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Born and raised in Wales, she started her career in London, as a music journalist for uproarious rock ’n’ roll magazine, \u003cem>\u003ca href=\"https://www.kerrang.com/features/an-oral-history-of-alternative-tentacles-40-years-of-keeping-punk-alive/\">Kerrang!\u003c/a>\u003c/em>. In America, she got her start at alt-weeklies including \u003ca href=\"https://archives.sfweekly.com/sanfrancisco/ArticleArchives?author=2127078&excludeCategoryType=Blog\">\u003cem>SF Weekly\u003c/em>\u003c/a> and the \u003ca href=\"https://www.villagevoice.com/author/raealexandra/\">\u003cem>Village Voice\u003c/em>\u003c/a>, and freelanced for a great many other publications. Her undying love for San Francisco has, more recently, turned her into \u003ca href=\"https://www.kqed.org/arts/tag/bayareahistory/\">a history nerd\u003c/a>. In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture.","avatar":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twitter":"raemondjjjj","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Rae Alexandra | KQED","description":"Staff Writer","ogImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ralexandra"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"pop_95386":{"type":"posts","id":"pop_95386","meta":{"index":"posts_1591205157","site":"pop","id":"95386","score":null,"sort":[1502110844000]},"guestAuthors":[],"slug":"coldplay-cant-stop-covering-the-songs-of-the-recently-deceased","title":"Coldplay Can't Stop Covering the Songs of the Recently Deceased","publishDate":1502110844,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>After almost two decades together, Coldplay might still be one of the most divisive bands on the planet. Depending on who you ask, the quartet is either the \u003ca href=\"https://www.thetoptens.com/rock-bands/coldplay-44316.asp\">\"best band of the 21st century\"\u003c/a> (Jay-Z recently compared frontman Chris Martin to \u003ca href=\"http://www.independent.co.uk/arts-entertainment/music/jay-z-chris-martin-coldplay-william-shakespeare-songwriter-live-band-a7872451.html\">\"a modern-day Shakespeare\"\u003c/a>), or it makes middle of the road \u003ca href=\"https://www.theguardian.com/friday_review/story/0,,347745,00.html\">\"bedwetters' music\"\u003c/a> for boring people (Bono once called Chris Martin a \u003ca href=\"http://www.dailymail.co.uk/tvshowbiz/article-1157358/U2-singer-Bono-apologises-foul-mouthed-insult-Coldplays-Chris-Martin.html\">\"wanker\"\u003c/a> live on BBC Radio).\u003c/p>\n\u003cp>In the past few years though, Chris, Will, Jonny, and Guy have started stretching themselves in a rather morbid direction: cover songs for recently deceased famous people. Last week, the band garnered attention for Chris Martin's solo cover of Linkin Park's \"Crawling,\" following the death of frontman Chester Bennington.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=pFj2jKnFM0g\u003c/p>\n\u003cp>Moving though it was, \"Crawling\" is the latest in an increasingly long line of cover tributes. It started in earnest in 2009, after the death of Michael Jackson. Coldplay spent the rest of the year incorporating a cover of \"Billie Jean\" into live sets.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VchZzMZLaPo\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Then, two months after David Bowie's death, Chris Martin got together with Jimmy Fallon and performed a deeply uncomfortable rendition of \"Life On Mars?\" The problem? Fallon did a hokey Bowie impersonation all the way through.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=0OcHOBenPFc\u003c/p>\n\u003cp>Shortly afterwards, Coldplay started incorporating \"Heroes\" into their set on the regular, despite the fact that David Bowie had rejected an offer to collaborate with the band while he was still alive. \"One time I sent [Bowie] a song to ask him to sing on it,” Chris Martin told the \u003ca href=\"http://www.billboard.com/articles/news/6406310/david-bowie-chris-martin-coldplay-collaborate-diss\">BBC Music Awards\u003c/a> in 2014. “He called me and said, 'It's not one of your best.' He's got very high standards and I appreciate that. It inspires the rest of us to keep our standards high.\"\u003c/p>\n\u003cp>Here's the band ignoring Bowie's shade and paying tribute to him anyway:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=oOzplfOMKJ0\u003c/p>\n\u003cp>You'll notice at the beginning of that clip, Martin references not just Bowie, but Prince too. And literally one night after the above Bowie cover, the band got together with the host of \u003cem>The Late, Late Show\u003c/em> (and lover of his own singing voice) \u003ca href=\"https://twitter.com/JKCorden?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\">James Corden\u003c/a> to do a rendition of \"Nothing Compares 2 U.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=mak_Cu9Wl6w\u003c/p>\n\u003cp>It could be argued that bringing a comedian onstage to pay tribute to a recently-deceased megastar, who was notoriously protective of how his music was presented, wasn't particularly sensitive. In life, Prince actively \u003ca href=\"https://ww2.kqed.org/pop/2017/07/10/princes-music-videos-are-back-online/\">removed even fan-generated videos\u003c/a> from the internet, so he may not have appreciated being covered by a chat show host at what was surely a still-solemn time for Prince's family, friends, and fans.\u003c/p>\n\u003cp>Earlier this year, at the 2017 BRIT Awards, two months after George Michael's death, Coldplay performed Wham!'s \"A Different Corner.\" It started beautifully enough, but, halfway through, unexpectedly turned into a duet with a video of George Michael also performing the song. Martin was visibly and genuinely emotional about the whole thing, but it undoubtedly bordered on the macabre.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=iPoKzxTS80g\u003c/p>\n\u003cp>It's not just deceased musicians Coldplay pay tribute to either. The day of Gene Wilder's death in 2016, the band worked \"Pure Imagination\" into the end of \"The Scientist\" at a concert in Denver.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7yZCRsCfc5I\u003c/p>\n\u003cp>It's fair to say that the members of Coldplay most probably have their hearts in the right place when they perform these tributes to their fellow fallen musicians. Audiences also often need that moment of catharsis to bid their heroes goodbye in the wake of a tragic death. But when there are this many tributes, and some of them are performed with a veneer of insensitivity, it is occasionally difficult not to question the band's motives. It's also now so unusual for Coldplay to skip a tribute, rightly or wrongly it's hard not to wonder why Chris Cornell, for example, didn't get one.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the end, fans must trust that the band really do just want to honor their heroes; it would probably just mean more if they did it less often and with fewer comedians involved.\u003c/p>\n\n","blocks":[],"excerpt":"Coldplay pay tribute to fallen musicians so regularly, it's starting to feel a little weird.","status":"publish","parent":0,"modified":1502149302,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":738},"headData":{"title":"Coldplay Can't Stop Covering the Songs of the Recently Deceased | KQED","description":"Coldplay pay tribute to fallen musicians so regularly, it's starting to feel a little weird.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"95386 https://ww2.kqed.org/pop/?p=95386","disqusUrl":"https://ww2.kqed.org/pop/2017/08/07/coldplay-cant-stop-covering-the-songs-of-the-recently-deceased/","disqusTitle":"Coldplay Can't Stop Covering the Songs of the Recently Deceased","path":"/pop/95386/coldplay-cant-stop-covering-the-songs-of-the-recently-deceased","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>After almost two decades together, Coldplay might still be one of the most divisive bands on the planet. Depending on who you ask, the quartet is either the \u003ca href=\"https://www.thetoptens.com/rock-bands/coldplay-44316.asp\">\"best band of the 21st century\"\u003c/a> (Jay-Z recently compared frontman Chris Martin to \u003ca href=\"http://www.independent.co.uk/arts-entertainment/music/jay-z-chris-martin-coldplay-william-shakespeare-songwriter-live-band-a7872451.html\">\"a modern-day Shakespeare\"\u003c/a>), or it makes middle of the road \u003ca href=\"https://www.theguardian.com/friday_review/story/0,,347745,00.html\">\"bedwetters' music\"\u003c/a> for boring people (Bono once called Chris Martin a \u003ca href=\"http://www.dailymail.co.uk/tvshowbiz/article-1157358/U2-singer-Bono-apologises-foul-mouthed-insult-Coldplays-Chris-Martin.html\">\"wanker\"\u003c/a> live on BBC Radio).\u003c/p>\n\u003cp>In the past few years though, Chris, Will, Jonny, and Guy have started stretching themselves in a rather morbid direction: cover songs for recently deceased famous people. Last week, the band garnered attention for Chris Martin's solo cover of Linkin Park's \"Crawling,\" following the death of frontman Chester Bennington.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pFj2jKnFM0g'\n title='//www.youtube.com/embed/pFj2jKnFM0g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Moving though it was, \"Crawling\" is the latest in an increasingly long line of cover tributes. It started in earnest in 2009, after the death of Michael Jackson. Coldplay spent the rest of the year incorporating a cover of \"Billie Jean\" into live sets.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VchZzMZLaPo'\n title='//www.youtube.com/embed/VchZzMZLaPo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Then, two months after David Bowie's death, Chris Martin got together with Jimmy Fallon and performed a deeply uncomfortable rendition of \"Life On Mars?\" The problem? Fallon did a hokey Bowie impersonation all the way through.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/0OcHOBenPFc'\n title='//www.youtube.com/embed/0OcHOBenPFc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Shortly afterwards, Coldplay started incorporating \"Heroes\" into their set on the regular, despite the fact that David Bowie had rejected an offer to collaborate with the band while he was still alive. \"One time I sent [Bowie] a song to ask him to sing on it,” Chris Martin told the \u003ca href=\"http://www.billboard.com/articles/news/6406310/david-bowie-chris-martin-coldplay-collaborate-diss\">BBC Music Awards\u003c/a> in 2014. “He called me and said, 'It's not one of your best.' He's got very high standards and I appreciate that. It inspires the rest of us to keep our standards high.\"\u003c/p>\n\u003cp>Here's the band ignoring Bowie's shade and paying tribute to him anyway:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oOzplfOMKJ0'\n title='//www.youtube.com/embed/oOzplfOMKJ0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>You'll notice at the beginning of that clip, Martin references not just Bowie, but Prince too. And literally one night after the above Bowie cover, the band got together with the host of \u003cem>The Late, Late Show\u003c/em> (and lover of his own singing voice) \u003ca href=\"https://twitter.com/JKCorden?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\">James Corden\u003c/a> to do a rendition of \"Nothing Compares 2 U.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mak_Cu9Wl6w'\n title='//www.youtube.com/embed/mak_Cu9Wl6w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It could be argued that bringing a comedian onstage to pay tribute to a recently-deceased megastar, who was notoriously protective of how his music was presented, wasn't particularly sensitive. In life, Prince actively \u003ca href=\"https://ww2.kqed.org/pop/2017/07/10/princes-music-videos-are-back-online/\">removed even fan-generated videos\u003c/a> from the internet, so he may not have appreciated being covered by a chat show host at what was surely a still-solemn time for Prince's family, friends, and fans.\u003c/p>\n\u003cp>Earlier this year, at the 2017 BRIT Awards, two months after George Michael's death, Coldplay performed Wham!'s \"A Different Corner.\" It started beautifully enough, but, halfway through, unexpectedly turned into a duet with a video of George Michael also performing the song. Martin was visibly and genuinely emotional about the whole thing, but it undoubtedly bordered on the macabre.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iPoKzxTS80g'\n title='//www.youtube.com/embed/iPoKzxTS80g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It's not just deceased musicians Coldplay pay tribute to either. The day of Gene Wilder's death in 2016, the band worked \"Pure Imagination\" into the end of \"The Scientist\" at a concert in Denver.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7yZCRsCfc5I'\n title='//www.youtube.com/embed/7yZCRsCfc5I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It's fair to say that the members of Coldplay most probably have their hearts in the right place when they perform these tributes to their fellow fallen musicians. Audiences also often need that moment of catharsis to bid their heroes goodbye in the wake of a tragic death. But when there are this many tributes, and some of them are performed with a veneer of insensitivity, it is occasionally difficult not to question the band's motives. It's also now so unusual for Coldplay to skip a tribute, rightly or wrongly it's hard not to wonder why Chris Cornell, for example, didn't get one.