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He is the author of a comic book called \"A Lifetime of Free Haircuts.\" He is an MFA candidate in Fiction at San Francisco State University.","avatar":"https://secure.gravatar.com/avatar/e14b8951d8895c262c0d4b3eadc54f23?s=600&d=blank&r=g","twitter":"NathanielWagg","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"pop","roles":["contributor"]}],"headData":{"title":"Nate Waggoner | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/e14b8951d8895c262c0d4b3eadc54f23?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/e14b8951d8895c262c0d4b3eadc54f23?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/natewaggoner"},"ginascialabba":{"type":"authors","id":"2451","meta":{"index":"authors_1591205172","id":"2451","found":true},"name":"Gina Scialabba","firstName":"Gina","lastName":"Scialabba","slug":"ginascialabba","email":"ginajournalist@gmail.com","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Gina Scialabba is a journalist and practicing attorney based in San Francisco. She's a regular contributor to KQED Pop and now Bay Area Bites. When she's not reading a novel, newspaper or watching Mad Men, Sons of Anarchy or Anthony Bourdain, she's taking advantage of the richness and diversity of Bay Area culinary life. She also loves to travel. Next Stop: Vietnam, Thailand and Korea.","avatar":"https://secure.gravatar.com/avatar/e4df716be95aadc7807274c2405ccac8?s=600&d=blank&r=g","twitter":"Journalist_Gina","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"pop","roles":["contributor"]},{"site":"bayareabites","roles":["contributor"]}],"headData":{"title":"Gina Scialabba | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/e4df716be95aadc7807274c2405ccac8?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/e4df716be95aadc7807274c2405ccac8?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ginascialabba"},"tanya":{"type":"authors","id":"2520","meta":{"index":"authors_1591205172","id":"2520","found":true},"name":"Tanya Feldman","firstName":"Tanya","lastName":"Feldman","slug":"tanya","email":"sunsetgun@gmail.com","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Tanya Feldman is a Bay Area pop culture blogger and podcaster who loves movies, museum meandering, mixology, and lots of other things that don't all start with the letter M. She has written for Flavorpill and Coilhouse. In her spare time, she edits a blog on critical analysis of geek pop culture, writes about her favorite cult movies, and takes too many pictures of her food.","avatar":"https://secure.gravatar.com/avatar/a73e1499cafb209c0fa81506920a4217?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"pop","roles":["contributor"]}],"headData":{"title":"Tanya Feldman | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/a73e1499cafb209c0fa81506920a4217?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/a73e1499cafb209c0fa81506920a4217?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/tanya"},"mariajudnick":{"type":"authors","id":"3218","meta":{"index":"authors_1591205172","id":"3218","found":true},"name":"Maria Judnick","firstName":null,"lastName":null,"slug":"mariajudnick","email":"mjudnick@gmail.com","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Maria Judnick is a proud Bay Area native. With a MA in English from SJSU and a MFA in Creative Nonfiction from St. Mary's College of California, Maria spends much of her time talking about John Steinbeck and writing a young adult mystery novel. She teaches at a local college.","avatar":"https://secure.gravatar.com/avatar/b18d95a26826a4361f8b5e20e2c5b241?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"pop","roles":["contributor"]}],"headData":{"title":"Maria Judnick | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/b18d95a26826a4361f8b5e20e2c5b241?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/b18d95a26826a4361f8b5e20e2c5b241?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/mariajudnick"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"pop_25191":{"type":"posts","id":"pop_25191","meta":{"index":"posts_1591205157","site":"pop","id":"25191","score":null,"sort":[1464361306000]},"guestAuthors":[],"slug":"a-jane-austen-expert-on-love-and-friendship-and-how-you-can-party-like-its-1799-in-the-bay-area","title":"A Jane Austen Expert on 'Love and Friendship' and How You Can Party Like It's 1799 in the Bay Area","publishDate":1464361306,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>[contextly_sidebar id=\"O3E9gNtNXhMiBS54fqa2feXPywzaY0X6\"]The comediennes of the modern era certainly have a lot to thank Jane Austen for. While her humor is much milder than the Schumers and Dunhams of this modern era, Austen was witty before women showing off their funny bone was socially acceptable. Her undeniable mark on popular culture has inspired a slew of adaptations, from everyone’s favorite '90s teen flick, \u003cem>Clueless, \u003c/em>to the deplorably tasteless \u003cem>Pride and Prejudice and Zombies\u003c/em>. With the offensiveness of the latter still lingering on our palettes, the latest Austen film adaptation, \u003cem>Love and Friendship\u003c/em>, could not have arrived at a better time.\u003c/p>\n\u003cp>Based on one of Austen’s lesser-known works, the early epistolary novella, \u003cem>Lady Susan,\u003c/em> tells the tale of an unscrupulous, newly widowed woman and her quest to marry off her lackluster daughter to a wealthy man and to bag an even richer husband for herself. Written as a series of letters, some have argued that this is perhaps Austen’s wittiest work, which would explain why audiences and critics have been so pleased with the film adaptation.\u003c/p>\n\u003cp>Directed by Whit Stillman, \u003cem>Love and Friendship\u003c/em> finds Kate Beckinsale portraying the beguiling Lady Susan Vernon with her confidante, Alicia Johnson, played by Chloë Sevigny (for those who may have forgotten, Chloë and Kate were also paired up in Stillman’s 1998 cult classic \u003cem>The Last Days of Disco\u003c/em>). Without delving too much into the plot, Beckinsale delivers an exquisite performance that captures the charmingly appalling nature of Lady Susan, serving up memorable line after memorable line – my personal favorite being Susan’s description of Alicia’s husband as “too old to be governed and too young to die.” It is this wit that takes center stage in the film and will leave theater-goers with an appreciation of the subtlety of Austen’s humor that is rarely found in modern times.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=8MaSK3POHI0\u003c/p>\n\u003cp>For Austen aficionados, the film is obviously a must see and will probably spit them out of the theater wishing they could find the essence of Austen in the real world. To figure out how to do that best, we caught up with the Coordinator of the Jane Austen Society of North America’s Northern California Region, Danine Cozzens, for her insights into the latest film and beyond.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>KQED Pop: \u003cem>What characteristics of Jane Austen's writing do you think give it such timeless appeal for the young and old alike? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Danine Cozzens:\u003c/strong> Jane Austen saw into the truth of the human heart. What truly drives character, and causes us to make decisions that may not have the best outcome? You can read the novels over and over and see this happen anew each time. The characters, their motivations, all the fine points the narrator's voice was telling you point blank were there all along, even while you were captivated by the unfolding plot line.\u003cstrong>\u003cem> \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>As the English countryside and its estates are several thousand miles in distance from our beloved Bay Area, which locales and establishments would you recommend for an Austen-inspired sojourn? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>We are fortunate to have some grand estates in the Bay Area that are open to the public, with the scale and elegance of a Georgian manor house. You can't stay there, but do take a day trip to \u003ca href=\"http://www.filoli.org/\">Filoli \u003c/a>(near Woodside). Although built in 1915, it was modeled on a Georgian estate in Ireland, and has the grand expanse of gardens and woodlands of an English estate. If you can get into \u003ca href=\"http://carolands.org/\">Carolands\u003c/a>, which has very limited hours, it is more French but Mr. Darcy would have felt quite at home there.\u003c/p>\n\u003cp>\u003ca href=\"http://montalvoarts.org/\">Villa Montalvo\u003c/a> (near Saratoga) is Mediterranean in style, but has an excellent Regency-style \"folly\" -- a charming wedding cake of a pavilion -- at the bottom of the great lawn. \u003ca href=\"http://www.pelicaninn.com/\">The Pelican Inn\u003c/a> in Muir Beach replicates an English coaching inn. \u003ca href=\"http://berkeleycityclub.com/\">The Berkeley City Club\u003c/a> provided a gracious site for an afternoon ball. All worth a visit.\u003c/p>\n\u003cp>Each fall, our friends in Oregon take over the \u003ca href=\"http://www.oregoncaveschateau.com/\">Oregon Caves Chateau\u003c/a>, a small rustic lodge from the 1930s, for a \"great house\" weekend. We dress in Regency era attire and enjoy various period activities. Another memorable experience has been sailing on the tall ships (Lady Washington and Hawaiian Chieftain) on their semi-annual tour, with everyone -- passengers and crew -- in costume. And of course teas, balls, and picnics are held in many places. \u003ca href=\"http://janeaustenevening.org/\">The Los Angeles Jane Austen Evening\u003c/a> sells out every year.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Though a fantastic piece of literature, \u003c/em>Lady Susan\u003cem> is one of Jane's lesser-known works. Out of her novels that haven't received a worthy film adaptation, which would you be most excited to see produced (or reproduced) and why? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>Personally, I'd vote for \u003cem>Mansfield\u003c/em> \u003cem>Park\u003c/em>, because the anachronisms and plot alterations set my teeth on edge. I'm fine with adaptations like \u003cem>Clueless\u003c/em> or \u003cem>Bride and Prejudice\u003c/em>, but when you are playing it straight, please do not introduce nonsensical plot changes and impossible things which make no sense, like tiered wedding cakes in a world where baking powder had not yet been invented. Don't turn Fanny's ball into a picnic.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>What scene in \u003c/em>Love and Friendship\u003cem> are you most excited for viewers to watch brought to the screen? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>This may sound odd, but what blew me away was the attention to detail in all the costumes. No skimping on horses and carriages, either. The costumes on the servants -- the starched caps and fichus on the maids, the livery and wigs on the footmen -- just as much care was taken with them as with the principal actors. And the working people underfoot, laying paving stones in their filthy smocks -- it was transporting to see the entire screen come alive.\u003c/p>\n\u003cp>I loved the scene in which Sir Reginald De Courcy is reading a letter aloud to Lady De Courcy. Letter writing was such a key part of life for the leisured class; it was the social media of the day. I thought that scene, with the handwriting projected over the screen, conveyed how intense letters were at the time. Quite fitting, since Lady Susan was constructed as a series of letters.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Love and Friendship\u003cem> is out now in select theaters. If you would like more information on the Jane Austen Society of North America’s Northern California Region, please visit \u003ca href=\"http://www.jasnanorcal.org/\">jasnanorcal.org\u003c/a>. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Why this new Austen adaptation is a big deal and where you can go to live it up, turn of the 19th-century style.","status":"publish","parent":0,"modified":1464218482,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":1106},"headData":{"title":"A Jane Austen Expert on 'Love and Friendship' and How You Can Party Like It's 1799 in the Bay Area | KQED","description":"Why this new Austen adaptation is a big deal and where you can go to live it up, turn of the 19th-century style.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"A Jane Austen Expert on 'Love and Friendship' and How You Can Party Like It's 1799 in the Bay Area","datePublished":"2016-05-27T15:01:46.000Z","dateModified":"2016-05-25T23:21:22.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"25191 http://ww2.kqed.org/pop/?p=25191","disqusUrl":"https://ww2.kqed.org/pop/2016/05/27/a-jane-austen-expert-on-love-and-friendship-and-how-you-can-party-like-its-1799-in-the-bay-area/","disqusTitle":"A Jane Austen Expert on 'Love and Friendship' and How You Can Party Like It's 1799 in the Bay Area","nprByline":"James Molito","path":"/pop/25191/a-jane-austen-expert-on-love-and-friendship-and-how-you-can-party-like-its-1799-in-the-bay-area","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>The comediennes of the modern era certainly have a lot to thank Jane Austen for. While her humor is much milder than the Schumers and Dunhams of this modern era, Austen was witty before women showing off their funny bone was socially acceptable. Her undeniable mark on popular culture has inspired a slew of adaptations, from everyone’s favorite '90s teen flick, \u003cem>Clueless, \u003c/em>to the deplorably tasteless \u003cem>Pride and Prejudice and Zombies\u003c/em>. With the offensiveness of the latter still lingering on our palettes, the latest Austen film adaptation, \u003cem>Love and Friendship\u003c/em>, could not have arrived at a better time.\u003c/p>\n\u003cp>Based on one of Austen’s lesser-known works, the early epistolary novella, \u003cem>Lady Susan,\u003c/em> tells the tale of an unscrupulous, newly widowed woman and her quest to marry off her lackluster daughter to a wealthy man and to bag an even richer husband for herself. Written as a series of letters, some have argued that this is perhaps Austen’s wittiest work, which would explain why audiences and critics have been so pleased with the film adaptation.\u003c/p>\n\u003cp>Directed by Whit Stillman, \u003cem>Love and Friendship\u003c/em> finds Kate Beckinsale portraying the beguiling Lady Susan Vernon with her confidante, Alicia Johnson, played by Chloë Sevigny (for those who may have forgotten, Chloë and Kate were also paired up in Stillman’s 1998 cult classic \u003cem>The Last Days of Disco\u003c/em>). Without delving too much into the plot, Beckinsale delivers an exquisite performance that captures the charmingly appalling nature of Lady Susan, serving up memorable line after memorable line – my personal favorite being Susan’s description of Alicia’s husband as “too old to be governed and too young to die.” It is this wit that takes center stage in the film and will leave theater-goers with an appreciation of the subtlety of Austen’s humor that is rarely found in modern times.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8MaSK3POHI0'\n title='//www.youtube.com/embed/8MaSK3POHI0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>For Austen aficionados, the film is obviously a must see and will probably spit them out of the theater wishing they could find the essence of Austen in the real world. To figure out how to do that best, we caught up with the Coordinator of the Jane Austen Society of North America’s Northern California Region, Danine Cozzens, for her insights into the latest film and beyond.