How Teachers Are Using 'Hamilton' the Musical in the Classroom
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Though the programs had changed and morphed over the years, the students remained enthusiastic and receptive to their style, which was first teaching kids about Shakespeare’s life and the times in which he lived and wrote, followed by getting kids up on their feet and speaking Shakespeare.\u003c/p>\n\u003cp>“The axiom I go by is, you learn Shakespeare by doing Shakespeare,” he said. “And the idea [of the workshops] was to get kids up on their feet and speak Shakespeare aloud.”\u003c/p>\n\u003cp class=\"p1\">Then two years ago, at the suggestion of a fellow actor, Kelly decided to take a different tack: Incorporate music, specifically hip-hop, into a typical workshop. He pulled apart one of his traditional presentations featuring Shakespearean speeches from different plays, and revamped it with hip-hop beats and music. They focused on the rhythm and poetry of both art forms, and even designed a rap version of the \"To be or not to be\" soliloquy from \u003ci>Hamlet\u003c/i>, comparing it with the themes of some present-day hip-hop songs. “We will say [to the students], ‘Oh, isn’t that interesting? 400 years ago this guy was talking about this [suicide, indecision], so really, nothing has changed, has it?”\u003c/p>\n\u003cp class=\"p1\">When they brought it to high schools, “Shakespeare Meets Hip-Hop” was an instant success. “The presentation itself, they loved,” Kelly said. “They’d go bananas when we would do it, and they loved all the musical stuff we put in there.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=tvVg2O0q0rQ\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp class=\"p1\">No one has championed the connection between the centuries-old literature of Shakespeare and hip-hop music more than MOBO Award-winning UK rapper Akala, born Kingslee Daley, who was so moved by the similarities between the two that he founded \u003ca href=\"http://www.hiphopshakespeare.com/\">The Hip-Hop Shakespeare Company\u003c/a> (THSC) in London. Focusing on productions that meld the two styles in experimental ways, THSC also provides workshops aimed at students to expand their understanding of what Shakespeare is, and what it could be.\u003c/p>\n\u003cp class=\"p1\">Akala said he’d first seen Shakespeare’s genius and “subversive potential” when he was a teenager, for which he credits good English and drama teachers at his inner-city London high school. “I grew up listening to Chuck D and Jimi Hendrix and Bob Marley, and all kinds of really deep, political social commentary forms of music,” he said. “So when I encountered Shakespeare in school, I immediately recognized the kind of genius in his work -- elaborate characterization and the rhythm, particularly.”\u003c/p>\n\u003cp class=\"p1\">Part of the unofficial mission of THSC is to knock Shakespeare off its “high art” pedestal, which it certainly wasn’t considered in its time. Akala said that Shakespeare was viewed by Elizabethans the way hip-hop is viewed today by middle-class Americans or British: “It was considered a little bit risky, a little bit naughty and dangerous.”\u003c/p>\n\u003cp class=\"p1\">Both art forms also feature some raw human behaviors and emotions — sex, jealousy, plotting and killing, to name just a few. But when first approaching it in high school, that’s a side that students don’t often see.\u003c/p>\n\u003cp class=\"p1\">“Shakespeare, like all great poetry, deals with what it means to be human: love, tragedy, war, violence,” Akala said. “Think of \u003ci>Titus Andronicus -- \u003c/i>one guy doesn’t like some other guys, so he cuts them up and puts them in a pie and feeds them to the other guys’ parents. If Biggie Smalls told that same story, people would say, ‘Why is Biggie promoting violence?’ ”\u003c/p>\n\u003cp class=\"p1\">Both Shakespeare and hip-hop stretch and shape the usage of the English language, using imagery and especially rhythm to tell the story in a powerful way. In a recent \u003ca href=\"https://www.youtube.com/watch?v=DSbtkLA3GrY\">TEDx Talk\u003c/a>, Akala gave multiple examples of hip-hop songs that mimic the iambic rhythm (de-DUM de-DUM) that Shakespeare used for the vast majority of his verse -- the language and rhythm fused together in a style so similar that the audience had difficulty deciphering which verse was Shakespeare and which was hip-hop. Watch Akala perform \u003cem>Sonnet 18\u003c/em> at 5:20 here:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=DSbtkLA3GrY\u003c/p>\n\u003cp class=\"p1\">Peggy O’Brien, director of education at the \u003ca href=\"http://www.folger.edu/\">Folger Shakespeare Library\u003c/a> in Washington, D.C., said often the study of Shakespeare can focus too much on what the words mean and not enough on what they sound and feel like.\u003c/p>\n\u003cp class=\"p1\">“[Shakespeare] is the only book that we give to students that has footnotes everywhere, footnotes and glossaries, where we tell kids practically what every word means,” she said. “And so what happens is, we focus only on the meaning, and we forget that a ton of what Shakespeare is about is what it sounds like with the language, the meter and the rhyme. But hip-hop and freestyle and beatbox, which is all about meter and rhyme, is a fabulous way to enter that world. And you can get to meaning after that.”