Oakland Dancers Present 'The Nutcracker' With an African Diaspora Twist
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AKLB's founder, and a recent inductee into the California Hall of Fame, Alonzo King joins us in the studio to discuss exploration and expression through the soul language of movement.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Something Beautiful\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When war erupted in Eastern Europe one year ago, communities in the Bay Area rallied together for Ukraine and against Russian President Vladimir Putin. This week's Something Beautiful looks back at shows of support from last year. \u003c/span>\u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1677528153,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":138},"headData":{"title":"Ukraine War | Alonzo King | KQED","description":"Ukraine War One-Year Anniversary On the one-year anniversary of the war in Ukraine, we speak with the Ukrainian Consul General Dmytro Kushneruk about how Californians have supported Ukrainians and what the war-torn country still needs. Alonzo King Alonzo King Lines Ballet company in San Francisco has a mission to nurture artistry and the development","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Ukraine War | Alonzo King","datePublished":"2023-02-25T00:28:48.000Z","dateModified":"2023-02-27T20:02:33.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"videoEmbed":"https://youtu.be/dZkg9gINOxw","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11941842/ukraine-war-alonzo-king","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Ukraine War One-Year Anniversary\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On the one-year anniversary of the war in Ukraine, we speak with the Ukrainian Consul General Dmytro Kushneruk about how Californians have supported Ukrainians and what the war-torn country still needs.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Alonzo King\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Alonzo King Lines Ballet company in San Francisco has a mission to nurture artistry and the development of creative expression in dance. AKLB's founder, and a recent inductee into the California Hall of Fame, Alonzo King joins us in the studio to discuss exploration and expression through the soul language of movement.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Something Beautiful\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When war erupted in Eastern Europe one year ago, communities in the Bay Area rallied together for Ukraine and against Russian President Vladimir Putin. This week's Something Beautiful looks back at shows of support from last year. \u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11941842/ukraine-war-alonzo-king","authors":["236"],"programs":["news_7052"],"categories":["news_223","news_31795","news_8","news_13"],"tags":["news_20622","news_32441","news_22973","news_18192","news_26723","news_32440","news_30818"],"featImg":"news_11941845","label":"news_7052"},"news_11789818":{"type":"posts","id":"news_11789818","meta":{"index":"posts_1591205157","site":"news","id":"11789818","score":null,"sort":[1576005202000]},"guestAuthors":[],"slug":"oakland-dancers-present-nutcracker-with-an-african-diaspora-twist","title":"Oakland Dancers Present 'The Nutcracker' With an African Diaspora Twist","publishDate":1576005202,"format":"audio","headTitle":"The California Report Magazine | KQED News","labelTerm":{"term":26731,"site":"news"},"content":"\u003cp>A new production of Tchaikovsky's \"The Nutcracker\" called \"\u003ca href=\"https://www.thepeoplesconservatory.org/events-1/kola-an-afro-diasporic-remix-of-the-nutcracker\">KOLA: An Afro Diasporic Remix of the Nutcracker\u003c/a>\" is hitting the stage in Oakland this holiday season.\u003c/p>\n\u003cp>It’s a twist on the traditional ballet: There’s no nutcracker, there’s no mouse, and there’s no Clara either.\u003c/p>\n\u003cfigure id=\"attachment_11790392\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11790392\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40401_RS40379__DSC8544_edited-qut-800x450.jpg\" alt=\"Brazil Clement dances as Ogun during a rehearsal at Sullivan Community Space in Oakland on Dec. 8, 2019.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40401_RS40379__DSC8544_edited-qut-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40401_RS40379__DSC8544_edited-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40401_RS40379__DSC8544_edited-qut-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40401_RS40379__DSC8544_edited-qut-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40401_RS40379__DSC8544_edited-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brazil Clement dances as Ogun during a rehearsal at Sullivan Community Space in Oakland on Dec. 8, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Instead, 13-year-old dancer Amelinda Origunwa performs the lead role of Nzingha, who travels the African diaspora, learning different kinds of dance as the show unfolds.\u003c/p>\n\u003cp>“There’s Afro-Haitian, Afro-Cuban, all the different Orisha dances. There’s ballet, modern, jazz, hip-hop, break-dancing. And flamenco,” said Origunwa.\u003c/p>\n\u003cfigure id=\"attachment_11790396\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11790396\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40403_RS40386__DSC8282_edited-qut-800x450.jpg\" alt=\"Samara Cole-Mercado dancing as Yemanja during a rehearsal at Sullivan Community Space in Oakland on Dec. 8, 2019.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40403_RS40386__DSC8282_edited-qut-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40403_RS40386__DSC8282_edited-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40403_RS40386__DSC8282_edited-qut-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40403_RS40386__DSC8282_edited-qut-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40403_RS40386__DSC8282_edited-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Samara Cole-Mercado dancing as Yemanja during a rehearsal at Sullivan Community Space in Oakland on Dec. 8, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The California Report Magazine’s Sasha Khokha spoke with Rozz Nash, the founder and director of \u003ca href=\"https://www.thepeoplesconservatory.org/\">The People’s Conservatory\u003c/a>, the dance company putting on the show.\u003c/p>\n\u003cfigure id=\"attachment_11790387\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11790387\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40398_RS40355__DSC7322_edited-qut-800x534.jpg\" alt=\"RyanNicole Peters, co-writer, co-director and lead dramatist (left) sits with Rozz Nash, executive director of The People’s Conservatory, during a rehearsal at Malonga Casquelourd Center for the Arts in Oakland on Dec. 5, 2019.