{"id":1394,"date":"2013-01-10T12:00:10","date_gmt":"2013-01-10T20:00:10","guid":{"rendered":"http:\/\/blogs.kqed.org\/makingof\/?p=1394"},"modified":"2013-01-10T12:00:10","modified_gmt":"2013-01-10T20:00:10","slug":"marilyn-mcneal","status":"publish","type":"post","link":"https:\/\/ww2.kqed.org\/makingof\/2013\/01\/10\/marilyn-mcneal\/","title":{"rendered":"The Making of&#8230;Recycled Instruments"},"content":{"rendered":"<p>&#8220;Cardboard boxes, coffee cans, cookie tins, plastic water bottles&#8230;anything I find on the street, I turn into an instrument.&#8221; &#8211;<a href=\"http:\/\/marilynm.org\">Marilyn McNeal<\/a>, musician, educator, and instrument maker<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F74013872\" height=\"166\" width=\"100%\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Cardboard boxes, coffee cans, cookie tins, plastic water bottles&#8230;anything I find on the street, I turn into an instrument.&#8221; &#8211;Marilyn McNeal, musician, educator, and instrument maker<\/p>\n","protected":false},"author":11456,"featured_media":1362,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"tags":[342,423,451],"coauthors":[],"series":[],"affiliates":[],"programs":[],"collections":[],"interests":[],"class_list":["post-1394","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","tag-instruments","tag-marilyn-mcneal","tag-music"],"acf":{"template_type":"standard","featured_image_type":"standard","is_audio_post":false},"template_type":null,"featured_image_type":null,"is_audio_post":null,"_links":{"self":[{"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/posts\/1394","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/users\/11456"}],"replies":[{"embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/comments?post=1394"}],"version-history":[{"count":0,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/posts\/1394\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/media\/1362"}],"wp:attachment":[{"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/media?parent=1394"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/categories?post=1394"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/tags?post=1394"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/coauthors?post=1394"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/series?post=1394"},{"taxonomy":"affiliates","embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/affiliates?post=1394"},{"taxonomy":"programs","embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/programs?post=1394"},{"taxonomy":"collections","embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/collections?post=1394"},{"taxonomy":"interests","embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/interests?post=1394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}