"Tales of the Town" | CA Housing Deadline | Castro District
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Study: Women Underrepresented in Indie Films, Documentaries (Yes, Still)
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The creators are the hosts of Hella Black Podcast, who have been engaged in social activism in Oakland for many years.\u003c/p>\n\u003cp>Guests:\u003c/p>\n\u003cul>\n\u003cli>Abbas Muntaqim, Hella Black Podcast co-host\u003c/li>\n\u003cli>Delency Parham, Hella Black Podcast co-host\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>CA Housing Deadline\u003c/strong>\u003cbr>\nCalifornia has a goal to build 440,000 new housing units by 2030. Cities and counties were supposed to submit their plans for how they're going to build all those houses, apartments and condominiums this week, but most didn't turn in their homework. In the Bay Area, 80% of agencies missed the deadline. 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We talk to KQED housing reporter Adhiti Bandlamudi about the consequences.\u003c/p>\n\u003cp>\u003cstrong>What Is Going on in SF's Castro District?\u003c/strong>\u003cbr>\nIn recent years, the Castro neighborhood has seen changes: The population is aging, the neighborhood's demographic is changing, and several landmark establishments have closed down. This week, the city's Historic Preservation Commission decided that the Castro Theatre's balcony seats should receive historic landmark designation but did not include the theater's floor seats in its ruling. This comes after a longstanding debate over whether the theater's seats should be preserved or changed once the venue is taken over by Another Planet Entertainment. We interview Bay Area Reporter assistant editor John Ferrannini.\u003c/p>\n\u003cp>\u003cstrong>Something Beautiful: The Book Club of California\u003c/strong>\u003cbr>\nFounded in San Francisco in 1912, the Book Club of California is a nonprofit organization that celebrates the history of the book and book arts. Today, its lectures and library showcase fine printing, book design, literature, California history and more.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11940144/tales-of-the-town-ca-housing-deadline-castro-district","authors":["236"],"programs":["news_7052"],"categories":["news_29992","news_223","news_31795","news_1758","news_18540","news_6266","news_28250","news_8","news_13"],"tags":["news_21077","news_3921","news_29602","news_18880","news_20472","news_21534","news_31456","news_19374","news_18"],"featImg":"news_11940149","label":"news_7052"},"news_11674919":{"type":"posts","id":"news_11674919","meta":{"index":"posts_1591205157","site":"news","id":"11674919","score":null,"sort":[1529100561000]},"guestAuthors":[],"slug":"new-film-explores-going-to-high-school-in-a-san-francisco-jail","title":"New Film Explores Going to High School ... in a San Francisco Jail","publishDate":1529100561,"format":"audio","headTitle":"The California Report | KQED News","labelTerm":{"term":72,"site":"news"},"content":"\u003cp>\u003cem>\u003ca href=\"http://www.thecorridordocumentary.com/\">\"The Corridor\"\u003c/a> is a film about the nation's first high school inside an adult jail. \u003ca href=\"https://www.fivekeyscharter.org/school-locations/\">Five Keys Charter School\u003c/a> enrolls anyone arrested in San Francisco who doesn't have a high school diploma. Most of the students, in county jails for men and women, are awaiting sentencing or haven’t yet been convicted. The documentary follows teachers, students and correctional officers as they navigate how to run a school, or go to school, in a jail.\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=49oUq0pX6SA\u003c/p>\n\u003cp>\u003cem>The film kicks off a new season of \u003ca href=\"https://www.kqed.org/trulyca/\">Truly CA, \u003c/a>KQED's showcase for independently produced documentaries, on June 22 at 8 p.m. on KQED 9. \u003c/em>\u003c/p>\n\u003cp>\u003cem>Sasha Khokha, host of The California Report Magazine, talked with the film’s co-producer/director, Annelise Wunderlich, and Tyson Amir, a teacher at the school who’s also a writer, musician and activist. These are excerpts from that conversation, edited for brevity and clarity.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>On why the film is called “The Corridor”:\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Wunderlich: The whole jail facility is actually built around the educational corridor. It’s the spine of the whole building. Everyone always talks about going down to the corridor, going from their pods [cells] into schools. But for me, it was more about a passage, a path towards freedom, intellectual freedom.\u003c/p>\n\u003cfigure id=\"attachment_11674990\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11674990\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut.jpg\" alt=\"\" width=\"1920\" height=\"1236\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-160x103.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-800x515.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-1020x657.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-1200x773.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-1180x760.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-960x618.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-240x155.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-375x241.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-520x335.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Tyson Amir teaching his government class inside Five Keys Charter School. \u003ccite>(Image from \"The Corridor\")\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003cbr>\nOn teaching inside a jail, instead of a regular high school:\u003c/strong>\u003c/p>\n\u003cp>Amir: One of the things that the school provides is a sense of community, where students can develop self-esteem or just see themselves in a different light. Jail can be a place where dignity and humanity is stripped, so you can go into a classroom space and somebody can say, \"How are you doing today? What do you need? How are you? What are you interested in?\" It breaks up the monotony and the normalized routine of not seeing the humanity in a person.\u003c/p>\n\u003cp>We’re not saviors for anybody. But you develop these intense relationships, because you spend time with people, you see the good in people.\u003c/p>\n\u003cfigure id=\"attachment_11674980\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11674980\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut.jpg\" alt=\"\" width=\"1920\" height=\"1074\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-800x448.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-1020x571.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-1200x671.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-1180x660.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-960x537.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-240x134.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-375x210.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-520x291.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A student in literature class at Five Keys Charter School. \u003ccite>(Image from \"The Corridor\")\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003cbr>\nOn what it’s like to teach when correctional officers can come in and use force on your students when they act out in class:\u003c/strong>\u003c/p>\n\u003cp>Amir: You have conflicts that arise, and law enforcement agents come in to deal with it. I think there could be another way to deal with that. The violence which happens in spaces like that [when students get violent] is not something that's naturally going to come out of people. But when you put people in a situation that's not suitable for them to survive, where they're denied their humanity, denied access to anything that's really important to them, they’re going to respond to those conditions in ways that they normally wouldn't respond. Sometimes we get this stereotype that people in [jail] are animals that are barbaric. These are just people who are trying to figure out how to survive in a place that is not fit for humans to be.\u003c/p>\n\u003cp>\u003cstrong>On seeing your students (some in their 50s and 60s) finally graduate, and get a high school diploma in prison:\u003c/strong>\u003c/p>\n\u003cp>Close to 2,500 people have graduated from Five Keys. And now [the idea has spread] to [17 county jails] across California. Each one of those areas is producing more graduates.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7IwWV2u6-VM\u003c/p>\n\u003cp>\u003cstrong>On filming students like Bethany Vollmer, a 31-year-old mom of six who struggles with addiction: \u003c/strong>Annelise: When we sat down initially, she was much more guarded, and very nervous about sharing her story. I just took that extra time with her, because the more we talked, the more I could see this opening up. She just was very honest, very raw. I think she was clinging to [going to the high school] because it was a time when she could feel self-worth. One of her biggest struggles is self-esteem, just not liking herself, feeling that she’s letting her children and life mentors down. But in school she's very smart. At school, she was having all these teachers validate her intelligence. That became a rock for her. She felt intelligent and smart.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=6lNMyAhVrk4\u003c/p>\n\u003cp>\u003cstrong>\u003cbr>\nOn critics of the idea of a high school within a jail:\u003c/strong>\u003c/p>\n\u003cp>Wunderlich: One thing people don’t realize is that on a financial level, there’s huge cost savings for investing in education for folks instead of just keeping them trapped in this revolving door of incarceration, and getting out and recidivism. Nearly \u003ca href=\"http://www.bjs.gov/content/pub/pdf/ecp.pdf\">70 percent of people in jail nationally don't have a high school diploma\u003c/a>. If you invest upfront in their education, you're greatly reducing their chances of coming back there and increasing their chances of getting a good job. And all of that has a big cost savings for the whole community, not to mention empowering people, repairing families, and helping people make those connections that they need and find the support that they need to thrive.\u003c/p>\n\u003cfigure id=\"attachment_11674992\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11674992 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-800x443.jpg\" alt=\"\" width=\"800\" height=\"443\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-800x443.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-160x89.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-1020x565.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-1200x665.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-1180x654.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-960x532.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-672x372.jpg 672w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-1038x576.jpg 1038w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-240x133.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-375x208.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-520x288.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A soon-to-be-graduate of Five Keys Charter School waits for his turn to get receive his diploma. \u003ccite>(Image from \"The Corridor\")\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What they hope people will take away from the film: \u003c/strong>\u003c/p>\n\u003cp>Wunderlich: I just hope people understand that the folks going through these experiences are not the sum of their mistakes. They’re people. They’re mothers, fathers, grandchildren, grandparents. They’re really like all of us, and they have so many cards stacked against them. Also, I’m really hoping people will understand how childhood trauma has this huge ripple effect. The vast majority of folks we interviewed in the jail had been abused as children, or had grown up in the foster care system, or had parents who are addicts. Recovering from that trauma is a huge lifelong process. It does require all of us to invest in supporting them. If we can’t do it in our public schools, then this is what is going to happen: It’s going to come later on down the line.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Amir: I actually tried to not be included in the film for the first year and a half of the shooting. I didn't ask for any of the cameras to be in my class. But now, I feel that what the film does extremely well is that it dignifies the experience of the men and women instead. Instead of having that stereotype [of] a violent person, a beast, an inmate, you get a chance to see more of who they are and understand how someone can end up in a space like that. And I think that's extremely important. The idea of empathy in our society. I think we need to tap into it a little bit more. This is a film that does that in a very beautiful way. It’s not preachy, it’s not cliche. This is who people are.\u003c/p>\n\n","blocks":[],"excerpt":"\"At 59 years old, I stand up here and I can say, I have finally completed something,\" says Five Keys Charter School graduate.","status":"publish","parent":0,"modified":1529107266,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":1213},"headData":{"title":"New Film Explores Going to High School ... in a San Francisco Jail | KQED","description":""At 59 years old, I stand up here and I can say, I have finally completed something," says Five Keys Charter School graduate.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"New Film Explores Going to High School ... in a San Francisco Jail","datePublished":"2018-06-15T22:09:21.000Z","dateModified":"2018-06-16T00:01:06.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11674919 https://ww2.kqed.org/news/?p=11674919","disqusUrl":"https://ww2.kqed.org/news/2018/06/15/new-film-explores-going-to-high-school-in-a-san-francisco-jail/","disqusTitle":"New Film Explores Going to High School ... in a San Francisco Jail","audioUrl":"https://www.kqed.org/.stream/anon/radio/tcrmag/2018/06/TCRMag20180615c.mp3","path":"/news/11674919/new-film-explores-going-to-high-school-in-a-san-francisco-jail","audioDuration":552000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"http://www.thecorridordocumentary.com/\">\"The Corridor\"\u003c/a> is a film about the nation's first high school inside an adult jail. \u003ca href=\"https://www.fivekeyscharter.org/school-locations/\">Five Keys Charter School\u003c/a> enrolls anyone arrested in San Francisco who doesn't have a high school diploma. Most of the students, in county jails for men and women, are awaiting sentencing or haven’t yet been convicted. The documentary follows teachers, students and correctional officers as they navigate how to run a school, or go to school, in a jail.