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In 2023, she was a recipient of Online News Association's \u003ca href=\"https://journalists.org/programs/mj-bear-fellowship/\">MJ Bear Fellowship\u003c/a>, which honors six standout journalists under the age of 30 who are pushing innovation in digital news.","avatar":"https://secure.gravatar.com/avatar/5275bbdc74da8a8845f2b9f9f7d94a5f?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]}],"headData":{"title":"Ugur Dursun | KQED","description":"Engagement Producer, KQED Arts & Culture","ogImgSrc":"https://secure.gravatar.com/avatar/5275bbdc74da8a8845f2b9f9f7d94a5f?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/5275bbdc74da8a8845f2b9f9f7d94a5f?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/udursun"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"news","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"news_11977685":{"type":"posts","id":"news_11977685","meta":{"index":"posts_1591205157","site":"news","id":"11977685","score":null,"sort":[1709307027000]},"guestAuthors":[],"slug":"madonna-fans-chase-center","title":"‘Be in My World’: For Many Madonna Fans, Her Art and Advocacy Go Hand in Hand","publishDate":1709307027,"format":"standard","headTitle":"‘Be in My World’: For Many Madonna Fans, Her Art and Advocacy Go Hand in Hand | KQED","labelTerm":{"site":"news"},"content":"\u003cp>Chad Belicena vividly remembers the first time he heard Madonna’s music.\u003c/p>\n\u003cp>The year was 1983. As an 11-year-old boy in the Philippines, “I remember going inside a shopping mall, and I heard ‘Borderline.’ And it stopped me in my tracks,” Belicena said.\u003c/p>\n\u003cp>“‘This voice is very different. This song is very different,” he recalls thinking. “‘Somehow, I need to know who this woman is.’”\u003c/p>\n\u003cp>More than 40 years later, Belicena — now a Daly City resident — donned a fabulous white fur coat, a black tank top with “Mother” emblazoned across it and a crimson fedora to see Madonna herself perform at San Francisco’s Chase Center this week.\u003c/p>\n\u003cfigure id=\"attachment_11977691\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977691\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Chad Belicena wears a shirt that says, ‘Mother’ while attending the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Queen of Pop \u003ca href=\"https://www.kqed.org/arts/13953137/live-review-madonna-gives-a-master-class-in-eras-in-san-francisco\">brought her Celebration Tour to the Bay Area for two consecutive nights\u003c/a>, and her fans came through in droves — embodying Madonna’s four decades of music through their outfits, merch and energy.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And what became clear from talking with fans was not just their passion for the music but for the impact Madonna has had on their lives and the role she has played in shaping their personal and political opinions.\u003c/p>\n\u003cfigure id=\"attachment_11977700\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977700\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alex Falcioni (left) and Christopher Manning wait in line for the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Aside from her creative and theatrical prowess, the Material Girl personifies long-standing advocacy for gender equality, LGBTQ+ rights and HIV/AIDS education.\u003c/p>\n\u003cp>Even when she’s not being explicitly “political,” Madonna’s music and performances are frequently politicized by others. Just think of the criticism from religious and conservative groups after the release of her \u003ca href=\"https://www.rollingstone.com/music/music-features/madonna-vmas-biography-excerpt-1234829918/\">1984 performance of “Like a Virgin” at the MTV Video Music Awards\u003c/a>, her \u003ca href=\"https://www.etonline.com/like-a-prayer-30-years-later-how-the-controversial-music-video-barely-made-it-to-air-121023\">1989 music video for “Like a Prayer”\u003c/a> or her \u003ca href=\"https://www.billboard.com/music/pop/madonna-erotica-album-sex-book-oral-history-8006663/\">1995 album \u003cem>Erotica\u003c/em>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11977696\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977696\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Heather Breiling wears Madonna pants while attending the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘She has always loved and supported our community’\u003c/h2>\n\u003cp>“[Madonna] doesn’t give a shit about what anyone thinks about her,” said Sister Roma of the Sisters of Perpetual Indulgence, who was in attendance at Tuesday’s show, wearing a glittering black dress with a tiara adorned with purple feathers.\u003c/p>\n\u003cp>“People always say, ‘If you have a platform, you should use it.’ Madonna has always used her platform,” Roma said. “She is one of the biggest LGBTQ and AIDS activists the world has ever seen.”\u003c/p>\n\u003cfigure id=\"attachment_11977697\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977697\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Sister Roma and Honey Mahogany pose for a photo before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“She has always loved and supported our community … and she really put her career at risk quite often, taking these positions,” Roma said.\u003c/p>\n\u003cp>During the show, as Madonna sang her 1986 song “Live to Tell,” images of friends who died of AIDS — like \u003ca href=\"https://www.facebook.com/madonna/photos/in-my-apartment-on-the-les-where-i-lived-with-my-best-friend-martin-burgoyne-who/10156798913734402/?paipv=0&eav=AfbsIYtD47iRN09is_tMlCTgG6QQDHJ19o3YZe27I3_4uUGGwsf0BI19bXClhn7CCMg&_rdr\">Martin Burgoyne\u003c/a> and \u003ca href=\"https://michiganlgbtqremember.files.wordpress.com/2017/01/christopher-flynn-obit-cruise-19901107.pdf\">Christopher Flynn\u003c/a> — were projected on giant screens. As the song progressed, more faces appeared until the screens were flooded with thousands of portraits, eventually fading to black with the message: “In loving memory to all those we lost to AIDS.”\u003c/p>\n\u003ch2>‘Be in my world’\u003c/h2>\n\u003cp>In conversations with fans at the Chase Center, one thing kept coming up: For her fans, Madonna is not just her music. For many, she is also the confidence and safety that fans feel when listening to her music, watching her perform and hearing her speak out politically.\u003c/p>\n\u003cfigure id=\"attachment_11977698\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977698\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kathy Moreno and her daughter Amaya, 16, wait in line for a photo with a Madonna sign before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Madonna brings me strength as a woman,” said Amaya Moreno, 16, from the East Bay. “She helps me bring out my feminine energy.”\u003c/p>\n\u003cp>Standing next to Moreno was her mom, Kathy, a longtime Madonna fan. Madonna’s art is “all about expression, being yourself, being outspoken,” Kathy said. “Being a woman.”\u003c/p>\n\u003cp>For the mother-daughter duo, the inclusivity expressed in both Madonna’s music and politics was a particular draw — or, as Amaya put it, “She’s standing up for everyone.”\u003c/p>\n\u003cp>“We love that she brings people together from all walks of life, all sides of life,” Kathy said. “We want to hear messages that we believe in, that bring love into our lives.”\u003c/p>\n\u003cfigure id=\"attachment_11977393\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977393\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Katie DeClaire and Mandy Waite dance before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Belicena of Daly City, Madonna was who he looked to when navigating his identity as a young gay man in the Philippines. “She said, ‘Come near me, be in my world; I can make you feel safe,’” he said.\u003c/p>\n\u003ch2>‘Our voices could be heard’\u003c/h2>\n\u003cp>When he moved to California in the 1990s, Belicena became involved in the community response to the HIV/AIDS crisis, which was taking the lives of thousands of gay men. One of these efforts was the annual \u003ca href=\"https://www.sfgate.com/news/article/the-dance-a-thon-as-aids-fund-raiser-3150037.php\">AIDS Dance-A-Thon held at San Francisco’s Moscone Center\u003c/a>, which raised millions of dollars for AIDS organizations. No matter the year, Belicena says, Madonna’s music was played at these events.\u003c/p>\n\u003cfigure id=\"attachment_11977396\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977396\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Joey Martinez wears a leather jacket filled with Madonna pins, collected over 20 years, before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When Madonna became more active in HIV/AIDS fundraising efforts throughout the ’90s, it further deepened Belicena’s bond with the singer and her music. “Of course, it matters that artists take a political stance,” he said.\u003c/p>\n\u003cp>For Belicena, who now works in the Bay Area as a psychiatric nurse, public and mental health are issues of special importance in 2024 — an election year. And “artists have a platform to talk about these things much louder than us,” Belicena said.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“But if we vote and go to the polls,” he said, “I think our voices could be heard as loud as these artists.”\u003c/p>\n\n","blocks":[],"excerpt":"At Madonna's San Francisco shows this week, fans dressed to honor their idol — and spoke of their decades-long bond. ","status":"publish","parent":0,"modified":1709330077,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":24,"wordCount":1123},"headData":{"title":"‘Be in My World’: For Many Madonna Fans, Her Art and Advocacy Go Hand in Hand | KQED","description":"At Madonna's San Francisco shows this week, fans dressed to honor their idol — and spoke of their decades-long bond. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11977685/madonna-fans-chase-center","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Chad Belicena vividly remembers the first time he heard Madonna’s music.\u003c/p>\n\u003cp>The year was 1983. As an 11-year-old boy in the Philippines, “I remember going inside a shopping mall, and I heard ‘Borderline.’ And it stopped me in my tracks,” Belicena said.\u003c/p>\n\u003cp>“‘This voice is very different. This song is very different,” he recalls thinking. “‘Somehow, I need to know who this woman is.’”\u003c/p>\n\u003cp>More than 40 years later, Belicena — now a Daly City resident — donned a fabulous white fur coat, a black tank top with “Mother” emblazoned across it and a crimson fedora to see Madonna herself perform at San Francisco’s Chase Center this week.\u003c/p>\n\u003cfigure id=\"attachment_11977691\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977691\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-18-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Chad Belicena wears a shirt that says, ‘Mother’ while attending the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Queen of Pop \u003ca href=\"https://www.kqed.org/arts/13953137/live-review-madonna-gives-a-master-class-in-eras-in-san-francisco\">brought her Celebration Tour to the Bay Area for two consecutive nights\u003c/a>, and her fans came through in droves — embodying Madonna’s four decades of music through their outfits, merch and energy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And what became clear from talking with fans was not just their passion for the music but for the impact Madonna has had on their lives and the role she has played in shaping their personal and political opinions.\u003c/p>\n\u003cfigure id=\"attachment_11977700\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977700\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-19-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alex Falcioni (left) and Christopher Manning wait in line for the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Aside from her creative and theatrical prowess, the Material Girl personifies long-standing advocacy for gender equality, LGBTQ+ rights and HIV/AIDS education.\u003c/p>\n\u003cp>Even when she’s not being explicitly “political,” Madonna’s music and performances are frequently politicized by others. Just think of the criticism from religious and conservative groups after the release of her \u003ca href=\"https://www.rollingstone.com/music/music-features/madonna-vmas-biography-excerpt-1234829918/\">1984 performance of “Like a Virgin” at the MTV Video Music Awards\u003c/a>, her \u003ca href=\"https://www.etonline.com/like-a-prayer-30-years-later-how-the-controversial-music-video-barely-made-it-to-air-121023\">1989 music video for “Like a Prayer”\u003c/a> or her \u003ca href=\"https://www.billboard.com/music/pop/madonna-erotica-album-sex-book-oral-history-8006663/\">1995 album \u003cem>Erotica\u003c/em>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11977696\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977696\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-28-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Heather Breiling wears Madonna pants while attending the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘She has always loved and supported our community’\u003c/h2>\n\u003cp>“[Madonna] doesn’t give a shit about what anyone thinks about her,” said Sister Roma of the Sisters of Perpetual Indulgence, who was in attendance at Tuesday’s show, wearing a glittering black dress with a tiara adorned with purple feathers.\u003c/p>\n\u003cp>“People always say, ‘If you have a platform, you should use it.’ Madonna has always used her platform,” Roma said. “She is one of the biggest LGBTQ and AIDS activists the world has ever seen.”\u003c/p>\n\u003cfigure id=\"attachment_11977697\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977697\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-29-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Sister Roma and Honey Mahogany pose for a photo before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“She has always loved and supported our community … and she really put her career at risk quite often, taking these positions,” Roma said.\u003c/p>\n\u003cp>During the show, as Madonna sang her 1986 song “Live to Tell,” images of friends who died of AIDS — like \u003ca href=\"https://www.facebook.com/madonna/photos/in-my-apartment-on-the-les-where-i-lived-with-my-best-friend-martin-burgoyne-who/10156798913734402/?paipv=0&eav=AfbsIYtD47iRN09is_tMlCTgG6QQDHJ19o3YZe27I3_4uUGGwsf0BI19bXClhn7CCMg&_rdr\">Martin Burgoyne\u003c/a> and \u003ca href=\"https://michiganlgbtqremember.files.wordpress.com/2017/01/christopher-flynn-obit-cruise-19901107.pdf\">Christopher Flynn\u003c/a> — were projected on giant screens. As the song progressed, more faces appeared until the screens were flooded with thousands of portraits, eventually fading to black with the message: “In loving memory to all those we lost to AIDS.”\u003c/p>\n\u003ch2>‘Be in my world’\u003c/h2>\n\u003cp>In conversations with fans at the Chase Center, one thing kept coming up: For her fans, Madonna is not just her music. For many, she is also the confidence and safety that fans feel when listening to her music, watching her perform and hearing her speak out politically.\u003c/p>\n\u003cfigure id=\"attachment_11977698\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977698\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-15-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kathy Moreno and her daughter Amaya, 16, wait in line for a photo with a Madonna sign before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Madonna brings me strength as a woman,” said Amaya Moreno, 16, from the East Bay. “She helps me bring out my feminine energy.”\u003c/p>\n\u003cp>Standing next to Moreno was her mom, Kathy, a longtime Madonna fan. Madonna’s art is “all about expression, being yourself, being outspoken,” Kathy said. “Being a woman.”\u003c/p>\n\u003cp>For the mother-daughter duo, the inclusivity expressed in both Madonna’s music and politics was a particular draw — or, as Amaya put it, “She’s standing up for everyone.”\u003c/p>\n\u003cp>“We love that she brings people together from all walks of life, all sides of life,” Kathy said. “We want to hear messages that we believe in, that bring love into our lives.”\u003c/p>\n\u003cfigure id=\"attachment_11977393\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977393\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-12-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Katie DeClaire and Mandy Waite dance before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Belicena of Daly City, Madonna was who he looked to when navigating his identity as a young gay man in the Philippines. “She said, ‘Come near me, be in my world; I can make you feel safe,’” he said.\u003c/p>\n\u003ch2>‘Our voices could be heard’\u003c/h2>\n\u003cp>When he moved to California in the 1990s, Belicena became involved in the community response to the HIV/AIDS crisis, which was taking the lives of thousands of gay men. One of these efforts was the annual \u003ca href=\"https://www.sfgate.com/news/article/the-dance-a-thon-as-aids-fund-raiser-3150037.php\">AIDS Dance-A-Thon held at San Francisco’s Moscone Center\u003c/a>, which raised millions of dollars for AIDS organizations. No matter the year, Belicena says, Madonna’s music was played at these events.\u003c/p>\n\u003cfigure id=\"attachment_11977396\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977396\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/240227-MadonnaFans-21-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Joey Martinez wears a leather jacket filled with Madonna pins, collected over 20 years, before the Madonna Celebration Tour concert at the Chase Center in San Francisco on Feb. 27, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When Madonna became more active in HIV/AIDS fundraising efforts throughout the ’90s, it further deepened Belicena’s bond with the singer and her music. “Of course, it matters that artists take a political stance,” he said.\u003c/p>\n\u003cp>For Belicena, who now works in the Bay Area as a psychiatric nurse, public and mental health are issues of special importance in 2024 — an election year. And “artists have a platform to talk about these things much louder than us,” Belicena said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“But if we vote and go to the polls,” he said, “I think our voices could be heard as loud as these artists.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11977685/madonna-fans-chase-center","authors":["11708"],"categories":["news_8"],"tags":["news_19133","news_27626","news_1425"],"featImg":"news_11977703","label":"news"},"news_11977471":{"type":"posts","id":"news_11977471","meta":{"index":"posts_1591205157","site":"news","id":"11977471","score":null,"sort":[1709208057000]},"guestAuthors":[],"slug":"seeing-bad-bunny-at-chase-center-from-parking-and-bag-policies-heres-what-to-know","title":"Seeing Bad Bunny at Chase Center? From Parking and Bag Policies, Here's What to Know","publishDate":1709208057,"format":"standard","headTitle":"Seeing Bad Bunny at Chase Center? From Parking and Bag Policies, Here’s What to Know | KQED","labelTerm":{"site":"news"},"content":"\u003cp>Bay Area, it’s time to perrear y llorar. \u003ca href=\"https://www.kqed.org/forum/2010101889894/whats-your-song-of-the-summer\">Grammy winner Bad Bunny\u003c/a>‘s Most Wanted Tour is coming to San Francisco’s Chase Center for two nights this week, Friday, March 1 and Saturday, March 2.\u003c/p>\n\u003cp>It’s the first time Bay Area fans will get to hear tracks from last year’s ‘nadie sabe lo que va pasar mañana’ album, along with chart-topping tracks like “Yo Perreo Sola” and “un x100to” (\u003ca href=\"https://music.apple.com/us/playlist/set-list-bad-bunnys-most-wanted-tour/pl.a62d9ff404994767ad86a3c33fd8b93b\">full show setlist\u003c/a>.) So, \u003ca href=\"https://variety.com/2023/music/news/bad-bunny-most-wanted-tour-2024-1235762064/\">if you’re a longtime Bad Bunny fan who secured a ticket\u003c/a> to one of these concerts, and you want to focus on enjoying the night rather than worrying about parking or getting home, keep reading our guide to attending a show at Chase Center.\u003c/p>\n\u003cp>For the most up-to-date details, \u003ca href=\"https://twitter.com/ChaseCenter\">follow Chase Center on social media\u003c/a> for any last-minute updates. And if you’re anything like this author, don’t forget to pregame the show by scrolling through TikToks of fans looking longingly at the man himself, Benito Martínez Ocasio, from the stadium crowd:\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@desi.assis/video/7338565179224952094\" data-video-id=\"7338565179224952094\">\n\u003csection>\u003ca title=\"@desi.assis\" href=\"https://www.tiktok.com/@desi.assis?refer=embed\" target=\"_blank\" rel=\"noopener\">@desi.assis\u003c/a> I cant belive how close he was 🥹🥹🥹🫶🏽🫶🏽🫶🏽🫶🏽🐰🐰🐰🐰 \u003ca title=\"badbunny2024\" href=\"https://www.tiktok.com/tag/badbunny2024?refer=embed\" target=\"_blank\" rel=\"noopener\">#badbunny2024\u003c/a> \u003ca title=\"nslqvpm\" href=\"https://www.tiktok.com/tag/nslqvpm?refer=embed\" target=\"_blank\" rel=\"noopener\">#nslqvpm\u003c/a> \u003ca title=\"nadiesabietour\" href=\"https://www.tiktok.com/tag/nadiesabietour?refer=embed\" target=\"_blank\" rel=\"noopener\">#nadiesabietour\u003c/a> \u003ca title=\"♬ You Look Lonely x Resonance - Slowed + Reverb - JU$t\" href=\"https://www.tiktok.com/music/You-Look-Lonely-x-Resonance-Slowed-Reverb-7257380007285557250?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ You Look Lonely x Resonance – Slowed + Reverb – JU$t\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>\u003cb>Jump straight to:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#chasecenterbags\">What can I bring into Chase Center?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#chasecenterparking\">What are the parking options at Chase Center for the Bad Bunny shows?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#bartnearchasecenter\">What’s the best way to take public transit to Chase Center?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>What time do the Bad Bunny shows at Chase Center start?\u003c/h2>\n\u003cp>Both of Bad Bunny’s shows at Chase Center on Friday and Saturday start at 8 p.m. Doors will open at 7 p.m.