003cp>Executive Producer\u003cbr>\nPeter Richardson\u003cbr>\nIn Association with Blue Chalk Media and Lemon Tree Productions\u003c/p>\n\u003cp>Cinematography:\u003cbr>\nDerek Knowles\u003cbr>\nEmily Thomas\u003c/p>\n\u003cp>Producers\u003cbr>\nEmily Thomas\u003cbr>\nDerek Knowles\u003cbr>\nBlue Chalk\u003c/p>\n\u003cp>Executive Producers\u003cbr>\nGreg Moyer\u003cbr>\nPam Huling\u003c/p>\n\u003cp>Editor\u003cbr>\nGreg Snider\u003c/p>\n\u003cp>Assistant Editor\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Post Production Manager\u003cbr>\nAmy Polansky\u003c/p>\n\u003cp>Color Grade\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Audio Mix\u003cbr>\nJim Cooke\u003c/p>\n\u003cp>Original Music\u003cbr>\nAdam Gunther\u003c/p>\n\u003cp>Additional Music\u003cbr>\nAlice Bauman\u003c/p>\n\u003cp>Consulting Editor\u003cbr>\nDan Sadowksy\u003c/p>\n\u003cp>Production Assistant\u003cbr>\nJohn Toner\u003c/p>\n\u003cp>Additional Camera:\u003cbr>\nLevi Baker\u003cbr>\nBasil Glew-Galloway\u003cbr>\nCraig Hickerson\u003cbr>\nChris Smith\u003c/p>\n\u003cp>Confessionals:\u003cbr>\nIsiah Anderson\u003cbr>\nMackenzie Anderson\u003cbr>\nMegan Brewer\u003cbr>\nFaith Brown\u003cbr>\nThomas Corcoran\u003cbr>\nSofia DiBenedetto\u003cbr>\nEmily Headman\u003cbr>\nVicki Kelleman\u003cbr>\nIsiah Kent\u003cbr>\nAnthony Kern\u003cbr>\nMarissa Metker\u003cbr>\nTiril Mong\u003cbr>\nSarah Peters\u003cbr>\nJuliette Salls\u003cbr>\nAutumn Spoolman\u003cbr>\nKaylee Sunega\u003cbr>\nRachel Warren\u003c/p>\n\u003cp>Thank You:\u003cbr>\nStaff and administrators of Paradise High School\u003cbr>\nParadise Unified School District\u003cbr>\nJuan Arboleda\u003cbr>\nSamantha Clark\u003cbr>\nMichelle John\u003cbr>\nMargaret Katcher\u003cbr>\nDebra Knowles\u003cbr>\nDan Krauss\u003cbr>\nLawrence Lerew\u003cbr>\nGabriel Long\u003cbr>\nStacie Martin\u003cbr>\nSofia Melo\u003cbr>\nJeff Plunkett\u003cbr>\nSerghino Roosblad\u003cbr>\nMark Schapiro\u003cbr>\nLauren Schwartzman\u003cbr>\nSpencer Seibert\u003cbr>\nConor Spicer\u003cbr>\nElliott Thomas\u003cbr>\nToner Family\u003cbr>\nLuke Wigren\u003cbr>\nKirt Woodman\u003c/p>\n\u003cp>Funding Provided By:\u003cbr>\nBerkeley Film Foundation\u003cbr>\nErin and Francis Collins\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"A coming of age story set in the wake of a 21st century disaster.","status":"publish","parent":0,"modified":1642108247,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":31,"wordCount":994},"headData":{"title":"Last Days At Paradise High - A coming of age story set in the wake of a 21st-century disaster. - Truly CA","description":"After the most destructive fire in California history destroys the town of Paradise, the end of the school year takes on added meaning for two seniors, Harmony and Kody, and their beloved teacher, Mrs. Partain.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3456 https://ww2.kqed.org/trulyca/?p=3456","disqusUrl":"https://ww2.kqed.org/trulyca/last-days-at-paradise-high/","disqusTitle":"Last Days At Paradise High","videoEmbed":"https://youtu.be/K5SkVMKKPek","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","templateType":"standard","featuredImageType":"standard","subhead":"A coming of age story set in the wake of a 21st century disaster.","excludeFromSiteSearch":"Include","path":"/trulyca/3456/last-days-at-paradise-high","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Last Days of Paradise High is a short film made by Emily Thomas and Derek Knowles.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://youtu.be/K5SkVMKKPek\">Watch Last Days at Paradise High Now\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After the most destructive fire in California history destroys the town of Paradise, the end of the school year takes on added meaning for two seniors, Harmony and Kody, and their beloved teacher, Mrs. Partain. As the end of school approaches, these displaced teens grapple with their fading youth like their peers across the country —\u003cbr>\nstruggling to stay motivated in class, fighting to be heard, capriciously asserting newfound independence, and deciding what to do after graduation. But these moments of classic teenage drama are routinely ruptured by jarring reminders that they have lived through one of the greatest disasters in their country’s history. Told from the perspective of America's youngest climate refugees, Last Days at Paradise High is an intimate portrait of fading youth and the search for home after it's gone.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"2","ids":"3469,3468,3467,3466,3465,3464,3463,3462,3461,3460","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Directors’ Statement\u003cbr>\nIncreasing traumatic events around the nation and world—from school shootings to COVID-19—are bringing a new generation of young adults into adulthood with inherited trauma. These events are creating a generation of survivors with a shared understanding of the impermanence of our world, anxiety about impending disaster,\u003cbr>\nand a resolve to embark upon radical change. As filmmakers, we hope to honor and highlight their stories so that they not be forgotten. The ultimate aim with this film is to include the good with the bad, the familiar with the unexpected, to broaden the perception and deepen the understanding of a disaster and its unforeseen impacts. We want to show both young and old generations how\u003cbr>\nthey might live beyond the grim issues of the day, to remind them of the complications and joys of youth, and to demonstrate, through the examples of our subjects, the opportunity for collective healing\u003cbr>\nList of film festival screenings SFFILM, DocLands, DCEFF, Alexander Valley Film Festival, Sebastopol Film Festival’s, Declare Your Independents program.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>EMILY THOMAS | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nEmily is a nonfiction filmmaker and cinematographer driven by a passion for documenting the human experience. Her work is rooted in the belief that stories are the most powerful way to connect people, bridge cultures, and embolden the voiceless.\u003c/p>\n\u003cp>She is co-director of Last Days at Paradise High, a documentary chronicling the end of adolescence in the wake of the devastating wildfire in Northern California that burned down the town of Paradise. The film screened at film festivals around the country and was originally published in The New Yorker. She is currently working on her first feature-length documentary, The Price of Freedom, a vignette film that illuminates the hidden worlds at the gates of the criminal justice system. Her work can be seen on Frontline, CBS, POV, The Guardian and many others.\u003c/p>\n\u003cp>DEREK KNOWLES | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nDerek Knowles is a documentary filmmaker whose work has been featured as a Vimeo Staff pick and on outlets like The Atlantic. He prefers to focus his work on people’s unheralded, often overlooked experiences, and has been a part of projects for Frontline, National Geographic, CNN, POV, and The Documentary Group. Recently, he\u003cbr>\nwas an Artist-in-Residence at “the camp” in the south of France where he developed an interactive intergenerational project aimed at connecting young and older generations. His recent film, \"After the Fire,\" winner of the Tribeca Film Institute's \"If/Then\" Shorts Award, follows three residents of his hometown in the months\u003cbr>\nfollowing 2017’s historic wildfires. It aired on California PBS stations in August 2019.\u003c/p>\n\u003cp>Derek graduated with honors from Stanford University in 2011 with a degree in American Studies.\u003c/p>\n\u003cp>PETER RICHARDS | EXECUTIVE-PRODUCER\u003cbr>\nPeter Richardson’s thoughtful and compelling documentary work has gained widespread recognition, including the Sundance Grand Jury Prize for Best Documentary and an Emmy Nomination for Best Documentary for How to Die in Oregon, his second feature. The film was broadcast on HBO, and the Chicago Sun-Times noted that “it will likely be viewed as one of the most historically significant\u003cbr>\ndocumentaries of this decade.” Richardson’s first feature doc also premiered at Sundance and was broadcast on the Sundance Channel. Richardson has worked extensively on premium documentary series, most recently show running two seasons\u003cbr>\nof QB1: Beyond the Lights, a 10-part documentary series about high school football, executive produced by Peter Berg. Prior to his work on QB1, Richardson was Series Director of Dark Net and Co-Executive Producer of The Circus: The Greatest Political\u003cbr>\nShow on Earth, both for Showtime Networks.