'A Lot of Trust Was Lost': What Losing its Only Hospital Meant to an East Bay Community
PBS Film Spotlights Mexican Americans' Role in Napa Valley's Winemaking
Bill Nye’s New Role: Defending Science
New Film Wants Your Hopes and Fears Before Trump’s Inauguration
Documentary on 'The Wrecking Crew' Puts Spotlight on Rock's Unsung Hit-Makers
Cinequest Kicks off in San Jose With 'Batkid Begins'
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Doctors Medical Center operated for 60 years, serving western Contra Costa County from its location in San Pablo, north of Richmond in the East Bay.\u003c/em>\u003c/p>\n\u003cp>\u003cem>When it \u003ca href=\"https://www.kqed.org/stateofhealth/24993/san-pablos-doctors-medical-center-to-close-tuesday\">closed in 2015\u003c/a>, after failing to bridge a stubborn $18-20 million annual deficit, it left nearly 250,000 mostly low-income residents more than a half-hour drive away from the closest hospital.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"#film\">The film\u003c/a> was produced and directed by Bo Kovitz, who spoke with The California Report Magazine. Interview excerpts have been edited for length and clarity.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11830990\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11830990\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44121_Kovitz_Headshot-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44121_Kovitz_Headshot-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44121_Kovitz_Headshot-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44121_Kovitz_Headshot-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44121_Kovitz_Headshot-qut-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44121_Kovitz_Headshot-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bo Kovitz produced and directed 'The Desert' as her thesis film while at UC Berkeley's Graduate School of Journalism. \u003ccite>(Courtesy of Bo Kovitz)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>On what inspired her to make the film\u003c/strong>\u003c/h3>\n\u003cp>I had gone to a public forum about the planned closure of Alta Bates Summit Medical Center in South Berkeley. And there was a lot of discussion at the time about how we would lose another emergency room on a critical corridor of the Bay Area. There was reference to a hospital that had already closed in Richmond. It was sort of glossed over. It really piqued my interest.\u003c/p>\n\u003cp>We really take for granted this idea that we all have a hospital in our neighborhood. I thought, what does it look like to live in a community where there isn't a hospital? I approached this wanting to hear from the doctors, the frontline workers, the patients, about what the tragedy was. They were never quite heard. And I wanted them to drive this story. I wanted them to be the storytellers.\u003c/p>\n\u003cp>I felt that the reporting and the knowledge around the closure of Doctors Medical Center was never really in the hands of the people who were living and breathing the impacts of what happened.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch3>\u003cstrong>On following patients who must plan a whole day around a hospital visit\u003c/strong>\u003c/h3>\n\u003cp>I think there's been a lot of focus about the loss of (Doctors Medical Center) through the prism of emergency services and not having an emergency room in West Contra Costa County. But there's another enormous deficit, which is specialty care.\u003c/p>\n\u003cp>There was a cancer center at Doctors Medical Center. Epigmenio Mayo and Angelica Lopez are a couple, both battling cancer. At the time the film was shot, they regularly made a trip where they would take three different buses to get to the county hospital in Martinez, where both of them were receiving cancer treatment. For them, this trip is an absolute necessity, but it's something that they have to plan their entire day around. They are winded by the time they even show up to their appointments.\u003c/p>\n\u003cp>By the end of the film, the sun is already set. It's a full day trip. They've talked a lot about how there's no other option. As they say in the film, they prepare their minds and bodies for the trip because they know they have to take it. This is how they survive.\u003c/p>\n\u003cfigure id=\"attachment_11830987\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11830987 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut-1020x1020.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut-912x912.jpg 912w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut-550x550.jpg 550w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut-470x470.jpg 470w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Epigmenio Mayo and Angelica Lopez ride three buses to get to the hospital for their cancer treatment. \u003ccite>(Bo Kovitz)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>On the urgent care clinic now across the street from the former Doctors Medical Center site\u003c/strong>\u003c/h3>\n\u003cp>They're serving the same population with just a quarter of the staff.\u003c/p>\n\u003cp>People like Millie Callen worked at Doctors Medical Center for more than a decade. She was one of the coordinators in the E.R., which is one of the most important roles. She's making sure that everything's moving smoothly, bringing people in, bouncing them to their doctors, making sure their insurance is covered.\u003c/p>\n\u003cp>Even before the hospital closed, Millie was caring for her own loved ones and understood the before and after of what it's like to lose a hospital. Her mother has a heart condition. The urgent care where Millie now works is much busier with the spike of COVID-19 cases.\u003c/p>\n\u003cfigure id=\"attachment_11831438\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_still_06-copy.jpg\">\u003cimg class=\"size-medium wp-image-11831438\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_still_06-copy-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_still_06-copy-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_still_06-copy-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_still_06-copy-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_still_06-copy-1536x864.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_still_06-copy.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Millie Callen worked at Doctors Medical Center, and now works at the urgent care clinic across the street from the former hospital site. \u003ccite>(Courtesy of Bo Kovits)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For a while, they were one of the few locations that were doing COVID-19 testing. Not only are they answering a lot of patients needing primary care, but they are also dealing with an additional load of patients who were experiencing or showing symptoms of COVID-19. And then there's that added stress of how do we sequester that person away from the rest of our patients? They had set up a tent in the back parking lot and they were running back and forth.\u003c/p>\n\u003ch3>\u003cstrong>On the firefighters and paramedics she follows in the film\u003c/strong>\u003c/h3>\n\u003cp>There isn't a Richmond paramedic company. There's no West Contra Costa County paramedic company. So the firefighters take on the role of being the first to arrive on scene. Firefighters can get on scene, but they're limited in what they can do because in certain advanced or complicated cases, the ambulance and the paramedics are the ones who need to show up and then transport the person and have specialty training.\u003c/p>\n\u003cp>There are times of the day where highways are really, really congested. Wait times for the paramedics to show up can be up to 30 minutes depending on the day. And then those paramedics are often forced to transport patients outside the city or county for care.\u003c/p>\n\u003cfigure id=\"attachment_11831441\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_04-wide.jpg\">\u003cimg class=\"size-medium wp-image-11831441\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_04-wide-800x419.jpg\" alt=\"\" width=\"800\" height=\"419\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_04-wide-800x419.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_04-wide-1020x534.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_04-wide-160x84.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_04-wide-1536x804.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_04-wide.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Trevor Rogers and his fellow firefighters often care for critically ill patients — many of their calls are for health care emergencies, not fires.\u003c/figcaption>\u003c/figure>\n\u003cp>One of the paramedics that I had the opportunity to film with is Aimee Skaggs, and she has been in the community for years. She was around when Doctors Medical Center was there and brought a lot of patients there.\u003c/p>\n\u003cp>Aimee describes something that I think is unique to low income communities where 911 calls are really treated as primary care. Emergency responders are the ones who essentially are doing triage on the spot. They are having to navigate so many different layers of what it means to make the best decision for a patient.\u003c/p>\n\u003cp>It's more than just 'what's the closest hospital?' It's 'what makes the most financial sense? Where is going to be the closest place that the family can come without it being a hassle?' And in cases where the issue is something really time-sensitive, paramedics like Aimee have to bring in another dimension to the decision making: how to get them somewhere fast when highways are clogged.\u003c/p>\n\u003cp>Some hospitals may not take them. Where do they go that is not going to also leave the patient riddled with hospital bills in the aftermath? [pullquote size=\"medium\" align=\"right\" citation=\"— Trevor Rogers, firefighter medic\"]'If we happen to have three calls and there are three critical patients that need critical care, now you have three ambulances that are outside of our city… And that essentially depletes the city of our resources.'[/pullquote]\u003c/p>\n\u003ch3>\u003cstrong>On how hospital closures are playing out throughout the state\u003c/strong>\u003c/h3>\n\u003cp>There are more hospital closures that are happening in California. They're mostly in rural communities.\u003c/p>\n\u003cp>I think the closure of Doctors Medical Center represents an accelerating trend in urban communities. Regions that are concentrated areas for Medi-Cal, Medicare or uninsured patients are losing hospitals because hospitals and ERs are trying to consolidate in urban centers where there are more privately insured patients.\u003c/p>\n\u003ch3>\u003cstrong>On the burden of shouldering COVID-19 patients now that the hospital has closed\u003c/strong>\u003c/h3>\n\u003cp>Right now, Bay Area hospitals haven't been overwhelmed so far with COVID-19 cases — which is lucky. But if things were to get really over the top, I think people will wish Doctors Medical Center was there. There's definitely concern about capacity. There's also a concern that many people — especially those with chronic illnesses like diabetes, hypertension or asthma — may not be getting seen for illnesses that need to be managed right now.\u003c/p>\n\u003cp>We may never know how many people are in West Contra Costa County who may have died, who did not seek emergency care or did not seek health care, because they were afraid of being exposed to COVID-19.\u003c/p>\n\u003cp>When Doctors Medical Center closed, a lot of trust was lost among the community. A community that has historically been marginalized from the health care system now feels further marginalized because they lost a resource. They lost an institution that represented a lot of trust in the system.