San Francisco's Hope for Expanding Supportive Housing? Treasure Island
Treasure Island Redevelopment Plans Uncertain as Bay Area Real Estate Companies Sue Each Other
Inside Frida Kahlo and Diego Rivera's Life in San Francisco
The Precarious Future of Treasure Island: Rising Seas and Sinking Land
How Treasure Island Got Made — and Why
Treasure Island Music Festival Postponed for 2017
San Francisco Finalizes Plans for Treasure Island Art
Bay Bridge Banner Commemorates Armenian Genocide
Burning Man Artists Bid Farewell to Treasure Island's Building 180
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Kevin joined KQED in 2019, and has covered issues related to energy, wildfire, climate change and the environment.","avatar":"https://secure.gravatar.com/avatar/1f646bf546a63d638e04ff23b52b0e79?s=600&d=blank&r=g","twitter":"starkkev","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"science","roles":["administrator"]}],"headData":{"title":"Kevin Stark | KQED","description":"Senior Editor","ogImgSrc":"https://secure.gravatar.com/avatar/1f646bf546a63d638e04ff23b52b0e79?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/1f646bf546a63d638e04ff23b52b0e79?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/kevinstark"},"ebaldassari":{"type":"authors","id":"11652","meta":{"index":"authors_1591205172","id":"11652","found":true},"name":"Erin Baldassari","firstName":"Erin","lastName":"Baldassari","slug":"ebaldassari","email":"ebaldassari@KQED.org","display_author_email":true,"staff_mastheads":["news"],"title":"Staff Writer","bio":"Erin Baldassari covers housing for KQED. She's a former print journalist and most recently worked as the transportation reporter for the \u003cem>Mercury News\u003c/em> and \u003cem>East Bay Times. \u003c/em>There, she focused on how the Bay Area’s housing shortage has changed the way people move around the region. She also served on the \u003cem>East Bay Times\u003c/em>’ 2017 Pulitzer Prize-winning team for coverage of the Ghost Ship Fire in Oakland. Prior to that, Erin worked as a breaking news and general assignment reporter for a variety of outlets in the Bay Area and the greater Boston area. A Tufts University alumna, Erin grew up in the foothills of the Sierra Nevada mountains and in Sonoma County. She is a life-long KQED listener.","avatar":"https://secure.gravatar.com/avatar/660ce35d088ca54ad606d7e941abc652?s=600&d=blank&r=g","twitter":"e_baldi","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"news","roles":["author","edit_others_posts"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Erin Baldassari | KQED","description":"Staff Writer","ogImgSrc":"https://secure.gravatar.com/avatar/660ce35d088ca54ad606d7e941abc652?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/660ce35d088ca54ad606d7e941abc652?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ebaldassari"},"sjohnson":{"type":"authors","id":"11840","meta":{"index":"authors_1591205172","id":"11840","found":true},"name":"Sydney Johnson","firstName":"Sydney","lastName":"Johnson","slug":"sjohnson","email":"sjohnson@kqed.org","display_author_email":false,"staff_mastheads":["news"],"title":"KQED Reporter","bio":"Sydney Johnson is a general assignment reporter at KQED. She previously reported on public health and city government at the San Francisco Examiner, and before that, she covered statewide education policy for EdSource. Her reporting has won multiple local, state and national awards. Sydney is a graduate of the University of California, Berkeley and lives in San Francisco.","avatar":"https://secure.gravatar.com/avatar/97855f2719b72ad6190b7c535fe642c8?s=600&d=blank&r=g","twitter":"sydneyfjohnson","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"news","roles":["editor"]}],"headData":{"title":"Sydney Johnson | KQED","description":"KQED Reporter","ogImgSrc":"https://secure.gravatar.com/avatar/97855f2719b72ad6190b7c535fe642c8?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/97855f2719b72ad6190b7c535fe642c8?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/sjohnson"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"news","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"news_11970663":{"type":"posts","id":"news_11970663","meta":{"index":"posts_1591205157","site":"news","id":"11970663","score":null,"sort":[1703246454000]},"guestAuthors":[],"slug":"san-franciscos-hope-for-expanding-supportive-housing-treasure-island","title":"San Francisco's Hope for Expanding Supportive Housing? Treasure Island","publishDate":1703246454,"format":"standard","headTitle":"San Francisco’s Hope for Expanding Supportive Housing? Treasure Island | KQED","labelTerm":{"site":"news"},"content":"\u003cp>Oakland native De’andre Devereaux is no stranger to Treasure Island, a former military base along the Bay Bridge, halfway between Oakland and San Francisco. Up until about a year ago, he was unhoused, and the 55-year-old would spend afternoons on the quiet island panhandling for food and cash.\u003c/p>\n\u003cp>Devereaux now lives on the island, but his life couldn’t look more different. After choosing to enter treatment for a substance-use disorder last winter, he’s now living at a 70-bed sober, supportive living community that opened on Treasure Island in April. [pullquote size=\"medium\" align=\"right\" citation=\"De’andre Devereaux, resident of a HealthRight 360 program on Treasure Island\"]‘I’ve been in and out of rehabs since I was like 24 because I wasn’t ready to get my life together. I finally got tired, and I haven’t looked back … this changed my life.’[/pullquote]“I’ve been in and out of rehabs since I was like 24 because I wasn’t ready to get my life together,” Devereaux told KQED at a holiday party for residents in the program in December. “I finally got tired and I haven’t looked back, and I’m happy for that because this changed my life.”\u003c/p>\n\u003cp>Residents can enter the step-down program after completing a separate rehabilitation program and live there between nine months and two years. They are also connected with recovery coaches who assist with job readiness and navigating public benefits and medications. Everyone in the program simultaneously participates in outpatient recovery services.\u003c/p>\n\u003cp>The program helped Devereaux line up a job as an in-home service provider for older people and those with disabilities — a job he said he loves.\u003c/p>\n\u003cp>“It feels good doing that, giving back,” he said as holiday music played and neighbors mingled at the facility on Gateview Avenue. The Department of Public Health and HealthRight 360 operates the community, a statewide health care nonprofit that provides substance-use treatment.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For most residents who spoke to KQED, having a safe place to call home and a supportive environment to help navigate the ups and downs of recovery has made the biggest difference in their journey with sobriety.\u003c/p>\n\u003cp>“The real thing is getting people off the streets and into a place where the fog can lift, you know? Because when you’re in a sober mind, and you finally do kick that drug, that’s a major thing,” said William Pecknold Jr., another resident. “I don’t know if everybody wants help, you know, but for those who do, this is where you can get it.”\u003c/p>\n\u003cfigure id=\"attachment_11970626\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11970626\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/12/231220-TIRECOVERY-11-BL-KQED.jpg\" alt=\"A person wearing a hood stands beside a fence in a residential area.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/12/231220-TIRECOVERY-11-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/12/231220-TIRECOVERY-11-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/12/231220-TIRECOVERY-11-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/12/231220-TIRECOVERY-11-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/12/231220-TIRECOVERY-11-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/12/231220-TIRECOVERY-11-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">William Pecknold Jr. stands in the backyard of HealthRight 360’s Recovery Residence program. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As an ironworker, Pecknold has helped build the literal framework for prominent Bay Area structures like 131 Fremont Street in San Francisco. However, he struggled with alcohol addiction and later turned to methamphetamine when he was unhoused.\u003c/p>\n\u003cp>He got sober during a stay in prison, then quickly entered drug treatment programs after his release last December. The experience sent him down a new path, but, he said, everyone’s journey looks different. [pullquote size=\"medium\" align=\"right\" citation=\"William Pecknold Jr., resident of a HealthRight 360 program on Treasure Island\"]‘I don’t think it’s anyone else’s decision but the individual. I just know one thing for a fact. This place saved my life. It really did.’[/pullquote]“I don’t think it’s anyone else’s decision but the individual,” Pecknold said. “I just know one thing for a fact. This place saved my life. It really did.”\u003c/p>\n\u003cp>The residential step-down program is part of the city’s ongoing effort to increase the number of behavioral health care beds by 400, or 20% — a goal determined by the City’s \u003ca href=\"https://www.sfdph.org/dph/files/MHR/SFDPH_Behavioral_Health_Bed_Optimization_Report_FINAL.pdf\">Behavioral Health Bed Optimization Report\u003c/a> released in 2020.\u003c/p>\n\u003cp>The site is part of a broader behavioral health program that collectively currently offers 128 beds across the island. The step-down facility is scheduled to be rebuilt by 2028 as part of a multistory building with health services and housing overseen by the Department of Public Health.\u003c/p>\n\u003cp>Still, the program is not running at full capacity yet due to a lack of trained staff. As of Thursday, 87 people were using the broader program’s 128 beds. At the Gateview site, in particular, it has just over half of the staff it needs and only 39 residents for its 70 beds so far, according to officials at HealthRight 360. [aside label='More Stories on Housing' tag='housing']San Francisco is set to open three more projects across the city next year as part of the \u003ca href=\"https://www.sf.gov/sites/default/files/2022-06/SFDPH%20Bed%20Expansion%20Dashboard%206.22.22%20Final.pdf.pdf\">bed expansion\u003c/a>. That includes a 30-bed care facility for people with mental health and substance-use issues, a 10-person mental health program for transitional-age youth, and a 16-bed urgent care facility.\u003c/p>\n\u003cp>But the city’s goal to add more beds is an ever-moving target. While more beds have been added, \u003ca href=\"https://missionlocal.org/2022/08/despite-rosy-press-board-and-cares-continue-to-go-quietly/\">other behavioral health facilities and beds across the city’s network have shuttered\u003c/a> as the overdose epidemic and housing crisis collide.\u003c/p>\n\u003cp>Residents in the step-down program are encouraged and supported to move out after a period of time. However, some housing and healthcare advocates argue that temporary programs can destabilize residents who have to move frequently from place to place. Many point to permanent supportive housing as the ultimate north star for making a dent in the housing and addiction crisis. [pullquote size=\"medium\" align=\"right\" citation=\"Vitka Eisen, CEO, HealthRight 360\"]‘Our hope is that they can build their support in the earliest part of their recovery journey and their journey post-treatment.’[/pullquote]Eisen has been through residential treatment and said she views the issue as a “both-and,” arguing that there is a need for housing where people exiting drug detoxification or inpatient programs can build community, find work and secure longer-term housing.\u003c/p>\n\u003cp>“If we can develop permanent housing and affordable housing for people, that is the most important thing to do. But these services are unique. When people are just leaving intensive residential treatment, they’re less likely to be isolated here,” said Vitka Eisen, CEO of HealthRight 360. “Our hope is that they can build their support in the earliest part of their recovery journey and their journey post-treatment.”\u003c/p>\n\u003cp>\u003ci>Information on publicly available substance-use treatment in San Francisco and how to get care for yourself or a loved one can be found at \u003ca href=\"https://findtreatment-sf.org/\">findtreatment-sf.org\u003c/a>.\u003c/i>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Residents at San Francisco’s residential step-down treatment say housing makes all the difference in recovery. \r\n","status":"publish","parent":0,"modified":1703625640,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":1151},"headData":{"title":"San Francisco's Hope for Expanding Supportive Housing? Treasure Island | KQED","description":"Residents at San Francisco’s residential step-down treatment say housing makes all the difference in recovery. \r\n","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11970663/san-franciscos-hope-for-expanding-supportive-housing-treasure-island","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland native De’andre Devereaux is no stranger to Treasure Island, a former military base along the Bay Bridge, halfway between Oakland and San Francisco. Up until about a year ago, he was unhoused, and the 55-year-old would spend afternoons on the quiet island panhandling for food and cash.\u003c/p>\n\u003cp>Devereaux now lives on the island, but his life couldn’t look more different. After choosing to enter treatment for a substance-use disorder last winter, he’s now living at a 70-bed sober, supportive living community that opened on Treasure Island in April. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘I’ve been in and out of rehabs since I was like 24 because I wasn’t ready to get my life together. I finally got tired, and I haven’t looked back … this changed my life.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"De’andre Devereaux, resident of a HealthRight 360 program on Treasure Island","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“I’ve been in and out of rehabs since I was like 24 because I wasn’t ready to get my life together,” Devereaux told KQED at a holiday party for residents in the program in December. “I finally got tired and I haven’t looked back, and I’m happy for that because this changed my life.”\u003c/p>\n\u003cp>Residents can enter the step-down program after completing a separate rehabilitation program and live there between nine months and two years. They are also connected with recovery coaches who assist with job readiness and navigating public benefits and medications. Everyone in the program simultaneously participates in outpatient recovery services.\u003c/p>\n\u003cp>The program helped Devereaux line up a job as an in-home service provider for older people and those with disabilities — a job he said he loves.\u003c/p>\n\u003cp>“It feels good doing that, giving back,” he said as holiday music played and neighbors mingled at the facility on Gateview Avenue. The Department of Public Health and HealthRight 360 operates the community, a statewide health care nonprofit that provides substance-use treatment.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For most residents who spoke to KQED, having a safe place to call home and a supportive environment to help navigate the ups and downs of recovery has made the biggest difference in their journey with sobriety.\u003c/p>\n\u003cp>“The real thing is getting people off the streets and into a place where the fog can lift, you know? Because when you’re in a sober mind, and you finally do kick that drug, that’s a major thing,” said William Pecknold Jr., another resident. “I don’t know if everybody wants help, you know, but for those who do, this is where you can get it.”\u003c/p>\n\u003cfigure id=\"attachment_11970626\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11970626\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/12/231220-TIRECOVERY-11-BL-KQED.jpg\" alt=\"A person wearing a hood stands beside a fence in a residential area.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2023/12/231220-TIRECOVERY-11-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/12/231220-TIRECOVERY-11-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/12/231220-TIRECOVERY-11-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/12/231220-TIRECOVERY-11-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/12/231220-TIRECOVERY-11-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2023/12/231220-TIRECOVERY-11-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">William Pecknold Jr. stands in the backyard of HealthRight 360’s Recovery Residence program. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As an ironworker, Pecknold has helped build the literal framework for prominent Bay Area structures like 131 Fremont Street in San Francisco. However, he struggled with alcohol addiction and later turned to methamphetamine when he was unhoused.\u003c/p>\n\u003cp>He got sober during a stay in prison, then quickly entered drug treatment programs after his release last December. The experience sent him down a new path, but, he said, everyone’s journey looks different. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘I don’t think it’s anyone else’s decision but the individual. I just know one thing for a fact. This place saved my life. It really did.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"William Pecknold Jr., resident of a HealthRight 360 program on Treasure Island","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“I don’t think it’s anyone else’s decision but the individual,” Pecknold said. “I just know one thing for a fact. This place saved my life. It really did.”\u003c/p>\n\u003cp>The residential step-down program is part of the city’s ongoing effort to increase the number of behavioral health care beds by 400, or 20% — a goal determined by the City’s \u003ca href=\"https://www.sfdph.org/dph/files/MHR/SFDPH_Behavioral_Health_Bed_Optimization_Report_FINAL.pdf\">Behavioral Health Bed Optimization Report\u003c/a> released in 2020.\u003c/p>\n\u003cp>The site is part of a broader behavioral health program that collectively currently offers 128 beds across the island. The step-down facility is scheduled to be rebuilt by 2028 as part of a multistory building with health services and housing overseen by the Department of Public Health.\u003c/p>\n\u003cp>Still, the program is not running at full capacity yet due to a lack of trained staff. As of Thursday, 87 people were using the broader program’s 128 beds. At the Gateview site, in particular, it has just over half of the staff it needs and only 39 residents for its 70 beds so far, according to officials at HealthRight 360. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More Stories on Housing ","tag":"housing"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>San Francisco is set to open three more projects across the city next year as part of the \u003ca href=\"https://www.sf.gov/sites/default/files/2022-06/SFDPH%20Bed%20Expansion%20Dashboard%206.22.22%20Final.pdf.pdf\">bed expansion\u003c/a>. That includes a 30-bed care facility for people with mental health and substance-use issues, a 10-person mental health program for transitional-age youth, and a 16-bed urgent care facility.\u003c/p>\n\u003cp>But the city’s goal to add more beds is an ever-moving target. While more beds have been added, \u003ca href=\"https://missionlocal.org/2022/08/despite-rosy-press-board-and-cares-continue-to-go-quietly/\">other behavioral health facilities and beds across the city’s network have shuttered\u003c/a> as the overdose epidemic and housing crisis collide.\u003c/p>\n\u003cp>Residents in the step-down program are encouraged and supported to move out after a period of time. However, some housing and healthcare advocates argue that temporary programs can destabilize residents who have to move frequently from place to place. Many point to permanent supportive housing as the ultimate north star for making a dent in the housing and addiction crisis. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘Our hope is that they can build their support in the earliest part of their recovery journey and their journey post-treatment.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Vitka Eisen, CEO, HealthRight 360","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Eisen has been through residential treatment and said she views the issue as a “both-and,” arguing that there is a need for housing where people exiting drug detoxification or inpatient programs can build community, find work and secure longer-term housing.