When I write about movies, I like to substitute "film" or "cinema," in ascending order of pretentiousness. Occasionally I'll even use "pictures," though that makes me feel like Louis B. Mayer.
The thing about the word "film," though -- it's no longer accurate. Because when you go to the movies these days, not only have many of those productions been shot digitally, but almost all are now projected digitally.
"There was a drop-dead date of Jan. 1, 2014," says Adam Bergeron, co-owner of the Balboa Theatre in San Francisco. "If you haven’t converted to 35 mm digital, you are not going to be able to get new release content anymore."
Bergeron is talking about the deadline the film industry gave movie exhibitors to install the equipment necessary for screening "Digital Cinema Packages," or DCPs. That’s a sort of hard drive you just plug into a server. Those reels of film that everyone from professional projectionists to any pre-videotape member of the junior high AV squad hoisted onto projectors in order for people to watch a movie -- well, those are fast fading into the hazy realm of nostalgia.
The reason is simple: Movie distributors save a lot of money by providing their content in digital form. But for a small neighborhood movie theater like the Balboa, the switchover was not a money saver. Last year it had to hustle up more than $100,000 through Kickstarter to convert to digital projection.
Many cinema purists don't like it. But the handwriting has been written on the IMAX-size wall for a long time. Director Paul Thomas Anderson spoke out against the coming tide as far back as 1999:
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“The biggest scare that I have is digital projection," he said in an interview. "This sort of theory that George Lucas has about digitally projecting his films in theaters. I think that would be a big, big, big no-no. Because ultimately it’s just like watching the best TV screen in the world as opposed to watching 24 frames flicker through light, which is a hypnotic and wonderful experience and should never go away."
But it has gone away. The Balboa still has film projectors, used for showing old movies, but even repertory houses have more and more been showing classics from the studio vaults on DCP. A recent retrospective on Stanley Kubrick at the Pacific Film Archive in Berkeley, for instance, projected most of the program digitally, not on film.
This has left another major film auteur mincing no words about the topic at this year's Cannes Film Festival:
"As far as I’m concerned, digital projection and DCPs is the death of cinema as I know it," said Quentin Tarantino. "It’s not even about shooting your film on film or shooting your film on digital. The fact that most films are not presented in 35 mm means that the war is lost. And digital projection -- that's just television in public. And apparently the whole world is OK with television in public. But what I knew as cinema is dead."
Tarantino has fought back against digital exhibition by operating an old movie theater in L.A. where he shows 35 mm film prints from his private collection. Director Christopher Nolan is also not a digital fan, and his hit film “Interstellar” can be seen projected on film -- in 70 mm IMAX no less -- at some theaters. Anderson also released his 2012 film, "The Master," in 70 mm film.
Keeping the Art Alive -- in an El Cerrito Basement
But it's not just these big-time directors who are clinging to film projection as a purer form of screening movies. Peter Conheim, 45, is known as a member of the audio collage band Negativland. But he is also the former co-owner of a small movie theater in Albuquerque and the current proprietor of The Small Back Room. That’s an even smaller movie theater -- just 17 seats -- which he built himself.
In his basement.
The 35 and 16 mm projectors, he bought. The chairs and couches he found for free.
"Virtually all this is street furniture," he says, giving me a tour one evening before showing "Written on the Wind," a 1956 Douglas Sirk film. "One of the chairs is from my old family home, one of them was my grandmother’s chair, and everything else was found on the street."
Conheim owns about 500 movie prints, in both the 16 and 35 mm formats.
"Most of it is here now, but there was a period of time that I had to store a lot of it in my mother’s shop, in my family home, because I had no room."
He started collecting 16 mm films, a smaller format than the 35 mm prints most of us have grown up with at movie theaters. He graduated to 35 mm while owning the theater in Albuquerque.
"I got the bug about 35mm projection when I had the opportunity to get a print of the Sam Peckinpah film, 'The Wild Bunch.' One night after we had closed at the theater, I put on a reel and it just hit me that I was seeing the actual art object, what is the closest experience possible to the 1969 showing of the movie, from a print that was made at that time and was made to look as good as possible for that time. ... That had a huge impact on me, and I started to think seriously about how I could put 35 mm projection in my home."
Before the audience arrives for "Written on the Wind," Conheim gives me a little intro.
"'Written on the Wind'" is a "beautiful, gaudy high-octane melodrama that uses colors as emotional signifiers," he tells me in a summation worthy of Turner Classic Movies. "It’s particularly enjoyable to watch it on a 35 mm print because the colors really leap out."
After the invitation-only audience settles into their seats, filling to capacity Conheim's homemade El Cerrito movie palace, he puts on a little 1950s-era short subject called "Living in a Trailer," about ... living in a trailer.
"After the twins have cleaned up, they watch television while father reads and mother prepares dinner," the narrator says at the end of the film. "Come to dinner! Father turns off the television. It has been a happy Saturday for the Burns family. They enjoy living in their trailer."
Then comes the feature -- the swelling, grandiloquent opening music followed by Rock Hudson and Lauren Bacall going at it.
"So you’re the new executive secretary, huh?" Hudson asks Bacall.
"Well, don’t let that title deceive you, I do everything but wash windows," she retorts.
After some initial Mystery Science Theater 3000 cracks from the audience, any notion of treating the film as pure kitsch simply evaporates from the room. It's surprising with material this ripe for ironic disengagement, but the audience becomes totally immersed in the flickering lights on screen. An initial annoyance, the intrusive whir of the projector, which Conheim keeps in a back alcove (next to his washer and dryer), somehow adds to the immediacy of the experience. I've seen movies here several times now, and I am of the opinion that it would take a very dull picture indeed to render the experience less than inviting.
"The thing that makes film so special," Conheim says, "is it’s organic matter that’s having light shown through it, and it’s a magic lantern effect. It’s an optical illusion happening in a machine for your eyes, and the result is so much more tactile than a computer-generated video image. It’s a very different aesthetic experience. Your brain seems to know that you’re watching an actual object with light shining though it and hitting the screen, as opposed to a replica of 1's and 0's, a sort of simulacrum."
"It’s like magic," says Craig Valenza. "It’s magic. It always was."
Valenza is someone for whom the switchover to digital is not just a matter of aesthetics. He’s the projectionist -- for about 40 years now -- at the Pacific Film Archive, which collects and exhibits old films. When I visit him there, he gives me a tour of the projection room and a close-up look at the 35 mm projector.
"It’s a precise piece of machinery," he says. "If it wasn’t, you would know it. It wouldn’t show a nice steady picture on the screen."
PFA still shows 35 mm prints when it can get them. Valenza has to inspect the print of a movie on that night's bill: Jean-Luc Godard’s “Tout va bien,” from 1972. Valenza spins the film from one reel to another, checking the edges with his hands for defects.
What do you do if you find one? I ask.
"I fix it. Various things you can do. These days a lot of people just slap tape on it. Or maybe you have to cut it out, amputate it. Or notch it, which is an old trick."
But with a Digital Cinema Package, there’s little he can do if something goes wrong. If it does, he has to call someone else in to service it.
"Not much labor," he says of the digital system. "I put the hard drive up and connect it in, and an hour later -- if you’re lucky -- it is transferred to the hard drive on the server. Anyone can run a computer. Theater managers can do it, popcorn people can do it. The profession’s gone. The art, or whatever you’d want to call it, of showing film is pretty much out of there."
PFA patrons are not always on board with the technological shift to digital.
"There are people who don’t come here when we show digitally," Valenza says. "They have never seen one and they don't want to. I won’t say there’s a lot of them, but I know several that are that way. They’ll come here for film, and I hope they’re happy with the dwindling selection."
On the other hand, he says, "I think generally a lot of them don’t even know the difference." He tells me one person who's been on the technical end of the movie business asked him after the show where he got a beautiful print from. "I said, 'It’s digital.' She said, 'Oh, I didn’t know that.' "
But the audience at Conheim’s Small Back Room, well, they do notice.
"I think it being, you know, on film and having the projector, it does have a nostalgic quality, even the sound of the projector," says Jason Stamberger. "To me it looks better. The inherent errors and problems with the film, I like more than the errors and problems with the digital. (Digital) doesn’t have the same quality of image, the same artistry."
"It’s very important to keep this alive," says Mark Wagner. "It’s very much an art form."
Conheim is not alone in his dedication to the old way of showing movies. He notices other projectionists in online forums doing screenings for friends. I ask him what they're like.
"Film collectors are anti-social, that live in caves. They’ve been working in caves, as projectionists oftentimes, receiving intravenous fluids from time to time," he says. "I would say the average film collector is generally an older white guy who started in his teens because his grandfather was a projectionist and he became a projectionist."
Conheim will often trade films with his fellow cave dwellers and sometimes inspect their prints for them. There’s one terrible condition in particular that afflicts many prints. Collectors and archivists call it the dreaded vinegar syndrome, which affects prints made from acetate, a material that was discontinued in the 1980s.
"Acetate, they later found out, returns to its natural state and becomes acetic acid after time," Conheim explains. "It is like film’s disease, and it's contagious. It spreads from one film to the other, and you have to quarantine. I have a quarantine area in my garage. If a print has vinegar syndrome, eventually you won’t be able to project it anymore. It will curl up and shrink. It will turn to goo."
Fear of the vinegar syndrome, among other print pitfalls, has prevented one collector he knows from projecting what’s considered to be the Honus Wagner baseball card of film prints -- a rare and valuable British release of "Star Wars."
"The English prints were in this very stable, non-fading Technicolor process," Conheim says. "Only in England and maybe a few other countries. In America it was printed on what was rapidly fading, horrible Eastman film that turned red very quickly. So to have a 'Star Wars' print from England with the color intact is a very special thing indeed. I never see them come up for sale.
"One of the people that owns a Technicolor print of 'Star Wars' has never unsealed the box. I’ve seen it sitting on the shelf, and he tells me he just can’t bear the possibility of being disappointed."
Aside from the fact that many prints are just "waiting to turn to goo," other obstacles await any would-be projectionist. For one thing, it’s just not as easy as, say, keeping a vinyl music collection going.
"A lot of people throw that around, that film is going to have a comeback the way vinyl LPs have had a comeback," Conheim says. "And it’s a really sweet romantic idea but it’s not going to happen because when LPs came back in vogue, it was as simple as going to a garage sale and picking up a turntable to listen to them. It’s not going to be that way for 35 mm projection because they’re too difficult to obtain. It was a rarefied professional thing. People don’t have those machines in their homes, and it’s not going to be very easy to put one in. You’re not going to know how to maintain it."
Plus, he says, it’s harder and harder to get the parts.
"The maker of the most precision part of the projector that keeps image-rock steady -- that company has ceased to make the parts," he says
It’s also still technically illegal to own 35 mm prints.
"Most people hold their collections very close to the vest," Conheim says. "I know two who have been busted by the FBI back in the day. There are some paranoid people as a result. But today studios don’t really care, so you can sell on eBay. But when it was the only way to see something, there was much greater reason for studios to clamp down and consider it copyright infringement to own a print."
So with all this, why does Conheim thinks it's important to project movies instead of watch them on, say, Blu-ray, which even print enthusiasts agree looks really great?
"I think it’s really important for the history of film and audiences going forward that they’re going to be able to see a film made as close to the way it was originally intended to be seen as possible," he says. "And because of how digital takes you out of that experience. It’s a copy, a replica of motion picture film. It’s just a reference copy, and you should always be able to see what the original thing looked like, imperfections and all.
"It’s the difference between seeing a reproduction in a book of, say, the 'Night Watch,' and going to the Rijksmuseum and seeing 'The Night Watch' in front of you. You have to be able to do that with film, as with any art form like it. You wouldn’t go to the symphony and expect you’re going to pay $40 for a recording. There is an analogy there, and it’s going to be harder and harder as prints disappear."
lower waypoint
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Officials and Experts Say It's Worth It","publishDate":1715943608,"format":"standard","headTitle":"Newsom Says California Water Tunnel Will Cost $20 Billion. Officials and Experts Say It’s Worth It | KQED","labelTerm":{"site":"news"},"content":"\u003cp>California Gov. Gavin Newsom’s administration says Thursday it will now cost more than $20 billion to build a giant tunnel to catch more water when it rains and store it to better prepare for longer droughts caused by climate change.\u003c/p>\n\u003cp>State regulators have been trying to build some version of \u003ca href=\"https://apnews.com/article/california-water-tunnel-gavin-newsom-7948a83b9db5e6cdaebede07ca456316\">a water tunnel system\u003c/a> for decades. The latest form championed by the Democratic governor is \u003ca href=\"https://apnews.com/article/california-sacramento-jerry-brown-trending-news-82c1f2b378ef01793dc69fb3140cf294\">a single giant tunnel\u003c/a>, down from two tunnels proposed by his predecessor, Jerry Brown. Newsom’s administration says the state can capture more water from the Sacramento River during major storms and send it south for storage.\u003c/p>\n\u003cp>The last cost estimate, from 2020, put the price tag for a single tunnel project at $16 billion. The new analysis says the tunnel will cost $20.1 billion, an increase they attribute almost entirely to inflation, which soared after the pandemic.\u003c/p>\n\u003cp>The project would be paid for by 29 local public water agencies, which get their money from customers.\u003c/p>\n\u003cp>The analysis, conducted by the Berkeley Research Group but paid for by the state, says the tunnel would yield $38 billion in benefits, mostly because of an increased water supply that would be better protected from natural disasters like earthquakes.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“The benefits clearly justify the costs,” says David Sunding, emeritus professor at the University of California, Berkeley, who led the analysis.\u003c/p>\n\u003cp>Despite that rosy outlook, the tunnel remains one of the most controversial projects in recent memory. Environmental groups say its construction would have devastating impacts on the already vanishing ecosystem of the Sacramento-San Joaquin River Delta, the largest estuary on the West Coast that is home to endangered species of salmon and other fish.\u003c/p>\n\u003cp>The analysis released Thursday notes the environmental impacts, which include lost agricultural land, reduced water quality in the Delta, and impacts on air quality, transportation and noise.\u003c/p>\n\u003cp>“Instead of foisting the costs of this boondoggle project onto Californians, the state should invest in sustainable water solutions that promise to restore the Delta ecosystem, not destroy it,” says Barbara Barrigan-Parrilla, executive director of the environmental advocacy group Restore the Delta.\u003c/p>\n\u003cp>State officials note the project now includes $200 million for grants to fund local projects in areas impacted by construction.\u003c/p>\n\u003cp>Beyond environmental concerns, the project has become a political landmine throughout the Central Valley’s farming communities, where it is seen as yet another attempt by Southern California to steal their water. While most of California’s population lives in the southern part of the state, most of the state’s water comes from the north. In the state Legislature, lawmakers have \u003ca href=\"https://apnews.com/article/california-budget-delta-water-tunnel-newsom-bc1fb2a61ebb8b2bcb077312c69b3fd1\">blocked any effort\u003c/a> to benefit or speed up the tunnel’s construction.\u003c/p>\n\u003cp>“This new analysis acknowledges what we’ve known all along: the Delta Tunnel is meant to benefit Beverly Hills and leave Delta communities out to dry,” says U.S. Rep. Josh Harder, a Democrat whose district includes the Central Valley communities like Stockton, Lodi and Galt. “I’m sick and tired of politicians in Sacramento ignoring our Valley voices, and I will do everything in my power to stop them from stealing our water.”\u003c/p>\n\u003cp>The tunnel would be part of the State Water Project — a complex system of reservoirs, dams and canals that provides water to 27 million people while irrigating 750,000 acres of farmland.\u003c/p>\n\u003cp>[aside label=\"Related Stories\" postID=\"news_11969648,science_1992194,news_11981787\"]Climate change is threatening that supply. A recent drought saw the three driest years on record, which dropped reservoirs around the state to \u003ca href=\"https://apnews.com/article/california-droughts-government-and-politics-science-business-76709d5854394905e0f46880ed6dab9c\">dangerously low levels\u003c/a> and prompted mandatory rationing and even caused some hydroelectric power plants to shut down. State officials predict that by 2070, State Water Project deliveries will decline by 22% because of climate change.\u003c/p>\n\u003cp>The proposed tunnel would be about 45 miles long and 36 feet wide or large enough to carry more than 161 million gallons of water per hour. State officials say this tunnel would let the state capture more water when hit by “atmospheric rivers” — large storms that can drench the state for weeks during the rainy season.\u003c/p>\n\u003cp>The analysis released Thursday says the tunnel would increase water deliveries by about 17%, nearly accounting for the anticipated decline because of climate change.\u003c/p>\n\u003cp>“There is a very real cost to do nothing. It is vastly more efficient and economical to avoid declining supplies,” says Karla Nemeth, director of the California Department of Water Resources. “Water shortages, mandatory restrictions, land fallowing and job loss all impact our state and local economies.”\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"California Gov. Gavin Newsom's administration says it will cost more than $20 billion to build a giant tunnel to capture and store more water and better prepare for longer droughts caused by climate change.","status":"publish","parent":0,"modified":1715968668,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":773},"headData":{"title":"Newsom Says California Water Tunnel Will Cost $20 Billion. Officials and Experts Say It's Worth It | KQED","description":"California Gov. Gavin Newsom's administration says it will cost more than $20 billion to build a giant tunnel to capture and store more water and better prepare for longer droughts caused by climate change.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Newsom Says California Water Tunnel Will Cost $20 Billion. Officials and Experts Say It's Worth It","datePublished":"2024-05-17T04:00:08-07:00","dateModified":"2024-05-17T10:57:48-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"sticky":false,"nprByline":"Adam Beam, The Associated Press","nprStoryId":"kqed-11986659","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/news/11986659/newsom-says-california-water-tunnel-will-cost-20-billion-officials-and-experts-say-its-worth-it","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>California Gov. Gavin Newsom’s administration says Thursday it will now cost more than $20 billion to build a giant tunnel to catch more water when it rains and store it to better prepare for longer droughts caused by climate change.\u003c/p>\n\u003cp>State regulators have been trying to build some version of \u003ca href=\"https://apnews.com/article/california-water-tunnel-gavin-newsom-7948a83b9db5e6cdaebede07ca456316\">a water tunnel system\u003c/a> for decades. The latest form championed by the Democratic governor is \u003ca href=\"https://apnews.com/article/california-sacramento-jerry-brown-trending-news-82c1f2b378ef01793dc69fb3140cf294\">a single giant tunnel\u003c/a>, down from two tunnels proposed by his predecessor, Jerry Brown. Newsom’s administration says the state can capture more water from the Sacramento River during major storms and send it south for storage.\u003c/p>\n\u003cp>The last cost estimate, from 2020, put the price tag for a single tunnel project at $16 billion. The new analysis says the tunnel will cost $20.1 billion, an increase they attribute almost entirely to inflation, which soared after the pandemic.\u003c/p>\n\u003cp>The project would be paid for by 29 local public water agencies, which get their money from customers.\u003c/p>\n\u003cp>The analysis, conducted by the Berkeley Research Group but paid for by the state, says the tunnel would yield $38 billion in benefits, mostly because of an increased water supply that would be better protected from natural disasters like earthquakes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The benefits clearly justify the costs,” says David Sunding, emeritus professor at the University of California, Berkeley, who led the analysis.\u003c/p>\n\u003cp>Despite that rosy outlook, the tunnel remains one of the most controversial projects in recent memory. Environmental groups say its construction would have devastating impacts on the already vanishing ecosystem of the Sacramento-San Joaquin River Delta, the largest estuary on the West Coast that is home to endangered species of salmon and other fish.\u003c/p>\n\u003cp>The analysis released Thursday notes the environmental impacts, which include lost agricultural land, reduced water quality in the Delta, and impacts on air quality, transportation and noise.\u003c/p>\n\u003cp>“Instead of foisting the costs of this boondoggle project onto Californians, the state should invest in sustainable water solutions that promise to restore the Delta ecosystem, not destroy it,” says Barbara Barrigan-Parrilla, executive director of the environmental advocacy group Restore the Delta.\u003c/p>\n\u003cp>State officials note the project now includes $200 million for grants to fund local projects in areas impacted by construction.\u003c/p>\n\u003cp>Beyond environmental concerns, the project has become a political landmine throughout the Central Valley’s farming communities, where it is seen as yet another attempt by Southern California to steal their water. While most of California’s population lives in the southern part of the state, most of the state’s water comes from the north. In the state Legislature, lawmakers have \u003ca href=\"https://apnews.com/article/california-budget-delta-water-tunnel-newsom-bc1fb2a61ebb8b2bcb077312c69b3fd1\">blocked any effort\u003c/a> to benefit or speed up the tunnel’s construction.\u003c/p>\n\u003cp>“This new analysis acknowledges what we’ve known all along: the Delta Tunnel is meant to benefit Beverly Hills and leave Delta communities out to dry,” says U.S. Rep. Josh Harder, a Democrat whose district includes the Central Valley communities like Stockton, Lodi and Galt. “I’m sick and tired of politicians in Sacramento ignoring our Valley voices, and I will do everything in my power to stop them from stealing our water.”\u003c/p>\n\u003cp>The tunnel would be part of the State Water Project — a complex system of reservoirs, dams and canals that provides water to 27 million people while irrigating 750,000 acres of farmland.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Related Stories ","postid":"news_11969648,science_1992194,news_11981787"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Climate change is threatening that supply. A recent drought saw the three driest years on record, which dropped reservoirs around the state to \u003ca href=\"https://apnews.com/article/california-droughts-government-and-politics-science-business-76709d5854394905e0f46880ed6dab9c\">dangerously low levels\u003c/a> and prompted mandatory rationing and even caused some hydroelectric power plants to shut down. State officials predict that by 2070, State Water Project deliveries will decline by 22% because of climate change.\u003c/p>\n\u003cp>The proposed tunnel would be about 45 miles long and 36 feet wide or large enough to carry more than 161 million gallons of water per hour. State officials say this tunnel would let the state capture more water when hit by “atmospheric rivers” — large storms that can drench the state for weeks during the rainy season.\u003c/p>\n\u003cp>The analysis released Thursday says the tunnel would increase water deliveries by about 17%, nearly accounting for the anticipated decline because of climate change.\u003c/p>\n\u003cp>“There is a very real cost to do nothing. It is vastly more efficient and economical to avoid declining supplies,” says Karla Nemeth, director of the California Department of Water Resources. “Water shortages, mandatory restrictions, land fallowing and job loss all impact our state and local economies.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11986659/newsom-says-california-water-tunnel-will-cost-20-billion-officials-and-experts-say-its-worth-it","authors":["byline_news_11986659"],"categories":["news_1758","news_19906","news_8","news_13","news_356"],"tags":["news_20447","news_19204","news_25015","news_3187"],"featImg":"news_11986664","label":"news"},"news_11986383":{"type":"posts","id":"news_11986383","meta":{"index":"posts_1591205157","site":"news","id":"11986383","found":true},"guestAuthors":[],"slug":"when-will-highway-1-big-sur-reopen","title":"Highway 1 to Big Sur Has Reopened — What to Know About Visiting from the Bay Area","publishDate":1715869850,"format":"standard","headTitle":"Highway 1 to Big Sur Has Reopened — What to Know About Visiting from the Bay Area | KQED","labelTerm":{"site":"news"},"content":"\u003cp>\u003cem>Updated 8:40 a.m. Friday\u003c/em>\u003c/p>\n\u003cp>“When will Highway 1 reopen?”\u003c/p>\n\u003cp>For months, that’s been the question for many Bay Area residents hoping to drive south to visit Big Sur — the remote coastal region cut off since March 30, when \u003ca href=\"https://www.kqed.org/forum/2010101905691/the-uncertain-future-of-iconic-battered-highway-1\">a rockslide forced the closure of this iconic stretch of road\u003c/a>. Now, there’s an answer.\u003c/p>\n\u003cp>The affected portion of U.S. Highway 1 at Rocky Creek Bridge, around 17 miles south of Monterey, reopened to traffic early on Friday, May 17 — \u003ca href=\"https://www.gov.ca.gov/2024/05/03/highway-1-targeted-to-reopen-by-may-25-as-governor-takes-action-to-support-repairs-in-topanga-canyon-and-other-communities-damaged-by-storms/\">eight days earlier than previously announced\u003c/a> — to allow 24/7 traffic south into Big Sur again. For the last two months, residents and visitors have only been allowed in and out of the region twice a day in convoys, using the still-intact northbound lane.\u003c/p>\n\u003cp>The Rocky Creek closure came on the heels of \u003cem>another \u003c/em>Highway 1 closure further south around the town of Lucia — a longer stretch of the coastal highway closed by a similar rockslide over a year ago. But while that Lucia closure remains in place, Friday’s reopening means Bay Area residents can once again access Big Sur from the north.\u003c/p>\n\u003cp>If you’ve been eagerly awaiting this Highway 1 reopening and want to plan a long-delayed trip to Big Sur this summer, there are several things that prospective visitors to the region should know. Keep reading for a number of updates about visiting Big Sur this year, even if you’ve been there before — and some advice on being the best tourist to Big Sur from the Bay you can possibly be.\u003c/p>\n\u003ch2>You still can’t drive Highway 1 all the way to L.A. — yet\u003c/h2>\n\u003cp>The Highway 1 closure at Paul’s Slide around the town of Lucia has been in effect since January 2023. And because it’s an entirely separate reopening operation to the Rocky Creek “slip-out” to the north, this southern stretch will remain closed after Friday even as that other part of Highway 1 reopens.\u003c/p>\n\u003cp>As of this week, there’s still no firm date for the Lucia highway closure to reopen, although \u003ca href=\"https://www.latimes.com/california/story/2024-05-14/highway-1-in-big-sur-to-reopen\">Caltrans said they hope to open this stretch of Highway 1 sometime this summer\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11986500\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986500\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/big-sur.png\" alt=\"A blue and green toned map of the California Central Coast showing the closures along Highway 1.\" width=\"1920\" height=\"1409\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/big-sur.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/big-sur-800x587.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/big-sur-1020x749.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/big-sur-160x117.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/big-sur-1536x1127.png 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">What the closure along this stretch of Highway 1 through Big Sur has looked like since March 30 (as seen before Friday’s reopening at Rocky Creek.) \u003ccite>(Courtesy CalTrans)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That means until that reopening at Lucia occurs, there is simply no way to drive from the Bay Area on Highway 1 through Big Sur to the Central Coast and Southern California. And because no roads over the Santa Lucia mountains connect Highway 1 to Highway 101, anyone wanting to complete that journey from the Bay would have to double back at the Lucia closure and drive to at least Monterey to access those other routes to Southern California.\u003c/p>\n\u003cp>Since \u003ca href=\"https://www.travelandleisure.com/trip-ideas/road-trips/pacific-coast-highway-itinerary\">the San-Francisco-to-LA Pacific Coast Highway \u003c/a>road trip is a longstanding tradition not just for state residents but for countless visitors to the West Coast, the fact that it remains physically impossible to drive right now is still catching folks by surprise, said Ben Perlmutter, managing partner at the Big Sur River Inn.\u003c/p>\n\u003cp>“We see it all the time,” he said — attributing it at least, in part, to “just the nature of the way people are when they’re on vacation.”\u003c/p>\n\u003ch2>Prepare for an already-slow drive to get even slower\u003c/h2>\n\u003cp>Just because Highway 1 is now reopened at Rocky Creek as of Friday doesn’t mean it’s \u003cem>fully \u003c/em>reopening.\u003c/p>\n\u003cp>Instead,\u003ca href=\"https://www.gov.ca.gov/2024/05/14/governor-newsom-announces-the-reopening-of-highway-1-ahead-of-schedule/\"> drivers approaching this area are now met with a 24/7 timed signal \u003c/a>allowing one-way alternating traffic through in both directions, using only the northbound lane that wasn’t impacted by the rockslide.\u003c/p>\n\u003cfigure id=\"attachment_11986441\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986441\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/BigSur02.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/BigSur02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/BigSur02-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/BigSur02-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/BigSur02-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/BigSur02-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Road workers from Treichert Construction finish creating a temporary one-way roadway on the site of the U.S. Highway 1 road collapse, called the Rocky Creek Slip in Big Sur, California, on Saturday, April 6, 2024. \u003ccite>(Melina Mara/The Washington Post via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Because the signal means one direction of traffic has to “wait its turn,” you should anticipate extra journey time traveling into Big Sur — added onto an already leisurely journey where the speed limit is 55 miles per hour maximum.\u003c/p>\n\u003cp>(But hopefully, you already know that Big Sur is not the place to visit if you’re in a hurry.)\u003c/p>\n\u003ch2>Plan for an almost total lack of cellphone service\u003c/h2>\n\u003cp>Even for people excited to enjoy Big Sur’s remoteness, the complete lack of cellphone coverage in much of this region — and the unavailability of high-speed Wi-Fi in the region’s businesses — can still come as a surprise.\u003c/p>\n\u003cp>The Big Sur River Inn’s Perlmutter, who was born and raised in Big Sur, said that the very first thing many visitors to his hotel and restaurant do after completing the winding drive south from Carmel is to “look for cell service: ‘I need to text mom … I need to tell my significant other that I’m still alive.”\u003c/p>\n\u003cp>“And, of course, they don’t \u003cem>have\u003c/em> cell service — and a lot of them end up getting kind of frustrated,” he said.\u003c/p>\n\u003cp>Of course, for many visitors, the lack of connectivity is a plus rather than a drawback. But for those who really need to find signal, Perlmutter recommends asking workers in Big Sur’s local businesses for their advice. They’ll likely know the spots, turnouts and parking lots where you might find spots of coverage.\u003c/p>\n\u003cp>“But also, you’re here in Big Sur,” he noted. “Maybe take a couple of breaths, relax a little bit, and soak it in — like, hey, guess what? You’re not going to get a work email when you’re down here, and that could be really awesome for the next 24–48 hours.”\u003c/p>\n\u003cp>If you use Google Maps for navigation, consider downloading an offline map of Big Sur before you leave, which you can use without cellphone service. \u003ca href=\"https://support.google.com/maps/answer/6291838?hl=en&co=GENIE.Platform%3DiOS&oco=0\">Read a guide to downloading offline Google Maps on your iPhone or Android\u003c/a>.\u003c/p>\n\u003ch2>Don’t underestimate the challenging drive of Highway 1\u003c/h2>\n\u003cp>If you’ve never driven Highway 1 through Big Sur before, the steep and winding nature of this road can come as a shock, especially if you’re more accustomed to city or freeway driving.\u003c/p>\n\u003cp>If you need to take it slower on Highway 1’s curves or simply don’t want to rush your way through the incredible ocean views, that’s OK — but remain mindful of any cars behind you.\u003c/p>\n\u003cfigure id=\"attachment_11986444\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986444\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/GettyImages-2134103658.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/GettyImages-2134103658.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/GettyImages-2134103658-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/GettyImages-2134103658-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/GettyImages-2134103658-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/GettyImages-2134103658-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A hole is visible where a section of southbound Highway 1 broke off and fell into the ocean at Rocky Creek Bridge on April 02, 2024, near Big Sur, California. \u003ccite>(Justin Sullivan/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Highway 1 contains many turnouts for a reason, so just pull over to allow others to pass. Not only will you get to linger and enjoy the scenery from there — or as Perlmutter said, “any turnout would be a beautiful campsite if you were allowed to camp [there]” — but you’ll be avoiding an impatient driver behind you attempting to overtake you on Big Sur’s steep winding roads which might cause a potentially dangerous situation.\u003c/p>\n\u003cp>And if you just want to pull over to take a picture? Make sure you’re parked in a safe place that’s \u003cem>completely \u003c/em>off the highway, totally within the white road markings — especially if you’re parked near a bend, where oncoming traffic can’t necessarily see you.