Rio Forty Degrees - Camila Donatti
Rio Forty Degrees - Camila Donatti (ecologist) - Hopkins Art Show 2010

A painting of a cherry tree in full blossom adorns one wall. On a table beneath it, ceramic fingers reach from a blue-glazed ceramic basket. Opposite these hangs an intricately decorated guitar.

Cake - Carolyn Tepolt (invasive species biologist) - Hopkins Art Show 2010
Cake - Carolyn Tepolt (invasive species biologist) - Hopkins Art Show 2010

The third annual Hopkins Marine Station Amateur Art Show was held this past weekend in Monterey, California. Hopkins is Stanford University’s marine biology satellite campus, next door to the Monterey Bay Aquarium, home to a tight-knit community of ocean-obsessed weirdos. (I’ve been one.) The overlap between colleagues, roommates, and friends is so thorough that you tend to share grocery lists and pipette tips with the same people. It’s hard to stop talking about science, even at bars.

“I thought an art party would really foster conversations outside of this normal routine,” says Jason Ladner, who did his graduate work on coral genetics at Hopkins. Around year four, he got sick of thinking about science all the time and found an escape in art. “I figured there were probably other people that could use a similar escape”–and in 2010 the first Amateur Art Show and Garden Party was born. Ladner wrote in his invitation, “This is a very low-key event where the term ‘amateur’ is stressed and the term ‘art’ is very loosely interpreted.” It was a hit.

Tiger - Ana Sofia Guerra (undergraduate working on fish parasites) - Hopkins Art Show 2012
Tiger - Ana Sofia Guerra (undergraduate working on fish parasites) - Hopkins Art Show 2012

At the party’s third incarnation on April 14, 2012, scientists mingled over cups of sangria and reveled in their conversational freedom. Ladner has moved on to post-doctoral work and this party was hosted at the home of Judit Pungor, a graduate student studying octopus vision. One partygoer observed with wonder that very little of the art has a scientific theme. In addition to the guitar and the slightly disturbing ceramics, displays included hand-sewn clothing and a rainbow knitted blanket.

But not all scientists can suppress their nerdiness just because they’re making art. Squid student Hannah Rosen (yes, she’s in my old lab) painted an octopus tap dancing, with a squid on the piano. When asked, “Why not a tap-dancing squid and a piano-playing octopus?” Rosen answered, “The idea of a tap-dancing octopus just spoke to me.”

But the airy certainty of an artist’s statement quickly devolved into a scientific assessment of habitat and behavior. Since octopuses can crawl on land but squid can’t, the octopus is the logical choice for the tap-dancer.

Tap-Dancing Octopus - Hannah Rosen - Hopkins Art Show 2012
Tap-Dancing Octopus - Hannah Rosen - Hopkins Art Show 2012

As if that weren’t enough, Jupiter hangs in the night sky behind the theatrical cephalopods. “Are they on Europa?” I asked Rosen. She confirmed that, indeed, the scene takes place on Jupiter’s frozen ocean moon.

Art by scientists, it turns out, can be everything that art by non-scientists can be: whimsical or solemn, accessible or obscure, technical or conceptual. And scientists are just as surprised as anyone to find that out. The best thing that you hear at these parties, over and over again, is: “I didn’t even know she did that!”

Stanford Marine Biologists Share Their Artistic Side 1 May,2012Danna Staaf


Danna Staaf

Danna Staaf is a marine biologist, science writer, novelist, artist, and educator. She holds a PhD in Squid Babies from Stanford and a BA in Biology from the College of Creative Studies at the University of California, Santa Barbara. She helped found the outreach program Squids4Kids, illustrated The Game of Science, and blogs at Science 2.0. She lives in San Jose with her husband, daughter, and cats.

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