\u003c/p>\n\u003cp>I spoke about this with the ambulatory director at the county hospital in Martinez, Dr. Gabriela Sullivan. She says that health care is often left with the job of trying to plug all these holes that are in the social fabric of our country. And that if we are trying to leave social issues on the doorstep of health care, that's a recipe for failure. A lot of people in the years leading up to the hospital closure said it will take a public health crisis of extreme proportions to reveal how essential Doctors Medical Center and other safety net hospitals are.\u003c/p>\n\u003cp>I think with this pandemic, it's not just that Black and brown communities are dying and are more impacted. There's also going to be a downstream increase of morbidity and mortality for years to come. There is a real worry that they're holding back the dams right now in terms of acute care. The realities of the disparity are going to last far beyond this pandemic.\u003c/p>\n\u003cp>\u003cem>\u003ca id=\"film\">\u003c/a>Watch the full documentary here:\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=1bjKcfSmVxU\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"'The Desert' documentary reveals the physical and mental ripple effects on West Contra Costa County when Doctors Medical Center, the only hospital for 15 miles, shut down in 2015.","status":"publish","parent":0,"modified":1596242628,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":29,"wordCount":1635},"headData":{"title":"'A Lot of Trust Was Lost': What Losing its Only Hospital Meant to an East Bay Community | KQED","description":"'The Desert' documentary reveals the physical and mental ripple effects on West Contra Costa County when Doctors Medical Center, the only hospital for 15 miles, shut down in 2015.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"11830978 https://ww2.kqed.org/news/?p=11830978","disqusUrl":"https://ww2.kqed.org/news/2020/07/31/a-lot-of-trust-was-lost-what-losing-its-only-hospital-meant-to-an-east-bay-community/","disqusTitle":"'A Lot of Trust Was Lost': What Losing its Only Hospital Meant to an East Bay Community","source":"The California Report Magazine","sourceUrl":"https://www.kqed.org/californiareportmagazine","audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-41c5-bcaf-aaef00f5a073/0191ebca-b5ef-4428-8b7b-ac09016e7433/audio.mp3","path":"/news/11830978/a-lot-of-trust-was-lost-what-losing-its-only-hospital-meant-to-an-east-bay-community","audioDuration":654000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/trulyca/3185/bay-area-hospital-closure-impacted-explored-in-documentary-the-desert\" target=\"_blank\" rel=\"noopener noreferrer\">“The Desert”\u003c/a>, a documentary film recently released as part of \u003ca href=\"https://www.kqed.org/trulyca\" target=\"_blank\" rel=\"noopener noreferrer\">KQED’s Truly CA\u003c/a> series, looks at the ripple effects in a community after a hospital closes. Doctors Medical Center operated for 60 years, serving western Contra Costa County from its location in San Pablo, north of Richmond in the East Bay.\u003c/em>\u003c/p>\n\u003cp>\u003cem>When it \u003ca href=\"https://www.kqed.org/stateofhealth/24993/san-pablos-doctors-medical-center-to-close-tuesday\">closed in 2015\u003c/a>, after failing to bridge a stubborn $18-20 million annual deficit, it left nearly 250,000 mostly low-income residents more than a half-hour drive away from the closest hospital.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"#film\">The film\u003c/a> was produced and directed by Bo Kovitz, who spoke with The California Report Magazine. Interview excerpts have been edited for length and clarity.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11830990\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11830990\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44121_Kovitz_Headshot-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44121_Kovitz_Headshot-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44121_Kovitz_Headshot-qut-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44121_Kovitz_Headshot-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44121_Kovitz_Headshot-qut-1536x1024.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44121_Kovitz_Headshot-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bo Kovitz produced and directed 'The Desert' as her thesis film while at UC Berkeley's Graduate School of Journalism. \u003ccite>(Courtesy of Bo Kovitz)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>On what inspired her to make the film\u003c/strong>\u003c/h3>\n\u003cp>I had gone to a public forum about the planned closure of Alta Bates Summit Medical Center in South Berkeley. And there was a lot of discussion at the time about how we would lose another emergency room on a critical corridor of the Bay Area. There was reference to a hospital that had already closed in Richmond. It was sort of glossed over. It really piqued my interest.\u003c/p>\n\u003cp>We really take for granted this idea that we all have a hospital in our neighborhood. I thought, what does it look like to live in a community where there isn't a hospital? I approached this wanting to hear from the doctors, the frontline workers, the patients, about what the tragedy was. They were never quite heard. And I wanted them to drive this story. I wanted them to be the storytellers.\u003c/p>\n\u003cp>I felt that the reporting and the knowledge around the closure of Doctors Medical Center was never really in the hands of the people who were living and breathing the impacts of what happened.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch3>\u003cstrong>On following patients who must plan a whole day around a hospital visit\u003c/strong>\u003c/h3>\n\u003cp>I think there's been a lot of focus about the loss of (Doctors Medical Center) through the prism of emergency services and not having an emergency room in West Contra Costa County. But there's another enormous deficit, which is specialty care.\u003c/p>\n\u003cp>There was a cancer center at Doctors Medical Center. Epigmenio Mayo and Angelica Lopez are a couple, both battling cancer. At the time the film was shot, they regularly made a trip where they would take three different buses to get to the county hospital in Martinez, where both of them were receiving cancer treatment. For them, this trip is an absolute necessity, but it's something that they have to plan their entire day around. They are winded by the time they even show up to their appointments.\u003c/p>\n\u003cp>By the end of the film, the sun is already set. It's a full day trip. They've talked a lot about how there's no other option. As they say in the film, they prepare their minds and bodies for the trip because they know they have to take it. This is how they survive.\u003c/p>\n\u003cfigure id=\"attachment_11830987\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11830987 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut-1020x1020.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut-912x912.jpg 912w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut-550x550.jpg 550w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut-470x470.jpg 470w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/RS44118_desert_03-qut.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Epigmenio Mayo and Angelica Lopez ride three buses to get to the hospital for their cancer treatment. \u003ccite>(Bo Kovitz)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>On the urgent care clinic now across the street from the former Doctors Medical Center site\u003c/strong>\u003c/h3>\n\u003cp>They're serving the same population with just a quarter of the staff.\u003c/p>\n\u003cp>People like Millie Callen worked at Doctors Medical Center for more than a decade. She was one of the coordinators in the E.R., which is one of the most important roles. She's making sure that everything's moving smoothly, bringing people in, bouncing them to their doctors, making sure their insurance is covered.\u003c/p>\n\u003cp>Even before the hospital closed, Millie was caring for her own loved ones and understood the before and after of what it's like to lose a hospital. Her mother has a heart condition. The urgent care where Millie now works is much busier with the spike of COVID-19 cases.\u003c/p>\n\u003cfigure id=\"attachment_11831438\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_still_06-copy.jpg\">\u003cimg class=\"size-medium wp-image-11831438\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_still_06-copy-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_still_06-copy-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_still_06-copy-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_still_06-copy-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_still_06-copy-1536x864.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_still_06-copy.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Millie Callen worked at Doctors Medical Center, and now works at the urgent care clinic across the street from the former hospital site. \u003ccite>(Courtesy of Bo Kovits)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For a while, they were one of the few locations that were doing COVID-19 testing. Not only are they answering a lot of patients needing primary care, but they are also dealing with an additional load of patients who were experiencing or showing symptoms of COVID-19. And then there's that added stress of how do we sequester that person away from the rest of our patients? They had set up a tent in the back parking lot and they were running back and forth.\u003c/p>\n\u003ch3>\u003cstrong>On the firefighters and paramedics she follows in the film\u003c/strong>\u003c/h3>\n\u003cp>There isn't a Richmond paramedic company. There's no West Contra Costa County paramedic company. So the firefighters take on the role of being the first to arrive on scene. Firefighters can get on scene, but they're limited in what they can do because in certain advanced or complicated cases, the ambulance and the paramedics are the ones who need to show up and then transport the person and have specialty training.\u003c/p>\n\u003cp>There are times of the day where highways are really, really congested. Wait times for the paramedics to show up can be up to 30 minutes depending on the day. And then those paramedics are often forced to transport patients outside the city or county for care.\u003c/p>\n\u003cfigure id=\"attachment_11831441\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_04-wide.jpg\">\u003cimg class=\"size-medium wp-image-11831441\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_04-wide-800x419.jpg\" alt=\"\" width=\"800\" height=\"419\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_04-wide-800x419.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_04-wide-1020x534.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_04-wide-160x84.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_04-wide-1536x804.jpg 1536w, https://ww2.kqed.org/app/uploads/sites/10/2020/07/desert_04-wide.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Trevor Rogers and his fellow firefighters often care for critically ill patients — many of their calls are for health care emergencies, not fires.\u003c/figcaption>\u003c/figure>\n\u003cp>One of the paramedics that I had the opportunity to film with is Aimee Skaggs, and she has been in the community for years. She was around when Doctors Medical Center was there and brought a lot of patients there.\u003c/p>\n\u003cp>Aimee describes something that I think is unique to low income communities where 911 calls are really treated as primary care. Emergency responders are the ones who essentially are doing triage on the spot. They are having to navigate so many different layers of what it means to make the best decision for a patient.