\u003c/p>\n\u003ch2>Double-check Highway 1 conditions \u003cem>before \u003c/em>you leave\u003c/h2>\n\u003cp>To stay up-to-date on the latest road conditions, and to be sure your route isn’t impacted by any new closures or delays you weren’t anticipating, consider using \u003ca href=\"https://quickmap.dot.ca.gov/\">Caltrans’ own QuickMap site\u003c/a>, or \u003ca href=\"https://quickmap.dot.ca.gov/QM/app.htm\">the QuickMap app (available on the App Store and Google Play)\u003c/a>. This map uses Caltrans’ data to show you the latest road conditions and travel information so you can be prepared ahead of your journey.\u003c/p>\n\u003cp>When first using QuickMap, hit “Options” on either the website or the app, and select all the options you want to see on the map, including “Full closures” and “Highway information.”\u003c/p>\n\u003cp>Once you’ve done this, you can zoom into the Big Sur area on the map, just as you would using Google Maps. You can then tap on the icons you see on the map to learn more about what they mean.\u003c/p>\n\u003cp>Remember: Given the lack of cellphone coverage that awaits you in Big Sur, you’ll want to do all of this \u003cem>before \u003c/em>you enter the region.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2>Leave no trace; pick up your trash\u003c/h2>\n\u003cp>Big Sur draws people from all around the globe for its beauty, so do your part in keeping it that way. Perlmutter said that reminding visitors to Big Sur not to litter the landscape is “first and foremost the most important thing” for residents.\u003c/p>\n\u003cp>Be sure to pick up all your trash, and consider keeping a trash bag or two in your car to aid you in that.\u003c/p>\n\u003ch2>Finally: Be prepared for the unpredictable\u003c/h2>\n\u003cp>Big Sur’s stunning coastal landscape is the very thing that makes it so vulnerable to events like these highway slip-outs.[aside postID=news_11984496 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/IMG_0768-3-1020x765.jpg']“We’re talking about the steepest mountain range along the coast in the lower 48,” \u003ca href=\"https://www.kqed.org/forum/2010101905691/the-uncertain-future-of-iconic-battered-highway-1\">Jonathan Warrick, a research geologist based in Santa Cruz with the United States Geological Survey, told KQED Forum\u003c/a>. “Most of the range of Big Sur is about a thousand feet high, and it plummets straight down into the ocean.”\u003c/p>\n\u003cp>Big Sur, explained Warrick, gets a lot of rainfall — which, combined with its steepness, means the landscape “erodes quite quickly,” at a rate of “about a foot a year.”\u003c/p>\n\u003cp>Perched right along this coast is the only road in and out of the region: Highway 1. And it’s accordingly vulnerable to “all kinds of things, from simple rock falls to massive, deep-seated landslides that are undermining the roadway,” Warrick said — and “these types of landslides that cause road closures increase during the wet winters.”\u003c/p>\n\u003cp>So, if you’re planning to visit Big Sur during or after a period of wet weather, remember that this kind of rainfall has historically increased the chances of a slip-out along the coast.\u003c/p>\n\u003cp>\u003cstrong>If another Highway 1 closure strikes before your trip:\u003c/strong>\u003c/p>\n\u003cp>It’s always frustrating when a much-anticipated vacation is affected by unforeseen circumstances. But don’t panic.\u003c/p>\n\u003cp>First, be sure to check if any highway closures will actually affect your route using a resource like \u003ca href=\"https://quickmap.dot.ca.gov/\">Caltrans’ QuickMap site\u003c/a>. And if they do, and you have accommodation reserved that you’re unsure you’ll be able to physically reach, the Big Sur River Inn’s Perlmutter recommends giving that establishment a call straightaway to see what they know about access and what’s possible.\u003c/p>\n\u003cp>Slip-outs that force Highway 1 closures have hit local businesses hard by cutting off most tourist access — and Perlmutter suggests that travelers who want a way to keep supporting these local businesses might consider \u003cem>rescheduling\u003c/em> a reservation to a later month if they’re able, rather than canceling it outright.\u003c/p>\n\u003cp>\u003cem>KQED’s \u003c/em>\u003ca href=\"https://www.kqed.org/author/amadrigal\">\u003cem>Alexis Madrigal\u003c/em>\u003c/a>\u003cem> and \u003c/em>\u003ca href=\"https://www.kqed.org/author/avignet\">\u003cem>Anna Vignet\u003c/em>\u003c/a>\u003cem> contributed to this story.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"A rockslide on March 30 closed U.S. Highway 1 into Big Sur, but the iconic highway has now reopened as of Friday. Here's what to know a making a Big Sur roadtrip again.","status":"publish","parent":0,"modified":1715965128,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":42,"wordCount":1993},"headData":{"title":"Highway 1 to Big Sur Has Reopened — What to Know About Visiting from the Bay Area | KQED","description":"A rockslide on March 30 closed U.S. Highway 1 into Big Sur, but the iconic highway has now reopened as of Friday. Here's what to know a making a Big Sur roadtrip again.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Highway 1 to Big Sur Has Reopened — What to Know About Visiting from the Bay Area","datePublished":"2024-05-16T07:30:50-07:00","dateModified":"2024-05-17T09:58:48-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"sticky":false,"nprStoryId":"kqed-11986383","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11986383/when-will-highway-1-big-sur-reopen","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated 8:40 a.m. Friday\u003c/em>\u003c/p>\n\u003cp>“When will Highway 1 reopen?”\u003c/p>\n\u003cp>For months, that’s been the question for many Bay Area residents hoping to drive south to visit Big Sur — the remote coastal region cut off since March 30, when \u003ca href=\"https://www.kqed.org/forum/2010101905691/the-uncertain-future-of-iconic-battered-highway-1\">a rockslide forced the closure of this iconic stretch of road\u003c/a>. Now, there’s an answer.\u003c/p>\n\u003cp>The affected portion of U.S. Highway 1 at Rocky Creek Bridge, around 17 miles south of Monterey, reopened to traffic early on Friday, May 17 — \u003ca href=\"https://www.gov.ca.gov/2024/05/03/highway-1-targeted-to-reopen-by-may-25-as-governor-takes-action-to-support-repairs-in-topanga-canyon-and-other-communities-damaged-by-storms/\">eight days earlier than previously announced\u003c/a> — to allow 24/7 traffic south into Big Sur again. For the last two months, residents and visitors have only been allowed in and out of the region twice a day in convoys, using the still-intact northbound lane.\u003c/p>\n\u003cp>The Rocky Creek closure came on the heels of \u003cem>another \u003c/em>Highway 1 closure further south around the town of Lucia — a longer stretch of the coastal highway closed by a similar rockslide over a year ago. But while that Lucia closure remains in place, Friday’s reopening means Bay Area residents can once again access Big Sur from the north.\u003c/p>\n\u003cp>If you’ve been eagerly awaiting this Highway 1 reopening and want to plan a long-delayed trip to Big Sur this summer, there are several things that prospective visitors to the region should know. Keep reading for a number of updates about visiting Big Sur this year, even if you’ve been there before — and some advice on being the best tourist to Big Sur from the Bay you can possibly be.\u003c/p>\n\u003ch2>You still can’t drive Highway 1 all the way to L.A. — yet\u003c/h2>\n\u003cp>The Highway 1 closure at Paul’s Slide around the town of Lucia has been in effect since January 2023. And because it’s an entirely separate reopening operation to the Rocky Creek “slip-out” to the north, this southern stretch will remain closed after Friday even as that other part of Highway 1 reopens.\u003c/p>\n\u003cp>As of this week, there’s still no firm date for the Lucia highway closure to reopen, although \u003ca href=\"https://www.latimes.com/california/story/2024-05-14/highway-1-in-big-sur-to-reopen\">Caltrans said they hope to open this stretch of Highway 1 sometime this summer\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11986500\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986500\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/big-sur.png\" alt=\"A blue and green toned map of the California Central Coast showing the closures along Highway 1.\" width=\"1920\" height=\"1409\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/big-sur.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/big-sur-800x587.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/big-sur-1020x749.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/big-sur-160x117.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/big-sur-1536x1127.png 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">What the closure along this stretch of Highway 1 through Big Sur has looked like since March 30 (as seen before Friday’s reopening at Rocky Creek.) \u003ccite>(Courtesy CalTrans)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That means until that reopening at Lucia occurs, there is simply no way to drive from the Bay Area on Highway 1 through Big Sur to the Central Coast and Southern California. And because no roads over the Santa Lucia mountains connect Highway 1 to Highway 101, anyone wanting to complete that journey from the Bay would have to double back at the Lucia closure and drive to at least Monterey to access those other routes to Southern California.\u003c/p>\n\u003cp>Since \u003ca href=\"https://www.travelandleisure.com/trip-ideas/road-trips/pacific-coast-highway-itinerary\">the San-Francisco-to-LA Pacific Coast Highway \u003c/a>road trip is a longstanding tradition not just for state residents but for countless visitors to the West Coast, the fact that it remains physically impossible to drive right now is still catching folks by surprise, said Ben Perlmutter, managing partner at the Big Sur River Inn.\u003c/p>\n\u003cp>“We see it all the time,” he said — attributing it at least, in part, to “just the nature of the way people are when they’re on vacation.”\u003c/p>\n\u003ch2>Prepare for an already-slow drive to get even slower\u003c/h2>\n\u003cp>Just because Highway 1 is now reopened at Rocky Creek as of Friday doesn’t mean it’s \u003cem>fully \u003c/em>reopening.\u003c/p>\n\u003cp>Instead,\u003ca href=\"https://www.gov.ca.gov/2024/05/14/governor-newsom-announces-the-reopening-of-highway-1-ahead-of-schedule/\"> drivers approaching this area are now met with a 24/7 timed signal \u003c/a>allowing one-way alternating traffic through in both directions, using only the northbound lane that wasn’t impacted by the rockslide.\u003c/p>\n\u003cfigure id=\"attachment_11986441\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986441\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/BigSur02.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/BigSur02.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/BigSur02-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/BigSur02-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/BigSur02-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/BigSur02-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Road workers from Treichert Construction finish creating a temporary one-way roadway on the site of the U.S. Highway 1 road collapse, called the Rocky Creek Slip in Big Sur, California, on Saturday, April 6, 2024. \u003ccite>(Melina Mara/The Washington Post via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Because the signal means one direction of traffic has to “wait its turn,” you should anticipate extra journey time traveling into Big Sur — added onto an already leisurely journey where the speed limit is 55 miles per hour maximum.\u003c/p>\n\u003cp>(But hopefully, you already know that Big Sur is not the place to visit if you’re in a hurry.)\u003c/p>\n\u003ch2>Plan for an almost total lack of cellphone service\u003c/h2>\n\u003cp>Even for people excited to enjoy Big Sur’s remoteness, the complete lack of cellphone coverage in much of this region — and the unavailability of high-speed Wi-Fi in the region’s businesses — can still come as a surprise.\u003c/p>\n\u003cp>The Big Sur River Inn’s Perlmutter, who was born and raised in Big Sur, said that the very first thing many visitors to his hotel and restaurant do after completing the winding drive south from Carmel is to “look for cell service: ‘I need to text mom … I need to tell my significant other that I’m still alive.”\u003c/p>\n\u003cp>“And, of course, they don’t \u003cem>have\u003c/em> cell service — and a lot of them end up getting kind of frustrated,” he said.\u003c/p>\n\u003cp>Of course, for many visitors, the lack of connectivity is a plus rather than a drawback. But for those who really need to find signal, Perlmutter recommends asking workers in Big Sur’s local businesses for their advice. They’ll likely know the spots, turnouts and parking lots where you might find spots of coverage.\u003c/p>\n\u003cp>“But also, you’re here in Big Sur,” he noted. “Maybe take a couple of breaths, relax a little bit, and soak it in — like, hey, guess what? You’re not going to get a work email when you’re down here, and that could be really awesome for the next 24–48 hours.”\u003c/p>\n\u003cp>If you use Google Maps for navigation, consider downloading an offline map of Big Sur before you leave, which you can use without cellphone service. \u003ca href=\"https://support.google.com/maps/answer/6291838?hl=en&co=GENIE.Platform%3DiOS&oco=0\">Read a guide to downloading offline Google Maps on your iPhone or Android\u003c/a>.\u003c/p>\n\u003ch2>Don’t underestimate the challenging drive of Highway 1\u003c/h2>\n\u003cp>If you’ve never driven Highway 1 through Big Sur before, the steep and winding nature of this road can come as a shock, especially if you’re more accustomed to city or freeway driving.\u003c/p>\n\u003cp>If you need to take it slower on Highway 1’s curves or simply don’t want to rush your way through the incredible ocean views, that’s OK — but remain mindful of any cars behind you.\u003c/p>\n\u003cfigure id=\"attachment_11986444\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986444\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/GettyImages-2134103658.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/GettyImages-2134103658.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/GettyImages-2134103658-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/GettyImages-2134103658-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/GettyImages-2134103658-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/GettyImages-2134103658-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A hole is visible where a section of southbound Highway 1 broke off and fell into the ocean at Rocky Creek Bridge on April 02, 2024, near Big Sur, California. \u003ccite>(Justin Sullivan/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Highway 1 contains many turnouts for a reason, so just pull over to allow others to pass. Not only will you get to linger and enjoy the scenery from there — or as Perlmutter said, “any turnout would be a beautiful campsite if you were allowed to camp [there]” — but you’ll be avoiding an impatient driver behind you attempting to overtake you on Big Sur’s steep winding roads which might cause a potentially dangerous situation.\u003c/p>\n\u003cp>And if you just want to pull over to take a picture? Make sure you’re parked in a safe place that’s \u003cem>completely \u003c/em>off the highway, totally within the white road markings — especially if you’re parked near a bend, where oncoming traffic can’t necessarily see you.\u003c/p>\n\u003ch2>Double-check Highway 1 conditions \u003cem>before \u003c/em>you leave\u003c/h2>\n\u003cp>To stay up-to-date on the latest road conditions, and to be sure your route isn’t impacted by any new closures or delays you weren’t anticipating, consider using \u003ca href=\"https://quickmap.dot.ca.gov/\">Caltrans’ own QuickMap site\u003c/a>, or \u003ca href=\"https://quickmap.dot.ca.gov/QM/app.htm\">the QuickMap app (available on the App Store and Google Play)\u003c/a>. This map uses Caltrans’ data to show you the latest road conditions and travel information so you can be prepared ahead of your journey.\u003c/p>\n\u003cp>When first using QuickMap, hit “Options” on either the website or the app, and select all the options you want to see on the map, including “Full closures” and “Highway information.”\u003c/p>\n\u003cp>Once you’ve done this, you can zoom into the Big Sur area on the map, just as you would using Google Maps. You can then tap on the icons you see on the map to learn more about what they mean.\u003c/p>\n\u003cp>Remember: Given the lack of cellphone coverage that awaits you in Big Sur, you’ll want to do all of this \u003cem>before \u003c/em>you enter the region.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>Leave no trace; pick up your trash\u003c/h2>\n\u003cp>Big Sur draws people from all around the globe for its beauty, so do your part in keeping it that way. Perlmutter said that reminding visitors to Big Sur not to litter the landscape is “first and foremost the most important thing” for residents.\u003c/p>\n\u003cp>Be sure to pick up all your trash, and consider keeping a trash bag or two in your car to aid you in that.\u003c/p>\n\u003ch2>Finally: Be prepared for the unpredictable\u003c/h2>\n\u003cp>Big Sur’s stunning coastal landscape is the very thing that makes it so vulnerable to events like these highway slip-outs.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11984496","hero":"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/IMG_0768-3-1020x765.jpg","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“We’re talking about the steepest mountain range along the coast in the lower 48,” \u003ca href=\"https://www.kqed.org/forum/2010101905691/the-uncertain-future-of-iconic-battered-highway-1\">Jonathan Warrick, a research geologist based in Santa Cruz with the United States Geological Survey, told KQED Forum\u003c/a>. “Most of the range of Big Sur is about a thousand feet high, and it plummets straight down into the ocean.”\u003c/p>\n\u003cp>Big Sur, explained Warrick, gets a lot of rainfall — which, combined with its steepness, means the landscape “erodes quite quickly,” at a rate of “about a foot a year.”\u003c/p>\n\u003cp>Perched right along this coast is the only road in and out of the region: Highway 1. And it’s accordingly vulnerable to “all kinds of things, from simple rock falls to massive, deep-seated landslides that are undermining the roadway,” Warrick said — and “these types of landslides that cause road closures increase during the wet winters.”\u003c/p>\n\u003cp>So, if you’re planning to visit Big Sur during or after a period of wet weather, remember that this kind of rainfall has historically increased the chances of a slip-out along the coast.\u003c/p>\n\u003cp>\u003cstrong>If another Highway 1 closure strikes before your trip:\u003c/strong>\u003c/p>\n\u003cp>It’s always frustrating when a much-anticipated vacation is affected by unforeseen circumstances. But don’t panic.\u003c/p>\n\u003cp>First, be sure to check if any highway closures will actually affect your route using a resource like \u003ca href=\"https://quickmap.dot.ca.gov/\">Caltrans’ QuickMap site\u003c/a>. And if they do, and you have accommodation reserved that you’re unsure you’ll be able to physically reach, the Big Sur River Inn’s Perlmutter recommends giving that establishment a call straightaway to see what they know about access and what’s possible.\u003c/p>\n\u003cp>Slip-outs that force Highway 1 closures have hit local businesses hard by cutting off most tourist access — and Perlmutter suggests that travelers who want a way to keep supporting these local businesses might consider \u003cem>rescheduling\u003c/em> a reservation to a later month if they’re able, rather than canceling it outright.\u003c/p>\n\u003cp>\u003cem>KQED’s \u003c/em>\u003ca href=\"https://www.kqed.org/author/amadrigal\">\u003cem>Alexis Madrigal\u003c/em>\u003c/a>\u003cem> and \u003c/em>\u003ca href=\"https://www.kqed.org/author/avignet\">\u003cem>Anna Vignet\u003c/em>\u003c/a>\u003cem> contributed to this story.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11986383/when-will-highway-1-big-sur-reopen","authors":["3243"],"categories":["news_31795","news_19906","news_8"],"tags":["news_32707","news_5369","news_18538","news_20116","news_566"],"featImg":"news_11986406","label":"news"},"news_11986718":{"type":"posts","id":"news_11986718","meta":{"index":"posts_1591205157","site":"news","id":"11986718","found":true},"guestAuthors":[],"slug":"david-depape-sentenced-to-30-years-in-federal-prison-for-attack-on-nancy-pelosis-husband","title":"David DePape Sentenced to 30 Years in Federal Prison for Attack on Nancy Pelosi's Husband","publishDate":1715969540,"format":"standard","headTitle":"David DePape Sentenced to 30 Years in Federal Prison for Attack on Nancy Pelosi’s Husband | KQED","labelTerm":{"site":"news"},"content":"\u003cp>\u003cem>Updated 2:27 p.m. Friday\u003c/em>\u003c/p>\n\u003cp>The man who was convicted of the attempted kidnapping of former House Speaker Nancy Pelosi and of violently assaulting her husband, Paul Pelosi, in the couple’s San Francisco home was sentenced to 30 years in federal prison on Friday.\u003c/p>\n\u003cp>A jury \u003ca href=\"https://www.kqed.org/news/11967595/david-depape-found-guilty-in-paul-pelosi-hammer-attack\">found David DePape, 44, guilty in November\u003c/a> of one count of attempted kidnapping of a federal officer and one count of assault on the immediate family member of a federal official. The 20- and 30-year sentences he received for each crime were ordered to be served simultaneously.\u003c/p>\n\u003cp>“This is so harmful to everyone in this country,” U.S. District Court Judge Jacqueline Scott Corley said just before ordering the 30-year sentence, noting that those considering going into public service must now consider the risk not only to themselves but to their spouse, children and grandchildren. “We will never know everything we have lost because of this crime.”\u003c/p>\n\u003cp>In letters to the judge, Nancy and Paul Pelosi described the October 2022 attack’s lasting effects on their lives, physical and otherwise, as they asked for the longest possible sentence. Their daughter, Christine Pelosi, read the letters from the witness stand while DePape looked on.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Nancy Pelosi described ongoing security threats and DePape’s resonance with the Jan. 6, 2021, attack on the U.S. Capitol.\u003c/p>\n\u003cp>“Reports of the home invasion with shouts of ‘Where’s Nancy?’ — echoing the January 6th threats — filled me with great fear and deep pain,” she wrote.\u003c/p>\n\u003cp>DePape awoke Paul Pelosi with the now-infamous phrase in the early hours of Oct. 28, 2022, looking for his wife.\u003c/p>\n\u003cp>But she wasn’t home.\u003c/p>\n\u003cp>Paul Pelosi managed to call 911, and officers arrived at the front door of the Pelosi home to find both men with their hands on a hammer. The body camera video shows officers ordering DePape to drop it. He said, “Nope,” and then struck Pelosi repeatedly on the head, also severely injuring Pelosi’s left hand.\u003c/p>\n\u003cp>The account was part of significant evidence presented to the federal jury of DePape’s \u003ca href=\"https://www.kqed.org/news/11967247/david-depape-on-witness-stand-details-grand-plan-to-violently-interrogate-nancy-pelosi\">plot to kidnap Nancy Pelosi\u003c/a>, among others, and his ultimate assault of Paul Pelosi.\u003c/p>\n\u003cp>In his letter, Paul Pelosi, who was 82 at the time of the attack, described ongoing pain, sensitivity to bright lights, dizzy spells and nerve damage. He wrote that he can still feel “bumps on my head from the hammer blows and a metal plate from skull surgery.”\u003c/p>\n\u003cp>“We do not answer our landline phone or our front door due to ongoing threats,” Paul Pelosi wrote. “We cannot fully remove the stain on the floor in the front entryway where I bled.”\u003c/p>\n\u003cp>Nancy Pelosi noted that she and her husband have never talked about what happened during the attack. Without using former President Donald Trump’s name, she appeared to call out times that he has referenced the brutal assault on her husband.\u003c/p>\n\u003cp>“When the attack is a source of sick humor — especially to people in high places — it adds to the pain, the fear and the threat to those who might consider public office,” she wrote.\u003c/p>\n\u003cp>[aside label=\"related coverage\" tag=\"david-depape\"]Prosecutors had argued that DePape \u003ca href=\"https://www.kqed.org/news/11985847/federal-prosecutors-request-40-year-sentence-for-david-depape-who-attacked-pelosis-husband-with-a-hammer\">should be sentenced to 40 years in prison\u003c/a> because of his violent plot to kidnap the then-speaker of the U.S. House of Representatives.\u003c/p>\n\u003cp>“This was an \u003ca href=\"https://www.kqed.org/news/11986566/prosecutors-push-for-terrorism-enhancement-in-sentencing-of-david-depape-who-bludgeoned-paul-pelosi-in-2022\">act of domestic terrorism\u003c/a>,” a federal prosecutor argued during the sentencing hearing on Friday.\u003c/p>\n\u003cp>She referenced a January 2023 call DePape \u003ca href=\"https://www.ktvu.com/news/depape-in-bizarre-phone-call-to-ktvu-says-he-should-have-been-more-prepared\">made from a jail cell to a KTVU reporter\u003c/a>. “He claimed to be a patriot. He wishes he’d gotten more of them. This is no patriot. This is a domestic terrorist, and it is a lone wolf domestic terrorist.”\u003c/p>\n\u003cp>Judge Corley also referenced DePape’s statement during the call that he was sorry he didn’t “get more of them.”\u003c/p>\n\u003cp>“It sounds like he’s taunting his victims,” Corley said from the bench. “He’s taunting America.”\u003c/p>\n\u003cp>The judge said she believes DePape continues to pose a danger to the public. Despite several chances to change course that night in the Pelosi home, he continued with “completely gratuitous” violence, Corley said.\u003c/p>\n\u003cp>Defense attorney Angela Chuang argued that a 14-year sentence was more appropriate.\u003c/p>\n\u003cp>“DePape was at a very low point in his life” in the months leading up to the attack, she said in court on Friday. “His living situation was bad. He didn’t have bathroom access.”\u003c/p>\n\u003cp>She added that he was spending “every waking hour \u003ca href=\"https://www.kqed.org/news/11966865/defense-focuses-on-conspiracy-theories-in-first-day-of-trial-over-attempted-nancy-pelosi-kidnapping\">listening to conspiracy theories\u003c/a> promoted by people in places of power, who command respect” as his mental health deteriorated.\u003c/p>\n\u003cp>DePape’s federal public defenders filed a notice of appeal Friday afternoon, saying they intend to challenge both the judgment and sentence he received.\u003c/p>\n\u003cp>DePape received over a year and a half of credit for his time in custody awaiting trial and sentencing. He faces potential deportation to Canada after his prison sentence, according to statements by the judge and attorneys in court on Friday.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>DePape will \u003ca href=\"https://www.kqed.org/news/11968645/david-depape-faces-second-trial-for-attempting-to-kidnap-nancy-pelosi-heres-why\">go to trial in state court\u003c/a> in the coming weeks. He is facing multiple state charges, including attempted murder, residential burglary, seriously injuring an elder adult, assault with a deadly weapon, false imprisonment and threatening a public official’s family member. Jury selection is expected to begin Wednesday.\u003c/p>\n\n","blocks":[],"excerpt":"The man who was convicted of the attempted kidnapping of former House Speaker Nancy Pelosi and of violently assaulting her husband, Paul Pelosi, was sentenced in federal court on Friday.","status":"publish","parent":0,"modified":1715983144,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":29,"wordCount":940},"headData":{"title":"David DePape Sentenced to 30 Years in Federal Prison for Attack on Nancy Pelosi's Husband | KQED","description":"The man who was convicted of the attempted kidnapping of former House Speaker Nancy Pelosi and of violently assaulting her husband, Paul Pelosi, was sentenced in federal court on Friday.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"David DePape Sentenced to 30 Years in Federal Prison for Attack on Nancy Pelosi's Husband","datePublished":"2024-05-17T11:12:20-07:00","dateModified":"2024-05-17T14:59:04-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"sticky":false,"nprStoryId":"kqed-11986718","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11986718/david-depape-sentenced-to-30-years-in-federal-prison-for-attack-on-nancy-pelosis-husband","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated 2:27 p.m. Friday\u003c/em>\u003c/p>\n\u003cp>The man who was convicted of the attempted kidnapping of former House Speaker Nancy Pelosi and of violently assaulting her husband, Paul Pelosi, in the couple’s San Francisco home was sentenced to 30 years in federal prison on Friday.\u003c/p>\n\u003cp>A jury \u003ca href=\"https://www.kqed.org/news/11967595/david-depape-found-guilty-in-paul-pelosi-hammer-attack\">found David DePape, 44, guilty in November\u003c/a> of one count of attempted kidnapping of a federal officer and one count of assault on the immediate family member of a federal official. The 20- and 30-year sentences he received for each crime were ordered to be served simultaneously.\u003c/p>\n\u003cp>“This is so harmful to everyone in this country,” U.S. District Court Judge Jacqueline Scott Corley said just before ordering the 30-year sentence, noting that those considering going into public service must now consider the risk not only to themselves but to their spouse, children and grandchildren. “We will never know everything we have lost because of this crime.”\u003c/p>\n\u003cp>In letters to the judge, Nancy and Paul Pelosi described the October 2022 attack’s lasting effects on their lives, physical and otherwise, as they asked for the longest possible sentence. Their daughter, Christine Pelosi, read the letters from the witness stand while DePape looked on.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Nancy Pelosi described ongoing security threats and DePape’s resonance with the Jan. 6, 2021, attack on the U.S. Capitol.\u003c/p>\n\u003cp>“Reports of the home invasion with shouts of ‘Where’s Nancy?’ — echoing the January 6th threats — filled me with great fear and deep pain,” she wrote.\u003c/p>\n\u003cp>DePape awoke Paul Pelosi with the now-infamous phrase in the early hours of Oct. 28, 2022, looking for his wife.\u003c/p>\n\u003cp>But she wasn’t home.\u003c/p>\n\u003cp>Paul Pelosi managed to call 911, and officers arrived at the front door of the Pelosi home to find both men with their hands on a hammer. The body camera video shows officers ordering DePape to drop it. He said, “Nope,” and then struck Pelosi repeatedly on the head, also severely injuring Pelosi’s left hand.\u003c/p>\n\u003cp>The account was part of significant evidence presented to the federal jury of DePape’s \u003ca href=\"https://www.kqed.org/news/11967247/david-depape-on-witness-stand-details-grand-plan-to-violently-interrogate-nancy-pelosi\">plot to kidnap Nancy Pelosi\u003c/a>, among others, and his ultimate assault of Paul Pelosi.\u003c/p>\n\u003cp>In his letter, Paul Pelosi, who was 82 at the time of the attack, described ongoing pain, sensitivity to bright lights, dizzy spells and nerve damage. He wrote that he can still feel “bumps on my head from the hammer blows and a metal plate from skull surgery.”\u003c/p>\n\u003cp>“We do not answer our landline phone or our front door due to ongoing threats,” Paul Pelosi wrote. “We cannot fully remove the stain on the floor in the front entryway where I bled.”\u003c/p>\n\u003cp>Nancy Pelosi noted that she and her husband have never talked about what happened during the attack. Without using former President Donald Trump’s name, she appeared to call out times that he has referenced the brutal assault on her husband.\u003c/p>\n\u003cp>“When the attack is a source of sick humor — especially to people in high places — it adds to the pain, the fear and the threat to those who might consider public office,” she wrote.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"related coverage ","tag":"david-depape"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Prosecutors had argued that DePape \u003ca href=\"https://www.kqed.org/news/11985847/federal-prosecutors-request-40-year-sentence-for-david-depape-who-attacked-pelosis-husband-with-a-hammer\">should be sentenced to 40 years in prison\u003c/a> because of his violent plot to kidnap the then-speaker of the U.S. House of Representatives.\u003c/p>\n\u003cp>“This was an \u003ca href=\"https://www.kqed.org/news/11986566/prosecutors-push-for-terrorism-enhancement-in-sentencing-of-david-depape-who-bludgeoned-paul-pelosi-in-2022\">act of domestic terrorism\u003c/a>,” a federal prosecutor argued during the sentencing hearing on Friday.\u003c/p>\n\u003cp>She referenced a January 2023 call DePape \u003ca href=\"https://www.ktvu.com/news/depape-in-bizarre-phone-call-to-ktvu-says-he-should-have-been-more-prepared\">made from a jail cell to a KTVU reporter\u003c/a>. “He claimed to be a patriot. He wishes he’d gotten more of them. This is no patriot. This is a domestic terrorist, and it is a lone wolf domestic terrorist.”\u003c/p>\n\u003cp>Judge Corley also referenced DePape’s statement during the call that he was sorry he didn’t “get more of them.”\u003c/p>\n\u003cp>“It sounds like he’s taunting his victims,” Corley said from the bench. “He’s taunting America.”\u003c/p>\n\u003cp>The judge said she believes DePape continues to pose a danger to the public. Despite several chances to change course that night in the Pelosi home, he continued with “completely gratuitous” violence, Corley said.\u003c/p>\n\u003cp>Defense attorney Angela Chuang argued that a 14-year sentence was more appropriate.\u003c/p>\n\u003cp>“DePape was at a very low point in his life” in the months leading up to the attack, she said in court on Friday. “His living situation was bad. He didn’t have bathroom access.”\u003c/p>\n\u003cp>She added that he was spending “every waking hour \u003ca href=\"https://www.kqed.org/news/11966865/defense-focuses-on-conspiracy-theories-in-first-day-of-trial-over-attempted-nancy-pelosi-kidnapping\">listening to conspiracy theories\u003c/a> promoted by people in places of power, who command respect” as his mental health deteriorated.\u003c/p>\n\u003cp>DePape’s federal public defenders filed a notice of appeal Friday afternoon, saying they intend to challenge both the judgment and sentence he received.\u003c/p>\n\u003cp>DePape received over a year and a half of credit for his time in custody awaiting trial and sentencing. He faces potential deportation to Canada after his prison sentence, according to statements by the judge and attorneys in court on Friday.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>DePape will \u003ca href=\"https://www.kqed.org/news/11968645/david-depape-faces-second-trial-for-attempting-to-kidnap-nancy-pelosi-heres-why\">go to trial in state court\u003c/a> in the coming weeks. He is facing multiple state charges, including attempted murder, residential burglary, seriously injuring an elder adult, assault with a deadly weapon, false imprisonment and threatening a public official’s family member. Jury selection is expected to begin Wednesday.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11986718/david-depape-sentenced-to-30-years-in-federal-prison-for-attack-on-nancy-pelosis-husband","authors":["11490","3206"],"categories":["news_8"],"tags":["news_17725","news_31923","news_27626","news_177","news_31916","news_29025"],"featImg":"news_11967248","label":"news"},"news_11986574":{"type":"posts","id":"news_11986574","meta":{"index":"posts_1591205157","site":"news","id":"11986574","found":true},"guestAuthors":[],"slug":"sonoma-state-universitys-deal-with-student-protesters-in-limbo-after-presidents-removal","title":"Sonoma State University's Deal With Student Protesters in Limbo After President's Removal","publishDate":1715900376,"format":"standard","headTitle":"Sonoma State University’s Deal With Student Protesters in Limbo After President’s Removal | KQED","labelTerm":{"site":"news"},"content":"\u003cp>\u003cem>Updated 8:20 a.m. Friday\u003c/em>\u003c/p>\n\u003cp>A deal reached between Sonoma State University and pro-Palestinian student protesters is in limbo after the campus president was placed on administrative leave over his letter announcing the agreement, then retired.\u003c/p>\n\u003cp>In his Tuesday letter, President Mike Lee agreed to disclose where the university foundation invests its money and to review all investments and vendor contracts for possible areas of divestment – concessions in line with deals also reached this week at San Francisco State University and UC Berkeley, reflecting two of the largest demands made by student protesters across the country.\u003c/p>\n\u003cp>However, Lee went further, agreeing not to pursue formal collaborations with Israeli state-affiliated academic and research institutions, including study abroad programs or faculty exchanges.\u003c/p>\n\u003cp>“Both SSU Students for Justice in Palestine and I, President Mike Lee, oppose and condemn all acts of genocide, ethnic cleansing, racism, antisemitism and other activities that violate fundamental human rights,” Lee wrote later in the letter. “And thus, I call for a cease-fire so that a process for permanent, peaceful resolution can be established.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Less than a day after Lee announced the deal, CSU Chancellor Mildred García said Wednesday that he was \u003ca href=\"https://www.calstate.edu/csu-system/news/Pages/chancellor-statement-sonoma-state-may-2024.aspx\">on administrative leave\u003c/a>, adding that Lee’s message had been sent without the appropriate approvals.