\u003c/p>\n\u003cp>“If we can develop permanent housing and affordable housing for people, that is the most important thing to do. But these services are unique. When people are just leaving intensive residential treatment, they’re less likely to be isolated here,” said Vitka Eisen, CEO of HealthRight 360. “Our hope is that they can build their support in the earliest part of their recovery journey and their journey post-treatment.”\u003c/p>\n\u003cp>\u003ci>Information on publicly available substance-use treatment in San Francisco and how to get care for yourself or a loved one can be found at \u003ca href=\"https://findtreatment-sf.org/\">findtreatment-sf.org\u003c/a>.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11970663/san-franciscos-hope-for-expanding-supportive-housing-treasure-island","authors":["11840"],"categories":["news_8"],"tags":["news_21434","news_28991","news_25968","news_25959","news_27626","news_18543","news_1775","news_25617","news_1279"],"featImg":"news_11970625","label":"news"},"news_11945929":{"type":"posts","id":"news_11945929","meta":{"index":"posts_1591205157","site":"news","id":"11945929","score":null,"sort":[1680821807000]},"guestAuthors":[],"slug":"treasure-island-redevelopment-plans-uncertain-as-bay-area-real-estate-companies-sue-each-other","title":"Treasure Island Redevelopment Plans Uncertain as Bay Area Real Estate Companies Sue Each Other","publishDate":1680821807,"format":"standard","headTitle":"Treasure Island Redevelopment Plans Uncertain as Bay Area Real Estate Companies Sue Each Other | KQED","labelTerm":{"site":"news"},"content":"\u003cp>Three real estate companies overseeing the revitalization of San Francisco’s Treasure Island are now suing each other over their expected returns on the former naval base project.\u003c/p>\n\u003cp>It’s unclear whether the infighting will delay what’s slated to be the largest single housing development in Northern California. The massive, multiyear effort to transform Treasure Island into a dense neighborhood includes a mix of retail space, parks, transportation services and new housing totaling about 8,000 units.\u003c/p>\n\u003cp>“This could definitely throw a stone into the gears and bring development to a halt,” said Sam Singer, a spokesperson representing Kenwood Investments, one of the real estate companies in the dispute.\u003c/p>\n\u003cp>[aside postID=news_11790693 hero='https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40411_SFPL-TI-Construction-partially-built-island-AAD-3782_600dpi-qut-1038x576.jpg']\u003c/p>\n\u003cp>Two real estate companies, Stockbridge Investments and Wilson Meany, filed a lawsuit last weekend against the third developer, Kenwood Investments, claiming the lengthy development timeline for Treasure Island will diminish their anticipated profits.\u003c/p>\n\u003cp>Kenwood on Tuesday filed a counter lawsuit, alleging that Stockbridge and Wilson Meany are conspiring to breach a contract among the three groups and steal profits.\u003c/p>\n\u003cp>“Stockbridge and WM tried to keep Kenwood in the dark on their plans,” the complaint from Kenwood reads. “Stockbridge and WM’s actions place the entire Treasure Island project at risk and leave Kenwood with no option but to protect its interest.”\u003c/p>\n\u003cp>Stockbridge representatives denied that the dispute would further delay constriction. The Treasure Island Development Authority did not immediately return a request for comment.\u003c/p>\n\u003cp>“Work is continuing at Treasure Island. This is a dispute between members of KSWM, an entity that, along with a Stockbridge affiliate, owns half of the Treasure Island venture,” a spokesperson for Stockbridge wrote to KQED. “The dispute involves the distribution and allocation of any future profits from the venture. We expect to resolve it without any impact on the development.’’\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In 2001, Kenwood entered an agreement with real estate company Lennar Urban to redevelop Treasure Island, a 400-acre island situated between the East Bay and San Francisco. Kenwood and Lennar held a 50% interest in the Treasure Island Community Development (TICD) project, the Kenwood complaint reads.\u003c/p>\n\u003cp>Four years later, Stockbridge and Wilson Meany joined Kenwood as partners, and the groups formed a company called KSWM Treasure Island. As part of that partnership, Kenwood claims it transferred its 50% share to the KSWM group.\u003c/p>\n\u003cfigure id=\"attachment_11945938\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11945938\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS7294_Google_Barge_web_3.jpg\" alt=\"A housing structure is seen being built on an island with a view of a silver bridge in the background.\" width=\"1000\" height=\"667\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS7294_Google_Barge_web_3.jpg 1000w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS7294_Google_Barge_web_3-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS7294_Google_Barge_web_3-160x107.jpg 160w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">A structure sits on the water off Treasure Island, across from the Bay Bridge. \u003ccite>(Sara Bloomberg/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Then in 2016, a separate investor and affiliate of Stockbridge, Stockbridge TI, joined TICD. As a result, KSWM and Stockbridge TI then shared the 50% interest. Kenwood claims in its lawsuit that Wilson Meany and Stockbridge “never requested Kenwood’s consent to this amendment and Kenwood did not agree to this amendment.”\u003c/p>\n\u003cp>Kenwood is now alleging that by allowing Stockbridge TI to invest directly into TICD, the partners “diluted” the 50% share for KSWM. Stockbridge and Wilson Meany deny both claims.\u003c/p>\n\u003cp>In their original complaint, Stockbridge and Wilson Meany assert that the projected values of KSWM’s interests are “much lower today than they were a few years ago, before the COVID pandemic and economic shocks that came in its wake, and before unanticipated cost increases and delays pushed out the reduced projected revenues by several years, all of which have depressed expected returns,” the document reads. “Because of these setbacks, none of KSWM’s members can look forward to the financial rewards they had hoped for when this project started in the early 2000s.”\u003c/p>\n\u003cfigure id=\"attachment_11945939\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11945939\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS35226_TREASUREISLAND_003-qut-1.jpg\" alt=\"Cranes and other building equipment are seen parked on wet ground. Trees and powerlines are also pictured in the background under gray skies.\" width=\"1920\" height=\"1323\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS35226_TREASUREISLAND_003-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS35226_TREASUREISLAND_003-qut-1-800x551.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS35226_TREASUREISLAND_003-qut-1-1020x703.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS35226_TREASUREISLAND_003-qut-1-160x110.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS35226_TREASUREISLAND_003-qut-1-1536x1058.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bulldozers and other construction equipment are locked away on Treasure Island on Friday, Feb. 8, 2019. \u003ccite>(Lindsey Moore/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Treasure Island represents both a massive opportunity and challenge for developers. Unlike many parts of the city, the former naval base has tremendous space for new developments and housing, which is sorely needed to address the region’s housing crunch. But the former military site has a history spotted with environmental lawsuits, permitting hurdles and other barriers.\u003c/p>\n\u003cp>The most recent project to break ground was Star View Court, a 138-unit development that includes 71 units for formerly unhoused families transitioning out of interim supportive housing, 43 units for lower-income households, and 23 homes for current Treasure Island residents.\u003c/p>\n\u003cp>[aside label='More Stories on Housing' tag='housing']\u003c/p>\n\u003cp>About 27% of the homes and apartments slated for the Treasure Island/Yerba Buena Island Development Project, which the San Francisco Board of Supervisors approved in 2011, are earmarked to be affordable.\u003c/p>\n\u003cp>“On Treasure Island we have an incredible opportunity to create a whole new neighborhood that serves all San Franciscans,” Mayor London Breed said in 2022 when the Star View Court project was announced. “As we do that work, it’s essential that we have affordable places for people to live that also provide housing for the existing residents of this community.”\u003c/p>\n\u003cp>Supervisor Matt Dorsey and Assemblymember Matt Haney, whose districts include Treasure Island, did not immediately respond to requests for comment.\u003c/p>\n\u003cp>\u003ci data-stringify-type=\"italic\">This story has been updated to include a statement from a Stockbridge Investments spokesperson.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"'This could definitely throw a stone into the gears and bring development to a halt,' said Sam Singer, spokesperson for one of the real estate companies. ","status":"publish","parent":0,"modified":1680905777,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":23,"wordCount":884},"headData":{"title":"Treasure Island Redevelopment Plans Uncertain as Bay Area Real Estate Companies Sue Each Other | KQED","description":"'This could definitely throw a stone into the gears and bring development to a halt,' said Sam Singer, spokesperson for one of the real estate companies. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11945929/treasure-island-redevelopment-plans-uncertain-as-bay-area-real-estate-companies-sue-each-other","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Three real estate companies overseeing the revitalization of San Francisco’s Treasure Island are now suing each other over their expected returns on the former naval base project.\u003c/p>\n\u003cp>It’s unclear whether the infighting will delay what’s slated to be the largest single housing development in Northern California. The massive, multiyear effort to transform Treasure Island into a dense neighborhood includes a mix of retail space, parks, transportation services and new housing totaling about 8,000 units.\u003c/p>\n\u003cp>“This could definitely throw a stone into the gears and bring development to a halt,” said Sam Singer, a spokesperson representing Kenwood Investments, one of the real estate companies in the dispute.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11790693","hero":"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40411_SFPL-TI-Construction-partially-built-island-AAD-3782_600dpi-qut-1038x576.jpg","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Two real estate companies, Stockbridge Investments and Wilson Meany, filed a lawsuit last weekend against the third developer, Kenwood Investments, claiming the lengthy development timeline for Treasure Island will diminish their anticipated profits.\u003c/p>\n\u003cp>Kenwood on Tuesday filed a counter lawsuit, alleging that Stockbridge and Wilson Meany are conspiring to breach a contract among the three groups and steal profits.\u003c/p>\n\u003cp>“Stockbridge and WM tried to keep Kenwood in the dark on their plans,” the complaint from Kenwood reads. “Stockbridge and WM’s actions place the entire Treasure Island project at risk and leave Kenwood with no option but to protect its interest.”\u003c/p>\n\u003cp>Stockbridge representatives denied that the dispute would further delay constriction. The Treasure Island Development Authority did not immediately return a request for comment.\u003c/p>\n\u003cp>“Work is continuing at Treasure Island. This is a dispute between members of KSWM, an entity that, along with a Stockbridge affiliate, owns half of the Treasure Island venture,” a spokesperson for Stockbridge wrote to KQED. “The dispute involves the distribution and allocation of any future profits from the venture. We expect to resolve it without any impact on the development.’’\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In 2001, Kenwood entered an agreement with real estate company Lennar Urban to redevelop Treasure Island, a 400-acre island situated between the East Bay and San Francisco. Kenwood and Lennar held a 50% interest in the Treasure Island Community Development (TICD) project, the Kenwood complaint reads.\u003c/p>\n\u003cp>Four years later, Stockbridge and Wilson Meany joined Kenwood as partners, and the groups formed a company called KSWM Treasure Island. As part of that partnership, Kenwood claims it transferred its 50% share to the KSWM group.\u003c/p>\n\u003cfigure id=\"attachment_11945938\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11945938\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS7294_Google_Barge_web_3.jpg\" alt=\"A housing structure is seen being built on an island with a view of a silver bridge in the background.\" width=\"1000\" height=\"667\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS7294_Google_Barge_web_3.jpg 1000w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS7294_Google_Barge_web_3-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS7294_Google_Barge_web_3-160x107.jpg 160w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">A structure sits on the water off Treasure Island, across from the Bay Bridge. \u003ccite>(Sara Bloomberg/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Then in 2016, a separate investor and affiliate of Stockbridge, Stockbridge TI, joined TICD. As a result, KSWM and Stockbridge TI then shared the 50% interest. Kenwood claims in its lawsuit that Wilson Meany and Stockbridge “never requested Kenwood’s consent to this amendment and Kenwood did not agree to this amendment.”\u003c/p>\n\u003cp>Kenwood is now alleging that by allowing Stockbridge TI to invest directly into TICD, the partners “diluted” the 50% share for KSWM. Stockbridge and Wilson Meany deny both claims.\u003c/p>\n\u003cp>In their original complaint, Stockbridge and Wilson Meany assert that the projected values of KSWM’s interests are “much lower today than they were a few years ago, before the COVID pandemic and economic shocks that came in its wake, and before unanticipated cost increases and delays pushed out the reduced projected revenues by several years, all of which have depressed expected returns,” the document reads. “Because of these setbacks, none of KSWM’s members can look forward to the financial rewards they had hoped for when this project started in the early 2000s.”\u003c/p>\n\u003cfigure id=\"attachment_11945939\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11945939\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS35226_TREASUREISLAND_003-qut-1.jpg\" alt=\"Cranes and other building equipment are seen parked on wet ground. Trees and powerlines are also pictured in the background under gray skies.\" width=\"1920\" height=\"1323\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS35226_TREASUREISLAND_003-qut-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS35226_TREASUREISLAND_003-qut-1-800x551.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS35226_TREASUREISLAND_003-qut-1-1020x703.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS35226_TREASUREISLAND_003-qut-1-160x110.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/04/RS35226_TREASUREISLAND_003-qut-1-1536x1058.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bulldozers and other construction equipment are locked away on Treasure Island on Friday, Feb. 8, 2019. \u003ccite>(Lindsey Moore/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Treasure Island represents both a massive opportunity and challenge for developers. Unlike many parts of the city, the former naval base has tremendous space for new developments and housing, which is sorely needed to address the region’s housing crunch. But the former military site has a history spotted with environmental lawsuits, permitting hurdles and other barriers.\u003c/p>\n\u003cp>The most recent project to break ground was Star View Court, a 138-unit development that includes 71 units for formerly unhoused families transitioning out of interim supportive housing, 43 units for lower-income households, and 23 homes for current Treasure Island residents.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More Stories on Housing ","tag":"housing"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>About 27% of the homes and apartments slated for the Treasure Island/Yerba Buena Island Development Project, which the San Francisco Board of Supervisors approved in 2011, are earmarked to be affordable.\u003c/p>\n\u003cp>“On Treasure Island we have an incredible opportunity to create a whole new neighborhood that serves all San Franciscans,” Mayor London Breed said in 2022 when the Star View Court project was announced. “As we do that work, it’s essential that we have affordable places for people to live that also provide housing for the existing residents of this community.”\u003c/p>\n\u003cp>Supervisor Matt Dorsey and Assemblymember Matt Haney, whose districts include Treasure Island, did not immediately respond to requests for comment.\u003c/p>\n\u003cp>\u003ci data-stringify-type=\"italic\">This story has been updated to include a statement from a Stockbridge Investments spokesperson.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11945929/treasure-island-redevelopment-plans-uncertain-as-bay-area-real-estate-companies-sue-each-other","authors":["11840","11652"],"categories":["news_6266","news_8"],"tags":["news_21863","news_1775","news_21891","news_137","news_24616","news_38","news_1279"],"featImg":"news_11945937","label":"news"},"news_11848986":{"type":"posts","id":"news_11848986","meta":{"index":"posts_1591205157","site":"news","id":"11848986","score":null,"sort":[1606993254000]},"guestAuthors":[],"slug":"inside-frida-kahlo-and-diego-riveras-life-in-san-francisco","title":"Inside Frida Kahlo and Diego Rivera's Life in San Francisco","publishDate":1606993254,"format":"standard","headTitle":"Inside Frida Kahlo and Diego Rivera’s Life in San Francisco | KQED","labelTerm":{},"content":"\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/podcasts/baycurious\">Bay Curious\u003c/a> listener Erin Al Gwaiz wrote us asking to learn more about Frida Kahlo and Diego Rivera’s time spent in San Francisco and their lasting impact on the arts scene here. This story originally ran on Dec. 3, 2020.\u003c/em>\u003c/p>\n\u003cp>[dropcap]T[/dropcap]hese days, Frida Kahlo’s image is all around us. Her iconic eyebrows and piercing gaze have been immortalized on T-shirts, tote bags and tequila bottles. There’s even a \u003ca href=\"https://barbie.mattel.com/shop/en-us/ba/inspiring-women-series/barbie-inspiring-women-series-frida-kahlo-doll-fjh65\">Frida Barbie doll\u003c/a>.\u003c/p>\n\u003cp>But before her image became so commercialized and ubiquitous, Kahlo was just a budding artist waiting for her big break. Married to the older and already famous artist Diego Rivera, Kahlo was determined to make a name for herself, and her time in San Francisco would help her do that.\u003c/p>\n\u003ch3>Frida and Diego Come to San Francisco\u003c/h3>\n\u003cp>It was a place she called “the city of the world,” and she often dreamed of it as a teenager, says University of San Francisco professor and author of \u003cem>\u003ca href=\"http://fridakahlojourney.com/index.html\">Frida in America\u003c/a>\u003c/em>, Celia Stahr. As she and Rivera make their way to San Francisco in 1930, she doodles a portrait of herself set against a backdrop of how she imagined the city to be.\u003c/p>\n\u003cp>“When they get to San Francisco, she shows it to Diego and he just marvels at how much it looks like what they’re seeing before them, kind of like she already knew what it was going to look like even though she’d never been [here],” says Stahr. “So there’s a sense of destiny that she was supposed to come here.”\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>Despite the fact that it was the Great Depression and paid work opportunities for American artists were scarce, Rivera landed two prestigious mural commissions: one at the \u003ca href=\"https://www.sfai.edu/about-sfai/diego-rivera-mural\">San Francisco Art Institute\u003c/a> and another at the Pacific Stock Exchange building, now called the City Club of San Francisco. His patrons hoped that Rivera’s fame would bring prestige to the local art scene and help jump-start a mural movement in the bay.