Why Teens Find Stories About The End Of The World So Appealing
Could Storytelling Be the Secret Sauce to STEM Education?
Ready, Set, Read! Summer Fiction Ideas for Kids of All Ages
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A group of teens in Holland, Mich., tells me about some of their favorites:\u003c/p>\n\u003cp>In \u003cem>Delirium \u003c/em>by Lauren Oliver, Love is considered a disease. Characters get a vaccine for it. In Marissa Meyer's \u003cem>Renegades,\u003c/em> the collapse of society has left only a small group of humans with extraordinary abilities. They work to establish justice and peace in their new world.\u003c/p>\n\u003cp>Scott Westerfeld's \u003cem>Uglies\u003c/em> is on everyone's favorite list. The plot goes like this: Everyone wants to be pretty. And their 16th birthday, they can be surgically altered to be a \"pretty.\" During the surgery, however, lesions are put on their brains. These can cause illness, or hinder your thinking. If characters get an important enough job later on, they get those lesions removed.\u003c/p>\n\u003cp>The teens explaining these books are sitting around a table at the public library in the idyllic west Michigan town. Tonight the book club is meeting to talk about \u003cem>House of The Scorpion\u003c/em> by Nancy Farmer — the gathering is part of the library's young adult programming.\u003c/p>\n\u003cp>Even though the flyer advertises this book as dystopian, there's some dissent around that (at a dystopian book club, this distrust of \"the adults and their flyers\" is no surprise.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After a brief plot description (there's a drug lord, clones and, of course, a rebellion against the status quo), Taylor Gort, 17, starts things off: \"It's a question of how many ethics rules are you willing to break,\" she says, referring to the book's main character, El Patrón. Amanda Heidema, the librarian leading the discussion, nods her head, \"I mean, is making a clone ethical?\"\u003c/p>\n\u003cp>There are a few beats of silence before Will Anderson shakes his head: \"No, I don't think it is.\"\u003c/p>\n\u003cp>The conversation goes on for nearly an hour — flowing from clones, to whether or not manipulation is evil, to how screwed up adults are (\u003cem>can you believe they think this book is dystopian? It's not.\u003c/em>).\u003c/p>\n\u003cp>That last one — how messed up grownups are — it's a hallmark of dystopia, especially in the young adult genre. When I ask the group why they think these types of books are so popular with teens, they tell me it has a lot to do with relatability.\u003c/p>\n\u003cp>\"There tends to be a common teen-angst thing, like: 'Oh the whole world is against me, the whole world is so screwed up,' \" Will explains.\u003c/p>\n\u003cp>Teenagers are cynical, adds Aaron Yost, 16. And they should be: \"To be fair, they were born into a world that their parents kind of really messed up.\"\u003c/p>\n\u003cp>Everyone here agrees: The plots in dystopia feel super familiar. That's kind of what makes the books scary — and really good.\u003c/p>\n\u003cp>Think of it like this: Teen readers themselves are characters in a strange land. Rules don't make sense. School doesn't always make sense. And they don't have a ton of power.\u003c/p>\n\u003cp>\"Their parents impose curfews, and no one lets them drive unless they are ready or not,\" says Jon Ostenson, who studies young adult dystopian literature at Brigham Young University in Utah. He published a paper on the subject in 2013, for which he spent months reading YA dystopia. \"I had to take a break for quite a while — unfortunately there's not a lot of utopian fiction to balance that out.\"\u003c/p>\n\u003cp>In dystopia, he says, \"Teenagers see echoes of a world that they know.\"\u003c/p>\n\u003cp>These books don't always have a happy ending, and they're all about choices and consequences.\u003c/p>\n\u003cp>\"The hallmark of moving from childhood to adulthood is that you start to recognize that things aren't black and white,\" says Ostenson \"and there's a whole bunch of ethical grey area out there.\"\u003c/p>\n\u003cp>Which makes dystopian fiction perfect for the developing adolescent brain, says Laurence Steinberg, \u003ca href=\"http://www.laurencesteinberg.com/\">a psychologist at Temple University\u003c/a>.\u003c/p>\n\u003cp>\"Their brains are very responsive to emotionally arousing stimuli,\" he explains. During this time, there are so many new emotions and they are much stronger than those kids experienced when they were younger.\u003c/p>\n\u003cp>\"When teenagers feel sad, what they often do it put themselves in situations where they feel even sadder,\" Steinberg says. They listen to sad music — think emo! — they watch melodramatic TV shows. So dystopian novels fit right in, they have all that sadness plus big, emotional ideas: justice, fairness, loyalty and mortality.\u003c/p>\n\u003cp>This time in a kid's life is often defined by acting out, but, Steinberg says, that's a misguided interpretation of what's happening. \"It isn't so much rebellion, but it is questioning.\"\u003c/p>\n\u003cp>As the brain develops, so does executive functioning. Teens start to understand argument, logical reasoning and hypotheticals.\u003c/p>\n\u003cp>\"Kids are going through a stage in development when they are trying on different identities,\" he says, \"flexing a muscle that they now have that wasn't very strong before.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The fact that these books offer a safety net, a place where kids can \"flirt with those questions without getting into trouble,\" that's reason enough to keep teachers and parents buying them off the shelf.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Why+Teens+Find+The+End+Of+The+World+So+Appealing&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n","blocks":[],"excerpt":"Dystopian novels are all about consequences, choices and grey areas. And psychologists say that plays right into the sweet spot of the developing teenage brain.","status":"publish","parent":0,"modified":1513666532,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":26,"wordCount":874},"headData":{"title":"Why Teens Find Stories About The End Of The World So Appealing | KQED","description":"Dystopian novels are all about consequences, choices and grey areas. And psychologists say that plays right into the sweet spot of the developing teenage brain.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Why Teens Find Stories About The End Of The World So Appealing","datePublished":"2017-12-19T06:55:32.000Z","dateModified":"2017-12-19T06:55:32.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"49902 https://ww2.kqed.org/mindshift/?p=49902","disqusUrl":"https://ww2.kqed.org/mindshift/2017/12/18/why-teens-find-stories-about-the-end-of-the-world-so-appealing/","disqusTitle":"Why Teens Find Stories About The End Of The World So Appealing","nprImageCredit":"LA Johnson","nprByline":"Elissa Nadworny","nprImageAgency":"NPR","nprStoryId":"536007249","nprApiLink":"http://api.npr.org/query?id=536007249&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/sections/ed/2017/12/18/536007249/why-teens-find-the-end-of-the-world-so-appealing?ft=nprml&f=536007249","nprRetrievedStory":"1","nprPubDate":"Mon, 18 Dec 2017 17:21:00 -0500","nprStoryDate":"Mon, 18 Dec 2017 06:01:00 -0500","nprLastModifiedDate":"Mon, 18 Dec 2017 16:25:02 -0500","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/atc/2017/12/20171218_atc_why_teens_find_the_end_of_the_world_so_appealing.mp3?orgId=1&topicId=1013&d=247&p=2&story=536007249&ft=nprml&f=536007249","nprAudioM3u":"http://api.npr.org/m3u/1571735718-5f0582.m3u?orgId=1&topicId=1013&d=247&p=2&story=536007249&ft=nprml&f=536007249","path":"/mindshift/49902/why-teens-find-stories-about-the-end-of-the-world-so-appealing","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/atc/2017/12/20171218_atc_why_teens_find_the_end_of_the_world_so_appealing.mp3?orgId=1&topicId=1013&d=247&p=2&story=536007249&ft=nprml&f=536007249","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The plots of dystopian novels can be amazing. A group of teens in Holland, Mich., tells me about some of their favorites:\u003c/p>\n\u003cp>In \u003cem>Delirium \u003c/em>by Lauren Oliver, Love is considered a disease. Characters get a vaccine for it. In Marissa Meyer's \u003cem>Renegades,\u003c/em> the collapse of society has left only a small group of humans with extraordinary abilities. They work to establish justice and peace in their new world.\u003c/p>\n\u003cp>Scott Westerfeld's \u003cem>Uglies\u003c/em> is on everyone's favorite list. The plot goes like this: Everyone wants to be pretty. And their 16th birthday, they can be surgically altered to be a \"pretty.\" During the surgery, however, lesions are put on their brains. These can cause illness, or hinder your thinking. If characters get an important enough job later on, they get those lesions removed.\u003c/p>\n\u003cp>The teens explaining these books are sitting around a table at the public library in the idyllic west Michigan town. Tonight the book club is meeting to talk about \u003cem>House of The Scorpion\u003c/em> by Nancy Farmer — the gathering is part of the library's young adult programming.\u003c/p>\n\u003cp>Even though the flyer advertises this book as dystopian, there's some dissent around that (at a dystopian book club, this distrust of \"the adults and their flyers\" is no surprise.