\u003c/p>\n\u003cp>“I want to acknowledge how deeply concerned I am about the impact the statement has had on the Sonoma State community,” García wrote. “And how challenging and painful it will be for many of our students and community members to see and read.”\u003c/p>\n\u003cp>Then, late Thursday, García announced that Lee had informed her of his decision to retire. \u003c/p>\n\u003cp>Pushback to Lee’s announcement of the agreement with protesters came quickly.\u003c/p>\n\u003cp>In a \u003ca href=\"https://twitter.com/Scott_Wiener/status/1790775077228965994?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Etweet\">Wednesday tweet\u003c/a>, state Sen. Scott Wiener (D-San Francisco), co-chair of the California Legislative Jewish Caucus, condemned the deal.\u003c/p>\n\u003cp>[aside postID=\"news_11984645,news_11984845,news_11984625\" label=\"Related Stories\"]“Yesterday the President of Sonoma State University aligned the campus with BDS [boycott, divestment and sanctions], a movement whose goal is the destruction of Israel, home to 7M Jews,” Wiener wrote.\u003c/p>\n\u003cp>“It’s one thing to disagree with the policies of the government but to say that we can’t have professors, we can’t have students from Israel is really problematic,” said Tyler Gregory, CEO of the Jewish Community Relations Council Bay Area. “To ban that from happening is both deeply offensive and against civil rights.”\u003c/p>\n\u003cp>Before the news of Lee’s retirement, he also issued an apology.\u003c/p>\n\u003cp>“In my attempt to find agreement with one group of students, I marginalized other members of our student population and community,” he said.\u003c/p>\n\u003cp>Lee echoed the chancellor’s assertion that he acted alone, saying, “The points outlined in the message were mine alone and do not represent the views of my colleagues or the CSU.”\u003c/p>\n\u003cfigure id=\"attachment_11986600\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20240429_SSUGaza-8_qut.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986600\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20240429_SSUGaza-8_qut.jpg\" alt='A person holds a sign that reads \"Save All the Kids in Gaza\" with multicolored lettering in front of tents and trees outdoors.' width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20240429_SSUGaza-8_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20240429_SSUGaza-8_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20240429_SSUGaza-8_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20240429_SSUGaza-8_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20240429_SSUGaza-8_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sonoma State student Race Simmons puts a sign up on the grass at Sonoma State University in Rohnert Park on Monday, April 29, 2024. Sonoma State students set up a tent encampment on Friday. Colleges across the nation have set up tent encampments to show support and solidarity for Palestine. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Student organizers had initially celebrated the deal, including sharing Lee’s first letter on Instagram with the caption “Brick by brick, wall by wall!”\u003c/p>\n\u003cp>Early comments to the post expressed pride in the accomplishments of student collective action, but following Lee’s indefinite dismissal, some commenters began asking what the news meant for the deal and the movement.\u003c/p>\n\u003cp>Student organizers did not respond to a request for comment, but in a following post, they wrote, “We Choose ‘Insubordination’ We know our history. We know what happened when folks ‘just followed orders.’”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>University spokesperson Jeffery Keating told KQED that student protesters cleared their encampment on Wednesday, which was established on April 26, in accordance with the deal they made with Lee. However, Keating did not say what Lee’s fate meant in the terms of his agreement.\u003c/p>\n\n","blocks":[],"excerpt":"Sonoma State University President Mike Lee is retiring after he was put on administrative leave over his letter announcing an agreement with the pro-Palestinian protest encampment.","status":"publish","parent":0,"modified":1715959355,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":701},"headData":{"title":"Sonoma State University's Deal With Student Protesters in Limbo After President's Removal | KQED","description":"Sonoma State University President Mike Lee is retiring after he was put on administrative leave over his letter announcing an agreement with the pro-Palestinian protest encampment.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Sonoma State University's Deal With Student Protesters in Limbo After President's Removal","datePublished":"2024-05-16T15:59:36-07:00","dateModified":"2024-05-17T08:22:35-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"sticky":false,"nprStoryId":"kqed-11986574","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11986574/sonoma-state-universitys-deal-with-student-protesters-in-limbo-after-presidents-removal","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated 8:20 a.m. Friday\u003c/em>\u003c/p>\n\u003cp>A deal reached between Sonoma State University and pro-Palestinian student protesters is in limbo after the campus president was placed on administrative leave over his letter announcing the agreement, then retired.\u003c/p>\n\u003cp>In his Tuesday letter, President Mike Lee agreed to disclose where the university foundation invests its money and to review all investments and vendor contracts for possible areas of divestment – concessions in line with deals also reached this week at San Francisco State University and UC Berkeley, reflecting two of the largest demands made by student protesters across the country.\u003c/p>\n\u003cp>However, Lee went further, agreeing not to pursue formal collaborations with Israeli state-affiliated academic and research institutions, including study abroad programs or faculty exchanges.\u003c/p>\n\u003cp>“Both SSU Students for Justice in Palestine and I, President Mike Lee, oppose and condemn all acts of genocide, ethnic cleansing, racism, antisemitism and other activities that violate fundamental human rights,” Lee wrote later in the letter. “And thus, I call for a cease-fire so that a process for permanent, peaceful resolution can be established.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Less than a day after Lee announced the deal, CSU Chancellor Mildred García said Wednesday that he was \u003ca href=\"https://www.calstate.edu/csu-system/news/Pages/chancellor-statement-sonoma-state-may-2024.aspx\">on administrative leave\u003c/a>, adding that Lee’s message had been sent without the appropriate approvals.\u003c/p>\n\u003cp>“I want to acknowledge how deeply concerned I am about the impact the statement has had on the Sonoma State community,” García wrote. “And how challenging and painful it will be for many of our students and community members to see and read.”\u003c/p>\n\u003cp>Then, late Thursday, García announced that Lee had informed her of his decision to retire. \u003c/p>\n\u003cp>Pushback to Lee’s announcement of the agreement with protesters came quickly.\u003c/p>\n\u003cp>In a \u003ca href=\"https://twitter.com/Scott_Wiener/status/1790775077228965994?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Etweet\">Wednesday tweet\u003c/a>, state Sen. Scott Wiener (D-San Francisco), co-chair of the California Legislative Jewish Caucus, condemned the deal.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11984645,news_11984845,news_11984625","label":"Related Stories "},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“Yesterday the President of Sonoma State University aligned the campus with BDS [boycott, divestment and sanctions], a movement whose goal is the destruction of Israel, home to 7M Jews,” Wiener wrote.\u003c/p>\n\u003cp>“It’s one thing to disagree with the policies of the government but to say that we can’t have professors, we can’t have students from Israel is really problematic,” said Tyler Gregory, CEO of the Jewish Community Relations Council Bay Area. “To ban that from happening is both deeply offensive and against civil rights.”\u003c/p>\n\u003cp>Before the news of Lee’s retirement, he also issued an apology.\u003c/p>\n\u003cp>“In my attempt to find agreement with one group of students, I marginalized other members of our student population and community,” he said.\u003c/p>\n\u003cp>Lee echoed the chancellor’s assertion that he acted alone, saying, “The points outlined in the message were mine alone and do not represent the views of my colleagues or the CSU.”\u003c/p>\n\u003cfigure id=\"attachment_11986600\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20240429_SSUGaza-8_qut.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986600\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20240429_SSUGaza-8_qut.jpg\" alt='A person holds a sign that reads \"Save All the Kids in Gaza\" with multicolored lettering in front of tents and trees outdoors.' width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20240429_SSUGaza-8_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20240429_SSUGaza-8_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20240429_SSUGaza-8_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20240429_SSUGaza-8_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/20240429_SSUGaza-8_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sonoma State student Race Simmons puts a sign up on the grass at Sonoma State University in Rohnert Park on Monday, April 29, 2024. Sonoma State students set up a tent encampment on Friday. Colleges across the nation have set up tent encampments to show support and solidarity for Palestine. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Student organizers had initially celebrated the deal, including sharing Lee’s first letter on Instagram with the caption “Brick by brick, wall by wall!”\u003c/p>\n\u003cp>Early comments to the post expressed pride in the accomplishments of student collective action, but following Lee’s indefinite dismissal, some commenters began asking what the news meant for the deal and the movement.\u003c/p>\n\u003cp>Student organizers did not respond to a request for comment, but in a following post, they wrote, “We Choose ‘Insubordination’ We know our history. We know what happened when folks ‘just followed orders.’”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>University spokesperson Jeffery Keating told KQED that student protesters cleared their encampment on Wednesday, which was established on April 26, in accordance with the deal they made with Lee. However, Keating did not say what Lee’s fate meant in the terms of his agreement.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11986574/sonoma-state-universitys-deal-with-student-protesters-in-limbo-after-presidents-removal","authors":["11761"],"categories":["news_8"],"tags":["news_34008","news_21345","news_27626","news_6631","news_33338","news_34058"],"featImg":"news_11986599","label":"news"},"news_11986396":{"type":"posts","id":"news_11986396","meta":{"index":"posts_1591205157","site":"news","id":"11986396","found":true},"guestAuthors":[],"slug":"when-bart-was-built-people-and-houses-had-to-go","title":"When BART Was Built, People — and Houses — Had to Go","publishDate":1715853627,"format":"standard","headTitle":"When BART Was Built, People — and Houses — Had to Go | KQED","labelTerm":{"term":33523,"site":"news"},"content":"\u003cp>\u003ca href=\"#episode-transcript\">View the full episode transcript.\u003c/a>\u003c/p>\n\u003cp>Back in the early 1960s, when BART was just a sketch on a map, planners with the young transit agency had a task in front of them. BART had to acquire around 2,200 parcels of land in order to build the transportation system.\u003c/p>\n\u003cp>Exactly how the agency went about getting that land was something that always puzzled Janine Dictor.\u003c/p>\n\u003cp>For her, the question was also personal. Growing up, her family would tell stories about an amazing house her great-grandparents used to own in North Oakland, at 59th, and what is now Martin Luther King Jr. Way (it was called Grove Street back then). But the stories always ended with how they had to sell their home to BART.\u003c/p>\n\u003cp>[baycuriouspodcastinfo]“There was always a sad tone to the story as if they didn’t have control over it,” Dictor said.\u003c/p>\n\u003cp>Dictor’s great-grandparents, Vito and Elizabeth Campilongo, loved that house. They were both immigrants from Italy, and they kept the house full of family, friends and good food. Vito tended a bountiful garden in the backyard.\u003c/p>\n\u003cp>“My grandmother loved to cook in the basement,” said Johanne Dictor, Janine’s mother. “She had this great kitchen downstairs where she made her ravioli; she made her sausages with her women friends.”\u003c/p>\n\u003cp>It was a happy time, but it didn’t last. By the time Johanne was a teenager in the early ‘60s, one topic started to dominate their family dinners.\u003c/p>\n\u003cp>“I remember we’d be sitting at the table and they’d say, ‘They’re going to take my house, they say we have to sell it. And we have to leave everything here.’ And you know, they just were devastated,” said Johanne about her grandparents.\u003c/p>\n\u003cp>Ultimately, the Campilongos sold their house to BART and moved to San Leandro. Her grandfather planted a new garden, but he felt it was never as big or as beautiful as the one in Oakland.\u003c/p>\n\u003cp>“He’d sit on the porch in San Leandro looking so sad,” remembers Johanne.\u003c/p>\n\u003cp>All this history left Janine wondering how exactly the sale of her great-grandparents’ house went down. So she asked KQED’s Bay Curious to look into how much property BART acquired at the time of its inception and whether any homeowners challenged the agency.\u003c/p>\n\u003cp>“There must be a pretty robust story behind all of this, and it’s just odd that we never have known quite what it is,” Janine said.\u003c/p>\n\u003cfigure id=\"attachment_11986429\" class=\"wp-caption aligncenter\" style=\"max-width: 1384px\">\u003ca href=\"https://ww2.kqed.org/news/2024/05/16/when-bart-was-built-people-and-houses-had-to-go/vito_elizabeth_family/\" rel=\"attachment wp-att-11986429\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986429\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Vito_Elizabeth_family.png\" alt=\"An old black-and-white photo of a family in their living room\" width=\"1384\" height=\"1020\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Vito_Elizabeth_family.png 1384w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Vito_Elizabeth_family-800x590.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Vito_Elizabeth_family-1020x752.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Vito_Elizabeth_family-160x118.png 160w\" sizes=\"(max-width: 1384px) 100vw, 1384px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Vito and Elizabeth Campilongo (center) left their North Oakland home in the 1960s to make room for a BART line. \u003ccite>(Courtesy of the Campilongo family)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>And so BART begins\u003c/h2>\n\u003cp>Like much of the country in the early 1950s, the Bay Area was in a post-war building boom. New houses were going up all over the region, in places like Concord and Fremont. City planners had to figure out how folks would get around and travel between all these developments.\u003c/p>\n\u003cp>State lawmakers began \u003ca href=\"https://www.foundsf.org/index.php?title=San_Francisco_Bay_Area_Rapid_Transit_Commission%E2%80%94The_Beginnings\">mapping out\u003c/a> a regional transportation system to connect the suburbs to the economic hubs of Oakland and San Francisco. In 1957, they passed a bill creating the Bay Area Rapid Transit District.\u003c/p>\n\u003cp>But BART needed land, including in residential areas where property was already owned and inhabited by people. As an entity charged with building public infrastructure, BART was given the power of eminent domain, a legal tool that helped it acquire the needed property.\u003c/p>\n\u003cp>According to Radhika Rao, a professor at UC San Francisco College of the Law, eminent domain allows the government to take people’s property “even if they don’t consent,” as long as it pays them fair market value for it.\u003c/p>\n\u003cp>Eminent domain is an important tool for governments, said Rao, because infrastructure projects like hospitals, public schools, highways, parks and train tracks might never be built without it.\u003c/p>\n\u003cp>“Because you could have one private property owner who says, ‘My house stands in the way, you can’t build a highway,’ and then we have no highway. So our infrastructure depends upon government having this power,” Rao said.\u003c/p>\n\u003cp>However, Rao says, historically, the use of eminent domain in California has disproportionately affected low-income people and communities of color.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Radhika Rao, UC San Francisco College of Law\"]‘That just makes economic sense, right? Why would government situate your infrastructure in a place where you have to pay more?’[/pullquote]One reason, she said, is that government agencies often use eminent domain in areas with lower property values since it costs them less to acquire that property.\u003c/p>\n\u003cp>“That just makes economic sense, right? Why would government situate your infrastructure in a place where you have to pay more?” Rao said.\u003c/p>\n\u003cp>Another reason for the disproportionate impact, suggests Rao, is that government officials choose to develop areas where residents are less likely to organize against them.\u003c/p>\n\u003cp>“Who has the money to hire a lawyer and go to court saying, ‘the compensation that you’re offering me is not fair market value?’ Rao said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2>West Oakland residents displaced\u003c/h2>\n\u003cp>One of the places in the Bay Area hit hardest by eminent domain projects — including, but not limited to, BART construction — was West Oakland.\u003c/p>\n\u003cp>Maxine Willis Ussery was born in Shreveport, Louisiana in 1939, but her family moved to West Oakland when she was just a few years old.\u003c/p>\n\u003cp>“When I was a girl, Seventh Street and all of West Oakland was predominantly Black, owned by Black people. Beautiful old Victorians were there,” Willis Ussery said.\u003c/p>\n\u003cp>Her family, like many Black families at the time, had come from the South in search of work and a better life. Her mother and father made the journey from Louisiana and settled in West Oakland. They found jobs at the nearby Naval shipyard.\u003c/p>\n\u003cp>“They had no problems understanding that they had to develop their own businesses, their own services because that’s how they lived in the South,” Willis Ussery said.\u003c/p>\n\u003cp>She says the West Oakland community had everything they needed: drug stores, groceries, restaurants, churches, doctors, and lawyers. But starting in the 1950s, successive government infrastructure projects ripped apart the fabric of this community.\u003c/p>\n\u003cp>First, government agencies demolished homes and businesses for the Nimitz Freeway (Interstate 880) in the 1950s. Then, in the following decades, they cleared more buildings to make way for the Oakland Main Post Office and the Acorn housing projects. And then, \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/232778\">there was BART\u003c/a>. The Oakland Planning Department estimates that between 5,100 and 9,700 housing units were lost in West Oakland in the 1960s alone.\u003c/p>\n\u003cp>“It was like a dispersement of a whole community, not just taking the buildings, it was taking people who had lived there. Teachers, athletes, all of them were displaced,” Willis Ussery said.\u003c/p>\n\u003cp>The effect on the community was disastrous, she said, especially for the older folks.\u003c/p>\n\u003cp>“They were up in age, and they were moved into areas where they could afford to go with the money they were given for BART, which was not a lot,” Willis Ussery said.\u003c/p>\n\u003cp>A KQED analysis of the 1960 census reveals that the West Oakland census tracts hardest hit by eminent domain were where people of color lived — in some areas, as many as 95% of the residents were Black. Annual incomes in the development zones were also far lower than the city average. The neighborhood in North Oakland where the Campilongos lived had a higher median income but was also predominantly Black.\u003c/p>\n\u003cfigure id=\"attachment_11986231\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/news/240514-eminentdomain-25-bl-kqed/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986231\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-EMINENTDOMAIN-25-BL-KQED.jpg\" alt=\"A BART train above two streets intersecting\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-EMINENTDOMAIN-25-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-EMINENTDOMAIN-25-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-EMINENTDOMAIN-25-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-EMINENTDOMAIN-25-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-EMINENTDOMAIN-25-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-EMINENTDOMAIN-25-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A BART train runs along the tracks at 59th Street and Martin Luther King Jr Way in Oakland on May 14, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Berkeley residents resist BART plans\u003c/h2>\n\u003cp>Some East Bay residents, such as Mable Howard of Berkeley, successfully altered BART’s path.\u003c/p>\n\u003cp>Howard argued that BART’s plan to construct raised tracks through part of the city would further divide it along racial lines. Her legal challenge was highlighted in the documentary “\u003ca href=\"https://video.kqed.org/video/welcome-to-the-neighborhood-truly-ca-zag6fb/\">Welcome to the Neighborhood\u003c/a>.”\u003c/p>\n\u003cp>As the documentary explains, in 1966, Berkeley voters approved a tax that would pay to put BART completely underground.\u003c/p>\n\u003cp>But BART proposed a design for the Ashby station that was slightly above ground. Howard felt that the design would further segregate the city. She teamed up with the late East Bay politician Ron Dellums, then a city council member, to successfully sue the agency to underground all their Berkeley infrastructure.\u003c/p>\n\u003cp>“We won the case. How do we know we won the case? Go to Berkeley. You’ll see the whole thing’s underground,” said attorney Matthew Weinberg in the film.\u003c/p>\n\u003ch2>BART spokesperson: ‘Lessons learned’\u003c/h2>\n\u003cp>These days, it is hard to imagine a Bay Area without BART. People from all over the Bay Area make millions of trips on it every month. Even the aerial tracks that tower over Martin Luther King Jr. Way, where the Campilongo house used to stand, seem to blend into the background of freeways and buildings.\u003c/p>\n\u003cp>BART’s Chief Communications Officer Alicia Trost says it’s still important for the agency to acknowledge the past harms that the agency committed.\u003c/p>\n\u003cp>“There was a lot of generational wealth that was deeply impacted, if not destroyed, because of the building of the BART system,” Trost said.\u003c/p>\n\u003cp>BART now has an Office of Civil Rights and other equity initiatives that Trost says are critical to rebuilding trust with the community.\u003c/p>\n\u003cp>[pullquote size=\"medium\" align=\"right\" citation=\"Alicia Trost, BART\"]‘There was a lot of generational wealth that was deeply impacted if not destroyed because of the building of the BART system.’[/pullquote]“Especially when we’re building on our land, we want to make sure there’s a carve-out specifically for affordable housing and that we are in a daily conversation with the community to make sure what we’re building is something that they want,” Trost said.\u003c/p>\n\u003cp>As the agency imagines future development, like building a possible second transbay tube between San Francisco and Oakland, she says they’re also developing plans to prevent the displacement of residents.\u003c/p>\n\u003cp>Trost said the uprooting of residents to create BART in the 1960s provided “lessons learned,” and mistakes that shouldn’t be repeated were made.\u003c/p>\n\u003cp>State leaders are also looking at the long-term impact that eminent domain property transfers have had on families and communities.\u003c/p>\n\u003cp>California State Senator Steven Bradford, a member of California’s \u003ca href=\"https://www.kqed.org/reparations\">Reparations Task Force\u003c/a>, introduced a bill in February that would compensate former property owners if their parcel was taken through eminent domain, but they didn’t receive just compensation due to racism or discrimination by the government.\u003c/p>\n\u003ch2>The price the Campilongos paid\u003c/h2>\n\u003cfigure id=\"attachment_11986413\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/2024/05/16/when-bart-was-built-people-and-houses-had-to-go/campilongo_contract_page_01/\" rel=\"attachment wp-att-11986413\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11986413\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Campilongo_contract_Page_01-800x1032.jpg\" alt=\"\" width=\"800\" height=\"1032\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Campilongo_contract_Page_01-800x1032.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Campilongo_contract_Page_01-1020x1316.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Campilongo_contract_Page_01-160x206.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Campilongo_contract_Page_01-1190x1536.jpg 1190w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Campilongo_contract_Page_01-1587x2048.jpg 1587w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Campilongo_contract_Page_01.jpg 1701w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The contract the Campilongos signed with BART.\u003c/figcaption>\u003c/figure>\n\u003cp>A public records request submitted by KQED reveals that the Bay Area Rapid Transit District paid Vito and Elizabeth Campilongo $25,000 for their property in North Oakland on Sept. 2, 1965. Adjusted for inflation, that’s about $245,000 today. These days, homes go for around $1 million in that neighborhood.\u003c/p>\n\u003cp>Janine and Johanne Dictor were excited to see the contract their relatives signed with BART, the physical evidence of their family history.\u003c/p>\n\u003cp>“Doesn’t that look like Nana’s handwriting?” Janine asked her mom.\u003c/p>\n\u003cp>But after the initial excitement, the mood turned somber.\u003c/p>\n\u003cp>“It’s about a lot more than what they were compensated,” Janine said. “It’s about the fact that they were forced into this, that they lost a lifestyle, that they lost a community,”\u003c/p>\n\u003cp>The premise of using eminent domain is that individual sacrifices are warranted to build public infrastructure. However, for families like the Dictors, the construction of BART was a painful turn in their history.\u003c/p>\n\u003cp>“After we lost that house, we lost the sense of our family in a way. It was kind of driven apart,” her mom, Johanne, added. “That house really brought us together.”\u003cbr>\n\u003cem>\u003cbr>\nSpecial thanks to Pam Uzzell for providing parts of her documentary “Welcome to the Neighborhood” and to KQED’s Dan Brekke for reporting support and data analysis. \u003c/em>\u003c/p>\n\u003cp>[baycuriousquestion]\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003cem>Sounds of BART\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Johanne Dictor points at the grassy median dividing the six lanes of Martin Luther King Junior Way in North Oakland. An elevated BART track towers overhead.\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> I guess my grandmother’s house was right here on the, the tracks.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Johanne’s grandparents, Vito and Elizabeth Campilongo were immigrants from Italy. They loved their home on what was then 59th and Grove street in Oakland … Grove is Martin Luther King Jr Way these days. They kept the house full of family, friends and, as is the Italian way … good food.\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> So she, she had this great kitchen downstairs where she made her ravioli. She made her sausages with her women friends. They’d come over, and all day, they’d make sausages down there.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> And Vito grew food in the backyard.\u003c/p>\n\u003cp>Janine Dictor: Ah, garden, this master gardener with this beautiful, extensive garden that he used to cook these delicious Italian meals.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> This was a happy time. But it didn’t last. By the time Johanne was a teenager in the early ’60s, one topic started to dominate their family dinners.\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> I remember, you know, be sitting at the table and they’d say, you know, they’re, they’re gonna take my house, they say we have to sell it. And we have to leave everything here, and you know, they just were devastated.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Ultimately, the Campilongos sold their house to BART and moved to San Leandro. Her grandfather planted a new garden, but it was never as big or as beautiful as the one in Oakland.\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> He’d sit on the porch like in San Leandro looking so sad, you know, (cries)\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Johanne’s daughter, Janine, grew up with this family story. But she has always thought it was odd that they didn’t know more about how it all went down.\u003c/p>\n\u003cp>\u003cstrong>Janine Dictor:\u003c/strong> How many properties were acquired? Did anybody challenge, you know, Bart’s ability to acquire their property? What was the outcome of that? Um, yeah, just there seems like there must, there must be a pretty robust story behind all of this. And it’s just odd that we never have known what, quite what it is.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> I’m Olivia Allen Price, and today on Bay Curious the story of how families like the Campilongos were uprooted to make way for BART. Theirs is a common story — people have been displaced for large infrastructure projects time and time again all across the United States. And it’s still happening today. Stay with us.\u003c/p>\n\u003cp>Bay Area Rapid Transit…better known as BART…is a fixture of life in the Bay Area today. But many families and businesses were displaced to build it. KQED reporter Azul Dahlstrom-Eckman is going to help us understand how it all went down.\u003c/p>\n\u003cp>\u003cem>Music starts\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> In the early ’50s, the Bay Area, like much of the country, was in a post-war building boom. New houses were going up all over the region in places like Concord and Fremont. And a big question was how folks would get around.\u003c/p>\n\u003cp>\u003cem>Sounds of BART promo reel\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> State lawmakers began planning for a regional transportation system to connect the suburbs to the economic hubs of Oakland and San Francisco. There was a lot of excitement … which you can hear in this promotional video for BART.\u003c/p>\n\u003cp>\u003cstrong>BART promo reel:\u003c/strong>…To do this by weaving into the fabric of the Bay Area an entirely new and vastly better way of getting around.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> In 1962, voters in Alameda, Contra Costa, and San Francisco counties approved a nearly 800 million dollar bond to build the new tracks.\u003c/p>\n\u003cp>\u003cstrong>BART promo reel:\u003c/strong>… Locations of lines and stations was the first step in the long planning process.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: But BART needed land, including in residential areas where property was already owned and inhabited by people. The Campilongos neighborhood in North Oakland was one of those areas; another was West Oakland.\u003c/p>\n\u003cp>\u003cstrong>Maxine Ussery\u003c/strong>: When I was a girl, there were… So 7th Street and all of West Oakland was predominantly black, owned by black people. Beautiful old Victorians were there.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: Maxine Ussery was born in Oakland in 1939. Her family, like many Black families at the time, had come from the South in search of work and a better life. Maxine’s mother and father made the journey from Louisiana and settled in West Oakland. They found jobs at the nearby Naval Shipyard.\u003c/p>\n\u003cp>\u003cstrong>Maxine Ussery\u003c/strong>: They had no problems understanding that they had to, in fact, develop their own businesses, their own services, because that’s how they lived in the South.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: She says the West Oakland community had everything they needed…drug stores, groceries, restaurants, churches, doctors and lawyers. But starting in the 1950s, successive government infrastructure projects ripped apart the fabric of this community.\u003c/p>\n\u003cp>\u003cstrong>Maxine Ussery\u003c/strong>: They forced people to move.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: Government agencies demolished homes and businesses for the Nimitz Freeway in the ’50s. Then, in the following decades, they cleared more buildings to make way for Oakland’s Main Post Office and the Acorn housing projects. And then, there was BART. The Oakland Planning Department estimates that upwards of 5,000 units of housing were destroyed in West Oakland in the 1960s alone.\u003c/p>\n\u003cp>\u003cstrong>Maxine Ussery\u003c/strong>: It was like a disbursement of a, of a whole group of a whole community, not just, uh, taking the buildings, it was taking people and who had lived there and who, uh, uh, teachers, um, uh, uh, educate, you know, people who were athletes, all of them were displaced.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: Maxine says the effect on the community was disastrous, especially for the older folks.\u003c/p>\n\u003cp>\u003cstrong>Maxine Ussery\u003c/strong>: They were up in age, and they were moved into areas where they, that where they could afford to go with the money they were given for BART, which was not a lot. It wasn’t enough money for them to live on.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: Many of the infrastructure projects in West Oakland that Maxine talks about were only possible because of a legal tool known as eminent domain.\u003c/p>\n\u003cp>\u003cstrong>Radhika Rao\u003c/strong>: So that’s the part of the Constitution that gives government the power to come along and take people’s private property even if they don’t consent.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: Radhika Rao is a professor of Law at UC San Francisco College of the Law. Eminent domain allows public agencies to buy private property at “fair market value” in order to build infrastructure that is in the public interest. Think hospitals, Public Schools, Highways, Parks, and train tracks. Radhika says without it, infrastructure projects like these might never get built.\u003c/p>\n\u003cp>\u003cstrong>Radhika Rao\u003c/strong>: Because you could have one private property owner who says, my house stands in the way; you can’t build a highway. And then we have no highway. So, our infrastructure depends upon government having this power. It’s, it’s super important.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: But Rhadika says government agencies often target areas with lower property values because they cost less.\u003c/p>\n\u003cp>\u003cstrong>Radhika Rao\u003c/strong>: Of course! That’s, that just makes economic sense, right? Why would government situate your infrastructure in a place where you have to pay more?\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> And the government has a long history of undervaluing properties where people of color and low-income people live and work.\u003c/p>\n\u003cp>\u003cstrong>Radhika Rao\u003c/strong>: And then there are also political reasons, you know, which communities have power, um, and which communities don’t, to organize against this kind of action.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: The 1960 census reveals the parts of West Oakland hit hardest by eminent domain projects were highly segregated … as much as 95% Black … with annual incomes far lower than the city average. The neighborhood in North Oakland that the Campilongos lived in had a higher median income but was also predominantly Black. Rhadika says these communities were vulnerable to eminent domain action and less likely to fight back.\u003c/p>\n\u003cp>\u003cstrong>Radhika Rao\u003c/strong>: Who has the money to hire a lawyer and go to court saying this, the compensation that you’re offering me is not just compensation? It’s not fair market value.\u003c/p>\n\u003cp>\u003cem>Music starts\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> BART records show that the agency acquired approximately 2,200 properties in order to build its first 75 miles of track. Some people sold their parcels to BART willingly, but others had to be evicted.\u003c/p>\n\u003cp>\u003cstrong>Clip of news report: \u003c/strong>This is Seventh Street on Oakland’s west side.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> In this KPIX news report from 1967, BART staff are evicting an elderly Black woman named Leitha Blick from the thrift store she owns.\u003c/p>\n\u003cp>\u003cstrong>News report:\u003c/strong> An admittedly blighted area, directly in the path of proposed Bay Area Rapid Transit District construction.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> That word — blighted — is important. It’s a term that was used by urban redevelopment agencies throughout the country — including in Oakland — to describe neighborhoods that were seen as deteriorating.