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the end, fans must trust that the band really do just want to honor their heroes; it would probably just mean more if they did it less often and with fewer comedians involved.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/95386/coldplay-cant-stop-covering-the-songs-of-the-recently-deceased","authors":["11242"],"categories":["pop_4"],"tags":["pop_2949","pop_323","pop_3026","pop_2756","pop_320","pop_1005","pop_3027","pop_1301","pop_529"],"featImg":"pop_95402","label":"pop"},"pop_79995":{"type":"posts","id":"pop_79995","meta":{"index":"posts_1591205157","site":"pop","id":"79995","score":null,"sort":[1494487325000]},"guestAuthors":[],"slug":"ill-have-what-hes-having-privilege","title":"I'll Have What He's Having. Privilege.","publishDate":1494487325,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>We share tales of entitled white dudes messing with us, get into David Bowie's history of being brutally honest, and scratch our heads at some questionable passages in Ivanka Trump's new book.\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/05/Escalier.mp3\" title=\"I'll Have What He's Having. Privilege.\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp> \u003c/p>\n\u003cp>We start with a true story from a recent lunch that involves an entitled white dude being the absolute worst.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/e94eo.gif\">\u003cimg class=\"aligncenter size-full wp-image-80003\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/e94eo.gif\" alt=\"\" width=\"272\" height=\"320\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>We enjoy tales of Bowie snubbing basically everyone.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/tumblr_lr7ubvbLQF1qj7xygo1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-80004\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/tumblr_lr7ubvbLQF1qj7xygo1_500.gif\" alt=\"\" width=\"480\" height=\"357\">\u003c/a>\u003c/p>\n\u003cp>We cringe at Ivanka using quotes about slavery and racism in her new book.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/cringe-gif.gif\">\u003cimg class=\"aligncenter size-full wp-image-80005\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/cringe-gif.gif\" alt=\"\" width=\"245\" height=\"260\">\u003c/a>\u003c/p>\n\u003cp>And we ride out on Russ' \"Losin Control:\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=IdGIZjVWrzY\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter\u003c/a>!\u003c/p>\n\n","blocks":[],"excerpt":"Bowie’s history of being brutally honest, cringe-y passages from Ivanka Trump’s book, and the pain of late comebacks.","status":"publish","parent":0,"modified":1494488398,"stats":{"hasAudio":true,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":159},"headData":{"title":"I'll Have What He's Having. Privilege. | KQED","description":"Bowie’s history of being brutally honest, cringe-y passages from Ivanka Trump’s book, and the pain of late comebacks.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"79995 https://ww2.kqed.org/pop/?p=79995","disqusUrl":"https://ww2.kqed.org/pop/2017/05/11/ill-have-what-hes-having-privilege/","disqusTitle":"I'll Have What He's Having. Privilege.","path":"/pop/79995/ill-have-what-hes-having-privilege","audioUrl":"https://www.kqed.org/.stream/mp3splice/radio/thecooler/2017/05/Escalier.mp3","audioDuration":2123000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>We share tales of entitled white dudes messing with us, get into David Bowie's history of being brutally honest, and scratch our heads at some questionable passages in Ivanka Trump's new book.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"audio","attributes":{"named":{"program":"The Cooler","image":"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg","label":"src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/05/Escalier.mp3\" title=\"I'll Have What He's Having. Privilege.\""},"numeric":["src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/05/Escalier.mp3\" title=\"I'll","Have","What","He's","Having.","Privilege.\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp> \u003c/p>\n\u003cp>We start with a true story from a recent lunch that involves an entitled white dude being the absolute worst.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/e94eo.gif\">\u003cimg class=\"aligncenter size-full wp-image-80003\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/e94eo.gif\" alt=\"\" width=\"272\" height=\"320\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>We enjoy tales of Bowie snubbing basically everyone.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/tumblr_lr7ubvbLQF1qj7xygo1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-80004\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/tumblr_lr7ubvbLQF1qj7xygo1_500.gif\" alt=\"\" width=\"480\" height=\"357\">\u003c/a>\u003c/p>\n\u003cp>We cringe at Ivanka using quotes about slavery and racism in her new book.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/cringe-gif.gif\">\u003cimg class=\"aligncenter size-full wp-image-80005\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/05/cringe-gif.gif\" alt=\"\" width=\"245\" height=\"260\">\u003c/a>\u003c/p>\n\u003cp>And we ride out on Russ' \"Losin Control:\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/IdGIZjVWrzY'\n title='//www.youtube.com/embed/IdGIZjVWrzY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener noreferrer\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/79995/ill-have-what-hes-having-privilege","authors":["27"],"categories":["pop_2793"],"tags":["pop_323","pop_2859"],"featImg":"pop_80014","label":"pop"},"pop_20079":{"type":"posts","id":"pop_20079","meta":{"index":"posts_1591205157","site":"pop","id":"20079","score":null,"sort":[1454043397000]},"guestAuthors":[],"slug":"is-david-bowie-the-new-tupac","title":"Will David Bowie Join Tupac in Life After Death?","publishDate":1454043397,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>What does Bowie have in common with Tupac? Does Serial Season 2 suck? And can you guess the X-Files plot?\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/01/BowieandTupac.mp3\" title=\"Will David Bowie Join Tupac in Life After Death?\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>This week, we’re catching up on everything we missed while we were away, starting with our dearly departed David Bowie and what he has in common with Tupac:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/78a371ef4ad5a55379b661517c43fef3.gif\" rel=\"attachment wp-att-20082\">\u003cimg class=\"aligncenter size-full wp-image-20082\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/78a371ef4ad5a55379b661517c43fef3.gif\" alt=\"david bowie sad gif\" width=\"500\" height=\"275\">\u003c/a>\u003c/p>\n\u003cp>We're also questioning whether we should keep hate listening to \u003cem>Serial\u003c/em> Season 2 or just give up and watch this on repeat instead:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ATXbJjuZqbc\u003c/p>\n\u003cp>We play a Can You Guess the X-Files Plot? game:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/A5AO4RE.gif\" rel=\"attachment wp-att-20085\">\u003cimg class=\"aligncenter size-full wp-image-20085\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/A5AO4RE.gif\" alt=\"x-files gif scully\" width=\"500\" height=\"579\">\u003c/a>\u003c/p>\n\u003cp>And we cap things off with a divisive Scarlett Johansson song, which features backing vocals from none other than David Bowie:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=USiLOQFW3X4\u003c/p>\n\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n","blocks":[],"excerpt":"What does Bowie have in common with Tupac? Does Serial Season 2 suck? And can you guess the X-Files plot?\r\n","status":"publish","parent":0,"modified":1492213138,"stats":{"hasAudio":true,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":192},"headData":{"title":"Will David Bowie Join Tupac in Life After Death? | KQED","description":"What does Bowie have in common with Tupac? Does Serial Season 2 suck? And can you guess the X-Files plot?\r\n","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"20079 http://ww2.kqed.org/pop/?p=20079","disqusUrl":"https://ww2.kqed.org/pop/2016/01/28/is-david-bowie-the-new-tupac/","disqusTitle":"Will David Bowie Join Tupac in Life After Death?","path":"/pop/20079/is-david-bowie-the-new-tupac","audioUrl":"https://www.kqed.org/.stream/mp3splice/radio/thecooler/2016/01/BowieandTupac.mp3","audioDuration":2187000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>What does Bowie have in common with Tupac? Does Serial Season 2 suck? And can you guess the X-Files plot?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"audio","attributes":{"named":{"program":"The Cooler","image":"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg","label":"src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/01/BowieandTupac.mp3\" title=\"Will David Bowie Join Tupac in Life After Death?\""},"numeric":["src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/01/BowieandTupac.mp3\" title=\"Will","David","Bowie","Join","Tupac","in","Life","After","Death?\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>This week, we’re catching up on everything we missed while we were away, starting with our dearly departed David Bowie and what he has in common with Tupac:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/78a371ef4ad5a55379b661517c43fef3.gif\" rel=\"attachment wp-att-20082\">\u003cimg class=\"aligncenter size-full wp-image-20082\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/78a371ef4ad5a55379b661517c43fef3.gif\" alt=\"david bowie sad gif\" width=\"500\" height=\"275\">\u003c/a>\u003c/p>\n\u003cp>We're also questioning whether we should keep hate listening to \u003cem>Serial\u003c/em> Season 2 or just give up and watch this on repeat instead:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ATXbJjuZqbc'\n title='//www.youtube.com/embed/ATXbJjuZqbc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>We play a Can You Guess the X-Files Plot? game:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/A5AO4RE.gif\" rel=\"attachment wp-att-20085\">\u003cimg class=\"aligncenter size-full wp-image-20085\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/A5AO4RE.gif\" alt=\"x-files gif scully\" width=\"500\" height=\"579\">\u003c/a>\u003c/p>\n\u003cp>And we cap things off with a divisive Scarlett Johansson song, which features backing vocals from none other than David Bowie:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/USiLOQFW3X4'\n title='//www.youtube.com/embed/USiLOQFW3X4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/20079/is-david-bowie-the-new-tupac","authors":["27"],"categories":["pop_2793"],"tags":["pop_323","pop_2714","pop_743"],"featImg":"pop_20105","label":"pop"},"pop_19847":{"type":"posts","id":"pop_19847","meta":{"index":"posts_1591205157","site":"pop","id":"19847","score":null,"sort":[1452559962000]},"guestAuthors":[],"slug":"what-did-david-bowie-do-at-your-age-will-make-you-feel-inadequate-love-him-even-more","title":"'What Did David Bowie Do At Your Age?' Will Make You Feel Inadequate / Love Him Even More","publishDate":1452559962,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>The Internet is chock-full of David Bowie memories today, as it should be. We remember\u003ca href=\"http://ww2.kqed.org/pop/2016/01/11/this-time-its-personal-why-losing-david-bowie-means-something-different-to-everyone/\" target=\"_blank\"> the first time we heard\u003c/a> \"Oh! You Pretty Things\" in our childhood basement. We remember \u003ca href=\"http://ww2.kqed.org/pop/2016/01/11/watch-all-the-david-bowie-scenes-from-labyrinth/\" target=\"_blank\">his turn as the Goblin King\u003c/a> in \u003cem>Labyrinth\u003c/em>. We remember \u003ca href=\"http://news.yahoo.com/david-bowie-mugshot-marijuana-rochester-150029295.html\" target=\"_blank\">his beautiful mugshot\u003c/a>. And, thanks to \"\u003ca href=\"http://supbowie.com/\" target=\"_blank\">What Did David Bowie Do At Your Age?\u003c/a>” , you can remember other landmarks from his life (and compare them unfavorably to your own; alas, we can't all be rock royalty).\u003c/p>\n\u003cp>Since most of you are over 15, here are some amusing youthful accomplishments:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM.png\" rel=\"attachment wp-att-19853\">\u003cimg class=\"aligncenter size-medium wp-image-19853\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM.png\" alt=\"Screen Shot 2016-01-11 at 3.40.18 PM\" width=\"693\" height=\"189\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM.png 693w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM-400x109.png 400w\" sizes=\"(max-width: 693px) 100vw, 693px\">\u003c/a>\u003c/p>\n\u003cp>Was there even a question?\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM.png\" rel=\"attachment wp-att-19852\">\u003cimg class=\"aligncenter size-medium wp-image-19852\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-800x209.png\" alt=\"Screen Shot 2016-01-11 at 4.00.19 PM\" width=\"800\" height=\"209\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-800x209.