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>KQED Pop: \u003cem>What characteristics of Jane Austen's writing do you think give it such timeless appeal for the young and old alike? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Danine Cozzens:\u003c/strong> Jane Austen saw into the truth of the human heart. What truly drives character, and causes us to make decisions that may not have the best outcome? You can read the novels over and over and see this happen anew each time. The characters, their motivations, all the fine points the narrator's voice was telling you point blank were there all along, even while you were captivated by the unfolding plot line.\u003cstrong>\u003cem> \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>As the English countryside and its estates are several thousand miles in distance from our beloved Bay Area, which locales and establishments would you recommend for an Austen-inspired sojourn? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>We are fortunate to have some grand estates in the Bay Area that are open to the public, with the scale and elegance of a Georgian manor house. You can't stay there, but do take a day trip to \u003ca href=\"http://www.filoli.org/\">Filoli \u003c/a>(near Woodside). Although built in 1915, it was modeled on a Georgian estate in Ireland, and has the grand expanse of gardens and woodlands of an English estate. If you can get into \u003ca href=\"http://carolands.org/\">Carolands\u003c/a>, which has very limited hours, it is more French but Mr. Darcy would have felt quite at home there.\u003c/p>\n\u003cp>\u003ca href=\"http://montalvoarts.org/\">Villa Montalvo\u003c/a> (near Saratoga) is Mediterranean in style, but has an excellent Regency-style \"folly\" -- a charming wedding cake of a pavilion -- at the bottom of the great lawn. \u003ca href=\"http://www.pelicaninn.com/\">The Pelican Inn\u003c/a> in Muir Beach replicates an English coaching inn. \u003ca href=\"http://berkeleycityclub.com/\">The Berkeley City Club\u003c/a> provided a gracious site for an afternoon ball. All worth a visit.\u003c/p>\n\u003cp>Each fall, our friends in Oregon take over the \u003ca href=\"http://www.oregoncaveschateau.com/\">Oregon Caves Chateau\u003c/a>, a small rustic lodge from the 1930s, for a \"great house\" weekend. We dress in Regency era attire and enjoy various period activities. Another memorable experience has been sailing on the tall ships (Lady Washington and Hawaiian Chieftain) on their semi-annual tour, with everyone -- passengers and crew -- in costume. And of course teas, balls, and picnics are held in many places. \u003ca href=\"http://janeaustenevening.org/\">The Los Angeles Jane Austen Evening\u003c/a> sells out every year.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Though a fantastic piece of literature, \u003c/em>Lady Susan\u003cem> is one of Jane's lesser-known works. Out of her novels that haven't received a worthy film adaptation, which would you be most excited to see produced (or reproduced) and why? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>Personally, I'd vote for \u003cem>Mansfield\u003c/em> \u003cem>Park\u003c/em>, because the anachronisms and plot alterations set my teeth on edge. I'm fine with adaptations like \u003cem>Clueless\u003c/em> or \u003cem>Bride and Prejudice\u003c/em>, but when you are playing it straight, please do not introduce nonsensical plot changes and impossible things which make no sense, like tiered wedding cakes in a world where baking powder had not yet been invented. Don't turn Fanny's ball into a picnic.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>What scene in \u003c/em>Love and Friendship\u003cem> are you most excited for viewers to watch brought to the screen? \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>This may sound odd, but what blew me away was the attention to detail in all the costumes. No skimping on horses and carriages, either. The costumes on the servants -- the starched caps and fichus on the maids, the livery and wigs on the footmen -- just as much care was taken with them as with the principal actors. And the working people underfoot, laying paving stones in their filthy smocks -- it was transporting to see the entire screen come alive.\u003c/p>\n\u003cp>I loved the scene in which Sir Reginald De Courcy is reading a letter aloud to Lady De Courcy. Letter writing was such a key part of life for the leisured class; it was the social media of the day. I thought that scene, with the handwriting projected over the screen, conveyed how intense letters were at the time. Quite fitting, since Lady Susan was constructed as a series of letters.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Love and Friendship\u003cem> is out now in select theaters. If you would like more information on the Jane Austen Society of North America’s Northern California Region, please visit \u003ca href=\"http://www.jasnanorcal.org/\">jasnanorcal.org\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/25191/a-jane-austen-expert-on-love-and-friendship-and-how-you-can-party-like-its-1799-in-the-bay-area","authors":["byline_pop_25191"],"categories":["pop_1548","pop_51"],"tags":["pop_516"],"featImg":"pop_25206","label":"pop"},"pop_15970":{"type":"posts","id":"pop_15970","meta":{"index":"posts_1591205157","site":"pop","id":"15970","score":null,"sort":[1429217193000]},"guestAuthors":[],"slug":"celebrate-national-library-week-with-these-e-books-from-sf-public-library","title":"Celebrate National Library Week With These E-Books From SF Public Library","publishDate":1429217193,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Did you know it's National Library Week, the annual celebration of libraries and all the people who run them, which has been in observance since 1958?\u003c/p>\n\u003cp>Here in the Bay Area, we have lots of public \u003ca href=\"http://libraries.cca.edu/learn/research/bay-area-libraries\" target=\"_blank\">library chains\u003c/a>, as well as specialized libraries and archives like \u003ca href=\"http://www.milibrary.org/\" target=\"_blank\">The Mechanics' Institute\u003c/a>, which has a chess room, \u003ca href=\"http://www.prelinger.com/\" target=\"_blank\">Prelinger Library\u003c/a>, and the \u003ca href=\"http://www.sfbotanicalgarden.org/library/\" target=\"_blank\">Helen Crocker Russell Library of Horticulture\u003c/a>, tucked away at the gates of the Botanical Garden. As much as I love browsing through stacks of books, I have to admit that one of my favorite things recently has been taking advantage of the San Francisco Public Library's collection of e-books that you can borrow right from the comfort of your home. All you need is a library card!\u003c/p>\n\u003cp>So what kind of e-books can you borrow from the SFPL? Here's a sampling of recent releases I've got on my list. If a copy isn't available, just add it to your holds list and the library system will notify you by e-mail when a copy comes in.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>FICTION\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Rabbit Back Literature Society\u003c/em>, Pasi Ilmari Jääskeläinen \u003c/strong>\u003cbr>\n\u003cstrong>(St. Martin's Press, 2015)\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/rabbitback.jpg\">\u003cimg class=\"alignleft wp-image-15975\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/rabbitback-400x533.jpg\" alt=\"rabbitback\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/rabbitback-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/rabbitback-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/rabbitback.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>The book blurb promises \"a highly contagious book virus, a literary society and a Snow Queen-like disappearing author.\" So, I'm intrigued! Multiple reviewers have made references to \u003cem>Twin Peaks\u003c/em> in tone, and the twisty plot involving an elite author's group, secret rituals, and a mystery to solve sounds just like the kind of book to keep you up way past bed time.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Book of Strange New Things\u003c/em>, Michel Faber \u003c/strong>\u003cbr>\n\u003cstrong>(Crown, 2014)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/strangenewthings.jpg\">\u003cimg class=\"alignleft wp-image-15978\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/strangenewthings-400x533.jpg\" alt=\"strangenewthings\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/strangenewthings-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/strangenewthings-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/strangenewthings.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>I just inhaled this intense novel about a missionary who flies to another planet, leaving behind Earth in the grips of collapsing economies and environments, and I already want to re-read it. Michel Faber—responsible for one of my favorite reads from last year, \u003cem>Under the Skin—\u003c/em>has established himself as an author who can do really interesting things with language and plot pacing. He also fills his books with characters who are neither good nor bad, but rather conflicted and lost.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Sleepwalker's Guide to Dancing,\u003c/em> Mira Jacob \u003c/strong>\u003cbr>\n\u003cstrong>(Random House, 2014)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/guidetodancing.jpg\">\u003cimg class=\"alignleft wp-image-15984\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/guidetodancing-400x533.jpg\" alt=\"guidetodancing\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/guidetodancing-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/guidetodancing-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/guidetodancing.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>A family saga spanning several decades and continents, the AP describes Jacob's debut novel as \"optimistic, unpretentious and refreshingly witty.” Photographer Amina has to travel home when her father has everyone concerned as he begins conversing with dead relatives. Confronting the challenges her family is facing, Amina also learns more about her family's past.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>ESSAYS AND MEMOIRS\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Encyclopedia of Trouble and Spaciousness\u003c/em>, Rebecca Solnit \u003c/strong>\u003cbr>\n\u003cstrong>(Trinity, 2014)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/solnit.jpg\">\u003cimg class=\"alignleft wp-image-15985\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/solnit-400x533.jpg\" alt=\"solnit\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/solnit-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/solnit-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/solnit.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>When I grow up, I want to be Rebecca Solnit. Having read multiple essays of hers and had the pleasure of hearing her speak at a showing of Leonora Carrington's paintings, I think Solnit can take pretty much any topic and spin into a lyrical, thought-provoking exploration of how it relates to the human condition. This is her most recent collection of essays and you might know her name from a popular piece titled \"\u003ca href=\"https://www.guernicamag.com/daily/rebecca-solnit-men-explain-things-to-me/\" target=\"_blank\">Men Explain Things to Me\u003c/a>.\"\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Little Failure\u003c/em>, Gary Shteyngart \u003c/strong>\u003cbr>\n\u003cstrong>(Random House, 2014)\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/Little-Failure.jpg\">\u003cimg class=\"alignleft wp-image-15986\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/Little-Failure-400x597.jpg\" alt=\"978-0-679-64375-3.JPG\" width=\"250\" height=\"373\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/Little-Failure-400x597.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/Little-Failure-320x478.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/Little-Failure.jpg 410w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>This is a book that I both want to read immediately, and also not at all. As a Russian immigrant, I've got my share of stories of a Soviet childhood and coming of age in the US that friends have said I should \"put in a book.\" Shteyngart has obviously beaten me to it, and I'm afraid that once I read his memoir, I'll find it irritatingly good. You know, how some topic just feels so familiar that you end up nitpicking another person's take on it?\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Bad Feminist: Essays\u003c/em>, Roxane Gay \u003c/strong>\u003cbr>\n\u003cstrong>(HarperCollins, 2014)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/badfeminist.jpg\">\u003cimg class=\"alignleft wp-image-15988\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/badfeminist-400x533.jpg\" alt=\"badfeminist\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/badfeminist-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/badfeminist-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/badfeminist.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>I have friends who loved this book, and I have friends who hated it. Me? I have no expectations. I just want to know whether or not Roxane Gay is as funny and provocative in long form as she is on Twitter. (I'm sure she is.) \"I would rather be a bad feminist than no feminist at all,\" Gay writes, weighing her flaws and successes. The crux, it seems, is who says you have to be perfect?\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>NON-FICTION\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Warmth of Other Suns\u003c/em>, Isabel Wilkerson \u003c/strong>\u003cbr>\n\u003cstrong>(Knopf Doubleday, 2010)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/warmth.jpg\">\u003cimg class=\"alignleft wp-image-15989\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/warmth-400x533.jpg\" alt=\"warmth\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/warmth-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/warmth-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/warmth.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>This isn't a new release but it continues to appear on lots of recommended lists. Pulitzer Prize-winner and former bureau chief of \u003cem>The New York Times\u003c/em>, Wilkerson looks at a very specific aspect of American history—the internal migration of Black citizens from the South to the states north and west in the first half of the 20th century. Taking its title from a poem by Richard Wright, the book took 15 years to finish and includes historical analysis and interviews.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Secret History of Wonder Woman\u003c/em>, Jill Lepore \u003c/strong>\u003cbr>\n\u003cstrong>(Knopf Doubleday, 2014)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/wonderwoman.jpg\">\u003cimg class=\"alignleft wp-image-15990\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/wonderwoman-400x533.jpg\" alt=\"wonderwoman\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/wonderwoman-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/wonderwoman-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/wonderwoman.