The Cloud Over The Grammys: Allegations Of Sexual Misconduct, Vote Rigging
The Grammy-Nominated Classical Star You've (Probably) Never Heard Of
Oakland's Gospel Star Edwin Hawkins, Known for 'Oh Happy Day,' Dies at 74
List of Bay Area Grammy Winners
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Jon is also a playwright whose work has been produced in San Francisco, New York, Italy, and around the U.S. He has written about film for his own blog and studied film at Boston University.","avatar":"https://secure.gravatar.com/avatar/98887f7ed1c876ed414d4c915e969584?s=600&d=blank&r=g","twitter":"jbrooksfoy","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["Contributor","editor"]},{"site":"news","roles":["author"]},{"site":"futureofyou","roles":["administrator"]},{"site":"mindshift","roles":["editor"]},{"site":"stateofhealth","roles":["editor"]},{"site":"science","roles":["administrator"]},{"site":"quest","roles":["editor"]}],"headData":{"title":"Jon Brooks | KQED","description":"Digital Editor","ogImgSrc":"https://secure.gravatar.com/avatar/98887f7ed1c876ed414d4c915e969584?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/98887f7ed1c876ed414d4c915e969584?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/jbrooks"},"pgilstrap":{"type":"authors","id":"11275","meta":{"index":"authors_1591205172","id":"11275","found":true},"name":"Peter Gilstrap","firstName":"Peter","lastName":"Gilstrap","slug":"pgilstrap","email":"pgilstrap@sbcglobal.net","display_author_email":false,"staff_mastheads":[],"title":null,"bio":null,"avatar":"https://secure.gravatar.com/avatar/2bf93e4a8c1e35493845045175273916?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"news","roles":["author"]}],"headData":{"title":"Peter Gilstrap | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/2bf93e4a8c1e35493845045175273916?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/2bf93e4a8c1e35493845045175273916?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/pgilstrap"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"news","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"news_11798001":{"type":"posts","id":"news_11798001","meta":{"index":"posts_1591205157","site":"news","id":"11798001","score":null,"sort":[1579982942000]},"guestAuthors":[],"slug":"the-cloud-over-the-grammys-allegations-of-sexual-misconduct-vote-rigging","title":"The Cloud Over The Grammys: Allegations Of Sexual Misconduct, Vote Rigging","publishDate":1579982942,"format":"standard","headTitle":"NPR | KQED News","labelTerm":{},"content":"\u003cp>Winners of the 62nd Grammy Awards will be announced Sunday night — but there's a cloud hanging over the ceremony. Last week, Deborah Dugan, the recently installed president and CEO of the Recording Academy — which hands out the awards — was placed on administrative leave. Earlier this week, Dugan filed a discrimination \u003ca href=\"https://www.documentcloud.org/documents/6667812-Dugan-EEOC-Complaint.html\" target=\"_blank\" rel=\"noopener noreferrer\">complaint\u003c/a> with the Equal Employment Opportunity Commission that includes allegations of sexual misconduct and vote rigging.\u003c/p>\n\u003cp>The Recording Academy has been struggling for years with criticism that the Grammys were too male, too white, too old and too insular. In came Dugan five months ago, as the Academy's first female leader.\u003c/p>\n\u003cp>She pledged that the organization could do better, as she told NPR in an interview \u003ca href=\"https://www.npr.org/2019/12/12/787171580/grammys-pledge-more-diversity-under-new-leadership\" target=\"_blank\" rel=\"noopener noreferrer\">last month\u003c/a>: \"We've known as an industry for a long time that we have a monumental problem with gender issues.\"\u003c/p>\n\u003cp>Then, just over a week ago and only 10 days before the awards telecast, the Recording Academy \u003ca href=\"https://www.npr.org/2020/01/17/797208517/recording-academy-ceo-suspended-amid-allegations-of-misconduct\">abruptly announced\u003c/a> that it had placed Dugan on leave pending an investigation into an allegation of bullying that came from a female assistant. But in an interview Thursday, Dugan claimed she was placed on leave as retaliation for accusations she made, and changes she proposed.\u003c/p>\n\u003cp>Specifically, Dugan says her suspension is the result of a memo she sent in December to the Academy's Human Resources director, which included an accusation that she had been sexually harassed by the Academy's general counsel, \u003ca href=\"https://www.gtlaw.com/en/professionals/k/katz-joel-a\" target=\"_blank\" rel=\"noopener noreferrer\">Joel Katz\u003c/a>. (Katz is also a former Academy board chair.)\u003c/p>\n\u003cp>In her EEOC complaint, Dugan reiterated her accusations against Katz — and she said she learned that her predecessor, Neil Portnow, had been accused of raping a female artist. Both Katz and Portnow \u003ca href=\"https://www.npr.org/2020/01/21/798269611/ousted-female-chief-files-discrimination-complaint-against-the-grammys\" target=\"_blank\" rel=\"noopener noreferrer\">deny the accusations\u003c/a>, and Portnow said in a statement that he was investigated and exonerated. In the complaint, Dugan also repeated and elaborated upon her accusations from the HR memo related to questionable financial expenditures, rigged Grammy voting and self-dealing at the public, non-profit organization.\u003c/p>\n\u003cp>In an interview with NPR on Thursday, Dugan reiterated her accusation against Katz as it is laid out in the EEOC complaint. She said that the incident occurred on May 18, 2019, before she had started officially working at the Academy in August. She had been invited to attend the first day of a three-day board session held at the Ritz Carlton hotel in Laguna Niguel, Calif. She says Katz (an extremely high-profile attorney who recently negotiated \u003ca href=\"https://www.npr.org/2019/07/01/737613627/taylor-swifts-former-label-big-machine-is-sold-rankling-the-star\" target=\"_blank\" rel=\"noopener noreferrer\">the sale\u003c/a> of Taylor Swift's former label home, Big Machine Label Group, to Scooter Braun's Ithaca Holdings Group) invited her to dine with him that evening.\u003c/p>\n\u003cp>\"Under the guise of a work dinner,\" she told NPR, \"I was propositioned by the general counsel — that is, Joel [Katz]. It started with calling me 'baby' and telling me how pretty I was. And then in the course of the dinner, after ordering a bottle of wine, I got a little more uncomfortable. He was talking about his private plane and trips that we could do and it ended with him leaning forward to kiss me. As I look back now, I think that there — the fact that they had me meet him and have dinner with him first — was sort of a test of how much I would acquiesce to.\"\u003cspan style=\"font-weight: 400\">[aside tag='sexual-harassment' label='Related Coverage']\u003c/span>In the moment, Dugan added, she had been \"disgusted and bewildered,\" and that she immediately went back to her hotel room and called \"quite a few people\" to tell them what had happened.\u003c/p>\n\u003cp>In a statement sent to NPR on Wednesday, Katz's lawyer, Howard Weitzman, said in part: \"Ms. Dugan's allegations of harassment and her description of a dinner at the steakhouse in the Ritz Carlton, Laguna Niguel are false, and Mr. Katz categorically and emphatically denies her version of that evening. .... Mr. Katz believed they had a productive and professional meeting in a restaurant where a number of members of the Board of Trustees of the Academy, and others, were dining. ... Mr. Katz will cooperate in any and all investigations or lawsuits by telling the absolute and whole truth. Hopefully Ms. Dugan will do the same.\"\u003c/p>\n\u003cp>\"You hear about these things in entertainment and certainly for women in leadership,\" said Dugan, who immediately prior to coming the Academy had led the charity (RED) after roles as president of Disney Publishing Worldwide and as an executive at EMI Records Group. \"But after so many years, and having such a track record of integrity and purpose, to have this happen — I was very disillusioned and to be honest, a little scared ... And there was a continuing pattern afterwards of whenever we had private conversations, he was calling me 'baby,' telling me how pretty I was.\"\u003c/p>\n\u003cp>Dugan and her lawyer, Douglas Wigdor, denied to NPR that she had bullied the Academy employee — a woman named Claudine Little, who had previously served as the executive assistant to Portnow. The Academy has said that Dugan \u003ca href=\"https://www.npr.org/2020/01/21/798269611/ousted-female-chief-files-discrimination-complaint-against-the-grammys\" target=\"_blank\" rel=\"noopener noreferrer\">is accused\u003c/a> of creating a \"toxic and intolerable\" work environment and engaging in \"abusive and bullying conduct.\"\u003c/p>\n\u003cp>In a statement sent to NPR via the Recording Academy on Wednesday, Little said: \"Ms. Dugan's choice to litigate in the press and spread a false narrative about the Academy and me and my colleagues is regrettable, but it is also emblematic of Ms. Dugan's abusive and bullying conduct while she served as the Academy's president and CEO. I am proud of my career with the Academy—where, as a woman, I was able to work my way from secretary to director of administration in the executive suite, solely based on merit and while working for and with leaders far more demanding and hard-charging than Ms. Dugan. It is disappointing that Ms. Dugan hopes to leverage public opinion along gender lines and expects not to be scrutinized for her inexcusable behavior simply because she is a woman; she should be held to the same standard.