\u003c/p>\n\u003cp>It's more than just 'what's the closest hospital?' It's 'what makes the most financial sense? Where is going to be the closest place that the family can come without it being a hassle?' And in cases where the issue is something really time-sensitive, paramedics like Aimee have to bring in another dimension to the decision making: how to get them somewhere fast when highways are clogged.\u003c/p>\n\u003cp>Some hospitals may not take them. Where do they go that is not going to also leave the patient riddled with hospital bills in the aftermath? \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"'If we happen to have three calls and there are three critical patients that need critical care, now you have three ambulances that are outside of our city… And that essentially depletes the city of our resources.'","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"— Trevor Rogers, firefighter medic","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch3>\u003cstrong>On how hospital closures are playing out throughout the state\u003c/strong>\u003c/h3>\n\u003cp>There are more hospital closures that are happening in California. They're mostly in rural communities.\u003c/p>\n\u003cp>I think the closure of Doctors Medical Center represents an accelerating trend in urban communities. Regions that are concentrated areas for Medi-Cal, Medicare or uninsured patients are losing hospitals because hospitals and ERs are trying to consolidate in urban centers where there are more privately insured patients.\u003c/p>\n\u003ch3>\u003cstrong>On the burden of shouldering COVID-19 patients now that the hospital has closed\u003c/strong>\u003c/h3>\n\u003cp>Right now, Bay Area hospitals haven't been overwhelmed so far with COVID-19 cases — which is lucky. But if things were to get really over the top, I think people will wish Doctors Medical Center was there. There's definitely concern about capacity. There's also a concern that many people — especially those with chronic illnesses like diabetes, hypertension or asthma — may not be getting seen for illnesses that need to be managed right now.\u003c/p>\n\u003cp>We may never know how many people are in West Contra Costa County who may have died, who did not seek emergency care or did not seek health care, because they were afraid of being exposed to COVID-19.\u003c/p>\n\u003cp>When Doctors Medical Center closed, a lot of trust was lost among the community. A community that has historically been marginalized from the health care system now feels further marginalized because they lost a resource. They lost an institution that represented a lot of trust in the system.\u003c/p>\n\u003cp>I spoke about this with the ambulatory director at the county hospital in Martinez, Dr. Gabriela Sullivan. She says that health care is often left with the job of trying to plug all these holes that are in the social fabric of our country. And that if we are trying to leave social issues on the doorstep of health care, that's a recipe for failure. A lot of people in the years leading up to the hospital closure said it will take a public health crisis of extreme proportions to reveal how essential Doctors Medical Center and other safety net hospitals are.\u003c/p>\n\u003cp>I think with this pandemic, it's not just that Black and brown communities are dying and are more impacted. There's also going to be a downstream increase of morbidity and mortality for years to come. There is a real worry that they're holding back the dams right now in terms of acute care. The realities of the disparity are going to last far beyond this pandemic.\u003c/p>\n\u003cp>\u003cem>\u003ca id=\"film\">\u003c/a>Watch the full documentary here:\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1bjKcfSmVxU'\n title='//www.youtube.com/embed/1bjKcfSmVxU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11830978/a-lot-of-trust-was-lost-what-losing-its-only-hospital-meant-to-an-east-bay-community","authors":["11660"],"programs":["news_26731"],"categories":["news_457","news_8"],"tags":["news_1467","news_6908","news_17731","news_17719","news_28324","news_28326","news_579","news_23011","news_28322","news_28325","news_28323","news_28327"],"featImg":"news_11831437","label":"source_news_11830978"},"news_11746598":{"type":"posts","id":"news_11746598","meta":{"index":"posts_1591205157","site":"news","id":"11746598","score":null,"sort":[1557702673000]},"guestAuthors":[],"slug":"pbs-film-spotlights-mexican-americans-role-in-napa-valleys-winemaking","title":"PBS Film Spotlights Mexican Americans' Role in Napa Valley's Winemaking","publishDate":1557702673,"format":"standard","headTitle":"KQED News","labelTerm":{},"content":"\u003cp>For generations, Mexican-born Gustavo Brambila's family has worked in the wine industry of California's Napa Valley in some form.\u003c/p>\n\u003cp>He went to college on a baseball scholarship but the passion of flowery aromas and crisp peach flavor remained in his soul and he eventually got a degree in fermentation sciences.\u003c/p>\n\u003cp>His dream: His own vineyard.\u003c/p>\n\u003cp>Brambila's story and others are the focus of \"\u003ca href=\"http://www.pbs.org/independentlens/films/harvest-season/\" target=\"_blank\" rel=\"noopener\">Harvest Season\u003c/a>,\" a new PBS documentary examining the contributions of Mexican Americans in the wine industry of California's Napa Valley.\u003c/p>\n\u003cp>The film, scheduled to begin airing Monday on most PBS stations as part of the Independent Lens series, shows how the Mexican Americans have shaped the industry as farmworkers and later vineyard owners in one of the richest wine regions in the world.\u003c/p>\n\u003cp>Through the eyes of winemaker Gustavo Brambila, Mexican migrant worker Rene Reyes and wine entrepreneur Vanessa Robledo, the documentary shows how the California wine industry's most silent figures battle weather, climate change and wildfires. They speak of their families' deep roots with vineyards and how it shapes their dreams for the future.\u003c/p>\n\u003cp>Director Bernardo Ruiz said he wanted his project to show that people of Mexican descent have been a part of U.S. history since its founding and winemaker is just one industry where this is evident.\u003c/p>\n\u003cp>\"From the outside, winemaking is very glamorous and it's very romanticized,\" Ruiz said. \"What really drives it is really hard work.\"\u003c/p>\n\u003cp>https://www.instagram.com/p/BxXcd1YgVm5/?utm_source=ig_web_copy_link\u003c/p>\n\u003cp>In California, those workers tend to be immigrants and Mexican Americans, he said.\u003c/p>\n\u003cp>To be sure, Mexican Americans has played vital roles in the creation and development of vineyards in California, New Mexico and Arizona.\u003c/p>\n\u003cp>But Lilia Soto, an American Studies professor at the University of Wyoming, who grew up in Napa, California, said Mexican Americans especially have been instrumental in the played formation of the Napa Valley as a tourist site by providing the labor and its family connections that go back generations.\u003c/p>\n\u003cp>Those connections help tell the story of the U.S., Ruiz said.\u003c/p>\n\u003cp>https://www.instagram.com/p/BxX5pMCFQVw/?utm_source=ig_web_copy_link\u003c/p>\n\u003cp>More where this is evident is with Vanessa Robledo. She's the granddaughter of a Mexican migrant worker who came to the U.S. through the Bracero Program — a World War II-era program that sought to give temporary guest contracts to work in the fields. Her grandfather and father ended up in the vineyards.\u003c/p>\n\u003cp>\"My dad would always tell us, 'This is how our family will survive and it's our future,'\" Robledo said.\u003c/p>\n\u003cp>In the documentary, Robledo talks about being pushed out of the family vineyard business because she was female, then finding her own path in the industry.\u003c/p>\n\u003cp>https://www.instagram.com/p/BxVoGOlgpf2/?utm_source=ig_web_copy_link\u003c/p>\n\u003cp>She guides workers harvesting grapes in the cool of night and walking through the vineyard during the day with a stunning background of rolling hills and distant mountains.\u003c/p>\n\u003cp>Soto, who went to high school with Robledo, said such stories captured the essence of Mexican Napa as opposed to the tourism mecca Napa. \"The film highlights a Napa that is often invisible to most visitors,\" Soto said. \"These invisible people have always been here.\"\u003c/p>\n\u003cp>Harvest Season premieres on Independent Lens May 13, tune in or stream, at 10/9c (\u003ca href=\"http://www.pbs.org/independentlens/tv-schedule/?utm_source=toolkit&utm_medium=il2000%2Bsocial%2Boutreach&utm_campaign=local%2Blistings#schedule-local\" target=\"_blank\" rel=\"noopener\">check local listings\u003c/a>) on PBS.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"\"Harvest Season,\" a new PBS documentary, examines the contributions of Mexican Americans in the wine industry of California's Napa Valley.","status":"publish","parent":0,"modified":1557778793,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":559},"headData":{"title":"PBS Film Spotlights Mexican Americans' Role in Napa Valley's Winemaking | KQED","description":""Harvest Season," a new PBS documentary, examines the contributions of Mexican Americans in the wine industry of California's Napa Valley.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"11746598 https://ww2.kqed.org/news/?p=11746598","disqusUrl":"https://ww2.kqed.org/news/2019/05/12/pbs-film-spotlights-mexican-americans-role-in-napa-valleys-winemaking/","disqusTitle":"PBS Film Spotlights Mexican Americans' Role in Napa Valley's Winemaking","source":"Associated Press","nprByline":"Russell Contreras\u003cbr>Associated Press","path":"/news/11746598/pbs-film-spotlights-mexican-americans-role-in-napa-valleys-winemaking","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>For generations, Mexican-born Gustavo Brambila's family has worked in the wine industry of California's Napa Valley in some form.\u003c/p>\n\u003cp>He went to college on a baseball scholarship but the passion of flowery aromas and crisp peach flavor remained in his soul and he eventually got a degree in fermentation sciences.\u003c/p>\n\u003cp>His dream: His own vineyard.\u003c/p>\n\u003cp>Brambila's story and others are the focus of \"\u003ca href=\"http://www.pbs.org/independentlens/films/harvest-season/\" target=\"_blank\" rel=\"noopener\">Harvest Season\u003c/a>,\" a new PBS documentary examining the contributions of Mexican Americans in the wine industry of California's Napa Valley.\u003c/p>\n\u003cp>The film, scheduled to begin airing Monday on most PBS stations as part of the Independent Lens series, shows how the Mexican Americans have shaped the industry as farmworkers and later vineyard owners in one of the richest wine regions in the world.\u003c/p>\n\u003cp>Through the eyes of winemaker Gustavo Brambila, Mexican migrant worker Rene Reyes and wine entrepreneur Vanessa Robledo, the documentary shows how the California wine industry's most silent figures battle weather, climate change and wildfires. They speak of their families' deep roots with vineyards and how it shapes their dreams for the future.\u003c/p>\n\u003cp>Director Bernardo Ruiz said he wanted his project to show that people of Mexican descent have been a part of U.S. history since its founding and winemaker is just one industry where this is evident.\u003c/p>\n\u003cp>\"From the outside, winemaking is very glamorous and it's very romanticized,\" Ruiz said. \"What really drives it is really hard work.