\u003c/p>\n\u003cp>\u003cstrong>News report:\u003c/strong> Most of the homes and businesses in this area will have to be destroyed to make room for progress, and the push of progress is not always gentle. Angry and confused, many of the residents say they can’t buy new homes with the market value prices given them for the ones they now live in. Business people face the same dilemma.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> In the news clip, Blick stands by with her arms crossed as workers pack her things into boxes.\u003c/p>\n\u003cp>\u003cstrong>News report footage:\u003c/strong> Miss Blick, had you and the Bay Area Rapid Transit District reached any agreement before this happened?\u003cbr>\n\u003cstrong>Blick:\u003c/strong> No.\u003cbr>\n\u003cstrong>News reporter:\u003c/strong> Why?\u003cbr>\n\u003cstrong>Blick:\u003c/strong> Because, uh, the price wasn’t satisfactory.\u003cbr>\n\u003cstrong>News reporter:\u003c/strong> You didn’t think they were offering you enough money for your merchandise?\u003cbr>\n\u003cstrong>Blick:\u003c/strong> That’s correct. Moving us out, and we had no place to go, and I didn’t think they were offering enough, no way.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> Blick tried to stop BART from taking her property…but ultimately lost. But there are some examples of people successfully altering BART’s plan.\u003cbr>\n\u003cstrong>\u003cbr>\nDocumentary footage:\u003c/strong> Berkeley was basically a segregated city. So, the whole of South Berkeley was pretty much a black neighborhood.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman: \u003c/strong>Pam Uzzell’s documentary “Welcome to the Neighborhood” chronicles one effort in Berkeley. It profiles Mable Howard, who argued that BART’s plan to put raised tracks through part of the city would divide it along racial lines.\u003c/p>\n\u003cp>\u003cstrong>Documentary footage: \u003c/strong>A woman who said, I won’t have The city of Berkeley, divided in half, there won’t be any other side of the tracks.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> In 1966, Berkeley voters approved a tax that would pay to put BART completely underground in Berkeley. But BART proposed a design for Ashby station that was slightly above ground. So Mable Howard teamed up with Ron Dellums, then a city council member, to sue the agency. Here’s a lawyer on the case, Matthew Weinberg.\u003c/p>\n\u003cp>\u003cstrong>Matthew Weinberg:\u003c/strong> We won the case. How do we know we won the case? Go to Berkeley. You’ll see the whole thing’s underground.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman: \u003c/strong>BART acknowledges this legacy of displacement and struggle. Here’s Chief Communications Officer Alicia Trost.\u003c/p>\n\u003cp>\u003cstrong>Alicia Trost: \u003c/strong>There was a lot of generational wealth that was deeply impacted, if not destroyed, because of the building of the BART system.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> BART now has an office of civil rights, and other equity initiatives that Trost says are critical to rebuilding trust.\u003c/p>\n\u003cp>\u003cstrong>Alicia Trost:\u003c/strong> And especially when we’re building on our land, uh, we want to make sure there’s a carve-out specifically for affordable housing and that we are in a daily conversation with the community to make sure what we’re building is something that they want.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> As the agency imagines building a possible second transbay tube, Trost says they’re also developing anti-displacement goals.\u003c/p>\n\u003cp>\u003cstrong>Alicia Trost:\u003c/strong> Which, if that’s not lessons learned, you know, I don’t know what is.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> I’ve gone through multiple public records requests and dozens of deeds, right-of-way contracts, and insurance policies for this story. At the end of it all, I paid another visit to Janine, our question-asker, and her mom, Johanne. I had something for them.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman, talking to the Dictors:\u003c/strong> I actually found the contract that your grandparents signed with Bart, so here it is. And so this, you can see, like it says right-of-way contract, and it has your grandparents’ names on it.\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> Oh, is that all they, so it was just 25,000. Is that right? Oh my God. Oh my gosh.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman talking to the Dictors:\u003c/strong> We’re looking at the original contract between Vito and Elizabeth Campilongo and the Bay Area Rapid Transportation District, dated Sept. 2, 1965.\u003c/p>\n\u003cp>\u003cstrong>Janine Dictor:\u003c/strong> And it looks like my grandmother’s handwriting, too, actually.\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> Oh, it does?\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> It shows the Campilongos agreed to sell their property for $25,000. Adjusted for inflation, that’s about 245,000 dollars today. These days, homes go for around a million in that neighborhood.\u003c/p>\n\u003cp>\u003cstrong>Janine Dictor:\u003c/strong> Doesn’t it look like Nana’s?\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> Not really.\u003c/p>\n\u003cp>\u003cstrong>Janine Dictor: \u003c/strong>That floral?\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> Yeah, a little bit, but hers was, yeah, she had a good penmanship, Nana. Yeah,\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> Janine and Johanne are excited to see the physical evidence of their family history. But after the initial excitement, the mood is somber.\u003c/p>\n\u003cp>\u003cstrong>Janine Dictor:\u003c/strong> Going through this process, it’s like you realize it’s like about a lot more than what they were compensated, right? It’s about the fact that they were forced into this, that they lost a lifestyle, that they lost a community, you know. So, even if they got a good price, it’s kind of like, there’s still something to mourn there right about their experience.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> The word progress comes up a lot when talking about these kinds of projects. The idea is that progress, the greater good, justifies the sacrifice some families have to make. But for families like the Dictors, progress could feel like a step in the wrong direction. Here’s Johanne.\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor: \u003c/strong>After we lost that house, we lost the sense of our family in a way, it seemed like. It was kind of driven apart. Because that house really brought us together. More than the house in San Leandro, you know.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> Public infrastructure is often seen as a kind of equalizer … it’s something we all pay for and that anyone can use. But the fact is … some people had to pay more than others.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> That was KQED reporter Azul Dahlstrom-Eckman.The use of eminent domain led to the displacement in some of the stories we explored today. It was often used to displace communities of color to make way for various infrastructure projects around the state. As part of its reparations efforts, California is now considering a bill that would compensate people if they can prove racism or discrimination prevented them from getting just compensation. To learn more about California’s reparations efforts, check out KQED’s coverage at KQED dot org slash reparations.\u003c/p>\n\u003cp>Special Thanks to Pam Uzzell for allowing us to use clips from her documentary “Welcome to the Neighborhood” in this story.\u003c/p>\n\u003cp>\u003cstrong>Katrina Schwartz: \u003c/strong>This episode was edited by Katrina Schwartz.\u003cbr>\n\u003cstrong>Olivia Allen-Price:\u003c/strong> Produced by Olivia Allen-Price.\u003cbr>\n\u003cstrong>Tamuna Chkareuli:\u003c/strong> Tamuna Chkareuli\u003cbr>\n\u003cstrong>Pauline Bartolone:\u003c/strong> Pauline Bartolone\u003cbr>\n\u003cstrong>Christopher Beale:\u003c/strong> And Christopher Beale.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> We get additional support from:\u003cbr>\n\u003cstrong>Jen Chien:\u003c/strong> Jen Chien\u003cbr>\n\u003cstrong>Katie Sprenger:\u003c/strong> Katie Sprenger\u003cbr>\n\u003cstrong>Cesar Saldaña:\u003c/strong> Cesar Saldaña\u003cbr>\n\u003cstrong>Maha Sanad:\u003c/strong> Maha Sanad\u003cbr>\n\u003cstrong>Xorje Olivares:\u003c/strong> Xorje Olivares:\u003cbr>\n\u003cstrong>Olivia Allen-Price:\u003c/strong> And the whole KQED family. Have a great week, everyone.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Building the BART system in the 1960s required thousands of parcels of land. Decades later, memories of the homes and communities that were destroyed remain strong","status":"publish","parent":0,"modified":1715965297,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":true,"hasPolis":false,"paragraphCount":141,"wordCount":4872},"headData":{"title":"When BART Was Built, People — and Houses — Had to Go | KQED","description":"Building the BART system in the 1960s required thousands of parcels of land. Decades later, memories of the homes and communities that were destroyed remain strong","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"When BART Was Built, People — and Houses — Had to Go","datePublished":"2024-05-16T03:00:27-07:00","dateModified":"2024-05-17T10:01:37-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"audioUrl":"https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/chrt.fm/track/G6C7C3/traffic.megaphone.fm/KQINC5722041302.mp3?updated=1715818705","sticky":false,"nprStoryId":"kqed-11986396","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11986396/when-bart-was-built-people-and-houses-had-to-go","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">View the full episode transcript.\u003c/a>\u003c/p>\n\u003cp>Back in the early 1960s, when BART was just a sketch on a map, planners with the young transit agency had a task in front of them. BART had to acquire around 2,200 parcels of land in order to build the transportation system.\u003c/p>\n\u003cp>Exactly how the agency went about getting that land was something that always puzzled Janine Dictor.\u003c/p>\n\u003cp>For her, the question was also personal. Growing up, her family would tell stories about an amazing house her great-grandparents used to own in North Oakland, at 59th, and what is now Martin Luther King Jr. Way (it was called Grove Street back then). But the stories always ended with how they had to sell their home to BART.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003caside class=\"alignleft utils-parseShortcode-shortcodes-__bayCuriousPodcastShortcode__bayCurious\">\u003cimg src=https://cdn.kqed.org/wp-content/uploads/2023/02/bayCuriousLogo.png alt=\"Bay Curious Podcast\" loading=\"lazy\" />\n \u003ca href=\"/news/series/baycurious\">Bay Curious\u003c/a> is a podcast that answers your questions about the Bay Area.\n Subscribe on \u003ca href=\"https://itunes.apple.com/us/podcast/bay-curious/id1172473406\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>,\n \u003ca href=\"http://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a> or your favorite podcast platform.\u003c/aside>\u003c/p>\u003cp>“There was always a sad tone to the story as if they didn’t have control over it,” Dictor said.\u003c/p>\n\u003cp>Dictor’s great-grandparents, Vito and Elizabeth Campilongo, loved that house. They were both immigrants from Italy, and they kept the house full of family, friends and good food. Vito tended a bountiful garden in the backyard.\u003c/p>\n\u003cp>“My grandmother loved to cook in the basement,” said Johanne Dictor, Janine’s mother. “She had this great kitchen downstairs where she made her ravioli; she made her sausages with her women friends.”\u003c/p>\n\u003cp>It was a happy time, but it didn’t last. By the time Johanne was a teenager in the early ‘60s, one topic started to dominate their family dinners.\u003c/p>\n\u003cp>“I remember we’d be sitting at the table and they’d say, ‘They’re going to take my house, they say we have to sell it. And we have to leave everything here.’ And you know, they just were devastated,” said Johanne about her grandparents.\u003c/p>\n\u003cp>Ultimately, the Campilongos sold their house to BART and moved to San Leandro. Her grandfather planted a new garden, but he felt it was never as big or as beautiful as the one in Oakland.\u003c/p>\n\u003cp>“He’d sit on the porch in San Leandro looking so sad,” remembers Johanne.\u003c/p>\n\u003cp>All this history left Janine wondering how exactly the sale of her great-grandparents’ house went down. So she asked KQED’s Bay Curious to look into how much property BART acquired at the time of its inception and whether any homeowners challenged the agency.\u003c/p>\n\u003cp>“There must be a pretty robust story behind all of this, and it’s just odd that we never have known quite what it is,” Janine said.\u003c/p>\n\u003cfigure id=\"attachment_11986429\" class=\"wp-caption aligncenter\" style=\"max-width: 1384px\">\u003ca href=\"https://ww2.kqed.org/news/2024/05/16/when-bart-was-built-people-and-houses-had-to-go/vito_elizabeth_family/\" rel=\"attachment wp-att-11986429\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986429\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Vito_Elizabeth_family.png\" alt=\"An old black-and-white photo of a family in their living room\" width=\"1384\" height=\"1020\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Vito_Elizabeth_family.png 1384w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Vito_Elizabeth_family-800x590.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Vito_Elizabeth_family-1020x752.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Vito_Elizabeth_family-160x118.png 160w\" sizes=\"(max-width: 1384px) 100vw, 1384px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Vito and Elizabeth Campilongo (center) left their North Oakland home in the 1960s to make room for a BART line. \u003ccite>(Courtesy of the Campilongo family)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>And so BART begins\u003c/h2>\n\u003cp>Like much of the country in the early 1950s, the Bay Area was in a post-war building boom. New houses were going up all over the region, in places like Concord and Fremont. City planners had to figure out how folks would get around and travel between all these developments.\u003c/p>\n\u003cp>State lawmakers began \u003ca href=\"https://www.foundsf.org/index.php?title=San_Francisco_Bay_Area_Rapid_Transit_Commission%E2%80%94The_Beginnings\">mapping out\u003c/a> a regional transportation system to connect the suburbs to the economic hubs of Oakland and San Francisco. In 1957, they passed a bill creating the Bay Area Rapid Transit District.\u003c/p>\n\u003cp>But BART needed land, including in residential areas where property was already owned and inhabited by people. As an entity charged with building public infrastructure, BART was given the power of eminent domain, a legal tool that helped it acquire the needed property.\u003c/p>\n\u003cp>According to Radhika Rao, a professor at UC San Francisco College of the Law, eminent domain allows the government to take people’s property “even if they don’t consent,” as long as it pays them fair market value for it.\u003c/p>\n\u003cp>Eminent domain is an important tool for governments, said Rao, because infrastructure projects like hospitals, public schools, highways, parks and train tracks might never be built without it.\u003c/p>\n\u003cp>“Because you could have one private property owner who says, ‘My house stands in the way, you can’t build a highway,’ and then we have no highway. So our infrastructure depends upon government having this power,” Rao said.\u003c/p>\n\u003cp>However, Rao says, historically, the use of eminent domain in California has disproportionately affected low-income people and communities of color.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘That just makes economic sense, right? Why would government situate your infrastructure in a place where you have to pay more?’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Radhika Rao, UC San Francisco College of Law","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>One reason, she said, is that government agencies often use eminent domain in areas with lower property values since it costs them less to acquire that property.\u003c/p>\n\u003cp>“That just makes economic sense, right? Why would government situate your infrastructure in a place where you have to pay more?” Rao said.\u003c/p>\n\u003cp>Another reason for the disproportionate impact, suggests Rao, is that government officials choose to develop areas where residents are less likely to organize against them.\u003c/p>\n\u003cp>“Who has the money to hire a lawyer and go to court saying, ‘the compensation that you’re offering me is not fair market value?’ Rao said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>West Oakland residents displaced\u003c/h2>\n\u003cp>One of the places in the Bay Area hit hardest by eminent domain projects — including, but not limited to, BART construction — was West Oakland.\u003c/p>\n\u003cp>Maxine Willis Ussery was born in Shreveport, Louisiana in 1939, but her family moved to West Oakland when she was just a few years old.\u003c/p>\n\u003cp>“When I was a girl, Seventh Street and all of West Oakland was predominantly Black, owned by Black people. Beautiful old Victorians were there,” Willis Ussery said.\u003c/p>\n\u003cp>Her family, like many Black families at the time, had come from the South in search of work and a better life. Her mother and father made the journey from Louisiana and settled in West Oakland. They found jobs at the nearby Naval shipyard.\u003c/p>\n\u003cp>“They had no problems understanding that they had to develop their own businesses, their own services because that’s how they lived in the South,” Willis Ussery said.\u003c/p>\n\u003cp>She says the West Oakland community had everything they needed: drug stores, groceries, restaurants, churches, doctors, and lawyers. But starting in the 1950s, successive government infrastructure projects ripped apart the fabric of this community.\u003c/p>\n\u003cp>First, government agencies demolished homes and businesses for the Nimitz Freeway (Interstate 880) in the 1950s. Then, in the following decades, they cleared more buildings to make way for the Oakland Main Post Office and the Acorn housing projects. And then, \u003ca href=\"https://diva.sfsu.edu/collections/sfbatv/bundles/232778\">there was BART\u003c/a>. The Oakland Planning Department estimates that between 5,100 and 9,700 housing units were lost in West Oakland in the 1960s alone.\u003c/p>\n\u003cp>“It was like a dispersement of a whole community, not just taking the buildings, it was taking people who had lived there. Teachers, athletes, all of them were displaced,” Willis Ussery said.\u003c/p>\n\u003cp>The effect on the community was disastrous, she said, especially for the older folks.\u003c/p>\n\u003cp>“They were up in age, and they were moved into areas where they could afford to go with the money they were given for BART, which was not a lot,” Willis Ussery said.\u003c/p>\n\u003cp>A KQED analysis of the 1960 census reveals that the West Oakland census tracts hardest hit by eminent domain were where people of color lived — in some areas, as many as 95% of the residents were Black. Annual incomes in the development zones were also far lower than the city average. The neighborhood in North Oakland where the Campilongos lived had a higher median income but was also predominantly Black.\u003c/p>\n\u003cfigure id=\"attachment_11986231\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://ww2.kqed.org/news/240514-eminentdomain-25-bl-kqed/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11986231\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-EMINENTDOMAIN-25-BL-KQED.jpg\" alt=\"A BART train above two streets intersecting\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-EMINENTDOMAIN-25-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-EMINENTDOMAIN-25-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-EMINENTDOMAIN-25-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-EMINENTDOMAIN-25-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-EMINENTDOMAIN-25-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/240514-EMINENTDOMAIN-25-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A BART train runs along the tracks at 59th Street and Martin Luther King Jr Way in Oakland on May 14, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Berkeley residents resist BART plans\u003c/h2>\n\u003cp>Some East Bay residents, such as Mable Howard of Berkeley, successfully altered BART’s path.\u003c/p>\n\u003cp>Howard argued that BART’s plan to construct raised tracks through part of the city would further divide it along racial lines. Her legal challenge was highlighted in the documentary “\u003ca href=\"https://video.kqed.org/video/welcome-to-the-neighborhood-truly-ca-zag6fb/\">Welcome to the Neighborhood\u003c/a>.”\u003c/p>\n\u003cp>As the documentary explains, in 1966, Berkeley voters approved a tax that would pay to put BART completely underground.\u003c/p>\n\u003cp>But BART proposed a design for the Ashby station that was slightly above ground. Howard felt that the design would further segregate the city. She teamed up with the late East Bay politician Ron Dellums, then a city council member, to successfully sue the agency to underground all their Berkeley infrastructure.\u003c/p>\n\u003cp>“We won the case. How do we know we won the case? Go to Berkeley. You’ll see the whole thing’s underground,” said attorney Matthew Weinberg in the film.\u003c/p>\n\u003ch2>BART spokesperson: ‘Lessons learned’\u003c/h2>\n\u003cp>These days, it is hard to imagine a Bay Area without BART. People from all over the Bay Area make millions of trips on it every month. Even the aerial tracks that tower over Martin Luther King Jr. Way, where the Campilongo house used to stand, seem to blend into the background of freeways and buildings.\u003c/p>\n\u003cp>BART’s Chief Communications Officer Alicia Trost says it’s still important for the agency to acknowledge the past harms that the agency committed.\u003c/p>\n\u003cp>“There was a lot of generational wealth that was deeply impacted, if not destroyed, because of the building of the BART system,” Trost said.\u003c/p>\n\u003cp>BART now has an Office of Civil Rights and other equity initiatives that Trost says are critical to rebuilding trust with the community.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘There was a lot of generational wealth that was deeply impacted if not destroyed because of the building of the BART system.’","name":"pullquote","attributes":{"named":{"size":"medium","align":"right","citation":"Alicia Trost, BART","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“Especially when we’re building on our land, we want to make sure there’s a carve-out specifically for affordable housing and that we are in a daily conversation with the community to make sure what we’re building is something that they want,” Trost said.\u003c/p>\n\u003cp>As the agency imagines future development, like building a possible second transbay tube between San Francisco and Oakland, she says they’re also developing plans to prevent the displacement of residents.\u003c/p>\n\u003cp>Trost said the uprooting of residents to create BART in the 1960s provided “lessons learned,” and mistakes that shouldn’t be repeated were made.\u003c/p>\n\u003cp>State leaders are also looking at the long-term impact that eminent domain property transfers have had on families and communities.\u003c/p>\n\u003cp>California State Senator Steven Bradford, a member of California’s \u003ca href=\"https://www.kqed.org/reparations\">Reparations Task Force\u003c/a>, introduced a bill in February that would compensate former property owners if their parcel was taken through eminent domain, but they didn’t receive just compensation due to racism or discrimination by the government.\u003c/p>\n\u003ch2>The price the Campilongos paid\u003c/h2>\n\u003cfigure id=\"attachment_11986413\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/2024/05/16/when-bart-was-built-people-and-houses-had-to-go/campilongo_contract_page_01/\" rel=\"attachment wp-att-11986413\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11986413\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Campilongo_contract_Page_01-800x1032.jpg\" alt=\"\" width=\"800\" height=\"1032\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Campilongo_contract_Page_01-800x1032.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Campilongo_contract_Page_01-1020x1316.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Campilongo_contract_Page_01-160x206.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Campilongo_contract_Page_01-1190x1536.jpg 1190w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Campilongo_contract_Page_01-1587x2048.jpg 1587w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/05/Campilongo_contract_Page_01.jpg 1701w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The contract the Campilongos signed with BART.\u003c/figcaption>\u003c/figure>\n\u003cp>A public records request submitted by KQED reveals that the Bay Area Rapid Transit District paid Vito and Elizabeth Campilongo $25,000 for their property in North Oakland on Sept. 2, 1965. Adjusted for inflation, that’s about $245,000 today. These days, homes go for around $1 million in that neighborhood.\u003c/p>\n\u003cp>Janine and Johanne Dictor were excited to see the contract their relatives signed with BART, the physical evidence of their family history.\u003c/p>\n\u003cp>“Doesn’t that look like Nana’s handwriting?” Janine asked her mom.\u003c/p>\n\u003cp>But after the initial excitement, the mood turned somber.\u003c/p>\n\u003cp>“It’s about a lot more than what they were compensated,” Janine said. “It’s about the fact that they were forced into this, that they lost a lifestyle, that they lost a community,”\u003c/p>\n\u003cp>The premise of using eminent domain is that individual sacrifices are warranted to build public infrastructure. However, for families like the Dictors, the construction of BART was a painful turn in their history.\u003c/p>\n\u003cp>“After we lost that house, we lost the sense of our family in a way. It was kind of driven apart,” her mom, Johanne, added. “That house really brought us together.”\u003cbr>\n\u003cem>\u003cbr>\nSpecial thanks to Pam Uzzell for providing parts of her documentary “Welcome to the Neighborhood” and to KQED’s Dan Brekke for reporting support and data analysis. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"baycuriousquestion","attributes":{"named":{"label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003cem>Sounds of BART\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Johanne Dictor points at the grassy median dividing the six lanes of Martin Luther King Junior Way in North Oakland. An elevated BART track towers overhead.\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> I guess my grandmother’s house was right here on the, the tracks.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Johanne’s grandparents, Vito and Elizabeth Campilongo were immigrants from Italy. They loved their home on what was then 59th and Grove street in Oakland … Grove is Martin Luther King Jr Way these days. They kept the house full of family, friends and, as is the Italian way … good food.\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> So she, she had this great kitchen downstairs where she made her ravioli. She made her sausages with her women friends. They’d come over, and all day, they’d make sausages down there.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> And Vito grew food in the backyard.\u003c/p>\n\u003cp>Janine Dictor: Ah, garden, this master gardener with this beautiful, extensive garden that he used to cook these delicious Italian meals.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> This was a happy time. But it didn’t last. By the time Johanne was a teenager in the early ’60s, one topic started to dominate their family dinners.\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> I remember, you know, be sitting at the table and they’d say, you know, they’re, they’re gonna take my house, they say we have to sell it. And we have to leave everything here, and you know, they just were devastated.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Ultimately, the Campilongos sold their house to BART and moved to San Leandro. Her grandfather planted a new garden, but it was never as big or as beautiful as the one in Oakland.\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> He’d sit on the porch like in San Leandro looking so sad, you know, (cries)\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> Johanne’s daughter, Janine, grew up with this family story. But she has always thought it was odd that they didn’t know more about how it all went down.\u003c/p>\n\u003cp>\u003cstrong>Janine Dictor:\u003c/strong> How many properties were acquired? Did anybody challenge, you know, Bart’s ability to acquire their property? What was the outcome of that? Um, yeah, just there seems like there must, there must be a pretty robust story behind all of this. And it’s just odd that we never have known what, quite what it is.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> I’m Olivia Allen Price, and today on Bay Curious the story of how families like the Campilongos were uprooted to make way for BART. Theirs is a common story — people have been displaced for large infrastructure projects time and time again all across the United States. And it’s still happening today. Stay with us.\u003c/p>\n\u003cp>Bay Area Rapid Transit…better known as BART…is a fixture of life in the Bay Area today. But many families and businesses were displaced to build it. KQED reporter Azul Dahlstrom-Eckman is going to help us understand how it all went down.\u003c/p>\n\u003cp>\u003cem>Music starts\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> In the early ’50s, the Bay Area, like much of the country, was in a post-war building boom. New houses were going up all over the region in places like Concord and Fremont. And a big question was how folks would get around.\u003c/p>\n\u003cp>\u003cem>Sounds of BART promo reel\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> State lawmakers began planning for a regional transportation system to connect the suburbs to the economic hubs of Oakland and San Francisco. There was a lot of excitement … which you can hear in this promotional video for BART.\u003c/p>\n\u003cp>\u003cstrong>BART promo reel:\u003c/strong>…To do this by weaving into the fabric of the Bay Area an entirely new and vastly better way of getting around.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> In 1962, voters in Alameda, Contra Costa, and San Francisco counties approved a nearly 800 million dollar bond to build the new tracks.\u003c/p>\n\u003cp>\u003cstrong>BART promo reel:\u003c/strong>… Locations of lines and stations was the first step in the long planning process.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: But BART needed land, including in residential areas where property was already owned and inhabited by people. The Campilongos neighborhood in North Oakland was one of those areas; another was West Oakland.\u003c/p>\n\u003cp>\u003cstrong>Maxine Ussery\u003c/strong>: When I was a girl, there were… So 7th Street and all of West Oakland was predominantly black, owned by black people. Beautiful old Victorians were there.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: Maxine Ussery was born in Oakland in 1939. Her family, like many Black families at the time, had come from the South in search of work and a better life. Maxine’s mother and father made the journey from Louisiana and settled in West Oakland. They found jobs at the nearby Naval Shipyard.\u003c/p>\n\u003cp>\u003cstrong>Maxine Ussery\u003c/strong>: They had no problems understanding that they had to, in fact, develop their own businesses, their own services, because that’s how they lived in the South.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: She says the West Oakland community had everything they needed…drug stores, groceries, restaurants, churches, doctors and lawyers. But starting in the 1950s, successive government infrastructure projects ripped apart the fabric of this community.\u003c/p>\n\u003cp>\u003cstrong>Maxine Ussery\u003c/strong>: They forced people to move.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: Government agencies demolished homes and businesses for the Nimitz Freeway in the ’50s. Then, in the following decades, they cleared more buildings to make way for Oakland’s Main Post Office and the Acorn housing projects. And then, there was BART. The Oakland Planning Department estimates that upwards of 5,000 units of housing were destroyed in West Oakland in the 1960s alone.\u003c/p>\n\u003cp>\u003cstrong>Maxine Ussery\u003c/strong>: It was like a disbursement of a, of a whole group of a whole community, not just, uh, taking the buildings, it was taking people and who had lived there and who, uh, uh, teachers, um, uh, uh, educate, you know, people who were athletes, all of them were displaced.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: Maxine says the effect on the community was disastrous, especially for the older folks.\u003c/p>\n\u003cp>\u003cstrong>Maxine Ussery\u003c/strong>: They were up in age, and they were moved into areas where they, that where they could afford to go with the money they were given for BART, which was not a lot. It wasn’t enough money for them to live on.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: Many of the infrastructure projects in West Oakland that Maxine talks about were only possible because of a legal tool known as eminent domain.\u003c/p>\n\u003cp>\u003cstrong>Radhika Rao\u003c/strong>: So that’s the part of the Constitution that gives government the power to come along and take people’s private property even if they don’t consent.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: Radhika Rao is a professor of Law at UC San Francisco College of the Law. Eminent domain allows public agencies to buy private property at “fair market value” in order to build infrastructure that is in the public interest. Think hospitals, Public Schools, Highways, Parks, and train tracks. Radhika says without it, infrastructure projects like these might never get built.\u003c/p>\n\u003cp>\u003cstrong>Radhika Rao\u003c/strong>: Because you could have one private property owner who says, my house stands in the way; you can’t build a highway. And then we have no highway. So, our infrastructure depends upon government having this power. It’s, it’s super important.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: But Rhadika says government agencies often target areas with lower property values because they cost less.\u003c/p>\n\u003cp>\u003cstrong>Radhika Rao\u003c/strong>: Of course! That’s, that just makes economic sense, right? Why would government situate your infrastructure in a place where you have to pay more?\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> And the government has a long history of undervaluing properties where people of color and low-income people live and work.\u003c/p>\n\u003cp>\u003cstrong>Radhika Rao\u003c/strong>: And then there are also political reasons, you know, which communities have power, um, and which communities don’t, to organize against this kind of action.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman\u003c/strong>: The 1960 census reveals the parts of West Oakland hit hardest by eminent domain projects were highly segregated … as much as 95% Black … with annual incomes far lower than the city average. The neighborhood in North Oakland that the Campilongos lived in had a higher median income but was also predominantly Black. Rhadika says these communities were vulnerable to eminent domain action and less likely to fight back.\u003c/p>\n\u003cp>\u003cstrong>Radhika Rao\u003c/strong>: Who has the money to hire a lawyer and go to court saying this, the compensation that you’re offering me is not just compensation? It’s not fair market value.\u003c/p>\n\u003cp>\u003cem>Music starts\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> BART records show that the agency acquired approximately 2,200 properties in order to build its first 75 miles of track. Some people sold their parcels to BART willingly, but others had to be evicted.\u003c/p>\n\u003cp>\u003cstrong>Clip of news report: \u003c/strong>This is Seventh Street on Oakland’s west side.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> In this KPIX news report from 1967, BART staff are evicting an elderly Black woman named Leitha Blick from the thrift store she owns.\u003c/p>\n\u003cp>\u003cstrong>News report:\u003c/strong> An admittedly blighted area, directly in the path of proposed Bay Area Rapid Transit District construction.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> That word — blighted — is important. It’s a term that was used by urban redevelopment agencies throughout the country — including in Oakland — to describe neighborhoods that were seen as deteriorating.\u003c/p>\n\u003cp>\u003cstrong>News report:\u003c/strong> Most of the homes and businesses in this area will have to be destroyed to make room for progress, and the push of progress is not always gentle. Angry and confused, many of the residents say they can’t buy new homes with the market value prices given them for the ones they now live in. Business people face the same dilemma.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> In the news clip, Blick stands by with her arms crossed as workers pack her things into boxes.\u003c/p>\n\u003cp>\u003cstrong>News report footage:\u003c/strong> Miss Blick, had you and the Bay Area Rapid Transit District reached any agreement before this happened?