Artists of All Ages: Add Your Work to KQED’s “Art in the Age of Trump”
Make Your Own Political Art in 5 Easy Steps
Ranu Mukherjee's Hybrid Films
Art + Activism with Sanaz Mazinani
Documentary Photography with Paccarik Orue
Mining the Internet with Jenny Odell
Make Your Own Superhero with Amy Franceschini
Social Practice Art with Amy Franceschini
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She lives in the East Bay and her favorite color is all of them.","avatar":"https://secure.gravatar.com/avatar/96aae7842c46004b98e00051e9e0d71f?s=600&d=blank&r=g","twitter":"kristinfarr","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["Contributor","contributor"]},{"site":"artschool","roles":["subscriber"]}],"headData":{"title":"Kristin Farr | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/96aae7842c46004b98e00051e9e0d71f?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/96aae7842c46004b98e00051e9e0d71f?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/kfarr"},"jwanek":{"type":"authors","id":"97","meta":{"index":"authors_1591205172","id":"97","found":true},"name":"Joel Wanek","firstName":null,"lastName":null,"slug":"jwanek","email":"jwanek@KQED.org","display_author_email":false,"staff_mastheads":[],"title":null,"bio":null,"avatar":"https://secure.gravatar.com/avatar/a795648b0f0d9d78c550d531d56a4c23?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["contributor"]},{"site":"artschool","roles":["administrator"]}],"headData":{"title":"Joel Wanek | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/a795648b0f0d9d78c550d531d56a4c23?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/a795648b0f0d9d78c550d531d56a4c23?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/jwanek"},"jdbrown":{"type":"authors","id":"8643","meta":{"index":"authors_1591205172","id":"8643","found":true},"name":"Jon Brown","firstName":"Jon","lastName":"Brown","slug":"jdbrown","email":"jdbrown@kqed.org","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Jon Brown makes videos for KQED's \u003cem>Art School! \u003c/em>","avatar":"https://secure.gravatar.com/avatar/171d6e49f41177668ece88b6924a239f?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["contributor"]},{"site":"artschool","roles":["administrator"]},{"site":"quest","roles":["administrator"]}],"headData":{"title":"Jon Brown | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/171d6e49f41177668ece88b6924a239f?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/171d6e49f41177668ece88b6924a239f?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/jdbrown"},"fabbott":{"type":"authors","id":"11320","meta":{"index":"authors_1591205172","id":"11320","found":true},"name":"Farrin Abbott","firstName":"Farrin","lastName":"Abbott","slug":"fabbott","email":"fabbott@kqed.org","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Farrin Abbott is the video producer for KQED's Art School! In her free time she's usually making videos, troubleshooting workflows and riding a bicycle (often at the same time).","avatar":"https://secure.gravatar.com/avatar/f1ad0ca92b456d479257cf5d99f6a7d5?s=600&d=blank&r=g","twitter":"KQEDartschool","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["author"]},{"site":"artschool","roles":["editor"]},{"site":"education","roles":["author"]}],"headData":{"title":"Farrin Abbott | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/f1ad0ca92b456d479257cf5d99f6a7d5?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/f1ad0ca92b456d479257cf5d99f6a7d5?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/fabbott"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"artschool_996":{"type":"posts","id":"artschool_996","meta":{"index":"posts_1591205157","site":"artschool","id":"996","score":null,"sort":[1485223158000]},"guestAuthors":[],"slug":"artists-of-all-ages-add-your-work-to-kqeds-art-in-the-age-of-trump","title":"Artists of All Ages: Add Your Work to KQED’s “Art in the Age of Trump”","publishDate":1485223158,"format":"standard","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>KQED Arts is calling on Bay Area artists of all ages to contribute to their series “\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">First 100 Days: Art in the Age of Trump\u003c/a>” to help capture this moment in American history.\u003c/p>\n\u003cp>Since FDR, a new president’s first 100 days have served to define the incoming administration, setting the stage for upcoming changes and challenges. The “First 100 Days” series asks artists to respond to this historic time, which runs from the inauguration through April 29. According to KQED’s senior arts editor Chloe Veltman, the hope is to publish a continuous stream of digital content focusing on issues that matter to artists and voters alike, such as the economy, immigration, and the environment. 