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In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture.","avatar":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twitter":"raemondjjjj","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Rae Alexandra | KQED","description":"Staff Writer","ogImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ralexandra"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"pop_111463":{"type":"posts","id":"pop_111463","meta":{"index":"posts_1591205157","site":"pop","id":"111463","score":null,"sort":[1563382849000]},"guestAuthors":[],"slug":"before-hustlers-how-pole-dancing-broke-into-the-mainstream","title":"Before 'Hustlers': How Pole Dancing Broke Into the Mainstream","publishDate":1563382849,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>In \u003cem>Crazy Stupid Love\u003c/em>, Ryan Gosling, playing a know-it-all lothario, shares an opinion. \"We won the sex war,\" he says, \"after women started doing pole dancing for exercise.”\u003c/p>\n\u003cp>Finding pop-culture examples of pole dancing being stigmatized is not a struggle. Comedians like \u003ca href=\"https://www.youtube.com/watch?v=Vqg8-qCXKz8\">Chris Rock\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=gt_s0qeRdkw\">Joe Rogan\u003c/a> and \u003ca href=\"https://titsandsass.com/category/tina-fey-hates-sex-workers/\">Tina Fey\u003c/a> have indulged in various degrees of stripper shaming, and stereotypes about the rough and ready lives of dancers have long been a staple of cop shows and movies like \u003cem>I Know Who Killed Me\u003c/em>, \u003cem>Powder Blue\u003c/em> and \u003cem>The Wrestler\u003c/em>.\u003c/p>\n\u003cp>\"Traditionally, portrayals of dancers are either women who are drug-addicted, or who obviously have major daddy issues,\" Nicki [not her real name] a San Francisco dancer, says.\u003c/p>\n\u003cp>But the gulf between representations of pole dancers and reality has narrowed in recent years, thanks in part to the 2008 founding of the \u003ca href=\"http://www.polesports.org/\">International Pole Sports Federation\u003c/a>—an organization set up to standardize rules around competitive pole dancing, and lobby to include pole sports in the Olympics. Its existence has allowed pole dancing the relatively new luxury of being seen as a legitimate skill.\u003c/p>\n\u003cp>That skill is something that Nicki knows firsthand. \"The women I've had the pleasure of working with over the years are all incredible,\" she says. \"This job can make you feel invincible.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Amanda Ortiz echoes the sentiment. After getting a job on the front desk at fitness center \u003ca href=\"https://sfpoleanddance.com/\">San Francisco Pole and Dance\u003c/a> a year ago, Ortiz, a PhD. student, fell in love with pole dancing. \"It was during a rough time in my life and I saw the effects pole dancing had on women and men of all backgrounds,\" she says.\u003c/p>\n\u003cp>Ortiz estimates that everyone who tries a class leaves with much more respect for those who dance professionally.\u003c/p>\n\u003cp>\"It is probably some of the hardest work ever,\" she says, \"and the best teachers are always current or former strippers. Everyone here is funny, kind and encouraging. I do think that the stigma is reducing.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=lw-kllxaNAI\u003c/p>\n\u003cp>Still others have mixed feelings about pole dancing going mainstream. Alexis Brooks danced in strip clubs for 13 years, stopping only after the combination of sky-high heels and a slippery tile floor at work caused her to break an ankle. She says that pole dancing on a sporting stage can give people unrealistic expectations: \"People have to realize that nine times out of ten, they aren't going to see that level of pole dancing at the club. We don't have trainers and hours to perfect our moves.\"\u003c/p>\n\u003cp>Brooks is happy, however, to see more variety in popular depictions of pole dancing. \"Traditionally, we're seen as either super glamorous and raking in the dough, or at rock bottom,\" she says. \"The reality is somewhere in between.\"\u003c/p>\n\u003cp>Cardi B's NSFW \"Money\" video, then, might be the closest that mainstream culture has come to accurate commentary on the lives of pole dancers. In it, she honors her own past working in strip clubs—a job she says \u003ca href=\"https://www.youtube.com/watch?v=vzfcNl-o9bI\">saved her\u003c/a> from a \"boyfriend who was beating my ass\"—presenting it as serious work with major financial benefits. \"People want me to be so full of shame that I used to dance,\" Cardi \u003ca href=\"https://www.theguardian.com/music/2017/dec/01/how-cardi-b-went-from-stripper-to-star\">told \u003cem>The Guardian\u003c/em>\u003c/a> in 2017. \"I learned a lot. I would never be ashamed of it.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zUOh09GoQgk\u003c/p>\n\u003cp>Indeed, the shift in the public perception of pole dancing has been most visible in music videos. While early on, artists like like Dr. Dre and Snoop Dogg used pole dancing as a \u003ca href=\"https://www.youtube.com/watch?v=QZXc39hT8t4\" target=\"_blank\" rel=\"noopener\">means for objectification\u003c/a>, within a decade it was socially acceptable enough for the decidedly non-edgy Enrique Iglesias to include in his video for \"\u003ca href=\"https://www.youtube.com/watch?v=vHJAUuicC0Q\">Dirty Dancer\u003c/a>.\" In 2013, Bruno Mars put pole dancing at the center of a love triangle in the \"\u003ca href=\"https://www.youtube.com/watch?v=AHDtXqjgEj4\">Gorilla\u003c/a>\" video, and, a year later, \u003ca href=\"https://www.youtube.com/watch?v=Fk1ZO_980DI\">Ne-Yo\u003c/a> put dancers in mundane, everyday settings as a suggestion that it was something even middle-aged housewives and mousey librarians could enjoy.\u003c/p>\n\u003cp>Then came Rihanna and Beyoncé including poles in their respective videos for \"\u003ca href=\"https://www.youtube.com/watch?v=ehcVomMexkY\">Pour It Up\u003c/a>\" and \"\u003ca href=\"https://www.youtube.com/watch?v=pZ12_E5R3qc\">Partition\u003c/a>,\" and ideas shifted about just who pole dancing was for. Their reframing of pole dancing, from entertainment for men to empowerment for women, not only opened doors for Cardi B but others—FKA Twigs recently used it to literally elevate her contemporary artistry to new, trippy heights.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=YkLjqFpBh84&t=111s\u003c/p>\n\u003cp>Reality TV, too, has done a lot to normalize pole dancing. HBO's \u003ca href=\"https://en.wikipedia.org/wiki/G_String_Divas\">\u003cem>G String Divas\u003c/em>\u003c/a> started to de-stigmatize the job back in 2000, and today, \u003ca href=\"https://www.youtube.com/watch?v=TD-VzLfHZXQ\">\u003cem>Beyond The Pole\u003c/em>\u003c/a> shows the every day lives of professional dancers in Atlanta.\u003c/p>\n\u003cp>But it's \u003cem>Keeping Up With The Kardashians \u003c/em>that did the most to take pole dancing mainstream. When 2007's Season 1 first showed a pole in Kris and Bruce's bedroom, it seemed risqué and over-the-top. When then-tweens Kendall and Kylie played on it—prompting Robin Antin to tell Kylie she was a \"future Pussycat Doll\"—it simultaneously caused a mountain of controversy and somehow made a pole at home seem somewhat mundane. By 2014, Kris, Kim and their friends were taking a \u003ca href=\"https://www.youtube.com/watch?v=0Gqb7ECJnoA\">pole dancing class\u003c/a> on the show together—a relatively new form of exercise that has since boomed in popularity.\u003c/p>\n\u003cp>The pinnacle of pole dancing's mainstream acceptance arrives September 13 with the movie \u003cem>Hustlers\u003c/em>, starring Jennifer Lopez, Constance Wu and Cardi B as a group of strip club employees banding together to \"turn the tables on their Wall Street clients.\" The movie, based on a \u003ca href=\"https://www.thecut.com/2015/12/robin-hood-strippers-scores-c-v-r.html#_ga=2.96829916.2122431926.1556836402-1366781981.1518059390\">\u003cem>New York Magazine\u003c/em> article\u003c/a> about real-life dancers who swindled their richest clients out of thousands of dollars, is something that Nicki, the dancer from San Francisco, looks forward to seeing.\u003c/p>\n\u003cp>\"Pole dancing really is an art form when it's done well,\" she says. \"It is getting easier to see that dancing isn't just some seedy, taboo thing, as more women in the spotlight are embracing it.\"\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>She pauses, thinks about her request for anonymity, and adds: \"When we get to the point where I can use my real name in an article like this, \u003cem>that\u003c/em> will really be something.\"\u003c/p>\n\n","blocks":[],"excerpt":"Before pole dancing hits the big screen in 'Hustlers,' we ask professionals and amateurs alike their views on the strip club staple going mainstream.","status":"publish","parent":0,"modified":1563384081,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":1070},"headData":{"title":"Before 'Hustlers': How Pole Dancing Broke Into the Mainstream | KQED","description":"Before pole dancing hits the big screen in 'Hustlers,' we ask professionals and amateurs alike their views on the strip club staple going mainstream.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Before 'Hustlers': How Pole Dancing Broke Into the Mainstream","datePublished":"2019-07-17T17:00:49.000Z","dateModified":"2019-07-17T17:21:21.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"111463 https://ww2.kqed.org/pop/?p=111463","disqusUrl":"https://ww2.kqed.org/pop/2019/07/17/before-hustlers-how-pole-dancing-broke-into-the-mainstream/","disqusTitle":"Before 'Hustlers': How Pole Dancing Broke Into the Mainstream","templateType":"standard","featuredImageType":"standard","path":"/pop/111463/before-hustlers-how-pole-dancing-broke-into-the-mainstream","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In \u003cem>Crazy Stupid Love\u003c/em>, Ryan Gosling, playing a know-it-all lothario, shares an opinion. \"We won the sex war,\" he says, \"after women started doing pole dancing for exercise.”\u003c/p>\n\u003cp>Finding pop-culture examples of pole dancing being stigmatized is not a struggle. Comedians like \u003ca href=\"https://www.youtube.com/watch?v=Vqg8-qCXKz8\">Chris Rock\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=gt_s0qeRdkw\">Joe Rogan\u003c/a> and \u003ca href=\"https://titsandsass.com/category/tina-fey-hates-sex-workers/\">Tina Fey\u003c/a> have indulged in various degrees of stripper shaming, and stereotypes about the rough and ready lives of dancers have long been a staple of cop shows and movies like \u003cem>I Know Who Killed Me\u003c/em>, \u003cem>Powder Blue\u003c/em> and \u003cem>The Wrestler\u003c/em>.\u003c/p>\n\u003cp>\"Traditionally, portrayals of dancers are either women who are drug-addicted, or who obviously have major daddy issues,\" Nicki [not her real name] a San Francisco dancer, says.\u003c/p>\n\u003cp>But the gulf between representations of pole dancers and reality has narrowed in recent years, thanks in part to the 2008 founding of the \u003ca href=\"http://www.polesports.org/\">International Pole Sports Federation\u003c/a>—an organization set up to standardize rules around competitive pole dancing, and lobby to include pole sports in the Olympics. Its existence has allowed pole dancing the relatively new luxury of being seen as a legitimate skill.\u003c/p>\n\u003cp>That skill is something that Nicki knows firsthand. \"The women I've had the pleasure of working with over the years are all incredible,\" she says. \"This job can make you feel invincible.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Amanda Ortiz echoes the sentiment. After getting a job on the front desk at fitness center \u003ca href=\"https://sfpoleanddance.com/\">San Francisco Pole and Dance\u003c/a> a year ago, Ortiz, a PhD. student, fell in love with pole dancing. \"It was during a rough time in my life and I saw the effects pole dancing had on women and men of all backgrounds,\" she says.\u003c/p>\n\u003cp>Ortiz estimates that everyone who tries a class leaves with much more respect for those who dance professionally.\u003c/p>\n\u003cp>\"It is probably some of the hardest work ever,\" she says, \"and the best teachers are always current or former strippers. Everyone here is funny, kind and encouraging. I do think that the stigma is reducing.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/lw-kllxaNAI'\n title='//www.youtube.com/embed/lw-kllxaNAI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Still others have mixed feelings about pole dancing going mainstream. Alexis Brooks danced in strip clubs for 13 years, stopping only after the combination of sky-high heels and a slippery tile floor at work caused her to break an ankle. She says that pole dancing on a sporting stage can give people unrealistic expectations: \"People have to realize that nine times out of ten, they aren't going to see that level of pole dancing at the club. We don't have trainers and hours to perfect our moves.\"\u003c/p>\n\u003cp>Brooks is happy, however, to see more variety in popular depictions of pole dancing. \"Traditionally, we're seen as either super glamorous and raking in the dough, or at rock bottom,\" she says. \"The reality is somewhere in between.\"\u003c/p>\n\u003cp>Cardi B's NSFW \"Money\" video, then, might be the closest that mainstream culture has come to accurate commentary on the lives of pole dancers. In it, she honors her own past working in strip clubs—a job she says \u003ca href=\"https://www.youtube.com/watch?v=vzfcNl-o9bI\">saved her\u003c/a> from a \"boyfriend who was beating my ass\"—presenting it as serious work with major financial benefits. \"People want me to be so full of shame that I used to dance,\" Cardi \u003ca href=\"https://www.theguardian.com/music/2017/dec/01/how-cardi-b-went-from-stripper-to-star\">told \u003cem>The Guardian\u003c/em>\u003c/a> in 2017. \"I learned a lot. I would never be ashamed of it.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zUOh09GoQgk'\n title='//www.youtube.com/embed/zUOh09GoQgk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Indeed, the shift in the public perception of pole dancing has been most visible in music videos. While early on, artists like like Dr. Dre and Snoop Dogg used pole dancing as a \u003ca href=\"https://www.youtube.com/watch?v=QZXc39hT8t4\" target=\"_blank\" rel=\"noopener\">means for objectification\u003c/a>, within a decade it was socially acceptable enough for the decidedly non-edgy Enrique Iglesias to include in his video for \"\u003ca href=\"https://www.youtube.com/watch?v=vHJAUuicC0Q\">Dirty Dancer\u003c/a>.