\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40398_RS40355__DSC7322_edited-qut-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40398_RS40355__DSC7322_edited-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40398_RS40355__DSC7322_edited-qut-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40398_RS40355__DSC7322_edited-qut-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40398_RS40355__DSC7322_edited-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">RyanNicole Peters, co-writer, co-director and lead dramatist (left) sits with Rozz Nash, executive director of The People’s Conservatory, during a rehearsal at Malonga Casquelourd Center for the Arts in Oakland on Dec. 5, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Note: the quotes below have been edited for clarity.\u003c/em>\u003c/p>\n\u003cp>\u003cb>On what makes this show different\u003cbr>\n\u003c/b>\u003cbr>\nNash: Ours really tours the globe, and focuses on not only the dances and music from different cultures, but also some of their gods, spirits and practices. We work Orishas into our work from the Ife tradition. We’re also focusing on a different, innovative narrative we created, which is not like \"The Nutcracker\" at all.\u003c/p>\n\u003cfigure id=\"attachment_11790389\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11790389\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40399_RS40363__DSC7503_edited-qut-800x534.jpg\" alt=\"Break dancers rehearse at Sullivan Community Space in Oakland on Dec. 8, 2019. \" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40399_RS40363__DSC7503_edited-qut-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40399_RS40363__DSC7503_edited-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40399_RS40363__DSC7503_edited-qut-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40399_RS40363__DSC7503_edited-qut-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40399_RS40363__DSC7503_edited-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Break dancers rehearse at Sullivan Community Space in Oakland on Dec. 8, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>On the plot\u003c/b>\u003c/p>\n\u003cp>Nash: We still have a young girl who’s a protagonist. Nzingha is13, and she’s desperately looking for connection. She’s looking to find her roots and what it is about this world that is meant for her to explore. We take her on a journey along the trans-Aatlantic slave trade from West Africa to Brazil to Cuba to Haiti to Spain, and we end up back in the continental U.S. All this is done through diasporic dances, music, movement and culture. We have an incredible creative team (including local artists Kev Choice, Jennifer Johns, and RyanNicole) that helped make it possible, so we jump from one culture to another through the music and story.\u003c/p>\n\u003cfigure id=\"attachment_11790398\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11790398\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40404_RS40361__DSC7456_edited-qut-800x450.jpg\" alt=\"Dancers rehearse for a new production from The People's Conservatory called Kola: An Afro Diasporic Remix of The Nutcracker.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40404_RS40361__DSC7456_edited-qut-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40404_RS40361__DSC7456_edited-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40404_RS40361__DSC7456_edited-qut-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40404_RS40361__DSC7456_edited-qut-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40404_RS40361__DSC7456_edited-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dancers rehearse for a new production from The People's Conservatory called 'Kola: An Afro Diasporic Remix of The Nutcracker.' \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>On The People’s Conservatory\u003c/b>\u003c/p>\n\u003cp>Nash: The People’s Conservatory started about a year and half ago, but I’ve been working with these youth for five years at a school called \u003ca href=\"http://rosesinconcrete.org/\">Roses in Concrete,\u003c/a> where I was the director of performing and visual arts. We basically created an integrated arts school. Now that we are in 10 schools, we’re able to provide services to many more people and young people, and some of our students have gone off to other places. It’s a way for us to still keep them in the fold, work with them and help them to develop their art.\u003c/p>\n\u003cfigure id=\"attachment_11790390\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11790390\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40400_RS40366__DSC7555_edited-qut-800x450.jpg\" alt=\"James Davis, who dances Exu, break-dances with a group of snow angels during a rehearsal at Sullivan Community Space in Oakland on Dec. 8, 2019. \" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40400_RS40366__DSC7555_edited-qut-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40400_RS40366__DSC7555_edited-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40400_RS40366__DSC7555_edited-qut-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40400_RS40366__DSC7555_edited-qut-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40400_RS40366__DSC7555_edited-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">James Davis, who dances Exu, break-dances with a group of snow angels during a rehearsal at Sullivan Community Space in Oakland on Dec. 8, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>On the history of Oakland and the history of slavery\u003c/b>\u003c/p>\n\u003cp>Nash: We want to make sure that we’re meeting students where they are and creating content with them that has to do with the history of where they live, who they are, where they come from and their indigeneity. The show is about how slavery has affected how folks exist and navigate the world and how folks in Oakland are navigating the world because of what their lineage had to suffer. \"How did you get here? How did your family get here? What are some of the revolutionary background that comes from a lot of our students' household and families?\" We want to highlight that and not suppress that.\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"There's no mouse king and no Clara, but there's break-dancing, flamenco, and an Oakland remix of Tchaikovsky. ","status":"publish","parent":0,"modified":1576029593,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":720},"headData":{"title":"Oakland Dancers Present 'The Nutcracker' With an African Diaspora Twist | KQED","description":"There's no mouse king and no Clara, but there's break-dancing, flamenco, and an Oakland remix of Tchaikovsky. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Oakland Dancers Present 'The Nutcracker' With an African Diaspora Twist","datePublished":"2019-12-10T19:13:22.000Z","dateModified":"2019-12-11T01:59:53.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11789818 https://ww2.kqed.org/news/?p=11789818","disqusUrl":"https://ww2.kqed.org/news/2019/12/10/oakland-dancers-present-nutcracker-with-an-african-diaspora-twist/","disqusTitle":"Oakland Dancers Present 'The Nutcracker' With an African Diaspora Twist","audioUrl":"https://www.kqed.org/.stream/anon/radio/tcrmag/2019/12/NashKOLAKhokhaNutcracker.mp3","audioTrackLength":408,"path":"/news/11789818/oakland-dancers-present-nutcracker-with-an-african-diaspora-twist","audioDuration":427000,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>A new production of Tchaikovsky's \"The Nutcracker\" called \"\u003ca href=\"https://www.thepeoplesconservatory.org/events-1/kola-an-afro-diasporic-remix-of-the-nutcracker\">KOLA: An Afro Diasporic Remix of the Nutcracker\u003c/a>\" is hitting the stage in Oakland this holiday season.