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Eye-catching artworks can help start a dialogue about social justice, as well as raise awareness for political candidates, activists, and others who see room for improvement in their community and beyond. Our newest video details a formula for making political art in five easy steps by offering examples of successful projects from high profile artists Banksy, Corita Kent, Emory Douglas, Ai Wei Wei, Shepard Fairey and Barbara Kruger. Boldness, accessibility, visibility and reproducibility are just a few of the qualities that help make political art stand out and reach new audiences. Follow these five steps to create your own political art, and let your work shout a message from the rooftops! \u003c/span>\u003c/p>\n\u003cp class=\"p1\" style=\"text-align: left\">\u003ciframe src=\"https://player.vimeo.com/video/226210721\" width=\"640\" height=\"360\" frameborder=\"0\" title=\"Printing For The Movement, A Love Story\" webkitallowfullscreen mozallowfullscreen allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp class=\"p1\">See this example of how to make posters that inspire, organize and illustrate a social movement. 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Eye-catching artworks can help start a dialogue about social justice, as well as raise awareness for political candidates, activists, and others who see room for improvement in their community and beyond. Our newest video details a formula for making political art in five easy steps by offering examples of successful projects from high profile artists Banksy, Corita Kent, Emory Douglas, Ai Wei Wei, Shepard Fairey and Barbara Kruger. Boldness, accessibility, visibility and reproducibility are just a few of the qualities that help make political art stand out and reach new audiences. Follow these five steps to create your own political art, and let your work shout a message from the rooftops! \u003c/span>\u003c/p>\n\u003cp class=\"p1\" style=\"text-align: left\">\u003ciframe src=\"https://player.vimeo.com/video/226210721\" width=\"640\" height=\"360\" frameborder=\"0\" title=\"Printing For The Movement, A Love Story\" webkitallowfullscreen mozallowfullscreen allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp class=\"p1\">See this example of how to make posters that inspire, organize and illustrate a social movement. 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In the latest episode of Art School, Mukherjee unpacks the narrative and details behind her newest piece, \u003cem>Home and the World\u003c/em>, which examines cultural hybridity, the aftermath of colonialism, and feminist questions. Inspired by a scene from a film by Satyajit Ray, as well as the composition of traditional Indian lithographs, Mukherjee combined these influences with her own visual culture to create a subtle but complex moving image. \u003c/p>\n\u003cp>After discovering the secrets behind the artist's process, watch her entire hybrid film below. \u003c/p>\n\u003cp>\u003ciframe width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/1mmGIGRfXjI?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Catch \u003cem>Home and The World\u003c/em> on the big screen at \u003ca href=\"http://www.gallerywendinorris.com/a.php?view=upcoming&event_id=152\" target=\"_blank\">Gallery Wendi Norris\u003c/a> in San Francisco starting Aug. 6 - Sept. 3, 2015.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"In the latest episode of Art School, Ranu Mukherjee unpacks the narrative and details behind her newest piece, \"Home and the World,\" which examines cultural hybridity, the aftermath of colonialism, and feminist questions.","status":"publish","parent":0,"modified":1438022682,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":131},"headData":{"title":"Ranu Mukherjee's Hybrid Films | KQED","description":"In the latest episode of Art School, Ranu Mukherjee unpacks the narrative and details behind her newest piece, "Home and the World," which examines cultural hybridity, the aftermath of colonialism, and feminist questions.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"677 http://ww2.kqed.org/artschool/?p=677","disqusUrl":"https://ww2.kqed.org/artschool/2015/07/27/ranu-mukherjees-hybrid-films/","disqusTitle":"Ranu Mukherjee's Hybrid Films","videoEmbed":"https://youtu.be/S7UiVELl1Cg","path":"/artschool/677/ranu-mukherjees-hybrid-films","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://www.ranumukherjee.com/\" target=\"_blank\">Ranu Mukherjee\u003c/a> created the term hybrid film to describe her dynamic, animated artworks created with hundreds of layers of photography, paintings and digital imagery. In the latest episode of Art School, Mukherjee unpacks the narrative and details behind her newest piece, \u003cem>Home and the World\u003c/em>, which examines cultural hybridity, the aftermath of colonialism, and feminist questions. Inspired by a scene from a film by Satyajit Ray, as well as the composition of traditional Indian lithographs, Mukherjee combined these influences with her own visual culture to create a subtle but complex moving image. \u003c/p>\n\u003cp>After discovering the secrets behind the artist's process, watch her entire hybrid film below. \u003c/p>\n\u003cp>\u003ciframe width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/1mmGIGRfXjI?