\u003c/p>\n\u003cp>There will be \u003ca href=\"https://forecast.weather.gov/MapClick.php?x=165&y=156&site=mtr&zmx=&zmy=&map_x=165&map_y=156\">chances of rain both nights\u003c/a>, so while Chase Center is an indoor venue, consider bringing an umbrella or a hooded jacket for your entries and exits.\u003c/p>\n\u003ch2>\u003ca id=\"chasecenterbags\">\u003c/a>What’s the Chase Center bag policy?\u003c/h2>\n\u003cp>Backpacks (except for single-compartment drawstring bags) and hard-sided bags of any kind are prohibited from entering Chase Center. Any other bag you bring must be smaller than 14” x 14” x 6” in size.\u003c/p>\n\u003cp>Bags that do not meet the requirements can be checked at one of two bag check locations for a fee of $10. Chase Center says that proceeds generated from the bag check counters will be donated to the \u003ca href=\"https://community.warriors.com/foundation/\">Warriors Community Foundation\u003c/a>, which supports education and youth development in the Bay Area.\u003c/p>\n\u003cp>Here are some more \u003ca href=\"https://www.chasecenter.com/a-to-z-guide\">things you cannot bring into the Bad Bunny shows at Chase Center\u003c/a>:\u003c/p>\n\u003cul>\n\u003cli>Bottles and cans.\u003c/li>\n\u003cli>Refillable water bottles.\u003c/li>\n\u003cli>Signs over 11 x 17 inches or attached to any pole or stick.\u003c/li>\n\u003cli>Masks that cover the whole face. (Face coverings to lower your risks of catching — or spreading — COVID-19, like N95 masks, are allowed.)\u003c/li>\n\u003cli>Lights, tripods and professional recording equipment. Flash photography is not allowed.\u003c/li>\n\u003cli>Noise making devices, such as air horns, whistles or cow bells.\u003c/li>\n\u003cli>Weapons and self-defense items of any kind, including mace, knives and tasers.\u003c/li>\n\u003cli>Selfie sticks.\u003c/li>\n\u003c/ul>\n\u003cp>What else \u003ci>can \u003c/i>you bring to Chase Center? These items include:\u003c/p>\n\u003cul>\n\u003cli>Baby bags, plastic bottles, and formula.\u003c/li>\n\u003cli>Diaper bags (with a child).\u003c/li>\n\u003cli>Bags accepted as medical bags.\u003c/li>\n\u003cli>Umbrellas.\u003c/li>\n\u003cli>Binoculars.\u003c/li>\n\u003c/ul>\n\u003cp>While portable phone chargers are not on the prohibited items list (\u003ca href=\"https://www.kqed.org/news/11956083/taylor-swift-levis-stadium-eras-santa-clara-tickets\">like they initially were at Levi’s Stadium for Taylor Swift’s Eras tour dates last year\u003c/a>), Chase Center also offers charging stations compatible with most cell phone devices. Guests may rent a portable charger to take back to their seats at a cost of $2 for every 30 minutes.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11959799/how-to-avoid-a-car-break-in-bay-area\">Be careful if you’re choosing to stash anything in your vehicle during the show\u003c/a>, as break-ins are unfortunately common around the Bay Area. Don’t leave anything on display in your car, especially electronics like laptops — even if you think they’re hidden from view.\u003c/p>\n\u003ch2>How do I know if I’ve got a good seat at the Bad Bunny Chase Center show?\u003c/h2>\n\u003cp>If you are anxious about anything obscuring your sight of the stage or how you want to get to your seat fast, you can \u003ca href=\"https://warriors.io-media.com/web/index.html#\">check out the view from your seat using Chase Center’s Virtual Venue map\u003c/a>.\u003c/p>\n\u003cp>For what it’s worth, this is the artist’s first tour \u003ca href=\"https://www.harpersbazaar.com/celebrity/latest/a46163069/why-bad-bunny-kendall-jenner-broke-up/\">after splitting from Kendall Jenner in December\u003c/a>, so you know some songs are going to be putting Benito — and fans — into his feels. On a personal note for those living in their romantic fantasies, maybe \u003cem>you\u003c/em> will have the seat where Benito makes direct eye contact with you and falls in love. You should be reading a book.\u003c/p>\n\u003ch2>What should I know about accessibility at Chase Center?\u003c/h2>\n\u003cp>Chase Center addresses questions about accessibility in their online \u003ca href=\"https://www.chasecenter.com/a-to-z-guide\">A to Z Guide\u003c/a>, where you can find information about accessible parking, hearing assistance, ADA-compliant restrooms and service animals.\u003c/p>\n\u003cp>The venue says guests can request complimentary wheelchair escorts by visiting the kiosks located at \u003ca href=\"https://cdn.nba.com/teams/uploads/sites/1610612744/2024/02/CC_Portals_Map_Update_3202x2550_2024-.jpg\">Portal 13 and Portal 52\u003c/a> or texting 833-CC4FANS.\u003c/p>\n\u003cp>To schedule an American Sign Language interpreter, guests should contact \u003ca href=\"mailto:guestexperiences@warriors.com\">guestexperiences@warriors.com\u003c/a> ahead of time.\u003c/p>\n\u003ch2>\u003ca id=\"chasecenterparking\">\u003c/a>What should I know about parking at and near Chase Center?\u003c/h2>\n\u003cp>Currently, the venue’s website refers fans to the \u003ca href=\"https://www.parkwhiz.com/chase-center-parking/bad-bunny-most-wanted-tour-1378801/?view=list\">third-party parking website ParkWhiz\u003c/a> for other non-Chase Center parking options nearby. These spaces may potentially be a bit far from the venue, so consider wearing comfier shoes for the walk over.\u003c/p>\n\u003cp>A limited number of accessible parking spaces at Chase Center are available for purchase on a first-come, first-served basis and cost between $60 and $100 depending on the size of your vehicle and the event, a Chase Center representative confirmed to KQED. Accessible parking is located at 150 Warriors Way Garage.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2>What about using rideshare services at Chase Center?\u003c/h2>\n\u003cp>While getting \u003ci>to \u003c/i>the venue using a rideshare service might be fairly smooth, finding a car after the show is almost certainly going to be a challenge — speaking from personal experience. Due to surge pricing, it will also be far more expensive to get an Uber or Lyft as you exit the venue.\u003c/p>\n\u003cp>There are multiple \u003ca href=\"https://images.ctfassets.net/0lzgl3qjkmm1/6k8OJ6yu4tTfjV4wHsmKTG/0b4cc696d2b3f2360ad34bbc16ffbffd/uber-map.png\">designated pick-up and drop-off zones\u003c/a> located within one block of Chase Center. Upon arrival, use one of the designated passenger loading zones (white curbs) along Terry A Francois Boulevard for a safe curbside drop-off.\u003c/p>\n\u003cp>As you leave the show, the rideshare apps will automatically show you the best places to get picked up \u003ca href=\"https://images.ctfassets.net/0lzgl3qjkmm1/6k8OJ6yu4tTfjV4wHsmKTG/0b4cc696d2b3f2360ad34bbc16ffbffd/uber-map.png\">within a five-minute walk radius\u003c/a>. The Chase Center website recommends walking a few blocks away before requesting a ride.\u003c/p>\n\u003cp>Accessible drop-offs and pick-ups are along the curb of 16th Street and Terry Francois Boulevard, with accessible entry and exit from the East Entrance. For folks with mobility considerations, the venue can provide a wheelchair to transport guests from Thrive City Plaza or the main lobby to their seats.\u003c/p>\n\u003ch2>\u003ca id=\"bartnearchasecenter\">\u003c/a>What’s the best way to take public transit to the Bad Bunny concert?\u003c/h2>\n\u003cp>Public transit schedules can always be subject to change. Check the timings for your route on the day of the show itself, and be sure of your very last service home.\u003c/p>\n\u003cfigure id=\"attachment_11976704\" class=\"wp-caption alignnone\" style=\"max-width: 1080px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11976704\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080.jpg\" alt=\"A map showing different transportation routes in San Francisco.\" width=\"1080\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080.jpg 1080w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080-160x160.jpg 160w\" sizes=\"(max-width: 1080px) 100vw, 1080px\">\u003cfigcaption class=\"wp-caption-text\">A map showing different transportation routes in San Francisco. \u003ccite>(Courtesy of the SFMTA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>SF Muni\u003c/strong>\u003c/p>\n\u003cp>Any Chase Center patron who shows their event ticket at Muni turnstiles and boarding platforms will be able to \u003ca href=\"https://www.chasecenter.com/transportation-guide\">ride Muni without charge\u003c/a>.\u003c/p>\n\u003cp>There is a Muni Metro rail stop serving the venue on the T-Third Street line, which connects Chinatown and Sunnydale. \u003ca href=\"https://www.sfmta.com/routes/t-third-street\">See the Muni Metro schedule.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>BART\u003c/strong>\u003c/p>\n\u003cp>Several BART stations have convenient connections to get to Chase Center.\u003c/p>\n\u003cp>Muni Route 22 serves as a connection to 16th St. Mission BART station. This stop is located on 3rd Street and Gene Friend Way.\u003c/p>\n\u003cp>Muni Route 15 serves as a connection to Montgomery St. BART station. This stop is located on 3rd Street and Warriors Way.\u003c/p>\n\u003cp>You can transfer to the new Union Square Muni Metro rail station from Powell BART station via the underground corridor to take the T-Third Street line or S-Shuttle Mission Bay line to the UCSF/Chase Center stop.\u003c/p>\n\u003cp>You can \u003ca href=\"https://www.bart.gov/\">find more information and schedules on the BART website\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Caltrain\u003c/strong>\u003c/p>\n\u003cp>If you take Caltrain to San Francisco, you can walk 15-20 minutes along 4th Street and turn left on Gene Friend Way to Chase Center.\u003c/p>\n\u003cp>You can also transfer from the Caltrain station to the Muni Metro T-Third Street platform located across the street and take Muni to the UCSF/Chase Center stop.\u003c/p>\n\u003cp>On weekdays, the last Caltrain from San Francisco departs at 12:03 a.m. \u003ca href=\"https://www.caltrain.com/\">See the Caltrain schedule here.\u003c/a>\u003c/p>\n\u003cp>\u003cb>Biking\u003c/b>\u003c/p>\n\u003cp>Chase Center offers guests free secure bike storage from 1 hour before doors open until one hour after the end of the event.\u003c/p>\n\u003cp>Public bike parking is available along 16th Street and Terry Francois Boulevard.\u003c/p>\n\u003cp>There is also a Lyft/Bay Wheels bike share station at the intersection of Warriors Way and Terry Francois Boulevard. While they’re convenient and easy to use, the limited availability of these bikes means you should have a backup plan — or you might get stranded.\u003c/p>\n\u003ch2>Can I still get a ticket for the Bad Bunny shows?\u003c/h2>\n\u003cp>There are tickets still available for \u003ca href=\"https://www.ticketmaster.com/bad-bunny-most-wanted-tour-san-francisco-california-03-01-2024/event/1C005F520ADB6555?landing=c\">night one\u003c/a> and \u003ca href=\"https://www.ticketmaster.com/bad-bunny-most-wanted-tour-san-francisco-california-03-02-2024/event/1C005F520CAD6673?landing=c\">night two\u003c/a> of Bad Bunny’s San Francisco stint on Ticketmaster — although prices are well over a hundred dollars.\u003c/p>\n\u003cp>However, Ticketmaster is allowing resale on their own platform for Bad Bunny’s tour, which is the most secure way to buy second-hand tickets. (You can access these by using the filter.)\u003c/p>\n\u003cp>You can also find \u003ca href=\"https://www.stubhub.com/bad-bunny-san-francisco-tickets-3-1-2024/event/152474183/\">resale tickets on sites like StubHub\u003c/a> or even on social media, but make sure you’re not purchasing fake tickets.\u003c/p>\n\u003cp>If you’re buying a resale ticket, a note: The \u003ca href=\"https://abc7news.com/taylor-swift-scams-concert-tickets-better-business-bureau/13474055/\">Better Businesses Bureau issued a warning about resale scams\u003c/a> during Taylor Swift’s Eras Tour, with many people discovering after sending the money through apps like Venmo or Zelle that these “tickets” never existed. Check out the person’s profile and their past posting history to see if it seems real. And \u003ca href=\"https://www.bbb.org/article/scams/28902-bbb-scam-alert-spot-the-scam-before-paying-big-bucks-for-taylor-swift-tickets\">if you do choose to buy a resale, use your credit card\u003c/a>, says the BBB. This at least provides some protection for you if the deal was fake.\u003c/p>\n\u003cp>If you are getting a resale from a friend, \u003ca href=\"https://www.bbb.org/article/scams/28902-bbb-scam-alert-spot-the-scam-before-paying-big-bucks-for-taylor-swift-tickets\">make sure you call your friend directly\u003c/a> — to make sure someone isn’t impersonating them online.\u003c/p>\n\u003ch2>Are there Bad Bunny after-parties in the Bay Area?\u003c/h2>\n\u003cp>If you want to keep riding the high of seeing your favorite singer — or if you didn’t get tickets — there are some events in San Francisco and Oakland dedicated to Bad Bunny this week.\u003c/p>\n\u003cul>\n\u003cli>On Friday at Temple Nightclub: \u003ca href=\"https://www.eventbrite.com/e/bad-bunny-tribute-party-tickets-851315175607?aff=ebdssbdestsearch\">Bad Bunny Tribute Party\u003c/a>\u003c/li>\n\u003cli>On Friday at The Grand: \u003ca href=\"https://v5online.com/most-wanted-tour-after-parties/\">Official Afterparty\u003c/a>\u003c/li>\n\u003cli>On Saturday at Que Rico: \u003ca href=\"https://www.eventbrite.com/e/papi-chulo-que-rico-bad-bunny-concert-after-party-tickets-851212739217?aff=ebdssbdestsearch\">Papi Chulo @ Que Rico: Bad Bunny Concert After Party\u003c/a>\u003c/li>\n\u003cli>On Saturday at the Valencia Room: \u003ca href=\"https://www.eventbrite.com/e/perreo-y-mas-bad-bunny-after-party-030224-tickets-812622956137?aff=ebdssbdestsearch\">Perreo Y Mas Bad Bunny After Party\u003c/a>\u003c/li>\n\u003cli>March 10th at The New Parish: \u003ca href=\"https://dothebay.com/events/2023/3/10/the-ultimate-bad-bunny-birthday-bash-18-the-new-parish-oakland-mar-3-tickets\">All Bad Bunny Everything – The Ultimate Birthday Bash Tribute Party\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003ci>KQED’s Ugur Dursun, Carlos Cabrera-Lomelí and Carly Severn contributed to this story.\u003c/i>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"If you're going to one of Bad Bunny's shows in San Francisco this week, here's everything you need to know about getting to Chase Center, parking and bag policies.","status":"publish","parent":0,"modified":1709232521,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":51,"wordCount":1909},"headData":{"title":"Seeing Bad Bunny at Chase Center? From Parking and Bag Policies, Here's What to Know | KQED","description":"If you're going to one of Bad Bunny's shows in San Francisco this week, here's everything you need to know about getting to Chase Center, parking and bag policies.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11977471/seeing-bad-bunny-at-chase-center-from-parking-and-bag-policies-heres-what-to-know","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Bay Area, it’s time to perrear y llorar. \u003ca href=\"https://www.kqed.org/forum/2010101889894/whats-your-song-of-the-summer\">Grammy winner Bad Bunny\u003c/a>‘s Most Wanted Tour is coming to San Francisco’s Chase Center for two nights this week, Friday, March 1 and Saturday, March 2.\u003c/p>\n\u003cp>It’s the first time Bay Area fans will get to hear tracks from last year’s ‘nadie sabe lo que va pasar mañana’ album, along with chart-topping tracks like “Yo Perreo Sola” and “un x100to” (\u003ca href=\"https://music.apple.com/us/playlist/set-list-bad-bunnys-most-wanted-tour/pl.a62d9ff404994767ad86a3c33fd8b93b\">full show setlist\u003c/a>.) So, \u003ca href=\"https://variety.com/2023/music/news/bad-bunny-most-wanted-tour-2024-1235762064/\">if you’re a longtime Bad Bunny fan who secured a ticket\u003c/a> to one of these concerts, and you want to focus on enjoying the night rather than worrying about parking or getting home, keep reading our guide to attending a show at Chase Center.\u003c/p>\n\u003cp>For the most up-to-date details, \u003ca href=\"https://twitter.com/ChaseCenter\">follow Chase Center on social media\u003c/a> for any last-minute updates. And if you’re anything like this author, don’t forget to pregame the show by scrolling through TikToks of fans looking longingly at the man himself, Benito Martínez Ocasio, from the stadium crowd:\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@desi.assis/video/7338565179224952094\" data-video-id=\"7338565179224952094\">\n\u003csection>\u003ca title=\"@desi.assis\" href=\"https://www.tiktok.com/@desi.assis?refer=embed\" target=\"_blank\" rel=\"noopener\">@desi.assis\u003c/a> I cant belive how close he was 🥹🥹🥹🫶🏽🫶🏽🫶🏽🫶🏽🐰🐰🐰🐰 \u003ca title=\"badbunny2024\" href=\"https://www.tiktok.com/tag/badbunny2024?refer=embed\" target=\"_blank\" rel=\"noopener\">#badbunny2024\u003c/a> \u003ca title=\"nslqvpm\" href=\"https://www.tiktok.com/tag/nslqvpm?refer=embed\" target=\"_blank\" rel=\"noopener\">#nslqvpm\u003c/a> \u003ca title=\"nadiesabietour\" href=\"https://www.tiktok.com/tag/nadiesabietour?refer=embed\" target=\"_blank\" rel=\"noopener\">#nadiesabietour\u003c/a> \u003ca title=\"♬ You Look Lonely x Resonance - Slowed + Reverb - JU$t\" href=\"https://www.tiktok.com/music/You-Look-Lonely-x-Resonance-Slowed-Reverb-7257380007285557250?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ You Look Lonely x Resonance – Slowed + Reverb – JU$t\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"tiktok","attributes":{"named":{"label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Jump straight to:\u003c/b>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#chasecenterbags\">What can I bring into Chase Center?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#chasecenterparking\">What are the parking options at Chase Center for the Bad Bunny shows?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#bartnearchasecenter\">What’s the best way to take public transit to Chase Center?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>What time do the Bad Bunny shows at Chase Center start?\u003c/h2>\n\u003cp>Both of Bad Bunny’s shows at Chase Center on Friday and Saturday start at 8 p.m. Doors will open at 7 p.m.\u003c/p>\n\u003cp>There will be \u003ca href=\"https://forecast.weather.gov/MapClick.php?x=165&y=156&site=mtr&zmx=&zmy=&map_x=165&map_y=156\">chances of rain both nights\u003c/a>, so while Chase Center is an indoor venue, consider bringing an umbrella or a hooded jacket for your entries and exits.\u003c/p>\n\u003ch2>\u003ca id=\"chasecenterbags\">\u003c/a>What’s the Chase Center bag policy?\u003c/h2>\n\u003cp>Backpacks (except for single-compartment drawstring bags) and hard-sided bags of any kind are prohibited from entering Chase Center. Any other bag you bring must be smaller than 14” x 14” x 6” in size.\u003c/p>\n\u003cp>Bags that do not meet the requirements can be checked at one of two bag check locations for a fee of $10. Chase Center says that proceeds generated from the bag check counters will be donated to the \u003ca href=\"https://community.warriors.com/foundation/\">Warriors Community Foundation\u003c/a>, which supports education and youth development in the Bay Area.\u003c/p>\n\u003cp>Here are some more \u003ca href=\"https://www.chasecenter.com/a-to-z-guide\">things you cannot bring into the Bad Bunny shows at Chase Center\u003c/a>:\u003c/p>\n\u003cul>\n\u003cli>Bottles and cans.\u003c/li>\n\u003cli>Refillable water bottles.\u003c/li>\n\u003cli>Signs over 11 x 17 inches or attached to any pole or stick.\u003c/li>\n\u003cli>Masks that cover the whole face. (Face coverings to lower your risks of catching — or spreading — COVID-19, like N95 masks, are allowed.)\u003c/li>\n\u003cli>Lights, tripods and professional recording equipment. Flash photography is not allowed.\u003c/li>\n\u003cli>Noise making devices, such as air horns, whistles or cow bells.\u003c/li>\n\u003cli>Weapons and self-defense items of any kind, including mace, knives and tasers.\u003c/li>\n\u003cli>Selfie sticks.\u003c/li>\n\u003c/ul>\n\u003cp>What else \u003ci>can \u003c/i>you bring to Chase Center? These items include:\u003c/p>\n\u003cul>\n\u003cli>Baby bags, plastic bottles, and formula.\u003c/li>\n\u003cli>Diaper bags (with a child).\u003c/li>\n\u003cli>Bags accepted as medical bags.\u003c/li>\n\u003cli>Umbrellas.\u003c/li>\n\u003cli>Binoculars.\u003c/li>\n\u003c/ul>\n\u003cp>While portable phone chargers are not on the prohibited items list (\u003ca href=\"https://www.kqed.org/news/11956083/taylor-swift-levis-stadium-eras-santa-clara-tickets\">like they initially were at Levi’s Stadium for Taylor Swift’s Eras tour dates last year\u003c/a>), Chase Center also offers charging stations compatible with most cell phone devices. Guests may rent a portable charger to take back to their seats at a cost of $2 for every 30 minutes.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11959799/how-to-avoid-a-car-break-in-bay-area\">Be careful if you’re choosing to stash anything in your vehicle during the show\u003c/a>, as break-ins are unfortunately common around the Bay Area. Don’t leave anything on display in your car, especially electronics like laptops — even if you think they’re hidden from view.\u003c/p>\n\u003ch2>How do I know if I’ve got a good seat at the Bad Bunny Chase Center show?\u003c/h2>\n\u003cp>If you are anxious about anything obscuring your sight of the stage or how you want to get to your seat fast, you can \u003ca href=\"https://warriors.io-media.com/web/index.html#\">check out the view from your seat using Chase Center’s Virtual Venue map\u003c/a>.\u003c/p>\n\u003cp>For what it’s worth, this is the artist’s first tour \u003ca href=\"https://www.harpersbazaar.com/celebrity/latest/a46163069/why-bad-bunny-kendall-jenner-broke-up/\">after splitting from Kendall Jenner in December\u003c/a>, so you know some songs are going to be putting Benito — and fans — into his feels. On a personal note for those living in their romantic fantasies, maybe \u003cem>you\u003c/em> will have the seat where Benito makes direct eye contact with you and falls in love. You should be reading a book.\u003c/p>\n\u003ch2>What should I know about accessibility at Chase Center?\u003c/h2>\n\u003cp>Chase Center addresses questions about accessibility in their online \u003ca href=\"https://www.chasecenter.com/a-to-z-guide\">A to Z Guide\u003c/a>, where you can find information about accessible parking, hearing assistance, ADA-compliant restrooms and service animals.\u003c/p>\n\u003cp>The venue says guests can request complimentary wheelchair escorts by visiting the kiosks located at \u003ca href=\"https://cdn.nba.com/teams/uploads/sites/1610612744/2024/02/CC_Portals_Map_Update_3202x2550_2024-.jpg\">Portal 13 and Portal 52\u003c/a> or texting 833-CC4FANS.