\u003c/p>\n\u003cp>It’s a twist on the traditional ballet: There’s no nutcracker, there’s no mouse, and there’s no Clara either.\u003c/p>\n\u003cfigure id=\"attachment_11790392\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11790392\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40401_RS40379__DSC8544_edited-qut-800x450.jpg\" alt=\"Brazil Clement dances as Ogun during a rehearsal at Sullivan Community Space in Oakland on Dec. 8, 2019.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40401_RS40379__DSC8544_edited-qut-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40401_RS40379__DSC8544_edited-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40401_RS40379__DSC8544_edited-qut-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40401_RS40379__DSC8544_edited-qut-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40401_RS40379__DSC8544_edited-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Brazil Clement dances as Ogun during a rehearsal at Sullivan Community Space in Oakland on Dec. 8, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Instead, 13-year-old dancer Amelinda Origunwa performs the lead role of Nzingha, who travels the African diaspora, learning different kinds of dance as the show unfolds.\u003c/p>\n\u003cp>“There’s Afro-Haitian, Afro-Cuban, all the different Orisha dances. There’s ballet, modern, jazz, hip-hop, break-dancing. And flamenco,” said Origunwa.\u003c/p>\n\u003cfigure id=\"attachment_11790396\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11790396\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40403_RS40386__DSC8282_edited-qut-800x450.jpg\" alt=\"Samara Cole-Mercado dancing as Yemanja during a rehearsal at Sullivan Community Space in Oakland on Dec. 8, 2019.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40403_RS40386__DSC8282_edited-qut-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40403_RS40386__DSC8282_edited-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40403_RS40386__DSC8282_edited-qut-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40403_RS40386__DSC8282_edited-qut-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40403_RS40386__DSC8282_edited-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Samara Cole-Mercado dancing as Yemanja during a rehearsal at Sullivan Community Space in Oakland on Dec. 8, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The California Report Magazine’s Sasha Khokha spoke with Rozz Nash, the founder and director of \u003ca href=\"https://www.thepeoplesconservatory.org/\">The People’s Conservatory\u003c/a>, the dance company putting on the show.\u003c/p>\n\u003cfigure id=\"attachment_11790387\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11790387\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40398_RS40355__DSC7322_edited-qut-800x534.jpg\" alt=\"RyanNicole Peters, co-writer, co-director and lead dramatist (left) sits with Rozz Nash, executive director of The People’s Conservatory, during a rehearsal at Malonga Casquelourd Center for the Arts in Oakland on Dec. 5, 2019.\" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40398_RS40355__DSC7322_edited-qut-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40398_RS40355__DSC7322_edited-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40398_RS40355__DSC7322_edited-qut-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40398_RS40355__DSC7322_edited-qut-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40398_RS40355__DSC7322_edited-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">RyanNicole Peters, co-writer, co-director and lead dramatist (left) sits with Rozz Nash, executive director of The People’s Conservatory, during a rehearsal at Malonga Casquelourd Center for the Arts in Oakland on Dec. 5, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Note: the quotes below have been edited for clarity.\u003c/em>\u003c/p>\n\u003cp>\u003cb>On what makes this show different\u003cbr>\n\u003c/b>\u003cbr>\nNash: Ours really tours the globe, and focuses on not only the dances and music from different cultures, but also some of their gods, spirits and practices. We work Orishas into our work from the Ife tradition. We’re also focusing on a different, innovative narrative we created, which is not like \"The Nutcracker\" at all.\u003c/p>\n\u003cfigure id=\"attachment_11790389\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11790389\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40399_RS40363__DSC7503_edited-qut-800x534.jpg\" alt=\"Break dancers rehearse at Sullivan Community Space in Oakland on Dec. 8, 2019. \" width=\"800\" height=\"534\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40399_RS40363__DSC7503_edited-qut-800x534.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40399_RS40363__DSC7503_edited-qut-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40399_RS40363__DSC7503_edited-qut-1020x681.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40399_RS40363__DSC7503_edited-qut-1200x801.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40399_RS40363__DSC7503_edited-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Break dancers rehearse at Sullivan Community Space in Oakland on Dec. 8, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>On the plot\u003c/b>\u003c/p>\n\u003cp>Nash: We still have a young girl who’s a protagonist. Nzingha is13, and she’s desperately looking for connection. She’s looking to find her roots and what it is about this world that is meant for her to explore. We take her on a journey along the trans-Aatlantic slave trade from West Africa to Brazil to Cuba to Haiti to Spain, and we end up back in the continental U.S. All this is done through diasporic dances, music, movement and culture. We have an incredible creative team (including local artists Kev Choice, Jennifer Johns, and RyanNicole) that helped make it possible, so we jump from one culture to another through the music and story.\u003c/p>\n\u003cfigure id=\"attachment_11790398\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11790398\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40404_RS40361__DSC7456_edited-qut-800x450.jpg\" alt=\"Dancers rehearse for a new production from The People's Conservatory called Kola: An Afro Diasporic Remix of The Nutcracker.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40404_RS40361__DSC7456_edited-qut-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40404_RS40361__DSC7456_edited-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40404_RS40361__DSC7456_edited-qut-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40404_RS40361__DSC7456_edited-qut-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40404_RS40361__DSC7456_edited-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dancers rehearse for a new production from The People's Conservatory called 'Kola: An Afro Diasporic Remix of The Nutcracker.' \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>On The People’s Conservatory\u003c/b>\u003c/p>\n\u003cp>Nash: The People’s Conservatory started about a year and half ago, but I’ve been working with these youth for five years at a school called \u003ca href=\"http://rosesinconcrete.org/\">Roses in Concrete,\u003c/a> where I was the director of performing and visual arts. We basically created an integrated arts school. Now that we are in 10 schools, we’re able to provide services to many more people and young people, and some of our students have gone off to other places. It’s a way for us to still keep them in the fold, work with them and help them to develop their art.