\"\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"BxXcd1YgVm5"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In California, those workers tend to be immigrants and Mexican Americans, he said.\u003c/p>\n\u003cp>To be sure, Mexican Americans has played vital roles in the creation and development of vineyards in California, New Mexico and Arizona.\u003c/p>\n\u003cp>But Lilia Soto, an American Studies professor at the University of Wyoming, who grew up in Napa, California, said Mexican Americans especially have been instrumental in the played formation of the Napa Valley as a tourist site by providing the labor and its family connections that go back generations.\u003c/p>\n\u003cp>Those connections help tell the story of the U.S., Ruiz said.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"BxX5pMCFQVw"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>More where this is evident is with Vanessa Robledo. She's the granddaughter of a Mexican migrant worker who came to the U.S. through the Bracero Program — a World War II-era program that sought to give temporary guest contracts to work in the fields. Her grandfather and father ended up in the vineyards.\u003c/p>\n\u003cp>\"My dad would always tell us, 'This is how our family will survive and it's our future,'\" Robledo said.\u003c/p>\n\u003cp>In the documentary, Robledo talks about being pushed out of the family vineyard business because she was female, then finding her own path in the industry.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"BxVoGOlgpf2"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>She guides workers harvesting grapes in the cool of night and walking through the vineyard during the day with a stunning background of rolling hills and distant mountains.\u003c/p>\n\u003cp>Soto, who went to high school with Robledo, said such stories captured the essence of Mexican Napa as opposed to the tourism mecca Napa. \"The film highlights a Napa that is often invisible to most visitors,\" Soto said. \"These invisible people have always been here.\"\u003c/p>\n\u003cp>Harvest Season premieres on Independent Lens May 13, tune in or stream, at 10/9c (\u003ca href=\"http://www.pbs.org/independentlens/tv-schedule/?utm_source=toolkit&utm_medium=il2000%2Bsocial%2Boutreach&utm_campaign=local%2Blistings#schedule-local\" target=\"_blank\" rel=\"noopener\">check local listings\u003c/a>) on PBS.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11746598/pbs-film-spotlights-mexican-americans-role-in-napa-valleys-winemaking","authors":["byline_news_11746598"],"categories":["news_24114","news_8"],"tags":["news_17731","news_17719","news_18142","news_23121","news_6850","news_1400","news_6926"],"featImg":"news_11746738","label":"source_news_11746598"},"news_11630379":{"type":"posts","id":"news_11630379","meta":{"index":"posts_1591205157","site":"news","id":"11630379","score":null,"sort":[1510345012000]},"guestAuthors":[],"slug":"bill-nyes-new-role-defending-science","title":"Bill Nye’s New Role: Defending Science","publishDate":1510345012,"format":"video","headTitle":"KQED Newsroom | KQED News","labelTerm":{"term":7052,"site":"news"},"content":"\u003cp>A generation of kids fell in love with science in the ‘90s, thanks to Bill Nye “The Science Guy.” Now the former PBS host has a new role, taking on what he calls the anti-science movement. A new documentary, “Bill Nye: Science Guy,” reveals the man behind the bow tie and what drives him to defend science and the planet from the threat of climate change. KQED’s Sheraz Sadiq caught up with Bill Nye and filmmaker Jason Sussberg, who co-directed the film.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"A new documentary, “Bill Nye: Science Guy,” reveals the man behind the bow tie and what drives him to defend science.","status":"publish","parent":0,"modified":1510605139,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":93},"headData":{"title":"Bill Nye’s New Role: Defending Science | KQED","description":"A new documentary, “Bill Nye: Science Guy,” reveals the man behind the bow tie and what drives him to defend science.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"11630379 https://ww2.kqed.org/news/?p=11630379","disqusUrl":"https://ww2.kqed.org/news/2017/11/10/bill-nyes-new-role-defending-science/","disqusTitle":"Bill Nye’s New Role: Defending Science","videoEmbed":"https://youtu.be/IzmppymxcEk","path":"/news/11630379/bill-nyes-new-role-defending-science","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>A generation of kids fell in love with science in the ‘90s, thanks to Bill Nye “The Science Guy.” Now the former PBS host has a new role, taking on what he calls the anti-science movement. A new documentary, “Bill Nye: Science Guy,” reveals the man behind the bow tie and what drives him to defend science and the planet from the threat of climate change. KQED’s Sheraz Sadiq caught up with Bill Nye and filmmaker Jason Sussberg, who co-directed the film.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11630379/bill-nyes-new-role-defending-science","authors":["236"],"programs":["news_7052"],"categories":["news_356"],"tags":["news_21963","news_255","news_17731","news_4593","news_20052","news_3187"],"featImg":"news_11630387","label":"news_7052"},"news_11261837":{"type":"posts","id":"news_11261837","meta":{"index":"posts_1591205157","site":"news","id":"11261837","score":null,"sort":[1484185786000]},"guestAuthors":[],"slug":"new-film-wants-your-hopes-and-fears-before-trumps-inauguration","title":"New Film Wants Your Hopes and Fears Before Trump’s Inauguration","publishDate":1484185786,"format":"standard","headTitle":"The California Report | KQED News","labelTerm":{"term":72,"site":"news"},"content":"\u003cp>\u003cem>\u003ca href=\"https://www.73dayslater.com/\">\u003cstrong>\"73 Days Later\"\u003c/strong> \u003c/a>is a new, largely crowdsourced documentary film for which Americans can record their perspectives about the incoming Donald Trump administration, and \u003ca href=\"https://www.73dayslater.com/submit-a-video-1\" target=\"_blank\">submit them to the filmmakers\u003c/a>. We spoke with the film's San Francisco-based director, Maxwell Salvati.\u003c/em>\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/302276805\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>\u003cstrong>Why the title \"73 Days Later?\"\u003c/strong>\u003c/p>\n\u003cp>We're covering everything from Election Day through the inauguration. We wanted to capture an accurate portrait of the country in the 73 days.\u003c/p>\n\u003cp>\u003cstrong>Why did you want to tackle this project?\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Honestly, I didn't come up with the idea until halfway through election night, when I got a bit of a wake-up call. I thought I knew the narrative of our country. I was wrong. I decided to embark on making a film to kind of re-color my spectrum of understanding of who we were. To really listen and communicate and actually tune in with the pulse of our country.\u003c/p>\n\u003cp>I grew up in Los Angeles, went to college in Boston and live in San Francisco. As much as I'd like to say that I'm pretty accepting and knowledgeable of the large swaths of our country, I've lived in bubbles. This project was my way to try and give an accurate portrait of our country in this period to anyone and everyone who wants a platform to share their voice so we can start to communicate and become more united and less divided as a nation. This was my way of beginning that conversation.\u003c/p>\n\u003cp>\u003cstrong>So you’ve got a \u003ca href=\"https://www.73dayslater.com/submit-a-video-1\">website where people can submit videos\u003c/a> from their smartphones or computers between now and Jan. 20, and you’ve got a team of filmmakers doing some interviews as well. Then somehow you’ll stitch them together into a cohesive narrative?\u003c/strong>\u003c/p>\n\u003cp>That's the goal. We are running full force right now with filmmakers and submissions. The narrative of this film has been a little bit elusive. Every week, every cabinet choice, every event that we film, every rally, every film, every protest, every submission we get, it shifts a little bit.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=EDCdZ6u42n8\u003c/p>\n\u003cp>\u003cstrong>What questions are you asking people to answer in these videos?\u003c/strong>\u003c/p>\n\u003cp>One of the questions that has been the most engaging for me has been, 'If you could give Donald Trump one piece of advice, what would it be?' The primary answer from all parties, all affiliations, so far, has been to listen. I think that's one of the most common threads. Everyone, even if they're a Donald Trump supporter or their passionately against him, they don't think he listens. They really want him to step back and just be a little bit more careful with the people and the voices and the lives in this country.\u003c/p>\n\u003cp>Robert Rosendary is doing a thing called the \u003ca href=\"http://savingourfuture.com/2016/12/robert-rosendary-patriots-walk-across-america/\">Patriot Walk\u003c/a>, walking from California to Washington in the 73 days from election to inauguration. He's staunchly Republican and conservative, and he's been very critical of President Barack Obama. And he wants to listen, he wants to hear all perspectives. So it's quite aligned with the goals for our project. We both want to unite, we both want to listen. And we want to do our small part in bringing our country to a place where we can communicate and empathize with each other to get closer.\u003c/p>\n\u003cp>It's an unprecedented time, and it's important that we capture it honestly and carefully, and with the best intentions in mind, which is what we're doing with the film.\u003c/p>\n\u003cp>\u003cstrong>This is supposed to be a nonpartisan, unbiased film. You and the other filmmakers are based in San Francisco, a progressive city, in a state that voted overwhelmingly for Hillary Clinton. Are you worried that may skew the perspectives of the film?\u003c/strong>\u003c/p>\n\u003cp>I'm not worried that it's going to skew it. We've had multiple instances where, as soon as I've done interviews in the streets, people will ask if we're with team Trump. Because we've become so objective in our questioning, and I've been able to check my beliefs at the door.\u003c/p>\n\u003cp>\u003cstrong>I can imagine it would be really cathartic for people participating, getting interviewed or interviewing themselves for this film -- but what are you hoping the viewer will take away from it?\u003c/strong>\u003c/p>\n\u003cp>I'm hoping the film we make allows people to really assess whether or not they have been open and accepting and truly listening. Hearing people about their struggles, their strifes, their fears, their worries, their sorrows. Regardless of political affiliation, everyone wants the same common goal of happiness, and love, and safety, and warmth. And we all have different ways of going about that.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-medium wp-image-11265063\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/01/73Days-800x801.jpg\" alt=\"73days\" width=\"800\" height=\"801\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-520x521.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>In conducting these interviews and seeing the submissions, I can see that and I can feel that. And I'm changed already, in a massive way. I interact with people day to day so much more open and in the moment and present. I hope that same sentiment resonates with people if they see this film at home in the movie theater.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The filmmakers will continue to collect submissions and footage through Jan. 20 and hope to release the film soon after.