Honoring a Stanford Legend and the Park That Is Part of His Legacy
'We Are Black. We Just Speak Spanish': Why Some Afro Latinos Want More Visibility During Black History Month
Black History Month Art Removed After Parents Complain
Preserving the History of the Black Panthers Close to Home
From the Archive: Maya Angelou Hosts 1968 Series 'Blacks, Blues, Black!'
From the Archive: Bayview-Hunters Point Backs S.F. State Strike, December 1968
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You can hear her work on \u003ca href=\"https://www.npr.org/search?query=Rachael%20Myrow&page=1\">NPR\u003c/a>, \u003ca href=\"https://theworld.org/people/rachael-myrow\">The World\u003c/a>, WBUR's \u003ca href=\"https://www.wbur.org/search?q=Rachael%20Myrow\">\u003ci>Here & Now\u003c/i>\u003c/a> and the BBC. \u003c/i>She also guest hosts for KQED's \u003ci>\u003ca href=\"https://www.kqed.org/forum/tag/rachael-myrow\">Forum\u003c/a>\u003c/i>. Over the years, she's talked with Kamau Bell, David Byrne, Kamala Harris, Tony Kushner, Armistead Maupin, Van Dyke Parks, Arnold Schwarzenegger and Tommie Smith, among others.\r\n\r\nBefore all this, she hosted \u003cem>The California Report\u003c/em> for 7+ years, reporting on topics like \u003ca href=\"https://soundcloud.com/rmyrow/on-a-mission-to-reform-assisted-living\">assisted living facilities\u003c/a>, the \u003ca href=\"https://www.npr.org/sections/alltechconsidered/2014/12/01/367703789/amazon-unleashes-robot-army-to-send-your-holiday-packages-faster\">robot takeover\u003c/a> of Amazon, and \u003ca href=\"https://www.kqed.org/bayareabites/50822/in-search-of-the-chocolate-persimmon\" rel=\"noopener noreferrer\">chocolate persimmons\u003c/a>.\r\n\r\nAwards? Sure: Peabody, Edward R. Murrow, Regional Edward R. Murrow, RTNDA, Northern California RTNDA, SPJ Northern California Chapter, LA Press Club, Golden Mic. Prior to joining KQED, Rachael worked in Los Angeles at KPCC and Marketplace. She holds degrees in English and journalism from UC Berkeley (where she got her start in public radio on KALX-FM).\r\n\r\nOutside of the studio, you'll find Rachael hiking Bay Area trails and whipping up Instagram-ready meals in her kitchen.","avatar":"https://secure.gravatar.com/avatar/87bf8cb5874e045cdff430523a6d48b1?s=600&d=blank&r=g","twitter":"rachaelmyrow","facebook":null,"instagram":null,"linkedin":"https://www.linkedin.com/in/rachaelmyrow/","sites":[{"site":"arts","roles":["administrator"]},{"site":"news","roles":["edit_others_posts","editor"]},{"site":"futureofyou","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"stateofhealth","roles":["editor"]},{"site":"science","roles":["editor"]},{"site":"food","roles":["editor"]},{"site":"forum","roles":["editor"]}],"headData":{"title":"Rachael Myrow | KQED","description":"Senior Editor of KQED's Silicon Valley News Desk","ogImgSrc":"https://secure.gravatar.com/avatar/87bf8cb5874e045cdff430523a6d48b1?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/87bf8cb5874e045cdff430523a6d48b1?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/rachael-myrow"},"sdirks":{"type":"authors","id":"7239","meta":{"index":"authors_1591205172","id":"7239","found":true},"name":"Sandhya Dirks","firstName":"Sandhya","lastName":"Dirks","slug":"sdirks","email":"sdirks@kqed.org","display_author_email":true,"staff_mastheads":[],"title":null,"bio":"Sandhya Dirks was the race and equity reporter at KQED. She approaches race and equity not as a beat, but as a fundamental lens for all investigative and explanatory reporting.\r\n\r\nSandhya covered policing, housing, social justice movements, and the shifting demographics of cities and suburbs.\r\n\r\nShe was the creator and co-host of the podcast American Suburb, about the transformation of suburbia into the most diverse space in American life. She was the editor for Truth Be Told, an advice show for and by people of color. \r\n\r\nHer stories about race, space, and belonging were part of KQED's So Well Spoken project, which won RNDTA's Kaleidoscope award, honoring outstanding achievements in the coverage of diversity.\r\n\r\nPrior to joining KQED in 2015, Sandhya covered the 2012 presidential election from the swing state of Iowa for Iowa Public Radio. At KPBS in San Diego, she broke the story of a sexual harassment scandal that led to the mayor's resignation.\r\n\r\nShe got her start in radio working on documentaries about Oakland that investigated the high drop-out rate in public schools and mistrust between the police and the community.\r\n\r\nSandhya lives in Oakland and believes all stories are stories about power.","avatar":"https://secure.gravatar.com/avatar/c0247cb15929cd4c197672fd73d45300?s=600&d=blank&r=g","twitter":"audiosand","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"news","roles":["subscriber"]},{"site":"stateofhealth","roles":["author"]}],"headData":{"title":"Sandhya Dirks | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/c0247cb15929cd4c197672fd73d45300?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/c0247cb15929cd4c197672fd73d45300?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/sdirks"},"btorres":{"type":"authors","id":"11666","meta":{"index":"authors_1591205172","id":"11666","found":true},"name":"Blanca Torres","firstName":"Blanca","lastName":"Torres","slug":"btorres","email":"btorres@kqed.org","display_author_email":true,"staff_mastheads":["news"],"title":"Producer, Forum","bio":"Blanca Torres brings sharp news judgement and keen sense of lively conversation to her work as producer for Forum. She loves producing shows that leave listeners feeling like they heard distinctive voices, learned something new and gained a fresh perspective.\r\n\r\nShe joined KQED in January of 2020 after 16 years of working as a newspaper reporter most recently at the \u003cem>San Francisco Business Times,\u003c/em> where she wrote about real estate and economic development. Before that, she covered a variety of beats including crime, education, retail, workplace, the economy, consumer issues, and small business for the \u003cem>Contra Costa Times, Baltimore Sun\u003c/em> and\u003cem> The Seattle Times\u003c/em>. In addition to reporting, she worked as an editorial writer and columnist for the \u003cem>Seattle Times\u003c/em>. From 2017 to 2020, Blanca won a total of ten awards from the National Association of Real Estate Editors and won first place for land use reporting from the California News Publishers Association two years in a row. She is also a member and former board member for the National Association of Hispanic Journalists.\r\n\r\nA native of the Pacific Northwest, Blanca earned her bachelor's degree from Vanderbilt University in Nashville and a master's in fine arts in creative writing at Mills College. She lives in the East Bay with her family.","avatar":"https://secure.gravatar.com/avatar/f2322ff46076d337f7ba731ee6068cb1?s=600&d=blank&r=g","twitter":"@blancawrites","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"forum","roles":["editor"]}],"headData":{"title":"Blanca Torres | KQED","description":"Producer, Forum","ogImgSrc":"https://secure.gravatar.com/avatar/f2322ff46076d337f7ba731ee6068cb1?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/f2322ff46076d337f7ba731ee6068cb1?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/btorres"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"news","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"news_11940861":{"type":"posts","id":"news_11940861","meta":{"index":"posts_1591205157","site":"news","id":"11940861","score":null,"sort":[1676401240000]},"guestAuthors":[],"slug":"honoring-a-stanford-legend-and-the-park-that-is-part-of-his-legacy","title":"Honoring a Stanford Legend and the Park That Is Part of His Legacy","publishDate":1676401240,"format":"standard","headTitle":"KQED News","labelTerm":{"site":"news"},"content":"\u003cp>As part of Black History Month, the San Mateo County Parks Department is inviting people to Sam McDonald Park to experience a hike created in honor of Stanford University’s first Black grounds superintendent and \u003ca href=\"https://www.greenbelt.org/blog/a-giant-among-the-redwoods/\">the only Black man to own property in the California redwoods\u003c/a>, Emanuel B. \"Sam\" McDonald.[pullquote size=\"medium\" align=\"right\" citation=\"Katherine Wright, park ranger, San Mateo County Parks Department\"]'I think he just had a huge impact on the Stanford community as well as San Mateo County and leaving this wonderful place behind for so many people to enjoy and experience.'[/pullquote]\u003c/p>\n\u003cp>The 850-acre park is located approximately 3 miles west of La Honda on Pescadero Creek Road and offers a contrast of lush, pinewood forest in the northwest along with open grassy ridges and brush in the southeast, with vistas of the Pacific Ocean. But the main attraction in February is the hike created by Park Ranger Katherine Wright that celebrates the legacy of Sam McDonald and includes a visit to his cabin retreat in La Honda, which he bought in 1919.\u003c/p>\n\u003cp>“I just love bringing people down to his home, Chee-Chee-Wa-Wa,” said Wright, referring to the name that McDonald, who was one-eighth Choctaw, gave his home. “It's just a beautiful respite in the redwoods. Unfortunately, it’s in disrepair … but it really helps people visualize how it would have been for [McDonald] to come over and visit the weekends in his life, to come out and just be in the redwoods and experience the beauty that's there.”\u003c/p>\n\u003cfigure id=\"attachment_11940955\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/02/Sam-McDonald-Park_Nikhil-Rau_2021_16-1-scaled-e1676325373597.jpeg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11940955\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/02/Sam-McDonald-Park_Nikhil-Rau_2021_16-1-scaled-e1676325317126-800x1067.jpeg\" alt=\"A view of a trail through a forest surrounded by trees.\" width=\"800\" height=\"1067\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A view of the trail that leads to Sam McDonald’s cabin in Sam McDonald Park. \u003ccite>(Photo courtesy of Peninsula Open Space Trust)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Born in Louisiana in 1884, McDonald was the grandson of formerly enslaved people. After leaving his family at the age of 16, McDonald made his way to California and, after working in various jobs, was hired as a custodian at Stanford University. Over 40-plus years, he was promoted to caretaker of athletic property and then to superintendent of athletic buildings and grounds. After McDonald passed away, he bequeathed the property to the Stanford Home for Convalescent Children, which he had dedicated so much of his time to.\u003c/p>\n\u003cp>“He also formed a community out here and enjoyed sharing his retreat with so many different people,” said Wright. “He'd invite students to come out. He'd invite his co-workers to come out and enjoy the place with him. When he did pass away, he was so generous in leaving the property to the convalescent home. And then ultimately it became a park where everyone could enjoy it. I think he just had a huge impact on the Stanford community as well as San Mateo County and leaving this wonderful place behind for so many people to enjoy and experience.”\u003c/p>\n\u003cp>Visitors can download self-guided tours of Sam McDonald Park on the OuterSpatial app. San Mateo County hopes to refurbish the building, which has steadily fallen into disrepair since it was flooded during an El Niño storm in 1999.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The San Mateo County Parks Department is marking Black History Month by telling the story of the man behind Sam McDonald Park and a hike created to celebrate his legacy.\r\n","status":"publish","parent":0,"modified":1676401533,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":530},"headData":{"title":"Honoring a Stanford Legend and the Park That Is Part of His Legacy | KQED","description":"The San Mateo County Parks Department is marking Black History Month by telling the story of the man behind Sam McDonald Park and a hike created to celebrate his legacy.\r\n","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Honoring a Stanford Legend and the Park That Is Part of His Legacy","datePublished":"2023-02-14T19:00:40.000Z","dateModified":"2023-02-14T19:05:33.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"nprByline":"Attila Pelit and Ekene Okobi","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/news/11940861/honoring-a-stanford-legend-and-the-park-that-is-part-of-his-legacy","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>As part of Black History Month, the San Mateo County Parks Department is inviting people to Sam McDonald Park to experience a hike created in honor of Stanford University’s first Black grounds superintendent and \u003ca href=\"https://www.greenbelt.org/blog/a-giant-among-the-redwoods/\">the only Black man to own property in the California redwoods\u003c/a>, Emanuel B. \"Sam\" McDonald.