\u003c/p>\n\u003cfigure id=\"attachment_11790390\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11790390\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40400_RS40366__DSC7555_edited-qut-800x450.jpg\" alt=\"James Davis, who dances Exu, break-dances with a group of snow angels during a rehearsal at Sullivan Community Space in Oakland on Dec. 8, 2019. \" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40400_RS40366__DSC7555_edited-qut-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40400_RS40366__DSC7555_edited-qut-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40400_RS40366__DSC7555_edited-qut-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40400_RS40366__DSC7555_edited-qut-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/12/RS40400_RS40366__DSC7555_edited-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">James Davis, who dances Exu, break-dances with a group of snow angels during a rehearsal at Sullivan Community Space in Oakland on Dec. 8, 2019. \u003ccite>(Stephanie Lister/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>On the history of Oakland and the history of slavery\u003c/b>\u003c/p>\n\u003cp>Nash: We want to make sure that we’re meeting students where they are and creating content with them that has to do with the history of where they live, who they are, where they come from and their indigeneity. The show is about how slavery has affected how folks exist and navigate the world and how folks in Oakland are navigating the world because of what their lineage had to suffer. \"How did you get here? How did your family get here? What are some of the revolutionary background that comes from a lot of our students' household and families?\" We want to highlight that and not suppress that.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11789818/oakland-dancers-present-nutcracker-with-an-african-diaspora-twist","authors":["254"],"programs":["news_26731"],"categories":["news_223","news_8"],"tags":["news_5241","news_20622","news_18192","news_18"],"featImg":"news_11790394","label":"news_26731"},"news_11696615":{"type":"posts","id":"news_11696615","meta":{"index":"posts_1591205157","site":"news","id":"11696615","score":null,"sort":[1538782577000]},"guestAuthors":[],"slug":"ballet-star-moves-past-pain-for-a-new-stage-science","title":"Ballet Star Moves Past Pain for a New Stage: Science","publishDate":1538782577,"format":"image","headTitle":"The California Report | KQED News","labelTerm":{"term":72,"site":"news"},"content":"\u003cp>\u003cem>Listen to the full, 30-minute audio documentary by clicking the play button above, or by \u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\" rel=\"noopener\" target=\"_blank\">subscribing to The California Report Magazine podcast\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>During her teenage years, Miko Fogarty was a rising star in the ballet world — a slender rod of lightning in a tutu and a bun.\u003c/p>\n\u003cp>KQED profiled Miko in 2015, right before the young dancer, then 18, was leaving Northern California for the U.K., where she'd landed her dream job with the \u003ca href=\"https://www.brb.org.uk/\" target=\"_blank\" rel=\"noopener\">Birmingham Royal Ballet\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=qdSSzJl-PUM\u003c/p>\n\u003cp>The dancer had by that point earned a massive social media following, thanks to her starring role in the award-winning, 2012 ballet documentary \"\u003ca href=\"https://www.imdb.com/title/tt2008513/\" target=\"_blank\" rel=\"noopener\">First Position\u003c/a>.\" And she'd won top honors at important international competitions.\u003c/p>\n\u003cp>She was headed for greatness.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=SmiBXdBNIXE\u003c/p>\n\u003cp>But within just one year of joining the Birmingham Royal Ballet, Miko left the company and no longer appeared on stage.\u003c/p>\n\u003cp>This summer, KQED found Miko, now 21, in an unexpected place: working part-time as a cancer research assistant at UCSF's Mission Bay Campus.\u003c/p>\n\u003cp>This fall, Miko enrolled in UC Berkeley. She’s majoring in biology and plans to become a doctor.\u003c/p>\n\u003cp>Miko still coaches dance privately in the Bay Area on occasional weekends. But she’s otherwise said goodbye to ballet.\u003c/p>\n\u003cfigure id=\"attachment_11696704\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11696704\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/10/IMG-0785-800x600.jpg\" alt=\"Miko Fogarty working in a cancer research lab at the University of California San Francisco.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Miko Fogarty working in a cancer research lab at the University of California San Francisco. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"I'm really happy and really content with how everything is going so far,\" she said in one of the many interviews she gave KQED over the past few months. \"I feel like I've found my true calling in the academic world and in science.\"\u003c/p>\n\u003cp>It's been two years since Miko quit performing. Yet she's been hesitant to open up to her many fans on social media about the change.\u003c/p>\n\u003cp>Gradually, over the summer, she started to share her thoughts about what it’s been like to pursue a passion with single-minded persistence, and then to drop it and change direction completely.\u003c/p>\n\u003cp>\"I was always kind of waiting for the moment where I got off stage, or it was after the performance,\" Miko said. \"I couldn't wait for that moment after.\"\u003c/p>\n\u003cfigure id=\"attachment_11696622\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11696622\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/10/10032018_AW_Miko_07-800x533.jpg\" alt=\"Miko Fogarty. October 3, 2018.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Miko Fogarty. October 3, 2018. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The reasons for Miko's huge life change are complex and various. \u003c/p>\n\u003cp>Body image issues, depression, self-destructive behaviors and the culture of pain and suppression entrenched in the ballet world are all part of Miko's narrative.\u003c/p>\n\u003cp>And then there's the story of what happened one day in 2011 with one of her former coaches — a man by the name of Viktor Kabaniaev. Miko studied with him for five years from the age of 10 to 15. He was a widely respected dance teacher with a reputation for launching careers.\u003c/p>\n\u003cp>Kabaniaev has been in jail in Contra Costa County since January, after a former student — not Miko — accused him of repeatedly raping and molesting her. The former student told authorities the dance coach first attacked her when she was 12. He was denied bail. And the police put the word out asking for other victims to step forward.