\"\u003c/p>\n\u003cp>In the Thursday NPR interview, Dugan said that she had found Little's work lacking, and that she had suggested moving the assistant into another role at the Academy rather than terminate her employment. (The situation with Little is also described in the EEOC complaint.)\u003c/p>\n\u003cp>Wigdor added: \"Neil Portnow was accused of rape. Was he placed on administrative leave? No. So to place Deborah on an administrative leave over being bossy — and by the way, women are bossy, men are bosses — to put her on an administrative leave over something as innocuous and benign as being allegedly bossy to an administrative assistant just doesn't make any sense.\"\u003c/p>\n\u003cp>In the discrimination complaint, Dugan also repeated her allegations of irregularities and conflicts of interest in the Grammy voting process, as well as substantial payouts of fees to outside law firms and to individual board members.\u003c/p>\n\u003cp>These include payouts to Greenberg Traurig, where Joel Katz is an attorney. In \u003ca href=\"https://www.grammy.com/sites/com/files/2017_naras_form_990_public_inspection.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2017\u003c/a>, according to the Academy's 990 forms, the firm was paid $6.3 million, as well as $1.75 million in \u003ca href=\"https://www.grammy.com/sites/com/files/2016_naras_form_990_public_inspection.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2016\u003c/a> and over $1.1 million in \u003ca href=\"https://www.grammy.com/sites/com/files/2015_naras_form_990_public_discolusre_copy.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2015\u003c/a>, with similar amounts in the two previous years. According to the EEOC filing, the Academy also pays Katz personally $250,000 annually as a retainer.\u003c/p>\n\u003cp>Ms. Dugan's choice to litigate in the press and spread a false narrative about the Academy and me and my colleagues is regrettable, but it is also emblematic of Ms. Dugan's abusive and bullying conduct while she served as the Academy's president and CEO.\u003c/p>\n\u003cp>On Thursday, Dugan also said that the board and executive committee reacted negatively to some urgent recommendations from the Academy's Diversity and Inclusion Task Force, a group formed in the wake of widely denounced comments made by her predecessor, longtime Academy president and CEO Portnow. (After the 2018 Grammy Awards ceremony was criticized for a lack of female nominees and performers, Portnow said that women in the industry would just have to \"\u003ca href=\"https://www.npr.org/sections/therecord/2018/02/06/583464118/women-in-the-music-industry-call-for-evolution-at-the-grammys\" target=\"_blank\" rel=\"noopener noreferrer\">step up\u003c/a>\" to be recognized.)\u003c/p>\n\u003cp>\"There were some things I got pushback on like, 'Oh, we don't need a chief diversity officer,\" Dugan told NPR. She also described what she saw as conflicts of interest in the process of nominating artists for Grammys.\u003c/p>\n\u003cp>\"There is a degree of corruption in that system,\" she said. \"There is a problem when you have board members on those committees who have a vested interest in having certain artists winning.\"\u003cspan style=\"font-weight: 400\">[pullquote size='large' align='right' citation='Statement from the Recording Academy']'Ms. Dugan's choice to litigate in the press and spread a false narrative about the Academy and me and my colleagues is regrettable, but it is also emblematic of Ms. Dugan's abusive and bullying conduct while she served as the Academy's president and CEO.'[/pullquote]\u003c/span>\u003c/p>\n\u003cp>She also reiterated in her EEOC complaint that the telecast's producer of 40 years, Ken Ehrlich, holds undue influence over the nominations for high-profile Grammy award categories, including Record of the Year and Album of the Year.\u003c/p>\n\u003cp>\"Do I think that this system of him making it clear who he'd like on the show to the board members who are then in the room voting is not a correct one going forward?\" she asked rhetorically. \"I do. I think it should be changed.\"\u003c/p>\n\u003cp>In an email sent to \u003ca href=\"https://www.nytimes.com/2020/01/23/arts/music/grammys-deborah-dugan.html\" target=\"_blank\" rel=\"noopener noreferrer\">The New York Times\u003c/a> on Thursday, Ehrlich said, \"There is no truth to what she alleges.\"\u003c/p>\n\u003cp>In a statement sent to NPR on Thursday afternoon, the chairman of the Recording Academy, Harvey Mason, Jr., and Bill Freimuth, the Academy's Chief Awards Officer, said in part: \"Spurious allegations claiming members or committees use our process to push forward nominations for artists they have relationships with are categorically false, misleading and wrong. ... Because these committee members are at the top of their craft, and many members work with multiple artists, it is not unusual that some of the people in each room will end up with nominations from the first round. There are strict rules in place to address any conflict of interest.\"\u003c/p>\n\u003cp>(Up until about a decade ago, I was a Grammy voter, and also served on the \"craft\" committee for the Best Album Notes field, one of a small group of Grammy categories outside the \"nomination review\" process and not voted on by the general membership. In addition, my husband, Joshua Sherman, was also a Grammy voter, and served on Academy committees; he was also part of teams that created several Grammy-winning recordings, and he produced several other Grammy-nominated albums. In my own experience, it is certainly true that in certain Grammy categories, especially in smaller genres or for fields involving particular professional expertise, there is a limited universe of accredited Grammy voters willing to volunteer their time to serve on award committees.)\u003c/p>\n\u003cp>Mason, a Grammy-nominated songwriter, record producer and music executive, just became the chair of the Recording Academy's board of trustees \u003ca href=\"https://www.grammy.com/press-releases/recording-academy%E2%84%A2-announces-harvey-mason-jr-tammy-hurt-terry-hemmings-and-christine\" target=\"_blank\" rel=\"noopener noreferrer\">in June\u003c/a>. After Dugan was put on leave, he became its is acting CEO. In a Thursday interview with NPR, he would not answer any specific questions about the Dugan situation or the conflicting narratives, saying that the behind-the-scenes struggle detracted from the awards ceremony.\u003c/p>\n\u003cp>\"This is our biggest season for me,\" he said, \"and this night is everything to our organization. What we are doing is really focusing on the show and the musicians, and trying to make sure that the spotlight doesn't get taken away from that.\"\u003c/p>\n\u003cp>When asked if he took Dugan's allegations — including sexual misconduct, significant financial improprieties, and vote rigging — as grave matters, Mason said, \"Everything is taken seriously. Anything that somebody says, whether it's a guy at the coffee shop that I run into and says, 'You know, the Academy should do this...' I take all that stuff seriously.\"\u003c/p>\n\u003cp>In speaking to NPR, Mason also emphasized that the Academy has begun two separate investigations into the allegations by Little and Dugan; Mason said the investigations would be independent and transparent. But he declined to give any timeline for that work, and said repeatedly that he did not know what firm or firms were leading those investigations, adding that they were \"people that we had no association with and no connection to.\"\u003c/p>\n\u003cp>According to Dugan's EEOC complaint, however, the investigators were selected by the law firm Proskauer Rose — a firm that charged the Academy over \u003ca href=\"https://www.grammy.com/sites/com/files/2017_naras_form_990_public_inspection.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">$900,000\u003c/a> in 2017 and over \u003ca href=\"https://www.grammy.com/sites/com/files/2016_naras_form_990_public_inspection.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">$870,000\u003c/a> in 2016, the most recent years for which financial information is available. (A partner at Proskauer Rose, \u003ca href=\"https://www.proskauer.com/professionals/charles-ortner\" target=\"_blank\" rel=\"noopener noreferrer\">Charles Ortner\u003c/a>, serves as national legal counsel to the Academy, and is one of the most powerful lawyers in the entertainment industry; his client list has included Universal Music Group, Sony Music Entertainment, U2 and Madonna.)\u003c/p>\n\u003cp>On Thursday night, the Academy's Task Force on Diversity and Inclusion, (which is chaired by Tina Tchen, the president and CEO of Time's Up), issued its own statement. It reiterated its December recommendations, which Dugan had promised to implement almost in entirety.