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"'I think he just had a huge impact on the Stanford community as well as San Mateo County and leaving this wonderful place behind for so many people to enjoy and experience.'","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Katherine Wright, park ranger, San Mateo County Parks Department","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The 850-acre park is located approximately 3 miles west of La Honda on Pescadero Creek Road and offers a contrast of lush, pinewood forest in the northwest along with open grassy ridges and brush in the southeast, with vistas of the Pacific Ocean. But the main attraction in February is the hike created by Park Ranger Katherine Wright that celebrates the legacy of Sam McDonald and includes a visit to his cabin retreat in La Honda, which he bought in 1919.\u003c/p>\n\u003cp>“I just love bringing people down to his home, Chee-Chee-Wa-Wa,” said Wright, referring to the name that McDonald, who was one-eighth Choctaw, gave his home. “It's just a beautiful respite in the redwoods. Unfortunately, it’s in disrepair … but it really helps people visualize how it would have been for [McDonald] to come over and visit the weekends in his life, to come out and just be in the redwoods and experience the beauty that's there.”\u003c/p>\n\u003cfigure id=\"attachment_11940955\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2023/02/Sam-McDonald-Park_Nikhil-Rau_2021_16-1-scaled-e1676325373597.jpeg\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11940955\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2023/02/Sam-McDonald-Park_Nikhil-Rau_2021_16-1-scaled-e1676325317126-800x1067.jpeg\" alt=\"A view of a trail through a forest surrounded by trees.\" width=\"800\" height=\"1067\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A view of the trail that leads to Sam McDonald’s cabin in Sam McDonald Park. \u003ccite>(Photo courtesy of Peninsula Open Space Trust)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Born in Louisiana in 1884, McDonald was the grandson of formerly enslaved people. After leaving his family at the age of 16, McDonald made his way to California and, after working in various jobs, was hired as a custodian at Stanford University. Over 40-plus years, he was promoted to caretaker of athletic property and then to superintendent of athletic buildings and grounds. After McDonald passed away, he bequeathed the property to the Stanford Home for Convalescent Children, which he had dedicated so much of his time to.\u003c/p>\n\u003cp>“He also formed a community out here and enjoyed sharing his retreat with so many different people,” said Wright. “He'd invite students to come out. He'd invite his co-workers to come out and enjoy the place with him. When he did pass away, he was so generous in leaving the property to the convalescent home. And then ultimately it became a park where everyone could enjoy it. I think he just had a huge impact on the Stanford community as well as San Mateo County and leaving this wonderful place behind for so many people to enjoy and experience.”\u003c/p>\n\u003cp>Visitors can download self-guided tours of Sam McDonald Park on the OuterSpatial app. San Mateo County hopes to refurbish the building, which has steadily fallen into disrepair since it was flooded during an El Niño storm in 1999.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11940861/honoring-a-stanford-legend-and-the-park-that-is-part-of-his-legacy","authors":["byline_news_11940861"],"categories":["news_8"],"tags":["news_17651","news_32409"],"featImg":"news_11940954","label":"news"},"news_11905454":{"type":"posts","id":"news_11905454","meta":{"index":"posts_1591205157","site":"news","id":"11905454","score":null,"sort":[1645192827000]},"guestAuthors":[],"slug":"we-are-black-we-just-speak-spanish-why-some-afro-latinos-want-more-visibility-during-black-history-month","title":"'We Are Black. We Just Speak Spanish': Why Some Afro Latinos Want More Visibility During Black History Month","publishDate":1645192827,"format":"standard","headTitle":"KQED News","labelTerm":{"site":"news"},"content":"\u003cp>Nelson German, the chef and owner of alaMar, a seafood restaurant in Oakland, remembers the day a Black family asked a staffer about the Black owner they had heard about.\u003c/p>\n\u003cp>“This isn’t a Black-owned restaurant,” he recalled the staffer telling the family. “This is a Dominican-owned restaurant.”\u003c/p>\n\u003cp>Hearing about that interaction was a turning point for German. As a Black Dominican American, German, 41, realized he hadn’t done enough to educate those around him about his Blackness and the importance of it.\u003c/p>\n\u003cp>“We are Black. We are part of the African diaspora. We just speak Spanish,” German said. “The African continent influenced the world. We should embrace that, and really give tribute to it now, because there's a lot of people who had to shed their blood and sacrifice their lives for us to be in this position. We should show them some respect.”\u003c/p>\n\u003cp>[pullquote align=\"right\" size=\"medium\" citation=\"Jacqueline Garcel, Latino Community Foundation\"]'The contributions of Afro Latinos to this country and Black history go hand in hand.'[/pullquote]“So, I always say Afro Latino,” he said.\u003c/p>\n\u003cp>German finds himself fielding numerous requests during Black History Month for interviews, cooking demos and lectures to talk about his African roots. The same thing now happens during Hispanic Heritage Month, a trend he welcomes.\u003c/p>\n\u003cp>Many Latinos who identify as Black or of African descent have felt sidelined in broader discussions of race and ethnicity. In recent years, advocates and scholars have called for the experience of Black Latinos to be given greater consideration during Black History Month.\u003c/p>\n\u003cp>On Feb. 1, the Latino Community Foundation, which funds Latino-led organizations and encourages greater political participation among Latinos in California, \u003ca href=\"https://twitter.com/LatinoCommFdn/status/1488602085411090433\">announced in a tweet\u003c/a>: “There is no American history without Black history! We proudly celebrate #BlackHistoryMonth & honor Afro-Latinx leaders.” Numerous other Latino-centered organizations posted similar messages.\u003c/p>\n\u003cp>“The contributions of Afro Latinos to this country and Black history go hand in hand,” said Jacqueline Garcel, CEO of the foundation, who identifies as Afro Latina. “That might offend some people, and that's OK. But, let’s have the conversation about why?”\u003c/p>\n\u003cp>The history of Afro Latinos is not taught in American schools, and the idea that someone can be Black and Latino still feels novel to some people, according to Tanya K. Hernández, a professor at Fordham University School of Law.\u003c/p>\n\u003cp>Latin America is home to the largest Black population outside of Africa. Many people there are descendants of the more than 10 million Africans who were imprisoned and transported like freight to the Americas during the transatlantic slave trade.\u003c/p>\n\u003cp>African American and Afro Latinos share key historical similarities, such as being enslaved, living through colonialism and enduring centuries of racism. Those experiences and that history deserve recognition during both Hispanic Heritage Month and Black History Month, Hernandez said.\u003c/p>\n\u003cp>[aside postID=\"news_11874662\" hero=\"https://ww2.kqed.org/app/uploads/sites/10/2021/05/RS49240_NUP_191641_0348-qut.jpg\"]“There is now a growing space to express Afro Latino identity with greater attention being paid to issues of Black Lives Matter and intersectionality,” said Hernandez, whose forthcoming book, “Racial Innocence: Unmasking Latino Anti-Black Bias and the Struggle for Equality,” examines discrimination against Black people by non-Black Latinos, and how that promotes white supremacy.\u003c/p>\n\u003cp>“It’s not so much the case of, ‘Oh, some people have just discovered that they're Afro Latino,’ or maybe that could be the case,” she continued. “What you're seeing more of is the greater receptivity to identities that have already been in place.”\u003c/p>\n\u003cp>In the 2020 U.S. Census, about 2.4 million people identified as \"Black and Hispanic\" or \"Black Hispanic,\" accounting for about 5% of the nation’s 46.8 million people who identify as Black. Mark Hugo Lopez, director of race and ethnicity research at the nonpartisan Pew Research Center, said that is likely an undercount.\u003c/p>\n\u003cp>Some Afro Latinos might not select Black as their race or instead choose multiracial, Lopez explained. In 2020, the number of Latinos who selected multiracial ballooned from 3 million to 20.3 million, or nearly a third of the country's roughly 65 million Latinos.\u003c/p>\n\u003cp>“There's a number of things that have happened over the last 20 years which have begun to change the way we talk about race and the labels we use to describe ourselves,” Lopez said. “People are more aware of and are seeking to understand better who and where they're from. And that's true of Latinos, too.”\u003c/p>\n\u003cp>Aya de Leon, a novelist who runs the Poetry for the People program at UC Berkeley, was born in Los Angeles and raised in Northern California in the 1970s and '80s. While growing up, she remembers, people were divided into four main race categories: white; Black; Chinese, for anyone of Asian descent; and Mexican for anyone from south of the U.S. border.\u003c/p>\n\u003cp>That left little room for her to explain or even fully grasp her own background. Her Puerto Rican mother presented as white, and her father was a Black man with Caribbean ancestry. She didn’t fit perceptions of what people thought a Latino or Black person should be.[pullquote align=\"right\" size=\"medium\" citation=\"Nelson German, chef and restaurateur\"]'It's up to us now to educate and keep having these conversations and letting people know the truth about who we are.'[/pullquote]It wasn’t until she left California for Boston to attend Harvard College that she encountered a significant Afro Latino population.\u003c/p>\n\u003cp>“When I was a kid and could pronounce things in Spanish, Latino folks, particularly Mexican American folks, were sort of shocked,” de Leon said. “Being in the Northeast, I was like, ‘Oh, wow, look at this — these are Black people speaking Spanish to each other, and nobody's, like, taking their picture. It's not like an unusual thing.’”\u003c/p>\n\u003cp>Still, the idea of who could be Black in America seemed exclusionary to de Leon.\u003c/p>\n\u003cp>“When I grew up, there was this sense that Blackness, with a capital B, was the kind of culture that came out of the U.S. South from African folks who had gone through a slavery experience,” she said. “There was no room to be a different kind of Black.”\u003c/p>\n\u003cp>German, the chef in Oakland, was born and raised in Washington Heights, a predominantly Dominican neighborhood in New York City. His parents, grandparents and extended family members insisted they were “Dominicanos” or “Latinos,” and avoided terms that acknowledged their Blackness and African descent.\u003c/p>\n\u003cp>Early in his career, he gravitated toward Italian, Spanish and French cuisine because he thought cooking the Dominican food he grew up eating would prevent him from attaining prestige or success. The restaurant industry, he said, tends to marginalize food from Latin America as greasy, cheap and lacking sophistication.\u003c/p>\n\u003cp>German, who moved to Oakland with his wife in 2010, slowly began adding Dominican dishes to alaMar’s menu. He subsequently opened SobreMesa, an Afro Latino restaurant in downtown Oakland in 2020, the same year he also showcased his Dominican cuisine as \u003ca href=\"https://www.kqed.org/news/11874662/californias-only-top-chef-contestant-taps-his-afro-latino-roots\">a contestant on Bravo’s “Top Chef.”\u003c/a>[aside label=\"Related Coverage\" tag=\"latinx\"]About five years ago, when German began researching his African ancestry, he learned that his roots traced back to Cameroon in West Africa. He then made the connection that one of the core ingredients of his cooking — plantains — were brought to the Americas from West Africa, along with enslaved people.\u003c/p>\n\u003cp>“When I heard that, I started bawling tears. It was eye-opening,” said German, who will share his culinary journey at a \u003ca href=\"https://www.kqed.org/event/1610\">KQED Live event\u003c/a> on Feb. 22. “We need to dive into our roots and really respect that.”\u003c/p>\n\u003cp>When he thinks about how some Latinos try to erase their Blackness, he says he doesn’t blame people from older generations for thinking that way.