How Scientists are Fighting to Save California Forests with Reforestation, a short film.
Last Days At Paradise High
Fighting Fire With Fire, a short film.
The Nostalgia Museum, a short film on San Francisco's Musée Mécanique
Better Known As Peaches Christ
The Missfits: An All Girls Robotics Team Takes on Engineering
Verasphere: A Love Story In Costume
Sawdust and Sand: Douglas Miller's Laguna Beach
Ruminations
Sponsored
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FM","link":"/"}},"trulyca_3474":{"type":"posts","id":"trulyca_3474","meta":{"index":"posts_1591205157","site":"trulyca","id":"3474","score":null,"sort":[1650542412000]},"guestAuthors":[],"slug":"reforestation","title":"How Scientists are Fighting to Save California Forests with Reforestation, a short film.","publishDate":1650542412,"format":"video","headTitle":"Season 16 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>Reforestation is a short film made by Jenn Cain and Mallory Pickett.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=iLxFLi5IO0Q\">Watch the film Reforestation\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>About the Film - Reforestation\u003c/strong>\u003c/p>\n\u003cp>Amidst intensifying wildfires and global warming, CAL FIRE and USDA face an overwhelming struggle to replant millions of acres lost to recent wildfires. The process of replanting starts by picking the cones of mature conifers. By identifying species that are more adapted to climate change, geneticists are able to replant conifers that can better survive climate change. Facing the tremendous demand for fighting wildfires, authorities like CAL FIRE also struggle to find climbers to pick cones for seeds.\u003c/p>\n\u003cp>\u003cstrong>Directors Statement: \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Reporter Mallory Pickett and I wanted to explain to viewers the scientific processes that geneticists are using to replant our state’s burnt forests. We filmed the climbers, who collect conifer cones, using a GoPro and a DJI Mavic 2 drone in hopes of portraying the lofty efforts that are being made to rejuvenate California’s forests by authorities like CAL FIRE and U.S. Forestry Service. As the state loses more and more trees to intensifying wildfires, geneticists believe that forests can be regrown by selecting trees that are better adapted to global warming. We were inspired by the dogged efforts of sources like Arnaldo Ferreira and Jessica Huang whose work softens the negative impacts of climate change.\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Jennifer Cain is an independent filmmaker based in Santa Cruz, California. She \u003ca href=\"http://www.jenn-cain.com\">directs and produces\u003c/a> short documentaries and television news stories that have appeared with AJ+ and the PBS NewsHour. Jennifer graduated from the University of California, Graduate School of Journalism with an M.A. in video storytelling. As a project manager, she has led data-driven, interactive projects with digital news outlets like YR Media (formerly Youth Radio).\u003c/p>\n\u003cfigure id=\"attachment_3477\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam.jpg\">\u003cimg class=\"wp-image-3477 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-800x727.jpg\" alt=\"\" width=\"800\" height=\"727\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-800x727.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-1020x927.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-160x145.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-768x698.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam.jpg 1402w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Filmmaker Jenn Cain\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with the Reforestation Crew\u003c/strong>\u003c/p>\n\u003cp>You can find them on social\u003c/p>\n\u003cp>\u003cstrong>Editor, Producer - Jenn Cain\u003c/strong>\u003c/p>\n\u003cp>@\u003ca href=\"https://twitter.com/jennymcain\">jennymcain\u003c/a> on Twitter\u003c/p>\n\u003cp>@\u003ca href=\"https://www.instagram.com/cennyjain/\">cennyjain\u003c/a> on Instagram\u003c/p>\n\u003cp>\u003cstrong>Reporter, Producer\u003c/strong> \u003cstrong>- Mallory Pickett\u003c/strong>\u003c/p>\n\u003cp>@\u003ca href=\"https://twitter.com/MalloryLPickett\">MalloryLPickett\u003c/a> on Twitter\u003c/p>\n\u003cp>\u003cstrong>Editor, Producer - Isara Krieger\u003c/strong>\u003c/p>\n\u003cp>@isarakrieger on \u003ca href=\"https://www.facebook.com/isara.krieger\">FB\u003c/a> or \u003ca href=\"https://twitter.com/isarakrieger\">Twitter\u003c/a>\u003c/p>\n\u003cp>@\u003ca href=\"https://www.instagram.com/alonewithacupcake/\">alonewithacupcake\u003c/a> on IG\u003c/p>\n\u003cp>Website: \u003ca href=\"https://www.isarakrieger.com/\">https://www.isarakrieger.com/\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Reforestation:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">Mallory Pickett Reporter, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Jenn Cain Director, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Erika Staud Editor, Photographer\u003c/p>\n\u003cp style=\"text-align: left\">Isara Krieger Editor, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Bijan Sharifi Sound Mix\u003c/p>\n\u003cp style=\"text-align: left\">LaTrina Candia Sound Recorder\u003c/p>\n\u003cp style=\"text-align: left\">Gary Coates Color Grading\u003c/p>\n\u003cp>\u003c/p>\n\u003cp style=\"text-align: left\">William Sammons Sound Design\u003c/p>\n\n","blocks":[],"excerpt":"Amidst intensifying wildfires and global warming, CAL FIRE and USDA face an overwhelming struggle to replant millions of acres lost to recent wildfires. ","status":"publish","parent":0,"modified":1650556148,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":519},"headData":{"title":"Reforestation - How Scientists Are Fighting For Forest Regrowth - Truly CA","description":"Amidst intensifying wildfires and global warming, CAL FIRE and USDA face an overwhelming struggle to replant millions of acres lost to recent wildfires.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How Scientists are Fighting to Save California Forests with Reforestation, a short film.","datePublished":"2022-04-21T12:00:12.000Z","dateModified":"2022-04-21T15:49:08.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"3474 https://ww2.kqed.org/trulyca/?p=3474","disqusUrl":"https://ww2.kqed.org/trulyca/reforestation/","disqusTitle":"How Scientists are Fighting to Save California Forests with Reforestation, a short film.","videoEmbed":"https://www.youtube.com/watch?v=iLxFLi5IO0Q","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","templateType":"standard","featuredImageType":"standard","subhead":"California can’t keep up in the race to replant the state’s burnt forests.","excludeFromSiteSearch":"Include","path":"/trulyca/3474/reforestation","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Reforestation is a short film made by Jenn Cain and Mallory Pickett.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=iLxFLi5IO0Q\">Watch the film Reforestation\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About the Film - Reforestation\u003c/strong>\u003c/p>\n\u003cp>Amidst intensifying wildfires and global warming, CAL FIRE and USDA face an overwhelming struggle to replant millions of acres lost to recent wildfires. The process of replanting starts by picking the cones of mature conifers. By identifying species that are more adapted to climate change, geneticists are able to replant conifers that can better survive climate change. Facing the tremendous demand for fighting wildfires, authorities like CAL FIRE also struggle to find climbers to pick cones for seeds.\u003c/p>\n\u003cp>\u003cstrong>Directors Statement: \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Reporter Mallory Pickett and I wanted to explain to viewers the scientific processes that geneticists are using to replant our state’s burnt forests. We filmed the climbers, who collect conifer cones, using a GoPro and a DJI Mavic 2 drone in hopes of portraying the lofty efforts that are being made to rejuvenate California’s forests by authorities like CAL FIRE and U.S. Forestry Service. As the state loses more and more trees to intensifying wildfires, geneticists believe that forests can be regrown by selecting trees that are better adapted to global warming. We were inspired by the dogged efforts of sources like Arnaldo Ferreira and Jessica Huang whose work softens the negative impacts of climate change.\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Jennifer Cain is an independent filmmaker based in Santa Cruz, California. She \u003ca href=\"http://www.jenn-cain.com\">directs and produces\u003c/a> short documentaries and television news stories that have appeared with AJ+ and the PBS NewsHour. Jennifer graduated from the University of California, Graduate School of Journalism with an M.A. in video storytelling. As a project manager, she has led data-driven, interactive projects with digital news outlets like YR Media (formerly Youth Radio).\u003c/p>\n\u003cfigure id=\"attachment_3477\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam.jpg\">\u003cimg class=\"wp-image-3477 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-800x727.jpg\" alt=\"\" width=\"800\" height=\"727\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-800x727.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-1020x927.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-160x145.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam-768x698.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2022/04/croped_profile-cam.jpg 1402w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Filmmaker Jenn Cain\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with the Reforestation Crew\u003c/strong>\u003c/p>\n\u003cp>You can find them on social\u003c/p>\n\u003cp>\u003cstrong>Editor, Producer - Jenn Cain\u003c/strong>\u003c/p>\n\u003cp>@\u003ca href=\"https://twitter.com/jennymcain\">jennymcain\u003c/a> on Twitter\u003c/p>\n\u003cp>@\u003ca href=\"https://www.instagram.com/cennyjain/\">cennyjain\u003c/a> on Instagram\u003c/p>\n\u003cp>\u003cstrong>Reporter, Producer\u003c/strong> \u003cstrong>- Mallory Pickett\u003c/strong>\u003c/p>\n\u003cp>@\u003ca href=\"https://twitter.com/MalloryLPickett\">MalloryLPickett\u003c/a> on Twitter\u003c/p>\n\u003cp>\u003cstrong>Editor, Producer - Isara Krieger\u003c/strong>\u003c/p>\n\u003cp>@isarakrieger on \u003ca href=\"https://www.facebook.com/isara.krieger\">FB\u003c/a> or \u003ca href=\"https://twitter.com/isarakrieger\">Twitter\u003c/a>\u003c/p>\n\u003cp>@\u003ca href=\"https://www.instagram.com/alonewithacupcake/\">alonewithacupcake\u003c/a> on IG\u003c/p>\n\u003cp>Website: \u003ca href=\"https://www.isarakrieger.com/\">https://www.isarakrieger.com/\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Reforestation:\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">Mallory Pickett Reporter, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Jenn Cain Director, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Erika Staud Editor, Photographer\u003c/p>\n\u003cp style=\"text-align: left\">Isara Krieger Editor, Producer\u003c/p>\n\u003cp style=\"text-align: left\">Bijan Sharifi Sound Mix\u003c/p>\n\u003cp style=\"text-align: left\">LaTrina Candia Sound Recorder\u003c/p>\n\u003cp style=\"text-align: left\">Gary Coates Color Grading\u003c/p>\n\u003cp>\u003c/p>\n\u003cp style=\"text-align: left\">William Sammons Sound Design\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3474/reforestation","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_45","trulyca_971","trulyca_969","trulyca_20","trulyca_972","trulyca_29"],"tags":["trulyca_977","trulyca_973","trulyca_986","trulyca_979","trulyca_978","trulyca_983","trulyca_984","trulyca_982","trulyca_985","trulyca_981"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3478","label":"trulyca_771"},"trulyca_3456":{"type":"posts","id":"trulyca_3456","meta":{"index":"posts_1591205157","site":"trulyca","id":"3456","score":null,"sort":[1642168814000]},"guestAuthors":[],"slug":"last-days-at-paradise-high","title":"Last Days At Paradise High","publishDate":1642168814,"format":"video","headTitle":"Season 16 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>Last Days of Paradise High is a short film made by Emily Thomas and Derek Knowles.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://youtu.be/K5SkVMKKPek\">Watch Last Days at Paradise High Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>After the most destructive fire in California history destroys the town of Paradise, the end of the school year takes on added meaning for two seniors, Harmony and Kody, and their beloved teacher, Mrs. Partain. As the end of school approaches, these displaced teens grapple with their fading youth like their peers across the country —\u003cbr>\nstruggling to stay motivated in class, fighting to be heard, capriciously asserting newfound independence, and deciding what to do after graduation. But these moments of classic teenage drama are routinely ruptured by jarring reminders that they have lived through one of the greatest disasters in their country’s history. Told from the perspective of America's youngest climate refugees, Last Days at Paradise High is an intimate portrait of fading youth and the search for home after it's gone.