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>Because of the previously mentioned immigrant thing, I didn't grow up with comic books (well, not counting random issues of Asterix and the occasional political cartoon that went completely over my head). My first encounter with a superhero was Christopher Reeve as Superman. In general, I've only been reading comic books for the last few years and I have a lot of gaps to fill. A historic overview of an iconic character like Wonder Woman is definitely a requirement and Lepore's book should do nicely.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>So You've Been Publicly Shamed\u003c/em>, Jon Ronson \u003c/strong>\u003cbr>\n\u003cstrong>(Penguin, 2015)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/publicshaming.jpg\">\u003cimg class=\"alignleft wp-image-15982\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/publicshaming-400x533.jpg\" alt=\"publicshaming\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/publicshaming-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/publicshaming-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/publicshaming.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>Public shaming as punishment isn't a new concept, but it has taken on a renewed power now that the court of public opinion exists virtually—but oh so prominently—on the internet. It's definitely a time when people can be more actively involved in bringing others to accountability, but Ronson's book explores whether that shaming goes too far. Whichever side you land on, this should make for some interesting reading.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>GOOD THINGS COME TO THOSE WHO WAIT\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">Briefly mentioned below are books that come recommended, but have a very long waiting list. The best part about adding books to the wait list is that, after a while, you forget you have the book on hold. When the e-mail arrives in your inbox saying that the copy is now available for check-out, it feels almost like someone just gave you a big surprise present.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Girl on the Train\u003c/em>, Paula Hawkins \u003c/strong>\u003cbr>\n\u003cstrong>(Riverhead Books, 2015)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003cimg class=\"alignleft wp-image-16005\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/the-girl-on-the-trai-400x600.jpg\" alt=\"the-girl-on-the-trai\" width=\"250\" height=\"375\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/the-girl-on-the-trai-400x600.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/the-girl-on-the-trai-800x1200.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/the-girl-on-the-trai-768x1152.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/the-girl-on-the-trai-320x480.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/the-girl-on-the-trai.jpg 970w\" sizes=\"(max-width: 250px) 100vw, 250px\">A woman named Rachel imagines a story about a couple she regularly sees on her train commute. One day, however, she sees something shocking and becomes inextricably involved in a complicated story when she contacts the police. Apparently, there are no likable characters in the book, so that should be interesting.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Buried Giant\u003c/em>, Kazuo Ishiguro \u003c/strong>\u003cbr>\n\u003cstrong>(Knopf, 2015)\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"alignleft wp-image-16004\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/9159lEtN1aL._SL1500_-400x583.jpg\" alt=\"9159lEtN1aL._SL1500_\" width=\"250\" height=\"364\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/9159lEtN1aL._SL1500_-400x583.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/9159lEtN1aL._SL1500_-800x1166.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/9159lEtN1aL._SL1500_-768x1120.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/9159lEtN1aL._SL1500_-320x466.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/9159lEtN1aL._SL1500_.jpg 1029w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/p>\n\u003cp style=\"text-align: left\">This is Ishiguro's first novel in nearly a decade, since the incredible \u003cem>Never Let Me Go\u003c/em>. This one is a genre-bending story of two elderly 6th century Britons, Axl and Beatrice, setting out on a journey across England, encountering knights and memories left buried.\u003c/p>\n\u003cp> \u003cbr>\n \u003cbr>\n \u003c/p>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Yes Please\u003c/em>, Amy Poehler \u003c/strong>\u003cbr>\n\u003cstrong>(HarperCollins, 2014)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\n\u003cimg class=\"alignleft wp-image-16003\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/amy-poehler-yes-please-book-cover-400x623.jpg\" alt=\"amy-poehler-yes-please-book-cover\" width=\"250\" height=\"389\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/amy-poehler-yes-please-book-cover-400x623.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/amy-poehler-yes-please-book-cover-800x1245.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/amy-poehler-yes-please-book-cover-1180x1837.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/amy-poehler-yes-please-book-cover-768x1196.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/amy-poehler-yes-please-book-cover-320x498.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/amy-poehler-yes-please-book-cover.jpg 1200w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp style=\"text-align: left\">It's Amy Poehler's book of personal essays! What else do you need to know? Number of people waiting to get their hands on it at the SFPL? 454, including yours truly.\u003c/p>\n\n","blocks":[],"excerpt":"All you need is a library card to access a whole world of books.","status":"publish","parent":0,"modified":1429217273,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":1257},"headData":{"title":"Celebrate National Library Week With These E-Books From SF Public Library | KQED","description":"All you need is a library card to access a whole world of books.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Celebrate National Library Week With These E-Books From SF Public Library","datePublished":"2015-04-16T20:46:33.000Z","dateModified":"2015-04-16T20:47:53.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"15970 http://ww2.kqed.org/pop/?p=15970","disqusUrl":"https://ww2.kqed.org/pop/2015/04/16/celebrate-national-library-week-with-these-e-books-from-sf-public-library/","disqusTitle":"Celebrate National Library Week With These E-Books From SF Public Library","path":"/pop/15970/celebrate-national-library-week-with-these-e-books-from-sf-public-library","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Did you know it's National Library Week, the annual celebration of libraries and all the people who run them, which has been in observance since 1958?\u003c/p>\n\u003cp>Here in the Bay Area, we have lots of public \u003ca href=\"http://libraries.cca.edu/learn/research/bay-area-libraries\" target=\"_blank\">library chains\u003c/a>, as well as specialized libraries and archives like \u003ca href=\"http://www.milibrary.org/\" target=\"_blank\">The Mechanics' Institute\u003c/a>, which has a chess room, \u003ca href=\"http://www.prelinger.com/\" target=\"_blank\">Prelinger Library\u003c/a>, and the \u003ca href=\"http://www.sfbotanicalgarden.org/library/\" target=\"_blank\">Helen Crocker Russell Library of Horticulture\u003c/a>, tucked away at the gates of the Botanical Garden. As much as I love browsing through stacks of books, I have to admit that one of my favorite things recently has been taking advantage of the San Francisco Public Library's collection of e-books that you can borrow right from the comfort of your home. All you need is a library card!\u003c/p>\n\u003cp>So what kind of e-books can you borrow from the SFPL? Here's a sampling of recent releases I've got on my list. If a copy isn't available, just add it to your holds list and the library system will notify you by e-mail when a copy comes in.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>FICTION\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Rabbit Back Literature Society\u003c/em>, Pasi Ilmari Jääskeläinen \u003c/strong>\u003cbr>\n\u003cstrong>(St. Martin's Press, 2015)\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/rabbitback.jpg\">\u003cimg class=\"alignleft wp-image-15975\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/rabbitback-400x533.jpg\" alt=\"rabbitback\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/rabbitback-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/rabbitback-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/rabbitback.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>The book blurb promises \"a highly contagious book virus, a literary society and a Snow Queen-like disappearing author.\" So, I'm intrigued! Multiple reviewers have made references to \u003cem>Twin Peaks\u003c/em> in tone, and the twisty plot involving an elite author's group, secret rituals, and a mystery to solve sounds just like the kind of book to keep you up way past bed time.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Book of Strange New Things\u003c/em>, Michel Faber \u003c/strong>\u003cbr>\n\u003cstrong>(Crown, 2014)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/strangenewthings.jpg\">\u003cimg class=\"alignleft wp-image-15978\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/strangenewthings-400x533.jpg\" alt=\"strangenewthings\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/strangenewthings-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/strangenewthings-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/strangenewthings.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>I just inhaled this intense novel about a missionary who flies to another planet, leaving behind Earth in the grips of collapsing economies and environments, and I already want to re-read it. Michel Faber—responsible for one of my favorite reads from last year, \u003cem>Under the Skin—\u003c/em>has established himself as an author who can do really interesting things with language and plot pacing. He also fills his books with characters who are neither good nor bad, but rather conflicted and lost.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Sleepwalker's Guide to Dancing,\u003c/em> Mira Jacob \u003c/strong>\u003cbr>\n\u003cstrong>(Random House, 2014)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/guidetodancing.jpg\">\u003cimg class=\"alignleft wp-image-15984\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/guidetodancing-400x533.jpg\" alt=\"guidetodancing\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/guidetodancing-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/guidetodancing-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/guidetodancing.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>A family saga spanning several decades and continents, the AP describes Jacob's debut novel as \"optimistic, unpretentious and refreshingly witty.” Photographer Amina has to travel home when her father has everyone concerned as he begins conversing with dead relatives. Confronting the challenges her family is facing, Amina also learns more about her family's past.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>ESSAYS AND MEMOIRS\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Encyclopedia of Trouble and Spaciousness\u003c/em>, Rebecca Solnit \u003c/strong>\u003cbr>\n\u003cstrong>(Trinity, 2014)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/solnit.jpg\">\u003cimg class=\"alignleft wp-image-15985\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/solnit-400x533.jpg\" alt=\"solnit\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/solnit-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/solnit-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/solnit.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>When I grow up, I want to be Rebecca Solnit. Having read multiple essays of hers and had the pleasure of hearing her speak at a showing of Leonora Carrington's paintings, I think Solnit can take pretty much any topic and spin into a lyrical, thought-provoking exploration of how it relates to the human condition. This is her most recent collection of essays and you might know her name from a popular piece titled \"\u003ca href=\"https://www.guernicamag.com/daily/rebecca-solnit-men-explain-things-to-me/\" target=\"_blank\">Men Explain Things to Me\u003c/a>.\"\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Little Failure\u003c/em>, Gary Shteyngart \u003c/strong>\u003cbr>\n\u003cstrong>(Random House, 2014)\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/Little-Failure.jpg\">\u003cimg class=\"alignleft wp-image-15986\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/Little-Failure-400x597.jpg\" alt=\"978-0-679-64375-3.JPG\" width=\"250\" height=\"373\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/Little-Failure-400x597.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/Little-Failure-320x478.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/Little-Failure.jpg 410w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>This is a book that I both want to read immediately, and also not at all. As a Russian immigrant, I've got my share of stories of a Soviet childhood and coming of age in the US that friends have said I should \"put in a book.\" Shteyngart has obviously beaten me to it, and I'm afraid that once I read his memoir, I'll find it irritatingly good. You know, how some topic just feels so familiar that you end up nitpicking another person's take on it?\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Bad Feminist: Essays\u003c/em>, Roxane Gay \u003c/strong>\u003cbr>\n\u003cstrong>(HarperCollins, 2014)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/badfeminist.jpg\">\u003cimg class=\"alignleft wp-image-15988\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/badfeminist-400x533.jpg\" alt=\"badfeminist\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/badfeminist-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/badfeminist-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/badfeminist.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>I have friends who loved this book, and I have friends who hated it. Me? I have no expectations. I just want to know whether or not Roxane Gay is as funny and provocative in long form as she is on Twitter. (I'm sure she is.) \"I would rather be a bad feminist than no feminist at all,\" Gay writes, weighing her flaws and successes. The crux, it seems, is who says you have to be perfect?\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>NON-FICTION\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Warmth of Other Suns\u003c/em>, Isabel Wilkerson \u003c/strong>\u003cbr>\n\u003cstrong>(Knopf Doubleday, 2010)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/warmth.jpg\">\u003cimg class=\"alignleft wp-image-15989\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/warmth-400x533.jpg\" alt=\"warmth\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/warmth-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/warmth-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/warmth.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>This isn't a new release but it continues to appear on lots of recommended lists. Pulitzer Prize-winner and former bureau chief of \u003cem>The New York Times\u003c/em>, Wilkerson looks at a very specific aspect of American history—the internal migration of Black citizens from the South to the states north and west in the first half of the 20th century. Taking its title from a poem by Richard Wright, the book took 15 years to finish and includes historical analysis and interviews.