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-400x105.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-768x201.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM.png 906w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I hate hot beverages too! Too risky! Room temp is fine! Bowie got it.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM.png\" rel=\"attachment wp-att-19851\">\u003cimg class=\"aligncenter size-medium wp-image-19851\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM.png\" alt=\"Screen Shot 2016-01-11 at 4.00.35 PM\" width=\"603\" height=\"458\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM.png 603w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM-400x304.png 400w\" sizes=\"(max-width: 603px) 100vw, 603px\">\u003c/a>\u003c/p>\n\u003cp>Some childhood photos are more miraculous than others.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM.png\" rel=\"attachment wp-att-19850\">\u003cimg class=\"aligncenter size-medium wp-image-19850\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM.png\" alt=\"Screen Shot 2016-01-11 at 4.01.17 PM\" width=\"626\" height=\"177\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM.png 626w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM-400x113.png 400w\" sizes=\"(max-width: 626px) 100vw, 626px\">\u003c/a>\u003c/p>\n\u003cp>What a delicious way of entering your teenage years!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM.png\" rel=\"attachment wp-att-19849\">\u003cimg class=\"aligncenter size-medium wp-image-19849\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM.png\" alt=\"Screen Shot 2016-01-11 at 4.01.24 PM\" width=\"614\" height=\"947\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM.png 614w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM-400x617.png 400w\" sizes=\"(max-width: 614px) 100vw, 614px\">\u003c/a>\u003c/p>\n\u003cp>Imagine all the girls and boys who planned on asking, but ended up getting too nervous. Hubba hubba!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM.png\" rel=\"attachment wp-att-19848\">\u003cimg class=\"aligncenter size-medium wp-image-19848\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-800x718.png\" alt=\"Screen Shot 2016-01-11 at 4.01.40 PM\" width=\"800\" height=\"718\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-800x718.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-400x359.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-768x689.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM.png 885w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>There are almost no photos of me at 15 because everything about me was unfortunate. This is not the case for dear Bowie. Take a few moments to worship at the altar of his hair. And does it get cooler than leaning your elbow on a sax? A hard nope!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>He will be missed.\u003c/p>\n\n","blocks":[],"excerpt":"This site lets you compare what you're doing with your life with what Bowie was doing with his at that age. Proceed with caution.","status":"publish","parent":0,"modified":1452559962,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":211},"headData":{"title":"'What Did David Bowie Do At Your Age?' Will Make You Feel Inadequate / Love Him Even More | KQED","description":"This site lets you compare what you're doing with your life with what Bowie was doing with his at that age. Proceed with caution.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"19847 http://ww2.kqed.org/pop/?p=19847","disqusUrl":"https://ww2.kqed.org/pop/2016/01/11/what-did-david-bowie-do-at-your-age-will-make-you-feel-inadequate-love-him-even-more/","disqusTitle":"'What Did David Bowie Do At Your Age?' Will Make You Feel Inadequate / Love Him Even More","path":"/pop/19847/what-did-david-bowie-do-at-your-age-will-make-you-feel-inadequate-love-him-even-more","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Internet is chock-full of David Bowie memories today, as it should be. We remember\u003ca href=\"http://ww2.kqed.org/pop/2016/01/11/this-time-its-personal-why-losing-david-bowie-means-something-different-to-everyone/\" target=\"_blank\"> the first time we heard\u003c/a> \"Oh! You Pretty Things\" in our childhood basement. We remember \u003ca href=\"http://ww2.kqed.org/pop/2016/01/11/watch-all-the-david-bowie-scenes-from-labyrinth/\" target=\"_blank\">his turn as the Goblin King\u003c/a> in \u003cem>Labyrinth\u003c/em>. We remember \u003ca href=\"http://news.yahoo.com/david-bowie-mugshot-marijuana-rochester-150029295.html\" target=\"_blank\">his beautiful mugshot\u003c/a>. And, thanks to \"\u003ca href=\"http://supbowie.com/\" target=\"_blank\">What Did David Bowie Do At Your Age?\u003c/a>” , you can remember other landmarks from his life (and compare them unfavorably to your own; alas, we can't all be rock royalty).\u003c/p>\n\u003cp>Since most of you are over 15, here are some amusing youthful accomplishments:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM.png\" rel=\"attachment wp-att-19853\">\u003cimg class=\"aligncenter size-medium wp-image-19853\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM.png\" alt=\"Screen Shot 2016-01-11 at 3.40.18 PM\" width=\"693\" height=\"189\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM.png 693w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM-400x109.png 400w\" sizes=\"(max-width: 693px) 100vw, 693px\">\u003c/a>\u003c/p>\n\u003cp>Was there even a question?\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM.png\" rel=\"attachment wp-att-19852\">\u003cimg class=\"aligncenter size-medium wp-image-19852\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-800x209.png\" alt=\"Screen Shot 2016-01-11 at 4.00.19 PM\" width=\"800\" height=\"209\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-800x209.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-400x105.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-768x201.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM.png 906w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I hate hot beverages too! Too risky! Room temp is fine! Bowie got it.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM.png\" rel=\"attachment wp-att-19851\">\u003cimg class=\"aligncenter size-medium wp-image-19851\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM.png\" alt=\"Screen Shot 2016-01-11 at 4.00.35 PM\" width=\"603\" height=\"458\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM.png 603w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM-400x304.png 400w\" sizes=\"(max-width: 603px) 100vw, 603px\">\u003c/a>\u003c/p>\n\u003cp>Some childhood photos are more miraculous than others.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM.png\" rel=\"attachment wp-att-19850\">\u003cimg class=\"aligncenter size-medium wp-image-19850\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM.png\" alt=\"Screen Shot 2016-01-11 at 4.01.17 PM\" width=\"626\" height=\"177\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM.png 626w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM-400x113.png 400w\" sizes=\"(max-width: 626px) 100vw, 626px\">\u003c/a>\u003c/p>\n\u003cp>What a delicious way of entering your teenage years!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM.png\" rel=\"attachment wp-att-19849\">\u003cimg class=\"aligncenter size-medium wp-image-19849\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM.png\" alt=\"Screen Shot 2016-01-11 at 4.01.24 PM\" width=\"614\" height=\"947\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM.png 614w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM-400x617.png 400w\" sizes=\"(max-width: 614px) 100vw, 614px\">\u003c/a>\u003c/p>\n\u003cp>Imagine all the girls and boys who planned on asking, but ended up getting too nervous. Hubba hubba!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM.png\" rel=\"attachment wp-att-19848\">\u003cimg class=\"aligncenter size-medium wp-image-19848\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-800x718.png\" alt=\"Screen Shot 2016-01-11 at 4.01.40 PM\" width=\"800\" height=\"718\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-800x718.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-400x359.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-768x689.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM.png 885w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>There are almost no photos of me at 15 because everything about me was unfortunate. This is not the case for dear Bowie. Take a few moments to worship at the altar of his hair. And does it get cooler than leaning your elbow on a sax? A hard nope!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>He will be missed.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/19847/what-did-david-bowie-do-at-your-age-will-make-you-feel-inadequate-love-him-even-more","authors":["27"],"categories":["pop_7","pop_4"],"tags":["pop_323"],"featImg":"pop_19856","label":"pop"},"pop_19817":{"type":"posts","id":"pop_19817","meta":{"index":"posts_1591205157","site":"pop","id":"19817","score":null,"sort":[1452549273000]},"guestAuthors":[],"slug":"this-time-its-personal-why-losing-david-bowie-means-something-different-to-everyone","title":"This Time It's Personal: Why Losing David Bowie Means Something Different to Everyone","publishDate":1452549273,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>It is 1997, I am 13 years old, and I have the house to myself.\u003c/p>\n\u003cp>This is a situation people relish at any age -- but when you are 13 years old and confused all the time and spend most of your days in seemingly vacuum-sealed rooms, occupying a series of plastic chairs lined up next to other plastic chairs containing other 13-year-olds who are seething with tumultuous home lives and hormones and unfortunate harbingers of facial hair, a house to yourself is a kingdom. It is possibility.\u003c/p>\n\u003cp>I already know about music as an escape hatch: I have my stereo in my room, and my mixtapes made off local alt-rock radio stations, and the East Bay punk bands in whom I have such incredibly fierce pride that I hope it helps cover for the fact that I am not actually drinking forties down by the BART tracks with safety pins on my clothes; I am home doing my homework, for now, at least.\u003c/p>\n\u003cp>If I've realized that music can be a tunnel out, though, I am still learning its dimensions -- how far back this goes, how far off it can take you, how long other people have known about this -- and I am doing that by going through my parents' records. They are vaguely alphabetized. Joe Jackson, Janis Joplin, The Kinks, Carole King.\u003c/p>\n\u003cp>My first real encounter with David Bowie is this: I take \u003cem>Hunky Dory \u003c/em>off\u003cem> \u003c/em>the shelf, consider its weathered exterior, pull the record from its sleeve, and place it on the turntable. Then I sit cross-legged on the couch -- between the two speakers, enveloped by sound -- and listen with what feels like every pore on my body.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dgQHZjAafo4\u003c/p>\n\u003cp>I am now in my thirties, and I have known for some time now, while also knowing this is a fantastically unreasonable standard, that all I want from music -- from any art, really -- is for it to make me feel the way I felt the first time I heard the first chorus of \"Oh! You Pretty Things.\" The overwhelming, visceral thrill of it: the moment the strings and bass knock your feet out from under you, the seconds-long swoop of going upside down on a rollercoaster -- and when the chorus is over, the awareness that your ear is straining for it to come around again, but also that the anticipation is half the fun. That something with no measurable or useful effect on your body has seemingly rewired your brain to make you crave it; that you are now a junkie; that because of sounds recorded in 1971, you just went \u003cem>somewhere else entirely\u003c/em> while sitting in your parents' living room in 1997. The slow realization that music maybe isn't a secret escape hatch, but rather a vast entry portal hiding in plain sight, and what's on the other side is maybe much, much bigger than you ever imagined.\u003c/p>\n\u003cp>Look, I know that writing about a David Bowie memory right now is self-indulgent. It feels gross, and it feels like not enough, and it would feel that way if I spent the next five years writing it, which I could very easily do. There's no way around this inadequacy: I could choose to put on my objective critic's hat and focus on how forward-thinking he always was; how tremendously gratifying it is that mainstream pop music was ever this deeply queer and challenging, and offer a hope that we ever get there again. I could say David Bowie's work is what all art should strive to be: a mirror, a warm blanket, a firepoker. And that even his death -- his just-released record, a final act of \u003ca href=\"https://www.youtube.com/watch?v=kszLwBaC4Sw\" target=\"_blank\">perfectly timed theater\u003c/a>, so Bowie-esque you want to punch the guy -- should serve as an inspiration.