\u003c/p>\n\u003cp>“It's up to us now to educate and keep having these conversations and letting people know the truth about who we are,” he said.\u003c/p>\n\u003cp>Garcel, of the Latino Community Foundation, is another Dominican American Bay Area transplant from Washington Heights. Growing up, she noticed that her mother, who was light-skinned, was often treated differently from her darker-skinned father. When they first arrived in New York, she remembers, her mother went to apartment viewings alone to avoid discrimination from landlords.\u003c/p>\n\u003cp>Like German, Garcel also has gone through a process of embracing her Blackness in spite of the anti-Blackness and preference for European features that pervade many Latinx communities. She was often advised to straighten her curly hair “to fit in better.”\u003c/p>\n\u003cp>Garcel saw how her father found more acceptance and support from Black people in Harlem than from white people, and even some other Latinos. And throughout her own career in public health and nonprofits, Black women have been some of her greatest champions and mentors, Garcel said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After moving to the West Coast, Garcel said she continued having to deal with people questioning her background, but in new ways.\u003c/p>\n\u003cp>“Because Dominicans are so small in numbers outside of New York City, people don't understand who we are or where we come from,” she said. “I’ve been told, ‘You head up a Latino organization in California, but you're not Mexican?’ I've been told that to my face.”\u003c/p>\n\u003cp>For her part, de Leon, the novelist, spent years reflecting on her identity and learning how to overcome pervasive racist, anti-Black attitudes. She is heartened that younger people tend to be much more aware of the nuances of race and identity.\u003c/p>\n\u003cp>“I can be 100% Black. I can be 100% Puerto Rican. I can even be 100% West Indian. I can be all those things,” she said. “I don't have to know all the history, I don't have to speak all the languages and all the patois. Those are my roots. That is my heritage. Those are my ancestors. And, I am enough.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Many Latinos who identify as Black or of African descent have felt sidelined in broader discussions of race and ethnicity. ","status":"publish","parent":0,"modified":1662485435,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":37,"wordCount":1741},"headData":{"title":"'We Are Black. We Just Speak Spanish': Why Some Afro Latinos Want More Visibility During Black History Month | KQED","description":"Many Latinos who identify as Black or of African descent have felt sidelined in broader discussions of race and ethnicity. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"'We Are Black. We Just Speak Spanish': Why Some Afro Latinos Want More Visibility During Black History Month","datePublished":"2022-02-18T14:00:27.000Z","dateModified":"2022-09-06T17:30:35.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11905454 https://ww2.kqed.org/news/?p=11905454","disqusUrl":"https://ww2.kqed.org/news/2022/02/18/we-are-black-we-just-speak-spanish-why-some-afro-latinos-want-more-visibility-during-black-history-month/","disqusTitle":"'We Are Black. We Just Speak Spanish': Why Some Afro Latinos Want More Visibility During Black History Month","audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/9a624439-04d6-499e-918f-ae48014a7b4e/audio.mp3","excludeFromSiteSearch":"Include","path":"/news/11905454/we-are-black-we-just-speak-spanish-why-some-afro-latinos-want-more-visibility-during-black-history-month","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Nelson German, the chef and owner of alaMar, a seafood restaurant in Oakland, remembers the day a Black family asked a staffer about the Black owner they had heard about.\u003c/p>\n\u003cp>“This isn’t a Black-owned restaurant,” he recalled the staffer telling the family. “This is a Dominican-owned restaurant.”\u003c/p>\n\u003cp>Hearing about that interaction was a turning point for German. As a Black Dominican American, German, 41, realized he hadn’t done enough to educate those around him about his Blackness and the importance of it.\u003c/p>\n\u003cp>“We are Black. We are part of the African diaspora. We just speak Spanish,” German said. “The African continent influenced the world. We should embrace that, and really give tribute to it now, because there's a lot of people who had to shed their blood and sacrifice their lives for us to be in this position. We should show them some respect.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"'The contributions of Afro Latinos to this country and Black history go hand in hand.'","name":"pullquote","attributes":{"named":{"align":"right","size":"medium","citation":"Jacqueline Garcel, Latino Community Foundation","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“So, I always say Afro Latino,” he said.\u003c/p>\n\u003cp>German finds himself fielding numerous requests during Black History Month for interviews, cooking demos and lectures to talk about his African roots. The same thing now happens during Hispanic Heritage Month, a trend he welcomes.\u003c/p>\n\u003cp>Many Latinos who identify as Black or of African descent have felt sidelined in broader discussions of race and ethnicity. In recent years, advocates and scholars have called for the experience of Black Latinos to be given greater consideration during Black History Month.\u003c/p>\n\u003cp>On Feb. 1, the Latino Community Foundation, which funds Latino-led organizations and encourages greater political participation among Latinos in California, \u003ca href=\"https://twitter.com/LatinoCommFdn/status/1488602085411090433\">announced in a tweet\u003c/a>: “There is no American history without Black history! We proudly celebrate #BlackHistoryMonth & honor Afro-Latinx leaders.” Numerous other Latino-centered organizations posted similar messages.\u003c/p>\n\u003cp>“The contributions of Afro Latinos to this country and Black history go hand in hand,” said Jacqueline Garcel, CEO of the foundation, who identifies as Afro Latina. “That might offend some people, and that's OK. But, let’s have the conversation about why?”\u003c/p>\n\u003cp>The history of Afro Latinos is not taught in American schools, and the idea that someone can be Black and Latino still feels novel to some people, according to Tanya K. Hernández, a professor at Fordham University School of Law.\u003c/p>\n\u003cp>Latin America is home to the largest Black population outside of Africa. Many people there are descendants of the more than 10 million Africans who were imprisoned and transported like freight to the Americas during the transatlantic slave trade.\u003c/p>\n\u003cp>African American and Afro Latinos share key historical similarities, such as being enslaved, living through colonialism and enduring centuries of racism. Those experiences and that history deserve recognition during both Hispanic Heritage Month and Black History Month, Hernandez said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11874662","hero":"https://ww2.kqed.org/app/uploads/sites/10/2021/05/RS49240_NUP_191641_0348-qut.jpg","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“There is now a growing space to express Afro Latino identity with greater attention being paid to issues of Black Lives Matter and intersectionality,” said Hernandez, whose forthcoming book, “Racial Innocence: Unmasking Latino Anti-Black Bias and the Struggle for Equality,” examines discrimination against Black people by non-Black Latinos, and how that promotes white supremacy.\u003c/p>\n\u003cp>“It’s not so much the case of, ‘Oh, some people have just discovered that they're Afro Latino,’ or maybe that could be the case,” she continued. “What you're seeing more of is the greater receptivity to identities that have already been in place.”\u003c/p>\n\u003cp>In the 2020 U.S. Census, about 2.4 million people identified as \"Black and Hispanic\" or \"Black Hispanic,\" accounting for about 5% of the nation’s 46.8 million people who identify as Black. Mark Hugo Lopez, director of race and ethnicity research at the nonpartisan Pew Research Center, said that is likely an undercount.\u003c/p>\n\u003cp>Some Afro Latinos might not select Black as their race or instead choose multiracial, Lopez explained. In 2020, the number of Latinos who selected multiracial ballooned from 3 million to 20.3 million, or nearly a third of the country's roughly 65 million Latinos.\u003c/p>\n\u003cp>“There's a number of things that have happened over the last 20 years which have begun to change the way we talk about race and the labels we use to describe ourselves,” Lopez said. “People are more aware of and are seeking to understand better who and where they're from. And that's true of Latinos, too.”\u003c/p>\n\u003cp>Aya de Leon, a novelist who runs the Poetry for the People program at UC Berkeley, was born in Los Angeles and raised in Northern California in the 1970s and '80s. While growing up, she remembers, people were divided into four main race categories: white; Black; Chinese, for anyone of Asian descent; and Mexican for anyone from south of the U.S. border.\u003c/p>\n\u003cp>That left little room for her to explain or even fully grasp her own background. Her Puerto Rican mother presented as white, and her father was a Black man with Caribbean ancestry. She didn’t fit perceptions of what people thought a Latino or Black person should be.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"'It's up to us now to educate and keep having these conversations and letting people know the truth about who we are.'","name":"pullquote","attributes":{"named":{"align":"right","size":"medium","citation":"Nelson German, chef and restaurateur","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>It wasn’t until she left California for Boston to attend Harvard College that she encountered a significant Afro Latino population.\u003c/p>\n\u003cp>“When I was a kid and could pronounce things in Spanish, Latino folks, particularly Mexican American folks, were sort of shocked,” de Leon said. “Being in the Northeast, I was like, ‘Oh, wow, look at this — these are Black people speaking Spanish to each other, and nobody's, like, taking their picture. It's not like an unusual thing.’”\u003c/p>\n\u003cp>Still, the idea of who could be Black in America seemed exclusionary to de Leon.\u003c/p>\n\u003cp>“When I grew up, there was this sense that Blackness, with a capital B, was the kind of culture that came out of the U.S. South from African folks who had gone through a slavery experience,” she said. “There was no room to be a different kind of Black.”\u003c/p>\n\u003cp>German, the chef in Oakland, was born and raised in Washington Heights, a predominantly Dominican neighborhood in New York City. His parents, grandparents and extended family members insisted they were “Dominicanos” or “Latinos,” and avoided terms that acknowledged their Blackness and African descent.\u003c/p>\n\u003cp>Early in his career, he gravitated toward Italian, Spanish and French cuisine because he thought cooking the Dominican food he grew up eating would prevent him from attaining prestige or success. The restaurant industry, he said, tends to marginalize food from Latin America as greasy, cheap and lacking sophistication.\u003c/p>\n\u003cp>German, who moved to Oakland with his wife in 2010, slowly began adding Dominican dishes to alaMar’s menu. He subsequently opened SobreMesa, an Afro Latino restaurant in downtown Oakland in 2020, the same year he also showcased his Dominican cuisine as \u003ca href=\"https://www.kqed.org/news/11874662/californias-only-top-chef-contestant-taps-his-afro-latino-roots\">a contestant on Bravo’s “Top Chef.”\u003c/a>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Related Coverage ","tag":"latinx"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>About five years ago, when German began researching his African ancestry, he learned that his roots traced back to Cameroon in West Africa. He then made the connection that one of the core ingredients of his cooking — plantains — were brought to the Americas from West Africa, along with enslaved people.\u003c/p>\n\u003cp>“When I heard that, I started bawling tears. It was eye-opening,” said German, who will share his culinary journey at a \u003ca href=\"https://www.kqed.org/event/1610\">KQED Live event\u003c/a> on Feb. 22. “We need to dive into our roots and really respect that.”\u003c/p>\n\u003cp>When he thinks about how some Latinos try to erase their Blackness, he says he doesn’t blame people from older generations for thinking that way.\u003c/p>\n\u003cp>“It's up to us now to educate and keep having these conversations and letting people know the truth about who we are,” he said.