\" In 2013, Bruno Mars put pole dancing at the center of a love triangle in the \"\u003ca href=\"https://www.youtube.com/watch?v=AHDtXqjgEj4\">Gorilla\u003c/a>\" video, and, a year later, \u003ca href=\"https://www.youtube.com/watch?v=Fk1ZO_980DI\">Ne-Yo\u003c/a> put dancers in mundane, everyday settings as a suggestion that it was something even middle-aged housewives and mousey librarians could enjoy.\u003c/p>\n\u003cp>Then came Rihanna and Beyoncé including poles in their respective videos for \"\u003ca href=\"https://www.youtube.com/watch?v=ehcVomMexkY\">Pour It Up\u003c/a>\" and \"\u003ca href=\"https://www.youtube.com/watch?v=pZ12_E5R3qc\">Partition\u003c/a>,\" and ideas shifted about just who pole dancing was for. Their reframing of pole dancing, from entertainment for men to empowerment for women, not only opened doors for Cardi B but others—FKA Twigs recently used it to literally elevate her contemporary artistry to new, trippy heights.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/YkLjqFpBh84'\n title='//www.youtube.com/embed/YkLjqFpBh84'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Reality TV, too, has done a lot to normalize pole dancing. HBO's \u003ca href=\"https://en.wikipedia.org/wiki/G_String_Divas\">\u003cem>G String Divas\u003c/em>\u003c/a> started to de-stigmatize the job back in 2000, and today, \u003ca href=\"https://www.youtube.com/watch?v=TD-VzLfHZXQ\">\u003cem>Beyond The Pole\u003c/em>\u003c/a> shows the every day lives of professional dancers in Atlanta.\u003c/p>\n\u003cp>But it's \u003cem>Keeping Up With The Kardashians \u003c/em>that did the most to take pole dancing mainstream. When 2007's Season 1 first showed a pole in Kris and Bruce's bedroom, it seemed risqué and over-the-top. When then-tweens Kendall and Kylie played on it—prompting Robin Antin to tell Kylie she was a \"future Pussycat Doll\"—it simultaneously caused a mountain of controversy and somehow made a pole at home seem somewhat mundane. By 2014, Kris, Kim and their friends were taking a \u003ca href=\"https://www.youtube.com/watch?v=0Gqb7ECJnoA\">pole dancing class\u003c/a> on the show together—a relatively new form of exercise that has since boomed in popularity.\u003c/p>\n\u003cp>The pinnacle of pole dancing's mainstream acceptance arrives September 13 with the movie \u003cem>Hustlers\u003c/em>, starring Jennifer Lopez, Constance Wu and Cardi B as a group of strip club employees banding together to \"turn the tables on their Wall Street clients.\" The movie, based on a \u003ca href=\"https://www.thecut.com/2015/12/robin-hood-strippers-scores-c-v-r.html#_ga=2.96829916.2122431926.1556836402-1366781981.1518059390\">\u003cem>New York Magazine\u003c/em> article\u003c/a> about real-life dancers who swindled their richest clients out of thousands of dollars, is something that Nicki, the dancer from San Francisco, looks forward to seeing.\u003c/p>\n\u003cp>\"Pole dancing really is an art form when it's done well,\" she says. \"It is getting easier to see that dancing isn't just some seedy, taboo thing, as more women in the spotlight are embracing it.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She pauses, thinks about her request for anonymity, and adds: \"When we get to the point where I can use my real name in an article like this, \u003cem>that\u003c/em> will really be something.\"\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/111463/before-hustlers-how-pole-dancing-broke-into-the-mainstream","authors":["11242"],"categories":["pop_51","pop_4"],"tags":["pop_465","pop_3121","pop_3071","pop_3602","pop_3603","pop_3341","pop_3601","pop_213","pop_3649","pop_3650","pop_2822","pop_466"],"featImg":"pop_112783","label":"pop"},"pop_112193":{"type":"posts","id":"pop_112193","meta":{"index":"posts_1591205157","site":"pop","id":"112193","score":null,"sort":[1559545509000]},"guestAuthors":[],"slug":"last-week-everyone-tried-to-put-out-the-song-of-the-summer","title":"Last Week, Everyone Tried To Put Out The Song Of The Summer","publishDate":1559545509,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Most aspiring pop stars dream of one day churning out \"the Song of the Summer\"—that one inescapable jam that blows up every hot-weather radio playlist, beach party, car stereo and YouTube binge. Some of them may be frothy, seemingly disposable pop confections, but there's a certain permanence to Song of the Summer status; once you've reached that milestone, you're forever embedded in the memories of summertime revelers the world over. (Want proof? Listen to \u003ca href=\"https://www.npr.org/2012/06/20/155132353/the-mix-the-songs-of-the-summer\">this Songs of the Summer mix\u003c/a> spanning the years 1962 to 2018 and see how much of your past comes flooding back.)\u003c/p>\n\u003cp>But hits aren't made overnight; it can take a while for a song to make its way from release day to \"\u003ca href=\"https://www.youtube.com/watch?v=gUcisIlT7sM\">Old Town Road\u003c/a>\"-style hyper-ubiquity. Which is to say, if you want to lay claim to unofficial Song of the Summer status for 2019, you'd best do it quickly. That's likely why this week—and particularly the last day or so—has seen such an onslaught of summer jams, each of which seems to be aspiring to dominate our lives for months to come. Here's a quick rundown.\u003c/p>\n\u003ch3 style=\"text-align: center\">Katy Perry, 'Never Really Over'\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=aEb5gNsmGJ8\u003c/p>\n\u003cp>Katy Perry's songs have been streamed tens of billions of times, making her the sort of too-big-to-fail pop juggernaut that can never be counted out of any given Song of the Summer competition. \"Never Really Over\" taps into universal emotions—heartache, nostalgia, regret, reflection—with maximum wistfulness. Looking for a metric to capture just how fussed-over your favorite summer jams often are? \"Never Really Over\" is the work of \u003cem>nine\u003c/em> credited songwriters, including Perry herself and the ubiquitous Zedd.\u003c/p>\n\u003ch3 style=\"text-align: center\">Herve Pagez & Diplo, 'Spicy (feat. Charli XCX)'\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=bGrxBmyiMls\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The line between \"insistent\" and \"annoying\" rarely feels quite this thin. \"Spicy\" has been engineered to hit many sweet spots at once, starting with its headlong dive into '90s nostalgia: The track, assembled by U.K. DJ Herve Pagez and U.S. mega-producer Diplo, enlists Charli XCX to pay lovingly extravagant tribute to The Spice Girls' eternal \"Wannabe.\" A truly ridiculous trifle, this one's sold most effectively in its doofy video, in which its headliners ride, jam with, dance alongside and eat at a cafe with an array of brightly colored... dolphins.\u003c/p>\n\u003ch3 style=\"text-align: center\">Tove Lo, 'Glad He's Gone'\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=h1Tn1H7Sg8s\u003c/p>\n\u003cp>It's too early to tell which of these songs is likeliest to pop, but here's an unmistakable highlight of this week's lot. In \"Glad He's Gone,\" Swedish pop star Tove Lo comforts a dear friend with sexually frank affirmations in the aftermath of a painful breakup. Dispensing kind advice—mostly of the pick-yourself-up, you're-too-good-for-him variety—Lo drives her point home in the hypnotically infectious, haunting hook: \"You're better off / I'm glad that he's gone.\"\u003c/p>\n\u003ch3 style=\"text-align: center\">Cardi B, 'Press'\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=-IdnRv04IZc\u003c/p>\n\u003cp>Cardi B has been a vibrant, wildly charismatic addition to the pop landscape in recent years, but \"Press\" is a one-off swat at a gossip mill that's obsessed over her personal life with relentless invasiveness. Though a bit too specific in its messaging to connect on a grand scale—although who among us hasn't had to grapple with the prying eyes of the paparazzi?—\"Press\" does pack a tremendous amount of \u003ca href=\"https://www.npr.org/2019/05/31/728285009/cardi-b-needs-no-press-but-we-re-giving-it-to-her-anyway\">quotable aggression\u003c/a> into less than two-and-a-half minutes.\u003c/p>\n\u003ch3 style=\"text-align: center\">Mark Ronson & Camila Cabello, 'Find U Again'\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=ZLYYRqU_iqE\u003c/p>\n\u003cp>Pinning down Mark Ronson's aesthetic isn't easy: If you had to summarize him with a single genre signifier, it'd be... maybe \"hits\"? It's hard to find too many other throughlines connecting \"Find U Again,\" his new collaboration with Camila Cabello, to, say, \"Uptown Funk.\" But what \"Find U Again\" lacks in a distinct artistic identity, it makes up for in the sheer power of sounding like every other aggressively Auto-Tuned song on the radio. So who knows?\u003c/p>\n\u003ch3 style=\"text-align: center\">King Princess, 'Cheap Queen'\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=PH2DdYLO-uo\u003c/p>\n\u003cp>The clearest path to Song of the Summer status is to reach for something universal—something in the language of heartache, desire, loneliness or defiance. But another way is to serve up a mission statement to a smaller-but-mighty subset of the pop audience. For King Princess, a 20-year-old who's currently blooming into a queer icon, \"Cheap Queen\" has it all, from a coolly woozy sound to a statement of purpose sure to resonate: \"I can be bad sometimes / I'm a real queen / I can make grown men cry.\"\u003c/p>\n\u003ch3 style=\"text-align: center\">Gucci Mane & Justin Bieber, 'Love Thru The Computer'\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=XvinPCCGSxc\u003c/p>\n\u003cp>Maybe it's the tinny, computerized beats; maybe it's the lighthearted narrative about, well, finding \"Love Thru the Computer.\" But Gucci Mane's new single feels playfully old-school, even evoking the story-song rambles of Biz Markie or Young MC, albeit with far saltier language. Bieber's presence on the hook makes \"Love Thru the Computer\" a pop contender from the jump, though his own personality is muted next to Gucci's.\u003c/p>\n\u003ch3 style=\"text-align: center\">Bad Bunny, 'Callaíta'\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=acEOASYioGY\u003c/p>\n\u003cp>Puerto Rican superstar Bad Bunny just got around to releasing his first full-length album back in December, and he's already got a follow-up single in the smoothly ingratiating \"Callaíta.\" Recorded as a one-off with reggaeton producer Tainy, the track touches on the greatest hits of summer-song celebration: the beach, booze, sex and that certain someone with whom all three can be shared.\u003c/p>\n\u003ch3 style=\"text-align: center\">The Chainsmokers, 'Call You Mine (feat. Bebe Rexha)'\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=3XCVM3G3pns\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Three of the most eager collaborators in the electro-pop business—that'd be Bebe Rexha and the two basically interchangeable dudes in The Chainsmokers—gather for a familiar mish-mash of sensibilities, complete with one of those snaky little Chainsmokers-y hooks. Truth be told, the song's pretty easy to forget (ask again after radio stations have spun it a few hundred million times), but at least the video tells a \u003cem>Memento\u003c/em>-style story in which Rexha murders The Chainsmokers, stuffs them into a car and flees police. \u003cem>Summer, y'all!\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=This+Week%2C+Everyone+Tried+To+Put+Out+The+Song+Of+The+Summer&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"Summer pop bangers from the likes of Cardi B and Katy Perry have been dropping by the bushel, battling it out for the season's most prestigious title. ","status":"publish","parent":0,"modified":1559545730,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":1101},"headData":{"title":"Last Week, Everyone Tried To Put Out The Song Of The Summer | KQED","description":"Summer pop bangers from the likes of Cardi B and Katy Perry have been dropping by the bushel, battling it out for the season's most prestigious title. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Last Week, Everyone Tried To Put Out The Song Of The Summer","datePublished":"2019-06-03T07:05:09.000Z","dateModified":"2019-06-03T07:08:50.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"112193 https://ww2.kqed.org/pop/?p=112193","disqusUrl":"https://ww2.kqed.org/pop/2019/06/03/last-week-everyone-tried-to-put-out-the-song-of-the-summer/","disqusTitle":"Last Week, Everyone Tried To Put Out The Song Of The Summer","nprByline":"Stephen Thompson","nprImageAgency":"Courtesy of the artist","nprStoryId":"728618376","nprApiLink":"http://api.npr.org/query?id=728618376&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2019/06/01/728618376/this-week-everyone-tried-to-put-out-the-song-of-the-summer?ft=nprml&f=728618376","nprRetrievedStory":"1","nprPubDate":"Sat, 01 Jun 2019 06:00:00 -0400","nprStoryDate":"Sat, 01 Jun 2019 06:00:18 -0400","nprLastModifiedDate":"Sat, 01 Jun 2019 06:00:18 -0400","path":"/pop/112193/last-week-everyone-tried-to-put-out-the-song-of-the-summer","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Most aspiring pop stars dream of one day churning out \"the Song of the Summer\"—that one inescapable jam that blows up every hot-weather radio playlist, beach party, car stereo and YouTube binge. Some of them may be frothy, seemingly disposable pop confections, but there's a certain permanence to Song of the Summer status; once you've reached that milestone, you're forever embedded in the memories of summertime revelers the world over. (Want proof? Listen to \u003ca href=\"https://www.npr.org/2012/06/20/155132353/the-mix-the-songs-of-the-summer\">this Songs of the Summer mix\u003c/a> spanning the years 1962 to 2018 and see how much of your past comes flooding back.)