\u003cbr>\n\u003cstrong>Blick:\u003c/strong> No.\u003cbr>\n\u003cstrong>News reporter:\u003c/strong> Why?\u003cbr>\n\u003cstrong>Blick:\u003c/strong> Because, uh, the price wasn’t satisfactory.\u003cbr>\n\u003cstrong>News reporter:\u003c/strong> You didn’t think they were offering you enough money for your merchandise?\u003cbr>\n\u003cstrong>Blick:\u003c/strong> That’s correct. Moving us out, and we had no place to go, and I didn’t think they were offering enough, no way.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> Blick tried to stop BART from taking her property…but ultimately lost. But there are some examples of people successfully altering BART’s plan.\u003cbr>\n\u003cstrong>\u003cbr>\nDocumentary footage:\u003c/strong> Berkeley was basically a segregated city. So, the whole of South Berkeley was pretty much a black neighborhood.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman: \u003c/strong>Pam Uzzell’s documentary “Welcome to the Neighborhood” chronicles one effort in Berkeley. It profiles Mable Howard, who argued that BART’s plan to put raised tracks through part of the city would divide it along racial lines.\u003c/p>\n\u003cp>\u003cstrong>Documentary footage: \u003c/strong>A woman who said, I won’t have The city of Berkeley, divided in half, there won’t be any other side of the tracks.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> In 1966, Berkeley voters approved a tax that would pay to put BART completely underground in Berkeley. But BART proposed a design for Ashby station that was slightly above ground. So Mable Howard teamed up with Ron Dellums, then a city council member, to sue the agency. Here’s a lawyer on the case, Matthew Weinberg.\u003c/p>\n\u003cp>\u003cstrong>Matthew Weinberg:\u003c/strong> We won the case. How do we know we won the case? Go to Berkeley. You’ll see the whole thing’s underground.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman: \u003c/strong>BART acknowledges this legacy of displacement and struggle. Here’s Chief Communications Officer Alicia Trost.\u003c/p>\n\u003cp>\u003cstrong>Alicia Trost: \u003c/strong>There was a lot of generational wealth that was deeply impacted, if not destroyed, because of the building of the BART system.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> BART now has an office of civil rights, and other equity initiatives that Trost says are critical to rebuilding trust.\u003c/p>\n\u003cp>\u003cstrong>Alicia Trost:\u003c/strong> And especially when we’re building on our land, uh, we want to make sure there’s a carve-out specifically for affordable housing and that we are in a daily conversation with the community to make sure what we’re building is something that they want.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> As the agency imagines building a possible second transbay tube, Trost says they’re also developing anti-displacement goals.\u003c/p>\n\u003cp>\u003cstrong>Alicia Trost:\u003c/strong> Which, if that’s not lessons learned, you know, I don’t know what is.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> I’ve gone through multiple public records requests and dozens of deeds, right-of-way contracts, and insurance policies for this story. At the end of it all, I paid another visit to Janine, our question-asker, and her mom, Johanne. I had something for them.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman, talking to the Dictors:\u003c/strong> I actually found the contract that your grandparents signed with Bart, so here it is. And so this, you can see, like it says right-of-way contract, and it has your grandparents’ names on it.\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> Oh, is that all they, so it was just 25,000. Is that right? Oh my God. Oh my gosh.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman talking to the Dictors:\u003c/strong> We’re looking at the original contract between Vito and Elizabeth Campilongo and the Bay Area Rapid Transportation District, dated Sept. 2, 1965.\u003c/p>\n\u003cp>\u003cstrong>Janine Dictor:\u003c/strong> And it looks like my grandmother’s handwriting, too, actually.\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> Oh, it does?\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> It shows the Campilongos agreed to sell their property for $25,000. Adjusted for inflation, that’s about 245,000 dollars today. These days, homes go for around a million in that neighborhood.\u003c/p>\n\u003cp>\u003cstrong>Janine Dictor:\u003c/strong> Doesn’t it look like Nana’s?\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> Not really.\u003c/p>\n\u003cp>\u003cstrong>Janine Dictor: \u003c/strong>That floral?\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor:\u003c/strong> Yeah, a little bit, but hers was, yeah, she had a good penmanship, Nana. Yeah,\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> Janine and Johanne are excited to see the physical evidence of their family history. But after the initial excitement, the mood is somber.\u003c/p>\n\u003cp>\u003cstrong>Janine Dictor:\u003c/strong> Going through this process, it’s like you realize it’s like about a lot more than what they were compensated, right? It’s about the fact that they were forced into this, that they lost a lifestyle, that they lost a community, you know. So, even if they got a good price, it’s kind of like, there’s still something to mourn there right about their experience.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> The word progress comes up a lot when talking about these kinds of projects. The idea is that progress, the greater good, justifies the sacrifice some families have to make. But for families like the Dictors, progress could feel like a step in the wrong direction. Here’s Johanne.\u003c/p>\n\u003cp>\u003cstrong>Johanne Dictor: \u003c/strong>After we lost that house, we lost the sense of our family in a way, it seemed like. It was kind of driven apart. Because that house really brought us together. More than the house in San Leandro, you know.\u003c/p>\n\u003cp>\u003cstrong>Azul Dahlstrom-Eckman:\u003c/strong> Public infrastructure is often seen as a kind of equalizer … it’s something we all pay for and that anyone can use. But the fact is … some people had to pay more than others.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> That was KQED reporter Azul Dahlstrom-Eckman.The use of eminent domain led to the displacement in some of the stories we explored today. It was often used to displace communities of color to make way for various infrastructure projects around the state. As part of its reparations efforts, California is now considering a bill that would compensate people if they can prove racism or discrimination prevented them from getting just compensation. To learn more about California’s reparations efforts, check out KQED’s coverage at KQED dot org slash reparations.\u003c/p>\n\u003cp>Special Thanks to Pam Uzzell for allowing us to use clips from her documentary “Welcome to the Neighborhood” in this story.\u003c/p>\n\u003cp>\u003cstrong>Katrina Schwartz: \u003c/strong>This episode was edited by Katrina Schwartz.\u003cbr>\n\u003cstrong>Olivia Allen-Price:\u003c/strong> Produced by Olivia Allen-Price.\u003cbr>\n\u003cstrong>Tamuna Chkareuli:\u003c/strong> Tamuna Chkareuli\u003cbr>\n\u003cstrong>Pauline Bartolone:\u003c/strong> Pauline Bartolone\u003cbr>\n\u003cstrong>Christopher Beale:\u003c/strong> And Christopher Beale.\u003c/p>\n\u003cp>\u003cstrong>Olivia Allen-Price:\u003c/strong> We get additional support from:\u003cbr>\n\u003cstrong>Jen Chien:\u003c/strong> Jen Chien\u003cbr>\n\u003cstrong>Katie Sprenger:\u003c/strong> Katie Sprenger\u003cbr>\n\u003cstrong>Cesar Saldaña:\u003c/strong> Cesar Saldaña\u003cbr>\n\u003cstrong>Maha Sanad:\u003c/strong> Maha Sanad\u003cbr>\n\u003cstrong>Xorje Olivares:\u003c/strong> Xorje Olivares:\u003cbr>\n\u003cstrong>Olivia Allen-Price:\u003c/strong> And the whole KQED family. Have a great week, everyone.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11986396/when-bart-was-built-people-and-houses-had-to-go","authors":["11785"],"programs":["news_33523"],"series":["news_17986"],"categories":["news_8"],"tags":["news_269","news_30652","news_1764","news_2318"],"featImg":"news_11986229","label":"news_33523"},"news_11985946":{"type":"posts","id":"news_11985946","meta":{"index":"posts_1591205157","site":"news","id":"11985946","found":true},"guestAuthors":[],"slug":"the-hidden-history-of-water-rights-in-owens-valley","title":"California's Nuumu People Claim LA Stole Their Water, Now They're Fighting for Its Return","publishDate":1715857235,"format":"standard","headTitle":"California’s Nuumu People Claim LA Stole Their Water, Now They’re Fighting for Its Return | KQED","labelTerm":{},"content":"\u003cp>When Noah Williams was about a year old, his parents took him on a fateful drive through the endless desert sagebrush of the Owens Valley — which the Nüümü call Payahuunadü — in California’s Eastern Sierra. Noah was strapped into his car seat behind his mother, Teri Red Owl, and his father, Harry Williams, a Nüümü tribal elder with a sharp sense of humor who loved a teachable moment.\u003c/p>\n\u003cp>“Hey, look — that’s our water!” he liked to tell Noah whenever they drove past the riffling cascades of the Los Angeles Aqueduct.\u003c/p>\n\u003cp>As they sped toward their home on one of the Nüümü’s reservations in the valley, the family passed the dry lakebed of Patsiata, also known as Owens Lake. In the 19th century, Patsiata was a 110-square-mile behemoth more than twice the size of San Francisco, but in the decades since it’s been largely reduced to a brine pool ringed by a vast salt flat.\u003c/p>\n\u003cp>As the family sped on, the wind picked up, spinning dust from the lakebed into a volcanic gray cloud that quickly engulfed the car. Williams and Red Owl rolled up the windows and closed the vents, but the toxic dust seeped in any way, slowly clouding up the car. They could taste it, fine and metallic.\u003c/p>\n\u003cfigure id=\"attachment_11982597\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11982597 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-013-AR-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-013-AR-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-013-AR-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-013-AR-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-013-AR-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-013-AR-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-013-AR-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Family photos of Noah Williams with his father, Harry Williams, at Teri Red Owl’s home in Bishop on April 3, 2024. \u003ccite>(Alejandra Rubio for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Years later, Harry told Noah about that harrowing drive. “How do people live here?” he remembered asking himself. Then he answered his own question: \u003cem>Oh, right. We live here.\u003c/em>\u003c/p>\n\u003cp>“We are a people who have experienced a tremendous amount of grief,” said Noah, who now works as a water program coordinator for one of the Nüümü tribes. “You’ve got to learn the history — and if you really want to get down into the details, it’ll really make your bones sort of chill.”\u003c/p>\n\u003cp>In a state shaped by water grabs, drought emergencies, and “pray for rain” billboards, Payahuunadü is the locus of California’s most infamous water war — the fight between Payahuunadü residents and the city of Los Angeles, about 270 miles away. In the early 1900s, Los Angeles was a small city that was running out of water, and Payahuunadü, which means “the land of flowing water,” had lots of it.\u003c/p>\n\u003cp>Renamed the Owens Valley by white settlers — and nicknamed the “American Switzerland” — the valley was a snow-capped patchwork of pear farms and cattle ranches. Around 1904, Los Angeles city officials came up with a plan to take the valley’s water for themselves. Today, about a third of LA’s water supply comes from Payahuunadü and other parts of the Eastern Sierra, the city’s population has ballooned to nearly four million, and many of the valley’s streams and lakes — including Patsiata — have all but disappeared.\u003c/p>\n\u003cfigure id=\"attachment_11982603\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11982603 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-040-AR-KQED.jpg\" alt=\"Wide shot of near empty lake with blue sky in the background. \" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-040-AR-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-040-AR-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-040-AR-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-040-AR-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-040-AR-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-040-AR-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Owens Lake in Owens Valley on April 3, 2024. \u003ccite>(Alejandra Rubio for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The saga has been told scores of times, most famously in the Academy Award-winning movie Chinatown, but the Nüümü (also known as the Owens Valley Paiute) are often treated as a footnote to the story. The tribes have been fighting to get their water back for the better part of 170 years. And by the time Harry Williams died in 2021, he was convinced he’d discovered a way for them to do it. His strategy, he believed, would help the Nüümü win back their water in one clever move — and upend California’s arcane and inequitable water rights system along the way.\u003c/p>\n\u003ch2 style=\"text-align: left\">‘Those Indians never got to be heard’\u003c/h2>\n\u003cp>For the Nüümü, the water war started in the 1800s, with the arrival of white people in their homeland. At the time, the valley was lush and green, its river banks lined with willows and cottonwoods. The occasional fur trapper and mountain man quickly gave way to a steady stream of sheep and cattle ranchers, and by the 1860s, a community of farmers and ranchers had seized tracts of Payahuunadü for themselves. The settlers used federal laws to consolidate control of the land and the state’s fledgling water laws, passed in the 1850s, to gain control of that vital resource.\u003c/p>\n\u003cp>California’s water laws govern a landowner’s legal right to divert and use water from a river, lake, or stream, and they broadly operate under three basic principles. Under “first in time, first in right,” water went to the first landowner who filed a claim to use it. Under the law’s second principle, claimants were required to make continuous use of that water, otherwise known as “use it or lose it.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Today, this system can still quietly determine who has power in California and who does not. “It may have made sense to the people in power at the time,” said Felicia Marcus, a visiting fellow at Stanford and the former chair of California’s State Water Board, which regulates water rights across the state. However, she argues that the system is fundamentally inequitable and long overdue for reform. “There’s a day of reckoning coming where we need to think about how we’re going to rectify this very obvious wrong.”\u003c/p>\n\u003cp>In the 19th century, a flurry of explicitly racist laws prevented many people of color from participating in California’s water rights system. While California was busy awarding water rights in the 1850s, it was also bankrolling a genocidal campaign against its Native communities; the legislature also legalized Native Californians’ enslavement and sanctioned the violent removal of tribes from their traditional lands. According to Noah’s mom, Red Owl — an expert in Nüümü history who has long served as executive director of the Owens Valley Indian Water Commission — it’s likely that the Nüümü were unaware of the finer points of state water law. And even if they had filed a water rights claim, many tribes would have run afoul of the law’s third principle, “beneficial use,” which held that a water rights owner had to use their water for something that California considered worthwhile. Diversions for agriculture were considered “beneficial,” but many California Native peoples did not farm. Before they knew it, the Nüümü had no legal right to the water they’d always relied on for basic survival.\u003c/p>\n\u003cfigure id=\"attachment_11982596\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11982596 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-006-AR-KQED.jpg\" alt=\"A woman sits at a table with decorations behind her. \" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-006-AR-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-006-AR-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-006-AR-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-006-AR-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-006-AR-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-006-AR-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Teri Red Owl, Executive Director of Owens Valley Indian Water Commission, at her home in Bishop on April 3, 2024. \u003ccite>(Alejandra Rubio for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tensions in the valley continued to intensify, and war broke out between the Nüümü and the white settlers in 1861. In 1863, the U.S. Cavalry and a group of settlers drove more than thirty Nüümü into Owens Lake, then shot them as they tried to swim to safety. Later that year, the military forcibly marched nearly 1,000 Nüümü out of Payahuunadü to Fort El Tejon, more than 200 miles to the south. Many tribal members died of thirst or starvation along the way.\u003c/p>\n\u003cp>By the time many Nüümü returned to their valley, the settlers had turned it into a constellation of cattle ranches and orchards. Some Nüümü found jobs as farm laborers and ranch hands, and by the early 1900s, a small group of tribal members had used the federal government’s Indian allotment system to recover some of the land and water they’d lost.\u003c/p>\n\u003cp>But by then, a new power player had entered the valley. Through a series of technically legal maneuvers, Los Angeles officials began buying up land in Payahuunadü, and along with that land came its associated water rights. Next, they built an aqueduct to carry that water to the city — a move that would effectively drain the valley dry.\u003c/p>\n\u003cp>By the early 1930s, the \u003ca href=\"https://www.google.com/url?q=https://www.ladwp.com/&sa=D&source=docs&ust=1715802841175784&usg=AOvVaw0ZU-3FlpSxASlMh0X5Vt2a\">Los Angeles Department of Water and Power\u003c/a> (LADWP) owned nearly all of the valley’s farmland and water rights. It was during this period that the utility authored a report, the “Owens Valley Indian Problem,” which suggested removing the Nüümü from the valley — or, if that failed, containing them on reservations. According to both Red Owl and Sophia Borgias — an assistant professor at Boise State University and \u003ca href=\"https://www.tandfonline.com/share/IUTPXUXS6GNSMFNNTSPA?target=10.1080/24694452.2024.2332649\">expert in this\u003c/a> period of Payahuunadü history — the federal government stepped in on the city’s behalf, and in the late 1930s, Congress created several Nüümü reservations in Payahuunadü. Through this flurry of legislation and years of political maneuvering, LADWP further consolidated its control of the valley’s land and water, including the water that flowed through the Nüümü reservations. To this day, LADWP holds the rights to the drinking water on the Bishop Paiute Reservation, where Noah grew up.\u003c/p>\n\u003cp>“I don’t like to consider myself [part of] a resource colony of Los Angeles, but I’m afraid that is how they view us,” Red Owl said.\u003c/p>\n\u003cp>The Nüümü did not quietly accept this situation. They refused to leave Payahuunadü, even when LADWP and federal officials pressured them to relocate; at one point, LADWP even hired armed guards to prevent some Nüümü landowners from using the water they had rights to. In 1937, several Nüümü tribal members traveled to Washington to plead the tribes’ case, but Congress refused to let them speak before the legislature.\u003c/p>\n\u003cp>“Those Indians never ever got to be heard,” Red Owl said. “When I think about it, it always hurts my heart.”\u003c/p>\n\u003ch2>‘David and Goliath’\u003c/h2>\n\u003cp>Harry Williams wasn’t a particularly patient person, and the Nüümü’s endless fights against LADWP infuriated him. So, sometime in the late 1990s, he started working on an ambitious new strategy. By the time Noah was in middle school, Harry was obsessed with a network of narrow channels that crisscross, according to one estimate, at least 60 square miles of the valley’s low, rocky hills. As a kid, Harry used to play in these channels, which looked like dry, overgrown creek beds 2-to-3 feet deep. “I don’t think that he quite realized what it was at the time,” Noah said.\u003c/p>\n\u003cp>To an untrained eye, the ditches don’t look like much, but Noah said they sometimes follow a pattern, branching off of the valley’s former creeks like veins from a leaf’s midrib. According to Harry, there’s a reason for that: the shallow ditches were part of a massive system the Nüümü had developed and maintained over hundreds of years to irrigate crops like tüpüs and nahavita, also known as yellow nutsedge and wild hyacinth.\u003c/p>\n\u003cfigure id=\"attachment_11982601\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11982601 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-031-AR-KQED.jpg\" alt=\"Rocks in the foreground with snow-capped mountains in the background.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-031-AR-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-031-AR-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-031-AR-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-031-AR-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-031-AR-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-031-AR-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The remains of a rock wall indicate the likely direction that water once flowed at the Bishop Creek diversion in Bishop on April 3, 2024. \u003ccite>(Alejandra Rubio for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other Nüümü knew about the tribes’ ditches, but it was Harry who obsessively researched and mapped them — and Harry who became convinced of their political implications. Under California’s water laws, many Native peoples were ineligible for water rights because they hadn’t put their water to “beneficial use” in the eyes of the state. But by diverting Payahuunadü’s water for irrigation, Harry theorized, the Nüümü had, in fact, demonstrated beneficial use, and they had done so long before white people arrived in the valley. This meant he argued that the Nüümü had been the rightful owners of the Payahuunadü’s water all along.\u003c/p>\n\u003cp>Of course, getting that water back would mean taking on LADWP. “It’s truly a David and Goliath sort of situation,” Noah said. “It’s going to be a huge, huge fight.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4HUbbwYLH6k&t=1s\u003c/p>\n\u003cp>Harry’s next step was to gather proof that the ditch system was as old and sophisticated as Nüümü traditional knowledge said it was. He enlisted researchers to help him pore over 100-year-old maps and dusty ethnographies, and he quickly realized that some government officials had known about the ditches in the 19th century. When whites first made contact with the Nüümü back in the 1800s, some were impressed enough by the tribes’ agricultural system to write about it in letters and newspapers. Academics had even published anthropological research on the Nüümü’s agricultural practices back in the 1970s.\u003c/p>\n\u003cp>At least some of the white settlers who violently displaced the Nüümü had clearly known about the ditches, too. In an op-ed published by the Inyo Independent in 1870, the authors state that “many of the principle irrigating ditches now in use by the whites were originally constructed by the aborigines.” The op-ed was published not long after settlers forcibly removed the Nüümü from the valley.\u003c/p>\n\u003cp>“To me, that’s just the ultimate slap in the face,” said Greg Haverstock, an archeologist with the Bureau of Land Management who’s studied Nüümü agricultural ditches. The settlers “must have recognized that these were developed areas,” he said — even as they co-opted Nüümü irrigation systems and claimed the valley’s water for themselves.\u003c/p>\n\u003cp>Haverstock started studying those systems because Harry contacted him in 2017; even with all of the historical documentation he’d collected, Harry still didn’t have scientific proof that the ditches predated the arrival of white settlers, which could make a Nüümü water rights claim all the more persuasive with the state.\u003c/p>\n\u003ch2>Toxic dust from the lakebed\u003c/h2>\n\u003cp>According to Noah, Harry always had “a bit of a cough,” and as he hiked through agricultural ditches with Haverstock and pored over historical research, it was hard not to notice that his cough was getting worse. When Noah was fresh out of college, Harry was diagnosed with cystic fibrosis and interstitial lung disease. No one can pinpoint the exact cause of Harry’s illnesses, but Noah believes the toxic dust storms that whipped off Patsiata’s dried lakebed were at least partly to blame: His father was far from the only community member who developed respiratory disorders.\u003c/p>\n\u003cfigure id=\"attachment_11982604\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11982604 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-044-AR-KQED.jpg\" alt=\"White dust covering a lakebed with blue sky in the background. \" width=\"2000\" height=\"1335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-044-AR-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-044-AR-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-044-AR-KQED-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-044-AR-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-044-AR-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-044-AR-KQED-1920x1282.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Owens Lake in Owens Valley on April 3, 2024. \u003ccite>(Alejandra Rubio for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s “putting two and two together,” Noah said. “Like, ‘Hey, they say that this is such bad dust pollution. We’re starting to see people that are sick.’”\u003c/p>\n\u003cp>The dust from the lakebed is laced with naturally occurring arsenic and other carcinogens, and the dust’s tiny particles have also been shown to harm human health. While there haven’t been any published studies on the long-term health impacts of Payahuunadü’s airborne dust, this kind of pollution has been studied in other places, where it was found to cause cancer, lung disease, and premature death. Since the late 1990s, LADWP said it has spent $2.5 billion on dust mitigation strategies, like putting gravel on the dried lakebed and using sprinklers to dampen the dust. The utility said it has reduced the lake’s dust emissions by more than 99 percent, but \u003ca href=\"https://www.google.com/url?q=https://nap.nationalacademies.org/catalog/25658/effectiveness-and-impacts-of-dust-control-measures-for-owens-lake&sa=D&source=docs&ust=1715801655469723&usg=AOvVaw2G2J5EE_thb3KYF_g1Zc6H\">a 2020 National Academies of Sciences report\u003c/a> found the area still doesn’t meet air quality standards.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=JOTI5gbq9gg\u003c/p>\n\u003cp>Harry was deeply annoyed by his illness. He had archeologists to meet and county leaders to yell at.\u003c/p>\n\u003cp>“He definitely wanted to be here longer for sure,” Noah said. “That was really sad — realizing, ‘you know, it’s too late.’”\u003c/p>\n\u003cp>But in 2021, his oxygen levels dropped, and Noah rushed him to the emergency room. “Are you ready?” Noah remembered asking him. “And he said, ‘Yeah — I’m ready to go.’” The doctors removed his oxygen, and Noah began singing ceremonial songs he’d learned from Harry. He held his father’s hand.\u003c/p>\n\u003cp>The storm clouds rolled in a few minutes after Harry’s last breath. As Noah gathered up Harry’s things, it began to rain.\u003c/p>\n\u003cp>“I was really comforted by some information that someone shared with me,” he said. “It only rains when the great ones pass away.”\u003c/p>\n\u003cp>The rain pooled in the valley’s parched ditches, its dry creek beds, and on the dusty lakebed. Some of it coursed into the aqueduct and was taken to Los Angeles.\u003c/p>\n\u003ch2>A fight for reform and reparations\u003c/h2>\n\u003cp>In 2022, Haverstock and his team published their peer-reviewed paper in the Journal of California and Great Basin Anthropology. (Harry Williams is listed as a co-author and managed to review a draft before he died.) According to Haverstock’s radiocarbon dating, the Nüümü had been using the ditches to irrigate their valley for more than 400 years, long before their contact with white people. Williams had been right all along. “We tend to underestimate the ingenuity and the ecological knowledge of people before us,” Haverstock said. “That’s a big mistake.”\u003c/p>\n\u003cp>Despite the paper’s publication, Noah said Nüümü tribal leaders have yet to file a water rights claim. The tribes don’t have the money to fight for Harry’s dream, Noah said, and are focusing on water fights against LADWP that are less of a legal moonshot.\u003c/p>\n\u003cp>LADWP representatives declined interview requests, but in a \u003ca href=\"https://drive.google.com/file/d/1XabakxpAiq2csC9BQ7PF7pkje_JJMOXj/view?usp=drive_link\">written statement\u003c/a>, the utility said it “recognizes tribal members’ traditional knowledge” and strives to respect Eastern Sierra communities. It also noted its attempts to reduce the amount of water Los Angeles imports. The city’s population has grown rapidly in the past 30 years, but LADWP said it has still managed to reduce its water imports from the Eastern Sierra by 50 percent since the 1990s; the utility is also investing in water recycling and treating stormwater for drinking. LADWP declined to answer any questions about the Nüümü agricultural ditch system or the validity of any tribal water-rights claims.\u003c/p>\n\u003cp>Several water-law experts have found Harry Williams’ argument compelling.\u003c/p>\n\u003cp>“It makes their water rights — \u003cem>in theory \u003c/em>— very senior,” said Felicia Marcus, the Stanford fellow. But the Nüümü’s claim would be vulnerable to a range of legal counterarguments. For example, the tribes didn’t file a claim within the statute of limitations, and they did not use their water “continuously,” as California water law requires.\u003c/p>\n\u003cp>Of course, the Nüümü likely didn’t know they needed to file a water claim in the 1800s, and the tribes stopped using the valley’s water in the 1860s because the U.S. military had forcibly driven them out of the valley.\u003c/p>\n\u003cp>This is clearly unjust, Marcus said, and an excellent example of why California should reform its water rights system to better include marginalized communities. The state could implement some kind of water reparations, she suggests, or the state legislature could pass a bill enabling tribes to file water rights claims retroactively.\u003c/p>\n\u003cp>For Noah Williams, the worst-case scenario isn’t just that the Nüümü never get their water back. It’s that all the history his dad fought to recover and devoted his life to preserving could be forgotten. “It’s frustrating,” he said. “I’d ask people [in Los Angeles] time and time again, ‘Where does your water come from?’ One of the most common answers that I would get would be, ‘From the tap.’”\u003c/p>\n\u003cp>If we don’t tell people what actually happened here in the Owens Valley, he added — who lived here and who made use of the water — “it could just become a memory that’s lost.”\u003c/p>\n\u003cp>\u003cem>Teresa Cotsirilos is a staff reporter with the \u003c/em>\u003ca href=\"https://nam11.safelinks.protection.outlook.com/?url=https%3A%2F%2Fthefern.org%2F&data=05%7C02%7Cchendler%40motherjones.com%7C060e0b2b9d5c4958f44408dc5989c2da%7C012f9e2f06f14827a96c9a54d367d83e%7C0%7C0%7C638483695425235926%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&sdata=8myntXoebNb%2FZUUlG0vig5kACl1xI0%2FqaTw3jjLVNCY%3D&reserved=0\">\u003cem>Food & Environment Reporting Network\u003c/em>\u003c/a>\u003cem>, an independent, nonprofit news organization.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"'You've got to learn the history — and if you really want to get down into the details, it'll really make your bones sort of chill,’ Noah Williams said, talking about the history of water rights in the Owens Valley.","status":"publish","parent":0,"modified":1715816680,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":49,"wordCount":3582},"headData":{"title":"California's Nuumu People Claim LA Stole Their Water, Now They're Fighting for Its Return | KQED","description":"'You've got to learn the history — and if you really want to get down into the details, it'll really make your bones sort of chill,’ Noah Williams said, talking about the history of water rights in the Owens Valley.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"California's Nuumu People Claim LA Stole Their Water, Now They're Fighting for Its Return","datePublished":"2024-05-16T04:00:35-07:00","dateModified":"2024-05-15T16:44:40-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"source":"The California Report Magazine","sourceUrl":"https://www.kqed.org/californiareportmagazine","audioUrl":"https://www.podtrac.com/pts/redirect.mp3/chrt.fm/track/G6C7C3/traffic.megaphone.fm/KQINC4165815198.mp3?updated=1715802350","sticky":false,"nprByline":"Teresa Cotsirilos","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/news/11985946/the-hidden-history-of-water-rights-in-owens-valley","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When Noah Williams was about a year old, his parents took him on a fateful drive through the endless desert sagebrush of the Owens Valley — which the Nüümü call Payahuunadü — in California’s Eastern Sierra. Noah was strapped into his car seat behind his mother, Teri Red Owl, and his father, Harry Williams, a Nüümü tribal elder with a sharp sense of humor who loved a teachable moment.\u003c/p>\n\u003cp>“Hey, look — that’s our water!” he liked to tell Noah whenever they drove past the riffling cascades of the Los Angeles Aqueduct.\u003c/p>\n\u003cp>As they sped toward their home on one of the Nüümü’s reservations in the valley, the family passed the dry lakebed of Patsiata, also known as Owens Lake. In the 19th century, Patsiata was a 110-square-mile behemoth more than twice the size of San Francisco, but in the decades since it’s been largely reduced to a brine pool ringed by a vast salt flat.\u003c/p>\n\u003cp>As the family sped on, the wind picked up, spinning dust from the lakebed into a volcanic gray cloud that quickly engulfed the car. Williams and Red Owl rolled up the windows and closed the vents, but the toxic dust seeped in any way, slowly clouding up the car. They could taste it, fine and metallic.\u003c/p>\n\u003cfigure id=\"attachment_11982597\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11982597 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-013-AR-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-013-AR-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-013-AR-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-013-AR-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-013-AR-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-013-AR-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-013-AR-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Family photos of Noah Williams with his father, Harry Williams, at Teri Red Owl’s home in Bishop on April 3, 2024. \u003ccite>(Alejandra Rubio for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Years later, Harry told Noah about that harrowing drive. “How do people live here?” he remembered asking himself. Then he answered his own question: \u003cem>Oh, right. We live here.\u003c/em>\u003c/p>\n\u003cp>“We are a people who have experienced a tremendous amount of grief,” said Noah, who now works as a water program coordinator for one of the Nüümü tribes. “You’ve got to learn the history — and if you really want to get down into the details, it’ll really make your bones sort of chill.”\u003c/p>\n\u003cp>In a state shaped by water grabs, drought emergencies, and “pray for rain” billboards, Payahuunadü is the locus of California’s most infamous water war — the fight between Payahuunadü residents and the city of Los Angeles, about 270 miles away. In the early 1900s, Los Angeles was a small city that was running out of water, and Payahuunadü, which means “the land of flowing water,” had lots of it.\u003c/p>\n\u003cp>Renamed the Owens Valley by white settlers — and nicknamed the “American Switzerland” — the valley was a snow-capped patchwork of pear farms and cattle ranches. Around 1904, Los Angeles city officials came up with a plan to take the valley’s water for themselves. Today, about a third of LA’s water supply comes from Payahuunadü and other parts of the Eastern Sierra, the city’s population has ballooned to nearly four million, and many of the valley’s streams and lakes — including Patsiata — have all but disappeared.