\u003c/p>\n\u003cp>But Rivera was a controversial pick for the Stock Exchange. As a member of the Mexican Communist Party, Rivera imbued his politics in his large-scale public murals. Many San Francisco artists were outraged that an outspoken communist would paint in the city’s “citadel of capitalism” and took to the newspaper to express their opposition.\u003c/p>\n\u003cfigure id=\"attachment_11848996\" class=\"wp-caption alignright\" style=\"max-width: 383px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11848996 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAK-0313.jpg\" alt=\"\" width=\"383\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAK-0313.jpg 383w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAK-0313-160x167.jpg 160w\" sizes=\"(max-width: 383px) 100vw, 383px\">\u003cfigcaption class=\"wp-caption-text\">Rivera at work on the ‘Allegory of California’ mural at the Pacific Stock Exchange. \u003ccite>(San Francisco History Center, San Francisco Public Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I believe he is the greatest living artist in the world and we would do well to have an example of his work in a public building in San Francisco. But he is not the man for the Stock Exchange building,” argued painter Maynard Dixon.\u003c/p>\n\u003cp>Where his critics saw offense, his supporters saw beauty. Rivera’s masterful use of the fresco technique, applying pigment to wet plaster, fascinated local artists who eagerly wanted to learn the craft.\u003c/p>\n\u003cp>In one of the many letters Kahlo wrote to her family about the Bay Area, she notes the nonstop attention Rivera attracted. “The poor guy can’t even go to the bathroom in peace because they’re bugging him all day,” she wrote.\u003c/p>\n\u003cp>The 23-year-old Kahlo had only been painting for five years, and the local press merely regarded her as the wife of the famous Mexican muralist.\u003c/p>\n\u003cp>“She hasn’t had that much experience. She hasn’t really found her artistic voice quite yet,” explains Celia Stahr.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch3>Soirees, Sketching and Sightseeing\u003c/h3>\n\u003cp>In their new home at 716 Montgomery St., not far from North Beach and Chinatown, Kahlo was surrounded by artists who energized her creative process, says Stahr. For six months, the couple stayed at the studio of Rivera’s old classmate and friend, sculptor Ralph Stackpole, who introduced them to an eclectic group of writers, painters and photographers.\u003c/p>\n\u003cfigure id=\"attachment_11848997\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11848997 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46092_AAA-AAA_packemmy_65269-qut-800x820.jpg\" alt=\"\" width=\"800\" height=\"820\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46092_AAA-AAA_packemmy_65269-qut-800x820.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46092_AAA-AAA_packemmy_65269-qut-160x164.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46092_AAA-AAA_packemmy_65269-qut.jpg 858w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rivera and Kahlo stay at the studio of sculptor Ralph Stackpole while living in San Francisco between 1930-1931. \u003ccite>(Archives of American Art, Smithsonian Institution)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Among the many Bay Area-based artists they befriended included Dorothea Lange and her husband Maynard Dixon (who had warmed to Rivera by this point).\u003c/p>\n\u003cp>“The foursome talked art, politics, and the bleak times,” writes Stahr. “Dorothea’s need to respond to these desperate times appealed to Frida and Diego’s working-class sympathies.”\u003c/p>\n\u003cp>Part of Kahlo’s routine was getting together with \u003ca href=\"https://en.wikipedia.org/wiki/Pele_de_Lappe\">Pele deLappe\u003c/a> and \u003ca href=\"https://en.wikipedia.org/wiki/Lucile_Blanch\">Lucile Blanch\u003c/a> to make art.\u003c/p>\n\u003cp>“We would draw these composite drawings where each one would start on a particular sheet of paper and then trade them off and pass them around,” recalled deLappe in an interview \u003ca href=\"https://archive.org/details/pele-frieda\">recorded in 2001\u003c/a>. “[The sketches] were usually very obscene or horrendous and bloody or sensuous in some way.”\u003c/p>\n\u003cp>Art historian Celia Stahr says these hangouts were helpful for Kahlo’s artistic development.\u003c/p>\n\u003cp>When she and Rivera weren’t busy painting, they made plenty of time for sightseeing around San Francisco.\u003c/p>\n\u003cp>“In the Russia colony they dress as they do in Russia, and the girls dance on the hills. The Greek colony is also very interesting and the Japanese, but most of all the Chinese,” Frida wrote in a letter to her mother.\u003c/p>\n\u003cp>“She just gushes about Chinatown and she writes about it quite a bit. It reminded her very much, she said, of home. She writes about how she’s convinced that the Mexican people and the Chinese people are connected to one another,” says Stahr.\u003c/p>\n\u003cp>Letters detail how the firecrackers during Chinese New Year festivities reminded Kahlo of street fairs back in Mexico. Silks and other handmade fabrics sold in the shops of Chinatown also caught her eye. She purchased a few to embellish her red leather boots and make into Mexican-style skirts.\u003c/p>\n\u003cp>Kahlo’s style definitely caught the attention of San Franciscans. Her indigenous dress, influenced by the Zapotec women of Tehuantepec, stirred so much excitement on the streets of San Francisco that she reportedly stopped traffic.\u003c/p>\n\u003cfigure id=\"attachment_11848998\" class=\"wp-caption alignright\" style=\"max-width: 345px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11848998 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAF-0633.jpg\" alt=\"\" width=\"345\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAF-0633.jpg 345w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAF-0633-160x186.jpg 160w\" sizes=\"(max-width: 345px) 100vw, 345px\">\u003cfigcaption class=\"wp-caption-text\">Kahlo painting a portrait of Mrs. Jean Wight in San Francisco \u003ccite>(San Francisco History Center, San Francisco Public Library )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The gringas seem to like me a lot and they are really impressed by all the dresses and rebozos I brought with me, they gape at the jade necklaces and all the painters want me to model for the portraits,” Kahlo wrote to her mother.\u003c/p>\n\u003cp>Her bold look catches the attention of well-known photographers Imogen Cunningham and Edward Weston, who ask her to pose for them in San Francisco. Since Kahlo was the daughter of a photographer, she was a natural in front of the camera. A local writer also pens a play about her and Rivera called “\u003ca href=\"https://www.si.edu/object/AAADCD_item_766\">The Queen of Montgomery Street\u003c/a>.”\u003c/p>\n\u003cp>This recognition adds to Frida’s growing artist persona and helped plant the seeds for her eventual rise to icon status.\u003c/p>\n\u003cp>But underneath her colorful garments, Kahlo’s body ached. At 18 she had suffered a horrific street car accident that severely damaged most of her body and exacerbated the chronic pain of her polio leg. Her long walks around San Francisco began to take a toll on her.\u003c/p>\n\u003ch3>New Friends, New Places and New Ideas\u003c/h3>\n\u003cp>That changed when she met \u003ca href=\"https://www.wikiart.org/en/frida-kahlo/portrait-of-dr-leo-eloesser-1931\">Dr. Leo Eloesser\u003c/a>, who would ultimately have a big impact on her life. Eloesser was the chief of thoracic surgery at San Francisco General Hospital and he went above and beyond to treat Kahlo’s foot and leg pain, even showing up at her doorstep when she’d miss her appointments.\u003c/p>\n\u003cp>Beyond his thorough care, he connected with Kahlo and Rivera on a creative level.\u003c/p>\n\u003cp>“Leo was a musician. He played viola and he would have weekly soirees at his flat. And so he was a doctor, but you could say he had the soul of an artist,” said Stahr.\u003c/p>\n\u003cp>The three of them even traveled around Northern California together. One time, Eloesser took Kahlo on her first plane ride. They flew from Oakland to Sacramento to meet up with Rivera who was busy sketching mines and dredgers for his \u003ca href=\"https://www.wikiart.org/en/diego-rivera/allegory-of-california-1931\">“Allegory of California” \u003c/a>mural. One of these excursions proved to be a major turning point for Kahlo’s art.\u003c/p>\n\u003cp>On a trip to Santa Rosa, Rivera and Kahlo visited the garden of the famous horticulturist Luther Burbank, known as “the wizard of horticulture.” He developed more than 800 varieties of fruits, vegetables and plants by cross breeding two kinds together.\u003c/p>\n\u003cfigure id=\"attachment_11849000\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11849000 size-large\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46089_castrbhg_pho_1178_01-qut-1020x1424.jpg\" alt=\"\" width=\"640\" height=\"893\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46089_castrbhg_pho_1178_01-qut-1020x1424.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46089_castrbhg_pho_1178_01-qut-800x1117.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46089_castrbhg_pho_1178_01-qut-160x223.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46089_castrbhg_pho_1178_01-qut-1100x1536.jpg 1100w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46089_castrbhg_pho_1178_01-qut-1467x2048.jpg 1467w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46089_castrbhg_pho_1178_01-qut-scaled.jpg 1833w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Diego Rivera and Frida Kahlo at the garden of Luther Burbank in Santa Rosa \u003ccite>(Luther Burbank Home & Gardens Collection--Sonoma County Library Digital Collections)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Seeing how Burbank literally fused together two organisms to create something brand new mesmerized Kahlo. She applies Burbank’s hybrid technique to her art, and what comes out is a \u003ca href=\"https://artsandculture.google.com/story/portrait-of-luther-burbank/fwJiOmp7mtPdLA\">portrait of the horticulturist\u003c/a> as part human and part tree trunk with roots connecting to his buried corpse.\u003c/p>\n\u003cp>[emailsignup newslettername=\"baycurious\" align=\"right\"]\u003c/p>\n\u003cp>“This is really her first major breakthrough creatively, in terms of creating a new style that was very different from what she’d been working on,” explains Stahr.\u003c/p>\n\u003cp>From this point on, Kahlo continued to play with imagery of \u003ca href=\"https://www.wikiart.org/en/frida-kahlo/roots-1943\">roots\u003c/a>, plants and \u003ca href=\"https://www.wikiart.org/en/frida-kahlo/the-wounded-deer-1946\">hybrid bodies\u003c/a> to portray themes of life and death. It’s a duality that was already part of her Mexican upbringing, says Stahr, but a visual style that was honed here in the Bay Area.\u003c/p>\n\u003cp>When Rivera completed his two murals in 1931, the couple briefly went back to Mexico before returning to the U.S. to paint in New York City and Detroit. But it wouldn’t be the last time they visited San Francisco.\u003c/p>\n\u003ch3>Frida and Diego Take on San Francisco a Second Time\u003c/h3>\n\u003cp>When they return a decade later, Kahlo and Rivera are divorced, and they arrive following dramatic circumstances.\u003c/p>\n\u003cp>First came Rivera, who fled Mexican authorities who wanted to question him about the attempted assassination of his former friend and exiled Russian revolutionary, Leon Trotsky.\u003c/p>\n\u003cp>Kahlo wasn’t so lucky. Months later, when Trotsky was actually assassinated, the police detained her for questioning, believing she was an accomplice. (Years prior, she and Rivera offered their Casa Azul to Trotsky and his wife for political asylum). The brief experience in jail left her traumatized.\u003c/p>\n\u003cp>“She was in a terrible emotional state. Physically, she wasn’t doing well. She complained of back and leg pain,” says Stahr.\u003c/p>\n\u003cfigure id=\"attachment_11849008\" class=\"wp-caption alignleft\" style=\"max-width: 599px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11849008 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAA-AAA_packemmy_24693-1.jpg\" alt=\"\" width=\"599\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAA-AAA_packemmy_24693-1.jpg 599w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAA-AAA_packemmy_24693-1-160x342.jpg 160w\" sizes=\"(max-width: 599px) 100vw, 599px\">\u003cfigcaption class=\"wp-caption-text\">A letter Kahlo wrote to Rivera while hospitalized at St. Luke’s \u003ccite>(Archives of American Art)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In response, her doctors in Mexico advised her to undergo more surgeries. But her friend and trusted doctor, Leo Eloesser, didn’t agree. He felt her emotional health needed tending to, so he prescribed her a better diet, less drinking and advised her to reconcile with Rivera in San Francisco.\u003c/p>\n\u003cp>“[Eloesser] played this important role in their marriage. He was really the go between with their relationship,” explains Stahr.\u003c/p>\n\u003cp>Kahlo took his advice and when she arrived, she resided with Rivera at 42 Calhoun Terrace in Telegraph Hill before letting Eloesser admit her to St. Luke’s Hospital in the Mission District.\u003c/p>\n\u003cp>Meanwhile, Rivera was busy working on his \u003ca href=\"https://www.ccsf.edu/campus-life/arts-ccsf/pan-american-unity-mural\">largest single standing mural\u003c/a>, known as the “Pan American Unity” mural. For months he and his assistants painted in front of a public audience at Treasure Island during the Golden Gate International Exposition. (\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/187038\">Watch this video clip\u003c/a> of Rivera and his team painting at Treasure Island.)\u003c/p>\n\u003cp>Once again, Rivera’s art sparked controversy. Not because he painted his communist politics but because he portrayed the cruelty of Nazi Germany. It was his way of urging the U.S. to intervene in World War II and protect all of the Americas, including Mexico.\u003c/p>\n\u003cp>When Kahlo was discharged from the hospital and felt physically and emotionally stronger, she and Rivera remarried at San Francisco City Hall on Rivera’s 54th birthday.\u003c/p>\n\u003cp>The Oakland Tribune snaps a photograph of the couple and this time acknowledges Kahlo as “an artist in her own right.”\u003c/p>\n\u003cfigure id=\"attachment_11848999\" class=\"wp-caption alignright\" style=\"max-width: 477px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11848999\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAD-2975.jpg\" alt=\"\" width=\"477\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAD-2975.jpg 477w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAD-2975-160x134.jpg 160w\" sizes=\"(max-width: 477px) 100vw, 477px\">\u003cfigcaption class=\"wp-caption-text\">Kahlo and Rivera remarry at San Francisco City Hall in 1940 \u003ccite>(San Francisco History Center, San Francisco Public Library )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“By 1940 she has achieved quite a bit. You might say she’s at the height of her career at that time,” says Stahr.\u003c/p>\n\u003cp>Her art was exhibited at the World’s Fair on Treasure Island, the Legion of Honor and landed in the hands of an important collector, Albert Bender, who was affiliated with San Francisco Museum of Modern Art — all things that helped give Kahlo wider exposure around the U.S.\u003c/p>\n\u003cp>“You have no idea how marvelous the city is, it helped me a lot to come because it opened my eyes and I’ve seen lots of swell new things,” wrote Kahlo to a friend.*\u003c/p>\n\u003ch3>A Legacy That Keeps Evolving\u003c/h3>\n\u003cp>As much as the Bay Area provided Kahlo and Rivera a platform to create and thrive, the couple also gave San Francisco a lasting blueprint for creativity.\u003c/p>\n\u003cp>“In fact, Coit Tower and the murals there emerge because of Diego’s influence,” says Stahr. Some of the Coit Tower muralists actually trained under Rivera, following in his footsteps by painting large-scale fresco murals that focus on workers and class issues.\u003c/p>\n\u003cp>His work also emboldened muralists at the \u003ca href=\"https://www.atlasobscura.com/places/beach-chalet-wpa-murals\">Beach Chalet\u003c/a> and \u003ca href=\"https://www.foundsf.org/index.php?title=UCSF%27s_Depression-Era_Medical_History_Murals\">UCSF\u003c/a>. Ultimately, his patron’s desire for a mural movement to take off in San Francisco came to fruition.\u003c/p>\n\u003cfigure id=\"attachment_11848992\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11848992 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46091_s7uB6jO5-qut-800x1167.jpg\" alt=\"\" width=\"800\" height=\"1167\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46091_s7uB6jO5-qut-800x1167.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46091_s7uB6jO5-qut-160x233.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46091_s7uB6jO5-qut.jpg 941w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Starting in the 1970s, exhibits and events at La Galería de la Raza in the Mission District helped generate interest and appreciation for Kahlo’s life. \u003ccite>(Courtesy of Rio Yañez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kahlo’s body of work also had a monumental impact on Bay Area artists, starting in the 1970s.\u003c/p>\n\u003cp>As many Chicanos and Latinos continued the fight for civil rights and representation, local artists like \u003ca href=\"https://en.wikipedia.org/wiki/Amalia_Mesa-Bains\">Amalia Mesa-Bains\u003c/a> turned to Kahlo and Rivera’s art as a source of empowerment and cultural pride.\u003c/p>\n\u003cp>“We had experienced racism and discrimination and so we needed to reclaim our sense of belonging. Frida and Diego became in many ways models for us, that an artist could be at the same time political and cultural,” says Mesa-Bains.\u003c/p>\n\u003cfigure id=\"attachment_11848993\" class=\"wp-caption alignright\" style=\"max-width: 328px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11848993\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46088_1RZDDcSJ-qut-160x209.jpg\" alt=\"\" width=\"328\" height=\"429\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46088_1RZDDcSJ-qut-160x209.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46088_1RZDDcSJ-qut.jpg 791w\" sizes=\"(max-width: 328px) 100vw, 328px\">\u003cfigcaption class=\"wp-caption-text\">Poster designed by Rupert Garcia for the seminal 1978 exhibition. \u003ccite>(Courtesy of Rio Yañez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mesa-Bains and other Chicana/o artists were so moved by Kahlo’s complicated and bold art that they curated an exhibition called “Homenaje a Frida Kahlo” at the\u003ca href=\"http://www.galeriadelaraza.org/\"> Galería de la Raza\u003c/a> in 1978.\u003c/p>\n\u003cp>Artists created works inspired by Kahlo and those who personally knew the couple in San Francisco, such as \u003ca href=\"https://en.wikipedia.org/wiki/Emmy_Lou_Packard\">Emmy Lou Packard\u003c/a>, were invited to share memories of them.\u003c/p>\n\u003cp>This exhibit came at a time when there was very little published about Kahlo’s life and work, so it was seminal to introducing Kahlo to a wider audience before Frida-mania ensued.\u003c/p>\n\u003cp>Today, local artists continue to pay tribute to the two Mexican artists. Rio Yañez’s series, “\u003ca href=\"https://www.flickr.com/photos/elrio/sets/72157594566662293/\">Ghetto Frida\u003c/a>,” imagines Kahlo as a sort of comic book character hanging out at various spots in the pre-gentrified Mission District. And the political ethos of street art in the Bay hearkens back to Rivera’s masterpieces.\u003c/p>\n\u003cp>In 2018, San Francisco city officials renamed a street after Frida Kahlo in front of City College of San Francisco’s main campus, also the permanent home of Diego Rivera’s “\u003ca href=\"https://riveramural.org/\">Pan American Unity” mural\u003c/a>.\u003c/p>\n\u003cp>In what Kahlo called the “city of the world” the lasting brush strokes of Mexico’s most known artists are as vibrant as ever.\u003c/p>\n\u003cfigure id=\"attachment_11848991\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11848991 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46090_2009MissionMemories-qut-800x640.jpg\" alt=\"\" width=\"800\" height=\"640\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46090_2009MissionMemories-qut-800x640.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46090_2009MissionMemories-qut-1020x816.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46090_2009MissionMemories-qut-160x128.