\u003c/p>\n\u003cp>But hits aren't made overnight; it can take a while for a song to make its way from release day to \"\u003ca href=\"https://www.youtube.com/watch?v=gUcisIlT7sM\">Old Town Road\u003c/a>\"-style hyper-ubiquity. Which is to say, if you want to lay claim to unofficial Song of the Summer status for 2019, you'd best do it quickly. That's likely why this week—and particularly the last day or so—has seen such an onslaught of summer jams, each of which seems to be aspiring to dominate our lives for months to come. Here's a quick rundown.\u003c/p>\n\u003ch3 style=\"text-align: center\">Katy Perry, 'Never Really Over'\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/aEb5gNsmGJ8'\n title='//www.youtube.com/embed/aEb5gNsmGJ8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Katy Perry's songs have been streamed tens of billions of times, making her the sort of too-big-to-fail pop juggernaut that can never be counted out of any given Song of the Summer competition. \"Never Really Over\" taps into universal emotions—heartache, nostalgia, regret, reflection—with maximum wistfulness. Looking for a metric to capture just how fussed-over your favorite summer jams often are? \"Never Really Over\" is the work of \u003cem>nine\u003c/em> credited songwriters, including Perry herself and the ubiquitous Zedd.\u003c/p>\n\u003ch3 style=\"text-align: center\">Herve Pagez & Diplo, 'Spicy (feat. Charli XCX)'\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/bGrxBmyiMls'\n title='//www.youtube.com/embed/bGrxBmyiMls'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The line between \"insistent\" and \"annoying\" rarely feels quite this thin. \"Spicy\" has been engineered to hit many sweet spots at once, starting with its headlong dive into '90s nostalgia: The track, assembled by U.K. DJ Herve Pagez and U.S. mega-producer Diplo, enlists Charli XCX to pay lovingly extravagant tribute to The Spice Girls' eternal \"Wannabe.\" A truly ridiculous trifle, this one's sold most effectively in its doofy video, in which its headliners ride, jam with, dance alongside and eat at a cafe with an array of brightly colored... dolphins.\u003c/p>\n\u003ch3 style=\"text-align: center\">Tove Lo, 'Glad He's Gone'\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/h1Tn1H7Sg8s'\n title='//www.youtube.com/embed/h1Tn1H7Sg8s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It's too early to tell which of these songs is likeliest to pop, but here's an unmistakable highlight of this week's lot. In \"Glad He's Gone,\" Swedish pop star Tove Lo comforts a dear friend with sexually frank affirmations in the aftermath of a painful breakup. Dispensing kind advice—mostly of the pick-yourself-up, you're-too-good-for-him variety—Lo drives her point home in the hypnotically infectious, haunting hook: \"You're better off / I'm glad that he's gone.\"\u003c/p>\n\u003ch3 style=\"text-align: center\">Cardi B, 'Press'\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-IdnRv04IZc'\n title='//www.youtube.com/embed/-IdnRv04IZc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Cardi B has been a vibrant, wildly charismatic addition to the pop landscape in recent years, but \"Press\" is a one-off swat at a gossip mill that's obsessed over her personal life with relentless invasiveness. Though a bit too specific in its messaging to connect on a grand scale—although who among us hasn't had to grapple with the prying eyes of the paparazzi?—\"Press\" does pack a tremendous amount of \u003ca href=\"https://www.npr.org/2019/05/31/728285009/cardi-b-needs-no-press-but-we-re-giving-it-to-her-anyway\">quotable aggression\u003c/a> into less than two-and-a-half minutes.\u003c/p>\n\u003ch3 style=\"text-align: center\">Mark Ronson & Camila Cabello, 'Find U Again'\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZLYYRqU_iqE'\n title='//www.youtube.com/embed/ZLYYRqU_iqE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Pinning down Mark Ronson's aesthetic isn't easy: If you had to summarize him with a single genre signifier, it'd be... maybe \"hits\"? It's hard to find too many other throughlines connecting \"Find U Again,\" his new collaboration with Camila Cabello, to, say, \"Uptown Funk.\" But what \"Find U Again\" lacks in a distinct artistic identity, it makes up for in the sheer power of sounding like every other aggressively Auto-Tuned song on the radio. So who knows?\u003c/p>\n\u003ch3 style=\"text-align: center\">King Princess, 'Cheap Queen'\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PH2DdYLO-uo'\n title='//www.youtube.com/embed/PH2DdYLO-uo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The clearest path to Song of the Summer status is to reach for something universal—something in the language of heartache, desire, loneliness or defiance. But another way is to serve up a mission statement to a smaller-but-mighty subset of the pop audience. For King Princess, a 20-year-old who's currently blooming into a queer icon, \"Cheap Queen\" has it all, from a coolly woozy sound to a statement of purpose sure to resonate: \"I can be bad sometimes / I'm a real queen / I can make grown men cry.\"\u003c/p>\n\u003ch3 style=\"text-align: center\">Gucci Mane & Justin Bieber, 'Love Thru The Computer'\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/XvinPCCGSxc'\n title='//www.youtube.com/embed/XvinPCCGSxc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Maybe it's the tinny, computerized beats; maybe it's the lighthearted narrative about, well, finding \"Love Thru the Computer.\" But Gucci Mane's new single feels playfully old-school, even evoking the story-song rambles of Biz Markie or Young MC, albeit with far saltier language. Bieber's presence on the hook makes \"Love Thru the Computer\" a pop contender from the jump, though his own personality is muted next to Gucci's.\u003c/p>\n\u003ch3 style=\"text-align: center\">Bad Bunny, 'Callaíta'\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/acEOASYioGY'\n title='//www.youtube.com/embed/acEOASYioGY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Puerto Rican superstar Bad Bunny just got around to releasing his first full-length album back in December, and he's already got a follow-up single in the smoothly ingratiating \"Callaíta.\" Recorded as a one-off with reggaeton producer Tainy, the track touches on the greatest hits of summer-song celebration: the beach, booze, sex and that certain someone with whom all three can be shared.\u003c/p>\n\u003ch3 style=\"text-align: center\">The Chainsmokers, 'Call You Mine (feat. Bebe Rexha)'\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3XCVM3G3pns'\n title='//www.youtube.com/embed/3XCVM3G3pns'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Three of the most eager collaborators in the electro-pop business—that'd be Bebe Rexha and the two basically interchangeable dudes in The Chainsmokers—gather for a familiar mish-mash of sensibilities, complete with one of those snaky little Chainsmokers-y hooks. Truth be told, the song's pretty easy to forget (ask again after radio stations have spun it a few hundred million times), but at least the video tells a \u003cem>Memento\u003c/em>-style story in which Rexha murders The Chainsmokers, stuffs them into a car and flees police. \u003cem>Summer, y'all!\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=This+Week%2C+Everyone+Tried+To+Put+Out+The+Song+Of+The+Summer&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/112193/last-week-everyone-tried-to-put-out-the-song-of-the-summer","authors":["byline_pop_112193"],"categories":["pop_4"],"tags":["pop_3679","pop_3071","pop_3677","pop_3021","pop_3341","pop_605","pop_1106","pop_3678","pop_1126","pop_696"],"featImg":"pop_112194","label":"pop"},"pop_103959":{"type":"posts","id":"pop_103959","meta":{"index":"posts_1591205157","site":"pop","id":"103959","score":null,"sort":[1553802704000]},"guestAuthors":[],"slug":"its-not-right-but-its-okurrrrrr","title":"It's Not Right But It's Okurrrrrr","publishDate":1553802704,"format":"audio","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>This week, inspired by Cardi B trying to legally claim \"okurrrrr,\" we trace the word's complicated history back to its rightful owner, and scratch our heads over all the weird things celebrities have succeeded and failed at trademarking.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-110607\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/okurr-alaska.gif\" alt=\"\" width=\"220\" height=\"172\">\u003c/p>\n\u003cp>With \u003cem>Bill & Ted 3\u003c/em> on the horizon, we're wondering: are fan-powered projects a good thing?\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-110606\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/bill-ted-time.gif\" alt=\"\" width=\"500\" height=\"204\">\u003c/p>\n\u003cp>We also get into why hot tea might kill us all.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-110605\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/mulan-tea.gif\" alt=\"\" width=\"500\" height=\"298\">\u003c/p>\n\u003cp>And we spend some time worshipping Lizzo because she deserves.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-110604\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/lizzo-crown-queen.gif\" alt=\"\" width=\"480\" height=\"270\">\u003c/p>\n\u003cp>Listen to hear all about it!\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/thecooler/2019/03/Okurrrrr.mp3\" title=\"It's Not Right But It's Okurrrr\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/okurrr.jpg\"]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener\">Subscribe and rate us five stars in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a>!\u003c/p>\n\n","blocks":[],"excerpt":"We trace okurrr's complicated history, scratch our heads over the weirdest things celebs have tried to trademark, reveal why hot tea might kill us all, and share our feelings on the new Bill and Ted movie and Lizzo.","status":"publish","parent":0,"modified":1553803470,"stats":{"hasAudio":true,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":148},"headData":{"title":"It's Not Right But It's Okurrrrrr | KQED","description":"We trace okurrr's complicated history, scratch our heads over the weirdest things celebs have tried to trademark, reveal why hot tea might kill us all, and share our feelings on the new Bill and Ted movie and Lizzo.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"It's Not Right But It's Okurrrrrr","datePublished":"2019-03-28T19:51:44.000Z","dateModified":"2019-03-28T20:04:30.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"103959 https://ww2.kqed.org/pop/?p=103959","disqusUrl":"https://ww2.kqed.org/pop/2019/03/28/its-not-right-but-its-okurrrrrr/","disqusTitle":"It's Not Right But It's Okurrrrrr","audioTrackLength":2221,"path":"/pop/103959/its-not-right-but-its-okurrrrrr","audioUrl":"https://www.kqed.org/.stream/anon/radio/thecooler/2019/03/Okurrrrr.mp3","audioDuration":2221000,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week, inspired by Cardi B trying to legally claim \"okurrrrr,\" we trace the word's complicated history back to its rightful owner, and scratch our heads over all the weird things celebrities have succeeded and failed at trademarking.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-110607\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/okurr-alaska.gif\" alt=\"\" width=\"220\" height=\"172\">\u003c/p>\n\u003cp>With \u003cem>Bill & Ted 3\u003c/em> on the horizon, we're wondering: are fan-powered projects a good thing?\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-110606\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/bill-ted-time.gif\" alt=\"\" width=\"500\" height=\"204\">\u003c/p>\n\u003cp>We also get into why hot tea might kill us all.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-110605\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/mulan-tea.gif\" alt=\"\" width=\"500\" height=\"298\">\u003c/p>\n\u003cp>And we spend some time worshipping Lizzo because she deserves.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-110604\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/lizzo-crown-queen.gif\" alt=\"\" width=\"480\" height=\"270\">\u003c/p>\n\u003cp>Listen to hear all about it!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"audio","attributes":{"named":{"src":"https://www.kqed.org/.stream/anon/radio/thecooler/2019/03/Okurrrrr.mp3","title":"It's Not Right But It's Okurrrr","program":"The Cooler","image":"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/03/okurrr.jpg","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener\">Subscribe and rate us five stars in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/103959/its-not-right-but-its-okurrrrrr","authors":["27"],"categories":["pop_2793"],"tags":["pop_3071","pop_2765","pop_3341","pop_3526","pop_3365","pop_2859"],"featImg":"pop_110608","label":"pop"},"pop_109347":{"type":"posts","id":"pop_109347","meta":{"index":"posts_1591205157","site":"pop","id":"109347","score":null,"sort":[1550001269000]},"guestAuthors":[],"slug":"the-grammys-dont-have-a-hip-hop-problem-the-grammys-have-a-grammy-problem","title":"The Grammys Don't Have a Hip-Hop Problem. The Grammys Have a Grammy Problem","publishDate":1550001269,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Hip-hop pulled a Marlo on the Grammys this year.\u003c/p>\n\u003cp>In a classic scene from season 4 of \u003cem>The Wire\u003c/em>, the HBO crime drama that used one city's drug epidemic to expose the institutional collapse of America, Marlo Stanfield, a young, ambitious kingpin disrupting the natural order of things, provokes a two-bit security officer to anger by stealing candy from the convenience store he's charged with guarding. When the officer steps to the young man, frustrated beyond belief that he would make such a boldfaced move in the officer's presence, Marlo stares him dead in the eye.\u003c/p>\n\u003cp>\"You want it to be one way,\" \u003ca href=\"https://www.youtube.com/watch?v=409Pjtq7jzY\">he tells\u003c/a> the rent-a-cop. \"But it's the other way.\"\u003c/p>\n\u003cp>The week before the Grammy Awards telecast, show producer Ken Ehrlich blamed the Grammys' ongoing loss of cultural relevance on a lack of diversity within the industry. \"The fact of the matter is, we continue to have a problem in the hip-hop world,\" \u003ca href=\"https://www.nytimes.com/2019/02/07/arts/music/grammy-awards-diversity.html\">he told\u003c/a> \u003cem>The New York Times\u003c/em>.