\u003c/p>\n\u003cp>To schedule an American Sign Language interpreter, guests should contact \u003ca href=\"mailto:guestexperiences@warriors.com\">guestexperiences@warriors.com\u003c/a> ahead of time.\u003c/p>\n\u003ch2>\u003ca id=\"chasecenterparking\">\u003c/a>What should I know about parking at and near Chase Center?\u003c/h2>\n\u003cp>Currently, the venue’s website refers fans to the \u003ca href=\"https://www.parkwhiz.com/chase-center-parking/bad-bunny-most-wanted-tour-1378801/?view=list\">third-party parking website ParkWhiz\u003c/a> for other non-Chase Center parking options nearby. These spaces may potentially be a bit far from the venue, so consider wearing comfier shoes for the walk over.\u003c/p>\n\u003cp>A limited number of accessible parking spaces at Chase Center are available for purchase on a first-come, first-served basis and cost between $60 and $100 depending on the size of your vehicle and the event, a Chase Center representative confirmed to KQED. Accessible parking is located at 150 Warriors Way Garage.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>What about using rideshare services at Chase Center?\u003c/h2>\n\u003cp>While getting \u003ci>to \u003c/i>the venue using a rideshare service might be fairly smooth, finding a car after the show is almost certainly going to be a challenge — speaking from personal experience. Due to surge pricing, it will also be far more expensive to get an Uber or Lyft as you exit the venue.\u003c/p>\n\u003cp>There are multiple \u003ca href=\"https://images.ctfassets.net/0lzgl3qjkmm1/6k8OJ6yu4tTfjV4wHsmKTG/0b4cc696d2b3f2360ad34bbc16ffbffd/uber-map.png\">designated pick-up and drop-off zones\u003c/a> located within one block of Chase Center. Upon arrival, use one of the designated passenger loading zones (white curbs) along Terry A Francois Boulevard for a safe curbside drop-off.\u003c/p>\n\u003cp>As you leave the show, the rideshare apps will automatically show you the best places to get picked up \u003ca href=\"https://images.ctfassets.net/0lzgl3qjkmm1/6k8OJ6yu4tTfjV4wHsmKTG/0b4cc696d2b3f2360ad34bbc16ffbffd/uber-map.png\">within a five-minute walk radius\u003c/a>. The Chase Center website recommends walking a few blocks away before requesting a ride.\u003c/p>\n\u003cp>Accessible drop-offs and pick-ups are along the curb of 16th Street and Terry Francois Boulevard, with accessible entry and exit from the East Entrance. For folks with mobility considerations, the venue can provide a wheelchair to transport guests from Thrive City Plaza or the main lobby to their seats.\u003c/p>\n\u003ch2>\u003ca id=\"bartnearchasecenter\">\u003c/a>What’s the best way to take public transit to the Bad Bunny concert?\u003c/h2>\n\u003cp>Public transit schedules can always be subject to change. Check the timings for your route on the day of the show itself, and be sure of your very last service home.\u003c/p>\n\u003cfigure id=\"attachment_11976704\" class=\"wp-caption alignnone\" style=\"max-width: 1080px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11976704\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080.jpg\" alt=\"A map showing different transportation routes in San Francisco.\" width=\"1080\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080.jpg 1080w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080-160x160.jpg 160w\" sizes=\"(max-width: 1080px) 100vw, 1080px\">\u003cfigcaption class=\"wp-caption-text\">A map showing different transportation routes in San Francisco. \u003ccite>(Courtesy of the SFMTA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>SF Muni\u003c/strong>\u003c/p>\n\u003cp>Any Chase Center patron who shows their event ticket at Muni turnstiles and boarding platforms will be able to \u003ca href=\"https://www.chasecenter.com/transportation-guide\">ride Muni without charge\u003c/a>.\u003c/p>\n\u003cp>There is a Muni Metro rail stop serving the venue on the T-Third Street line, which connects Chinatown and Sunnydale. \u003ca href=\"https://www.sfmta.com/routes/t-third-street\">See the Muni Metro schedule.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>BART\u003c/strong>\u003c/p>\n\u003cp>Several BART stations have convenient connections to get to Chase Center.\u003c/p>\n\u003cp>Muni Route 22 serves as a connection to 16th St. Mission BART station. This stop is located on 3rd Street and Gene Friend Way.\u003c/p>\n\u003cp>Muni Route 15 serves as a connection to Montgomery St. BART station. This stop is located on 3rd Street and Warriors Way.\u003c/p>\n\u003cp>You can transfer to the new Union Square Muni Metro rail station from Powell BART station via the underground corridor to take the T-Third Street line or S-Shuttle Mission Bay line to the UCSF/Chase Center stop.\u003c/p>\n\u003cp>You can \u003ca href=\"https://www.bart.gov/\">find more information and schedules on the BART website\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Caltrain\u003c/strong>\u003c/p>\n\u003cp>If you take Caltrain to San Francisco, you can walk 15-20 minutes along 4th Street and turn left on Gene Friend Way to Chase Center.\u003c/p>\n\u003cp>You can also transfer from the Caltrain station to the Muni Metro T-Third Street platform located across the street and take Muni to the UCSF/Chase Center stop.\u003c/p>\n\u003cp>On weekdays, the last Caltrain from San Francisco departs at 12:03 a.m. \u003ca href=\"https://www.caltrain.com/\">See the Caltrain schedule here.\u003c/a>\u003c/p>\n\u003cp>\u003cb>Biking\u003c/b>\u003c/p>\n\u003cp>Chase Center offers guests free secure bike storage from 1 hour before doors open until one hour after the end of the event.\u003c/p>\n\u003cp>Public bike parking is available along 16th Street and Terry Francois Boulevard.\u003c/p>\n\u003cp>There is also a Lyft/Bay Wheels bike share station at the intersection of Warriors Way and Terry Francois Boulevard. While they’re convenient and easy to use, the limited availability of these bikes means you should have a backup plan — or you might get stranded.\u003c/p>\n\u003ch2>Can I still get a ticket for the Bad Bunny shows?\u003c/h2>\n\u003cp>There are tickets still available for \u003ca href=\"https://www.ticketmaster.com/bad-bunny-most-wanted-tour-san-francisco-california-03-01-2024/event/1C005F520ADB6555?landing=c\">night one\u003c/a> and \u003ca href=\"https://www.ticketmaster.com/bad-bunny-most-wanted-tour-san-francisco-california-03-02-2024/event/1C005F520CAD6673?landing=c\">night two\u003c/a> of Bad Bunny’s San Francisco stint on Ticketmaster — although prices are well over a hundred dollars.\u003c/p>\n\u003cp>However, Ticketmaster is allowing resale on their own platform for Bad Bunny’s tour, which is the most secure way to buy second-hand tickets. (You can access these by using the filter.)\u003c/p>\n\u003cp>You can also find \u003ca href=\"https://www.stubhub.com/bad-bunny-san-francisco-tickets-3-1-2024/event/152474183/\">resale tickets on sites like StubHub\u003c/a> or even on social media, but make sure you’re not purchasing fake tickets.\u003c/p>\n\u003cp>If you’re buying a resale ticket, a note: The \u003ca href=\"https://abc7news.com/taylor-swift-scams-concert-tickets-better-business-bureau/13474055/\">Better Businesses Bureau issued a warning about resale scams\u003c/a> during Taylor Swift’s Eras Tour, with many people discovering after sending the money through apps like Venmo or Zelle that these “tickets” never existed. Check out the person’s profile and their past posting history to see if it seems real. And \u003ca href=\"https://www.bbb.org/article/scams/28902-bbb-scam-alert-spot-the-scam-before-paying-big-bucks-for-taylor-swift-tickets\">if you do choose to buy a resale, use your credit card\u003c/a>, says the BBB. This at least provides some protection for you if the deal was fake.\u003c/p>\n\u003cp>If you are getting a resale from a friend, \u003ca href=\"https://www.bbb.org/article/scams/28902-bbb-scam-alert-spot-the-scam-before-paying-big-bucks-for-taylor-swift-tickets\">make sure you call your friend directly\u003c/a> — to make sure someone isn’t impersonating them online.\u003c/p>\n\u003ch2>Are there Bad Bunny after-parties in the Bay Area?\u003c/h2>\n\u003cp>If you want to keep riding the high of seeing your favorite singer — or if you didn’t get tickets — there are some events in San Francisco and Oakland dedicated to Bad Bunny this week.\u003c/p>\n\u003cul>\n\u003cli>On Friday at Temple Nightclub: \u003ca href=\"https://www.eventbrite.com/e/bad-bunny-tribute-party-tickets-851315175607?aff=ebdssbdestsearch\">Bad Bunny Tribute Party\u003c/a>\u003c/li>\n\u003cli>On Friday at The Grand: \u003ca href=\"https://v5online.com/most-wanted-tour-after-parties/\">Official Afterparty\u003c/a>\u003c/li>\n\u003cli>On Saturday at Que Rico: \u003ca href=\"https://www.eventbrite.com/e/papi-chulo-que-rico-bad-bunny-concert-after-party-tickets-851212739217?aff=ebdssbdestsearch\">Papi Chulo @ Que Rico: Bad Bunny Concert After Party\u003c/a>\u003c/li>\n\u003cli>On Saturday at the Valencia Room: \u003ca href=\"https://www.eventbrite.com/e/perreo-y-mas-bad-bunny-after-party-030224-tickets-812622956137?aff=ebdssbdestsearch\">Perreo Y Mas Bad Bunny After Party\u003c/a>\u003c/li>\n\u003cli>March 10th at The New Parish: \u003ca href=\"https://dothebay.com/events/2023/3/10/the-ultimate-bad-bunny-birthday-bash-18-the-new-parish-oakland-mar-3-tickets\">All Bad Bunny Everything – The Ultimate Birthday Bash Tribute Party\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003ci>KQED’s Ugur Dursun, Carlos Cabrera-Lomelí and Carly Severn contributed to this story.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11977471/seeing-bad-bunny-at-chase-center-from-parking-and-bag-policies-heres-what-to-know","authors":["11867"],"categories":["news_8"],"tags":["news_32707","news_33866","news_26589","news_1425"],"featImg":"news_11977497","label":"news"},"news_11977219":{"type":"posts","id":"news_11977219","meta":{"index":"posts_1591205157","site":"news","id":"11977219","score":null,"sort":[1709121642000]},"guestAuthors":[],"slug":"seeing-nicki-minaj-at-oakland-arena-everything-to-know-from-parking-to-bag-policies","title":"Seeing Nicki Minaj at Oakland Arena? Everything to Know, From Parking to Bag Policies","publishDate":1709121642,"format":"standard","headTitle":"Seeing Nicki Minaj at Oakland Arena? Everything to Know, From Parking to Bag Policies | KQED","labelTerm":{"site":"news"},"content":"\u003cp>The \u003ca href=\"https://www.rollingstone.com/music/music-news/meet-the-barbz-the-nicki-minaj-fandom-fighting-the-nicki-hate-train-705438/\">Barbz\u003c/a> will be convening in Oakland Arena on Friday night, where \u003ca href=\"https://www.sfgate.com/local/article/nicki-minaj-tour-oakland-area-18550260.php\">Nicki Minaj will be launching her first solo tour in eight years\u003c/a>: \u003ca href=\"https://www.theoaklandarena.com/events/detail/nicki-minaj\">Pink Friday 2 World Tour\u003c/a>.\u003c/p>\n\u003cp>As you prepare for the night when \u003ca href=\"https://www.youtube.com/watch?v=fTLmjgntQsE\">Oakland will become “Gag City”\u003c/a> on March 1, you may be looking for a game plan for parking at the venue or just getting in and out of the crowded, hectic stadium as painlessly as possible. Keep reading for our at-a-glance information on parking options, bag policy, public transit and more.\u003c/p>\n\u003cp>(And if you’re \u003cem>not \u003c/em>attending the Nicki Minaj show on Friday but you live, work or commute in the region? This guide might not be for you, but you should be prepared for I-880 around surrounding routes to potentially be busy on Friday night before or after the show.)\u003c/p>\n\u003cp>\u003cstrong>Jump straight to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#oaklandarenabagpolicy\">What’s the Oakland Arena bag policy?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#oaklandarenaparking\">What should I know about parking at and near Oakland Arena?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#coliseumpublictransit\">How can I take public transit to the Nicki Minaj concert?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>What time is the Nicki Minaj show at Oakland Arena?\u003c/h2>\n\u003cp>The show will start at 8 p.m. on Friday, March 1.\u003c/p>\n\u003cp>\u003ca href=\"https://www.theoaklandarena.com/events/detail/nicki-minaj\">The doors at Oakland Area will open at 7 p.m.\u003c/a>\u003c/p>\n\u003ch2>What will the weather be like on Friday night in Oakland?\u003c/h2>\n\u003cp>The \u003ca href=\"https://forecast.weather.gov/MapClick.php?lat=37.8051&lon=-122.2731\">National Weather Service predicts it will be raining Friday night with “possibly a thunderstorm before 10 p.m.\u003c/a>” Even though the Oakland Arena is an indoor venue, it is best for you to plan ahead for transportation (and bring an umbrella or a hooded coat for your entry and exit).\u003c/p>\n\u003ch2>\u003ca id=\"oaklandarenabagpolicy\">\u003c/a>What’s the Oakland Arena bag policy?\u003c/h2>\n\u003cp>Bag check is not available at Oakland Arena, so you should plan ahead accordingly. Some things you \u003ca href=\"https://www.theoaklandarena.com/prohibited-items\">cannot bring\u003c/a> to the Nicki Minaj show on Friday include:\u003c/p>\n\u003cul>\n\u003cli>Coolers\u003c/li>\n\u003cli>Any type of backpacks\u003c/li>\n\u003cli>Bags larger than 14″ x 14″ x 6″\u003c/li>\n\u003cli>Cigarettes\u003c/li>\n\u003cli>Weapons or sharp objects\u003c/li>\n\u003cli>Bats and clubs\u003c/li>\n\u003cli>Outside food or beverage (as well as hard side containers like a thermos)\u003c/li>\n\u003cli>Selfie sticks and tripods\u003c/li>\n\u003cli>Strollers and portable chairs\u003c/li>\n\u003cli>Seat cushions\u003c/li>\n\u003cli>Large banners or flags\u003c/li>\n\u003c/ul>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977242 aligncenter\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/Oakland-Arena-Prohibited-Items-deea1b7735.png\" alt=\"\" width=\"436\" height=\"779\">\u003c/p>\n\u003cp>Empty soft plastic bottles are allowed, as well as binoculars and still cameras with lenses shorter than 3 inches.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11959799/how-to-avoid-a-car-break-in-bay-area\">Be careful if you’re choosing to stash anything in your vehicle\u003c/a> during the show, as break-ins are unfortunately common around the Bay Area. Don’t leave anything on display in your car, especially electronics like laptops — even if you think they’re hidden from view.\u003c/p>\n\u003ch2>What should I know about accessibility at Oakland Arena?\u003c/h2>\n\u003cp>Oakland Arena has a guide on its accessibility services, which can be \u003ca href=\"https://www.theoaklandarena.com/accessibility\">viewed on its website\u003c/a>. Accessibility highlights include:\u003c/p>\n\u003cul>\n\u003cli>Assisted Listening Devices are available in the First Aid Section 106. The First Aid section also includes \u003ca href=\"https://www.theoaklandarena.com/oakland-a-z\">“(s)ensory bags, equipped with noise canceling headphones, fidget tools, verbal cue cards and weighted lap pads.”\u003c/a>\u003c/li>\n\u003cli>Elevators are available at the west side, near Section 114 and the east side, near Section 101.\u003c/li>\n\u003cli>You can call 510-383-5743 or email customerservice@coliseum.com for information or requests.\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca id=\"oaklandarenaparking\">\u003c/a>What should I know about parking at and near Oakland Arena?\u003c/h2>\n\u003cp>\u003ca href=\"https://www.ticketmaster.com/prepaid-parking-pass-only-nicki-minaj-oakland-california-03-01-2024/event/1C005F87CAC03309\">Official parking spots at Oakland Arena for the Nicki Minaj show are still available on Ticketmaster\u003c/a>, with general parking tickets for $40 and VIP parking for $80.\u003c/p>\n\u003cp>You can check \u003ca href=\"https://spothero.com/search?kind=event&id=848262&view=dl\">websites like SpotHero\u003c/a> for non-stadium parking spots nearby. If you’re doing this, be sure to map the route using a tool like Google Maps, to make sure you know how long you have to walk and the shortest route to do so — and wear comfy footwear.\u003c/p>\n\u003ch2>\u003ca id=\"coliseumpublictransit\">\u003c/a>How to take public transportation to the Nicki Minaj concert\u003c/h2>\n\u003cp>Public transit schedules can always be subject to change. Check the timings for your route on the day of the show itself, and be sure of your very last service home.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" class=\"aligncenter\" src=\"https://www.theoaklandarena.com/assets/img/Email-Maps-4-bd72220145.png\">\u003c/p>\n\u003cp>The Oakland Arena is located near \u003ca href=\"https://www.bart.gov/\">BART\u003c/a>, the \u003ca href=\"https://www.amtrak.com/stations/okj\">Capitol Corridor Amtrak train\u003c/a>, and \u003ca href=\"http://www.actransit.org/\">AC Transit\u003c/a>. If you are taking the BART or Amtrak, you \u003ca href=\"https://www.theoaklandarena.com/public-transportation\">would need to get off the Coliseum Station and cross the ramp to the Arena\u003c/a>.\u003c/p>\n\u003cp>If you are going to take an Uber or Lyft to or from the event, you will need to be picked up at Baldwin Gate. Baldwin Gate \u003ca href=\"https://www.theoaklandarena.com/oakland-a-z\">opens two hours before the event starts\u003c/a>. Be aware that there will likely be a surge charge around this time due to the crowds.\u003c/p>\n\u003ch2>\u003cstrong>How do I know if I’ve got a good seat at the Nicki Minaj show?\u003c/strong>\u003c/h2>\n\u003cp>If you are anxious about anything obscuring your sight of the stage or how you want to get to your seat fast, you can check it out on Oakland \u003ca href=\"https://www.theoaklandarena.com/seating-charts\">Arena’s website\u003c/a> or \u003ca href=\"https://aviewfrommyseat.com/venue/Oakland+Arena/\">A View From My Seat\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2>\u003cstrong>Prepare for a super-crowded stadium experience\u003c/strong>\u003c/h2>\n\u003cp>There’s no shame in getting a little antsy in big crowds like this — in a packed stadium, it’s normal to feel a little overwhelmed. Read \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">NPR’s full guide on what to do if you find yourself caught in a crowd crush.\u003c/a>\u003c/p>\n\u003cp>According to Mehdi Moussaïd, a research scientist in Berlin who studies crowd behavior, \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">rely on your instincts and senses if you feel like the crowd is getting too dense\u003c/a>. If you get stuck in a crush, move with the crowd, put your arms out in front of your chest and hold them there.\u003c/p>\n\u003cp>“In this position, you would have some space, just a little bit, to push for half a centimeter or just 1 centimeter — enough for you to keep breathing,” Moussaïd said to NPR in 2022. “It’s not going to be comfortable. You’re going to be feeling really bad, but at least you’ll survive.”\u003c/p>\n\u003ch2>\u003cstrong>Can I still get a ticket for Nicki Minaj at Oakland Arena?\u003c/strong>\u003c/h2>\n\u003cp>\u003ca href=\"https://www.ticketmaster.com/nicki-minaj-presents-pink-friday-2-oakland-california-03-01-2024/event/1C005F86B2692B5B\">Tickets are still being offered on Ticketmaster\u003c/a>, which is the most official way to secure your seat at the Nicki Minaj show for $88 and up. (If you need accessible tickets, be sure to filter for them on Ticketmaster’s website.) You can also find \u003ca href=\"https://www.stubhub.com/nicki-minaj-oakland-tickets-3-1-2024/event/152728261/\">resales on sites like StubHub\u003c/a> or look for better deals and seats on Facebook marketplace resales and Eventbrite.\u003c/p>\n\u003cp>If you’re buying a resale ticket, a note: \u003ca href=\"https://abc7news.com/taylor-swift-scams-concert-tickets-better-business-bureau/13474055/\">The Better Businesses Bureau issued a warning about resale scams\u003c/a> during Taylor Swift’s Eras Tour, with many people discovering after sending the money through apps like Venmo or Zelle that these “tickets” never existed. Check out the person’s profile and their past posting history to see if it seems real. And \u003ca href=\"https://www.bbb.org/article/scams/28902-bbb-scam-alert-spot-the-scam-before-paying-big-bucks-for-taylor-swift-tickets\">if you do choose to buy a resale, use your credit card,\u003c/a> says the BBB. This at least provides some protection for you if the deal was fake.\u003c/p>\n\u003cp>If you are getting a resale from a friend, \u003ca href=\"https://www.bbb.org/article/scams/28902-bbb-scam-alert-spot-the-scam-before-paying-big-bucks-for-taylor-swift-tickets\">make sure you call your friend directly\u003c/a> — to make sure someone isn’t impersonating them online.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1709073535,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":27,"wordCount":1181},"headData":{"title":"Seeing Nicki Minaj at Oakland Arena? Everything to Know, From Parking to Bag Policies | KQED","description":"The Barbz will be convening in Oakland Arena on Friday night, where Nicki Minaj will be launching her first solo tour in eight years: Pink Friday 2 World Tour. As you prepare for the night when Oakland will become “Gag City” on March 1, you may be looking for a game plan for parking at","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11977219/seeing-nicki-minaj-at-oakland-arena-everything-to-know-from-parking-to-bag-policies","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The \u003ca href=\"https://www.rollingstone.com/music/music-news/meet-the-barbz-the-nicki-minaj-fandom-fighting-the-nicki-hate-train-705438/\">Barbz\u003c/a> will be convening in Oakland Arena on Friday night, where \u003ca href=\"https://www.sfgate.com/local/article/nicki-minaj-tour-oakland-area-18550260.php\">Nicki Minaj will be launching her first solo tour in eight years\u003c/a>: \u003ca href=\"https://www.theoaklandarena.com/events/detail/nicki-minaj\">Pink Friday 2 World Tour\u003c/a>.\u003c/p>\n\u003cp>As you prepare for the night when \u003ca href=\"https://www.youtube.com/watch?v=fTLmjgntQsE\">Oakland will become “Gag City”\u003c/a> on March 1, you may be looking for a game plan for parking at the venue or just getting in and out of the crowded, hectic stadium as painlessly as possible. Keep reading for our at-a-glance information on parking options, bag policy, public transit and more.