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After a brief plot description (there's a drug lord, clones and, of course, a rebellion against the status quo), Taylor Gort, 17, starts things off: \"It's a question of how many ethics rules are you willing to break,\" she says, referring to the book's main character, El Patrón. Amanda Heidema, the librarian leading the discussion, nods her head, \"I mean, is making a clone ethical?\"\u003c/p>\n\u003cp>There are a few beats of silence before Will Anderson shakes his head: \"No, I don't think it is.\"\u003c/p>\n\u003cp>The conversation goes on for nearly an hour — flowing from clones, to whether or not manipulation is evil, to how screwed up adults are (\u003cem>can you believe they think this book is dystopian? It's not.\u003c/em>).\u003c/p>\n\u003cp>That last one — how messed up grownups are — it's a hallmark of dystopia, especially in the young adult genre. When I ask the group why they think these types of books are so popular with teens, they tell me it has a lot to do with relatability.\u003c/p>\n\u003cp>\"There tends to be a common teen-angst thing, like: 'Oh the whole world is against me, the whole world is so screwed up,' \" Will explains.\u003c/p>\n\u003cp>Teenagers are cynical, adds Aaron Yost, 16. And they should be: \"To be fair, they were born into a world that their parents kind of really messed up.\"\u003c/p>\n\u003cp>Everyone here agrees: The plots in dystopia feel super familiar. That's kind of what makes the books scary — and really good.\u003c/p>\n\u003cp>Think of it like this: Teen readers themselves are characters in a strange land. Rules don't make sense. School doesn't always make sense. And they don't have a ton of power.\u003c/p>\n\u003cp>\"Their parents impose curfews, and no one lets them drive unless they are ready or not,\" says Jon Ostenson, who studies young adult dystopian literature at Brigham Young University in Utah. He published a paper on the subject in 2013, for which he spent months reading YA dystopia. \"I had to take a break for quite a while — unfortunately there's not a lot of utopian fiction to balance that out.\"\u003c/p>\n\u003cp>In dystopia, he says, \"Teenagers see echoes of a world that they know.\"\u003c/p>\n\u003cp>These books don't always have a happy ending, and they're all about choices and consequences.\u003c/p>\n\u003cp>\"The hallmark of moving from childhood to adulthood is that you start to recognize that things aren't black and white,\" says Ostenson \"and there's a whole bunch of ethical grey area out there.\"\u003c/p>\n\u003cp>Which makes dystopian fiction perfect for the developing adolescent brain, says Laurence Steinberg, \u003ca href=\"http://www.laurencesteinberg.com/\">a psychologist at Temple University\u003c/a>.\u003c/p>\n\u003cp>\"Their brains are very responsive to emotionally arousing stimuli,\" he explains. During this time, there are so many new emotions and they are much stronger than those kids experienced when they were younger.\u003c/p>\n\u003cp>\"When teenagers feel sad, what they often do it put themselves in situations where they feel even sadder,\" Steinberg says. They listen to sad music — think emo! — they watch melodramatic TV shows. So dystopian novels fit right in, they have all that sadness plus big, emotional ideas: justice, fairness, loyalty and mortality.\u003c/p>\n\u003cp>This time in a kid's life is often defined by acting out, but, Steinberg says, that's a misguided interpretation of what's happening. \"It isn't so much rebellion, but it is questioning.\"\u003c/p>\n\u003cp>As the brain develops, so does executive functioning. Teens start to understand argument, logical reasoning and hypotheticals.\u003c/p>\n\u003cp>\"Kids are going through a stage in development when they are trying on different identities,\" he says, \"flexing a muscle that they now have that wasn't very strong before.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The fact that these books offer a safety net, a place where kids can \"flirt with those questions without getting into trouble,\" that's reason enough to keep teachers and parents buying them off the shelf.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Why+Teens+Find+The+End+Of+The+World+So+Appealing&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/mindshift/49902/why-teens-find-stories-about-the-end-of-the-world-so-appealing","authors":["byline_mindshift_49902"],"categories":["mindshift_20874"],"tags":["mindshift_21093","mindshift_21078","mindshift_20784","mindshift_20516","mindshift_1040","mindshift_444","mindshift_21159","mindshift_1038","mindshift_21158"],"featImg":"mindshift_49903","label":"mindshift"},"mindshift_39949":{"type":"posts","id":"mindshift_39949","meta":{"index":"posts_1591205157","site":"mindshift","id":"39949","score":null,"sort":[1433514662000]},"guestAuthors":[],"slug":"could-storytelling-be-the-secret-sauce-to-stem-education","title":"Could Storytelling Be the Secret Sauce to STEM Education?","publishDate":1433514662,"format":"standard","headTitle":"MindShift | KQED News","labelTerm":{"site":"mindshift"},"content":"\u003cp>In the short story \u003ca href=\"http://engl210-deykute.wikispaces.umb.edu/file/view/omelas.pdf\" target=\"_blank\">“The Ones Who Walk Away from Omelas,”\u003c/a> author Ursula Le Guin describes a utopian city that has everything people want or need -- beauty, religion, happiness -- but it’s all possible because one child is kept in the dark, separated from all joy and light. Citizens of the city have to go and see this boy, but some can’t take the guilt and walk away.\u003c/p>\n\u003cp>After reading the story, Lev Fruchter and his class talk about what elements make up utopia and use the conversation as a jumping-off point to talk about equations. They talk about adding good things and multiplying them if they’re really great or, inversely, subtracting things that make people unhappy and dividing the really bad elements. This is all a way of thinking about the math that will eventually run a computer program.\u003c/p>\n\u003cp>“It’s a way to make equations meaningful, which is, of course, what they are in the programs when you write them,” said Fruchter, a computer science teacher at \u003ca href=\"http://www.nestmk12.net/\" target=\"_blank\">NYC Nest+m\u003c/a>, a public K-12 school in New York City for gifted and talented students. “They are much more than a sheet of homework exercises because they make the program go.”\u003c/p>\n\u003cp>Using literature in this way has allowed Fruchter to make his computer science math classes entirely project-based, which in turn draws the interest of kids who might not have otherwise liked computer programming. “They’re very happy to be in a math or computer science class where they’re not having tests or doing quizzes or being asked to do sheets and sheets of problems,” Fruchter said.\u003c/p>\n\u003cp>Fruchter loves words, but is comfortable enough with math and science that he was called upon to teach them. Along the way, he discovered stories are a great way to make science, technology, engineering and math ideas accessible and concrete to learners who might not think those kind of technical studies are for them. He’s convinced literature is a great way to excite learners about STEM.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I’m a narrative learner,” said Fruchter. “I nail down concepts by aligning them to stories or making up stories about them,” he said.\u003c/p>\n\u003cp>Fruchter used to teach English, but in the 1990s, while working at School for a Physical City -- one of New York City’s New Vision schools -- he was asked to step in and teach math. He ended up teaching a double period of English and math, but rather than splitting the two subjects up, he used one to support the other.\u003c/p>\n\u003cp>“I chose books that I knew would give us the mathematical framework to jump off from,” Fruchter said. “Instead of talking about the math concepts from completely abstract or theoretical concepts, I’d say, ‘Hey we’re reading this book.’ ”\u003c/p>\n\u003caside class=\"pullquote alignright\">'This is a live literary experience in which the story itself is embodying the concepts.'\u003ccite>Lev Fruchter, computer science teacher\u003c/cite>\u003c/aside>\n\u003cp>On the flip side, he has also taught students who love math and science the way it has traditionally been taught, and who don’t see the value in reading. He’s found that attitude to be more prevalent in the gifted and talented program than at other schools. But he insists kids who excel at calculating can still learn from the human life lessons in books, and may even understand them at a more fundamental level if the abstract ideas can be connected to the numbers and equations they love.\u003c/p>\n\u003cp>“They may not appreciate it now, but I know that the concepts and themes that are embedded in this fiction I’m having them read are important for this field,” Fruchter said.\u003c/p>\n\u003cp>When he talks to professional engineers, he often hears them lament the lack of communication skills among colleagues.\u003c/p>\n\u003cp>“One guy said engineers are lousy communicators because their education includes no training in fiction,” Fruchter said. “He was quite vocal about the need for people who study technical subjects to have some experience in some artistically crafted communication.”\u003c/p>\n\u003cp>\u003cstrong>THE LADY, OR THE TIGER?\u003c/strong>\u003c/p>\n\u003cp>One of Fruchter’s \u003ca href=\"http://www.storycode.info/sample-lesson\" target=\"_blank\">favorite stories to teach in computer science\u003c/a> is Frank Stockton’s short story, \u003ca href=\"http://www.english-literature.uni-bayreuth.de/en/teaching/documents/courses/Stockton1.pdf\" target=\"_blank\">“The Lady, or the Tiger?”