\u003c/p>\n\u003cp>CREDITS\u003cbr>\nA Film By:\u003cbr>\nEmily Thomas and Derek Knowles\u003c/p>\n\u003cp>Featuring:\u003cbr>\nVirginia Partain\u003cbr>\nHarmony VonStockhausen\u003cbr>\nKody Loesch\u003cbr>\nJennifer Lyle\u003c/p>\n\u003cp>Executive Producer\u003cbr>\nPeter Richardson\u003cbr>\nIn Association with Blue Chalk Media and Lemon Tree Productions\u003c/p>\n\u003cp>Cinematography:\u003cbr>\nDerek Knowles\u003cbr>\nEmily Thomas\u003c/p>\n\u003cp>Producers\u003cbr>\nEmily Thomas\u003cbr>\nDerek Knowles\u003cbr>\nBlue Chalk\u003c/p>\n\u003cp>Executive Producers\u003cbr>\nGreg Moyer\u003cbr>\nPam Huling\u003c/p>\n\u003cp>Editor\u003cbr>\nGreg Snider\u003c/p>\n\u003cp>Assistant Editor\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Post Production Manager\u003cbr>\nAmy Polansky\u003c/p>\n\u003cp>Color Grade\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Audio Mix\u003cbr>\nJim Cooke\u003c/p>\n\u003cp>Original Music\u003cbr>\nAdam Gunther\u003c/p>\n\u003cp>Additional Music\u003cbr>\nAlice Bauman\u003c/p>\n\u003cp>Consulting Editor\u003cbr>\nDan Sadowksy\u003c/p>\n\u003cp>Production Assistant\u003cbr>\nJohn Toner\u003c/p>\n\u003cp>Additional Camera:\u003cbr>\nLevi Baker\u003cbr>\nBasil Glew-Galloway\u003cbr>\nCraig Hickerson\u003cbr>\nChris Smith\u003c/p>\n\u003cp>Confessionals:\u003cbr>\nIsiah Anderson\u003cbr>\nMackenzie Anderson\u003cbr>\nMegan Brewer\u003cbr>\nFaith Brown\u003cbr>\nThomas Corcoran\u003cbr>\nSofia DiBenedetto\u003cbr>\nEmily Headman\u003cbr>\nVicki Kelleman\u003cbr>\nIsiah Kent\u003cbr>\nAnthony Kern\u003cbr>\nMarissa Metker\u003cbr>\nTiril Mong\u003cbr>\nSarah Peters\u003cbr>\nJuliette Salls\u003cbr>\nAutumn Spoolman\u003cbr>\nKaylee Sunega\u003cbr>\nRachel Warren\u003c/p>\n\u003cp>Thank You:\u003cbr>\nStaff and administrators of Paradise High School\u003cbr>\nParadise Unified School District\u003cbr>\nJuan Arboleda\u003cbr>\nSamantha Clark\u003cbr>\nMichelle John\u003cbr>\nMargaret Katcher\u003cbr>\nDebra Knowles\u003cbr>\nDan Krauss\u003cbr>\nLawrence Lerew\u003cbr>\nGabriel Long\u003cbr>\nStacie Martin\u003cbr>\nSofia Melo\u003cbr>\nJeff Plunkett\u003cbr>\nSerghino Roosblad\u003cbr>\nMark Schapiro\u003cbr>\nLauren Schwartzman\u003cbr>\nSpencer Seibert\u003cbr>\nConor Spicer\u003cbr>\nElliott Thomas\u003cbr>\nToner Family\u003cbr>\nLuke Wigren\u003cbr>\nKirt Woodman\u003c/p>\n\u003cp>Funding Provided By:\u003cbr>\nBerkeley Film Foundation\u003cbr>\nErin and Francis Collins\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3456/last-days-at-paradise-high","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_45","trulyca_971","trulyca_969","trulyca_20","trulyca_972","trulyca_36","trulyca_884","trulyca_29","trulyca_46"],"tags":["trulyca_977","trulyca_973","trulyca_975","trulyca_939","trulyca_908","trulyca_436","trulyca_980","trulyca_954","trulyca_976","trulyca_287"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3468","label":"trulyca_771"},"trulyca_3390":{"type":"posts","id":"trulyca_3390","meta":{"index":"posts_1591205157","site":"trulyca","id":"3390","score":null,"sort":[1627654533000]},"guestAuthors":[],"slug":"nostalgia-museum","title":"The Nostalgia Museum, a short film on San Francisco's Musée Mécanique","publishDate":1627654533,"format":"video","headTitle":"Season 16 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>Nostalgia Museum is a short film made by Sofie Kodner & Eleonora Bianchi.\u003c/p>\n\u003cp>San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. The short film, \u003cem>Nostalgia Museum,\u003c/em> is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>\u003cstrong>About the Film - Nostalgia Museum\u003c/strong>\u003c/p>\n\u003cp>Antique arcade Musée Mécanique has provided entertainment to San Franciscans and tourists alike for nearly a century. But the pandemic almost marked its end. “Nostalgia Museum” provides an intimate portrayal of owner Dan Zelinsky as he struggles to keep the legacy of this iconic San Francisco institution, and of his father, alive in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>“It’s one of the few things in the city that is exactly the way it used to be. These machines are these machines.”\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3404,3396,3392,3393,3394,3395,3401,3402,3403,3406,3409,3410,3411,3412,3413\"]\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>Many establishments with long, rich histories did not make it to the other side of the pandemic. In a year defined by loss, we wondered how communities felt about losing pieces of their cultural heritage. Musée Mécanique is full of meaning for many throughout San Francisco. It is an eccentric home that delights across generations. For the 15 months that the arcade was closed to the public, patrons near and far donated to support the maintenance of the Musée in hopes that it would one day reopen. We were lucky that Dan Zelinsky welcomed us behind the museum’s shuttered doors and gave us a view into the history of his family, his city, and of the relentless labor required to keep century-old machines in working condition. All Dan has ever wanted is to share his collection with any person who happens to wander in. His love of fun and knowledge of mechanical restoration is unmatched. Together through the film, we explored themes of time, memory, community, family, and what it takes to preserve whimsy in a serious, commercial world.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=l8SbTiIWils\">Watch Nostalgia Museum Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Sofie Kodner is a journalist and documentarian based in San Francisco, California. She often reports at the nexus of history, design, and culture. Her work has appeared in CalMatters, KALW, Protocol, and the Jackson Hole News and Guide. She is currently pursuing a master’s degree at the University of California, Berkeley Graduate School of Journalism. Sofie grew up in St. Louis, Missouri.\u003c/p>\n\u003cp>Eleonora Bianchi is a Swiss-Italian journalist based in Berkeley, California. Before moving to the United States, she earned a degree in Human Rights and worked for Swiss Radio and Television. Eleonora is currently a master’s student at the UC Berkeley Graduate School of Journalism, where she focuses on investigative reporting and narrative writing. She is an avid traveler who enjoys learning about different cultures through story.\u003c/p>\n\u003cp>\u003cstrong>Credit List of Cast & Crew: \u003c/strong>\u003c/p>\n\u003cp>A film by Sofie Kodner & Eleonora Bianchi\u003cbr>\nCreative Advisors: Andrés Cediel & Samantha Grant\u003cbr>\nSpecial Thanks: Dan Zelinsky, Nicole Meldahl, Ken Eaton, Judith Taylor Dixon, Noah Haydon, Peter Mintun, James Matison, Derek Lipkin\u003cbr>\nArchival: Dan Zelinksy, Western Neighborhoods Project, Geoff Svendsgaard\u003cbr>\nTechnical Assistance: Chris O’Dea\u003cbr>\nProduced at the Graduate School of Journalism, University of California, Berkeley\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" link=\"file\" ids=\"3408,3407,3400,3391\"]\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">[ad fullwidth]\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. Nostalgia Museum is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.","status":"publish","parent":0,"modified":1627660701,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":595},"headData":{"title":"The Nostalgia Museum, a short film on San Francisco's Musée Mécanique - Truly CA","description":"San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. Nostalgia Museum is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3390 https://ww2.kqed.org/trulyca/?p=3390","disqusUrl":"https://ww2.kqed.org/trulyca/nostalgia-museum/","disqusTitle":"The Nostalgia Museum, a short film on San Francisco's Musée Mécanique","videoEmbed":"https://www.youtube.com/watch?v=l8SbTiIWils","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","templateType":"standard","featuredImageType":"standard","subhead":"Nostalgia Museum is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.","path":"/trulyca/3390/nostalgia-museum","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Nostalgia Museum is a short film made by Sofie Kodner & Eleonora Bianchi.