\u003c/p>\n\u003cp>(And if you’re \u003cem>not \u003c/em>attending the Nicki Minaj show on Friday but you live, work or commute in the region? This guide might not be for you, but you should be prepared for I-880 around surrounding routes to potentially be busy on Friday night before or after the show.)\u003c/p>\n\u003cp>\u003cstrong>Jump straight to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#oaklandarenabagpolicy\">What’s the Oakland Arena bag policy?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#oaklandarenaparking\">What should I know about parking at and near Oakland Arena?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#coliseumpublictransit\">How can I take public transit to the Nicki Minaj concert?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>What time is the Nicki Minaj show at Oakland Arena?\u003c/h2>\n\u003cp>The show will start at 8 p.m. on Friday, March 1.\u003c/p>\n\u003cp>\u003ca href=\"https://www.theoaklandarena.com/events/detail/nicki-minaj\">The doors at Oakland Area will open at 7 p.m.\u003c/a>\u003c/p>\n\u003ch2>What will the weather be like on Friday night in Oakland?\u003c/h2>\n\u003cp>The \u003ca href=\"https://forecast.weather.gov/MapClick.php?lat=37.8051&lon=-122.2731\">National Weather Service predicts it will be raining Friday night with “possibly a thunderstorm before 10 p.m.\u003c/a>” Even though the Oakland Arena is an indoor venue, it is best for you to plan ahead for transportation (and bring an umbrella or a hooded coat for your entry and exit).\u003c/p>\n\u003ch2>\u003ca id=\"oaklandarenabagpolicy\">\u003c/a>What’s the Oakland Arena bag policy?\u003c/h2>\n\u003cp>Bag check is not available at Oakland Arena, so you should plan ahead accordingly. Some things you \u003ca href=\"https://www.theoaklandarena.com/prohibited-items\">cannot bring\u003c/a> to the Nicki Minaj show on Friday include:\u003c/p>\n\u003cul>\n\u003cli>Coolers\u003c/li>\n\u003cli>Any type of backpacks\u003c/li>\n\u003cli>Bags larger than 14″ x 14″ x 6″\u003c/li>\n\u003cli>Cigarettes\u003c/li>\n\u003cli>Weapons or sharp objects\u003c/li>\n\u003cli>Bats and clubs\u003c/li>\n\u003cli>Outside food or beverage (as well as hard side containers like a thermos)\u003c/li>\n\u003cli>Selfie sticks and tripods\u003c/li>\n\u003cli>Strollers and portable chairs\u003c/li>\n\u003cli>Seat cushions\u003c/li>\n\u003cli>Large banners or flags\u003c/li>\n\u003c/ul>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11977242 aligncenter\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/Oakland-Arena-Prohibited-Items-deea1b7735.png\" alt=\"\" width=\"436\" height=\"779\">\u003c/p>\n\u003cp>Empty soft plastic bottles are allowed, as well as binoculars and still cameras with lenses shorter than 3 inches.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11959799/how-to-avoid-a-car-break-in-bay-area\">Be careful if you’re choosing to stash anything in your vehicle\u003c/a> during the show, as break-ins are unfortunately common around the Bay Area. Don’t leave anything on display in your car, especially electronics like laptops — even if you think they’re hidden from view.\u003c/p>\n\u003ch2>What should I know about accessibility at Oakland Arena?\u003c/h2>\n\u003cp>Oakland Arena has a guide on its accessibility services, which can be \u003ca href=\"https://www.theoaklandarena.com/accessibility\">viewed on its website\u003c/a>. Accessibility highlights include:\u003c/p>\n\u003cul>\n\u003cli>Assisted Listening Devices are available in the First Aid Section 106. The First Aid section also includes \u003ca href=\"https://www.theoaklandarena.com/oakland-a-z\">“(s)ensory bags, equipped with noise canceling headphones, fidget tools, verbal cue cards and weighted lap pads.”\u003c/a>\u003c/li>\n\u003cli>Elevators are available at the west side, near Section 114 and the east side, near Section 101.\u003c/li>\n\u003cli>You can call 510-383-5743 or email customerservice@coliseum.com for information or requests.\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca id=\"oaklandarenaparking\">\u003c/a>What should I know about parking at and near Oakland Arena?\u003c/h2>\n\u003cp>\u003ca href=\"https://www.ticketmaster.com/prepaid-parking-pass-only-nicki-minaj-oakland-california-03-01-2024/event/1C005F87CAC03309\">Official parking spots at Oakland Arena for the Nicki Minaj show are still available on Ticketmaster\u003c/a>, with general parking tickets for $40 and VIP parking for $80.\u003c/p>\n\u003cp>You can check \u003ca href=\"https://spothero.com/search?kind=event&id=848262&view=dl\">websites like SpotHero\u003c/a> for non-stadium parking spots nearby. If you’re doing this, be sure to map the route using a tool like Google Maps, to make sure you know how long you have to walk and the shortest route to do so — and wear comfy footwear.\u003c/p>\n\u003ch2>\u003ca id=\"coliseumpublictransit\">\u003c/a>How to take public transportation to the Nicki Minaj concert\u003c/h2>\n\u003cp>Public transit schedules can always be subject to change. Check the timings for your route on the day of the show itself, and be sure of your very last service home.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" class=\"aligncenter\" src=\"https://www.theoaklandarena.com/assets/img/Email-Maps-4-bd72220145.png\">\u003c/p>\n\u003cp>The Oakland Arena is located near \u003ca href=\"https://www.bart.gov/\">BART\u003c/a>, the \u003ca href=\"https://www.amtrak.com/stations/okj\">Capitol Corridor Amtrak train\u003c/a>, and \u003ca href=\"http://www.actransit.org/\">AC Transit\u003c/a>. If you are taking the BART or Amtrak, you \u003ca href=\"https://www.theoaklandarena.com/public-transportation\">would need to get off the Coliseum Station and cross the ramp to the Arena\u003c/a>.\u003c/p>\n\u003cp>If you are going to take an Uber or Lyft to or from the event, you will need to be picked up at Baldwin Gate. Baldwin Gate \u003ca href=\"https://www.theoaklandarena.com/oakland-a-z\">opens two hours before the event starts\u003c/a>. Be aware that there will likely be a surge charge around this time due to the crowds.\u003c/p>\n\u003ch2>\u003cstrong>How do I know if I’ve got a good seat at the Nicki Minaj show?\u003c/strong>\u003c/h2>\n\u003cp>If you are anxious about anything obscuring your sight of the stage or how you want to get to your seat fast, you can check it out on Oakland \u003ca href=\"https://www.theoaklandarena.com/seating-charts\">Arena’s website\u003c/a> or \u003ca href=\"https://aviewfrommyseat.com/venue/Oakland+Arena/\">A View From My Seat\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003cstrong>Prepare for a super-crowded stadium experience\u003c/strong>\u003c/h2>\n\u003cp>There’s no shame in getting a little antsy in big crowds like this — in a packed stadium, it’s normal to feel a little overwhelmed. Read \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">NPR’s full guide on what to do if you find yourself caught in a crowd crush.\u003c/a>\u003c/p>\n\u003cp>According to Mehdi Moussaïd, a research scientist in Berlin who studies crowd behavior, \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">rely on your instincts and senses if you feel like the crowd is getting too dense\u003c/a>. If you get stuck in a crush, move with the crowd, put your arms out in front of your chest and hold them there.\u003c/p>\n\u003cp>“In this position, you would have some space, just a little bit, to push for half a centimeter or just 1 centimeter — enough for you to keep breathing,” Moussaïd said to NPR in 2022. “It’s not going to be comfortable. You’re going to be feeling really bad, but at least you’ll survive.”\u003c/p>\n\u003ch2>\u003cstrong>Can I still get a ticket for Nicki Minaj at Oakland Arena?\u003c/strong>\u003c/h2>\n\u003cp>\u003ca href=\"https://www.ticketmaster.com/nicki-minaj-presents-pink-friday-2-oakland-california-03-01-2024/event/1C005F86B2692B5B\">Tickets are still being offered on Ticketmaster\u003c/a>, which is the most official way to secure your seat at the Nicki Minaj show for $88 and up. (If you need accessible tickets, be sure to filter for them on Ticketmaster’s website.) You can also find \u003ca href=\"https://www.stubhub.com/nicki-minaj-oakland-tickets-3-1-2024/event/152728261/\">resales on sites like StubHub\u003c/a> or look for better deals and seats on Facebook marketplace resales and Eventbrite.\u003c/p>\n\u003cp>If you’re buying a resale ticket, a note: \u003ca href=\"https://abc7news.com/taylor-swift-scams-concert-tickets-better-business-bureau/13474055/\">The Better Businesses Bureau issued a warning about resale scams\u003c/a> during Taylor Swift’s Eras Tour, with many people discovering after sending the money through apps like Venmo or Zelle that these “tickets” never existed. Check out the person’s profile and their past posting history to see if it seems real. And \u003ca href=\"https://www.bbb.org/article/scams/28902-bbb-scam-alert-spot-the-scam-before-paying-big-bucks-for-taylor-swift-tickets\">if you do choose to buy a resale, use your credit card,\u003c/a> says the BBB. This at least provides some protection for you if the deal was fake.\u003c/p>\n\u003cp>If you are getting a resale from a friend, \u003ca href=\"https://www.bbb.org/article/scams/28902-bbb-scam-alert-spot-the-scam-before-paying-big-bucks-for-taylor-swift-tickets\">make sure you call your friend directly\u003c/a> — to make sure someone isn’t impersonating them online.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11977219/seeing-nicki-minaj-at-oakland-arena-everything-to-know-from-parking-to-bag-policies","authors":["11867"],"categories":["news_223","news_8"],"tags":["news_19133","news_32662","news_32707","news_3772","news_27626","news_1425","news_33860"],"featImg":"news_11977259","label":"news"},"news_11976698":{"type":"posts","id":"news_11976698","meta":{"index":"posts_1591205157","site":"news","id":"11976698","score":null,"sort":[1708639213000]},"guestAuthors":[],"slug":"madonna-chase-center-san-francisco-parking-bag-policy","title":"Seeing Madonna at SF's Chase Center? From Parking to Bag Policies and Parties, What to Know","publishDate":1708639213,"format":"image","headTitle":"Seeing Madonna at SF’s Chase Center? From Parking to Bag Policies and Parties, What to Know | KQED","labelTerm":{"site":"news"},"content":"\u003cp>\u003ca href=\"https://www.kqed.org/pop/tag/madonna\">Pop music icon Madonna\u003c/a> is bringing her Celebration Tour — her first since 2019’s \u003ca href=\"https://www.rollingstone.com/music/music-live-reviews/madonna-madame-x-tour-sheffield-887601/\">modest theater affair in support of her album \u003ci>Madame X\u003c/i>\u003c/a> — to San Francisco with two consecutive nights of shows at Chase Center on Tuesday, Feb. 27 and Wednesday, Feb. 28.\u003c/p>\n\u003cp>The tour was off to a bumpy start: Last June, while rehearsals were underway, the 65-year-old singer was \u003ca href=\"https://www.nytimes.com/2023/06/28/arts/music/madonna-hospitalized-celebration-tour-postponed.html\">hospitalized due to a severe bacterial infection\u003c/a>, which postponed the entire North American leg of the tour.\u003c/p>\n\u003cp>\u003ca href=\"https://www.chasecenter.com/news/madonna-announcement-20240227-20240228\">Madonna’s two rescheduled San Francisco shows\u003c/a> were originally intended to take place on Oct. 4 and 5, 2023. \u003ca href=\"https://www.chasecenter.com/news/madonna-announcement-20240227-20240228\">A third San Francisco show, initially set for Jan. 15, was ultimately canceled\u003c/a> due to scheduling conflicts and refunds were issued to ticket holders.\u003c/p>\n\u003cp>Despite setbacks, \u003ca href=\"https://www.billboard.com/music/pop/madonna-tour-opener-london-1235442708/\">The Celebration Tour kicked off in October with an emotional show\u003c/a> in London before making its way to North American cities. The tour, coming off the heels of her remix album \u003ca href=\"https://open.spotify.com/album/5WWD7T6lI2JV1oyABrFq10\">\u003ci>Finally Enough Love: 50 Number Ones\u003c/i>\u003c/a>, celebrates the artist’s vast catalog of hits over four decades.\u003c/p>\n\u003cp>So if you’ve got tickets for one of Madonna’s SF shows — and you want to quit worrying about logistics and enjoy screaming every word to “Like a Prayer” like your life depends on it — keep reading our guide to everything from Chase Center parking, bag policies, Madonna-themed parties and more. (And for the most up-to-date details, \u003ca href=\"https://twitter.com/ChaseCenter\">follow Chase Center on social media \u003c/a>for any last-minute updates.)\u003c/p>\n\u003cp>\u003cstrong>Jump straight to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#bagpolicy\">What’s the Chase Center bag policy?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#accessibility\">What should I know about accessibility at Chase Center?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#ticket\">Can I still get a ticket for the Madonna shows?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>What time do Madonna’s shows at Chase Center start?\u003c/h2>\n\u003cp>This is … a loaded question for those in the know.\u003c/p>\n\u003cp>Last month, \u003ca href=\"https://www.billboard.com/business/legal/madonna-fans-lawsuit-delayed-concert-start-times-1235584585/\">concertgoers in New York City filed a federal class action lawsuit\u003c/a> against the Queen of Pop, claiming that she breached her contract with ticket buyers and violated New York state laws by starting three December shows at Brooklyn’s Barclays Center past 10:30 p.m. rather than the scheduled 8:30 p.m. (And \u003ca href=\"https://www.vulture.com/2024/01/madonna-concert-lawsuit-explainer.html\">it’s not even the \u003ci>first \u003c/i>time she’s been sued for this\u003c/a>.)\u003c/p>\n\u003cp>\u003ca href=\"https://www.chasecenter.com/events/madonna-20240227\">The Chase Center website similarly notes the same 8:30 p.m. start time\u003c/a> for her two San Francisco shows. However, Madonna has routinely been starting her set around or after 10 p.m., based on reports from her past concerts in \u003ca href=\"https://www.latimes.com/entertainment-arts/music/story/2023-12-14/madonna-starts-barclays-brooklyn-late-us-celebration-tour\">New York\u003c/a>, \u003ca href=\"https://www.chicagotribune.com/2024/02/02/madonna-celebration-tour-chicago-review/\">Chicago\u003c/a>, \u003ca href=\"https://www.cbsnews.com/philadelphia/news/madonna-concert-philadelphia-setlist-time-stage-10-pm/\">Philadelphia\u003c/a> and \u003ca href=\"https://www.reddit.com/r/Madonna/comments/191q8qx/at_what_time_madonna_will_be_on_the_stage_and_how/\">Boston\u003c/a>.\u003c/p>\n\u003cp>The superstar usually brings along a DJ to keep the crowd entertained before showtime, with Honey Dijon, Arca and Diplo among the list of names who have opened for her on this tour so far.\u003c/p>\n\u003cp>The doors open at 7:30 p.m. — so we recommend aiming to get to the venue \u003ci>by \u003c/i>8:30 p.m. if you don’t want to miss any of the fun. And maybe prepare for a late night and know when your last train home is.\u003c/p>\n\u003ch2>\u003ca id=\"bagpolicy\">\u003c/a>What’s the Chase Center bag policy?\u003c/h2>\n\u003cp>Backpacks (except for single-compartment drawstring bags) and hard-sided bags of any kind are prohibited from entering Chase Center. Any other bag you bring must be smaller than 14” x 14” x 6” in size.\u003c/p>\n\u003cp>Bags that do not meet the requirements can be checked at one of two bag check locations for a fee of $10. Chase Center says that proceeds generated from the bag check counters will be donated to the \u003ca href=\"https://community.warriors.com/foundation/\">Warriors Community Foundation\u003c/a>, which supports education and youth development in the Bay Area.\u003c/p>\n\u003cp>Here are some more \u003ca href=\"https://www.chasecenter.com/a-to-z-guide\">things you cannot bring into the Madonna shows at Chase Center\u003c/a>:\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">Bottles and cans.\u003c/li>\n\u003cli style=\"font-weight: 400\">Refillable water bottles.\u003c/li>\n\u003cli style=\"font-weight: 400\">Signs over 11 x 17 inches or attached to any pole or stick.\u003c/li>\n\u003cli style=\"font-weight: 400\">Masks that cover the whole face. (Face coverings to lower your risks of catching — or spreading — COVID-19, like N95 masks, are allowed.)\u003c/li>\n\u003cli style=\"font-weight: 400\">Lights, tripods and professional recording equipment. Flash photography is not allowed.\u003c/li>\n\u003cli style=\"font-weight: 400\">Noise-making devices, such as air horns, whistles or cow bells.\u003c/li>\n\u003cli style=\"font-weight: 400\">Weapons and self-defense items of any kind, including mace, knives and tasers.\u003c/li>\n\u003cli style=\"font-weight: 400\">Selfie sticks.\u003c/li>\n\u003c/ul>\n\u003cp>What else \u003ci>can \u003c/i>you bring to Chase Center? These items include:\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">Baby bags, plastic bottles and formula.\u003c/li>\n\u003cli style=\"font-weight: 400\">Diaper bags (with a child).\u003c/li>\n\u003cli style=\"font-weight: 400\">Bags accepted as medical bags.\u003c/li>\n\u003cli style=\"font-weight: 400\">Umbrellas.\u003c/li>\n\u003cli style=\"font-weight: 400\">Binoculars.\u003c/li>\n\u003c/ul>\n\u003cp>While portable phone chargers are not on the prohibited items list (\u003ca href=\"https://www.kqed.org/news/11956083/taylor-swift-levis-stadium-eras-santa-clara-tickets\">like they initially were at Levi’s Stadium for Taylor Swift’s Eras tour dates last year\u003c/a>), Chase Center also offers charging stations compatible with most cellphone devices. Guests may rent a portable charger to take back to their seats at a cost of $2 for every 30 minutes.\u003c/p>\n\u003ch2>How do I know if I’ve got a good seat at the Madonna Chase Center show?\u003c/h2>\n\u003cp>If you are anxious about anything obscuring your sight of the stage or how you want to get to your seat fast, you can \u003ca href=\"https://warriors.io-media.com/web/index.html#\">check out the view from your seat using Chase Center’s Virtual Venue map\u003c/a>.\u003c/p>\n\u003ch2>\u003ca id=\"accessibility\">\u003c/a>What should I know about accessibility at Chase Center?\u003c/h2>\n\u003cp>Chase Center addresses questions about accessibility in their online \u003ca href=\"https://www.chasecenter.com/a-to-z-guide\">A to Z Guide\u003c/a>, where you can find information about accessible parking, hearing assistance, ADA-compliant restrooms and service animals.\u003c/p>\n\u003cp>The venue says guests can request complimentary wheelchair escorts by visiting the kiosks located at \u003ca href=\"https://cdn.nba.com/teams/uploads/sites/1610612744/2024/02/CC_Portals_Map_Update_3202x2550_2024-.jpg\">Portal 13 and Portal 52\u003c/a> or texting 833-CC4FANS.\u003c/p>\n\u003cp>To schedule an American Sign Language interpreter, guests should contact \u003ca href=\"mailto:guestexperiences@warriors.com\">guestexperiences@warriors.com\u003c/a> ahead of time.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2>What should I know about parking at and near Chase Center?\u003c/h2>\n\u003cp>At the time of publication, parking tickets for the official onsite parking facilities at Chase Center are \u003ca href=\"https://www.ticketmaster.com/chase-center-tickets-san-francisco/venue/230012?tab=addOns&daterange=all&addOnType=all&utm_source=cc-digital&utm_medium=parking-page&utm_campaign=cta&_ga=2.79552919.2026375834.1708029043-1914965787.1708029043\">sold out for both shows\u003c/a>.\u003c/p>\n\u003cp>A limited number of \u003ca href=\"https://chasecenter.com/parking\">accessible parking spaces\u003c/a> are available for purchase on a first-come, first-served basis and cost between $60 and $100, depending on the size of your vehicle and the event, a Chase Center representative confirmed.\u003c/p>\n\u003cp>The venue’s website refers fans to the third-party parking website \u003ca href=\"https://www.parkwhiz.com/chase-center-parking/\">ParkWhiz\u003c/a> for other non-Chase Center parking options nearby. It costs $45 to reserve a spot at the nearest garage, which is about a 10-minute walk from the venue. Cheaper options starting at $12 are available for those willing and able to trek over a mile on foot — or take public transit for your last mile or two. So, if you’re driving to the show but haven’t secured your parking yet, consider wearing comfier shoes.\u003c/p>\n\u003ch2>What about using rideshare services at Chase Center?\u003c/h2>\n\u003cp>While getting \u003ci>to \u003c/i>the venue using a rideshare service might be fairly smooth, trying to find a car after the show is almost certainly going to be a challenge — speaking from personal experience. Due to surge pricing, it will also be far more expensive to get an Uber or Lyft as you exit the venue.\u003c/p>\n\u003cp>There are multiple \u003ca href=\"https://images.ctfassets.net/0lzgl3qjkmm1/6k8OJ6yu4tTfjV4wHsmKTG/0b4cc696d2b3f2360ad34bbc16ffbffd/uber-map.png\">designated pick-up and drop-off zones\u003c/a> located within one block of Chase Center. Upon arrival, use one of the designated passenger loading zones (white curbs) along Terry A Francois Boulevard for a safe curbside drop-off.\u003c/p>\n\u003cp>As you leave the show, the rideshare apps will automatically show you the best places to get picked up \u003ca href=\"https://images.ctfassets.net/0lzgl3qjkmm1/6k8OJ6yu4tTfjV4wHsmKTG/0b4cc696d2b3f2360ad34bbc16ffbffd/uber-map.png\">within a five-minute walk radius\u003c/a>. The Chase Center website recommends walking a few blocks away before requesting a ride.\u003c/p>\n\u003cp>Accessible drop-offs and pick-ups are along the curb of 16th Street and Terry Francois Boulevard, with accessible entry and exit from the East Entrance. For folks with mobility considerations, the venue can provide a wheelchair to transport guests from Thrive City Plaza or the main lobby to their seats.\u003c/p>\n\u003ch2>What’s the best way to take public transit to the Madonna concert?\u003c/h2>\n\u003cp>Public transit schedules can always be subject to change. Check the timings for your route on the day of the show itself, and be sure of your very last service home. (Remember, as above, Madonna is known for not starting her shows exactly on time.)\u003c/p>\n\u003cfigure id=\"attachment_11976704\" class=\"wp-caption aligncenter\" style=\"max-width: 1080px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11976704\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080.jpg\" alt=\"A map showing different transportation routes in San Francisco.