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Secret History of Wonder Woman\u003c/em>, Jill Lepore \u003c/strong>\u003cbr>\n\u003cstrong>(Knopf Doubleday, 2014)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/wonderwoman.jpg\">\u003cimg class=\"alignleft wp-image-15990\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/wonderwoman-400x533.jpg\" alt=\"wonderwoman\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/wonderwoman-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/wonderwoman-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/wonderwoman.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>Because of the previously mentioned immigrant thing, I didn't grow up with comic books (well, not counting random issues of Asterix and the occasional political cartoon that went completely over my head). My first encounter with a superhero was Christopher Reeve as Superman. In general, I've only been reading comic books for the last few years and I have a lot of gaps to fill. A historic overview of an iconic character like Wonder Woman is definitely a requirement and Lepore's book should do nicely.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>So You've Been Publicly Shamed\u003c/em>, Jon Ronson \u003c/strong>\u003cbr>\n\u003cstrong>(Penguin, 2015)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/publicshaming.jpg\">\u003cimg class=\"alignleft wp-image-15982\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/publicshaming-400x533.jpg\" alt=\"publicshaming\" width=\"250\" height=\"333\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/publicshaming-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/publicshaming-320x427.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/publicshaming.jpg 510w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/a>Public shaming as punishment isn't a new concept, but it has taken on a renewed power now that the court of public opinion exists virtually—but oh so prominently—on the internet. It's definitely a time when people can be more actively involved in bringing others to accountability, but Ronson's book explores whether that shaming goes too far. Whichever side you land on, this should make for some interesting reading.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>GOOD THINGS COME TO THOSE WHO WAIT\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">Briefly mentioned below are books that come recommended, but have a very long waiting list. The best part about adding books to the wait list is that, after a while, you forget you have the book on hold. When the e-mail arrives in your inbox saying that the copy is now available for check-out, it feels almost like someone just gave you a big surprise present.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Girl on the Train\u003c/em>, Paula Hawkins \u003c/strong>\u003cbr>\n\u003cstrong>(Riverhead Books, 2015)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\u003cimg class=\"alignleft wp-image-16005\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/the-girl-on-the-trai-400x600.jpg\" alt=\"the-girl-on-the-trai\" width=\"250\" height=\"375\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/the-girl-on-the-trai-400x600.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/the-girl-on-the-trai-800x1200.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/the-girl-on-the-trai-768x1152.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/the-girl-on-the-trai-320x480.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/the-girl-on-the-trai.jpg 970w\" sizes=\"(max-width: 250px) 100vw, 250px\">A woman named Rachel imagines a story about a couple she regularly sees on her train commute. One day, however, she sees something shocking and becomes inextricably involved in a complicated story when she contacts the police. Apparently, there are no likable characters in the book, so that should be interesting.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>The Buried Giant\u003c/em>, Kazuo Ishiguro \u003c/strong>\u003cbr>\n\u003cstrong>(Knopf, 2015)\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"alignleft wp-image-16004\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/9159lEtN1aL._SL1500_-400x583.jpg\" alt=\"9159lEtN1aL._SL1500_\" width=\"250\" height=\"364\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/9159lEtN1aL._SL1500_-400x583.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/9159lEtN1aL._SL1500_-800x1166.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/9159lEtN1aL._SL1500_-768x1120.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/9159lEtN1aL._SL1500_-320x466.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/9159lEtN1aL._SL1500_.jpg 1029w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/p>\n\u003cp style=\"text-align: left\">This is Ishiguro's first novel in nearly a decade, since the incredible \u003cem>Never Let Me Go\u003c/em>. This one is a genre-bending story of two elderly 6th century Britons, Axl and Beatrice, setting out on a journey across England, encountering knights and memories left buried.\u003c/p>\n\u003cp> \u003cbr>\n \u003cbr>\n \u003c/p>\n\u003cp style=\"text-align: center\">\n\u003c/p>\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>Yes Please\u003c/em>, Amy Poehler \u003c/strong>\u003cbr>\n\u003cstrong>(HarperCollins, 2014)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: left\">\n\u003cimg class=\"alignleft wp-image-16003\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/04/amy-poehler-yes-please-book-cover-400x623.jpg\" alt=\"amy-poehler-yes-please-book-cover\" width=\"250\" height=\"389\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/04/amy-poehler-yes-please-book-cover-400x623.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/amy-poehler-yes-please-book-cover-800x1245.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/amy-poehler-yes-please-book-cover-1180x1837.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/amy-poehler-yes-please-book-cover-768x1196.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/amy-poehler-yes-please-book-cover-320x498.jpg 320w, https://ww2.kqed.org/app/uploads/sites/12/2015/04/amy-poehler-yes-please-book-cover.jpg 1200w\" sizes=\"(max-width: 250px) 100vw, 250px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp style=\"text-align: left\">It's Amy Poehler's book of personal essays! What else do you need to know? Number of people waiting to get their hands on it at the SFPL? 454, including yours truly.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/15970/celebrate-national-library-week-with-these-e-books-from-sf-public-library","authors":["2520"],"categories":["pop_1548"],"tags":["pop_516"],"featImg":"pop_16008","label":"pop"},"pop_13205":{"type":"posts","id":"pop_13205","meta":{"index":"posts_1591205157","site":"pop","id":"13205","score":null,"sort":[1410208455000]},"guestAuthors":[],"slug":"love-art-love-books-the-best-of-the-art-novels","title":"Love Art? Love Books? The Best of the Art Novels","publishDate":1410208455,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>\u003cstrong>\u003cimg class=\"aligncenter wp-image-13394 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/art-novels.jpg\" alt=\"art-novels\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/art-novels.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/art-novels-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">By Maria Judnick\u003c/strong>\u003c/p>\n\u003cp>Donna Tartt’s recent 775 page novel \u003cem>The Goldfinch\u003c/em> earned widespread critical -- and reader -- acclaim for its inventive plot that involved a painting stolen from the Museum of Modern Art. But she’s not the only author who has slipped more than a little art into their plots. Here are some of our favorite books that blend fiction with the art world.\u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Child At Heart: \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignleft wp-image-13400\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/files-basil.jpg\" alt=\"files-basil\" width=\"200\" height=\"270\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/files-basil.jpg 449w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/files-basil-400x539.jpg 400w\" sizes=\"(max-width: 200px) 100vw, 200px\">The Mixed-Up Files of Mrs. Basil E. Frankweiler \u003c/em>\u003c/strong>\u003cstrong>by E. L. Konigsburg\u003c/strong>\u003c/p>\n\u003cp>No matter how old you are, it’s never too late to read this 1967 children’s classic. Two children run away to the Metropolitan Museum of Art in New York City. After many enchanting stories of how they settle into their new home, the kids take note of an exhibit featuring a statue of an angel that may or may not have been carved by Michelangelo. The resourceful siblings do their research and visit the benefactor who sold the angel at auction for a measly $225 to find out the secret of the statue, and, in the process, discover they’ve met their match in this smart but eccentric older woman.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Serious “Artiste”:\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignright wp-image-13402\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/an-object-of-beauty.jpg\" alt=\"an-object-of-beauty\" width=\"250\" height=\"222\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/an-object-of-beauty.jpg 947w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/an-object-of-beauty-400x354.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/an-object-of-beauty-800x709.jpg 800w\" sizes=\"(max-width: 250px) 100vw, 250px\">An Object of Beauty\u003c/em>\u003c/strong>\u003cstrong> by Steve Martin\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Steve Martin is much more than just a comedian; particularly in recent years, he has brought his other talents to light: banjo player, author, and serious art collector. His 2010 novel follows the meteoric career of Lacey Yeager, a young, smart and ambitious art seller in the 1990s and 2000s. Martin's intricate, knowing details based on his personal insights of the art market will make any reader feel like the ultimate insider at places like Christie’s and Sotheby’s.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Historical Romance, Colin-Firth-Swooning Fans: \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignleft wp-image-13401\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/girl-with-a-pearl-earring.jpg\" alt=\"girl-with-a-pearl-earring\" width=\"220\" height=\"343\">Girl with a Pearl Earring \u003c/em>\u003c/strong>\u003cstrong>By Tracy Chevalier\u003c/strong>\u003c/p>\n\u003cp>This 1999 novel was popular for a reason: it offers a compelling fictional backstory to the famous painting “Girl with a Pearl Earring” (1665) by the mysterious and methodical Dutch painter Johannes Vermeer. A young maid, Griet, enters the Vermeer household, where the painter gradually discovers she has an eye for art. Griet spends much of her time fighting off suitors in the book -- from the local butcher’s son Pieter to Vermeer’s lecherous patron, Van Ruijven -- all while seemingly pining for the married painter. Will the title painting commissioned by Van Ruijven get finished without Vermeer’s jealous wife interfering? Will Griet and Johannes give in to their urges? Best of all, when readers finish the book, there’s \u003ca href=\"http://youtu.be/46E3xUTR6A0\">a 2003 film\u003c/a> starring a young Scarlett Johansson and -- of course -- a smoldering Colin Firth.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Heart-Pounding Mystery Enthusiast:\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignright wp-image-13392\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/123744.jpg\" alt=\"123744\" width=\"220\" height=\"326\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/123744.jpg 432w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/123744-400x592.jpg 400w\" sizes=\"(max-width: 220px) 100vw, 220px\">The Maltese Falcon \u003c/em>by Dashiell Hammett\u003c/strong>\u003c/p>\n\u003cp>Forget all about Dan Brown’s \u003cem>Da Vinci Code. \u003c/em>Hammett’s 1929 novel, which introduced the world to hard-boiled detective Sam Spade, offers readers more than just a plot summary for the famous 1941 film starring Humphrey Bogart. Listed 56\u003csup>th\u003c/sup> by the Modern Library on their list of the 100 best English-language novels of the 20\u003csup>th\u003c/sup> century, Hammett’s writing brings a noir-like, gritty quality to San Francisco life. Of course, once readers finish the book there’s always a literary trip to Hammett’s home (891 Post Street #401), John’s Grill (63 Ellis Street – also home to the Dashiell Hammett society), and the Flood Building to stare at the Falcon itself displayed behind glass (870 Market Street).\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Literary Reader:\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong> \u003cimg class=\"alignleft wp-image-13393\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/1f58fe-737x1024.jpg\" alt=\"virginia woolf to the lighthouse\" width=\"250\" height=\"347\">\u003cem>To the Lighthouse \u003c/em>by Virginia Woolf\u003c/strong>\u003c/p>\n\u003cp>No matter how many times you read Virginia Woolf, there’s always another layer to peel back in her books. Her 1927 novel \u003cem>To The Lighthouse\u003c/em> is no exception. Often cited as one of the best English-language novels of the 20\u003csup>th\u003c/sup> century, this three-part work muses on the meaning of time and loss, but involves very little actual plot. Mrs. Ramsey and her family have a summer house on the Isle of Skye where they try to visit the local titular lighthouse on separate occasions, while Lily Briscoe, a visiting artist, attempts to figure out how to finish a painting. What matters more -- leaving a legacy or an execution of a vision? While Woolf’s readers are often entranced by her point-of-view shifts, this novel also offers juicy morsels of autobiographical elements tucked into the text.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Other Texts Worth A Read: \u003c/strong>\u003cem>Girl in Hyacinth Blue\u003c/em> by Susan Vreeland; \u003cem>Chasing Vermeer\u003c/em> by Blue Balliett; \u003cem>The Name of the Rose\u003c/em> by Umberto Eco; \u003cem>The Lacuna\u003c/em> by Barbara Kingsolver; and \u003cem>The Birth of Venus\u003c/em> by Sarah Dunant.\u003c/p>\n\n","blocks":[],"excerpt":"With the success of Donna Tartt's The Goldfinch, we decided to take a look at the best novels that blend fiction and the art world.","status":"publish","parent":0,"modified":1418162648,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":815},"headData":{"title":"Love Art? Love Books? The Best of the Art Novels | KQED","description":"With the success of Donna Tartt's The Goldfinch, we decided to take a look at the best novels that blend fiction and the art world.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Love Art? Love Books? The Best of the Art Novels","datePublished":"2014-09-08T20:34:15.000Z","dateModified":"2014-12-09T22:04:08.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"13205 http://blogs.kqed.org/pop/?p=13205","disqusUrl":"https://ww2.kqed.org/pop/2014/09/08/love-art-love-books-the-best-of-the-art-novels/","disqusTitle":"Love Art? Love Books? The Best of the Art Novels","path":"/pop/13205/love-art-love-books-the-best-of-the-art-novels","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003cimg class=\"aligncenter wp-image-13394 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/art-novels.jpg\" alt=\"art-novels\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/art-novels.