\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/49oUq0pX6SA'\n title='//www.youtube.com/embed/49oUq0pX6SA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>The film kicks off a new season of \u003ca href=\"https://www.kqed.org/trulyca/\">Truly CA, \u003c/a>KQED's showcase for independently produced documentaries, on June 22 at 8 p.m. on KQED 9. \u003c/em>\u003c/p>\n\u003cp>\u003cem>Sasha Khokha, host of The California Report Magazine, talked with the film’s co-producer/director, Annelise Wunderlich, and Tyson Amir, a teacher at the school who’s also a writer, musician and activist. These are excerpts from that conversation, edited for brevity and clarity.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>On why the film is called “The Corridor”:\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Wunderlich: The whole jail facility is actually built around the educational corridor. It’s the spine of the whole building. Everyone always talks about going down to the corridor, going from their pods [cells] into schools. But for me, it was more about a passage, a path towards freedom, intellectual freedom.\u003c/p>\n\u003cfigure id=\"attachment_11674990\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11674990\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut.jpg\" alt=\"\" width=\"1920\" height=\"1236\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-160x103.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-800x515.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-1020x657.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-1200x773.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-1180x760.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-960x618.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-240x155.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-375x241.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31445_Screen-Shot-2018-06-14-at-4.36.25-PM-qut-520x335.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Tyson Amir teaching his government class inside Five Keys Charter School. \u003ccite>(Image from \"The Corridor\")\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003cbr>\nOn teaching inside a jail, instead of a regular high school:\u003c/strong>\u003c/p>\n\u003cp>Amir: One of the things that the school provides is a sense of community, where students can develop self-esteem or just see themselves in a different light. Jail can be a place where dignity and humanity is stripped, so you can go into a classroom space and somebody can say, \"How are you doing today? What do you need? How are you? What are you interested in?\" It breaks up the monotony and the normalized routine of not seeing the humanity in a person.\u003c/p>\n\u003cp>We’re not saviors for anybody. But you develop these intense relationships, because you spend time with people, you see the good in people.\u003c/p>\n\u003cfigure id=\"attachment_11674980\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11674980\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut.jpg\" alt=\"\" width=\"1920\" height=\"1074\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-800x448.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-1020x571.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-1200x671.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-1180x660.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-960x537.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-240x134.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-375x210.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31440_students-in-Maishas-class_v1_current-qut-520x291.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A student in literature class at Five Keys Charter School. \u003ccite>(Image from \"The Corridor\")\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003cbr>\nOn what it’s like to teach when correctional officers can come in and use force on your students when they act out in class:\u003c/strong>\u003c/p>\n\u003cp>Amir: You have conflicts that arise, and law enforcement agents come in to deal with it. I think there could be another way to deal with that. The violence which happens in spaces like that [when students get violent] is not something that's naturally going to come out of people. But when you put people in a situation that's not suitable for them to survive, where they're denied their humanity, denied access to anything that's really important to them, they’re going to respond to those conditions in ways that they normally wouldn't respond. Sometimes we get this stereotype that people in [jail] are animals that are barbaric. These are just people who are trying to figure out how to survive in a place that is not fit for humans to be.\u003c/p>\n\u003cp>\u003cstrong>On seeing your students (some in their 50s and 60s) finally graduate, and get a high school diploma in prison:\u003c/strong>\u003c/p>\n\u003cp>Close to 2,500 people have graduated from Five Keys. And now [the idea has spread] to [17 county jails] across California. Each one of those areas is producing more graduates.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7IwWV2u6-VM'\n title='//www.youtube.com/embed/7IwWV2u6-VM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>On filming students like Bethany Vollmer, a 31-year-old mom of six who struggles with addiction: \u003c/strong>Annelise: When we sat down initially, she was much more guarded, and very nervous about sharing her story. I just took that extra time with her, because the more we talked, the more I could see this opening up. She just was very honest, very raw. I think she was clinging to [going to the high school] because it was a time when she could feel self-worth. One of her biggest struggles is self-esteem, just not liking herself, feeling that she’s letting her children and life mentors down. But in school she's very smart. At school, she was having all these teachers validate her intelligence. That became a rock for her. She felt intelligent and smart.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6lNMyAhVrk4'\n title='//www.youtube.com/embed/6lNMyAhVrk4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>\u003cbr>\nOn critics of the idea of a high school within a jail:\u003c/strong>\u003c/p>\n\u003cp>Wunderlich: One thing people don’t realize is that on a financial level, there’s huge cost savings for investing in education for folks instead of just keeping them trapped in this revolving door of incarceration, and getting out and recidivism. Nearly \u003ca href=\"http://www.bjs.gov/content/pub/pdf/ecp.pdf\">70 percent of people in jail nationally don't have a high school diploma\u003c/a>. If you invest upfront in their education, you're greatly reducing their chances of coming back there and increasing their chances of getting a good job. And all of that has a big cost savings for the whole community, not to mention empowering people, repairing families, and helping people make those connections that they need and find the support that they need to thrive.\u003c/p>\n\u003cfigure id=\"attachment_11674992\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11674992 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-800x443.jpg\" alt=\"\" width=\"800\" height=\"443\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-800x443.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-160x89.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-1020x565.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-1200x665.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-1180x654.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-960x532.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-672x372.jpg 672w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-1038x576.jpg 1038w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-240x133.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-375x208.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/06/RS31439_student-in-cap-and-gown-smiling_v1_current-qut-520x288.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A soon-to-be-graduate of Five Keys Charter School waits for his turn to get receive his diploma. \u003ccite>(Image from \"The Corridor\")\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What they hope people will take away from the film: \u003c/strong>\u003c/p>\n\u003cp>Wunderlich: I just hope people understand that the folks going through these experiences are not the sum of their mistakes. They’re people. They’re mothers, fathers, grandchildren, grandparents. They’re really like all of us, and they have so many cards stacked against them. Also, I’m really hoping people will understand how childhood trauma has this huge ripple effect. The vast majority of folks we interviewed in the jail had been abused as children, or had grown up in the foster care system, or had parents who are addicts. Recovering from that trauma is a huge lifelong process. It does require all of us to invest in supporting them. If we can’t do it in our public schools, then this is what is going to happen: It’s going to come later on down the line.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Amir: I actually tried to not be included in the film for the first year and a half of the shooting. I didn't ask for any of the cameras to be in my class. But now, I feel that what the film does extremely well is that it dignifies the experience of the men and women instead. Instead of having that stereotype [of] a violent person, a beast, an inmate, you get a chance to see more of who they are and understand how someone can end up in a space like that. And I think that's extremely important. The idea of empathy in our society. I think we need to tap into it a little bit more. This is a film that does that in a very beautiful way. It’s not preachy, it’s not cliche. This is who people are.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11674919/new-film-explores-going-to-high-school-in-a-san-francisco-jail","authors":["254"],"programs":["news_72"],"categories":["news_223","news_6188","news_8"],"tags":["news_19374","news_38"],"featImg":"news_11674979","label":"news_72"},"news_11666479":{"type":"posts","id":"news_11666479","meta":{"index":"posts_1591205157","site":"news","id":"11666479","score":null,"sort":[1525475161000]},"guestAuthors":[],"slug":"lives-well-lived-filmmaker-sky-bergman-features-the-secrets-wisdom-and-wit-of-age","title":"Lives Well Lived: Filmmaker Sky Bergman Features the Secrets, Wisdom and Wit of Age","publishDate":1525475161,"format":"audio","headTitle":"The California Report | KQED News","labelTerm":{"term":72,"site":"news"},"content":"\u003cp>Sky Bergman got the idea for her new documentary, \"\u003ca href=\"https://www.lives-well-lived.com/\" target=\"_blank\" rel=\"noopener\">Lives Well Lived\u003c/a>,\" from her visits with her grandmother, who was still going to the gym as she hit her 100th birthday. She began to collect the stories of other vibrant and dynamic elders, ending up with 40 interviews with seniors ranging in age from 75 to 100 years old, many of them Californians.\u003c/p>\n\u003cp>[vimeo 132338363 w=640 h=360]\u003c/p>\n\u003cp>Bergman is a professor of photography at Cal Poly San Luis Obispo, and this is her first documentary feature. She talked this week with Sasha Khokha, host of The California Report Magazine. Here is some of the best wit and wisdom the seniors shared in the film.\u003c/p>\n\u003cp>“Being kind and being nice to people. No matter where you are and no matter what the situation. It always comes back to you,\" says Evelyn Ricciuti. \"And that’s my philosophy of life, and I love every minute of it. I love life as it is. And that’s why I like to live. I want to live. I want to see more. And learn more.”\u003c/p>\n\u003cfigure id=\"attachment_11666499\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11666499\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-800x452.jpg\" alt=\"\" width=\"800\" height=\"452\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-800x452.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-1020x576.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-1200x678.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-1180x666.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-960x542.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-240x136.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-375x212.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-520x294.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Emmy Cleaves, 86, has been practicing yoga for years. \u003ccite>(Courtesy of Sky Bergman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I teach because I think it’s so important. It’s a passion. It’s an obsession. I want as many people to do yoga as possible because it is a priceless gift you can give to yourself. Health is really where everything is at. The quality of your life is completely governed by the state of your health. At my age, if I hadn’t done yoga, I’d probably be sitting here and be sad and tired.”\u003c/p>\n\u003cfigure id=\"attachment_11666502\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11666502\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-800x640.jpg\" alt=\"\" width=\"800\" height=\"640\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-800x640.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-160x128.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-1020x816.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-1200x960.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-1180x944.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-960x768.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-240x192.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-375x300.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-520x416.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut.jpg 1321w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Blanche Brown, 78, teaches Afro-Haitian dance classes once a week in San Francisco. \u003ccite>(Courtesy of Sky Bergman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"Life goes by so quickly. Most young people are in such a hurry to get to the next part of their life or whatever they're doing. They don't take time to enjoy what's happening right now.\"\u003c/p>\n\u003cfigure id=\"attachment_11666508\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11666508\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-800x566.jpg\" alt=\"\" width=\"800\" height=\"566\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-800x566.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-160x113.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-1020x721.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-1200x849.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-1180x835.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-960x679.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-240x170.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-375x265.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-520x368.