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The new documentary, ’73 Days Later,’ invites Americans to record their own perspectives on the incoming Trump administration and submit them to the filmmakers.","status":"publish","parent":0,"modified":1484683567,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":913},"headData":{"title":"New Film Wants Your Hopes and Fears Before Trump’s Inauguration | KQED","description":"The new documentary, ’73 Days Later,’ invites Americans to record their own perspectives on the incoming Trump administration and submit them to the filmmakers.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"11261837 http://ww2.kqed.org/news/?p=11261837","disqusUrl":"https://ww2.kqed.org/news/2017/01/11/new-film-wants-your-hopes-and-fears-before-trumps-inauguration/","disqusTitle":"New Film Wants Your Hopes and Fears Before Trump’s Inauguration","path":"/news/11261837/new-film-wants-your-hopes-and-fears-before-trumps-inauguration","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.73dayslater.com/\">\u003cstrong>\"73 Days Later\"\u003c/strong> \u003c/a>is a new, largely crowdsourced documentary film for which Americans can record their perspectives about the incoming Donald Trump administration, and \u003ca href=\"https://www.73dayslater.com/submit-a-video-1\" target=\"_blank\">submit them to the filmmakers\u003c/a>. We spoke with the film's San Francisco-based director, Maxwell Salvati.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/302276805&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/302276805'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Why the title \"73 Days Later?\"\u003c/strong>\u003c/p>\n\u003cp>We're covering everything from Election Day through the inauguration. We wanted to capture an accurate portrait of the country in the 73 days.\u003c/p>\n\u003cp>\u003cstrong>Why did you want to tackle this project?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Honestly, I didn't come up with the idea until halfway through election night, when I got a bit of a wake-up call. I thought I knew the narrative of our country. I was wrong. I decided to embark on making a film to kind of re-color my spectrum of understanding of who we were. To really listen and communicate and actually tune in with the pulse of our country.\u003c/p>\n\u003cp>I grew up in Los Angeles, went to college in Boston and live in San Francisco. As much as I'd like to say that I'm pretty accepting and knowledgeable of the large swaths of our country, I've lived in bubbles. This project was my way to try and give an accurate portrait of our country in this period to anyone and everyone who wants a platform to share their voice so we can start to communicate and become more united and less divided as a nation. This was my way of beginning that conversation.\u003c/p>\n\u003cp>\u003cstrong>So you’ve got a \u003ca href=\"https://www.73dayslater.com/submit-a-video-1\">website where people can submit videos\u003c/a> from their smartphones or computers between now and Jan. 20, and you’ve got a team of filmmakers doing some interviews as well. Then somehow you’ll stitch them together into a cohesive narrative?\u003c/strong>\u003c/p>\n\u003cp>That's the goal. We are running full force right now with filmmakers and submissions. The narrative of this film has been a little bit elusive. Every week, every cabinet choice, every event that we film, every rally, every film, every protest, every submission we get, it shifts a little bit.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EDCdZ6u42n8'\n title='//www.youtube.com/embed/EDCdZ6u42n8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>What questions are you asking people to answer in these videos?\u003c/strong>\u003c/p>\n\u003cp>One of the questions that has been the most engaging for me has been, 'If you could give Donald Trump one piece of advice, what would it be?' The primary answer from all parties, all affiliations, so far, has been to listen. I think that's one of the most common threads. Everyone, even if they're a Donald Trump supporter or their passionately against him, they don't think he listens. They really want him to step back and just be a little bit more careful with the people and the voices and the lives in this country.\u003c/p>\n\u003cp>Robert Rosendary is doing a thing called the \u003ca href=\"http://savingourfuture.com/2016/12/robert-rosendary-patriots-walk-across-america/\">Patriot Walk\u003c/a>, walking from California to Washington in the 73 days from election to inauguration. He's staunchly Republican and conservative, and he's been very critical of President Barack Obama. And he wants to listen, he wants to hear all perspectives. So it's quite aligned with the goals for our project. We both want to unite, we both want to listen. And we want to do our small part in bringing our country to a place where we can communicate and empathize with each other to get closer.\u003c/p>\n\u003cp>It's an unprecedented time, and it's important that we capture it honestly and carefully, and with the best intentions in mind, which is what we're doing with the film.\u003c/p>\n\u003cp>\u003cstrong>This is supposed to be a nonpartisan, unbiased film. You and the other filmmakers are based in San Francisco, a progressive city, in a state that voted overwhelmingly for Hillary Clinton. Are you worried that may skew the perspectives of the film?\u003c/strong>\u003c/p>\n\u003cp>I'm not worried that it's going to skew it. We've had multiple instances where, as soon as I've done interviews in the streets, people will ask if we're with team Trump. Because we've become so objective in our questioning, and I've been able to check my beliefs at the door.\u003c/p>\n\u003cp>\u003cstrong>I can imagine it would be really cathartic for people participating, getting interviewed or interviewing themselves for this film -- but what are you hoping the viewer will take away from it?\u003c/strong>\u003c/p>\n\u003cp>I'm hoping the film we make allows people to really assess whether or not they have been open and accepting and truly listening. Hearing people about their struggles, their strifes, their fears, their worries, their sorrows. Regardless of political affiliation, everyone wants the same common goal of happiness, and love, and safety, and warmth. And we all have different ways of going about that.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-medium wp-image-11265063\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/01/73Days-800x801.jpg\" alt=\"73days\" width=\"800\" height=\"801\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-240x240.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-375x375.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-520x521.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/10/2017/01/73Days-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>In conducting these interviews and seeing the submissions, I can see that and I can feel that. And I'm changed already, in a massive way. I interact with people day to day so much more open and in the moment and present. I hope that same sentiment resonates with people if they see this film at home in the movie theater.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The filmmakers will continue to collect submissions and footage through Jan. 20 and hope to release the film soon after.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11261837/new-film-wants-your-hopes-and-fears-before-trumps-inauguration","authors":["254"],"programs":["news_72"],"categories":["news_223","news_8","news_13"],"tags":["news_17731","news_1323","news_17719","news_20222","news_17286"],"featImg":"news_11261840","label":"news_72"},"news_10452920":{"type":"posts","id":"news_10452920","meta":{"index":"posts_1591205157","site":"news","id":"10452920","score":null,"sort":[1426258835000]},"guestAuthors":[],"slug":"documentary-on-the-wrecking-crew-puts-spotlight-on-rocks-unsung-hit-makers","title":"Documentary on 'The Wrecking Crew' Puts Spotlight on Rock's Unsung Hit-Makers","publishDate":1426258835,"format":"standard","headTitle":"The California Report | KQED News","labelTerm":{"term":72,"site":"news"},"content":"\u003cp>Throughout the 1960s, the recording studios of Los Angeles were churning out hits like clockwork. Everyone knew the vocalists, but \u003cem>not \u003c/em>the musicians who played on the tracks. They were hired guns, one-take wonders, unflappable professionals.\u003c/p>\n\u003cp>They were The Wrecking Crew.\u003c/p>\n\u003cp>This group of elite L.A. studio aces played on hundreds of classic hits. They provided backing tracks for \u003ca href=\"http://www.thebeachboys.com/\">The Beach Boys\u003c/a>,\u003ca title=\"The Byrds\" href=\"http://www.thebyrds.com/\" target=\"_blank\"> The Byrds\u003c/a>, \u003ca title=\"Elvis\" href=\"http://www.elvis.com/\" target=\"_blank\">Elvis Presley\u003c/a>, Frank and \u003ca title=\"Nancy Sinatra\" href=\"http://nancysinatra.com/blog/\" target=\"_blank\">Nancy Sinatra\u003c/a>, and many more. They were \u003ca title=\"Rolling Stone-Phil Spector\" href=\"http://www.rollingstone.com/music/artists/phil-spector/biography\" target=\"_blank\">Phil Spector\u003c/a>’s legendary “Wall of Sound.”\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/195760513\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>Filmmaker Denny Tedesco’s late father, guitarist \u003ca title=\"NY Times\" href=\"http://www.nytimes.com/1997/11/12/arts/tommy-tedesco-67-a-studio-guitarist.html\" target=\"_blank\">Tommy Tedesco\u003c/a>, was a major part of The Crew, and is a major part of his son’s newly released documentary, \"\u003ca title=\"The Wrecking Crew Film\" href=\"http://www.wreckingcrewfilm.com/\" target=\"_blank\">The Wrecking Crew\u003c/a>,\" a film nearly 20 years in the making that reveals the men — and one woman — behind the big names on the record covers.\u003c/p>\n\u003cfigure id=\"attachment_10453064\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1.jpg\">\u003cimg class=\"size-thumbnail wp-image-10453064\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1-400x282.jpg\" alt=\"Hal Blaine and Glen Campbell of The Wrecking Crew. (Photo Courtesy: The Wrecking Crew)\" width=\"400\" height=\"282\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1-400x282.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1-800x565.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1-1440x1016.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1-1180x833.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1-768x542.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1-320x226.jpg 320w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1.jpg 1920w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Drummer Hal Blaine and a not-yet-famous Glen Campbell of The Wrecking Crew. (Photo Courtesy: The Wrecking Crew)\u003c/figcaption>\u003c/figure>\n\u003cp>Director Tedesco says he started his project in 1996 after his father, a notorious three-pack-a-day smoker, was diagnosed with terminal cancer.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“When they said he had a year to live -- and I always wanted to do this story about The Wrecking Crew -- my concern was, if I don’t do it, it’s going to be the biggest regret of my life,” says Tedesco.\u003c/p>\n\u003cp>He began what would be years of interviews, hunting down archival photos and searching out extremely rare footage of the group actually in the studio.\u003c/p>\n\u003cp>“When it came to moving pictures, no one had it,” says Tedesco. “It’s like, if you were working at General Motors, why would you bring a camera to work? Same with these guys. It was work to them.”\u003c/p>\n\u003cp>He did finally discover a home movie a musician had made of the group, footage the player had edited into a porn film from the 1930s as a joke. Tedesco jumped on it.