\u003c/a> The story is about a mythical kingdom ruled by a whimsical king whose system of justice includes dropping lawbreakers into an arena where they must choose one of two doors. Behind one door is a man-eating tiger. Behind the other, a beautiful woman whom he must marry.\u003c/p>\n\u003cp>One day the king discovers his daughter is having an affair. He throws her lover into the pit. The lover looks up at the princess and sees that she knows which door contains the tiger. She indicates which door the man should choose, but the story ends before the reader discovers what was behind the door. The reader also learns that the princess is just as feisty as her father, so there’s a possibility she’s sending her lover to death so he won’t marry another woman.\u003c/p>\n\u003cp>“It’s an old-fashioned sexist story where the end comes down to the princess’ psychology,” Fruchter said. But he appreciates it for the way it beautifully mimics binary code. In computer language, this is a “one bit” story, meaning there are two possible versions and two possible endings. In a computer, the two endings would be expressed with either a one or a zero.\u003c/p>\n\u003cp>[contextly_sidebar id=\"siL1RVTlOH2QZxXHTn5RQKP3aT7GiuQS\"]\u003c/p>\n\u003cp>When teaching, Fruchter changes the story’s ending to give the lover agency. Now the story is a “two bit” problem. The lover can either trust or mistrust the princess, and the princess can either save or doom her lover. Now there are four possible endings to the story. Fruchter then adds another character to the story: the man holding the tiger behind the door. Presumably, the princess talked to this man to find out what door he would be behind. But what if he’s been in love with the princess his whole life and can either choose to tell her the truth or a lie? Now the story is a “three bit” problem.\u003c/p>\n\u003cp>“Instead of doing it abstractly with ones and zeros, this is a live literary experience in which the story itself is embodying the concepts,” Fruchter said. And to be clear, while he’s spinning this story, there’s no discussion of ones and zeros, or bits. The class is focused on discussing the possible outcomes of the characters, their motivations and conclusions.\u003c/p>\n\u003cp>Fruchter often asks students to write their own versions of the story, making sure to be clear about what each character chooses. Later they talk about other possible endings and calculate the versions. Fruchter says there are three main ways to solve the problem: brute force, using a tree diagram to show branching possibilities, and recognizing that the situation represents the function of the number of options raised to the number of choices. So this “three bit” problem has eight solutions (two options raised to the power of three characters equals eight.)\u003c/p>\n\u003cp>In this one combination of literature and math, Fruchter has hit on many learning standards. Students are reading and interpreting literature, writing creatively, interpreting a math problem in multiple ways, showing solutions in various ways, using functions and factoring.\u003c/p>\n\u003cp>“It touches so many standards that it’s a real challenge to come up with a way to list them all,” Fruchter said.\u003c/p>\n\u003cp>This approach to teaching computer science probably wouldn’t work for the most sophisticated students, Fruchter admits. But for kids who aren’t sure they’re even interested in STEM subjects, teaching through fiction is the \u003ca href=\"http://ww2.kqed.org/mindshift/2015/03/23/tossing-out-teaching-by-subject-as-part-of-a-modern-high-school-education/\" target=\"_blank\">interdisciplinary connector\u003c/a> that could make it all make sense.\u003c/p>\n\u003cp>The students in his classes pass or fail based on the strength of the programs they write. But he finds that many kids with learning difficulties or who have struggled in other classes stay in the game longer when they have a narrative entry point. They can use their understanding of the story to try to puzzle their way through the math.\u003c/p>\n\u003cp>\u003cstrong>STEM FICTION IDEAS\u003c/strong>\u003c/p>\n\u003cp>Fruchter has worked to put what's he has learned about teaching computer programming with fiction into a curriculum called \u003ca href=\"http://www.storycode.info/\" target=\"_blank\">StoryCode\u003c/a>. He classifies STEM fiction into three categories: explicit, science fiction and implicit STEM texts.\u003c/p>\n\u003cp>\u003cstrong>Explicit STEM texts\u003c/strong> are novels like \"Moby Dick,\" where there’s a lot to learn about marine biology and ecology already embedded in the story. For younger students, \"Little House on the Prairie\" might fall into this category, with all its descriptions of practical engineering projects. Fruchter finds these useful, but a lot of reading without much STEM payoff.\u003c/p>\n\u003cp>\u003cstrong>Science Fiction texts\u003c/strong> are fertile ground for discussion because they usually involve a mostly rationale world with one irrational scientific change upon which the whole future of humanity rests. For example, Madeleine L’Engle’s book, \"A Wind in the Door,\" takes the reader inside the mitochondria of a character to battle a microscopic plague. Along the way, readers learn a lot about what mitochondria really do in the body.\u003c/p>\n\u003cp>\u003cstrong>Implicit STEM texts\u003c/strong> are ones where the literary action is a metaphor for the operation of scientific principle, like binary and “The Lady, or the Tiger?” Fruchter teaches Ursula Le Guin’s \"A Wizard of Earthsea\" because magic functions in the book in almost identical ways to the how CSS and HTML work. He also likes Dashiell Hammett's famous detective novel \"The Maltese Falcon\" and \"Mind of My Mind\" by Octavia Butler, a book where psychics take over the world. Fruchter says Butler’s book is an embodiment of the proper way to write an object-oriented program.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“When you can call a line of code a spell, then you are getting somewhere,” Fruchter said. After all, isn't computer code basically modern magic?\u003c/p>\n\n","blocks":[],"excerpt":"By exploring stories, learners can acquire a deeper understanding and appreciation of STEM. ","status":"publish","parent":0,"modified":1433514662,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":32,"wordCount":1711},"headData":{"title":"Could Storytelling Be the Secret Sauce to STEM Education? | KQED","description":"By exploring stories, learners can acquire a deeper understanding and appreciation of STEM. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Could Storytelling Be the Secret Sauce to STEM Education?","datePublished":"2015-06-05T14:31:02.000Z","dateModified":"2015-06-05T14:31:02.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"39949 http://ww2.kqed.org/mindshift/?p=39949","disqusUrl":"https://ww2.kqed.org/mindshift/2015/06/05/could-storytelling-be-the-secret-sauce-to-stem-education/","disqusTitle":"Could Storytelling Be the Secret Sauce to STEM Education?","path":"/mindshift/39949/could-storytelling-be-the-secret-sauce-to-stem-education","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the short story \u003ca href=\"http://engl210-deykute.wikispaces.umb.edu/file/view/omelas.pdf\" target=\"_blank\">“The Ones Who Walk Away from Omelas,”\u003c/a> author Ursula Le Guin describes a utopian city that has everything people want or need -- beauty, religion, happiness -- but it’s all possible because one child is kept in the dark, separated from all joy and light. Citizens of the city have to go and see this boy, but some can’t take the guilt and walk away.\u003c/p>\n\u003cp>After reading the story, Lev Fruchter and his class talk about what elements make up utopia and use the conversation as a jumping-off point to talk about equations. They talk about adding good things and multiplying them if they’re really great or, inversely, subtracting things that make people unhappy and dividing the really bad elements. This is all a way of thinking about the math that will eventually run a computer program.\u003c/p>\n\u003cp>“It’s a way to make equations meaningful, which is, of course, what they are in the programs when you write them,” said Fruchter, a computer science teacher at \u003ca href=\"http://www.nestmk12.net/\" target=\"_blank\">NYC Nest+m\u003c/a>, a public K-12 school in New York City for gifted and talented students. “They are much more than a sheet of homework exercises because they make the program go.”\u003c/p>\n\u003cp>Using literature in this way has allowed Fruchter to make his computer science math classes entirely project-based, which in turn draws the interest of kids who might not have otherwise liked computer programming. “They’re very happy to be in a math or computer science class where they’re not having tests or doing quizzes or being asked to do sheets and sheets of problems,” Fruchter said.\u003c/p>\n\u003cp>Fruchter loves words, but is comfortable enough with math and science that he was called upon to teach them. Along the way, he discovered stories are a great way to make science, technology, engineering and math ideas accessible and concrete to learners who might not think those kind of technical studies are for them. He’s convinced literature is a great way to excite learners about STEM.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’m a narrative learner,” said Fruchter. “I nail down concepts by aligning them to stories or making up stories about them,” he said.