\u003c/p>\n\u003cp>I could declare, correctly, that because I'm a heterosexual white girl he meant different things to me than he did to other people, people who saw themselves reflected in him for the first time, in real and irreplaceable ways. But I might also venture that one constant throughout his chameleon-like career was a sense of inclusivity alongside the playfulness, and the result was that once you let him in, his music had a mainline straight to your emotional gut no matter who you were; David Bowie would likely not care for the idea of posthumous ownership Olympics.\u003c/p>\n\u003cfigure id=\"attachment_19826\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg class=\"size-thumbnail wp-image-19826\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-400x225.jpg\" alt=\"David Bowie performing in Hartford, Conn., in 1995. \" width=\"400\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff.jpg 1400w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">David Bowie performing in Hartford, Conn., in 1995. \u003ccite>(via NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All of which is to say, there are a lot of pieces containing a lot of people's Bowie memories on the internet today, and none of them are going to be enough, and I want to suggest that that's okay, because the truth is we don't know how else to say thank you. We do know how to say \"This is what he meant\u003cem> to me.\u003c/em>\" And because he contained multitudes, it'd be odd if that outpouring were anything but prismatic.\u003c/p>\n\u003cp>So rather than clamor for one true legacy or final word on the man, I'd offer a step back and, if you can muster it, a tamping down of the inevitable cynicism about the way we process celebrity deaths via social media in 2016. I'm going to aim, at least, in scrolling through an endless feed of search engine-optimized rock star death #content and music videos and entire articles crafted around tweets, for a sober 13-year-old's sense of awe -- at David Bowie's art, at his humanity, and at the fact that it's possible for this one weird, beautiful human to have changed so many other humans in so many weird, beautiful ways.\u003c/p>\n\u003cp>We don't run into the streets so much anymore, as a society. We don't pound on neighbors' doors to spread the news. We're all sitting on different couches right now, behind separate computers, in separate orbits, with entirely different interpretations of what it is we've just lost. What we can do, together, is find ourselves some good speakers and hit \"play.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=YQTENuQYgjM\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"In death, a look back at the rock 'n' roll chameleon's uniquely personal, thoroughly universal form of art. ","status":"publish","parent":0,"modified":1470758003,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":1091},"headData":{"title":"This Time It's Personal: Why Losing David Bowie Means Something Different to Everyone | KQED","description":"In death, a look back at the rock 'n' roll chameleon's uniquely personal, thoroughly universal form of art. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"19817 http://ww2.kqed.org/pop/?p=19817","disqusUrl":"https://ww2.kqed.org/pop/2016/01/11/this-time-its-personal-why-losing-david-bowie-means-something-different-to-everyone/","disqusTitle":"This Time It's Personal: Why Losing David Bowie Means Something Different to Everyone","path":"/pop/19817/this-time-its-personal-why-losing-david-bowie-means-something-different-to-everyone","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>It is 1997, I am 13 years old, and I have the house to myself.\u003c/p>\n\u003cp>This is a situation people relish at any age -- but when you are 13 years old and confused all the time and spend most of your days in seemingly vacuum-sealed rooms, occupying a series of plastic chairs lined up next to other plastic chairs containing other 13-year-olds who are seething with tumultuous home lives and hormones and unfortunate harbingers of facial hair, a house to yourself is a kingdom. It is possibility.\u003c/p>\n\u003cp>I already know about music as an escape hatch: I have my stereo in my room, and my mixtapes made off local alt-rock radio stations, and the East Bay punk bands in whom I have such incredibly fierce pride that I hope it helps cover for the fact that I am not actually drinking forties down by the BART tracks with safety pins on my clothes; I am home doing my homework, for now, at least.\u003c/p>\n\u003cp>If I've realized that music can be a tunnel out, though, I am still learning its dimensions -- how far back this goes, how far off it can take you, how long other people have known about this -- and I am doing that by going through my parents' records. They are vaguely alphabetized. Joe Jackson, Janis Joplin, The Kinks, Carole King.\u003c/p>\n\u003cp>My first real encounter with David Bowie is this: I take \u003cem>Hunky Dory \u003c/em>off\u003cem> \u003c/em>the shelf, consider its weathered exterior, pull the record from its sleeve, and place it on the turntable. Then I sit cross-legged on the couch -- between the two speakers, enveloped by sound -- and listen with what feels like every pore on my body.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dgQHZjAafo4'\n title='//www.youtube.com/embed/dgQHZjAafo4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I am now in my thirties, and I have known for some time now, while also knowing this is a fantastically unreasonable standard, that all I want from music -- from any art, really -- is for it to make me feel the way I felt the first time I heard the first chorus of \"Oh! You Pretty Things.\" The overwhelming, visceral thrill of it: the moment the strings and bass knock your feet out from under you, the seconds-long swoop of going upside down on a rollercoaster -- and when the chorus is over, the awareness that your ear is straining for it to come around again, but also that the anticipation is half the fun. That something with no measurable or useful effect on your body has seemingly rewired your brain to make you crave it; that you are now a junkie; that because of sounds recorded in 1971, you just went \u003cem>somewhere else entirely\u003c/em> while sitting in your parents' living room in 1997. The slow realization that music maybe isn't a secret escape hatch, but rather a vast entry portal hiding in plain sight, and what's on the other side is maybe much, much bigger than you ever imagined.\u003c/p>\n\u003cp>Look, I know that writing about a David Bowie memory right now is self-indulgent. It feels gross, and it feels like not enough, and it would feel that way if I spent the next five years writing it, which I could very easily do. There's no way around this inadequacy: I could choose to put on my objective critic's hat and focus on how forward-thinking he always was; how tremendously gratifying it is that mainstream pop music was ever this deeply queer and challenging, and offer a hope that we ever get there again. I could say David Bowie's work is what all art should strive to be: a mirror, a warm blanket, a firepoker. And that even his death -- his just-released record, a final act of \u003ca href=\"https://www.youtube.com/watch?v=kszLwBaC4Sw\" target=\"_blank\">perfectly timed theater\u003c/a>, so Bowie-esque you want to punch the guy -- should serve as an inspiration.\u003c/p>\n\u003cp>I could declare, correctly, that because I'm a heterosexual white girl he meant different things to me than he did to other people, people who saw themselves reflected in him for the first time, in real and irreplaceable ways. But I might also venture that one constant throughout his chameleon-like career was a sense of inclusivity alongside the playfulness, and the result was that once you let him in, his music had a mainline straight to your emotional gut no matter who you were; David Bowie would likely not care for the idea of posthumous ownership Olympics.\u003c/p>\n\u003cfigure id=\"attachment_19826\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg class=\"size-thumbnail wp-image-19826\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-400x225.jpg\" alt=\"David Bowie performing in Hartford, Conn., in 1995. \" width=\"400\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff.jpg 1400w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">David Bowie performing in Hartford, Conn., in 1995. \u003ccite>(via NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All of which is to say, there are a lot of pieces containing a lot of people's Bowie memories on the internet today, and none of them are going to be enough, and I want to suggest that that's okay, because the truth is we don't know how else to say thank you. We do know how to say \"This is what he meant\u003cem> to me.\u003c/em>\" And because he contained multitudes, it'd be odd if that outpouring were anything but prismatic.\u003c/p>\n\u003cp>So rather than clamor for one true legacy or final word on the man, I'd offer a step back and, if you can muster it, a tamping down of the inevitable cynicism about the way we process celebrity deaths via social media in 2016. I'm going to aim, at least, in scrolling through an endless feed of search engine-optimized rock star death #content and music videos and entire articles crafted around tweets, for a sober 13-year-old's sense of awe -- at David Bowie's art, at his humanity, and at the fact that it's possible for this one weird, beautiful human to have changed so many other humans in so many weird, beautiful ways.\u003c/p>\n\u003cp>We don't run into the streets so much anymore, as a society. We don't pound on neighbors' doors to spread the news. We're all sitting on different couches right now, behind separate computers, in separate orbits, with entirely different interpretations of what it is we've just lost. What we can do, together, is find ourselves some good speakers and hit \"play.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/YQTENuQYgjM'\n title='//www.youtube.com/embed/YQTENuQYgjM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/19817/this-time-its-personal-why-losing-david-bowie-means-something-different-to-everyone","authors":["7237"],"categories":["pop_4","pop_1536"],"tags":["pop_323"],"featImg":"pop_19831","label":"pop"},"pop_19820":{"type":"posts","id":"pop_19820","meta":{"index":"posts_1591205157","site":"pop","id":"19820","score":null,"sort":[1452543473000]},"guestAuthors":[],"slug":"watch-all-the-david-bowie-scenes-from-labyrinth","title":"Watch All the David Bowie Scenes from 'Labyrinth'","publishDate":1452543473,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>By now, you've heard that the eclectic wonder David Bowie has passed at the age of 69. You've probably spent all morning listening to his music and talking about his impact with your coworkers. And you're probably planning on watching \u003cem>Labyrinth\u003c/em> after work. But who says you have to wait?\u003c/p>\n\u003cp>A kind YouTube user by the name of \u003ca class=\"yt-uix-sessionlink g-hovercard spf-link \" href=\"https://www.youtube.com/channel/UC7G1sxMxMnmXy7Pi_SviO_A\">Lenora1854\u003c/a> has generously compiled all the Jareth scenes from the 1986 film. So dance, magic, dance. Jump, magic, jump. Put that baby spell on [your boss so they won't give you any guff for spending the next 20 minutes glued to the Goblin King]:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ofRJwYWHriM\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ckf-VelLbxg\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Behold, all the glory of the Goblin King!","status":"publish","parent":0,"modified":1452543473,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":128},"headData":{"title":"Watch All the David Bowie Scenes from 'Labyrinth' | KQED","description":"Behold, all the glory of the Goblin King!","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"19820 http://ww2.kqed.org/pop/?p=19820","disqusUrl":"https://ww2.kqed.org/pop/2016/01/11/watch-all-the-david-bowie-scenes-from-labyrinth/","disqusTitle":"Watch All the David Bowie Scenes from 'Labyrinth'","path":"/pop/19820/watch-all-the-david-bowie-scenes-from-labyrinth","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>By now, you've heard that the eclectic wonder David Bowie has passed at the age of 69. You've probably spent all morning listening to his music and talking about his impact with your coworkers. And you're probably planning on watching \u003cem>Labyrinth\u003c/em> after work. But who says you have to wait?