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lou Tedone, 92, makes fresh mozzarella from scratch every day for his family's deli. \u003ccite>(Courtesy of Sky Bergman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"Happiness is a state of mind. You can be happy with what you have, or miserable with what you don’t have. You decide.\"\u003c/p>\n\u003cfigure id=\"attachment_11666564\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11666564\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/Rose-Ballestero-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rose Ballestero, 80, is currently completing her PhD at USC. \u003ccite>(Courtesy of Sky Bergman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"No matter what age you are, learning never stops, you still keep learning.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"A new documentary explores what it takes to stay healthy and vibrant well into the golden years.","status":"publish","parent":0,"modified":1525479063,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":418},"headData":{"title":"Lives Well Lived: Filmmaker Sky Bergman Features the Secrets, Wisdom and Wit of Age | KQED","description":"A new documentary explores what it takes to stay healthy and vibrant well into the golden years.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Lives Well Lived: Filmmaker Sky Bergman Features the Secrets, Wisdom and Wit of Age","datePublished":"2018-05-04T23:06:01.000Z","dateModified":"2018-05-05T00:11:03.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11666479 https://ww2.kqed.org/news/?p=11666479","disqusUrl":"https://ww2.kqed.org/news/2018/05/04/lives-well-lived-filmmaker-sky-bergman-features-the-secrets-wisdom-and-wit-of-age/","disqusTitle":"Lives Well Lived: Filmmaker Sky Bergman Features the Secrets, Wisdom and Wit of Age","audioUrl":"https://www.kqed.org/.stream/anon/radio/tcrmag/2018/05/TCRPM20180504b.mp3","path":"/news/11666479/lives-well-lived-filmmaker-sky-bergman-features-the-secrets-wisdom-and-wit-of-age","audioDuration":357000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sky Bergman got the idea for her new documentary, \"\u003ca href=\"https://www.lives-well-lived.com/\" target=\"_blank\" rel=\"noopener\">Lives Well Lived\u003c/a>,\" from her visits with her grandmother, who was still going to the gym as she hit her 100th birthday. She began to collect the stories of other vibrant and dynamic elders, ending up with 40 interviews with seniors ranging in age from 75 to 100 years old, many of them Californians.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"vimeo","attributes":{"named":{"w":"640","h":"360","label":"132338363"},"numeric":["132338363"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bergman is a professor of photography at Cal Poly San Luis Obispo, and this is her first documentary feature. She talked this week with Sasha Khokha, host of The California Report Magazine. Here is some of the best wit and wisdom the seniors shared in the film.\u003c/p>\n\u003cp>“Being kind and being nice to people. No matter where you are and no matter what the situation. It always comes back to you,\" says Evelyn Ricciuti. \"And that’s my philosophy of life, and I love every minute of it. I love life as it is. And that’s why I like to live. I want to live. I want to see more. And learn more.”\u003c/p>\n\u003cfigure id=\"attachment_11666499\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11666499\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-800x452.jpg\" alt=\"\" width=\"800\" height=\"452\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-800x452.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-1020x576.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-1200x678.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-1180x666.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-960x542.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-240x136.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-375x212.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30663_02-Emmy_Cleaves2_preview-qut-520x294.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Emmy Cleaves, 86, has been practicing yoga for years. \u003ccite>(Courtesy of Sky Bergman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I teach because I think it’s so important. It’s a passion. It’s an obsession. I want as many people to do yoga as possible because it is a priceless gift you can give to yourself. Health is really where everything is at. The quality of your life is completely governed by the state of your health. At my age, if I hadn’t done yoga, I’d probably be sitting here and be sad and tired.”\u003c/p>\n\u003cfigure id=\"attachment_11666502\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11666502\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-800x640.jpg\" alt=\"\" width=\"800\" height=\"640\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-800x640.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-160x128.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-1020x816.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-1200x960.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-1180x944.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-960x768.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-240x192.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-375x300.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut-520x416.jpg 520w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30664_03-Blanche-Brownv2_preview-qut.jpg 1321w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Blanche Brown, 78, teaches Afro-Haitian dance classes once a week in San Francisco. \u003ccite>(Courtesy of Sky Bergman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"Life goes by so quickly. Most young people are in such a hurry to get to the next part of their life or whatever they're doing. They don't take time to enjoy what's happening right now.\"\u003c/p>\n\u003cfigure id=\"attachment_11666508\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11666508\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-800x566.jpg\" alt=\"\" width=\"800\" height=\"566\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-800x566.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-160x113.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-1020x721.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-1200x849.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-1180x835.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-960x679.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-240x170.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-375x265.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/RS30665_04-Lou-Tedone_preview-qut-520x368.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lou Tedone, 92, makes fresh mozzarella from scratch every day for his family's deli. \u003ccite>(Courtesy of Sky Bergman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"Happiness is a state of mind. You can be happy with what you have, or miserable with what you don’t have. You decide.\"\u003c/p>\n\u003cfigure id=\"attachment_11666564\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11666564\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/Rose-Ballestero-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/05/Rose-Ballestero-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rose Ballestero, 80, is currently completing her PhD at USC. \u003ccite>(Courtesy of Sky Bergman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"No matter what age you are, learning never stops, you still keep learning.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11666479/lives-well-lived-filmmaker-sky-bergman-features-the-secrets-wisdom-and-wit-of-age","authors":["11412"],"programs":["news_72"],"categories":["news_223","news_8"],"tags":["news_2814","news_19374","news_2081"],"featImg":"news_11666492","label":"news_72"},"news_11649871":{"type":"posts","id":"news_11649871","meta":{"index":"posts_1591205157","site":"news","id":"11649871","score":null,"sort":[1518733638000]},"guestAuthors":[],"slug":"new-documentary-looks-back-at-sf-state-strike-on-50th-anniversary","title":"New Documentary Looks Back At S.F. State Strike on 50th Anniversary","publishDate":1518733638,"format":"video","headTitle":"News Fix | KQED News","labelTerm":{"term":6944,"site":"news"},"content":"\u003cp>During the fall semester of 1968, the Black Student Union at what was then called San Francisco State College presented a list of 10 “non-negotiable” demands to administrators, focusing on the creation of a black studies department and increasing black access to the university. College officials did not grant the demands.\u003c/p>\n\u003cp>So the BSU, along with other student groups organized as the Third World Liberation Front, launched what would become the longest campus strike in U.S. history.\u003c/p>\n\u003cp>The 115-day strike, lasting into late March 1969, led to repeated clashes between students and the hundreds of police officers summoned to campus to impose order. More than 700 students were arrested and scores injured during the strike’s first two months. The standoff led to headline-grabbing confrontations between students on one side and Gov. Ronald Reagan and S.F. State’s acting president on the other.\u003c/p>\n\u003cp>In the end, the strike resulted in the creation of San Francisco State’s College of Ethnic Studies, and touched off a nationwide movement to increase minority access and representation on college campuses.\u003c/p>\n\u003cp>https://vimeo.com/119820421\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>On the 50th anniversary of the 1968 student strike, a new documentary film, \u003ca href=\"http://www.agentsofchangefilm.com/\" target=\"_blank\" rel=\"noopener\">\"Agents of\u003c/a>\u003ca href=\"http://www.agentsofchangefilm.com/\" target=\"_blank\" rel=\"noopener\"> Change,\"\u003c/a> looks back at this defining moment in U.S. history where civil rights, black power and anti-war movements converged to explore the pivotal role that black student activists played in reforming the American university system.\u003c/p>\n\u003cp>KQED News spoke with \u003ca href=\"http://www.agentsofchangefilm.com/producers/\" target=\"_blank\" rel=\"noopener\">filmmakers Frank Dawson and Abby Ginzberg\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>KQED: The 50th anniversary is a nice round number. But looking back at the San Francisco State student strike feels particularly relevant today. Why is it important to look back at these events now?\u003c/strong>\u003c/p>\n\u003cp>Frank Dawson: We are at a critical time in our nation’s history. How we respond is clearly a defining moment. Students have power, but that power is meaningless unless it is exercised in a thoughtful, inclusive, selfless manner. Looking back, there are countless examples from the civil rights and Black Power movements in which students on college campuses across the country risked their educations, future employment and lives for causes they fiercely believed in. Their stories have barely been told, and knowing more about these stories is empowering to students today. Students can effect change, and during the past year as we have shared our film on numerous campuses, Abby and I have seen firsthand how important these historic stories can be.\u003c/p>\n\u003cp>Abby Ginzberg: It is important to reflect on the little-known history that gave rise to the creation of black and ethnic studies programs across the country in the late 1960s because many of these programs have come under attack or are being weakened through the withdrawal of funding. The most poignant example occurred at S.F. State in 2016 when the \u003ca href=\"https://ww2.kqed.org/news/2016/02/24/s-f-states-historic-ethnic-studies-college-may-have-to-cut-courses-faculty/\" target=\"_blank\" rel=\"noopener\">College of Ethnic Studies was facing cuts\u003c/a> that would have resulted in the loss of two faculty positions. What was most inspiring is there was an outcry from the student body, across all disciplines and not solely from ethnic studies majors, that demonstrated how important this program was to everyone.\u003c/p>\n\u003cp>The protests were successful and the cuts were not implemented. It was obvious to me at the time that the importance of the program had burrowed deep into the DNA of the university.\u003c/p>\n\u003cp>\u003cstrong>The S.F. State events of 1968-69 are just part of your film. You also tell the story of protests on the Cornell University campus, where you both were. Give us a brief overview of what unfolded at Cornell and how those events were tied to the S.F. State protests.\u003c/strong>\u003c/p>\n\u003cp>Dawson: James Perkins came to Cornell as president in the early 1960s and was appalled by the minuscule number of black students at the Ithaca campus. To remedy that low enrollment, he established the Committee On Special Educational Projects (COSEP), with a responsibility to identify and enroll Negro and other ethnically underrepresented students whose secondary school performance and entrance exam scores indicated the potential for success at Cornell.\u003c/p>\n\u003cp>By 1968, that population of students included an increasing number of students from densely populated urban areas who had experienced or witnessed urban rebellion in their decaying inner-city streets and were committed to insuring that their own education would benefit their communities. Black students at Cornell increased their demands to include the establishment of a Black Studies Program, which mirrored what was happening at S.F. State and more than 1,000 college campuses across the nation.\u003c/p>\n\u003cp>\u003cstrong>What was it like being on campus in the middle of what turned out to be such historic times? Did it have any lasting impacts on your lives or careers?\u003c/strong>\u003c/p>\n\u003cp>Ginzberg: At the time, it was not obvious we were part of a historical movement. It was just a turbulent time in America and we knew we needed to raise our voices. I was part of SDS (Students for a Democratic Society) when I was a student at Cornell and was involved in the anti-war movement, as well as part of the support group for the black students before, during and after the building takeover. My commitment to fighting for justice came into focus during my time at Cornell and has influenced me throughout the rest of my life. First as a lawyer in San Francisco and then as a \u003ca href=\"http://filmsforjustice.net/\" target=\"_blank\" rel=\"noopener\">documentary filmmaker for the past 30-plus years\u003c/a>, my work has been devoted to issues of race and social justice. I have tried to tell stories about unsung heroes such as federal judge Thelton Henderson, the first African-American lawyer in the Civil Rights Division of the U.S. Justice Department; Cruz Reynoso, the first Latino appointed to the California Supreme Court, and South African anti-apartheid activist and Constitutional Court judge, Albie Sachs. These films have all aired on KQED.