\u003c/p>\n\u003cp>Fruchter used to teach English, but in the 1990s, while working at School for a Physical City -- one of New York City’s New Vision schools -- he was asked to step in and teach math. He ended up teaching a double period of English and math, but rather than splitting the two subjects up, he used one to support the other.\u003c/p>\n\u003cp>“I chose books that I knew would give us the mathematical framework to jump off from,” Fruchter said. “Instead of talking about the math concepts from completely abstract or theoretical concepts, I’d say, ‘Hey we’re reading this book.’ ”\u003c/p>\n\u003caside class=\"pullquote alignright\">'This is a live literary experience in which the story itself is embodying the concepts.'\u003ccite>Lev Fruchter, computer science teacher\u003c/cite>\u003c/aside>\n\u003cp>On the flip side, he has also taught students who love math and science the way it has traditionally been taught, and who don’t see the value in reading. He’s found that attitude to be more prevalent in the gifted and talented program than at other schools. But he insists kids who excel at calculating can still learn from the human life lessons in books, and may even understand them at a more fundamental level if the abstract ideas can be connected to the numbers and equations they love.\u003c/p>\n\u003cp>“They may not appreciate it now, but I know that the concepts and themes that are embedded in this fiction I’m having them read are important for this field,” Fruchter said.\u003c/p>\n\u003cp>When he talks to professional engineers, he often hears them lament the lack of communication skills among colleagues.\u003c/p>\n\u003cp>“One guy said engineers are lousy communicators because their education includes no training in fiction,” Fruchter said. “He was quite vocal about the need for people who study technical subjects to have some experience in some artistically crafted communication.”\u003c/p>\n\u003cp>\u003cstrong>THE LADY, OR THE TIGER?\u003c/strong>\u003c/p>\n\u003cp>One of Fruchter’s \u003ca href=\"http://www.storycode.info/sample-lesson\" target=\"_blank\">favorite stories to teach in computer science\u003c/a> is Frank Stockton’s short story, \u003ca href=\"http://www.english-literature.uni-bayreuth.de/en/teaching/documents/courses/Stockton1.pdf\" target=\"_blank\">“The Lady, or the Tiger?”\u003c/a> The story is about a mythical kingdom ruled by a whimsical king whose system of justice includes dropping lawbreakers into an arena where they must choose one of two doors. Behind one door is a man-eating tiger. Behind the other, a beautiful woman whom he must marry.\u003c/p>\n\u003cp>One day the king discovers his daughter is having an affair. He throws her lover into the pit. The lover looks up at the princess and sees that she knows which door contains the tiger. She indicates which door the man should choose, but the story ends before the reader discovers what was behind the door. The reader also learns that the princess is just as feisty as her father, so there’s a possibility she’s sending her lover to death so he won’t marry another woman.\u003c/p>\n\u003cp>“It’s an old-fashioned sexist story where the end comes down to the princess’ psychology,” Fruchter said. But he appreciates it for the way it beautifully mimics binary code. In computer language, this is a “one bit” story, meaning there are two possible versions and two possible endings. In a computer, the two endings would be expressed with either a one or a zero.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>When teaching, Fruchter changes the story’s ending to give the lover agency. Now the story is a “two bit” problem. The lover can either trust or mistrust the princess, and the princess can either save or doom her lover. Now there are four possible endings to the story. Fruchter then adds another character to the story: the man holding the tiger behind the door. Presumably, the princess talked to this man to find out what door he would be behind. But what if he’s been in love with the princess his whole life and can either choose to tell her the truth or a lie? Now the story is a “three bit” problem.\u003c/p>\n\u003cp>“Instead of doing it abstractly with ones and zeros, this is a live literary experience in which the story itself is embodying the concepts,” Fruchter said. And to be clear, while he’s spinning this story, there’s no discussion of ones and zeros, or bits. The class is focused on discussing the possible outcomes of the characters, their motivations and conclusions.\u003c/p>\n\u003cp>Fruchter often asks students to write their own versions of the story, making sure to be clear about what each character chooses. Later they talk about other possible endings and calculate the versions. Fruchter says there are three main ways to solve the problem: brute force, using a tree diagram to show branching possibilities, and recognizing that the situation represents the function of the number of options raised to the number of choices. So this “three bit” problem has eight solutions (two options raised to the power of three characters equals eight.)\u003c/p>\n\u003cp>In this one combination of literature and math, Fruchter has hit on many learning standards. Students are reading and interpreting literature, writing creatively, interpreting a math problem in multiple ways, showing solutions in various ways, using functions and factoring.\u003c/p>\n\u003cp>“It touches so many standards that it’s a real challenge to come up with a way to list them all,” Fruchter said.\u003c/p>\n\u003cp>This approach to teaching computer science probably wouldn’t work for the most sophisticated students, Fruchter admits. But for kids who aren’t sure they’re even interested in STEM subjects, teaching through fiction is the \u003ca href=\"http://ww2.kqed.org/mindshift/2015/03/23/tossing-out-teaching-by-subject-as-part-of-a-modern-high-school-education/\" target=\"_blank\">interdisciplinary connector\u003c/a> that could make it all make sense.\u003c/p>\n\u003cp>The students in his classes pass or fail based on the strength of the programs they write. But he finds that many kids with learning difficulties or who have struggled in other classes stay in the game longer when they have a narrative entry point. They can use their understanding of the story to try to puzzle their way through the math.\u003c/p>\n\u003cp>\u003cstrong>STEM FICTION IDEAS\u003c/strong>\u003c/p>\n\u003cp>Fruchter has worked to put what's he has learned about teaching computer programming with fiction into a curriculum called \u003ca href=\"http://www.storycode.info/\" target=\"_blank\">StoryCode\u003c/a>. He classifies STEM fiction into three categories: explicit, science fiction and implicit STEM texts.\u003c/p>\n\u003cp>\u003cstrong>Explicit STEM texts\u003c/strong> are novels like \"Moby Dick,\" where there’s a lot to learn about marine biology and ecology already embedded in the story. For younger students, \"Little House on the Prairie\" might fall into this category, with all its descriptions of practical engineering projects. Fruchter finds these useful, but a lot of reading without much STEM payoff.\u003c/p>\n\u003cp>\u003cstrong>Science Fiction texts\u003c/strong> are fertile ground for discussion because they usually involve a mostly rationale world with one irrational scientific change upon which the whole future of humanity rests. For example, Madeleine L’Engle’s book, \"A Wind in the Door,\" takes the reader inside the mitochondria of a character to battle a microscopic plague. Along the way, readers learn a lot about what mitochondria really do in the body.\u003c/p>\n\u003cp>\u003cstrong>Implicit STEM texts\u003c/strong> are ones where the literary action is a metaphor for the operation of scientific principle, like binary and “The Lady, or the Tiger?” Fruchter teaches Ursula Le Guin’s \"A Wizard of Earthsea\" because magic functions in the book in almost identical ways to the how CSS and HTML work. He also likes Dashiell Hammett's famous detective novel \"The Maltese Falcon\" and \"Mind of My Mind\" by Octavia Butler, a book where psychics take over the world. Fruchter says Butler’s book is an embodiment of the proper way to write an object-oriented program.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“When you can call a line of code a spell, then you are getting somewhere,” Fruchter said. After all, isn't computer code basically modern magic?\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/mindshift/39949/could-storytelling-be-the-secret-sauce-to-stem-education","authors":["234"],"categories":["mindshift_193"],"tags":["mindshift_557","mindshift_20646","mindshift_20784","mindshift_20516","mindshift_1040","mindshift_499","mindshift_391"],"featImg":"mindshift_39951","label":"mindshift"},"mindshift_29247":{"type":"posts","id":"mindshift_29247","meta":{"index":"posts_1591205157","site":"mindshift","id":"29247","score":null,"sort":[1371231036000]},"guestAuthors":[],"slug":"ready-set-read-summer-fiction-ideas-for-kids-of-all-ages","title":"Ready, Set, Read! Summer Fiction Ideas for Kids of All Ages","publishDate":1371231036,"format":"aside","headTitle":"MindShift | KQED News","labelTerm":{"site":"mindshift"},"content":"\u003cfigure id=\"attachment_29446\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-29446\" src=\"http://ww2.kqed.org/mindshift/wp-content/uploads/sites/23/2013/06/reading.jpg\" alt=\"reading\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/23/2013/06/reading.jpg 640w, https://ww2.kqed.org/app/uploads/sites/23/2013/06/reading-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/23/2013/06/reading-320x180.jpg 320w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\"> \" credit=\"Getty\u003c/figcaption>\u003c/figure>\n\u003cp class=\"dropcap-serif\">Prevent \u003ca href=\"http://ww2.kqed.org/mindshift/2012/07/74-creative-ways-to-stop-summer-brain-drain/\">summer brain drain\u003c/a>: that’s the reason many backpacks -- most likely laying in the same places they were joyfully dropped on the last day of school -- contain a rumpled, but hopefully not forgotten, summer reading list from school. Teachers and experts have long suggested that \u003ca href=\"http://www.rif.org/us/literacy-resources/articles/keeping-kids-off-the-summer-slide.htm\">reading over summer break\u003c/a> helps kids from losing everything they’ve learned over the school year. And new research shows that reading fiction especially might do more than serve kids academically - it may even make them better people.