\u003c/p>\n\u003cp>Not even close. While Ehrlich acknowledges that something is broken, his diagnosis still centers the Grammys as the industry's dominant purveyor of culture. This isn't merely a problem of competing worldviews. The Grammys don't have a hip-hop problem; the Grammys \u003cem>are \u003c/em>the problem. If last year was \u003ca href=\"https://www.npr.org/sections/therecord/2018/01/29/581529319/same-old-rap-the-grammys-race-toward-irrelevance\">the tipping point\u003c/a>, this year the final shoe dropped: With Nielsen numbers to boot, hip-hop has proven it needs the Grammys less than the Grammys need it. Three of the genre's most impactful artists of the last year—Drake, Kendrick Lamar and Childish Gambino—all declined the invitation to perform. And it's going to take more than one night of mild course correction to fix the decades-old disconnect of an institution mired in America's racial and cultural politics.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Recording Academy knows this. It's evident in the genuine but ultimately ineffectual markers of progress that highlight the Academy's attempt to address its systemic issues: Cardi B becoming the first woman to win best rap album; the most popular artist of the decade, Drake, getting to accept his Grammy during the actual telecast instead of off-air per the usual for winners of best rap song; \"This Is America\" becoming the first rap song to snag song of the year and record of the year recognition.\u003c/p>\n\u003cp>Yet, everything happening on stage exists in an alternate reality from the universe hip-hop occupies. Travis Scott, who created a meticulous work of grand scope and vision in his album and tour \u003cem>Astroworld\u003c/em>, was literally caged during his Grammy performance. The Grammy problem, as it should be labeled, is a deeper divide to cross than handing out a few key awards or performance invites can bridge. Forget those classically contrived Grammy Moments, in which the telecast pairs together acts of varying genres or generations. Let's look, instead, at two major moments during the telecast that the Grammys tried desperately to avoid. Both illustrate how far the Academy has to go to retain any semblance of relevance in this new world order, and both find opposing figures on rap's spectrum of success—Childish Gambino and Drake—embodying the Marlo effect.\u003c/p>\n\u003cp>Despite scoring unprecedented Grammy wins with his potent hit \"This Is America,\" Gambino's conspicuous absence delivered a bigger message Sunday night. In a night full of messaging—like the carefully crafted theme of women's empowerment sewn throughout the show to redress Academy president Neil Portnow's gender-biased comments from last year—corporate America had a better finger on the pulse of pop culture. Hip-hop was better represented during commercials than it was on the actual Grammy stage. (Childish Gambino, Cardi B, 2 Chainz and others pitched ads for the likes of Google's Pixel 3 Playmoji, Expensify and Pepsi.)\u003c/p>\n\u003cp>Despite all the awards \"This Is America\" won (including the only one it truly deserved: Best Music Video), it's clear that the Academy (and much of America) still hasn't deciphered its meaning. It's a song about how black bodies are treated as commodities in this country, how black trauma is violently exploited, how black culture is co-opted as a distraction from and an abstraction of America's anti-blackness. For Childish Gambino to show up to \"music's biggest night\" and accept an award—or perform the song on the Grammy stage, complete with shirtless choreography—would have totally compromised the message and intent of \"This Is America.\"\u003c/p>\n\u003cp>When Childish Gambino's producer and long-time collaborator, Ludwig Göransson, accepted the record of the year award in Gambino's absence, Göransson said, \"['This Is America'] calls out injustice, celebrates life and reunites us all at the same time.\" He then thanked the many rappers featured on the song, including 21 Savage, whose detainment one week ago by ICE helped highlight how another broken institution—the nation's immigration system—plagues predominantly on people of color.\u003c/p>\n\u003cp>Institutions like the Grammys are the essence of America that Childish Gambino is critiquing. After 40 years of denying hip-hop its just due—the same four decades during which Ehrlich has been producing the show—it's going to take more than one year of incrementalism to do away with the structural forces that got us here.\u003c/p>\n\u003cp>Overall, hip-hop's no-show was less a protest than the culture collectively looking an institution that has historically ignored its impact dead in the face while stealing its candy. That message came loudest from the unlikeliest of messengers: \"I definitely did not think I was winning anything,\" Drake said, surprising viewers by accepting his award in person before giving a speech that spoke directly to his peers and the huge gap separating institutions like the Grammys and hip-hop's annual class. \"This is a business where sometimes it's up to a bunch of people who might not understand what a mixed race kid from Canada has to say\"—he said, referring to himself—\"or a fly Spanish girl from New York or anybody else\"—nodding to Cardi B—\"or a brother from Houston right there, my brother Travis [Scott].\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=57AqIJLId-0\u003c/p>\n\u003cp>\"You've already won if you have people singing your songs word for word, if you're a hero in your hometown,\" he continued. \"Look, if there's people who have regular jobs who are coming out in the rain, in the snow, spending their hard earned money to buy tickets to come to your shows, you don't need this right here. I promise you, you already won.\" It's a speech that the Academy and many watching at home needed to hear. Instead, show producers cut Drake off without even the benefit of wrap-up music.\u003c/p>\n\u003cp>The thing that connects these two responses—Gambino's no-show and Drake's show-out—is that both are inspired by the same dominant will, something few black artists have had the freedom to express without recoiling from industry backlash over the past century. For most of its existence, the Grammys has occupied the prejudicial throne of determining what art and culture and music best sounds like. Artists on the margins had to learn to code switch to get in where they fit. Now that hip-hop artists—and other historically marginalized voices—have flipped the script on all that hegemony, it's past time for the Academy to learn a new language.\u003c/p>\n\u003cp>While the award show has never existed as a bubble unto itself, it blew up this year at a moment in which ideas around white supremacy, \u003ca href=\"https://www.npr.org/2019/02/06/691989587/virginia-ag-says-he-dressed-as-a-rapper-and-wore-brown-makeup-at-a-1980-party\">the unmasking of blackface\u003c/a>, conversations on cultural appropriation and the rights to exploit particular forms of music have all resurfaced with a vengeance. For Gambino's sake, coming to the Grammys would have netted him nothing. He crafted a song and starred in a video that exposed how much America cares about black people when they're making art but how little America cares about black people when they're dying. Then there's Drake, a pop phenomenon whose star power is only possible as a result of his conscious effort to choose profitability over politics.\u003c/p>\n\u003cp>In either case, they're both profound examples of the world hip-hop has created of its own accord. The Academy shouldn't take these no-shows or show-outs personally; even if it did what purpose would it serve? What happened on Sunday night was not a protest in the tradition of what occurred exactly 30 years ago, when artists nominated in rap's first-ever Grammy recognition \u003ca href=\"https://www.nytimes.com/2016/02/11/arts/music/the-boycott-before-rap-and-resentment-at-the-1989-grammys.html\">boycotted the event\u003c/a> because the revolution wasn't televised. It wasn't even the spirited middle finger for which hip-hop is so notorious. This was hip-hop's message in a bottle, acknowledging that the dynamic has shifted, the tables have turned, the throne has been abdicated and the culture is too busy ruling its own domain to be bothered to show up for the annual retirement party.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The Grammys want it to be one way, but it's the other way. This is hip-hop's show now. Whether hip-hop shows up or not.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"http://www.npr.org\">NPR.org\u003c/a>\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"The Recording Academy stepped up on Sunday, giving major awards to Childish Gambino, Cardi B and Drake, but these efforts might be too late to make up for decades of turning its back on the genre. ","status":"publish","parent":0,"modified":1550015253,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":1572},"headData":{"title":"The Grammys Don't Have a Hip-Hop Problem. The Grammys Have a Grammy Problem | KQED","description":"The Recording Academy stepped up on Sunday, giving major awards to Childish Gambino, Cardi B and Drake, but these efforts might be too late to make up for decades of turning its back on the genre. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Grammys Don't Have a Hip-Hop Problem. The Grammys Have a Grammy Problem","datePublished":"2019-02-12T19:54:29.000Z","dateModified":"2019-02-12T23:47:33.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"109347 https://ww2.kqed.org/pop/?p=109347","disqusUrl":"https://ww2.kqed.org/pop/2019/02/12/the-grammys-dont-have-a-hip-hop-problem-the-grammys-have-a-grammy-problem/","disqusTitle":"The Grammys Don't Have a Hip-Hop Problem. The Grammys Have a Grammy Problem","nprImageCredit":"Emma McIntyre","nprByline":"Rodney Carmichael","nprImageAgency":"Getty Images","nprStoryId":"693633206","nprApiLink":"http://api.npr.org/query?id=693633206&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2019/02/12/693633206/the-grammys-dont-have-a-hip-hop-problem-the-grammys-have-a-grammy-problem?ft=nprml&f=693633206","nprRetrievedStory":"1","nprPubDate":"Tue, 12 Feb 2019 14:11:00 -0500","nprStoryDate":"Tue, 12 Feb 2019 14:11:00 -0500","nprLastModifiedDate":"Tue, 12 Feb 2019 14:11:00 -0500","path":"/pop/109347/the-grammys-dont-have-a-hip-hop-problem-the-grammys-have-a-grammy-problem","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hip-hop pulled a Marlo on the Grammys this year.\u003c/p>\n\u003cp>In a classic scene from season 4 of \u003cem>The Wire\u003c/em>, the HBO crime drama that used one city's drug epidemic to expose the institutional collapse of America, Marlo Stanfield, a young, ambitious kingpin disrupting the natural order of things, provokes a two-bit security officer to anger by stealing candy from the convenience store he's charged with guarding. When the officer steps to the young man, frustrated beyond belief that he would make such a boldfaced move in the officer's presence, Marlo stares him dead in the eye.\u003c/p>\n\u003cp>\"You want it to be one way,\" \u003ca href=\"https://www.youtube.com/watch?v=409Pjtq7jzY\">he tells\u003c/a> the rent-a-cop. \"But it's the other way.\"\u003c/p>\n\u003cp>The week before the Grammy Awards telecast, show producer Ken Ehrlich blamed the Grammys' ongoing loss of cultural relevance on a lack of diversity within the industry. \"The fact of the matter is, we continue to have a problem in the hip-hop world,\" \u003ca href=\"https://www.nytimes.com/2019/02/07/arts/music/grammy-awards-diversity.html\">he told\u003c/a> \u003cem>The New York Times\u003c/em>.\u003c/p>\n\u003cp>Not even close. While Ehrlich acknowledges that something is broken, his diagnosis still centers the Grammys as the industry's dominant purveyor of culture. This isn't merely a problem of competing worldviews. The Grammys don't have a hip-hop problem; the Grammys \u003cem>are \u003c/em>the problem. If last year was \u003ca href=\"https://www.npr.org/sections/therecord/2018/01/29/581529319/same-old-rap-the-grammys-race-toward-irrelevance\">the tipping point\u003c/a>, this year the final shoe dropped: With Nielsen numbers to boot, hip-hop has proven it needs the Grammys less than the Grammys need it. Three of the genre's most impactful artists of the last year—Drake, Kendrick Lamar and Childish Gambino—all declined the invitation to perform. And it's going to take more than one night of mild course correction to fix the decades-old disconnect of an institution mired in America's racial and cultural politics.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Recording Academy knows this. It's evident in the genuine but ultimately ineffectual markers of progress that highlight the Academy's attempt to address its systemic issues: Cardi B becoming the first woman to win best rap album; the most popular artist of the decade, Drake, getting to accept his Grammy during the actual telecast instead of off-air per the usual for winners of best rap song; \"This Is America\" becoming the first rap song to snag song of the year and record of the year recognition.\u003c/p>\n\u003cp>Yet, everything happening on stage exists in an alternate reality from the universe hip-hop occupies. Travis Scott, who created a meticulous work of grand scope and vision in his album and tour \u003cem>Astroworld\u003c/em>, was literally caged during his Grammy performance. The Grammy problem, as it should be labeled, is a deeper divide to cross than handing out a few key awards or performance invites can bridge. Forget those classically contrived Grammy Moments, in which the telecast pairs together acts of varying genres or generations. Let's look, instead, at two major moments during the telecast that the Grammys tried desperately to avoid. Both illustrate how far the Academy has to go to retain any semblance of relevance in this new world order, and both find opposing figures on rap's spectrum of success—Childish Gambino and Drake—embodying the Marlo effect.\u003c/p>\n\u003cp>Despite scoring unprecedented Grammy wins with his potent hit \"This Is America,\" Gambino's conspicuous absence delivered a bigger message Sunday night. In a night full of messaging—like the carefully crafted theme of women's empowerment sewn throughout the show to redress Academy president Neil Portnow's gender-biased comments from last year—corporate America had a better finger on the pulse of pop culture. Hip-hop was better represented during commercials than it was on the actual Grammy stage. (Childish Gambino, Cardi B, 2 Chainz and others pitched ads for the likes of Google's Pixel 3 Playmoji, Expensify and Pepsi.)