\u003c/p>\n\u003cp>On Friday, a judge \u003ca href=\"https://www.kqed.org/news/11696873/rape-case-against-revered-bay-area-dance-coach-moves-forward\" rel=\"noopener\" target=\"_blank\">ruled there is sufficient evidence for Kabaniaev to face trial\u003c/a>.\u003c/p>\n\u003cp>When Miko heard the news about her former coach, she said she was shocked but not surprised. She said he assaulted her when she was 13. \u003c/p>\n\u003cfigure id=\"attachment_11696706\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11696706\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-800x450.png\" alt='Viktor Kabaniaev in a still from the 2012 dance documentary \"First Position.\"' width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-800x450.png 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-1020x573.png 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-1200x674.png 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-1180x663.png 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-960x539.png 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-240x135.png 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-375x211.png 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-520x292.png 520w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264.png 1906w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Viktor Kabaniaev in a still from the 2012 dance documentary \"First Position.\" \u003ccite>(Courtesy Bess Kargman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was an isolated incident at his apartment south of San Francisco involving unwanted advances and sexually explicit touching. Miko suppressed the memory for years. It only resurfaced when the headlines about Kabaniaev's arrest came out. \u003c/p>\n\u003cp>Miko said it had nothing to do with her decision to quit ballet.\u003c/p>\n\u003cp>But the resurfacing of the memory after all this time caused her to share her story with police. She said she did it because she wanted to add strength and credibility to the other victim's charges against her former coach.\u003c/p>\n\u003cp>\"If it's just one person that reports something about someone, it's hard for people to believe,\" Miko said.\u003c/p>\n\u003cfigure id=\"attachment_11696644\" class=\"wp-caption aligncenter\" style=\"max-width: 4875px\">\u003cimg class=\"size-full wp-image-11696644\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/10/10032018_AW_Miko_09.jpg\" alt=\"Miko Fogarty. October 3, 2018.\" width=\"4875\" height=\"3172\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09.jpg 4875w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-160x104.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-800x521.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-1020x664.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-1200x781.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-1920x1249.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-1180x768.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-960x625.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-240x156.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-375x244.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-520x338.jpg 520w\" sizes=\"(max-width: 4875px) 100vw, 4875px\">\u003cfigcaption class=\"wp-caption-text\">Miko Fogarty. October 3, 2018. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The ballet world has long been long rife with abuses of power.\u003c/p>\n\u003cp>With the \u003ca href=\"https://www.nycballet.com/\">New York City Ballet\u003c/a> announcing this week \u003ca href=\"https://www.nytimes.com/2018/10/03/arts/dance/new-york-city-ballet-metoo.html\">the implementation of corporate culture-style safeguards\u003c/a> in the wake of multiple sexual misconduct scandals, Miko Fogarty's story touches on the many nuances and complexities of the #MeToo movement.\u003c/p>\n\u003cp>\u003cem>Listen to the full, 30-minute audio documentary by clicking the play button above, or by \u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\" rel=\"noopener\" target=\"_blank\">subscribing to The California Report Magazine podcast\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Miko Fogarty left her dream dance job with a top company after just one year. Two years later, she’s on her way to becoming a doctor - and overcoming alleged sexual abuse at the hands of her former coach.","status":"publish","parent":0,"modified":1538784851,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":28,"wordCount":792},"headData":{"title":"Ballet Star Moves Past Pain for a New Stage: Science | KQED","description":"Miko Fogarty left her dream dance job with a top company after just one year. Two years later, she’s on her way to becoming a doctor - and overcoming alleged sexual abuse at the hands of her former coach.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Ballet Star Moves Past Pain for a New Stage: Science","datePublished":"2018-10-05T23:36:17.000Z","dateModified":"2018-10-06T00:14:11.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11696615 https://ww2.kqed.org/news/?p=11696615","disqusUrl":"https://ww2.kqed.org/news/2018/10/05/ballet-star-moves-past-pain-for-a-new-stage-science/","disqusTitle":"Ballet Star Moves Past Pain for a New Stage: Science","audioUrl":"https://www.kqed.org/.stream/anon/radio/tcrmag/2018/10/TCRMAG20181005.mp3","audioTrackLength":1715,"path":"/news/11696615/ballet-star-moves-past-pain-for-a-new-stage-science","parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Listen to the full, 30-minute audio documentary by clicking the play button above, or by \u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\" rel=\"noopener\" target=\"_blank\">subscribing to The California Report Magazine podcast\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>During her teenage years, Miko Fogarty was a rising star in the ballet world — a slender rod of lightning in a tutu and a bun.\u003c/p>\n\u003cp>KQED profiled Miko in 2015, right before the young dancer, then 18, was leaving Northern California for the U.K., where she'd landed her dream job with the \u003ca href=\"https://www.brb.org.uk/\" target=\"_blank\" rel=\"noopener\">Birmingham Royal Ballet\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/qdSSzJl-PUM'\n title='//www.youtube.com/embed/qdSSzJl-PUM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The dancer had by that point earned a massive social media following, thanks to her starring role in the award-winning, 2012 ballet documentary \"\u003ca href=\"https://www.imdb.com/title/tt2008513/\" target=\"_blank\" rel=\"noopener\">First Position\u003c/a>.\" And she'd won top honors at important international competitions.\u003c/p>\n\u003cp>She was headed for greatness.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SmiBXdBNIXE'\n title='//www.youtube.com/embed/SmiBXdBNIXE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>But within just one year of joining the Birmingham Royal Ballet, Miko left the company and no longer appeared on stage.