\u003c/p>\n\u003cfigure id=\"attachment_11982603\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11982603 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-040-AR-KQED.jpg\" alt=\"Wide shot of near empty lake with blue sky in the background. \" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-040-AR-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-040-AR-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-040-AR-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-040-AR-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-040-AR-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-040-AR-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Owens Lake in Owens Valley on April 3, 2024. \u003ccite>(Alejandra Rubio for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The saga has been told scores of times, most famously in the Academy Award-winning movie Chinatown, but the Nüümü (also known as the Owens Valley Paiute) are often treated as a footnote to the story. The tribes have been fighting to get their water back for the better part of 170 years. And by the time Harry Williams died in 2021, he was convinced he’d discovered a way for them to do it. His strategy, he believed, would help the Nüümü win back their water in one clever move — and upend California’s arcane and inequitable water rights system along the way.\u003c/p>\n\u003ch2 style=\"text-align: left\">‘Those Indians never got to be heard’\u003c/h2>\n\u003cp>For the Nüümü, the water war started in the 1800s, with the arrival of white people in their homeland. At the time, the valley was lush and green, its river banks lined with willows and cottonwoods. The occasional fur trapper and mountain man quickly gave way to a steady stream of sheep and cattle ranchers, and by the 1860s, a community of farmers and ranchers had seized tracts of Payahuunadü for themselves. The settlers used federal laws to consolidate control of the land and the state’s fledgling water laws, passed in the 1850s, to gain control of that vital resource.\u003c/p>\n\u003cp>California’s water laws govern a landowner’s legal right to divert and use water from a river, lake, or stream, and they broadly operate under three basic principles. Under “first in time, first in right,” water went to the first landowner who filed a claim to use it. Under the law’s second principle, claimants were required to make continuous use of that water, otherwise known as “use it or lose it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Today, this system can still quietly determine who has power in California and who does not. “It may have made sense to the people in power at the time,” said Felicia Marcus, a visiting fellow at Stanford and the former chair of California’s State Water Board, which regulates water rights across the state. However, she argues that the system is fundamentally inequitable and long overdue for reform. “There’s a day of reckoning coming where we need to think about how we’re going to rectify this very obvious wrong.”\u003c/p>\n\u003cp>In the 19th century, a flurry of explicitly racist laws prevented many people of color from participating in California’s water rights system. While California was busy awarding water rights in the 1850s, it was also bankrolling a genocidal campaign against its Native communities; the legislature also legalized Native Californians’ enslavement and sanctioned the violent removal of tribes from their traditional lands. According to Noah’s mom, Red Owl — an expert in Nüümü history who has long served as executive director of the Owens Valley Indian Water Commission — it’s likely that the Nüümü were unaware of the finer points of state water law. And even if they had filed a water rights claim, many tribes would have run afoul of the law’s third principle, “beneficial use,” which held that a water rights owner had to use their water for something that California considered worthwhile. Diversions for agriculture were considered “beneficial,” but many California Native peoples did not farm. Before they knew it, the Nüümü had no legal right to the water they’d always relied on for basic survival.\u003c/p>\n\u003cfigure id=\"attachment_11982596\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11982596 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-006-AR-KQED.jpg\" alt=\"A woman sits at a table with decorations behind her. \" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-006-AR-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-006-AR-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-006-AR-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-006-AR-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-006-AR-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-006-AR-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Teri Red Owl, Executive Director of Owens Valley Indian Water Commission, at her home in Bishop on April 3, 2024. \u003ccite>(Alejandra Rubio for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tensions in the valley continued to intensify, and war broke out between the Nüümü and the white settlers in 1861. In 1863, the U.S. Cavalry and a group of settlers drove more than thirty Nüümü into Owens Lake, then shot them as they tried to swim to safety. Later that year, the military forcibly marched nearly 1,000 Nüümü out of Payahuunadü to Fort El Tejon, more than 200 miles to the south. Many tribal members died of thirst or starvation along the way.\u003c/p>\n\u003cp>By the time many Nüümü returned to their valley, the settlers had turned it into a constellation of cattle ranches and orchards. Some Nüümü found jobs as farm laborers and ranch hands, and by the early 1900s, a small group of tribal members had used the federal government’s Indian allotment system to recover some of the land and water they’d lost.\u003c/p>\n\u003cp>But by then, a new power player had entered the valley. Through a series of technically legal maneuvers, Los Angeles officials began buying up land in Payahuunadü, and along with that land came its associated water rights. Next, they built an aqueduct to carry that water to the city — a move that would effectively drain the valley dry.\u003c/p>\n\u003cp>By the early 1930s, the \u003ca href=\"https://www.google.com/url?q=https://www.ladwp.com/&sa=D&source=docs&ust=1715802841175784&usg=AOvVaw0ZU-3FlpSxASlMh0X5Vt2a\">Los Angeles Department of Water and Power\u003c/a> (LADWP) owned nearly all of the valley’s farmland and water rights. It was during this period that the utility authored a report, the “Owens Valley Indian Problem,” which suggested removing the Nüümü from the valley — or, if that failed, containing them on reservations. According to both Red Owl and Sophia Borgias — an assistant professor at Boise State University and \u003ca href=\"https://www.tandfonline.com/share/IUTPXUXS6GNSMFNNTSPA?target=10.1080/24694452.2024.2332649\">expert in this\u003c/a> period of Payahuunadü history — the federal government stepped in on the city’s behalf, and in the late 1930s, Congress created several Nüümü reservations in Payahuunadü. Through this flurry of legislation and years of political maneuvering, LADWP further consolidated its control of the valley’s land and water, including the water that flowed through the Nüümü reservations. To this day, LADWP holds the rights to the drinking water on the Bishop Paiute Reservation, where Noah grew up.\u003c/p>\n\u003cp>“I don’t like to consider myself [part of] a resource colony of Los Angeles, but I’m afraid that is how they view us,” Red Owl said.\u003c/p>\n\u003cp>The Nüümü did not quietly accept this situation. They refused to leave Payahuunadü, even when LADWP and federal officials pressured them to relocate; at one point, LADWP even hired armed guards to prevent some Nüümü landowners from using the water they had rights to. In 1937, several Nüümü tribal members traveled to Washington to plead the tribes’ case, but Congress refused to let them speak before the legislature.\u003c/p>\n\u003cp>“Those Indians never ever got to be heard,” Red Owl said. “When I think about it, it always hurts my heart.”\u003c/p>\n\u003ch2>‘David and Goliath’\u003c/h2>\n\u003cp>Harry Williams wasn’t a particularly patient person, and the Nüümü’s endless fights against LADWP infuriated him. So, sometime in the late 1990s, he started working on an ambitious new strategy. By the time Noah was in middle school, Harry was obsessed with a network of narrow channels that crisscross, according to one estimate, at least 60 square miles of the valley’s low, rocky hills. As a kid, Harry used to play in these channels, which looked like dry, overgrown creek beds 2-to-3 feet deep. “I don’t think that he quite realized what it was at the time,” Noah said.\u003c/p>\n\u003cp>To an untrained eye, the ditches don’t look like much, but Noah said they sometimes follow a pattern, branching off of the valley’s former creeks like veins from a leaf’s midrib. According to Harry, there’s a reason for that: the shallow ditches were part of a massive system the Nüümü had developed and maintained over hundreds of years to irrigate crops like tüpüs and nahavita, also known as yellow nutsedge and wild hyacinth.\u003c/p>\n\u003cfigure id=\"attachment_11982601\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11982601 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-031-AR-KQED.jpg\" alt=\"Rocks in the foreground with snow-capped mountains in the background.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-031-AR-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-031-AR-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-031-AR-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-031-AR-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-031-AR-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-031-AR-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The remains of a rock wall indicate the likely direction that water once flowed at the Bishop Creek diversion in Bishop on April 3, 2024. \u003ccite>(Alejandra Rubio for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other Nüümü knew about the tribes’ ditches, but it was Harry who obsessively researched and mapped them — and Harry who became convinced of their political implications. Under California’s water laws, many Native peoples were ineligible for water rights because they hadn’t put their water to “beneficial use” in the eyes of the state. But by diverting Payahuunadü’s water for irrigation, Harry theorized, the Nüümü had, in fact, demonstrated beneficial use, and they had done so long before white people arrived in the valley. This meant he argued that the Nüümü had been the rightful owners of the Payahuunadü’s water all along.\u003c/p>\n\u003cp>Of course, getting that water back would mean taking on LADWP. “It’s truly a David and Goliath sort of situation,” Noah said. “It’s going to be a huge, huge fight.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4HUbbwYLH6k'\n title='//www.youtube.com/embed/4HUbbwYLH6k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Harry’s next step was to gather proof that the ditch system was as old and sophisticated as Nüümü traditional knowledge said it was. He enlisted researchers to help him pore over 100-year-old maps and dusty ethnographies, and he quickly realized that some government officials had known about the ditches in the 19th century. When whites first made contact with the Nüümü back in the 1800s, some were impressed enough by the tribes’ agricultural system to write about it in letters and newspapers. Academics had even published anthropological research on the Nüümü’s agricultural practices back in the 1970s.\u003c/p>\n\u003cp>At least some of the white settlers who violently displaced the Nüümü had clearly known about the ditches, too. In an op-ed published by the Inyo Independent in 1870, the authors state that “many of the principle irrigating ditches now in use by the whites were originally constructed by the aborigines.” The op-ed was published not long after settlers forcibly removed the Nüümü from the valley.\u003c/p>\n\u003cp>“To me, that’s just the ultimate slap in the face,” said Greg Haverstock, an archeologist with the Bureau of Land Management who’s studied Nüümü agricultural ditches. The settlers “must have recognized that these were developed areas,” he said — even as they co-opted Nüümü irrigation systems and claimed the valley’s water for themselves.\u003c/p>\n\u003cp>Haverstock started studying those systems because Harry contacted him in 2017; even with all of the historical documentation he’d collected, Harry still didn’t have scientific proof that the ditches predated the arrival of white settlers, which could make a Nüümü water rights claim all the more persuasive with the state.\u003c/p>\n\u003ch2>Toxic dust from the lakebed\u003c/h2>\n\u003cp>According to Noah, Harry always had “a bit of a cough,” and as he hiked through agricultural ditches with Haverstock and pored over historical research, it was hard not to notice that his cough was getting worse. When Noah was fresh out of college, Harry was diagnosed with cystic fibrosis and interstitial lung disease. No one can pinpoint the exact cause of Harry’s illnesses, but Noah believes the toxic dust storms that whipped off Patsiata’s dried lakebed were at least partly to blame: His father was far from the only community member who developed respiratory disorders.\u003c/p>\n\u003cfigure id=\"attachment_11982604\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11982604 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-044-AR-KQED.jpg\" alt=\"White dust covering a lakebed with blue sky in the background. \" width=\"2000\" height=\"1335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-044-AR-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-044-AR-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-044-AR-KQED-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-044-AR-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-044-AR-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/04/Owens-Lake-044-AR-KQED-1920x1282.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Owens Lake in Owens Valley on April 3, 2024. \u003ccite>(Alejandra Rubio for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s “putting two and two together,” Noah said. “Like, ‘Hey, they say that this is such bad dust pollution. We’re starting to see people that are sick.’”\u003c/p>\n\u003cp>The dust from the lakebed is laced with naturally occurring arsenic and other carcinogens, and the dust’s tiny particles have also been shown to harm human health. While there haven’t been any published studies on the long-term health impacts of Payahuunadü’s airborne dust, this kind of pollution has been studied in other places, where it was found to cause cancer, lung disease, and premature death. Since the late 1990s, LADWP said it has spent $2.5 billion on dust mitigation strategies, like putting gravel on the dried lakebed and using sprinklers to dampen the dust. The utility said it has reduced the lake’s dust emissions by more than 99 percent, but \u003ca href=\"https://www.google.com/url?q=https://nap.nationalacademies.org/catalog/25658/effectiveness-and-impacts-of-dust-control-measures-for-owens-lake&sa=D&source=docs&ust=1715801655469723&usg=AOvVaw2G2J5EE_thb3KYF_g1Zc6H\">a 2020 National Academies of Sciences report\u003c/a> found the area still doesn’t meet air quality standards.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JOTI5gbq9gg'\n title='//www.youtube.com/embed/JOTI5gbq9gg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Harry was deeply annoyed by his illness. He had archeologists to meet and county leaders to yell at.\u003c/p>\n\u003cp>“He definitely wanted to be here longer for sure,” Noah said. “That was really sad — realizing, ‘you know, it’s too late.’”\u003c/p>\n\u003cp>But in 2021, his oxygen levels dropped, and Noah rushed him to the emergency room. “Are you ready?” Noah remembered asking him. “And he said, ‘Yeah — I’m ready to go.’” The doctors removed his oxygen, and Noah began singing ceremonial songs he’d learned from Harry. He held his father’s hand.\u003c/p>\n\u003cp>The storm clouds rolled in a few minutes after Harry’s last breath. As Noah gathered up Harry’s things, it began to rain.\u003c/p>\n\u003cp>“I was really comforted by some information that someone shared with me,” he said. “It only rains when the great ones pass away.”\u003c/p>\n\u003cp>The rain pooled in the valley’s parched ditches, its dry creek beds, and on the dusty lakebed. Some of it coursed into the aqueduct and was taken to Los Angeles.\u003c/p>\n\u003ch2>A fight for reform and reparations\u003c/h2>\n\u003cp>In 2022, Haverstock and his team published their peer-reviewed paper in the Journal of California and Great Basin Anthropology. (Harry Williams is listed as a co-author and managed to review a draft before he died.) According to Haverstock’s radiocarbon dating, the Nüümü had been using the ditches to irrigate their valley for more than 400 years, long before their contact with white people. Williams had been right all along. “We tend to underestimate the ingenuity and the ecological knowledge of people before us,” Haverstock said. “That’s a big mistake.”\u003c/p>\n\u003cp>Despite the paper’s publication, Noah said Nüümü tribal leaders have yet to file a water rights claim. The tribes don’t have the money to fight for Harry’s dream, Noah said, and are focusing on water fights against LADWP that are less of a legal moonshot.\u003c/p>\n\u003cp>LADWP representatives declined interview requests, but in a \u003ca href=\"https://drive.google.com/file/d/1XabakxpAiq2csC9BQ7PF7pkje_JJMOXj/view?usp=drive_link\">written statement\u003c/a>, the utility said it “recognizes tribal members’ traditional knowledge” and strives to respect Eastern Sierra communities. It also noted its attempts to reduce the amount of water Los Angeles imports. The city’s population has grown rapidly in the past 30 years, but LADWP said it has still managed to reduce its water imports from the Eastern Sierra by 50 percent since the 1990s; the utility is also investing in water recycling and treating stormwater for drinking. LADWP declined to answer any questions about the Nüümü agricultural ditch system or the validity of any tribal water-rights claims.\u003c/p>\n\u003cp>Several water-law experts have found Harry Williams’ argument compelling.\u003c/p>\n\u003cp>“It makes their water rights — \u003cem>in theory \u003c/em>— very senior,” said Felicia Marcus, the Stanford fellow. But the Nüümü’s claim would be vulnerable to a range of legal counterarguments. For example, the tribes didn’t file a claim within the statute of limitations, and they did not use their water “continuously,” as California water law requires.\u003c/p>\n\u003cp>Of course, the Nüümü likely didn’t know they needed to file a water claim in the 1800s, and the tribes stopped using the valley’s water in the 1860s because the U.S. military had forcibly driven them out of the valley.\u003c/p>\n\u003cp>This is clearly unjust, Marcus said, and an excellent example of why California should reform its water rights system to better include marginalized communities. The state could implement some kind of water reparations, she suggests, or the state legislature could pass a bill enabling tribes to file water rights claims retroactively.\u003c/p>\n\u003cp>For Noah Williams, the worst-case scenario isn’t just that the Nüümü never get their water back. It’s that all the history his dad fought to recover and devoted his life to preserving could be forgotten. “It’s frustrating,” he said. “I’d ask people [in Los Angeles] time and time again, ‘Where does your water come from?’ One of the most common answers that I would get would be, ‘From the tap.’”\u003c/p>\n\u003cp>If we don’t tell people what actually happened here in the Owens Valley, he added — who lived here and who made use of the water — “it could just become a memory that’s lost.”\u003c/p>\n\u003cp>\u003cem>Teresa Cotsirilos is a staff reporter with the \u003c/em>\u003ca href=\"https://nam11.safelinks.protection.outlook.com/?url=https%3A%2F%2Fthefern.org%2F&data=05%7C02%7Cchendler%40motherjones.com%7C060e0b2b9d5c4958f44408dc5989c2da%7C012f9e2f06f14827a96c9a54d367d83e%7C0%7C0%7C638483695425235926%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&sdata=8myntXoebNb%2FZUUlG0vig5kACl1xI0%2FqaTw3jjLVNCY%3D&reserved=0\">\u003cem>Food & Environment Reporting Network\u003c/em>\u003c/a>\u003cem>, an independent, nonprofit news organization.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11985946/the-hidden-history-of-water-rights-in-owens-valley","authors":["byline_news_11985946"],"programs":["news_72","news_26731"],"categories":["news_31795","news_19906","news_8"],"tags":["news_18538","news_1262","news_30233","news_21998","news_483"],"featImg":"news_11982598","label":"source_news_11985946"},"news_11986569":{"type":"posts","id":"news_11986569","meta":{"index":"posts_1591205157","site":"news","id":"11986569","found":true},"guestAuthors":[],"slug":"california-forever-says-12-start-ups-will-open-workplaces-in-its-new-city","title":"California Forever Says 12 Start-Ups Will Open Workplaces in Its New City","publishDate":1715892985,"format":"standard","headTitle":"California Forever Says 12 Start-Ups Will Open Workplaces in Its New City | KQED","labelTerm":{"site":"news"},"content":"\u003cp>The billionaire-backed company seeking to build a city from scratch in eastern Solano County took its first steps toward bringing jobs there, announcing partnerships on Thursday with 12 companies that have pledged to open new offices, factories and farms in the proposed city.\u003c/p>\n\u003cp>California Forever has publicly promised to bring some 15,000 new jobs to the county. But it’s unclear how many new jobs the 12 partner companies would provide.\u003c/p>\n\u003cp>Representatives for California Forever and the companies involved declined to provide specific details about whether they would bring their existing employees or add new ones. If voters approve the plan, there are also no binding financial or legal agreements compelling them to do so.\u003c/p>\n\u003cp>All of the companies are start-ups, mostly based in California, and their industries include aerospace engineering, self-driving robotics, indoor vertical farming and internet infrastructure. They are Hadrian, Living Carbon, Plenty, Serve Robotics, Meter, Motive, BREX, Cover, Build Casa, Zipline, Freethink and Instant Teams.\u003c/p>\n\u003cp>“These employers have committed publicly that they’re interested in bringing jobs to the new community if Solano County voters approve the project this November,” California Forever’s Director of Partnerships Michael Fortney said in a statement to KQED. “Even though we’re a few years away from breaking ground, some of them have already started negotiating terms for acquiring space to operate in the new community.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Some groups, however, remain skeptical about California Forever’s promises. Sadie Wilson, director of planning and research with the Greenbelt Alliance, said this news is still “devoid of substance and lacking transparency.” She is particularly concerned that all the potential employers are start-ups.\u003c/p>\n\u003cp>“There are certain questions about if and how these budding companies and ventures will look in 10 years or so,” when the city is eventually built, she said in a statement to KQED. “As November approaches, Solano County voters need real information, not more hypothetical plans.”\u003c/p>\n\u003cp>The county lacks enough jobs for its residents. Almost half of those who live in Solano County commute outside of it to work, \u003ca href=\"https://labormarketinfo.edd.ca.gov/file/commute-maps/StateCommute2015.pdf\">according to a 2015 study\u003c/a> from the state’s Employment Development Department.\u003c/p>\n\u003cp>[aside postID=news_11985195,news_11985711,news_11984830 label='Related Coverage']Included in its pledge to bring 15,000 new jobs, California Forever has said it would create nearly 1,400 construction-related jobs for a solar farm it is proposing to build near the site of its new city. After the solar farm is completed, it would employ roughly 300 people to maintain and operate the facility in Solano County, while about 130 jobs would be located elsewhere throughout California, company representatives said.\u003c/p>\n\u003cp>The proposed solar farm could potentially generate enough power for 1.5 million homes, according to an \u003ca href=\"https://assets.ctfassets.net/ivxuf0dn6dhw/5UZa0vW0DABZ5A3h4KfjCU/f2bb0baa7819c5fbb0126c29c6c5a7e7/Solar_Farm_Econ_Impacts_-_FINAL.pdf\">economic impact report created by Blue Sky Consulting\u003c/a> and paid for by California Forever.\u003c/p>\n\u003cp>Some of the companies have released details on what they plan to build in the new city if it is approved. Chris Power, founder and CEO of the aerospace and defense manufacturing start-up Hadrian, said his company would be looking to acquire space for a new factory “if the East Solano Plan was shovel-ready today.”\u003c/p>\n\u003cp>“We are excited by the vision of amazing neighborhoods located next to a manufacturing zone designed to accelerate innovation in California,” he said in a statement. “Hadrian is building a series of factories across America to enable space and defense manufacturers to get parts 10 times faster and halve the cost of making rockets, satellites, jets and drones.”\u003c/p>\n\u003cp>Travis Air Force Base did not immediately return a request for comment about whether the proposed companies would compete with its operations.\u003c/p>\n\u003cp>Earlier this month, California Forever \u003ca href=\"https://www.kqed.org/news/11984408/billionaire-backed-bid-for-new-solano-county-city-is-closer-to-november-ballot\">submitted signatures for its petition\u003c/a> to appear on the November ballot. A representative from the Solano County Registrar’s Office said it completed its raw count of the roughly 20,000 signatures submitted last week, but is now verifying those signatures to make sure at least 13,062 came from registered Solano County voters.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>To make it on the ballot, the initiative will then need a vote of the Solano County Board of Supervisors.\u003c/p>\n\n","blocks":[],"excerpt":"California Forever promises to add 15,000 jobs to Solano County if voters approve its plan to build a new city from scratch in November. Twelve companies have pledged their support for the plan and to build factories and offices there.","status":"publish","parent":0,"modified":1715895478,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":707},"headData":{"title":"California Forever Says 12 Start-Ups Will Open Workplaces in Its New City | KQED","description":"California Forever promises to add 15,000 jobs to Solano County if voters approve its plan to build a new city from scratch in November. Twelve companies have pledged their support for the plan and to build factories and offices there.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"California Forever Says 12 Start-Ups Will Open Workplaces in Its New City","datePublished":"2024-05-16T13:56:25-07:00","dateModified":"2024-05-16T14:37:58-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"sticky":false,"nprStoryId":"kqed-11986569","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11986569/california-forever-says-12-start-ups-will-open-workplaces-in-its-new-city","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The billionaire-backed company seeking to build a city from scratch in eastern Solano County took its first steps toward bringing jobs there, announcing partnerships on Thursday with 12 companies that have pledged to open new offices, factories and farms in the proposed city.\u003c/p>\n\u003cp>California Forever has publicly promised to bring some 15,000 new jobs to the county. But it’s unclear how many new jobs the 12 partner companies would provide.\u003c/p>\n\u003cp>Representatives for California Forever and the companies involved declined to provide specific details about whether they would bring their existing employees or add new ones. If voters approve the plan, there are also no binding financial or legal agreements compelling them to do so.\u003c/p>\n\u003cp>All of the companies are start-ups, mostly based in California, and their industries include aerospace engineering, self-driving robotics, indoor vertical farming and internet infrastructure. They are Hadrian, Living Carbon, Plenty, Serve Robotics, Meter, Motive, BREX, Cover, Build Casa, Zipline, Freethink and Instant Teams.\u003c/p>\n\u003cp>“These employers have committed publicly that they’re interested in bringing jobs to the new community if Solano County voters approve the project this November,” California Forever’s Director of Partnerships Michael Fortney said in a statement to KQED. “Even though we’re a few years away from breaking ground, some of them have already started negotiating terms for acquiring space to operate in the new community.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Some groups, however, remain skeptical about California Forever’s promises. Sadie Wilson, director of planning and research with the Greenbelt Alliance, said this news is still “devoid of substance and lacking transparency.” She is particularly concerned that all the potential employers are start-ups.\u003c/p>\n\u003cp>“There are certain questions about if and how these budding companies and ventures will look in 10 years or so,” when the city is eventually built, she said in a statement to KQED. “As November approaches, Solano County voters need real information, not more hypothetical plans.”\u003c/p>\n\u003cp>The county lacks enough jobs for its residents. Almost half of those who live in Solano County commute outside of it to work, \u003ca href=\"https://labormarketinfo.edd.ca.gov/file/commute-maps/StateCommute2015.pdf\">according to a 2015 study\u003c/a> from the state’s Employment Development Department.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11985195,news_11985711,news_11984830","label":"Related Coverage "},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Included in its pledge to bring 15,000 new jobs, California Forever has said it would create nearly 1,400 construction-related jobs for a solar farm it is proposing to build near the site of its new city. After the solar farm is completed, it would employ roughly 300 people to maintain and operate the facility in Solano County, while about 130 jobs would be located elsewhere throughout California, company representatives said.\u003c/p>\n\u003cp>The proposed solar farm could potentially generate enough power for 1.5 million homes, according to an \u003ca href=\"https://assets.ctfassets.net/ivxuf0dn6dhw/5UZa0vW0DABZ5A3h4KfjCU/f2bb0baa7819c5fbb0126c29c6c5a7e7/Solar_Farm_Econ_Impacts_-_FINAL.pdf\">economic impact report created by Blue Sky Consulting\u003c/a> and paid for by California Forever.\u003c/p>\n\u003cp>Some of the companies have released details on what they plan to build in the new city if it is approved. Chris Power, founder and CEO of the aerospace and defense manufacturing start-up Hadrian, said his company would be looking to acquire space for a new factory “if the East Solano Plan was shovel-ready today.”\u003c/p>\n\u003cp>“We are excited by the vision of amazing neighborhoods located next to a manufacturing zone designed to accelerate innovation in California,” he said in a statement. “Hadrian is building a series of factories across America to enable space and defense manufacturers to get parts 10 times faster and halve the cost of making rockets, satellites, jets and drones.”\u003c/p>\n\u003cp>Travis Air Force Base did not immediately return a request for comment about whether the proposed companies would compete with its operations.\u003c/p>\n\u003cp>Earlier this month, California Forever \u003ca href=\"https://www.kqed.org/news/11984408/billionaire-backed-bid-for-new-solano-county-city-is-closer-to-november-ballot\">submitted signatures for its petition\u003c/a> to appear on the November ballot. A representative from the Solano County Registrar’s Office said it completed its raw count of the roughly 20,000 signatures submitted last week, but is now verifying those signatures to make sure at least 13,062 came from registered Solano County voters.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>To make it on the ballot, the initiative will then need a vote of the Solano County Board of Supervisors.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11986569/california-forever-says-12-start-ups-will-open-workplaces-in-its-new-city","authors":["11672"],"categories":["news_1758","news_8"],"tags":["news_34061","news_33689","news_34062","news_1775","news_27208","news_353","news_34060","news_23938"],"featImg":"news_11984981","label":"news"},"news_11986566":{"type":"posts","id":"news_11986566","meta":{"index":"posts_1591205157","site":"news","id":"11986566","found":true},"guestAuthors":[],"slug":"prosecutors-push-for-terrorism-enhancement-in-sentencing-of-david-depape-who-bludgeoned-paul-pelosi-in-2022","title":"Prosecutors to Push for Terrorism Enhancement in Sentencing of David DePape, Who Bludgeoned Paul Pelosi in 2022","publishDate":1715943646,"format":"standard","headTitle":"Prosecutors to Push for Terrorism Enhancement in Sentencing of David DePape, Who Bludgeoned Paul Pelosi in 2022 | KQED","labelTerm":{"site":"news"},"content":"\u003cp>The man who broke into former U.S. House Speaker Nancy Pelosi’s San Francisco home in 2022 and bludgeoned her husband, Paul Pelosi, in the head with a hammer is set to be sentenced in federal court on Friday.\u003c/p>\n\u003cp>Prosecutors argue that David DePape should be sentenced to 40 years in prison because his violent plot to kidnap Pelosi amounts to terrorism. DePape’s attorneys are seeking a 14-year sentence, arguing that his mental illness left him susceptible to the extremist conspiracy theories that fueled his actions.\u003c/p>\n\u003cp>“At a time when extremism has led to attacks on public and elected officials, this case presents a moment to speak to others harboring ideologically motivated violent dreams and plans,” the government argued in a May 10 sentencing memorandum. “The defendant planned a violent hostage-taking of the Speaker Emerita and then nearly killed her husband.”\u003c/p>\n\u003cp>Rory Little, a law professor at UC Law San Francisco, said federal prosecutors are trying to make a point about the gravity of DePape’s crimes.\u003c/p>\n\u003cp>“They’re saying this is a really serious attack on an important federal official, and you need to take it seriously,” he said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>DePape, 44, \u003ca href=\"https://www.kqed.org/news/11967595/david-depape-found-guilty-in-paul-pelosi-hammer-attack\">was convicted\u003c/a> by a federal jury in November of one count of attempted kidnapping of a federal officer and one count of assault on the immediate family member of a federal official.\u003c/p>\n\u003cp>Defense attorneys argue that applying the terrorism enhancement would be an illegal overreach because neither of the crimes he was convicted of fit within the legal definition of a “federal crime of terrorism.”\u003c/p>\n\u003cp>“His entire adult life was indelibly shaped and distorted by an abusive, long-term relationship,” DePape’s attorneys argue in their sentencing memorandum. They say he became “completely unmoored in the years leading up to the offense when he was further radicalized through his obsessive consumption of media amplifying extreme beliefs.”\u003c/p>\n\u003cp>The U.S. Probation Office recommends 25 years, followed by five years of supervised release.\u003c/p>\n\u003cp>At a weeklong trial late last year, the jury heard and saw a mountain of evidence against DePape, including video footage of the break-in and attack and his repeated confessions.\u003c/p>\n\u003cp>DePape broke into the Pelosi home early in the morning on Oct. 28, 2022, looking for the congresswoman, who he planned to kidnap and question on video. Nancy Pelosi wasn’t home. DePape instead woke up Paul Pelosi, who then managed to call 911 from a bathroom.\u003c/p>\n\u003cp>Body cam footage showed that when police arrived at the house, Pelosi opened the door with one hand on a hammer that DePape was holding. Both men appeared calm. But after an officer told DePape to drop the hammer, he responded, “Nope,” and abruptly turned to Pelosi, striking him violently on the head with the tool.\u003c/p>\n\u003cp>[aside tag=\"david-depape\" label=\"More Related Stories\"]DePape later told police that if he had found Nancy Pelosi and she had lied, he would have broken her kneecaps, according to court records.\u003c/p>\n\u003cp>“He also told Mr. Pelosi that Speaker Emerita Pelosi was ‘the leader of the pack’ and that the defendant ‘had to take her out,’” the government’s sentencing memo reads.\u003c/p>\n\u003cp>“Lurking in the background of this is the idea that this guy is dangerous because he appears to have a mentally unbalanced view of the world, and he doesn’t appear to have retreated from that mental imbalance,” said Little, the law professor.\u003c/p>\n\u003cp>According to his own testimony during his trial, DePape planned to wear an inflatable unicorn costume while livestreaming his questioning of Pelosi, but she wasn’t his ultimate target. Rather, he hoped to lure feminist theorist and cultural anthropologist at the University of Michigan Gayle Rubin, whose identity is sealed in federal court behind the pseudonym “Target 1.”\u003c/p>\n\u003cp>“Target 1” is among those subpoenaed for the sentencing hearing on Friday, according to court records.\u003c/p>\n\u003cp>DePape’s attorneys argue that previously undiagnosed mental health issues made him vulnerable to “manipulation and unusual beliefs.”\u003c/p>\n\u003cp>“Mr. DePape’s beliefs did not come out of nowhere,” a sentencing memo said, adding that a redacted mental health condition “made him ‘especially vulnerable to believing QAnon conspiracy theories, and to being especially psychologically affected by their content.’”\u003c/p>\n\u003cp>“QAnon adherents rarely self-identity as such, and Mr. DePape is no different. But his beliefs are consistent with QAnon theories,” attorneys wrote.\u003c/p>\n\u003cp>The prosecution argues that DePape’s isolation and consumption of YouTube videos “do not excuse the instant offense, nor give a reason for leniency given the violent extremism that the defendant unleashed in October 2022.”\u003c/p>\n\u003cp>His defense attorneys said his actions were also heavily influenced by his relationship with the pro-nudity activist Gypsy Taub, with whom DePape shares three children.