\" width=\"1080\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080.jpg 1080w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080-160x160.jpg 160w\" sizes=\"(max-width: 1080px) 100vw, 1080px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A map showing different transportation routes in San Francisco. \u003ccite>(Courtesy of the SFMTA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>SF Muni\u003c/strong>\u003c/p>\n\u003cp>Any Chase Center patron who shows their event ticket at Muni turnstiles and boarding platforms can \u003ca href=\"https://www.chasecenter.com/transportation-guide\">ride Muni without charge\u003c/a>.\u003c/p>\n\u003cp>There is a Muni Metro rail stop serving the venue on the T-Third Street line, which connects Chinatown and Sunnydale. \u003ca href=\"https://www.sfmta.com/routes/t-third-street\">See the Muni Metro schedule.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>BART\u003c/strong>\u003c/p>\n\u003cp>Several BART stations have convenient connections to get to the venue.\u003c/p>\n\u003cp>Muni Route 22 connects to the 16th Street Mission BART station. This stop is located on Third Street and Gene Friend Way.\u003c/p>\n\u003cp>Muni Route 15 serves as a connection to Montgomery Street BART station. This stop is located on Third Street and Warriors Way.\u003c/p>\n\u003cp>You can transfer to the new Union Square Muni Metro rail station from Powell BART station via the underground corridor to take the T-Third Street line or S-Shuttle Mission Bay line to the UCSF/Chase Center stop.\u003c/p>\n\u003cp>You can \u003ca href=\"https://www.bart.gov/\">find more information and schedules on the BART website\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Caltrain\u003c/strong>\u003c/p>\n\u003cp>If you take Caltrain to San Francisco, you can walk 15–20 minutes along Fourth Street and turn left on Gene Friend Way to Chase Center.\u003c/p>\n\u003cp>You can also transfer from the Caltrain station to the Muni Metro T-Third Street platform located across the street and take Muni to the UCSF/Chase Center stop.\u003c/p>\n\u003cp>On weekdays, the last Caltrain from San Francisco departs at 12:03 a.m. \u003ca href=\"https://www.caltrain.com/\">See the Caltrain schedule here.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Biking\u003c/strong>\u003c/p>\n\u003cp>Chase Center offers guests free secure bike storage from 1 hour before doors open until one hour after the end of the event.\u003c/p>\n\u003cp>Public bike parking is available along 16th Street and Terry Francois Boulevard.\u003c/p>\n\u003cp>There is also a Lyft/Bay Wheels bike share station at the intersection of Warriors Way and Terry Francois Boulevard. While they’re convenient and easy to use, the limited availability of these bikes means you should have a backup plan — or you might get stranded.\u003c/p>\n\u003ch2>\u003ca id=\"ticket\">\u003c/a>Can I still get a ticket for the Madonna shows?\u003c/h2>\n\u003cp>Some \u003ca href=\"https://www.ticketmaster.com/madonna-tickets/artist/768011?landing=c&awtrc=true&c=SEM_TMMCONCERTS_ggl_20462663432_151203248534_madonna%20tour&GCID=0&&gad_source=1&gclid=CjwKCAiArLyuBhA7EiwA-qo80Fmnest6OwH7GTjMdmMGoA3Bi0hwbEpQPtMXOHZYbeT78qqSfXWoRBoCi_8QAvD_BwE&gclsrc=aw.ds\">side-view tickets were made available for both nights\u003c/a>, starting at a steep $167.50. These are the only face-value tickets remaining for the otherwise sold-out shows.\u003c/p>\n\u003cp>However, Ticketmaster is allowing resale on their platform for Madonna’s tour, which is the most secure way to buy second-hand tickets. \u003ca href=\"https://www.ticketmaster.com/madonna-tickets/artist/768011?landing=c&awtrc=true&c=SEM_TMMCONCERTS_ggl_20462663432_151203248534_madonna%20tour&GCID=0&&gad_source=1&gclid=CjwKCAiArLyuBhA7EiwA-qo80Fmnest6OwH7GTjMdmMGoA3Bi0hwbEpQPtMXOHZYbeT78qqSfXWoRBoCi_8QAvD_BwE&gclsrc=aw.ds\">Floor seats\u003c/a> are available starting at $1,125 for the Tuesday show and $800 for the Wednesday show. You can also find \u003ca href=\"https://www.stubhub.com/madonna-tickets/performer/13127?AffiliateID=49&adposition=&PCID=PSUSGOOCONMADONFA34EDF2DF&AdID=690699587673&MetroRegionID=&psc=&psc=&ps=&ps=&ps_p=0&ps_c=20499395943&ps_ag=153156841139&ps_tg=kwd-1994819690067&ps_ad=690699587673&ps_adp=&ps_adp=&ps_fi=&ps_fi=&ps_li=&ps_li=&ps_lp=9061268&ps_n=g&ps_d=c&ps_ex=&gcid=C12289X486&utm_source=google&utm_medium=paid-search&utm_sub_medium=prospecting&utm_term=nb&utm_campaign=20499395943%3adefault&utm_content=default&keyword=153156841139_kwd-1994819690067_c&creative=690699587673&utm_kxconfid=s2rshsbmv&kwt=nb&mt=b&kw=madonna+celebration+tour+tickets&gad_source=1&gclid=CjwKCAiArLyuBhA7EiwA-qo80G6SEPjE2xB4ltF_QooQwGLPRXsqvZ_Aod2X8qBjIfF-lFV8EyM9SBoCEcAQAvD_BwE\">resale tickets on sites like StubHub\u003c/a>, but make sure you’re not purchasing fake tickets. \u003ca href=\"https://www.kqed.org/news/11956083/taylor-swift-levis-stadium-eras-santa-clara-tickets#taylorswifttickets\">Read more tips about avoiding ticket resale scams\u003c/a>.\u003c/p>\n\u003ch2>Are there Madonna-themed after-parties?\u003c/h2>\n\u003cp>For those attending the Wednesday show, Castro nightclub \u003ca href=\"https://www.eventbrite.com/e/pan-dulce-madonna-tribute-concert-hump-day-after-party-beaux-sf-tickets-828207279267\">Beaux SF is turning their weekly Wednesday event, Pan Dulce, into an after-party\u003c/a>.\u003c/p>\n\u003cp>If you want to keep the Madonna energy going through the weekend, Cat Club is hosting a \u003ca href=\"https://www.eventbrite.com/e/madonnapocalypse-bootie-mashup-tickets-821046741907\">Madonnapocalypse\u003c/a> event on Saturday, March 2, with drag and burlesque tributes to the musician and project her iconic music videos all night.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Madonna is making a return to the stage this month. Here’s everything you need to know to prepare for her concerts at Chase Center in San Francisco.","status":"publish","parent":0,"modified":1708656118,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":51,"wordCount":1862},"headData":{"title":"Seeing Madonna at SF's Chase Center? From Parking to Bag Policies and Parties, What to Know | KQED","description":"Madonna is making a return to the stage this month. Here’s everything you need to know to prepare for her concerts at Chase Center in San Francisco.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/news/11976698/madonna-chase-center-san-francisco-parking-bag-policy","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/pop/tag/madonna\">Pop music icon Madonna\u003c/a> is bringing her Celebration Tour — her first since 2019’s \u003ca href=\"https://www.rollingstone.com/music/music-live-reviews/madonna-madame-x-tour-sheffield-887601/\">modest theater affair in support of her album \u003ci>Madame X\u003c/i>\u003c/a> — to San Francisco with two consecutive nights of shows at Chase Center on Tuesday, Feb. 27 and Wednesday, Feb. 28.\u003c/p>\n\u003cp>The tour was off to a bumpy start: Last June, while rehearsals were underway, the 65-year-old singer was \u003ca href=\"https://www.nytimes.com/2023/06/28/arts/music/madonna-hospitalized-celebration-tour-postponed.html\">hospitalized due to a severe bacterial infection\u003c/a>, which postponed the entire North American leg of the tour.\u003c/p>\n\u003cp>\u003ca href=\"https://www.chasecenter.com/news/madonna-announcement-20240227-20240228\">Madonna’s two rescheduled San Francisco shows\u003c/a> were originally intended to take place on Oct. 4 and 5, 2023. \u003ca href=\"https://www.chasecenter.com/news/madonna-announcement-20240227-20240228\">A third San Francisco show, initially set for Jan. 15, was ultimately canceled\u003c/a> due to scheduling conflicts and refunds were issued to ticket holders.\u003c/p>\n\u003cp>Despite setbacks, \u003ca href=\"https://www.billboard.com/music/pop/madonna-tour-opener-london-1235442708/\">The Celebration Tour kicked off in October with an emotional show\u003c/a> in London before making its way to North American cities. The tour, coming off the heels of her remix album \u003ca href=\"https://open.spotify.com/album/5WWD7T6lI2JV1oyABrFq10\">\u003ci>Finally Enough Love: 50 Number Ones\u003c/i>\u003c/a>, celebrates the artist’s vast catalog of hits over four decades.\u003c/p>\n\u003cp>So if you’ve got tickets for one of Madonna’s SF shows — and you want to quit worrying about logistics and enjoy screaming every word to “Like a Prayer” like your life depends on it — keep reading our guide to everything from Chase Center parking, bag policies, Madonna-themed parties and more. (And for the most up-to-date details, \u003ca href=\"https://twitter.com/ChaseCenter\">follow Chase Center on social media \u003c/a>for any last-minute updates.)\u003c/p>\n\u003cp>\u003cstrong>Jump straight to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#bagpolicy\">What’s the Chase Center bag policy?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#accessibility\">What should I know about accessibility at Chase Center?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#ticket\">Can I still get a ticket for the Madonna shows?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>What time do Madonna’s shows at Chase Center start?\u003c/h2>\n\u003cp>This is … a loaded question for those in the know.\u003c/p>\n\u003cp>Last month, \u003ca href=\"https://www.billboard.com/business/legal/madonna-fans-lawsuit-delayed-concert-start-times-1235584585/\">concertgoers in New York City filed a federal class action lawsuit\u003c/a> against the Queen of Pop, claiming that she breached her contract with ticket buyers and violated New York state laws by starting three December shows at Brooklyn’s Barclays Center past 10:30 p.m. rather than the scheduled 8:30 p.m. (And \u003ca href=\"https://www.vulture.com/2024/01/madonna-concert-lawsuit-explainer.html\">it’s not even the \u003ci>first \u003c/i>time she’s been sued for this\u003c/a>.)\u003c/p>\n\u003cp>\u003ca href=\"https://www.chasecenter.com/events/madonna-20240227\">The Chase Center website similarly notes the same 8:30 p.m. start time\u003c/a> for her two San Francisco shows. However, Madonna has routinely been starting her set around or after 10 p.m., based on reports from her past concerts in \u003ca href=\"https://www.latimes.com/entertainment-arts/music/story/2023-12-14/madonna-starts-barclays-brooklyn-late-us-celebration-tour\">New York\u003c/a>, \u003ca href=\"https://www.chicagotribune.com/2024/02/02/madonna-celebration-tour-chicago-review/\">Chicago\u003c/a>, \u003ca href=\"https://www.cbsnews.com/philadelphia/news/madonna-concert-philadelphia-setlist-time-stage-10-pm/\">Philadelphia\u003c/a> and \u003ca href=\"https://www.reddit.com/r/Madonna/comments/191q8qx/at_what_time_madonna_will_be_on_the_stage_and_how/\">Boston\u003c/a>.\u003c/p>\n\u003cp>The superstar usually brings along a DJ to keep the crowd entertained before showtime, with Honey Dijon, Arca and Diplo among the list of names who have opened for her on this tour so far.\u003c/p>\n\u003cp>The doors open at 7:30 p.m. — so we recommend aiming to get to the venue \u003ci>by \u003c/i>8:30 p.m. if you don’t want to miss any of the fun. And maybe prepare for a late night and know when your last train home is.\u003c/p>\n\u003ch2>\u003ca id=\"bagpolicy\">\u003c/a>What’s the Chase Center bag policy?\u003c/h2>\n\u003cp>Backpacks (except for single-compartment drawstring bags) and hard-sided bags of any kind are prohibited from entering Chase Center. Any other bag you bring must be smaller than 14” x 14” x 6” in size.\u003c/p>\n\u003cp>Bags that do not meet the requirements can be checked at one of two bag check locations for a fee of $10. Chase Center says that proceeds generated from the bag check counters will be donated to the \u003ca href=\"https://community.warriors.com/foundation/\">Warriors Community Foundation\u003c/a>, which supports education and youth development in the Bay Area.\u003c/p>\n\u003cp>Here are some more \u003ca href=\"https://www.chasecenter.com/a-to-z-guide\">things you cannot bring into the Madonna shows at Chase Center\u003c/a>:\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">Bottles and cans.\u003c/li>\n\u003cli style=\"font-weight: 400\">Refillable water bottles.\u003c/li>\n\u003cli style=\"font-weight: 400\">Signs over 11 x 17 inches or attached to any pole or stick.\u003c/li>\n\u003cli style=\"font-weight: 400\">Masks that cover the whole face. (Face coverings to lower your risks of catching — or spreading — COVID-19, like N95 masks, are allowed.)\u003c/li>\n\u003cli style=\"font-weight: 400\">Lights, tripods and professional recording equipment. Flash photography is not allowed.\u003c/li>\n\u003cli style=\"font-weight: 400\">Noise-making devices, such as air horns, whistles or cow bells.\u003c/li>\n\u003cli style=\"font-weight: 400\">Weapons and self-defense items of any kind, including mace, knives and tasers.\u003c/li>\n\u003cli style=\"font-weight: 400\">Selfie sticks.\u003c/li>\n\u003c/ul>\n\u003cp>What else \u003ci>can \u003c/i>you bring to Chase Center? These items include:\u003c/p>\n\u003cul>\n\u003cli style=\"font-weight: 400\">Baby bags, plastic bottles and formula.\u003c/li>\n\u003cli style=\"font-weight: 400\">Diaper bags (with a child).\u003c/li>\n\u003cli style=\"font-weight: 400\">Bags accepted as medical bags.\u003c/li>\n\u003cli style=\"font-weight: 400\">Umbrellas.\u003c/li>\n\u003cli style=\"font-weight: 400\">Binoculars.\u003c/li>\n\u003c/ul>\n\u003cp>While portable phone chargers are not on the prohibited items list (\u003ca href=\"https://www.kqed.org/news/11956083/taylor-swift-levis-stadium-eras-santa-clara-tickets\">like they initially were at Levi’s Stadium for Taylor Swift’s Eras tour dates last year\u003c/a>), Chase Center also offers charging stations compatible with most cellphone devices. Guests may rent a portable charger to take back to their seats at a cost of $2 for every 30 minutes.\u003c/p>\n\u003ch2>How do I know if I’ve got a good seat at the Madonna Chase Center show?\u003c/h2>\n\u003cp>If you are anxious about anything obscuring your sight of the stage or how you want to get to your seat fast, you can \u003ca href=\"https://warriors.io-media.com/web/index.html#\">check out the view from your seat using Chase Center’s Virtual Venue map\u003c/a>.\u003c/p>\n\u003ch2>\u003ca id=\"accessibility\">\u003c/a>What should I know about accessibility at Chase Center?\u003c/h2>\n\u003cp>Chase Center addresses questions about accessibility in their online \u003ca href=\"https://www.chasecenter.com/a-to-z-guide\">A to Z Guide\u003c/a>, where you can find information about accessible parking, hearing assistance, ADA-compliant restrooms and service animals.\u003c/p>\n\u003cp>The venue says guests can request complimentary wheelchair escorts by visiting the kiosks located at \u003ca href=\"https://cdn.nba.com/teams/uploads/sites/1610612744/2024/02/CC_Portals_Map_Update_3202x2550_2024-.jpg\">Portal 13 and Portal 52\u003c/a> or texting 833-CC4FANS.\u003c/p>\n\u003cp>To schedule an American Sign Language interpreter, guests should contact \u003ca href=\"mailto:guestexperiences@warriors.com\">guestexperiences@warriors.com\u003c/a> ahead of time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>What should I know about parking at and near Chase Center?\u003c/h2>\n\u003cp>At the time of publication, parking tickets for the official onsite parking facilities at Chase Center are \u003ca href=\"https://www.ticketmaster.com/chase-center-tickets-san-francisco/venue/230012?tab=addOns&daterange=all&addOnType=all&utm_source=cc-digital&utm_medium=parking-page&utm_campaign=cta&_ga=2.79552919.2026375834.1708029043-1914965787.1708029043\">sold out for both shows\u003c/a>.\u003c/p>\n\u003cp>A limited number of \u003ca href=\"https://chasecenter.com/parking\">accessible parking spaces\u003c/a> are available for purchase on a first-come, first-served basis and cost between $60 and $100, depending on the size of your vehicle and the event, a Chase Center representative confirmed.\u003c/p>\n\u003cp>The venue’s website refers fans to the third-party parking website \u003ca href=\"https://www.parkwhiz.com/chase-center-parking/\">ParkWhiz\u003c/a> for other non-Chase Center parking options nearby. It costs $45 to reserve a spot at the nearest garage, which is about a 10-minute walk from the venue. Cheaper options starting at $12 are available for those willing and able to trek over a mile on foot — or take public transit for your last mile or two. So, if you’re driving to the show but haven’t secured your parking yet, consider wearing comfier shoes.\u003c/p>\n\u003ch2>What about using rideshare services at Chase Center?\u003c/h2>\n\u003cp>While getting \u003ci>to \u003c/i>the venue using a rideshare service might be fairly smooth, trying to find a car after the show is almost certainly going to be a challenge — speaking from personal experience. Due to surge pricing, it will also be far more expensive to get an Uber or Lyft as you exit the venue.\u003c/p>\n\u003cp>There are multiple \u003ca href=\"https://images.ctfassets.net/0lzgl3qjkmm1/6k8OJ6yu4tTfjV4wHsmKTG/0b4cc696d2b3f2360ad34bbc16ffbffd/uber-map.png\">designated pick-up and drop-off zones\u003c/a> located within one block of Chase Center. Upon arrival, use one of the designated passenger loading zones (white curbs) along Terry A Francois Boulevard for a safe curbside drop-off.\u003c/p>\n\u003cp>As you leave the show, the rideshare apps will automatically show you the best places to get picked up \u003ca href=\"https://images.ctfassets.net/0lzgl3qjkmm1/6k8OJ6yu4tTfjV4wHsmKTG/0b4cc696d2b3f2360ad34bbc16ffbffd/uber-map.png\">within a five-minute walk radius\u003c/a>. The Chase Center website recommends walking a few blocks away before requesting a ride.\u003c/p>\n\u003cp>Accessible drop-offs and pick-ups are along the curb of 16th Street and Terry Francois Boulevard, with accessible entry and exit from the East Entrance. For folks with mobility considerations, the venue can provide a wheelchair to transport guests from Thrive City Plaza or the main lobby to their seats.\u003c/p>\n\u003ch2>What’s the best way to take public transit to the Madonna concert?\u003c/h2>\n\u003cp>Public transit schedules can always be subject to change. Check the timings for your route on the day of the show itself, and be sure of your very last service home. (Remember, as above, Madonna is known for not starting her shows exactly on time.)\u003c/p>\n\u003cfigure id=\"attachment_11976704\" class=\"wp-caption aligncenter\" style=\"max-width: 1080px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11976704\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080.jpg\" alt=\"A map showing different transportation routes in San Francisco.\" width=\"1080\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080.jpg 1080w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080-160x160.jpg 160w\" sizes=\"(max-width: 1080px) 100vw, 1080px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A map showing different transportation routes in San Francisco. \u003ccite>(Courtesy of the SFMTA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>SF Muni\u003c/strong>\u003c/p>\n\u003cp>Any Chase Center patron who shows their event ticket at Muni turnstiles and boarding platforms can \u003ca href=\"https://www.chasecenter.com/transportation-guide\">ride Muni without charge\u003c/a>.\u003c/p>\n\u003cp>There is a Muni Metro rail stop serving the venue on the T-Third Street line, which connects Chinatown and Sunnydale. \u003ca href=\"https://www.sfmta.com/routes/t-third-street\">See the Muni Metro schedule.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>BART\u003c/strong>\u003c/p>\n\u003cp>Several BART stations have convenient connections to get to the venue.\u003c/p>\n\u003cp>Muni Route 22 connects to the 16th Street Mission BART station. This stop is located on Third Street and Gene Friend Way.\u003c/p>\n\u003cp>Muni Route 15 serves as a connection to Montgomery Street BART station. This stop is located on Third Street and Warriors Way.\u003c/p>\n\u003cp>You can transfer to the new Union Square Muni Metro rail station from Powell BART station via the underground corridor to take the T-Third Street line or S-Shuttle Mission Bay line to the UCSF/Chase Center stop.\u003c/p>\n\u003cp>You can \u003ca href=\"https://www.bart.gov/\">find more information and schedules on the BART website\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Caltrain\u003c/strong>\u003c/p>\n\u003cp>If you take Caltrain to San Francisco, you can walk 15–20 minutes along Fourth Street and turn left on Gene Friend Way to Chase Center.\u003c/p>\n\u003cp>You can also transfer from the Caltrain station to the Muni Metro T-Third Street platform located across the street and take Muni to the UCSF/Chase Center stop.\u003c/p>\n\u003cp>On weekdays, the last Caltrain from San Francisco departs at 12:03 a.m. \u003ca href=\"https://www.caltrain.com/\">See the Caltrain schedule here.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Biking\u003c/strong>\u003c/p>\n\u003cp>Chase Center offers guests free secure bike storage from 1 hour before doors open until one hour after the end of the event.\u003c/p>\n\u003cp>Public bike parking is available along 16th Street and Terry Francois Boulevard.\u003c/p>\n\u003cp>There is also a Lyft/Bay Wheels bike share station at the intersection of Warriors Way and Terry Francois Boulevard. While they’re convenient and easy to use, the limited availability of these bikes means you should have a backup plan — or you might get stranded.\u003c/p>\n\u003ch2>\u003ca id=\"ticket\">\u003c/a>Can I still get a ticket for the Madonna shows?\u003c/h2>\n\u003cp>Some \u003ca href=\"https://www.ticketmaster.com/madonna-tickets/artist/768011?landing=c&awtrc=true&c=SEM_TMMCONCERTS_ggl_20462663432_151203248534_madonna%20tour&GCID=0&&gad_source=1&gclid=CjwKCAiArLyuBhA7EiwA-qo80Fmnest6OwH7GTjMdmMGoA3Bi0hwbEpQPtMXOHZYbeT78qqSfXWoRBoCi_8QAvD_BwE&gclsrc=aw.ds\">side-view tickets were made available for both nights\u003c/a>, starting at a steep $167.50. These are the only face-value tickets remaining for the otherwise sold-out shows.