\u003c/p>\n\u003cp>This summer, KQED found Miko, now 21, in an unexpected place: working part-time as a cancer research assistant at UCSF's Mission Bay Campus.\u003c/p>\n\u003cp>This fall, Miko enrolled in UC Berkeley. She’s majoring in biology and plans to become a doctor.\u003c/p>\n\u003cp>Miko still coaches dance privately in the Bay Area on occasional weekends. But she’s otherwise said goodbye to ballet.\u003c/p>\n\u003cfigure id=\"attachment_11696704\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11696704\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/10/IMG-0785-800x600.jpg\" alt=\"Miko Fogarty working in a cancer research lab at the University of California San Francisco.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/IMG-0785-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Miko Fogarty working in a cancer research lab at the University of California San Francisco. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"I'm really happy and really content with how everything is going so far,\" she said in one of the many interviews she gave KQED over the past few months. \"I feel like I've found my true calling in the academic world and in science.\"\u003c/p>\n\u003cp>It's been two years since Miko quit performing. Yet she's been hesitant to open up to her many fans on social media about the change.\u003c/p>\n\u003cp>Gradually, over the summer, she started to share her thoughts about what it’s been like to pursue a passion with single-minded persistence, and then to drop it and change direction completely.\u003c/p>\n\u003cp>\"I was always kind of waiting for the moment where I got off stage, or it was after the performance,\" Miko said. \"I couldn't wait for that moment after.\"\u003c/p>\n\u003cfigure id=\"attachment_11696622\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11696622\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/10/10032018_AW_Miko_07-800x533.jpg\" alt=\"Miko Fogarty. October 3, 2018.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-960x640.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_07-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Miko Fogarty. October 3, 2018. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The reasons for Miko's huge life change are complex and various. \u003c/p>\n\u003cp>Body image issues, depression, self-destructive behaviors and the culture of pain and suppression entrenched in the ballet world are all part of Miko's narrative.\u003c/p>\n\u003cp>And then there's the story of what happened one day in 2011 with one of her former coaches — a man by the name of Viktor Kabaniaev. Miko studied with him for five years from the age of 10 to 15. He was a widely respected dance teacher with a reputation for launching careers.\u003c/p>\n\u003cp>Kabaniaev has been in jail in Contra Costa County since January, after a former student — not Miko — accused him of repeatedly raping and molesting her. The former student told authorities the dance coach first attacked her when she was 12. He was denied bail. And the police put the word out asking for other victims to step forward.\u003c/p>\n\u003cp>On Friday, a judge \u003ca href=\"https://www.kqed.org/news/11696873/rape-case-against-revered-bay-area-dance-coach-moves-forward\" rel=\"noopener\" target=\"_blank\">ruled there is sufficient evidence for Kabaniaev to face trial\u003c/a>.\u003c/p>\n\u003cp>When Miko heard the news about her former coach, she said she was shocked but not surprised. She said he assaulted her when she was 13. \u003c/p>\n\u003cfigure id=\"attachment_11696706\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11696706\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-800x450.png\" alt='Viktor Kabaniaev in a still from the 2012 dance documentary \"First Position.\"' width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-800x450.png 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-1020x573.png 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-1200x674.png 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-1180x663.png 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-960x539.png 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-240x135.png 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-375x211.png 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264-520x292.png 520w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/Screen-Shot-2018-10-03-at-18.36.35-e1538703351264.png 1906w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Viktor Kabaniaev in a still from the 2012 dance documentary \"First Position.\" \u003ccite>(Courtesy Bess Kargman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was an isolated incident at his apartment south of San Francisco involving unwanted advances and sexually explicit touching. Miko suppressed the memory for years. It only resurfaced when the headlines about Kabaniaev's arrest came out. \u003c/p>\n\u003cp>Miko said it had nothing to do with her decision to quit ballet.\u003c/p>\n\u003cp>But the resurfacing of the memory after all this time caused her to share her story with police. She said she did it because she wanted to add strength and credibility to the other victim's charges against her former coach.\u003c/p>\n\u003cp>\"If it's just one person that reports something about someone, it's hard for people to believe,\" Miko said.\u003c/p>\n\u003cfigure id=\"attachment_11696644\" class=\"wp-caption aligncenter\" style=\"max-width: 4875px\">\u003cimg class=\"size-full wp-image-11696644\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/10/10032018_AW_Miko_09.jpg\" alt=\"Miko Fogarty. October 3, 2018.\" width=\"4875\" height=\"3172\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09.jpg 4875w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-160x104.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-800x521.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-1020x664.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-1200x781.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-1920x1249.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-1180x768.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-960x625.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-240x156.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-375x244.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/10032018_AW_Miko_09-520x338.jpg 520w\" sizes=\"(max-width: 4875px) 100vw, 4875px\">\u003cfigcaption class=\"wp-caption-text\">Miko Fogarty. October 3, 2018. \u003ccite>(Anne Wernikoff/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The ballet world has long been long rife with abuses of power.\u003c/p>\n\u003cp>With the \u003ca href=\"https://www.nycballet.com/\">New York City Ballet\u003c/a> announcing this week \u003ca href=\"https://www.nytimes.com/2018/10/03/arts/dance/new-york-city-ballet-metoo.html\">the implementation of corporate culture-style safeguards\u003c/a> in the wake of multiple sexual misconduct scandals, Miko Fogarty's story touches on the many nuances and complexities of the #MeToo movement.