\u003c/p>\n\u003cp>\u003cstrong>The title of the film, “Agents of Change,” captures the idea of citizens becoming politically and civically engaged. Do you see any similarities between the turbulent times of the '60s and contemporary movements like Black Lives Matter, Resistance, Women’s March, etc?\u003c/strong>\u003c/p>\n\u003cp>Ginzberg: We are seeing renewed activism at this moment and we all have the potential to be \"agents of change.\" It is heartening to see so many young people in the streets, speaking out against anti-black, anti-women and anti-immigrant sentiments. Each generation has to find their own way of making themselves heard, and today we are seeing a resurgence of activism that is heartwarming to the those of us who have remained fighters for social change since we were in our early 20s. We hope the film will inspire people to see themselves as agents of change.\u003c/p>\n\u003cp>\u003cstrong>What is the biggest lesson that can be learned from the campus civil rights protests 50 years later? \u003c/strong>\u003c/p>\n\u003cp>Ginzberg: The main lesson, I believe, is to not take any of these successes for granted and to understand that each generation may have to fight for these gains all over again. Black and ethnic studies programs are now taken for granted by many students on campuses around the country. Learning that they were forged in struggle by students, not only at S.F. State and Cornell but at over 1,000 campuses in the late 1960s and early 1970s, is critical to efforts to preserve them.\u003c/p>\n\u003cp>Another part of the S.F. State legacy is that in spite of the intervening 50 years, racism is still present on college campuses. Inclusion is still a distant goal, and many campuses are experiencing some of the same issues that led to the protests at S,F. State and Cornell. So in a word, we still have a long way to go.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"http://www.agentsofchangefilm.com/\" target=\"_blank\" rel=\"noopener\">Agents of Change\u003c/a> will be broadcast as part of \u003ca href=\"http://worldchannel.org/programs/episode/arf-s6-603-agents-change/\" target=\"_blank\" rel=\"noopener\">America ReFramed\u003c/a> on Tuesday, Feb. 20, airing on KQED at 5 p.m. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"'Agents of Change' explores the role black student activists played in reforming the American university system.","status":"publish","parent":0,"modified":1525998447,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":23,"wordCount":1320},"headData":{"title":"New Documentary Looks Back At S.F. State Strike on 50th Anniversary | KQED","description":"'Agents of Change' explores the role black student activists played in reforming the American university system.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"New Documentary Looks Back At S.F. State Strike on 50th Anniversary","datePublished":"2018-02-15T22:27:18.000Z","dateModified":"2018-05-11T00:27:27.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11649871 https://ww2.kqed.org/news/?p=11649871","disqusUrl":"https://ww2.kqed.org/news/2018/02/15/new-documentary-looks-back-at-sf-state-strike-on-50th-anniversary/","disqusTitle":"New Documentary Looks Back At S.F. State Strike on 50th Anniversary","videoEmbed":"https://youtu.be/As_P3DueKrY","path":"/news/11649871/new-documentary-looks-back-at-sf-state-strike-on-50th-anniversary","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>During the fall semester of 1968, the Black Student Union at what was then called San Francisco State College presented a list of 10 “non-negotiable” demands to administrators, focusing on the creation of a black studies department and increasing black access to the university. College officials did not grant the demands.\u003c/p>\n\u003cp>So the BSU, along with other student groups organized as the Third World Liberation Front, launched what would become the longest campus strike in U.S. history.\u003c/p>\n\u003cp>The 115-day strike, lasting into late March 1969, led to repeated clashes between students and the hundreds of police officers summoned to campus to impose order. More than 700 students were arrested and scores injured during the strike’s first two months. The standoff led to headline-grabbing confrontations between students on one side and Gov. Ronald Reagan and S.F. State’s acting president on the other.\u003c/p>\n\u003cp>In the end, the strike resulted in the creation of San Francisco State’s College of Ethnic Studies, and touched off a nationwide movement to increase minority access and representation on college campuses.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"vimeoLink","attributes":{"named":{"vimeoId":"119820421"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On the 50th anniversary of the 1968 student strike, a new documentary film, \u003ca href=\"http://www.agentsofchangefilm.com/\" target=\"_blank\" rel=\"noopener\">\"Agents of\u003c/a>\u003ca href=\"http://www.agentsofchangefilm.com/\" target=\"_blank\" rel=\"noopener\"> Change,\"\u003c/a> looks back at this defining moment in U.S. history where civil rights, black power and anti-war movements converged to explore the pivotal role that black student activists played in reforming the American university system.\u003c/p>\n\u003cp>KQED News spoke with \u003ca href=\"http://www.agentsofchangefilm.com/producers/\" target=\"_blank\" rel=\"noopener\">filmmakers Frank Dawson and Abby Ginzberg\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>KQED: The 50th anniversary is a nice round number. But looking back at the San Francisco State student strike feels particularly relevant today. Why is it important to look back at these events now?\u003c/strong>\u003c/p>\n\u003cp>Frank Dawson: We are at a critical time in our nation’s history. How we respond is clearly a defining moment. Students have power, but that power is meaningless unless it is exercised in a thoughtful, inclusive, selfless manner. Looking back, there are countless examples from the civil rights and Black Power movements in which students on college campuses across the country risked their educations, future employment and lives for causes they fiercely believed in. Their stories have barely been told, and knowing more about these stories is empowering to students today. Students can effect change, and during the past year as we have shared our film on numerous campuses, Abby and I have seen firsthand how important these historic stories can be.\u003c/p>\n\u003cp>Abby Ginzberg: It is important to reflect on the little-known history that gave rise to the creation of black and ethnic studies programs across the country in the late 1960s because many of these programs have come under attack or are being weakened through the withdrawal of funding. The most poignant example occurred at S.F. State in 2016 when the \u003ca href=\"https://ww2.kqed.org/news/2016/02/24/s-f-states-historic-ethnic-studies-college-may-have-to-cut-courses-faculty/\" target=\"_blank\" rel=\"noopener\">College of Ethnic Studies was facing cuts\u003c/a> that would have resulted in the loss of two faculty positions. What was most inspiring is there was an outcry from the student body, across all disciplines and not solely from ethnic studies majors, that demonstrated how important this program was to everyone.\u003c/p>\n\u003cp>The protests were successful and the cuts were not implemented. It was obvious to me at the time that the importance of the program had burrowed deep into the DNA of the university.\u003c/p>\n\u003cp>\u003cstrong>The S.F. State events of 1968-69 are just part of your film. You also tell the story of protests on the Cornell University campus, where you both were. Give us a brief overview of what unfolded at Cornell and how those events were tied to the S.F. State protests.\u003c/strong>\u003c/p>\n\u003cp>Dawson: James Perkins came to Cornell as president in the early 1960s and was appalled by the minuscule number of black students at the Ithaca campus. To remedy that low enrollment, he established the Committee On Special Educational Projects (COSEP), with a responsibility to identify and enroll Negro and other ethnically underrepresented students whose secondary school performance and entrance exam scores indicated the potential for success at Cornell.\u003c/p>\n\u003cp>By 1968, that population of students included an increasing number of students from densely populated urban areas who had experienced or witnessed urban rebellion in their decaying inner-city streets and were committed to insuring that their own education would benefit their communities. Black students at Cornell increased their demands to include the establishment of a Black Studies Program, which mirrored what was happening at S.F. State and more than 1,000 college campuses across the nation.\u003c/p>\n\u003cp>\u003cstrong>What was it like being on campus in the middle of what turned out to be such historic times? Did it have any lasting impacts on your lives or careers?\u003c/strong>\u003c/p>\n\u003cp>Ginzberg: At the time, it was not obvious we were part of a historical movement. It was just a turbulent time in America and we knew we needed to raise our voices. I was part of SDS (Students for a Democratic Society) when I was a student at Cornell and was involved in the anti-war movement, as well as part of the support group for the black students before, during and after the building takeover. My commitment to fighting for justice came into focus during my time at Cornell and has influenced me throughout the rest of my life. First as a lawyer in San Francisco and then as a \u003ca href=\"http://filmsforjustice.net/\" target=\"_blank\" rel=\"noopener\">documentary filmmaker for the past 30-plus years\u003c/a>, my work has been devoted to issues of race and social justice. I have tried to tell stories about unsung heroes such as federal judge Thelton Henderson, the first African-American lawyer in the Civil Rights Division of the U.S. Justice Department; Cruz Reynoso, the first Latino appointed to the California Supreme Court, and South African anti-apartheid activist and Constitutional Court judge, Albie Sachs. These films have all aired on KQED.\u003c/p>\n\u003cp>\u003cstrong>The title of the film, “Agents of Change,” captures the idea of citizens becoming politically and civically engaged. Do you see any similarities between the turbulent times of the '60s and contemporary movements like Black Lives Matter, Resistance, Women’s March, etc?\u003c/strong>\u003c/p>\n\u003cp>Ginzberg: We are seeing renewed activism at this moment and we all have the potential to be \"agents of change.\" It is heartening to see so many young people in the streets, speaking out against anti-black, anti-women and anti-immigrant sentiments. Each generation has to find their own way of making themselves heard, and today we are seeing a resurgence of activism that is heartwarming to the those of us who have remained fighters for social change since we were in our early 20s. We hope the film will inspire people to see themselves as agents of change.\u003c/p>\n\u003cp>\u003cstrong>What is the biggest lesson that can be learned from the campus civil rights protests 50 years later? \u003c/strong>\u003c/p>\n\u003cp>Ginzberg: The main lesson, I believe, is to not take any of these successes for granted and to understand that each generation may have to fight for these gains all over again. Black and ethnic studies programs are now taken for granted by many students on campuses around the country. Learning that they were forged in struggle by students, not only at S.F. State and Cornell but at over 1,000 campuses in the late 1960s and early 1970s, is critical to efforts to preserve them.\u003c/p>\n\u003cp>Another part of the S.F. State legacy is that in spite of the intervening 50 years, racism is still present on college campuses. Inclusion is still a distant goal, and many campuses are experiencing some of the same issues that led to the protests at S,F. State and Cornell. So in a word, we still have a long way to go.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"http://www.agentsofchangefilm.com/\" target=\"_blank\" rel=\"noopener\">Agents of Change\u003c/a> will be broadcast as part of \u003ca href=\"http://worldchannel.org/programs/episode/arf-s6-603-agents-change/\" target=\"_blank\" rel=\"noopener\">America ReFramed\u003c/a> on Tuesday, Feb. 20, airing on KQED at 5 p.m. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11649871/new-documentary-looks-back-at-sf-state-strike-on-50th-anniversary","authors":["188","8612"],"programs":["news_6944"],"categories":["news_18540","news_8"],"tags":["news_4750","news_19374","news_1100","news_2200","news_150"],"featImg":"news_11650314","label":"news_6944"},"news_11617329":{"type":"posts","id":"news_11617329","meta":{"index":"posts_1591205157","site":"news","id":"11617329","score":null,"sort":[1505518857000]},"guestAuthors":[],"slug":"co-directors-of-the-vietnam-war-discuss-emotional-interviews","title":"Co-Directors of 'The Vietnam War' Discuss Emotional Interviews","publishDate":1505518857,"format":"video","headTitle":"KQED Newsroom | KQED News","labelTerm":{"term":7052,"site":"news"},"content":"\u003cp>\u003cspan style=\"font-weight: 400\">Decades after the brutal conflict divided soldiers and civilians both on and off the battlefield, filmmakers Ken Burns and Lynn Novick take on the history of the Vietnam War in a 10-part,\u003c/span> \u003cspan style=\"font-weight: 400\">18-hour documentary series. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">The Vietnam War\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> premieres on national PBS on Sunday, Sept. 17 and airs through Sept. 28. Check local listings for exact times.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Co-Directors Ken Burns and Lynn Novick discuss the making of \"The Vietnam War\"","status":"publish","parent":0,"modified":1505518857,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":61},"headData":{"title":"Co-Directors of 'The Vietnam War' Discuss Emotional Interviews | KQED","description":"Co-Directors Ken Burns and Lynn Novick discuss the making of "The Vietnam War"","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Co-Directors of 'The Vietnam War' Discuss Emotional Interviews","datePublished":"2017-09-15T23:40:57.000Z","dateModified":"2017-09-15T23:40:57.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11617329 https://ww2.kqed.org/news/?p=11617329","disqusUrl":"https://ww2.kqed.org/news/2017/09/15/co-directors-of-the-vietnam-war-discuss-emotional-interviews/","disqusTitle":"Co-Directors of 'The Vietnam War' Discuss Emotional Interviews","videoEmbed":"https://youtu.be/cCdyrhV63Gc","path":"/news/11617329/co-directors-of-the-vietnam-war-discuss-emotional-interviews","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Decades after the brutal conflict divided soldiers and civilians both on and off the battlefield, filmmakers Ken Burns and Lynn Novick take on the history of the Vietnam War in a 10-part,\u003c/span> \u003cspan style=\"font-weight: 400\">18-hour documentary series. