As fans of the hit TV show Project Runway know, in fashion one day you’re in, and the next day you’re out. Nowhere is this truer than in the animal kingdom. One minute you’re a crab minding your own business in a tide pool, and the next, you’re a seagull’s snack.

Unless you’re a decorator crab, that is, and you use this season’s seaweed to save your life.

There are nearly 700 species of decorator crabs around the world—about a dozen of them in California, where they live in tide pools and kelp forests. They camouflage by decorating their heads, or their entire bodies depending on the species, with pieces of seaweed, anemones or other materials around them, which they attach securely to a natural Velcro that grows right on their bodies.

“It’s not a glue or anything; they have these hooked hairs all over their shells,” said biologist Jay Stachowicz, who studies decorator crabs at the University of California, Davis. “Through microscope photography we can see that it looks just like Velcro, except probably even better, even more hooked.”

These golden-colored hairs are thick and curled to form long rows. Some species of decorator crabs have these rows of hooked hairs only on their heads; others, on their entire bodies.

Decorator crabs have Velcro-like hooked hairs on their shell into which they tuck pieces of seaweed that help them camouflage. (Josh Cassidy/KQED)

Crabs have been evolving this unique way of camouflaging for millions of years.

“One of the arguments for how it came to be is that it started as a food storage behavior,” said Stachowicz. “Then by accident somebody stuck something on them that wasn’t that good to eat, but it made them much less likely to be eaten. And so it was successful and went on from there.”

At his lab at UC Davis’ Bodega Marine Lab in Bodega Bay, Stachowicz collects crabs off the coast, places them in tanks, gives them some seaweed and watches them go to work.

Biologist Jay Stachowicz points to the tide pools next to the University of California, Davis Bodega Marine Laboratory, in Bodega Bay, California, one of the places where he collects decorator crabs for his research. (Gabriela Quirós/KQED)

The process is more exciting than watching Project Runway contestants create their confections, if you consider that the crabs are making it work with much simpler tools than the designers. And the stakes are much higher.

The top of a Cryptic kelp crab’s head is covered in thick, curled hairs onto which it attaches pieces of seaweed to camouflage. The seaweed covers two antennae located below the crab’s head that flutter constantly and could call the attention of predators. (Josh Cassidy/KQED)
This Cryptic kelp crab has made itself a hat out of purple seaweed. (Josh Cassidy/KQED)

A pink Cryptic kelp crab cuts a piece of purple seaweed with one of its claws.

“For smaller crabs in particular, it’s important that the algae be small enough to fit within the rows of hooked hairs,” said Stachowicz. “So very small, slender seaweed or sheet-like seaweeds are often chosen because they attach well.”

Then the crab holds the piece of seaweed above its head, the only part of its body where it has hooked hairs—four rows of them, up and down its long nose. It moves the piece of seaweed back and forth, until it’s tightly wedged inside the hooks. The crab gives the seaweed a little tug with one claw, and sure enough, the seaweed stays put. Then it repeats the process, but on the other side of its nose. The result is a “hat” of bushy seaweed that protrudes beyond its head.

With the seaweed, the crab is concealing two of its four antennae, short protuberances located near its mouth. These antennae are constantly aflutter. The crab uses them to smell, and they could call the attention of predators even when the crab remains still. By hiding the movement of the antennae, the seaweed visor protects the crab from birds pecking around in the tide pools and aquatic predators like fish and octopuses.

Crabs like this Cryptic kelp crab might be able to make do with decorating just their heads. That’s because they have another way of camouflaging: their shells can change color to mimic the algae around them.

But other crabs have to rely solely on decorating for their protection and have evolved hooked hairs all over their bodies. They’re what Stachowicz calls “extreme” decorators.

A moss crab attaches a piece of seaweed to its head to camouflage against predators. (Josh Cassidy/KQED)

The moss crab, for example, is so covered in greenish golden hairs that it looks like a Barbie-sized furry toy robot. Some of its many hairs aren’t made specifically for holding seaweed. They have sensation in them so that when the crab moves its claw back and forth in front of its head, the hairs below the claw help it sense that its face is uncovered.

So the moss crab gets to work creating itself a suitable outfit. It breaks off a piece of pink algae. Then it slides it in and out of its mouth.

“By ‘tasting’ the item, they can identify whether it is something they perceive as food or decoration,” said Stachowicz. “In some decorators, chemically nasty items are sensed this way and used as decoration.”

A strawberry anemone grows on a moss crab in Bodega Bay, California. Anemones have stingers that keep predators away from the crab. (Josh Cassidy/KQED)

Moss crabs like the one that Stachowicz has collected also decorate themselves with strawberry anemones, bright-orange animals that provide the crab extra protection by warding off predators with their stingers.

Over time, the anemones and seaweed can grow and spread on the crab’s shell, fed by nutrients from the crab itself. The fanciful outfit can become a heavy load; but ultimately, it’s worth it. Being fabulous just might save the crab’s life.

Jacob Shea and Elliott Kennerson contributed reporting.

Decorator Crabs Make High Fashion at Low Tide 13 May,2017Gabriela Quirós

Author

Gabriela Quirós

Gabriela Quirós is a video producer for KQED Science and the coordinating producer for Deep Look. She started her journalism career 25 years ago as a newspaper reporter in Costa Rica, where she grew up. She won two national reporting awards there for series on C-sections and organic agriculture, and developed a life-long interest in health reporting. She moved to the Bay Area in 1996 to study documentary filmmaking at the University of California-Berkeley, where she received master’s degrees in journalism and Latin American studies. She joined KQED as a TV producer when its science series QUEST started in 2006 and has covered everything from Alzheimer’s to bee die-offs to dark energy. She has won four regional Emmys and has shared awards from the Jackson Hole Wildlife Film Festival, the Society of Professional Journalists and the Society of Environmental Journalists. Independent from her work in KQED’s science unit, she produced and directed the hour-long documentary Beautiful Sin, about the surprising story of how Costa Rica became the only country in the world to outlaw in vitro fertilization. The film aired nationally on public television stations in 2015.

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