\u003c/p>\n\u003cp>“His long-term relationship with his ex-partner, Gypsy Taub, inflicted immeasurable harm to his mental state and what little support network he had in the form of his family,” they argue.\u003c/p>\n\u003cp>Prosecutors argue DePape hasn’t accepted responsibility for his crimes and is proud of what he did, pointing to his jail-house January 2023 phone call to a KTVU reporter, during which he apologized to the American people, saying he should have come “better prepared” to the Pelosis’ home on the night of the attack.\u003c/p>\n\u003cp>“You’re welcome,” he told the TV station. “The tree of liberty isn’t dying. It’s being killed, systematically and deliberately.” He added, “The tree of liberty needs watering.”\u003c/p>\n\u003cp>DePape is currently in custody at the San Francisco County Jail. U.S. District Judge Jacqueline Scott Corley is set to deliver DePape’s sentence in federal court on Friday morning.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11968645/david-depape-faces-second-trial-for-attempting-to-kidnap-nancy-pelosi-heres-why\">A second trial in state court\u003c/a> will start in the coming weeks. In that case, DePape is facing charges including attempted murder, residential burglary, seriously injuring an elder adult, assault with a deadly weapon, false imprisonment and threatening a public official’s family member.\u003c/p>\n\n","blocks":[],"excerpt":"Prosecutors are expected to argue that DePape deserves an enhanced sentence of 40 years because his violent plot to kidnap Nancy Pelosi – U.S. House speaker at the time – amounts to an act of terrorism. The defense is likely to seek leniency for the defendant on the grounds he was radicalized by online extremism.","status":"publish","parent":0,"modified":1715915842,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":29,"wordCount":1043},"headData":{"title":"Prosecutors to Push for Terrorism Enhancement in Sentencing of David DePape, Who Bludgeoned Paul Pelosi in 2022 | KQED","description":"Prosecutors are expected to argue that DePape deserves an enhanced sentence of 40 years because his violent plot to kidnap Nancy Pelosi – U.S. House speaker at the time – amounts to an act of terrorism. The defense is likely to seek leniency for the defendant on the grounds he was radicalized by online extremism.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Prosecutors to Push for Terrorism Enhancement in Sentencing of David DePape, Who Bludgeoned Paul Pelosi in 2022","datePublished":"2024-05-17T04:00:46-07:00","dateModified":"2024-05-16T20:17:22-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11986566/prosecutors-push-for-terrorism-enhancement-in-sentencing-of-david-depape-who-bludgeoned-paul-pelosi-in-2022","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The man who broke into former U.S. House Speaker Nancy Pelosi’s San Francisco home in 2022 and bludgeoned her husband, Paul Pelosi, in the head with a hammer is set to be sentenced in federal court on Friday.\u003c/p>\n\u003cp>Prosecutors argue that David DePape should be sentenced to 40 years in prison because his violent plot to kidnap Pelosi amounts to terrorism. DePape’s attorneys are seeking a 14-year sentence, arguing that his mental illness left him susceptible to the extremist conspiracy theories that fueled his actions.\u003c/p>\n\u003cp>“At a time when extremism has led to attacks on public and elected officials, this case presents a moment to speak to others harboring ideologically motivated violent dreams and plans,” the government argued in a May 10 sentencing memorandum. “The defendant planned a violent hostage-taking of the Speaker Emerita and then nearly killed her husband.”\u003c/p>\n\u003cp>Rory Little, a law professor at UC Law San Francisco, said federal prosecutors are trying to make a point about the gravity of DePape’s crimes.\u003c/p>\n\u003cp>“They’re saying this is a really serious attack on an important federal official, and you need to take it seriously,” he said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>DePape, 44, \u003ca href=\"https://www.kqed.org/news/11967595/david-depape-found-guilty-in-paul-pelosi-hammer-attack\">was convicted\u003c/a> by a federal jury in November of one count of attempted kidnapping of a federal officer and one count of assault on the immediate family member of a federal official.\u003c/p>\n\u003cp>Defense attorneys argue that applying the terrorism enhancement would be an illegal overreach because neither of the crimes he was convicted of fit within the legal definition of a “federal crime of terrorism.”\u003c/p>\n\u003cp>“His entire adult life was indelibly shaped and distorted by an abusive, long-term relationship,” DePape’s attorneys argue in their sentencing memorandum. They say he became “completely unmoored in the years leading up to the offense when he was further radicalized through his obsessive consumption of media amplifying extreme beliefs.”\u003c/p>\n\u003cp>The U.S. Probation Office recommends 25 years, followed by five years of supervised release.\u003c/p>\n\u003cp>At a weeklong trial late last year, the jury heard and saw a mountain of evidence against DePape, including video footage of the break-in and attack and his repeated confessions.\u003c/p>\n\u003cp>DePape broke into the Pelosi home early in the morning on Oct. 28, 2022, looking for the congresswoman, who he planned to kidnap and question on video. Nancy Pelosi wasn’t home. DePape instead woke up Paul Pelosi, who then managed to call 911 from a bathroom.\u003c/p>\n\u003cp>Body cam footage showed that when police arrived at the house, Pelosi opened the door with one hand on a hammer that DePape was holding. Both men appeared calm. But after an officer told DePape to drop the hammer, he responded, “Nope,” and abruptly turned to Pelosi, striking him violently on the head with the tool.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"tag":"david-depape","label":"More Related Stories "},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>DePape later told police that if he had found Nancy Pelosi and she had lied, he would have broken her kneecaps, according to court records.\u003c/p>\n\u003cp>“He also told Mr. Pelosi that Speaker Emerita Pelosi was ‘the leader of the pack’ and that the defendant ‘had to take her out,’” the government’s sentencing memo reads.\u003c/p>\n\u003cp>“Lurking in the background of this is the idea that this guy is dangerous because he appears to have a mentally unbalanced view of the world, and he doesn’t appear to have retreated from that mental imbalance,” said Little, the law professor.\u003c/p>\n\u003cp>According to his own testimony during his trial, DePape planned to wear an inflatable unicorn costume while livestreaming his questioning of Pelosi, but she wasn’t his ultimate target. Rather, he hoped to lure feminist theorist and cultural anthropologist at the University of Michigan Gayle Rubin, whose identity is sealed in federal court behind the pseudonym “Target 1.”\u003c/p>\n\u003cp>“Target 1” is among those subpoenaed for the sentencing hearing on Friday, according to court records.\u003c/p>\n\u003cp>DePape’s attorneys argue that previously undiagnosed mental health issues made him vulnerable to “manipulation and unusual beliefs.”\u003c/p>\n\u003cp>“Mr. DePape’s beliefs did not come out of nowhere,” a sentencing memo said, adding that a redacted mental health condition “made him ‘especially vulnerable to believing QAnon conspiracy theories, and to being especially psychologically affected by their content.’”\u003c/p>\n\u003cp>“QAnon adherents rarely self-identity as such, and Mr. DePape is no different. But his beliefs are consistent with QAnon theories,” attorneys wrote.\u003c/p>\n\u003cp>The prosecution argues that DePape’s isolation and consumption of YouTube videos “do not excuse the instant offense, nor give a reason for leniency given the violent extremism that the defendant unleashed in October 2022.”\u003c/p>\n\u003cp>His defense attorneys said his actions were also heavily influenced by his relationship with the pro-nudity activist Gypsy Taub, with whom DePape shares three children.\u003c/p>\n\u003cp>“His long-term relationship with his ex-partner, Gypsy Taub, inflicted immeasurable harm to his mental state and what little support network he had in the form of his family,” they argue.\u003c/p>\n\u003cp>Prosecutors argue DePape hasn’t accepted responsibility for his crimes and is proud of what he did, pointing to his jail-house January 2023 phone call to a KTVU reporter, during which he apologized to the American people, saying he should have come “better prepared” to the Pelosis’ home on the night of the attack.\u003c/p>\n\u003cp>“You’re welcome,” he told the TV station. “The tree of liberty isn’t dying. It’s being killed, systematically and deliberately.” He added, “The tree of liberty needs watering.”\u003c/p>\n\u003cp>DePape is currently in custody at the San Francisco County Jail. U.S. District Judge Jacqueline Scott Corley is set to deliver DePape’s sentence in federal court on Friday morning.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11968645/david-depape-faces-second-trial-for-attempting-to-kidnap-nancy-pelosi-heres-why\">A second trial in state court\u003c/a> will start in the coming weeks. In that case, DePape is facing charges including attempted murder, residential burglary, seriously injuring an elder adult, assault with a deadly weapon, false imprisonment and threatening a public official’s family member.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11986566/prosecutors-push-for-terrorism-enhancement-in-sentencing-of-david-depape-who-bludgeoned-paul-pelosi-in-2022","authors":["11490"],"categories":["news_8"],"tags":["news_28537","news_17725","news_31923","news_177","news_31916","news_29025"],"featImg":"news_11966873","label":"news"},"forum_2010101905764":{"type":"posts","id":"forum_2010101905764","meta":{"index":"posts_1591205157","site":"forum","id":"2010101905764","found":true},"guestAuthors":[],"slug":"a-chance-to-harmonize-tells-the-story-of-the-u-s-music-unit","title":"'A Chance to Harmonize' Tells the Story of the U.S. Music Unit","publishDate":1715899850,"format":"audio","headTitle":"‘A Chance to Harmonize’ Tells the Story of the U.S. Music Unit | KQED","labelTerm":{"site":"forum"},"content":"\u003cp>A generation of American folk singers – including Bob Dylan, Joan Baez and Woody Guthrie – owe their inspiration to a little-known New Deal project known as the U.S. Music Unit. Over the course of two years, federal workers recorded amateur musicians at government-owned homesteads as a way to “raise morale, build community, and create hope,” according to music scholar Sheryl Kaskowitz. The Music Unit made hundreds of recordings for the Library of Congress before it was shut down on grounds that it was “socialistic.” We talk to Kaskowitz about the people behind the music and hear some songs from archives. Kaskowitz’s new book is “A Chance to Harmonize.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1715974825,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":123},"headData":{"title":"'A Chance to Harmonize' Tells the Story of the U.S. Music Unit | KQED","description":"A generation of American folk singers – including Bob Dylan, Joan Baez and Woody Guthrie – owe their inspiration to a little-known New Deal project known as the U.S. Music Unit. Over the course of two years, federal workers recorded amateur musicians at government-owned homesteads as a way to "raise morale, build community, and create hope," according to music scholar Sheryl Kaskowitz. The Music Unit made hundreds of recordings for the Library of Congress before it was shut down on grounds that it was “socialistic.” We talk to Kaskowitz about the people behind the music and hear some songs from","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"'A Chance to Harmonize' Tells the Story of the U.S. Music Unit","datePublished":"2024-05-16T15:50:50-07:00","dateModified":"2024-05-17T12:40:25-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/chrt.fm/track/G6C7C3/traffic.megaphone.fm/KQINC1138488956.mp3?updated=1715974972","airdate":1715965200,"forumGuests":[{"name":"Sheryl Kaskowitz","bio":"author, \"A Chance to Harmonize: How FDR’s Hidden Music Unit Tried to Save America from the Great Depression—One Song at a Time\""}],"sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/forum/2010101905764/a-chance-to-harmonize-tells-the-story-of-the-u-s-music-unit","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>A generation of American folk singers – including Bob Dylan, Joan Baez and Woody Guthrie – owe their inspiration to a little-known New Deal project known as the U.S. Music Unit. Over the course of two years, federal workers recorded amateur musicians at government-owned homesteads as a way to “raise morale, build community, and create hope,” according to music scholar Sheryl Kaskowitz. The Music Unit made hundreds of recordings for the Library of Congress before it was shut down on grounds that it was “socialistic.” We talk to Kaskowitz about the people behind the music and hear some songs from archives. Kaskowitz’s new book is “A Chance to Harmonize.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/forum/2010101905764/a-chance-to-harmonize-tells-the-story-of-the-u-s-music-unit","authors":["251"],"categories":["forum_165"],"featImg":"forum_2010101905781","label":"forum"},"news_11986620":{"type":"posts","id":"news_11986620","meta":{"index":"posts_1591205157","site":"news","id":"11986620","found":true},"guestAuthors":[],"slug":"san-francisco-homelessness-up-7-despite-decline-in-street-camping","title":"San Francisco Homelessness Up 7% Despite Decline in Street Camping","publishDate":1715904595,"format":"standard","headTitle":"San Francisco Homelessness Up 7% Despite Decline in Street Camping | KQED","labelTerm":{"site":"news"},"content":"\u003cp>The overall number of people experiencing homelessness in San Francisco increased 7% to more than 8,300 people since the last count in 2022, according to \u003ca href=\"https://hsh.sfgov.org/about/research-and-reports/pit/\">data\u003c/a> released Thursday.\u003c/p>\n\u003cp>Every two years, the federal government requires cities to survey their unhoused populations for one night, called the \u003ca href=\"https://www.kqed.org/news/11974385/heres-how-san-francisco-counts-unhoused-residents\">Point in Time Count\u003c/a>. The data is used to allocate funding to local governments to spend on homeless services, such as shelters, and is generally believed to be an undercount.\u003c/p>\n\u003cp>Results released Thursday found that while the overall total number of homeless people has climbed, the number of people in San Francisco sleeping in tents, cars and RVs — or what’s known as “unsheltered homelessness” — decreased 1% since 2022 and 16% since 2019. In January this year, \u003ca href=\"https://www.kqed.org/news/11974385/heres-how-san-francisco-counts-unhoused-residents\">volunteers and city workers counted\u003c/a> 2,912 people sleeping unsheltered on San Francisco’s streets.\u003c/p>\n\u003cp>Nearly half, or 48%, of the city’s more than 8,300 unhoused residents are now living in shelters. In 2022, there were 43%.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“As we grapple with the repercussions of the housing crisis, it is crucial that we continue to invest in the city’s homelessness response system that includes programs to problem solve and prevent people from ever having to experience homelessness,” San Francisco Department of Homelessness and Supportive Housing (HSH) executive director, Shireen McSpadden, said in a statement. “The Point in Time Count’s data will inform our programs and our mission to make homelessness rare, brief and one-time.”\u003c/p>\n\u003cp>However, HSH also found a significant and disturbing spike in the number of families who are experiencing homelessness. There were 437 unhoused families counted in 2024, up 94% since 2022.\u003c/p>\n\u003cp>“The loss of COVID protections and end of eviction moratorium absolutely is driving some of these numbers,” said Jennifer Friedenbach, director of the Coalition on Homelessness. “We continue to underinvest in affordable housing, and we need to restore the nation’s commitment to low-income housing. We will continue to see homelessness increase until we get serious about this issue.”\u003c/p>\n\u003cp>San Francisco has increased shelter availability by 60% since 2018, according to HSH. Earlier this year, officials announced they were bringing 300 shelter beds back online, returning the shelters to their pre-pandemic size after cutting capacity to prevent COVID-19 transmission.\u003c/p>\n\u003cp>As of Thursday, 108 people were still \u003ca href=\"https://hsh.sfgov.org/services/how-to-get-services/accessing-temporary-shelter/adult-temporary-shelter/shelter-reservation-waitlist/\">on the waiting list\u003c/a>.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" title=\"San Francisco PIT homeless count results since 2013\" aria-label=\"Stacked Columns\" id=\"datawrapper-chart-aVh0x\" src=\"https://datawrapper.dwcdn.net/aVh0x/3/\" scrolling=\"no\" frameborder=\"0\" style=\"border: none;\" width=\"800\" height=\"600\" data-external=\"1\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>“It’s not great to see an increase, but it could have been much, much worse,” said Shanti Singh, communications and legislative director for Tenants Together. She said the city’s right-to-counsel program, which provides all renters access to legal representation, and rent relief program played a role in preventing even more people from experiencing homelessness.\u003c/p>\n\u003cp>According to city data, over 5,400 San Franciscans avoided homelessness since 2019 because of the right-to-counsel program. The emergency rent relief program prevented 10,000 evictions, \u003ca href=\"https://sfbos.org/sites/default/files/BLA.ERAP_.042324.pdf\">a city analysis released \u003c/a>in April found.\u003c/p>\n\u003cp>Along with opening more temporary and permanent housing, city teams placed around 1,500 people from the streets into shelter or housing last year — 22% more than the year before, according to homeless street operations data released earlier this year. It tracked a 17% drop in the number of tents on city streets.\u003c/p>\n\u003cp>The city made a major push to clear downtown encampments ahead of the APEC summit in November. As of April, the city \u003ca href=\"https://www.sf.gov/data/healthy-streets-data-and-information\">counted 513 encampments\u003c/a>.\u003c/p>\n\u003cp>“We are working every day to move people off our streets and into shelter, housing and care,” Mayor London Breed said in a press statement. “This is safer and healthier for people on our streets, and it is better for all of us that want a cleaner and safer San Francisco.”[aside label='Related Coverage' tag='housing']Those operations have come under fire, however, after advocates for people experiencing homelessness \u003ca href=\"https://www.kqed.org/news/11926891/unhoused-san-francisco-residents-sue-city-over-displacement-rights-violations\">sued the city in 2022\u003c/a> for violating its own policies around how it clears homeless encampments.\u003c/p>\n\u003cp>That court battle is currently \u003ca href=\"https://www.sfexaminer.com/news/politics/major-san-francisco-homeless-case-paused-for-supreme-court/article_51b1deac-d29a-11ee-9181-cbcb211887f1.html\">paused\u003c/a> until the \u003ca href=\"https://www.kqed.org/news/11983492/how-a-pivotal-case-on-homelessness-could-redefine-policies-in-california-and-the-nation\">U.S. Supreme Court takes up a similar case in Grants Pass, Oregon\u003c/a>. Still, the Ninth Circuit in 2023 agreed to uphold an injunction that allowed the city to clear encampments so long as it follows its policies, including offering shelter to people and that those who refuse offers of shelter can be required to move.\u003c/p>\n\u003cp>But helping people afford to stay in their homes permanently to slow the rate of homelessness is an ongoing struggle in the Bay Area’s expensive housing market. Officials at HSH estimate that for every person the department resolves homelessness for annually, three people become homeless.\u003c/p>\n\u003cp>It’s a dilemma shared by other communities.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11977258/despite-progress-santa-clara-county-sees-sharp-rise-in-first-time-homelessness\">A report on Santa Clara County’s efforts\u003c/a> found the rate of new people falling into homelessness spiked 24% last year, even as the county housed more people than ever before in a single year. Service providers in Santa Clara County point to ongoing rent increases, stagnant wages and the expiration of pandemic-era protections as the source of the increase.\u003c/p>\n\u003cp>Meanwhile, across the Bay, total \u003ca href=\"https://www.kqed.org/news/11986443/alameda-countys-homeless-count-decreases-for-first-time-in-a-decade\">homelessness across Alameda County dipped 3%\u003c/a> since the last count — marking the first decrease in nearly a decade, according to preliminary data from its Point in Time count — dropping to 9,450 from 9,747 unhoused people in 2022. Oakland experienced an increase in the total number of people experiencing homelessness, though the increase was at a slower rate than in past years.\u003c/p>\n\u003cp>After the count in January, teams of researchers in San Francisco followed up with survey respondents to gather more information about their demographics, such as race, gender and sexual identities. That more detailed report will be released later this summer.\u003c/p>\n\u003cp>“Our city workforce is dedicated to making a difference,” Breed said. “We will keep working to get tents off our streets, bring people indoors and change the conditions in our neighborhoods.”\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The one-night snapshot in San Francisco found that the number of people sleeping in tents and on sidewalks has decreased while the number of unhoused people increased.","status":"publish","parent":0,"modified":1715924939,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":true,"iframeSrcs":["https://datawrapper.dwcdn.net/aVh0x/3/"],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":24,"wordCount":999},"headData":{"title":"San Francisco Homelessness Up 7% Despite Decline in Street Camping | KQED","description":"The one-night snapshot in San Francisco found that the number of people sleeping in tents and on sidewalks has decreased while the number of unhoused people increased.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"San Francisco Homelessness Up 7% Despite Decline in Street Camping","datePublished":"2024-05-16T17:09:55-07:00","dateModified":"2024-05-16T22:48:59-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"sticky":false,"nprStoryId":"kqed-11986620","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11986620/san-francisco-homelessness-up-7-despite-decline-in-street-camping","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The overall number of people experiencing homelessness in San Francisco increased 7% to more than 8,300 people since the last count in 2022, according to \u003ca href=\"https://hsh.sfgov.org/about/research-and-reports/pit/\">data\u003c/a> released Thursday.\u003c/p>\n\u003cp>Every two years, the federal government requires cities to survey their unhoused populations for one night, called the \u003ca href=\"https://www.kqed.org/news/11974385/heres-how-san-francisco-counts-unhoused-residents\">Point in Time Count\u003c/a>. The data is used to allocate funding to local governments to spend on homeless services, such as shelters, and is generally believed to be an undercount.\u003c/p>\n\u003cp>Results released Thursday found that while the overall total number of homeless people has climbed, the number of people in San Francisco sleeping in tents, cars and RVs — or what’s known as “unsheltered homelessness” — decreased 1% since 2022 and 16% since 2019. In January this year, \u003ca href=\"https://www.kqed.org/news/11974385/heres-how-san-francisco-counts-unhoused-residents\">volunteers and city workers counted\u003c/a> 2,912 people sleeping unsheltered on San Francisco’s streets.\u003c/p>\n\u003cp>Nearly half, or 48%, of the city’s more than 8,300 unhoused residents are now living in shelters. In 2022, there were 43%.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“As we grapple with the repercussions of the housing crisis, it is crucial that we continue to invest in the city’s homelessness response system that includes programs to problem solve and prevent people from ever having to experience homelessness,” San Francisco Department of Homelessness and Supportive Housing (HSH) executive director, Shireen McSpadden, said in a statement. “The Point in Time Count’s data will inform our programs and our mission to make homelessness rare, brief and one-time.”\u003c/p>\n\u003cp>However, HSH also found a significant and disturbing spike in the number of families who are experiencing homelessness. There were 437 unhoused families counted in 2024, up 94% since 2022.\u003c/p>\n\u003cp>“The loss of COVID protections and end of eviction moratorium absolutely is driving some of these numbers,” said Jennifer Friedenbach, director of the Coalition on Homelessness. “We continue to underinvest in affordable housing, and we need to restore the nation’s commitment to low-income housing. We will continue to see homelessness increase until we get serious about this issue.”\u003c/p>\n\u003cp>San Francisco has increased shelter availability by 60% since 2018, according to HSH. Earlier this year, officials announced they were bringing 300 shelter beds back online, returning the shelters to their pre-pandemic size after cutting capacity to prevent COVID-19 transmission.\u003c/p>\n\u003cp>As of Thursday, 108 people were still \u003ca href=\"https://hsh.sfgov.org/services/how-to-get-services/accessing-temporary-shelter/adult-temporary-shelter/shelter-reservation-waitlist/\">on the waiting list\u003c/a>.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" title=\"San Francisco PIT homeless count results since 2013\" aria-label=\"Stacked Columns\" id=\"datawrapper-chart-aVh0x\" src=\"https://datawrapper.dwcdn.net/aVh0x/3/\" scrolling=\"no\" frameborder=\"0\" style=\"border: none;\" width=\"800\" height=\"600\" data-external=\"1\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>“It’s not great to see an increase, but it could have been much, much worse,” said Shanti Singh, communications and legislative director for Tenants Together. She said the city’s right-to-counsel program, which provides all renters access to legal representation, and rent relief program played a role in preventing even more people from experiencing homelessness.\u003c/p>\n\u003cp>According to city data, over 5,400 San Franciscans avoided homelessness since 2019 because of the right-to-counsel program. The emergency rent relief program prevented 10,000 evictions, \u003ca href=\"https://sfbos.org/sites/default/files/BLA.ERAP_.042324.pdf\">a city analysis released \u003c/a>in April found.\u003c/p>\n\u003cp>Along with opening more temporary and permanent housing, city teams placed around 1,500 people from the streets into shelter or housing last year — 22% more than the year before, according to homeless street operations data released earlier this year. It tracked a 17% drop in the number of tents on city streets.\u003c/p>\n\u003cp>The city made a major push to clear downtown encampments ahead of the APEC summit in November. As of April, the city \u003ca href=\"https://www.sf.gov/data/healthy-streets-data-and-information\">counted 513 encampments\u003c/a>.\u003c/p>\n\u003cp>“We are working every day to move people off our streets and into shelter, housing and care,” Mayor London Breed said in a press statement. “This is safer and healthier for people on our streets, and it is better for all of us that want a cleaner and safer San Francisco.”\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Related Coverage ","tag":"housing"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Those operations have come under fire, however, after advocates for people experiencing homelessness \u003ca href=\"https://www.kqed.org/news/11926891/unhoused-san-francisco-residents-sue-city-over-displacement-rights-violations\">sued the city in 2022\u003c/a> for violating its own policies around how it clears homeless encampments.\u003c/p>\n\u003cp>That court battle is currently \u003ca href=\"https://www.sfexaminer.com/news/politics/major-san-francisco-homeless-case-paused-for-supreme-court/article_51b1deac-d29a-11ee-9181-cbcb211887f1.html\">paused\u003c/a> until the \u003ca href=\"https://www.kqed.org/news/11983492/how-a-pivotal-case-on-homelessness-could-redefine-policies-in-california-and-the-nation\">U.S. Supreme Court takes up a similar case in Grants Pass, Oregon\u003c/a>. Still, the Ninth Circuit in 2023 agreed to uphold an injunction that allowed the city to clear encampments so long as it follows its policies, including offering shelter to people and that those who refuse offers of shelter can be required to move.\u003c/p>\n\u003cp>But helping people afford to stay in their homes permanently to slow the rate of homelessness is an ongoing struggle in the Bay Area’s expensive housing market. Officials at HSH estimate that for every person the department resolves homelessness for annually, three people become homeless.\u003c/p>\n\u003cp>It’s a dilemma shared by other communities.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11977258/despite-progress-santa-clara-county-sees-sharp-rise-in-first-time-homelessness\">A report on Santa Clara County’s efforts\u003c/a> found the rate of new people falling into homelessness spiked 24% last year, even as the county housed more people than ever before in a single year. Service providers in Santa Clara County point to ongoing rent increases, stagnant wages and the expiration of pandemic-era protections as the source of the increase.\u003c/p>\n\u003cp>Meanwhile, across the Bay, total \u003ca href=\"https://www.kqed.org/news/11986443/alameda-countys-homeless-count-decreases-for-first-time-in-a-decade\">homelessness across Alameda County dipped 3%\u003c/a> since the last count — marking the first decrease in nearly a decade, according to preliminary data from its Point in Time count — dropping to 9,450 from 9,747 unhoused people in 2022. Oakland experienced an increase in the total number of people experiencing homelessness, though the increase was at a slower rate than in past years.\u003c/p>\n\u003cp>After the count in January, teams of researchers in San Francisco followed up with survey respondents to gather more information about their demographics, such as race, gender and sexual identities. That more detailed report will be released later this summer.\u003c/p>\n\u003cp>“Our city workforce is dedicated to making a difference,” Breed said. “We will keep working to get tents off our streets, bring people indoors and change the conditions in our neighborhoods.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11986620/san-francisco-homelessness-up-7-despite-decline-in-street-camping","authors":["11840","11276"],"categories":["news_6266","news_8"],"tags":["news_27626","news_4020","news_1775","news_38","news_29607","news_31793"],"featImg":"news_11986623","label":"news"},"news_10373118":{"type":"posts","id":"news_10373118","meta":{"index":"posts_1591205157","site":"news","id":"10373118","found":true},"guestAuthors":[],"slug":"diehards-try-to-keep-the-art-of-film-projection-alive","title":"From Tarantino at Cannes to Collector in El Cerrito, Film Diehards Say Digital Just Not the Same","publishDate":1418486448,"format":"image","headTitle":"The California Report | KQED News","labelTerm":{"term":72,"site":"news"},"content":"\u003cp>When I write about movies, I like to substitute \"film\" or \"cinema,\" in ascending order of pretentiousness. Occasionally I'll even use \"pictures,\" though that makes me feel like Louis B. Mayer.\u003c/p>\n\u003cp>The thing about the word \"film,\" though -- it's no longer accurate. Because when you go to the movies these days, not only have many of those productions been shot digitally, but almost all are now \u003cem>projected\u003c/em> digitally.\u003c/p>\n\u003cp>\"There was a drop-dead date of Jan. 1, 2014,\" says Adam Bergeron, co-owner of the Balboa Theatre in San Francisco. \"If you haven’t converted to 35 mm digital, you are not going to be able to get new release content anymore.\"\u003c/p>\n\u003cp>Bergeron is talking about the deadline the film industry gave movie exhibitors to install the equipment necessary for screening \"Digital Cinema Packages,\" or DCPs. That’s a sort of hard drive you just plug into a server. Those reels of film that everyone from professional projectionists to any pre-videotape member of the junior high AV squad hoisted onto projectors in order for people to watch a movie -- well, those are fast fading into the hazy realm of nostalgia.\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/181263803\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>The reason is simple: Movie distributors save a lot of money by providing their content in digital form. But for a small neighborhood movie theater like the Balboa, the switchover was not a money saver. Last year it had to hustle up more than $100,000 through Kickstarter to convert to digital projection.\u003c/p>\n\u003caside class=\"pullquote alignleft\">'Digital projection...that’s just television in public. What I knew as cinema is dead.'\u003ccite>Quentin Tarantino\u003c/cite>\u003c/aside>\n\u003cp>Many cinema purists don't like it. But the handwriting has been written on the IMAX-size wall for a long time. Director \u003ca href=\"http://www.kqed.org/a/forum/R201412121000\">Paul Thomas Anderson \u003c/a>spoke out against the coming tide as far back as 1999:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“The biggest scare that I have is digital projection,\" he said in an \u003ca href=\"https://www.youtube.com/watch?v=7npmu9Ge_OY\" target=\"_blank\">interview\u003c/a>. \"This sort of theory that George Lucas has about digitally projecting his films in theaters. I think that would be a big, big, big no-no. Because ultimately it’s just like watching the best TV screen in the world as opposed to watching 24 frames flicker through light, which is a hypnotic and wonderful experience and should never go away.\"\u003c/p>\n\u003cp>But it \u003cem>has\u003c/em> gone away. The Balboa still has film projectors, used for showing old movies, but even repertory houses have more and more been showing classics from the studio vaults on DCP. A recent retrospective on Stanley Kubrick at the Pacific Film Archive in Berkeley, for instance, projected most of the program digitally, not on film.\u003c/p>\n\u003cfigure id=\"attachment_10376903\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/12/PaulThomasAnderson.jpg\">\u003cimg class=\"wp-image-10376903 size-thumbnail\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/12/PaulThomasAnderson-400x225.jpg\" alt=\"Director Paul Thomas Anderson released 2012's "The Master" in 70mm. (Alberto E. Rodriguez/Getty Images)\" width=\"400\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2014/12/PaulThomasAnderson-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2014/12/PaulThomasAnderson-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2014/12/PaulThomasAnderson.jpg 1440w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Director Paul Thomas Anderson released 2012's \"The Master\" in 70mm. (Alberto E. Rodriguez/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>This has left another major film auteur mincing no words about the topic at this year's Cannes Film Festival:\u003c/p>\n\u003cp>\"As far as I’m concerned, digital projection and DCPs is the death of cinema as I know it,\" \u003ca href=\"https://www.youtube.com/watch?v=hs-iawvv9NU\" target=\"_blank\">said Quentin Tarantino\u003c/a>. \"It’s not even about shooting your film on film or shooting your film on digital. The fact that most films are not presented in 35 mm means that the war is lost. And digital projection -- that's just television in public. And apparently the whole world is OK with television in public. But what I knew as cinema is dead.\"\u003c/p>\n\u003cp>Tarantino has fought back against digital exhibition by operating an old movie theater in L.A. where he shows 35 mm film prints from his private collection. Director Christopher Nolan is also not a digital fan, and his hit film “Interstellar” can be seen projected on film -- in 70 mm IMAX no less -- at some theaters. Anderson also released his 2012 film, \"The Master,\" in 70 mm film.\u003c/p>\n\u003cp>\u003cstrong>Keeping the Art Alive -- in an El Cerrito Basement\u003c/strong>\u003c/p>\n\u003cp>But it's not just these big-time directors who are clinging to film projection as a purer form of screening movies. Peter Conheim, 45, is known as a member of the audio collage band \u003ca href=\"http://ww2.kqed.org/arts/2014/10/28/negativland-is-still-cultural-jamming-taking-on-our-masters/\">Negativland\u003c/a>. But he is also the former co-owner of a small movie theater in Albuquerque and the current proprietor of The Small Back Room. That’s an even smaller movie theater -- just 17 seats -- which he built himself.\u003c/p>\n\u003cp>In his basement.\u003c/p>\n\u003cp>The 35 and 16 mm projectors, he bought. The chairs and couches he found for free.\u003c/p>\n\u003cp>\"Virtually all this is street furniture,\" he says, giving me a tour one evening before showing \"Written on the Wind,\" a 1956 Douglas Sirk film. \"One of the chairs is from my old family home, one of them was my grandmother’s chair, and everything else was found on the street.\"\u003c/p>\n\u003cp>Conheim owns about 500 movie prints, in both the 16 and 35 mm formats.\u003c/p>\n\u003cp>\"Most of it is here now, but there was a period of time that I had to store a lot of it in my mother’s shop, in my family home, because I had no room.