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46090_2009MissionMemories-qut-1536x1229.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46090_2009MissionMemories-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">In 2009, Rio Yañez created Ghetto Frida’s ‘Mission Memories’ to pay tribute to the iconic artist and favorite spots growing up in the Mission district. \u003ccite>(Rio Yañez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>The translated quotes from Kahlo’s letters to her family that appear in this article have been sourced from Celia Stahr’s book, “\u003ca href=\"https://us.macmillan.com/books/9781250113399\">Frida in America: The Creative Awakening of a Great Artist\u003c/a>.”\u003c/em>\u003c/p>\n\u003cp>\u003cem>* Letter to Kahlos’s friend appears in Frida by Frida collected by Raquel Tibol\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"The Bay Area provided Kahlo and Rivera a place to create and thrive, and they gave San Francisco a lasting blueprint for creativity. ","status":"publish","parent":0,"modified":1700589136,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":68,"wordCount":2773},"headData":{"title":"Inside Frida Kahlo and Diego Rivera's Life in San Francisco | KQED","description":"The Bay Area provided Kahlo and Rivera a place to create and thrive, and they gave San Francisco a lasting blueprint for creativity. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"source":"Bay Curious","sourceUrl":"https://www.kqed.org/podcasts/baycurious","audioUrl":"https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/KQINC4452216207.mp3?updated=1660796816","excludeFromSiteSearch":"Include","path":"/news/11848986/inside-frida-kahlo-and-diego-riveras-life-in-san-francisco","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/podcasts/baycurious\">Bay Curious\u003c/a> listener Erin Al Gwaiz wrote us asking to learn more about Frida Kahlo and Diego Rivera’s time spent in San Francisco and their lasting impact on the arts scene here. This story originally ran on Dec. 3, 2020.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">T\u003c/span>\u003c/p>\u003cp>hese days, Frida Kahlo’s image is all around us. Her iconic eyebrows and piercing gaze have been immortalized on T-shirts, tote bags and tequila bottles. There’s even a \u003ca href=\"https://barbie.mattel.com/shop/en-us/ba/inspiring-women-series/barbie-inspiring-women-series-frida-kahlo-doll-fjh65\">Frida Barbie doll\u003c/a>.\u003c/p>\n\u003cp>But before her image became so commercialized and ubiquitous, Kahlo was just a budding artist waiting for her big break. Married to the older and already famous artist Diego Rivera, Kahlo was determined to make a name for herself, and her time in San Francisco would help her do that.\u003c/p>\n\u003ch3>Frida and Diego Come to San Francisco\u003c/h3>\n\u003cp>It was a place she called “the city of the world,” and she often dreamed of it as a teenager, says University of San Francisco professor and author of \u003cem>\u003ca href=\"http://fridakahlojourney.com/index.html\">Frida in America\u003c/a>\u003c/em>, Celia Stahr. As she and Rivera make their way to San Francisco in 1930, she doodles a portrait of herself set against a backdrop of how she imagined the city to be.\u003c/p>\n\u003cp>“When they get to San Francisco, she shows it to Diego and he just marvels at how much it looks like what they’re seeing before them, kind of like she already knew what it was going to look like even though she’d never been [here],” says Stahr. “So there’s a sense of destiny that she was supposed to come here.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Despite the fact that it was the Great Depression and paid work opportunities for American artists were scarce, Rivera landed two prestigious mural commissions: one at the \u003ca href=\"https://www.sfai.edu/about-sfai/diego-rivera-mural\">San Francisco Art Institute\u003c/a> and another at the Pacific Stock Exchange building, now called the City Club of San Francisco. His patrons hoped that Rivera’s fame would bring prestige to the local art scene and help jump-start a mural movement in the bay.\u003c/p>\n\u003cp>But Rivera was a controversial pick for the Stock Exchange. As a member of the Mexican Communist Party, Rivera imbued his politics in his large-scale public murals. Many San Francisco artists were outraged that an outspoken communist would paint in the city’s “citadel of capitalism” and took to the newspaper to express their opposition.\u003c/p>\n\u003cfigure id=\"attachment_11848996\" class=\"wp-caption alignright\" style=\"max-width: 383px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11848996 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAK-0313.jpg\" alt=\"\" width=\"383\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAK-0313.jpg 383w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAK-0313-160x167.jpg 160w\" sizes=\"(max-width: 383px) 100vw, 383px\">\u003cfigcaption class=\"wp-caption-text\">Rivera at work on the ‘Allegory of California’ mural at the Pacific Stock Exchange. \u003ccite>(San Francisco History Center, San Francisco Public Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I believe he is the greatest living artist in the world and we would do well to have an example of his work in a public building in San Francisco. But he is not the man for the Stock Exchange building,” argued painter Maynard Dixon.\u003c/p>\n\u003cp>Where his critics saw offense, his supporters saw beauty. Rivera’s masterful use of the fresco technique, applying pigment to wet plaster, fascinated local artists who eagerly wanted to learn the craft.\u003c/p>\n\u003cp>In one of the many letters Kahlo wrote to her family about the Bay Area, she notes the nonstop attention Rivera attracted. “The poor guy can’t even go to the bathroom in peace because they’re bugging him all day,” she wrote.\u003c/p>\n\u003cp>The 23-year-old Kahlo had only been painting for five years, and the local press merely regarded her as the wife of the famous Mexican muralist.\u003c/p>\n\u003cp>“She hasn’t had that much experience. She hasn’t really found her artistic voice quite yet,” explains Celia Stahr.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch3>Soirees, Sketching and Sightseeing\u003c/h3>\n\u003cp>In their new home at 716 Montgomery St., not far from North Beach and Chinatown, Kahlo was surrounded by artists who energized her creative process, says Stahr. For six months, the couple stayed at the studio of Rivera’s old classmate and friend, sculptor Ralph Stackpole, who introduced them to an eclectic group of writers, painters and photographers.\u003c/p>\n\u003cfigure id=\"attachment_11848997\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11848997 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46092_AAA-AAA_packemmy_65269-qut-800x820.jpg\" alt=\"\" width=\"800\" height=\"820\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46092_AAA-AAA_packemmy_65269-qut-800x820.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46092_AAA-AAA_packemmy_65269-qut-160x164.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46092_AAA-AAA_packemmy_65269-qut.jpg 858w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rivera and Kahlo stay at the studio of sculptor Ralph Stackpole while living in San Francisco between 1930-1931. \u003ccite>(Archives of American Art, Smithsonian Institution)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Among the many Bay Area-based artists they befriended included Dorothea Lange and her husband Maynard Dixon (who had warmed to Rivera by this point).\u003c/p>\n\u003cp>“The foursome talked art, politics, and the bleak times,” writes Stahr. “Dorothea’s need to respond to these desperate times appealed to Frida and Diego’s working-class sympathies.”\u003c/p>\n\u003cp>Part of Kahlo’s routine was getting together with \u003ca href=\"https://en.wikipedia.org/wiki/Pele_de_Lappe\">Pele deLappe\u003c/a> and \u003ca href=\"https://en.wikipedia.org/wiki/Lucile_Blanch\">Lucile Blanch\u003c/a> to make art.\u003c/p>\n\u003cp>“We would draw these composite drawings where each one would start on a particular sheet of paper and then trade them off and pass them around,” recalled deLappe in an interview \u003ca href=\"https://archive.org/details/pele-frieda\">recorded in 2001\u003c/a>. “[The sketches] were usually very obscene or horrendous and bloody or sensuous in some way.”\u003c/p>\n\u003cp>Art historian Celia Stahr says these hangouts were helpful for Kahlo’s artistic development.\u003c/p>\n\u003cp>When she and Rivera weren’t busy painting, they made plenty of time for sightseeing around San Francisco.\u003c/p>\n\u003cp>“In the Russia colony they dress as they do in Russia, and the girls dance on the hills. The Greek colony is also very interesting and the Japanese, but most of all the Chinese,” Frida wrote in a letter to her mother.\u003c/p>\n\u003cp>“She just gushes about Chinatown and she writes about it quite a bit. It reminded her very much, she said, of home. She writes about how she’s convinced that the Mexican people and the Chinese people are connected to one another,” says Stahr.\u003c/p>\n\u003cp>Letters detail how the firecrackers during Chinese New Year festivities reminded Kahlo of street fairs back in Mexico. Silks and other handmade fabrics sold in the shops of Chinatown also caught her eye. She purchased a few to embellish her red leather boots and make into Mexican-style skirts.\u003c/p>\n\u003cp>Kahlo’s style definitely caught the attention of San Franciscans. Her indigenous dress, influenced by the Zapotec women of Tehuantepec, stirred so much excitement on the streets of San Francisco that she reportedly stopped traffic.\u003c/p>\n\u003cfigure id=\"attachment_11848998\" class=\"wp-caption alignright\" style=\"max-width: 345px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11848998 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAF-0633.jpg\" alt=\"\" width=\"345\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAF-0633.jpg 345w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAF-0633-160x186.jpg 160w\" sizes=\"(max-width: 345px) 100vw, 345px\">\u003cfigcaption class=\"wp-caption-text\">Kahlo painting a portrait of Mrs. Jean Wight in San Francisco \u003ccite>(San Francisco History Center, San Francisco Public Library )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The gringas seem to like me a lot and they are really impressed by all the dresses and rebozos I brought with me, they gape at the jade necklaces and all the painters want me to model for the portraits,” Kahlo wrote to her mother.\u003c/p>\n\u003cp>Her bold look catches the attention of well-known photographers Imogen Cunningham and Edward Weston, who ask her to pose for them in San Francisco. Since Kahlo was the daughter of a photographer, she was a natural in front of the camera. A local writer also pens a play about her and Rivera called “\u003ca href=\"https://www.si.edu/object/AAADCD_item_766\">The Queen of Montgomery Street\u003c/a>.”\u003c/p>\n\u003cp>This recognition adds to Frida’s growing artist persona and helped plant the seeds for her eventual rise to icon status.\u003c/p>\n\u003cp>But underneath her colorful garments, Kahlo’s body ached. At 18 she had suffered a horrific street car accident that severely damaged most of her body and exacerbated the chronic pain of her polio leg. Her long walks around San Francisco began to take a toll on her.\u003c/p>\n\u003ch3>New Friends, New Places and New Ideas\u003c/h3>\n\u003cp>That changed when she met \u003ca href=\"https://www.wikiart.org/en/frida-kahlo/portrait-of-dr-leo-eloesser-1931\">Dr. Leo Eloesser\u003c/a>, who would ultimately have a big impact on her life. Eloesser was the chief of thoracic surgery at San Francisco General Hospital and he went above and beyond to treat Kahlo’s foot and leg pain, even showing up at her doorstep when she’d miss her appointments.\u003c/p>\n\u003cp>Beyond his thorough care, he connected with Kahlo and Rivera on a creative level.\u003c/p>\n\u003cp>“Leo was a musician. He played viola and he would have weekly soirees at his flat. And so he was a doctor, but you could say he had the soul of an artist,” said Stahr.\u003c/p>\n\u003cp>The three of them even traveled around Northern California together. One time, Eloesser took Kahlo on her first plane ride. They flew from Oakland to Sacramento to meet up with Rivera who was busy sketching mines and dredgers for his \u003ca href=\"https://www.wikiart.org/en/diego-rivera/allegory-of-california-1931\">“Allegory of California” \u003c/a>mural. One of these excursions proved to be a major turning point for Kahlo’s art.\u003c/p>\n\u003cp>On a trip to Santa Rosa, Rivera and Kahlo visited the garden of the famous horticulturist Luther Burbank, known as “the wizard of horticulture.” He developed more than 800 varieties of fruits, vegetables and plants by cross breeding two kinds together.\u003c/p>\n\u003cfigure id=\"attachment_11849000\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11849000 size-large\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46089_castrbhg_pho_1178_01-qut-1020x1424.jpg\" alt=\"\" width=\"640\" height=\"893\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46089_castrbhg_pho_1178_01-qut-1020x1424.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46089_castrbhg_pho_1178_01-qut-800x1117.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46089_castrbhg_pho_1178_01-qut-160x223.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46089_castrbhg_pho_1178_01-qut-1100x1536.jpg 1100w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46089_castrbhg_pho_1178_01-qut-1467x2048.jpg 1467w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46089_castrbhg_pho_1178_01-qut-scaled.jpg 1833w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Diego Rivera and Frida Kahlo at the garden of Luther Burbank in Santa Rosa \u003ccite>(Luther Burbank Home & Gardens Collection--Sonoma County Library Digital Collections)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Seeing how Burbank literally fused together two organisms to create something brand new mesmerized Kahlo. She applies Burbank’s hybrid technique to her art, and what comes out is a \u003ca href=\"https://artsandculture.google.com/story/portrait-of-luther-burbank/fwJiOmp7mtPdLA\">portrait of the horticulturist\u003c/a> as part human and part tree trunk with roots connecting to his buried corpse.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"emailsignup","attributes":{"named":{"newslettername":"baycurious","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“This is really her first major breakthrough creatively, in terms of creating a new style that was very different from what she’d been working on,” explains Stahr.\u003c/p>\n\u003cp>From this point on, Kahlo continued to play with imagery of \u003ca href=\"https://www.wikiart.org/en/frida-kahlo/roots-1943\">roots\u003c/a>, plants and \u003ca href=\"https://www.wikiart.org/en/frida-kahlo/the-wounded-deer-1946\">hybrid bodies\u003c/a> to portray themes of life and death. It’s a duality that was already part of her Mexican upbringing, says Stahr, but a visual style that was honed here in the Bay Area.\u003c/p>\n\u003cp>When Rivera completed his two murals in 1931, the couple briefly went back to Mexico before returning to the U.S. to paint in New York City and Detroit. But it wouldn’t be the last time they visited San Francisco.\u003c/p>\n\u003ch3>Frida and Diego Take on San Francisco a Second Time\u003c/h3>\n\u003cp>When they return a decade later, Kahlo and Rivera are divorced, and they arrive following dramatic circumstances.\u003c/p>\n\u003cp>First came Rivera, who fled Mexican authorities who wanted to question him about the attempted assassination of his former friend and exiled Russian revolutionary, Leon Trotsky.\u003c/p>\n\u003cp>Kahlo wasn’t so lucky. Months later, when Trotsky was actually assassinated, the police detained her for questioning, believing she was an accomplice. (Years prior, she and Rivera offered their Casa Azul to Trotsky and his wife for political asylum). The brief experience in jail left her traumatized.\u003c/p>\n\u003cp>“She was in a terrible emotional state. Physically, she wasn’t doing well. She complained of back and leg pain,” says Stahr.\u003c/p>\n\u003cfigure id=\"attachment_11849008\" class=\"wp-caption alignleft\" style=\"max-width: 599px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11849008 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAA-AAA_packemmy_24693-1.jpg\" alt=\"\" width=\"599\" height=\"1280\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAA-AAA_packemmy_24693-1.jpg 599w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAA-AAA_packemmy_24693-1-160x342.jpg 160w\" sizes=\"(max-width: 599px) 100vw, 599px\">\u003cfigcaption class=\"wp-caption-text\">A letter Kahlo wrote to Rivera while hospitalized at St. Luke’s \u003ccite>(Archives of American Art)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In response, her doctors in Mexico advised her to undergo more surgeries. But her friend and trusted doctor, Leo Eloesser, didn’t agree. He felt her emotional health needed tending to, so he prescribed her a better diet, less drinking and advised her to reconcile with Rivera in San Francisco.\u003c/p>\n\u003cp>“[Eloesser] played this important role in their marriage. He was really the go between with their relationship,” explains Stahr.\u003c/p>\n\u003cp>Kahlo took his advice and when she arrived, she resided with Rivera at 42 Calhoun Terrace in Telegraph Hill before letting Eloesser admit her to St. Luke’s Hospital in the Mission District.\u003c/p>\n\u003cp>Meanwhile, Rivera was busy working on his \u003ca href=\"https://www.ccsf.edu/campus-life/arts-ccsf/pan-american-unity-mural\">largest single standing mural\u003c/a>, known as the “Pan American Unity” mural. For months he and his assistants painted in front of a public audience at Treasure Island during the Golden Gate International Exposition. (\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/187038\">Watch this video clip\u003c/a> of Rivera and his team painting at Treasure Island.)\u003c/p>\n\u003cp>Once again, Rivera’s art sparked controversy. Not because he painted his communist politics but because he portrayed the cruelty of Nazi Germany. It was his way of urging the U.S. to intervene in World War II and protect all of the Americas, including Mexico.\u003c/p>\n\u003cp>When Kahlo was discharged from the hospital and felt physically and emotionally stronger, she and Rivera remarried at San Francisco City Hall on Rivera’s 54th birthday.\u003c/p>\n\u003cp>The Oakland Tribune snaps a photograph of the couple and this time acknowledges Kahlo as “an artist in her own right.”\u003c/p>\n\u003cfigure id=\"attachment_11848999\" class=\"wp-caption alignright\" style=\"max-width: 477px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11848999\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAD-2975.jpg\" alt=\"\" width=\"477\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAD-2975.jpg 477w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/AAD-2975-160x134.jpg 160w\" sizes=\"(max-width: 477px) 100vw, 477px\">\u003cfigcaption class=\"wp-caption-text\">Kahlo and Rivera remarry at San Francisco City Hall in 1940 \u003ccite>(San Francisco History Center, San Francisco Public Library )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“By 1940 she has achieved quite a bit. You might say she’s at the height of her career at that time,” says Stahr.\u003c/p>\n\u003cp>Her art was exhibited at the World’s Fair on Treasure Island, the Legion of Honor and landed in the hands of an important collector, Albert Bender, who was affiliated with San Francisco Museum of Modern Art — all things that helped give Kahlo wider exposure around the U.S.\u003c/p>\n\u003cp>“You have no idea how marvelous the city is, it helped me a lot to come because it opened my eyes and I’ve seen lots of swell new things,” wrote Kahlo to a friend.*\u003c/p>\n\u003ch3>A Legacy That Keeps Evolving\u003c/h3>\n\u003cp>As much as the Bay Area provided Kahlo and Rivera a platform to create and thrive, the couple also gave San Francisco a lasting blueprint for creativity.\u003c/p>\n\u003cp>“In fact, Coit Tower and the murals there emerge because of Diego’s influence,” says Stahr. Some of the Coit Tower muralists actually trained under Rivera, following in his footsteps by painting large-scale fresco murals that focus on workers and class issues.\u003c/p>\n\u003cp>His work also emboldened muralists at the \u003ca href=\"https://www.atlasobscura.com/places/beach-chalet-wpa-murals\">Beach Chalet\u003c/a> and \u003ca href=\"https://www.foundsf.org/index.php?title=UCSF%27s_Depression-Era_Medical_History_Murals\">UCSF\u003c/a>. Ultimately, his patron’s desire for a mural movement to take off in San Francisco came to fruition.