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Catch \u003cem>Home and The World\u003c/em> on the big screen at \u003ca href=\"http://www.gallerywendinorris.com/a.php?view=upcoming&event_id=152\" target=\"_blank\">Gallery Wendi Norris\u003c/a> in San Francisco starting Aug. 6 - Sept. 3, 2015.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/677/ranu-mukherjees-hybrid-films","authors":["16"],"categories":["artschool_22","artschool_7","artschool_21"],"tags":["artschool_11","artschool_40"],"featImg":"artschool_678","label":"artschool"},"artschool_636":{"type":"posts","id":"artschool_636","meta":{"index":"posts_1591205157","site":"artschool","id":"636","score":null,"sort":[1435696599000]},"guestAuthors":[],"slug":"art-activism-with-sanaz-mazinani","title":"Art + Activism with Sanaz Mazinani","publishDate":1435696599,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>Sanaz Mazinani is an artist with a background in political activism who uses art to inspire dialogue about perceptions of cultural identity. In the latest episode of Art School, she describes her current art practice and the intentions behind her recent installation at the Asian Art Museum in San Francisco. Using online media focusing on world news and pop culture as her source material, she creates symmetrical photo collages and videos that abstract familiar images and invite viewers to reconsider visual culture and its meaning and influence on public opinion and social justice.\u003c/p>\n\u003cp>Mazinani's site-specific installation titled \u003cem>Threshold\u003c/em> is comprised of mirrored tiles arranged in a geometric design referencing Islamic ornamentation and her personal connection to traditional sensibilities. The delicately constructed mirrored surface cover the walls and a freestanding sculpture, encouraging self-reflection and adding dynamism to a looping video of fiery explosions, the focal point of the installation.\u003cbr>\n\u003ca name=\"islamic%20ornamentation\">\u003c/a>\u003cbr>\nMazinani’s contemporary interests in often-chaotic media representations of political and cultural identity push up against the unity and order of the geometric arrangements she constructs, creating a strong juxtaposition. She expands on the intention of traditional of Islamic ornamentation in the short clip \u003ca href=\"#islamic%20ornamentation\"> below. \u003c/a> \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=5Hfx1GVI_0A&w=853&h=480]\u003c/p>\n\u003cp>Sanaz Mazinani exhibits her photography and installation art internationally, and she also works as a curator and educator. To see more of her work, visit \u003ca href=\"http://www.sanazmazinani.com\">SanazMazinani.com\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Sanaz Mazinani is an artist with a background in political activism who uses art to inspire dialogue about perceptions of cultural identity.","status":"publish","parent":0,"modified":1435821531,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":241},"headData":{"title":"Art + Activism with Sanaz Mazinani | KQED","description":"Sanaz Mazinani is an artist with a background in political activism who uses art to inspire dialogue about perceptions of cultural identity.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"636 http://ww2.kqed.org/artschool/?p=636","disqusUrl":"https://ww2.kqed.org/artschool/2015/06/30/art-activism-with-sanaz-mazinani/","disqusTitle":"Art + Activism with Sanaz Mazinani","videoEmbed":"https://youtu.be/FTp_nLgcPyU","path":"/artschool/636/art-activism-with-sanaz-mazinani","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sanaz Mazinani is an artist with a background in political activism who uses art to inspire dialogue about perceptions of cultural identity. In the latest episode of Art School, she describes her current art practice and the intentions behind her recent installation at the Asian Art Museum in San Francisco. Using online media focusing on world news and pop culture as her source material, she creates symmetrical photo collages and videos that abstract familiar images and invite viewers to reconsider visual culture and its meaning and influence on public opinion and social justice.\u003c/p>\n\u003cp>Mazinani's site-specific installation titled \u003cem>Threshold\u003c/em> is comprised of mirrored tiles arranged in a geometric design referencing Islamic ornamentation and her personal connection to traditional sensibilities. The delicately constructed mirrored surface cover the walls and a freestanding sculpture, encouraging self-reflection and adding dynamism to a looping video of fiery explosions, the focal point of the installation.