\u003c/p>\n\u003cp>Writing of its collective \"shock and dismay,\" the 18-member volunteer group urged the Grammy organization to implement several concrete steps in particular, including hiring a dedicated diversity executive \"to lead the deeper changes that are obviously needed.\" The statement continued, in part: \"We are deeply disappointed at the level of commitment by some of the Academy's leadership in effecting the kind of real and constructive change presented in our report. We are confident that they can do better.\"\u003c/p>\n\u003cp>Mason told NPR on Thursday that he was still very committed to diversity improvements at the Academy, noting that they had been part of his own campaign for chair. \"The plan is definitely to continue to push those through and make sure they all happen,\" he said.\u003c/p>\n\u003cp>But least one more member of the task force has spoken out even more forcefully as an individual. Ty Stiklorius, a prominent artist manager whose client roster includes singer John Legend and crossover violinist Lindsey Stirling, posted on Twitter Thursday: \"I won't stay quiet on this. As an Academy Inclusivity Task Force member I saw the inner workings & lack of transparency. The board voted down our recommendation of Ranked Choice Voting. They have not implemented our recommendations but used us \u003ca href=\"https://twitter.com/tystiklorius/status/1220431046258364419?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">as a pawn\u003c/a>.\"\u003c/p>\n\u003cp>https://twitter.com/tystiklorius/status/1220431046258364419?s=20\u003c/p>\n\u003cp>As of now, however, no artists slated to perform at the Grammys telecast Sunday night have pulled out. Billboard magazine's executive editor West Coast and Nashville, Melinda Newman, has a theory.\u003c/p>\n\u003cp>\"I honestly think this is so complex,\" she says. \"Once you've heard one thing and you think you might have enough information to make your mind up, something else drops and you're like, 'Wow, hang on a second.' I think we haven't seen the reaction yet because people are shocked.\"\u003c/p>\n\u003cp>As Sunday night approaches, Deborah Dugan said that her short tenure at the Recording Academy illustrates three things.\u003c/p>\n\u003cp>\"This has hit me about women CEOs and corporate America,\" she said. \"This has hit me on how hard it is for women in the music industry. And it's hit me, and I can't believe it, that three years after the #MeToo movement... we still have this system of character assassination — dig up dirt on this woman and trying to trash her in the press. I'm deeply saddened and profoundly upset that I was slapped with all three of those issues.\"\u003c/p>\n\u003cp>That is, all of the issues she was hired to address.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Winners of the 62nd Grammy Awards will be announced Sunday night — but there's a cloud hanging over the ceremony. ","status":"publish","parent":0,"modified":1579982942,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":41,"wordCount":2609},"headData":{"title":"The Cloud Over The Grammys: Allegations Of Sexual Misconduct, Vote Rigging | KQED","description":"Winners of the 62nd Grammy Awards will be announced Sunday night — but there's a cloud hanging over the ceremony. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"The Cloud Over The Grammys: Allegations Of Sexual Misconduct, Vote Rigging","datePublished":"2020-01-25T20:09:02.000Z","dateModified":"2020-01-25T20:09:02.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11798001 https://ww2.kqed.org/news/?p=11798001","disqusUrl":"https://ww2.kqed.org/news/2020/01/25/the-cloud-over-the-grammys-allegations-of-sexual-misconduct-vote-rigging/","disqusTitle":"The Cloud Over The Grammys: Allegations Of Sexual Misconduct, Vote Rigging","source":"NPR","sourceUrl":"https://www.npr.org/","nprByline":"\u003ca href=\"https://www.npr.org/people/182335974/anastasia-tsioulcas\"> Anastasia Tsioulcas \u003ca />","path":"/news/11798001/the-cloud-over-the-grammys-allegations-of-sexual-misconduct-vote-rigging","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Winners of the 62nd Grammy Awards will be announced Sunday night — but there's a cloud hanging over the ceremony. Last week, Deborah Dugan, the recently installed president and CEO of the Recording Academy — which hands out the awards — was placed on administrative leave. Earlier this week, Dugan filed a discrimination \u003ca href=\"https://www.documentcloud.org/documents/6667812-Dugan-EEOC-Complaint.html\" target=\"_blank\" rel=\"noopener noreferrer\">complaint\u003c/a> with the Equal Employment Opportunity Commission that includes allegations of sexual misconduct and vote rigging.\u003c/p>\n\u003cp>The Recording Academy has been struggling for years with criticism that the Grammys were too male, too white, too old and too insular. In came Dugan five months ago, as the Academy's first female leader.\u003c/p>\n\u003cp>She pledged that the organization could do better, as she told NPR in an interview \u003ca href=\"https://www.npr.org/2019/12/12/787171580/grammys-pledge-more-diversity-under-new-leadership\" target=\"_blank\" rel=\"noopener noreferrer\">last month\u003c/a>: \"We've known as an industry for a long time that we have a monumental problem with gender issues.\"\u003c/p>\n\u003cp>Then, just over a week ago and only 10 days before the awards telecast, the Recording Academy \u003ca href=\"https://www.npr.org/2020/01/17/797208517/recording-academy-ceo-suspended-amid-allegations-of-misconduct\">abruptly announced\u003c/a> that it had placed Dugan on leave pending an investigation into an allegation of bullying that came from a female assistant. But in an interview Thursday, Dugan claimed she was placed on leave as retaliation for accusations she made, and changes she proposed.\u003c/p>\n\u003cp>Specifically, Dugan says her suspension is the result of a memo she sent in December to the Academy's Human Resources director, which included an accusation that she had been sexually harassed by the Academy's general counsel, \u003ca href=\"https://www.gtlaw.com/en/professionals/k/katz-joel-a\" target=\"_blank\" rel=\"noopener noreferrer\">Joel Katz\u003c/a>. (Katz is also a former Academy board chair.)\u003c/p>\n\u003cp>In her EEOC complaint, Dugan reiterated her accusations against Katz — and she said she learned that her predecessor, Neil Portnow, had been accused of raping a female artist. Both Katz and Portnow \u003ca href=\"https://www.npr.org/2020/01/21/798269611/ousted-female-chief-files-discrimination-complaint-against-the-grammys\" target=\"_blank\" rel=\"noopener noreferrer\">deny the accusations\u003c/a>, and Portnow said in a statement that he was investigated and exonerated. In the complaint, Dugan also repeated and elaborated upon her accusations from the HR memo related to questionable financial expenditures, rigged Grammy voting and self-dealing at the public, non-profit organization.\u003c/p>\n\u003cp>In an interview with NPR on Thursday, Dugan reiterated her accusation against Katz as it is laid out in the EEOC complaint. She said that the incident occurred on May 18, 2019, before she had started officially working at the Academy in August. She had been invited to attend the first day of a three-day board session held at the Ritz Carlton hotel in Laguna Niguel, Calif. She says Katz (an extremely high-profile attorney who recently negotiated \u003ca href=\"https://www.npr.org/2019/07/01/737613627/taylor-swifts-former-label-big-machine-is-sold-rankling-the-star\" target=\"_blank\" rel=\"noopener noreferrer\">the sale\u003c/a> of Taylor Swift's former label home, Big Machine Label Group, to Scooter Braun's Ithaca Holdings Group) invited her to dine with him that evening.\u003c/p>\n\u003cp>\"Under the guise of a work dinner,\" she told NPR, \"I was propositioned by the general counsel — that is, Joel [Katz]. It started with calling me 'baby' and telling me how pretty I was. And then in the course of the dinner, after ordering a bottle of wine, I got a little more uncomfortable. He was talking about his private plane and trips that we could do and it ended with him leaning forward to kiss me. As I look back now, I think that there — the fact that they had me meet him and have dinner with him first — was sort of a test of how much I would acquiesce to.\"\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"tag":"sexual-harassment","label":"Related Coverage "},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>In the moment, Dugan added, she had been \"disgusted and bewildered,\" and that she immediately went back to her hotel room and called \"quite a few people\" to tell them what had happened.\u003c/p>\n\u003cp>In a statement sent to NPR on Wednesday, Katz's lawyer, Howard Weitzman, said in part: \"Ms. Dugan's allegations of harassment and her description of a dinner at the steakhouse in the Ritz Carlton, Laguna Niguel are false, and Mr. Katz categorically and emphatically denies her version of that evening. .... Mr. Katz believed they had a productive and professional meeting in a restaurant where a number of members of the Board of Trustees of the Academy, and others, were dining. ... Mr. Katz will cooperate in any and all investigations or lawsuits by telling the absolute and whole truth. Hopefully Ms. Dugan will do the same.