\u003c/p>\n\u003cp class=\"p1\">O’Brien said that Shakespeare has been adapted to different times in history since nearly the moment he wrote the plays, and calls the trend to bring hip-hop and Shakespeare together a great one. When asked if teachers can use hip-hop to connect students to Shakespeare, she said, “Students can use hip-hop to connect \u003cem>themselves\u003c/em> to Shakespeare. If Shakespeare were around today, he’d be doing what Lin-Manuel Miranda has done.” Miranda used hip-hop to tell the story of the \"$10 founding father,\" Alexander Hamilton in this year’s smash Broadway musical, \u003ci>Hamilton\u003c/i>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=WNFf7nMIGnE\u003c/p>\n\u003cp class=\"p1\">But beyond finding the rhyming parallels between Jay-Z and the Bard, Akala seems to be on a broader mission, and that’s to bring a message to students that Shakespeare, or what many consider any “great” art, doesn’t belong to any one group. Growing up in London as the grandson of Jamaican immigrants, Akala felt commonalities with the roots of American hip-hop, which was born in the tumultuous neighborhoods of the Bronx in the 1970s.\u003c/p>\n\u003cp class=\"p1\">“Coming from a socioeconomically privileged background doesn’t make you more intelligent than anyone else. You just have more access,” he said. “In the sense of, if you’re not white and you don’t speak in a particular way and you don’t have money, then you’re not a 'legitimate' custodian of the knowledge. For people from my background -- children of working-class, immigrant populations -- we were inspired by Wu-Tang Clan, from the projects of Staten Island. Listen to the words that Wu Tang had the audacity to use: words like \u003ci>cometh\u003c/i> and \u003ci>benevolent\u003c/i>. They talked about Socrates. And for me, growing up thousands of miles away from New York in London, it gave me a sense at 13 years old that intelligence was sexy, that it was interesting and attractive.”\u003c/p>\n\u003cp class=\"p1\">In Kelly’s experience performing \"Shakespeare Meets Hip-Hop\" in schools, students get the connection. “Both rappers and Shakespeare, they’re talking about the struggle of humanity. That’s what’s interesting about the two art forms,” he said.\u003c/p>\n\u003cp class=\"p1\">O’Brien is eager to incorporate hip-hop into the programs at the Folger, and said she’s actively looking for musicians and hip-hop artists to work with.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp class=\"p1\">“It’s a captive audience because kids have to take Shakespeare in school,” she said. “So if we can get that first intro to Shakespeare [through hip-hop], not even the language adapted, but just the way he wrote it through the meter and the rhyme -- that’s a great way to open that door.”\u003c/p>\n\n","blocks":[],"excerpt":"Performing Shakespeare through the lens of hip hop and youth culture is helping the bard's words and messages find relevance among students.","status":"publish","parent":0,"modified":1472735415,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":1365},"headData":{"title":"How Hip-Hop Can Bring Shakespeare to Life | KQED","description":"Performing Shakespeare through the lens of hip hop and youth culture is helping the bard's words and messages find relevance among students.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How Hip-Hop Can Bring Shakespeare to Life","datePublished":"2016-09-01T13:03:55.000Z","dateModified":"2016-09-01T13:10:15.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"46215 http://ww2.kqed.org/mindshift/?p=46215","disqusUrl":"https://ww2.kqed.org/mindshift/2016/09/01/how-hip-hop-can-bring-shakespeare-to-life/","disqusTitle":"How Hip-Hop Can Bring Shakespeare to Life","path":"/mindshift/46215/how-hip-hop-can-bring-shakespeare-to-life","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Artistic director Michael Kelly had been bringing Shakespeare to schools in the greater Toronto area since 1987 with his company \u003ca href=\"http://www.shakespeareinaction.org/\">Shakespeare in Action\u003c/a>, creating presentations and workshops for ages kindergarten through high school. Though the programs had changed and morphed over the years, the students remained enthusiastic and receptive to their style, which was first teaching kids about Shakespeare’s life and the times in which he lived and wrote, followed by getting kids up on their feet and speaking Shakespeare.\u003c/p>\n\u003cp>“The axiom I go by is, you learn Shakespeare by doing Shakespeare,” he said. “And the idea [of the workshops] was to get kids up on their feet and speak Shakespeare aloud.”