\u003cbr>\n\u003ca name=\"islamic%20ornamentation\">\u003c/a>\u003cbr>\nMazinani’s contemporary interests in often-chaotic media representations of political and cultural identity push up against the unity and order of the geometric arrangements she constructs, creating a strong juxtaposition. She expands on the intention of traditional of Islamic ornamentation in the short clip \u003ca href=\"#islamic%20ornamentation\"> below. \u003c/a> \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5Hfx1GVI_0A'\n title='//www.youtube.com/embed/5Hfx1GVI_0A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Sanaz Mazinani exhibits her photography and installation art internationally, and she also works as a curator and educator. To see more of her work, visit \u003ca href=\"http://www.sanazmazinani.com\">SanazMazinani.com\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/636/art-activism-with-sanaz-mazinani","authors":["16"],"categories":["artschool_22","artschool_7","artschool_21"],"tags":["artschool_39","artschool_11","artschool_40"],"featImg":"artschool_652","label":"artschool"},"artschool_606":{"type":"posts","id":"artschool_606","meta":{"index":"posts_1591205157","site":"artschool","id":"606","score":null,"sort":[1429735112000]},"guestAuthors":[],"slug":"the-camera-as-connector-photographer-paccarik-orue","title":"Documentary Photography with Paccarik Orue","publishDate":1429735112,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>Photographer \u003ca href=\"http://www.paccarik.com\">Paccarik Orue\u003c/a> moved to San Francisco in 2008 after struggling for a handful of years in Miami, Florida as a recent immigrant to the United States. Far from his birthplace in Lima, Peru, Orue found solace in and forged a connection to some of the Bay Area's most neglected neighborhoods: Bayview-Hunter's Point and Richmond.\u003c/p>\n\u003cp>\"Because of my own immigrant experience, I seek communities that may be struggling and experiencing things that I can relate to because of my background,\" Orue said.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/04/Sequence-01.00_01_34_19.Still001.png\">\u003cimg class=\"alignnone size-full wp-image-609\" src=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/04/Sequence-01.00_01_34_19.Still001.png\" alt=\"Paccarik Orue making a portrait in Richmond, California.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/4/2015/04/Sequence-01.00_01_34_19.Still001.png 800w, https://ww2.kqed.org/app/uploads/sites/4/2015/04/Sequence-01.00_01_34_19.Still001-400x225.png 400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>In this episode of Art School we visit Paccarik in the studios of \u003ca href=\"http://raykophotocenter.com/\">Rayko Photo Center\u003c/a> where he is currently an Artist-In-Residence. We also tag along as he makes photographs in the Iron Triangle neighborhood of Richmond, California. From 2009-2011, Orue photographed residents and structures there for his book titled, \u003ca href=\"http://www.owlandtiger.com/books/there-is-nothing-beautiful-around-here\">\u003cem>There Is Nothing Beautiful Around Here.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>Orue also introduces us to his latest body of work which is centered in the city of \u003ca href=\"http://en.wikipedia.org/wiki/Cerro_de_Pasco\">Cerro de Pasco\u003c/a> in his home country of Peru. Cerro de Pasco is one of the highest cities in the world, perched atop the Andean Mountains. Even though he has returned to his homeland, Orue feels like an outsider.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He said, \"People pick up right away that I've been away for so long. Because you are from another place, they are willing to share their culture and invite you to experience things that you might not be able to come across. I like to think of the camera as the connecting point that takes me there to live those experiences and create the images I do.\"\u003c/p>\n\u003cp>At Rayko Photo Center where he is an artist-in-residence, Orue also demonstrated how to scan, clean, color-correct and print photographs from medium-format film cameras.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=6uoKw5CljEU&w=640&h=360]\u003c/p>\n\n","blocks":[],"excerpt":"Peruvian photographer Paccarik Orue finds beauty in some of Bay Area's most neglected communities.","status":"publish","parent":0,"modified":1430331854,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":312},"headData":{"title":"Documentary Photography with Paccarik Orue | KQED","description":"Peruvian photographer Paccarik Orue finds beauty in some of Bay Area's most neglected communities.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"606 http://ww2.kqed.org/artschool/?p=606","disqusUrl":"https://ww2.kqed.org/artschool/2015/04/22/the-camera-as-connector-photographer-paccarik-orue/","disqusTitle":"Documentary Photography with Paccarik Orue","videoEmbed":"https://www.youtube.com/watch?v=n16hfWLLo9w","path":"/artschool/606/the-camera-as-connector-photographer-paccarik-orue","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Photographer \u003ca href=\"http://www.paccarik.com\">Paccarik Orue\u003c/a> moved to San Francisco in 2008 after struggling for a handful of years in Miami, Florida as a recent immigrant to the United States. Far from his birthplace in Lima, Peru, Orue found solace in and forged a connection to some of the Bay Area's most neglected neighborhoods: Bayview-Hunter's Point and Richmond.\u003c/p>\n\u003cp>\"Because of my own immigrant experience, I seek communities that may be struggling and experiencing things that I can relate to because of my background,\" Orue said.