\u003c/p>\n\u003cp>A kind YouTube user by the name of \u003ca class=\"yt-uix-sessionlink g-hovercard spf-link \" href=\"https://www.youtube.com/channel/UC7G1sxMxMnmXy7Pi_SviO_A\">Lenora1854\u003c/a> has generously compiled all the Jareth scenes from the 1986 film. So dance, magic, dance. Jump, magic, jump. Put that baby spell on [your boss so they won't give you any guff for spending the next 20 minutes glued to the Goblin King]:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ofRJwYWHriM'\n title='//www.youtube.com/embed/ofRJwYWHriM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>https://www.youtube.com/watch?v=ckf-VelLbxg\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/19820/watch-all-the-david-bowie-scenes-from-labyrinth","authors":["27"],"categories":["pop_7","pop_4"],"tags":["pop_323"],"featImg":"pop_19822","label":"pop"},"pop_17694":{"type":"posts","id":"pop_17694","meta":{"index":"posts_1591205157","site":"pop","id":"17694","score":null,"sort":[1440099820000]},"guestAuthors":[],"slug":"professor-plans-to-live-as-david-bowie-for-a-year-heres-why-it-wont-be-easy","title":"Professor Plans to Live as David Bowie for a Year. Here's Why It Won't Be Easy","publishDate":1440099820,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>[contextly_sidebar id=\"vAbYhEz2zNrpSPyjgcQcKVJYY8r0Rk3Q\"]In the world of interesting-but-creepy news, Will Brooker, a professor of cultural studies at England’s Kingston University \u003ca href=\"http://www.huffingtonpost.com/entry/british-professor-is-ch-ch-changing-into-david-bowie_55d4d64be4b0ab468d9f7fb6\" target=\"_blank\">recently announced\u003c/a> that he is spending the year dressing and acting like David Bowie for his research. For each stage of Bowie’s music career -- starting from his first garage groups in the late ‘60s all the way through to present day -- Brooker has been wearing recreations of Bowie’s wild and constantly changing wardrobe, following an approximation of Bowie's diet (red peppers and milk) and even moving to areas around England that Bowie lived in.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=EeCMr_x06ts\u003c/p>\n\u003cp>It’s a little hard to believe that such an experiment exists or is needed, but he’s been commissioned to write an account of his research, so that means somebody wants to know. Then again, who wouldn’t want to know what it’s like to be the guy that created Ziggy Stardust?\u003c/p>\n\u003cp>There’s no debate: Bowie is one of the greatest songwriters of the 20th century. So great that, in 1997, he sold “Bowie bonds” to those who wanted to profit from his music. (When he went public with his publishing royalties that year, he made $50 million.)\u003c/p>\n\u003cp>He’s also married to the model Iman, continues to make great music and doesn’t need to talk to the press to sell his albums. But it hasn’t always been easy for Bowie; there have been quite a few moments in his life that he probably doesn’t wish on his worst enemies. Here are some of them that Prof. Brooker should consider before taking on a task as mammoth as living as Bowie:\u003c/p>\n\u003ch3>1. He was punched in the face so hard his eyes are mismatched\u003c/h3>\n\u003cfigure id=\"attachment_17711\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-17711 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/08/David-Bowie-closeupCROP.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-closeupCROP.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-closeupCROP-400x225.jpg 400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Bowie smiles as he meets fans and signs copies of his new album \"Heathen\" at HMV Oxford Street September 9, 2002 in London, England. \u003ccite>(Photo by Scott Barbour/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If you’ve seen photos of David Bowie, you've probably noticed one of his most striking features: he appears to have differently colored eyes. He was not born this way. When he was 14, he was in a fight with his friend George Underwood over a girl and Underwood was so mad at Bowie (then David Jones) he punched him in the face, right in his left eye. Underwood sliced Bowie's peeper, possibly with a ring he was wearing, and Bowie's injury was so bad that doctors thought he would be blind in that eye. After being hospitalized for four months and undergoing a series of operations, Bowie’s eyesight was saved but his pupil is permanently dilated and he has depth perception issues. As for Underwood, he's still friends with Bowie and even designed the covers of Bowie's earliest albums.\u003c/p>\n\u003ch3>2. Admitting he was gay hurt his career so much he denied it just a few years later\u003c/h3>\n\u003cfigure id=\"attachment_17701\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-17701 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/08/David-Bowie-Imam-800x580.jpg\" alt=\"\" width=\"800\" height=\"580\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-Imam-800x580.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-Imam-400x290.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-Imam-1440x1044.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-Imam-1920x1393.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-Imam-1180x856.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-Imam-960x696.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Musician David Bowie and supermodel Iman attend the DKMS' 5th Annual Gala: Linked Against Leukemia honoring Rihanna & Michael Clinton hosted by Katharina Harf at Cipriani Wall Street on April 28, 2011 in New York City. \u003ccite>(Photo by Andrew H. Walker/Getty Images for DKMS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1972, while being interviewed for an article in \u003cem>Melody Maker\u003c/em>, Bowie admitted to the reporter that he was gay. He was just starting to dress as “Ziggy Stardust” and the revelation -- “I’m gay and always have been, even when I was David Jones” -- brought him a lot of media attention. Laws banning homosexuality in England had been reformed just five years before and Bowie’s coming out was socially equivalent to Neil Armstrong walking on the moon.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Though the news helped him reach star status in England, when he toured the United States for the \u003cem>Rise and Fall of Ziggy Stardust\u003c/em>, he played to several half-filled theaters. Americans had gotten word of Bowie’s revelation and, except for a bunch of cool music lovers on the coasts, didn’t want to have anything to do with him.\u003c/p>\n\u003cp>In 1976, Bowie was still standing by his declaration that he was “bisexual” and that it was \"the best thing that ever happened\" to him (around this time he had a relationship with Mick Jagger, according to ex-wife Angie Bowie). But by 1983, Bowie was hoping to take the U.S. by storm with his album \u003ci>Let's Dance\u003c/i> and started backtracking on his claims. In an interview with \u003ci>Rolling Stone\u003c/i> that same year, he stated that publicly declaring his bisexuality was \"the biggest mistake [he] ever made\" and that he \"was always a closet heterosexual.\"\u003c/p>\n\u003cp>In a 2002 interview with \u003ci>Blender\u003c/i>, he was asked whether or not his coming out was still his biggest mistake. \"I don't think it was a mistake in Europe, but it was a lot tougher in America,\" later adding \"I felt that bisexuality became my headline over here for so long. America is a very puritanical place, and I think it stood in the way of so much I wanted to do.\"\u003c/p>\n\u003ch3>3. He did a scary amount of cocaine\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=k2yLbxW4k-w\u003c/p>\n\u003cp>In the mid '70s, Bowie had a new persona: The Thin White Duke. It was an apt description of his look at that time, since he wore a lot of regal, immaculately tailored suits and was emaciated from his extreme cocaine habit (watch the video above for lots of fidgeting and sniffing). Bowie was in the studio around the clock, cranking out hit after hit — he wrote \"Fame\" in 45 minutes during this time — \u003ca href=\"http://nypost.com/2014/11/15/mountains-of-cocaine-played-a-crucial-role-in-bowies-success/\" target=\"_blank\">and booger sugar fueled a lot of those longer sessions\u003c/a>. He also did a lot of crazy stuff that someone with a drug problem would do, the best example being the time he, with \u003ca href=\"http://dangerousminds.net/comments/mysterious_white_witch_who_exorcised_david_bowie\" target=\"_blank\">help from a white witch\u003c/a>, tried exorcising his pool of demons while high on blow.\u003c/p>\n\u003cp>He moved to Switzerland in 1976, where he supposedly dumped his habit and concentrated on other pursuits like painting. He would later tell producer Nile Rodgers that he doesn't remember entire years of his life during his drug days.\u003c/p>\n\u003cp>(Side note: Brooker has said that for his research, he won't be doing the heavy amount of cocaine that Bowie did. Not only is it unhealthy, but he also couldn't afford such a habit on an academic's salary, according to the \u003cem>Guardian\u003c/em>. Instead he drank an entire six-pack of energy drinks. “It made me very jumpy,” he said.)\u003c/p>\n\u003ch3>4. A newspaper circulated a picture that made him look like a Nazi\u003c/h3>\n\u003cp>\u003cimg class=\"aligncenter wp-image-17724 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/08/NME.jpeg\" alt=\"NME\" width=\"569\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/08/NME.jpeg 569w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/NME-400x562.jpeg 400w\" sizes=\"(max-width: 569px) 100vw, 569px\">\u003c/p>\n\u003cp>This is a weird one to explain and, in hindsight, he was kind of asking for it. During his Thin White Duke days, Bowie said in an interview that \"Britain could benefit from a fascist leader.\" He was later caught at the Russian/Poland border with Nazi propaganda.\u003c/p>\n\u003cp>With rumors of his love for fascism stoked in the media, the New Musical Express then took a photo of Bowie at London's Victoria Station waving farewell to fans from a Mercedes before jumping on a train. The paper ran the photo with the headline \"Heil And Farewell\" and accused him of giving a Nazi salute. Bowie always denied the claim and there are pictures of him in that moment where \u003ca href=\"http://flashbak.com/1976-david-bowies-nazi-salute-and-eric-claptons-wogs-created-rock-against-racism-5645/\" target=\"_blank\">he looks like he's waving\u003c/a>. Bowie later admitted that he was out of his mind when he made those comments about fascism.\u003c/p>\n\u003ch3>5. A concertgoer threw a lollipop at his bad eye\u003c/h3>\n\u003cp>\u003cimg class=\"aligncenter wp-image-17726 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/08/david-bowie-lollipop-eye-320.thumbnail.jpg\" alt=\"david-bowie-lollipop-eye-320.thumbnail\" width=\"478\" height=\"318\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/08/david-bowie-lollipop-eye-320.thumbnail.jpg 478w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/david-bowie-lollipop-eye-320.thumbnail-400x266.jpg 400w\" sizes=\"(max-width: 478px) 100vw, 478px\">\u003c/p>\n\u003cp>In Norway, a lollipop is referred to as \"love on a stick.\" Someone tried to pass on the love to Bowie during a festival in Oslo a few years ago and instead it smacked him right in the eye, causing him to stop playing. After he recovered, he was in a huff and demanded to know who did it, but no one came forward. Once he regained his composure, he told the crowd he was going to punish the culprit by playing an extra-long set. He played 27 songs over two hours in what Norwegian media would \u003ca href=\"http://www.today.com/id/5269717/ns/today-today_entertainment/t/david-bowie-hit-eye-lollipop-concert/#.VdWbSVNViko\" target=\"_blank\">call one of his best concerts ever\u003c/a>.\u003c/p>\n\u003ch3>6. His Bowie Bonds are one step above junk status\u003c/h3>\n\u003cfigure id=\"attachment_17700\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-17700 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/08/DAvid-Bowie-Lou-Reed-800x531.jpg\" alt=\"\" width=\"800\" height=\"531\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/08/DAvid-Bowie-Lou-Reed-800x531.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/DAvid-Bowie-Lou-Reed-400x265.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/DAvid-Bowie-Lou-Reed-1440x956.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/DAvid-Bowie-Lou-Reed-1920x1274.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/DAvid-Bowie-Lou-Reed-1180x783.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/DAvid-Bowie-Lou-Reed-960x637.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lou Reed (L) and David Bowie (R) attend the opening of Lou Reed NY photography exhibit at the Gallery at Hermes on January 19, 2006 in New York City. \u003ccite>(Photo by Andrew H. Walker/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Remember those \"Bowie Bonds\" I told you about earlier? By 2004, their credit rating was downgraded to just \u003ca href=\"http://www.telegraph.co.uk/news/uknews/1457666/Bowie-man-whose-bonds-fell-to-earth.html\" target=\"_blank\">above junk status\u003c/a>. The artist didn't adjust his business model when file-sharing on the Internet became a thing so, when people realized they didn't need to pay for his albums in order to obtain them, the profits on his 25 albums took a massive hit.\u003c/p>\n\u003cp>Since there's no such thing as sympathy in the stock market, it wasn't too long before the credit rating was downgraded, with a spokesperson for Moody's saying, \"The downgrade was prompted by lower than expected revenues generated by the assets due to weakness in sales for recorded music.\" But, by that time, Bowie had already gotten what he wanted: not only did the initial offering make Bowie one of the richest musicians in the world, he was able to use his money to buy back all the rights to his music.