\u003c/p>\n\u003cp class=\"p1\">Then two years ago, at the suggestion of a fellow actor, Kelly decided to take a different tack: Incorporate music, specifically hip-hop, into a typical workshop. He pulled apart one of his traditional presentations featuring Shakespearean speeches from different plays, and revamped it with hip-hop beats and music. They focused on the rhythm and poetry of both art forms, and even designed a rap version of the \"To be or not to be\" soliloquy from \u003ci>Hamlet\u003c/i>, comparing it with the themes of some present-day hip-hop songs. “We will say [to the students], ‘Oh, isn’t that interesting? 400 years ago this guy was talking about this [suicide, indecision], so really, nothing has changed, has it?”\u003c/p>\n\u003cp class=\"p1\">When they brought it to high schools, “Shakespeare Meets Hip-Hop” was an instant success. “The presentation itself, they loved,” Kelly said. “They’d go bananas when we would do it, and they loved all the musical stuff we put in there.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tvVg2O0q0rQ'\n title='//www.youtube.com/embed/tvVg2O0q0rQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp class=\"p1\">No one has championed the connection between the centuries-old literature of Shakespeare and hip-hop music more than MOBO Award-winning UK rapper Akala, born Kingslee Daley, who was so moved by the similarities between the two that he founded \u003ca href=\"http://www.hiphopshakespeare.com/\">The Hip-Hop Shakespeare Company\u003c/a> (THSC) in London. Focusing on productions that meld the two styles in experimental ways, THSC also provides workshops aimed at students to expand their understanding of what Shakespeare is, and what it could be.\u003c/p>\n\u003cp class=\"p1\">Akala said he’d first seen Shakespeare’s genius and “subversive potential” when he was a teenager, for which he credits good English and drama teachers at his inner-city London high school. “I grew up listening to Chuck D and Jimi Hendrix and Bob Marley, and all kinds of really deep, political social commentary forms of music,” he said. “So when I encountered Shakespeare in school, I immediately recognized the kind of genius in his work -- elaborate characterization and the rhythm, particularly.”\u003c/p>\n\u003cp class=\"p1\">Part of the unofficial mission of THSC is to knock Shakespeare off its “high art” pedestal, which it certainly wasn’t considered in its time. Akala said that Shakespeare was viewed by Elizabethans the way hip-hop is viewed today by middle-class Americans or British: “It was considered a little bit risky, a little bit naughty and dangerous.”\u003c/p>\n\u003cp class=\"p1\">Both art forms also feature some raw human behaviors and emotions — sex, jealousy, plotting and killing, to name just a few. But when first approaching it in high school, that’s a side that students don’t often see.\u003c/p>\n\u003cp class=\"p1\">“Shakespeare, like all great poetry, deals with what it means to be human: love, tragedy, war, violence,” Akala said. “Think of \u003ci>Titus Andronicus -- \u003c/i>one guy doesn’t like some other guys, so he cuts them up and puts them in a pie and feeds them to the other guys’ parents. If Biggie Smalls told that same story, people would say, ‘Why is Biggie promoting violence?’ ”\u003c/p>\n\u003cp class=\"p1\">Both Shakespeare and hip-hop stretch and shape the usage of the English language, using imagery and especially rhythm to tell the story in a powerful way. In a recent \u003ca href=\"https://www.youtube.com/watch?v=DSbtkLA3GrY\">TEDx Talk\u003c/a>, Akala gave multiple examples of hip-hop songs that mimic the iambic rhythm (de-DUM de-DUM) that Shakespeare used for the vast majority of his verse -- the language and rhythm fused together in a style so similar that the audience had difficulty deciphering which verse was Shakespeare and which was hip-hop. Watch Akala perform \u003cem>Sonnet 18\u003c/em> at 5:20 here:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/DSbtkLA3GrY'\n title='//www.youtube.com/embed/DSbtkLA3GrY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">Peggy O’Brien, director of education at the \u003ca href=\"http://www.folger.edu/\">Folger Shakespeare Library\u003c/a> in Washington, D.C., said often the study of Shakespeare can focus too much on what the words mean and not enough on what they sound and feel like.\u003c/p>\n\u003cp class=\"p1\">“[Shakespeare] is the only book that we give to students that has footnotes everywhere, footnotes and glossaries, where we tell kids practically what every word means,” she said. “And so what happens is, we focus only on the meaning, and we forget that a ton of what Shakespeare is about is what it sounds like with the language, the meter and the rhyme. But hip-hop and freestyle and beatbox, which is all about meter and rhyme, is a fabulous way to enter that world. And you can get to meaning after that.”