\u003c/p>\n\u003cp>San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. The short film, \u003cem>Nostalgia Museum,\u003c/em> is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>\u003cstrong>About the Film - Nostalgia Museum\u003c/strong>\u003c/p>\n\u003cp>Antique arcade Musée Mécanique has provided entertainment to San Franciscans and tourists alike for nearly a century. But the pandemic almost marked its end. “Nostalgia Museum” provides an intimate portrayal of owner Dan Zelinsky as he struggles to keep the legacy of this iconic San Francisco institution, and of his father, alive in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>“It’s one of the few things in the city that is exactly the way it used to be. These machines are these machines.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3404,3396,3392,3393,3394,3395,3401,3402,3403,3406,3409,3410,3411,3412,3413","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>Many establishments with long, rich histories did not make it to the other side of the pandemic. In a year defined by loss, we wondered how communities felt about losing pieces of their cultural heritage. Musée Mécanique is full of meaning for many throughout San Francisco. It is an eccentric home that delights across generations. For the 15 months that the arcade was closed to the public, patrons near and far donated to support the maintenance of the Musée in hopes that it would one day reopen. We were lucky that Dan Zelinsky welcomed us behind the museum’s shuttered doors and gave us a view into the history of his family, his city, and of the relentless labor required to keep century-old machines in working condition. All Dan has ever wanted is to share his collection with any person who happens to wander in. His love of fun and knowledge of mechanical restoration is unmatched. Together through the film, we explored themes of time, memory, community, family, and what it takes to preserve whimsy in a serious, commercial world.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=l8SbTiIWils\">Watch Nostalgia Museum Now\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Sofie Kodner is a journalist and documentarian based in San Francisco, California. She often reports at the nexus of history, design, and culture. Her work has appeared in CalMatters, KALW, Protocol, and the Jackson Hole News and Guide. She is currently pursuing a master’s degree at the University of California, Berkeley Graduate School of Journalism. Sofie grew up in St. Louis, Missouri.\u003c/p>\n\u003cp>Eleonora Bianchi is a Swiss-Italian journalist based in Berkeley, California. Before moving to the United States, she earned a degree in Human Rights and worked for Swiss Radio and Television. Eleonora is currently a master’s student at the UC Berkeley Graduate School of Journalism, where she focuses on investigative reporting and narrative writing. She is an avid traveler who enjoys learning about different cultures through story.\u003c/p>\n\u003cp>\u003cstrong>Credit List of Cast & Crew: \u003c/strong>\u003c/p>\n\u003cp>A film by Sofie Kodner & Eleonora Bianchi\u003cbr>\nCreative Advisors: Andrés Cediel & Samantha Grant\u003cbr>\nSpecial Thanks: Dan Zelinsky, Nicole Meldahl, Ken Eaton, Judith Taylor Dixon, Noah Haydon, Peter Mintun, James Matison, Derek Lipkin\u003cbr>\nArchival: Dan Zelinksy, Western Neighborhoods Project, Geoff Svendsgaard\u003cbr>\nTechnical Assistance: Chris O’Dea\u003cbr>\nProduced at the Graduate School of Journalism, University of California, Berkeley\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","link":"file","ids":"3408,3407,3400,3391","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3390/nostalgia-museum","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_45","trulyca_33","trulyca_40","trulyca_20","trulyca_21","trulyca_884","trulyca_35","trulyca_29","trulyca_46"],"tags":["trulyca_968","trulyca_963","trulyca_962","trulyca_961","trulyca_960","trulyca_967","trulyca_964","trulyca_966","trulyca_267","trulyca_965","trulyca_406"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3399","label":"trulyca_771"},"trulyca_3366":{"type":"posts","id":"trulyca_3366","meta":{"index":"posts_1591205157","site":"trulyca","id":"3366","score":null,"sort":[1627311140000]},"guestAuthors":[],"slug":"the-titan-rises-explores-gun-violence-and-high-school-football-amid-a-pandemic","title":"The Titan Rises Explores Gun Violence and High School Football amid a Pandemic","publishDate":1627311140,"format":"video","headTitle":"Season 16 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cem>The Titan Rises\u003c/em> is a short documentary directed by Brian Wollitz following Skyline High's Football team as they navigate senior year, the pandemic, and the tragic loss of a teammate to gun violence.\u003c/p>\n\u003cp>\u003cstrong>About the Film - The Titan Rises\u003c/strong>\u003c/p>\n\u003cp>The Skyline High School football team in Oakland, California prepares for their delayed season amid the Covid-19 pandemic. For senior players, this season is one of their last shots at showcasing their talents to earn a college football scholarship, and an even more pressing opportunity to escape the violent threats surrounding them in their community. This documentary short follows head coach Joe Bates and the Titans as they navigate through playing football during the coronavirus pandemic, the life & death struggle of Oakland’s streets, and the toll it takes on these inner-city athletes.\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3367,3368,3369,3370,3371,3372\"]\u003c/p>\n\u003cp>\u003cstrong>Directors Statement by Brian Wollitz\u003c/strong>\u003c/p>\n\u003cp>At the beginning of the pandemic, I had the idea to do a feature story on athletes whose futures were in jeopardy because of the countless youth sports cancellations nationwide. With my prior experience as a high school sports reporter, I’ve seen just how important the final season can be for players who are on the brink of getting a shot to continue their athletics and education in college.\u003c/p>\n\u003cp>When I first met head coach Joe Bates of Skyline’s football team, he talked at length about how important sports are for his community in Oakland, California. Bates emphasized how he uses football as a central tool for youth development and a path for his players to achieve higher education and escape the systemic conditions and potentially violent threats surrounding them with inner-city influences.\u003c/p>\n\u003cp>Coach Bates explained that because of the pandemic, his team and players were even more adversely affected because of shutdowns and stay-at-home orders. To Bates, it was proving to be a great challenge to not only plan for a potential season but to more importantly stay connected with his team and provide mentorship when they weren’t able to be together during the pandemic.\u003c/p>\n\u003cp>Not long into filming, the entire scope of the project changed as a sudden tragedy hit the team, and illustrated what Bates talked so often about. I was forced to refocus my efforts, but in turn, it provided a deeper and more raw look into the life of Oakland’s communities, families, and the promising athletes they produce.\u003c/p>\n\u003cp>In all, it was a challenging experience producing, editing, and mostly shooting on my own, but I felt this allowed me to gain trust while creating a less distracting and better relationship with the team over the nine months I was following them.\u003c/p>\n\u003cp>I want to thank everyone who helped make this film a possibility – especially the 2020-21 Skyline football team and the Pryor family – for allowing me to learn and help share a glimpse of their struggles and successes during the pandemic.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=QEY0A5I_G2Q&feature=youtu.be\">Watch The Titan Rises Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>Director Bio:\u003c/strong>\u003c/p>\n\u003cp>Brian Wollitz is a multimedia journalist, video producer, and filmmaker from Pacifica, California. His interests include reporting on the intersection of sports & social issues, food, music, art, and culture. His writing has been featured in \u003cem>The New York Times, The Times-Picayune | The New Orleans Advocate, The Rugby Journal, \u003c/em>and\u003cem> OffBeat Magazine\u003c/em>. He’s also worked in various production and reporting positions for \u003cem>ESPN, The Investigative Reporting Program, WVUE-TV FOX 8, \u003c/em>and\u003cem> NOLA Gold Rugby\u003c/em>. He earned his master’s degree from the UC Berkeley Graduate School of Journalism.\u003c/p>\n\u003cp>\u003cstrong>Credit List of Cast & Crew: \u003c/strong>\u003c/p>\n\u003cp>Producer: Brian Wollitz\u003cbr>\nDirector of Photography: Brian Wollitz\u003c/p>\n\u003cp>Additional Camera: Clara Mokri\u003cbr>\nEditor: Brian Wollitz\u003cbr>\nCreative Advisors: Andrés Cediel, Mike Shen\u003cbr>\nContent Advisors: Jon Reiss, Jeremy Rue\u003c/p>\n\u003cp>Technical Advisor & Colorist: Chris O'Dea\u003c/p>\n\u003cp>Featuring:\u003c/p>\n\u003cp>Joe Bates\u003c/p>\n\u003cp>Julian Jackson\u003c/p>\n\u003cp>Simeon Milan\u003c/p>\n\u003cp>Kweke Garth Jr.