\u003c/p>\n\u003cfigure id=\"attachment_11848992\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11848992 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46091_s7uB6jO5-qut-800x1167.jpg\" alt=\"\" width=\"800\" height=\"1167\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46091_s7uB6jO5-qut-800x1167.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46091_s7uB6jO5-qut-160x233.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46091_s7uB6jO5-qut.jpg 941w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Starting in the 1970s, exhibits and events at La Galería de la Raza in the Mission District helped generate interest and appreciation for Kahlo’s life. \u003ccite>(Courtesy of Rio Yañez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kahlo’s body of work also had a monumental impact on Bay Area artists, starting in the 1970s.\u003c/p>\n\u003cp>As many Chicanos and Latinos continued the fight for civil rights and representation, local artists like \u003ca href=\"https://en.wikipedia.org/wiki/Amalia_Mesa-Bains\">Amalia Mesa-Bains\u003c/a> turned to Kahlo and Rivera’s art as a source of empowerment and cultural pride.\u003c/p>\n\u003cp>“We had experienced racism and discrimination and so we needed to reclaim our sense of belonging. Frida and Diego became in many ways models for us, that an artist could be at the same time political and cultural,” says Mesa-Bains.\u003c/p>\n\u003cfigure id=\"attachment_11848993\" class=\"wp-caption alignright\" style=\"max-width: 328px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11848993\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46088_1RZDDcSJ-qut-160x209.jpg\" alt=\"\" width=\"328\" height=\"429\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46088_1RZDDcSJ-qut-160x209.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46088_1RZDDcSJ-qut.jpg 791w\" sizes=\"(max-width: 328px) 100vw, 328px\">\u003cfigcaption class=\"wp-caption-text\">Poster designed by Rupert Garcia for the seminal 1978 exhibition. \u003ccite>(Courtesy of Rio Yañez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mesa-Bains and other Chicana/o artists were so moved by Kahlo’s complicated and bold art that they curated an exhibition called “Homenaje a Frida Kahlo” at the\u003ca href=\"http://www.galeriadelaraza.org/\"> Galería de la Raza\u003c/a> in 1978.\u003c/p>\n\u003cp>Artists created works inspired by Kahlo and those who personally knew the couple in San Francisco, such as \u003ca href=\"https://en.wikipedia.org/wiki/Emmy_Lou_Packard\">Emmy Lou Packard\u003c/a>, were invited to share memories of them.\u003c/p>\n\u003cp>This exhibit came at a time when there was very little published about Kahlo’s life and work, so it was seminal to introducing Kahlo to a wider audience before Frida-mania ensued.\u003c/p>\n\u003cp>Today, local artists continue to pay tribute to the two Mexican artists. Rio Yañez’s series, “\u003ca href=\"https://www.flickr.com/photos/elrio/sets/72157594566662293/\">Ghetto Frida\u003c/a>,” imagines Kahlo as a sort of comic book character hanging out at various spots in the pre-gentrified Mission District. And the political ethos of street art in the Bay hearkens back to Rivera’s masterpieces.\u003c/p>\n\u003cp>In 2018, San Francisco city officials renamed a street after Frida Kahlo in front of City College of San Francisco’s main campus, also the permanent home of Diego Rivera’s “\u003ca href=\"https://riveramural.org/\">Pan American Unity” mural\u003c/a>.\u003c/p>\n\u003cp>In what Kahlo called the “city of the world” the lasting brush strokes of Mexico’s most known artists are as vibrant as ever.\u003c/p>\n\u003cfigure id=\"attachment_11848991\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11848991 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46090_2009MissionMemories-qut-800x640.jpg\" alt=\"\" width=\"800\" height=\"640\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46090_2009MissionMemories-qut-800x640.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46090_2009MissionMemories-qut-1020x816.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46090_2009MissionMemories-qut-160x128.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46090_2009MissionMemories-qut-1536x1229.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2020/11/RS46090_2009MissionMemories-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">In 2009, Rio Yañez created Ghetto Frida’s ‘Mission Memories’ to pay tribute to the iconic artist and favorite spots growing up in the Mission district. \u003ccite>(Rio Yañez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>The translated quotes from Kahlo’s letters to her family that appear in this article have been sourced from Celia Stahr’s book, “\u003ca href=\"https://us.macmillan.com/books/9781250113399\">Frida in America: The Creative Awakening of a Great Artist\u003c/a>.”\u003c/em>\u003c/p>\n\u003cp>\u003cem>* Letter to Kahlos’s friend appears in Frida by Frida collected by Raquel Tibol\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11848986/inside-frida-kahlo-and-diego-riveras-life-in-san-francisco","authors":["11528"],"programs":["news_33523"],"series":["news_17986"],"categories":["news_223","news_8","news_33520"],"tags":["news_1438","news_27626","news_23679","news_5270","news_1247","news_1279"],"featImg":"news_11849393","label":"source_news_11848986"},"science_1952317":{"type":"posts","id":"science_1952317","meta":{"index":"posts_1591205157","site":"science","id":"1952317","score":null,"sort":[1576753200000]},"guestAuthors":[],"slug":"rising-seas-and-sinking-land-the-precarious-future-of-treasure-island","title":"The Precarious Future of Treasure Island: Rising Seas and Sinking Land","publishDate":1576753200,"format":"standard","headTitle":"The Precarious Future of Treasure Island: Rising Seas and Sinking Land | KQED","labelTerm":{},"content":"\u003cp>\u003cspan style=\"font-weight: 400;\">Treasure Island is a man-made polygon of 400 acres \u003ca href=\"https://www.kqed.org/news/11790693/magic-city-and-the-making-of-treasure-island\" target=\"_blank\" rel=\"noopener noreferrer\">constructed by engineers\u003c/a> on a shallow reef in the middle of San Francisco Bay. \u003c/span>\u003c/p>\n\u003cp>The low-lying island, as well as neighboring Yerba Buena island, are also the site of a multibillion-dollar neighborhood development. The project calls for 8,000 new homes and condos that could house more than 20,000 people, 500 new hotel rooms, and over 550,000 square feet of commercial space.\u003c/p>\n\u003cp>But how will climate change affect these plans?\u003c/p>\n\u003cfigure id=\"attachment_1952319\" class=\"wp-caption alignnone\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1952319\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2019/12/RS40544_Shoal02.jpg\" alt=\"\" width=\"720\" height=\"410\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/RS40544_Shoal02.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/RS40544_Shoal02-160x91.jpg 160w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">In the 1930s, federal engineers constructed Treasure Island with bay mud and sand. \u003ccite>(Treasure Island Development Authority)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Rising Water, Sinking Land\u003c/strong>\u003c/p>\n\u003cp>This year, researchers with the U.S. Geological Survey \u003ca href=\"https://www.nature.com/articles/s41598-019-40742-z\" target=\"_blank\" rel=\"noopener noreferrer\">published\u003c/a> a comprehensive climate change study on the impact of rising sea levels, storms and erosion on the California coast.\u003c/p>\n\u003cp>The study found that the homes of hundreds of thousands of coastal residents and $150 billion worth of property in California are threatened by rising water levels.\u003c/p>\n\u003cp>“Treasure Island is one of the most vulnerable locations in the entire state,” said Patrick Barnard, lead author of the study and a coastal geologist with USGS. “Not only because it sits right above sea level; [the island] is all fill. The ground itself is sinking.”\u003c/p>\n\u003cp>He says Treasure Island faces several threats:\u003c/p>\n\u003cfigure id=\"attachment_1952334\" class=\"wp-caption alignright\" style=\"max-width: 1102px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1952334\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2019/12/TI_OCOF.png\" alt=\"\" width=\"1102\" height=\"650\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/TI_OCOF.png 1102w, https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/TI_OCOF-160x94.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/TI_OCOF-800x472.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/TI_OCOF-768x453.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/TI_OCOF-1020x602.png 1020w\" sizes=\"(max-width: 1102px) 100vw, 1102px\">\u003cfigcaption class=\"wp-caption-text\">Researchers at U.S. Geologic Survey developed a flood map to help planners understand the impact of rising sea levels. The image shows Treasure Island after 3.3 feet of sea level rise and a ‘hundred year’ storm. \u003ccite>(Our Coast Our Future)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The water in San Francisco Bay is rising.\u003c/strong> Average high tides could increase by about 3 feet by 2100 under mid-range sea level rise \u003ca href=\"http://data.pointblue.org/apps/ocof/cms/index.php?page=flood-map\" target=\"_blank\" rel=\"noopener noreferrer\">scenarios\u003c/a>, according to studies by the \u003ca href=\"https://www.nap.edu/catalog/13389/sea-level-rise-for-the-coasts-of-california-oregon-and-washington\" target=\"_blank\" rel=\"noopener noreferrer\">National Research Council\u003c/a> and the \u003ca href=\"https://www.ipcc.ch/site/assets/uploads/2018/02/WG1AR5_Chapter13_FINAL.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Intergovernmental Panel on Climate Change\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Storm waves push water levels even higher.\u003c/strong> Severe weather with a 1% chance of occurring in any year, called a 100-year storm, can push tides an additional 3 feet higher.\u003c/p>\n\u003cp>\u003cstrong>Treasure Island’s own construction.\u003c/strong> Engineers built the island atop a bottom layer of mud. The weight of earth and buildings on this gooey muck compresses it like a sponge and over time causes the island to sink. Treasure Island is descending at about the same rate as the sea is rising, Barnard says. So, that equates to “about twice as much sea level rise as a static shoreline.”\u003c/p>\n\u003cp>\u003cstrong>Building High\u003c/strong>\u003c/p>\n\u003cp>In 2011 the San Francisco Board of Supervisors approved a \u003ca href=\"https://sftreasureisland.org/FinalEIR\" target=\"_blank\" rel=\"noopener noreferrer\">plan\u003c/a> to re-engineer Treasure Island in order to stabilize the land and stop it from sinking.\u003c/p>\n\u003cfigure id=\"attachment_1952321\" class=\"wp-caption alignleft\" style=\"max-width: 357px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1952321\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2019/12/RS40545_Ibeam.jpg\" alt=\"\" width=\"357\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/RS40545_Ibeam.jpg 357w, https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/RS40545_Ibeam-160x242.jpg 160w\" sizes=\"(max-width: 357px) 100vw, 357px\">\u003cfigcaption class=\"wp-caption-text\">The vibrating beam. \u003ccite>(Treasure Island Development Authority.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The first step: Using long straws, or what they call wick drains, engineers siphon off water from the mud as it compresses. When the water escapes from the straws onto the surface of the island, it evaporates. This speeds up the natural settlement of the land and prevent it from sinking.\u003c/p>\n\u003cp>Step two: Towering cranes slam long, vibrating beams into the ground. The vibrations cause the land to settle quicker.\u003c/p>\n\u003cp>Step three: Workers weigh the island down with mounds of earth. The weight compresses more water out of the bay mud.\u003c/p>\n\u003cp>To mitigate flooding damage from rising waters, the plan calls for raising the grade of the island and setting buildings back from the shoreline.\u003c/p>\n\u003cp>And, because the rise in the water level is projected to accelerate toward the end of the century, the plan asks Treasure Island residents to pay an annual fee toward future engineering work.\u003cbr>\n\u003cstrong>\u003cbr>\n\u003c/strong>“Build high. Monitor. Give yourself ample space and ample money to adapt as you go forward,” said Bob Beck, director of the \u003ca href=\"https://sftreasureisland.org/about-tida\" target=\"_blank\" rel=\"noopener noreferrer\">Treasure Island Development Authority\u003c/a>, summarizing the strategy.\u003cbr>\n\u003cstrong>\u003cbr>\n\u003c/strong>The development authority has finished several years of this geotechnical work. Developers began constructing condos on Yerba Buena Island this year, with more residential construction expected on Treasure Island in 2020.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Melting Ice Sheets\u003c/strong>\u003c/p>\n\u003cp>But in the years since the plan was approved, scientific studies show rising water levels have tracked at the upper bound of earlier projections.\u003c/p>\n\u003cp>[baycuriousbug]More troubling still, studies based on computer models, including one \u003ca href=\"https://www.nature.com/articles/nature17145\" target=\"_blank\" rel=\"noopener noreferrer\">published\u003c/a> in \u003cem>Nature \u003c/em>in 2017, show that melting ice sheets in Antarctica and Greenland could push the San Francisco Bay to a height more than double the latest calculation from the IPCC. The extreme estimates suggest that sea level could rise by as much as 10 feet, with storms roiling the water even higher.\u003c/p>\n\u003cp>“The Treasure Island case really reveals how vulnerable planning is to changes in the estimated magnitude of sea level rise,” said Kristina Hill, an environmental planner at UC Berkeley. “Seeing how much ice is melting in Greenland and Antarctica — [what was the] worst case turned out to be too low.”\u003c/p>\n\u003cp>In 2017, California convened a group of climate scientists to review the new research. They warned in a \u003ca href=\"http://www.opc.ca.gov/webmaster/ftp/pdf/docs/rising-seas-in-california-an-update-on-sea-level-rise-science.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">report\u003c/a> that “Waiting for scientific certainty is neither a safe nor prudent option. … Consideration of high and even extreme sea levels in decisions with implications past 2050 is needed to safeguard the people and resources of coastal California.”\u003c/p>\n\u003cp>Beck acknowledges that the scientific projections are concerning, but he argues that Treasure Island has the space and the funding to adjust.\u003c/p>\n\u003cp>“The strategy to adapt to sea level rise is baked into the land use and the funding plan here,” Beck said. “We are well-positioned to adapt to even some of the worst-case scenarios.”\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The future of Treasure Island will be shaped by climate change. ","status":"publish","parent":0,"modified":1704847982,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":true,"hasPolis":false,"paragraphCount":28,"wordCount":924},"headData":{"title":"The Precarious Future of Treasure Island: Rising Seas and Sinking Land | KQED","description":"The future of Treasure Island will be shaped by climate change. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"source":"Bay Curious","sourceUrl":"https://www.kqed.org/podcasts/baycurious","audioUrl":"https://traffic.megaphone.fm/KQINC6651807456.mp3","sticky":false,"audioTrackLength":679,"path":"/science/1952317/rising-seas-and-sinking-land-the-precarious-future-of-treasure-island","parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400;\">Treasure Island is a man-made polygon of 400 acres \u003ca href=\"https://www.kqed.org/news/11790693/magic-city-and-the-making-of-treasure-island\" target=\"_blank\" rel=\"noopener noreferrer\">constructed by engineers\u003c/a> on a shallow reef in the middle of San Francisco Bay. \u003c/span>\u003c/p>\n\u003cp>The low-lying island, as well as neighboring Yerba Buena island, are also the site of a multibillion-dollar neighborhood development. The project calls for 8,000 new homes and condos that could house more than 20,000 people, 500 new hotel rooms, and over 550,000 square feet of commercial space.\u003c/p>\n\u003cp>But how will climate change affect these plans?\u003c/p>\n\u003cfigure id=\"attachment_1952319\" class=\"wp-caption alignnone\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1952319\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2019/12/RS40544_Shoal02.jpg\" alt=\"\" width=\"720\" height=\"410\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/RS40544_Shoal02.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/RS40544_Shoal02-160x91.jpg 160w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">In the 1930s, federal engineers constructed Treasure Island with bay mud and sand. \u003ccite>(Treasure Island Development Authority)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Rising Water, Sinking Land\u003c/strong>\u003c/p>\n\u003cp>This year, researchers with the U.S. Geological Survey \u003ca href=\"https://www.nature.com/articles/s41598-019-40742-z\" target=\"_blank\" rel=\"noopener noreferrer\">published\u003c/a> a comprehensive climate change study on the impact of rising sea levels, storms and erosion on the California coast.\u003c/p>\n\u003cp>The study found that the homes of hundreds of thousands of coastal residents and $150 billion worth of property in California are threatened by rising water levels.\u003c/p>\n\u003cp>“Treasure Island is one of the most vulnerable locations in the entire state,” said Patrick Barnard, lead author of the study and a coastal geologist with USGS. “Not only because it sits right above sea level; [the island] is all fill. The ground itself is sinking.”\u003c/p>\n\u003cp>He says Treasure Island faces several threats:\u003c/p>\n\u003cfigure id=\"attachment_1952334\" class=\"wp-caption alignright\" style=\"max-width: 1102px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1952334\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2019/12/TI_OCOF.png\" alt=\"\" width=\"1102\" height=\"650\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/TI_OCOF.png 1102w, https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/TI_OCOF-160x94.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/TI_OCOF-800x472.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/TI_OCOF-768x453.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/TI_OCOF-1020x602.png 1020w\" sizes=\"(max-width: 1102px) 100vw, 1102px\">\u003cfigcaption class=\"wp-caption-text\">Researchers at U.S. Geologic Survey developed a flood map to help planners understand the impact of rising sea levels. The image shows Treasure Island after 3.3 feet of sea level rise and a ‘hundred year’ storm. \u003ccite>(Our Coast Our Future)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>The water in San Francisco Bay is rising.\u003c/strong> Average high tides could increase by about 3 feet by 2100 under mid-range sea level rise \u003ca href=\"http://data.pointblue.org/apps/ocof/cms/index.php?page=flood-map\" target=\"_blank\" rel=\"noopener noreferrer\">scenarios\u003c/a>, according to studies by the \u003ca href=\"https://www.nap.edu/catalog/13389/sea-level-rise-for-the-coasts-of-california-oregon-and-washington\" target=\"_blank\" rel=\"noopener noreferrer\">National Research Council\u003c/a> and the \u003ca href=\"https://www.ipcc.ch/site/assets/uploads/2018/02/WG1AR5_Chapter13_FINAL.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Intergovernmental Panel on Climate Change\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Storm waves push water levels even higher.\u003c/strong> Severe weather with a 1% chance of occurring in any year, called a 100-year storm, can push tides an additional 3 feet higher.\u003c/p>\n\u003cp>\u003cstrong>Treasure Island’s own construction.\u003c/strong> Engineers built the island atop a bottom layer of mud. The weight of earth and buildings on this gooey muck compresses it like a sponge and over time causes the island to sink. Treasure Island is descending at about the same rate as the sea is rising, Barnard says. So, that equates to “about twice as much sea level rise as a static shoreline.”