\u003c/p>\n\u003cp>Educator and author Jessica Lahey’s summer reading list for her seventh and eighth graders is packed with books that the teenagers will find “interesting but challenging.” One of Lahey’s summer favorites for eighth graders is Harper Lee’s classic \u003cem>To Kill a Mockingbird\u003c/em>, both for the stretch it gives kids in complexity and vocabulary as well as supplementing the \"easy\" summer reading they may do on their own. She also wants to prepare them to think about “bigger issues raised by the books” -- in this case the virtues and failings of the rich, complex characters.\u003c/p>\n\u003cp>Lahey has students write about the book when they get back to school in the fall, and wants them to choose a character and explore their virtues and faults, using examples from the text. “For example, Scout's sense of fierce sense of loyalty toward her family and her lack of temperance,” Lahey said. “As seen when she attacks Walter Cunningham on the playground because she felt he got her in trouble with the teacher.” While Lahey says her students study \u003cem>To Kill a Mockingbird\u003c/em> as part of a character education curriculum, she admits that the book makes great summer reading because its plot draws in teenagers, and the characters are faced with complex moral decisions.\u003c/p>\n\u003cp>Reading high-quality fiction may serve a larger purpose than preparing students for college and tests. Several recent studies show that reading great literature makes individuals more empathetic and more able to understand the world from another’s perspective, writes Annie Murphy Paul in \u003ca href=\"http://ideas.time.com/2013/06/03/why-we-should-read-literature/\">“Reading Literature Makes Us Smarter and Nicer.”\u003c/a> The results of the two studies Paul cites in the article, performed by Canadian psychologists Raymond Mar and Keith Oatley, were similar when applied to children: Raymond Mar’s \u003ca href=\"http://www.sciencedirect.com/science/article/pii/S0885201409000835\">study on preschoolers\u003c/a> showed that, even when controlled for age, gender, vocabulary and parent income, young children who were read more stories developed a stronger “theory of mind,” or the ability to imagine the beliefs and intentions of another.\u003c/p>\n\u003cdiv class=\"lcp_catlist aside half left cats-by-2\">\n\u003ch2 class=\"feat-title\">More Summer Learning Ideas\u003c/h2>\n\u003cp>[catlist categorypage=\"yes\" numberposts=\"5\" thumbnail=\"yes\" excludeposts=\"this\" class=\"\" title_tag=\"h3\" title_class=\"post-title\" thumbnail_class=\"thumbnail\"]\u003c/p>\n\u003c/div>\n\u003cp>Increasing empathy isn’t the only way fiction makes us better; in a \u003cem>New York Times\u003c/em> article on how the \u003ca href=\"http://www.nytimes.com/2012/03/18/opinion/sunday/the-neuroscience-of-your-brain-on-fiction.html?pagewanted=all\">brain processes fiction\u003c/a>, Paul breaks down research that shows human brains don’t really distinguish between fictional situations and real ones. “The brain, it seems, does not make much of a distinction between reading about an experience and encountering it in real life,” Paul writes, “in each case, the same neurological regions are stimulated.” For instance, when researcher Véronique Boulenger of the Laboratory of Language Dynamics in France had study participants read “Paulo kicked the ball,” brain scans revealed activity in the motor cortex region of the brain, which is responsible for body movements.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>According to the psychologists, fiction creates a vivid real-life simulation in which humans get to experience the world through another’s thoughts and feelings. While even more research points to ways the brain “feels” fiction -- from \u003ca href=\"http://www.nytimes.com/2012/03/18/opinion/sunday/the-neuroscience-of-your-brain-on-fiction.html?pagewanted=all&_r=0\">experiencing sensory details\u003c/a> like smell to freely experiencing characters’ deep emotions as if they were our own -- Paul writes \u003ca href=\"http://anniemurphypaul.com/2013/01/how-great-books-work-their-effects-on-us/\">on her blog\u003c/a> how it may feel for fiction to work magic on our brains: “Who hasn’t felt, at the end of a truly great novel, a little exhausted and wrung out—as if, as [William] Styron says, we’ve been living several other lives in addition to our own?”\u003c/p>\n\u003cp>Rising fifth grader Hart Wilkinson of Nashville, Tennessee, agrees, adding that a great story makes her feel as if what happens to the character also happens to her.\u003c/p>\n\u003cp>“Sometimes, when something sad is about to happen [in a book], I get really sad, sometimes I feel like I’m about to cry,” she said. “Sometimes I’m so into the book, I feel like I’m the person. I don’t even notice that I’m doing it - it’s like real life, but on paper.”\u003c/p>\n\u003cp>Wilkinson combs her library shelves once a week in summer, choosing stories she thinks she’ll like by an exciting or colorful cover. Then she hauls her stash home and plops into her front-porch hammock, or gets under her covers at the end of the day to read. Nowhere to be, no homework or lessons to run off to, Wilkinson says that she loves to read fiction all summer “because it’s so much fun to figure out an adventure without my feet getting tired, to just read in a hammock but still have an adventure.”\u003c/p>\n\u003cp>Why does fiction whisk us away during the long, leisurely days of summer? “I think we read fiction in the summertime because we want to allow our minds to travel (whether we actually go anywhere or not),” Paul said. “Given a little more time and freedom than usual, we want to use it to get lost, to leave workaday concerns behind. Nonfiction can do that too, of course, but there's something about fiction that takes us away, even if we're just sitting in our backyards.”\u003c/p>\n\u003ch3>Reading Suggestions\u003c/h3>\n\u003cp>Los Angeles children’s librarian and NPR contributor \u003ca href=\"http://www.npr.org/2013/05/31/177930647/mara-alpert-s-favorite-books-for-kids\">Mara Alpert\u003c/a> and Scarborough, Maine children’s librarian Louise Capizzo offer titles for kids of all ages rich in sensory details, with great characters who will take kids on summer adventures “without their feet getting tired.”\u003c/p>\n\u003ch4>\u003cspan style=\"color: #000000\">KINDERGARTEN - GRADE 3, chosen by Mara Alpert\u003c/span>\u003c/h4>\n\u003cp>\u003cstrong>\u003cem>Bad Kitty Gets a Bath\u003c/em> \u003c/strong>by Nick Bruel\u003c/p>\n\u003cp dir=\"ltr\">Even the most mundane activity can be the seeds for an exciting and/or funny and/or terrifying tale, as is the case with Bad Kitty and her bath (which is definitely exciting AND funny AND a little terrifying as well). The entire experience of Kitty’s bath is described in great detail (with accompanying illustrations that will have ‘em rolling in the aisles). Kids will look at chores and everyday events in a whole new way. First in a very funny series.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Awesome Dawson\u003c/em> \u003c/strong>by Chris Gall\u003c/p>\n\u003cp dir=\"ltr\">Young Dawson's motto is “Everything Can Be Used Again!” This “Hero To Toys Everywhere” has been recycling... well, everything to make his creations since babyhood. In his secret he prepares to make a new body for his robot friend Mooey. Unfortunately, his mom wants him to do his chores. Hey, what better way to use his talents then to build a robot to do the chores for him! Until, of course, it runs amok… Dawson makes recycling look awesome, indeed.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Ralph Tells a Story\u003c/em>\u003c/strong> by Abby Hanlon\u003c/p>\n\u003cp dir=\"ltr\">\"Stories are everywhere!\" insists Ralph's teacher, but this kid has the worst case of writer's block in the history of the world. He’s got nothing to write because NOTHING ever happens to him. Even when he learns that his classmate Daisy has written a bunch of stories about things that have happened to Ralph, he doesn’t believe it. Then he remembers the inchworm in the park, and with the help of his friends, Ralph discovers the joy of crafting personal stories. The creative and collaborative process, laid out neatly.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Cooking with Henry and Elliebelly\u003c/em>\u003c/strong> by Carolyn Parkhurst\u003c/p>\n\u003cp dir=\"ltr\">Inspiration can come from anywhere – in this case, the world of reality television. Five-year-old Henry and his little sister pretend to be TV chefs, creating a fantastic concoction, complete with commercials, technical difficulties, creative differences, and a mom who stands back and lets it all happen (then provides snack at the end). A yummy reminder of the fun of pretend play.