\"\u003c/p>\n\u003cp>\"You hear about these things in entertainment and certainly for women in leadership,\" said Dugan, who immediately prior to coming the Academy had led the charity (RED) after roles as president of Disney Publishing Worldwide and as an executive at EMI Records Group. \"But after so many years, and having such a track record of integrity and purpose, to have this happen — I was very disillusioned and to be honest, a little scared ... And there was a continuing pattern afterwards of whenever we had private conversations, he was calling me 'baby,' telling me how pretty I was.\"\u003c/p>\n\u003cp>Dugan and her lawyer, Douglas Wigdor, denied to NPR that she had bullied the Academy employee — a woman named Claudine Little, who had previously served as the executive assistant to Portnow. The Academy has said that Dugan \u003ca href=\"https://www.npr.org/2020/01/21/798269611/ousted-female-chief-files-discrimination-complaint-against-the-grammys\" target=\"_blank\" rel=\"noopener noreferrer\">is accused\u003c/a> of creating a \"toxic and intolerable\" work environment and engaging in \"abusive and bullying conduct.\"\u003c/p>\n\u003cp>In a statement sent to NPR via the Recording Academy on Wednesday, Little said: \"Ms. Dugan's choice to litigate in the press and spread a false narrative about the Academy and me and my colleagues is regrettable, but it is also emblematic of Ms. Dugan's abusive and bullying conduct while she served as the Academy's president and CEO. I am proud of my career with the Academy—where, as a woman, I was able to work my way from secretary to director of administration in the executive suite, solely based on merit and while working for and with leaders far more demanding and hard-charging than Ms. Dugan. It is disappointing that Ms. Dugan hopes to leverage public opinion along gender lines and expects not to be scrutinized for her inexcusable behavior simply because she is a woman; she should be held to the same standard.\"\u003c/p>\n\u003cp>In the Thursday NPR interview, Dugan said that she had found Little's work lacking, and that she had suggested moving the assistant into another role at the Academy rather than terminate her employment. (The situation with Little is also described in the EEOC complaint.)\u003c/p>\n\u003cp>Wigdor added: \"Neil Portnow was accused of rape. Was he placed on administrative leave? No. So to place Deborah on an administrative leave over being bossy — and by the way, women are bossy, men are bosses — to put her on an administrative leave over something as innocuous and benign as being allegedly bossy to an administrative assistant just doesn't make any sense.\"\u003c/p>\n\u003cp>In the discrimination complaint, Dugan also repeated her allegations of irregularities and conflicts of interest in the Grammy voting process, as well as substantial payouts of fees to outside law firms and to individual board members.\u003c/p>\n\u003cp>These include payouts to Greenberg Traurig, where Joel Katz is an attorney. In \u003ca href=\"https://www.grammy.com/sites/com/files/2017_naras_form_990_public_inspection.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2017\u003c/a>, according to the Academy's 990 forms, the firm was paid $6.3 million, as well as $1.75 million in \u003ca href=\"https://www.grammy.com/sites/com/files/2016_naras_form_990_public_inspection.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2016\u003c/a> and over $1.1 million in \u003ca href=\"https://www.grammy.com/sites/com/files/2015_naras_form_990_public_discolusre_copy.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2015\u003c/a>, with similar amounts in the two previous years. According to the EEOC filing, the Academy also pays Katz personally $250,000 annually as a retainer.\u003c/p>\n\u003cp>Ms. Dugan's choice to litigate in the press and spread a false narrative about the Academy and me and my colleagues is regrettable, but it is also emblematic of Ms. Dugan's abusive and bullying conduct while she served as the Academy's president and CEO.\u003c/p>\n\u003cp>On Thursday, Dugan also said that the board and executive committee reacted negatively to some urgent recommendations from the Academy's Diversity and Inclusion Task Force, a group formed in the wake of widely denounced comments made by her predecessor, longtime Academy president and CEO Portnow. (After the 2018 Grammy Awards ceremony was criticized for a lack of female nominees and performers, Portnow said that women in the industry would just have to \"\u003ca href=\"https://www.npr.org/sections/therecord/2018/02/06/583464118/women-in-the-music-industry-call-for-evolution-at-the-grammys\" target=\"_blank\" rel=\"noopener noreferrer\">step up\u003c/a>\" to be recognized.)\u003c/p>\n\u003cp>\"There were some things I got pushback on like, 'Oh, we don't need a chief diversity officer,\" Dugan told NPR. She also described what she saw as conflicts of interest in the process of nominating artists for Grammys.\u003c/p>\n\u003cp>\"There is a degree of corruption in that system,\" she said. \"There is a problem when you have board members on those committees who have a vested interest in having certain artists winning.\"\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"'Ms. Dugan's choice to litigate in the press and spread a false narrative about the Academy and me and my colleagues is regrettable, but it is also emblematic of Ms. Dugan's abusive and bullying conduct while she served as the Academy's president and CEO.'","name":"pullquote","attributes":{"named":{"size":"large","align":"right","citation":"Statement from the Recording Academy","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>She also reiterated in her EEOC complaint that the telecast's producer of 40 years, Ken Ehrlich, holds undue influence over the nominations for high-profile Grammy award categories, including Record of the Year and Album of the Year.\u003c/p>\n\u003cp>\"Do I think that this system of him making it clear who he'd like on the show to the board members who are then in the room voting is not a correct one going forward?\" she asked rhetorically. \"I do. I think it should be changed.\"\u003c/p>\n\u003cp>In an email sent to \u003ca href=\"https://www.nytimes.com/2020/01/23/arts/music/grammys-deborah-dugan.html\" target=\"_blank\" rel=\"noopener noreferrer\">The New York Times\u003c/a> on Thursday, Ehrlich said, \"There is no truth to what she alleges.\"\u003c/p>\n\u003cp>In a statement sent to NPR on Thursday afternoon, the chairman of the Recording Academy, Harvey Mason, Jr., and Bill Freimuth, the Academy's Chief Awards Officer, said in part: \"Spurious allegations claiming members or committees use our process to push forward nominations for artists they have relationships with are categorically false, misleading and wrong. ... Because these committee members are at the top of their craft, and many members work with multiple artists, it is not unusual that some of the people in each room will end up with nominations from the first round. There are strict rules in place to address any conflict of interest.\"\u003c/p>\n\u003cp>(Up until about a decade ago, I was a Grammy voter, and also served on the \"craft\" committee for the Best Album Notes field, one of a small group of Grammy categories outside the \"nomination review\" process and not voted on by the general membership. In addition, my husband, Joshua Sherman, was also a Grammy voter, and served on Academy committees; he was also part of teams that created several Grammy-winning recordings, and he produced several other Grammy-nominated albums. In my own experience, it is certainly true that in certain Grammy categories, especially in smaller genres or for fields involving particular professional expertise, there is a limited universe of accredited Grammy voters willing to volunteer their time to serve on award committees.)\u003c/p>\n\u003cp>Mason, a Grammy-nominated songwriter, record producer and music executive, just became the chair of the Recording Academy's board of trustees \u003ca href=\"https://www.grammy.com/press-releases/recording-academy%E2%84%A2-announces-harvey-mason-jr-tammy-hurt-terry-hemmings-and-christine\" target=\"_blank\" rel=\"noopener noreferrer\">in June\u003c/a>. After Dugan was put on leave, he became its is acting CEO. In a Thursday interview with NPR, he would not answer any specific questions about the Dugan situation or the conflicting narratives, saying that the behind-the-scenes struggle detracted from the awards ceremony.\u003c/p>\n\u003cp>\"This is our biggest season for me,\" he said, \"and this night is everything to our organization. What we are doing is really focusing on the show and the musicians, and trying to make sure that the spotlight doesn't get taken away from that.\"\u003c/p>\n\u003cp>When asked if he took Dugan's allegations — including sexual misconduct, significant financial improprieties, and vote rigging — as grave matters, Mason said, \"Everything is taken seriously. Anything that somebody says, whether it's a guy at the coffee shop that I run into and says, 'You know, the Academy should do this...' I take all that stuff seriously.\"\u003c/p>\n\u003cp>In speaking to NPR, Mason also emphasized that the Academy has begun two separate investigations into the allegations by Little and Dugan; Mason said the investigations would be independent and transparent. But he declined to give any timeline for that work, and said repeatedly that he did not know what firm or firms were leading those investigations, adding that they were \"people that we had no association with and no connection to.