\u003c/p>\n\u003cp>[gallery columns=\"2\" ids=\"3469,3468,3467,3466,3465,3464,3463,3462,3461,3460\"]\u003c/p>\n\u003cp>Directors’ Statement\u003cbr>\nIncreasing traumatic events around the nation and world—from school shootings to COVID-19—are bringing a new generation of young adults into adulthood with inherited trauma. These events are creating a generation of survivors with a shared understanding of the impermanence of our world, anxiety about impending disaster,\u003cbr>\nand a resolve to embark upon radical change. As filmmakers, we hope to honor and highlight their stories so that they not be forgotten. The ultimate aim with this film is to include the good with the bad, the familiar with the unexpected, to broaden the perception and deepen the understanding of a disaster and its unforeseen impacts. We want to show both young and old generations how\u003cbr>\nthey might live beyond the grim issues of the day, to remind them of the complications and joys of youth, and to demonstrate, through the examples of our subjects, the opportunity for collective healing\u003cbr>\nList of film festival screenings SFFILM, DocLands, DCEFF, Alexander Valley Film Festival, Sebastopol Film Festival’s, Declare Your Independents program.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>EMILY THOMAS | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nEmily is a nonfiction filmmaker and cinematographer driven by a passion for documenting the human experience. Her work is rooted in the belief that stories are the most powerful way to connect people, bridge cultures, and embolden the voiceless.\u003c/p>\n\u003cp>She is co-director of Last Days at Paradise High, a documentary chronicling the end of adolescence in the wake of the devastating wildfire in Northern California that burned down the town of Paradise. The film screened at film festivals around the country and was originally published in The New Yorker. She is currently working on her first feature-length documentary, The Price of Freedom, a vignette film that illuminates the hidden worlds at the gates of the criminal justice system. Her work can be seen on Frontline, CBS, POV, The Guardian and many others.\u003c/p>\n\u003cp>DEREK KNOWLES | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nDerek Knowles is a documentary filmmaker whose work has been featured as a Vimeo Staff pick and on outlets like The Atlantic. He prefers to focus his work on people’s unheralded, often overlooked experiences, and has been a part of projects for Frontline, National Geographic, CNN, POV, and The Documentary Group. Recently, he\u003cbr>\nwas an Artist-in-Residence at “the camp” in the south of France where he developed an interactive intergenerational project aimed at connecting young and older generations. His recent film, \"After the Fire,\" winner of the Tribeca Film Institute's \"If/Then\" Shorts Award, follows three residents of his hometown in the months\u003cbr>\nfollowing 2017’s historic wildfires. It aired on California PBS stations in August 2019.\u003c/p>\n\u003cp>Derek graduated with honors from Stanford University in 2011 with a degree in American Studies.\u003c/p>\n\u003cp>PETER RICHARDS | EXECUTIVE-PRODUCER\u003cbr>\nPeter Richardson’s thoughtful and compelling documentary work has gained widespread recognition, including the Sundance Grand Jury Prize for Best Documentary and an Emmy Nomination for Best Documentary for How to Die in Oregon, his second feature. The film was broadcast on HBO, and the Chicago Sun-Times noted that “it will likely be viewed as one of the most historically significant\u003cbr>\ndocumentaries of this decade.” Richardson’s first feature doc also premiered at Sundance and was broadcast on the Sundance Channel. Richardson has worked extensively on premium documentary series, most recently show running two seasons\u003cbr>\nof QB1: Beyond the Lights, a 10-part documentary series about high school football, executive produced by Peter Berg. Prior to his work on QB1, Richardson was Series Director of Dark Net and Co-Executive Producer of The Circus: The Greatest Political\u003cbr>\nShow on Earth, both for Showtime Networks.\u003c/p>\n\u003cp>CREDITS\u003cbr>\nA Film By:\u003cbr>\nEmily Thomas and Derek Knowles\u003c/p>\n\u003cp>Featuring:\u003cbr>\nVirginia Partain\u003cbr>\nHarmony VonStockhausen\u003cbr>\nKody Loesch\u003cbr>\nJennifer Lyle\u003c/p>\n\u003cp>Executive Producer\u003cbr>\nPeter Richardson\u003cbr>\nIn Association with Blue Chalk Media and Lemon Tree Productions\u003c/p>\n\u003cp>Cinematography:\u003cbr>\nDerek Knowles\u003cbr>\nEmily Thomas\u003c/p>\n\u003cp>Producers\u003cbr>\nEmily Thomas\u003cbr>\nDerek Knowles\u003cbr>\nBlue Chalk\u003c/p>\n\u003cp>Executive Producers\u003cbr>\nGreg Moyer\u003cbr>\nPam Huling\u003c/p>\n\u003cp>Editor\u003cbr>\nGreg Snider\u003c/p>\n\u003cp>Assistant Editor\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Post Production Manager\u003cbr>\nAmy Polansky\u003c/p>\n\u003cp>Color Grade\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Audio Mix\u003cbr>\nJim Cooke\u003c/p>\n\u003cp>Original Music\u003cbr>\nAdam Gunther\u003c/p>\n\u003cp>Additional Music\u003cbr>\nAlice Bauman\u003c/p>\n\u003cp>Consulting Editor\u003cbr>\nDan Sadowksy\u003c/p>\n\u003cp>Production Assistant\u003cbr>\nJohn Toner\u003c/p>\n\u003cp>Additional Camera:\u003cbr>\nLevi Baker\u003cbr>\nBasil Glew-Galloway\u003cbr>\nCraig Hickerson\u003cbr>\nChris Smith\u003c/p>\n\u003cp>Confessionals:\u003cbr>\nIsiah Anderson\u003cbr>\nMackenzie Anderson\u003cbr>\nMegan Brewer\u003cbr>\nFaith Brown\u003cbr>\nThomas Corcoran\u003cbr>\nSofia DiBenedetto\u003cbr>\nEmily Headman\u003cbr>\nVicki Kelleman\u003cbr>\nIsiah Kent\u003cbr>\nAnthony Kern\u003cbr>\nMarissa Metker\u003cbr>\nTiril Mong\u003cbr>\nSarah Peters\u003cbr>\nJuliette Salls\u003cbr>\nAutumn Spoolman\u003cbr>\nKaylee Sunega\u003cbr>\nRachel Warren\u003c/p>\n\u003cp>Thank You:\u003cbr>\nStaff and administrators of Paradise High School\u003cbr>\nParadise Unified School District\u003cbr>\nJuan Arboleda\u003cbr>\nSamantha Clark\u003cbr>\nMichelle John\u003cbr>\nMargaret Katcher\u003cbr>\nDebra Knowles\u003cbr>\nDan Krauss\u003cbr>\nLawrence Lerew\u003cbr>\nGabriel Long\u003cbr>\nStacie Martin\u003cbr>\nSofia Melo\u003cbr>\nJeff Plunkett\u003cbr>\nSerghino Roosblad\u003cbr>\nMark Schapiro\u003cbr>\nLauren Schwartzman\u003cbr>\nSpencer Seibert\u003cbr>\nConor Spicer\u003cbr>\nElliott Thomas\u003cbr>\nToner Family\u003cbr>\nLuke Wigren\u003cbr>\nKirt Woodman\u003c/p>\n\u003cp>Funding Provided By:\u003cbr>\nBerkeley Film Foundation\u003cbr>\nErin and Francis Collins\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"A coming of age story set in the wake of a 21st century disaster.","status":"publish","parent":0,"modified":1642108247,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":31,"wordCount":994},"headData":{"title":"Last Days At Paradise High - A coming of age story set in the wake of a 21st-century disaster. - Truly CA","description":"After the most destructive fire in California history destroys the town of Paradise, the end of the school year takes on added meaning for two seniors, Harmony and Kody, and their beloved teacher, Mrs. Partain.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Last Days At Paradise High","datePublished":"2022-01-14T14:00:14.000Z","dateModified":"2022-01-13T21:10:47.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"3456 https://ww2.kqed.org/trulyca/?p=3456","disqusUrl":"https://ww2.kqed.org/trulyca/last-days-at-paradise-high/","disqusTitle":"Last Days At Paradise High","videoEmbed":"https://youtu.be/K5SkVMKKPek","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","templateType":"standard","featuredImageType":"standard","subhead":"A coming of age story set in the wake of a 21st century disaster.","excludeFromSiteSearch":"Include","path":"/trulyca/3456/last-days-at-paradise-high","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Last Days of Paradise High is a short film made by Emily Thomas and Derek Knowles.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://youtu.be/K5SkVMKKPek\">Watch Last Days at Paradise High Now\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After the most destructive fire in California history destroys the town of Paradise, the end of the school year takes on added meaning for two seniors, Harmony and Kody, and their beloved teacher, Mrs. Partain. As the end of school approaches, these displaced teens grapple with their fading youth like their peers across the country —\u003cbr>\nstruggling to stay motivated in class, fighting to be heard, capriciously asserting newfound independence, and deciding what to do after graduation. But these moments of classic teenage drama are routinely ruptured by jarring reminders that they have lived through one of the greatest disasters in their country’s history. Told from the perspective of America's youngest climate refugees, Last Days at Paradise High is an intimate portrait of fading youth and the search for home after it's gone.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"2","ids":"3469,3468,3467,3466,3465,3464,3463,3462,3461,3460","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Directors’ Statement\u003cbr>\nIncreasing traumatic events around the nation and world—from school shootings to COVID-19—are bringing a new generation of young adults into adulthood with inherited trauma. These events are creating a generation of survivors with a shared understanding of the impermanence of our world, anxiety about impending disaster,\u003cbr>\nand a resolve to embark upon radical change. As filmmakers, we hope to honor and highlight their stories so that they not be forgotten. The ultimate aim with this film is to include the good with the bad, the familiar with the unexpected, to broaden the perception and deepen the understanding of a disaster and its unforeseen impacts. We want to show both young and old generations how\u003cbr>\nthey might live beyond the grim issues of the day, to remind them of the complications and joys of youth, and to demonstrate, through the examples of our subjects, the opportunity for collective healing\u003cbr>\nList of film festival screenings SFFILM, DocLands, DCEFF, Alexander Valley Film Festival, Sebastopol Film Festival’s, Declare Your Independents program.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>EMILY THOMAS | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nEmily is a nonfiction filmmaker and cinematographer driven by a passion for documenting the human experience. Her work is rooted in the belief that stories are the most powerful way to connect people, bridge cultures, and embolden the voiceless.\u003c/p>\n\u003cp>She is co-director of Last Days at Paradise High, a documentary chronicling the end of adolescence in the wake of the devastating wildfire in Northern California that burned down the town of Paradise. The film screened at film festivals around the country and was originally published in The New Yorker. She is currently working on her first feature-length documentary, The Price of Freedom, a vignette film that illuminates the hidden worlds at the gates of the criminal justice system. Her work can be seen on Frontline, CBS, POV, The Guardian and many others.\u003c/p>\n\u003cp>DEREK KNOWLES | CO-DIRECTOR, PRODUCER, CINEMATOGRAPHER\u003cbr>\nDerek Knowles is a documentary filmmaker whose work has been featured as a Vimeo Staff pick and on outlets like The Atlantic. He prefers to focus his work on people’s unheralded, often overlooked experiences, and has been a part of projects for Frontline, National Geographic, CNN, POV, and The Documentary Group. Recently, he\u003cbr>\nwas an Artist-in-Residence at “the camp” in the south of France where he developed an interactive intergenerational project aimed at connecting young and older generations. His recent film, \"After the Fire,\" winner of the Tribeca Film Institute's \"If/Then\" Shorts Award, follows three residents of his hometown in the months\u003cbr>\nfollowing 2017’s historic wildfires. It aired on California PBS stations in August 2019.\u003c/p>\n\u003cp>Derek graduated with honors from Stanford University in 2011 with a degree in American Studies.