\u003c/p>\n\u003cp>Despite all the awards \"This Is America\" won (including the only one it truly deserved: Best Music Video), it's clear that the Academy (and much of America) still hasn't deciphered its meaning. It's a song about how black bodies are treated as commodities in this country, how black trauma is violently exploited, how black culture is co-opted as a distraction from and an abstraction of America's anti-blackness. For Childish Gambino to show up to \"music's biggest night\" and accept an award—or perform the song on the Grammy stage, complete with shirtless choreography—would have totally compromised the message and intent of \"This Is America.\"\u003c/p>\n\u003cp>When Childish Gambino's producer and long-time collaborator, Ludwig Göransson, accepted the record of the year award in Gambino's absence, Göransson said, \"['This Is America'] calls out injustice, celebrates life and reunites us all at the same time.\" He then thanked the many rappers featured on the song, including 21 Savage, whose detainment one week ago by ICE helped highlight how another broken institution—the nation's immigration system—plagues predominantly on people of color.\u003c/p>\n\u003cp>Institutions like the Grammys are the essence of America that Childish Gambino is critiquing. After 40 years of denying hip-hop its just due—the same four decades during which Ehrlich has been producing the show—it's going to take more than one year of incrementalism to do away with the structural forces that got us here.\u003c/p>\n\u003cp>Overall, hip-hop's no-show was less a protest than the culture collectively looking an institution that has historically ignored its impact dead in the face while stealing its candy. That message came loudest from the unlikeliest of messengers: \"I definitely did not think I was winning anything,\" Drake said, surprising viewers by accepting his award in person before giving a speech that spoke directly to his peers and the huge gap separating institutions like the Grammys and hip-hop's annual class. \"This is a business where sometimes it's up to a bunch of people who might not understand what a mixed race kid from Canada has to say\"—he said, referring to himself—\"or a fly Spanish girl from New York or anybody else\"—nodding to Cardi B—\"or a brother from Houston right there, my brother Travis [Scott].\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/57AqIJLId-0'\n title='//www.youtube.com/embed/57AqIJLId-0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\"You've already won if you have people singing your songs word for word, if you're a hero in your hometown,\" he continued. \"Look, if there's people who have regular jobs who are coming out in the rain, in the snow, spending their hard earned money to buy tickets to come to your shows, you don't need this right here. I promise you, you already won.\" It's a speech that the Academy and many watching at home needed to hear. Instead, show producers cut Drake off without even the benefit of wrap-up music.\u003c/p>\n\u003cp>The thing that connects these two responses—Gambino's no-show and Drake's show-out—is that both are inspired by the same dominant will, something few black artists have had the freedom to express without recoiling from industry backlash over the past century. For most of its existence, the Grammys has occupied the prejudicial throne of determining what art and culture and music best sounds like. Artists on the margins had to learn to code switch to get in where they fit. Now that hip-hop artists—and other historically marginalized voices—have flipped the script on all that hegemony, it's past time for the Academy to learn a new language.\u003c/p>\n\u003cp>While the award show has never existed as a bubble unto itself, it blew up this year at a moment in which ideas around white supremacy, \u003ca href=\"https://www.npr.org/2019/02/06/691989587/virginia-ag-says-he-dressed-as-a-rapper-and-wore-brown-makeup-at-a-1980-party\">the unmasking of blackface\u003c/a>, conversations on cultural appropriation and the rights to exploit particular forms of music have all resurfaced with a vengeance. For Gambino's sake, coming to the Grammys would have netted him nothing. He crafted a song and starred in a video that exposed how much America cares about black people when they're making art but how little America cares about black people when they're dying. Then there's Drake, a pop phenomenon whose star power is only possible as a result of his conscious effort to choose profitability over politics.\u003c/p>\n\u003cp>In either case, they're both profound examples of the world hip-hop has created of its own accord. The Academy shouldn't take these no-shows or show-outs personally; even if it did what purpose would it serve? What happened on Sunday night was not a protest in the tradition of what occurred exactly 30 years ago, when artists nominated in rap's first-ever Grammy recognition \u003ca href=\"https://www.nytimes.com/2016/02/11/arts/music/the-boycott-before-rap-and-resentment-at-the-1989-grammys.html\">boycotted the event\u003c/a> because the revolution wasn't televised. It wasn't even the spirited middle finger for which hip-hop is so notorious. This was hip-hop's message in a bottle, acknowledging that the dynamic has shifted, the tables have turned, the throne has been abdicated and the culture is too busy ruling its own domain to be bothered to show up for the annual retirement party.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Grammys want it to be one way, but it's the other way. This is hip-hop's show now. Whether hip-hop shows up or not.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"http://www.npr.org\">NPR.org\u003c/a>\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/109347/the-grammys-dont-have-a-hip-hop-problem-the-grammys-have-a-grammy-problem","authors":["byline_pop_109347"],"categories":["pop_4"],"tags":["pop_3426","pop_3071","pop_3278","pop_2980","pop_2744","pop_3070"],"featImg":"pop_109348","label":"pop"},"pop_109218":{"type":"posts","id":"pop_109218","meta":{"index":"posts_1591205157","site":"pop","id":"109218","score":null,"sort":[1549526413000]},"guestAuthors":[],"slug":"excellent-coats-on-irritated-women-with-sara-benincasa","title":"Excellent Coats on Irritated Women (with Sara Benincasa)","publishDate":1549526413,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>This week, we're joined by a quadruple (quintuple?) threat. She's\u003cspan style=\"font-weight: 400\"> a writer, comedian, podcaster, viral Instagram sensation and a real artist with a day job, Sara Benincasa!\u003c/span>\u003c/p>\n\u003cp>We talk about her \u003ca href=\"https://www.kqed.org/pop/108124/instagrams-excellent-coats-on-irritated-women-is-inspiring-as-hell\">\u003cem>Excellent Coats on Irritated Women\u003c/em> Instagram\u003c/a>.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-109221\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/nancy-pelosi-coat.gif\" alt=\"\" width=\"428\" height=\"498\">\u003c/p>\n\u003cp>Her feelings on her home state of New Jersey (and Bruce Springsteen).\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-109222\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/springsteen-courtney-cox.gif\" alt=\"\" width=\"245\" height=\"184\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>How she turned suffering with agoraphobia into being agorafabulous.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-109223\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/witch-im-fabulous-hocus-pocus.gif\" alt=\"\" width=\"500\" height=\"250\">\u003c/p>\n\u003cp>And of course, we have to give Liam Neeson his dragging.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-109224\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/prince-smh.gif\" alt=\"\" width=\"418\" height=\"480\">\u003c/p>\n\u003cp>And we say nice things about Cardi B because she deserves.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-109225\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/cardi-b.gif\" alt=\"\" width=\"480\" height=\"266\">\u003c/p>\n\u003cp>Listen to hear all about it:\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/thecooler/2019/02/SaraBenincasa.mp3\" title=\"Excellent Coats on Irritated Women (with Sara Benincasa)\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/coats-irritated-women.jpg\"]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener\">Subscribe and rate us five stars in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a>!\u003c/p>\n\n","blocks":[],"excerpt":"We get deep with Sara Benincasa about mental health battles and then get very shallow by talking about sexy ghosts! Also, thoughts on Liam Neeson because WTF!","status":"publish","parent":0,"modified":1549565164,"stats":{"hasAudio":true,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":155},"headData":{"title":"Excellent Coats on Irritated Women (with Sara Benincasa) | KQED","description":"We get deep with Sara Benincasa about mental health battles and then get very shallow by talking about sexy ghosts! Also, thoughts on Liam Neeson because WTF!","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Excellent Coats on Irritated Women (with Sara Benincasa)","datePublished":"2019-02-07T08:00:13.000Z","dateModified":"2019-02-07T18:46:04.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"109218 https://ww2.kqed.org/pop/?p=109218","disqusUrl":"https://ww2.kqed.org/pop/2019/02/07/excellent-coats-on-irritated-women-with-sara-benincasa/","disqusTitle":"Excellent Coats on Irritated Women (with Sara Benincasa)","audioTrackLength":2069,"path":"/pop/109218/excellent-coats-on-irritated-women-with-sara-benincasa","audioUrl":"https://www.kqed.org/.stream/anon/radio/thecooler/2019/02/SaraBenincasa.mp3","audioDuration":2083000,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week, we're joined by a quadruple (quintuple?) threat. She's\u003cspan style=\"font-weight: 400\"> a writer, comedian, podcaster, viral Instagram sensation and a real artist with a day job, Sara Benincasa!\u003c/span>\u003c/p>\n\u003cp>We talk about her \u003ca href=\"https://www.kqed.org/pop/108124/instagrams-excellent-coats-on-irritated-women-is-inspiring-as-hell\">\u003cem>Excellent Coats on Irritated Women\u003c/em> Instagram\u003c/a>.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-109221\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/nancy-pelosi-coat.gif\" alt=\"\" width=\"428\" height=\"498\">\u003c/p>\n\u003cp>Her feelings on her home state of New Jersey (and Bruce Springsteen).\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-109222\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/springsteen-courtney-cox.gif\" alt=\"\" width=\"245\" height=\"184\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>How she turned suffering with agoraphobia into being agorafabulous.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-109223\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/witch-im-fabulous-hocus-pocus.gif\" alt=\"\" width=\"500\" height=\"250\">\u003c/p>\n\u003cp>And of course, we have to give Liam Neeson his dragging.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-109224\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/prince-smh.gif\" alt=\"\" width=\"418\" height=\"480\">\u003c/p>\n\u003cp>And we say nice things about Cardi B because she deserves.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-large wp-image-109225\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/cardi-b.gif\" alt=\"\" width=\"480\" height=\"266\">\u003c/p>\n\u003cp>Listen to hear all about it:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"audio","attributes":{"named":{"src":"https://www.kqed.org/.stream/anon/radio/thecooler/2019/02/SaraBenincasa.mp3","title":"Excellent Coats on Irritated Women (with Sara Benincasa)","program":"The Cooler","image":"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/02/coats-irritated-women.jpg","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener\">Subscribe and rate us five stars in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/109218/excellent-coats-on-irritated-women-with-sara-benincasa","authors":["27"],"categories":["pop_2793"],"tags":["pop_3426","pop_3071","pop_3341","pop_197","pop_643","pop_2859"],"featImg":"pop_109228","label":"pop"},"pop_108853":{"type":"posts","id":"pop_108853","meta":{"index":"posts_1591205157","site":"pop","id":"108853","score":null,"sort":[1548316822000]},"guestAuthors":[],"slug":"boys-dont-cry-but-they-totally-should","title":"Boys Don't Cry (But They Totally Should!)","publishDate":1548316822,"format":"audio","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>We've got 99 problems and toxic masculinity is all of them, so we're talking about the Gilette ad, the APA labeling traditional masculinity \"harmful,\" all the toxic masculinity in the news (Louis CK, Kevin Hart and R Kelly) and also some men who are great examples of what masculinity can be.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-108856\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/01/mr-rogers-football.gif\" alt=\"\" width=\"407\" height=\"260\">\u003c/p>\n\u003cp>Heads up: All those things you think are making your life easier, like predictive text, Google Home and Nest, are actually pretty scary. We'll tell you how.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-108857\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/01/scary-robot.gif\" alt=\"\" width=\"500\" height=\"333\">\u003c/p>\n\u003cp>We're also weighing in on Oscar snubs, Cardi B's unfiltered feelings about the government shutdown, and Timothée Chalamet's high school rap career.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-108858\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/01/timothee-chalamet-statistics-dance-young-teen.gif\" alt=\"\" width=\"500\" height=\"282\">\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/thecooler/2019/01/MachoMan.mp3\" title=\"Boys Don't Cry (But They Totally Should!)\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/01/toxic-masculinity.jpg\"]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener\">Subscribe and rate us five stars in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a>!