\"\u003c/p>\n\u003cp>According to Dugan's EEOC complaint, however, the investigators were selected by the law firm Proskauer Rose — a firm that charged the Academy over \u003ca href=\"https://www.grammy.com/sites/com/files/2017_naras_form_990_public_inspection.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">$900,000\u003c/a> in 2017 and over \u003ca href=\"https://www.grammy.com/sites/com/files/2016_naras_form_990_public_inspection.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">$870,000\u003c/a> in 2016, the most recent years for which financial information is available. (A partner at Proskauer Rose, \u003ca href=\"https://www.proskauer.com/professionals/charles-ortner\" target=\"_blank\" rel=\"noopener noreferrer\">Charles Ortner\u003c/a>, serves as national legal counsel to the Academy, and is one of the most powerful lawyers in the entertainment industry; his client list has included Universal Music Group, Sony Music Entertainment, U2 and Madonna.)\u003c/p>\n\u003cp>On Thursday night, the Academy's Task Force on Diversity and Inclusion, (which is chaired by Tina Tchen, the president and CEO of Time's Up), issued its own statement. It reiterated its December recommendations, which Dugan had promised to implement almost in entirety.\u003c/p>\n\u003cp>Writing of its collective \"shock and dismay,\" the 18-member volunteer group urged the Grammy organization to implement several concrete steps in particular, including hiring a dedicated diversity executive \"to lead the deeper changes that are obviously needed.\" The statement continued, in part: \"We are deeply disappointed at the level of commitment by some of the Academy's leadership in effecting the kind of real and constructive change presented in our report. We are confident that they can do better.\"\u003c/p>\n\u003cp>Mason told NPR on Thursday that he was still very committed to diversity improvements at the Academy, noting that they had been part of his own campaign for chair. \"The plan is definitely to continue to push those through and make sure they all happen,\" he said.\u003c/p>\n\u003cp>But least one more member of the task force has spoken out even more forcefully as an individual. Ty Stiklorius, a prominent artist manager whose client roster includes singer John Legend and crossover violinist Lindsey Stirling, posted on Twitter Thursday: \"I won't stay quiet on this. As an Academy Inclusivity Task Force member I saw the inner workings & lack of transparency. The board voted down our recommendation of Ranked Choice Voting. They have not implemented our recommendations but used us \u003ca href=\"https://twitter.com/tystiklorius/status/1220431046258364419?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">as a pawn\u003c/a>.\"\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1220431046258364419"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>As of now, however, no artists slated to perform at the Grammys telecast Sunday night have pulled out. Billboard magazine's executive editor West Coast and Nashville, Melinda Newman, has a theory.\u003c/p>\n\u003cp>\"I honestly think this is so complex,\" she says. \"Once you've heard one thing and you think you might have enough information to make your mind up, something else drops and you're like, 'Wow, hang on a second.' I think we haven't seen the reaction yet because people are shocked.\"\u003c/p>\n\u003cp>As Sunday night approaches, Deborah Dugan said that her short tenure at the Recording Academy illustrates three things.\u003c/p>\n\u003cp>\"This has hit me about women CEOs and corporate America,\" she said. \"This has hit me on how hard it is for women in the music industry. And it's hit me, and I can't believe it, that three years after the #MeToo movement... we still have this system of character assassination — dig up dirt on this woman and trying to trash her in the press. I'm deeply saddened and profoundly upset that I was slapped with all three of those issues.\"\u003c/p>\n\u003cp>That is, all of the issues she was hired to address.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11798001/the-cloud-over-the-grammys-allegations-of-sexual-misconduct-vote-rigging","authors":["byline_news_11798001"],"categories":["news_223","news_8"],"tags":["news_2299","news_20618"],"affiliates":["news_253"],"featImg":"news_11798003","label":"source_news_11798001"},"news_11644364":{"type":"posts","id":"news_11644364","meta":{"index":"posts_1591205157","site":"news","id":"11644364","score":null,"sort":[1517021737000]},"guestAuthors":[],"slug":"the-grammy-nominated-classical-star-youve-probably-never-heard-of","title":"The Grammy-Nominated Classical Star You've (Probably) Never Heard Of","publishDate":1517021737,"format":"standard","headTitle":"The California Report | KQED News","labelTerm":{"term":72,"site":"news"},"content":"\u003cp>What does \u003ca href=\"http://adamschoenberg.com/\">Adam Schoenberg\u003c/a> have in common with Body Count, Los Amigos Invisibles and the entire cast of Hello Dolly?\u003c/p>\n\u003cp>At the tender age of 37, the classical composer is up for two Grammys this weekend, including Best Contemporary Classical Composition for his work \"Picture Studies,\" and Best Engineered Album, Classical.\u003c/p>\n\u003cp>You may not be aware of this guy, but in the classical world, Schoenberg’s work is so popular he’s made the annual list of the top 10 most performed living composers in the country. Twice.\u003c/p>\n\u003cp>Since he began composing professionally in 2006 when he was still a doctoral student at Juilliard, his writing has been commissioned by the Los Angeles Philharmonic, the Kansas City Symphony, the Atlanta Symphony Orchestra, among others, and his compositions have premiered at venues like Lincoln Center, the Library of Congress, the Kennedy Center and the Hollywood Bowl.\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/tcrmag/2018/01/GilstrapComposer.mp3\" Image=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/01/RS29028_Schoenberg-1-qut-1180x885.jpg\" Title=\"The Grammy-Nominated Classical Star You've (Probably) Never Heard Of\" program=\"The California Report\"]\u003c/p>\n\u003cp>Schoenberg combines that life with his work as an assistant professor specializing in composition and film scoring at Occidental College in the small community of Eagle Rock in Los Angeles. It's also the school where a fellow named Barack Obama spent his first two years of higher education.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Walk into the leafy, Zen-like courtyard of the small music building at Occidental, pass the tiered, cascading fountain and it’s not hard to find Adam Schoenberg's corner studio.\u003c/p>\n\u003cp>Just follow the sounds of the piano. Whether he’s teaching or composing, things for this man pretty much center around 88 keys.\u003c/p>\n\u003cp>Though he’s actually a very distant relation to George Gershwin, Schoenberg’s music is quite close in spirit, and it’s drawn comparisons to his iconic relative and other big names. Not all of them classical.\u003c/p>\n\u003cp>“One of the greatest compliments I’ve ever had is someone came up to me and said, 'your music sounds like Radiohead meeting Aaron Copland,'” says Schoenberg. “In my car I have Sirius radio and I listen to Lithium, which is Stone Temple Pilots and Nirvana, and Backspin, which is hip-hop from the ‘80’s and ‘90’s. I really do feel my music embraces the pop idiom or hip-hop idiom because it’s part of my DNA. So yeah, I embody the music of our time and put a little twist to it.\"\u003c/p>\n\u003cp>[contextly_sidebar id=\"IbO0TgUTXm4nc25SH1iEgT1mMZ71tb4d\"]\u003c/p>\n\u003cp>Much of Schoenberg’s work has a cinematic feel.\u003c/p>\n\u003cp>“I was drawn to soundtracks, but we didn't really own soundtracks,” he says. “My father is also a film composer, and when we would go see movies we always stayed to the end of the credits. And we would always listen, we’d be the last people in the theater.”\u003c/p>\n\u003cp>Schoenberg is prolific, but his creative process begins with sitting down and winging it.\u003c/p>\n\u003cp>“I’ll improvise for hours upon hours, record my improvisations and then I’ll extract a chord progression, it could be just a note, it could be a melody, it could be a texture, it could be a rhythm. Then I’ll start to sculpt it and craft it, and at that point I begin to think of myself as an architect building from this base material.”\u003c/p>\n\u003cp>He’s got computers and keyboards to capture those nuggets, but inspiration won’t always wait until a man’s in his studio.\u003c/p>\n\u003cp>“For right now, I basically record on my iPhone,” he says. \u003c/p>\n\u003cp>Sure enough, he’s got all manner of fragments stowed away on his voice memo, bits of singing with his young sons yelling in the background, a few skeletal notes on a piano, chords that repeat over and over as he searches for a path to open up.\u003c/p>\n\u003cp>In fact, from one 27-second bit of humble warbling sprang the opening line of Schoenberg’s upcoming work, \"Orchard in Fog.