\u003c/p>\n\u003cp>PETER RICHARDS | EXECUTIVE-PRODUCER\u003cbr>\nPeter Richardson’s thoughtful and compelling documentary work has gained widespread recognition, including the Sundance Grand Jury Prize for Best Documentary and an Emmy Nomination for Best Documentary for How to Die in Oregon, his second feature. The film was broadcast on HBO, and the Chicago Sun-Times noted that “it will likely be viewed as one of the most historically significant\u003cbr>\ndocumentaries of this decade.” Richardson’s first feature doc also premiered at Sundance and was broadcast on the Sundance Channel. Richardson has worked extensively on premium documentary series, most recently show running two seasons\u003cbr>\nof QB1: Beyond the Lights, a 10-part documentary series about high school football, executive produced by Peter Berg. Prior to his work on QB1, Richardson was Series Director of Dark Net and Co-Executive Producer of The Circus: The Greatest Political\u003cbr>\nShow on Earth, both for Showtime Networks.\u003c/p>\n\u003cp>CREDITS\u003cbr>\nA Film By:\u003cbr>\nEmily Thomas and Derek Knowles\u003c/p>\n\u003cp>Featuring:\u003cbr>\nVirginia Partain\u003cbr>\nHarmony VonStockhausen\u003cbr>\nKody Loesch\u003cbr>\nJennifer Lyle\u003c/p>\n\u003cp>Executive Producer\u003cbr>\nPeter Richardson\u003cbr>\nIn Association with Blue Chalk Media and Lemon Tree Productions\u003c/p>\n\u003cp>Cinematography:\u003cbr>\nDerek Knowles\u003cbr>\nEmily Thomas\u003c/p>\n\u003cp>Producers\u003cbr>\nEmily Thomas\u003cbr>\nDerek Knowles\u003cbr>\nBlue Chalk\u003c/p>\n\u003cp>Executive Producers\u003cbr>\nGreg Moyer\u003cbr>\nPam Huling\u003c/p>\n\u003cp>Editor\u003cbr>\nGreg Snider\u003c/p>\n\u003cp>Assistant Editor\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Post Production Manager\u003cbr>\nAmy Polansky\u003c/p>\n\u003cp>Color Grade\u003cbr>\nKashi Hall\u003c/p>\n\u003cp>Audio Mix\u003cbr>\nJim Cooke\u003c/p>\n\u003cp>Original Music\u003cbr>\nAdam Gunther\u003c/p>\n\u003cp>Additional Music\u003cbr>\nAlice Bauman\u003c/p>\n\u003cp>Consulting Editor\u003cbr>\nDan Sadowksy\u003c/p>\n\u003cp>Production Assistant\u003cbr>\nJohn Toner\u003c/p>\n\u003cp>Additional Camera:\u003cbr>\nLevi Baker\u003cbr>\nBasil Glew-Galloway\u003cbr>\nCraig Hickerson\u003cbr>\nChris Smith\u003c/p>\n\u003cp>Confessionals:\u003cbr>\nIsiah Anderson\u003cbr>\nMackenzie Anderson\u003cbr>\nMegan Brewer\u003cbr>\nFaith Brown\u003cbr>\nThomas Corcoran\u003cbr>\nSofia DiBenedetto\u003cbr>\nEmily Headman\u003cbr>\nVicki Kelleman\u003cbr>\nIsiah Kent\u003cbr>\nAnthony Kern\u003cbr>\nMarissa Metker\u003cbr>\nTiril Mong\u003cbr>\nSarah Peters\u003cbr>\nJuliette Salls\u003cbr>\nAutumn Spoolman\u003cbr>\nKaylee Sunega\u003cbr>\nRachel Warren\u003c/p>\n\u003cp>Thank You:\u003cbr>\nStaff and administrators of Paradise High School\u003cbr>\nParadise Unified School District\u003cbr>\nJuan Arboleda\u003cbr>\nSamantha Clark\u003cbr>\nMichelle John\u003cbr>\nMargaret Katcher\u003cbr>\nDebra Knowles\u003cbr>\nDan Krauss\u003cbr>\nLawrence Lerew\u003cbr>\nGabriel Long\u003cbr>\nStacie Martin\u003cbr>\nSofia Melo\u003cbr>\nJeff Plunkett\u003cbr>\nSerghino Roosblad\u003cbr>\nMark Schapiro\u003cbr>\nLauren Schwartzman\u003cbr>\nSpencer Seibert\u003cbr>\nConor Spicer\u003cbr>\nElliott Thomas\u003cbr>\nToner Family\u003cbr>\nLuke Wigren\u003cbr>\nKirt Woodman\u003c/p>\n\u003cp>Funding Provided By:\u003cbr>\nBerkeley Film Foundation\u003cbr>\nErin and Francis Collins\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3456/last-days-at-paradise-high","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_45","trulyca_971","trulyca_969","trulyca_20","trulyca_972","trulyca_36","trulyca_884","trulyca_29","trulyca_46"],"tags":["trulyca_977","trulyca_973","trulyca_975","trulyca_939","trulyca_908","trulyca_436","trulyca_980","trulyca_954","trulyca_976","trulyca_287"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3468","label":"trulyca_771"},"trulyca_3433":{"type":"posts","id":"trulyca_3433","meta":{"index":"posts_1591205157","site":"trulyca","id":"3433","score":null,"sort":[1631034048000]},"guestAuthors":[],"slug":"how-native-americans-prevent-wildfires","title":"Fighting Fire With Fire, a short film.","publishDate":1631034048,"format":"video","headTitle":"Season 16 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>Fighting Fire with Fire is a short film made by Cameron Nielsen.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=Fe43QK85448\">Watch Fighting Fire With Fire Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>About the Film - Fighting Fire with Fire\u003c/strong>\u003c/p>\n\u003cp>As wildfires in Sonoma County become increasingly devastating a growing group of people revives a Native American practice of fighting fire with fire.\u003c/p>\n\u003cp>\u003cstrong>Directors Statement: \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Although turning 24 is not a particularly special birthday, I will never forget that day. I sit at the dinner table with a few friends who have decided to share the evening with me despite the fires creeping closer. The awkward, out-of-sync “happy birthday to you” is followed by sudden darkness. PG&E has cut our power to prevent the high winds from starting any more fires. Our phones ring with alerts that evacuation alerts are coming closer to us. Flustered, my guests make their way home. The sounds of sirens echo through the streets, and my heart palpitates as a wave of fear overcomes me. I pack the car with essential possessions. As I drive, my car wobbles in the wind. I arrive at my cousin’s house in Sacramento at 1 am, becoming one of many Sonoma County evacuees.\u003c/p>\n\u003cp>While fire seasons are getting more prolonged and intense, my community is learning how to adapt to this changing reality. This past December, I witnessed a glimmer of hope for the coming years of fire. I was invited to film at a ranch in the hills of Bodega that was performing a controlled burn. These ranchers were burning part of their 1,000 acres of grassland and forest to prevent a devastating wildfire and keep the land healthy. I stood on a hill filming, surrounded by CalFire and local volunteers from the community, all looking at Red Bird, a local indigenous man. Red Bird blesses the burn, apologizing to any creature hurt during the controlled burn process. A school-grade girl who grew up on the land begins to rub a stick back and forth to create a traditional friction fire. She places an ember into the grass, and the prescribed burn has started. The very same spark sent me on my journey to make \u003cem>Fighting Fire with Fire\u003c/em>.\u003c/p>\n\u003cp>Through the experience of making this film, I have been amazed by the enthusiasm to relearn what it means to steward the land in Sonoma County.\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3439,3445,3434,3435,3436,3437,3438,3440,3441,3442,3443,3444\"]\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Cameron Nielsen is a San Francisco Bay Area-based documentary filmmaker dedicated to telling stories that reimagine complex issues of our times. His film \u003cem>Rewilding Honeybees\u003c/em> won Best Documentary Short at Sonoma International Film Festival and premiered at Telluride Mountainfilm Festival. Cameron is currently in the documentary program at the UC Berkeley Graduate School of Journalism and freelancing as a video journalist for organizations such as AJ+ and Business Insider, and KQED.\u003c/p>\n\u003cfigure id=\"attachment_3450\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-scaled.jpg\">\u003cimg class=\"wp-image-3450 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg\" alt=\"\" width=\"800\" height=\"540\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1020x689.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-768x519.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1536x1037.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-2048x1383.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1920x1296.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Director of Cameron Nielsen\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with Cameron Nielsen\u003c/strong>\u003c/p>\n\u003cp>You can check out his\u003c/p>\n\u003cp>Instagram: \u003ca href=\"https://www.instagram.com/cameronpnielsen/?hl=en\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Twitter: \u003ca href=\"https://twitter.com/cameronpnielsen\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Website: \u003ca href=\"https://protect-us.mimecast.com/s/x1HnCG69GouBxV7WUKIIwQ?domain=cameronnielsen.com\">cameronnielsen.com\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Fighting Fire With Fire :\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Director, Producer, Camera & Editor: \u003c/em>Cameron Nielsen\u003c/p>\n\u003cp>\u003cem>Supervising Producer: \u003c/em>Andrés Cediel\u003c/p>\n\u003cp>\u003cem>Featuring: \u003c/em>Edward \"Red Bird\" Willie, Sasha Berleman, Jay Silva & Shepley Schroth-Cary\u003c/p>\n\u003cp>\u003cem>Archival Footage:\u003c/em> Jacqueline Jorgenson\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Special Thanks:\u003c/em> Cassandra Herrman, James Fahn & Alyssum Revallo\u003c/p>\n\n","blocks":[],"excerpt":"As wildfires in Sonoma County become increasingly devastating a growing group of people revives a Native American practice of fighting fire with fire.","status":"publish","parent":0,"modified":1631207423,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":24,"wordCount":559},"headData":{"title":"Fighting Fire With Fire - How Native Americans Prevent Wildfires - Truly CA","description":"As wildfires in Sonoma County become increasingly devastating a growing group of people revives a Native American practice of fighting fire with fire.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Fighting Fire With Fire, a short film.","datePublished":"2021-09-07T17:00:48.000Z","dateModified":"2021-09-09T17:10:23.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"3433 https://ww2.kqed.org/trulyca/?p=3433","disqusUrl":"https://ww2.kqed.org/trulyca/how-native-americans-prevent-wildfires/","disqusTitle":"Fighting Fire With Fire, a short film.","videoEmbed":"https://www.youtube.com/watch?v=Fe43QK85448","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","templateType":"standard","featuredImageType":"standard","subhead":"Native American Tribes Help Control California Wildfires.","path":"/trulyca/3433/how-native-americans-prevent-wildfires","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Fighting Fire with Fire is a short film made by Cameron Nielsen.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=Fe43QK85448\">Watch Fighting Fire With Fire Now\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About the Film - Fighting Fire with Fire\u003c/strong>\u003c/p>\n\u003cp>As wildfires in Sonoma County become increasingly devastating a growing group of people revives a Native American practice of fighting fire with fire.\u003c/p>\n\u003cp>\u003cstrong>Directors Statement: \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Although turning 24 is not a particularly special birthday, I will never forget that day. I sit at the dinner table with a few friends who have decided to share the evening with me despite the fires creeping closer. The awkward, out-of-sync “happy birthday to you” is followed by sudden darkness. PG&E has cut our power to prevent the high winds from starting any more fires. Our phones ring with alerts that evacuation alerts are coming closer to us. Flustered, my guests make their way home. The sounds of sirens echo through the streets, and my heart palpitates as a wave of fear overcomes me. I pack the car with essential possessions. As I drive, my car wobbles in the wind. I arrive at my cousin’s house in Sacramento at 1 am, becoming one of many Sonoma County evacuees.\u003c/p>\n\u003cp>While fire seasons are getting more prolonged and intense, my community is learning how to adapt to this changing reality. This past December, I witnessed a glimmer of hope for the coming years of fire. I was invited to film at a ranch in the hills of Bodega that was performing a controlled burn. These ranchers were burning part of their 1,000 acres of grassland and forest to prevent a devastating wildfire and keep the land healthy. I stood on a hill filming, surrounded by CalFire and local volunteers from the community, all looking at Red Bird, a local indigenous man. Red Bird blesses the burn, apologizing to any creature hurt during the controlled burn process. A school-grade girl who grew up on the land begins to rub a stick back and forth to create a traditional friction fire. She places an ember into the grass, and the prescribed burn has started. The very same spark sent me on my journey to make \u003cem>Fighting Fire with Fire\u003c/em>.\u003c/p>\n\u003cp>Through the experience of making this film, I have been amazed by the enthusiasm to relearn what it means to steward the land in Sonoma County.