\u003c/p>\n\n","blocks":[],"excerpt":"This episode covers a lot: toxic masculinity, predictive technology, Oscar noms, political analysis by Cardi B, and the rap stylings of Timothée Chalamet.","status":"publish","parent":0,"modified":1548357826,"stats":{"hasAudio":true,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":173},"headData":{"title":"Boys Don't Cry (But They Totally Should!) | KQED","description":"This episode covers a lot: toxic masculinity, predictive technology, Oscar noms, political analysis by Cardi B, and the rap stylings of Timothée Chalamet.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Boys Don't Cry (But They Totally Should!)","datePublished":"2019-01-24T08:00:22.000Z","dateModified":"2019-01-24T19:23:46.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"108853 https://ww2.kqed.org/pop/?p=108853","disqusUrl":"https://ww2.kqed.org/pop/2019/01/24/boys-dont-cry-but-they-totally-should/","disqusTitle":"Boys Don't Cry (But They Totally Should!)","audioTrackLength":1901,"path":"/pop/108853/boys-dont-cry-but-they-totally-should","audioUrl":"https://www.kqed.org/.stream/anon/radio/thecooler/2019/01/MachoMan.mp3","audioDuration":1948000,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>We've got 99 problems and toxic masculinity is all of them, so we're talking about the Gilette ad, the APA labeling traditional masculinity \"harmful,\" all the toxic masculinity in the news (Louis CK, Kevin Hart and R Kelly) and also some men who are great examples of what masculinity can be.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-108856\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/01/mr-rogers-football.gif\" alt=\"\" width=\"407\" height=\"260\">\u003c/p>\n\u003cp>Heads up: All those things you think are making your life easier, like predictive text, Google Home and Nest, are actually pretty scary. We'll tell you how.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-108857\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/01/scary-robot.gif\" alt=\"\" width=\"500\" height=\"333\">\u003c/p>\n\u003cp>We're also weighing in on Oscar snubs, Cardi B's unfiltered feelings about the government shutdown, and Timothée Chalamet's high school rap career.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-108858\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/01/timothee-chalamet-statistics-dance-young-teen.gif\" alt=\"\" width=\"500\" height=\"282\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"audio","attributes":{"named":{"src":"https://www.kqed.org/.stream/anon/radio/thecooler/2019/01/MachoMan.mp3","title":"Boys Don't Cry (But They Totally Should!)","program":"The Cooler","image":"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/01/toxic-masculinity.jpg","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener\">Subscribe and rate us five stars in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/108853/boys-dont-cry-but-they-totally-should","authors":["27"],"categories":["pop_2793"],"tags":["pop_3426","pop_3071","pop_3341","pop_869","pop_211","pop_2859","pop_3315"],"featImg":"pop_108854","label":"pop"},"pop_103141":{"type":"posts","id":"pop_103141","meta":{"index":"posts_1591205157","site":"pop","id":"103141","score":null,"sort":[1524034842000]},"guestAuthors":[],"slug":"how-did-420-become-a-phenomenon-we-tracked-down-the-guys-who-invented-it","title":"How Did 420 Become a Phenomenon? We Tracked Down the Guys Who Invented It","publishDate":1524034842,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>This week, we're partnering up with \u003ca href=\"https://www.kqed.org/news/series/baycurious\">\u003cem>Bay Curious\u003c/em>\u003c/a> to take you on a road trip and chase down the true origin of the term \u003ca href=\"https://www.kqed.org/pop/16028\">420\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/04/cmon-grass-laganja-alaska.gif\">\u003cimg class=\"aligncenter size-full wp-image-103142\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/04/cmon-grass-laganja-alaska.gif\" alt=\"\" width=\"245\" height=\"180\">\u003c/a>\u003c/p>\n\u003cp>We're also reflecting on Cardi B and some other boss ass pregnant women.\u003c/p>\n\u003cp>https://twitter.com/wtfisaiah/status/985914799019122688\u003c/p>\n\u003cp>And we’re sharing a drowning squirrel story, which proves that watching TV can save lives!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/04/tv-is-my-life-kevin-home-alone-macaulay.gif\">\u003cimg class=\"aligncenter size-full wp-image-103143\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/04/tv-is-my-life-kevin-home-alone-macaulay.gif\" alt=\"\" width=\"500\" height=\"263\">\u003c/a>\u003c/p>\n\u003cp>Listen to hear all about it:\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/thecooler/2018/04/Laganja.mp3\" title=\"How Did 420 Become a Phenomenon? We Tracked Down the Guys Who Invented It\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/04/420-weed-1180x664.jpg\"]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener\">Subscribe and rate us five stars in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a>!\u003c/p>\n\n","blocks":[],"excerpt":"Hop in the car with us for a road trip to chase down the true origin of the term 420. Then stick around for reflections on pregnant Cardi B, and a drowning squirrel story that proves watching a ton of TV can actually save lives!","status":"publish","parent":0,"modified":1524064299,"stats":{"hasAudio":true,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":141},"headData":{"title":"How Did 420 Become a Phenomenon? We Tracked Down the Guys Who Invented It | KQED","description":"Hop in the car with us for a road trip to chase down the true origin of the term 420. Then stick around for reflections on pregnant Cardi B, and a drowning squirrel story that proves watching a ton of TV can actually save lives!","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How Did 420 Become a Phenomenon? We Tracked Down the Guys Who Invented It","datePublished":"2018-04-18T07:00:42.000Z","dateModified":"2018-04-18T15:11:39.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"103141 https://ww2.kqed.org/pop/?p=103141","disqusUrl":"https://ww2.kqed.org/pop/2018/04/18/how-did-420-become-a-phenomenon-we-tracked-down-the-guys-who-invented-it/","disqusTitle":"How Did 420 Become a Phenomenon? We Tracked Down the Guys Who Invented It","path":"/pop/103141/how-did-420-become-a-phenomenon-we-tracked-down-the-guys-who-invented-it","audioUrl":"https://www.kqed.org/.stream/anon/radio/thecooler/2018/04/Laganja.mp3","audioDuration":3398000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week, we're partnering up with \u003ca href=\"https://www.kqed.org/news/series/baycurious\">\u003cem>Bay Curious\u003c/em>\u003c/a> to take you on a road trip and chase down the true origin of the term \u003ca href=\"https://www.kqed.org/pop/16028\">420\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/04/cmon-grass-laganja-alaska.gif\">\u003cimg class=\"aligncenter size-full wp-image-103142\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/04/cmon-grass-laganja-alaska.gif\" alt=\"\" width=\"245\" height=\"180\">\u003c/a>\u003c/p>\n\u003cp>We're also reflecting on Cardi B and some other boss ass pregnant women.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"985914799019122688"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>And we’re sharing a drowning squirrel story, which proves that watching TV can save lives!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/04/tv-is-my-life-kevin-home-alone-macaulay.gif\">\u003cimg class=\"aligncenter size-full wp-image-103143\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/04/tv-is-my-life-kevin-home-alone-macaulay.gif\" alt=\"\" width=\"500\" height=\"263\">\u003c/a>\u003c/p>\n\u003cp>Listen to hear all about it:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"audio","attributes":{"named":{"program":"The Cooler","image":"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/04/420-weed-1180x664.jpg","label":"src=\"https://www.kqed.org/.stream/anon/radio/thecooler/2018/04/Laganja.mp3\" title=\"How Did 420 Become a Phenomenon? We Tracked Down the Guys Who Invented It\""},"numeric":["src=\"https://www.kqed.org/.stream/anon/radio/thecooler/2018/04/Laganja.mp3\" title=\"How","Did","420","Become","a","Phenomenon?","We","Tracked","Down","the","Guys","Who","Invented","It\""]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\" rel=\"noopener\">Subscribe and rate us five stars in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/103141/how-did-420-become-a-phenomenon-we-tracked-down-the-guys-who-invented-it","authors":["27"],"categories":["pop_2793"],"tags":["pop_3187","pop_3071","pop_2859","pop_3091"],"featImg":"pop_103146","label":"pop"},"pop_103015":{"type":"posts","id":"pop_103015","meta":{"index":"posts_1591205157","site":"pop","id":"103015","score":null,"sort":[1523567928000]},"guestAuthors":[],"slug":"people-are-dying-to-get-big-butts-literally","title":"People are Dying to Get Big Butts... Literally","publishDate":1523567928,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>The first time big booties hit the mainstream was in 1992, when Sir Mix-A-Lot released his now-infamous single, \"Baby Got Back.\" By today's standards, the backsides on display in the accompanying video were positively teeny-tiny. But his vaguely comedic open declaration that big butts were beautiful was a refreshing concept at the time (even with all the rampant objectification involved) because beauty standards had been planted on the thinnest end of the scale for decades. To make matters worse, these body standards were in the midst of swinging firmly in the direction of the extreme: \u003ca href=\"https://en.wikipedia.org/wiki/Heroin_chic\">\"heroin chic.\"\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_JphDdGV2TU\u003c/p>\n\u003cp>It's hard to even imagine why the single made such a splash now that rear-ends fall on a scale of standards where the ultimate goal seems to be \"biggest is best.\" In a 2014 article, the \u003ca href=\"http://www.ibtimes.com/dangerous-curves-popularity-butt-enhancement-leads-illegal-sometimes-fatal-black-market-1638558\">\u003cem>International Business Times\u003c/em>\u003c/a> interviewed a Miami plastic surgeon named Dr. Constantino Mendieta, who posited that the beginning of the trend really took hold when Jennifer Lopez debuted her tropical green Grammy's dress in 2000. That, Dr. Mendieta says, is when he first saw an uptick in requests for surgical booty enhancements (rear-related operations had become 90 percent of his business by 2014).\u003c/p>\n\u003cp>Like Sir Mix-A-Lot's video ladies, the size of J-Lo's perfectly formed rear seems positively quaint by 2018 standards. Nicki Minaj may have been the first star with a truly supersized butt, but celebrities like Amber Rose, Blac Chyna, Sofía Vergara, Kylie Jenner, and Kim and Khloé Kardashian have taken things next level. There is a mountain of conjecture around whether these women's assets are actually real, but no one ever admits to having any work done.\u003c/p>\n\u003cp>But numbers don't lie. \u003ca href=\"https://www.allure.com/story/dangerous-rise-of-back-alley-butt-augmentation\">The number of butt lifts\u003c/a> being performed in America has increased 213 percent since 2000 -- the increase between 2016 and 2017 alone was 18 percent. \u003ca href=\"https://www.cnn.com/2015/06/24/health/deadly-butt-injections/index.html\">CNN reports\u003c/a> that buttock implants \"increased 98 percent, from 942 procedures in 2013 to 1,863 in 2014.\" That number went up even further to 2,540 in 2015. \u003ca href=\"https://www.refinery29.com/butt-augmentations-facts?bucketed=true&bucketing_referrer=https%3A%2F%2Fwww.google.com%2F\">That same year, there were 14,705 butt-augmentations using fat grafting\u003c/a>, a 28 percent increase from 2014. Needless to say, butt augmentation has become big business -- and fast. And the more people who indulge, the more other people want to join the club.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Halfway through the first season of Netflix's \u003cem>\u003ca href=\"http://www.imdb.com/title/tt3713588/?ref_=nv_sr_1\">She's Gotta Have It\u003c/a>, \u003c/em>audiences were shocked by a scene in which Nola Darling's best friend Shemekka heads to a cheap motel, hands over a fistful of cash, and receives illegal butt fillers. First, she is plied with hydrocodone and whiskey and told to lay face down on a bed. \"Is this going to hurt?\" she asks the woman with the industrially-sized needle.\u003c/p>\n\u003cp>What follows are close-ups of Shemekka screaming and crying as she is injected over and over again. The person performing the \"procedure\" simply tells her to \"stop cryin' like a little bitch.\" The scene is shocking, and followed by another in which Shemekka tells Nola to congratulate her, and that her daughter thinks \"it's pretty, like Nicki.\"\u003c/p>\n\u003cp>In case the audience isn't quite clear on who she's referring to, this pops up on screen:\u003c/p>\n\u003cp>\u003cimg class=\"size-full wp-image-103017 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/04/Screen-Shot-2018-04-09-at-1.22.02-PM.png\" alt=\"\" width=\"411\" height=\"388\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/04/Screen-Shot-2018-04-09-at-1.22.02-PM.png 411w, https://ww2.kqed.org/app/uploads/sites/12/2018/04/Screen-Shot-2018-04-09-at-1.22.02-PM-160x151.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/04/Screen-Shot-2018-04-09-at-1.22.02-PM-240x227.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/04/Screen-Shot-2018-04-09-at-1.22.02-PM-375x354.png 375w\" sizes=\"(max-width: 411px) 100vw, 411px\">\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>In the next episode, Shemekka takes to the stage for her dance debut, showing off her new booty to rapturous applause and a cloud of dollar bills. At the end of her performance, she slips, falls, and her filler literally sprays all over a man in the front row as her skin ruptures under the strain. Shemekka winds up in the hospital with a blood infection.\u003c/p>\n\u003cp>The storyline was met with a wall of criticism. \u003ca href=\"https://www.avclub.com/she-s-gotta-have-it-s-loses-it-with-unsuccessful-attemp-1821113047\">\u003cem>AV Club\u003c/em> said\u003c/a>: \"The fact that the show has decided to torture and violently discipline Shemekka for her vanity is horrifying.