\u003c/p>\n\u003cp>Taijuan Pryor\u003c/p>\n\u003cp>Aria Patterson\u003c/p>\n\u003cp>Jason Santana\u003c/p>\n\u003cp>Mata Fifita\u003c/p>\n\u003cp>Composer & Original Score: Alexander Turk\u003cbr>\nPost Production Sound: Mark Escott, Phoenix Sound Design\u003c/p>\n\u003cp>Special Thanks:\u003c/p>\n\u003cp>Tiffany Winters\u003c/p>\n\u003cp>Jacqueline Winters\u003c/p>\n\u003cp>Patrick Walsh\u003c/p>\n\u003cp>James Salazar\u003c/p>\n\u003cp>John Sasaki\u003c/p>\n\u003cp>Franky Navarro\u003c/p>\n\u003cp>Anthony Petty\u003c/p>\n\u003cp>Skyline High School\u003c/p>\n\u003cp>Castlemont High School\u003c/p>\n\u003cp>Blackmagic Design\u003c/p>\n\u003cp>Canon USA\u003c/p>\n\u003cp>Archival Photos:\u003c/p>\n\u003cp>Tiffany Winters\u003c/p>\n\u003cp>Taijuan Pryor\u003c/p>\n\u003cp>Yolanda James, San Francisco Chronicle | Polaris Images\u003c/p>\n\u003cp>Archival Video:\u003c/p>\n\u003cp>Joe Bates\u003c/p>\n\u003cp>Mustafa Muhyee\u003c/p>\n\u003cp>Lamont Prince Jr.\u003c/p>\n\u003cp>\u003cstrong>Produced At:\u003c/strong>\u003c/p>\n\u003cp>The Graduate School of Journalism, University of California, Berkeley\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" link=\"file\" ids=\"3373,3374,3375,3377,3379,3378\"]\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">[ad fullwidth]\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"An Oakland high school football coach and his team highlight the struggles of playing through the pandemic coupled with the inner-city threats they face in their community daily.","status":"publish","parent":0,"modified":1627503032,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":53,"wordCount":758},"headData":{"title":"The Titan Rises Explores Gun Violence and High School Football amid a Pandemic - Truly CA","description":"An Oakland high school football coach and his team highlight the struggles of playing through the pandemic coupled with the inner-city threats they face in their community daily.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3366 https://ww2.kqed.org/trulyca/?p=3366","disqusUrl":"https://ww2.kqed.org/trulyca/the-titan-rises-explores-gun-violence-and-high-school-football-amid-a-pandemic/","disqusTitle":"The Titan Rises Explores Gun Violence and High School Football amid a Pandemic","videoEmbed":"https://www.youtube.com/watch?v=QEY0A5I_G2Q&feature=youtu.be","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3366/the-titan-rises-explores-gun-violence-and-high-school-football-amid-a-pandemic","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>The Titan Rises\u003c/em> is a short documentary directed by Brian Wollitz following Skyline High's Football team as they navigate senior year, the pandemic, and the tragic loss of a teammate to gun violence.\u003c/p>\n\u003cp>\u003cstrong>About the Film - The Titan Rises\u003c/strong>\u003c/p>\n\u003cp>The Skyline High School football team in Oakland, California prepares for their delayed season amid the Covid-19 pandemic. For senior players, this season is one of their last shots at showcasing their talents to earn a college football scholarship, and an even more pressing opportunity to escape the violent threats surrounding them in their community. This documentary short follows head coach Joe Bates and the Titans as they navigate through playing football during the coronavirus pandemic, the life & death struggle of Oakland’s streets, and the toll it takes on these inner-city athletes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3367,3368,3369,3370,3371,3372","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Statement by Brian Wollitz\u003c/strong>\u003c/p>\n\u003cp>At the beginning of the pandemic, I had the idea to do a feature story on athletes whose futures were in jeopardy because of the countless youth sports cancellations nationwide. With my prior experience as a high school sports reporter, I’ve seen just how important the final season can be for players who are on the brink of getting a shot to continue their athletics and education in college.\u003c/p>\n\u003cp>When I first met head coach Joe Bates of Skyline’s football team, he talked at length about how important sports are for his community in Oakland, California. Bates emphasized how he uses football as a central tool for youth development and a path for his players to achieve higher education and escape the systemic conditions and potentially violent threats surrounding them with inner-city influences.\u003c/p>\n\u003cp>Coach Bates explained that because of the pandemic, his team and players were even more adversely affected because of shutdowns and stay-at-home orders. To Bates, it was proving to be a great challenge to not only plan for a potential season but to more importantly stay connected with his team and provide mentorship when they weren’t able to be together during the pandemic.\u003c/p>\n\u003cp>Not long into filming, the entire scope of the project changed as a sudden tragedy hit the team, and illustrated what Bates talked so often about. I was forced to refocus my efforts, but in turn, it provided a deeper and more raw look into the life of Oakland’s communities, families, and the promising athletes they produce.\u003c/p>\n\u003cp>In all, it was a challenging experience producing, editing, and mostly shooting on my own, but I felt this allowed me to gain trust while creating a less distracting and better relationship with the team over the nine months I was following them.\u003c/p>\n\u003cp>I want to thank everyone who helped make this film a possibility – especially the 2020-21 Skyline football team and the Pryor family – for allowing me to learn and help share a glimpse of their struggles and successes during the pandemic.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=QEY0A5I_G2Q&feature=youtu.be\">Watch The Titan Rises Now\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Director Bio:\u003c/strong>\u003c/p>\n\u003cp>Brian Wollitz is a multimedia journalist, video producer, and filmmaker from Pacifica, California. His interests include reporting on the intersection of sports & social issues, food, music, art, and culture. His writing has been featured in \u003cem>The New York Times, The Times-Picayune | The New Orleans Advocate, The Rugby Journal, \u003c/em>and\u003cem> OffBeat Magazine\u003c/em>. He’s also worked in various production and reporting positions for \u003cem>ESPN, The Investigative Reporting Program, WVUE-TV FOX 8, \u003c/em>and\u003cem> NOLA Gold Rugby\u003c/em>. He earned his master’s degree from the UC Berkeley Graduate School of Journalism.\u003c/p>\n\u003cp>\u003cstrong>Credit List of Cast & Crew: \u003c/strong>\u003c/p>\n\u003cp>Producer: Brian Wollitz\u003cbr>\nDirector of Photography: Brian Wollitz\u003c/p>\n\u003cp>Additional Camera: Clara Mokri\u003cbr>\nEditor: Brian Wollitz\u003cbr>\nCreative Advisors: Andrés Cediel, Mike Shen\u003cbr>\nContent Advisors: Jon Reiss, Jeremy Rue\u003c/p>\n\u003cp>Technical Advisor & Colorist: Chris O'Dea\u003c/p>\n\u003cp>Featuring:\u003c/p>\n\u003cp>Joe Bates\u003c/p>\n\u003cp>Julian Jackson\u003c/p>\n\u003cp>Simeon Milan\u003c/p>\n\u003cp>Kweke Garth Jr.\u003c/p>\n\u003cp>Taijuan Pryor\u003c/p>\n\u003cp>Aria Patterson\u003c/p>\n\u003cp>Jason Santana\u003c/p>\n\u003cp>Mata Fifita\u003c/p>\n\u003cp>Composer & Original Score: Alexander Turk\u003cbr>\nPost Production Sound: Mark Escott, Phoenix Sound Design\u003c/p>\n\u003cp>Special Thanks:\u003c/p>\n\u003cp>Tiffany Winters\u003c/p>\n\u003cp>Jacqueline Winters\u003c/p>\n\u003cp>Patrick Walsh\u003c/p>\n\u003cp>James Salazar\u003c/p>\n\u003cp>John Sasaki\u003c/p>\n\u003cp>Franky Navarro\u003c/p>\n\u003cp>Anthony Petty\u003c/p>\n\u003cp>Skyline High School\u003c/p>\n\u003cp>Castlemont High School\u003c/p>\n\u003cp>Blackmagic Design\u003c/p>\n\u003cp>Canon USA\u003c/p>\n\u003cp>Archival Photos:\u003c/p>\n\u003cp>Tiffany Winters\u003c/p>\n\u003cp>Taijuan Pryor\u003c/p>\n\u003cp>Yolanda James, San Francisco Chronicle | Polaris Images\u003c/p>\n\u003cp>Archival Video:\u003c/p>\n\u003cp>Joe Bates\u003c/p>\n\u003cp>Mustafa Muhyee\u003c/p>\n\u003cp>Lamont Prince Jr.