\"\u003c/p>\n\u003cfigure id=\"attachment_11644688\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/01/AnneAkikoMeyers-800x1149.jpg\" alt=\"Violinist Anne Akiko Meyers commissioned Adam Schoenberg's first violin concerto.\" width=\"800\" height=\"1149\" class=\"size-medium wp-image-11644688\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-800x1149.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-160x230.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-1020x1465.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-1180x1695.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-960x1379.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-240x345.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-375x539.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-520x747.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Violinist Anne Akiko Meyers commissioned Adam Schoenberg's first violin concerto. \u003ccite>(Courtesy David Zentz)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s based on a photograph by Adam Laipson, who’s from the same town in Massachusetts where I grew up, Salem, but not the witch one,” says Schoenberg. “My wife and I got married in an apple orchard on a gorgeous farm, quintessential New England, and Adam happened to take a photograph of the orchard in the winter. It’s haunting and beautiful. It’s in our bedroom and I wake up to it every single morning.”\u003c/p>\n\u003cp>The piece is his first violin concerto, and it will have its world premiere \u003ca href=\"http://purchasing.sandiegosymphony.org/single/eventDetail.aspx?p=6361\">February 10 with the San Diego Symphony\u003c/a> featuring renowned concert violinist Anne Akiko Meyers, who commissioned the piece. But right now it’s still very much a work in progress, and will be so down to the wire.\u003c/p>\n\u003cp>“Oh yeah,” says Schoenberg. “I’ll be in my hotel room in San Diego making changes to this.”\u003c/p>\n\u003cp>“Oh God, I don’t want to hear that!” laughs Meyers. “I really wish you didn’t tell me that! Composers.\"\u003c/p>\n\u003cp>But Meyers, the consummate pro, will no doubt come through in the clinch. And after all, she commissioned the work, and she’s a big fan.\u003c/p>\n\u003cp>“His music is easily accessible and I mean that in the best sense,” she says. “Like a lot of other music can be non-transparent, and you feel like you almost need a degree in some kind of science to understand what is going on, but there’s none of that with Adam’s music. It just speaks to you, and it speaks simply and beautifully.”\u003c/p>\n\u003cp>“I think in the 21st Century we’re sort of at this renaissance,” Schoenberg says. “Every kid who gets a laptop can write a track and upload it to Youtube and say, ‘I wrote this.’ And at that point you have to figure out your voice, who you are, what it is you want to say and then how you’re going to distinguish yourself. But that’s a lifelong journey, I suppose.\"\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>At this point, Schoenberg’s well on the road, and the next stop is New York City for the Grammy Awards. After that, it’s back to the piano.\u003c/p>\n\n","blocks":[],"excerpt":"In the classical world, Adam Schoenberg’s work is so popular he’s made the annual list of the top 10 most-performed living composers in the country. Twice.","status":"publish","parent":0,"modified":1517021737,"stats":{"hasAudio":true,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":28,"wordCount":1128},"headData":{"title":"The Grammy-Nominated Classical Star You've (Probably) Never Heard Of | KQED","description":"In the classical world, Adam Schoenberg’s work is so popular he’s made the annual list of the top 10 most-performed living composers in the country. Twice.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"The Grammy-Nominated Classical Star You've (Probably) Never Heard Of","datePublished":"2018-01-27T02:55:37.000Z","dateModified":"2018-01-27T02:55:37.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11644364 https://ww2.kqed.org/news/?p=11644364","disqusUrl":"https://ww2.kqed.org/news/2018/01/26/the-grammy-nominated-classical-star-youve-probably-never-heard-of/","disqusTitle":"The Grammy-Nominated Classical Star You've (Probably) Never Heard Of","path":"/news/11644364/the-grammy-nominated-classical-star-youve-probably-never-heard-of","audioUrl":"https://www.kqed.org/.stream/anon/radio/tcrmag/2018/01/GilstrapComposer.mp3","audioDuration":348000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>What does \u003ca href=\"http://adamschoenberg.com/\">Adam Schoenberg\u003c/a> have in common with Body Count, Los Amigos Invisibles and the entire cast of Hello Dolly?\u003c/p>\n\u003cp>At the tender age of 37, the classical composer is up for two Grammys this weekend, including Best Contemporary Classical Composition for his work \"Picture Studies,\" and Best Engineered Album, Classical.\u003c/p>\n\u003cp>You may not be aware of this guy, but in the classical world, Schoenberg’s work is so popular he’s made the annual list of the top 10 most performed living composers in the country. Twice.\u003c/p>\n\u003cp>Since he began composing professionally in 2006 when he was still a doctoral student at Juilliard, his writing has been commissioned by the Los Angeles Philharmonic, the Kansas City Symphony, the Atlanta Symphony Orchestra, among others, and his compositions have premiered at venues like Lincoln Center, the Library of Congress, the Kennedy Center and the Hollywood Bowl.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"audio","attributes":{"named":{"src":"https://www.kqed.org/.stream/anon/radio/tcrmag/2018/01/GilstrapComposer.mp3","image":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/01/RS29028_Schoenberg-1-qut-1180x885.jpg","title":"The Grammy-Nominated Classical Star You've (Probably) Never Heard Of","program":"The California Report","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Schoenberg combines that life with his work as an assistant professor specializing in composition and film scoring at Occidental College in the small community of Eagle Rock in Los Angeles. It's also the school where a fellow named Barack Obama spent his first two years of higher education.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Walk into the leafy, Zen-like courtyard of the small music building at Occidental, pass the tiered, cascading fountain and it’s not hard to find Adam Schoenberg's corner studio.\u003c/p>\n\u003cp>Just follow the sounds of the piano. Whether he’s teaching or composing, things for this man pretty much center around 88 keys.\u003c/p>\n\u003cp>Though he’s actually a very distant relation to George Gershwin, Schoenberg’s music is quite close in spirit, and it’s drawn comparisons to his iconic relative and other big names. Not all of them classical.\u003c/p>\n\u003cp>“One of the greatest compliments I’ve ever had is someone came up to me and said, 'your music sounds like Radiohead meeting Aaron Copland,'” says Schoenberg. “In my car I have Sirius radio and I listen to Lithium, which is Stone Temple Pilots and Nirvana, and Backspin, which is hip-hop from the ‘80’s and ‘90’s. I really do feel my music embraces the pop idiom or hip-hop idiom because it’s part of my DNA. So yeah, I embody the music of our time and put a little twist to it.\"\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Much of Schoenberg’s work has a cinematic feel.\u003c/p>\n\u003cp>“I was drawn to soundtracks, but we didn't really own soundtracks,” he says. “My father is also a film composer, and when we would go see movies we always stayed to the end of the credits. And we would always listen, we’d be the last people in the theater.”\u003c/p>\n\u003cp>Schoenberg is prolific, but his creative process begins with sitting down and winging it.\u003c/p>\n\u003cp>“I’ll improvise for hours upon hours, record my improvisations and then I’ll extract a chord progression, it could be just a note, it could be a melody, it could be a texture, it could be a rhythm. Then I’ll start to sculpt it and craft it, and at that point I begin to think of myself as an architect building from this base material.”\u003c/p>\n\u003cp>He’s got computers and keyboards to capture those nuggets, but inspiration won’t always wait until a man’s in his studio.\u003c/p>\n\u003cp>“For right now, I basically record on my iPhone,” he says. \u003c/p>\n\u003cp>Sure enough, he’s got all manner of fragments stowed away on his voice memo, bits of singing with his young sons yelling in the background, a few skeletal notes on a piano, chords that repeat over and over as he searches for a path to open up.\u003c/p>\n\u003cp>In fact, from one 27-second bit of humble warbling sprang the opening line of Schoenberg’s upcoming work, \"Orchard in Fog.\"\u003c/p>\n\u003cfigure id=\"attachment_11644688\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/01/AnneAkikoMeyers-800x1149.jpg\" alt=\"Violinist Anne Akiko Meyers commissioned Adam Schoenberg's first violin concerto.\" width=\"800\" height=\"1149\" class=\"size-medium wp-image-11644688\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-800x1149.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-160x230.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-1020x1465.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-1180x1695.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-960x1379.