\u003c/p>\n\u003cp>However, Ticketmaster is allowing resale on their platform for Madonna’s tour, which is the most secure way to buy second-hand tickets. \u003ca href=\"https://www.ticketmaster.com/madonna-tickets/artist/768011?landing=c&awtrc=true&c=SEM_TMMCONCERTS_ggl_20462663432_151203248534_madonna%20tour&GCID=0&&gad_source=1&gclid=CjwKCAiArLyuBhA7EiwA-qo80Fmnest6OwH7GTjMdmMGoA3Bi0hwbEpQPtMXOHZYbeT78qqSfXWoRBoCi_8QAvD_BwE&gclsrc=aw.ds\">Floor seats\u003c/a> are available starting at $1,125 for the Tuesday show and $800 for the Wednesday show. You can also find \u003ca href=\"https://www.stubhub.com/madonna-tickets/performer/13127?AffiliateID=49&adposition=&PCID=PSUSGOOCONMADONFA34EDF2DF&AdID=690699587673&MetroRegionID=&psc=&psc=&ps=&ps=&ps_p=0&ps_c=20499395943&ps_ag=153156841139&ps_tg=kwd-1994819690067&ps_ad=690699587673&ps_adp=&ps_adp=&ps_fi=&ps_fi=&ps_li=&ps_li=&ps_lp=9061268&ps_n=g&ps_d=c&ps_ex=&gcid=C12289X486&utm_source=google&utm_medium=paid-search&utm_sub_medium=prospecting&utm_term=nb&utm_campaign=20499395943%3adefault&utm_content=default&keyword=153156841139_kwd-1994819690067_c&creative=690699587673&utm_kxconfid=s2rshsbmv&kwt=nb&mt=b&kw=madonna+celebration+tour+tickets&gad_source=1&gclid=CjwKCAiArLyuBhA7EiwA-qo80G6SEPjE2xB4ltF_QooQwGLPRXsqvZ_Aod2X8qBjIfF-lFV8EyM9SBoCEcAQAvD_BwE\">resale tickets on sites like StubHub\u003c/a>, but make sure you’re not purchasing fake tickets. \u003ca href=\"https://www.kqed.org/news/11956083/taylor-swift-levis-stadium-eras-santa-clara-tickets#taylorswifttickets\">Read more tips about avoiding ticket resale scams\u003c/a>.\u003c/p>\n\u003ch2>Are there Madonna-themed after-parties?\u003c/h2>\n\u003cp>For those attending the Wednesday show, Castro nightclub \u003ca href=\"https://www.eventbrite.com/e/pan-dulce-madonna-tribute-concert-hump-day-after-party-beaux-sf-tickets-828207279267\">Beaux SF is turning their weekly Wednesday event, Pan Dulce, into an after-party\u003c/a>.\u003c/p>\n\u003cp>If you want to keep the Madonna energy going through the weekend, Cat Club is hosting a \u003ca href=\"https://www.eventbrite.com/e/madonnapocalypse-bootie-mashup-tickets-821046741907\">Madonnapocalypse\u003c/a> event on Saturday, March 2, with drag and burlesque tributes to the musician and project her iconic music videos all night.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11976698/madonna-chase-center-san-francisco-parking-bag-policy","authors":["11883"],"categories":["news_8"],"tags":["news_19133","news_32707","news_26589","news_3772","news_30924","news_27626","news_1425","news_4086"],"featImg":"news_11976721","label":"news"},"news_11975375":{"type":"posts","id":"news_11975375","meta":{"index":"posts_1591205157","site":"news","id":"11975375","score":null,"sort":[1707699655000]},"guestAuthors":[],"slug":"adventure-playground-hands-on-me-to-heal","title":"Adventure Playground: 'Hands on Me to Heal'","publishDate":1707699655,"format":"audio","headTitle":"Adventure Playground: ‘Hands on Me to Heal’ | KQED","labelTerm":{},"content":"\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Isaac Butler Brown and Noah Pawl Silverman St. John are childhood friends. Over family dinners and long conversations, Brown says they formed a friendship that give him an “original sense of what friendship as therapy should look like.”\u003c/p>\n\u003cp>They also feel safe taking risks together — so they started a band. Brown and his friend Griffin Camm were at a wedding when they saw their friend and drummer John Spencer playing with his punk band, having returned to the Bay Area from New York.\u003c/p>\n\u003cp>“He’s killer at drums and I thought we should just make a pop punk band,” said Brown. “Noah and I had been freestyling and doing a lot of, you know, one off musical things and many, many shared moments of musical creativity … and this just immediately mades sense.”\u003c/p>\n\u003cp>A couple of months later, they brought in their friend Ben Klausner on second guitar, and the pop punk band Adventure Playground was born. The sound is what St. John describes as a “duality of punchiness and loudness on one side, and on the other side … shiny and sweet.” Brown adds that their music has “huge amounts of power and sweatiness. It smells kind of funky, but also it’s like, you take a little taste of it and it’s like, ooh, so sweet, you know?’”\u003c/p>\n\u003cp>Their song “Hands on Me to Heal” comes from a tough time in songwriter St. John’s life. It was a time when, living in his childhood room — which he described as “the most chaotic possible depression room in the entire world” — he would drink coffee, play guitar and write in his journal.\u003c/p>\n\u003cp>“It was one of those mornings this … burst of lyrics came out. I was really inspired by the Modern Lovers and Jonathan Richman’s vocal performance, which is sort of not exactly what the song ended up being in reference to … but, that’s what it originally was heavily inspired by.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>St. John says the song is about a time when he was away at college and had a mental health crisis. He had to leave campus and return home. It was an abruptly separated him from the people he loved there.\u003c/p>\n\u003cp>“The simplest thing I’m articulating is ‘I miss you,’” says St. John. “So the song is just really about [me] calling to tell you that I still absolutely love you for real, for real, and when you get back into town, if you could perhaps maybe put your ‘hands on me to heal’.”\u003c/p>\n\u003cp>“We’ve got plenty of love songs for you romantics out there,” adds Brown. “Just not this one.”\u003c/p>\n\u003cp>The Bay Area has been a big part of shaping the sound and style of the band. St. John cites as inspirations venues, organizations and people like \u003ca href=\"https://youthspeaks.org/\">Youth Speaks\u003c/a>, \u003ca href=\"https://calshakes.org/\">Cal Shakes\u003c/a>, and “various teachers at Berkeley High, or King Middle School, or Malcolm X Elementary School.”\u003c/p>\n\u003cp>“We’re in a place that I think celebrates art more than some places do,” says St. John.\u003c/p>\n\u003cp>“I had never been in a band before,” says St. John, who says wasn’t looking for any “formalized artistic thing” but needed an outlet. “So I was really thrilled because everybody wants to be in a band before they die.”\u003c/p>\n\u003cp>St. John and Brown say their creative process involves a lot of freestyling and improvisation, and that often songs come from sessions where they all jam together until a song begins to take shape. And the result?\u003c/p>\n\u003cp>“Like just a sense of embodied catharsis,” says Brown. Of the audience, he says: “I want them to feel it washing over them. Like they should feel cleansed by the end of the song. And sweaty. You could go to Archimedes Banya for 60 whatever dollars for three hours, or you could just put this song on. Your choice.”\u003c/p>\n\u003cp>Oakland-based Adventure Playground are singer Noah Pawl Silverman St. John, producer and guitar player Issac Butler Brown, drummer John Spencer, bass guitarist Griffin Camm, and guitarist Ben Klausner.\u003c/p>\n\u003cp>Adventure Playground will be \u003ca href=\"https://wl.seetickets.us/event/adventure-playground-planetmercury-furious-tits/580945?afflky=HotelUtahSaloon\">performing at the Hotel Utah Saloon\u003c/a> in San Francisco on February 23.\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"In this episode of the Sunday Music Drop, Oakland pop punk band Adventure Playground want you to feel cleansed with catharsis and sweat with their song 'Hands on Me to Heal.' ","status":"publish","parent":0,"modified":1707699616,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":786},"headData":{"title":"Adventure Playground: 'Hands on Me to Heal' | KQED","description":"In this episode of the Sunday Music Drop, Oakland pop punk band Adventure Playground want you to feel cleansed with catharsis and sweat with their song 'Hands on Me to Heal.' ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"source":"Sunday Music Drop","sourceUrl":"https://www.kqed.org/sundaymusicdrop","audioUrl":"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/SMD_Adventure-Playground_240211.1.mp3","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11975375/adventure-playground-hands-on-me-to-heal","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Isaac Butler Brown and Noah Pawl Silverman St. John are childhood friends. Over family dinners and long conversations, Brown says they formed a friendship that give him an “original sense of what friendship as therapy should look like.”\u003c/p>\n\u003cp>They also feel safe taking risks together — so they started a band. Brown and his friend Griffin Camm were at a wedding when they saw their friend and drummer John Spencer playing with his punk band, having returned to the Bay Area from New York.\u003c/p>\n\u003cp>“He’s killer at drums and I thought we should just make a pop punk band,” said Brown. “Noah and I had been freestyling and doing a lot of, you know, one off musical things and many, many shared moments of musical creativity … and this just immediately mades sense.”\u003c/p>\n\u003cp>A couple of months later, they brought in their friend Ben Klausner on second guitar, and the pop punk band Adventure Playground was born. The sound is what St. John describes as a “duality of punchiness and loudness on one side, and on the other side … shiny and sweet.” Brown adds that their music has “huge amounts of power and sweatiness. It smells kind of funky, but also it’s like, you take a little taste of it and it’s like, ooh, so sweet, you know?’”\u003c/p>\n\u003cp>Their song “Hands on Me to Heal” comes from a tough time in songwriter St. John’s life. It was a time when, living in his childhood room — which he described as “the most chaotic possible depression room in the entire world” — he would drink coffee, play guitar and write in his journal.\u003c/p>\n\u003cp>“It was one of those mornings this … burst of lyrics came out. I was really inspired by the Modern Lovers and Jonathan Richman’s vocal performance, which is sort of not exactly what the song ended up being in reference to … but, that’s what it originally was heavily inspired by.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>St. John says the song is about a time when he was away at college and had a mental health crisis. He had to leave campus and return home. It was an abruptly separated him from the people he loved there.\u003c/p>\n\u003cp>“The simplest thing I’m articulating is ‘I miss you,’” says St. John. “So the song is just really about [me] calling to tell you that I still absolutely love you for real, for real, and when you get back into town, if you could perhaps maybe put your ‘hands on me to heal’.”\u003c/p>\n\u003cp>“We’ve got plenty of love songs for you romantics out there,” adds Brown. “Just not this one.”\u003c/p>\n\u003cp>The Bay Area has been a big part of shaping the sound and style of the band. St. John cites as inspirations venues, organizations and people like \u003ca href=\"https://youthspeaks.org/\">Youth Speaks\u003c/a>, \u003ca href=\"https://calshakes.org/\">Cal Shakes\u003c/a>, and “various teachers at Berkeley High, or King Middle School, or Malcolm X Elementary School.”\u003c/p>\n\u003cp>“We’re in a place that I think celebrates art more than some places do,” says St. John.\u003c/p>\n\u003cp>“I had never been in a band before,” says St. John, who says wasn’t looking for any “formalized artistic thing” but needed an outlet. “So I was really thrilled because everybody wants to be in a band before they die.”\u003c/p>\n\u003cp>St. John and Brown say their creative process involves a lot of freestyling and improvisation, and that often songs come from sessions where they all jam together until a song begins to take shape. And the result?\u003c/p>\n\u003cp>“Like just a sense of embodied catharsis,” says Brown. Of the audience, he says: “I want them to feel it washing over them. Like they should feel cleansed by the end of the song. And sweaty. You could go to Archimedes Banya for 60 whatever dollars for three hours, or you could just put this song on. Your choice.”\u003c/p>\n\u003cp>Oakland-based Adventure Playground are singer Noah Pawl Silverman St. John, producer and guitar player Issac Butler Brown, drummer John Spencer, bass guitarist Griffin Camm, and guitarist Ben Klausner.\u003c/p>\n\u003cp>Adventure Playground will be \u003ca href=\"https://wl.seetickets.us/event/adventure-playground-planetmercury-furious-tits/580945?afflky=HotelUtahSaloon\">performing at the Hotel Utah Saloon\u003c/a> in San Francisco on February 23.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11975375/adventure-playground-hands-on-me-to-heal","authors":["11772","11812"],"categories":["news_223","news_8"],"tags":["news_32662","news_1425","news_31662"],"featImg":"news_11975386","label":"source_news_11975375"},"news_11974827":{"type":"posts","id":"news_11974827","meta":{"index":"posts_1591205157","site":"news","id":"11974827","score":null,"sort":[1707492648000]},"guestAuthors":[],"slug":"this-stretch-of-the-mojave-desert-plays-the-lone-ranger-theme","title":"This Stretch of the Mojave Desert Plays the 'Lone Ranger' Theme","publishDate":1707492648,"format":"standard","headTitle":"This Stretch of the Mojave Desert Plays the ‘Lone Ranger’ Theme | KQED","labelTerm":{"term":26731,"site":"news"},"content":"\u003cp>There isn’t a lot in Antelope Valley, to the west of Lancaster, California. This patch of the western Mojave Desert, about an hour north of Los Angeles, is desolate. There’s practically nothing for miles except for a few clusters of RVs and a tiny airfield with an old-school diner in the lobby. But it does have one attraction that draws in-the-know travelers — the Musical Road of Lancaster.\u003c/p>\n\u003cp>Locals are bemused by the quirky attraction but also a little proud.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"David Simmons-Duffin, physicist\"]‘I remember I was in my parents’ kitchen, and the commercial came on the TV. I was intrigued because I’d had some experience with these rumble strips on the road before.’[/pullquote]“I think it’s kind of cool to have this whimsical thing out there,” said Colin Delaney, a librarian at Lancaster Library. “It’s just a fun little thing.”\u003c/p>\n\u003cp>“[My family] would make up spooky stories like if you went backwards on it, something would happen,” said a woman named Marlene, who works at Lancaster’s Museum of Art and History. “One time when my brother started driving, he did go backwards on it. It sounded a little odd, I’m not going to lie. It sounded a little scary.”\u003c/p>\n\u003cp>Grooves have been cut in a quarter-mile stretch of highway next to some abandoned warehouses so that when cars drive over it, a tune rings out. It’s supposed to be the “William Tell Overture” by the Italian composer Gioachino Rossini, probably best known as the theme to The Lone Ranger. Drivers have to go 55 mph to hear the song, which is recognizable, although the notes sound flat.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Sandra is a waitress at Foxy’s Landing & Restaurant, that old-school diner.\u003c/p>\n\u003cp>“Back in 2011, when I moved out here with my friends, they took me on that road,” she said. “We went over it, and it was pretty cool.” Then she added, “I feel like we could have a little better tone.”\u003c/p>\n\u003cp>This novelty was built by the car company Honda back in 2008 as part of a TV commercial for the Civic.\u003c/p>\n\u003cp>https://youtu.be/sJFGacuxcSM\u003c/p>\n\u003cp>At first, the distinctive sound didn’t go down well with some Lancaster residents. People who lived nearby said it was a scratchy sound, like a high-pitched drone or whining. One person said it was like an orchestra that’s constantly out of tune.\u003c/p>\n\u003cp>Honda originally built the road in a much more populated area on Avenue K in downtown Lancaster. However, \u003ca href=\"http://news.bbc.co.uk/2/hi/americas/7627713.stm\">according to news reports at the time\u003c/a>, the noise complaints were so bad that the city spent $35,000 to remove and relocate the road to its current location outside of town.\u003c/p>\n\u003ch2>How does it work?\u003c/h2>\n\u003cp>Physicist David Simmons-Duffin remembers hearing the Honda commercial for the first time. He was in graduate school, home for the holidays, visiting his parents.\u003c/p>\n\u003cp>“I remember I was in my parents’ kitchen, and the commercial came on the TV,” he said. “I was intrigued because I’d had some experience with these rumble strips on the road before.”\u003c/p>\n\u003cp>The concept reminded Simmons-Duffin of a childhood memory.\u003c/p>\n\u003cp>“When I was a kid, we used to drive to a park in Canada. On the roads, they would have these rumble strips before the stop signs, and my dad would experiment with trying to play music by going different speeds over the rumble strips. We would talk about how fast we needed to go to make different kinds of musical scales. It didn’t come out right a lot of the time, but sometimes he got the timing just right, and then we would all cheer in the car.”\u003c/p>\n\u003cp>Years later, sitting in his parents’ kitchen watching Honda try to replicate the effect in their commercial, Simmons-Duffin was disappointed.\u003c/p>\n\u003cp>“It sounded so terrible,” he said.\u003c/p>\n\u003cp>Simmons-Duffin, who is now a professor at Caltech, decided to use his computer to make a simulation of the road.\u003c/p>\n\u003cp>“I was able to reproduce the terrible music from the commercial,” he said. “It was a neat challenge, using my own ears and a little bit of mathematics to do the detective work and figure out what had happened.”\u003c/p>\n\u003cp>The musical road works on a basic principle: as a car drives over grooves cut into the asphalt, it vibrates.\u003c/p>\n\u003cp>“There’s a very simple formula for the frequency that you get from the note when a car drives over a rumble strip,” Simmons-Duffin said. “It’s basically the velocity of the car divided by the distance between the grooves.”\u003c/p>\n\u003cp>So, in order to make a melody, the grooves in the road need to be precise distances apart.\u003c/p>\n\u003cp>“If you listen to the notes in the musical road, you can kind of tell that none of the grooves are close enough together to make the right melody,” he said.\u003c/p>\n\u003cp>He speculates that the workers who cut the grooves didn’t factor in the width of the grooves themselves. Neither Honda nor the city of Lancaster responded to requests for comment.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Even though it’s not the perfect rendition of the “William Tell Overture,” it’s still a fun reason to visit Lancaster. After all, it’s not every day that the road you’re driving on plays music for you.\u003c/p>\n\n","blocks":[],"excerpt":"In a desolate part of the Mojave Desert is a stretch of road that will play the theme to the 'Lone Ranger' when you drive over it.","status":"publish","parent":0,"modified":1707354861,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":26,"wordCount":956},"headData":{"title":"This Stretch of the Mojave Desert Plays the 'Lone Ranger' Theme | KQED","description":"In a desolate part of the Mojave Desert is a stretch of road that will play the theme to the 'Lone Ranger' when you drive over it.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/e7ed870d-8266-4aa8-b772-b10e017a79f0/audio.mp3","sticky":false,"nprByline":"Clare Wiley","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/news/11974827/this-stretch-of-the-mojave-desert-plays-the-lone-ranger-theme","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>There isn’t a lot in Antelope Valley, to the west of Lancaster, California. This patch of the western Mojave Desert, about an hour north of Los Angeles, is desolate. There’s practically nothing for miles except for a few clusters of RVs and a tiny airfield with an old-school diner in the lobby. But it does have one attraction that draws in-the-know travelers — the Musical Road of Lancaster.\u003c/p>\n\u003cp>Locals are bemused by the quirky attraction but also a little proud.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘I remember I was in my parents’ kitchen, and the commercial came on the TV. I was intrigued because I’d had some experience with these rumble strips on the road before.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"David Simmons-Duffin, physicist","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“I think it’s kind of cool to have this whimsical thing out there,” said Colin Delaney, a librarian at Lancaster Library. “It’s just a fun little thing.”\u003c/p>\n\u003cp>“[My family] would make up spooky stories like if you went backwards on it, something would happen,” said a woman named Marlene, who works at Lancaster’s Museum of Art and History. “One time when my brother started driving, he did go backwards on it. It sounded a little odd, I’m not going to lie. It sounded a little scary.”\u003c/p>\n\u003cp>Grooves have been cut in a quarter-mile stretch of highway next to some abandoned warehouses so that when cars drive over it, a tune rings out. It’s supposed to be the “William Tell Overture” by the Italian composer Gioachino Rossini, probably best known as the theme to The Lone Ranger. Drivers have to go 55 mph to hear the song, which is recognizable, although the notes sound flat.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sandra is a waitress at Foxy’s Landing & Restaurant, that old-school diner.\u003c/p>\n\u003cp>“Back in 2011, when I moved out here with my friends, they took me on that road,” she said. “We went over it, and it was pretty cool.” Then she added, “I feel like we could have a little better tone.”\u003c/p>\n\u003cp>This novelty was built by the car company Honda back in 2008 as part of a TV commercial for the Civic.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sJFGacuxcSM'\n title='//www.youtube.com/embed/sJFGacuxcSM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>At first, the distinctive sound didn’t go down well with some Lancaster residents. People who lived nearby said it was a scratchy sound, like a high-pitched drone or whining. One person said it was like an orchestra that’s constantly out of tune.\u003c/p>\n\u003cp>Honda originally built the road in a much more populated area on Avenue K in downtown Lancaster. However, \u003ca href=\"http://news.bbc.co.uk/2/hi/americas/7627713.stm\">according to news reports at the time\u003c/a>, the noise complaints were so bad that the city spent $35,000 to remove and relocate the road to its current location outside of town.\u003c/p>\n\u003ch2>How does it work?\u003c/h2>\n\u003cp>Physicist David Simmons-Duffin remembers hearing the Honda commercial for the first time. He was in graduate school, home for the holidays, visiting his parents.\u003c/p>\n\u003cp>“I remember I was in my parents’ kitchen, and the commercial came on the TV,” he said. “I was intrigued because I’d had some experience with these rumble strips on the road before.”