\u003c/p>\n\u003cp class=\"p1\">O’Brien said that Shakespeare has been adapted to different times in history since nearly the moment he wrote the plays, and calls the trend to bring hip-hop and Shakespeare together a great one. When asked if teachers can use hip-hop to connect students to Shakespeare, she said, “Students can use hip-hop to connect \u003cem>themselves\u003c/em> to Shakespeare. If Shakespeare were around today, he’d be doing what Lin-Manuel Miranda has done.” Miranda used hip-hop to tell the story of the \"$10 founding father,\" Alexander Hamilton in this year’s smash Broadway musical, \u003ci>Hamilton\u003c/i>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WNFf7nMIGnE'\n title='//www.youtube.com/embed/WNFf7nMIGnE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">But beyond finding the rhyming parallels between Jay-Z and the Bard, Akala seems to be on a broader mission, and that’s to bring a message to students that Shakespeare, or what many consider any “great” art, doesn’t belong to any one group. Growing up in London as the grandson of Jamaican immigrants, Akala felt commonalities with the roots of American hip-hop, which was born in the tumultuous neighborhoods of the Bronx in the 1970s.\u003c/p>\n\u003cp class=\"p1\">“Coming from a socioeconomically privileged background doesn’t make you more intelligent than anyone else. You just have more access,” he said. “In the sense of, if you’re not white and you don’t speak in a particular way and you don’t have money, then you’re not a 'legitimate' custodian of the knowledge. For people from my background -- children of working-class, immigrant populations -- we were inspired by Wu-Tang Clan, from the projects of Staten Island. Listen to the words that Wu Tang had the audacity to use: words like \u003ci>cometh\u003c/i> and \u003ci>benevolent\u003c/i>. They talked about Socrates. And for me, growing up thousands of miles away from New York in London, it gave me a sense at 13 years old that intelligence was sexy, that it was interesting and attractive.”\u003c/p>\n\u003cp class=\"p1\">In Kelly’s experience performing \"Shakespeare Meets Hip-Hop\" in schools, students get the connection. “Both rappers and Shakespeare, they’re talking about the struggle of humanity. That’s what’s interesting about the two art forms,” he said.\u003c/p>\n\u003cp class=\"p1\">O’Brien is eager to incorporate hip-hop into the programs at the Folger, and said she’s actively looking for musicians and hip-hop artists to work with.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp class=\"p1\">“It’s a captive audience because kids have to take Shakespeare in school,” she said. “So if we can get that first intro to Shakespeare [through hip-hop], not even the language adapted, but just the way he wrote it through the meter and the rhyme -- that’s a great way to open that door.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/mindshift/46215/how-hip-hop-can-bring-shakespeare-to-life","authors":["4445"],"categories":["mindshift_192"],"tags":["mindshift_20646","mindshift_20784","mindshift_1040","mindshift_20976","mindshift_20682","mindshift_364","mindshift_21016","mindshift_978"],"featImg":"mindshift_46256","label":"mindshift"},"mindshift_44137":{"type":"posts","id":"mindshift_44137","meta":{"index":"posts_1591205157","site":"mindshift","id":"44137","score":null,"sort":[1457942898000]},"guestAuthors":[],"slug":"how-teachers-are-using-hamilton-the-musical-in-the-classroom","title":"How Teachers Are Using 'Hamilton' the Musical in the Classroom","publishDate":1457942898,"format":"standard","headTitle":"MindShift | KQED News","labelTerm":{"site":"mindshift"},"content":"\u003cp>Eighth-grade history teacher Lois MacMillan makes no secret of her enthusiasm for Alexander Hamilton. She wears a T-shirt that says, “If Hamilton can write 51 essays in six months I can probably make it through the day” — a little-known reference to his prolific \u003cem>Federalist Papers\u003c/em> output. She debates fellow teachers about the relative historical significance of Hamilton versus Thomas Jefferson and John Adams. And when the soundtrack for the hit Broadway musical \u003cem>Hamilton\u003c/em> came out in September, more than a dozen former students made sure she knew, intuiting that MacMillan, who considers Hamilton her “historical boyfriend,” would adore it.\u003c/p>\n\u003cp>And she does: After hearing the \u003ca href=\"http://atlanticrecords.com/HamiltonMusic/\">46-song soundtrack\u003c/a>, she knew instantly that the music needed to find its way into her classroom.\u003c/p>\n\u003cp>MacMillan isn’t the only teacher to feature the soundtrack from \u003cem>Hamilton\u003c/em>, Lin-Manuel Miranda’s mesmerizing hip-hop and rap musical about Alexander Hamilton, in her classroom, though she may be the most decorated and far-flung. An Oregon history teacher of the year in 2006, MacMillan is one of a growing number of intrepid U.S. history teachers, most of whom haven’t set foot in the Richard Rodgers Theatre on 46\u003csup>th\u003c/sup> Street, who are harnessing the \u003cem>Hamilton\u003c/em> phenomenon to inspire their students.\u003c/p>\n\u003cp>“This has just given us a cool factor beyond any means,” said Justin Emrich, an eighth-grade social studies teacher at the Olentangy Berkshire Middle School in Galena, Ohio, who brought \u003cem>Hamilton\u003c/em> to his students after seeing a \u003ca href=\"https://www.google.com/?gws_rd=ssl#q=lin-manuel%20miranda%20at%20white%20hosue%20site%3Ayoutube.com\">clip\u003c/a> of Lin-Manuel Miranda performing at the White House. “They are obsessed with this thing right now,” he said.