\u003c/p>\n\u003cfigure id=\"attachment_10453065\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut.jpg\">\u003cimg class=\"size-thumbnail wp-image-10453065\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut-400x586.jpg\" alt=\"Filmmaker Denny Tedesco's father, bassist Tommy.\" width=\"400\" height=\"586\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut-400x586.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut-800x1173.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut-1440x2111.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut-1180x1729.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut-768x1126.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut-320x469.jpg 320w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut.jpg 1920w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Filmmaker Denny Tedesco's father, guitarist Tommy Tedesco. (Photo Courtesy: The Wrecking Crew)\u003c/figcaption>\u003c/figure>\n\u003cp>The 19-year production schedule was a result of the first-time director’s do-it-yourself business plan, sustained on friends' donations,\u003ca title=\"Kickstarter-The Wrecking Crew\" href=\"https://www.kickstarter.com/projects/wreckingcrew/the-wrecking-crew-doc-untold-story-of-rock-and-rol\" target=\"_blank\"> Kickstarter\u003c/a> funds and his own wallet. The biggest hurdle was the cost of licensing 110 songs. Hit songs. \u003cem>Big\u003c/em> hit songs, and that’s not cheap.\u003c/p>\n\u003cp class=\"size-thumbnail wp-image-10453064\">“We had a $750,000 bill before we could even release this film [theatrically],” says Tedesco, 53, who had screened a version to great acclaim at SXSW in 2008. “No one was touching us. We still had this thing around our neck. Documentaries don’t sell. Music docs are the worst.”\u003c/p>\n\u003cp>Though helming the film has brought him deep into the world of his father, as a kid Tedesco had no idea his old man was playing on the soundtrack of a generation.\u003c/p>\n\u003cp class=\"size-thumbnail wp-image-10453065\">“Dad just went to work like every other dad,” he explains. “I never saw my dad play guitar at home until ’75 or ’76, when he started doing his own jazz stuff. ’Cause if dad went to work, he was working 12, 14 hours a day, he’s coming home, never saw him turn on the radio, never saw him turn on music, never picked up a guitar. He didn’t have to practice. You know what I mean?”\u003c/p>\n\u003cfigure id=\"attachment_10453051\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/wreckingcrew.carolkaye2.jpg\">\u003cimg class=\"size-thumbnail wp-image-10453051\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/wreckingcrew.carolkaye2-400x586.jpg\" alt=\"Bassist Carol Kaye, the only female member of The Wrecking Crew.\" width=\"400\" height=\"586\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/03/wreckingcrew.carolkaye2-400x586.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/wreckingcrew.carolkaye2-800x1172.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/wreckingcrew.carolkaye2-1440x2110.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/wreckingcrew.carolkaye2-1180x1729.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/wreckingcrew.carolkaye2-768x1125.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/wreckingcrew.carolkaye2-320x469.jpg 320w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bassist Carol Kaye, the only female member of The Wrecking Crew. (Photo Courtesy: The Wrecking Crew)\u003c/figcaption>\u003c/figure>\n\u003cp>The mainly jazz-trained group, which had up to 35 musicians at any one time, included names like future star \u003ca title=\"Glen Campbell\" href=\"http://glencampbellmusic.com/\" target=\"_blank\">Glen Campbell\u003c/a> on guitar, bassist \u003ca title=\"Carol Kaye\" href=\"http://www.carolkaye.com/\" target=\"_blank\">Carol Kaye\u003c/a> (the only female member in this macho bunch) and keyboardist \u003ca title=\"Leon Russell\" href=\"http://www.leonrussellrecords.com/index.shtml\" target=\"_blank\">Leon Russell\u003c/a>. The backbone was drummer\u003ca title=\"Hal Blaine\" href=\"http://www.halblaine.com/\" target=\"_blank\"> Hal Blaine\u003c/a>. If you know the iconic kick drum-snare intro to The \u003ca title=\"Rock & Roll Hall of Fame Inductees-The Ronettes\" href=\"http://rockhall.com/inductees/the-ronettes/bio/\" target=\"_blank\">Ronettes\u003c/a>’ classic “Be My Baby,” you know Blaine.\u003c/p>\n\u003cp>“I just started contracting because people wanted me,” Blaine, 86, recalls. \"We want the drummer that did ‘Be My Baby.’ \"\u003c/p>\n\u003cp>The embryonic rock that Blaine and the others were hired to play was not exactly challenging.\u003c/p>\n\u003cp>“Everything that we did, rock 'n’ roll-wise, was absolutely childish,” says the \u003ca href=\"http://rockhall.com/\" target=\"_blank\">Rock and Roll Hall\u003c/a> of Famer. “You had to play like you did the first time you ever picked up your drumsticks. … You wanted to make the rock 'n’ roll sound like the kids' rock 'n’ roll, but because of our expertise it really made it solid, made it great. We were at the right place at the right time with the right music, and the world jumped on this rock 'n’ roll genre.”\u003c/p>\n\u003cp>\u003ciframe width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/ZV5tgZlTEkQ?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Accounts vary, but Blaine says the name “Wrecking Crew” evolved from older studio musicians' contempt for this raw new music and the casual attitude of these modern players.\u003c/p>\n\u003cp>“They were all classically trained, some of the greatest musicians in Hollywood,” Blaine explains. “They really looked down their noses on us and this terrible, new filthy rock and roll. And it really wasn’t filthy. It was a whole new thing that these guys thought was going to wreck the business.”\u003c/p>\n\u003cp>Some of The Crew’s best-known work was for \u003ca title=\"Brian Wilson\" href=\"http://www.brianwilson.com/\" target=\"_blank\">Brian Wilson\u003c/a> on hits like “Good Vibrations,” “California Girls,” and the landmark \"\u003ca href=\"http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-20120531/the-beach-boys-pet-sounds-20120524\" target=\"_blank\">Pet Sounds\" \u003c/a>album. Keyboardist \u003ca title=\"Don Randi\" href=\"http://www.donrandi.com/home3_v4.html\" target=\"_blank\">Don Randi\u003c/a>’s playing was all over the Beach Boys’ tunes.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=d8rd53WuojE\">https://www.youtube.com/watch?v=d8rd53WuojE\u003c/a>\u003c/p>\n\u003cp>“Brian, you knew he was making a hit but you didn’t know really a lot of times what it was, except one time. It was the song ‘Help Me, Rhonda.’ And we played it through one time, and as we started it the second time, I said, ‘Holy shit, this is a stone-cold hit!’ ”\u003c/p>\n\u003cp>Randi -- whose daughter, Leah Randi, has played bass with Pink -- offers some advice on what it took to cut it as a session player.\u003c/p>\n\u003cp>“Not having an ego would be the first thing,” he offers. “And being able to come up with what they want, even when they don’t know what they want. When we did ‘A Little Less Conversation’ with Elvis, that whole arrangement was done on the bandstand.”\u003c/p>\n\u003cp>\u003ciframe width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/WWVMXLSS1cA?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Though the music wasn’t particularly challenging for a skilled musician like Randi, it wasn’t without impact.\u003c/p>\n\u003cfigure id=\"attachment_10453011\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut.jpg\">\u003cimg class=\"size-thumbnail wp-image-10453011\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut-400x594.jpg\" alt=\"The Wrecking Crew's Don Randi. (Photo Courtesy: The Wrecking Crew)\" width=\"400\" height=\"594\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut-400x594.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut-800x1188.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut-1440x2139.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut-1180x1753.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut-768x1141.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut-320x475.jpg 320w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut.jpg 1920w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Wrecking Crew's Don Randi. Randi played on hits by Nancy Sinatra, the Beach Boys and numerous others.(Photo Courtesy: The Wrecking Crew)\u003c/figcaption>\u003c/figure>\n\u003cp>“I still get the biggest kick out of listening to the radio and sometimes there’ll be five or six in a row, that’s me playing piano, you know? And I enjoyed it. I love the music. I had a great time. A lot of the guys couldn’t stand the music, but I’m proud of it.”\u003c/p>\n\u003cp>Advanced home studios and a changing music industry effectively ended the glory days of the studio session kings. By the ’80s, the members of the Wrecking Crew had gone their separate ways.\u003c/p>\n\u003cp>Randi and a small handful of them still work for hire. Hal Blaine retired to the California desert, and many of the group have died. But Denny Tedesco's film ensures that these people you heard, but never knew, won’t be forgotten.\u003c/p>\n\u003cp>\u003cem>THE WRECKING CREW opens in Los Angeles, Orange County, New York and additional regional cities on March 13. The film will also be available on VOD and iTunes.\u003cstrong> \u003c/strong>\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>http://youtu.be/SX5BCgmr7tg\u003c/p>\n\n","blocks":[],"excerpt":"In the '60s, everyone knew the vocalists on top records. But not the studio musicians who backed them.","status":"publish","parent":0,"modified":1426292311,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":31,"wordCount":1331},"headData":{"title":"Documentary on 'The Wrecking Crew' Puts Spotlight on Rock's Unsung Hit-Makers | KQED","description":"In the '60s, everyone knew the vocalists on top records. But not the studio musicians who backed them.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"10452920 http://ww2.kqed.org/news/?p=10452920","disqusUrl":"https://ww2.kqed.org/news/2015/03/13/documentary-on-the-wrecking-crew-puts-spotlight-on-rocks-unsung-hit-makers/","disqusTitle":"Documentary on 'The Wrecking Crew' Puts Spotlight on Rock's Unsung Hit-Makers","nprByline":"Peter Gilstrap","path":"/news/10452920/documentary-on-the-wrecking-crew-puts-spotlight-on-rocks-unsung-hit-makers","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Throughout the 1960s, the recording studios of Los Angeles were churning out hits like clockwork. Everyone knew the vocalists, but \u003cem>not \u003c/em>the musicians who played on the tracks. They were hired guns, one-take wonders, unflappable professionals.\u003c/p>\n\u003cp>They were The Wrecking Crew.\u003c/p>\n\u003cp>This group of elite L.A. studio aces played on hundreds of classic hits. They provided backing tracks for \u003ca href=\"http://www.thebeachboys.com/\">The Beach Boys\u003c/a>,\u003ca title=\"The Byrds\" href=\"http://www.thebyrds.com/\" target=\"_blank\"> The Byrds\u003c/a>, \u003ca title=\"Elvis\" href=\"http://www.elvis.com/\" target=\"_blank\">Elvis Presley\u003c/a>, Frank and \u003ca title=\"Nancy Sinatra\" href=\"http://nancysinatra.com/blog/\" target=\"_blank\">Nancy Sinatra\u003c/a>, and many more. They were \u003ca title=\"Rolling Stone-Phil Spector\" href=\"http://www.rollingstone.com/music/artists/phil-spector/biography\" target=\"_blank\">Phil Spector\u003c/a>’s legendary “Wall of Sound.