\u003c/p>\n\u003cp>The concept reminded Simmons-Duffin of a childhood memory.\u003c/p>\n\u003cp>“When I was a kid, we used to drive to a park in Canada. On the roads, they would have these rumble strips before the stop signs, and my dad would experiment with trying to play music by going different speeds over the rumble strips. We would talk about how fast we needed to go to make different kinds of musical scales. It didn’t come out right a lot of the time, but sometimes he got the timing just right, and then we would all cheer in the car.”\u003c/p>\n\u003cp>Years later, sitting in his parents’ kitchen watching Honda try to replicate the effect in their commercial, Simmons-Duffin was disappointed.\u003c/p>\n\u003cp>“It sounded so terrible,” he said.\u003c/p>\n\u003cp>Simmons-Duffin, who is now a professor at Caltech, decided to use his computer to make a simulation of the road.\u003c/p>\n\u003cp>“I was able to reproduce the terrible music from the commercial,” he said. “It was a neat challenge, using my own ears and a little bit of mathematics to do the detective work and figure out what had happened.”\u003c/p>\n\u003cp>The musical road works on a basic principle: as a car drives over grooves cut into the asphalt, it vibrates.\u003c/p>\n\u003cp>“There’s a very simple formula for the frequency that you get from the note when a car drives over a rumble strip,” Simmons-Duffin said. “It’s basically the velocity of the car divided by the distance between the grooves.”\u003c/p>\n\u003cp>So, in order to make a melody, the grooves in the road need to be precise distances apart.\u003c/p>\n\u003cp>“If you listen to the notes in the musical road, you can kind of tell that none of the grooves are close enough together to make the right melody,” he said.\u003c/p>\n\u003cp>He speculates that the workers who cut the grooves didn’t factor in the width of the grooves themselves. Neither Honda nor the city of Lancaster responded to requests for comment.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Even though it’s not the perfect rendition of the “William Tell Overture,” it’s still a fun reason to visit Lancaster. After all, it’s not every day that the road you’re driving on plays music for you.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11974827/this-stretch-of-the-mojave-desert-plays-the-lone-ranger-theme","authors":["byline_news_11974827"],"programs":["news_72","news_26731"],"series":["news_29825"],"categories":["news_8"],"tags":["news_1202","news_27626","news_19623","news_20732","news_1425"],"featImg":"news_11974849","label":"news_26731"},"news_11974003":{"type":"posts","id":"news_11974003","meta":{"index":"posts_1591205157","site":"news","id":"11974003","score":null,"sort":[1706488213000]},"guestAuthors":[],"slug":"inspector-gadje-gangam","title":"Inspector Gadje: 'Gangam'","publishDate":1706488213,"format":"standard","headTitle":"Inspector Gadje: ‘Gangam’ | KQED","labelTerm":{"site":"news"},"content":"\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>“\u003cspan style=\"font-weight: 400\">We’re all losing probably collectively gallons of sweat on stage — I mean, everybody’s shirt is soaked wet at the end of the show.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That’s how Marco Peris Coppola, the Italian-born San Franciscan percussionist and creative strategist of Balkan brass band Inspector Gadje describes one of their stage performances. \u003c/span>\u003c/p>\n\u003cp>With 14 band members, Inspector Gadje is a frenzied force of nature that Coppola describes as participatory and celebratory, inspired by Balkan weddings and funerals. But it’s also a very demanding style of music. He says it’s not just the kind of music that makes you jump up and dance, it’s like a “therapy session,” and a way of “liberating emotions.”\u003c/p>\n\u003cp>“\u003cspan style=\"font-weight: 400\">This is not just for my band … anytime you go and listen to this style of music, I see people walking in with a certain face, and I see them walking out with a smile,” he says.\u003c/span>\u003c/p>\n\u003cp>Their song “Gangam” is no exception.\u003c/p>\n\u003cp>“It’s … a very high energy, hard-to-sit-still-through kind of music,” says Coppola. “It’s embedded in the Hijaz scale [that] is used not only in the Balkans, but also in Turkey and some parts of Middle East. But really, it’s embedded in solos as well. Sometimes it feels like the song is an excuse to get to the solo where the improvisation happens and where people get a chance to show themselves.”\u003c/p>\n\u003cp>Growing up in Italy, Coppola played drums with a protest band. When he moved to San Francisco he joined the \u003cspan style=\"font-weight: 400\">Brass Liberation Orchestra, a band that plays at progressive demonstrations around the Bay Area. An association called Voice of Roma, a cultural nonprofit that promotes Roma music and works to dismantle stereotypes about Roma people, invited him and the other band members to do a six-month course with a master teacher of Roma music. That’s where Coppola learned to play a Balkan drum called the “tapan,” or “davul.” \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“\u003cspan style=\"font-weight: 400\">After I got like an initial grip on the style, I was hooked — it was like a drug,” Coppola explains. He and four other students from the course founded Inspector Gadje.\u003c/span>\u003c/p>\n\u003cp>They’ve now been playing Balkan music in the Bay Area for the last 11 years. He says their music has evolved over that time and that while they knew they could never play Balkan music like they do in the Balkans, he says they created their own American, Bay Area style that they have been playing at biannual Balkan parties since 2013.\u003c/p>\n\u003cp>“It kind of became almost like a ritual for this community here in San Francisco and the greater Bay Area to meet twice a year,” he says about their parties. “When I do the programming, I always try to have a different or new element per show so that there’s always a change in the color and the feeling of the evening.”\u003c/p>\n\u003cp>Another huge influence in the band has been Coppola’s fellow band member Ismail Lumanovski, who lives in New York but whom Coppola says they try to fly out to San Francisco at least once a year to perform and play with Inspector Gadje. Lumanovski started out as a prodigy in the Roma community, which, Coppola adds, is no mean feat.\u003c/p>\n\u003cp>“Ismail stood out and somebody saw him and give him a scholarship to come and do a senior high school summer program here,” says Coppola of Lumanovski, whom he says is now known throughout the Balkans and Turkey. “Then Juilliard landed their eyes on him and gave him a full-ride scholarship. … He became the first clarinetist at Juilliard. So now his career is very interesting, because he will play featured solos on various symphonies and orchestras around the world, and then he has his own project called New York Gypsy All-Stars, which is sort of like jazz, for lack of a better word.”\u003c/p>\n\u003cp>Ultimately, the Bay Area has also been a huge influence in the music they make.\u003c/p>\n\u003cp>“Coming to the Bay and seeing how all these different cultural backgrounds interact with each other, I feel like that energy and that combination of people leads us to new spots in the music that maybe have not been tried because we haven’t had this particular mix of personnel in the same room practicing together,” he says. “The level of focus has to be there. But we always try to goof off and have a great time on stage either way. And, yeah, a lot of times I have a hard time falling asleep after.”\u003c/p>\n\u003cp>The band’s members include Danny Cao, Noah Levitt, Will Magid, Shane Cox, Ismail Lumanovski, Morgan Nilsen, Mike Perlmutter, Greg Jenkins, Ofir Uziel, Paul Marini, Joshua Sirotiak, Jeff Giaquinto, Greg Stevens, Greg Michalec, and Andrew Cohen.\u003c/p>\n\u003cp>You can hear Inspector Gadje live, performing at the \u003ca href=\"https://rickshawstop.com/seetickets-event/kafana-balkan-with-ismail-lumanovsky-and-inspector-gadje/\">Kafana Balkan Party at Rickshaw Stop\u003c/a>, 155 Fell St. and Van Ness Avenue in San Francisco, on Feb. 3.\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"In this episode of the Sunday Music Drop, we dive into the mad world of Balkan brass band Inspector Gadje and their song 'Gangam.'","status":"publish","parent":0,"modified":1706566669,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":922},"headData":{"title":"Inspector Gadje: 'Gangam' | KQED","description":"In this episode of the Sunday Music Drop, we dive into the mad world of Balkan brass band Inspector Gadje and their song 'Gangam.'","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"audioUrl":"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/01/SMD_Inspector-Gadje_240128-V2.mp3","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11974003/inspector-gadje-gangam","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>“\u003cspan style=\"font-weight: 400\">We’re all losing probably collectively gallons of sweat on stage — I mean, everybody’s shirt is soaked wet at the end of the show.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That’s how Marco Peris Coppola, the Italian-born San Franciscan percussionist and creative strategist of Balkan brass band Inspector Gadje describes one of their stage performances. \u003c/span>\u003c/p>\n\u003cp>With 14 band members, Inspector Gadje is a frenzied force of nature that Coppola describes as participatory and celebratory, inspired by Balkan weddings and funerals. But it’s also a very demanding style of music. He says it’s not just the kind of music that makes you jump up and dance, it’s like a “therapy session,” and a way of “liberating emotions.”\u003c/p>\n\u003cp>“\u003cspan style=\"font-weight: 400\">This is not just for my band … anytime you go and listen to this style of music, I see people walking in with a certain face, and I see them walking out with a smile,” he says.\u003c/span>\u003c/p>\n\u003cp>Their song “Gangam” is no exception.\u003c/p>\n\u003cp>“It’s … a very high energy, hard-to-sit-still-through kind of music,” says Coppola. “It’s embedded in the Hijaz scale [that] is used not only in the Balkans, but also in Turkey and some parts of Middle East. But really, it’s embedded in solos as well. Sometimes it feels like the song is an excuse to get to the solo where the improvisation happens and where people get a chance to show themselves.”\u003c/p>\n\u003cp>Growing up in Italy, Coppola played drums with a protest band. When he moved to San Francisco he joined the \u003cspan style=\"font-weight: 400\">Brass Liberation Orchestra, a band that plays at progressive demonstrations around the Bay Area. An association called Voice of Roma, a cultural nonprofit that promotes Roma music and works to dismantle stereotypes about Roma people, invited him and the other band members to do a six-month course with a master teacher of Roma music. That’s where Coppola learned to play a Balkan drum called the “tapan,” or “davul.” \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“\u003cspan style=\"font-weight: 400\">After I got like an initial grip on the style, I was hooked — it was like a drug,” Coppola explains. He and four other students from the course founded Inspector Gadje.\u003c/span>\u003c/p>\n\u003cp>They’ve now been playing Balkan music in the Bay Area for the last 11 years. He says their music has evolved over that time and that while they knew they could never play Balkan music like they do in the Balkans, he says they created their own American, Bay Area style that they have been playing at biannual Balkan parties since 2013.\u003c/p>\n\u003cp>“It kind of became almost like a ritual for this community here in San Francisco and the greater Bay Area to meet twice a year,” he says about their parties. “When I do the programming, I always try to have a different or new element per show so that there’s always a change in the color and the feeling of the evening.”\u003c/p>\n\u003cp>Another huge influence in the band has been Coppola’s fellow band member Ismail Lumanovski, who lives in New York but whom Coppola says they try to fly out to San Francisco at least once a year to perform and play with Inspector Gadje. Lumanovski started out as a prodigy in the Roma community, which, Coppola adds, is no mean feat.\u003c/p>\n\u003cp>“Ismail stood out and somebody saw him and give him a scholarship to come and do a senior high school summer program here,” says Coppola of Lumanovski, whom he says is now known throughout the Balkans and Turkey. “Then Juilliard landed their eyes on him and gave him a full-ride scholarship. … He became the first clarinetist at Juilliard. So now his career is very interesting, because he will play featured solos on various symphonies and orchestras around the world, and then he has his own project called New York Gypsy All-Stars, which is sort of like jazz, for lack of a better word.”\u003c/p>\n\u003cp>Ultimately, the Bay Area has also been a huge influence in the music they make.\u003c/p>\n\u003cp>“Coming to the Bay and seeing how all these different cultural backgrounds interact with each other, I feel like that energy and that combination of people leads us to new spots in the music that maybe have not been tried because we haven’t had this particular mix of personnel in the same room practicing together,” he says. “The level of focus has to be there. But we always try to goof off and have a great time on stage either way. And, yeah, a lot of times I have a hard time falling asleep after.”\u003c/p>\n\u003cp>The band’s members include Danny Cao, Noah Levitt, Will Magid, Shane Cox, Ismail Lumanovski, Morgan Nilsen, Mike Perlmutter, Greg Jenkins, Ofir Uziel, Paul Marini, Joshua Sirotiak, Jeff Giaquinto, Greg Stevens, Greg Michalec, and Andrew Cohen.\u003c/p>\n\u003cp>You can hear Inspector Gadje live, performing at the \u003ca href=\"https://rickshawstop.com/seetickets-event/kafana-balkan-with-ismail-lumanovsky-and-inspector-gadje/\">Kafana Balkan Party at Rickshaw Stop\u003c/a>, 155 Fell St. and Van Ness Avenue in San Francisco, on Feb. 3.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11974003/inspector-gadje-gangam","authors":["11772","11812"],"categories":["news_223","news_8"],"tags":["news_27626","news_1425","news_31662"],"featImg":"news_11974140","label":"news"},"news_11968911":{"type":"posts","id":"news_11968911","meta":{"index":"posts_1591205157","site":"news","id":"11968911","score":null,"sort":[1701653400000]},"guestAuthors":[],"slug":"fauxes-peaches","title":"Fauxes: 'Peaches'","publishDate":1701653400,"format":"standard","headTitle":"Fauxes: ‘Peaches’ | KQED","labelTerm":{},"content":"\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Scarlett Levinson and Fauxes bandmates Nick Bielak, Daniel Loor, and Dan March have been playing music together since 2019. The friends met at UC Berkeley in the co-op housing, and sang in choir together.\u003c/p>\n\u003cp>After that, Levinson said, they “went on this kind of garage rock, shoegazy, psychedelic path,” inspired by the San Francisco and Bay Area underground music scene.\u003c/p>\n\u003cp>As for their song “Peaches,” she said, that was inspired by … a crush.\u003c/p>\n\u003cp>“I wrote it because I was annoyed at somebody who I thought was mean to me, who I had a crush on,” said Levinson.\u003c/p>\n\u003cp>The original instrumentation, Levinson explained, was surfy and grungy until, in rehearsal, they experimented with “shoegaze tones” looping in parts that gave it a more ethereal sound that also shows sassiness.\u003c/p>\n\u003cp>“It’s kind of got like a bite to it — it’s masochistic,” said Levinson, who added that Fauxes aims to be big and flamboyant. “It really shows the evolution of our sound as a band. … A big goal of ours is creating sounds that are big and kind of overtake whatever you’re doing. Really incredible art … like, commands attention.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Levinson was a student at Ruth Asawa San Francisco School of the Arts (SOTA), where she said she didn’t enjoy the “rigidity of classical music.” But it was the Berkeley DIY scene, she said, that changed everything.\u003c/p>\n\u003cp>“There were some really cool bands doing some crazy experimental stuff … and I thought that that was so liberating, so cool. That gave me the courage to kind of be involved in the music scene in general,” she explained. “Go to a DIY show. You will see some of the best music you’ve ever seen and meet some really cool people. It’s a very inspirational community of musicians.”\u003c/p>\n\u003cp>Fauxes’ Nick Bielak said a big part of his musical journey was inspired by the city he grew up in — a city that he says is now very hard to live in and that artists are being priced out of.\u003c/p>\n\u003cp>“Whenever you hear about all these great San Francisco bands, when you hear about Jefferson Airplane, you hear about The Grateful Dead, you hear about Brian Jonestown Massacre, Ty Segall … it’s really cool to know that a lot of these artists that I idolize or listen to … were here, and I knew that I wanted to contribute to that scene as well,” said Bielak.\u003c/p>\n\u003cp>“Peaches” also features Jakob Karstens on the keys. Fauxes will be performing at The Rickshaw Stop in San Francisco on Wednesday, Dec. 20 at 8 p.m. Follow Fauxes on instagram @fauxesband and listen to their music on \u003ca href=\"https://fauxes.bandcamp.com/\">Bandcamp\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"In this episode of the Sunday Music Drop, Scarlett Levinson of the band Fauxes says they aim to create big sounds that 'overtake whatever you're doing.' Their song, 'Peaches,' is no exception.","status":"publish","parent":0,"modified":1701716186,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":522},"headData":{"title":"Fauxes: 'Peaches' | KQED","description":"In this episode of the Sunday Music Drop, Scarlett Levinson of the band Fauxes says they aim to create big sounds that 'overtake whatever you're doing.' Their song, 'Peaches,' is no exception.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"source":"sunday music drop","sourceUrl":"https://www.kqed.org/sundaymusicdrop","audioUrl":"https://ww2.kqed.org/app/uploads/sites/10/2023/12/SMD_Faux_231203.mp3","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11968911/fauxes-peaches","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Scarlett Levinson and Fauxes bandmates Nick Bielak, Daniel Loor, and Dan March have been playing music together since 2019. The friends met at UC Berkeley in the co-op housing, and sang in choir together.\u003c/p>\n\u003cp>After that, Levinson said, they “went on this kind of garage rock, shoegazy, psychedelic path,” inspired by the San Francisco and Bay Area underground music scene.\u003c/p>\n\u003cp>As for their song “Peaches,” she said, that was inspired by … a crush.\u003c/p>\n\u003cp>“I wrote it because I was annoyed at somebody who I thought was mean to me, who I had a crush on,” said Levinson.\u003c/p>\n\u003cp>The original instrumentation, Levinson explained, was surfy and grungy until, in rehearsal, they experimented with “shoegaze tones” looping in parts that gave it a more ethereal sound that also shows sassiness.\u003c/p>\n\u003cp>“It’s kind of got like a bite to it — it’s masochistic,” said Levinson, who added that Fauxes aims to be big and flamboyant. “It really shows the evolution of our sound as a band. … A big goal of ours is creating sounds that are big and kind of overtake whatever you’re doing. Really incredible art … like, commands attention.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Levinson was a student at Ruth Asawa San Francisco School of the Arts (SOTA), where she said she didn’t enjoy the “rigidity of classical music.” But it was the Berkeley DIY scene, she said, that changed everything.\u003c/p>\n\u003cp>“There were some really cool bands doing some crazy experimental stuff … and I thought that that was so liberating, so cool. That gave me the courage to kind of be involved in the music scene in general,” she explained. “Go to a DIY show. You will see some of the best music you’ve ever seen and meet some really cool people. It’s a very inspirational community of musicians.”\u003c/p>\n\u003cp>Fauxes’ Nick Bielak said a big part of his musical journey was inspired by the city he grew up in — a city that he says is now very hard to live in and that artists are being priced out of.\u003c/p>\n\u003cp>“Whenever you hear about all these great San Francisco bands, when you hear about Jefferson Airplane, you hear about The Grateful Dead, you hear about Brian Jonestown Massacre, Ty Segall … it’s really cool to know that a lot of these artists that I idolize or listen to … were here, and I knew that I wanted to contribute to that scene as well,” said Bielak.\u003c/p>\n\u003cp>“Peaches” also features Jakob Karstens on the keys. Fauxes will be performing at The Rickshaw Stop in San Francisco on Wednesday, Dec. 20 at 8 p.m. Follow Fauxes on instagram @fauxesband and listen to their music on \u003ca href=\"https://fauxes.bandcamp.com/\">Bandcamp\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11968911/fauxes-peaches","authors":["11503","11812"],"categories":["news_223","news_8"],"tags":["news_20257","news_32662","news_22973","news_33589","news_1425","news_29353","news_33590","news_31662"],"featImg":"news_11968925","label":"source_news_11968911"},"news_11967943":{"type":"posts","id":"news_11967943","meta":{"index":"posts_1591205157","site":"news","id":"11967943","score":null,"sort":[1700769659000]},"guestAuthors":[],"slug":"how-one-la-teacher-uses-jazz-to-explore-california-history-race-and-culture","title":"How One LA Teacher Uses Jazz to Explore California History, Race and Culture","publishDate":1700769659,"format":"standard","headTitle":"How One LA Teacher Uses Jazz to Explore California History, Race and Culture | KQED","labelTerm":{"site":"news"},"content":"\u003cp>The first thing Guillermo Tejeda does when he visits a new school is hunt for the piano. At most schools, the teacher finds a dusty old instrument, out of tune, stashed away in a dark closet.\u003c/p>\n\u003cp>The cobwebs tell him all he needs to know about how little arts education those students have been getting. His go-to technique to get them more jazzed about learning is to tickle the ivories, make that piano come back to life. [pullquote size=\"medium\" align=\"right\" citation=\"Guillermo Tejeda, teacher, Wadsworth Elementary in South Central Los Angeles\"]‘I’m telling you, when I bring in song, when I bring music and performance into the classroom, the students light up in a way that really creates a meaningful experience for them.’