\u003c/p>\n\u003cp>Garcel, of the Latino Community Foundation, is another Dominican American Bay Area transplant from Washington Heights. Growing up, she noticed that her mother, who was light-skinned, was often treated differently from her darker-skinned father. When they first arrived in New York, she remembers, her mother went to apartment viewings alone to avoid discrimination from landlords.\u003c/p>\n\u003cp>Like German, Garcel also has gone through a process of embracing her Blackness in spite of the anti-Blackness and preference for European features that pervade many Latinx communities. She was often advised to straighten her curly hair “to fit in better.”\u003c/p>\n\u003cp>Garcel saw how her father found more acceptance and support from Black people in Harlem than from white people, and even some other Latinos. And throughout her own career in public health and nonprofits, Black women have been some of her greatest champions and mentors, Garcel said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After moving to the West Coast, Garcel said she continued having to deal with people questioning her background, but in new ways.\u003c/p>\n\u003cp>“Because Dominicans are so small in numbers outside of New York City, people don't understand who we are or where we come from,” she said. “I’ve been told, ‘You head up a Latino organization in California, but you're not Mexican?’ I've been told that to my face.”\u003c/p>\n\u003cp>For her part, de Leon, the novelist, spent years reflecting on her identity and learning how to overcome pervasive racist, anti-Black attitudes. She is heartened that younger people tend to be much more aware of the nuances of race and identity.\u003c/p>\n\u003cp>“I can be 100% Black. I can be 100% Puerto Rican. I can even be 100% West Indian. I can be all those things,” she said. “I don't have to know all the history, I don't have to speak all the languages and all the patois. Those are my roots. That is my heritage. Those are my ancestors. And, I am enough.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11905454/we-are-black-we-just-speak-spanish-why-some-afro-latinos-want-more-visibility-during-black-history-month","authors":["11666"],"categories":["news_8"],"tags":["news_30677","news_17651","news_25409","news_20219","news_29068"],"featImg":"news_11905457","label":"news"},"arts_12708718":{"type":"posts","id":"arts_12708718","meta":{"index":"posts_1591205157","site":"arts","id":"12708718","score":null,"sort":[1485999160000]},"guestAuthors":[],"slug":"black-history-month-art-removed-after-parents-complain","title":"Black History Month Art Removed After Parents Complain","publishDate":1485999160,"format":"standard","headTitle":"Black History Month Art Removed After Parents Complain | KQED","labelTerm":{"term":610,"site":"arts"},"content":"\u003cp>The assignment seemed simple enough. Reverend Jeff Moore, president of the \u003ca href=\"http://www.sanjosenaacp.org/\" target=\"_blank\" rel=\"noopener\">San Jose/Silicon Valley Branch\u003c/a> of the NAACP, approached visual artist \u003ca href=\"http://www.markharrisstudiosf.com/\" target=\"_blank\" rel=\"noopener\">Mark Harris\u003c/a> and asked him to pull together a small collection of his artwork to show in the lobby of the administrative offices of the \u003ca href=\"http://www.esuhsd.org/\" target=\"_blank\" rel=\"noopener\">East Side Union High School District\u003c/a> in San Jose for Black History Month in February.\u003c/p>\n\u003cp>That’s exactly what Harris did, curating together 11 paintings, in consultation with Moore, who works at the district’s Independence High School as a counselor.\u003c/p>\n\u003cp>“I would say it’s agitprop,” says Harris of the selection of works, done in mixed media, collage, acrylic and egg tempera. “It’s definitely something thought-provoking. It’s not something you’re going to walk by and not have a second thought about.”\u003c/p>\n\u003cp>A few hours after the artist’s paintings went up on display, they were taken down. Harris heard the news about the removal second-hand from Moore.\u003c/p>\n\u003cp>“Some parents who’d come into the administration offices were offended by the work.” Moore also said the district superintendent, Chris Funk said a school district shouldn’t take a political stance, “which I think is ridiculous,” Harris says. “The fact that the superintendent was uncomfortable with the exhibit was disappointing also.”\u003c/p>\n\u003cfigure id=\"attachment_12709112\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12709112\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-800x450.jpg\" alt=\"Detail of "Den of Iniquity" by San Francisco visual artist Mark Harris. "Whenever you tell a cultural group that they can't tell their own story, that's how things get whitewashed," Harris says.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Detail of “Den of Iniquity” by San Francisco visual artist Mark Harris. “Whenever you tell a cultural group that they can’t tell their own story, that’s how things get whitewashed,” Harris says. \u003ccite>(Photo: Courtesy of Mark Harris)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Art has gone up on display to celebrate African American History Month at the offices for the past three years. Funk says that to date, there had been no concerns in part because the displays had been made up of historical artifacts like books, quilts, and representations of famous African Americans.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I had no intention to embarrass or harm Mr. Harris,” Funk says. “He seems to be a very talented artist. I’m sorry he got caught up in a situation where Mr. Moore was not upfront about what his motives were and what his expectations were. I didn’t approve the art. I didn’t approve the artist. I didn’t have a chance to review the art beforehand. It was just — smack, hit you in the face — when you walked in. That’s why I took it down.”\u003c/p>\n\u003cp>Funk says there is a time and place for political expression, such as at the recent March on Washington or at last weekend’s airport protests. “But we’re not here to advocate one position or another as a public institution,” Funk says about his decision to remove Harris’ works. “I have Republicans and Democrats on my board, among my teachers.”\u003c/p>\n\u003cp>Moore says he did not intend to surprise Funk and his colleagues. He says he visited the offices to talk to the superintendent at one point before the exhibition went up, but that Funk was in a meeting when he arrived. Past displays, Moore says, have in fact included content that could be deemed as political, ranging, subject-wise, from African culture to figures like Frederick Douglass, Malcolm X and President Barack Obama.\u003c/p>\n\u003cp>Much of the material for those exhibitions was pulled from Moore’s own home, as well as the homes of other people involved with \u003ca href=\"http://www.esuhsd.org/Students--Parents/Student--Parent-Groups/African-American-Student-Advocates/\" target=\"_blank\" rel=\"noopener\">African American Student Advocates\u003c/a>, a district stakeholder group made up largely of adults.\u003c/p>\n\u003cp>“How many people were offended? How many people were upset?” Moore says. “White supremacy is a topic of conversation right now. I thought this was timely.”\u003c/p>\n\u003cfigure id=\"attachment_12709115\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12709115 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-800x1016.jpg\" alt=\""To Be Young Gifted and Criminalized" by San Francisco visual artist Mark Harris, who also teaches. "I want to inspire students to use their voices and be involved in this new movement that's happening. It's their future. If I can inspire them to use their voices, that's me doing my job."\" width=\"800\" height=\"1016\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-800x1016.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-160x203.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-768x975.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-1020x1295.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-1920x2438.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-1180x1498.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-960x1219.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-240x305.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-375x476.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-520x660.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut.jpg 1613w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“To Be Young Gifted and Criminalized” by San Francisco visual artist Mark Harris, who also teaches. “I want to inspire students to use their voices and be involved in this new movement that’s happening. It’s their future. If I can inspire them to use their voices, that’s me doing my job.” \u003ccite>(Photo: Courtesy of Mark Harris)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Moore says the African American Student Advocates had a previously scheduled meeting Thursday night at which Harris was to speak about his art work at the administrative offices. Now, he will be talking about the fact it was taken down, and retrieving the paintings to bring them home.\u003c/p>\n\u003cp>“My artwork expresses the real visceral outrage that a lot of African Americans have about the violence we’re still subjected to in the 21st century,” Harris says. “For centuries, we have been told not to speak out about it. You don’t have to like it. It’s not only my history. This is American history.”\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"Visual artist Mark Harris' political-themed paintings were removed from the walls of the administrative offices of the East Side Union High School District in San Jose on Wednesday.","status":"publish","parent":0,"modified":1705031693,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":828},"headData":{"title":"Black History Month Art Removed After Parents Complain | KQED","description":"Visual artist Mark Harris' political-themed paintings were removed from the walls of the administrative offices of the East Side Union High School District in San Jose on Wednesday.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Black History Month Art Removed After Parents Complain","datePublished":"2017-02-02T01:32:40.000Z","dateModified":"2024-01-12T03:54:53.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/12708718/black-history-month-art-removed-after-parents-complain","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The assignment seemed simple enough. Reverend Jeff Moore, president of the \u003ca href=\"http://www.sanjosenaacp.org/\" target=\"_blank\" rel=\"noopener\">San Jose/Silicon Valley Branch\u003c/a> of the NAACP, approached visual artist \u003ca href=\"http://www.markharrisstudiosf.com/\" target=\"_blank\" rel=\"noopener\">Mark Harris\u003c/a> and asked him to pull together a small collection of his artwork to show in the lobby of the administrative offices of the \u003ca href=\"http://www.esuhsd.org/\" target=\"_blank\" rel=\"noopener\">East Side Union High School District\u003c/a> in San Jose for Black History Month in February.\u003c/p>\n\u003cp>That’s exactly what Harris did, curating together 11 paintings, in consultation with Moore, who works at the district’s Independence High School as a counselor.\u003c/p>\n\u003cp>“I would say it’s agitprop,” says Harris of the selection of works, done in mixed media, collage, acrylic and egg tempera. “It’s definitely something thought-provoking. It’s not something you’re going to walk by and not have a second thought about.”\u003c/p>\n\u003cp>A few hours after the artist’s paintings went up on display, they were taken down. Harris heard the news about the removal second-hand from Moore.\u003c/p>\n\u003cp>“Some parents who’d come into the administration offices were offended by the work.” Moore also said the district superintendent, Chris Funk said a school district shouldn’t take a political stance, “which I think is ridiculous,” Harris says. “The fact that the superintendent was uncomfortable with the exhibit was disappointing also.”\u003c/p>\n\u003cfigure id=\"attachment_12709112\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12709112\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-800x450.jpg\" alt=\"Detail of "Den of Iniquity" by San Francisco visual artist Mark Harris. "Whenever you tell a cultural group that they can't tell their own story, that's how things get whitewashed," Harris says.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23971_Den-of-Iniquity-001-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Detail of “Den of Iniquity” by San Francisco visual artist Mark Harris. “Whenever you tell a cultural group that they can’t tell their own story, that’s how things get whitewashed,” Harris says. \u003ccite>(Photo: Courtesy of Mark Harris)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Art has gone up on display to celebrate African American History Month at the offices for the past three years. Funk says that to date, there had been no concerns in part because the displays had been made up of historical artifacts like books, quilts, and representations of famous African Americans.