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/195760513&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/195760513'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Filmmaker Denny Tedesco’s late father, guitarist \u003ca title=\"NY Times\" href=\"http://www.nytimes.com/1997/11/12/arts/tommy-tedesco-67-a-studio-guitarist.html\" target=\"_blank\">Tommy Tedesco\u003c/a>, was a major part of The Crew, and is a major part of his son’s newly released documentary, \"\u003ca title=\"The Wrecking Crew Film\" href=\"http://www.wreckingcrewfilm.com/\" target=\"_blank\">The Wrecking Crew\u003c/a>,\" a film nearly 20 years in the making that reveals the men — and one woman — behind the big names on the record covers.\u003c/p>\n\u003cfigure id=\"attachment_10453064\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1.jpg\">\u003cimg class=\"size-thumbnail wp-image-10453064\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1-400x282.jpg\" alt=\"Hal Blaine and Glen Campbell of The Wrecking Crew. (Photo Courtesy: The Wrecking Crew)\" width=\"400\" height=\"282\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1-400x282.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1-800x565.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1-1440x1016.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1-1180x833.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1-768x542.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1-320x226.jpg 320w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14500_wreckingcrew.glencampbellhalblaine2-qut1.jpg 1920w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Drummer Hal Blaine and a not-yet-famous Glen Campbell of The Wrecking Crew. (Photo Courtesy: The Wrecking Crew)\u003c/figcaption>\u003c/figure>\n\u003cp>Director Tedesco says he started his project in 1996 after his father, a notorious three-pack-a-day smoker, was diagnosed with terminal cancer.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“When they said he had a year to live -- and I always wanted to do this story about The Wrecking Crew -- my concern was, if I don’t do it, it’s going to be the biggest regret of my life,” says Tedesco.\u003c/p>\n\u003cp>He began what would be years of interviews, hunting down archival photos and searching out extremely rare footage of the group actually in the studio.\u003c/p>\n\u003cp>“When it came to moving pictures, no one had it,” says Tedesco. “It’s like, if you were working at General Motors, why would you bring a camera to work? Same with these guys. It was work to them.”\u003c/p>\n\u003cp>He did finally discover a home movie a musician had made of the group, footage the player had edited into a porn film from the 1930s as a joke. Tedesco jumped on it.\u003c/p>\n\u003cfigure id=\"attachment_10453065\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut.jpg\">\u003cimg class=\"size-thumbnail wp-image-10453065\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut-400x586.jpg\" alt=\"Filmmaker Denny Tedesco's father, bassist Tommy.\" width=\"400\" height=\"586\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut-400x586.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut-800x1173.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut-1440x2111.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut-1180x1729.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut-768x1126.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut-320x469.jpg 320w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14499_wreckingcrew.tommytedesco-qut.jpg 1920w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Filmmaker Denny Tedesco's father, guitarist Tommy Tedesco. (Photo Courtesy: The Wrecking Crew)\u003c/figcaption>\u003c/figure>\n\u003cp>The 19-year production schedule was a result of the first-time director’s do-it-yourself business plan, sustained on friends' donations,\u003ca title=\"Kickstarter-The Wrecking Crew\" href=\"https://www.kickstarter.com/projects/wreckingcrew/the-wrecking-crew-doc-untold-story-of-rock-and-rol\" target=\"_blank\"> Kickstarter\u003c/a> funds and his own wallet. The biggest hurdle was the cost of licensing 110 songs. Hit songs. \u003cem>Big\u003c/em> hit songs, and that’s not cheap.\u003c/p>\n\u003cp class=\"size-thumbnail wp-image-10453064\">“We had a $750,000 bill before we could even release this film [theatrically],” says Tedesco, 53, who had screened a version to great acclaim at SXSW in 2008. “No one was touching us. We still had this thing around our neck. Documentaries don’t sell. Music docs are the worst.”\u003c/p>\n\u003cp>Though helming the film has brought him deep into the world of his father, as a kid Tedesco had no idea his old man was playing on the soundtrack of a generation.\u003c/p>\n\u003cp class=\"size-thumbnail wp-image-10453065\">“Dad just went to work like every other dad,” he explains. “I never saw my dad play guitar at home until ’75 or ’76, when he started doing his own jazz stuff. ’Cause if dad went to work, he was working 12, 14 hours a day, he’s coming home, never saw him turn on the radio, never saw him turn on music, never picked up a guitar. He didn’t have to practice. You know what I mean?”\u003c/p>\n\u003cfigure id=\"attachment_10453051\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/wreckingcrew.carolkaye2.jpg\">\u003cimg class=\"size-thumbnail wp-image-10453051\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/wreckingcrew.carolkaye2-400x586.jpg\" alt=\"Bassist Carol Kaye, the only female member of The Wrecking Crew.\" width=\"400\" height=\"586\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/03/wreckingcrew.carolkaye2-400x586.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/wreckingcrew.carolkaye2-800x1172.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/wreckingcrew.carolkaye2-1440x2110.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/wreckingcrew.carolkaye2-1180x1729.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/wreckingcrew.carolkaye2-768x1125.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/wreckingcrew.carolkaye2-320x469.jpg 320w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bassist Carol Kaye, the only female member of The Wrecking Crew. (Photo Courtesy: The Wrecking Crew)\u003c/figcaption>\u003c/figure>\n\u003cp>The mainly jazz-trained group, which had up to 35 musicians at any one time, included names like future star \u003ca title=\"Glen Campbell\" href=\"http://glencampbellmusic.com/\" target=\"_blank\">Glen Campbell\u003c/a> on guitar, bassist \u003ca title=\"Carol Kaye\" href=\"http://www.carolkaye.com/\" target=\"_blank\">Carol Kaye\u003c/a> (the only female member in this macho bunch) and keyboardist \u003ca title=\"Leon Russell\" href=\"http://www.leonrussellrecords.com/index.shtml\" target=\"_blank\">Leon Russell\u003c/a>. The backbone was drummer\u003ca title=\"Hal Blaine\" href=\"http://www.halblaine.com/\" target=\"_blank\"> Hal Blaine\u003c/a>. If you know the iconic kick drum-snare intro to The \u003ca title=\"Rock & Roll Hall of Fame Inductees-The Ronettes\" href=\"http://rockhall.com/inductees/the-ronettes/bio/\" target=\"_blank\">Ronettes\u003c/a>’ classic “Be My Baby,” you know Blaine.\u003c/p>\n\u003cp>“I just started contracting because people wanted me,” Blaine, 86, recalls. \"We want the drummer that did ‘Be My Baby.’ \"\u003c/p>\n\u003cp>The embryonic rock that Blaine and the others were hired to play was not exactly challenging.\u003c/p>\n\u003cp>“Everything that we did, rock 'n’ roll-wise, was absolutely childish,” says the \u003ca href=\"http://rockhall.com/\" target=\"_blank\">Rock and Roll Hall\u003c/a> of Famer. “You had to play like you did the first time you ever picked up your drumsticks. … You wanted to make the rock 'n’ roll sound like the kids' rock 'n’ roll, but because of our expertise it really made it solid, made it great. We were at the right place at the right time with the right music, and the world jumped on this rock 'n’ roll genre.”\u003c/p>\n\u003cp>\u003ciframe width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/ZV5tgZlTEkQ?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Accounts vary, but Blaine says the name “Wrecking Crew” evolved from older studio musicians' contempt for this raw new music and the casual attitude of these modern players.\u003c/p>\n\u003cp>“They were all classically trained, some of the greatest musicians in Hollywood,” Blaine explains. “They really looked down their noses on us and this terrible, new filthy rock and roll. And it really wasn’t filthy. It was a whole new thing that these guys thought was going to wreck the business.”\u003c/p>\n\u003cp>Some of The Crew’s best-known work was for \u003ca title=\"Brian Wilson\" href=\"http://www.brianwilson.com/\" target=\"_blank\">Brian Wilson\u003c/a> on hits like “Good Vibrations,” “California Girls,” and the landmark \"\u003ca href=\"http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-20120531/the-beach-boys-pet-sounds-20120524\" target=\"_blank\">Pet Sounds\" \u003c/a>album. Keyboardist \u003ca title=\"Don Randi\" href=\"http://www.donrandi.com/home3_v4.html\" target=\"_blank\">Don Randi\u003c/a>’s playing was all over the Beach Boys’ tunes.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=d8rd53WuojE\">https://www.youtube.com/watch?v=d8rd53WuojE\u003c/a>\u003c/p>\n\u003cp>“Brian, you knew he was making a hit but you didn’t know really a lot of times what it was, except one time. It was the song ‘Help Me, Rhonda.’ And we played it through one time, and as we started it the second time, I said, ‘Holy shit, this is a stone-cold hit!’ ”\u003c/p>\n\u003cp>Randi -- whose daughter, Leah Randi, has played bass with Pink -- offers some advice on what it took to cut it as a session player.\u003c/p>\n\u003cp>“Not having an ego would be the first thing,” he offers. “And being able to come up with what they want, even when they don’t know what they want. When we did ‘A Little Less Conversation’ with Elvis, that whole arrangement was done on the bandstand.”\u003c/p>\n\u003cp>\u003ciframe width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/WWVMXLSS1cA?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Though the music wasn’t particularly challenging for a skilled musician like Randi, it wasn’t without impact.\u003c/p>\n\u003cfigure id=\"attachment_10453011\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut.jpg\">\u003cimg class=\"size-thumbnail wp-image-10453011\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut-400x594.jpg\" alt=\"The Wrecking Crew's Don Randi. (Photo Courtesy: The Wrecking Crew)\" width=\"400\" height=\"594\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut-400x594.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut-800x1188.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut-1440x2139.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut-1180x1753.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut-768x1141.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut-320x475.jpg 320w, https://ww2.kqed.org/app/uploads/sites/10/2015/03/RS14504_wreckingcrew.donrandi-qut.jpg 1920w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Wrecking Crew's Don Randi. Randi played on hits by Nancy Sinatra, the Beach Boys and numerous others.(Photo Courtesy: The Wrecking Crew)\u003c/figcaption>\u003c/figure>\n\u003cp>“I still get the biggest kick out of listening to the radio and sometimes there’ll be five or six in a row, that’s me playing piano, you know? And I enjoyed it. I love the music. I had a great time. A lot of the guys couldn’t stand the music, but I’m proud of it.”\u003c/p>\n\u003cp>Advanced home studios and a changing music industry effectively ended the glory days of the studio session kings. By the ’80s, the members of the Wrecking Crew had gone their separate ways.\u003c/p>\n\u003cp>Randi and a small handful of them still work for hire. Hal Blaine retired to the California desert, and many of the group have died. But Denny Tedesco's film ensures that these people you heard, but never knew, won’t be forgotten.