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Now that I think about it, it's probably not that bad to be Bowie. But it ain't easy, either! Good luck, Professor Brooker!\u003c/p>\n\n","blocks":[],"excerpt":"Being David Bowie isn’t all fun and games.","status":"publish","parent":0,"modified":1452280561,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":1633},"headData":{"title":"Professor Plans to Live as David Bowie for a Year. Here's Why It Won't Be Easy | KQED","description":"Being David Bowie isn’t all fun and games.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"17694 http://ww2.kqed.org/pop/?p=17694","disqusUrl":"https://ww2.kqed.org/pop/2015/08/20/professor-plans-to-live-as-david-bowie-for-a-year-heres-why-it-wont-be-easy/","disqusTitle":"Professor Plans to Live as David Bowie for a Year. Here's Why It Won't Be Easy","path":"/pop/17694/professor-plans-to-live-as-david-bowie-for-a-year-heres-why-it-wont-be-easy","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>In the world of interesting-but-creepy news, Will Brooker, a professor of cultural studies at England’s Kingston University \u003ca href=\"http://www.huffingtonpost.com/entry/british-professor-is-ch-ch-changing-into-david-bowie_55d4d64be4b0ab468d9f7fb6\" target=\"_blank\">recently announced\u003c/a> that he is spending the year dressing and acting like David Bowie for his research. For each stage of Bowie’s music career -- starting from his first garage groups in the late ‘60s all the way through to present day -- Brooker has been wearing recreations of Bowie’s wild and constantly changing wardrobe, following an approximation of Bowie's diet (red peppers and milk) and even moving to areas around England that Bowie lived in.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EeCMr_x06ts'\n title='//www.youtube.com/embed/EeCMr_x06ts'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It’s a little hard to believe that such an experiment exists or is needed, but he’s been commissioned to write an account of his research, so that means somebody wants to know. Then again, who wouldn’t want to know what it’s like to be the guy that created Ziggy Stardust?\u003c/p>\n\u003cp>There’s no debate: Bowie is one of the greatest songwriters of the 20th century. So great that, in 1997, he sold “Bowie bonds” to those who wanted to profit from his music. (When he went public with his publishing royalties that year, he made $50 million.)\u003c/p>\n\u003cp>He’s also married to the model Iman, continues to make great music and doesn’t need to talk to the press to sell his albums. But it hasn’t always been easy for Bowie; there have been quite a few moments in his life that he probably doesn’t wish on his worst enemies. Here are some of them that Prof. Brooker should consider before taking on a task as mammoth as living as Bowie:\u003c/p>\n\u003ch3>1. He was punched in the face so hard his eyes are mismatched\u003c/h3>\n\u003cfigure id=\"attachment_17711\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-17711 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/08/David-Bowie-closeupCROP.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-closeupCROP.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-closeupCROP-400x225.jpg 400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Bowie smiles as he meets fans and signs copies of his new album \"Heathen\" at HMV Oxford Street September 9, 2002 in London, England. \u003ccite>(Photo by Scott Barbour/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If you’ve seen photos of David Bowie, you've probably noticed one of his most striking features: he appears to have differently colored eyes. He was not born this way. When he was 14, he was in a fight with his friend George Underwood over a girl and Underwood was so mad at Bowie (then David Jones) he punched him in the face, right in his left eye. Underwood sliced Bowie's peeper, possibly with a ring he was wearing, and Bowie's injury was so bad that doctors thought he would be blind in that eye. After being hospitalized for four months and undergoing a series of operations, Bowie’s eyesight was saved but his pupil is permanently dilated and he has depth perception issues. As for Underwood, he's still friends with Bowie and even designed the covers of Bowie's earliest albums.\u003c/p>\n\u003ch3>2. Admitting he was gay hurt his career so much he denied it just a few years later\u003c/h3>\n\u003cfigure id=\"attachment_17701\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-17701 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/08/David-Bowie-Imam-800x580.jpg\" alt=\"\" width=\"800\" height=\"580\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-Imam-800x580.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-Imam-400x290.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-Imam-1440x1044.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-Imam-1920x1393.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-Imam-1180x856.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/David-Bowie-Imam-960x696.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Musician David Bowie and supermodel Iman attend the DKMS' 5th Annual Gala: Linked Against Leukemia honoring Rihanna & Michael Clinton hosted by Katharina Harf at Cipriani Wall Street on April 28, 2011 in New York City. \u003ccite>(Photo by Andrew H. Walker/Getty Images for DKMS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1972, while being interviewed for an article in \u003cem>Melody Maker\u003c/em>, Bowie admitted to the reporter that he was gay. He was just starting to dress as “Ziggy Stardust” and the revelation -- “I’m gay and always have been, even when I was David Jones” -- brought him a lot of media attention. Laws banning homosexuality in England had been reformed just five years before and Bowie’s coming out was socially equivalent to Neil Armstrong walking on the moon.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Though the news helped him reach star status in England, when he toured the United States for the \u003cem>Rise and Fall of Ziggy Stardust\u003c/em>, he played to several half-filled theaters. Americans had gotten word of Bowie’s revelation and, except for a bunch of cool music lovers on the coasts, didn’t want to have anything to do with him.\u003c/p>\n\u003cp>In 1976, Bowie was still standing by his declaration that he was “bisexual” and that it was \"the best thing that ever happened\" to him (around this time he had a relationship with Mick Jagger, according to ex-wife Angie Bowie). But by 1983, Bowie was hoping to take the U.S. by storm with his album \u003ci>Let's Dance\u003c/i> and started backtracking on his claims. In an interview with \u003ci>Rolling Stone\u003c/i> that same year, he stated that publicly declaring his bisexuality was \"the biggest mistake [he] ever made\" and that he \"was always a closet heterosexual.\"\u003c/p>\n\u003cp>In a 2002 interview with \u003ci>Blender\u003c/i>, he was asked whether or not his coming out was still his biggest mistake. \"I don't think it was a mistake in Europe, but it was a lot tougher in America,\" later adding \"I felt that bisexuality became my headline over here for so long. America is a very puritanical place, and I think it stood in the way of so much I wanted to do.\"\u003c/p>\n\u003ch3>3. He did a scary amount of cocaine\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/k2yLbxW4k-w'\n title='//www.youtube.com/embed/k2yLbxW4k-w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In the mid '70s, Bowie had a new persona: The Thin White Duke. It was an apt description of his look at that time, since he wore a lot of regal, immaculately tailored suits and was emaciated from his extreme cocaine habit (watch the video above for lots of fidgeting and sniffing). Bowie was in the studio around the clock, cranking out hit after hit — he wrote \"Fame\" in 45 minutes during this time — \u003ca href=\"http://nypost.com/2014/11/15/mountains-of-cocaine-played-a-crucial-role-in-bowies-success/\" target=\"_blank\">and booger sugar fueled a lot of those longer sessions\u003c/a>. He also did a lot of crazy stuff that someone with a drug problem would do, the best example being the time he, with \u003ca href=\"http://dangerousminds.net/comments/mysterious_white_witch_who_exorcised_david_bowie\" target=\"_blank\">help from a white witch\u003c/a>, tried exorcising his pool of demons while high on blow.\u003c/p>\n\u003cp>He moved to Switzerland in 1976, where he supposedly dumped his habit and concentrated on other pursuits like painting. He would later tell producer Nile Rodgers that he doesn't remember entire years of his life during his drug days.\u003c/p>\n\u003cp>(Side note: Brooker has said that for his research, he won't be doing the heavy amount of cocaine that Bowie did. Not only is it unhealthy, but he also couldn't afford such a habit on an academic's salary, according to the \u003cem>Guardian\u003c/em>. Instead he drank an entire six-pack of energy drinks. “It made me very jumpy,” he said.)\u003c/p>\n\u003ch3>4. A newspaper circulated a picture that made him look like a Nazi\u003c/h3>\n\u003cp>\u003cimg class=\"aligncenter wp-image-17724 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/08/NME.jpeg\" alt=\"NME\" width=\"569\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/08/NME.jpeg 569w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/NME-400x562.jpeg 400w\" sizes=\"(max-width: 569px) 100vw, 569px\">\u003c/p>\n\u003cp>This is a weird one to explain and, in hindsight, he was kind of asking for it. During his Thin White Duke days, Bowie said in an interview that \"Britain could benefit from a fascist leader.\" He was later caught at the Russian/Poland border with Nazi propaganda.\u003c/p>\n\u003cp>With rumors of his love for fascism stoked in the media, the New Musical Express then took a photo of Bowie at London's Victoria Station waving farewell to fans from a Mercedes before jumping on a train. The paper ran the photo with the headline \"Heil And Farewell\" and accused him of giving a Nazi salute. Bowie always denied the claim and there are pictures of him in that moment where \u003ca href=\"http://flashbak.com/1976-david-bowies-nazi-salute-and-eric-claptons-wogs-created-rock-against-racism-5645/\" target=\"_blank\">he looks like he's waving\u003c/a>. Bowie later admitted that he was out of his mind when he made those comments about fascism.\u003c/p>\n\u003ch3>5. A concertgoer threw a lollipop at his bad eye\u003c/h3>\n\u003cp>\u003cimg class=\"aligncenter wp-image-17726 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/08/david-bowie-lollipop-eye-320.thumbnail.jpg\" alt=\"david-bowie-lollipop-eye-320.thumbnail\" width=\"478\" height=\"318\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/08/david-bowie-lollipop-eye-320.thumbnail.jpg 478w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/david-bowie-lollipop-eye-320.thumbnail-400x266.jpg 400w\" sizes=\"(max-width: 478px) 100vw, 478px\">\u003c/p>\n\u003cp>In Norway, a lollipop is referred to as \"love on a stick.\" Someone tried to pass on the love to Bowie during a festival in Oslo a few years ago and instead it smacked him right in the eye, causing him to stop playing. After he recovered, he was in a huff and demanded to know who did it, but no one came forward. Once he regained his composure, he told the crowd he was going to punish the culprit by playing an extra-long set. He played 27 songs over two hours in what Norwegian media would \u003ca href=\"http://www.today.com/id/5269717/ns/today-today_entertainment/t/david-bowie-hit-eye-lollipop-concert/#.VdWbSVNViko\" target=\"_blank\">call one of his best concerts ever\u003c/a>.\u003c/p>\n\u003ch3>6. His Bowie Bonds are one step above junk status\u003c/h3>\n\u003cfigure id=\"attachment_17700\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-17700 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/08/DAvid-Bowie-Lou-Reed-800x531.jpg\" alt=\"\" width=\"800\" height=\"531\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/08/DAvid-Bowie-Lou-Reed-800x531.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/DAvid-Bowie-Lou-Reed-400x265.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/DAvid-Bowie-Lou-Reed-1440x956.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/DAvid-Bowie-Lou-Reed-1920x1274.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/DAvid-Bowie-Lou-Reed-1180x783.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/08/DAvid-Bowie-Lou-Reed-960x637.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lou Reed (L) and David Bowie (R) attend the opening of Lou Reed NY photography exhibit at the Gallery at Hermes on January 19, 2006 in New York City. \u003ccite>(Photo by Andrew H. Walker/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Remember those \"Bowie Bonds\" I told you about earlier? By 2004, their credit rating was downgraded to just \u003ca href=\"http://www.telegraph.co.uk/news/uknews/1457666/Bowie-man-whose-bonds-fell-to-earth.html\" target=\"_blank\">above junk status\u003c/a>. The artist didn't adjust his business model when file-sharing on the Internet became a thing so, when people realized they didn't need to pay for his albums in order to obtain them, the profits on his 25 albums took a massive hit.