\" \u003ca href=\"https://hellogiggles.com/reviews-coverage/tv-shows/is-spike-lees-shes-gotta-have-it-on-netflix-really-as-feminist-as-it-thinks-it-is/\">\u003cem>Hello Giggles\u003c/em> noted:\u003c/a> \"While illegal plastic surgery is a reality, Lee’s attempt to grapple with this for a twenty-something audience feels more like a parable that uses mansplaining to shame women who want to change their appearance.\"\u003c/p>\n\u003cp>The story did feel like too extreme to be grounded in any kind of reality. But in an \u003ca href=\"https://www.gq.com/story/cardi-b-invasion-of-privacy-profile\">interview with \u003cem>GQ\u003c/em>\u003c/a> this week, Cardi B admitted -- in her typically matter-of-fact manner -- that she underwent a similar procedure in 2014. According to the magazine:\u003c/p>\n\u003cblockquote>\u003cp>\"Cardi claimed her ass from the universe in a basement apartment in Queens, where, for $800, a woman injected her buttocks with filler. 'They don't numb your ass with anything,' she says. 'It was the craziest pain ever. I felt like I was gonna pass out. I felt a little dizzy. And it leaks for, like, five days.'\"\u003c/p>\u003c/blockquote>\n\u003cp>Still Cardi wanted to go back because it increased her income working at a strip club. \"But by the time I was gonna go get it,\" she explained, \"the lady got locked up 'cause she supposedly killed somebody. Well... somebody died on her table.\" In 2015, \u003ca href=\"http://www.wetpaint.com/lhh-cardi-b-breakfast-club-video-1460647/\">Cardi told The Breakfast Club on Power 105.1\u003c/a> that \"I got it done in the basement, so I can die any day now.”\u003c/p>\n\u003cp>\u003ca href=\"https://nylon.com/articles/spike-lee-shes-gotta-have-it-butt-injections\">Spike Lee revealed to \u003cem>Nylon\u003c/em>\u003c/a> that his decision to write Shemekka's storyline for \u003cem>She's Gotta Have It\u003c/em> was because backstreet fillers have become such an issue. “It pains me when I read how these majority black women are dying getting these bootleg back-alley butt injections with silicone, shit that you get from f**king Home Depot.\"\u003c/p>\n\u003cp>Lee is right. Because of how notoriously expensive plastic surgery is, illegal procedures have popped up to fill increasing demand. People offering these services have been found injecting women with everything from food-grade and industrial-grade silicone (as opposed to medical-grade), \u003ca href=\"https://en.wikipedia.org/wiki/Gel#Hydrogels\">hydrogel,\u003c/a> crazy glue, superglue, and even \u003ca href=\"https://www.fixaflat.com/us/index.php\">Fix-A-Flat\u003c/a>.\u003c/p>\n\u003cp>Unsurprisingly, illegal procedures keep killing women -- almost all of whom are black. In 2011, \u003ca href=\"http://www.dailymail.co.uk/news/article-1355080/Claudia-Aderotimi-thought-illegal-implant-make-hip-hop-star.html\">Claudia Aderotimi, 20,\u003c/a> died in Philadelphia, apparently convinced that a larger derrière could launch her music career. In 2015, \u003ca href=\"https://www.dallasnews.com/news/crime/2015/03/19/pursuit-of-curves-ends-tragically-for-woman-at-deep-ellum-salon\">Wykesha Reid, 34,\u003c/a> and \u003ca href=\"https://www.vice.com/en_us/article/jma8b7/why-women-are-getting-underground-butt-injections-456\">Kelly Mayhew, also 34,\u003c/a> died. In 2017, \u003ca href=\"http://www.charlotteobserver.com/news/local/article139644513.html\">Symone Marie Jones,\u003c/a> aged 19, was killed trying to enhance her curves. The same year, \u003ca href=\"https://www.cbsnews.com/news/missouri-woman-dies-after-brazilian-butt-lift-surgery-in-florida/\">Ranika Hall, 25, died\u003c/a> after going to a legitimate plastic surgery clinic in Florida. In 2016, a man named \u003ca href=\"https://www.washingtonpost.com/local/public-safety/man-pleads-guilty-to-giving-deadly-buttocks-injections-using-silicone-super-glue-and-cotton-balls/2016/05/27/a052cd32-2442-11e6-8690-f14ca9de2972_story.html?utm_term=.41e1fbd68d98\">Vinnie Taylor was sentenced to 12-15 years in prison\u003c/a> after admitting to illegally performing over 3,000 injection sessions on women in hotel rooms -- one of whom died as a result. And these deaths are just the tip of an iceberg that is increasingly difficult to keep track of.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Pressures on women to conform to impossible beauty standards is certainly nothing new. But when the standard is one that cannot be achieved by diet and exercise alone, it can become dangerous for everyone involved -- especially the women whose income is reliant on their appearances. In the end, there are no easy answers, but the more widely risks of illegal filler procedures are highlighted, the better. Because at this stage, they have become normalized to a dangerous degree.\u003c/p>\n\n","blocks":[],"excerpt":"Since Nicki and Kim made big booties beautiful, women are going to crazy lengths to pump up their assets.","status":"publish","parent":0,"modified":1524249719,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":1204},"headData":{"title":"People are Dying to Get Big Butts... Literally | KQED","description":"Since Nicki and Kim made big booties beautiful, women are going to crazy lengths to pump up their assets.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"People are Dying to Get Big Butts... Literally","datePublished":"2018-04-12T21:18:48.000Z","dateModified":"2018-04-20T18:41:59.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"103015 https://ww2.kqed.org/pop/?p=103015","disqusUrl":"https://ww2.kqed.org/pop/2018/04/12/people-are-dying-to-get-big-butts-literally/","disqusTitle":"People are Dying to Get Big Butts... Literally","path":"/pop/103015/people-are-dying-to-get-big-butts-literally","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The first time big booties hit the mainstream was in 1992, when Sir Mix-A-Lot released his now-infamous single, \"Baby Got Back.\" By today's standards, the backsides on display in the accompanying video were positively teeny-tiny. But his vaguely comedic open declaration that big butts were beautiful was a refreshing concept at the time (even with all the rampant objectification involved) because beauty standards had been planted on the thinnest end of the scale for decades. To make matters worse, these body standards were in the midst of swinging firmly in the direction of the extreme: \u003ca href=\"https://en.wikipedia.org/wiki/Heroin_chic\">\"heroin chic.\"\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_JphDdGV2TU'\n title='//www.youtube.com/embed/_JphDdGV2TU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It's hard to even imagine why the single made such a splash now that rear-ends fall on a scale of standards where the ultimate goal seems to be \"biggest is best.\" In a 2014 article, the \u003ca href=\"http://www.ibtimes.com/dangerous-curves-popularity-butt-enhancement-leads-illegal-sometimes-fatal-black-market-1638558\">\u003cem>International Business Times\u003c/em>\u003c/a> interviewed a Miami plastic surgeon named Dr. Constantino Mendieta, who posited that the beginning of the trend really took hold when Jennifer Lopez debuted her tropical green Grammy's dress in 2000. That, Dr. Mendieta says, is when he first saw an uptick in requests for surgical booty enhancements (rear-related operations had become 90 percent of his business by 2014).\u003c/p>\n\u003cp>Like Sir Mix-A-Lot's video ladies, the size of J-Lo's perfectly formed rear seems positively quaint by 2018 standards. Nicki Minaj may have been the first star with a truly supersized butt, but celebrities like Amber Rose, Blac Chyna, Sofía Vergara, Kylie Jenner, and Kim and Khloé Kardashian have taken things next level. There is a mountain of conjecture around whether these women's assets are actually real, but no one ever admits to having any work done.\u003c/p>\n\u003cp>But numbers don't lie. \u003ca href=\"https://www.allure.com/story/dangerous-rise-of-back-alley-butt-augmentation\">The number of butt lifts\u003c/a> being performed in America has increased 213 percent since 2000 -- the increase between 2016 and 2017 alone was 18 percent. \u003ca href=\"https://www.cnn.com/2015/06/24/health/deadly-butt-injections/index.html\">CNN reports\u003c/a> that buttock implants \"increased 98 percent, from 942 procedures in 2013 to 1,863 in 2014.\" That number went up even further to 2,540 in 2015. \u003ca href=\"https://www.refinery29.com/butt-augmentations-facts?bucketed=true&bucketing_referrer=https%3A%2F%2Fwww.google.com%2F\">That same year, there were 14,705 butt-augmentations using fat grafting\u003c/a>, a 28 percent increase from 2014. Needless to say, butt augmentation has become big business -- and fast. And the more people who indulge, the more other people want to join the club.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Halfway through the first season of Netflix's \u003cem>\u003ca href=\"http://www.imdb.com/title/tt3713588/?ref_=nv_sr_1\">She's Gotta Have It\u003c/a>, \u003c/em>audiences were shocked by a scene in which Nola Darling's best friend Shemekka heads to a cheap motel, hands over a fistful of cash, and receives illegal butt fillers. First, she is plied with hydrocodone and whiskey and told to lay face down on a bed. \"Is this going to hurt?\" she asks the woman with the industrially-sized needle.\u003c/p>\n\u003cp>What follows are close-ups of Shemekka screaming and crying as she is injected over and over again. The person performing the \"procedure\" simply tells her to \"stop cryin' like a little bitch.\" The scene is shocking, and followed by another in which Shemekka tells Nola to congratulate her, and that her daughter thinks \"it's pretty, like Nicki.\"\u003c/p>\n\u003cp>In case the audience isn't quite clear on who she's referring to, this pops up on screen:\u003c/p>\n\u003cp>\u003cimg class=\"size-full wp-image-103017 aligncenter\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/04/Screen-Shot-2018-04-09-at-1.22.02-PM.png\" alt=\"\" width=\"411\" height=\"388\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/04/Screen-Shot-2018-04-09-at-1.22.02-PM.png 411w, https://ww2.kqed.org/app/uploads/sites/12/2018/04/Screen-Shot-2018-04-09-at-1.22.02-PM-160x151.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/04/Screen-Shot-2018-04-09-at-1.22.02-PM-240x227.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2018/04/Screen-Shot-2018-04-09-at-1.22.02-PM-375x354.png 375w\" sizes=\"(max-width: 411px) 100vw, 411px\">\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>In the next episode, Shemekka takes to the stage for her dance debut, showing off her new booty to rapturous applause and a cloud of dollar bills. At the end of her performance, she slips, falls, and her filler literally sprays all over a man in the front row as her skin ruptures under the strain. Shemekka winds up in the hospital with a blood infection.\u003c/p>\n\u003cp>The storyline was met with a wall of criticism. \u003ca href=\"https://www.avclub.com/she-s-gotta-have-it-s-loses-it-with-unsuccessful-attemp-1821113047\">\u003cem>AV Club\u003c/em> said\u003c/a>: \"The fact that the show has decided to torture and violently discipline Shemekka for her vanity is horrifying.\" \u003ca href=\"https://hellogiggles.com/reviews-coverage/tv-shows/is-spike-lees-shes-gotta-have-it-on-netflix-really-as-feminist-as-it-thinks-it-is/\">\u003cem>Hello Giggles\u003c/em> noted:\u003c/a> \"While illegal plastic surgery is a reality, Lee’s attempt to grapple with this for a twenty-something audience feels more like a parable that uses mansplaining to shame women who want to change their appearance.\"\u003c/p>\n\u003cp>The story did feel like too extreme to be grounded in any kind of reality. But in an \u003ca href=\"https://www.gq.com/story/cardi-b-invasion-of-privacy-profile\">interview with \u003cem>GQ\u003c/em>\u003c/a> this week, Cardi B admitted -- in her typically matter-of-fact manner -- that she underwent a similar procedure in 2014. According to the magazine:\u003c/p>\n\u003cblockquote>\u003cp>\"Cardi claimed her ass from the universe in a basement apartment in Queens, where, for $800, a woman injected her buttocks with filler. 'They don't numb your ass with anything,' she says. 'It was the craziest pain ever. I felt like I was gonna pass out. I felt a little dizzy. And it leaks for, like, five days.'\"\u003c/p>\u003c/blockquote>\n\u003cp>Still Cardi wanted to go back because it increased her income working at a strip club. \"But by the time I was gonna go get it,\" she explained, \"the lady got locked up 'cause she supposedly killed somebody. Well... somebody died on her table.\" In 2015, \u003ca href=\"http://www.wetpaint.com/lhh-cardi-b-breakfast-club-video-1460647/\">Cardi told The Breakfast Club on Power 105.1\u003c/a> that \"I got it done in the basement, so I can die any day now.”\u003c/p>\n\u003cp>\u003ca href=\"https://nylon.com/articles/spike-lee-shes-gotta-have-it-butt-injections\">Spike Lee revealed to \u003cem>Nylon\u003c/em>\u003c/a> that his decision to write Shemekka's storyline for \u003cem>She's Gotta Have It\u003c/em> was because backstreet fillers have become such an issue. “It pains me when I read how these majority black women are dying getting these bootleg back-alley butt injections with silicone, shit that you get from f**king Home Depot.\"\u003c/p>\n\u003cp>Lee is right. Because of how notoriously expensive plastic surgery is, illegal procedures have popped up to fill increasing demand. People offering these services have been found injecting women with everything from food-grade and industrial-grade silicone (as opposed to medical-grade), \u003ca href=\"https://en.wikipedia.org/wiki/Gel#Hydrogels\">hydrogel,\u003c/a> crazy glue, superglue, and even \u003ca href=\"https://www.fixaflat.com/us/index.php\">Fix-A-Flat\u003c/a>.