\u003c/p>\n\u003cp>\u003cstrong>Building High\u003c/strong>\u003c/p>\n\u003cp>In 2011 the San Francisco Board of Supervisors approved a \u003ca href=\"https://sftreasureisland.org/FinalEIR\" target=\"_blank\" rel=\"noopener noreferrer\">plan\u003c/a> to re-engineer Treasure Island in order to stabilize the land and stop it from sinking.\u003c/p>\n\u003cfigure id=\"attachment_1952321\" class=\"wp-caption alignleft\" style=\"max-width: 357px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1952321\" src=\"https://ww2.kqed.org/app/uploads/sites/35/2019/12/RS40545_Ibeam.jpg\" alt=\"\" width=\"357\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/RS40545_Ibeam.jpg 357w, https://cdn.kqed.org/wp-content/uploads/sites/35/2019/12/RS40545_Ibeam-160x242.jpg 160w\" sizes=\"(max-width: 357px) 100vw, 357px\">\u003cfigcaption class=\"wp-caption-text\">The vibrating beam. \u003ccite>(Treasure Island Development Authority.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The first step: Using long straws, or what they call wick drains, engineers siphon off water from the mud as it compresses. When the water escapes from the straws onto the surface of the island, it evaporates. This speeds up the natural settlement of the land and prevent it from sinking.\u003c/p>\n\u003cp>Step two: Towering cranes slam long, vibrating beams into the ground. The vibrations cause the land to settle quicker.\u003c/p>\n\u003cp>Step three: Workers weigh the island down with mounds of earth. The weight compresses more water out of the bay mud.\u003c/p>\n\u003cp>To mitigate flooding damage from rising waters, the plan calls for raising the grade of the island and setting buildings back from the shoreline.\u003c/p>\n\u003cp>And, because the rise in the water level is projected to accelerate toward the end of the century, the plan asks Treasure Island residents to pay an annual fee toward future engineering work.\u003cbr>\n\u003cstrong>\u003cbr>\n\u003c/strong>“Build high. Monitor. Give yourself ample space and ample money to adapt as you go forward,” said Bob Beck, director of the \u003ca href=\"https://sftreasureisland.org/about-tida\" target=\"_blank\" rel=\"noopener noreferrer\">Treasure Island Development Authority\u003c/a>, summarizing the strategy.\u003cbr>\n\u003cstrong>\u003cbr>\n\u003c/strong>The development authority has finished several years of this geotechnical work. Developers began constructing condos on Yerba Buena Island this year, with more residential construction expected on Treasure Island in 2020.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Melting Ice Sheets\u003c/strong>\u003c/p>\n\u003cp>But in the years since the plan was approved, scientific studies show rising water levels have tracked at the upper bound of earlier projections.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" />\n What do you wonder about the Bay Area, its culture or people that you want KQED to investigate?\n \u003ca href=\"/news/series/baycurious\">Ask Bay Curious.\u003c/a>\u003c/aside>\u003c/p>\u003cp>More troubling still, studies based on computer models, including one \u003ca href=\"https://www.nature.com/articles/nature17145\" target=\"_blank\" rel=\"noopener noreferrer\">published\u003c/a> in \u003cem>Nature \u003c/em>in 2017, show that melting ice sheets in Antarctica and Greenland could push the San Francisco Bay to a height more than double the latest calculation from the IPCC. The extreme estimates suggest that sea level could rise by as much as 10 feet, with storms roiling the water even higher.\u003c/p>\n\u003cp>“The Treasure Island case really reveals how vulnerable planning is to changes in the estimated magnitude of sea level rise,” said Kristina Hill, an environmental planner at UC Berkeley. “Seeing how much ice is melting in Greenland and Antarctica — [what was the] worst case turned out to be too low.”\u003c/p>\n\u003cp>In 2017, California convened a group of climate scientists to review the new research. They warned in a \u003ca href=\"http://www.opc.ca.gov/webmaster/ftp/pdf/docs/rising-seas-in-california-an-update-on-sea-level-rise-science.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">report\u003c/a> that “Waiting for scientific certainty is neither a safe nor prudent option. … Consideration of high and even extreme sea levels in decisions with implications past 2050 is needed to safeguard the people and resources of coastal California.”\u003c/p>\n\u003cp>Beck acknowledges that the scientific projections are concerning, but he argues that Treasure Island has the space and the funding to adjust.\u003c/p>\n\u003cp>“The strategy to adapt to sea level rise is baked into the land use and the funding plan here,” Beck said. “We are well-positioned to adapt to even some of the worst-case scenarios.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"baycuriousquestion","attributes":{"named":{"label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/science/1952317/rising-seas-and-sinking-land-the-precarious-future-of-treasure-island","authors":["11608"],"categories":["science_33","science_89","science_38","science_40","science_3423","science_98"],"tags":["science_460","science_206"],"featImg":"science_1956214","label":"source_science_1952317"},"news_11790693":{"type":"posts","id":"news_11790693","meta":{"index":"posts_1591205157","site":"news","id":"11790693","score":null,"sort":[1576148430000]},"guestAuthors":[],"slug":"magic-city-and-the-making-of-treasure-island","title":"How Treasure Island Got Made — and Why","publishDate":1576148430,"format":"image","headTitle":"How Treasure Island Got Made — and Why | KQED","labelTerm":{},"content":"\u003cp>\u003cem>This is part 1 of a two-part series on Treasure Island. Part 2 explores the \u003ca href=\"https://www.kqed.org/science/1952317/rising-seas-and-sinking-land-the-precarious-future-of-treasure-island\">future of Treasure Island.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>[dropcap]H[/dropcap]ave you ever visited Treasure Island? The low-lying island that humans made from mud and rock on a shoal in the middle of San Francisco Bay?\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/podcasts/baycurious\">Bay Curious\u003c/a> listener Gary Pilgram stopped there during a romantic drive across the Bay Bridge with his wife. Enchanted by the panoramic view of the Bay Area, Gary wondered: What’s the island’s past?\u003c/p>\n\u003cfigure id=\"attachment_11790748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11790748\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/GettyImages-492064822-800x472.jpg\" alt=\"An aerial photo of Treasure Island from 2015.\" width=\"800\" height=\"472\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/GettyImages-492064822-800x472.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/GettyImages-492064822-160x94.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/GettyImages-492064822-1020x602.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/GettyImages-492064822-1200x708.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/GettyImages-492064822.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An aerial photo of Treasure Island from 2015. \u003ccite>(Josh Edelson/Getty Images Stringer)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>Origin Story\u003c/strong>\u003c/h3>\n\u003cp>In the 1930s, passenger flights were gaining popularity, and San Francisco’s airfield, \u003ca href=\"http://www.foundsf.org/index.php?title=Mills_Field\" target=\"_blank\" rel=\"noopener noreferrer\">Mills Field\u003c/a>, couldn’t accommodate the demand. The city needed space for a larger airport and was on the hunt for land.\u003c/p>\n\u003cp>[baycuriouspodcastinfo]\u003c/p>\n\u003cp>At the same time, engineers were almost done building both the Bay Bridge and the Golden Gate Bridge, which would open within a year of each other. The city wanted to celebrate these engineering marvels with a big world’s fair.\u003c/p>\n\u003cp>They had held two fairs before: the California Midwinter International Exposition of 1894 in Golden Gate Park and the Panama-Pacific International Exposition in 1915.\u003c/p>\n\u003cp>Both fairs were successful, says Anne Schnoebelen, historian and member of the Treasure Island Museum’s board of directors. Leaders were ready to host another as the city emerged from the Great Depression.\u003c/p>\n\u003cp>“City leaders said, ‘We know how to do a world’s fair. This depression isn’t going to last forever, we need something to look forward to. Let’s have a new world’s fair in San Francisco. What do you know? They decided they wanted to do it on Yerba Buena shoals,” Schnoebelen says.\u003c/p>\n\u003ch3>\u003cstrong>Federal Money\u003c/strong>\u003c/h3>\n\u003cp>Of course, San Francisco needed money to build the island. City leaders pitched President Franklin Roosevelt on the idea.\u003c/p>\n\u003cp>“FDR really loved the idea of an airport and was agreeable to the idea of a world’s fair,” she says. “The federal government provided quite a bit of money to build the island.”\u003c/p>\n\u003cp>The Army Corps of Engineers piled hundreds of thousands of tons of boulders onto the the shoals north of Yerba Buena Island. They dug up the equivalent of 2½ million dump trucks of bay mud and sand, dumping the muck inside the boulder dam.\u003c/p>\n\u003cfigure id=\"attachment_11790711\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11790711 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40412_SFPL-TI-Construction-dredging-AAD-3783_600dpi-qut-800x590.jpg\" alt=\"\" width=\"800\" height=\"590\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40412_SFPL-TI-Construction-dredging-AAD-3783_600dpi-qut-800x590.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40412_SFPL-TI-Construction-dredging-AAD-3783_600dpi-qut-160x118.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40412_SFPL-TI-Construction-dredging-AAD-3783_600dpi-qut-1020x752.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40412_SFPL-TI-Construction-dredging-AAD-3783_600dpi-qut-1200x885.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40412_SFPL-TI-Construction-dredging-AAD-3783_600dpi-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Army Corps of Engineers dredged up the equivalent of 2½ million dump trucks of bay mud and sand to construct Treasure Island. \u003ccite>(San Francisco History Center/San Francisco Public Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All the while, the president’s focus was on World War II.\u003c/p>\n\u003cp>“The military development of the Bay Area was a very big thing in the ’30s,” Schnoebelen says. “And Treasure Island was part of that big buildup.”\u003c/p>\n\u003cp>While city leaders focused on the fair, she says that FDR wanted to make sure the island had a submarine turning basin.\u003c/p>\n\u003cp>From the beginning, Treasure Island was the site of a tension between something romantic — a world’s fair to celebrate the city’s achievements — and the powerful, overwhelming force of World War II.\u003c/p>\n\u003ch3>\u003cstrong>The Fair\u003c/strong>\u003c/h3>\n\u003cp>The Golden Gate International Exposition opened Feb. 18, 1939.\u003c/p>\n\u003cp>“People were so excited that the fair’s promoters cautioned people, saying, ‘Well, you better not come on opening day. It’s going to be too busy,’ ” Schnoebelen says.\u003c/p>\n\u003cp>On the first day, more than 150,000 people descended on Treasure Island. California’s governor opened the gates with a jewel-encrusted key, reportedly worth $35,000.\u003c/p>\n\u003cp>https://vimeo.com/91339010\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>There were art deco towers, sprawling gardens and sculptures. Schnoebelen says the fair celebrated extravagance.\u003c/p>\n\u003cp>“It was a big theatrical presentation with incredible lighting,” she says. “Purples and aquas and bright orange and gold. At night, it must have really been something to see.”\u003c/p>\n\u003cp>She says people could visit ornate buildings like the “Temples of the East” and the “Court of Pacifica” that were an “effort to make the fair look like what its subtitle was, which was ‘the Pageant of the Pacific.’ ”\u003c/p>\n\u003cfigure id=\"attachment_11790757\" class=\"wp-caption alignleft\" style=\"max-width: 500px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11790757 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/1261160.500x500.png\" alt=\"\" width=\"500\" height=\"330\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/1261160.500x500.png 500w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/1261160.500x500-160x106.png 160w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003cfigcaption class=\"wp-caption-text\">An image of the 1939 World’s Fair taken from afar. \u003ccite>(Max Kirkeberg Collection/San Francisco State University DIVA Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With Europe already at war, and tensions rising between Japan and the U.S., the fair’s organizers wanted to send a message of unity and peace. They included architecture from across the Pacific.\u003c/p>\n\u003cp>“But really, it was just a big movie set,” Schnoebelen says.\u003c/p>\n\u003ch3>The Island’s Next Phase\u003c/h3>\n\u003cp>The fair ended in September 1940. The war in Europe was impossible to ignore and the Navy soon began occupying Treasure Island.\u003c/p>\n\u003cp>“I understand, they basically started moving onto the island almost as soon as the fair ended,” Schnoebelen says.\u003c/p>\n\u003cp>On the island, the Navy registered sailors and prepared them for deployment. All together, more than 4.5 million soldiers stopped at Treasure Island before deploying to the war.\u003c/p>\n\u003cp>Instead of San Francisco’s airport, as was the original plan, the land became Naval Station Treasure Island. It remained a naval station until the 1990s.\u003c/p>\n\u003ch3>\u003cstrong>The Future\u003c/strong>\u003c/h3>\n\u003cp>Soon, the island will undergo another makeover as thousands of new homes are built. But as the bay waters rise, uncertainties exist.\u003c/p>\n\u003cp>Read Part 2: \u003ca href=\"https://www.kqed.org/science/1952317/rising-seas-and-sinking-land-the-precarious-future-of-treasure-island\">The Precarious Future of Treasure Island: Rising Seas and Sinking Land\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"From the beginning, Treasure Island was the site of a tension between something romantic — a world's fair — and the powerful, overwhelming force of World War II.\r\n","status":"publish","parent":0,"modified":1700590876,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":true,"hasPolis":false,"paragraphCount":33,"wordCount":935},"headData":{"title":"How Treasure Island Got Made — and Why | KQED","description":"From the beginning, Treasure Island was the site of a tension between something romantic — a world's fair — and the powerful, overwhelming force of World War II.\r\n","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"source":"Bay Curious","sourceUrl":"https://www.kqed.org/podcasts/baycurious","audioUrl":"https://traffic.megaphone.fm/KQINC6104022260.mp3","audioTrackLength":549,"path":"/news/11790693/magic-city-and-the-making-of-treasure-island","parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This is part 1 of a two-part series on Treasure Island. Part 2 explores the \u003ca href=\"https://www.kqed.org/science/1952317/rising-seas-and-sinking-land-the-precarious-future-of-treasure-island\">future of Treasure Island.\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">H\u003c/span>\u003c/p>\u003cp>ave you ever visited Treasure Island? The low-lying island that humans made from mud and rock on a shoal in the middle of San Francisco Bay?\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/podcasts/baycurious\">Bay Curious\u003c/a> listener Gary Pilgram stopped there during a romantic drive across the Bay Bridge with his wife. Enchanted by the panoramic view of the Bay Area, Gary wondered: What’s the island’s past?\u003c/p>\n\u003cfigure id=\"attachment_11790748\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11790748\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/GettyImages-492064822-800x472.jpg\" alt=\"An aerial photo of Treasure Island from 2015.\" width=\"800\" height=\"472\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/GettyImages-492064822-800x472.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/GettyImages-492064822-160x94.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/GettyImages-492064822-1020x602.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/GettyImages-492064822-1200x708.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/GettyImages-492064822.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An aerial photo of Treasure Island from 2015. \u003ccite>(Josh Edelson/Getty Images Stringer)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>Origin Story\u003c/strong>\u003c/h3>\n\u003cp>In the 1930s, passenger flights were gaining popularity, and San Francisco’s airfield, \u003ca href=\"http://www.foundsf.org/index.php?title=Mills_Field\" target=\"_blank\" rel=\"noopener noreferrer\">Mills Field\u003c/a>, couldn’t accommodate the demand. The city needed space for a larger airport and was on the hunt for land.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>\u003c/p>\n\u003cp>At the same time, engineers were almost done building both the Bay Bridge and the Golden Gate Bridge, which would open within a year of each other. The city wanted to celebrate these engineering marvels with a big world’s fair.\u003c/p>\n\u003cp>They had held two fairs before: the California Midwinter International Exposition of 1894 in Golden Gate Park and the Panama-Pacific International Exposition in 1915.\u003c/p>\n\u003cp>Both fairs were successful, says Anne Schnoebelen, historian and member of the Treasure Island Museum’s board of directors. Leaders were ready to host another as the city emerged from the Great Depression.\u003c/p>\n\u003cp>“City leaders said, ‘We know how to do a world’s fair. This depression isn’t going to last forever, we need something to look forward to. Let’s have a new world’s fair in San Francisco. What do you know? They decided they wanted to do it on Yerba Buena shoals,” Schnoebelen says.\u003c/p>\n\u003ch3>\u003cstrong>Federal Money\u003c/strong>\u003c/h3>\n\u003cp>Of course, San Francisco needed money to build the island. City leaders pitched President Franklin Roosevelt on the idea.\u003c/p>\n\u003cp>“FDR really loved the idea of an airport and was agreeable to the idea of a world’s fair,” she says. “The federal government provided quite a bit of money to build the island.”\u003c/p>\n\u003cp>The Army Corps of Engineers piled hundreds of thousands of tons of boulders onto the the shoals north of Yerba Buena Island. They dug up the equivalent of 2½ million dump trucks of bay mud and sand, dumping the muck inside the boulder dam.\u003c/p>\n\u003cfigure id=\"attachment_11790711\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11790711 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40412_SFPL-TI-Construction-dredging-AAD-3783_600dpi-qut-800x590.jpg\" alt=\"\" width=\"800\" height=\"590\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40412_SFPL-TI-Construction-dredging-AAD-3783_600dpi-qut-800x590.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40412_SFPL-TI-Construction-dredging-AAD-3783_600dpi-qut-160x118.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40412_SFPL-TI-Construction-dredging-AAD-3783_600dpi-qut-1020x752.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40412_SFPL-TI-Construction-dredging-AAD-3783_600dpi-qut-1200x885.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40412_SFPL-TI-Construction-dredging-AAD-3783_600dpi-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Army Corps of Engineers dredged up the equivalent of 2½ million dump trucks of bay mud and sand to construct Treasure Island. \u003ccite>(San Francisco History Center/San Francisco Public Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All the while, the president’s focus was on World War II.\u003c/p>\n\u003cp>“The military development of the Bay Area was a very big thing in the ’30s,” Schnoebelen says. “And Treasure Island was part of that big buildup.”\u003c/p>\n\u003cp>While city leaders focused on the fair, she says that FDR wanted to make sure the island had a submarine turning basin.\u003c/p>\n\u003cp>From the beginning, Treasure Island was the site of a tension between something romantic — a world’s fair to celebrate the city’s achievements — and the powerful, overwhelming force of World War II.\u003c/p>\n\u003ch3>\u003cstrong>The Fair\u003c/strong>\u003c/h3>\n\u003cp>The Golden Gate International Exposition opened Feb. 18, 1939.\u003c/p>\n\u003cp>“People were so excited that the fair’s promoters cautioned people, saying, ‘Well, you better not come on opening day. It’s going to be too busy,’ ” Schnoebelen says.