\u003c/p>\n\u003cp>Since there's no such thing as sympathy in the stock market, it wasn't too long before the credit rating was downgraded, with a spokesperson for Moody's saying, \"The downgrade was prompted by lower than expected revenues generated by the assets due to weakness in sales for recorded music.\" But, by that time, Bowie had already gotten what he wanted: not only did the initial offering make Bowie one of the richest musicians in the world, he was able to use his money to buy back all the rights to his music.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Now that I think about it, it's probably not that bad to be Bowie. But it ain't easy, either! Good luck, Professor Brooker!\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/17694/professor-plans-to-live-as-david-bowie-for-a-year-heres-why-it-wont-be-easy","authors":["93"],"categories":["pop_4"],"tags":["pop_323"],"featImg":"pop_17699","label":"pop"},"pop_2300":{"type":"posts","id":"pop_2300","meta":{"index":"posts_1591205157","site":"pop","id":"2300","score":null,"sort":[1362607537000]},"guestAuthors":[],"slug":"david-bowie-the-next-day-and-the-last-forty-years","title":"David Bowie: The Next Day and The Last Forty Years","publishDate":1362607537,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>\u003cstrong>\u003cstrong>\u003cem>By guest contributor \u003ca href=\"http://www.thebolditalic.com/contributors/tonybravo\">Tony Bravo\u003c/a>\u003c/em>\u003c/strong>\u003c/strong>\u003c/p>\n\u003cp>Ten years have elapsed since David Bowie’s last album \u003cem>Reality\u003c/em> was released, but fear not fans: Bowie’s new release \u003cem>The Next Day\u003c/em> is currently streaming on iTunes and will be available for download March 12, 2013! (\u003ca href=\"http://www.youtube.com/watch?v=gH7dMBcg-gE\">Watch Bowie’s first music video from the album “The Stars (Are Out Tonight)” with his doppleganger Tilda Swinton\u003c/a>). Since emerging on the music scene in 1969 with his commercial breakthrough “Space Oddity,” Bowie has experimented aesthetically and musically more than any other major commercial artist of the last half of the 20th and early 21st century. Before there was Madonna or Gaga’s constantly morphing melodies, costume concepts and hair colors, Bowie was transitioning from Alien Acoustic to Glam Rock to Berliner Cabaret Gigolo to whatever he was doing with Mick Jagger \u003ca href=\"http://www.youtube.com/watch?v=9G4jnaznUoQ\">in this video\u003c/a>. Here’s a look back at some of our favorite moments in Bowie’s constantly evolving artistry (Tina Turner hair from his \u003cem>Labyrinth\u003c/em> period included).\u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Ziggy Stardust and Extraterrestrial Glam\u003c/strong>\u003c/h3>\n\u003cfigure id=\"attachment_110120\" class=\"wp-caption aligncenter\" style=\"max-width: 480px\">\u003cimg class=\"size-full wp-image-110120\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/hqdefault.jpg\" alt=\"Ziggy Stardust, live, 1972.\" width=\"480\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/hqdefault.jpg 480w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/hqdefault-160x120.jpg 160w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">Ziggy Stardust, live, 1972. \u003ccite>(YouTube / @MisterSussex)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Space has been a reoccurring theme for Bowie in both his music and persona. Major Tom, the fictional astronaut of 1969’s “Space Oddity” begat Bowie’s first fully realized character creation, rock ‘n’ roll alien messiah Ziggy Stardust, the star of 1972’s concept album \u003cem>The Rise and Fall of Ziggy Stardust\u003c/em>. Ziggy was flame-mulleted, platform booted, sexually liberated (bisexually liberated, actually) and every inch the personification of glam rock in everything from his over-the-top glitter stage wear to his decadent, transgressive lyrics (“making love with his ego” anyone?). With Ziggy, Bowie moved away from his earlier forays into acoustic and committed to electric hard rock in the vein of peers (and future collaborators) Lou Reed and Iggy Pop. The album not only produced \u003ca href=\"http://www.youtube.com/watch?v=G8sdsW93ThQ\">the instant classic title track\u003c/a>, but also the oft-covered “Suffragette City,” “Starman,\" “Moonage Daydream,” and the accompanying concert film showing Bowie at the height of his Ziggy excess.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>A Lad Insane\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 300px\">\u003ca href=\"http://upload.wikimedia.org/wikipedia/en/6/6e/DavisBowieAladdinSane.jpg\">\u003cimg src=\"http://upload.wikimedia.org/wikipedia/en/6/6e/DavisBowieAladdinSane.jpg\" alt=\"\" width=\"300\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Aladdin Sane Cover, 1973\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: left\">\n\u003cem>Aladdin Sane\u003c/em> (a pun on the phrase “a lad insane”) has been described as an Americanized \u003cem>Ziggy Stardust\u003c/em>: the glam look of the Ziggy years is still very present and the majority of the songs on the album were composed during Bowie’s 1972 tour of the States. The album, in addition to giving us “The Jean Jeanie,” “Cracked Actor,” and the forward looking doo-wop “Drive-In Saturday” also gave Bowie one of his most signature and lasting pieces of iconography with the lightning-bolt face paint featured on the album cover. The bolt dividing Bowie’s face was allegedly a commentary on Bowie’s feelings of duality as he struggled to come to terms with his fame. The album is also the first to deal with another reoccurring theme in Bowie’s career: the Brit’s mixed feelings on the American way of life. Christopher Sandford, in his Bowie biography \u003cem>Loving the Alien\u003c/em> stated the album reflects that the Bowie of this period \"was simultaneously appalled and fixated by America.”\u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Young Americans\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 460px\">\u003ca href=\"http://static.guim.co.uk/sys-images/Music/Pix/pictures/2011/4/5/1301999623660/David-Bowie-in-1976-006.jpg\">\u003cimg src=\"http://static.guim.co.uk/sys-images/Music/Pix/pictures/2011/4/5/1301999623660/David-Bowie-in-1976-006.jpg\" alt=\"\" width=\"460\" height=\"276\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Credit: Steve Shapiro/Corbis\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>http://www.youtube.com/watch?v=xFudBQcplj4&w=560&h=315\u003cbr>\n\u003cem> Bowie Performing “Young Americans” on The Dick Cavett Show, 1975\u003c/em>\u003cbr>\nBowie ditched the glam look and sound for good in 1975 with his Philadelphia soul infused \u003cem>Young Americans\u003c/em>, featuring not only the upbeat (but darkly worded) title track but also a cover of “Across the Universe” and the eternal “Fame” (co-written by John Lennon). Bowie described the sound of the album as \"the squashed remains of ethnic music as it survives in the age of Muzak rock, written and sung by a white limey,\" which is also an apt description of the Bowie look of the period. In television appearances for the album, Bowie is gaunt with scarlet hair brushed back in a pompadour sweep with stage wear consisting of retro dancehall zoot getups. After the sequined Ziggy Stardust, the sight of Bowie riding an early wave of bobbysocks nostalgia took some getting used to. The horn infused, funk-light album remains a favorite of fans.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Mein Liebling Duke\u003c/strong>\u003c/h3>\n\u003cfigure id=\"attachment_110122\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-110122\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/GettyImages-115096052-800x533.jpg\" alt=\"David Bowie at the 31th Cannes Film Festival on May 30, 1978. \" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Bowie at the 31th Cannes Film Festival on May 30, 1978. \u003ccite>(RALPH GATTI/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After his tenth studio album \u003cem>Station to Station\u003c/em> at the end of 1976, Bowie, fighting the demons of his fame and cocaine dependency, moved to West Berlin in an attempt to revive his career and to explore his fascination with German Krautrock. Bowie’s Berlin years (chronicled by Thomas Jerome Seabrook in \u003cem>Bowie in Berlin\u003c/em>) produced collaborations with Brian Eno and Iggy Pop and his acclaimed “Berlin Trilogy” of minimalist, experimental albums: \u003cem>Low\u003c/em>, \u003cem>\"Heroes,\"\u003c/em> and \u003cem>Lodger\u003c/em>. The Bowie persona of this period was “The Thin White Duke,” a dapper performer recalling the glory days of the Weimar circuit and slightly reminiscent of Joel Grey’s Master of Ceremonies in Cabaret. Bowie played the persona to great effect in the 1976 film \u003cem>The Man Who Fell to Earth\u003c/em>.\u003cbr>\nhttp://www.youtube.com/watch?v=oKF5lHcJY9k&w=560&h=315\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Ashes to Ashes Phoenix Rising\u003c/strong>\u003c/h3>\n\u003cfigure id=\"attachment_110121\" class=\"wp-caption aligncenter\" style=\"max-width: 236px\">\u003cimg class=\"size-full wp-image-110121\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/bowie-1.jpg\" alt=\"Bowie in the "Let's Dance" video.\" width=\"236\" height=\"352\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/bowie-1.jpg 236w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/bowie-1-160x239.jpg 160w\" sizes=\"(max-width: 236px) 100vw, 236px\">\u003cfigcaption class=\"wp-caption-text\">Bowie in the \"Let's Dance\" video.\u003c/figcaption>\u003c/figure>\n\u003cp>Bowie’s first megahit of the Reagan decade was \"Ashes to Ashes\" from 1980’s \u003cem>Scary Monsters (and Super Creeps),\u003c/em> which let us in on the fate of an earlier Bowie persona with the line “you know Major Tom is a junkie.” As Bowie’s stardom reached greater heights and his sound further embraced the electronic influences of his Berlin years and the New Wave phenomena, his look reflected both his personas of past years (the tailored lines of the Thin White Duke, the “Boys Keep Swinging” color palette and the fashion trends of the era). While still embracing new sounds and looks, the Bowie of the 1980s had a firmly established mythology he referenced and reinvented at will.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>Goblin King\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 386px\">\u003ca href=\"http://upload.wikimedia.org/wikipedia/en/thumb/6/6b/Labyrinth_ver2.jpg/386px-Labyrinth_ver2.jpg\">\u003cimg src=\"http://upload.wikimedia.org/wikipedia/en/thumb/6/6b/Labyrinth_ver2.jpg/386px-Labyrinth_ver2.jpg\" alt=\"\" width=\"386\" height=\"599\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Poster, Labyrinth, 1986\u003c/figcaption>\u003c/figure>\n\u003cp>As promised, David Bowie as Generation Y first encountered him: as the hairtastic, swashbuckling attired and codpieced villain of Jim Henson’s 1986 children’s film \u003cem>Labyrinth\u003c/em>. Bowie’s performance as Jareth the Goblin King made little girls want to switch places with heroine Jennifer Connolly in the baroque “As The World Falls Down” ballroom scene and made little boys… curious. Although a box office disappointment at the time, the film has gone on to earn a cult following and is still acclaimed for its soundtrack which included “Underground,” “Within You,” and the fan favorite “Magic Dance.”\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Heathen\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 300px\">\u003ca href=\"http://upload.wikimedia.org/wikipedia/en/b/b6/Heathen.jpg\">\u003cimg src=\"http://upload.wikimedia.org/wikipedia/en/b/b6/Heathen.jpg\" alt=\"\" width=\"300\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">2002’s Heathen\u003c/figcaption>\u003c/figure>\n\u003cp>2002’s \u003cem>Heathen\u003c/em> brought Bowie some of the strongest reviews of his career and brought back the sartorial, suited Bowie reminiscent of \u003cem>Young American\u003c/em> and Thin White Duke years, but without the underlying hardness. Using images as fantastical as his early glam lyrics and electronic sounds from the best of his Berlin trilogy, Bowie proved that even in his fifth decade he was still an artist producing innovative and creative work. “Cactus,” “Slow Burn,” and “Slip Away” remain among the best songs in the later Bowie canon.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>The Next Day\u003c/strong>\u003c/h3>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>http://youtu.be/gH7dMBcg-gE&w=560&h=315\u003cbr>\nIn terms of the more conservative (for Bowie) aesthetic and self-referential quality of leitmotifs and lyrical themes, 2013’s \u003cem>The Next Day\u003c/em> already seems to have much in common with \u003cem>Heathen\u003c/em>. The casting device of Tilda Swinton in “The Stars (Are Out Tonight)” video is a cheeky move: the oft commented on resemblance between the two artists has already been chronicled in the Tumblr blog \u003ca href=\"http://tildastardust.tumblr.com/\">Tilda Stardust\u003c/a>. It’s nice to see that as Bowie comes back yet again, he’s doing so with a sense of humor.