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/art-novels-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">By Maria Judnick\u003c/strong>\u003c/p>\n\u003cp>Donna Tartt’s recent 775 page novel \u003cem>The Goldfinch\u003c/em> earned widespread critical -- and reader -- acclaim for its inventive plot that involved a painting stolen from the Museum of Modern Art. But she’s not the only author who has slipped more than a little art into their plots. Here are some of our favorite books that blend fiction with the art world.\u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Child At Heart: \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignleft wp-image-13400\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/files-basil.jpg\" alt=\"files-basil\" width=\"200\" height=\"270\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/files-basil.jpg 449w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/files-basil-400x539.jpg 400w\" sizes=\"(max-width: 200px) 100vw, 200px\">The Mixed-Up Files of Mrs. Basil E. Frankweiler \u003c/em>\u003c/strong>\u003cstrong>by E. L. Konigsburg\u003c/strong>\u003c/p>\n\u003cp>No matter how old you are, it’s never too late to read this 1967 children’s classic. Two children run away to the Metropolitan Museum of Art in New York City. After many enchanting stories of how they settle into their new home, the kids take note of an exhibit featuring a statue of an angel that may or may not have been carved by Michelangelo. The resourceful siblings do their research and visit the benefactor who sold the angel at auction for a measly $225 to find out the secret of the statue, and, in the process, discover they’ve met their match in this smart but eccentric older woman.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Serious “Artiste”:\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignright wp-image-13402\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/an-object-of-beauty.jpg\" alt=\"an-object-of-beauty\" width=\"250\" height=\"222\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/an-object-of-beauty.jpg 947w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/an-object-of-beauty-400x354.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/an-object-of-beauty-800x709.jpg 800w\" sizes=\"(max-width: 250px) 100vw, 250px\">An Object of Beauty\u003c/em>\u003c/strong>\u003cstrong> by Steve Martin\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Steve Martin is much more than just a comedian; particularly in recent years, he has brought his other talents to light: banjo player, author, and serious art collector. His 2010 novel follows the meteoric career of Lacey Yeager, a young, smart and ambitious art seller in the 1990s and 2000s. Martin's intricate, knowing details based on his personal insights of the art market will make any reader feel like the ultimate insider at places like Christie’s and Sotheby’s.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Historical Romance, Colin-Firth-Swooning Fans: \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignleft wp-image-13401\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/girl-with-a-pearl-earring.jpg\" alt=\"girl-with-a-pearl-earring\" width=\"220\" height=\"343\">Girl with a Pearl Earring \u003c/em>\u003c/strong>\u003cstrong>By Tracy Chevalier\u003c/strong>\u003c/p>\n\u003cp>This 1999 novel was popular for a reason: it offers a compelling fictional backstory to the famous painting “Girl with a Pearl Earring” (1665) by the mysterious and methodical Dutch painter Johannes Vermeer. A young maid, Griet, enters the Vermeer household, where the painter gradually discovers she has an eye for art. Griet spends much of her time fighting off suitors in the book -- from the local butcher’s son Pieter to Vermeer’s lecherous patron, Van Ruijven -- all while seemingly pining for the married painter. Will the title painting commissioned by Van Ruijven get finished without Vermeer’s jealous wife interfering? Will Griet and Johannes give in to their urges? Best of all, when readers finish the book, there’s \u003ca href=\"http://youtu.be/46E3xUTR6A0\">a 2003 film\u003c/a> starring a young Scarlett Johansson and -- of course -- a smoldering Colin Firth.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Heart-Pounding Mystery Enthusiast:\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignright wp-image-13392\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/123744.jpg\" alt=\"123744\" width=\"220\" height=\"326\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/123744.jpg 432w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/123744-400x592.jpg 400w\" sizes=\"(max-width: 220px) 100vw, 220px\">The Maltese Falcon \u003c/em>by Dashiell Hammett\u003c/strong>\u003c/p>\n\u003cp>Forget all about Dan Brown’s \u003cem>Da Vinci Code. \u003c/em>Hammett’s 1929 novel, which introduced the world to hard-boiled detective Sam Spade, offers readers more than just a plot summary for the famous 1941 film starring Humphrey Bogart. Listed 56\u003csup>th\u003c/sup> by the Modern Library on their list of the 100 best English-language novels of the 20\u003csup>th\u003c/sup> century, Hammett’s writing brings a noir-like, gritty quality to San Francisco life. Of course, once readers finish the book there’s always a literary trip to Hammett’s home (891 Post Street #401), John’s Grill (63 Ellis Street – also home to the Dashiell Hammett society), and the Flood Building to stare at the Falcon itself displayed behind glass (870 Market Street).\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Literary Reader:\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong> \u003cimg class=\"alignleft wp-image-13393\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/1f58fe-737x1024.jpg\" alt=\"virginia woolf to the lighthouse\" width=\"250\" height=\"347\">\u003cem>To the Lighthouse \u003c/em>by Virginia Woolf\u003c/strong>\u003c/p>\n\u003cp>No matter how many times you read Virginia Woolf, there’s always another layer to peel back in her books. Her 1927 novel \u003cem>To The Lighthouse\u003c/em> is no exception. Often cited as one of the best English-language novels of the 20\u003csup>th\u003c/sup> century, this three-part work muses on the meaning of time and loss, but involves very little actual plot. Mrs. Ramsey and her family have a summer house on the Isle of Skye where they try to visit the local titular lighthouse on separate occasions, while Lily Briscoe, a visiting artist, attempts to figure out how to finish a painting. What matters more -- leaving a legacy or an execution of a vision? While Woolf’s readers are often entranced by her point-of-view shifts, this novel also offers juicy morsels of autobiographical elements tucked into the text.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Other Texts Worth A Read: \u003c/strong>\u003cem>Girl in Hyacinth Blue\u003c/em> by Susan Vreeland; \u003cem>Chasing Vermeer\u003c/em> by Blue Balliett; \u003cem>The Name of the Rose\u003c/em> by Umberto Eco; \u003cem>The Lacuna\u003c/em> by Barbara Kingsolver; and \u003cem>The Birth of Venus\u003c/em> by Sarah Dunant.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/13205/love-art-love-books-the-best-of-the-art-novels","authors":["3218"],"categories":["pop_1537","pop_1548"],"tags":["pop_321","pop_108","pop_516"],"featImg":"pop_13394","label":"pop"},"pop_13040":{"type":"posts","id":"pop_13040","meta":{"index":"posts_1591205157","site":"pop","id":"13040","score":null,"sort":[1407354684000]},"guestAuthors":[],"slug":"stay-at-the-homes-of-your-favorite-writers-thanks-to-airbnb","title":"Stay at the Homes of Your Favorite Writers, Thanks to Airbnb","publishDate":1407354684,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp class=\"p1\">\u003cimg class=\"aligncenter size-full wp-image-13049\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/james-joyce.jpg\" alt=\"james-joyce\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/james-joyce.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/james-joyce-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>\u003cstrong>By Shawn Wen\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">Think of all the ways to love a book. There's the exhilaration of reading a book for the first time, a pleasure which can never be recreated. Then, there is the close reading, which involves repetition, analysis, perhaps even committing passages to memory. But a specific kind of literary fan loves more than the book. Love is transferred onto the writer. How did the writer put this book together? How did the writer live? What did the writer eat, see, feel? Airbnb has the perfect wishlist for this reader.\u003c/p>\n\u003cp class=\"p1\">\"\u003ca href=\"https://www.airbnb.com/wishlists/literary-homes\">\u003cspan class=\"s1\">Homes of Famous Authors: A Wishlist by Airbnb\u003c/span>\u003c/a>\" allows literary fans to stay at John Steinbeck's writer studio or inside Aldous Huxley's eco-cabin. Perhaps it falls short of having dinner with your favorite author, but isn't it almost as good to look out at the same views and pace around the same room?\u003c/p>\n\u003cfigure id=\"attachment_13042\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13042\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Steinbeck_PacificGrove_1325979-1024x682.jpg\" alt=\"Photo: Airbnb\" width=\"640\" height=\"427\">\u003cfigcaption class=\"wp-caption-text\">Photo: Airbnb\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">\u003cstrong>John Steinbeck\u003c/strong>'s studio in Pacific Grove, California: The site closest for San Franciscans to visit is John Steinbeck's writer's studio in Pacific Grove. The listing claims that Steinbeck did his daily work in the cottage, where he penned \u003cem>The Log from the Sea of Cortez\u003c/em>. The nearby Ocean Avenue inspired Steinbeck's book \u003cem>Cannery Row\u003c/em>, in which he wrote, \"Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream.\" Ocean Avenue was later officially renamed Cannery Row in Steinbeck's honor.\u003c/p>\n\u003cfigure id=\"attachment_13045\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13045\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Joyce-1024x681.jpg\" alt=\"Photo: Airbnb\" width=\"640\" height=\"426\">\u003cfigcaption class=\"wp-caption-text\">Photo: Airbnb\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p2\">\u003cstrong>James Joyce\u003c/strong>'s \"Character Filled Georgian Apt\" in Dublin: This converted apartment occupies one floor of the Belvedere House, James Joyce's alma matter and the setting for much of \"Portrait of an Artist as a Young Man.\" Joyce described his hometown as a down-at-its-heels city full of frustrated, sexual, rough-mouthed residents. He loved the city, once saying, \"I want to give a picture of Dublin so complete that if the city suddenly disappeared from the earth it could be reconstructed out of my book.\"\u003c/p>\n\u003cfigure id=\"attachment_13044\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13044\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/quevedo-1024x693.jpg\" alt=\"Photo: Airbnb\" width=\"640\" height=\"434\">\u003cfigcaption class=\"wp-caption-text\">Photo: Airbnb\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">\u003cstrong>Francisco de Quevedo\u003c/strong>'s \"aWesome cHic mAdrid\" flat: This refurbished apartment in Madrid was once the home of Francisco de Quevedo, a famous poet and satirist of Spain's Golden Age. In his lifetime, this Spanish nobleman fought in duels, publicly lampooned other writers, and got himself exiled. And, if he's not famous enough for American readers, no worries, Miguel de Cervantes is rumored to be buried right downstairs in the Trinitaria's Convent at the building's entrance.\u003c/p>\n\u003cfigure id=\"attachment_13046\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13046\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Cervantes-1024x679.jpg\" alt=\"Photo: Airbnb\" width=\"640\" height=\"425\">\u003cfigcaption class=\"wp-caption-text\">Photo: Airbnb\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p2\">\u003cstrong>Miguel des Cervantes\u003c/strong>' \"PORT VELL DUPLEX\" in Barcelona: Miguel des Cervantes once lived in this tiny, 100 square foot apartment in the heart of Barcelona. Cervantes is deliberately vague about some of the towns and cities where \"Don Quixote\" is set, with the exception of Barcelona. It's in the Barcelona chapters that Don Quixote and Sancho Panza \"trembled in the breeze and kissed and swept the water\" when they saw the ocean for the first time.\u003c/p>\n\u003cfigure id=\"attachment_13047\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13047\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Dumas-1024x687.jpg\" alt=\"Photo: Airbnb\" width=\"640\" height=\"429\">\u003cfigcaption class=\"wp-caption-text\">Photo: Airbnb\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">\u003cstrong>Alexander Dumas\u003c/strong>' old Montmartre apartment in Paris: This spacious apartment in the Montmartre neighborhood of Paris is the former residence of Alexander Dumas. In his most popular novel, \u003cem>The Three Musketeers\u003c/em>, Paris is almost a character unto itself; the city is mentioned 113 times. Even in the 1840s, Paris was the City of Lights. Dumas described the night sky above Paris as a \"vast void from which glittered a few luminous points.\"\u003c/p>\n\u003cfigure id=\"attachment_13043\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13043\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Huxley-1024x682.jpg\" alt=\"Photo: Airbnb\" width=\"640\" height=\"427\">\u003cfigcaption class=\"wp-caption-text\">Photo: Airbnb\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">\u003cstrong>Aldous Huxley\u003c/strong>'s \"Ecocabin\" in San Cristobal, New Mexico: This cabin at the Taos Goji Ecolodge have served as a temporary home for Aldous Huxley, where he wrote \u003cem>Ends and Means\u003c/em>. Huxley first visited New Mexico on a pilgrimage to visit D. H. Lawrence's widow, Frieda Lawrence, and the land ignited his literary imagination. In his book \u003cem>Brave New World\u003c/em>, New Mexico becomes the site of the Savage Reservation, where people are allowed to live in a pre-dystopian culture.\u003c/p>\n\u003cfigure id=\"attachment_13048\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13048\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Dickens_London_680514.jpg\" alt=\"Photo: Airbnb\" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/Dickens_London_680514.jpg 1000w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Dickens_London_680514-400x266.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Dickens_London_680514-800x532.jpg 800w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: Airbnb\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">\u003cstrong>Charles Dickens\u003c/strong>' London apartment: This one bedroom is the former workspace of Charles Dickens. Here, he founded \u003cem>All the Year Round\u003c/em>, a Victorian weekly literary magazine, which serialized and published his novels, including \u003cem>Great Expectations\u003c/em> and \u003cem>A Tale of Two Cities\u003c/em>. The London of Dickens' lifetime was an urban wonder with a population of two million people. It was then the largest city in the world. In \u003cem>Bleak House\u003c/em>, Dickens wrote of his urban muse: \"Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke)...