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I had no intention to embarrass or harm Mr. Harris,” Funk says. “He seems to be a very talented artist. I’m sorry he got caught up in a situation where Mr. Moore was not upfront about what his motives were and what his expectations were. I didn’t approve the art. I didn’t approve the artist. I didn’t have a chance to review the art beforehand. It was just — smack, hit you in the face — when you walked in. That’s why I took it down.”\u003c/p>\n\u003cp>Funk says there is a time and place for political expression, such as at the recent March on Washington or at last weekend’s airport protests. “But we’re not here to advocate one position or another as a public institution,” Funk says about his decision to remove Harris’ works. “I have Republicans and Democrats on my board, among my teachers.”\u003c/p>\n\u003cp>Moore says he did not intend to surprise Funk and his colleagues. He says he visited the offices to talk to the superintendent at one point before the exhibition went up, but that Funk was in a meeting when he arrived. Past displays, Moore says, have in fact included content that could be deemed as political, ranging, subject-wise, from African culture to figures like Frederick Douglass, Malcolm X and President Barack Obama.\u003c/p>\n\u003cp>Much of the material for those exhibitions was pulled from Moore’s own home, as well as the homes of other people involved with \u003ca href=\"http://www.esuhsd.org/Students--Parents/Student--Parent-Groups/African-American-Student-Advocates/\" target=\"_blank\" rel=\"noopener\">African American Student Advocates\u003c/a>, a district stakeholder group made up largely of adults.\u003c/p>\n\u003cp>“How many people were offended? How many people were upset?” Moore says. “White supremacy is a topic of conversation right now. I thought this was timely.”\u003c/p>\n\u003cfigure id=\"attachment_12709115\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12709115 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-800x1016.jpg\" alt=\""To Be Young Gifted and Criminalized" by San Francisco visual artist Mark Harris, who also teaches. "I want to inspire students to use their voices and be involved in this new movement that's happening. It's their future. If I can inspire them to use their voices, that's me doing my job."\" width=\"800\" height=\"1016\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-800x1016.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-160x203.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-768x975.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-1020x1295.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-1920x2438.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-1180x1498.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-960x1219.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-240x305.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-375x476.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut-520x660.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/RS23972_To-Be-Young-Gifted-and-Criminalized-qut.jpg 1613w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">“To Be Young Gifted and Criminalized” by San Francisco visual artist Mark Harris, who also teaches. “I want to inspire students to use their voices and be involved in this new movement that’s happening. It’s their future. If I can inspire them to use their voices, that’s me doing my job.” \u003ccite>(Photo: Courtesy of Mark Harris)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Moore says the African American Student Advocates had a previously scheduled meeting Thursday night at which Harris was to speak about his art work at the administrative offices. Now, he will be talking about the fact it was taken down, and retrieving the paintings to bring them home.\u003c/p>\n\u003cp>“My artwork expresses the real visceral outrage that a lot of African Americans have about the violence we’re still subjected to in the 21st century,” Harris says. “For centuries, we have been told not to speak out about it. You don’t have to like it. It’s not only my history. This is American history.”\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12708718/black-history-month-art-removed-after-parents-complain","authors":["251"],"series":["arts_610"],"categories":["arts_835","arts_235","arts_70"],"tags":["arts_1448","arts_746","arts_596"],"featImg":"arts_12709109","label":"arts_610"},"news_10868172":{"type":"posts","id":"news_10868172","meta":{"index":"posts_1591205157","site":"news","id":"10868172","score":null,"sort":[1455743011000]},"guestAuthors":[],"slug":"preserving-the-history-of-the-black-panthers-close-to-home","title":"Preserving the History of the Black Panthers Close to Home","publishDate":1455743011,"format":"image","headTitle":"News Fix | KQED News","labelTerm":{"term":6944,"site":"news"},"content":"\u003cp>[dropcap]E[/dropcap]very corner of Billy X Jennings' home is filled with memorabilia. The walls are barely visible behind a sea of posters and banners. Every available surface is carefully decorated with mugs, statues, newspapers and pamphlets -- all of it forming a living shrine to Black Panther history.\u003c/p>\n\u003cp>Jennings' house, on a tree-lined residential street in Sacramento, has become the de facto museum and archive of the Panthers. He also runs an \u003ca href=\"http://www.itsabouttimebpp.com/home/home.html\" target=\"_blank\">online archive\u003c/a> to preserve the Black Panther Party's legacy and connect alumni.\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/247388949\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>\"I have always been a collector since I was a kid. I collected stamps, coins, comic books,\" says Jennings, who is a former Panther. But he put those hobbies aside when he became politicized in the crucible of the 1960s.\u003c/p>\n\u003cp>Thirty years later, he began gathering photos for a Black Panthers reunion. Rifling through the old memorabilia sparked that old passion, but this time with a new focus -- the completion of what Jennings calls the most extensive archive of Black Panther materials.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[gallery type=\"rectangular\" ids=\"10866949,10866954,10866955,10866957,10866962\"]\u003c/p>\n\u003cp>How has he managed to amass such a vast collection?\u003c/p>\n\u003cp>For one thing, he's been at it for years. And as word of the \"museum\" spread, more and more people began to donate, Jennings says. He also scours garage sales for every possible piece of paper and paraphernalia.\u003c/p>\n\u003cp>For Jennings, the collection is a way to remember a movement that gave back to the community through initiatives like the \u003ca href=\"http://theplate.nationalgeographic.com/2015/11/04/the-black-panthers-revolutionaries-free-breakfast-pioneers/\" target=\"_blank\">free breakfast program\u003c/a>, \u003ca href=\"http://www.alternet.org/story/153527/the_side_of_the_black_panthers_that's_been_virtually_ignored%3A_their_fight_for_healthcare_justice\" target=\"_blank\">health clinics\u003c/a>, sickle cell anemia testing and aid to senior citizens.\u003c/p>\n\u003cp>Jennings says his museum is meant to chronicle and preserve an undertold part of the Black Panther story.\u003c/p>\n\u003cp>\"It reminds me of a time when life had a meaningful purpose,\" he says. \"There's nothing like waking up in the morning knowing that what you are doing, what you are fighting for, is a just cause. They haven't invented a drug that makes you feel that way.\"\u003c/p>\n\u003cfigure id=\"attachment_10866960\" class=\"wp-caption aligncenter\" style=\"max-width: 5152px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/02/IMG_0067.jpg\" rel=\"attachment wp-att-10866960\">\u003cimg class=\"size-full wp-image-10866960\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/02/IMG_0067.jpg\" alt=\"Billy X Jennings holding up a picture of him with Black Panther Party leader Huey Newton. \" width=\"5152\" height=\"3864\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067.jpg 5152w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067-1440x1080.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067-960x720.jpg 960w\" sizes=\"(max-width: 5152px) 100vw, 5152px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Billy X Jennings holding up a picture of him with Black Panther Party leader Huey Newton. \u003ccite>(Joshua Johnson )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jennings adds that the real memory and meaning of the Panthers live far beyond the walls of his filled-to-the-brim home.\u003c/p>\n\u003cp>He tells a story about walking down Telegraph Avenue in Oakland recently, wearing his usual Black Panther T-shirt.\u003c/p>\n\u003cp>[contextly_sidebar id=\"hzU1QTG3FBTeuJKfcx59r49toTgfZe0t\"]\u003c/p>\n\u003cp>\"Some brothers were coming down the street, and they say, 'Hey man, was you a Panther?' \"\u003c/p>\n\u003cp>When Jennings told them yes, one of the men reached out and hugged him. Another told him the Panthers were his heroes.\u003c/p>\n\u003cp>\"One brother said, 'Hey, my grandmother told me that when she ran out of food, she would call the Panther office and the Panthers would bring her food to her house,' \" Jennings says. \"How old is that story? How long has that story been in that family?\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Panther legacy, he says, lives on and on.\u003c/p>\n\u003cfigure id=\"attachment_10866953\" class=\"wp-caption aligncenter\" style=\"max-width: 5152px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/02/IMG_0017.jpg\" rel=\"attachment wp-att-10866953\">\u003cimg class=\"wp-image-10866953 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/02/IMG_0017.jpg\" alt=\"The walls of Billy X Jennings home are covered with Black Panther memorabilia. \" width=\"5152\" height=\"3864\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017.jpg 5152w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017-1440x1080.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017-960x720.jpg 960w\" sizes=\"(max-width: 5152px) 100vw, 5152px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The walls of Billy X Jennings' home are covered with Black Panther memorabilia. \u003ccite>(Joshua Johnson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n","blocks":[],"excerpt":"Sacramento's Billy X Jennings has amassed a collection that preserves the Panthers' story and sheds new light on the group's legacy.","status":"publish","parent":0,"modified":1455833212,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":548},"headData":{"title":"Preserving the History of the Black Panthers Close to Home | KQED","description":"Sacramento's Billy X Jennings has amassed a collection that preserves the Panthers' story and sheds new light on the group's legacy.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Preserving the History of the Black Panthers Close to Home","datePublished":"2016-02-17T21:03:31.000Z","dateModified":"2016-02-18T22:06:52.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"10868172 http://ww2.kqed.org/news/?p=10868172","disqusUrl":"https://ww2.kqed.org/news/2016/02/17/preserving-the-history-of-the-black-panthers-close-to-home/","disqusTitle":"Preserving the History of the Black Panthers Close to Home","path":"/news/10868172/preserving-the-history-of-the-black-panthers-close-to-home","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">E\u003c/span>\u003c/p>\u003cp>very corner of Billy X Jennings' home is filled with memorabilia. The walls are barely visible behind a sea of posters and banners. Every available surface is carefully decorated with mugs, statues, newspapers and pamphlets -- all of it forming a living shrine to Black Panther history.\u003c/p>\n\u003cp>Jennings' house, on a tree-lined residential street in Sacramento, has become the de facto museum and archive of the Panthers. He also runs an \u003ca href=\"http://www.itsabouttimebpp.com/home/home.html\" target=\"_blank\">online archive\u003c/a> to preserve the Black Panther Party's legacy and connect alumni.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/247388949&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/247388949'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\"I have always been a collector since I was a kid. I collected stamps, coins, comic books,\" says Jennings, who is a former Panther. But he put those hobbies aside when he became politicized in the crucible of the 1960s.\u003c/p>\n\u003cp>Thirty years later, he began gathering photos for a Black Panthers reunion. Rifling through the old memorabilia sparked that old passion, but this time with a new focus -- the completion of what Jennings calls the most extensive archive of Black Panther materials.