{"id":1327,"date":"2013-01-04T16:49:31","date_gmt":"2013-01-05T00:49:31","guid":{"rendered":"http:\/\/blogs.kqed.org\/makingof\/?page_id=1327"},"modified":"2013-01-04T16:49:31","modified_gmt":"2013-01-05T00:49:31","slug":"studio","status":"publish","type":"page","link":"https:\/\/ww2.kqed.org\/makingof\/studio\/","title":{"rendered":"Studio"},"content":{"rendered":"<p><strong>The Making Of &#8230;Zeega<\/strong><\/p>\n<p>Visitors were asked to contribute to <strong>The Making Of &#8230;<\/strong> by making Zeegas, a form of immersive digital experiences enabled by the <a href=\"http:\/\/zeega.com\" target=\"_blank\">Zeega platform<\/a>.<\/p>\n<p>Zeega&#8217;s mission is to &#8220;Remake the Internet,&#8221; to make it a more beautiful and surprising place, to make the web&#8217;s wilds accessible to anyone for new forms of creative expression. Use Zeega to create a digital story about what you make in the Bay Area and why. Or use Zeega to simply make a strange, beautiful experience that becomes a part of this collective remaking of the web.<\/p>\n<p>&nbsp;<\/p>\n<p>Make sure to tag your Zeega with &#8220;makingof&#8221; when you publish it, so that it can join the others in <strong>The Making Of &#8230;<\/strong> studio gallery.<\/p>\n<ul id=\"ulmain\" class=\"wrapper\"><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The Making Of &#8230;Zeega Visitors were asked to contribute to The Making Of &#8230; by making Zeegas, a form of immersive digital experiences enabled by the Zeega platform. Zeega&#8217;s mission is to &#8220;Remake the Internet,&#8221; to make it a more beautiful and surprising place, to make the web&#8217;s wilds accessible to anyone for new forms &hellip; <a href=\"https:\/\/ww2.kqed.org\/makingof\/studio\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Studio<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"zeega-page.php","meta":{"_acf_changed":false,"footnotes":""},"coauthors":[],"series":[],"affiliates":[],"programs":[],"collections":[],"interests":[],"class_list":["post-1327","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/pages\/1327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/comments?post=1327"}],"version-history":[{"count":0,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/pages\/1327\/revisions"}],"wp:attachment":[{"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/media?parent=1327"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/coauthors?post=1327"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/series?post=1327"},{"taxonomy":"affiliates","embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/affiliates?post=1327"},{"taxonomy":"programs","embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/programs?post=1327"},{"taxonomy":"collections","embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/collections?post=1327"},{"taxonomy":"interests","embeddable":true,"href":"https:\/\/ww2.kqed.org\/makingof\/wp-json\/wp\/v2\/interests?post=1327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}