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">The Vietnam War\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> premieres on national PBS on Sunday, Sept. 17 and airs through Sept. 28. Check local listings for exact times.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11617329/co-directors-of-the-vietnam-war-discuss-emotional-interviews","authors":["236"],"programs":["news_7052"],"categories":["news_8"],"tags":["news_19374","news_5579","news_21618","news_5067"],"featImg":"news_11617331","label":"news_7052"},"news_11617637":{"type":"posts","id":"news_11617637","meta":{"index":"posts_1591205157","site":"news","id":"11617637","score":null,"sort":[1504889969000]},"guestAuthors":[],"slug":"dolores-huerta-and-peter-bratt-on-dolores","title":"Dolores Huerta and Peter Bratt on the Documentary 'Dolores'","publishDate":1504889969,"format":"video","headTitle":"KQED Newsroom | KQED News","labelTerm":{"term":7052,"site":"news"},"content":"\u003cp>The name Cesar Chavez is synonymous with farm worker rights, but Dolores Huerta, the woman who co-founded the United Farm Workers union with Chavez, is not as well-known. The new documentary, Dolores, aims to change that by highlighting the critical role Huerta played, and continues to play, as an activist and civil rights leader.\u003c/p>\n\u003cp>Guests:\u003c/p>\n\u003cul>\n\u003cli>Dolores Huerta, President, Dolores Huerta Foundation\u003c/li>\n\u003cli>Peter Bratt, Director, Dolores\u003c/li>\n\u003c/ul>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The new documentary, Dolores, aims to highlight the critical role Huerta continues to play as a civil rights leader.","status":"publish","parent":0,"modified":1505865009,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":69},"headData":{"title":"Dolores Huerta and Peter Bratt on the Documentary 'Dolores' | KQED","description":"The new documentary, Dolores, aims to highlight the critical role Huerta continues to play as a civil rights leader.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Dolores Huerta and Peter Bratt on the Documentary 'Dolores'","datePublished":"2017-09-08T16:59:29.000Z","dateModified":"2017-09-19T23:50:09.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11617637 https://ww2.kqed.org/news/?p=11617637","disqusUrl":"https://ww2.kqed.org/news/2017/09/08/dolores-huerta-and-peter-bratt-on-dolores/","disqusTitle":"Dolores Huerta and Peter Bratt on the Documentary 'Dolores'","videoEmbed":"https://youtu.be/3SIi0ay0WEo","path":"/news/11617637/dolores-huerta-and-peter-bratt-on-dolores","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The name Cesar Chavez is synonymous with farm worker rights, but Dolores Huerta, the woman who co-founded the United Farm Workers union with Chavez, is not as well-known. The new documentary, Dolores, aims to change that by highlighting the critical role Huerta played, and continues to play, as an activist and civil rights leader.\u003c/p>\n\u003cp>Guests:\u003c/p>\n\u003cul>\n\u003cli>Dolores Huerta, President, Dolores Huerta Foundation\u003c/li>\n\u003cli>Peter Bratt, Director, Dolores\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11617637/dolores-huerta-and-peter-bratt-on-dolores","authors":["236"],"programs":["news_7052"],"categories":["news_1169"],"tags":["news_885","news_19374","news_20052","news_21581","news_1602"],"featImg":"news_11617638","label":"news_7052"},"news_11612928":{"type":"posts","id":"news_11612928","meta":{"index":"posts_1591205157","site":"news","id":"11612928","score":null,"sort":[1503087186000]},"guestAuthors":[],"slug":"california-typewriter-a-love-letter-to-the-carriage-return-lever","title":"'California Typewriter': A Love Letter to the Carriage-Return Lever","publishDate":1503087186,"format":"standard","headTitle":"The California Report | KQED News","labelTerm":{"term":72,"site":"news"},"content":"\u003cp>The typewriter is a marvelous invention because, with proper care, a single unit can last decades. And if you're still using one now, it would have to: Since the mass adoption of personal computers in the 1980s, let's just say the ink on these once-inescapable household items has run dry. The brilliant mechanics, the elegance of pressing a key and leaving an instant, permanent imprint on the page, became obsolete the minute humankind invented the \"delete\" key.\u003c/p>\n\u003cp>But the very impracticality of using a typewriter in the modern era seems to be exactly what has endeared it to a small but fanatical community of writers and collectors, who praise its tactile pleasures and note the imperfections help to preserve the user's original, pre-spellchecked thoughts. Good news for punch-the-keys loyalists who live in the Bay Area: There's a place for you and your fellow old souls to commiserate. \u003ca href=\"http://www.californiatypewriter.com/\">California Typewriter\u003c/a> in Berkeley may not be able to patch over the void in the human soul that the computers have carved out, but the shop \u003cem>can \u003c/em>repair that oft-abused space bar on your 1963 Smith Corona.\u003c/p>\n\u003cp>\u003ca href=\"http://californiatypewritermovie.com/\">\u003cem>California Typewriter\u003c/em>, Doug Nichol's new documentary\u003c/a> of the same name, takes us inside this lonely shop, where we meet soft-spoken proprietor Herb Permillion and his longtime repairman, employee Ken Alexander. Their plain shelves are lined with typewriters of all eras, and folks love to stop by to enter this time capsule — though not enough folks to keep Permillion from musing about selling the place. But the film quickly feeds the paper, as it were, for a larger meditation on the magic of these physical word processors and a solemn reflection on what gets lost along the forward march of technology. It wouldn't be quite right to call this a eulogy, since the movie is as stubborn as its subjects about making space in the modern world for the humble little typewriter. Yet death and decline is certainly on Nichol's mind. How could it not be, when tomorrow's tech — the very same tech that drove out the typewriters in the first place — has taken over the very region where this lone analog holdout resides?\u003c/p>\n\u003cp>Fittingly for a movie about the written (well, typed, anyway) word, \u003cem>California Typewriter \u003c/em>has a literary, essayistic quality. Nichol's background is in music videos and band documentaries, and he links crisply conceived sequences that mimic the synchronized commotion of an actual typewriter. Opening sequences restage \u003cem>Royal Road Test\u003c/em>, a 1967 art project in which Edward Ruscha chucked his machine out the window of a speeding Buick, with the feeling of a dime-store noir that might have been banged out on one of those things. Nichol also follows an uber-collector, the proudly geeky Martin Howard, on a whimsical journey to the site of the first-ever typewriter in Milwaukee. (There's a single plaque to commemorate, but the spot itself has met an ignoble fate as a parking lot.)\u003c/p>\n\u003cp>The first experts on the typewriter were women, since they were required to master the skill to fill secretarial roles. So it's curious and maybe a little too revealing that almost all the subjects in \u003cem>California Typewriter\u003c/em> are men: a sign about who's willing to take the credit for something only after it begins fading into the rearview mirror of history. At least Nichol wrangles an impressive and broad range of enthusiasts, including America's Dad, Tom Hanks, whose philia is so great he often gives away typewriters from his 200-plus collection to friends. And John Mayer, who rambles a while about how computers inhibit the creative process before checking his phone mid-interview. The \u003ca href=\"http://www.npr.org/2017/08/04/541602156/fresh-air-remembers-pulitzer-prize-winning-playwright-and-actor-sam-shepard\">late, great Sam Shepard\u003c/a> also makes an appearance, admiring the handiwork of his Hermes model from Switzerland.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>We also get the Boston Typewriter Orchestra, which pushes the frequently cited \"musicality\" of the tool to its fullest logical extent, and Jeremy Mayer, a sculptor whose pieces are composed entirely of typewriter parts. Mayer takes the machines apart, or scours flea markets for scraps, to make his figurines, which are frequently shaped like sensual females a la Fritz Lang's \u003cem>Metropolis\u003c/em>. He weathers sizable criticism from the typewriter community for destroying the limited number of devices left in the world, but defends his art by claiming what he creates is better than seeing a typewriter sit unused on a shelf for decades.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nichol illuminates these characters with compassion and more heart than you would expect in an ode to a consumer product. These typewriter lovers come off as sad souls in many ways, but in others they seem to be merely goodhearted optimists, perhaps hoping their beloved noisemakers will stage a sustainable, vinyl-like comeback. And seeing what the fast lane has wrought on the human spirit, there's something tempting in the slow-poke keystroke.\u003c/p>\n\n","blocks":[],"excerpt":"Doug Nichol's documentary profiles the stubborn holdouts — collectors, repairmen and a few celebrities — who treasure the tactile pleasures of the humble typewriter.","status":"publish","parent":0,"modified":1503094559,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":820},"headData":{"title":"'California Typewriter': A Love Letter to the Carriage-Return Lever | KQED","description":"Doug Nichol's documentary profiles the stubborn holdouts — collectors, repairmen and a few celebrities — who treasure the tactile pleasures of the humble typewriter.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"'California Typewriter': A Love Letter to the Carriage-Return Lever","datePublished":"2017-08-18T20:13:06.000Z","dateModified":"2017-08-18T22:15:59.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11612928 https://ww2.kqed.org/news/?p=11612928","disqusUrl":"https://ww2.kqed.org/news/2017/08/18/california-typewriter-a-love-letter-to-the-carriage-return-lever/","disqusTitle":"'California Typewriter': A Love Letter to the Carriage-Return Lever","nprByline":"Andrew Lapin","nprImageAgency":"Courtesy of Gravitas Ventures","nprStoryId":"543705747","nprApiLink":"http://api.npr.org/query?id=543705747&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"http://www.npr.org/2017/08/17/543705747/-california-typewriter-a-love-letter-to-the-carriage-return-lever?ft=nprml&f=543705747","nprRetrievedStory":"1","nprPubDate":"Fri, 18 Aug 2017 09:36:00 -0400","nprStoryDate":"Thu, 17 Aug 2017 17:00:00 -0400","nprLastModifiedDate":"Fri, 18 Aug 2017 09:36:19 -0400","path":"/news/11612928/california-typewriter-a-love-letter-to-the-carriage-return-lever","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The typewriter is a marvelous invention because, with proper care, a single unit can last decades. And if you're still using one now, it would have to: Since the mass adoption of personal computers in the 1980s, let's just say the ink on these once-inescapable household items has run dry. The brilliant mechanics, the elegance of pressing a key and leaving an instant, permanent imprint on the page, became obsolete the minute humankind invented the \"delete\" key.\u003c/p>\n\u003cp>But the very impracticality of using a typewriter in the modern era seems to be exactly what has endeared it to a small but fanatical community of writers and collectors, who praise its tactile pleasures and note the imperfections help to preserve the user's original, pre-spellchecked thoughts. Good news for punch-the-keys loyalists who live in the Bay Area: There's a place for you and your fellow old souls to commiserate. \u003ca href=\"http://www.californiatypewriter.com/\">California Typewriter\u003c/a> in Berkeley may not be able to patch over the void in the human soul that the computers have carved out, but the shop \u003cem>can \u003c/em>repair that oft-abused space bar on your 1963 Smith Corona.\u003c/p>\n\u003cp>\u003ca href=\"http://californiatypewritermovie.com/\">\u003cem>California Typewriter\u003c/em>, Doug Nichol's new documentary\u003c/a> of the same name, takes us inside this lonely shop, where we meet soft-spoken proprietor Herb Permillion and his longtime repairman, employee Ken Alexander. Their plain shelves are lined with typewriters of all eras, and folks love to stop by to enter this time capsule — though not enough folks to keep Permillion from musing about selling the place. But the film quickly feeds the paper, as it were, for a larger meditation on the magic of these physical word processors and a solemn reflection on what gets lost along the forward march of technology. It wouldn't be quite right to call this a eulogy, since the movie is as stubborn as its subjects about making space in the modern world for the humble little typewriter. Yet death and decline is certainly on Nichol's mind. How could it not be, when tomorrow's tech — the very same tech that drove out the typewriters in the first place — has taken over the very region where this lone analog holdout resides?\u003c/p>\n\u003cp>Fittingly for a movie about the written (well, typed, anyway) word, \u003cem>California Typewriter \u003c/em>has a literary, essayistic quality. Nichol's background is in music videos and band documentaries, and he links crisply conceived sequences that mimic the synchronized commotion of an actual typewriter. Opening sequences restage \u003cem>Royal Road Test\u003c/em>, a 1967 art project in which Edward Ruscha chucked his machine out the window of a speeding Buick, with the feeling of a dime-store noir that might have been banged out on one of those things. Nichol also follows an uber-collector, the proudly geeky Martin Howard, on a whimsical journey to the site of the first-ever typewriter in Milwaukee. (There's a single plaque to commemorate, but the spot itself has met an ignoble fate as a parking lot.)\u003c/p>\n\u003cp>The first experts on the typewriter were women, since they were required to master the skill to fill secretarial roles. So it's curious and maybe a little too revealing that almost all the subjects in \u003cem>California Typewriter\u003c/em> are men: a sign about who's willing to take the credit for something only after it begins fading into the rearview mirror of history. At least Nichol wrangles an impressive and broad range of enthusiasts, including America's Dad, Tom Hanks, whose philia is so great he often gives away typewriters from his 200-plus collection to friends. And John Mayer, who rambles a while about how computers inhibit the creative process before checking his phone mid-interview. The \u003ca href=\"http://www.npr.org/2017/08/04/541602156/fresh-air-remembers-pulitzer-prize-winning-playwright-and-actor-sam-shepard\">late, great Sam Shepard\u003c/a> also makes an appearance, admiring the handiwork of his Hermes model from Switzerland.