\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Now you can crash at the pad of your favorite author, from Dumas and Cervantes to Dickens and Joyce!","status":"publish","parent":0,"modified":1429823068,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":791},"headData":{"title":"Stay at the Homes of Your Favorite Writers, Thanks to Airbnb | KQED","description":"Now you can crash at the pad of your favorite author, from Dumas and Cervantes to Dickens and Joyce!","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Stay at the Homes of Your Favorite Writers, Thanks to Airbnb","datePublished":"2014-08-06T19:51:24.000Z","dateModified":"2015-04-23T21:04:28.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"13040 http://blogs.kqed.org/pop/?p=13040","disqusUrl":"https://ww2.kqed.org/pop/2014/08/06/stay-at-the-homes-of-your-favorite-writers-thanks-to-airbnb/","disqusTitle":"Stay at the Homes of Your Favorite Writers, Thanks to Airbnb","path":"/pop/13040/stay-at-the-homes-of-your-favorite-writers-thanks-to-airbnb","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp class=\"p1\">\u003cimg class=\"aligncenter size-full wp-image-13049\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/james-joyce.jpg\" alt=\"james-joyce\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/james-joyce.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/james-joyce-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>\u003cstrong>By Shawn Wen\u003c/strong>\u003c/p>\n\u003cp class=\"p1\">Think of all the ways to love a book. There's the exhilaration of reading a book for the first time, a pleasure which can never be recreated. Then, there is the close reading, which involves repetition, analysis, perhaps even committing passages to memory. But a specific kind of literary fan loves more than the book. Love is transferred onto the writer. How did the writer put this book together? How did the writer live? What did the writer eat, see, feel? Airbnb has the perfect wishlist for this reader.\u003c/p>\n\u003cp class=\"p1\">\"\u003ca href=\"https://www.airbnb.com/wishlists/literary-homes\">\u003cspan class=\"s1\">Homes of Famous Authors: A Wishlist by Airbnb\u003c/span>\u003c/a>\" allows literary fans to stay at John Steinbeck's writer studio or inside Aldous Huxley's eco-cabin. Perhaps it falls short of having dinner with your favorite author, but isn't it almost as good to look out at the same views and pace around the same room?\u003c/p>\n\u003cfigure id=\"attachment_13042\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13042\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Steinbeck_PacificGrove_1325979-1024x682.jpg\" alt=\"Photo: Airbnb\" width=\"640\" height=\"427\">\u003cfigcaption class=\"wp-caption-text\">Photo: Airbnb\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">\u003cstrong>John Steinbeck\u003c/strong>'s studio in Pacific Grove, California: The site closest for San Franciscans to visit is John Steinbeck's writer's studio in Pacific Grove. The listing claims that Steinbeck did his daily work in the cottage, where he penned \u003cem>The Log from the Sea of Cortez\u003c/em>. The nearby Ocean Avenue inspired Steinbeck's book \u003cem>Cannery Row\u003c/em>, in which he wrote, \"Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream.\" Ocean Avenue was later officially renamed Cannery Row in Steinbeck's honor.\u003c/p>\n\u003cfigure id=\"attachment_13045\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13045\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Joyce-1024x681.jpg\" alt=\"Photo: Airbnb\" width=\"640\" height=\"426\">\u003cfigcaption class=\"wp-caption-text\">Photo: Airbnb\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p2\">\u003cstrong>James Joyce\u003c/strong>'s \"Character Filled Georgian Apt\" in Dublin: This converted apartment occupies one floor of the Belvedere House, James Joyce's alma matter and the setting for much of \"Portrait of an Artist as a Young Man.\" Joyce described his hometown as a down-at-its-heels city full of frustrated, sexual, rough-mouthed residents. He loved the city, once saying, \"I want to give a picture of Dublin so complete that if the city suddenly disappeared from the earth it could be reconstructed out of my book.\"\u003c/p>\n\u003cfigure id=\"attachment_13044\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13044\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/quevedo-1024x693.jpg\" alt=\"Photo: Airbnb\" width=\"640\" height=\"434\">\u003cfigcaption class=\"wp-caption-text\">Photo: Airbnb\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">\u003cstrong>Francisco de Quevedo\u003c/strong>'s \"aWesome cHic mAdrid\" flat: This refurbished apartment in Madrid was once the home of Francisco de Quevedo, a famous poet and satirist of Spain's Golden Age. In his lifetime, this Spanish nobleman fought in duels, publicly lampooned other writers, and got himself exiled. And, if he's not famous enough for American readers, no worries, Miguel de Cervantes is rumored to be buried right downstairs in the Trinitaria's Convent at the building's entrance.\u003c/p>\n\u003cfigure id=\"attachment_13046\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13046\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Cervantes-1024x679.jpg\" alt=\"Photo: Airbnb\" width=\"640\" height=\"425\">\u003cfigcaption class=\"wp-caption-text\">Photo: Airbnb\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p2\">\u003cstrong>Miguel des Cervantes\u003c/strong>' \"PORT VELL DUPLEX\" in Barcelona: Miguel des Cervantes once lived in this tiny, 100 square foot apartment in the heart of Barcelona. Cervantes is deliberately vague about some of the towns and cities where \"Don Quixote\" is set, with the exception of Barcelona. It's in the Barcelona chapters that Don Quixote and Sancho Panza \"trembled in the breeze and kissed and swept the water\" when they saw the ocean for the first time.\u003c/p>\n\u003cfigure id=\"attachment_13047\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13047\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Dumas-1024x687.jpg\" alt=\"Photo: Airbnb\" width=\"640\" height=\"429\">\u003cfigcaption class=\"wp-caption-text\">Photo: Airbnb\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">\u003cstrong>Alexander Dumas\u003c/strong>' old Montmartre apartment in Paris: This spacious apartment in the Montmartre neighborhood of Paris is the former residence of Alexander Dumas. In his most popular novel, \u003cem>The Three Musketeers\u003c/em>, Paris is almost a character unto itself; the city is mentioned 113 times. Even in the 1840s, Paris was the City of Lights. Dumas described the night sky above Paris as a \"vast void from which glittered a few luminous points.\"\u003c/p>\n\u003cfigure id=\"attachment_13043\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13043\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Huxley-1024x682.jpg\" alt=\"Photo: Airbnb\" width=\"640\" height=\"427\">\u003cfigcaption class=\"wp-caption-text\">Photo: Airbnb\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">\u003cstrong>Aldous Huxley\u003c/strong>'s \"Ecocabin\" in San Cristobal, New Mexico: This cabin at the Taos Goji Ecolodge have served as a temporary home for Aldous Huxley, where he wrote \u003cem>Ends and Means\u003c/em>. Huxley first visited New Mexico on a pilgrimage to visit D. H. Lawrence's widow, Frieda Lawrence, and the land ignited his literary imagination. In his book \u003cem>Brave New World\u003c/em>, New Mexico becomes the site of the Savage Reservation, where people are allowed to live in a pre-dystopian culture.\u003c/p>\n\u003cfigure id=\"attachment_13048\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13048\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Dickens_London_680514.jpg\" alt=\"Photo: Airbnb\" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/Dickens_London_680514.jpg 1000w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Dickens_London_680514-400x266.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Dickens_London_680514-800x532.jpg 800w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: Airbnb\u003c/figcaption>\u003c/figure>\n\u003cp class=\"p1\">\u003cstrong>Charles Dickens\u003c/strong>' London apartment: This one bedroom is the former workspace of Charles Dickens. Here, he founded \u003cem>All the Year Round\u003c/em>, a Victorian weekly literary magazine, which serialized and published his novels, including \u003cem>Great Expectations\u003c/em> and \u003cem>A Tale of Two Cities\u003c/em>. The London of Dickens' lifetime was an urban wonder with a population of two million people. It was then the largest city in the world. In \u003cem>Bleak House\u003c/em>, Dickens wrote of his urban muse: \"Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke)...\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/13040/stay-at-the-homes-of-your-favorite-writers-thanks-to-airbnb","authors":["2421"],"categories":["pop_1548"],"tags":["pop_1653","pop_108","pop_516","pop_1654"],"featImg":"pop_13082","label":"pop"},"pop_11875":{"type":"posts","id":"pop_11875","meta":{"index":"posts_1591205157","site":"pop","id":"11875","score":null,"sort":[1397770184000]},"guestAuthors":[],"slug":"gabriel-garcia-marquez-magic-realism-pioneer-dies-at-87-100-years-of-solitude","title":"Gabriel García Márquez, Magic Realism Icon, Dies at 87","publishDate":1397770184,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_11877\" class=\"wp-caption aligncenter\" style=\"max-width: 335px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/04/17/gabriel-garcia-marquez-magic-realism-pioneer-dies-at-87-100-years-of-solitude/gabriel_garcia_marquez_by_grendelsagrav-d6bqcev/\" rel=\"attachment wp-att-11877\">\u003cimg class=\" wp-image-11877 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/gabriel_garcia_marquez_by_grendelsagrav-d6bqcev.jpg\" alt=\"Photo: deviantart, via GrendelSagrav \" width=\"335\" height=\"478\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/04/gabriel_garcia_marquez_by_grendelsagrav-d6bqcev.jpg 419w, https://ww2.kqed.org/app/uploads/sites/12/2014/04/gabriel_garcia_marquez_by_grendelsagrav-d6bqcev-400x569.jpg 400w\" sizes=\"(max-width: 335px) 100vw, 335px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://grendelsagrav.deviantart.com/art/Gabriel-Garcia-Marquez-382501975\">deviantart, via GrendelSagrav\u003cbr>\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Learning how to read is one of our first feelings of pride. And finding a book that ignites a fire in our guts and changes the way we see and move through the world is another treasured milestone.\u003cem> 100 Years of Solitude\u003c/em> was that kind of novel for me and for countless others (it sold more than 50 million copies in 25 languages). Gabriel García Márquez, who died today at the age of 87, blended the real with the fantastical, reminding readers that, whether we can see it or bring ourselves to believe in it, there is magic in this world.\u003c/p>\n\u003cp>The man affectionately called \"Gabo\" and considered to be the greatest writer in the Spanish language since Miguel de Cervantes didn't receive recognition until his 40s. He was so strapped for cash when he finished his first novel that he had to send it to his publisher in two packages. He went on to win the Nobel Prize and make fan boys out of Pablo Neruda and Bill Clinton, among others. In \u003cem>100 Years of Solitude\u003c/em>, Márquez writes, \"It's enough for me to be sure that you and I exist at this moment.\" And for millions of people hearing the news of his passing today, it will be enough to know that he existed at all.\u003c/p>\n\u003cdiv>\n\u003cdiv class=\"embedly\">\n\u003cp>\u003cimg class=\"thumb embedly-thumbnail-small\" src=\"http://static01.nyt.com/images/2013/08/01/automobiles/Marquez-Gabriel-adv-obit-slide-VTSE/Marquez-Gabriel-adv-obit-slide-VTSE-videoLarge.jpg\" alt=\"\">\u003ca class=\"embedly-title\" href=\"http://www.nytimes.com/2014/04/18/books/gabriel-garcia-marquez-literary-pioneer-dies-at-87.html?hp&_r=0\" target=\"_blank\">Gabriel García Márquez, Literary Pioneer, Dies at 87\u003c/a>Gabriel García Márquez, the Colombian novelist whose \"One Hundred Years of Solitude\" established him as a giant of 20th-century literature, died on Thursday at his home in Mexico City. He was 87. His death was confirmed by Cristóbal Pera, his former editor at Random House.\u003c/p>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003cp>\u003cspan class=\"embedly-powered\" style=\"float: right\">\u003ca title=\"Powered by Embedly\" href=\"http://embed.ly/code?url=http%3A%2F%2Fwww.nytimes.com%2F2014%2F04%2F18%2Fbooks%2Fgabriel-garcia-marquez-literary-pioneer-dies-at-87.html%3Fhp%26_r%3D0\" target=\"_blank\">\u003cimg src=\"http://static.embed.ly/images/logos/embedly-powered-small-light.png\" alt=\"Embedly Powered\">\u003c/a>\u003c/span>\u003c/p>\n\u003cdiv class=\"media-attribution\">via \u003ca class=\"media-attribution-link\" href=\"http://www.nytimes.com\" target=\"_blank\">Nytimes\u003c/a>\u003c/div>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Remembering the 100 Years of Solitude author who made so many believe in the power of imagination and magic.","status":"publish","parent":0,"modified":1397770188,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":298},"headData":{"title":"Gabriel García Márquez, Magic Realism Icon, Dies at 87 | KQED","description":"Remembering the 100 Years of Solitude author who made so many believe in the power of imagination and magic.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Gabriel García Márquez, Magic Realism Icon, Dies at 87","datePublished":"2014-04-17T21:29:44.000Z","dateModified":"2014-04-17T21:29:48.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"11875 http://blogs.kqed.org/pop/?p=11875","disqusUrl":"https://ww2.kqed.org/pop/2014/04/17/gabriel-garcia-marquez-magic-realism-pioneer-dies-at-87-100-years-of-solitude/","disqusTitle":"Gabriel García Márquez, Magic Realism Icon, Dies at 87","path":"/pop/11875/gabriel-garcia-marquez-magic-realism-pioneer-dies-at-87-100-years-of-solitude","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_11877\" class=\"wp-caption aligncenter\" style=\"max-width: 335px\">\u003ca href=\"http://blogs.kqed.org/pop/2014/04/17/gabriel-garcia-marquez-magic-realism-pioneer-dies-at-87-100-years-of-solitude/gabriel_garcia_marquez_by_grendelsagrav-d6bqcev/\" rel=\"attachment wp-att-11877\">\u003cimg class=\" wp-image-11877 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/gabriel_garcia_marquez_by_grendelsagrav-d6bqcev.jpg\" alt=\"Photo: deviantart, via GrendelSagrav \" width=\"335\" height=\"478\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/04/gabriel_garcia_marquez_by_grendelsagrav-d6bqcev.jpg 419w, https://ww2.kqed.org/app/uploads/sites/12/2014/04/gabriel_garcia_marquez_by_grendelsagrav-d6bqcev-400x569.jpg 400w\" sizes=\"(max-width: 335px) 100vw, 335px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://grendelsagrav.deviantart.com/art/Gabriel-Garcia-Marquez-382501975\">deviantart, via GrendelSagrav\u003cbr>\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Learning how to read is one of our first feelings of pride. And finding a book that ignites a fire in our guts and changes the way we see and move through the world is another treasured milestone.\u003cem> 100 Years of Solitude\u003c/em> was that kind of novel for me and for countless others (it sold more than 50 million copies in 25 languages). Gabriel García Márquez, who died today at the age of 87, blended the real with the fantastical, reminding readers that, whether we can see it or bring ourselves to believe in it, there is magic in this world.