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Clementine, by Sara Pennypacker\u003c/em>\u003c/strong> illustrated by Marla Frazee.\u003c/p>\n\u003cp dir=\"ltr\">Make room, Ramona Quimby and Junie B. Jones. Clementine charges onto the scene with the story of an absolutely disastrous week. Second-grader Clementine was just trying to be helpful when she cut off all of Margaret’s hair. And when she assisted in coloring what was left with a red marker. And when she cut off her own hair in solidarity. And… well, Clementine’s mind works in strange and mysterious ways, but she always makes a certain mad sense. She’s a feisty, creative soul, and kids will enjoy getting to know her.\u003c/p>\n\u003ch4>GRADES 4 -8, chosen by Mara Alpert\u003c/h4>\n\u003cp>\u003cstrong>\u003cem>The Strange Case of Origami Yoda\u003c/em>\u003c/strong> by Tom Angleberger\u003c/p>\n\u003cp dir=\"ltr\">A group of sixth-grade kids, friends and enemies alike, try to work out the mystery behind Dwight’s Origami Yoda. Dwight is definitely the class oddball, prone to all kinds of unusual behavior, and this year he starts wandering around with a little Yoda figure made out of origami, which he claims gives advice and answers questions just as well as the real Yoda. And to everyone’s amazement, it seems to be true! Each kid offers their own take on the situation, including illustrations (plus food stains, commentary by other kids, and more). The first book in a series that continues to be just as strong as it explores creativity, differences, belief, what makes a piece of really good advice, and does it truly matter where in comes from, and the importance of friendship.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Hold Fast\u003c/em>\u003c/strong> by Blue Balliett\u003c/p>\n\u003cp dir=\"ltr\">Early Pearl, her little brother, and her parents share a one-room studio in a not-so-great neighborhood in Chicago, but it is a home rich with library books, imagination, and love. Then her father disappears, their home is destroyed, and the three remaining Pearls find themselves in a homeless shelter, learning survival skills they could never have dreamed they’d need. Early is a smart, resourceful, creative, and loving girl, who rises to the challenge of this new life, and of figuring out what really happened to her father, with fierce determination. The poetry of Langston Hughes, the glory that is the Chicago Public Library, and importance of reading play a major role is this ultimately optimistic tale.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Larklight\u003c/em>, or \u003cem>The Revenge of the White Spiders!\u003c/em> or \u003cem>To Saturn’s Rings and Back! A Rousing Tale of Dauntless Pluck in the Farthest Reaches of Space\u003c/em> by Philip Reeve, illustrated by David Wyatt.\u003c/strong>\u003c/p>\n\u003cp dir=\"ltr\">Just look at that title. ‘nuff said. In a Victorian era that never happened, Art Mumby and his annoying older sister Myrtle share a rambling old mansion that travels through space with their dad. When he is kidnapped during an attack of space spiders, Art and Myrtle hook up with a band of youthful space pirates to try and save him, and the universe. Oh, and to figure out what happened to their mother. This is world-building at its finest, told in a rousing, Saturday-Afternoon-Matinee style, complete with weird aliens, mad scientists, the beginnings of a romance for young Myrtle, and the opportunity to save the entire universe. Huzzah! First book in a series.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>City of Fire\u003c/em>\u003c/strong> by Laurence Yep\u003c/p>\n\u003cp dir=\"ltr\">In an alternate 1941 universe where magic and technology exist more or less comfortably side-by-side, 12-year-old Scirye, a princess with a miniature griffin, gather around her an unlikely group of allies (including a motherly dragon who happens to be an assassin, an orphaned boy who happens to be the assassins target, a shape-changing trickster, and a Hawaiian goddess) begins a quest to avenge the death of her older sister and the loss of some of her family’s greatest treasures. World-building, interesting characters you want to learn more about, breathless adventure, and a determined and intelligent heroine, make this trilogy-opener a winner.\u003c/p>\n\u003ch4>GRADES 9-12, chosen by Louise Capizzo\u003c/h4>\n\u003cp dir=\"ltr\">“These are books that I love and still think about from time to time,” said Capizzo of her teen selections. “Do you ever have that feeling of sadness after reading a wonderful book, a book that kept your interest; a book that had you racing through chores or rushing home so you could get back to your characters. And you didn't want to finish the book too quickly, because then the story would be over. When that happens to me, I feel a bit sad because I will never be able to experience this book for the first time ever again.”\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>One Whole and Perfect Day\u003c/em> \u003c/strong>by Judith Clarke\u003c/p>\n\u003cp dir=\"ltr\">With all the chaos from her family as they prepare for her grandfather’s eightieth birthday, Lily’s wish is to have just one whole and perfect day. Set in Australia, many threads come together in this thoroughly engaging novel.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Finding Somewhere\u003c/em>\u003c/strong> by Joseph Monniger\u003c/p>\n\u003cp dir=\"ltr\">Hattie and her friend Delores kidnap a horse slated to be put down because of age. The three embark on a road trip across America and find many surprises, but most importantly the power of friendship.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>The Thief\u003c/em>\u003c/strong> by Megan Turner.\u003c/p>\n\u003cp dir=\"ltr\">One of the best books I have ever read. Set in fully imagined medieval land, Gen, a thief, has one chance to save himself from life imprisonment by stealing Hamiathes’s Gift. Yet, things are not what they seem.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Eleanor and Park\u003c/em> \u003c/strong>by Rainbow Rowell\u003c/p>\n\u003cp dir=\"ltr\">Two high-school misfits find love and friendship in this warmly told story that takes place in 1966 over the course of one year. Their path to romance is gentle, sweet, believable, and some scenes – how Park strokes Eleanor’s hand – will leave readers breathless. Achingly beautiful.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Ship Breaker\u003c/em>\u003c/strong> by Paolo Bacigalupi\u003c/p>\n\u003cp dir=\"ltr\">Set in New Orleans in a futuristic world, Nailer works by scavenging copper wire from beached tankers. When he finds a luxurious clipper ship with a survivor aboard, Nailer must decide whether to sell her or help her. Gripping. Exciting, with plenty of action.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>The Eagle of the Ninth\u003c/em>\u003c/strong> by Rosemary Sutcliff\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp dir=\"ltr\">Set in Britain under Roman rule. Marcus Flavius Aquila, a Roman soldier, sets off beyond Hadrian’s Wall; a land ruled by native tribes, to discover what happened to the First Cohort of the Ninth Legion that was commanded by his father. Historical fiction at its best.\u003c/p>\n\n","blocks":[],"excerpt":"Reading high-quality fiction may serve a larger purpose than preparing students for college and tests. Several recent studies show that reading great literature makes individuals more empathetic. Here's a great list of fiction books for kids of all ages, recommended by those who know best -- librarians. ","status":"publish","parent":0,"modified":1403136982,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":2481},"headData":{"title":"Ready, Set, Read! Summer Fiction Ideas for Kids of All Ages | KQED","description":"Reading high-quality fiction may serve a larger purpose than preparing students for college and tests. Several recent studies show that reading great literature makes individuals more empathetic. Here's a great list of fiction books for kids of all ages, recommended by those who know best -- librarians. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Ready, Set, Read! Summer Fiction Ideas for Kids of All Ages","datePublished":"2013-06-14T17:30:36.000Z","dateModified":"2014-06-19T00:16:22.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"29247 http://blogs.kqed.org/mindshift/?p=29247","disqusUrl":"https://ww2.kqed.org/mindshift/2013/06/14/ready-set-read-summer-fiction-ideas-for-kids-of-all-ages/","disqusTitle":"Ready, Set, Read! Summer Fiction Ideas for Kids of All Ages","path":"/mindshift/29247/ready-set-read-summer-fiction-ideas-for-kids-of-all-ages","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_29446\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-29446\" src=\"http://ww2.kqed.org/mindshift/wp-content/uploads/sites/23/2013/06/reading.jpg\" alt=\"reading\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/23/2013/06/reading.jpg 640w, https://ww2.kqed.org/app/uploads/sites/23/2013/06/reading-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/23/2013/06/reading-320x180.jpg 320w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\"> \" credit=\"Getty\u003c/figcaption>\u003c/figure>\n\u003cp class=\"dropcap-serif\">Prevent \u003ca href=\"http://ww2.kqed.org/mindshift/2012/07/74-creative-ways-to-stop-summer-brain-drain/\">summer brain drain\u003c/a>: that’s the reason many backpacks -- most likely laying in the same places they were joyfully dropped on the last day of school -- contain a rumpled, but hopefully not forgotten, summer reading list from school. Teachers and experts have long suggested that \u003ca href=\"http://www.rif.org/us/literacy-resources/articles/keeping-kids-off-the-summer-slide.htm\">reading over summer break\u003c/a> helps kids from losing everything they’ve learned over the school year. And new research shows that reading fiction especially might do more than serve kids academically - it may even make them better people.