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3439,3445,3434,3435,3436,3437,3438,3440,3441,3442,3443,3444","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Cameron Nielsen is a San Francisco Bay Area-based documentary filmmaker dedicated to telling stories that reimagine complex issues of our times. His film \u003cem>Rewilding Honeybees\u003c/em> won Best Documentary Short at Sonoma International Film Festival and premiered at Telluride Mountainfilm Festival. Cameron is currently in the documentary program at the UC Berkeley Graduate School of Journalism and freelancing as a video journalist for organizations such as AJ+ and Business Insider, and KQED.\u003c/p>\n\u003cfigure id=\"attachment_3450\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-scaled.jpg\">\u003cimg class=\"wp-image-3450 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg\" alt=\"\" width=\"800\" height=\"540\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-800x540.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1020x689.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-768x519.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1536x1037.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-2048x1383.jpg 2048w, https://ww2.kqed.org/app/uploads/sites/29/2021/09/Cameron-Headshot-1920x1296.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Director of Cameron Nielsen\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>To keep up with Cameron Nielsen\u003c/strong>\u003c/p>\n\u003cp>You can check out his\u003c/p>\n\u003cp>Instagram: \u003ca href=\"https://www.instagram.com/cameronpnielsen/?hl=en\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Twitter: \u003ca href=\"https://twitter.com/cameronpnielsen\">@cameronpnielsen\u003c/a>\u003c/p>\n\u003cp>Website: \u003ca href=\"https://protect-us.mimecast.com/s/x1HnCG69GouBxV7WUKIIwQ?domain=cameronnielsen.com\">cameronnielsen.com\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credits for Fighting Fire With Fire :\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Director, Producer, Camera & Editor: \u003c/em>Cameron Nielsen\u003c/p>\n\u003cp>\u003cem>Supervising Producer: \u003c/em>Andrés Cediel\u003c/p>\n\u003cp>\u003cem>Featuring: \u003c/em>Edward \"Red Bird\" Willie, Sasha Berleman, Jay Silva & Shepley Schroth-Cary\u003c/p>\n\u003cp>\u003cem>Archival Footage:\u003c/em> Jacqueline Jorgenson\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Special Thanks:\u003c/em> Cassandra Herrman, James Fahn & Alyssum Revallo\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3433/how-native-americans-prevent-wildfires","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_45","trulyca_971","trulyca_969","trulyca_20","trulyca_972","trulyca_970","trulyca_29"],"tags":["trulyca_977","trulyca_973","trulyca_979","trulyca_978","trulyca_975","trulyca_151","trulyca_974","trulyca_406","trulyca_976"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3435","label":"trulyca_771"},"trulyca_3390":{"type":"posts","id":"trulyca_3390","meta":{"index":"posts_1591205157","site":"trulyca","id":"3390","score":null,"sort":[1627654533000]},"guestAuthors":[],"slug":"nostalgia-museum","title":"The Nostalgia Museum, a short film on San Francisco's Musée Mécanique","publishDate":1627654533,"format":"video","headTitle":"Season 16 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>Nostalgia Museum is a short film made by Sofie Kodner & Eleonora Bianchi.\u003c/p>\n\u003cp>San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. The short film, \u003cem>Nostalgia Museum,\u003c/em> is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>\u003cstrong>About the Film - Nostalgia Museum\u003c/strong>\u003c/p>\n\u003cp>Antique arcade Musée Mécanique has provided entertainment to San Franciscans and tourists alike for nearly a century. But the pandemic almost marked its end. “Nostalgia Museum” provides an intimate portrayal of owner Dan Zelinsky as he struggles to keep the legacy of this iconic San Francisco institution, and of his father, alive in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>“It’s one of the few things in the city that is exactly the way it used to be. These machines are these machines.”\u003c/p>\n\u003cp>[gallery size=\"medium\" ids=\"3404,3396,3392,3393,3394,3395,3401,3402,3403,3406,3409,3410,3411,3412,3413\"]\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>Many establishments with long, rich histories did not make it to the other side of the pandemic. In a year defined by loss, we wondered how communities felt about losing pieces of their cultural heritage. Musée Mécanique is full of meaning for many throughout San Francisco. It is an eccentric home that delights across generations. For the 15 months that the arcade was closed to the public, patrons near and far donated to support the maintenance of the Musée in hopes that it would one day reopen. We were lucky that Dan Zelinsky welcomed us behind the museum’s shuttered doors and gave us a view into the history of his family, his city, and of the relentless labor required to keep century-old machines in working condition. All Dan has ever wanted is to share his collection with any person who happens to wander in. His love of fun and knowledge of mechanical restoration is unmatched. Together through the film, we explored themes of time, memory, community, family, and what it takes to preserve whimsy in a serious, commercial world.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\"]\u003ca href=\"https://www.youtube.com/watch?v=l8SbTiIWils\">Watch Nostalgia Museum Now\u003c/a> [/pullquote]\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Sofie Kodner is a journalist and documentarian based in San Francisco, California. She often reports at the nexus of history, design, and culture. Her work has appeared in CalMatters, KALW, Protocol, and the Jackson Hole News and Guide. She is currently pursuing a master’s degree at the University of California, Berkeley Graduate School of Journalism. Sofie grew up in St. Louis, Missouri.\u003c/p>\n\u003cp>Eleonora Bianchi is a Swiss-Italian journalist based in Berkeley, California. Before moving to the United States, she earned a degree in Human Rights and worked for Swiss Radio and Television. Eleonora is currently a master’s student at the UC Berkeley Graduate School of Journalism, where she focuses on investigative reporting and narrative writing. She is an avid traveler who enjoys learning about different cultures through story.\u003c/p>\n\u003cp>\u003cstrong>Credit List of Cast & Crew: \u003c/strong>\u003c/p>\n\u003cp>A film by Sofie Kodner & Eleonora Bianchi\u003cbr>\nCreative Advisors: Andrés Cediel & Samantha Grant\u003cbr>\nSpecial Thanks: Dan Zelinsky, Nicole Meldahl, Ken Eaton, Judith Taylor Dixon, Noah Haydon, Peter Mintun, James Matison, Derek Lipkin\u003cbr>\nArchival: Dan Zelinksy, Western Neighborhoods Project, Geoff Svendsgaard\u003cbr>\nTechnical Assistance: Chris O’Dea\u003cbr>\nProduced at the Graduate School of Journalism, University of California, Berkeley\u003c/p>\n\u003cp>[gallery columns=\"1\" size=\"medium\" link=\"file\" ids=\"3408,3407,3400,3391\"]\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">[ad fullwidth]\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. Nostalgia Museum is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.","status":"publish","parent":0,"modified":1627660701,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":595},"headData":{"title":"The Nostalgia Museum, a short film on San Francisco's Musée Mécanique - Truly CA","description":"San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. Nostalgia Museum is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Nostalgia Museum, a short film on San Francisco's Musée Mécanique","datePublished":"2021-07-30T14:15:33.000Z","dateModified":"2021-07-30T15:58:21.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"3390 https://ww2.kqed.org/trulyca/?p=3390","disqusUrl":"https://ww2.kqed.org/trulyca/nostalgia-museum/","disqusTitle":"The Nostalgia Museum, a short film on San Francisco's Musée Mécanique","videoEmbed":"https://www.youtube.com/watch?v=l8SbTiIWils","WpOldSlug":"sf-pride-grand-marshalls-introduce-their-community-built-on-art-in-the-new-documentary-mrs-veras-daybook","templateType":"standard","featuredImageType":"standard","subhead":"Nostalgia Museum is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.","path":"/trulyca/3390/nostalgia-museum","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Nostalgia Museum is a short film made by Sofie Kodner & Eleonora Bianchi.\u003c/p>\n\u003cp>San Francisco’s Musée Mécanique sat empty and under threat of permanent closure for 15 months during the pandemic. The short film, \u003cem>Nostalgia Museum,\u003c/em> is the story of how the beloved arcade survived in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>\u003cstrong>About the Film - Nostalgia Museum\u003c/strong>\u003c/p>\n\u003cp>Antique arcade Musée Mécanique has provided entertainment to San Franciscans and tourists alike for nearly a century. But the pandemic almost marked its end. “Nostalgia Museum” provides an intimate portrayal of owner Dan Zelinsky as he struggles to keep the legacy of this iconic San Francisco institution, and of his father, alive in the face of economic loss and mechanical deterioration.\u003c/p>\n\u003cp>“It’s one of the few things in the city that is exactly the way it used to be. These machines are these machines.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"size":"medium","ids":"3404,3396,3392,3393,3394,3395,3401,3402,3403,3406,3409,3410,3411,3412,3413","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>Many establishments with long, rich histories did not make it to the other side of the pandemic. In a year defined by loss, we wondered how communities felt about losing pieces of their cultural heritage. Musée Mécanique is full of meaning for many throughout San Francisco. It is an eccentric home that delights across generations. For the 15 months that the arcade was closed to the public, patrons near and far donated to support the maintenance of the Musée in hopes that it would one day reopen. We were lucky that Dan Zelinsky welcomed us behind the museum’s shuttered doors and gave us a view into the history of his family, his city, and of the relentless labor required to keep century-old machines in working condition. All Dan has ever wanted is to share his collection with any person who happens to wander in. His love of fun and knowledge of mechanical restoration is unmatched. Together through the film, we explored themes of time, memory, community, family, and what it takes to preserve whimsy in a serious, commercial world.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"\u003ca href=\"https://www.youtube.com/watch?v=l8SbTiIWils\">Watch Nostalgia Museum Now\u003c/a> ","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Director Bios:\u003c/strong>\u003c/p>\n\u003cp>Sofie Kodner is a journalist and documentarian based in San Francisco, California. She often reports at the nexus of history, design, and culture. Her work has appeared in CalMatters, KALW, Protocol, and the Jackson Hole News and Guide. She is currently pursuing a master’s degree at the University of California, Berkeley Graduate School of Journalism. Sofie grew up in St. Louis, Missouri.\u003c/p>\n\u003cp>Eleonora Bianchi is a Swiss-Italian journalist based in Berkeley, California. Before moving to the United States, she earned a degree in Human Rights and worked for Swiss Radio and Television. Eleonora is currently a master’s student at the UC Berkeley Graduate School of Journalism, where she focuses on investigative reporting and narrative writing. She is an avid traveler who enjoys learning about different cultures through story.\u003c/p>\n\u003cp>\u003cstrong>Credit List of Cast & Crew: \u003c/strong>\u003c/p>\n\u003cp>A film by Sofie Kodner & Eleonora Bianchi\u003cbr>\nCreative Advisors: Andrés Cediel & Samantha Grant\u003cbr>\nSpecial Thanks: Dan Zelinsky, Nicole Meldahl, Ken Eaton, Judith Taylor Dixon, Noah Haydon, Peter Mintun, James Matison, Derek Lipkin\u003cbr>\nArchival: Dan Zelinksy, Western Neighborhoods Project, Geoff Svendsgaard\u003cbr>\nTechnical Assistance: Chris O’Dea\u003cbr>\nProduced at the Graduate School of Journalism, University of California, Berkeley\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"columns":"1","size":"medium","link":"file","ids":"3408,3407,3400,3391","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong style=\"font-style: italic;background-color: transparent\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/strong>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3390/nostalgia-museum","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_951"],"categories":["trulyca_45","trulyca_33","trulyca_40","trulyca_20","trulyca_21","trulyca_884","trulyca_35","trulyca_29","trulyca_46"],"tags":["trulyca_968","trulyca_963","trulyca_962","trulyca_961","trulyca_960","trulyca_967","trulyca_964","trulyca_966","trulyca_267","trulyca_965","trulyca_406"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3399","label":"trulyca_771"},"trulyca_3157":{"type":"posts","id":"trulyca_3157","meta":{"index":"posts_1591205157","site":"trulyca","id":"3157","score":null,"sort":[1592571645000]},"guestAuthors":[],"slug":"better-known-as-peaches-christ","title":"Better Known As Peaches Christ","publishDate":1592571645,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>Two decades after Joshua Grannell gave birth to his bold, brazen, busty alter-ego, Peaches Christ has become a beloved cult icon.