\u003c/p>\n\u003cp>\u003cstrong>Produced At:\u003c/strong>\u003c/p>\n\u003cp>The Graduate School of Journalism, University of California, Berkeley\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","link":"file","ids":"3373,3374,3375,3377,3379,3378","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3366/the-titan-rises-explores-gun-violence-and-high-school-football-amid-a-pandemic","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_20","trulyca_21","trulyca_36","trulyca_44","trulyca_46"],"tags":["trulyca_958","trulyca_959","trulyca_953","trulyca_957","trulyca_939","trulyca_955","trulyca_956","trulyca_954","trulyca_952","trulyca_406"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3378","label":"trulyca_771"},"trulyca_3293":{"type":"posts","id":"trulyca_3293","meta":{"index":"posts_1591205157","site":"trulyca","id":"3293","score":null,"sort":[1600434000000]},"guestAuthors":[],"slug":"unadopted","title":"Emancipating from the foster care system explored in the short documentary, Unadopted.","publishDate":1600434000,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cspan style=\"font-weight: 400\">Noel Anaya entered the system at age one, and was never adopted. Since he claimed his independence at age 21, Anaya has a lot to say, and he says it now as writer and producer of \u003cem>Unadopted.\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\"\u003c/strong>\u003cem>\u003cstrong>Your gray hands just taught me how to survive in a world. We never learned how to love ourselves unconditionally. I've been with multiple foster families, I've been with multiple shelters. How does a person like me not end up with a family. ...\"\u003c/strong> - Noel Anaya in an open letter to the foster care system. \u003c/em>\u003c/p>\n\u003cp>\u003cem>[aside label=\"Listen to the original NPR Story from Noel\" link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/player/embed/508608745/509179603\u003c/a>, NPR, Noel Anaya\"]\u003c/em>\u003c/p>\n\u003cp>\u003cem>Unadopted\u003c/em> follows Noel Anaya in his quest for answers about, his family, and his experience in the foster care system, interweaving his own journey with the stories of three other teens who, like so many foster youth, are at emotional crossroads, confronted with what may be the most important decision of their lives: whether to emancipate from the foster care system, opt into “extended care,” or pursue a \"forever family.\" This documentary is produced by YR Media.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://medium.com/@mitunetwork/noel-anaya-shared-his-story-about-divorcing-the-foster-care-system-f3b8290116c6\">Read more coverage on Noel Anaya and his sunder from the foster care system.\u003c/a> [/pullquote]\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" link=\"file\" ids=\"3296,3305,3301,3306,3304\"]\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">[ad fullwidth]\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"In Unadopted, 22 year-old producer Noel Anaya takes his audience on an insider's tour of what it’s like to grow up in the foster care system. ","status":"publish","parent":0,"modified":1600446412,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":231},"headData":{"title":"Emancipating from the foster care system explored in the short documentary, Unadopted. - Truly CA","description":"In Unadopted, 22 year-old producer Noel Anaya takes his audience on an insider's tour of what it’s like to grow up in the foster care system.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3293 https://ww2.kqed.org/trulyca/?p=3293","disqusUrl":"https://ww2.kqed.org/trulyca/unadopted/","disqusTitle":"Emancipating from the foster care system explored in the short documentary, Unadopted.","videoEmbed":"https://www.youtube.com/watch?v=h6vdKVyNedc","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","path":"/trulyca/3293/unadopted","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Noel Anaya entered the system at age one, and was never adopted. Since he claimed his independence at age 21, Anaya has a lot to say, and he says it now as writer and producer of \u003cem>Unadopted.\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\"\u003c/strong>\u003cem>\u003cstrong>Your gray hands just taught me how to survive in a world. We never learned how to love ourselves unconditionally. I've been with multiple foster families, I've been with multiple shelters. How does a person like me not end up with a family. ...\"\u003c/strong> - Noel Anaya in an open letter to the foster care system. \u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Listen to the original NPR Story from Noel link1=\"\u003ca href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/player/embed/508608745/509179603\u003c/a>, NPR, Noel Anaya\""},"numeric":["link1=\"\u003ca","href=\"https://www.npr.org/player/embed/508608745/509179603\">https://www.npr.org/player/embed/508608745/509179603\u003c/a>,","NPR,","Noel","Anaya\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/em>\u003c/p>\n\u003cp>\u003cem>Unadopted\u003c/em> follows Noel Anaya in his quest for answers about, his family, and his experience in the foster care system, interweaving his own journey with the stories of three other teens who, like so many foster youth, are at emotional crossroads, confronted with what may be the most important decision of their lives: whether to emancipate from the foster care system, opt into “extended care,” or pursue a \"forever family.\" This documentary is produced by YR Media.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://medium.com/@mitunetwork/noel-anaya-shared-his-story-about-divorcing-the-foster-care-system-f3b8290116c6\">Read more coverage on Noel Anaya and his sunder from the foster care system.\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","link":"file","ids":"3296,3305,3301,3306,3304","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3293/unadopted","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_41","trulyca_20","trulyca_21","trulyca_36","trulyca_884","trulyca_46"],"tags":["trulyca_927","trulyca_924","trulyca_926","trulyca_928","trulyca_384","trulyca_925","trulyca_920","trulyca_923","trulyca_929","trulyca_921","trulyca_287","trulyca_922"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3307","label":"trulyca_771"},"trulyca_3147":{"type":"posts","id":"trulyca_3147","meta":{"index":"posts_1591205157","site":"trulyca","id":"3147","score":null,"sort":[1591963247000]},"guestAuthors":[],"slug":"all-girls-robotics-team","title":"The Missfits: An All Girls Robotics Team Takes on Engineering","publishDate":1591963247,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>“The Missfits” By. Ellie Wen follows an all-girls robotics team based in San Francisco that takes on the male-dominated field of engineering.\u003c/p>\n\u003cp>The documentary follows the aptly named robotics team, The Missfits, as they confront growing pains, build their robots, and compete in the \u003ca href=\"https://www.firstinspires.org/robotics/frc\">FIRST robotics competition\u003c/a>. \u003cem>The Missfits\u003c/em> robotics team is made up of twenty girls from a variety of diverse backgrounds coming from different high schools all around the Bay Area. The Missfits are determined to show other girls how fun and rewarding STEM can be, one robot at a time.\u003c/p>\n\u003cp>On their own, they are outsiders, misfits, but together, they build each other up, just like they build their robots and embrace their identities.\u003c/p>\n\u003cp>\u003cimg class=\"alignnone wp-image-3151 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>Ellie Wen, Directors Statement: \u003c/strong>I met the Missfits robotics team at Maker Faire, a convention that celebrates invention, creativity, and hands-on learning. The girls were speaking to a group of curious kids and I watched in admiration as they demonstrated how their robot worked. I was instantly hooked, like the kids, and knew that I had to make a film about this team and its charismatic, inspiring members.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Representation matters. Throughout my career, these two words have been my guiding light. In all of my work, I represent subjects from diverse backgrounds and tackle broader social issues\u003cbr>\nthrough a very specific lens. I strive to tell personal, human stories because I believe that it is truly in the specifics that you find the universal. My goal is to have my films motivate a lasting\u003cbr>\ndialogue that extends beyond the viewing experience. It is about connecting people and fostering understanding.\u003c/p>\n\u003cp>With \"The Missfits,\" the robotics season is the narrative centerpiece, but the heart of the film depicts what it is like to be an adolescent girl juggling familial, social, and academic expectations in today’s world. This is the story of how adolescent girls - through their actions and choices - can redefine gender and race expectations for STEM.