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/04/Sequence-01.00_01_34_19.Still001.png\">\u003cimg class=\"alignnone size-full wp-image-609\" src=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/04/Sequence-01.00_01_34_19.Still001.png\" alt=\"Paccarik Orue making a portrait in Richmond, California.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/4/2015/04/Sequence-01.00_01_34_19.Still001.png 800w, https://ww2.kqed.org/app/uploads/sites/4/2015/04/Sequence-01.00_01_34_19.Still001-400x225.png 400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>In this episode of Art School we visit Paccarik in the studios of \u003ca href=\"http://raykophotocenter.com/\">Rayko Photo Center\u003c/a> where he is currently an Artist-In-Residence. We also tag along as he makes photographs in the Iron Triangle neighborhood of Richmond, California. From 2009-2011, Orue photographed residents and structures there for his book titled, \u003ca href=\"http://www.owlandtiger.com/books/there-is-nothing-beautiful-around-here\">\u003cem>There Is Nothing Beautiful Around Here.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>Orue also introduces us to his latest body of work which is centered in the city of \u003ca href=\"http://en.wikipedia.org/wiki/Cerro_de_Pasco\">Cerro de Pasco\u003c/a> in his home country of Peru. Cerro de Pasco is one of the highest cities in the world, perched atop the Andean Mountains. Even though he has returned to his homeland, Orue feels like an outsider.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He said, \"People pick up right away that I've been away for so long. Because you are from another place, they are willing to share their culture and invite you to experience things that you might not be able to come across. I like to think of the camera as the connecting point that takes me there to live those experiences and create the images I do.\"\u003c/p>\n\u003cp>At Rayko Photo Center where he is an artist-in-residence, Orue also demonstrated how to scan, clean, color-correct and print photographs from medium-format film cameras.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6uoKw5CljEU'\n title='//www.youtube.com/embed/6uoKw5CljEU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/606/the-camera-as-connector-photographer-paccarik-orue","authors":["97"],"categories":["artschool_7","artschool_21"],"tags":["artschool_11"],"featImg":"artschool_607","label":"artschool"},"artschool_578":{"type":"posts","id":"artschool_578","meta":{"index":"posts_1591205157","site":"artschool","id":"578","score":null,"sort":[1426029996000]},"guestAuthors":[],"slug":"mining-the-internet-with-jenny-odell","title":"Mining the Internet with Jenny Odell","publishDate":1426029996,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>Ask Bay Area native \u003ca href=\"http://www.jennyodell.com\">Jenny Odell\u003c/a> to describe her artistic practice and she just might tell you her work is more akin to a scientist or \u003ca href=\"http://www.archives.gov/preservation/professionals/archives-questions.html\">archivist\u003c/a>. Typically her work involves scouring the internet for images on Google Maps, YouTube, Yelp or Craigslist, then making large composites from the photographs and video she collects.\u003c/p>\n\u003cfigure id=\"attachment_583\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003ca href=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/waste-ponds_small-copy.jpg\">\u003cimg class=\"wp-image-583 size-medium\" src=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/waste-ponds_small-copy-600x600.jpg\" alt=\"77 Salt and Waste Ponds\" width=\"600\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-600x600.jpg 600w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-320x320.jpg 320w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-75x75.jpg 75w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy.jpg 800w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">77 Salt and Waste Ponds \u003ccite>(Jenny Odell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Container ships, water slides, wastewater treatment facilities, electrical power lines, and her own trash are just some of the objects she has catalogued and rearranged in her artwork. All of this is an effort to try and make sense out of the systems and structures that she moves past and uses everyday.\u003c/p>\n\u003cp>In this episode of Art School, we hang out with Odell in her apartment in San Francisco's Mission District and get a glimpse of her process of gathering images and crafting them into grids and other forms.\u003c/p>\n\u003cfigure id=\"attachment_586\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/odell-e1426024379204.png\">\u003cimg class=\"wp-image-586 size-medium\" src=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/odell-800x450.png\" alt=\"Jenny Odell navigating Google Maps\" width=\"800\" height=\"450\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Jenny Odell navigating Google Maps \u003ccite>(Joel Wanek)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of her largest projects resulted in the book\u003ca href=\"http://www.blurb.com/b/1262410-travel-by-approximation\">\u003cem> Travel By Approximation\u003c/em>\u003c/a>, which is the documentation of a virtual road trip she took by \"traveling\" and \"sightseeing\" through Google Maps. Another series of works she introduces us to is \u003ca href=\"http://www.jennyodell.com/satellite.html\">\u003cem>Satellite Collections\u003c/em>\u003c/a> that presents common objects and structures as strange and otherwordly.