\u003c/p>\n\u003cp>This lush, intimate portrait offers a rare candid glimpse into the pre-show transformation of San Francisco’s most sought-after drag queen. Both man and queen get personal as they discuss transgression, catharsis, and how by becoming someone else, Joshua learned to love himself.\u003c/p>\n\u003cp>Through his development of Peaches Christ, Joshua was able to explore his feminine side and his sexuality. In the piece we hear from both Joshua and Peaches about their lives growing up Queer while attending Catholic school. Joshua developed the character of Peaches as a way to process and rebel against their Catholic upbringing.\u003c/p>\n\u003cp>As Joshua transforms into Peaches, we hear how Peaches helped him love himself. The film culminates in Joshua’s acceptance of himself, as we see Joshua/Peaches in their element at a drag show.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>We were interested in the process of internal and external transformation that takes place in preparation for a drag show. Drag is as important and relevant as ever now. It’s a subversive act that is also a profound celebration of identity. I think a lot of people have felt like their identity has been under attack. We wanted to make a film, and actually a series of films, that celebrates diversity in thought, experience, and identity.\u003c/p>\n\u003cp>We wanted to make something that was accessible to people that have never seen a drag show, and get them interested in drag as an art form. At the same time, it was important to make a film about someone who learned to celebrate their own uniqueness, and we are hoping that it inspires others to embrace the qualities that make them unique. Jeff Dragomanovich and Nate Visconti (the directors) are both fans of Peaches.\u003c/p>\n\u003cp>\u003cstrong>Directors Bio:\u003c/strong>\u003c/p>\n\u003cp>Nate Visconti is a San Francisco Bay Area native. For the last 10 years, Nate has produced narrative and documentary shorts, worked on film and television sets, and shot and produced\u003cbr>\ncorporate training, recruiting, and promotional videos. Nate and the other filmmakers on Better Known as Peaches Christ have created a film collective to make films together.\u003c/p>\n\u003cp>Jeff Dragomanovich is freelance sound mixer that's worked on feature films, commercial and corporate videos. He is the owner and operator of Appetite For Production. Jeff is a San Francisco Bay Area native and has worked in the industry for nearly 10 years. His love of film led him to study cinema at San Francisco State University where he fell in love with documentary film making. Better Known as Peaches Christ is the third short documentary that he has directed.\u003c/p>\n\u003cp>To learn more about Nate & Jeff's work, check them out at the links below:\u003c/p>\n\u003cp>\u003ca href=\"http://fourcornerlabs.com\">http://fourcornerlabs.com\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/fourcornerlabs\">https://twitter.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/FourCornerLabs\">https://www.facebook.com/FourCornerLabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://vimeo.com/fourcornerlabs\">https://vimeo.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/fourcornerlabs\">https://www.instagram.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credit List\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Directed by Jeff Dragomanovich & Nate Visconti\u003cbr>\nProduced by Nate Visconti\u003cbr>\nCo-produced by Oli McCormack & Greg Armstrong\u003cbr>\nFeaturing Joshua Grannell as Peaches Christ\u003cbr>\nDirector of Photography Dan Williams\u003cbr>\nEditor Greg Armstrong\u003cbr>\nArt Direction Helen Slomowitz\u003cbr>\nGaffer Hart Perez\u003cbr>\nProduction Assistant Dan Isaacs\u003cbr>\nColorist Eric Escobar\u003cbr>\nCompositor Tim Kwong\u003cbr>\nSound engineer and Editor Patrick Schaffer\u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1592534175,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":550},"headData":{"title":"Better Known As Peaches Christ - Truly CA","description":"Drag icon Peaches Christ offers a rare, intimate glimpse into her process of transformation, and describesthe path from stifled teen to brazen cult hero.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Better Known As Peaches Christ","datePublished":"2020-06-19T13:00:45.000Z","dateModified":"2020-06-19T02:36:15.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"3157 https://ww2.kqed.org/trulyca/?p=3157","disqusUrl":"https://ww2.kqed.org/trulyca/better-known-as-peaches-christ/","disqusTitle":"Better Known As Peaches Christ","videoEmbed":"https://youtu.be/LLSQUyXWlkE","path":"/trulyca/3157/better-known-as-peaches-christ","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Two decades after Joshua Grannell gave birth to his bold, brazen, busty alter-ego, Peaches Christ has become a beloved cult icon.\u003c/p>\n\u003cp>This lush, intimate portrait offers a rare candid glimpse into the pre-show transformation of San Francisco’s most sought-after drag queen. Both man and queen get personal as they discuss transgression, catharsis, and how by becoming someone else, Joshua learned to love himself.\u003c/p>\n\u003cp>Through his development of Peaches Christ, Joshua was able to explore his feminine side and his sexuality. In the piece we hear from both Joshua and Peaches about their lives growing up Queer while attending Catholic school. Joshua developed the character of Peaches as a way to process and rebel against their Catholic upbringing.\u003c/p>\n\u003cp>As Joshua transforms into Peaches, we hear how Peaches helped him love himself. The film culminates in Joshua’s acceptance of himself, as we see Joshua/Peaches in their element at a drag show.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Directors Statement:\u003c/strong>\u003c/p>\n\u003cp>We were interested in the process of internal and external transformation that takes place in preparation for a drag show. Drag is as important and relevant as ever now. It’s a subversive act that is also a profound celebration of identity. I think a lot of people have felt like their identity has been under attack. We wanted to make a film, and actually a series of films, that celebrates diversity in thought, experience, and identity.\u003c/p>\n\u003cp>We wanted to make something that was accessible to people that have never seen a drag show, and get them interested in drag as an art form. At the same time, it was important to make a film about someone who learned to celebrate their own uniqueness, and we are hoping that it inspires others to embrace the qualities that make them unique. Jeff Dragomanovich and Nate Visconti (the directors) are both fans of Peaches.\u003c/p>\n\u003cp>\u003cstrong>Directors Bio:\u003c/strong>\u003c/p>\n\u003cp>Nate Visconti is a San Francisco Bay Area native. For the last 10 years, Nate has produced narrative and documentary shorts, worked on film and television sets, and shot and produced\u003cbr>\ncorporate training, recruiting, and promotional videos. Nate and the other filmmakers on Better Known as Peaches Christ have created a film collective to make films together.\u003c/p>\n\u003cp>Jeff Dragomanovich is freelance sound mixer that's worked on feature films, commercial and corporate videos. He is the owner and operator of Appetite For Production. Jeff is a San Francisco Bay Area native and has worked in the industry for nearly 10 years. His love of film led him to study cinema at San Francisco State University where he fell in love with documentary film making. Better Known as Peaches Christ is the third short documentary that he has directed.\u003c/p>\n\u003cp>To learn more about Nate & Jeff's work, check them out at the links below:\u003c/p>\n\u003cp>\u003ca href=\"http://fourcornerlabs.com\">http://fourcornerlabs.com\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/fourcornerlabs\">https://twitter.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/FourCornerLabs\">https://www.facebook.com/FourCornerLabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://vimeo.com/fourcornerlabs\">https://vimeo.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/fourcornerlabs\">https://www.instagram.com/fourcornerlabs\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Credit List\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Directed by Jeff Dragomanovich & Nate Visconti\u003cbr>\nProduced by Nate Visconti\u003cbr>\nCo-produced by Oli McCormack & Greg Armstrong\u003cbr>\nFeaturing Joshua Grannell as Peaches Christ\u003cbr>\nDirector of Photography Dan Williams\u003cbr>\nEditor Greg Armstrong\u003cbr>\nArt Direction Helen Slomowitz\u003cbr>\nGaffer Hart Perez\u003cbr>\nProduction Assistant Dan Isaacs\u003cbr>\nColorist Eric Escobar\u003cbr>\nCompositor Tim Kwong\u003cbr>\nSound engineer and Editor Patrick Schaffer\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3157/better-known-as-peaches-christ","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_850"],"categories":["trulyca_33","trulyca_38","trulyca_21","trulyca_32","trulyca_29"],"tags":["trulyca_877","trulyca_872","trulyca_870","trulyca_869","trulyca_874","trulyca_119","trulyca_69","trulyca_873","trulyca_871","trulyca_867","trulyca_868","trulyca_875","trulyca_876","trulyca_82"],"collections":["trulyca_81"],"featImg":"trulyca_3158","label":"trulyca_771"},"trulyca_3147":{"type":"posts","id":"trulyca_3147","meta":{"index":"posts_1591205157","site":"trulyca","id":"3147","score":null,"sort":[1591963247000]},"guestAuthors":[],"slug":"all-girls-robotics-team","title":"The Missfits: An All Girls Robotics Team Takes on Engineering","publishDate":1591963247,"format":"video","headTitle":"Season 15 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>“The Missfits” By. Ellie Wen follows an all-girls robotics team based in San Francisco that takes on the male-dominated field of engineering.\u003c/p>\n\u003cp>The documentary follows the aptly named robotics team, The Missfits, as they confront growing pains, build their robots, and compete in the \u003ca href=\"https://www.firstinspires.org/robotics/frc\">FIRST robotics competition\u003c/a>. \u003cem>The Missfits\u003c/em> robotics team is made up of twenty girls from a variety of diverse backgrounds coming from different high schools all around the Bay Area. The Missfits are determined to show other girls how fun and rewarding STEM can be, one robot at a time.\u003c/p>\n\u003cp>On their own, they are outsiders, misfits, but together, they build each other up, just like they build their robots and embrace their identities.\u003c/p>\n\u003cp>\u003cimg class=\"alignnone wp-image-3151 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>Ellie Wen, Directors Statement: \u003c/strong>I met the Missfits robotics team at Maker Faire, a convention that celebrates invention, creativity, and hands-on learning. The girls were speaking to a group of curious kids and I watched in admiration as they demonstrated how their robot worked. I was instantly hooked, like the kids, and knew that I had to make a film about this team and its charismatic, inspiring members.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Representation matters. Throughout my career, these two words have been my guiding light. In all of my work, I represent subjects from diverse backgrounds and tackle broader social issues\u003cbr>\nthrough a very specific lens. I strive to tell personal, human stories because I believe that it is truly in the specifics that you find the universal. My goal is to have my films motivate a lasting\u003cbr>\ndialogue that extends beyond the viewing experience. It is about connecting people and fostering understanding.\u003c/p>\n\u003cp>With \"The Missfits,\" the robotics season is the narrative centerpiece, but the heart of the film depicts what it is like to be an adolescent girl juggling familial, social, and academic expectations in today’s world. This is the story of how adolescent girls - through their actions and choices - can redefine gender and race expectations for STEM.\u003c/p>\n\u003cp>\u003cstrong>Director Bio:\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"wp-image-3150 alignleft\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-800x533.jpg\" alt=\"\" width=\"269\" height=\"179\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager.jpg 960w\" sizes=\"(max-width: 269px) 100vw, 269px\">\u003c/p>\n\u003cp>Ellie Wen is an award-winning filmmaker from Hong Kong and Los Angeles. She began her career in Los Angeles where she produced independent films and worked at CAA, CBS Films, and Super Deluxe.