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=WNFf7nMIGnE\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Teachers are using the music in various ways, with multiple educational goals. Andrea Moverman, who teaches U.S. history to 11\u003csup>th \u003c/sup>graders at Millennium Brooklyn High School, used snippets of songs to provoke interest in the Revolutionary War.\u003c/p>\n\u003cp>“I played the beginning of ‘\u003ca href=\"https://www.youtube.com/watch?v=Ovje92D742s\">Guns and Ships,\u003c/a>’ and then asked them, ‘What was our secret weapon?’ ” she said, referring to Hamilton’s friend and ally, Marquis de Lafayette, which the song soon reveals. “The kids wanted more,” she added. “They said, ‘Keep playing it!’ ”\u003c/p>\n\u003cp>To help her students understand the arguments for and against creating a national bank — a subject many kids might find snooze-worthy — Moverman played the song \u003ca href=\"https://www.youtube.com/watch?v=mBmTdJ4XTfs\">Cabinet Battle #1\u003c/a>, which pitted Alexander Hamilton in a rap duel against Thomas Jefferson. Her students’ delight over this exchange prompted Moverman to assign rap battles as projects; she divided kids into competing sides and asked them to craft arguments in rap form. One of her favorite rap battles: two opposing camps debating the legacy of Supreme Court Justice John Marshall, some representing plaintiffs and others defendants, and all relying on major court cases to make their case.\u003c/p>\n\u003cp>“I’ve rethought almost all my projects after this rap battle was so successful,” she said.\u003c/p>\n\u003cp>Lois MacMillan also assigned historical hip-hop raps for her eighth-graders, all of them grounded in historical documents. They performed their rap debates on a variety of issues — the soldiers’ conditions in the American Revolution, the virtues of Henry Knox, the legacy of various British kings — in front of their class.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hofnG_2xV1M\u003c/p>\n\u003cp>Teachers insist that the learning goes beyond composing and memorizing catchy lyrics. Using excerpts from biographies, Hamilton’s correspondence, clips from the soundtrack and other primary documents, Emrich’s eighth-graders try to discern if Hamilton’s character caused his death. MacMillan’s main educational goal in focusing on Hamilton is to underscore the primacy of writing. Alexander Hamilton wrote his way out of poverty, she said, and she reminds her students that skilled writing is the clearest sign of scholarship — and the best way to rise up and alter your circumstance.\u003c/p>\n\u003cp>For his part, history teacher Dr. Jim Cullen, who will be offering an elective course for 11\u003csup>th\u003c/sup> and 12\u003csup>th \u003c/sup>graders on the musical \u003cem>Hamilton\u003c/em> at the Ethical Culture Fieldston School in New York, will ask students to delve into three themes: looking at a period of history through one person’s eyes, studying the artistry of the play itself and exploring how non-historians understand the past. Like MacMillan and Emrich, Cullen uses primary sources to ground the course in scholarship. “They are learning at such a deep level,” Emrich said of his students.\u003c/p>\n\u003cp>\u003cem>Hamilton \u003c/em>is especially galvanizing for the student who believes that stories about 18\u003csup>th\u003c/sup> century America are distant and irrelevant. For many history teachers, making “ancient” subjects come alive is their biggest challenge. “As much as we’d like to make it exciting, history is mostly about a bunch of dead guys,” Emrich said.\u003c/p>\n\u003cp>\u003cem>Hamilton\u003c/em> works in the classroom — and the theater — because these founding fathers aren’t bloodless, two-dimensional cutouts who devoted their lives to abstract principles. Rather, they’re husbands, rivals, fathers, friends, lovers — all of them human, and afflicted with vices along with their virtues: pride, arrogance, anger, envy, lust and greed. Emrich’s students are so emotionally involved in the music and the story of Alexander Hamilton that some blew up when they learned about his extramarital affairs. “Some kids were destroyed by his infidelities; that’s how passionate they are,” Emrich said. One hopeful student wrote Miranda and invited him to the school.\u003c/p>\n\u003cp>Eighth-graders in MacMillan’s U.S. history class are equally enthralled with Hamilton, both the man and the music. “I’ve memorized the soundtrack,” said Alexandra Baksay, who added that she’s never felt for a historical figure the way she does about Alexander Hamilton. Her classmates, many of whom have read David MuCullough’s mammoth account of the Revolutionary War, \u003cem>1776\u003c/em>, while preparing their rap battle assignments, nicknamed her “AH” in honor of Hamilton.\u003c/p>\n\u003cp>“He was a super-inspiring person who took advantage of his brilliant mind and changed the world for the better,” said classmate Elie Lindsey. Briony Bowman chimed in: “The musical aspect made it a lot more fun, and easier to learn about Alexander Hamilton.” The complexity of the material she’s encountered while studying Hamilton, adds Jenna Robinson, has improved her understanding of language arts. And the racial diversity of the cast, Alexa said, “is really empowering.”