\u003c/p>\n\u003cp>Unsurprisingly, illegal procedures keep killing women -- almost all of whom are black. In 2011, \u003ca href=\"http://www.dailymail.co.uk/news/article-1355080/Claudia-Aderotimi-thought-illegal-implant-make-hip-hop-star.html\">Claudia Aderotimi, 20,\u003c/a> died in Philadelphia, apparently convinced that a larger derrière could launch her music career. In 2015, \u003ca href=\"https://www.dallasnews.com/news/crime/2015/03/19/pursuit-of-curves-ends-tragically-for-woman-at-deep-ellum-salon\">Wykesha Reid, 34,\u003c/a> and \u003ca href=\"https://www.vice.com/en_us/article/jma8b7/why-women-are-getting-underground-butt-injections-456\">Kelly Mayhew, also 34,\u003c/a> died. In 2017, \u003ca href=\"http://www.charlotteobserver.com/news/local/article139644513.html\">Symone Marie Jones,\u003c/a> aged 19, was killed trying to enhance her curves. The same year, \u003ca href=\"https://www.cbsnews.com/news/missouri-woman-dies-after-brazilian-butt-lift-surgery-in-florida/\">Ranika Hall, 25, died\u003c/a> after going to a legitimate plastic surgery clinic in Florida. In 2016, a man named \u003ca href=\"https://www.washingtonpost.com/local/public-safety/man-pleads-guilty-to-giving-deadly-buttocks-injections-using-silicone-super-glue-and-cotton-balls/2016/05/27/a052cd32-2442-11e6-8690-f14ca9de2972_story.html?utm_term=.41e1fbd68d98\">Vinnie Taylor was sentenced to 12-15 years in prison\u003c/a> after admitting to illegally performing over 3,000 injection sessions on women in hotel rooms -- one of whom died as a result. And these deaths are just the tip of an iceberg that is increasingly difficult to keep track of.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Pressures on women to conform to impossible beauty standards is certainly nothing new. But when the standard is one that cannot be achieved by diet and exercise alone, it can become dangerous for everyone involved -- especially the women whose income is reliant on their appearances. In the end, there are no easy answers, but the more widely risks of illegal filler procedures are highlighted, the better. Because at this stage, they have become normalized to a dangerous degree.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/103015/people-are-dying-to-get-big-butts-literally","authors":["11242"],"categories":["pop_1041"],"tags":["pop_3071","pop_1681"],"featImg":"pop_103033","label":"pop"},"pop_98212":{"type":"posts","id":"pop_98212","meta":{"index":"posts_1591205157","site":"pop","id":"98212","score":null,"sort":[1515105302000]},"guestAuthors":[],"slug":"heres-why-bruno-mars-and-cardi-b-want-you-to-watch-in-living-color","title":"Here's Why Bruno Mars and Cardi B Want You to Watch 'In Living Color'","publishDate":1515105302,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>This morning, Bruno Mars and Cardi B dropped a loving homage to 1990s comedy show \u003ca href=\"http://www.imdb.com/title/tt0098830/?ref_=nv_sr_1\">\u003cem>In Living Color\u003c/em>\u003c/a>, in the form of the \"Finesse (Remix)\" video. If you're one of the three people who hasn't watched this thing yet, here you go:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LsoLEjrDogU\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/BrunoMars/status/948775707710124033\">Mars took to Twitter\u003c/a> to emphasize that: \"This video is dedicated to one my favorite TV shows of all time.\"\u003c/p>\n\u003cp>Here's why the singer loves \u003cem>In Living Color\u003c/em> so much:\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>In Living Color\u003c/em> Rivaled \u003cem>SNL\u003c/em> In Its Day\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=NXNM0dTzHOE\u003c/p>\n\u003cp>It may have only lasted four years, but while \u003cem>In Living Color\u003c/em> was on the air, it kept established rivals like \u003cem>Saturday Night Live \u003c/em>on their toes. For younger viewers, \u003cem>In Living Color \u003c/em>was \u003cem>SNL's\u003c/em> edgier, more cutting counterpart, because it dared to go places their parents' sketch shows had never gone before. Add to that super-rad musical interludes and \u003cem>In Living Color\u003c/em> was one of the coolest shows on TV.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>ILC\u003c/em> Was Groundbreakingly Diverse\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=J6br4dOlk1s\u003c/p>\n\u003cp style=\"text-align: left\">Damon and Keenen Ivory Wayons started the show with the specific goal of giving comedians of color a platform they'd never been offered before.\u003ca href=\"https://en.wikipedia.org/wiki/In_Living_Color\"> Ivory Wayons said at the time:\u003c/a> \"I wanted to do a show that reflects different points of view… Minority talent is not in the system and you have to go outside… We went beyond the Comedy Stores and Improvs, which are not showcase places for minorities.\" Fox let him and his brother run pretty wild with the format, and along the way, they introduced us to the likes of Jamie Foxx and Chris Rock.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>It Gave Us Some of Jim Carrey's Funniest Work\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Mx7kzarSwGE\u003c/p>\n\u003cp>Truthfully, some of Carrey's funniest work came to us courtesy of \u003cem>In Living Color\u003c/em>. His parody of Vanilla Ice (above) is still LOL-worthy, and his Snow impersonation (below) offered a biting critique of the double-standards applied to white and black artists by the music industry.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Icb_tRTnA4g\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>It Brought America the Fly Girls\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=6sec1l8Fzo8\u003c/p>\n\u003cp>One of the coolest elements of \u003cem>In Living Color\u003c/em> was the Fly Girls -- the dancers that strutted their stuff between sketches each week. \u003ca href=\"http://www.imdb.com/name/nm0001609/?ref_=nv_sr_1\">Rosie Perez\u003c/a> was acting choreographer for four seasons, and a young lady by the name of \u003ca href=\"https://www.youtube.com/watch?v=bR4enz485_Q\">Jennifer Lopez got her start there\u003c/a>, back in Season 3. The Fly Girls were tough but sexy, fashionable but relatable. If you were a teen in the early '90s, you wanted to be a Fly Girl.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Musical Guests Were Dope\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LH9TCzmhlt4\u003c/p>\n\u003cp>The theme tune by \u003ca href=\"https://en.wikipedia.org/wiki/Heavy_D\">Heavy D\u003c/a> & the Boyz set the tone for the whole show, but in Season 2, musical guests became a regular thing, starting with \u003ca href=\"https://www.youtube.com/watch?v=idWoqi44Sy4\">Queen Latifah\u003c/a>. If you were cool in hip-hop, you were on \u003cem>In Living Color -- \u003c/em>Public Enemy, Naughty By Nature, Redman, MC Lyte, Eazy-E, and too many others to mention, all made appearances.\u003cem> \u003c/em>As with \u003cem>SNL\u003c/em>, some artists -- including Tupac Shakur and \u003ca href=\"https://www.youtube.com/watch?v=RB7A7Yb-QNw\">En Vogue\u003c/a> -- were roped into doing sketches, but \u003cem>In Living Color'\u003c/em>s close relationship with music meant their musical parodies were some of the show's finest moments.\u003c/p>\n\u003cp>We'll leave you with a montage of some of the best:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wtjdOBkWZtE\u003c/p>\n\n","blocks":[],"excerpt":"Jamie Foxx, Jim Carrey, and J.Lo all started on the best-soundtracked comedy show of the '90s.","status":"publish","parent":0,"modified":1515105302,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":584},"headData":{"title":"Here's Why Bruno Mars and Cardi B Want You to Watch 'In Living Color' | KQED","description":"Jamie Foxx, Jim Carrey, and J.Lo all started on the best-soundtracked comedy show of the '90s.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Here's Why Bruno Mars and Cardi B Want You to Watch 'In Living Color'","datePublished":"2018-01-04T22:35:02.000Z","dateModified":"2018-01-04T22:35:02.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"98212 https://ww2.kqed.org/pop/?p=98212","disqusUrl":"https://ww2.kqed.org/pop/2018/01/04/heres-why-bruno-mars-and-cardi-b-want-you-to-watch-in-living-color/","disqusTitle":"Here's Why Bruno Mars and Cardi B Want You to Watch 'In Living Color'","path":"/pop/98212/heres-why-bruno-mars-and-cardi-b-want-you-to-watch-in-living-color","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This morning, Bruno Mars and Cardi B dropped a loving homage to 1990s comedy show \u003ca href=\"http://www.imdb.com/title/tt0098830/?ref_=nv_sr_1\">\u003cem>In Living Color\u003c/em>\u003c/a>, in the form of the \"Finesse (Remix)\" video. If you're one of the three people who hasn't watched this thing yet, here you go:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LsoLEjrDogU'\n title='//www.youtube.com/embed/LsoLEjrDogU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003ca href=\"https://twitter.com/BrunoMars/status/948775707710124033\">Mars took to Twitter\u003c/a> to emphasize that: \"This video is dedicated to one my favorite TV shows of all time.\"\u003c/p>\n\u003cp>Here's why the singer loves \u003cem>In Living Color\u003c/em> so much:\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>In Living Color\u003c/em> Rivaled \u003cem>SNL\u003c/em> In Its Day\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NXNM0dTzHOE'\n title='//www.youtube.com/embed/NXNM0dTzHOE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It may have only lasted four years, but while \u003cem>In Living Color\u003c/em> was on the air, it kept established rivals like \u003cem>Saturday Night Live \u003c/em>on their toes. For younger viewers, \u003cem>In Living Color \u003c/em>was \u003cem>SNL's\u003c/em> edgier, more cutting counterpart, because it dared to go places their parents' sketch shows had never gone before. Add to that super-rad musical interludes and \u003cem>In Living Color\u003c/em> was one of the coolest shows on TV.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>\u003cem>ILC\u003c/em> Was Groundbreakingly Diverse\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/J6br4dOlk1s'\n title='//www.youtube.com/embed/J6br4dOlk1s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: left\">Damon and Keenen Ivory Wayons started the show with the specific goal of giving comedians of color a platform they'd never been offered before.\u003ca href=\"https://en.wikipedia.org/wiki/In_Living_Color\"> Ivory Wayons said at the time:\u003c/a> \"I wanted to do a show that reflects different points of view… Minority talent is not in the system and you have to go outside… We went beyond the Comedy Stores and Improvs, which are not showcase places for minorities.\" Fox let him and his brother run pretty wild with the format, and along the way, they introduced us to the likes of Jamie Foxx and Chris Rock.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>It Gave Us Some of Jim Carrey's Funniest Work\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Mx7kzarSwGE'\n title='//www.youtube.com/embed/Mx7kzarSwGE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Truthfully, some of Carrey's funniest work came to us courtesy of \u003cem>In Living Color\u003c/em>. His parody of Vanilla Ice (above) is still LOL-worthy, and his Snow impersonation (below) offered a biting critique of the double-standards applied to white and black artists by the music industry.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Icb_tRTnA4g'\n title='//www.youtube.com/embed/Icb_tRTnA4g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: center\">\u003cstrong>It Brought America the Fly Girls\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6sec1l8Fzo8'\n title='//www.youtube.com/embed/6sec1l8Fzo8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>One of the coolest elements of \u003cem>In Living Color\u003c/em> was the Fly Girls -- the dancers that strutted their stuff between sketches each week. \u003ca href=\"http://www.imdb.com/name/nm0001609/?ref_=nv_sr_1\">Rosie Perez\u003c/a> was acting choreographer for four seasons, and a young lady by the name of \u003ca href=\"https://www.youtube.com/watch?v=bR4enz485_Q\">Jennifer Lopez got her start there\u003c/a>, back in Season 3. The Fly Girls were tough but sexy, fashionable but relatable. If you were a teen in the early '90s, you wanted to be a Fly Girl.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Musical Guests Were Dope\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LH9TCzmhlt4'\n title='//www.youtube.com/embed/LH9TCzmhlt4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The theme tune by \u003ca href=\"https://en.wikipedia.org/wiki/Heavy_D\">Heavy D\u003c/a> & the Boyz set the tone for the whole show, but in Season 2, musical guests became a regular thing, starting with \u003ca href=\"https://www.youtube.com/watch?v=idWoqi44Sy4\">Queen Latifah\u003c/a>. If you were cool in hip-hop, you were on \u003cem>In Living Color -- \u003c/em>Public Enemy, Naughty By Nature, Redman, MC Lyte, Eazy-E, and too many others to mention, all made appearances.\u003cem> \u003c/em>As with \u003cem>SNL\u003c/em>, some artists -- including Tupac Shakur and \u003ca href=\"https://www.youtube.com/watch?v=RB7A7Yb-QNw\">En Vogue\u003c/a> -- were roped into doing sketches, but \u003cem>In Living Color'\u003c/em>s close relationship with music meant their musical parodies were some of the show's finest moments.\u003c/p>\n\u003cp>We'll leave you with a montage of some of the best:\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wtjdOBkWZtE'\n title='//www.youtube.com/embed/wtjdOBkWZtE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/98212/heres-why-bruno-mars-and-cardi-b-want-you-to-watch-in-living-color","authors":["11242"],"categories":["pop_3"],"tags":["pop_3121","pop_3071","pop_2839","pop_1007","pop_3122"],"featImg":"pop_98214","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Consider-This-Podcast-Tile-703x703-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png","officialWebsiteLink":"http://freakonomics.com/","airtime":"SUN 1am-2am, SAT 3pm-4pm","meta":{"site":"radio","source":"WNYC"},"link":"/radio/program/freakonomics-radio","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519","tuneIn":"https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/","rss":"https://feeds.feedburner.com/freakonomicsradio"}},"fresh-air":{"id":"fresh-air","title":"Fresh Air","info":"Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.","airtime":"MON-FRI 7pm-8pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/fresh-air/","meta":{"site":"radio","source":"npr"},"link":"/radio/program/fresh-air","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/Fresh-Air-p17/","rss":"https://feeds.npr.org/381444908/podcast.xml"}},"here-and-now":{"id":"here-and-now","title":"Here & Now","info":"A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. 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