\u003c/p>\n\u003cp>The man affectionately called \"Gabo\" and considered to be the greatest writer in the Spanish language since Miguel de Cervantes didn't receive recognition until his 40s. He was so strapped for cash when he finished his first novel that he had to send it to his publisher in two packages. He went on to win the Nobel Prize and make fan boys out of Pablo Neruda and Bill Clinton, among others. In \u003cem>100 Years of Solitude\u003c/em>, Márquez writes, \"It's enough for me to be sure that you and I exist at this moment.\" And for millions of people hearing the news of his passing today, it will be enough to know that he existed at all.\u003c/p>\n\u003cdiv>\n\u003cdiv class=\"embedly\">\n\u003cp>\u003cimg class=\"thumb embedly-thumbnail-small\" src=\"http://static01.nyt.com/images/2013/08/01/automobiles/Marquez-Gabriel-adv-obit-slide-VTSE/Marquez-Gabriel-adv-obit-slide-VTSE-videoLarge.jpg\" alt=\"\">\u003ca class=\"embedly-title\" href=\"http://www.nytimes.com/2014/04/18/books/gabriel-garcia-marquez-literary-pioneer-dies-at-87.html?hp&_r=0\" target=\"_blank\">Gabriel García Márquez, Literary Pioneer, Dies at 87\u003c/a>Gabriel García Márquez, the Colombian novelist whose \"One Hundred Years of Solitude\" established him as a giant of 20th-century literature, died on Thursday at his home in Mexico City. He was 87. His death was confirmed by Cristóbal Pera, his former editor at Random House.\u003c/p>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003cp>\u003cspan class=\"embedly-powered\" style=\"float: right\">\u003ca title=\"Powered by Embedly\" href=\"http://embed.ly/code?url=http%3A%2F%2Fwww.nytimes.com%2F2014%2F04%2F18%2Fbooks%2Fgabriel-garcia-marquez-literary-pioneer-dies-at-87.html%3Fhp%26_r%3D0\" target=\"_blank\">\u003cimg src=\"http://static.embed.ly/images/logos/embedly-powered-small-light.png\" alt=\"Embedly Powered\">\u003c/a>\u003c/span>\u003c/p>\n\u003cdiv class=\"media-attribution\">via \u003ca class=\"media-attribution-link\" href=\"http://www.nytimes.com\" target=\"_blank\">Nytimes\u003c/a>\u003c/div>\n\u003cdiv class=\"embedly-clear\">\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/11875/gabriel-garcia-marquez-magic-realism-pioneer-dies-at-87-100-years-of-solitude","authors":["27"],"categories":["pop_1536"],"tags":["pop_108","pop_1546","pop_516"],"featImg":"pop_11877","label":"pop"},"pop_5257":{"type":"posts","id":"pop_5257","meta":{"index":"posts_1591205157","site":"pop","id":"5257","score":null,"sort":[1369663240000]},"guestAuthors":[],"slug":"celebrating-50-years-of-where-the-wild-things-are","title":"Celebrating 50 Years of Where the Wild Things Are","publishDate":1369663240,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_5399\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/05/27/celebrating-50-years-of-where-the-wild-things-are/16-wdfm_sendak_wildthingsandmax-2/\" rel=\"attachment wp-att-5399\">\u003cimg class=\" wp-image-5399\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/16.WDFM_Sendak_WildThingsandMax1.jpg\" alt=\"16.WDFM_Sendak_WildThingsandMax\" width=\"640\" height=\"543\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/05/16.WDFM_Sendak_WildThingsandMax1.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/16.WDFM_Sendak_WildThingsandMax1-400x339.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Wild Things and Max, circa 1970\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Where the Wilds Things Are\u003c/em> is 50 years old. 50 years! The golden jubilee! Can you believe it? Wasn’t it only last week I was sitting cross-legged on my large, rainbow colored beanbag chair thumbing through Maurice Sendak’s books, savoring every illustration and sketch? I’d wrestle with symbolism and meaning. Just who are those Wild Things? Why are they so scary?\u003c/p>\n\u003cfigure id=\"attachment_5400\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/05/27/celebrating-50-years-of-where-the-wild-things-are/dscn4514-2/\" rel=\"attachment wp-att-5400\">\u003cimg class=\"size-full wp-image-5400\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/DSCN45141.jpg\" alt=\"DSCN4514\" width=\"640\" height=\"480\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/05/DSCN45141.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/DSCN45141-400x300.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A close-up of a Wild Thing at the Maurice Sendak Exhibit.\u003c/figcaption>\u003c/figure>\n\u003cp>I recall every night before bed my mother would read to me. I wasn’t hard to please. I requested the same rotation of books: \u003cem>Alice in Wonderland, Chicken Soup with Rice, In the Night Kitchen \u003c/em>and, of course,\u003cem> Where the Wild Things Are\u003c/em>. To this day, whenever I feeling angry at the world, like the main character Max, or just in need of a nostalgia boost, I'll pull out my old, weathered copies and just read. Sometimes aloud. It’s comforting. It’s \"Chicken Soup with Rice\" for my soul.\u003c/p>\n\u003cp>A half century later, the story of a little boy in a monster outfit who is sent to his room for bad behavior still works. Adults and children alike can understand and embrace the universal meaning. It’s about growing up. It’s about learning to deal with uncontrollable aspects of humanity: fear, anger, aggression and loneliness.\u003c/p>\n\u003cfigure id=\"attachment_5401\" class=\"wp-caption alignleft\" style=\"max-width: 252px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/05/27/celebrating-50-years-of-where-the-wild-things-are/23-wdfm_sendak_kingmax-2/\" rel=\"attachment wp-att-5401\">\u003cimg class=\" wp-image-5401 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/23.WDFM_Sendak_KingMax1.jpg\" alt=\"23.WDFM_Sendak_KingMax\" width=\"252\" height=\"427\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Illustration of King Max, Sendak created for a fan\u003c/figcaption>\u003c/figure>\n\u003cp>The cynic in me also sees it as a tale of really bad parenting. Max’s rage turns into a psychotic episode. His emotionally unavailable mother doesn’t know how to deal with her child’s outburst. She sends Max to his room and, well, starves him. By today’s standards her parental skills might seem cruel. Child protective services might be knocking on the door and Max would be subject to removal proceedings.\u003c/p>\n\u003cp>But that’s the story we all know and love. Many fairy tales harbor a dark, criminal underbelly. Recall Hansel and Gretel, for example. Those two wayward children get lost in a forest, enslaved in a witch’s hut and then eventually committed murder in the first degree by slashing said witch’s throat. Enough said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Regardless, of how we interpret the book, Sendak’s story will live on for generations to come because it’s a classic marriage of story and memorable illustrations.\u003c/p>\n\u003cp>Before Sendak died, he appeared on \u003cem>The Colbert Report\u003c/em>. The interview itself was a hilarious deadpan back and forth ping pong match between two geniuses. But something else really stuck with me about the interview. Sendak said, “Childhood is a time of torment…the best thing a parent can do for a child is accept them for what they are.” Words so simple, yet brilliant and encapsulating. Sendak understood children. That’s why is he a literary demi-god.\u003c/p>\n\u003cp>http://www.colbertnation.com/the-colbert-report-videos/413972/may-08-2012/uncensored---maurice-sendak-tribute----i-am-a-pole--and-so-can-you----release\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Sendak’s work titled \u003ca href=\"http://www.waltdisney.org/sendak\" target=\"_blank\">\u003cem>Maurice Sendak: 50 Years, 50 Works, 50 Reason\u003c/em>s\u003c/a> is on display now at the Walt Disney Museum. It’s a collection of 50 Sendak works along with 50 statements from celebrities and noted personalities who were influenced by the iconic book just as much as I was. The exhibit runs from May 23-July 7.\u003c/p>\n\u003cfigure id=\"attachment_5402\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/05/27/celebrating-50-years-of-where-the-wild-things-are/maurice-sendak_sara_2-2/\" rel=\"attachment wp-att-5402\">\u003cimg class=\" wp-image-5402\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/Maurice-Sendak_Sara_21.jpg\" alt=\"Maurice-Sendak_Sara_2\" width=\"640\" height=\"427\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/05/Maurice-Sendak_Sara_21.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/Maurice-Sendak_Sara_21-400x266.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Where the Wild Things Are book on display at the Walt Disney Museum\u003c/figcaption>\u003c/figure>\n\n","blocks":[],"excerpt":"\u003cem>Where the Wilds Things Are\u003c/em> is 50 years old! To celebrate the golden jubilee, Sendak’s work titled \u003cem>Maurice Sendak: 50 Years, 50 Works, 50 Reasons\u003c/em> is on display now at the Walt Disney Museum.","status":"publish","parent":0,"modified":1369773861,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":600},"headData":{"title":"Celebrating 50 Years of Where the Wild Things Are | KQED","description":"Where the Wilds Things Are is 50 years old! To celebrate the golden jubilee, Sendak’s work titled Maurice Sendak: 50 Years, 50 Works, 50 Reasons is on display now at the Walt Disney Museum.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Celebrating 50 Years of Where the Wild Things Are","datePublished":"2013-05-27T14:00:40.000Z","dateModified":"2013-05-28T20:44:21.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"5257 http://blogs.kqed.org/pop/?p=5257","disqusUrl":"https://ww2.kqed.org/pop/2013/05/27/celebrating-50-years-of-where-the-wild-things-are/","disqusTitle":"Celebrating 50 Years of Where the Wild Things Are","path":"/pop/5257/celebrating-50-years-of-where-the-wild-things-are","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_5399\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/05/27/celebrating-50-years-of-where-the-wild-things-are/16-wdfm_sendak_wildthingsandmax-2/\" rel=\"attachment wp-att-5399\">\u003cimg class=\" wp-image-5399\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/16.WDFM_Sendak_WildThingsandMax1.jpg\" alt=\"16.WDFM_Sendak_WildThingsandMax\" width=\"640\" height=\"543\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/05/16.WDFM_Sendak_WildThingsandMax1.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/16.WDFM_Sendak_WildThingsandMax1-400x339.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Wild Things and Max, circa 1970\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Where the Wilds Things Are\u003c/em> is 50 years old. 50 years! The golden jubilee! Can you believe it? Wasn’t it only last week I was sitting cross-legged on my large, rainbow colored beanbag chair thumbing through Maurice Sendak’s books, savoring every illustration and sketch? I’d wrestle with symbolism and meaning. Just who are those Wild Things? Why are they so scary?\u003c/p>\n\u003cfigure id=\"attachment_5400\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/05/27/celebrating-50-years-of-where-the-wild-things-are/dscn4514-2/\" rel=\"attachment wp-att-5400\">\u003cimg class=\"size-full wp-image-5400\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/DSCN45141.jpg\" alt=\"DSCN4514\" width=\"640\" height=\"480\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/05/DSCN45141.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/DSCN45141-400x300.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A close-up of a Wild Thing at the Maurice Sendak Exhibit.\u003c/figcaption>\u003c/figure>\n\u003cp>I recall every night before bed my mother would read to me. I wasn’t hard to please. I requested the same rotation of books: \u003cem>Alice in Wonderland, Chicken Soup with Rice, In the Night Kitchen \u003c/em>and, of course,\u003cem> Where the Wild Things Are\u003c/em>. To this day, whenever I feeling angry at the world, like the main character Max, or just in need of a nostalgia boost, I'll pull out my old, weathered copies and just read. Sometimes aloud. It’s comforting. It’s \"Chicken Soup with Rice\" for my soul.\u003c/p>\n\u003cp>A half century later, the story of a little boy in a monster outfit who is sent to his room for bad behavior still works. Adults and children alike can understand and embrace the universal meaning. It’s about growing up. It’s about learning to deal with uncontrollable aspects of humanity: fear, anger, aggression and loneliness.\u003c/p>\n\u003cfigure id=\"attachment_5401\" class=\"wp-caption alignleft\" style=\"max-width: 252px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/05/27/celebrating-50-years-of-where-the-wild-things-are/23-wdfm_sendak_kingmax-2/\" rel=\"attachment wp-att-5401\">\u003cimg class=\" wp-image-5401 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/23.WDFM_Sendak_KingMax1.jpg\" alt=\"23.WDFM_Sendak_KingMax\" width=\"252\" height=\"427\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Illustration of King Max, Sendak created for a fan\u003c/figcaption>\u003c/figure>\n\u003cp>The cynic in me also sees it as a tale of really bad parenting. Max’s rage turns into a psychotic episode. His emotionally unavailable mother doesn’t know how to deal with her child’s outburst. She sends Max to his room and, well, starves him. By today’s standards her parental skills might seem cruel. Child protective services might be knocking on the door and Max would be subject to removal proceedings.\u003c/p>\n\u003cp>But that’s the story we all know and love. Many fairy tales harbor a dark, criminal underbelly. Recall Hansel and Gretel, for example. Those two wayward children get lost in a forest, enslaved in a witch’s hut and then eventually committed murder in the first degree by slashing said witch’s throat. Enough said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Regardless, of how we interpret the book, Sendak’s story will live on for generations to come because it’s a classic marriage of story and memorable illustrations.\u003c/p>\n\u003cp>Before Sendak died, he appeared on \u003cem>The Colbert Report\u003c/em>. The interview itself was a hilarious deadpan back and forth ping pong match between two geniuses. But something else really stuck with me about the interview. Sendak said, “Childhood is a time of torment…the best thing a parent can do for a child is accept them for what they are.” Words so simple, yet brilliant and encapsulating. Sendak understood children. That’s why is he a literary demi-god.\u003c/p>\n\u003cp>http://www.colbertnation.com/the-colbert-report-videos/413972/may-08-2012/uncensored---maurice-sendak-tribute----i-am-a-pole--and-so-can-you----release\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Sendak’s work titled \u003ca href=\"http://www.waltdisney.org/sendak\" target=\"_blank\">\u003cem>Maurice Sendak: 50 Years, 50 Works, 50 Reason\u003c/em>s\u003c/a> is on display now at the Walt Disney Museum. It’s a collection of 50 Sendak works along with 50 statements from celebrities and noted personalities who were influenced by the iconic book just as much as I was. The exhibit runs from May 23-July 7.\u003c/p>\n\u003cfigure id=\"attachment_5402\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/05/27/celebrating-50-years-of-where-the-wild-things-are/maurice-sendak_sara_2-2/\" rel=\"attachment wp-att-5402\">\u003cimg class=\" wp-image-5402\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/Maurice-Sendak_Sara_21.jpg\" alt=\"Maurice-Sendak_Sara_2\" width=\"640\" height=\"427\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/05/Maurice-Sendak_Sara_21.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/Maurice-Sendak_Sara_21-400x266.