\u003c/p>\n\u003cfigure id=\"attachment_44284\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-44284 size-full\" src=\"http://ww2.kqed.org/mindshift/wp-content/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1.jpg\" alt=\"HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON\" width=\"1920\" height=\"1078\" srcset=\"https://ww2.kqed.org/app/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1-800x449.jpg 800w, https://ww2.kqed.org/app/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1-768x431.jpg 768w, https://ww2.kqed.org/app/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1-1440x809.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1-960x539.jpg 960w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Daveed Diggs as Thomas Jefferson and the ensemble of Hamilton. (Joan Marcus/Courtesy of Hamilton) \u003ccite>(Joan Marcus/Courtesy of Hamilton)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>None of these students in Grants Pass, Oregon, has seen \u003cem>Hamilton\u003c/em> performed in New York. But starting in April, some 20,000 public school students in New York City will be given tickets to the play for a mere $10 each. The \u003ca href=\"https://www.gilderlehrman.org/about\">Gilder Lehrman Institute\u003c/a> of American History, a nonprofit devoted to improving history education, was awarded a substantial gift from the Rockefeller Foundation to make the play accessible for kids who otherwise wouldn’t likely see the show — a deprivation felt by many for the sold-out play. To make the performance more than a fleeting experience for the students, and to help teachers guide discussions, Gilder Lehrman has provided an online reservoir of \u003ca href=\"http://www.gilderlehrman.org/programs-exhibitions/alexander-hamilton-resources-gilder-lehrman-website\">resources\u003c/a> on Alexander Hamilton, including primary sources, videos and essays.\u003c/p>\n\u003cp>Teachers needn’t let geographic or economic obstacles, nor their unfamiliarity with modern music, keep them from introducing \u003cem>Hamilton\u003c/em> to their students.\u003c/p>\n\u003cp>“I had to learn what hip-hop was,” said MacMillan, who tends to prefer jazz. “It just turns on kids,” she added, especially those who find history sedating and lifeless. At least 100 kids at her school have downloaded the soundtrack; they play it nonstop at lunch, and several performed the opening number from the play at the school’s talent show. Andrea Moverman in Brooklyn encourages teachers to try just snippets of songs in the class if the whole soundtrack feels overwhelming; use it as a hook to engage and introduce a subject, she suggested. Justin Emrich, on the other hand, advises teachers to listen to the entire soundtrack.\u003c/p>\n\u003cp>“You will be emotionally connected to Hamilton at the end of the music, and you’ll want to use the soundtrack,” he said. Either way, he added, “You’ve got to use this thing! It’s awesome!”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=NEgWUPDrv8g\u003c/p>\n\n","blocks":[],"excerpt":"Hamilton the musical is igniting kids' interest in history and teachers are finding a way to deliver its lessons to students. ","status":"publish","parent":0,"modified":1457942898,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":1448},"headData":{"title":"How Teachers Are Using 'Hamilton' the Musical in the Classroom | KQED","description":"Hamilton the musical is igniting kids' interest in history and teachers are finding a way to deliver its lessons to students. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How Teachers Are Using 'Hamilton' the Musical in the Classroom","datePublished":"2016-03-14T08:08:18.000Z","dateModified":"2016-03-14T08:08:18.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"44137 http://ww2.kqed.org/mindshift/?p=44137","disqusUrl":"https://ww2.kqed.org/mindshift/2016/03/14/how-teachers-are-using-hamilton-the-musical-in-the-classroom/","disqusTitle":"How Teachers Are Using 'Hamilton' the Musical in the Classroom","path":"/mindshift/44137/how-teachers-are-using-hamilton-the-musical-in-the-classroom","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Eighth-grade history teacher Lois MacMillan makes no secret of her enthusiasm for Alexander Hamilton. She wears a T-shirt that says, “If Hamilton can write 51 essays in six months I can probably make it through the day” — a little-known reference to his prolific \u003cem>Federalist Papers\u003c/em> output. She debates fellow teachers about the relative historical significance of Hamilton versus Thomas Jefferson and John Adams. And when the soundtrack for the hit Broadway musical \u003cem>Hamilton\u003c/em> came out in September, more than a dozen former students made sure she knew, intuiting that MacMillan, who considers Hamilton her “historical boyfriend,” would adore it.