\u003c/p>\n\u003cp>\u003cstrong>Director Bio:\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"wp-image-3150 alignleft\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-800x533.jpg\" alt=\"\" width=\"269\" height=\"179\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager.jpg 960w\" sizes=\"(max-width: 269px) 100vw, 269px\">\u003c/p>\n\u003cp>Ellie Wen is an award-winning filmmaker from Hong Kong and Los Angeles. She began her career in Los Angeles where she produced independent films and worked at CAA, CBS Films, and Super Deluxe.\u003c/p>\n\u003cp>Ellie is an alumna of Film Independent's Project Involve fellowship program. Her first short documentary \"Single Mother Only Daughter\" premiered on Short of the Week and is a Vimeo Staff Pick. Her short documentary series “Doing Good Business” was acquired by Participant Media's SoulPancake.\u003c/p>\n\u003cp>Ellie recently received her MFA in Documentary Film from Stanford University where she produced four short documentary films.\u003c/p>\n\u003cp>Ellie's film, \"Share,\" has screened at DOC NYC, Frameline, Big Sky, DOK Leipzig, Outfest, CAAMFest, and was released on The Guardian. For her film \"On Mother’s Day,\" Ellie was named Best Local Filmmaker at the UN Women Global Voices Film Festival. Her film “25 Hours” was a finalist in the WrapWomen and Starz film contest and was distributed on Starz TV and digital. During her final year in the MFA program, Ellie was awarded the UFVA Carole Fielding Student Grant for her thesis film, \"The Missfits.”\u003c/p>\n\u003cp>Ellie now lives in San Francisco and is developing her next documentary as a resident in the SFFILM FilmHouse Residency Program.\u003c/p>\n\u003cp>You can find Ellie Wen online on \u003ca href=\"https://www.facebook.com/elliewen\">Facebook\u003c/a>, \u003ca href=\"https://www.instagram.com/elliewen/?hl=en\">Instagram\u003c/a> & \u003ca href=\"https://twitter.com/elliewen\">Twitter\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To follow the journey of the film, please follow The Missfits Documentary on \u003ca href=\"https://www.facebook.com/elliewen\">Facebook\u003c/a>, \u003ca href=\"https://www.instagram.com/themissfitsdoc/?hl=en\">Instagram\u003c/a> & \u003ca href=\"https://twitter.com/themissfitsdoc\">Twitter\u003c/a>\u003c/span>\u003c/p>\n\n","blocks":[],"excerpt":"An all-girls robotics team competes to smash stereotypes and prove themselves in a\r\nmale-dominated field, while also trying to get through high school.\r\n","status":"publish","parent":0,"modified":1591915596,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":574},"headData":{"title":"The Missfits: An All Girls Robotics Team Takes on Engineering - Truly CA","description":"An all-girls robotics team competes to smash stereotypes and prove themselves in amale-dominated field, while also trying to get through high school.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"3147 https://ww2.kqed.org/trulyca/?p=3147","disqusUrl":"https://ww2.kqed.org/trulyca/all-girls-robotics-team/","disqusTitle":"The Missfits: An All Girls Robotics Team Takes on Engineering","videoEmbed":"https://youtu.be/IBQaTv4qD20","path":"/trulyca/3147/all-girls-robotics-team","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>“The Missfits” By. Ellie Wen follows an all-girls robotics team based in San Francisco that takes on the male-dominated field of engineering.\u003c/p>\n\u003cp>The documentary follows the aptly named robotics team, The Missfits, as they confront growing pains, build their robots, and compete in the \u003ca href=\"https://www.firstinspires.org/robotics/frc\">FIRST robotics competition\u003c/a>. \u003cem>The Missfits\u003c/em> robotics team is made up of twenty girls from a variety of diverse backgrounds coming from different high schools all around the Bay Area. The Missfits are determined to show other girls how fun and rewarding STEM can be, one robot at a time.\u003c/p>\n\u003cp>On their own, they are outsiders, misfits, but together, they build each other up, just like they build their robots and embrace their identities.\u003c/p>\n\u003cp>\u003cimg class=\"alignnone wp-image-3151 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>Ellie Wen, Directors Statement: \u003c/strong>I met the Missfits robotics team at Maker Faire, a convention that celebrates invention, creativity, and hands-on learning. The girls were speaking to a group of curious kids and I watched in admiration as they demonstrated how their robot worked. I was instantly hooked, like the kids, and knew that I had to make a film about this team and its charismatic, inspiring members.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Representation matters. Throughout my career, these two words have been my guiding light. In all of my work, I represent subjects from diverse backgrounds and tackle broader social issues\u003cbr>\nthrough a very specific lens. I strive to tell personal, human stories because I believe that it is truly in the specifics that you find the universal. My goal is to have my films motivate a lasting\u003cbr>\ndialogue that extends beyond the viewing experience. It is about connecting people and fostering understanding.\u003c/p>\n\u003cp>With \"The Missfits,\" the robotics season is the narrative centerpiece, but the heart of the film depicts what it is like to be an adolescent girl juggling familial, social, and academic expectations in today’s world. This is the story of how adolescent girls - through their actions and choices - can redefine gender and race expectations for STEM.\u003c/p>\n\u003cp>\u003cstrong>Director Bio:\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"wp-image-3150 alignleft\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-800x533.jpg\" alt=\"\" width=\"269\" height=\"179\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager.jpg 960w\" sizes=\"(max-width: 269px) 100vw, 269px\">\u003c/p>\n\u003cp>Ellie Wen is an award-winning filmmaker from Hong Kong and Los Angeles. She began her career in Los Angeles where she produced independent films and worked at CAA, CBS Films, and Super Deluxe.\u003c/p>\n\u003cp>Ellie is an alumna of Film Independent's Project Involve fellowship program. Her first short documentary \"Single Mother Only Daughter\" premiered on Short of the Week and is a Vimeo Staff Pick. Her short documentary series “Doing Good Business” was acquired by Participant Media's SoulPancake.\u003c/p>\n\u003cp>Ellie recently received her MFA in Documentary Film from Stanford University where she produced four short documentary films.\u003c/p>\n\u003cp>Ellie's film, \"Share,\" has screened at DOC NYC, Frameline, Big Sky, DOK Leipzig, Outfest, CAAMFest, and was released on The Guardian. For her film \"On Mother’s Day,\" Ellie was named Best Local Filmmaker at the UN Women Global Voices Film Festival. Her film “25 Hours” was a finalist in the WrapWomen and Starz film contest and was distributed on Starz TV and digital. During her final year in the MFA program, Ellie was awarded the UFVA Carole Fielding Student Grant for her thesis film, \"The Missfits.”\u003c/p>\n\u003cp>Ellie now lives in San Francisco and is developing her next documentary as a resident in the SFFILM FilmHouse Residency Program.\u003c/p>\n\u003cp>You can find Ellie Wen online on \u003ca href=\"https://www.facebook.com/elliewen\">Facebook\u003c/a>, \u003ca href=\"https://www.instagram.com/elliewen/?hl=en\">Instagram\u003c/a> & \u003ca href=\"https://twitter.com/elliewen\">Twitter\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To follow the journey of the film, please follow The Missfits Documentary on \u003ca href=\"https://www.facebook.com/elliewen\">Facebook\u003c/a>, \u003ca href=\"https://www.instagram.com/themissfitsdoc/?hl=en\">Instagram\u003c/a> & \u003ca href=\"https://twitter.com/themissfitsdoc\">Twitter\u003c/a>\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3147/all-girls-robotics-team","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_25","trulyca_850"],"categories":["trulyca_20","trulyca_21","trulyca_29","trulyca_46"],"tags":["trulyca_864","trulyca_863","trulyca_860","trulyca_859","trulyca_862","trulyca_861","trulyca_858","trulyca_865","trulyca_866"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3151","label":"trulyca_771"},"trulyca_2286":{"type":"posts","id":"trulyca_2286","meta":{"index":"posts_1591205157","site":"trulyca","id":"2286","score":null,"sort":[1534268785000]},"guestAuthors":[],"slug":"a-view-from-the-window","title":"A View from the Window - A short documentary on hearing impaired youth","publishDate":1534268785,"format":"video","headTitle":"Season 13 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2322\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/Fishtank-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>A View from the Window \u003c/em>follows a day in the life of students at the California School for the Deaf. Taking viewers through a journey that includes playing in the school yard, learning about race and identity and how crayfish survive in the wild \u003cem>A View From the Window\u003c/em> takes audiences back to school and educates through a day of learning, diversity and inclusion.