\u003c/p>\n\u003cp>On the first day, more than 150,000 people descended on Treasure Island. California’s governor opened the gates with a jewel-encrusted key, reportedly worth $35,000.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"vimeoLink","attributes":{"named":{"vimeoId":"91339010"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003c/p>\n\u003cp>There were art deco towers, sprawling gardens and sculptures. Schnoebelen says the fair celebrated extravagance.\u003c/p>\n\u003cp>“It was a big theatrical presentation with incredible lighting,” she says. “Purples and aquas and bright orange and gold. At night, it must have really been something to see.”\u003c/p>\n\u003cp>She says people could visit ornate buildings like the “Temples of the East” and the “Court of Pacifica” that were an “effort to make the fair look like what its subtitle was, which was ‘the Pageant of the Pacific.’ ”\u003c/p>\n\u003cfigure id=\"attachment_11790757\" class=\"wp-caption alignleft\" style=\"max-width: 500px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-11790757 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/1261160.500x500.png\" alt=\"\" width=\"500\" height=\"330\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/1261160.500x500.png 500w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/1261160.500x500-160x106.png 160w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003cfigcaption class=\"wp-caption-text\">An image of the 1939 World’s Fair taken from afar. \u003ccite>(Max Kirkeberg Collection/San Francisco State University DIVA Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With Europe already at war, and tensions rising between Japan and the U.S., the fair’s organizers wanted to send a message of unity and peace. They included architecture from across the Pacific.\u003c/p>\n\u003cp>“But really, it was just a big movie set,” Schnoebelen says.\u003c/p>\n\u003ch3>The Island’s Next Phase\u003c/h3>\n\u003cp>The fair ended in September 1940. The war in Europe was impossible to ignore and the Navy soon began occupying Treasure Island.\u003c/p>\n\u003cp>“I understand, they basically started moving onto the island almost as soon as the fair ended,” Schnoebelen says.\u003c/p>\n\u003cp>On the island, the Navy registered sailors and prepared them for deployment. All together, more than 4.5 million soldiers stopped at Treasure Island before deploying to the war.\u003c/p>\n\u003cp>Instead of San Francisco’s airport, as was the original plan, the land became Naval Station Treasure Island. It remained a naval station until the 1990s.\u003c/p>\n\u003ch3>\u003cstrong>The Future\u003c/strong>\u003c/h3>\n\u003cp>Soon, the island will undergo another makeover as thousands of new homes are built. But as the bay waters rise, uncertainties exist.\u003c/p>\n\u003cp>Read Part 2: \u003ca href=\"https://www.kqed.org/science/1952317/rising-seas-and-sinking-land-the-precarious-future-of-treasure-island\">The Precarious Future of Treasure Island: Rising Seas and Sinking Land\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"baycuriousquestion","attributes":{"named":{"label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11790693/magic-city-and-the-making-of-treasure-island","authors":["11608"],"programs":["news_33523"],"series":["news_17986"],"categories":["news_8","news_33520"],"tags":["news_18426","news_160","news_1279","news_23120"],"featImg":"news_11790704","label":"source_news_11790693"},"arts_13538016":{"type":"posts","id":"arts_13538016","meta":{"index":"posts_1591205157","site":"arts","id":"13538016","score":null,"sort":[1498678749000]},"guestAuthors":[],"slug":"treasure-island-music-festival-postponed-for-2017","title":"Treasure Island Music Festival Postponed for 2017","publishDate":1498678749,"format":"standard","headTitle":"Treasure Island Music Festival Postponed for 2017 | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>After 10 years, the Treasure Island Music Festival is taking a breather.\u003c/p>\n\u003cp>The two-day festival, held annually since 2007 on man-made Treasure Island, will not return this year, organizers said Wednesday in a press release. The festival is expected to return in 2018 at a different location.\u003c/p>\n\u003cp>“Although the event will no longer be held on Treasure Island, there are no plans to change the festival’s name, if for no other reason than to pay homage to the historic little island that was home to the event for a decade,” said the release.\u003c/p>\n\u003cp>Festival organizers Another Planet Entertainment and Noise Pop have yet to announce where the festival will take place in 2018.\u003c/p>\n\u003cp>The hiatus comes after \u003ca href=\"https://ww2.kqed.org/arts/2016/10/17/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island/\">last year’s festival\u003c/a> was fraught with heavy rain and other issues. The decision to relocate was determined prior to the festival, as construction for the landmark Treasure Island Development project began in March last year on the island’s western shoreline. This resulted in a last-minute relocation for the festival from the Great Lawn to a barren area on the southeast corner of the island.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Some acts, including How to Dress Well and Glass Animals, performed abridged sets due to the heavy rain. Others, such as DJs Duke Dumont and Flight Facilities, cancelled their sets outright. To make up for his cancellation, James Blake performed a show at the Fox Theater the Monday after the festival that was free to festival ticketholders.\u003c/p>\n\u003cp class=\"p1\">“Last year’s festival had no impact on the decision to not hold a festival in 2017,” said Alex Scott, executive vice president at Another Planet Entertainment. “We are simply taking the time it takes to finalize the new location, making sure the new site will be one we can settle into for the foreseeable future.”\u003c/p>\n\u003cp>Previous iterations of Treasure Island Music Festival, which officially launched in 2007, were headlined by the likes of Outkast, Beck, LCD Soundsystem and Major Lazer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"The annual two-day festival will return in 2018 at a new location, organizers announced Wednesday. ","status":"publish","parent":0,"modified":1705030198,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":337},"headData":{"title":"Treasure Island Music Festival Postponed for 2017 | KQED","description":"The annual two-day festival will return in 2018 at a new location, organizers announced Wednesday. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13538016/treasure-island-music-festival-postponed-for-2017","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>After 10 years, the Treasure Island Music Festival is taking a breather.\u003c/p>\n\u003cp>The two-day festival, held annually since 2007 on man-made Treasure Island, will not return this year, organizers said Wednesday in a press release. The festival is expected to return in 2018 at a different location.\u003c/p>\n\u003cp>“Although the event will no longer be held on Treasure Island, there are no plans to change the festival’s name, if for no other reason than to pay homage to the historic little island that was home to the event for a decade,” said the release.\u003c/p>\n\u003cp>Festival organizers Another Planet Entertainment and Noise Pop have yet to announce where the festival will take place in 2018.\u003c/p>\n\u003cp>The hiatus comes after \u003ca href=\"https://ww2.kqed.org/arts/2016/10/17/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island/\">last year’s festival\u003c/a> was fraught with heavy rain and other issues. The decision to relocate was determined prior to the festival, as construction for the landmark Treasure Island Development project began in March last year on the island’s western shoreline. This resulted in a last-minute relocation for the festival from the Great Lawn to a barren area on the southeast corner of the island.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Some acts, including How to Dress Well and Glass Animals, performed abridged sets due to the heavy rain. Others, such as DJs Duke Dumont and Flight Facilities, cancelled their sets outright. To make up for his cancellation, James Blake performed a show at the Fox Theater the Monday after the festival that was free to festival ticketholders.\u003c/p>\n\u003cp class=\"p1\">“Last year’s festival had no impact on the decision to not hold a festival in 2017,” said Alex Scott, executive vice president at Another Planet Entertainment. “We are simply taking the time it takes to finalize the new location, making sure the new site will be one we can settle into for the foreseeable future.”\u003c/p>\n\u003cp>Previous iterations of Treasure Island Music Festival, which officially launched in 2007, were headlined by the likes of Outkast, Beck, LCD Soundsystem and Major Lazer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13538016/treasure-island-music-festival-postponed-for-2017","authors":["11371"],"programs":["arts_1272"],"categories":["arts_69","arts_235"],"tags":["arts_1448","arts_1925","arts_1539"],"featImg":"arts_12217374","label":"arts_1272"},"news_11499836":{"type":"posts","id":"news_11499836","meta":{"index":"posts_1591205157","site":"news","id":"11499836","score":null,"sort":[1497380492000]},"guestAuthors":[],"slug":"san-francisco-finalizes-plans-for-treasure-island-art","title":"San Francisco Finalizes Plans for Treasure Island Art","publishDate":1497380492,"format":"standard","headTitle":"News Fix | KQED News","labelTerm":{"term":6944,"site":"news"},"content":"\u003cp>There isn’t much to look at around Treasure Island’s historic Administration Building -- just a parking lot and a snack shop. But the parking lot at one of the man-made island’s few legacy buildings is about to be transformed.\u003c/p>\n\u003cp>Developers and San Francisco officials plan to open a landscaped plaza there in early 2020, at the center of which will stand a major work of public art. The piece will be among the first of an estimated $50 million in art projects to be commissioned for Treasure and Yerba Buena islands over the next two decades.\u003c/p>\n\u003cp>The Treasure Island Development Authority (TIDA) votes tomorrow on a master plan to allocate that money. The plan includes temporary and permanent installations, artists’ residencies and a recurring \"treasure hunt\" in which guests will search for temporary works by local and international artists using a map.\u003c/p>\n\u003cp>The art is part of a multibillion-dollar development plan for Treasure Island that includes 8,000 units of housing, 300 acres of parks, a ferry terminal and one of the world's largest investments in public art.\u003c/p>\n\u003cp>The city of San Francisco has a mandate requiring all development projects of this nature to set aside 1 percent of their budgets for public art. The San Francisco Art Commission (SFAC), which is overseeing the implementation of the art on Treasure Island, approved the master plan in early June.\u003c/p>\n\u003cfigure id=\"attachment_11500430\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11500430 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-800x375.jpg\" alt=\"\" width=\"800\" height=\"375\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-800x375.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-160x75.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-1020x478.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-1920x899.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-1180x553.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-960x450.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-240x112.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-375x176.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-520x244.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Architectural rendering of the forthcoming new plaza in front of Treasure Island's Administration Building. \u003ccite>(Photo: Treasure Island Community Development/Andrea Cochran Landscape Architecture)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jill Manton, SFAC's director of Public Art Trust and Special Initiatives, says she hopes to commission work from artists working in a wide variety of media.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"I envision a program that is diverse and dynamic, from traditional or monumental free-standing sculpture, to performance and light projections that might be created specifically for the island,\" Manton says.\u003c/p>\n\u003cp>First in line for funding are three permanent installations, one along the island’s western edge, another at the top of the hill on Yerba Buena Island, and a third in front of the Administration Building.\u003c/p>\n\u003cp>Each work will adorn a newly designed public park. The developers hope to build a permanent public art collection for the island.\u003c/p>\n\u003cp>“I want a known artist, and a monumental piece that will say, ‘This is of stature,’” says Chris Meany of Treasure Island Community Development, LLC (TICD), the joint venture of private developers undertaking construction on the island.\u003c/p>\n\u003cp>These first pieces will likely be sculptures, and SFAC expects to send out a call for artists in the coming weeks. San Francisco and Treasure Island residents will be invited to review and provide input on the final proposals in early 2018.\u003c/p>\n\u003cp>“Public art is not always the result of popular opinion,\" Manton says. \"But we want the public to have the right to be heard.\" A selection panel of art experts and TIDA will make the final decision.\u003c/p>\n\u003cp>Each project will have a budget between $1 million and $2 million, and Manton hopes to draw top artists from all over the world. She says future projects will specifically welcome local artists with studios on the island.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Update, 12:34 p.m. Thursday, June 15:\u003c/strong> On June 14th, the Treasure Island Development Authority and San Francisco Arts Commission unanimously approved the $50 million allocation.\u003c/p>\n\n","blocks":[],"excerpt":"Development plan for Treasure Island includes 8,000 units of housing, 300 acres of parks, a ferry terminal and one of the world's largest investments in public art.","status":"publish","parent":0,"modified":1497556884,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":569},"headData":{"title":"San Francisco Finalizes Plans for Treasure Island Art | KQED","description":"Development plan for Treasure Island includes 8,000 units of housing, 300 acres of parks, a ferry terminal and one of the world's largest investments in public art.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"11499836 https://ww2.kqed.org/news/?p=11499836","disqusUrl":"https://ww2.kqed.org/news/2017/06/13/san-francisco-finalizes-plans-for-treasure-island-art/","disqusTitle":"San Francisco Finalizes Plans for Treasure Island Art","path":"/news/11499836/san-francisco-finalizes-plans-for-treasure-island-art","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>There isn’t much to look at around Treasure Island’s historic Administration Building -- just a parking lot and a snack shop. But the parking lot at one of the man-made island’s few legacy buildings is about to be transformed.\u003c/p>\n\u003cp>Developers and San Francisco officials plan to open a landscaped plaza there in early 2020, at the center of which will stand a major work of public art. The piece will be among the first of an estimated $50 million in art projects to be commissioned for Treasure and Yerba Buena islands over the next two decades.\u003c/p>\n\u003cp>The Treasure Island Development Authority (TIDA) votes tomorrow on a master plan to allocate that money. The plan includes temporary and permanent installations, artists’ residencies and a recurring \"treasure hunt\" in which guests will search for temporary works by local and international artists using a map.\u003c/p>\n\u003cp>The art is part of a multibillion-dollar development plan for Treasure Island that includes 8,000 units of housing, 300 acres of parks, a ferry terminal and one of the world's largest investments in public art.\u003c/p>\n\u003cp>The city of San Francisco has a mandate requiring all development projects of this nature to set aside 1 percent of their budgets for public art. The San Francisco Art Commission (SFAC), which is overseeing the implementation of the art on Treasure Island, approved the master plan in early June.\u003c/p>\n\u003cfigure id=\"attachment_11500430\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11500430 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-800x375.jpg\" alt=\"\" width=\"800\" height=\"375\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-800x375.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-160x75.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-1020x478.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-1920x899.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-1180x553.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-960x450.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-240x112.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-375x176.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/35035828841_6ec55b572c_o-520x244.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Architectural rendering of the forthcoming new plaza in front of Treasure Island's Administration Building. \u003ccite>(Photo: Treasure Island Community Development/Andrea Cochran Landscape Architecture)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jill Manton, SFAC's director of Public Art Trust and Special Initiatives, says she hopes to commission work from artists working in a wide variety of media.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"I envision a program that is diverse and dynamic, from traditional or monumental free-standing sculpture, to performance and light projections that might be created specifically for the island,\" Manton says.\u003c/p>\n\u003cp>First in line for funding are three permanent installations, one along the island’s western edge, another at the top of the hill on Yerba Buena Island, and a third in front of the Administration Building.\u003c/p>\n\u003cp>Each work will adorn a newly designed public park. The developers hope to build a permanent public art collection for the island.\u003c/p>\n\u003cp>“I want a known artist, and a monumental piece that will say, ‘This is of stature,’” says Chris Meany of Treasure Island Community Development, LLC (TICD), the joint venture of private developers undertaking construction on the island.\u003c/p>\n\u003cp>These first pieces will likely be sculptures, and SFAC expects to send out a call for artists in the coming weeks. San Francisco and Treasure Island residents will be invited to review and provide input on the final proposals in early 2018.\u003c/p>\n\u003cp>“Public art is not always the result of popular opinion,\" Manton says. \"But we want the public to have the right to be heard.\" A selection panel of art experts and TIDA will make the final decision.\u003c/p>\n\u003cp>Each project will have a budget between $1 million and $2 million, and Manton hopes to draw top artists from all over the world. She says future projects will specifically welcome local artists with studios on the island.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Update, 12:34 p.m. Thursday, June 15:\u003c/strong> On June 14th, the Treasure Island Development Authority and San Francisco Arts Commission unanimously approved the $50 million allocation.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11499836/san-francisco-finalizes-plans-for-treasure-island-art","authors":["11337"],"programs":["news_6944"],"categories":["news_223","news_8"],"tags":["news_1279"],"featImg":"news_11500057","label":"news_6944"},"news_11390138":{"type":"posts","id":"news_11390138","meta":{"index":"posts_1591205157","site":"news","id":"11390138","score":null,"sort":[1491318010000]},"guestAuthors":[],"slug":"bay-bridge-banner-commemorates-armenian-genocide","title":"Bay Bridge Banner Commemorates Armenian Genocide","publishDate":1491318010,"format":"standard","headTitle":"News Fix | KQED News","labelTerm":{"term":6944,"site":"news"},"content":"\u003cp>Westbound drivers on the Bay Bridge might notice the return of an unusual sign: a banner that says \"Armenian Genocide 1915\" and includes the link to \u003ca href=\"https://genocideeducation.org/\">GenocideEducation.org\u003c/a>. The banner, installed Monday morning, hangs above the Yerba Buena Island tunnel as part of Genocide Awareness and Prevention Month.