\u003c/p>\n\u003cp>Ellie is an alumna of Film Independent's Project Involve fellowship program. Her first short documentary \"Single Mother Only Daughter\" premiered on Short of the Week and is a Vimeo Staff Pick. Her short documentary series “Doing Good Business” was acquired by Participant Media's SoulPancake.\u003c/p>\n\u003cp>Ellie recently received her MFA in Documentary Film from Stanford University where she produced four short documentary films.\u003c/p>\n\u003cp>Ellie's film, \"Share,\" has screened at DOC NYC, Frameline, Big Sky, DOK Leipzig, Outfest, CAAMFest, and was released on The Guardian. For her film \"On Mother’s Day,\" Ellie was named Best Local Filmmaker at the UN Women Global Voices Film Festival. Her film “25 Hours” was a finalist in the WrapWomen and Starz film contest and was distributed on Starz TV and digital. During her final year in the MFA program, Ellie was awarded the UFVA Carole Fielding Student Grant for her thesis film, \"The Missfits.”\u003c/p>\n\u003cp>Ellie now lives in San Francisco and is developing her next documentary as a resident in the SFFILM FilmHouse Residency Program.\u003c/p>\n\u003cp>You can find Ellie Wen online on \u003ca href=\"https://www.facebook.com/elliewen\">Facebook\u003c/a>, \u003ca href=\"https://www.instagram.com/elliewen/?hl=en\">Instagram\u003c/a> & \u003ca href=\"https://twitter.com/elliewen\">Twitter\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To follow the journey of the film, please follow The Missfits Documentary on \u003ca href=\"https://www.facebook.com/elliewen\">Facebook\u003c/a>, \u003ca href=\"https://www.instagram.com/themissfitsdoc/?hl=en\">Instagram\u003c/a> & \u003ca href=\"https://twitter.com/themissfitsdoc\">Twitter\u003c/a>\u003c/span>\u003c/p>\n\n","blocks":[],"excerpt":"An all-girls robotics team competes to smash stereotypes and prove themselves in a\r\nmale-dominated field, while also trying to get through high school.\r\n","status":"publish","parent":0,"modified":1591915596,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":574},"headData":{"title":"The Missfits: An All Girls Robotics Team Takes on Engineering - Truly CA","description":"An all-girls robotics team competes to smash stereotypes and prove themselves in amale-dominated field, while also trying to get through high school.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Missfits: An All Girls Robotics Team Takes on Engineering","datePublished":"2020-06-12T12:00:47.000Z","dateModified":"2020-06-11T22:46:36.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"3147 https://ww2.kqed.org/trulyca/?p=3147","disqusUrl":"https://ww2.kqed.org/trulyca/all-girls-robotics-team/","disqusTitle":"The Missfits: An All Girls Robotics Team Takes on Engineering","videoEmbed":"https://youtu.be/IBQaTv4qD20","path":"/trulyca/3147/all-girls-robotics-team","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>“The Missfits” By. Ellie Wen follows an all-girls robotics team based in San Francisco that takes on the male-dominated field of engineering.\u003c/p>\n\u003cp>The documentary follows the aptly named robotics team, The Missfits, as they confront growing pains, build their robots, and compete in the \u003ca href=\"https://www.firstinspires.org/robotics/frc\">FIRST robotics competition\u003c/a>. \u003cem>The Missfits\u003c/em> robotics team is made up of twenty girls from a variety of diverse backgrounds coming from different high schools all around the Bay Area. The Missfits are determined to show other girls how fun and rewarding STEM can be, one robot at a time.\u003c/p>\n\u003cp>On their own, they are outsiders, misfits, but together, they build each other up, just like they build their robots and embrace their identities.\u003c/p>\n\u003cp>\u003cimg class=\"alignnone wp-image-3151 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/TheMissfitsStill03.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>Ellie Wen, Directors Statement: \u003c/strong>I met the Missfits robotics team at Maker Faire, a convention that celebrates invention, creativity, and hands-on learning. The girls were speaking to a group of curious kids and I watched in admiration as they demonstrated how their robot worked. I was instantly hooked, like the kids, and knew that I had to make a film about this team and its charismatic, inspiring members.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Representation matters. Throughout my career, these two words have been my guiding light. In all of my work, I represent subjects from diverse backgrounds and tackle broader social issues\u003cbr>\nthrough a very specific lens. I strive to tell personal, human stories because I believe that it is truly in the specifics that you find the universal. My goal is to have my films motivate a lasting\u003cbr>\ndialogue that extends beyond the viewing experience. It is about connecting people and fostering understanding.\u003c/p>\n\u003cp>With \"The Missfits,\" the robotics season is the narrative centerpiece, but the heart of the film depicts what it is like to be an adolescent girl juggling familial, social, and academic expectations in today’s world. This is the story of how adolescent girls - through their actions and choices - can redefine gender and race expectations for STEM.\u003c/p>\n\u003cp>\u003cstrong>Director Bio:\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"wp-image-3150 alignleft\" src=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-800x533.jpg\" alt=\"\" width=\"269\" height=\"179\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2020/06/EllieWenHeadshotbyBrianZager.jpg 960w\" sizes=\"(max-width: 269px) 100vw, 269px\">\u003c/p>\n\u003cp>Ellie Wen is an award-winning filmmaker from Hong Kong and Los Angeles. She began her career in Los Angeles where she produced independent films and worked at CAA, CBS Films, and Super Deluxe.\u003c/p>\n\u003cp>Ellie is an alumna of Film Independent's Project Involve fellowship program. Her first short documentary \"Single Mother Only Daughter\" premiered on Short of the Week and is a Vimeo Staff Pick. Her short documentary series “Doing Good Business” was acquired by Participant Media's SoulPancake.\u003c/p>\n\u003cp>Ellie recently received her MFA in Documentary Film from Stanford University where she produced four short documentary films.\u003c/p>\n\u003cp>Ellie's film, \"Share,\" has screened at DOC NYC, Frameline, Big Sky, DOK Leipzig, Outfest, CAAMFest, and was released on The Guardian. For her film \"On Mother’s Day,\" Ellie was named Best Local Filmmaker at the UN Women Global Voices Film Festival. Her film “25 Hours” was a finalist in the WrapWomen and Starz film contest and was distributed on Starz TV and digital. During her final year in the MFA program, Ellie was awarded the UFVA Carole Fielding Student Grant for her thesis film, \"The Missfits.”\u003c/p>\n\u003cp>Ellie now lives in San Francisco and is developing her next documentary as a resident in the SFFILM FilmHouse Residency Program.\u003c/p>\n\u003cp>You can find Ellie Wen online on \u003ca href=\"https://www.facebook.com/elliewen\">Facebook\u003c/a>, \u003ca href=\"https://www.instagram.com/elliewen/?hl=en\">Instagram\u003c/a> & \u003ca href=\"https://twitter.com/elliewen\">Twitter\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To follow the journey of the film, please follow The Missfits Documentary on \u003ca href=\"https://www.facebook.com/elliewen\">Facebook\u003c/a>, \u003ca href=\"https://www.instagram.com/themissfitsdoc/?hl=en\">Instagram\u003c/a> & \u003ca href=\"https://twitter.com/themissfitsdoc\">Twitter\u003c/a>\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3147/all-girls-robotics-team","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_25","trulyca_850"],"categories":["trulyca_20","trulyca_21","trulyca_29","trulyca_46"],"tags":["trulyca_864","trulyca_863","trulyca_860","trulyca_859","trulyca_862","trulyca_861","trulyca_858","trulyca_865","trulyca_866"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3151","label":"trulyca_771"},"trulyca_3024":{"type":"posts","id":"trulyca_3024","meta":{"index":"posts_1591205157","site":"trulyca","id":"3024","score":null,"sort":[1555363717000]},"guestAuthors":[],"slug":"verasphere-a-love-story-in-costume","title":"Verasphere: A Love Story In Costume","publishDate":1555363717,"format":"video","headTitle":"Season 14 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3026\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3026\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere - David and Michael\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Verasphere: A Love Story In Costume\u003c/em> follows two San Francisco artists, David Faulk and Michael Johnstone, who fall in love at the height of the AIDS epidemic. While most of their community is overcome with grief and rage, David and Michael also discover an unlikely joy through the creation of Mrs. Vera, an outrageous costumed character made from found materials. What begins as an intimate art project and a way to pass the time while battling illness soon takes on a life of its own. Now 25 years later, a large and diverse community has evolved around Mrs. Vera, all centered around one day of costumed celebration in the San Francisco Pride Parade.\u003c/p>\n\u003cfigure id=\"attachment_3027\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3027 size-medium\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere at The San Francisco Pride Parade\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_3056\" class=\"wp-caption alignnone\" style=\"max-width: 214px\">\u003cimg class=\"size-full wp-image-3056\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Robert-James.jpg\" alt=\"\" width=\"214\" height=\"317\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James.jpg 214w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James-160x237.jpg 160w\" sizes=\"(max-width: 214px) 100vw, 214px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere Director - Robert James\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James began his cinematic career by attending film classes at San Francisco City College in his late 40s. After interning with documentary filmmaker Ondi Timoner, the two co-directed the award-winning short film \u003cem>Library of Dust\u003c/em> in 2011. This led to a 7-year project about sex and religion that is currently in development. Robert has completed his first feature-length documentary, \u003cem>Ruminations,\u003c/em> about drag hippie icon Rumi Missabu of \u003cem>The Cockettes. \u003c/em>The short documentary \u003cem>Verasphere: A Love Story in Costume\u003c/em> is being adapted into a feature-length film.\u003c/p>\n\u003cp>Robert’s Bay Area film company, NuReality Productions, is continually at work on new projects, adhering to their motto: \"I’m Not Done.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Featuring\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Director, Writer, Producer: Robert James\u003c/p>\n\u003cp>Executive Producer: Howard Grothe\u003c/p>\n\u003cp>Producer and Editor: Nick Blond\u003c/p>\n\u003cp>Director of Photography and Associate Producer: Rudy Behrens\u003c/p>\n\u003cp>Production Sound: Steven Lagosh\u003c/p>\n\u003cp>Sound Mixer: Dan Olmsted\u003c/p>\n\u003cp>Colorist: Mark Sterne\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Additional Media: Susan Bradley, Michael Johnstone, and Rick Gerharter\u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1561396100,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":307},"headData":{"title":"Verasphere: A Love Story In Costume | KQED","description":"Verasphere: A Love Story In Costume follows two San Francisco artists, David Faulk and Michael Johnstone, who fall in love at the height of the AIDS epidemic and discover an unlikely joy through the creation of Mrs. Vera, a collaborative art project.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Verasphere: A Love Story In Costume","datePublished":"2019-04-15T21:28:37.000Z","dateModified":"2019-06-24T17:08:20.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"3024 https://ww2.kqed.org/trulyca/?p=3024","disqusUrl":"https://ww2.kqed.org/trulyca/verasphere-a-love-story-in-costume/","disqusTitle":"Verasphere: A Love Story In Costume","videoEmbed":"https://youtu.be/fpy_yCo2U7s","path":"/trulyca/3024/verasphere-a-love-story-in-costume","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_3026\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-3026\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/david-michael-hallway-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere - David and Michael\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Verasphere: A Love Story In Costume\u003c/em> follows two San Francisco artists, David Faulk and Michael Johnstone, who fall in love at the height of the AIDS epidemic. While most of their community is overcome with grief and rage, David and Michael also discover an unlikely joy through the creation of Mrs. Vera, an outrageous costumed character made from found materials. What begins as an intimate art project and a way to pass the time while battling illness soon takes on a life of its own. Now 25 years later, a large and diverse community has evolved around Mrs. Vera, all centered around one day of costumed celebration in the San Francisco Pride Parade.