\u003c/p>\n\u003cp>And she does: After hearing the \u003ca href=\"http://atlanticrecords.com/HamiltonMusic/\">46-song soundtrack\u003c/a>, she knew instantly that the music needed to find its way into her classroom.\u003c/p>\n\u003cp>MacMillan isn’t the only teacher to feature the soundtrack from \u003cem>Hamilton\u003c/em>, Lin-Manuel Miranda’s mesmerizing hip-hop and rap musical about Alexander Hamilton, in her classroom, though she may be the most decorated and far-flung. An Oregon history teacher of the year in 2006, MacMillan is one of a growing number of intrepid U.S. history teachers, most of whom haven’t set foot in the Richard Rodgers Theatre on 46\u003csup>th\u003c/sup> Street, who are harnessing the \u003cem>Hamilton\u003c/em> phenomenon to inspire their students.\u003c/p>\n\u003cp>“This has just given us a cool factor beyond any means,” said Justin Emrich, an eighth-grade social studies teacher at the Olentangy Berkshire Middle School in Galena, Ohio, who brought \u003cem>Hamilton\u003c/em> to his students after seeing a \u003ca href=\"https://www.google.com/?gws_rd=ssl#q=lin-manuel%20miranda%20at%20white%20hosue%20site%3Ayoutube.com\">clip\u003c/a> of Lin-Manuel Miranda performing at the White House. “They are obsessed with this thing right now,” he said.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WNFf7nMIGnE'\n title='//www.youtube.com/embed/WNFf7nMIGnE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Teachers are using the music in various ways, with multiple educational goals. Andrea Moverman, who teaches U.S. history to 11\u003csup>th \u003c/sup>graders at Millennium Brooklyn High School, used snippets of songs to provoke interest in the Revolutionary War.\u003c/p>\n\u003cp>“I played the beginning of ‘\u003ca href=\"https://www.youtube.com/watch?v=Ovje92D742s\">Guns and Ships,\u003c/a>’ and then asked them, ‘What was our secret weapon?’ ” she said, referring to Hamilton’s friend and ally, Marquis de Lafayette, which the song soon reveals. “The kids wanted more,” she added. “They said, ‘Keep playing it!’ ”\u003c/p>\n\u003cp>To help her students understand the arguments for and against creating a national bank — a subject many kids might find snooze-worthy — Moverman played the song \u003ca href=\"https://www.youtube.com/watch?v=mBmTdJ4XTfs\">Cabinet Battle #1\u003c/a>, which pitted Alexander Hamilton in a rap duel against Thomas Jefferson. Her students’ delight over this exchange prompted Moverman to assign rap battles as projects; she divided kids into competing sides and asked them to craft arguments in rap form. One of her favorite rap battles: two opposing camps debating the legacy of Supreme Court Justice John Marshall, some representing plaintiffs and others defendants, and all relying on major court cases to make their case.\u003c/p>\n\u003cp>“I’ve rethought almost all my projects after this rap battle was so successful,” she said.\u003c/p>\n\u003cp>Lois MacMillan also assigned historical hip-hop raps for her eighth-graders, all of them grounded in historical documents. They performed their rap debates on a variety of issues — the soldiers’ conditions in the American Revolution, the virtues of Henry Knox, the legacy of various British kings — in front of their class.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hofnG_2xV1M'\n title='//www.youtube.com/embed/hofnG_2xV1M'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Teachers insist that the learning goes beyond composing and memorizing catchy lyrics. Using excerpts from biographies, Hamilton’s correspondence, clips from the soundtrack and other primary documents, Emrich’s eighth-graders try to discern if Hamilton’s character caused his death. MacMillan’s main educational goal in focusing on Hamilton is to underscore the primacy of writing. Alexander Hamilton wrote his way out of poverty, she said, and she reminds her students that skilled writing is the clearest sign of scholarship — and the best way to rise up and alter your circumstance.\u003c/p>\n\u003cp>For his part, history teacher Dr. Jim Cullen, who will be offering an elective course for 11\u003csup>th\u003c/sup> and 12\u003csup>th \u003c/sup>graders on the musical \u003cem>Hamilton\u003c/em> at the Ethical Culture Fieldston School in New York, will ask students to delve into three themes: looking at a period of history through one person’s eyes, studying the artistry of the play itself and exploring how non-historians understand the past. Like MacMillan and Emrich, Cullen uses primary sources to ground the course in scholarship. “They are learning at such a deep level,” Emrich said of his students.\u003c/p>\n\u003cp>\u003cem>Hamilton \u003c/em>is especially galvanizing for the student who believes that stories about 18\u003csup>th\u003c/sup> century America are distant and irrelevant. For many history teachers, making “ancient” subjects come alive is their biggest challenge. “As much as we’d like to make it exciting, history is mostly about a bunch of dead guys,” Emrich said.