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Where the Wild Things Are book on display at the Walt Disney Museum\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/5257/celebrating-50-years-of-where-the-wild-things-are","authors":["2451"],"categories":["pop_7","pop_6","pop_51"],"tags":["pop_108","pop_842","pop_516","pop_832","pop_833","pop_834"],"featImg":"pop_5268","label":"pop"},"pop_3003":{"type":"posts","id":"pop_3003","meta":{"index":"posts_1591205157","site":"pop","id":"3003","score":null,"sort":[1364581848000]},"guestAuthors":[],"slug":"3-steps-to-getting-pumped-for-the-new-season-of-mad-men","title":"3 Steps to Getting Pumped for the New Season of Mad Men","publishDate":1364581848,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp> \u003c/p>\n\u003cp>\u003cstrong>SPOILER ALERT! If you aren't caught up on \u003cem>Mad Men\u003c/em>, stop reading now.\u003c/strong>\u003c/p>\n\u003cp>I’m a huge fan of \u003cem>Mad Men\u003c/em>, but lately I’ve had trouble feeling quite as excited as I probably should for this new season. Maybe I’m taking it for granted because it’s been on for so long, in contrast to something like \u003cem>Game of Thrones\u003c/em>, which is still new and exciting to me.\u003c/p>\n\u003cp>Or maybe it’s because the last season was so overtly damning to nearly every character: the agency of Sterling Cooper Draper Pryce swallowed Pryce whole and prostituted Joan and drove out Peggy. The show, via none other than the dream-ghost of Don’s dead brother, came out and basically explained to Don, and us, that a rotten tooth was a metaphor for Don’s soul or whatever. Roger unintentionally exposed Sally to “dirty” sex. Pete was punched in the face repeatedly, and everyone watching it with me cheered each time, even though the second face-puncher was a far greater monster than Pete could ever aspire to be. And as for Megan, I'm not saying she's a gold digger, but...\u003c/p>\n\u003cp>So what hope do these characters have? More importantly, can we care what hope they have? Can we get ourselves worked up, for old times’ sake? For… nostalgia? For the good old days of 2007, a time before Skrillex, before the Ikea monkey, when people still sometimes gathered around the soft, forgiving glow of actual televisions, with loved ones— can we reach back to this place we ache to go again, and feel a twinge in our heart more painful than mere memory—\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Sorry. Something in my eye. Anyway, yes! Of course we can! Here’s how:\u003c/p>\n\u003cp>\u003cstrong>1. Do Some Reading\u003c/strong>\u003c/p>\n\u003cp>Since \u003cem>Mad Men\u003c/em> is one of the most literary shows since \u003ca href=\"http://www.youtube.com/watch?v=WT2f-BOAbYg\">Wishbone\u003c/a>, why not check out some of its influences? What else are you going to read, articles about pop culture? Please continue reading articles about pop culture! But afterwards…\u003c/p>\n\u003cp>--\u003cem>\u003ca href=\"http://www.amazon.com/Stories-John-Cheever/dp/0375724427\" target=\"_blank\" rel=\"noopener\">The Short Stories of John Cheever\u003c/a>\u003c/em>. Cheever wrote his stories, which often concerned mid-20\u003csup>th\u003c/sup>-century New York, booze, existential despair, sexuality, infidelity and privilege, with such heartbreaking attention to detail that he became known as “The Chekhov of the suburbs.\" If you’re not familiar with his work, check out “O City of Broken Dreams!”, “Torch Song,” (which features a character named Joan Harris), “The Country Husband,” and “The Swimmer.”\u003c/p>\n\u003cp>--\u003ca href=\"http://www.amazon.com/White-Album-Essays-FSG-Classics/dp/0374532079\" target=\"_blank\" rel=\"noopener\">\u003cem>The White Album\u003c/em>\u003c/a> by Joan Didion. Given the pacing of the show, it’s safe to assume that Season 6 will take place in or around 1968. Here, Didion writes about aspects of that particular zeitgeist—The Doors, The Manson Family— with beautiful, ambling sentences and a mood of dread and paranoia.\u003c/p>\n\u003cp>--\u003ca href=\"http://www.amazon.com/Meditations-Emergency-Frank-OHara/dp/0802134521\" target=\"_blank\" rel=\"noopener\">\u003cem>Meditations in an Emergency\u003c/em>\u003c/a> by Frank O’Hara. Because tell me hearing Don reads from O'Hara's collection of \u003ca href=\"http://en.wikipedia.org/wiki/New_York_School\">New York School\u003c/a> poetry doesn’t get you amped as heck for \u003cem>Mad Men\u003c/em>:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=PNXGu_9CKoU\u003c/p>\n\u003cp>The regret! The misery! You don’t have enough of that in your real life, right?\u003c/p>\n\u003cp>\u003cstrong>2. Dress Up Like Your Favorite Character!\u003c/strong>\u003c/p>\n\u003cp>You think you’re better than cosplayers and \u003ca href=\"http://en.wikipedia.org/wiki/Larp\">LARP\u003c/a>ers just because your favorite show makes allusions to Frank O’Hara and Sylvia Plath? Guess what? Allusions to Frank O’Hara and Sylvia Plath are actually the nerdiest thing possible! Embrace it, Poindexter, and check out these great vintage stores in the Bay Area for all of your sartorial needs:\u003c/p>\n\u003cp>--\u003ca href=\"http://www.yelp.com/biz/mars-mercantile-berkeley\">Mars\u003c/a> in Berkeley. This Telegraph Avenue highlight features two floors of old-time class at decent prices.\u003c/p>\n\u003cp>--\u003ca href=\"http://www.yelp.com/biz/la-rosa-vintage-san-francisco\">La Rosa\u003c/a> and \u003ca href=\"http://www.yelp.com/biz/held-over-san-francisco\">Held Over\u003c/a> in the Haight. In a part of town that already feels like an unsettling tribute to a bygone era, La Rosa and its less expensive sister store stand above the rest.\u003c/p>\n\u003cp>--\u003ca href=\"http://www.retrofityourworld.com/\">Retrofit\u003c/a> in the Mission. This Valencia street space places an emphasis on drag and personal transformation.\u003c/p>\n\u003cp>You’re sure to find period-appropriate realness at any of these places for your dorky \u003cem>Mad Men\u003c/em> get-together.\u003c/p>\n\u003cp>\u003cstrong>3. Drink!\u003c/strong>\u003c/p>\n\u003cp>(Or don’t. At least, please don’t drink like the characters on \u003cem>Mad Men\u003c/em>.)\u003c/p>\n\u003cp>When my friends and I first got big into this show, we started ordering “old-fashioned” cocktails at bars, a la Don Draper. However, the old-fashioned you get at most bars nowadays, poignantly enough, is not what it used to be. It's more like a weird, sangria-esque soup of fruit and sugar, or a fruit salad drenched in whiskey and bitters. Are you at all surprised that Rachel Maddow has the most succinct and charming explanation for how to make an old-fashioned old-fashioned?\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3ccqDlu0kuI\u003c/p>\n\u003cp>And of course, the order here is important-- don't drink too much before trying to read any of those books or put on fancy clothes.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>What are you doing for the upcoming season of \u003cem>Mad Men\u003c/em>? Probably going about your business, not worrying about this kind of stuff? Planning a super-cool party that you're still waiting to invite me to? Wondering how I got through this article without making a single reference to Jon Hamm's recent \u003ca href=\"http://www.nydailynews.com/entertainment/gossip/confidential/hamm-mad-men-full-package-article-1.1293362?localLinksEnabled=false\">trouser difficulties\u003c/a>? Let us know!\u003c/p>\n\n","blocks":[],"excerpt":"Having trouble feeling quite as excited as you probably should for this new season of Mad Men? Here are some tips to help you rekindle the flame.","status":"publish","parent":0,"modified":1552098999,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":24,"wordCount":916},"headData":{"title":"3 Steps to Getting Pumped for the New Season of Mad Men | KQED","description":"Having trouble feeling quite as excited as you probably should for this new season of Mad Men? Here are some tips to help you rekindle the flame.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"3 Steps to Getting Pumped for the New Season of Mad Men","datePublished":"2013-03-29T18:30:48.000Z","dateModified":"2019-03-09T02:36:39.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"3003 http://blogs.kqed.org/pop/?p=3003","disqusUrl":"https://ww2.kqed.org/pop/2013/03/29/3-steps-to-getting-pumped-for-the-new-season-of-mad-men/","disqusTitle":"3 Steps to Getting Pumped for the New Season of Mad Men","path":"/pop/3003/3-steps-to-getting-pumped-for-the-new-season-of-mad-men","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003c/p>\n\u003cp>\u003cstrong>SPOILER ALERT! If you aren't caught up on \u003cem>Mad Men\u003c/em>, stop reading now.\u003c/strong>\u003c/p>\n\u003cp>I’m a huge fan of \u003cem>Mad Men\u003c/em>, but lately I’ve had trouble feeling quite as excited as I probably should for this new season. Maybe I’m taking it for granted because it’s been on for so long, in contrast to something like \u003cem>Game of Thrones\u003c/em>, which is still new and exciting to me.\u003c/p>\n\u003cp>Or maybe it’s because the last season was so overtly damning to nearly every character: the agency of Sterling Cooper Draper Pryce swallowed Pryce whole and prostituted Joan and drove out Peggy. The show, via none other than the dream-ghost of Don’s dead brother, came out and basically explained to Don, and us, that a rotten tooth was a metaphor for Don’s soul or whatever. Roger unintentionally exposed Sally to “dirty” sex. Pete was punched in the face repeatedly, and everyone watching it with me cheered each time, even though the second face-puncher was a far greater monster than Pete could ever aspire to be. And as for Megan, I'm not saying she's a gold digger, but...\u003c/p>\n\u003cp>So what hope do these characters have? More importantly, can we care what hope they have? Can we get ourselves worked up, for old times’ sake? For… nostalgia? For the good old days of 2007, a time before Skrillex, before the Ikea monkey, when people still sometimes gathered around the soft, forgiving glow of actual televisions, with loved ones— can we reach back to this place we ache to go again, and feel a twinge in our heart more painful than mere memory—\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sorry. Something in my eye. Anyway, yes! Of course we can! Here’s how:\u003c/p>\n\u003cp>\u003cstrong>1. Do Some Reading\u003c/strong>\u003c/p>\n\u003cp>Since \u003cem>Mad Men\u003c/em> is one of the most literary shows since \u003ca href=\"http://www.youtube.com/watch?v=WT2f-BOAbYg\">Wishbone\u003c/a>, why not check out some of its influences? What else are you going to read, articles about pop culture? Please continue reading articles about pop culture! But afterwards…\u003c/p>\n\u003cp>--\u003cem>\u003ca href=\"http://www.amazon.com/Stories-John-Cheever/dp/0375724427\" target=\"_blank\" rel=\"noopener\">The Short Stories of John Cheever\u003c/a>\u003c/em>. Cheever wrote his stories, which often concerned mid-20\u003csup>th\u003c/sup>-century New York, booze, existential despair, sexuality, infidelity and privilege, with such heartbreaking attention to detail that he became known as “The Chekhov of the suburbs.\" If you’re not familiar with his work, check out “O City of Broken Dreams!”, “Torch Song,” (which features a character named Joan Harris), “The Country Husband,” and “The Swimmer.”\u003c/p>\n\u003cp>--\u003ca href=\"http://www.amazon.com/White-Album-Essays-FSG-Classics/dp/0374532079\" target=\"_blank\" rel=\"noopener\">\u003cem>The White Album\u003c/em>\u003c/a> by Joan Didion. Given the pacing of the show, it’s safe to assume that Season 6 will take place in or around 1968. Here, Didion writes about aspects of that particular zeitgeist—The Doors, The Manson Family— with beautiful, ambling sentences and a mood of dread and paranoia.\u003c/p>\n\u003cp>--\u003ca href=\"http://www.amazon.com/Meditations-Emergency-Frank-OHara/dp/0802134521\" target=\"_blank\" rel=\"noopener\">\u003cem>Meditations in an Emergency\u003c/em>\u003c/a> by Frank O’Hara. Because tell me hearing Don reads from O'Hara's collection of \u003ca href=\"http://en.wikipedia.org/wiki/New_York_School\">New York School\u003c/a> poetry doesn’t get you amped as heck for \u003cem>Mad Men\u003c/em>:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PNXGu_9CKoU'\n title='//www.youtube.com/embed/PNXGu_9CKoU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The regret! The misery! You don’t have enough of that in your real life, right?\u003c/p>\n\u003cp>\u003cstrong>2. Dress Up Like Your Favorite Character!\u003c/strong>\u003c/p>\n\u003cp>You think you’re better than cosplayers and \u003ca href=\"http://en.wikipedia.org/wiki/Larp\">LARP\u003c/a>ers just because your favorite show makes allusions to Frank O’Hara and Sylvia Plath? Guess what? Allusions to Frank O’Hara and Sylvia Plath are actually the nerdiest thing possible! Embrace it, Poindexter, and check out these great vintage stores in the Bay Area for all of your sartorial needs:\u003c/p>\n\u003cp>--\u003ca href=\"http://www.yelp.com/biz/mars-mercantile-berkeley\">Mars\u003c/a> in Berkeley. This Telegraph Avenue highlight features two floors of old-time class at decent prices.\u003c/p>\n\u003cp>--\u003ca href=\"http://www.yelp.com/biz/la-rosa-vintage-san-francisco\">La Rosa\u003c/a> and \u003ca href=\"http://www.yelp.com/biz/held-over-san-francisco\">Held Over\u003c/a> in the Haight. In a part of town that already feels like an unsettling tribute to a bygone era, La Rosa and its less expensive sister store stand above the rest.\u003c/p>\n\u003cp>--\u003ca href=\"http://www.retrofityourworld.com/\">Retrofit\u003c/a> in the Mission. This Valencia street space places an emphasis on drag and personal transformation.\u003c/p>\n\u003cp>You’re sure to find period-appropriate realness at any of these places for your dorky \u003cem>Mad Men\u003c/em> get-together.\u003c/p>\n\u003cp>\u003cstrong>3. Drink!\u003c/strong>\u003c/p>\n\u003cp>(Or don’t. At least, please don’t drink like the characters on \u003cem>Mad Men\u003c/em>.)\u003c/p>\n\u003cp>When my friends and I first got big into this show, we started ordering “old-fashioned” cocktails at bars, a la Don Draper. However, the old-fashioned you get at most bars nowadays, poignantly enough, is not what it used to be. It's more like a weird, sangria-esque soup of fruit and sugar, or a fruit salad drenched in whiskey and bitters. Are you at all surprised that Rachel Maddow has the most succinct and charming explanation for how to make an old-fashioned old-fashioned?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3ccqDlu0kuI'\n title='//www.youtube.com/embed/3ccqDlu0kuI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And of course, the order here is important-- don't drink too much before trying to read any of those books or put on fancy clothes.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>What are you doing for the upcoming season of \u003cem>Mad Men\u003c/em>? Probably going about your business, not worrying about this kind of stuff? Planning a super-cool party that you're still waiting to invite me to? Wondering how I got through this article without making a single reference to Jon Hamm's recent \u003ca href=\"http://www.nydailynews.com/entertainment/gossip/confidential/hamm-mad-men-full-package-article-1.1293362?localLinksEnabled=false\">trouser difficulties\u003c/a>? Let us know!\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/3003/3-steps-to-getting-pumped-for-the-new-season-of-mad-men","authors":["2422"],"categories":["pop_3"],"tags":["pop_108","pop_518","pop_517","pop_516","pop_74","pop_136"],"featImg":"pop_110179","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. 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Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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