\u003c/p>\n\u003cp>\u003cem>THE WRECKING CREW opens in Los Angeles, Orange County, New York and additional regional cities on March 13. The film will also be available on VOD and iTunes.\u003cstrong> \u003c/strong>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SX5BCgmr7tg'\n title='//www.youtube.com/embed/SX5BCgmr7tg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/10452920/documentary-on-the-wrecking-crew-puts-spotlight-on-rocks-unsung-hit-makers","authors":["byline_news_10452920"],"programs":["news_72"],"categories":["news_223","news_8"],"tags":["news_17731","news_1425","news_17286","news_17041"],"featImg":"news_10454052","label":"news_72"},"news_10441335":{"type":"posts","id":"news_10441335","meta":{"index":"posts_1591205157","site":"news","id":"10441335","score":null,"sort":[1424742887000]},"guestAuthors":[],"slug":"cinequest-kicks-off-in-san-jose-with-batkid-begins","title":"Cinequest Kicks off in San Jose With 'Batkid Begins'","publishDate":1424742887,"format":"aside","headTitle":"News Fix | KQED News","labelTerm":{"term":6944,"site":"news"},"content":"\u003cp>There probably won't be a dry eye in San Jose's California Theatre tonight when the international film festival Cinequest opens with \"Batkid Begins: The Wish Heard Around the World.\"\u003c/p>\n\u003cp>It made me tear up and I don't cry easily. San Francisco Police Chief Greg Suhr was sitting in front of me at an earlier private viewing and he was getting misty-eyed, too. Then again, he's in the documentary.\u003c/p>\n\u003cp>The inspiring Bay Area story chronicles how then-5-year-old leukemia patient Miles Scott from Tulelake got his wish to be Batman for the day in San Francisco through Make-A-Wish Greater Bay Area. He then captured the world's heart through social media with nearly 2 billion people.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=l4kiiwqKnSI\u003c/p>\n\u003cp>That was in November 2013. Today, the Bay Area story still resonates in a big way.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"When you hear a story about a person overcoming a situation and the outpouring of love to a boy, that is going to change your day at least,\" said Halfdan Hussey, the CEO of Cinequest.\u003c/p>\n\u003cp>The legacy of the 25-year-old film festival -- running from Feb. 24 to March 8 -- is to empower and inspire, said Hussey. That's why \"Batkid Begins\" opens it.\u003c/p>\n\u003cp>The documentary was written and directed by Dana Nachman, who lives in the Bay Area.\u003c/p>\n\u003cp>\"One thing I really appreciate about Cinequest is that they take Bay Area filmmakers and make us feel at home,\" said Nachman. \"Sometimes film festivals don't care. They want the biggest movie on the planet.\"\u003c/p>\n\u003cp>There will be 91 U.S. and world films premiering at Cinequest this year, from Mexico to China to Argentina.\u003c/p>\n\u003cfigure id=\"attachment_10441467\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/RS14364_image1-qut.jpg\">\u003cimg class=\"size-medium wp-image-10441467\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/RS14364_image1-qut-800x983.jpg\" alt=\"'Batkid Begins' will open the Cinequest Film Festival in San Jose. The poster for the documentary is by iconic poster artist Drew Struzan who drew the posters for Indiana Jones and Star Wars.\" width=\"800\" height=\"983\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/RS14364_image1-qut-800x983.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/RS14364_image1-qut-400x491.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/RS14364_image1-qut-1440x1769.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/RS14364_image1-qut.jpg 1883w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">'Batkid Begins' will open the Cinequest Film Festival in San Jose. The poster for the documentary is by iconic poster artist Drew Struzan, who drew the posters for 'Indiana Jones' and 'Star Wars.' \u003ccite>(Beth Willon/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nachman said she was working on another film the day 25,000 people in San Francisco and 2 billion online rallied around the little boy's wish. She set her mind to telling the story of how this extraordinary event unfolded.\u003c/p>\n\u003cp>She said it was a welcome relief from her previous serious documentaries on victims of terrorism and criminal injustice.\u003c/p>\n\u003cp>Make-A-Wish Greater Bay Area provided most of the real-time video in the documentary\u003c/p>\n\u003cp>\"They had five cameras at the event,\" said Nachman. \"They had hired someone to make a fundraising video for them.\"\u003c/p>\n\u003cp>Nachman said there's a lot of begging involved when making documentaries, and being resourceful played a key role in completing the project.\u003c/p>\n\u003cp>She raised $109,000 through the online global fundraising site Indiegogo. The money covered the cost of the music, animation and some of the panoramic shots using a robotic camera.\u003c/p>\n\u003cp>It all paid off. In the last month, Julia Roberts made public her plans to produce and star in a Hollywood remake of the \"Batkid Begins\" documentary. At a recent private viewing of the documentary, it was hinted that Roberts would play the role of Patricia Wilson, the executive director of Make-A-Wish Greater Bay Area.\u003c/p>\n\u003cp>For now, Nachman is thrilled that Miles Scott is in full remission from leukemia and that his story will open Cinequest.\u003c/p>\n\u003cp>\"I think it's just a huge honor to have your film set the tone for a film festival in a beautiful old theater,\" said Nachman.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More than 100,000 people are expected to attend Cinequest 2015.\u003c/p>\n\n","blocks":[],"excerpt":"There probably will not be a dry eye in the house when the documentary opens at Cinequest Monday night.","status":"publish","parent":0,"modified":1424763035,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":587},"headData":{"title":"Cinequest Kicks off in San Jose With 'Batkid Begins' | KQED","description":"There probably will not be a dry eye in the house when the documentary opens at Cinequest Monday night.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"10441335 http://ww2.kqed.org/news/?p=10441335","disqusUrl":"https://ww2.kqed.org/news/2015/02/23/cinequest-kicks-off-in-san-jose-with-batkid-begins/","disqusTitle":"Cinequest Kicks off in San Jose With 'Batkid Begins'","customPermalink":"2015/02/23/cinequest-kicks-off-in-san-jose-with-batkid-begins/","path":"/news/10441335/cinequest-kicks-off-in-san-jose-with-batkid-begins","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>There probably won't be a dry eye in San Jose's California Theatre tonight when the international film festival Cinequest opens with \"Batkid Begins: The Wish Heard Around the World.\"\u003c/p>\n\u003cp>It made me tear up and I don't cry easily. San Francisco Police Chief Greg Suhr was sitting in front of me at an earlier private viewing and he was getting misty-eyed, too. Then again, he's in the documentary.\u003c/p>\n\u003cp>The inspiring Bay Area story chronicles how then-5-year-old leukemia patient Miles Scott from Tulelake got his wish to be Batman for the day in San Francisco through Make-A-Wish Greater Bay Area. He then captured the world's heart through social media with nearly 2 billion people.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/l4kiiwqKnSI'\n title='//www.youtube.com/embed/l4kiiwqKnSI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>That was in November 2013. Today, the Bay Area story still resonates in a big way.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"When you hear a story about a person overcoming a situation and the outpouring of love to a boy, that is going to change your day at least,\" said Halfdan Hussey, the CEO of Cinequest.\u003c/p>\n\u003cp>The legacy of the 25-year-old film festival -- running from Feb. 24 to March 8 -- is to empower and inspire, said Hussey. That's why \"Batkid Begins\" opens it.\u003c/p>\n\u003cp>The documentary was written and directed by Dana Nachman, who lives in the Bay Area.\u003c/p>\n\u003cp>\"One thing I really appreciate about Cinequest is that they take Bay Area filmmakers and make us feel at home,\" said Nachman. \"Sometimes film festivals don't care. They want the biggest movie on the planet.\"\u003c/p>\n\u003cp>There will be 91 U.S. and world films premiering at Cinequest this year, from Mexico to China to Argentina.\u003c/p>\n\u003cfigure id=\"attachment_10441467\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/RS14364_image1-qut.jpg\">\u003cimg class=\"size-medium wp-image-10441467\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/RS14364_image1-qut-800x983.jpg\" alt=\"'Batkid Begins' will open the Cinequest Film Festival in San Jose. The poster for the documentary is by iconic poster artist Drew Struzan who drew the posters for Indiana Jones and Star Wars.\" width=\"800\" height=\"983\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/RS14364_image1-qut-800x983.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/RS14364_image1-qut-400x491.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/RS14364_image1-qut-1440x1769.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/RS14364_image1-qut.jpg 1883w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">'Batkid Begins' will open the Cinequest Film Festival in San Jose. The poster for the documentary is by iconic poster artist Drew Struzan, who drew the posters for 'Indiana Jones' and 'Star Wars.' \u003ccite>(Beth Willon/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nachman said she was working on another film the day 25,000 people in San Francisco and 2 billion online rallied around the little boy's wish. She set her mind to telling the story of how this extraordinary event unfolded.\u003c/p>\n\u003cp>She said it was a welcome relief from her previous serious documentaries on victims of terrorism and criminal injustice.\u003c/p>\n\u003cp>Make-A-Wish Greater Bay Area provided most of the real-time video in the documentary\u003c/p>\n\u003cp>\"They had five cameras at the event,\" said Nachman. \"They had hired someone to make a fundraising video for them.\"\u003c/p>\n\u003cp>Nachman said there's a lot of begging involved when making documentaries, and being resourceful played a key role in completing the project.\u003c/p>\n\u003cp>She raised $109,000 through the online global fundraising site Indiegogo. The money covered the cost of the music, animation and some of the panoramic shots using a robotic camera.\u003c/p>\n\u003cp>It all paid off. In the last month, Julia Roberts made public her plans to produce and star in a Hollywood remake of the \"Batkid Begins\" documentary. At a recent private viewing of the documentary, it was hinted that Roberts would play the role of Patricia Wilson, the executive director of Make-A-Wish Greater Bay Area.\u003c/p>\n\u003cp>For now, Nachman is thrilled that Miles Scott is in full remission from leukemia and that his story will open Cinequest.\u003c/p>\n\u003cp>\"I think it's just a huge honor to have your film set the tone for a film festival in a beautiful old theater,\" said Nachman.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More than 100,000 people are expected to attend Cinequest 2015.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/10441335/cinequest-kicks-off-in-san-jose-with-batkid-begins","authors":["3207"],"programs":["news_6944"],"categories":["news_8"],"tags":["news_17727","news_17731"],"featImg":"news_10441467","label":"news_6944"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. 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