\u003c/p>\n\u003cfigure id=\"attachment_3027\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-3027 size-medium\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/v2_verasphere-sample-video.00_04_01_22.Still013-1200x675.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere at The San Francisco Pride Parade\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_3056\" class=\"wp-caption alignnone\" style=\"max-width: 214px\">\u003cimg class=\"size-full wp-image-3056\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Robert-James.jpg\" alt=\"\" width=\"214\" height=\"317\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James.jpg 214w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Robert-James-160x237.jpg 160w\" sizes=\"(max-width: 214px) 100vw, 214px\">\u003cfigcaption class=\"wp-caption-text\">Verasphere Director - Robert James\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James began his cinematic career by attending film classes at San Francisco City College in his late 40s. After interning with documentary filmmaker Ondi Timoner, the two co-directed the award-winning short film \u003cem>Library of Dust\u003c/em> in 2011. This led to a 7-year project about sex and religion that is currently in development. Robert has completed his first feature-length documentary, \u003cem>Ruminations,\u003c/em> about drag hippie icon Rumi Missabu of \u003cem>The Cockettes. \u003c/em>The short documentary \u003cem>Verasphere: A Love Story in Costume\u003c/em> is being adapted into a feature-length film.\u003c/p>\n\u003cp>Robert’s Bay Area film company, NuReality Productions, is continually at work on new projects, adhering to their motto: \"I’m Not Done.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Featuring\u003c/strong>\u003c/p>\n\u003cp>David Faulk\u003c/p>\n\u003cp>Michael Johnstone\u003c/p>\n\u003cp>Joshua Grannell\u003c/p>\n\u003cp>Mark Trevorrow\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Director, Writer, Producer: Robert James\u003c/p>\n\u003cp>Executive Producer: Howard Grothe\u003c/p>\n\u003cp>Producer and Editor: Nick Blond\u003c/p>\n\u003cp>Director of Photography and Associate Producer: Rudy Behrens\u003c/p>\n\u003cp>Production Sound: Steven Lagosh\u003c/p>\n\u003cp>Sound Mixer: Dan Olmsted\u003c/p>\n\u003cp>Colorist: Mark Sterne\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Additional Media: Susan Bradley, Michael Johnstone, and Rick Gerharter\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/3024/verasphere-a-love-story-in-costume","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_815"],"categories":["trulyca_45","trulyca_33","trulyca_20","trulyca_38","trulyca_21","trulyca_32","trulyca_29"],"tags":["trulyca_83","trulyca_78","trulyca_849","trulyca_69","trulyca_814","trulyca_848","trulyca_572"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_3072","label":"trulyca_771"},"trulyca_2977":{"type":"posts","id":"trulyca_2977","meta":{"index":"posts_1591205157","site":"trulyca","id":"2977","score":null,"sort":[1555353322000]},"guestAuthors":[],"slug":"sawdust-sand-douglas-millers-laguna-beach","title":"Sawdust and Sand: Douglas Miller's Laguna Beach","publishDate":1555353322,"format":"video","headTitle":"Season 14 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cspan class=\"TextRun SCXW85635845 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW85635845 BCX0\">In 1970, freshly home from the Vietnam War, 23-year-old Douglas Miller drifted into Laguna Beach, CA. In the 48 years since then, he has painted 15,000 canvases and taken 350,000 photographs of his adopted hometown. While local residents often considered his camera with curiosity and even suspicion, this documentary shows his enormous body of work to present a profound portrait of a Californian town and its people. \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW85635845 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW85635845 BCX0\">Sawdust and Sand\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW85635845 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW85635845 BCX0\"> is an irreverent look at the world through an eccentric artist's eye, as the landscape of his hometown turns from free-spirited art colony to exclusive wealthy enclave.\u003c/span>\u003c/span>\u003cspan class=\"EOP SCXW85635845 BCX0\"> \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_2980\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2980\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/SAS_Still8-800x484.jpg\" alt=\"\" width=\"800\" height=\"484\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-800x484.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-160x97.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-768x465.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-1020x617.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-1200x726.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Douglas Miller \u003ccite>(Jason Blalock)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Statement\u003c/strong>\u003c/p>\n\u003cp>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">As a filmmaker, I \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">am driven to capture \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">cultural and artistic phenomena on the brink of extinction, and Laguna’s art community is one of those phenomena.\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\"> Growing up in Laguna, I took for granted the freedom with which people of any means could operate. With rising property values comes wealth-based exclusivity, and artists simply can’t affo\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">rd to live in Laguna anymore. T\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">he very fabric of the town has changed profoundly. Not only is Doug the last of a generation of artists, but he captured that generation faithfully, every day, with his camera. The opportunity to share his art is an honor. \u003c/span>\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_2979\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2979\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/SAS_Blalock-Headshot-800x736.jpg\" alt=\"\" width=\"800\" height=\"736\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-800x736.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-160x147.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-768x707.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-1020x938.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-1200x1104.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot.jpg 1263w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sawdust & Sand Director - Jason Blalock\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Jason Blalock \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">primarily \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">works as a cinematographer on a variety of non-fi\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">ction projects, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">for \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">outlets including \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Al Jazeera, CNN, Discovery, HBO, Netflix, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Time, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">and Vice\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> News\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">. Recent \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">feature documentary \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">cinematography \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">credits include \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Nobody Speak: Trials of the Free Press\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Happening\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">: A Clean Energy Revolution\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">On The Sly: In Search of the Family Stone\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Marathon: The Patriots Day Bombing\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">The Mask You Live In\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">,\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> and \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">XY: The Chelsea Manning Story\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, as well as films currently in po\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">st-production directed by award-\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">winning directors David France, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Alex \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Gibney\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Brian \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Knappenberger\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Jennifer Siebel Newsom, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">and Jeff \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Orlowski\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">.\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> He is a regular contributor to the HBO series Vice News Tonight.\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> His 2017 documentary short \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">In\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> the Wake of Ghost Ship\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> premiered at the San Francisco International Film Festival. He grew up in Laguna Beach, and now lives in Oakland, CA\u003c/span>\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Director, Producer & Cinematographer: Jason Blalock\u003c/p>\n\u003cp>Editors: Summers Henderson and Jen Bradwell\u003c/p>\n\u003cp>Field Producer: Abby Martin\u003c/p>\n\u003cp>Music: Stephin Merrit\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Photography: Douglas Miller\u003c/p>\n\n","blocks":[],"excerpt":" Over 48 years Laguna Beach resident Douglas Miller has painted 15,000 canvases and taken 350,000 photographs of his adopted hometown and community. ","status":"publish","parent":0,"modified":1556922065,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":436},"headData":{"title":"Sawdust and Sand: Douglas Miller's Laguna Beach | KQED","description":"For 40 years, Douglas Miller has been photographing the little known corners of his town, creating a record of the changing face of Laguna Beach. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Sawdust and Sand: Douglas Miller's Laguna Beach","datePublished":"2019-04-15T18:35:22.000Z","dateModified":"2019-05-03T22:21:05.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"2977 https://ww2.kqed.org/trulyca/?p=2977","disqusUrl":"https://ww2.kqed.org/trulyca/sawdust-sand-douglas-millers-laguna-beach/","disqusTitle":"Sawdust and Sand: Douglas Miller's Laguna Beach","videoEmbed":"https://www.youtube.com/watch?v=8TBNejCL4x0","path":"/trulyca/2977/sawdust-sand-douglas-millers-laguna-beach","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan class=\"TextRun SCXW85635845 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW85635845 BCX0\">In 1970, freshly home from the Vietnam War, 23-year-old Douglas Miller drifted into Laguna Beach, CA. In the 48 years since then, he has painted 15,000 canvases and taken 350,000 photographs of his adopted hometown. While local residents often considered his camera with curiosity and even suspicion, this documentary shows his enormous body of work to present a profound portrait of a Californian town and its people. \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW85635845 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW85635845 BCX0\">Sawdust and Sand\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW85635845 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW85635845 BCX0\"> is an irreverent look at the world through an eccentric artist's eye, as the landscape of his hometown turns from free-spirited art colony to exclusive wealthy enclave.\u003c/span>\u003c/span>\u003cspan class=\"EOP SCXW85635845 BCX0\"> \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_2980\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2980\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/SAS_Still8-800x484.jpg\" alt=\"\" width=\"800\" height=\"484\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-800x484.