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2320\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-800x800.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-960x960.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-520x520.jpg 520w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-150x150.jpg 150w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot.jpg 1000w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/p>\n\u003cp>Director Bios Azar Kafaei is an independent filmmaker from Tehran, Iran. She obtained her undergraduate degree from Yale University, and is currently an MFA candidate at Stanford's documentary filmmaking program.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2321\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/DirectorHeadshot-800x958.jpg\" alt=\"\" width=\"230\" height=\"230\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-150x150.jpg 150w\" sizes=\"(max-width: 230px) 100vw, 230px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Chris Filippone is an independent filmmaker from Philadelphia whose work has been screened in Visions du Réel, Sheffield Doc/Fest, Palm Springs Shortfest, The Guardian, and The Walker Art Center. His most recent film, \"Scrap,\" won the Spirit Award for Short Documentary at the Brooklyn Film Festival. He has also received support from MiND TV, the Bread and Roses Fund, as well as a Telluride Student Symposium Fellowship. He currently attends the MFA Documentary Film and Video Program at Stanford University.\u003c/p>\n\n","blocks":[],"excerpt":"A View From the Window takes viewers into a day in the life of students at the California School for the Deaf","status":"publish","parent":0,"modified":1552427072,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":182},"headData":{"title":"A View From the Window - A short documentary on hearing impaired youth","description":"Experience a day in the life of kindergartners at the California School for the Deaf as they learn about racial identity and crayfish, a short documentary from Stanford University.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"2286 https://ww2.kqed.org/trulyca/?p=2286","disqusUrl":"https://ww2.kqed.org/trulyca/a-view-from-the-window/","disqusTitle":"A View from the Window - A short documentary on hearing impaired youth","videoEmbed":"https://www.youtube.com/watch?v=4Q_guDo5WlA","path":"/trulyca/2286/a-view-from-the-window","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2322\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/Fishtank-1-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Fishtank-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>A View from the Window \u003c/em>follows a day in the life of students at the California School for the Deaf. Taking viewers through a journey that includes playing in the school yard, learning about race and identity and how crayfish survive in the wild \u003cem>A View From the Window\u003c/em> takes audiences back to school and educates through a day of learning, diversity and inclusion.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2320\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-800x800.jpg\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-960x960.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-520x520.jpg 520w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot-150x150.jpg 150w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/Azar-Kafaei-Headshot.jpg 1000w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/p>\n\u003cp>Director Bios Azar Kafaei is an independent filmmaker from Tehran, Iran. She obtained her undergraduate degree from Yale University, and is currently an MFA candidate at Stanford's documentary filmmaking program.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2321\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/DirectorHeadshot-800x958.jpg\" alt=\"\" width=\"230\" height=\"230\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/DirectorHeadshot-150x150.jpg 150w\" sizes=\"(max-width: 230px) 100vw, 230px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Chris Filippone is an independent filmmaker from Philadelphia whose work has been screened in Visions du Réel, Sheffield Doc/Fest, Palm Springs Shortfest, The Guardian, and The Walker Art Center. His most recent film, \"Scrap,\" won the Spirit Award for Short Documentary at the Brooklyn Film Festival. He has also received support from MiND TV, the Bread and Roses Fund, as well as a Telluride Student Symposium Fellowship. He currently attends the MFA Documentary Film and Video Program at Stanford University.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2286/a-view-from-the-window","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_503"],"categories":["trulyca_43","trulyca_45","trulyca_33","trulyca_21","trulyca_17","trulyca_46"],"tags":["trulyca_801","trulyca_90","trulyca_498","trulyca_797","trulyca_796","trulyca_799","trulyca_794","trulyca_795","trulyca_576","trulyca_798","trulyca_800","trulyca_765","trulyca_287"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2483","label":"trulyca_771"},"trulyca_2280":{"type":"posts","id":"trulyca_2280","meta":{"index":"posts_1591205157","site":"trulyca","id":"2280","score":null,"sort":[1532718037000]},"guestAuthors":[],"slug":"futbolistas-4-life","title":"Futbolistas 4 Life","publishDate":1532718037,"format":"video","headTitle":"Season 13 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2326\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/April-SoccerBall-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1020x573.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1200x674.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-520x292.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Futbolistsas 4 Life\u003c/em> takes you into the lives of two Oakland high schoolers: One is a college hopeful and DACA applicant who’s navigating the reality of his immigration status, and the other is an American citizen who lives in fear that her undocumented parents may be deported. These youth take solace in the game of soccer, which lets them if only for a moment, put their worries on the sidelines. Futbolistas 4 Life sheds light on the overwhelming stress experienced nationwide by immigrant youth living in communities with high rates of poverty and violence – communities increasingly in the crosshairs of harsh federal immigration policies. The film captivates viewers with its compelling characters, cinematic footage, carefully crafted animations and beautiful score by Grammy Award-winning Adrian Quesada.\u003c/p>\n\u003cp>Jun Stinson is an Oakland-based filmmaker and a producer at AJ+ . She has worked as a post-production producer and editor withAl Jazeera America and produced stories for CurrentTV and KQED, among others. She was also on the post-production team of the feature documentary Spark: A Burning Man Story that premiered at SXSW. Her work is published in the Washington Post, Associated Press, ESPNW, and SFGate.com . She is a former BAVC National MediaMaker Fellow and San Francisco Film Society FilmHouse resident . Jun was raised in both Oakland and Kobe, Japan, and is a graduate of UC Berkeley’s Graduate School of Journalism.