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"type":"rectangular","ids":"10866949,10866954,10866955,10866957,10866962","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>How has he managed to amass such a vast collection?\u003c/p>\n\u003cp>For one thing, he's been at it for years. And as word of the \"museum\" spread, more and more people began to donate, Jennings says. He also scours garage sales for every possible piece of paper and paraphernalia.\u003c/p>\n\u003cp>For Jennings, the collection is a way to remember a movement that gave back to the community through initiatives like the \u003ca href=\"http://theplate.nationalgeographic.com/2015/11/04/the-black-panthers-revolutionaries-free-breakfast-pioneers/\" target=\"_blank\">free breakfast program\u003c/a>, \u003ca href=\"http://www.alternet.org/story/153527/the_side_of_the_black_panthers_that's_been_virtually_ignored%3A_their_fight_for_healthcare_justice\" target=\"_blank\">health clinics\u003c/a>, sickle cell anemia testing and aid to senior citizens.\u003c/p>\n\u003cp>Jennings says his museum is meant to chronicle and preserve an undertold part of the Black Panther story.\u003c/p>\n\u003cp>\"It reminds me of a time when life had a meaningful purpose,\" he says. \"There's nothing like waking up in the morning knowing that what you are doing, what you are fighting for, is a just cause. They haven't invented a drug that makes you feel that way.\"\u003c/p>\n\u003cfigure id=\"attachment_10866960\" class=\"wp-caption aligncenter\" style=\"max-width: 5152px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/02/IMG_0067.jpg\" rel=\"attachment wp-att-10866960\">\u003cimg class=\"size-full wp-image-10866960\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/02/IMG_0067.jpg\" alt=\"Billy X Jennings holding up a picture of him with Black Panther Party leader Huey Newton. \" width=\"5152\" height=\"3864\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067.jpg 5152w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067-1440x1080.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0067-960x720.jpg 960w\" sizes=\"(max-width: 5152px) 100vw, 5152px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Billy X Jennings holding up a picture of him with Black Panther Party leader Huey Newton. \u003ccite>(Joshua Johnson )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jennings adds that the real memory and meaning of the Panthers live far beyond the walls of his filled-to-the-brim home.\u003c/p>\n\u003cp>He tells a story about walking down Telegraph Avenue in Oakland recently, wearing his usual Black Panther T-shirt.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\"Some brothers were coming down the street, and they say, 'Hey man, was you a Panther?' \"\u003c/p>\n\u003cp>When Jennings told them yes, one of the men reached out and hugged him. Another told him the Panthers were his heroes.\u003c/p>\n\u003cp>\"One brother said, 'Hey, my grandmother told me that when she ran out of food, she would call the Panther office and the Panthers would bring her food to her house,' \" Jennings says. \"How old is that story? How long has that story been in that family?\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Panther legacy, he says, lives on and on.\u003c/p>\n\u003cfigure id=\"attachment_10866953\" class=\"wp-caption aligncenter\" style=\"max-width: 5152px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/02/IMG_0017.jpg\" rel=\"attachment wp-att-10866953\">\u003cimg class=\"wp-image-10866953 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/02/IMG_0017.jpg\" alt=\"The walls of Billy X Jennings home are covered with Black Panther memorabilia. \" width=\"5152\" height=\"3864\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017.jpg 5152w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017-1440x1080.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/02/IMG_0017-960x720.jpg 960w\" sizes=\"(max-width: 5152px) 100vw, 5152px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The walls of Billy X Jennings' home are covered with Black Panther memorabilia. \u003ccite>(Joshua Johnson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/10868172/preserving-the-history-of-the-black-panthers-close-to-home","authors":["7239"],"programs":["news_6944"],"categories":["news_6188","news_13"],"tags":["news_17651","news_19129","news_18743"],"featImg":"news_10866959","label":"news_6944"},"news_10431582":{"type":"posts","id":"news_10431582","meta":{"index":"posts_1591205157","site":"news","id":"10431582","score":null,"sort":[1423854228000]},"guestAuthors":[],"slug":"from-the-archive-maya-angelou-hosts-1968-series-blacks-blues-black","title":"From the Archive: Maya Angelou Hosts 1968 Series 'Blacks, Blues, Black!'","publishDate":1423854228,"format":"video","headTitle":"News Fix | KQED News","labelTerm":{"term":6944,"site":"news"},"content":"\u003cp>\u003cem>To celebrate Black History Month, we will be highlighting clips from the KQED video archive throughout February. All clips have been made available by the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Bay Area TV Archive at San Francisco State University\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.youtube.com/watch?v=0pbL5sR9oiM\" target=\"_blank\">above clip\u003c/a> features three excerpts from the series \"Blacks, Blues, Black!\" The material includes Maya Angelou reciting the poem \"A Letter to an Aspiring Junkie,\" a performance and interview she did with legendary blues guitarist B.B. King, and a visit to Martin Luther King School in San Francisco.\u003c/p>\n\u003caside class=\"alignright\">\n\u003ch3>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287\" target=\"_blank\">Watch \"Blacks, Blues, Black!\"\u003c/a>\u003c/h3>\n\u003cfigure>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287/\" target=\"_blank\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/bbb-title.jpg\" alt=\"\">\u003c/a>\u003c/figure>\n\u003cp>All ten episodes available online at the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">S.F. Bay Area Television Archive\u003c/a>.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223548\" target=\"_blank\">Episode one: \"Positive Africanisms\"\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223549\" target=\"_blank\">Episode two: \"Negative Africanisms\"\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223550\" target=\"_blank\">Episode three: African history\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223551\" target=\"_blank\">Episode four: Music\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287\" target=\"_blank\">more\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>In 1968, Maya Angelou wrote and produced a 10-part series for KQED called \"Blacks, Blues, Black!\" The series explored the influence of African-American culture on American society, and featured episodes on African history, art, Africanisms and \"violence in the black American world.\"\u003c/p>\n\u003cp>After airing in the summer of 1968, \"Blacks, Blues, Black!\" was lost and unavailable for decades. Angelou herself had reportedly been searching for the series for years. Her representatives reached out to the Bay Area TV archive as early as 2005 looking for it, but there was no trace of the series there or in any other local archive, including KQED's.\u003c/p>\n\u003cp>In 2009, San Francisco State film archivist Alex Cherian was working on a project for the Corporation for Public Broadcasting, sifting through thousands of cans of film, when he came across one canister with a single handwritten word scribbled on the outside: \"Angelou.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Intrigued, Cherian queued up the film to find the poet touring a neighborhood in Watts, just a few years after the 1965 riots had ripped through that community. In the segment, which Cherian would later learn was part of the ninth episode, Angelou says the conflicts in Watts \"represented a people, a race fighting for survival.\"\u003c/p>\n\u003cp>\"The material was so compelling, I wanted to find the whole series,\" Cherian says. \"I assumed it would be relatively simple. It was not.\"\u003c/p>\n\u003cfigure id=\"attachment_10432277\" class=\"wp-caption alignleft\" style=\"max-width: 445px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/cherian_sf-state.jpg\">\u003cimg class=\" wp-image-10432277\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/cherian_sf-state-1440x800.jpg\" alt=\"SF State film archivist Alex Cherian pictured in a 2011 short film produced by KPIX. (SF Bay Area TV Archive)\" width=\"445\" height=\"247\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-400x222.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-800x444.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-672x372.jpg 672w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-1038x576.jpg 1038w\" sizes=\"(max-width: 445px) 100vw, 445px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">SF State film archivist Alex Cherian pictured in a 2011 short film produced by KPIX. (SF Bay Area TV Archive)\u003c/figcaption>\u003c/figure>\n\u003cp>He spent the next four years looking for any information about the series but found virtually nothing. In early 2013, on a whim, he called the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Library of Congress\u003c/a> and learned that they had the entire 10-hour series preserved on \u003ca href=\"http://upload.wikimedia.org/wikipedia/commons/b/b9/2-inch_Quad_Tape_Reel_with_miniDV_cassette.jpg\" target=\"_blank\">two-inch videotape\u003c/a>.\u003c/p>\n\u003cp>So why did the Library have it? To make a long story short, KQED co-produced many films with \u003ca href=\"http://en.wikipedia.org/wiki/National_Educational_Television\" target=\"_blank\">National Educational Television\u003c/a>, a public broadcasting predecessor to PBS in the sixties. When NET dissolved in 1970, a part of their archive including KQED's \"Blacks, Blues, Black!\" was transferred to WNET, New York City's public media affiliate. At some point after that, WNET deposited a small sampling of this inherited archive at the Library of Congress, where it sat untouched for decades.\u003c/p>\n\u003cp>Until Cherian called in 2013.\u003c/p>\n\u003cfigure id=\"attachment_10432274\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/angelou-and-king.jpg\">\u003cimg class=\"wp-image-10432274 size-large\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/angelou-and-king-1440x1076.jpg\" alt='Maya Angelou interviewing B.B. King in an episode about music from \"Blacks, Blues, Black!\"' width=\"640\" height=\"478\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/angelou-and-king.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/angelou-and-king-400x299.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/angelou-and-king-800x598.jpg 800w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Maya Angelou interviewing B.B. King in an episode about music from \"Blacks, Blues, Black!\" (KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>After determining that KQED was the copyright holder and securing permission, the Library of Congress agreed to digitize the series, at a cost of close to $5,000. Over the next year, the J. Paul Leonard Library at San Francisco State, where the Bay Area TV Archive is housed, was able to raise the necessary funds, mainly through commercial licensing for Bay Area television stations.\u003c/p>\n\u003cp>At that point, confident that \"Blacks, Blues, Black!\" would finally be made widely available again, Cherian reached out to Maya Angelou's representatives to share the good news. In an email dated May 14, 2014, Angelou's office manager relayed that the poet was \"over the moon\" that the series had been found.\u003c/p>\n\u003cp>Two weeks later, on May 28, Angelou passed away.\u003c/p>\n\u003cp>By that time the hot summer months had set in, and with them another delay. \"It turns out the Library of Congress doesn’t work with old video in the humid season,\" Cherian said. So the restoration process was put on hold until November.\u003c/p>\n\u003cp>Finally, last month, Cherian received the full 10 hours of uncompressed digital masters of \"Blacks, Blues, Black!\" All ten episodes are now freely available \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287\" target=\"_blank\">online\u003c/a>.\u003c/p>\n\u003cp>According to Cherian, an American Masters documentary film about Dr. Angelou's life, set to be released in 2016 and endorsed by her family, may use some of the unique footage rediscovered in this series.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>If you have any information regarding \u003cem>\"Blacks, Blues, Black!