\u003c/p>\n\u003cp>Educator and author Jessica Lahey’s summer reading list for her seventh and eighth graders is packed with books that the teenagers will find “interesting but challenging.” One of Lahey’s summer favorites for eighth graders is Harper Lee’s classic \u003cem>To Kill a Mockingbird\u003c/em>, both for the stretch it gives kids in complexity and vocabulary as well as supplementing the \"easy\" summer reading they may do on their own. She also wants to prepare them to think about “bigger issues raised by the books” -- in this case the virtues and failings of the rich, complex characters.\u003c/p>\n\u003cp>Lahey has students write about the book when they get back to school in the fall, and wants them to choose a character and explore their virtues and faults, using examples from the text. “For example, Scout's sense of fierce sense of loyalty toward her family and her lack of temperance,” Lahey said. “As seen when she attacks Walter Cunningham on the playground because she felt he got her in trouble with the teacher.” While Lahey says her students study \u003cem>To Kill a Mockingbird\u003c/em> as part of a character education curriculum, she admits that the book makes great summer reading because its plot draws in teenagers, and the characters are faced with complex moral decisions.\u003c/p>\n\u003cp>Reading high-quality fiction may serve a larger purpose than preparing students for college and tests. Several recent studies show that reading great literature makes individuals more empathetic and more able to understand the world from another’s perspective, writes Annie Murphy Paul in \u003ca href=\"http://ideas.time.com/2013/06/03/why-we-should-read-literature/\">“Reading Literature Makes Us Smarter and Nicer.”\u003c/a> The results of the two studies Paul cites in the article, performed by Canadian psychologists Raymond Mar and Keith Oatley, were similar when applied to children: Raymond Mar’s \u003ca href=\"http://www.sciencedirect.com/science/article/pii/S0885201409000835\">study on preschoolers\u003c/a> showed that, even when controlled for age, gender, vocabulary and parent income, young children who were read more stories developed a stronger “theory of mind,” or the ability to imagine the beliefs and intentions of another.\u003c/p>\n\u003cdiv class=\"lcp_catlist aside half left cats-by-2\">\n\u003ch2 class=\"feat-title\">More Summer Learning Ideas\u003c/h2>\n\u003cp>[catlist categorypage=\"yes\" numberposts=\"5\" thumbnail=\"yes\" excludeposts=\"this\" class=\"\" title_tag=\"h3\" title_class=\"post-title\" thumbnail_class=\"thumbnail\"]\u003c/p>\n\u003c/div>\n\u003cp>Increasing empathy isn’t the only way fiction makes us better; in a \u003cem>New York Times\u003c/em> article on how the \u003ca href=\"http://www.nytimes.com/2012/03/18/opinion/sunday/the-neuroscience-of-your-brain-on-fiction.html?pagewanted=all\">brain processes fiction\u003c/a>, Paul breaks down research that shows human brains don’t really distinguish between fictional situations and real ones. “The brain, it seems, does not make much of a distinction between reading about an experience and encountering it in real life,” Paul writes, “in each case, the same neurological regions are stimulated.” For instance, when researcher Véronique Boulenger of the Laboratory of Language Dynamics in France had study participants read “Paulo kicked the ball,” brain scans revealed activity in the motor cortex region of the brain, which is responsible for body movements.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>According to the psychologists, fiction creates a vivid real-life simulation in which humans get to experience the world through another’s thoughts and feelings. While even more research points to ways the brain “feels” fiction -- from \u003ca href=\"http://www.nytimes.com/2012/03/18/opinion/sunday/the-neuroscience-of-your-brain-on-fiction.html?pagewanted=all&_r=0\">experiencing sensory details\u003c/a> like smell to freely experiencing characters’ deep emotions as if they were our own -- Paul writes \u003ca href=\"http://anniemurphypaul.com/2013/01/how-great-books-work-their-effects-on-us/\">on her blog\u003c/a> how it may feel for fiction to work magic on our brains: “Who hasn’t felt, at the end of a truly great novel, a little exhausted and wrung out—as if, as [William] Styron says, we’ve been living several other lives in addition to our own?”\u003c/p>\n\u003cp>Rising fifth grader Hart Wilkinson of Nashville, Tennessee, agrees, adding that a great story makes her feel as if what happens to the character also happens to her.\u003c/p>\n\u003cp>“Sometimes, when something sad is about to happen [in a book], I get really sad, sometimes I feel like I’m about to cry,” she said. “Sometimes I’m so into the book, I feel like I’m the person. I don’t even notice that I’m doing it - it’s like real life, but on paper.”\u003c/p>\n\u003cp>Wilkinson combs her library shelves once a week in summer, choosing stories she thinks she’ll like by an exciting or colorful cover. Then she hauls her stash home and plops into her front-porch hammock, or gets under her covers at the end of the day to read. Nowhere to be, no homework or lessons to run off to, Wilkinson says that she loves to read fiction all summer “because it’s so much fun to figure out an adventure without my feet getting tired, to just read in a hammock but still have an adventure.”\u003c/p>\n\u003cp>Why does fiction whisk us away during the long, leisurely days of summer? “I think we read fiction in the summertime because we want to allow our minds to travel (whether we actually go anywhere or not),” Paul said. “Given a little more time and freedom than usual, we want to use it to get lost, to leave workaday concerns behind. Nonfiction can do that too, of course, but there's something about fiction that takes us away, even if we're just sitting in our backyards.”\u003c/p>\n\u003ch3>Reading Suggestions\u003c/h3>\n\u003cp>Los Angeles children’s librarian and NPR contributor \u003ca href=\"http://www.npr.org/2013/05/31/177930647/mara-alpert-s-favorite-books-for-kids\">Mara Alpert\u003c/a> and Scarborough, Maine children’s librarian Louise Capizzo offer titles for kids of all ages rich in sensory details, with great characters who will take kids on summer adventures “without their feet getting tired.”\u003c/p>\n\u003ch4>\u003cspan style=\"color: #000000\">KINDERGARTEN - GRADE 3, chosen by Mara Alpert\u003c/span>\u003c/h4>\n\u003cp>\u003cstrong>\u003cem>Bad Kitty Gets a Bath\u003c/em> \u003c/strong>by Nick Bruel\u003c/p>\n\u003cp dir=\"ltr\">Even the most mundane activity can be the seeds for an exciting and/or funny and/or terrifying tale, as is the case with Bad Kitty and her bath (which is definitely exciting AND funny AND a little terrifying as well). The entire experience of Kitty’s bath is described in great detail (with accompanying illustrations that will have ‘em rolling in the aisles). Kids will look at chores and everyday events in a whole new way. First in a very funny series.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Awesome Dawson\u003c/em> \u003c/strong>by Chris Gall\u003c/p>\n\u003cp dir=\"ltr\">Young Dawson's motto is “Everything Can Be Used Again!” This “Hero To Toys Everywhere” has been recycling... well, everything to make his creations since babyhood. In his secret he prepares to make a new body for his robot friend Mooey. Unfortunately, his mom wants him to do his chores. Hey, what better way to use his talents then to build a robot to do the chores for him! Until, of course, it runs amok… Dawson makes recycling look awesome, indeed.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Ralph Tells a Story\u003c/em>\u003c/strong> by Abby Hanlon\u003c/p>\n\u003cp dir=\"ltr\">\"Stories are everywhere!\" insists Ralph's teacher, but this kid has the worst case of writer's block in the history of the world. He’s got nothing to write because NOTHING ever happens to him. Even when he learns that his classmate Daisy has written a bunch of stories about things that have happened to Ralph, he doesn’t believe it. Then he remembers the inchworm in the park, and with the help of his friends, Ralph discovers the joy of crafting personal stories. The creative and collaborative process, laid out neatly.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Cooking with Henry and Elliebelly\u003c/em>\u003c/strong> by Carolyn Parkhurst\u003c/p>\n\u003cp dir=\"ltr\">Inspiration can come from anywhere – in this case, the world of reality television. Five-year-old Henry and his little sister pretend to be TV chefs, creating a fantastic concoction, complete with commercials, technical difficulties, creative differences, and a mom who stands back and lets it all happen (then provides snack at the end). A yummy reminder of the fun of pretend play.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Clementine, by Sara Pennypacker\u003c/em>\u003c/strong> illustrated by Marla Frazee.\u003c/p>\n\u003cp dir=\"ltr\">Make room, Ramona Quimby and Junie B. Jones. Clementine charges onto the scene with the story of an absolutely disastrous week. Second-grader Clementine was just trying to be helpful when she cut off all of Margaret’s hair. And when she assisted in coloring what was left with a red marker. And when she cut off her own hair in solidarity. And… well, Clementine’s mind works in strange and mysterious ways, but she always makes a certain mad sense. She’s a feisty, creative soul, and kids will enjoy getting to know her.