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>We also get the Boston Typewriter Orchestra, which pushes the frequently cited \"musicality\" of the tool to its fullest logical extent, and Jeremy Mayer, a sculptor whose pieces are composed entirely of typewriter parts. Mayer takes the machines apart, or scours flea markets for scraps, to make his figurines, which are frequently shaped like sensual females a la Fritz Lang's \u003cem>Metropolis\u003c/em>. He weathers sizable criticism from the typewriter community for destroying the limited number of devices left in the world, but defends his art by claiming what he creates is better than seeing a typewriter sit unused on a shelf for decades.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nichol illuminates these characters with compassion and more heart than you would expect in an ode to a consumer product. These typewriter lovers come off as sad souls in many ways, but in others they seem to be merely goodhearted optimists, perhaps hoping their beloved noisemakers will stage a sustainable, vinyl-like comeback. And seeing what the fast lane has wrought on the human spirit, there's something tempting in the slow-poke keystroke.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11612928/california-typewriter-a-love-letter-to-the-carriage-return-lever","authors":["byline_news_11612928"],"programs":["news_72"],"categories":["news_223","news_8"],"tags":["news_129","news_21489","news_19374","news_17996","news_17286","news_21490"],"featImg":"news_11612929","label":"news_72"},"arts_13263887":{"type":"posts","id":"arts_13263887","meta":{"index":"posts_1591205157","site":"arts","id":"13263887","score":null,"sort":[1495574105000]},"guestAuthors":[],"slug":"study-women-underrepresented-in-indie-films-documentaries-yes-still","title":"Study: Women Underrepresented in Indie Films, Documentaries (Yes, Still)","publishDate":1495574105,"format":"standard","headTitle":"Study: Women Underrepresented in Indie Films, Documentaries (Yes, Still) | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>Since the Golden Age of Hollywood, movies have largely lacked a woman’s perspective. Auteurs like \u003ca href=\"https://wfpp.cdrs.columbia.edu/pioneer/ccp-dorothy-arzner/\" target=\"_blank\" rel=\"noopener noreferrer\">Dorothy Arzner\u003c/a> were rare in the studio system, and 60 years later, things haven’t changed much.\u003c/p>\n\u003cp>According to \u003ca href=\"http://time.com/4087813/female-directors-study/\" target=\"_blank\" rel=\"noopener\">a 2015 San Diego State University study\u003c/a>, just 20 percent of all directors, writers, producers, executive producers, editors and cinematographers working on films released in 2014 were women. A woman didn’t win the Oscar for Best Director until 2010 — and none have won it since.\u003c/p>\n\u003cp>The lack of women at major studios has become such a problem that earlier this year, the \u003ca href=\"http://deadline.com/2017/02/hollywood-studios-female-directors-eeoc-investigation-1201912590/\" target=\"_blank\" rel=\"noopener noreferrer\">federal government threatened to sue the major studios\u003c/a> unless they hired more women.\u003c/p>\n\u003cp>But it’s not just limited to the Hollywood system: a \u003ca href=\"http://womenintvfilm.sdsu.edu/wp-content/uploads/2017/05/2016-17_Women_in_Independent_Film_Report.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">study released last week\u003c/a> by San Diego State University determined that women are also underrepresented in the independent film industry. The university’s Center for the Study of Women in Television & Film looked at 1,472 indie films released in the U.S. last year, and found that women made up just 25 percent of the directors of features, and 33 percent of the directors of documentaries.\u003c/p>\n\u003cfigure id=\"attachment_10286283\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10286283\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/selma02-62452763187ce7260782f661f723bcbc1143130a-e1471475466594-800x450.jpg\" alt=\"Director Ava DuVernay on the set of 'Selma'\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/selma02-62452763187ce7260782f661f723bcbc1143130a-e1471475466594-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/selma02-62452763187ce7260782f661f723bcbc1143130a-e1471475466594-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/selma02-62452763187ce7260782f661f723bcbc1143130a-e1471475466594-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/selma02-62452763187ce7260782f661f723bcbc1143130a-e1471475466594-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/selma02-62452763187ce7260782f661f723bcbc1143130a-e1471475466594-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/selma02-62452763187ce7260782f661f723bcbc1143130a-e1471475466594.jpg 1243w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Director Ava DuVernay on the set of ‘Selma’\u003c/figcaption>\u003c/figure>\n\u003cp>The study also examined 23 major film festivals in the U.S. and found that they favored films made by men. On average, festivals screened three times as many male-directed features, and twice as many male-helmed documentaries.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Inclusion in these festivals provides the vital first step in the public life cycle of films with limited marketing resources, and can boost the reputation of their directors,” says Martha Lauzen, researcher and executive director of the center, and the author of the new study about the lack of opportunities for women on the festival circuit.\u003c/p>\n\u003cp>One of the festivals included in the study was the \u003ca href=\"http://www.sffilm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Film Festival\u003c/a>. Representatives from the festival did not answer KQED’s requests for comment.\u003c/p>\n\u003cp>But there are some bright spots in the study. Lauzen found that the number of women working on films crews is increasing. On projects with women directing last year, women made up 74 percent of the writers, as opposed to only 7 percent on projects directed by men.\u003c/p>\n\u003cfigure id=\"attachment_13290818\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-800x450.jpg\" alt=\"Chief Content Officer, Refinery29, Inc. Amy Emmerich, Tiffany Shlain attend the Women At Sundance Brunch - 2017.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13290818\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chief Content Officer, Refinery29, Inc. Amy Emmerich, Tiffany Shlain attend the Women At Sundance Brunch – 2017.\u003cbr> \u003ccite>( Photo: Alberto E. Rodriguez/Getty Images for Sundance Film Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tiffany Shlain, a local documentarian who founded the Webby Awards, says the disparity between the number of men and women being hired to work on films is blatant. But she doesn’t understand why male crews don’t want more diversity. When making a film, Shlain says she wants to access as many perspectives as possible as it only benefits the picture.\u003c/p>\n\u003cp>“On a whole, there are so many studies that show that when you have a more diverse perspective working on any project, whether it’s corporate board, whether it’s on a creative project, you are going to come to better ideas, more innovation and better reflect our society,” Shlain says.\u003c/p>\n\u003cp>But Shlain says she’s seeing improvement in terms of diversity on film crews. She says expects the trend will continue, thanks to those pushing for change like the \u003ca href=\"https://seejane.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Geena Davis Institute\u003c/a> and \u003ca href=\"http://gamechanger-films.com/\" target=\"_blank\" rel=\"noopener noreferrer\">GAMECHANGER Films\u003c/a>. (Shlain herself works to create a more gender-balanced world through her project, \u003ca href=\"http://www.letitripple.org/films/50-50/5050-day/\" target=\"_blank\" rel=\"noopener noreferrer\">50/50 Day\u003c/a>.)\u003c/p>\n\u003cp>“The way change happens is through awareness, consciousness, talking about it, accountability, doing tactical actions,” Shlain says. “So many people are trying to tackle this issue, and I believe it’s going to change.”\u003c/p>\n\u003cp>Shlain says she doesn’t let the inequalities get in her way as a flimmaker. Her attitude is reminiscent of Kathryn Bigelow, the first, and to date, only woman to win an Oscar for Best Director.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“If there’s specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons,” Bigelow once said. “I can’t change my gender, and I refuse to stop making movies.”\u003c/p>\n\n","blocks":[],"excerpt":"A new San Diego State University study finds gender discrimination still thriving in the movie industry.","status":"publish","parent":0,"modified":1705030569,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":703},"headData":{"title":"Study: Women Underrepresented in Indie Films, Documentaries (Yes, Still) | KQED","description":"A new San Diego State University study finds gender discrimination still thriving in the movie industry.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Study: Women Underrepresented in Indie Films, Documentaries (Yes, Still)","datePublished":"2017-05-23T21:15:05.000Z","dateModified":"2024-01-12T03:36:09.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13263887/study-women-underrepresented-in-indie-films-documentaries-yes-still","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Since the Golden Age of Hollywood, movies have largely lacked a woman’s perspective. Auteurs like \u003ca href=\"https://wfpp.cdrs.columbia.edu/pioneer/ccp-dorothy-arzner/\" target=\"_blank\" rel=\"noopener noreferrer\">Dorothy Arzner\u003c/a> were rare in the studio system, and 60 years later, things haven’t changed much.\u003c/p>\n\u003cp>According to \u003ca href=\"http://time.com/4087813/female-directors-study/\" target=\"_blank\" rel=\"noopener\">a 2015 San Diego State University study\u003c/a>, just 20 percent of all directors, writers, producers, executive producers, editors and cinematographers working on films released in 2014 were women. A woman didn’t win the Oscar for Best Director until 2010 — and none have won it since.\u003c/p>\n\u003cp>The lack of women at major studios has become such a problem that earlier this year, the \u003ca href=\"http://deadline.com/2017/02/hollywood-studios-female-directors-eeoc-investigation-1201912590/\" target=\"_blank\" rel=\"noopener noreferrer\">federal government threatened to sue the major studios\u003c/a> unless they hired more women.\u003c/p>\n\u003cp>But it’s not just limited to the Hollywood system: a \u003ca href=\"http://womenintvfilm.sdsu.edu/wp-content/uploads/2017/05/2016-17_Women_in_Independent_Film_Report.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">study released last week\u003c/a> by San Diego State University determined that women are also underrepresented in the independent film industry. The university’s Center for the Study of Women in Television & Film looked at 1,472 indie films released in the U.S. last year, and found that women made up just 25 percent of the directors of features, and 33 percent of the directors of documentaries.\u003c/p>\n\u003cfigure id=\"attachment_10286283\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10286283\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/12/selma02-62452763187ce7260782f661f723bcbc1143130a-e1471475466594-800x450.jpg\" alt=\"Director Ava DuVernay on the set of 'Selma'\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/selma02-62452763187ce7260782f661f723bcbc1143130a-e1471475466594-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/selma02-62452763187ce7260782f661f723bcbc1143130a-e1471475466594-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/selma02-62452763187ce7260782f661f723bcbc1143130a-e1471475466594-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/selma02-62452763187ce7260782f661f723bcbc1143130a-e1471475466594-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/selma02-62452763187ce7260782f661f723bcbc1143130a-e1471475466594-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/12/selma02-62452763187ce7260782f661f723bcbc1143130a-e1471475466594.jpg 1243w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Director Ava DuVernay on the set of ‘Selma’\u003c/figcaption>\u003c/figure>\n\u003cp>The study also examined 23 major film festivals in the U.S. and found that they favored films made by men. On average, festivals screened three times as many male-directed features, and twice as many male-helmed documentaries.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Inclusion in these festivals provides the vital first step in the public life cycle of films with limited marketing resources, and can boost the reputation of their directors,” says Martha Lauzen, researcher and executive director of the center, and the author of the new study about the lack of opportunities for women on the festival circuit.\u003c/p>\n\u003cp>One of the festivals included in the study was the \u003ca href=\"http://www.sffilm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Film Festival\u003c/a>. Representatives from the festival did not answer KQED’s requests for comment.\u003c/p>\n\u003cp>But there are some bright spots in the study. Lauzen found that the number of women working on films crews is increasing. On projects with women directing last year, women made up 74 percent of the writers, as opposed to only 7 percent on projects directed by men.\u003c/p>\n\u003cfigure id=\"attachment_13290818\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-800x450.jpg\" alt=\"Chief Content Officer, Refinery29, Inc. Amy Emmerich, Tiffany Shlain attend the Women At Sundance Brunch - 2017.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13290818\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Tiffany-Shlain-2-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chief Content Officer, Refinery29, Inc. Amy Emmerich, Tiffany Shlain attend the Women At Sundance Brunch – 2017.\u003cbr> \u003ccite>( Photo: Alberto E. Rodriguez/Getty Images for Sundance Film Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tiffany Shlain, a local documentarian who founded the Webby Awards, says the disparity between the number of men and women being hired to work on films is blatant. But she doesn’t understand why male crews don’t want more diversity. When making a film, Shlain says she wants to access as many perspectives as possible as it only benefits the picture.\u003c/p>\n\u003cp>“On a whole, there are so many studies that show that when you have a more diverse perspective working on any project, whether it’s corporate board, whether it’s on a creative project, you are going to come to better ideas, more innovation and better reflect our society,” Shlain says.