\"\u003c/em> contact Alex Cherian at acherian@sfsu.edu. All information will be added to the series record within the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Bay Area TV Archive\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The rediscovered series explores the influence of African American culture on American society.","status":"publish","parent":0,"modified":1423871013,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":786},"headData":{"title":"From the Archive: Maya Angelou Hosts 1968 Series 'Blacks, Blues, Black!' | KQED","description":"The rediscovered series explores the influence of African American culture on American society.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"From the Archive: Maya Angelou Hosts 1968 Series 'Blacks, Blues, Black!'","datePublished":"2015-02-13T19:03:48.000Z","dateModified":"2015-02-13T23:43:33.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"10431582 http://ww2.kqed.org/news/?p=10431582","disqusUrl":"https://ww2.kqed.org/news/2015/02/13/from-the-archive-maya-angelou-hosts-1968-series-blacks-blues-black/","disqusTitle":"From the Archive: Maya Angelou Hosts 1968 Series 'Blacks, Blues, Black!'","videoEmbed":"http://youtu.be/0pbL5sR9oiM","path":"/news/10431582/from-the-archive-maya-angelou-hosts-1968-series-blacks-blues-black","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>To celebrate Black History Month, we will be highlighting clips from the KQED video archive throughout February. All clips have been made available by the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Bay Area TV Archive at San Francisco State University\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.youtube.com/watch?v=0pbL5sR9oiM\" target=\"_blank\">above clip\u003c/a> features three excerpts from the series \"Blacks, Blues, Black!\" The material includes Maya Angelou reciting the poem \"A Letter to an Aspiring Junkie,\" a performance and interview she did with legendary blues guitarist B.B. King, and a visit to Martin Luther King School in San Francisco.\u003c/p>\n\u003caside class=\"alignright\">\n\u003ch3>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287\" target=\"_blank\">Watch \"Blacks, Blues, Black!\"\u003c/a>\u003c/h3>\n\u003cfigure>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287/\" target=\"_blank\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/bbb-title.jpg\" alt=\"\">\u003c/a>\u003c/figure>\n\u003cp>All ten episodes available online at the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">S.F. Bay Area Television Archive\u003c/a>.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223548\" target=\"_blank\">Episode one: \"Positive Africanisms\"\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223549\" target=\"_blank\">Episode two: \"Negative Africanisms\"\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223550\" target=\"_blank\">Episode three: African history\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/223551\" target=\"_blank\">Episode four: Music\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287\" target=\"_blank\">more\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>In 1968, Maya Angelou wrote and produced a 10-part series for KQED called \"Blacks, Blues, Black!\" The series explored the influence of African-American culture on American society, and featured episodes on African history, art, Africanisms and \"violence in the black American world.\"\u003c/p>\n\u003cp>After airing in the summer of 1968, \"Blacks, Blues, Black!\" was lost and unavailable for decades. Angelou herself had reportedly been searching for the series for years. Her representatives reached out to the Bay Area TV archive as early as 2005 looking for it, but there was no trace of the series there or in any other local archive, including KQED's.\u003c/p>\n\u003cp>In 2009, San Francisco State film archivist Alex Cherian was working on a project for the Corporation for Public Broadcasting, sifting through thousands of cans of film, when he came across one canister with a single handwritten word scribbled on the outside: \"Angelou.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Intrigued, Cherian queued up the film to find the poet touring a neighborhood in Watts, just a few years after the 1965 riots had ripped through that community. In the segment, which Cherian would later learn was part of the ninth episode, Angelou says the conflicts in Watts \"represented a people, a race fighting for survival.\"\u003c/p>\n\u003cp>\"The material was so compelling, I wanted to find the whole series,\" Cherian says. \"I assumed it would be relatively simple. It was not.\"\u003c/p>\n\u003cfigure id=\"attachment_10432277\" class=\"wp-caption alignleft\" style=\"max-width: 445px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/cherian_sf-state.jpg\">\u003cimg class=\" wp-image-10432277\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/cherian_sf-state-1440x800.jpg\" alt=\"SF State film archivist Alex Cherian pictured in a 2011 short film produced by KPIX. (SF Bay Area TV Archive)\" width=\"445\" height=\"247\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-400x222.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-800x444.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-672x372.jpg 672w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/cherian_sf-state-1038x576.jpg 1038w\" sizes=\"(max-width: 445px) 100vw, 445px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">SF State film archivist Alex Cherian pictured in a 2011 short film produced by KPIX. (SF Bay Area TV Archive)\u003c/figcaption>\u003c/figure>\n\u003cp>He spent the next four years looking for any information about the series but found virtually nothing. In early 2013, on a whim, he called the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Library of Congress\u003c/a> and learned that they had the entire 10-hour series preserved on \u003ca href=\"http://upload.wikimedia.org/wikipedia/commons/b/b9/2-inch_Quad_Tape_Reel_with_miniDV_cassette.jpg\" target=\"_blank\">two-inch videotape\u003c/a>.\u003c/p>\n\u003cp>So why did the Library have it? To make a long story short, KQED co-produced many films with \u003ca href=\"http://en.wikipedia.org/wiki/National_Educational_Television\" target=\"_blank\">National Educational Television\u003c/a>, a public broadcasting predecessor to PBS in the sixties. When NET dissolved in 1970, a part of their archive including KQED's \"Blacks, Blues, Black!\" was transferred to WNET, New York City's public media affiliate. At some point after that, WNET deposited a small sampling of this inherited archive at the Library of Congress, where it sat untouched for decades.\u003c/p>\n\u003cp>Until Cherian called in 2013.\u003c/p>\n\u003cfigure id=\"attachment_10432274\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/angelou-and-king.jpg\">\u003cimg class=\"wp-image-10432274 size-large\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/angelou-and-king-1440x1076.jpg\" alt='Maya Angelou interviewing B.B. King in an episode about music from \"Blacks, Blues, Black!\"' width=\"640\" height=\"478\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/angelou-and-king.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/angelou-and-king-400x299.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/angelou-and-king-800x598.jpg 800w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Maya Angelou interviewing B.B. King in an episode about music from \"Blacks, Blues, Black!\" (KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>After determining that KQED was the copyright holder and securing permission, the Library of Congress agreed to digitize the series, at a cost of close to $5,000. Over the next year, the J. Paul Leonard Library at San Francisco State, where the Bay Area TV Archive is housed, was able to raise the necessary funds, mainly through commercial licensing for Bay Area television stations.\u003c/p>\n\u003cp>At that point, confident that \"Blacks, Blues, Black!\" would finally be made widely available again, Cherian reached out to Maya Angelou's representatives to share the good news. In an email dated May 14, 2014, Angelou's office manager relayed that the poet was \"over the moon\" that the series had been found.\u003c/p>\n\u003cp>Two weeks later, on May 28, Angelou passed away.\u003c/p>\n\u003cp>By that time the hot summer months had set in, and with them another delay. \"It turns out the Library of Congress doesn’t work with old video in the humid season,\" Cherian said. So the restoration process was put on hold until November.\u003c/p>\n\u003cp>Finally, last month, Cherian received the full 10 hours of uncompressed digital masters of \"Blacks, Blues, Black!\" All ten episodes are now freely available \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/10287\" target=\"_blank\">online\u003c/a>.\u003c/p>\n\u003cp>According to Cherian, an American Masters documentary film about Dr. Angelou's life, set to be released in 2016 and endorsed by her family, may use some of the unique footage rediscovered in this series.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>If you have any information regarding \u003cem>\"Blacks, Blues, Black!\"\u003c/em> contact Alex Cherian at acherian@sfsu.edu. All information will be added to the series record within the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Bay Area TV Archive\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/10431582/from-the-archive-maya-angelou-hosts-1968-series-blacks-blues-black","authors":["188"],"programs":["news_6944"],"categories":["news_223","news_6188","news_8"],"tags":["news_17651","news_6384","news_150"],"featImg":"news_10432275","label":"news_6944"},"news_10428494":{"type":"posts","id":"news_10428494","meta":{"index":"posts_1591205157","site":"news","id":"10428494","score":null,"sort":[1423580415000]},"guestAuthors":[],"slug":"from-the-archive-bayview-hunters-point-backs-s-f-states-student-strike-december-1968","title":"From the Archive: Bayview-Hunters Point Backs S.F. State Strike, December 1968","publishDate":1423580415,"format":"video","headTitle":"News Fix | KQED News","labelTerm":{"term":6944,"site":"news"},"content":"\u003cblockquote>\u003cp>\u003cem>To celebrate Black History Month, we will be highlighting clips from the KQED video archive throughout the month of February. All clips have been made available by the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Bay Area TV Archive at San Francisco State University\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>The above clip features KQED footage taken from three different news reports from Dec. 4, 1968, featuring the African-American community of Bayview/Hunters Point at San Francisco State College, supporting the Black Students Union and Third World Liberation Front in their efforts to establish a college of Ethnic Studies.\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>In early November 1968, the Black Student Union at San Francisco State University presented a list of 10 \"non-negotiable\" demands to administrators -- a list focusing on creating a black studies department and increasing black access to the university. College officials didn't grant the demands. So the BSU, along with other people of color organized as the Third World Liberation Front, launched what would become the longest campus strike in U.S. history.\u003c/p>\n\u003cp>The 115-day strike, lasting into late March 1969, led to repeated clashes between students and the hundreds of police officers summoned to campus to impose order. More than 700 students were arrested and scores injured during the strike's first two months. The standoff led to headline-grabbing confrontations between students on one side and Gov. Ronald Reagan and S.F. State's acting president on the other.\u003c/p>\n\u003cfigure id=\"attachment_10428497\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/group.jpg\">\u003cimg class=\"wp-image-10428497 size-large\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/group-1440x964.jpg\" alt=\"A group of community leaders march in solidarity with the Black Students Union at San Francisco State on Dec. 4, 1968.\" width=\"640\" height=\"428\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/group.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/group-400x268.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/group-800x536.jpg 800w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A group of community leaders marches in solidarity with the Black Student Union at San Francisco State on Dec. 4, 1968.\u003c/figcaption>\u003c/figure>\n\u003cp>In the end, the strike resulted in the creation of San Francisco State's College of Ethnic Studies, a division that today offers hundreds of classes each year and serves thousands of students.\u003c/p>\n\u003cp>The strike had a wider significance for San Francisco's black community, which was fighting its own battles for a more effective voice in community affairs and which came out strongly in support of the student activists.