\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Related Links\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"mailto:futbolistas4lifefilm@gmail.com\">futbolistas4lifefilm@gmail.com\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=XkOP0l4yWM5QRwq1P4QoZwz1FpO96u4D03yxKduAPqM%3D&url=http%3A%2F%2FFutbolistas4LifeFilm.com\" target=\"_blank\" rel=\"noreferrer noopener\">Futbolistas4LifeFilm.com\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Twitter: @FutbolLifeFilm\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Instagram @Futbolistas4LifeFilm\u003c/p>\n\u003cp>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=KKQnHqEJqzefcruAyiBywlt%2BJbOEJXIeGGnL%2B3JV%2B%2BM%3D&url=http%3A%2F%2FFacebook.com%2Ffutbolistas4lifefilm\" target=\"_blank\" rel=\"noreferrer noopener\">Facebook.com/futbolistas4lifefilm\u003c/a>\u003c/p>\n\u003cdiv id=\"pageContainer3\" class=\"page\">\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cdiv id=\"pageContainer4\" class=\"page\">\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003c/div>\n\n","blocks":[],"excerpt":"Futbolistsas 4 Life takes you into the lives of two Oakland high schoolers: One is a college hopeful and DACA applicant who’s navigating the reality of his immigration status, and the other is an American citizen who lives in fear that her undocumented parents may be deported.","status":"publish","parent":0,"modified":1537997520,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":254},"headData":{"title":"Futbolistas 4 Life | KQED","description":"Futbolistsas 4 Life takes you into the lives of two Oakland high schoolers: One is a college hopeful and DACA applicant who’s navigating the reality of his immigration status, and the other is an American citizen who lives in fear that her undocumented parents may be deported.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"2280 https://ww2.kqed.org/trulyca/?p=2280","disqusUrl":"https://ww2.kqed.org/trulyca/futbolistas-4-life/","disqusTitle":"Futbolistas 4 Life","path":"/trulyca/2280/futbolistas-4-life","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"alignnone size-medium wp-image-2326\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2018/06/April-SoccerBall-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1020x573.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1200x674.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/29/2018/06/April-SoccerBall-520x292.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Futbolistsas 4 Life\u003c/em> takes you into the lives of two Oakland high schoolers: One is a college hopeful and DACA applicant who’s navigating the reality of his immigration status, and the other is an American citizen who lives in fear that her undocumented parents may be deported. These youth take solace in the game of soccer, which lets them if only for a moment, put their worries on the sidelines. Futbolistas 4 Life sheds light on the overwhelming stress experienced nationwide by immigrant youth living in communities with high rates of poverty and violence – communities increasingly in the crosshairs of harsh federal immigration policies. The film captivates viewers with its compelling characters, cinematic footage, carefully crafted animations and beautiful score by Grammy Award-winning Adrian Quesada.\u003c/p>\n\u003cp>Jun Stinson is an Oakland-based filmmaker and a producer at AJ+ . She has worked as a post-production producer and editor withAl Jazeera America and produced stories for CurrentTV and KQED, among others. She was also on the post-production team of the feature documentary Spark: A Burning Man Story that premiered at SXSW. Her work is published in the Washington Post, Associated Press, ESPNW, and SFGate.com . She is a former BAVC National MediaMaker Fellow and San Francisco Film Society FilmHouse resident . Jun was raised in both Oakland and Kobe, Japan, and is a graduate of UC Berkeley’s Graduate School of Journalism.\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Related Links\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"mailto:futbolistas4lifefilm@gmail.com\">futbolistas4lifefilm@gmail.com\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=XkOP0l4yWM5QRwq1P4QoZwz1FpO96u4D03yxKduAPqM%3D&url=http%3A%2F%2FFutbolistas4LifeFilm.com\" target=\"_blank\" rel=\"noreferrer noopener\">Futbolistas4LifeFilm.com\u003c/a>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Twitter: @FutbolLifeFilm\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">Instagram @Futbolistas4LifeFilm\u003c/p>\n\u003cp>\u003c/p>\n\u003cp class=\"textbox\" dir=\"ltr\">\u003ca href=\"https://www.dropbox.com/referrer_cleansing_redirect?hmac=KKQnHqEJqzefcruAyiBywlt%2BJbOEJXIeGGnL%2B3JV%2B%2BM%3D&url=http%3A%2F%2FFacebook.com%2Ffutbolistas4lifefilm\" target=\"_blank\" rel=\"noreferrer noopener\">Facebook.com/futbolistas4lifefilm\u003c/a>\u003c/p>\n\u003cdiv id=\"pageContainer3\" class=\"page\">\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cdiv id=\"pageContainer4\" class=\"page\">\n\u003cdiv class=\"textLayer\">\n\u003cdiv class=\"text-layer-inner\">\n\u003cp class=\"textbox\" dir=\"ltr\">\n\u003c/p>\u003c/div>\n\u003c/div>\n\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2280/futbolistas-4-life","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_77","trulyca_503"],"categories":["trulyca_45","trulyca_20","trulyca_21","trulyca_46"],"tags":["trulyca_90","trulyca_498","trulyca_418","trulyca_785","trulyca_786","trulyca_787","trulyca_147","trulyca_765","trulyca_784"],"collections":["trulyca_81"],"featImg":"trulyca_2326","label":"trulyca_771"},"trulyca_2026":{"type":"posts","id":"trulyca_2026","meta":{"index":"posts_1591205157","site":"trulyca","id":"2026","score":null,"sort":[1501277309000]},"guestAuthors":[],"slug":"f-r-e-e","title":"F R E E","publishDate":1501277309,"format":"video","headTitle":"Season 12 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cimg class=\"alignnone size-full wp-image-2629\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2017/07/free.png\" alt=\"\" width=\"672\" height=\"372\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2017/07/free.png 672w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-160x89.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-240x133.png 240w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-375x208.png 375w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-520x288.png 520w\" sizes=\"(max-width: 672px) 100vw, 672px\">\u003c/p>\n\u003cp>\u003cem>F R E E\u003c/em> is an award-winning documentary that follows five teens through a life-changing year with the Destiny Arts Youth Performance Company in Oakland, California.\u003c/p>\n\u003cp>Each year, a diverse group of teens audition for a spot at Destiny Arts, where they will spend months working together to create an emotionally charged performance based on their lives. However, in a city plagued by violence and high student dropout rates, can they fight the external forces to complete their study?\u003c/p>\n\u003cp>Central to the film are the stories of five youth: Jamany, who once thought guns, violence, and drugs were the way to fit in who barely escapes juvenile hall; Tilly, who has little outlet for the pain of a difficult relationship with her girlfriend and resorts to self-harm; Nee Nee, who lives with her mother recently diagnosed with breast cancer and unable to pay the water bill; Alaysia, a young woman trying to cope with childhood sexual trauma; and Omar, who has been through 11 foster homes and is living with HIV.\u003c/p>\n\u003cp>As they unite to create their production, the teens find their voice and a community.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Under the careful guidance of Destiny’s Artistic Director Sarah Crowell, their journey reveals how collaborative art can be a foundation for personal strength, liberation, and hope.\u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1537998280,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":219},"headData":{"title":"F R E E","description":"F R E E tells the stories of five teenagers as they spend a life-changing year at the Destiny Arts Youth Performance Company in Oakland, California. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"2026 https://ww2.kqed.org/trulyca/?p=2026","disqusUrl":"https://ww2.kqed.org/trulyca/f-r-e-e/","disqusTitle":"F R E E","originalAirdate":"July 28th, 2017","path":"/trulyca/2026/f-r-e-e","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"alignnone size-full wp-image-2629\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2017/07/free.png\" alt=\"\" width=\"672\" height=\"372\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2017/07/free.png 672w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-160x89.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-240x133.png 240w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-375x208.png 375w, https://ww2.kqed.org/app/uploads/sites/29/2017/07/free-520x288.png 520w\" sizes=\"(max-width: 672px) 100vw, 672px\">\u003c/p>\n\u003cp>\u003cem>F R E E\u003c/em> is an award-winning documentary that follows five teens through a life-changing year with the Destiny Arts Youth Performance Company in Oakland, California.\u003c/p>\n\u003cp>Each year, a diverse group of teens audition for a spot at Destiny Arts, where they will spend months working together to create an emotionally charged performance based on their lives. 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