\u003c/p>\n\u003cp>But Shlain says she’s seeing improvement in terms of diversity on film crews. She says expects the trend will continue, thanks to those pushing for change like the \u003ca href=\"https://seejane.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Geena Davis Institute\u003c/a> and \u003ca href=\"http://gamechanger-films.com/\" target=\"_blank\" rel=\"noopener noreferrer\">GAMECHANGER Films\u003c/a>. (Shlain herself works to create a more gender-balanced world through her project, \u003ca href=\"http://www.letitripple.org/films/50-50/5050-day/\" target=\"_blank\" rel=\"noopener noreferrer\">50/50 Day\u003c/a>.)\u003c/p>\n\u003cp>“The way change happens is through awareness, consciousness, talking about it, accountability, doing tactical actions,” Shlain says. “So many people are trying to tackle this issue, and I believe it’s going to change.”\u003c/p>\n\u003cp>Shlain says she doesn’t let the inequalities get in her way as a flimmaker. Her attitude is reminiscent of Kathryn Bigelow, the first, and to date, only woman to win an Oscar for Best Director.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“If there’s specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons,” Bigelow once said. “I can’t change my gender, and I refuse to stop making movies.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13263887/study-women-underrepresented-in-indie-films-documentaries-yes-still","authors":["93"],"programs":["arts_1272"],"categories":["arts_74","arts_235"],"tags":["arts_1448","arts_1118","arts_596"],"featImg":"arts_13264943","label":"arts_1272"},"news_10941231":{"type":"posts","id":"news_10941231","meta":{"index":"posts_1591205157","site":"news","id":"10941231","score":null,"sort":[1462114845000]},"guestAuthors":[],"slug":"mothers-of-preservation-frank-zappa-film-project-focuses-on-restoration","title":"Mothers of Preservation: Frank Zappa Film Project Focuses on Restoration","publishDate":1462114845,"format":"standard","headTitle":"The California Report | KQED News","labelTerm":{"term":72,"site":"news"},"content":"\u003cp>It’s not a place many people were allowed to venture. But in 1985, \u003ca href=\"https://www.youtube.com/watch?v=y9amIG2-tp8\">MTV’s Martha Quinn stepped inside \u003c/a>Frank Zappa’s \"Vault\" at his home in the Hollywood Hills.\u003c/p>\n\u003cp>“Tell us what all these tapes are,” Quinn asks, dwarfed by tall shelves filled with row after row of film canisters and reel-to-reel tape boxes.\u003c/p>\n\u003cp>“This is from 'Baby Snakes,' ” says Zappa pointing in one direction.\u003c/p>\n\u003cp>“These are tour tapes from '79 and '80,\" he continues, and on and on.\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/261603075\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>When the boundary-busting, iconoclastic musician and composer died in 1993, he left behind a vast treasure trove of unreleased recordings, works in progress, film footage and more.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It's all warehoused at the Hollywood Hills home he shared with his wife and family for 25 years, and to documentary filmmaker, actor and Zappa fan \u003ca href=\"http://www.imdb.com/name/nm0935664/\">Alex Winter\u003c/a> it’s a mythical, magical place.\u003c/p>\n\u003cfigure id=\"attachment_10941383\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10941383 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/ZAPPA-DOC-Zappa-Alex-Winter-still-13-800x450.jpg\" alt='\"Who the F*@% Is Frank Zappa\" director Alex Winter inside the Frank Zappa Vault at the late musician’s longtime Hollywood Hills home.' width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-Zappa-Alex-Winter-still-13-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-Zappa-Alex-Winter-still-13-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-Zappa-Alex-Winter-still-13.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-Zappa-Alex-Winter-still-13-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-Zappa-Alex-Winter-still-13-960x540.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Who the F*@% Is Frank Zappa' director Alex Winter inside the Frank Zappa Vault at the late musician’s longtime Hollywood Hills home. \u003ccite>(zappamovie.com/Alex Winter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s like the end of 'Raiders of the Lost Ark,' ” Winter says. “Master tapes, concert recordings, rehearsals, other musical ephemera, and it goes back to the '50s.”\u003c/p>\n\u003cp>Winter now has full access to the Zappa Vault, thanks to a deal struck with Zappa’s wife, Gail, who passed away late last year, and the \u003ca href=\"http://www.zappa.com/\">Zappa Family Trust\u003c/a>.\u003c/p>\n\u003cp>While there have been numerous \u003ca href=\"https://www.youtube.com/watch?v=wQG3JLxfLdc\">Zappa concert films and documentaries\u003c/a> before, Winter’s film \u003ca href=\"http://www.zappamovie.com/about\">“Who the F*@% is Frank Zappa?”\u003c/a> aims to be the first that explores the man with help from unseen and unheard material from Zappa’s own private stash.\u003c/p>\n\u003cfigure id=\"attachment_10941274\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10941274 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/ZAPPA-DOC-KEY-ART-Zappa-courtesy-of-zappamoviedotcom-800x600.jpg\" alt=\"Art work for the forthcoming documentary \" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-KEY-ART-Zappa-courtesy-of-zappamoviedotcom-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-KEY-ART-Zappa-courtesy-of-zappamoviedotcom-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-KEY-ART-Zappa-courtesy-of-zappamoviedotcom-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-KEY-ART-Zappa-courtesy-of-zappamoviedotcom-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-KEY-ART-Zappa-courtesy-of-zappamoviedotcom-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-KEY-ART-Zappa-courtesy-of-zappamoviedotcom.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artwork for the forthcoming documentary, \"Who the F*@% Is Frank Zappa?\" \u003ccite>(zappamovie.com/Alex Winter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Gail said, 'You know, we love your idea, we would like you to be able to have access to the Vault,' which they had never granted to anyone before, which was good news and bad,” says Winter, who also directed \"Downloaded,\" an acclaimed 2013 documentary about the trials of the music file sharing site Napster. “Good news because I was going to get material that no one had never seen.”\u003c/p>\n\u003cp>The not so good news: combing through miles of uncataloged film and audiotape, some at risk of deterioration.\u003c/p>\n\u003cp>“Largely film stock, which is extremely sensitive, and certain very old forms of audio that Zappa had, like, hand spliced,” Winter says.\u003c/p>\n\u003cp>The Zappa archives had not been sitting fallow in the attic of his home all these years. Even before his death, Zappa had begun the arduous work of transferring older material onto more modern tape formats. There’s also an official appointed Zappa archivist, Joe Travers, who has helped shepherd numerous posthumous releases.\u003c/p>\n\u003cfigure id=\"attachment_10941277\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10941277 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/ZAPPA-montage-800x600.jpg\" alt=\"Montage of original Frank Zappa LP's\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-montage-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-montage-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-montage.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-montage-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-montage-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Montage of original Frank Zappa LPs from the reporter's personal collection. \u003ccite>(Steven Cuevas / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But now that Winter is aboard to make the documentary, special attention is being given to the material most at risk of deterioration and to the piles of unlabeled tapes that no one has a clue about.\u003c/p>\n\u003cp>So, earlier this year Winter launched a Kickstarter campaign to raise $500,000 to begin a renewed preservation effort. More than twice that rolled in before the campaign ended.\u003c/p>\n\u003cp>“We made enough money so we could put our arms around it and just take the whole chunk and get it done,\" Winter says.\u003c/p>\n\u003cp>What’s mined from the thousands of hours of film and audiotape will help shape the direction of the film.\u003c/p>\n\u003cp>“I'm not trying to make what should be a nine-part (PBS) Ken Burns series,” Winter says. “Because I don't have a hard and fast answer as to who he was. That becomes the journey that I get to take with the (film).”\u003c/p>\n\u003cp>Winter aims to explore the myriad contradictions of Zappa as an artist, social satirist, activist/agitator and family man.\u003c/p>\n\u003cp>\"We want to make a film about the paradoxes,” Winter says.\u003c/p>\n\u003cp>On the one hand, there’s the regimented, note-perfect orchestral composer, and on the other, the \u003ca href=\"https://www.youtube.com/watch?v=qi37ziNab_g\">shredding self-taught guitar improviser\u003c/a> who jammed with John Lennon and Eric Clapton and even caught the attention of Jimi Hendrix.\u003c/p>\n\u003cp>“It's me against the laws of nature,” Zappa said about his improvised guitar solos an in a \u003ca href=\"https://www.youtube.com/watch?v=_X8_NPHUX0w\">1984 TV interview\u003c/a>. “I don't know what I'm going to play, don't know what I'm going to do. I know roughly how long I have to do it, and it's a game where you have a piece of time you get to decorate it.”\u003c/p>\n\u003cp>“There’s the paradox of the improv guitar player and the rigorous composer who needed the notes played properly,” Winter says. “And his ability to ride completely opposing ideas simultaneously. And I think this is part of the flow of who he was as a person.”\u003c/p>\n\u003cp>There’s the sober, clear-eyed bandleader who barred musicians from doing drugs on the road, yet chain-smoked for years. There’s the devoted husband and father who was also a notoriously lascivious songwriter renowned for hilariously risque lyrics and a fondness for groupies.\u003c/p>\n\u003cfigure id=\"attachment_10941279\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10941279\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/ZAPP-DOC-gail-in-kitchen-800x448.jpg\" alt=\"Gail Zappa during an interview for Alex Winter’s film in the Zappa family’s Hollywood Hills home shortly before her death in November 2015. \" width=\"800\" height=\"448\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPP-DOC-gail-in-kitchen-800x448.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPP-DOC-gail-in-kitchen-400x224.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPP-DOC-gail-in-kitchen-1920x1074.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPP-DOC-gail-in-kitchen-1180x660.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPP-DOC-gail-in-kitchen-960x537.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gail Zappa during an interview for Alex Winter’s film in the Zappa family’s Hollywood Hills home shortly before her death in November 2015. \u003ccite>(zappamovie.com / Alex Winter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For better or worse, if there’s one Zappa song people know it’s probably \"\u003ca href=\"https://www.youtube.com/watch?v=ufYYOXiEtxM\">Valley Girl\u003c/a>,\" the surprise 1982 Grammy Award-nominated hit he recorded with his then 14-year-old daughter, Moon, satirizing the vapid teenage lingo of affluent San Fernando Valley teenage girls.\u003c/p>\n\u003cp>Moon and the three other Zappa children are again at the center of the Zappa universe -- this time over her and brother Dweezil’s apparent disapproval of Winter’s fundraising campaign and their reluctance to be involved with the documentary.\u003c/p>\n\u003cp>Moon and Dweezil have taken to social media in recent weeks, distancing themselves from the project.\u003c/p>\n\u003cp>“I had spoken to both Dweezil and Moon about my plans, and I had assumed I was going to have their participation and there was no opposition at that point,” Winter says. “It's an internal family issue, and in all honesty it's really none of my business. We’re getting on with the preservation work, and then I'll get on with the movie and hopefully I'll be able to have some resolution with them.”\u003c/p>\n\u003cp>Winter is moving forward with the blessing of Zappa’s other children, Ahmet and Diva, and of Gail Zappa herself, who sat down for multiple on-camera interviews before her death on Oct. 7, 2015.\u003c/p>\n\u003cp>And what might Zappa himself think of all the hubbub over his legacy? Well, you can take the following comments with however many grains of salt you wish.\u003c/p>\n\u003cfigure id=\"attachment_10941280\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10941280\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/zappa-doc-ZAPPA-60S-photo-proof-Courtesy-of-Zappa-Family-Trust-01-800x536.jpg\" alt=\"A proof sheet from the photoshoot for the Mothers of Invention album \" width=\"800\" height=\"536\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/zappa-doc-ZAPPA-60S-photo-proof-Courtesy-of-Zappa-Family-Trust-01-800x536.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/zappa-doc-ZAPPA-60S-photo-proof-Courtesy-of-Zappa-Family-Trust-01-400x268.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/zappa-doc-ZAPPA-60S-photo-proof-Courtesy-of-Zappa-Family-Trust-01-1180x791.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/zappa-doc-ZAPPA-60S-photo-proof-Courtesy-of-Zappa-Family-Trust-01-960x644.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/zappa-doc-ZAPPA-60S-photo-proof-Courtesy-of-Zappa-Family-Trust-01.jpg 1584w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A proof sheet from the photo shoot for the Mothers of Invention album 'Lumpy Gravy' (circa early 1967). Frank’s selections are in red wax pencil. \u003ccite>(Courtesy of the Zappa Family Trust)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s not important to even be remembered,” a visibly ill Zappa said \u003ca href=\"https://www.youtube.com/watch?v=UDYzuwG-gOE\">on the \"Today\" show \u003c/a>in 1993 shortly before his death from prostate cancer at the age of 52.\u003c/p>\n\u003cp>“I mean the people who worry about being remembered are guys like (presidents) Reagan, Bush, and they’ll spend a lot of money to make sure that remembrance is just terrific.”\u003c/p>\n\u003cp>And for Frank Zappa?\u003c/p>\n\u003cp>“I don’t care,” he said.\u003c/p>\n\u003cp>“However,” says Alex Winter, “all you need to do is walk into that Vault and see the extraordinary degree of energy that he specifically put into archiving his work.