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-160x97.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-768x465.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-1020x617.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Still8-1200x726.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Douglas Miller \u003ccite>(Jason Blalock)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Statement\u003c/strong>\u003c/p>\n\u003cp>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">As a filmmaker, I \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">am driven to capture \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">cultural and artistic phenomena on the brink of extinction, and Laguna’s art community is one of those phenomena.\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\"> \u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\"> Growing up in Laguna, I took for granted the freedom with which people of any means could operate. With rising property values comes wealth-based exclusivity, and artists simply can’t affo\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">rd to live in Laguna anymore. T\u003c/span>\u003c/span>\u003cspan class=\"TextRun SCXW133249998 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun SCXW133249998 BCX0\">he very fabric of the town has changed profoundly. Not only is Doug the last of a generation of artists, but he captured that generation faithfully, every day, with his camera. The opportunity to share his art is an honor. \u003c/span>\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_2979\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-2979\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/SAS_Blalock-Headshot-800x736.jpg\" alt=\"\" width=\"800\" height=\"736\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-800x736.jpg 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-160x147.jpg 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-768x707.jpg 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-1020x938.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot-1200x1104.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/SAS_Blalock-Headshot.jpg 1263w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sawdust & Sand Director - Jason Blalock\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Jason Blalock \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">primarily \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">works as a cinematographer on a variety of non-fi\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">ction projects, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">for \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">outlets including \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Al Jazeera, CNN, Discovery, HBO, Netflix, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Time, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">and Vice\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> News\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">. Recent \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">feature documentary \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">cinematography \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">credits include \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Nobody Speak: Trials of the Free Press\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Happening\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">: A Clean Energy Revolution\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">On The Sly: In Search of the Family Stone\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Marathon: The Patriots Day Bombing\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">The Mask You Live In\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">,\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> and \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">XY: The Chelsea Manning Story\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, as well as films currently in po\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">st-production directed by award-\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">winning directors David France, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Alex \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Gibney\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Brian \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Knappenberger\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Jennifer Siebel Newsom, \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">and Jeff \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">Orlowski\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">.\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> He is a regular contributor to the HBO series Vice News Tonight.\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> His 2017 documentary short \u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\">In\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> the Wake of Ghost Ship\u003c/span>\u003c/span>\u003cspan class=\"TextRun BCX0 SCXW78320976\" lang=\"EN-US\" xml:lang=\"EN-US\">\u003cspan class=\"NormalTextRun BCX0 SCXW78320976\"> premiered at the San Francisco International Film Festival. He grew up in Laguna Beach, and now lives in Oakland, CA\u003c/span>\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Crew\u003c/strong>\u003c/p>\n\u003cp>Director, Producer & Cinematographer: Jason Blalock\u003c/p>\n\u003cp>Editors: Summers Henderson and Jen Bradwell\u003c/p>\n\u003cp>Field Producer: Abby Martin\u003c/p>\n\u003cp>Music: Stephin Merrit\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Photography: Douglas Miller\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2977/sawdust-sand-douglas-millers-laguna-beach","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_815"],"categories":["trulyca_45","trulyca_20","trulyca_21","trulyca_31","trulyca_29"],"tags":["trulyca_498","trulyca_839","trulyca_844","trulyca_840","trulyca_838","trulyca_843","trulyca_271","trulyca_842"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2980","label":"trulyca_771"},"trulyca_2970":{"type":"posts","id":"trulyca_2970","meta":{"index":"posts_1591205157","site":"trulyca","id":"2970","score":null,"sort":[1555352519000]},"guestAuthors":[],"slug":"ruminations","title":"Ruminations","publishDate":1555352519,"format":"standard","headTitle":"Season 14 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"1080\" height=\"720\" src=\"https://player.pbs.org/viralplayer/3028059268/\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"color: #2b2b2b;font-size: 16px\">Ruminations follows the life of a reclusive drag icon known as Rumi Missabu. As a founding member of the radical queer performance group, The Cockettes, Rumi leaves Hollywood a child actor and dives headfirst into the LSD fueled hippie culture of San Francisco. This lifestyle leads to Rumi burning out and disappearing off the grid for decades. It isn’t until the mid 90’s that Rumi finally regains his identity and reemerges on the stage with a new art form. However, Rumi’s health plummets and he is presented with a newfound sense of urgency to leave behind a meaningful legacy.\u003c/span>\u003c/p>\n\u003cp>A film by Robert James\u003c/p>\n\u003cfigure id=\"attachment_2972\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-2972 size-medium\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png\" alt=\"\" width=\"800\" height=\"451\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-768x433.png 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1020x575.png 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1200x676.png 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rumi Missabu\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James started his cinematic career in 2009 by attending film classes at City College San Francisco in his late 40’s. After interning with documentary filmmaker Ondi Timoner and working on her projects, the two co-directed the short film Library of Dust in 2011, garnering many awards. This led to a 7-year journey shooting a story about sex and religion; evolving into a forthcoming documentary series that Robert is pursuing with collaborators. During these years Robert also completed his first documentary feature film \u003cem>RUMINATIONS\u003c/em> about a drag hippie icon and a short doc called \u003cem>VERASPHERE: A Love Story in Costume\u003c/em> about a performance troupe started by two long-terms AIDS survivors.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Robert’s tiny independent Bay Area film company, NuReality Productions is fast at work on new projects adhering to their motto ‘I’m Not Done’.\u003c/p>\n\n","blocks":[],"excerpt":"Ruminations follows the life of Rumi Missabu, iconic perform for the group The Cocketttes.","status":"publish","parent":0,"modified":1560797034,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":true,"iframeSrcs":["https://player.pbs.org/viralplayer/3028059268/"],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":268},"headData":{"title":"Ruminations | KQED","description":"Following along with iconic drag performer Rumi Missabu","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Ruminations","datePublished":"2019-04-15T18:21:59.000Z","dateModified":"2019-06-17T18:43:54.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"2970 https://ww2.kqed.org/trulyca/?p=2970","disqusUrl":"https://ww2.kqed.org/trulyca/ruminations/","disqusTitle":"Ruminations","templateType":"standard","featuredImageType":"standard","path":"/trulyca/2970/ruminations","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"1080\" height=\"720\" src=\"https://player.pbs.org/viralplayer/3028059268/\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cspan style=\"color: #2b2b2b;font-size: 16px\">Ruminations follows the life of a reclusive drag icon known as Rumi Missabu. As a founding member of the radical queer performance group, The Cockettes, Rumi leaves Hollywood a child actor and dives headfirst into the LSD fueled hippie culture of San Francisco. This lifestyle leads to Rumi burning out and disappearing off the grid for decades. It isn’t until the mid 90’s that Rumi finally regains his identity and reemerges on the stage with a new art form. However, Rumi’s health plummets and he is presented with a newfound sense of urgency to leave behind a meaningful legacy.\u003c/span>\u003c/p>\n\u003cp>A film by Robert James\u003c/p>\n\u003cfigure id=\"attachment_2972\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-2972 size-medium\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://ww2.kqed.org/trulyca/wp-content/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png\" alt=\"\" width=\"800\" height=\"451\" srcset=\"https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-800x451.png 800w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-768x433.png 768w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1020x575.png 1020w, https://ww2.kqed.org/app/uploads/sites/29/2019/04/Ruminations-still-01-1200x676.png 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rumi Missabu\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Director Bio\u003c/strong>\u003c/p>\n\u003cp>Robert James started his cinematic career in 2009 by attending film classes at City College San Francisco in his late 40’s. After interning with documentary filmmaker Ondi Timoner and working on her projects, the two co-directed the short film Library of Dust in 2011, garnering many awards. This led to a 7-year journey shooting a story about sex and religion; evolving into a forthcoming documentary series that Robert is pursuing with collaborators. During these years Robert also completed his first documentary feature film \u003cem>RUMINATIONS\u003c/em> about a drag hippie icon and a short doc called \u003cem>VERASPHERE: A Love Story in Costume\u003c/em> about a performance troupe started by two long-terms AIDS survivors.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Robert’s tiny independent Bay Area film company, NuReality Productions is fast at work on new projects adhering to their motto ‘I’m Not Done’.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/2970/ruminations","authors":["11272"],"programs":["trulyca_771"],"series":["trulyca_815"],"categories":["trulyca_20","trulyca_38","trulyca_21","trulyca_31","trulyca_32","trulyca_29"],"tags":["trulyca_70","trulyca_250","trulyca_90","trulyca_498","trulyca_120","trulyca_119","trulyca_835","trulyca_834","trulyca_837","trulyca_814","trulyca_836","trulyca_99"],"collections":["trulyca_81"],"featImg":"trulyca_2973","label":"trulyca_771"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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