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-240x345.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-375x539.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/AnneAkikoMeyers-520x747.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Violinist Anne Akiko Meyers commissioned Adam Schoenberg's first violin concerto. \u003ccite>(Courtesy David Zentz)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s based on a photograph by Adam Laipson, who’s from the same town in Massachusetts where I grew up, Salem, but not the witch one,” says Schoenberg. “My wife and I got married in an apple orchard on a gorgeous farm, quintessential New England, and Adam happened to take a photograph of the orchard in the winter. It’s haunting and beautiful. It’s in our bedroom and I wake up to it every single morning.”\u003c/p>\n\u003cp>The piece is his first violin concerto, and it will have its world premiere \u003ca href=\"http://purchasing.sandiegosymphony.org/single/eventDetail.aspx?p=6361\">February 10 with the San Diego Symphony\u003c/a> featuring renowned concert violinist Anne Akiko Meyers, who commissioned the piece. But right now it’s still very much a work in progress, and will be so down to the wire.\u003c/p>\n\u003cp>“Oh yeah,” says Schoenberg. “I’ll be in my hotel room in San Diego making changes to this.”\u003c/p>\n\u003cp>“Oh God, I don’t want to hear that!” laughs Meyers. “I really wish you didn’t tell me that! Composers.\"\u003c/p>\n\u003cp>But Meyers, the consummate pro, will no doubt come through in the clinch. And after all, she commissioned the work, and she’s a big fan.\u003c/p>\n\u003cp>“His music is easily accessible and I mean that in the best sense,” she says. “Like a lot of other music can be non-transparent, and you feel like you almost need a degree in some kind of science to understand what is going on, but there’s none of that with Adam’s music. It just speaks to you, and it speaks simply and beautifully.”\u003c/p>\n\u003cp>“I think in the 21st Century we’re sort of at this renaissance,” Schoenberg says. “Every kid who gets a laptop can write a track and upload it to Youtube and say, ‘I wrote this.’ And at that point you have to figure out your voice, who you are, what it is you want to say and then how you’re going to distinguish yourself. But that’s a lifelong journey, I suppose.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At this point, Schoenberg’s well on the road, and the next stop is New York City for the Grammy Awards. After that, it’s back to the piano.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11644364/the-grammy-nominated-classical-star-youve-probably-never-heard-of","authors":["11275"],"programs":["news_72"],"categories":["news_223","news_8"],"tags":["news_22454","news_2299","news_1425","news_17286"],"featImg":"news_11644596","label":"news_72"},"news_11642149":{"type":"posts","id":"news_11642149","meta":{"index":"posts_1591205157","site":"news","id":"11642149","score":null,"sort":[1516124566000]},"guestAuthors":[],"slug":"oaklands-gospel-star-edwin-hawkins-known-for-oh-happy-day-dies-at-74","title":"Oakland's Gospel Star Edwin Hawkins, Known for 'Oh Happy Day,' Dies at 74","publishDate":1516124566,"format":"standard","headTitle":"The California Report | KQED News","labelTerm":{},"content":"\u003cp>Grammy Award-winning singer Edwin Hawkins died on Monday at his home in Pleasanton.\u003c/p>\n\u003cp>His publicist, Bill Carpenter, told news organizations that the cause was pancreatic cancer. Hawkins was 74.\u003c/p>\n\u003cp>A native of Oakland, Hawkins had been performing with his family and in church groups since he was a boy.\u003c/p>\n\u003cp>In the late 1960s, when Hawkins was in his 20s, he helped form the Northern California State Youth Choir.\u003c/p>\n\u003cp>The group recorded its first album, \u003cem>Let Us Go Into the House of the Lord\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The \u003ca href=\"https://www.nytimes.com/2018/01/15/obituaries/edwin-hawkins-dead-gospel-singer.html?_r=0\" target=\"_blank\" rel=\"noopener\">New York Times reports\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>\"The record rendered songs of praise with a rhythm-and-blues sensibility. A disc jockey at the Bay Area FM station KSAN, Abe Kesh, began playing one particular track, \"Oh Happy Day.\"\u003c/p>\n\u003cp>\"The catchy song spread, and, with the group renamed the Edwin Hawkins Singers, it was released as a single and eventually reached No. 4 on the Billboard pop chart and No. 2 on the R&B chart.\"\u003c/p>\u003c/blockquote>\n\u003cp>In 1970, \"Oh Happy Day\" won a Grammy for best soul gospel performance.\u003c/p>\n\u003cp>The unusual pop hit was an inspiration to music historian Mitch Myers. He reflected on the song during a segment of \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=890702\" target=\"_blank\" rel=\"noopener\">All Things Considered\u003c/a> on Christmas Day in 2002.\u003c/p>\n\u003cfigure id=\"attachment_11642170\" class=\"wp-caption alignnone\" style=\"max-width: 750px\">\u003cimg class=\"size-full wp-image-11642170\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/01/image1.jpeg\" alt=\"Grammy Award-winning singer Edwin Hawkins died on Monday at his home in Pleasanton.\" width=\"750\" height=\"461\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/01/image1.jpeg 750w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/image1-160x98.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/image1-240x148.jpeg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/image1-375x231.jpeg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/image1-520x320.jpeg 520w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Grammy Award-winning singer Edwin Hawkins died on Monday at his home in Pleasanton. A native of Oakland, Hawkins had been performing with his family and in church groups since he was a boy. \u003ccite>(Photo Courtesy of the Edwin Hawkins estate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For its simple message of hope, spirit and goodwill to mankind, Myers said he wished \"Oh Happy Day\" to Christians, Jews, Muslims, Buddhists and followers of every other religious persuasion, including agnostics and atheists as well.\u003c/p>\n\u003cp>The gospel song was an inspiration to other types of singers as well, The Associated Press reports:\u003c/p>\n\u003cblockquote>\u003cp>\"George Harrison would cite \"Oh Happy Day\" as inspiration for his hit \"My Sweet Lord,\" and Glen Campbell reached the adult contemporary charts with his own version of the Hawkins performance. Elvis Presley, Johnny Mathis and numerous others also would record it.\"\u003c/p>\u003c/blockquote>\n\u003cp>Throughout his career, Edwin Hawkins won a total of four Grammys, and he was voted into the Christian Music Hall of Fame in 2007.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Hawkins' younger brother, \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=128466057\" target=\"_blank\" rel=\"noopener\">Walter, died in 2010 \u003c/a>at the age of 61. Walter Hawkins — also a Grammy Award singer-songwriter and pastor of Love Center church in Oakland — died after a long bout with cancer.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Gospel+Star+Edwin+Hawkins%2C+Known+For+%27Oh+Happy+Day%2C%27+Dies+At+74&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n","blocks":[],"excerpt":"In 1970, the Edwin Hawkins singers won a Grammy for best soul gospel performance for \"Oh Happy Day.\"","status":"publish","parent":0,"modified":1516152296,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":412},"headData":{"title":"Oakland's Gospel Star Edwin Hawkins, Known for 'Oh Happy Day,' Dies at 74 | KQED","description":"In 1970, the Edwin Hawkins singers won a Grammy for best soul gospel performance for "Oh Happy Day."","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Oakland's Gospel Star Edwin Hawkins, Known for 'Oh Happy Day,' Dies at 74","datePublished":"2018-01-16T17:42:46.000Z","dateModified":"2018-01-17T01:24:56.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11642149 https://ww2.kqed.org/news/?p=11642149","disqusUrl":"https://ww2.kqed.org/news/2018/01/16/oaklands-gospel-star-edwin-hawkins-known-for-oh-happy-day-dies-at-74/","disqusTitle":"Oakland's Gospel Star Edwin Hawkins, Known for 'Oh Happy Day,' Dies at 74","source":"NPR","sourceUrl":"www.npr.org","nprByline":"\u003cstrong/>Doreen McCallister\u003c/strong>","nprStoryId":"578235211","nprApiLink":"http://api.npr.org/query?id=578235211&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/sections/thetwo-way/2018/01/16/578235211/gospel-star-edwin-hawkins-known-for-oh-happy-day-dies-at-74?ft=nprml&f=578235211","nprRetrievedStory":"1","nprPubDate":"Tue, 16 Jan 2018 08:59:00 -0500","nprStoryDate":"Tue, 16 Jan 2018 04:05:00 -0500","nprLastModifiedDate":"Tue, 16 Jan 2018 08:59:55 -0500","path":"/news/11642149/oaklands-gospel-star-edwin-hawkins-known-for-oh-happy-day-dies-at-74","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Grammy Award-winning singer Edwin Hawkins died on Monday at his home in Pleasanton.\u003c/p>\n\u003cp>His publicist, Bill Carpenter, told news organizations that the cause was pancreatic cancer. Hawkins was 74.\u003c/p>\n\u003cp>A native of Oakland, Hawkins had been performing with his family and in church groups since he was a boy.