\u003c/p>\n\u003cp>\u003cem>Listen to the full, 30-minute audio documentary by clicking the play button above, or by \u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\" rel=\"noopener\" target=\"_blank\">subscribing to The California Report Magazine podcast\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11696615/ballet-star-moves-past-pain-for-a-new-stage-science","authors":["8608"],"programs":["news_72"],"categories":["news_223","news_6188","news_8"],"tags":["news_20622","news_21804","news_2700","news_1527","news_17041","news_24249"],"featImg":"news_11696617","label":"news_72"},"news_11696873":{"type":"posts","id":"news_11696873","meta":{"index":"posts_1591205157","site":"news","id":"11696873","score":null,"sort":[1538779818000]},"guestAuthors":[],"slug":"rape-case-against-revered-bay-area-dance-coach-moves-forward","title":"Rape Case Against Revered Bay Area Dance Coach Moves Forward","publishDate":1538779818,"format":"audio","headTitle":"The California Report | KQED News","labelTerm":{"term":72,"site":"news"},"content":"\u003cp>The case against a renowned Bay Area ballet coach accused of sexually assaulting at least two of his young students is moving forward after a Contra Costa County judge ruled on Friday that there is sufficient evidence for Viktor Kabaniaev to face trial.\u003c/p>\n\u003cp>Kabaniaev was arrested in January at his home in San Mateo County under suspicion of 16 counts of sexual assault against minors. He was 54 at the time of his arrest.\u003c/p>\n\u003cp>At the preliminary hearing Friday morning in Martinez, Judge Nancy Stark heard evidence from Detective Gabe Mauro of the Walnut Creek Police Department. Mauro testified that one of Kabaniaev's former students called police late last year to report alleged assaults from over a decade ago.\u003c/p>\n\u003cp>The former ballet student accused the dance coach of repeatedly raping and molesting her from 2000 to 2003. She was 12 years old when she alleged he first assaulted her.\u003c/p>\n\u003cp>Evidence in the case includes a conversation between the woman and Kabaniaev in which \"he was not aware he was being recorded,\" Deputy District Attorney Devon Bell said.\u003c/p>\n\u003cfigure id=\"attachment_11696941\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/10/DevonBell-800x606.jpg\" alt=\"Deputy District Attorney Devon Bell speaks to reporters outside the Contra Costa County Courthouse shortly after a preliminary hearing in the case against dance coach Viktor Kabaniaev on Oct. 5, 2018.\" width=\"800\" height=\"606\" class=\"size-medium wp-image-11696941\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-800x606.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-160x121.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-1020x773.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-1200x909.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-1180x894.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-960x728.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-240x182.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-375x284.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-520x394.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Deputy District Attorney Devon Bell speaks to reporters outside the Contra Costa County Courthouse shortly after a preliminary hearing in the case against dance coach Viktor Kabaniaev on Oct. 5, 2018. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A few weeks later, another former student — \u003ca href=\"https://www.kqed.org/news/11696615/ballet-star-moves-past-pain-for-a-new-stage-science\" rel=\"noopener\" target=\"_blank\">former ballet dancer Miko Fogarty\u003c/a> — came forward alleging Kabaniaev touched her inappropriately when she was 13. That was reported as a one-time incident.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The judge found that there was sufficient evidence to support all the counts against Kabaniaev and ordered the case to proceed to trial.\u003c/p>\n\u003cp>“There’s a very low standard in these preliminary hearings,” Kabaniaev's lawyer Kenneth Wine said after Friday's hearing. \"We intend to defend him vigorously.”\u003c/p>\n\u003caside class=\"alignright\">\n\u003ch3>\u003ca href=\"https://www.kqed.org/news/11696615/ballet-star-moves-past-pain-for-a-new-stage-science\">Ballet Star Moves Past Pain for a New Stage: Science\u003c/a>\u003c/h3>\n\u003cfigure>\u003ca href=\"https://www.kqed.org/news/11696615/ballet-star-moves-past-pain-for-a-new-stage-science\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/10/Miko-Fogarty-by-Oliver-Endahl-@balletzaida-e1538685676254-1038x576.jpg\" alt=\"\">\u003c/a>\u003c/figure>\n\u003c/aside>\n\u003cp>Bell said investigation in the case is ongoing.\u003c/p>\n\u003cp>“Based on our investigation so far, we do think there [are] more victims who might not feel ready or willing to come forward at this time,” she said. “And we really hope they do for their own healing.”\u003c/p>\n\u003cp>The prosecution and defense could still strike a plea deal. If not, the case could take up to a year to reach trial, Bell said.\u003c/p>\n\u003cp>Kabaniaev was long held in high regard by the dance community as a top-tier coach. He helped to launch the careers of several high-profile dancers. Many of his former students and their parents, as well as family members and colleagues have written letters of support in his defense.\u003c/p>\n\u003cp>The coach has been in jail since January. Bail was originally set at more than $10 million, and then completely denied.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Kabaniaev faces up to a life sentence if found guilty.\u003c/p>\n\n","blocks":[],"excerpt":"Viktor Kabaniaev was arrested in January at his San Mateo County home under suspicion of 16 counts of sexual assault against minors, involving two former ballet students.","status":"publish","parent":0,"modified":1538843118,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":466},"headData":{"title":"Rape Case Against Revered Bay Area Dance Coach Moves Forward | KQED","description":"Viktor Kabaniaev was arrested in January at his San Mateo County home under suspicion of 16 counts of sexual assault against minors, involving two former ballet students.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Rape Case Against Revered Bay Area Dance Coach Moves Forward","datePublished":"2018-10-05T22:50:18.000Z","dateModified":"2018-10-06T16:25:18.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11696873 https://ww2.kqed.org/news/?p=11696873","disqusUrl":"https://ww2.kqed.org/news/2018/10/05/rape-case-against-revered-bay-area-dance-coach-moves-forward/","disqusTitle":"Rape Case Against Revered Bay Area Dance Coach Moves Forward","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/2018/10/ChloeBayAreaDance.mp3","path":"/news/11696873/rape-case-against-revered-bay-area-dance-coach-moves-forward","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The case against a renowned Bay Area ballet coach accused of sexually assaulting at least two of his young students is moving forward after a Contra Costa County judge ruled on Friday that there is sufficient evidence for Viktor Kabaniaev to face trial.\u003c/p>\n\u003cp>Kabaniaev was arrested in January at his home in San Mateo County under suspicion of 16 counts of sexual assault against minors. He was 54 at the time of his arrest.