\u003c/p>\n\n","blocks":[],"excerpt":"Here’s a look back at some of our favorite moments in David Bowie’s constantly evolving artistry (Tina Turner hair from his Labyrinth period included).","status":"publish","parent":0,"modified":1552088641,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":1369},"headData":{"title":"David Bowie: The Next Day and The Last Forty Years | KQED","description":"Here’s a look back at some of our favorite moments in David Bowie’s constantly evolving artistry (Tina Turner hair from his Labyrinth period included).","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"2300 http://blogs.kqed.org/pop/?p=2300","disqusUrl":"https://ww2.kqed.org/pop/2013/03/06/david-bowie-the-next-day-and-the-last-forty-years/","disqusTitle":"David Bowie: The Next Day and The Last Forty Years","path":"/pop/2300/david-bowie-the-next-day-and-the-last-forty-years","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003cstrong>\u003cem>By guest contributor \u003ca href=\"http://www.thebolditalic.com/contributors/tonybravo\">Tony Bravo\u003c/a>\u003c/em>\u003c/strong>\u003c/strong>\u003c/p>\n\u003cp>Ten years have elapsed since David Bowie’s last album \u003cem>Reality\u003c/em> was released, but fear not fans: Bowie’s new release \u003cem>The Next Day\u003c/em> is currently streaming on iTunes and will be available for download March 12, 2013! (\u003ca href=\"http://www.youtube.com/watch?v=gH7dMBcg-gE\">Watch Bowie’s first music video from the album “The Stars (Are Out Tonight)” with his doppleganger Tilda Swinton\u003c/a>). Since emerging on the music scene in 1969 with his commercial breakthrough “Space Oddity,” Bowie has experimented aesthetically and musically more than any other major commercial artist of the last half of the 20th and early 21st century. Before there was Madonna or Gaga’s constantly morphing melodies, costume concepts and hair colors, Bowie was transitioning from Alien Acoustic to Glam Rock to Berliner Cabaret Gigolo to whatever he was doing with Mick Jagger \u003ca href=\"http://www.youtube.com/watch?v=9G4jnaznUoQ\">in this video\u003c/a>. Here’s a look back at some of our favorite moments in Bowie’s constantly evolving artistry (Tina Turner hair from his \u003cem>Labyrinth\u003c/em> period included).\u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Ziggy Stardust and Extraterrestrial Glam\u003c/strong>\u003c/h3>\n\u003cfigure id=\"attachment_110120\" class=\"wp-caption aligncenter\" style=\"max-width: 480px\">\u003cimg class=\"size-full wp-image-110120\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/hqdefault.jpg\" alt=\"Ziggy Stardust, live, 1972.\" width=\"480\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/hqdefault.jpg 480w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/hqdefault-160x120.jpg 160w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">Ziggy Stardust, live, 1972. \u003ccite>(YouTube / @MisterSussex)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Space has been a reoccurring theme for Bowie in both his music and persona. Major Tom, the fictional astronaut of 1969’s “Space Oddity” begat Bowie’s first fully realized character creation, rock ‘n’ roll alien messiah Ziggy Stardust, the star of 1972’s concept album \u003cem>The Rise and Fall of Ziggy Stardust\u003c/em>. Ziggy was flame-mulleted, platform booted, sexually liberated (bisexually liberated, actually) and every inch the personification of glam rock in everything from his over-the-top glitter stage wear to his decadent, transgressive lyrics (“making love with his ego” anyone?). With Ziggy, Bowie moved away from his earlier forays into acoustic and committed to electric hard rock in the vein of peers (and future collaborators) Lou Reed and Iggy Pop. The album not only produced \u003ca href=\"http://www.youtube.com/watch?v=G8sdsW93ThQ\">the instant classic title track\u003c/a>, but also the oft-covered “Suffragette City,” “Starman,\" “Moonage Daydream,” and the accompanying concert film showing Bowie at the height of his Ziggy excess.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>A Lad Insane\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 300px\">\u003ca href=\"http://upload.wikimedia.org/wikipedia/en/6/6e/DavisBowieAladdinSane.jpg\">\u003cimg src=\"http://upload.wikimedia.org/wikipedia/en/6/6e/DavisBowieAladdinSane.jpg\" alt=\"\" width=\"300\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Aladdin Sane Cover, 1973\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: left\">\n\u003cem>Aladdin Sane\u003c/em> (a pun on the phrase “a lad insane”) has been described as an Americanized \u003cem>Ziggy Stardust\u003c/em>: the glam look of the Ziggy years is still very present and the majority of the songs on the album were composed during Bowie’s 1972 tour of the States. The album, in addition to giving us “The Jean Jeanie,” “Cracked Actor,” and the forward looking doo-wop “Drive-In Saturday” also gave Bowie one of his most signature and lasting pieces of iconography with the lightning-bolt face paint featured on the album cover. The bolt dividing Bowie’s face was allegedly a commentary on Bowie’s feelings of duality as he struggled to come to terms with his fame. The album is also the first to deal with another reoccurring theme in Bowie’s career: the Brit’s mixed feelings on the American way of life. Christopher Sandford, in his Bowie biography \u003cem>Loving the Alien\u003c/em> stated the album reflects that the Bowie of this period \"was simultaneously appalled and fixated by America.”\u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Young Americans\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 460px\">\u003ca href=\"http://static.guim.co.uk/sys-images/Music/Pix/pictures/2011/4/5/1301999623660/David-Bowie-in-1976-006.jpg\">\u003cimg src=\"http://static.guim.co.uk/sys-images/Music/Pix/pictures/2011/4/5/1301999623660/David-Bowie-in-1976-006.jpg\" alt=\"\" width=\"460\" height=\"276\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Credit: Steve Shapiro/Corbis\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>http://www.youtube.com/watch?v=xFudBQcplj4&w=560&h=315\u003cbr>\n\u003cem> Bowie Performing “Young Americans” on The Dick Cavett Show, 1975\u003c/em>\u003cbr>\nBowie ditched the glam look and sound for good in 1975 with his Philadelphia soul infused \u003cem>Young Americans\u003c/em>, featuring not only the upbeat (but darkly worded) title track but also a cover of “Across the Universe” and the eternal “Fame” (co-written by John Lennon). Bowie described the sound of the album as \"the squashed remains of ethnic music as it survives in the age of Muzak rock, written and sung by a white limey,\" which is also an apt description of the Bowie look of the period. In television appearances for the album, Bowie is gaunt with scarlet hair brushed back in a pompadour sweep with stage wear consisting of retro dancehall zoot getups. After the sequined Ziggy Stardust, the sight of Bowie riding an early wave of bobbysocks nostalgia took some getting used to. The horn infused, funk-light album remains a favorite of fans.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Mein Liebling Duke\u003c/strong>\u003c/h3>\n\u003cfigure id=\"attachment_110122\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-110122\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/GettyImages-115096052-800x533.jpg\" alt=\"David Bowie at the 31th Cannes Film Festival on May 30, 1978. \" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Bowie at the 31th Cannes Film Festival on May 30, 1978. \u003ccite>(RALPH GATTI/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After his tenth studio album \u003cem>Station to Station\u003c/em> at the end of 1976, Bowie, fighting the demons of his fame and cocaine dependency, moved to West Berlin in an attempt to revive his career and to explore his fascination with German Krautrock. Bowie’s Berlin years (chronicled by Thomas Jerome Seabrook in \u003cem>Bowie in Berlin\u003c/em>) produced collaborations with Brian Eno and Iggy Pop and his acclaimed “Berlin Trilogy” of minimalist, experimental albums: \u003cem>Low\u003c/em>, \u003cem>\"Heroes,\"\u003c/em> and \u003cem>Lodger\u003c/em>. The Bowie persona of this period was “The Thin White Duke,” a dapper performer recalling the glory days of the Weimar circuit and slightly reminiscent of Joel Grey’s Master of Ceremonies in Cabaret. Bowie played the persona to great effect in the 1976 film \u003cem>The Man Who Fell to Earth\u003c/em>.\u003cbr>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oKF5lHcJY9k'\n title='//www.youtube.com/embed/oKF5lHcJY9k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Ashes to Ashes Phoenix Rising\u003c/strong>\u003c/h3>\n\u003cfigure id=\"attachment_110121\" class=\"wp-caption aligncenter\" style=\"max-width: 236px\">\u003cimg class=\"size-full wp-image-110121\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/bowie-1.jpg\" alt=\"Bowie in the "Let's Dance" video.\" width=\"236\" height=\"352\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/bowie-1.jpg 236w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/bowie-1-160x239.jpg 160w\" sizes=\"(max-width: 236px) 100vw, 236px\">\u003cfigcaption class=\"wp-caption-text\">Bowie in the \"Let's Dance\" video.\u003c/figcaption>\u003c/figure>\n\u003cp>Bowie’s first megahit of the Reagan decade was \"Ashes to Ashes\" from 1980’s \u003cem>Scary Monsters (and Super Creeps),\u003c/em> which let us in on the fate of an earlier Bowie persona with the line “you know Major Tom is a junkie.” As Bowie’s stardom reached greater heights and his sound further embraced the electronic influences of his Berlin years and the New Wave phenomena, his look reflected both his personas of past years (the tailored lines of the Thin White Duke, the “Boys Keep Swinging” color palette and the fashion trends of the era). While still embracing new sounds and looks, the Bowie of the 1980s had a firmly established mythology he referenced and reinvented at will.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>Goblin King\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 386px\">\u003ca href=\"http://upload.wikimedia.org/wikipedia/en/thumb/6/6b/Labyrinth_ver2.jpg/386px-Labyrinth_ver2.jpg\">\u003cimg src=\"http://upload.wikimedia.org/wikipedia/en/thumb/6/6b/Labyrinth_ver2.jpg/386px-Labyrinth_ver2.jpg\" alt=\"\" width=\"386\" height=\"599\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Poster, Labyrinth, 1986\u003c/figcaption>\u003c/figure>\n\u003cp>As promised, David Bowie as Generation Y first encountered him: as the hairtastic, swashbuckling attired and codpieced villain of Jim Henson’s 1986 children’s film \u003cem>Labyrinth\u003c/em>. Bowie’s performance as Jareth the Goblin King made little girls want to switch places with heroine Jennifer Connolly in the baroque “As The World Falls Down” ballroom scene and made little boys… curious. Although a box office disappointment at the time, the film has gone on to earn a cult following and is still acclaimed for its soundtrack which included “Underground,” “Within You,” and the fan favorite “Magic Dance.”\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Heathen\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 300px\">\u003ca href=\"http://upload.wikimedia.org/wikipedia/en/b/b6/Heathen.jpg\">\u003cimg src=\"http://upload.wikimedia.org/wikipedia/en/b/b6/Heathen.jpg\" alt=\"\" width=\"300\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">2002’s Heathen\u003c/figcaption>\u003c/figure>\n\u003cp>2002’s \u003cem>Heathen\u003c/em> brought Bowie some of the strongest reviews of his career and brought back the sartorial, suited Bowie reminiscent of \u003cem>Young American\u003c/em> and Thin White Duke years, but without the underlying hardness. Using images as fantastical as his early glam lyrics and electronic sounds from the best of his Berlin trilogy, Bowie proved that even in his fifth decade he was still an artist producing innovative and creative work. “Cactus,” “Slow Burn,” and “Slip Away” remain among the best songs in the later Bowie canon.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>The Next Day\u003c/strong>\u003c/h3>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>http://youtu.be/gH7dMBcg-gE&w=560&h=315\u003cbr>\nIn terms of the more conservative (for Bowie) aesthetic and self-referential quality of leitmotifs and lyrical themes, 2013’s \u003cem>The Next Day\u003c/em> already seems to have much in common with \u003cem>Heathen\u003c/em>. The casting device of Tilda Swinton in “The Stars (Are Out Tonight)” video is a cheeky move: the oft commented on resemblance between the two artists has already been chronicled in the Tumblr blog \u003ca href=\"http://tildastardust.tumblr.com/\">Tilda Stardust\u003c/a>. It’s nice to see that as Bowie comes back yet again, he’s doing so with a sense of humor.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/2300/david-bowie-the-next-day-and-the-last-forty-years","authors":["2421"],"categories":["pop_7","pop_56","pop_4"],"tags":["pop_323","pop_326","pop_25","pop_324","pop_325"],"featImg":"pop_2310","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Consider-This-Podcast-Tile-703x703-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. 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