[/pullquote]“I’ll bring it out, dust it off. I’ll bring students into the auditorium and I’ll do lessons there,” said Tejeda, a fourth-grade teacher at Wadsworth Elementary in hardscrabble South Central Los Angeles. “I’m telling you, when I bring in song, when I bring music and performance into the classroom, the students light up in a way that really creates a meaningful experience for them.”\u003c/p>\n\u003cp>A schoolteacher who is also a jazz musician and a member of the \u003ca href=\"https://youtu.be/EU6steOWfmU?si=FTzUo5SSz51PmlGr\">Neighborhood Orchestra Collective\u003c/a>, Tejeda uses music in general and the narrative of the LA jazz scene, particularly to teach about history, race and culture, and to spark joy in the classroom. A father of three currently on parental leave with his 11-month-old daughter Maya, Tejeda started playing the guitar at the age of 6. His grandfather, a migrant farm worker with a love of mariachi and a hand gnarled from picking in the fields, taught him how to play.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I’m from East LA, and I became a teacher because I wanted to be the teacher that I never had,” he said. “We come from a marginalized community where it’s hard to be a teacher. A lot of the adults are stressed out. People are not feeling joy. How do we bring more joy? How do we bring more meaning into our lives? I think music is that vehicle.”\u003c/p>\n\u003cp>Tejeda takes an expansive view of education that integrates the arts into all the disciplines to bring learning to life for children. He said his teaching feeds his music and his music feeds his teaching. [pullquote size=\"medium\" align=\"right\" citation=\"Guillermo Tejeda, teacher, Wadsworth Elementary in South Central Los Angeles\"]‘I’m from East LA, and I became a teacher because I wanted to be the teacher that I never had.’[/pullquote]“I wish I had a teacher like Guillermo when I was in fourth grade,” said Elmo Lovano, the founder of Jammcard: The Music Professionals Network, who developed \u003ca href=\"https://schoolgig.us/\">School Gig\u003c/a>, an app that connects artists to schools. “He’s a passionate guy. He’s incredibly talented. It’s important for artists to know you can still be doing your art, but being a teacher could be an amazing opportunity for you to make a living, stay at home, support your family, give back to the kids, the next generation, and also still do you.”\u003c/p>\n\u003cp>Music is the prism through which his students become immersed in the history of their city, its politics and culture. He wants his students to be in tune with their heritage.\u003c/p>\n\u003cp>“I teach on 41st and Central, which is a historic jazz corridor,” he said. “And when I got to that school site, it surprised me that so few teachers talked about that. The first thing I did was write a lesson plan about it.”\u003c/p>\n\u003cp>Tejeda, whose students call him ‘Mister’ as a nickname, makes sure his class learns about the rich legacy of jazz in Los Angeles. For example, the historic Central Avenue jazz corridor was, for decades, a \u003ca href=\"https://www.latimes.com/california/gallery/looking-back-at-historic-central-avenue-in-los-angeles\">cultural mecca\u003c/a>, the heart of the African-American community in the city. At a time when most of the country was rigidly segregated, it was also something of an oasis, a place where people of all races and classes came together over music. There, a pantheon of jazz luminaries, including Charlie Parker, Miles Davis, Duke Ellington, Billie Holiday and Jelly Roll Morton, played to full houses.\u003c/p>\n\u003cp>“The giants of Central Avenue may have gone, but their footprints still remain on all of American culture,” as basketball great \u003ca href=\"https://www.latimes.com/california/story/2020-07-18/central-avenue-los-angeles-jazz\">Kareem Abdul-Jabbar once put it\u003c/a>. “The jazz musicians and record promoters also gave birth to rock ‘n’ roll, rhythm and blues, hip-hop and rap.”\u003c/p>\n\u003cfigure id=\"attachment_11967956\" class=\"wp-caption alignleft\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11967956\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/EdSource02.jpeg\" alt=\"A man poses in between two women. Everyone is smiling and having a nice time.\" width=\"1920\" height=\"2560\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/EdSource02.jpeg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/EdSource02-800x1067.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/EdSource02-1020x1360.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/EdSource02-160x213.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/EdSource02-1152x1536.jpeg 1152w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/EdSource02-1536x2048.jpeg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Guillermo Tejeda and members of the band Steam Down at the Venice Jazz Festival. \u003ccite>(Courtesy of Luis Hernandez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Steeping in the often overlooked history of their neighborhood, Tejeda said, can help children sharpen their sense of identity, belonging and pride.\u003c/p>\n\u003cp>“These kids have no idea how special and beautiful their neighborhoods are because all they see on the news is how messed up it is,” said Tejeda, long a champion of culturally relevant pedagogy. “I want them to know this is the place, right here in your hood, this is where a lot of jazz music was born.”\u003c/p>\n\u003cp>Music often resonates with children on a deeper level than other forms of instruction. Tejeda is moved to tears remembering one little boy who had trouble engaging at school because of trauma at home. He only opened up when they began to play the piano together at recess. The piano became his sanctuary.\u003c/p>\n\u003cp>“I’m shook when I come home because a lot of these kids are dealing with very hard stuff and they’re so resilient,” said Tejeda, his voice thick with emotion.\u003c/p>\n\u003cp>“Yes, math and science is important, but the whole child is important, that’s what drives me.”\u003c/p>\n\u003cp>Music also enhances both \u003ca href=\"https://files.eric.ed.gov/fulltext/EJ1163197.pdf\">math\u003c/a> and \u003ca href=\"https://brainvolts.northwestern.edu/reading/\">reading\u003c/a> performance, experts say, perhaps partly because it enhances the \u003ca href=\"https://brainvolts.northwestern.edu/wp-content/uploads/boxtrx/2020-108-4-Kraus-v2.pdf\">neuroplasticity of the brain\u003c/a>. Music amplifies learning across subject areas, experts say.\u003c/p>\n\u003cp>“Music and movement, in addition to the more common modalities of written and verbal instruction, is critical for including all kinds of learners in a well-rounded education,” said Jessica Mele, interim executive director of Create CA, an advocacy group. “It’s particularly beneficial for students whose first language is not English. Using art as a window into culture, race and history can engage students in complex conversations that they might not otherwise engage in.” [aside postID=news_11962024 hero='https://ww2.kqed.org/app/uploads/sites/10/2023/09/20230910_Symphony_25-KQED-1020x680.jpg']Music can also be healing, \u003ca href=\"https://www.health.harvard.edu/blog/healing-through-music-201511058556\">research suggests\u003c/a>. As a boy, Tejeda suffered from a stutter that only subsided when he sang.\u003c/p>\n\u003cp>“I keep it real with the kids because I see myself in them,” he said. “It’s crazy how impactful music has been for me.”\u003c/p>\n\u003cp>It’s also a uniquely social experience that invites children to collaborate with their peers on projects that require and reward focus and discipline, qualities experts say fuel academic success. Children practiced in the arts become accustomed to working collectively toward ambitious long-term goals.\u003c/p>\n\u003cp>Perhaps most importantly for Tejeda, children often find their voice through music and the arts. They can gain a sense of confidence, social-emotional well-being and a passion for lifelong learning.\u003c/p>\n\u003cp>“The end goals of music and education aren’t to memorize curriculums or key terms,” Tejeda said. “It’s really to find out who you are. It’s about self-determination and growing the full human being. I’m so excited to see this synergy of music and education because they are inextricable.” [pullquote size=\"medium\" align=\"right\" citation=\"Guillermo Tejeda, teacher, Wadsworth Elementary in South Central Los Angeles\"]I feel a deep calling to help effect change across California classrooms. I am never going to stop teaching because teaching and education is so essential to my soul.’[/pullquote]Tejeda’s ambition is to make school so stimulating that children want to go there every day because they are deeply engaged in their studies. At a time of chronic absenteeism and plummeting test scores, he has a transformative vision of arts education as reinvigorating the classroom.\u003c/p>\n\u003cp>“I feel a deep calling to help effect change across California classrooms,” he said. “I am never going to stop teaching because teaching and education is so essential to my soul. It is at the core of who I am,” but this “is a critical time for me to put my work into the next gear and figure out how I’m going to apply my passion and expertise to affect tangible change, more urgently, on a wider scale.”\u003c/p>\n\u003cp>Going forward, he hopes to pursue arts education advocacy on a broader level. He is also developing a new arts-driven curriculum to “unleash the symphony of learning” as Proposition 28, \u003ca href=\"https://edsource.org/2023/behind-the-scenes-californias-new-arts-education-plans/694383\">the state’s groundbreaking 2022 arts initiative\u003c/a>, ramps up.\u003c/p>\n\u003cp>“It’s like out of my dreams and into reality,” he said. “We’re going to create a new world for students. This is a revolutionary time.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"A member of the Neighborhood Orchestra Collective in Los Angeles, musician and educator Guillermo Tejeda blends jazz and LA's story to educate his students.","status":"publish","parent":0,"modified":1700603206,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":25,"wordCount":1583},"headData":{"title":"How One LA Teacher Uses Jazz to Explore California History, Race and Culture | KQED","description":"A member of the Neighborhood Orchestra Collective in Los Angeles, musician and educator Guillermo Tejeda blends jazz and LA's story to educate his students.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"nprByline":"\u003ca href=\"https://edsource.org/author/kdsouza\">Karen D'Souza\u003c/a>\u003cbr> EdSource","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/news/11967943/how-one-la-teacher-uses-jazz-to-explore-california-history-race-and-culture","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The first thing Guillermo Tejeda does when he visits a new school is hunt for the piano. At most schools, the teacher finds a dusty old instrument, out of tune, stashed away in a dark closet.\u003c/p>\n\u003cp>The cobwebs tell him all he needs to know about how little arts education those students have been getting. His go-to technique to get them more jazzed about learning is to tickle the ivories, make that piano come back to life. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘I’m telling you, when I bring in song, when I bring music and performance into the classroom, the students light up in a way that really creates a meaningful experience for them.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Guillermo Tejeda, teacher, Wadsworth Elementary in South Central Los Angeles","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“I’ll bring it out, dust it off. I’ll bring students into the auditorium and I’ll do lessons there,” said Tejeda, a fourth-grade teacher at Wadsworth Elementary in hardscrabble South Central Los Angeles. “I’m telling you, when I bring in song, when I bring music and performance into the classroom, the students light up in a way that really creates a meaningful experience for them.”\u003c/p>\n\u003cp>A schoolteacher who is also a jazz musician and a member of the \u003ca href=\"https://youtu.be/EU6steOWfmU?si=FTzUo5SSz51PmlGr\">Neighborhood Orchestra Collective\u003c/a>, Tejeda uses music in general and the narrative of the LA jazz scene, particularly to teach about history, race and culture, and to spark joy in the classroom. A father of three currently on parental leave with his 11-month-old daughter Maya, Tejeda started playing the guitar at the age of 6. His grandfather, a migrant farm worker with a love of mariachi and a hand gnarled from picking in the fields, taught him how to play.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’m from East LA, and I became a teacher because I wanted to be the teacher that I never had,” he said. “We come from a marginalized community where it’s hard to be a teacher. A lot of the adults are stressed out. People are not feeling joy. How do we bring more joy? How do we bring more meaning into our lives? I think music is that vehicle.”\u003c/p>\n\u003cp>Tejeda takes an expansive view of education that integrates the arts into all the disciplines to bring learning to life for children. He said his teaching feeds his music and his music feeds his teaching. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘I’m from East LA, and I became a teacher because I wanted to be the teacher that I never had.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Guillermo Tejeda, teacher, Wadsworth Elementary in South Central Los Angeles","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“I wish I had a teacher like Guillermo when I was in fourth grade,” said Elmo Lovano, the founder of Jammcard: The Music Professionals Network, who developed \u003ca href=\"https://schoolgig.us/\">School Gig\u003c/a>, an app that connects artists to schools. “He’s a passionate guy. He’s incredibly talented. It’s important for artists to know you can still be doing your art, but being a teacher could be an amazing opportunity for you to make a living, stay at home, support your family, give back to the kids, the next generation, and also still do you.”\u003c/p>\n\u003cp>Music is the prism through which his students become immersed in the history of their city, its politics and culture. He wants his students to be in tune with their heritage.\u003c/p>\n\u003cp>“I teach on 41st and Central, which is a historic jazz corridor,” he said. “And when I got to that school site, it surprised me that so few teachers talked about that. The first thing I did was write a lesson plan about it.”\u003c/p>\n\u003cp>Tejeda, whose students call him ‘Mister’ as a nickname, makes sure his class learns about the rich legacy of jazz in Los Angeles. For example, the historic Central Avenue jazz corridor was, for decades, a \u003ca href=\"https://www.latimes.com/california/gallery/looking-back-at-historic-central-avenue-in-los-angeles\">cultural mecca\u003c/a>, the heart of the African-American community in the city. At a time when most of the country was rigidly segregated, it was also something of an oasis, a place where people of all races and classes came together over music. There, a pantheon of jazz luminaries, including Charlie Parker, Miles Davis, Duke Ellington, Billie Holiday and Jelly Roll Morton, played to full houses.\u003c/p>\n\u003cp>“The giants of Central Avenue may have gone, but their footprints still remain on all of American culture,” as basketball great \u003ca href=\"https://www.latimes.com/california/story/2020-07-18/central-avenue-los-angeles-jazz\">Kareem Abdul-Jabbar once put it\u003c/a>. “The jazz musicians and record promoters also gave birth to rock ‘n’ roll, rhythm and blues, hip-hop and rap.”\u003c/p>\n\u003cfigure id=\"attachment_11967956\" class=\"wp-caption alignleft\" style=\"max-width: 1920px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-11967956\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/EdSource02.jpeg\" alt=\"A man poses in between two women. Everyone is smiling and having a nice time.\" width=\"1920\" height=\"2560\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2023/11/EdSource02.jpeg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/EdSource02-800x1067.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/EdSource02-1020x1360.jpeg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/EdSource02-160x213.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/EdSource02-1152x1536.jpeg 1152w, https://ww2.kqed.org/app/uploads/sites/10/2023/11/EdSource02-1536x2048.jpeg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Guillermo Tejeda and members of the band Steam Down at the Venice Jazz Festival. \u003ccite>(Courtesy of Luis Hernandez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Steeping in the often overlooked history of their neighborhood, Tejeda said, can help children sharpen their sense of identity, belonging and pride.\u003c/p>\n\u003cp>“These kids have no idea how special and beautiful their neighborhoods are because all they see on the news is how messed up it is,” said Tejeda, long a champion of culturally relevant pedagogy. “I want them to know this is the place, right here in your hood, this is where a lot of jazz music was born.”\u003c/p>\n\u003cp>Music often resonates with children on a deeper level than other forms of instruction. Tejeda is moved to tears remembering one little boy who had trouble engaging at school because of trauma at home. He only opened up when they began to play the piano together at recess. The piano became his sanctuary.\u003c/p>\n\u003cp>“I’m shook when I come home because a lot of these kids are dealing with very hard stuff and they’re so resilient,” said Tejeda, his voice thick with emotion.\u003c/p>\n\u003cp>“Yes, math and science is important, but the whole child is important, that’s what drives me.”\u003c/p>\n\u003cp>Music also enhances both \u003ca href=\"https://files.eric.ed.gov/fulltext/EJ1163197.pdf\">math\u003c/a> and \u003ca href=\"https://brainvolts.northwestern.edu/reading/\">reading\u003c/a> performance, experts say, perhaps partly because it enhances the \u003ca href=\"https://brainvolts.northwestern.edu/wp-content/uploads/boxtrx/2020-108-4-Kraus-v2.pdf\">neuroplasticity of the brain\u003c/a>. Music amplifies learning across subject areas, experts say.\u003c/p>\n\u003cp>“Music and movement, in addition to the more common modalities of written and verbal instruction, is critical for including all kinds of learners in a well-rounded education,” said Jessica Mele, interim executive director of Create CA, an advocacy group. “It’s particularly beneficial for students whose first language is not English. Using art as a window into culture, race and history can engage students in complex conversations that they might not otherwise engage in.” \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11962024","hero":"https://ww2.kqed.org/app/uploads/sites/10/2023/09/20230910_Symphony_25-KQED-1020x680.jpg","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Music can also be healing, \u003ca href=\"https://www.health.harvard.edu/blog/healing-through-music-201511058556\">research suggests\u003c/a>. As a boy, Tejeda suffered from a stutter that only subsided when he sang.\u003c/p>\n\u003cp>“I keep it real with the kids because I see myself in them,” he said. “It’s crazy how impactful music has been for me.”\u003c/p>\n\u003cp>It’s also a uniquely social experience that invites children to collaborate with their peers on projects that require and reward focus and discipline, qualities experts say fuel academic success. Children practiced in the arts become accustomed to working collectively toward ambitious long-term goals.\u003c/p>\n\u003cp>Perhaps most importantly for Tejeda, children often find their voice through music and the arts. They can gain a sense of confidence, social-emotional well-being and a passion for lifelong learning.\u003c/p>\n\u003cp>“The end goals of music and education aren’t to memorize curriculums or key terms,” Tejeda said. “It’s really to find out who you are. It’s about self-determination and growing the full human being. I’m so excited to see this synergy of music and education because they are inextricable.” \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"I feel a deep calling to help effect change across California classrooms. I am never going to stop teaching because teaching and education is so essential to my soul.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Guillermo Tejeda, teacher, Wadsworth Elementary in South Central Los Angeles","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Tejeda’s ambition is to make school so stimulating that children want to go there every day because they are deeply engaged in their studies. At a time of chronic absenteeism and plummeting test scores, he has a transformative vision of arts education as reinvigorating the classroom.\u003c/p>\n\u003cp>“I feel a deep calling to help effect change across California classrooms,” he said. “I am never going to stop teaching because teaching and education is so essential to my soul. It is at the core of who I am,” but this “is a critical time for me to put my work into the next gear and figure out how I’m going to apply my passion and expertise to affect tangible change, more urgently, on a wider scale.”\u003c/p>\n\u003cp>Going forward, he hopes to pursue arts education advocacy on a broader level. He is also developing a new arts-driven curriculum to “unleash the symphony of learning” as Proposition 28, \u003ca href=\"https://edsource.org/2023/behind-the-scenes-californias-new-arts-education-plans/694383\">the state’s groundbreaking 2022 arts initiative\u003c/a>, ramps up.\u003c/p>\n\u003cp>“It’s like out of my dreams and into reality,” he said. “We’re going to create a new world for students. This is a revolutionary time.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11967943/how-one-la-teacher-uses-jazz-to-explore-california-history-race-and-culture","authors":["byline_news_11967943"],"categories":["news_29992","news_18540","news_8"],"tags":["news_19133","news_31716","news_20013","news_27626","news_3771","news_4","news_1425","news_32948","news_33518"],"featImg":"news_11967955","label":"news"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. 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