\u003c/p>\n\u003cfigure id=\"attachment_10428495\" class=\"wp-caption alignleft\" style=\"max-width: 390px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/Eloise-Westbrook.jpg\">\u003cimg class=\" wp-image-10428495\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/Eloise-Westbrook-400x271.jpg\" alt=\"Eloise Westbrook (1915-2011) speaking at a protest in support of a student strike at San Francisco State on Dec. 4, 1968. \" width=\"390\" height=\"264\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/Eloise-Westbrook-400x271.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/Eloise-Westbrook-800x541.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/Eloise-Westbrook.jpg 1440w\" sizes=\"(max-width: 390px) 100vw, 390px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Eloise Westbrook (1915-2011) speaking at a protest in support of a student strike at San Francisco State on Dec. 4, 1968.\u003c/figcaption>\u003c/figure>\n\u003cp>Eloise Westbrook (1915-2011), seen first on camera in this clip, was a formidable community activist in Bayview-Hunters Point for many years. In 1970, as part of a 15-person delegation that went to Washington, D.C., to lobby for housing funds, Westbrook used her strength and determination to help secure financial backing from the Republican Party.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At one point, when confronted with a cafe sign stating: \"Senators only,\" she declared: \"I ain't no Senator, but I'm only!\" and pushed her way inside for lunch.\u003c/p>\n\u003cp>Ruth Williams, shown second on camera in this clip, was also a widely respected community leader in Bayview-Hunters Point, who (with Westbrook) was part of a group of women known as the \"Big Five.\"\u003c/p>\n\u003cfigure id=\"attachment_10428496\" class=\"wp-caption alignleft\" style=\"max-width: 390px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/ruth-williams.jpg\">\u003cimg class=\" wp-image-10428496\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/ruth-williams-400x273.jpg\" alt=\"Ruth Williams speaking at a protest in support of a student strike at San Francisco State on Dec. 4, 1968. \" width=\"390\" height=\"266\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/ruth-williams-400x273.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/ruth-williams-800x547.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/ruth-williams.jpg 1440w\" sizes=\"(max-width: 390px) 100vw, 390px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ruth Williams speaking at a protest in support of a student strike at San Francisco State on Dec. 4, 1968.\u003c/figcaption>\u003c/figure>\n\u003cp>Williams was instrumental in campaigning to prevent the demolition of the historic Opera House on Third Street, and a video is currently being made by local filmmakers and residents to commemorate her work.\u003c/p>\n\u003cp>When Williams proudly announces onstage, \"I'm from the ghetto community!\" it's worth knowing -- as her son, Kevin Williams, points out -- that she wanted to reclaim the word \"ghetto\" for the African-American community and use it as a means of empowerment.\u003c/p>\n\u003cp>In 2014, the Bayview-Hunters Point community worked with the \u003ca href=\"http://sfpl.org\" target=\"_blank\">San Francisco Public Library\u003c/a>, the \u003ca href=\"http://bavc.org\" target=\"_blank\">Bay Area Video Coalition\u003c/a> and the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Bay Area Television Archive\u003c/a> to produce a short documentary film that considers the legacy of Eloise Westbrook, Ruth Williams and other Bayview-Hunters Point community leaders from the 1960s. It's called \u003ca href=\"https://www.youtube.com/watch?v=ozflNOVzd6w\" target=\"_blank\">\u003cem>Point of Pride\u003c/em>\u003c/a> (available online) and is being screened at S.F. State on Wednesday, Feb. 18, in the Richard Oakes Multicultural Center at 6 p.m.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Alex Cherian is a Film Archivist at the San Francisco Bay Area Television Archive. He can be reached at acherian@sfsu.edu. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"In celebration of Black History Month, we look back at historic four-month-long campus struggle. ","status":"publish","parent":0,"modified":1423589785,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":667},"headData":{"title":"From the Archive: Bayview-Hunters Point Backs S.F. State Strike, December 1968 | KQED","description":"In celebration of Black History Month, we look back at historic four-month-long campus struggle. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"From the Archive: Bayview-Hunters Point Backs S.F. State Strike, December 1968","datePublished":"2015-02-10T15:00:15.000Z","dateModified":"2015-02-10T17:36:25.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"10428494 http://ww2.kqed.org/news/?p=10428494","disqusUrl":"https://ww2.kqed.org/news/2015/02/10/from-the-archive-bayview-hunters-point-backs-s-f-states-student-strike-december-1968/","disqusTitle":"From the Archive: Bayview-Hunters Point Backs S.F. State Strike, December 1968","videoEmbed":"http://youtu.be/dnvAFgEIMEA","customPermalink":"2010/02/10-from-the-archive-bayview-hunters-point-backs-sf-state-student-strike-december-1968/","nprByline":"Dan Brekke, Alex Cherian and Adam Grossberg","path":"/news/10428494/from-the-archive-bayview-hunters-point-backs-s-f-states-student-strike-december-1968","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cblockquote>\u003cp>\u003cem>To celebrate Black History Month, we will be highlighting clips from the KQED video archive throughout the month of February. All clips have been made available by the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Bay Area TV Archive at San Francisco State University\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>The above clip features KQED footage taken from three different news reports from Dec. 4, 1968, featuring the African-American community of Bayview/Hunters Point at San Francisco State College, supporting the Black Students Union and Third World Liberation Front in their efforts to establish a college of Ethnic Studies.\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>In early November 1968, the Black Student Union at San Francisco State University presented a list of 10 \"non-negotiable\" demands to administrators -- a list focusing on creating a black studies department and increasing black access to the university. College officials didn't grant the demands. So the BSU, along with other people of color organized as the Third World Liberation Front, launched what would become the longest campus strike in U.S. history.\u003c/p>\n\u003cp>The 115-day strike, lasting into late March 1969, led to repeated clashes between students and the hundreds of police officers summoned to campus to impose order. More than 700 students were arrested and scores injured during the strike's first two months. The standoff led to headline-grabbing confrontations between students on one side and Gov. Ronald Reagan and S.F. State's acting president on the other.\u003c/p>\n\u003cfigure id=\"attachment_10428497\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/group.jpg\">\u003cimg class=\"wp-image-10428497 size-large\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/group-1440x964.jpg\" alt=\"A group of community leaders march in solidarity with the Black Students Union at San Francisco State on Dec. 4, 1968.\" width=\"640\" height=\"428\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/group.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/group-400x268.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/group-800x536.jpg 800w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A group of community leaders marches in solidarity with the Black Student Union at San Francisco State on Dec. 4, 1968.\u003c/figcaption>\u003c/figure>\n\u003cp>In the end, the strike resulted in the creation of San Francisco State's College of Ethnic Studies, a division that today offers hundreds of classes each year and serves thousands of students.\u003c/p>\n\u003cp>The strike had a wider significance for San Francisco's black community, which was fighting its own battles for a more effective voice in community affairs and which came out strongly in support of the student activists.\u003c/p>\n\u003cfigure id=\"attachment_10428495\" class=\"wp-caption alignleft\" style=\"max-width: 390px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/Eloise-Westbrook.jpg\">\u003cimg class=\" wp-image-10428495\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/Eloise-Westbrook-400x271.jpg\" alt=\"Eloise Westbrook (1915-2011) speaking at a protest in support of a student strike at San Francisco State on Dec. 4, 1968. \" width=\"390\" height=\"264\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/Eloise-Westbrook-400x271.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/Eloise-Westbrook-800x541.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/Eloise-Westbrook.jpg 1440w\" sizes=\"(max-width: 390px) 100vw, 390px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Eloise Westbrook (1915-2011) speaking at a protest in support of a student strike at San Francisco State on Dec. 4, 1968.\u003c/figcaption>\u003c/figure>\n\u003cp>Eloise Westbrook (1915-2011), seen first on camera in this clip, was a formidable community activist in Bayview-Hunters Point for many years. In 1970, as part of a 15-person delegation that went to Washington, D.C., to lobby for housing funds, Westbrook used her strength and determination to help secure financial backing from the Republican Party.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At one point, when confronted with a cafe sign stating: \"Senators only,\" she declared: \"I ain't no Senator, but I'm only!\" and pushed her way inside for lunch.\u003c/p>\n\u003cp>Ruth Williams, shown second on camera in this clip, was also a widely respected community leader in Bayview-Hunters Point, who (with Westbrook) was part of a group of women known as the \"Big Five.\"\u003c/p>\n\u003cfigure id=\"attachment_10428496\" class=\"wp-caption alignleft\" style=\"max-width: 390px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/ruth-williams.jpg\">\u003cimg class=\" wp-image-10428496\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/02/ruth-williams-400x273.jpg\" alt=\"Ruth Williams speaking at a protest in support of a student strike at San Francisco State on Dec. 4, 1968. \" width=\"390\" height=\"266\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/02/ruth-williams-400x273.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/ruth-williams-800x547.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/02/ruth-williams.jpg 1440w\" sizes=\"(max-width: 390px) 100vw, 390px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ruth Williams speaking at a protest in support of a student strike at San Francisco State on Dec. 4, 1968.\u003c/figcaption>\u003c/figure>\n\u003cp>Williams was instrumental in campaigning to prevent the demolition of the historic Opera House on Third Street, and a video is currently being made by local filmmakers and residents to commemorate her work.\u003c/p>\n\u003cp>When Williams proudly announces onstage, \"I'm from the ghetto community!\" it's worth knowing -- as her son, Kevin Williams, points out -- that she wanted to reclaim the word \"ghetto\" for the African-American community and use it as a means of empowerment.\u003c/p>\n\u003cp>In 2014, the Bayview-Hunters Point community worked with the \u003ca href=\"http://sfpl.org\" target=\"_blank\">San Francisco Public Library\u003c/a>, the \u003ca href=\"http://bavc.org\" target=\"_blank\">Bay Area Video Coalition\u003c/a> and the \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv\" target=\"_blank\">Bay Area Television Archive\u003c/a> to produce a short documentary film that considers the legacy of Eloise Westbrook, Ruth Williams and other Bayview-Hunters Point community leaders from the 1960s. It's called \u003ca href=\"https://www.youtube.com/watch?v=ozflNOVzd6w\" target=\"_blank\">\u003cem>Point of Pride\u003c/em>\u003c/a> (available online) and is being screened at S.F. State on Wednesday, Feb. 18, in the Richard Oakes Multicultural Center at 6 p.m.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Alex Cherian is a Film Archivist at the San Francisco Bay Area Television Archive. He can be reached at acherian@sfsu.edu. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/10428494/from-the-archive-bayview-hunters-point-backs-s-f-states-student-strike-december-1968","authors":["byline_news_10428494"],"programs":["news_6944"],"categories":["news_18540","news_8"],"tags":["news_17651","news_1260"],"featImg":"news_10428497","label":"news_6944"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Consider-This-Podcast-Tile-703x703-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. 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