\u003c/p>\n\u003cp>This is the third year that a coalition of Armenian-American organizations paid $10,500 for the coveted ad location. Roxanne Makasdjian, a representative of the Bay Area Armenian Genocide Commemorative Committee, says that the banner represents an effort to remember and to acknowledge the risk of genocide today.\u003c/p>\n\u003cp>She cites the strife in Syria as one example: “Some of the locations where Armenians took their last breaths, where you can still find Armenian bones very close to the surface in the sand, where a small memorial existed, was bombed in Syria recently.”\u003c/p>\n\u003cp>The Turkish government denies the existence of the genocide that occurred as the Ottoman Empire collapsed following World War I.\u003c/p>\n\u003cp>\"The U.S. government has recognized [the Armenian genocide], but whenever there's been a resolution that has risen through the Congress, the State Department puts pressure on Congress to not bring it to a vote,\" Makasdjian told KQED.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>According to Makasdjian, in the past an unknown group paid for a rival ad that cited a website dedicated to denying the Armenian genocide.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Between 30,000 to 50,000 people of Armenian descent live in the Bay Area, and more than 20 Armenian-affiliated groups donated money to the banner.\u003c/p>\n\n","blocks":[],"excerpt":"Drivers on the Bay Bridge may notice an unusual sign: A banner that reads: \"Armenian Genocide 1915.\"","status":"publish","parent":0,"modified":1491266026,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":256},"headData":{"title":"Bay Bridge Banner Commemorates Armenian Genocide | KQED","description":"Drivers on the Bay Bridge may notice an unusual sign: A banner that reads: "Armenian Genocide 1915."","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"11390138 https://ww2.kqed.org/news/?p=11390138","disqusUrl":"https://ww2.kqed.org/news/2017/04/04/bay-bridge-banner-commemorates-armenian-genocide/","disqusTitle":"Bay Bridge Banner Commemorates Armenian Genocide","nprByline":"\u003cstrong>\u003ca href=\"https://twitter.com/marianaurbannew\">Mariana Urban\u003c/a> and \u003ca href=\"https://twitter.com/bertjohnsonfoto\">Bert Johnson\u003c/a> \u003c/strong>","path":"/news/11390138/bay-bridge-banner-commemorates-armenian-genocide","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Westbound drivers on the Bay Bridge might notice the return of an unusual sign: a banner that says \"Armenian Genocide 1915\" and includes the link to \u003ca href=\"https://genocideeducation.org/\">GenocideEducation.org\u003c/a>. The banner, installed Monday morning, hangs above the Yerba Buena Island tunnel as part of Genocide Awareness and Prevention Month.\u003c/p>\n\u003cp>This is the third year that a coalition of Armenian-American organizations paid $10,500 for the coveted ad location. Roxanne Makasdjian, a representative of the Bay Area Armenian Genocide Commemorative Committee, says that the banner represents an effort to remember and to acknowledge the risk of genocide today.\u003c/p>\n\u003cp>She cites the strife in Syria as one example: “Some of the locations where Armenians took their last breaths, where you can still find Armenian bones very close to the surface in the sand, where a small memorial existed, was bombed in Syria recently.”\u003c/p>\n\u003cp>The Turkish government denies the existence of the genocide that occurred as the Ottoman Empire collapsed following World War I.\u003c/p>\n\u003cp>\"The U.S. government has recognized [the Armenian genocide], but whenever there's been a resolution that has risen through the Congress, the State Department puts pressure on Congress to not bring it to a vote,\" Makasdjian told KQED.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>According to Makasdjian, in the past an unknown group paid for a rival ad that cited a website dedicated to denying the Armenian genocide.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Between 30,000 to 50,000 people of Armenian descent live in the Bay Area, and more than 20 Armenian-affiliated groups donated money to the banner.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11390138/bay-bridge-banner-commemorates-armenian-genocide","authors":["byline_news_11390138"],"programs":["news_6944"],"categories":["news_8","news_13","news_1397"],"tags":["news_17909","news_231","news_1279"],"featImg":"news_11390139","label":"news_6944"},"arts_11588617":{"type":"posts","id":"arts_11588617","meta":{"index":"posts_1591205157","site":"arts","id":"11588617","score":null,"sort":[1463529627000]},"guestAuthors":[],"slug":"last-hurrah-on-treasure-island-artists-bid-farewell-to-building-180","title":"Burning Man Artists Bid Farewell to Treasure Island's Building 180","publishDate":1463529627,"format":"standard","headTitle":"Burning Man Artists Bid Farewell to Treasure Island’s Building 180 | KQED","labelTerm":{"term":407,"site":"arts"},"content":"\u003cp>“Cheers,” said one party goer to another. “To the beginning of the end.”\u003c/p>\n\u003cp>The party — a warehouse rave for about 2,000 people — was called \u003ca href=\"http://www.sfstation.com/terminus-the-last-treasure-island-warehouse-party-e2295526\" target=\"_blank\" rel=\"noopener\">Terminus.\u003c/a> It was a farewell party — a Baby Burning Man to mark the end of something special at Building 180 on Treasure Island.\u003c/p>\n\u003cp>Treasure Island is a man-made, 393-acre postage stamp of a landmass in the San Francisco Bay, and it’s being \u003ca href=\"http://sftreasureisland.org/development-project\" target=\"_blank\" rel=\"noopener\">redeveloped\u003c/a> over the next 20 years in the guise of a packed offshore neighborhood. It’s expected to house an estimated 19,000 people with condos, hotels, a ferry landing, parks, and possibly a \u003ca href=\"http://www.sfgate.com/bayarea/matier-ross/article/George-Lucas-looking-at-Treasure-Island-as-new-SF-7468257.php\" target=\"_blank\" rel=\"noopener\">new museum\u003c/a> from Star Wars creator George Lucas (if Mayor Ed Lee has his way).\u003c/p>\n\u003cp>The developers are expected to fork over \u003ca href=\"http://ww2.kqed.org/arts/2015/07/21/city-plans-to-transform-treasure-island-with-50-million-for-public-art/\" target=\"_blank\" rel=\"noopener\">$50 million\u003c/a> dollars for public art, to be spent by the\u003ca href=\"http://www.sfartscommission.org/\" target=\"_blank\" rel=\"noopener\"> San Francisco Art Commission\u003c/a>. But that’s years away. Before all that, some 40 buildings will be demolished, including Building 180.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/264590821″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=’166′ iframe=”true” /]\u003c/p>\n\u003cp>Building 180 used to be an airplane hangar, back when the U.S. military ran the the island. Until this week, it was home to 40 studios and hundreds of artists, many of them making large scale work — the kind of art you place in a civic plaza. Or The Playa, for \u003ca href=\"http://burningman.org/\" target=\"_blank\" rel=\"noopener\">Burning Man\u003c/a>. It’s a place that produces the kind of art that makes for an epic party when the lights go down and the electronic music goes up.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In fact, greeting party goers at the door was something they might have seen at Burning Man in 2014: \u003ca href=\"https://www.facebook.com/PeterHudsonOfficialArtistPage/\" target=\"_blank\" rel=\"noopener\">Peter Hudson’\u003c/a>s “Eternal Return.” A giant, pedal-powered, stroboscopic zoetrope that, when moving, looks like it’s sending gold gymnasts spinning through the air.\u003c/p>\n\u003cp>Hudson inspired fellow artist \u003ca href=\"http://www.marcocochranesculpture.net/\" target=\"_blank\" rel=\"noopener\">Marco Cochrane\u003c/a> to go really big with his sculptures. “It totally changed my sense of scale and what I’m doing with my work,” Cochrane says. Now, Cochrane’s best known for monumental female nudes. Cochran found another building to sublease on Treasure Island, but he’s leaving behind three 15-foot-models. They go down when the building goes down.\u003c/p>\n\u003cp>“If you do what you have to do to get ‘em out of here, which is tilt ‘em sideways, they’ll just collapse,” he says ruefully.\u003c/p>\n\u003cfigure id=\"attachment_11588889\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11588889\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-400x533.jpg\" alt=\"Marco Cochrane's "Bliss Dance," the version that showed at Burning Man, was 40 feet high. But the 15 foot metal and ceramic model at Treasure Island's Building 180 is also pretty impressive.\" width=\"400\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-450x600.jpg 450w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-885x1180.jpg 885w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-960x1280.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Marco Cochrane’s “Bliss Dance,” the version that showed at Burning Man, was 40 feet high. But the 15 foot metal and ceramic model at Treasure Island’s Building 180 is also pretty impressive. \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Roughly half of the artists at Building 180, including Cochrane, found studio space elsewhere on Treasure Island, some in historic buildings which will not be demolished. But not Hudson; he’s leaving for Las Vegas.\u003c/p>\n\u003cp>\u003cstrong>Bay Area Pushing Out Artists\u003c/strong>\u003c/p>\n\u003cp>“People from Las Vegas have come to me and are willing to offer space because they want and love artists,” Hudson says, adding the “San Francisco Bay Area seems to be pushing artists out of their equation.”\u003c/p>\n\u003cp>Hudson says he’s not just sad about losing square feet. “It was a wonderful, organic community that came together to help each other, foster each others’ creativity,” he says.\u003c/p>\n\u003cp>Cochrane’s wife, Julia Whitelaw, also feels a sense of loss. Artists working on big projects brought together teams of volunteers to help. These teams spawned new projects, as the artists inspired each other. “There was tool sharing and family dinners every Tuesday,” Whitelaw says. “So, it’s sad. It’s really sad.”\u003c/p>\n\u003cp>The sense of community wasn’t a happy accident, according to the businessman, Burner and curator \u003ca href=\"http://www.osc2.org/members/timothy-childs/\" target=\"_blank\" rel=\"noopener\">Timothy Childs\u003c/a>, who turned Building 180 into an art studio space. Childs says the city of San Francisco prompted him to make something out of a building that was never going to last forever. “We expected to have a couple of years,” Childs says. “We got five or six years out of it. So it’s been a really great run.”\u003c/p>\n\u003cp>[contextly_sidebar id=”D49dz0XniyhRJTbUZE8Hwy89Uvze2xmc”]\u003c/p>\n\u003cp>Childs says he and his colleagues thought long and hard about whom to invite into the Building 180 community. “We tried to put all sorts of interesting people next to each other,” Childs says. “I put some Facebook retirees next to some welders and have them cross pollinate, and folks that never used a drill gun before make art cars and things like that. Just really trying to create a scene that was very similar to the art scene that was happening here before the first tech boom.”\u003c/p>\n\u003cp>\u003cstrong>What Lies Ahead\u003c/strong>\u003c/p>\n\u003cp>Not that he’s prone to nostalgia. Childs predicts that $50 million from the developers will turn Treasure Island into a haven for public art. “It’s going to be a very dynamic thing that’s going to be happening here,” Childs says. “It’s going to be great for the city.”\u003c/p>\n\u003cp>But in the meantime, the same regional real estate market that spawned the redevelopment is making it harder for \u003ca href=\"http://ww2.kqed.org/arts/2015/09/16/survey-confirms-market-forces-pushing-artists-out-of-san-francisco/\" target=\"_blank\" rel=\"noopener\">local artists to find studio space\u003c/a> that allows them to dream big.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hCU_c9jBMcc\u003c/p>\n\n","blocks":[],"excerpt":"As development picks up steam on the island, hundreds of artists making large-scale work clear out, but not before throwing a wild party. ","status":"publish","parent":0,"modified":1705034194,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":966},"headData":{"title":"Burning Man Artists Bid Farewell to Treasure Island's Building 180 | KQED","description":"As development picks up steam on the island, hundreds of artists making large-scale work clear out, but not before throwing a wild party. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprStoryId":"478455791","path":"/arts/11588617/last-hurrah-on-treasure-island-artists-bid-farewell-to-building-180","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Cheers,” said one party goer to another. “To the beginning of the end.”\u003c/p>\n\u003cp>The party — a warehouse rave for about 2,000 people — was called \u003ca href=\"http://www.sfstation.com/terminus-the-last-treasure-island-warehouse-party-e2295526\" target=\"_blank\" rel=\"noopener\">Terminus.\u003c/a> It was a farewell party — a Baby Burning Man to mark the end of something special at Building 180 on Treasure Island.\u003c/p>\n\u003cp>Treasure Island is a man-made, 393-acre postage stamp of a landmass in the San Francisco Bay, and it’s being \u003ca href=\"http://sftreasureisland.org/development-project\" target=\"_blank\" rel=\"noopener\">redeveloped\u003c/a> over the next 20 years in the guise of a packed offshore neighborhood. It’s expected to house an estimated 19,000 people with condos, hotels, a ferry landing, parks, and possibly a \u003ca href=\"http://www.sfgate.com/bayarea/matier-ross/article/George-Lucas-looking-at-Treasure-Island-as-new-SF-7468257.php\" target=\"_blank\" rel=\"noopener\">new museum\u003c/a> from Star Wars creator George Lucas (if Mayor Ed Lee has his way).\u003c/p>\n\u003cp>The developers are expected to fork over \u003ca href=\"http://ww2.kqed.org/arts/2015/07/21/city-plans-to-transform-treasure-island-with-50-million-for-public-art/\" target=\"_blank\" rel=\"noopener\">$50 million\u003c/a> dollars for public art, to be spent by the\u003ca href=\"http://www.sfartscommission.org/\" target=\"_blank\" rel=\"noopener\"> San Francisco Art Commission\u003c/a>. But that’s years away. Before all that, some 40 buildings will be demolished, including Building 180.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='’166′'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/264590821″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/264590821″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Building 180 used to be an airplane hangar, back when the U.S. military ran the the island. Until this week, it was home to 40 studios and hundreds of artists, many of them making large scale work — the kind of art you place in a civic plaza. Or The Playa, for \u003ca href=\"http://burningman.org/\" target=\"_blank\" rel=\"noopener\">Burning Man\u003c/a>. It’s a place that produces the kind of art that makes for an epic party when the lights go down and the electronic music goes up.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In fact, greeting party goers at the door was something they might have seen at Burning Man in 2014: \u003ca href=\"https://www.facebook.com/PeterHudsonOfficialArtistPage/\" target=\"_blank\" rel=\"noopener\">Peter Hudson’\u003c/a>s “Eternal Return.” A giant, pedal-powered, stroboscopic zoetrope that, when moving, looks like it’s sending gold gymnasts spinning through the air.\u003c/p>\n\u003cp>Hudson inspired fellow artist \u003ca href=\"http://www.marcocochranesculpture.net/\" target=\"_blank\" rel=\"noopener\">Marco Cochrane\u003c/a> to go really big with his sculptures. “It totally changed my sense of scale and what I’m doing with my work,” Cochrane says. Now, Cochrane’s best known for monumental female nudes. Cochran found another building to sublease on Treasure Island, but he’s leaving behind three 15-foot-models. They go down when the building goes down.\u003c/p>\n\u003cp>“If you do what you have to do to get ‘em out of here, which is tilt ‘em sideways, they’ll just collapse,” he says ruefully.\u003c/p>\n\u003cfigure id=\"attachment_11588889\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11588889\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-400x533.jpg\" alt=\"Marco Cochrane's "Bliss Dance," the version that showed at Burning Man, was 40 feet high. But the 15 foot metal and ceramic model at Treasure Island's Building 180 is also pretty impressive.\" width=\"400\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-450x600.jpg 450w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-885x1180.jpg 885w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/RS19496_IMG_1741-qut-960x1280.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Marco Cochrane’s “Bliss Dance,” the version that showed at Burning Man, was 40 feet high. But the 15 foot metal and ceramic model at Treasure Island’s Building 180 is also pretty impressive. \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Roughly half of the artists at Building 180, including Cochrane, found studio space elsewhere on Treasure Island, some in historic buildings which will not be demolished. But not Hudson; he’s leaving for Las Vegas.\u003c/p>\n\u003cp>\u003cstrong>Bay Area Pushing Out Artists\u003c/strong>\u003c/p>\n\u003cp>“People from Las Vegas have come to me and are willing to offer space because they want and love artists,” Hudson says, adding the “San Francisco Bay Area seems to be pushing artists out of their equation.”\u003c/p>\n\u003cp>Hudson says he’s not just sad about losing square feet. “It was a wonderful, organic community that came together to help each other, foster each others’ creativity,” he says.\u003c/p>\n\u003cp>Cochrane’s wife, Julia Whitelaw, also feels a sense of loss. Artists working on big projects brought together teams of volunteers to help. These teams spawned new projects, as the artists inspired each other. “There was tool sharing and family dinners every Tuesday,” Whitelaw says. “So, it’s sad. It’s really sad.”\u003c/p>\n\u003cp>The sense of community wasn’t a happy accident, according to the businessman, Burner and curator \u003ca href=\"http://www.osc2.org/members/timothy-childs/\" target=\"_blank\" rel=\"noopener\">Timothy Childs\u003c/a>, who turned Building 180 into an art studio space. Childs says the city of San Francisco prompted him to make something out of a building that was never going to last forever. “We expected to have a couple of years,” Childs says. “We got five or six years out of it. So it’s been a really great run.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Childs says he and his colleagues thought long and hard about whom to invite into the Building 180 community. “We tried to put all sorts of interesting people next to each other,” Childs says. “I put some Facebook retirees next to some welders and have them cross pollinate, and folks that never used a drill gun before make art cars and things like that. Just really trying to create a scene that was very similar to the art scene that was happening here before the first tech boom.”\u003c/p>\n\u003cp>\u003cstrong>What Lies Ahead\u003c/strong>\u003c/p>\n\u003cp>Not that he’s prone to nostalgia. Childs predicts that $50 million from the developers will turn Treasure Island into a haven for public art. “It’s going to be a very dynamic thing that’s going to be happening here,” Childs says. “It’s going to be great for the city.”\u003c/p>\n\u003cp>But in the meantime, the same regional real estate market that spawned the redevelopment is making it harder for \u003ca href=\"http://ww2.kqed.org/arts/2015/09/16/survey-confirms-market-forces-pushing-artists-out-of-san-francisco/\" target=\"_blank\" rel=\"noopener\">local artists to find studio space\u003c/a> that allows them to dream big.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hCU_c9jBMcc'\n title='//www.youtube.com/embed/hCU_c9jBMcc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/11588617/last-hurrah-on-treasure-island-artists-bid-farewell-to-building-180","authors":["251"],"series":["arts_407"],"categories":["arts_1","arts_235","arts_70"],"tags":["arts_1119","arts_1118","arts_596"],"featImg":"arts_11588888","label":"arts_407"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2023/08/possible-5gxfizEbKOJ-pbF5ASgxrs_.1400x1400.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2022/02/mindshift2021-tile-3000x3000-1-scaled-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/ME_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/01/OOW_Tile_Final.png","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. 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