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>It's an effort that not only paved the way for Winter’s film, but an \u003ca href=\"http://www.rollingstone.com/music/news/frank-zappas-family-plans-massive-new-release-schedule-20150729\">ongoing project \u003c/a>by Zappa’s estate to make sure many of his unreleased recordings eventually see the light of day.\u003c/p>\n\n","blocks":[],"excerpt":"When the musician died in 1993, he left behind a trove of unreleased recordings, works in progress, film footage and more.","status":"publish","parent":0,"modified":1461985235,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":39,"wordCount":1404},"headData":{"title":"Mothers of Preservation: Frank Zappa Film Project Focuses on Restoration | KQED","description":"When the musician died in 1993, he left behind a trove of unreleased recordings, works in progress, film footage and more.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Mothers of Preservation: Frank Zappa Film Project Focuses on Restoration","datePublished":"2016-05-01T15:00:45.000Z","dateModified":"2016-04-30T03:00:35.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"10941231 http://ww2.kqed.org/news/?p=10941231","disqusUrl":"https://ww2.kqed.org/news/2016/05/01/mothers-of-preservation-frank-zappa-film-project-focuses-on-restoration/","disqusTitle":"Mothers of Preservation: Frank Zappa Film Project Focuses on Restoration","path":"/news/10941231/mothers-of-preservation-frank-zappa-film-project-focuses-on-restoration","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s not a place many people were allowed to venture. But in 1985, \u003ca href=\"https://www.youtube.com/watch?v=y9amIG2-tp8\">MTV’s Martha Quinn stepped inside \u003c/a>Frank Zappa’s \"Vault\" at his home in the Hollywood Hills.\u003c/p>\n\u003cp>“Tell us what all these tapes are,” Quinn asks, dwarfed by tall shelves filled with row after row of film canisters and reel-to-reel tape boxes.\u003c/p>\n\u003cp>“This is from 'Baby Snakes,' ” says Zappa pointing in one direction.\u003c/p>\n\u003cp>“These are tour tapes from '79 and '80,\" he continues, and on and on.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/261603075&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/261603075'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>When the boundary-busting, iconoclastic musician and composer died in 1993, he left behind a vast treasure trove of unreleased recordings, works in progress, film footage and more.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It's all warehoused at the Hollywood Hills home he shared with his wife and family for 25 years, and to documentary filmmaker, actor and Zappa fan \u003ca href=\"http://www.imdb.com/name/nm0935664/\">Alex Winter\u003c/a> it’s a mythical, magical place.\u003c/p>\n\u003cfigure id=\"attachment_10941383\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10941383 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/ZAPPA-DOC-Zappa-Alex-Winter-still-13-800x450.jpg\" alt='\"Who the F*@% Is Frank Zappa\" director Alex Winter inside the Frank Zappa Vault at the late musician’s longtime Hollywood Hills home.' width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-Zappa-Alex-Winter-still-13-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-Zappa-Alex-Winter-still-13-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-Zappa-Alex-Winter-still-13.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-Zappa-Alex-Winter-still-13-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-Zappa-Alex-Winter-still-13-960x540.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">'Who the F*@% Is Frank Zappa' director Alex Winter inside the Frank Zappa Vault at the late musician’s longtime Hollywood Hills home. \u003ccite>(zappamovie.com/Alex Winter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s like the end of 'Raiders of the Lost Ark,' ” Winter says. “Master tapes, concert recordings, rehearsals, other musical ephemera, and it goes back to the '50s.”\u003c/p>\n\u003cp>Winter now has full access to the Zappa Vault, thanks to a deal struck with Zappa’s wife, Gail, who passed away late last year, and the \u003ca href=\"http://www.zappa.com/\">Zappa Family Trust\u003c/a>.\u003c/p>\n\u003cp>While there have been numerous \u003ca href=\"https://www.youtube.com/watch?v=wQG3JLxfLdc\">Zappa concert films and documentaries\u003c/a> before, Winter’s film \u003ca href=\"http://www.zappamovie.com/about\">“Who the F*@% is Frank Zappa?”\u003c/a> aims to be the first that explores the man with help from unseen and unheard material from Zappa’s own private stash.\u003c/p>\n\u003cfigure id=\"attachment_10941274\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10941274 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/ZAPPA-DOC-KEY-ART-Zappa-courtesy-of-zappamoviedotcom-800x600.jpg\" alt=\"Art work for the forthcoming documentary \" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-KEY-ART-Zappa-courtesy-of-zappamoviedotcom-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-KEY-ART-Zappa-courtesy-of-zappamoviedotcom-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-KEY-ART-Zappa-courtesy-of-zappamoviedotcom-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-KEY-ART-Zappa-courtesy-of-zappamoviedotcom-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-KEY-ART-Zappa-courtesy-of-zappamoviedotcom-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-DOC-KEY-ART-Zappa-courtesy-of-zappamoviedotcom.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artwork for the forthcoming documentary, \"Who the F*@% Is Frank Zappa?\" \u003ccite>(zappamovie.com/Alex Winter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Gail said, 'You know, we love your idea, we would like you to be able to have access to the Vault,' which they had never granted to anyone before, which was good news and bad,” says Winter, who also directed \"Downloaded,\" an acclaimed 2013 documentary about the trials of the music file sharing site Napster. “Good news because I was going to get material that no one had never seen.”\u003c/p>\n\u003cp>The not so good news: combing through miles of uncataloged film and audiotape, some at risk of deterioration.\u003c/p>\n\u003cp>“Largely film stock, which is extremely sensitive, and certain very old forms of audio that Zappa had, like, hand spliced,” Winter says.\u003c/p>\n\u003cp>The Zappa archives had not been sitting fallow in the attic of his home all these years. Even before his death, Zappa had begun the arduous work of transferring older material onto more modern tape formats. There’s also an official appointed Zappa archivist, Joe Travers, who has helped shepherd numerous posthumous releases.\u003c/p>\n\u003cfigure id=\"attachment_10941277\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10941277 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/ZAPPA-montage-800x600.jpg\" alt=\"Montage of original Frank Zappa LP's\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-montage-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-montage-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-montage.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-montage-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPPA-montage-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Montage of original Frank Zappa LPs from the reporter's personal collection. \u003ccite>(Steven Cuevas / KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But now that Winter is aboard to make the documentary, special attention is being given to the material most at risk of deterioration and to the piles of unlabeled tapes that no one has a clue about.\u003c/p>\n\u003cp>So, earlier this year Winter launched a Kickstarter campaign to raise $500,000 to begin a renewed preservation effort. More than twice that rolled in before the campaign ended.\u003c/p>\n\u003cp>“We made enough money so we could put our arms around it and just take the whole chunk and get it done,\" Winter says.\u003c/p>\n\u003cp>What’s mined from the thousands of hours of film and audiotape will help shape the direction of the film.\u003c/p>\n\u003cp>“I'm not trying to make what should be a nine-part (PBS) Ken Burns series,” Winter says. “Because I don't have a hard and fast answer as to who he was. That becomes the journey that I get to take with the (film).”\u003c/p>\n\u003cp>Winter aims to explore the myriad contradictions of Zappa as an artist, social satirist, activist/agitator and family man.\u003c/p>\n\u003cp>\"We want to make a film about the paradoxes,” Winter says.\u003c/p>\n\u003cp>On the one hand, there’s the regimented, note-perfect orchestral composer, and on the other, the \u003ca href=\"https://www.youtube.com/watch?v=qi37ziNab_g\">shredding self-taught guitar improviser\u003c/a> who jammed with John Lennon and Eric Clapton and even caught the attention of Jimi Hendrix.\u003c/p>\n\u003cp>“It's me against the laws of nature,” Zappa said about his improvised guitar solos an in a \u003ca href=\"https://www.youtube.com/watch?v=_X8_NPHUX0w\">1984 TV interview\u003c/a>. “I don't know what I'm going to play, don't know what I'm going to do. I know roughly how long I have to do it, and it's a game where you have a piece of time you get to decorate it.”\u003c/p>\n\u003cp>“There’s the paradox of the improv guitar player and the rigorous composer who needed the notes played properly,” Winter says. “And his ability to ride completely opposing ideas simultaneously. And I think this is part of the flow of who he was as a person.”\u003c/p>\n\u003cp>There’s the sober, clear-eyed bandleader who barred musicians from doing drugs on the road, yet chain-smoked for years. There’s the devoted husband and father who was also a notoriously lascivious songwriter renowned for hilariously risque lyrics and a fondness for groupies.\u003c/p>\n\u003cfigure id=\"attachment_10941279\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10941279\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/ZAPP-DOC-gail-in-kitchen-800x448.jpg\" alt=\"Gail Zappa during an interview for Alex Winter’s film in the Zappa family’s Hollywood Hills home shortly before her death in November 2015. \" width=\"800\" height=\"448\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPP-DOC-gail-in-kitchen-800x448.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPP-DOC-gail-in-kitchen-400x224.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPP-DOC-gail-in-kitchen-1920x1074.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPP-DOC-gail-in-kitchen-1180x660.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/ZAPP-DOC-gail-in-kitchen-960x537.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gail Zappa during an interview for Alex Winter’s film in the Zappa family’s Hollywood Hills home shortly before her death in November 2015. \u003ccite>(zappamovie.com / Alex Winter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For better or worse, if there’s one Zappa song people know it’s probably \"\u003ca href=\"https://www.youtube.com/watch?v=ufYYOXiEtxM\">Valley Girl\u003c/a>,\" the surprise 1982 Grammy Award-nominated hit he recorded with his then 14-year-old daughter, Moon, satirizing the vapid teenage lingo of affluent San Fernando Valley teenage girls.\u003c/p>\n\u003cp>Moon and the three other Zappa children are again at the center of the Zappa universe -- this time over her and brother Dweezil’s apparent disapproval of Winter’s fundraising campaign and their reluctance to be involved with the documentary.\u003c/p>\n\u003cp>Moon and Dweezil have taken to social media in recent weeks, distancing themselves from the project.\u003c/p>\n\u003cp>“I had spoken to both Dweezil and Moon about my plans, and I had assumed I was going to have their participation and there was no opposition at that point,” Winter says. “It's an internal family issue, and in all honesty it's really none of my business. We’re getting on with the preservation work, and then I'll get on with the movie and hopefully I'll be able to have some resolution with them.”\u003c/p>\n\u003cp>Winter is moving forward with the blessing of Zappa’s other children, Ahmet and Diva, and of Gail Zappa herself, who sat down for multiple on-camera interviews before her death on Oct. 7, 2015.\u003c/p>\n\u003cp>And what might Zappa himself think of all the hubbub over his legacy? Well, you can take the following comments with however many grains of salt you wish.\u003c/p>\n\u003cfigure id=\"attachment_10941280\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10941280\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/zappa-doc-ZAPPA-60S-photo-proof-Courtesy-of-Zappa-Family-Trust-01-800x536.jpg\" alt=\"A proof sheet from the photoshoot for the Mothers of Invention album \" width=\"800\" height=\"536\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/zappa-doc-ZAPPA-60S-photo-proof-Courtesy-of-Zappa-Family-Trust-01-800x536.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/zappa-doc-ZAPPA-60S-photo-proof-Courtesy-of-Zappa-Family-Trust-01-400x268.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/zappa-doc-ZAPPA-60S-photo-proof-Courtesy-of-Zappa-Family-Trust-01-1180x791.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/zappa-doc-ZAPPA-60S-photo-proof-Courtesy-of-Zappa-Family-Trust-01-960x644.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/zappa-doc-ZAPPA-60S-photo-proof-Courtesy-of-Zappa-Family-Trust-01.jpg 1584w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A proof sheet from the photo shoot for the Mothers of Invention album 'Lumpy Gravy' (circa early 1967). Frank’s selections are in red wax pencil. \u003ccite>(Courtesy of the Zappa Family Trust)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s not important to even be remembered,” a visibly ill Zappa said \u003ca href=\"https://www.youtube.com/watch?v=UDYzuwG-gOE\">on the \"Today\" show \u003c/a>in 1993 shortly before his death from prostate cancer at the age of 52.\u003c/p>\n\u003cp>“I mean the people who worry about being remembered are guys like (presidents) Reagan, Bush, and they’ll spend a lot of money to make sure that remembrance is just terrific.”\u003c/p>\n\u003cp>And for Frank Zappa?\u003c/p>\n\u003cp>“I don’t care,” he said.\u003c/p>\n\u003cp>“However,” says Alex Winter, “all you need to do is walk into that Vault and see the extraordinary degree of energy that he specifically put into archiving his work.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It's an effort that not only paved the way for Winter’s film, but an \u003ca href=\"http://www.rollingstone.com/music/news/frank-zappas-family-plans-massive-new-release-schedule-20150729\">ongoing project \u003c/a>by Zappa’s estate to make sure many of his unreleased recordings eventually see the light of day.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/10941231/mothers-of-preservation-frank-zappa-film-project-focuses-on-restoration","authors":["2600"],"programs":["news_72"],"categories":["news_223","news_8"],"tags":["news_19374","news_17286","news_17041"],"featImg":"news_10941268","label":"news_72"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. 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