\"\u003c/p>\n\u003cfigure id=\"attachment_10373125\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/12/projector-e1418166671893.jpg\">\u003cimg class=\"size-thumbnail wp-image-10373125\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/12/projector-e1418166671893-400x527.jpg\" alt=\"A film projector at Peter Conheim's "Small Back Room" home movie theater in El Cerrito. (Jon Brooks/KQED)\" width=\"400\" height=\"527\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2014/12/projector-e1418166671893-400x527.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2014/12/projector-e1418166671893-800x1055.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2014/12/projector-e1418166671893.jpg 1029w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A film projector at Peter Conheim's \"Small Back Room\" home movie theater in El Cerrito. (Jon Brooks/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>He started collecting 16 mm films, a smaller format than the 35 mm prints most of us have grown up with at movie theaters. He graduated to 35 mm while owning the theater in Albuquerque.\u003c/p>\n\u003cp>\"I got the bug about 35mm projection when I had the opportunity to get a print of the Sam Peckinpah film, 'The Wild Bunch.' One night after we had closed at the theater, I put on a reel and it just hit me that I was seeing the actual art object, what is the closest experience possible to the 1969 showing of the movie, from a print that was made at that time and was made to look as good as possible for that time. ... That had a huge impact on me, and I started to think seriously about how I could put 35 mm projection in my home.\"\u003c/p>\n\u003cp>Before the audience arrives for \"Written on the Wind,\" Conheim gives me a little intro.\u003c/p>\n\u003cp>\"'Written on the Wind'\" is a \"beautiful, gaudy high-octane melodrama that uses colors as emotional signifiers,\" he tells me in a summation worthy of Turner Classic Movies. \"It’s particularly enjoyable to watch it on a 35 mm print because the colors really leap out.\"\u003c/p>\n\u003cp>After the invitation-only audience settles into their seats, filling to capacity Conheim's homemade El Cerrito movie palace, he puts on a little 1950s-era short subject called \"Living in a Trailer,\" about ... living in a trailer.\u003c/p>\n\u003cp>\"After the twins have cleaned up, they watch television while father reads and mother prepares dinner,\" the narrator says at the end of the film. \"Come to dinner! Father turns off the television. It has been a happy Saturday for the Burns family. They enjoy living in their trailer.\"\u003c/p>\n\u003cp>Then comes the feature -- the swelling, grandiloquent opening music followed by Rock Hudson and Lauren Bacall going at it.\u003c/p>\n\u003cp>\"So you’re the new executive secretary, huh?\" Hudson asks Bacall.\u003c/p>\n\u003cp>\"Well, don’t let that title deceive you, I do everything but wash windows,\" she retorts.\u003c/p>\n\u003cp>After some initial Mystery Science Theater 3000 cracks from the audience, any notion of treating the film as pure kitsch simply evaporates from the room. It's surprising with material this ripe for ironic disengagement, but the audience becomes totally immersed in the flickering lights on screen. An initial annoyance, the intrusive whir of the projector, which Conheim keeps in a back alcove (next to his washer and dryer), somehow adds to the immediacy of the experience. I've seen movies here several times now, and I am of the opinion that it would take a very dull picture indeed to render the experience less than inviting.\u003c/p>\n\u003cp>\"The thing that makes film so special,\" Conheim says, \"is it’s organic matter that’s having light shown through it, and it’s a magic lantern effect. It’s an optical illusion happening in a machine for your eyes, and the result is so much more tactile than a computer-generated video image. It’s a very different aesthetic experience. Your brain seems to know that you’re watching an actual object with light shining though it and hitting the screen, as opposed to a replica of 1's and 0's, a sort of simulacrum.\"\u003c/p>\n\u003cp>\"It’s like magic,\" says Craig Valenza. \"It’s magic. It always was.\"\u003c/p>\n\u003cp>Valenza is someone for whom the switchover to digital is not just a matter of aesthetics. He’s the projectionist -- for about 40 years now -- at the Pacific Film Archive, which collects and exhibits old films. When I visit him there, he gives me a tour of the projection room and a close-up look at the 35 mm projector.\u003c/p>\n\u003cp>\"It’s a precise piece of machinery,\" he says. \"If it wasn’t, you would know it. It wouldn’t show a nice steady picture on the screen.\"\u003c/p>\n\u003cfigure id=\"attachment_10376886\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/12/ConheimProjector.jpg\">\u003cimg class=\"wp-image-10376886 size-thumbnail\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/12/ConheimProjector-400x512.jpg\" alt=\"Peter Conheim (John Gullak/Courtesy Peter Conheim)\" width=\"400\" height=\"512\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2014/12/ConheimProjector-400x512.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2014/12/ConheimProjector-800x1025.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2014/12/ConheimProjector.jpg 1440w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Peter Conheim (John Gullak/Courtesy Peter Conheim)\u003c/figcaption>\u003c/figure>\n\u003cp>PFA still shows 35 mm prints when it can get them. Valenza has to inspect the print of a movie on that night's bill: Jean-Luc Godard’s “Tout va bien,” from 1972. Valenza spins the film from one reel to another, checking the edges with his hands for defects.\u003c/p>\n\u003cp>What do you do if you find one? I ask.\u003c/p>\n\u003cp>\"I fix it. Various things you can do. These days a lot of people just slap tape on it. Or maybe you have to cut it out, amputate it. Or notch it, which is an old trick.\"\u003c/p>\n\u003cp>But with a Digital Cinema Package, there’s little he can do if something goes wrong. If it does, he has to call someone else in to service it.\u003c/p>\n\u003cp>\"Not much labor,\" he says of the digital system. \"I put the hard drive up and connect it in, and an hour later -- if you’re lucky -- it is transferred to the hard drive on the server. Anyone can run a computer. Theater managers can do it, popcorn people can do it. The profession’s gone. The art, or whatever you’d want to call it, of showing film is pretty much out of there.\"\u003c/p>\n\u003cp>PFA patrons are not always on board with the technological shift to digital.\u003c/p>\n\u003cp>\"There are people who don’t come here when we show digitally,\" Valenza says. \"They have never seen one and they don't want to. I won’t say there’s a lot of them, but I know several that are that way. They’ll come here for film, and I hope they’re happy with the dwindling selection.\"\u003c/p>\n\u003cp>On the other hand, he says, \"I think generally a lot of them don’t even know the difference.\" He tells me one person who's been on the technical end of the movie business asked him after the show where he got a beautiful print from. \"I said, 'It’s digital.' She said, 'Oh, I didn’t know that.' \"\u003c/p>\n\u003cp>But the audience at Conheim’s Small Back Room, well, they do notice.\u003c/p>\n\u003cp>\"I think it being, you know, on film and having the projector, it does have a nostalgic quality, even the sound of the projector,\" says Jason Stamberger. \"To me it looks better. The inherent errors and problems with the film, I like more than the errors and problems with the digital. (Digital) doesn’t have the same quality of image, the same artistry.\"\u003c/p>\n\u003cp>\"It’s very important to keep this alive,\" says Mark Wagner. \"It’s very much an art form.\"\u003c/p>\n\u003cp>Conheim is not alone in his dedication to the old way of showing movies. He notices other projectionists in online forums doing screenings for friends. I ask him what they're like.\u003c/p>\n\u003cp>\"Film collectors are anti-social, that live in caves. They’ve been working in caves, as projectionists oftentimes, receiving intravenous fluids from time to time,\" he says. \"I would say the average film collector is generally an older white guy who started in his teens because his grandfather was a projectionist and he became a projectionist.\"\u003c/p>\n\u003cp>Conheim will often trade films with his fellow cave dwellers and sometimes inspect their prints for them. There’s one terrible condition in particular that afflicts many prints. Collectors and archivists call it the dreaded vinegar syndrome, which affects prints made from acetate, a material that was discontinued in the 1980s.\u003c/p>\n\u003cp>\"Acetate, they later found out, returns to its natural state and becomes acetic acid after time,\" Conheim explains. \"It is like film’s disease, and it's contagious. It spreads from one film to the other, and you have to quarantine. I have a quarantine area in my garage. If a print has vinegar syndrome, eventually you won’t be able to project it anymore. It will curl up and shrink. It will turn to goo.\"\u003c/p>\n\u003cp>Fear of the vinegar syndrome, among other print pitfalls, has prevented one collector he knows from projecting what’s considered to be the Honus Wagner baseball card of film prints -- a rare and valuable British release of \"Star Wars.\"\u003c/p>\n\u003cp>\"The English prints were in this very stable, non-fading Technicolor process,\" Conheim says. \"Only in England and maybe a few other countries. In America it was printed on what was rapidly fading, horrible Eastman film that turned red very quickly. So to have a 'Star Wars' print from England with the color intact is a very special thing indeed. I never see them come up for sale.\u003c/p>\n\u003cp>\"One of the people that owns a Technicolor print of 'Star Wars' has never unsealed the box. I’ve seen it sitting on the shelf, and he tells me he just can’t bear the possibility of being disappointed.\"\u003c/p>\n\u003cp>Aside from the fact that many prints are just \"waiting to turn to goo,\" other obstacles await any would-be projectionist. For one thing, it’s just not as easy as, say, keeping a vinyl music collection going.\u003c/p>\n\u003cp>\"A lot of people throw that around, that film is going to have a comeback the way vinyl LPs have had a comeback,\" Conheim says. \"And it’s a really sweet romantic idea but it’s not going to happen because when LPs came back in vogue, it was as simple as going to a garage sale and picking up a turntable to listen to them. It’s not going to be that way for 35 mm projection because they’re too difficult to obtain. It was a rarefied professional thing. People don’t have those machines in their homes, and it’s not going to be very easy to put one in. You’re not going to know how to maintain it.\"\u003c/p>\n\u003cp>Plus, he says, it’s harder and harder to get the parts.\u003c/p>\n\u003cp>\"The maker of the most precision part of the projector that keeps image-rock steady -- that company has ceased to make the parts,\" he says\u003c/p>\n\u003cp>It’s also still technically illegal to own 35 mm prints.\u003c/p>\n\u003cp>\"Most people hold their collections very close to the vest,\" Conheim says. \"I know two who have been busted by the FBI back in the day. There are some paranoid people as a result. But today studios don’t really care, so you can sell on eBay. But when it was the only way to see something, there was much greater reason for studios to clamp down and consider it copyright infringement to own a print.\"\u003c/p>\n\u003cp>So with all this, why does Conheim thinks it's important to project movies instead of watch them on, say, Blu-ray, which even print enthusiasts agree looks really great?\u003c/p>\n\u003cp>\"I think it’s really important for the history of film and audiences going forward that they’re going to be able to see a film made as close to the way it was originally intended to be seen as possible,\" he says. \"And because of how digital takes you out of that experience. It’s a copy, a replica of motion picture film. It’s just a reference copy, and you should always be able to see what the original thing looked like, imperfections and all.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\"It’s the difference between seeing a reproduction in a book of, say, the 'Night Watch,' and going to the Rijksmuseum and seeing 'The Night Watch' in front of you. You have to be able to do that with film, as with any art form like it. You wouldn’t go to the symphony and expect you’re going to pay $40 for a recording. There \u003cem>is\u003c/em> an analogy there, and it’s going to be harder and harder as prints disappear.\"\u003c/p>\n\n","blocks":[],"excerpt":"An El Cerrito cinephile eschews the digital revolution by building a movie theater in his basement.","status":"publish","parent":0,"modified":1418849374,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":62,"wordCount":2874},"headData":{"title":"From Tarantino at Cannes to Collector in El Cerrito, Film Diehards Say Digital Just Not the Same | KQED","description":"An El Cerrito cinephile eschews the digital revolution by building a movie theater in his basement.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"From Tarantino at Cannes to Collector in El Cerrito, Film Diehards Say Digital Just Not the Same","datePublished":"2014-12-13T08:00:48-08:00","dateModified":"2014-12-17T12:49:34-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"},"author":{"@type":"Person","name":"Jon Brooks","jobTitle":"Digital Editor","url":"https://www.kqed.org/author/jbrooks"}},"authorsData":[{"type":"authors","id":"80","meta":{"index":"authors_1591205172","id":"80","found":true},"name":"Jon Brooks","firstName":"Jon","lastName":"Brooks","slug":"jbrooks","email":"jbrooks@kqed.org","display_author_email":true,"staff_mastheads":["science"],"title":"Digital Editor","bio":"Jon Brooks is a former Digital Editor for KQED Science. He is the former editor of KQED’s daily news blog, News Fix. In 2014, he won a California Journalism Award for his coverage of ride services like Uber and Lyft and the taxi industry. A veteran blogger, he previously worked for Yahoo! in various news writing and editing roles. Jon is also a playwright whose work has been produced in San Francisco, New York, Italy, and around the U.S. He has written about film for his own blog and studied film at Boston University.","avatar":"https://secure.gravatar.com/avatar/98887f7ed1c876ed414d4c915e969584?s=600&d=blank&r=g","twitter":"jbrooksfoy","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["Contributor","editor"]},{"site":"news","roles":["author"]},{"site":"futureofyou","roles":["administrator"]},{"site":"mindshift","roles":["editor"]},{"site":"stateofhealth","roles":["editor"]},{"site":"science","roles":["administrator"]},{"site":"quest","roles":["editor"]}],"headData":{"title":"Jon Brooks | KQED","description":"Digital Editor","ogImgSrc":"https://secure.gravatar.com/avatar/98887f7ed1c876ed414d4c915e969584?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/98887f7ed1c876ed414d4c915e969584?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/jbrooks"}],"imageData":{"ogImageSize":{"file":"https://ww2.kqed.org/app/uploads/sites/10/2014/12/FilmRoom.jpg","width":1440,"height":641},"ogImageWidth":"1440","ogImageHeight":"641","twitterImageUrl":"https://ww2.kqed.org/app/uploads/sites/10/2014/12/FilmRoom.jpg","twImageSize":{"file":"https://ww2.kqed.org/app/uploads/sites/10/2014/12/FilmRoom.jpg","width":1440,"height":641},"twitterCard":"summary_large_image"},"tagData":{"tags":["tcr","the-california-report-featured"]}},"disqusIdentifier":"10373118 http://ww2.kqed.org/news/?p=10373118","disqusUrl":"https://ww2.kqed.org/news/2014/12/13/diehards-try-to-keep-the-art-of-film-projection-alive/","disqusTitle":"From Tarantino at Cannes to Collector in El Cerrito, Film Diehards Say Digital Just Not the Same","path":"/news/10373118/diehards-try-to-keep-the-art-of-film-projection-alive","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When I write about movies, I like to substitute \"film\" or \"cinema,\" in ascending order of pretentiousness. Occasionally I'll even use \"pictures,\" though that makes me feel like Louis B. Mayer.\u003c/p>\n\u003cp>The thing about the word \"film,\" though -- it's no longer accurate. Because when you go to the movies these days, not only have many of those productions been shot digitally, but almost all are now \u003cem>projected\u003c/em> digitally.\u003c/p>\n\u003cp>\"There was a drop-dead date of Jan. 1, 2014,\" says Adam Bergeron, co-owner of the Balboa Theatre in San Francisco. \"If you haven’t converted to 35 mm digital, you are not going to be able to get new release content anymore.\"\u003c/p>\n\u003cp>Bergeron is talking about the deadline the film industry gave movie exhibitors to install the equipment necessary for screening \"Digital Cinema Packages,\" or DCPs. That’s a sort of hard drive you just plug into a server. Those reels of film that everyone from professional projectionists to any pre-videotape member of the junior high AV squad hoisted onto projectors in order for people to watch a movie -- well, those are fast fading into the hazy realm of nostalgia.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/181263803&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/181263803'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The reason is simple: Movie distributors save a lot of money by providing their content in digital form. But for a small neighborhood movie theater like the Balboa, the switchover was not a money saver. Last year it had to hustle up more than $100,000 through Kickstarter to convert to digital projection.\u003c/p>\n\u003caside class=\"pullquote alignleft\">'Digital projection...that’s just television in public. What I knew as cinema is dead.'\u003ccite>Quentin Tarantino\u003c/cite>\u003c/aside>\n\u003cp>Many cinema purists don't like it. But the handwriting has been written on the IMAX-size wall for a long time. Director \u003ca href=\"http://www.kqed.org/a/forum/R201412121000\">Paul Thomas Anderson \u003c/a>spoke out against the coming tide as far back as 1999:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The biggest scare that I have is digital projection,\" he said in an \u003ca href=\"https://www.youtube.com/watch?v=7npmu9Ge_OY\" target=\"_blank\">interview\u003c/a>. \"This sort of theory that George Lucas has about digitally projecting his films in theaters. I think that would be a big, big, big no-no. Because ultimately it’s just like watching the best TV screen in the world as opposed to watching 24 frames flicker through light, which is a hypnotic and wonderful experience and should never go away.\"\u003c/p>\n\u003cp>But it \u003cem>has\u003c/em> gone away. The Balboa still has film projectors, used for showing old movies, but even repertory houses have more and more been showing classics from the studio vaults on DCP. A recent retrospective on Stanley Kubrick at the Pacific Film Archive in Berkeley, for instance, projected most of the program digitally, not on film.\u003c/p>\n\u003cfigure id=\"attachment_10376903\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/12/PaulThomasAnderson.jpg\">\u003cimg class=\"wp-image-10376903 size-thumbnail\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/12/PaulThomasAnderson-400x225.jpg\" alt=\"Director Paul Thomas Anderson released 2012's "The Master" in 70mm. (Alberto E. Rodriguez/Getty Images)\" width=\"400\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2014/12/PaulThomasAnderson-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2014/12/PaulThomasAnderson-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2014/12/PaulThomasAnderson.jpg 1440w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Director Paul Thomas Anderson released 2012's \"The Master\" in 70mm. (Alberto E. Rodriguez/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>This has left another major film auteur mincing no words about the topic at this year's Cannes Film Festival:\u003c/p>\n\u003cp>\"As far as I’m concerned, digital projection and DCPs is the death of cinema as I know it,\" \u003ca href=\"https://www.youtube.com/watch?v=hs-iawvv9NU\" target=\"_blank\">said Quentin Tarantino\u003c/a>. \"It’s not even about shooting your film on film or shooting your film on digital. The fact that most films are not presented in 35 mm means that the war is lost. And digital projection -- that's just television in public. And apparently the whole world is OK with television in public. But what I knew as cinema is dead.\"\u003c/p>\n\u003cp>Tarantino has fought back against digital exhibition by operating an old movie theater in L.A. where he shows 35 mm film prints from his private collection. Director Christopher Nolan is also not a digital fan, and his hit film “Interstellar” can be seen projected on film -- in 70 mm IMAX no less -- at some theaters. Anderson also released his 2012 film, \"The Master,\" in 70 mm film.\u003c/p>\n\u003cp>\u003cstrong>Keeping the Art Alive -- in an El Cerrito Basement\u003c/strong>\u003c/p>\n\u003cp>But it's not just these big-time directors who are clinging to film projection as a purer form of screening movies. Peter Conheim, 45, is known as a member of the audio collage band \u003ca href=\"http://ww2.kqed.org/arts/2014/10/28/negativland-is-still-cultural-jamming-taking-on-our-masters/\">Negativland\u003c/a>. But he is also the former co-owner of a small movie theater in Albuquerque and the current proprietor of The Small Back Room. That’s an even smaller movie theater -- just 17 seats -- which he built himself.\u003c/p>\n\u003cp>In his basement.\u003c/p>\n\u003cp>The 35 and 16 mm projectors, he bought. The chairs and couches he found for free.\u003c/p>\n\u003cp>\"Virtually all this is street furniture,\" he says, giving me a tour one evening before showing \"Written on the Wind,\" a 1956 Douglas Sirk film. \"One of the chairs is from my old family home, one of them was my grandmother’s chair, and everything else was found on the street.\"\u003c/p>\n\u003cp>Conheim owns about 500 movie prints, in both the 16 and 35 mm formats.\u003c/p>\n\u003cp>\"Most of it is here now, but there was a period of time that I had to store a lot of it in my mother’s shop, in my family home, because I had no room.\"\u003c/p>\n\u003cfigure id=\"attachment_10373125\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/12/projector-e1418166671893.jpg\">\u003cimg class=\"size-thumbnail wp-image-10373125\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/12/projector-e1418166671893-400x527.jpg\" alt=\"A film projector at Peter Conheim's "Small Back Room" home movie theater in El Cerrito. (Jon Brooks/KQED)\" width=\"400\" height=\"527\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2014/12/projector-e1418166671893-400x527.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2014/12/projector-e1418166671893-800x1055.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2014/12/projector-e1418166671893.jpg 1029w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A film projector at Peter Conheim's \"Small Back Room\" home movie theater in El Cerrito. (Jon Brooks/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>He started collecting 16 mm films, a smaller format than the 35 mm prints most of us have grown up with at movie theaters. He graduated to 35 mm while owning the theater in Albuquerque.\u003c/p>\n\u003cp>\"I got the bug about 35mm projection when I had the opportunity to get a print of the Sam Peckinpah film, 'The Wild Bunch.' One night after we had closed at the theater, I put on a reel and it just hit me that I was seeing the actual art object, what is the closest experience possible to the 1969 showing of the movie, from a print that was made at that time and was made to look as good as possible for that time. ... That had a huge impact on me, and I started to think seriously about how I could put 35 mm projection in my home.\"\u003c/p>\n\u003cp>Before the audience arrives for \"Written on the Wind,\" Conheim gives me a little intro.\u003c/p>\n\u003cp>\"'Written on the Wind'\" is a \"beautiful, gaudy high-octane melodrama that uses colors as emotional signifiers,\" he tells me in a summation worthy of Turner Classic Movies. \"It’s particularly enjoyable to watch it on a 35 mm print because the colors really leap out.\"\u003c/p>\n\u003cp>After the invitation-only audience settles into their seats, filling to capacity Conheim's homemade El Cerrito movie palace, he puts on a little 1950s-era short subject called \"Living in a Trailer,\" about ... living in a trailer.\u003c/p>\n\u003cp>\"After the twins have cleaned up, they watch television while father reads and mother prepares dinner,\" the narrator says at the end of the film. \"Come to dinner! Father turns off the television. It has been a happy Saturday for the Burns family. They enjoy living in their trailer.\"\u003c/p>\n\u003cp>Then comes the feature -- the swelling, grandiloquent opening music followed by Rock Hudson and Lauren Bacall going at it.\u003c/p>\n\u003cp>\"So you’re the new executive secretary, huh?\" Hudson asks Bacall.\u003c/p>\n\u003cp>\"Well, don’t let that title deceive you, I do everything but wash windows,\" she retorts.\u003c/p>\n\u003cp>After some initial Mystery Science Theater 3000 cracks from the audience, any notion of treating the film as pure kitsch simply evaporates from the room. It's surprising with material this ripe for ironic disengagement, but the audience becomes totally immersed in the flickering lights on screen. An initial annoyance, the intrusive whir of the projector, which Conheim keeps in a back alcove (next to his washer and dryer), somehow adds to the immediacy of the experience. I've seen movies here several times now, and I am of the opinion that it would take a very dull picture indeed to render the experience less than inviting.\u003c/p>\n\u003cp>\"The thing that makes film so special,\" Conheim says, \"is it’s organic matter that’s having light shown through it, and it’s a magic lantern effect. It’s an optical illusion happening in a machine for your eyes, and the result is so much more tactile than a computer-generated video image. It’s a very different aesthetic experience. Your brain seems to know that you’re watching an actual object with light shining though it and hitting the screen, as opposed to a replica of 1's and 0's, a sort of simulacrum.\"\u003c/p>\n\u003cp>\"It’s like magic,\" says Craig Valenza. \"It’s magic. It always was.\"\u003c/p>\n\u003cp>Valenza is someone for whom the switchover to digital is not just a matter of aesthetics. He’s the projectionist -- for about 40 years now -- at the Pacific Film Archive, which collects and exhibits old films. When I visit him there, he gives me a tour of the projection room and a close-up look at the 35 mm projector.\u003c/p>\n\u003cp>\"It’s a precise piece of machinery,\" he says. \"If it wasn’t, you would know it. It wouldn’t show a nice steady picture on the screen.\"\u003c/p>\n\u003cfigure id=\"attachment_10376886\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/12/ConheimProjector.jpg\">\u003cimg class=\"wp-image-10376886 size-thumbnail\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/12/ConheimProjector-400x512.jpg\" alt=\"Peter Conheim (John Gullak/Courtesy Peter Conheim)\" width=\"400\" height=\"512\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2014/12/ConheimProjector-400x512.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2014/12/ConheimProjector-800x1025.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2014/12/ConheimProjector.jpg 1440w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Peter Conheim (John Gullak/Courtesy Peter Conheim)\u003c/figcaption>\u003c/figure>\n\u003cp>PFA still shows 35 mm prints when it can get them. Valenza has to inspect the print of a movie on that night's bill: Jean-Luc Godard’s “Tout va bien,” from 1972. Valenza spins the film from one reel to another, checking the edges with his hands for defects.\u003c/p>\n\u003cp>What do you do if you find one? I ask.\u003c/p>\n\u003cp>\"I fix it. Various things you can do. These days a lot of people just slap tape on it. Or maybe you have to cut it out, amputate it. Or notch it, which is an old trick.\"\u003c/p>\n\u003cp>But with a Digital Cinema Package, there’s little he can do if something goes wrong. If it does, he has to call someone else in to service it.\u003c/p>\n\u003cp>\"Not much labor,\" he says of the digital system. \"I put the hard drive up and connect it in, and an hour later -- if you’re lucky -- it is transferred to the hard drive on the server. Anyone can run a computer. Theater managers can do it, popcorn people can do it. The profession’s gone. The art, or whatever you’d want to call it, of showing film is pretty much out of there.\"\u003c/p>\n\u003cp>PFA patrons are not always on board with the technological shift to digital.\u003c/p>\n\u003cp>\"There are people who don’t come here when we show digitally,\" Valenza says. \"They have never seen one and they don't want to. I won’t say there’s a lot of them, but I know several that are that way. They’ll come here for film, and I hope they’re happy with the dwindling selection.\"\u003c/p>\n\u003cp>On the other hand, he says, \"I think generally a lot of them don’t even know the difference.\" He tells me one person who's been on the technical end of the movie business asked him after the show where he got a beautiful print from. \"I said, 'It’s digital.' She said, 'Oh, I didn’t know that.' \"\u003c/p>\n\u003cp>But the audience at Conheim’s Small Back Room, well, they do notice.\u003c/p>\n\u003cp>\"I think it being, you know, on film and having the projector, it does have a nostalgic quality, even the sound of the projector,\" says Jason Stamberger. \"To me it looks better. The inherent errors and problems with the film, I like more than the errors and problems with the digital. (Digital) doesn’t have the same quality of image, the same artistry.\"\u003c/p>\n\u003cp>\"It’s very important to keep this alive,\" says Mark Wagner. \"It’s very much an art form.\"\u003c/p>\n\u003cp>Conheim is not alone in his dedication to the old way of showing movies. He notices other projectionists in online forums doing screenings for friends. I ask him what they're like.\u003c/p>\n\u003cp>\"Film collectors are anti-social, that live in caves. They’ve been working in caves, as projectionists oftentimes, receiving intravenous fluids from time to time,\" he says. \"I would say the average film collector is generally an older white guy who started in his teens because his grandfather was a projectionist and he became a projectionist.\"\u003c/p>\n\u003cp>Conheim will often trade films with his fellow cave dwellers and sometimes inspect their prints for them. There’s one terrible condition in particular that afflicts many prints. Collectors and archivists call it the dreaded vinegar syndrome, which affects prints made from acetate, a material that was discontinued in the 1980s.\u003c/p>\n\u003cp>\"Acetate, they later found out, returns to its natural state and becomes acetic acid after time,\" Conheim explains. \"It is like film’s disease, and it's contagious. It spreads from one film to the other, and you have to quarantine. I have a quarantine area in my garage. If a print has vinegar syndrome, eventually you won’t be able to project it anymore. It will curl up and shrink. It will turn to goo.\"\u003c/p>\n\u003cp>Fear of the vinegar syndrome, among other print pitfalls, has prevented one collector he knows from projecting what’s considered to be the Honus Wagner baseball card of film prints -- a rare and valuable British release of \"Star Wars.\"\u003c/p>\n\u003cp>\"The English prints were in this very stable, non-fading Technicolor process,\" Conheim says. \"Only in England and maybe a few other countries. In America it was printed on what was rapidly fading, horrible Eastman film that turned red very quickly. So to have a 'Star Wars' print from England with the color intact is a very special thing indeed. I never see them come up for sale.\u003c/p>\n\u003cp>\"One of the people that owns a Technicolor print of 'Star Wars' has never unsealed the box. I’ve seen it sitting on the shelf, and he tells me he just can’t bear the possibility of being disappointed.\"\u003c/p>\n\u003cp>Aside from the fact that many prints are just \"waiting to turn to goo,\" other obstacles await any would-be projectionist. For one thing, it’s just not as easy as, say, keeping a vinyl music collection going.\u003c/p>\n\u003cp>\"A lot of people throw that around, that film is going to have a comeback the way vinyl LPs have had a comeback,\" Conheim says. \"And it’s a really sweet romantic idea but it’s not going to happen because when LPs came back in vogue, it was as simple as going to a garage sale and picking up a turntable to listen to them. It’s not going to be that way for 35 mm projection because they’re too difficult to obtain. It was a rarefied professional thing. People don’t have those machines in their homes, and it’s not going to be very easy to put one in. You’re not going to know how to maintain it.\"\u003c/p>\n\u003cp>Plus, he says, it’s harder and harder to get the parts.\u003c/p>\n\u003cp>\"The maker of the most precision part of the projector that keeps image-rock steady -- that company has ceased to make the parts,\" he says\u003c/p>\n\u003cp>It’s also still technically illegal to own 35 mm prints.\u003c/p>\n\u003cp>\"Most people hold their collections very close to the vest,\" Conheim says. \"I know two who have been busted by the FBI back in the day. There are some paranoid people as a result. But today studios don’t really care, so you can sell on eBay. But when it was the only way to see something, there was much greater reason for studios to clamp down and consider it copyright infringement to own a print.\"\u003c/p>\n\u003cp>So with all this, why does Conheim thinks it's important to project movies instead of watch them on, say, Blu-ray, which even print enthusiasts agree looks really great?\u003c/p>\n\u003cp>\"I think it’s really important for the history of film and audiences going forward that they’re going to be able to see a film made as close to the way it was originally intended to be seen as possible,\" he says. \"And because of how digital takes you out of that experience. It’s a copy, a replica of motion picture film. It’s just a reference copy, and you should always be able to see what the original thing looked like, imperfections and all.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"It’s the difference between seeing a reproduction in a book of, say, the 'Night Watch,' and going to the Rijksmuseum and seeing 'The Night Watch' in front of you. You have to be able to do that with film, as with any art form like it. You wouldn’t go to the symphony and expect you’re going to pay $40 for a recording. There \u003cem>is\u003c/em> an analogy there, and it’s going to be harder and harder as prints disappear.\"\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/10373118/diehards-try-to-keep-the-art-of-film-projection-alive","authors":["80"],"programs":["news_6944","news_72"],"categories":["news_223","news_8"],"tags":["news_17286","news_17041"],"featImg":"news_10376880","label":"news_72","isLoading":false,"hasAllInfo":true}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. 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You ask the questions. You decide what Bay Curious investigates. 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Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Consider-This-Podcast-Tile-703x703-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. 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One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.","airtime":"MON-FRI 7pm-8pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/fresh-air/","meta":{"site":"radio","source":"npr"},"link":"/radio/program/fresh-air","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/Fresh-Air-p17/","rss":"https://feeds.npr.org/381444908/podcast.xml"}},"here-and-now":{"id":"here-and-now","title":"Here & Now","info":"A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.","airtime":"MON-THU 11am-12pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"http://www.wbur.org/hereandnow","meta":{"site":"news","source":"npr"},"link":"/radio/program/here-and-now","subsdcribe":{"apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661","tuneIn":"https://tunein.com/radio/Here--Now-p211/","rss":"https://feeds.npr.org/510051/podcast.xml"}},"how-i-built-this":{"id":"how-i-built-this","title":"How I Built This with Guy Raz","info":"Guy Raz dives into the stories behind some of the world's best known companies. 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No other part of the globe has experienced such dynamic political and social change in recent years.","airtime":"SAT 3am-4am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Inside-Europe-Podcast-Tile-300x300-1.jpg","meta":{"site":"news","source":"Deutsche Welle"},"link":"/radio/program/inside-europe","subscribe":{"apple":"https://itunes.apple.com/us/podcast/inside-europe/id80106806?mt=2","tuneIn":"https://tunein.com/radio/Inside-Europe-p731/","rss":"https://partner.dw.com/xml/podcast_inside-europe"}},"latino-usa":{"id":"latino-usa","title":"Latino USA","airtime":"MON 1am-2am, SUN 6pm-7pm","info":"Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg","officialWebsiteLink":"http://latinousa.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/latino-usa","subscribe":{"npr":"https://rpb3r.app.goo.gl/xtTd","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/Latino-USA-p621/","rss":"https://feeds.npr.org/510016/podcast.xml"}},"live-from-here-highlights":{"id":"live-from-here-highlights","title":"Live from Here Highlights","info":"Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. 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Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. 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