\u003c/p>\n\u003cp>\u003cem>Hamilton\u003c/em> works in the classroom — and the theater — because these founding fathers aren’t bloodless, two-dimensional cutouts who devoted their lives to abstract principles. Rather, they’re husbands, rivals, fathers, friends, lovers — all of them human, and afflicted with vices along with their virtues: pride, arrogance, anger, envy, lust and greed. Emrich’s students are so emotionally involved in the music and the story of Alexander Hamilton that some blew up when they learned about his extramarital affairs. “Some kids were destroyed by his infidelities; that’s how passionate they are,” Emrich said. One hopeful student wrote Miranda and invited him to the school.\u003c/p>\n\u003cp>Eighth-graders in MacMillan’s U.S. history class are equally enthralled with Hamilton, both the man and the music. “I’ve memorized the soundtrack,” said Alexandra Baksay, who added that she’s never felt for a historical figure the way she does about Alexander Hamilton. Her classmates, many of whom have read David MuCullough’s mammoth account of the Revolutionary War, \u003cem>1776\u003c/em>, while preparing their rap battle assignments, nicknamed her “AH” in honor of Hamilton.\u003c/p>\n\u003cp>“He was a super-inspiring person who took advantage of his brilliant mind and changed the world for the better,” said classmate Elie Lindsey. Briony Bowman chimed in: “The musical aspect made it a lot more fun, and easier to learn about Alexander Hamilton.” The complexity of the material she’s encountered while studying Hamilton, adds Jenna Robinson, has improved her understanding of language arts. And the racial diversity of the cast, Alexa said, “is really empowering.”\u003c/p>\n\u003cfigure id=\"attachment_44284\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg class=\"wp-image-44284 size-full\" src=\"http://ww2.kqed.org/mindshift/wp-content/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1.jpg\" alt=\"HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON\" width=\"1920\" height=\"1078\" srcset=\"https://ww2.kqed.org/app/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1-800x449.jpg 800w, https://ww2.kqed.org/app/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1-768x431.jpg 768w, https://ww2.kqed.org/app/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1-1440x809.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/23/2016/03/HamiltonBway0341r-Daveed-Diggs-as-Thomas-Jefferson-and-the-ensemble-of-HAMILTON-1-960x539.jpg 960w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Daveed Diggs as Thomas Jefferson and the ensemble of Hamilton. (Joan Marcus/Courtesy of Hamilton) \u003ccite>(Joan Marcus/Courtesy of Hamilton)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>None of these students in Grants Pass, Oregon, has seen \u003cem>Hamilton\u003c/em> performed in New York. But starting in April, some 20,000 public school students in New York City will be given tickets to the play for a mere $10 each. The \u003ca href=\"https://www.gilderlehrman.org/about\">Gilder Lehrman Institute\u003c/a> of American History, a nonprofit devoted to improving history education, was awarded a substantial gift from the Rockefeller Foundation to make the play accessible for kids who otherwise wouldn’t likely see the show — a deprivation felt by many for the sold-out play. To make the performance more than a fleeting experience for the students, and to help teachers guide discussions, Gilder Lehrman has provided an online reservoir of \u003ca href=\"http://www.gilderlehrman.org/programs-exhibitions/alexander-hamilton-resources-gilder-lehrman-website\">resources\u003c/a> on Alexander Hamilton, including primary sources, videos and essays.\u003c/p>\n\u003cp>Teachers needn’t let geographic or economic obstacles, nor their unfamiliarity with modern music, keep them from introducing \u003cem>Hamilton\u003c/em> to their students.\u003c/p>\n\u003cp>“I had to learn what hip-hop was,” said MacMillan, who tends to prefer jazz. “It just turns on kids,” she added, especially those who find history sedating and lifeless. At least 100 kids at her school have downloaded the soundtrack; they play it nonstop at lunch, and several performed the opening number from the play at the school’s talent show. Andrea Moverman in Brooklyn encourages teachers to try just snippets of songs in the class if the whole soundtrack feels overwhelming; use it as a hook to engage and introduce a subject, she suggested. Justin Emrich, on the other hand, advises teachers to listen to the entire soundtrack.\u003c/p>\n\u003cp>“You will be emotionally connected to Hamilton at the end of the music, and you’ll want to use the soundtrack,” he said. Either way, he added, “You’ve got to use this thing! It’s awesome!”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NEgWUPDrv8g'\n title='//www.youtube.com/embed/NEgWUPDrv8g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/mindshift/44137/how-teachers-are-using-hamilton-the-musical-in-the-classroom","authors":["4613"],"categories":["mindshift_192","mindshift_20579"],"tags":["mindshift_20711","mindshift_20784","mindshift_1040","mindshift_20976","mindshift_364"],"featImg":"mindshift_44281","label":"mindshift"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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