\u003c/p>\n\u003cp>In the late 1960s, when Hawkins was in his 20s, he helped form the Northern California State Youth Choir.\u003c/p>\n\u003cp>The group recorded its first album, \u003cem>Let Us Go Into the House of the Lord\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.nytimes.com/2018/01/15/obituaries/edwin-hawkins-dead-gospel-singer.html?_r=0\" target=\"_blank\" rel=\"noopener\">New York Times reports\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>\"The record rendered songs of praise with a rhythm-and-blues sensibility. A disc jockey at the Bay Area FM station KSAN, Abe Kesh, began playing one particular track, \"Oh Happy Day.\"\u003c/p>\n\u003cp>\"The catchy song spread, and, with the group renamed the Edwin Hawkins Singers, it was released as a single and eventually reached No. 4 on the Billboard pop chart and No. 2 on the R&B chart.\"\u003c/p>\u003c/blockquote>\n\u003cp>In 1970, \"Oh Happy Day\" won a Grammy for best soul gospel performance.\u003c/p>\n\u003cp>The unusual pop hit was an inspiration to music historian Mitch Myers. He reflected on the song during a segment of \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=890702\" target=\"_blank\" rel=\"noopener\">All Things Considered\u003c/a> on Christmas Day in 2002.\u003c/p>\n\u003cfigure id=\"attachment_11642170\" class=\"wp-caption alignnone\" style=\"max-width: 750px\">\u003cimg class=\"size-full wp-image-11642170\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/01/image1.jpeg\" alt=\"Grammy Award-winning singer Edwin Hawkins died on Monday at his home in Pleasanton.\" width=\"750\" height=\"461\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/01/image1.jpeg 750w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/image1-160x98.jpeg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/image1-240x148.jpeg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/image1-375x231.jpeg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/01/image1-520x320.jpeg 520w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Grammy Award-winning singer Edwin Hawkins died on Monday at his home in Pleasanton. A native of Oakland, Hawkins had been performing with his family and in church groups since he was a boy. \u003ccite>(Photo Courtesy of the Edwin Hawkins estate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For its simple message of hope, spirit and goodwill to mankind, Myers said he wished \"Oh Happy Day\" to Christians, Jews, Muslims, Buddhists and followers of every other religious persuasion, including agnostics and atheists as well.\u003c/p>\n\u003cp>The gospel song was an inspiration to other types of singers as well, The Associated Press reports:\u003c/p>\n\u003cblockquote>\u003cp>\"George Harrison would cite \"Oh Happy Day\" as inspiration for his hit \"My Sweet Lord,\" and Glen Campbell reached the adult contemporary charts with his own version of the Hawkins performance. Elvis Presley, Johnny Mathis and numerous others also would record it.\"\u003c/p>\u003c/blockquote>\n\u003cp>Throughout his career, Edwin Hawkins won a total of four Grammys, and he was voted into the Christian Music Hall of Fame in 2007.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Hawkins' younger brother, \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=128466057\" target=\"_blank\" rel=\"noopener\">Walter, died in 2010 \u003c/a>at the age of 61. Walter Hawkins — also a Grammy Award singer-songwriter and pastor of Love Center church in Oakland — died after a long bout with cancer.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Gospel+Star+Edwin+Hawkins%2C+Known+For+%27Oh+Happy+Day%2C%27+Dies+At+74&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11642149/oaklands-gospel-star-edwin-hawkins-known-for-oh-happy-day-dies-at-74","authors":["byline_news_11642149"],"programs":["news_6944","news_72"],"categories":["news_223","news_8"],"tags":["news_20710","news_2299"],"featImg":"news_11642169","label":"source_news_11642149"},"news_56239":{"type":"posts","id":"news_56239","meta":{"index":"posts_1591205157","site":"news","id":"56239","score":null,"sort":[1329180997000]},"guestAuthors":[],"slug":"list-bay-area-grammy-winners","title":"List of Bay Area Grammy Winners ","publishDate":1329180997,"format":"aside","headTitle":"News Fix | KQED News","labelTerm":{"term":6944,"site":"news"},"content":"\u003cp>Here's a list of Bay Area Grammy winners and some accompanying notes, compiled by Cy Musiker, the host of KQED News' weekly arts segment \u003ca href=\"http://www.kqed.org/radio/programs/thedolist/\">The Do List\u003c/a>. \u003c/p>\n\u003cp>\u003cstrong>Best Banda Or Norteño Album\u003c/strong>\u003c/p>\n\u003cp>Album: Los Tigres Del Norte and Friends, by Los Tigres Del Norte [Fonovisa] \u003c/p>\n\u003cp>Los Tigres are based in San Jose. They're huge throughout California, the Southwest and Mexico. \u003c/p>\n\u003cp>\u003cstrong>Best Opera Recording\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Doctor Atomic, by John Adams\u003c/p>\n\u003cp>The Metropolitan Opera, Alan Gilbert, conductor; Meredith Arwady, Sasha Cooke, Richard Paul Fink, Gerald Finley, Thomas Glenn & Eric Owens; Jay David Saks, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus) [Sony Classical] \u003c/p>\n\u003cp>This recording won for an Adams opera that premiered at San Francisco Opera two or three seasons ago. Adams lives in Berkeley. \u003c/p>\n\u003cp>\u003cstrong>Best Album Notes\u003c/strong> \u003c/p>\n\u003cp>Album: Hear Me Howling! Blues, Ballads & Beyond\u003c/p>\n\u003cp>As recorded by Chris Strachwitz in the 1960s. Adam Machado, album notes writer (Various Artists) [Arhoolie Records] \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Chris Strachwitz runs El Cerrito's \u003ca href=\"http://www.arhoolie.com/\">Arhoolie Records\u003c/a> (a record label and publisher) and Down Home Records (record store at same location in El Cerrito featuring roots music). The album is a four-CD set with lots of music from Strachwitz's career (he's like a modern \u003ca href=\"http://www.loc.gov/folklife/lomax/\">Alan Lomax\u003c/a>) discovering and recording musicians from the world of blues, Tejano, jazz, and folk. \u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1329193508,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":219},"headData":{"title":"List of Bay Area Grammy Winners | KQED","description":"Here's a list of Bay Area Grammy winners and some accompanying notes, compiled by Cy Musiker, the host of KQED News' weekly arts segment The Do List. Best Banda Or Norteño Album Album: Los Tigres Del Norte and Friends, by Los Tigres Del Norte Los Tigres are based in San Jose. They're huge throughout","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"List of Bay Area Grammy Winners ","datePublished":"2012-02-14T00:56:37.000Z","dateModified":"2012-02-14T04:25:08.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"56239 http://ww2.kqed.org/news/?p=56239","disqusUrl":"https://ww2.kqed.org/news/2012/02/13/list-bay-area-grammy-winners/","disqusTitle":"List of Bay Area Grammy Winners ","path":"/news/56239/list-bay-area-grammy-winners","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Here's a list of Bay Area Grammy winners and some accompanying notes, compiled by Cy Musiker, the host of KQED News' weekly arts segment \u003ca href=\"http://www.kqed.org/radio/programs/thedolist/\">The Do List\u003c/a>. \u003c/p>\n\u003cp>\u003cstrong>Best Banda Or Norteño Album\u003c/strong>\u003c/p>\n\u003cp>Album: Los Tigres Del Norte and Friends, by Los Tigres Del Norte [Fonovisa] \u003c/p>\n\u003cp>Los Tigres are based in San Jose. They're huge throughout California, the Southwest and Mexico. \u003c/p>\n\u003cp>\u003cstrong>Best Opera Recording\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Doctor Atomic, by John Adams\u003c/p>\n\u003cp>The Metropolitan Opera, Alan Gilbert, conductor; Meredith Arwady, Sasha Cooke, Richard Paul Fink, Gerald Finley, Thomas Glenn & Eric Owens; Jay David Saks, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus) [Sony Classical] \u003c/p>\n\u003cp>This recording won for an Adams opera that premiered at San Francisco Opera two or three seasons ago. Adams lives in Berkeley. \u003c/p>\n\u003cp>\u003cstrong>Best Album Notes\u003c/strong> \u003c/p>\n\u003cp>Album: Hear Me Howling! Blues, Ballads & Beyond\u003c/p>\n\u003cp>As recorded by Chris Strachwitz in the 1960s. Adam Machado, album notes writer (Various Artists) [Arhoolie Records] \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Chris Strachwitz runs El Cerrito's \u003ca href=\"http://www.arhoolie.com/\">Arhoolie Records\u003c/a> (a record label and publisher) and Down Home Records (record store at same location in El Cerrito featuring roots music). The album is a four-CD set with lots of music from Strachwitz's career (he's like a modern \u003ca href=\"http://www.loc.gov/folklife/lomax/\">Alan Lomax\u003c/a>) discovering and recording musicians from the world of blues, Tejano, jazz, and folk. \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/56239/list-bay-area-grammy-winners","authors":["80"],"programs":["news_6944"],"categories":["news_223"],"tags":["news_2299"],"label":"news_6944"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. 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