\u003c/p>\n\u003ch4>GRADES 4 -8, chosen by Mara Alpert\u003c/h4>\n\u003cp>\u003cstrong>\u003cem>The Strange Case of Origami Yoda\u003c/em>\u003c/strong> by Tom Angleberger\u003c/p>\n\u003cp dir=\"ltr\">A group of sixth-grade kids, friends and enemies alike, try to work out the mystery behind Dwight’s Origami Yoda. Dwight is definitely the class oddball, prone to all kinds of unusual behavior, and this year he starts wandering around with a little Yoda figure made out of origami, which he claims gives advice and answers questions just as well as the real Yoda. And to everyone’s amazement, it seems to be true! Each kid offers their own take on the situation, including illustrations (plus food stains, commentary by other kids, and more). The first book in a series that continues to be just as strong as it explores creativity, differences, belief, what makes a piece of really good advice, and does it truly matter where in comes from, and the importance of friendship.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Hold Fast\u003c/em>\u003c/strong> by Blue Balliett\u003c/p>\n\u003cp dir=\"ltr\">Early Pearl, her little brother, and her parents share a one-room studio in a not-so-great neighborhood in Chicago, but it is a home rich with library books, imagination, and love. Then her father disappears, their home is destroyed, and the three remaining Pearls find themselves in a homeless shelter, learning survival skills they could never have dreamed they’d need. Early is a smart, resourceful, creative, and loving girl, who rises to the challenge of this new life, and of figuring out what really happened to her father, with fierce determination. The poetry of Langston Hughes, the glory that is the Chicago Public Library, and importance of reading play a major role is this ultimately optimistic tale.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Larklight\u003c/em>, or \u003cem>The Revenge of the White Spiders!\u003c/em> or \u003cem>To Saturn’s Rings and Back! A Rousing Tale of Dauntless Pluck in the Farthest Reaches of Space\u003c/em> by Philip Reeve, illustrated by David Wyatt.\u003c/strong>\u003c/p>\n\u003cp dir=\"ltr\">Just look at that title. ‘nuff said. In a Victorian era that never happened, Art Mumby and his annoying older sister Myrtle share a rambling old mansion that travels through space with their dad. When he is kidnapped during an attack of space spiders, Art and Myrtle hook up with a band of youthful space pirates to try and save him, and the universe. Oh, and to figure out what happened to their mother. This is world-building at its finest, told in a rousing, Saturday-Afternoon-Matinee style, complete with weird aliens, mad scientists, the beginnings of a romance for young Myrtle, and the opportunity to save the entire universe. Huzzah! First book in a series.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>City of Fire\u003c/em>\u003c/strong> by Laurence Yep\u003c/p>\n\u003cp dir=\"ltr\">In an alternate 1941 universe where magic and technology exist more or less comfortably side-by-side, 12-year-old Scirye, a princess with a miniature griffin, gather around her an unlikely group of allies (including a motherly dragon who happens to be an assassin, an orphaned boy who happens to be the assassins target, a shape-changing trickster, and a Hawaiian goddess) begins a quest to avenge the death of her older sister and the loss of some of her family’s greatest treasures. World-building, interesting characters you want to learn more about, breathless adventure, and a determined and intelligent heroine, make this trilogy-opener a winner.\u003c/p>\n\u003ch4>GRADES 9-12, chosen by Louise Capizzo\u003c/h4>\n\u003cp dir=\"ltr\">“These are books that I love and still think about from time to time,” said Capizzo of her teen selections. “Do you ever have that feeling of sadness after reading a wonderful book, a book that kept your interest; a book that had you racing through chores or rushing home so you could get back to your characters. And you didn't want to finish the book too quickly, because then the story would be over. When that happens to me, I feel a bit sad because I will never be able to experience this book for the first time ever again.”\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>One Whole and Perfect Day\u003c/em> \u003c/strong>by Judith Clarke\u003c/p>\n\u003cp dir=\"ltr\">With all the chaos from her family as they prepare for her grandfather’s eightieth birthday, Lily’s wish is to have just one whole and perfect day. Set in Australia, many threads come together in this thoroughly engaging novel.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Finding Somewhere\u003c/em>\u003c/strong> by Joseph Monniger\u003c/p>\n\u003cp dir=\"ltr\">Hattie and her friend Delores kidnap a horse slated to be put down because of age. The three embark on a road trip across America and find many surprises, but most importantly the power of friendship.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>The Thief\u003c/em>\u003c/strong> by Megan Turner.\u003c/p>\n\u003cp dir=\"ltr\">One of the best books I have ever read. Set in fully imagined medieval land, Gen, a thief, has one chance to save himself from life imprisonment by stealing Hamiathes’s Gift. Yet, things are not what they seem.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Eleanor and Park\u003c/em> \u003c/strong>by Rainbow Rowell\u003c/p>\n\u003cp dir=\"ltr\">Two high-school misfits find love and friendship in this warmly told story that takes place in 1966 over the course of one year. Their path to romance is gentle, sweet, believable, and some scenes – how Park strokes Eleanor’s hand – will leave readers breathless. Achingly beautiful.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>Ship Breaker\u003c/em>\u003c/strong> by Paolo Bacigalupi\u003c/p>\n\u003cp dir=\"ltr\">Set in New Orleans in a futuristic world, Nailer works by scavenging copper wire from beached tankers. When he finds a luxurious clipper ship with a survivor aboard, Nailer must decide whether to sell her or help her. Gripping. Exciting, with plenty of action.\u003c/p>\n\u003cp dir=\"ltr\">\u003cstrong>\u003cem>The Eagle of the Ninth\u003c/em>\u003c/strong> by Rosemary Sutcliff\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp dir=\"ltr\">Set in Britain under Roman rule. Marcus Flavius Aquila, a Roman soldier, sets off beyond Hadrian’s Wall; a land ruled by native tribes, to discover what happened to the First Cohort of the Ninth Legion that was commanded by his father. Historical fiction at its best.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/mindshift/29247/ready-set-read-summer-fiction-ideas-for-kids-of-all-ages","authors":["4445"],"categories":["mindshift_20697","mindshift_20515"],"tags":["mindshift_20516","mindshift_1040","mindshift_550","mindshift_889"],"featImg":"mindshift_29446","label":"mindshift"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us","airtime":"SUN 2pm-3pm, MON 12am-1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png","officialWebsiteLink":"https://www.wnycstudios.org/shows/otm","meta":{"site":"news","source":"wnyc"},"link":"/radio/program/on-the-media","subscribe":{"apple":"https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2","tuneIn":"https://tunein.com/radio/On-the-Media-p69/","rss":"http://feeds.wnyc.org/onthemedia"}},"our-body-politic":{"id":"our-body-politic","title":"Our Body Politic","info":"Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.","airtime":"SAT 6pm-7pm, SUN 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://our-body-politic.simplecast.com/","meta":{"site":"news","source":"kcrw"},"link":"/radio/program/our-body-politic","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/our-body-politic/id1533069868","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw","spotify":"https://open.spotify.com/show/4ApAiLT1kV153TttWAmqmc","rss":"https://feeds.simplecast.com/_xaPhs1s","tuneIn":"https://tunein.com/podcasts/News--Politics-Podcasts/Our-Body-Politic-p1369211/"}},"pbs-newshour":{"id":"pbs-newshour","title":"PBS NewsHour","info":"Analysis, background reports and updates from the PBS NewsHour putting today's news in context.","airtime":"MON-FRI 3pm-4pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.pbs.org/newshour/","meta":{"site":"news","source":"pbs"},"link":"/radio/program/pbs-newshour","subscribe":{"apple":"https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2","tuneIn":"https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/","rss":"https://www.pbs.org/newshour/feeds/rss/podcasts/show"}},"perspectives":{"id":"perspectives","title":"Perspectives","tagline":"KQED's series of of daily listener commentaries since 1991","info":"KQED's series of of daily listener commentaries since 1991.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Perspectives-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/perspectives/","meta":{"site":"radio","source":"kqed","order":"15"},"link":"/perspectives","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/id73801135","npr":"https://www.npr.org/podcasts/432309616/perspectives","rss":"https://ww2.kqed.org/perspectives/category/perspectives/feed/","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"}},"planet-money":{"id":"planet-money","title":"Planet Money","info":"The economy explained. 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