\u003c/p>\n\u003cp>At the preliminary hearing Friday morning in Martinez, Judge Nancy Stark heard evidence from Detective Gabe Mauro of the Walnut Creek Police Department. Mauro testified that one of Kabaniaev's former students called police late last year to report alleged assaults from over a decade ago.\u003c/p>\n\u003cp>The former ballet student accused the dance coach of repeatedly raping and molesting her from 2000 to 2003. She was 12 years old when she alleged he first assaulted her.\u003c/p>\n\u003cp>Evidence in the case includes a conversation between the woman and Kabaniaev in which \"he was not aware he was being recorded,\" Deputy District Attorney Devon Bell said.\u003c/p>\n\u003cfigure id=\"attachment_11696941\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/10/DevonBell-800x606.jpg\" alt=\"Deputy District Attorney Devon Bell speaks to reporters outside the Contra Costa County Courthouse shortly after a preliminary hearing in the case against dance coach Viktor Kabaniaev on Oct. 5, 2018.\" width=\"800\" height=\"606\" class=\"size-medium wp-image-11696941\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-800x606.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-160x121.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-1020x773.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-1200x909.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-1180x894.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-960x728.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-240x182.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-375x284.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2018/10/DevonBell-520x394.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Deputy District Attorney Devon Bell speaks to reporters outside the Contra Costa County Courthouse shortly after a preliminary hearing in the case against dance coach Viktor Kabaniaev on Oct. 5, 2018. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A few weeks later, another former student — \u003ca href=\"https://www.kqed.org/news/11696615/ballet-star-moves-past-pain-for-a-new-stage-science\" rel=\"noopener\" target=\"_blank\">former ballet dancer Miko Fogarty\u003c/a> — came forward alleging Kabaniaev touched her inappropriately when she was 13. That was reported as a one-time incident.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The judge found that there was sufficient evidence to support all the counts against Kabaniaev and ordered the case to proceed to trial.\u003c/p>\n\u003cp>“There’s a very low standard in these preliminary hearings,” Kabaniaev's lawyer Kenneth Wine said after Friday's hearing. \"We intend to defend him vigorously.”\u003c/p>\n\u003caside class=\"alignright\">\n\u003ch3>\u003ca href=\"https://www.kqed.org/news/11696615/ballet-star-moves-past-pain-for-a-new-stage-science\">Ballet Star Moves Past Pain for a New Stage: Science\u003c/a>\u003c/h3>\n\u003cfigure>\u003ca href=\"https://www.kqed.org/news/11696615/ballet-star-moves-past-pain-for-a-new-stage-science\">\u003cimg src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/10/Miko-Fogarty-by-Oliver-Endahl-@balletzaida-e1538685676254-1038x576.jpg\" alt=\"\">\u003c/a>\u003c/figure>\n\u003c/aside>\n\u003cp>Bell said investigation in the case is ongoing.\u003c/p>\n\u003cp>“Based on our investigation so far, we do think there [are] more victims who might not feel ready or willing to come forward at this time,” she said. “And we really hope they do for their own healing.”\u003c/p>\n\u003cp>The prosecution and defense could still strike a plea deal. If not, the case could take up to a year to reach trial, Bell said.\u003c/p>\n\u003cp>Kabaniaev was long held in high regard by the dance community as a top-tier coach. He helped to launch the careers of several high-profile dancers. Many of his former students and their parents, as well as family members and colleagues have written letters of support in his defense.\u003c/p>\n\u003cp>The coach has been in jail since January. Bail was originally set at more than $10 million, and then completely denied.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Kabaniaev faces up to a life sentence if found guilty.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11696873/rape-case-against-revered-bay-area-dance-coach-moves-forward","authors":["8608"],"programs":["news_72"],"categories":["news_6188","news_8","news_10"],"tags":["news_20622","news_2700","news_1527","news_24249"],"featImg":"news_11696936","label":"news_72"},"news_11350274":{"type":"posts","id":"news_11350274","meta":{"index":"posts_1591205157","site":"news","id":"11350274","score":null,"sort":[1489004685000]},"guestAuthors":[],"slug":"male-ballet-dancers-go-en-pointe","title":"Male Ballet Dancers Go 'En Pointe'","publishDate":1489004685,"format":"video","headTitle":"KQED Newsroom | KQED News","labelTerm":{"term":7052,"site":"news"},"content":"\u003cp>Chris Ouellette and Joshua Thake perform with the all-male ballet troupe, Les Ballets Trockadero de Monte Carlo, which has entertained audiences in more than 30 countries and 600 cities around the world. Hear why they think the right shoes and the right tying method are key to executing a classical ballet dancing technique that can be tough on the toes.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The right shoes and the right technique are key to dancing ‘en pointe’ say two dancers from the all-male Les Ballets Trockadero de Monte Carlo. ","status":"publish","parent":0,"modified":1489012373,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":63},"headData":{"title":"Male Ballet Dancers Go 'En Pointe' | KQED","description":"The right shoes and the right technique are key to dancing ‘en pointe’ say two dancers from the all-male Les Ballets Trockadero de Monte Carlo. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Male Ballet Dancers Go 'En Pointe'","datePublished":"2017-03-08T20:24:45.000Z","dateModified":"2017-03-08T22:32:53.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"Y","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"disqusIdentifier":"11350274 https://ww2.kqed.org/news/?p=11350274","disqusUrl":"https://ww2.kqed.org/news/2017/03/08/male-ballet-dancers-go-en-pointe/","disqusTitle":"Male Ballet Dancers Go 'En Pointe'","videoEmbed":"https://youtu.be/-ma0AivyvTY","path":"/news/11350274/male-ballet-dancers-go-en-pointe","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Chris Ouellette and Joshua Thake perform with the all-male ballet troupe, Les Ballets Trockadero de Monte Carlo, which has entertained audiences in more than 30 countries and 600 cities around the world. Hear why they think the right shoes and the right tying method are key to executing a classical ballet dancing technique that can be tough on the toes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11350274/male-ballet-dancers-go-en-pointe","authors":["236"],"programs":["news_7052"],"categories":["news_223","news_8"],"tags":["news_20622","news_4593","news_20052","news_19177","news_20617"],"featImg":"news_11350275","label":"news_7052"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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