\u003c/p>\n\u003cp>We get a closer, in-depth look at Odell's practice in a second video below. Follow along as she walks us through the process used to make her piece \u003cem>Garbage Selfie\u003c/em>, the product of photographing her trash for twenty-one days!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=RQbgcCGky54\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the demo above Odell uses the application Adobe Photoshop to cut out and construct her selfie. But, there are a handful of software options you can use if you don't own that particular program. One example is \u003ca href=\"http://www.gimp.org/\">GIMP\u003c/a> which is a free desktop application that is strikingly similar to Photoshop. Another powerful option is \u003ca href=\"http://apps.pixlr.com/editor/\">Pixlr\u003c/a>. Pixlr is a feature-rich program which is also free and online - no download needed! Check out our series of \u003ca href=\"http://blogs.kqed.org/education/2015/03/09/working-with-photos-in-pixlr-editor/\">Pixlr explainers\u003c/a> to get up to speed and making your own \u003cem>Garbage Selfie \u003c/em>in no time.\u003c/p>\n\n","blocks":[],"excerpt":"Bay Area artist Jenny Odell renders our built environment as strange and otherworldly.","status":"publish","parent":0,"modified":1426035667,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":353},"headData":{"title":"Mining the Internet with Jenny Odell | KQED","description":"Bay Area artist Jenny Odell renders our built environment as strange and otherworldly.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"578 http://ww2.kqed.org/artschool/?p=578","disqusUrl":"https://ww2.kqed.org/artschool/2015/03/10/mining-the-internet-with-jenny-odell/","disqusTitle":"Mining the Internet with Jenny Odell","videoEmbed":"https://www.youtube.com/watch?v=kQdyNti6MMQ","path":"/artschool/578/mining-the-internet-with-jenny-odell","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ask Bay Area native \u003ca href=\"http://www.jennyodell.com\">Jenny Odell\u003c/a> to describe her artistic practice and she just might tell you her work is more akin to a scientist or \u003ca href=\"http://www.archives.gov/preservation/professionals/archives-questions.html\">archivist\u003c/a>. Typically her work involves scouring the internet for images on Google Maps, YouTube, Yelp or Craigslist, then making large composites from the photographs and video she collects.\u003c/p>\n\u003cfigure id=\"attachment_583\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003ca href=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/waste-ponds_small-copy.jpg\">\u003cimg class=\"wp-image-583 size-medium\" src=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/waste-ponds_small-copy-600x600.jpg\" alt=\"77 Salt and Waste Ponds\" width=\"600\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-600x600.jpg 600w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-320x320.jpg 320w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-75x75.jpg 75w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy.jpg 800w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">77 Salt and Waste Ponds \u003ccite>(Jenny Odell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Container ships, water slides, wastewater treatment facilities, electrical power lines, and her own trash are just some of the objects she has catalogued and rearranged in her artwork. All of this is an effort to try and make sense out of the systems and structures that she moves past and uses everyday.\u003c/p>\n\u003cp>In this episode of Art School, we hang out with Odell in her apartment in San Francisco's Mission District and get a glimpse of her process of gathering images and crafting them into grids and other forms.\u003c/p>\n\u003cfigure id=\"attachment_586\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/odell-e1426024379204.png\">\u003cimg class=\"wp-image-586 size-medium\" src=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/odell-800x450.png\" alt=\"Jenny Odell navigating Google Maps\" width=\"800\" height=\"450\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Jenny Odell navigating Google Maps \u003ccite>(Joel Wanek)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of her largest projects resulted in the book\u003ca href=\"http://www.blurb.com/b/1262410-travel-by-approximation\">\u003cem> Travel By Approximation\u003c/em>\u003c/a>, which is the documentation of a virtual road trip she took by \"traveling\" and \"sightseeing\" through Google Maps. Another series of works she introduces us to is \u003ca href=\"http://www.jennyodell.com/satellite.html\">\u003cem>Satellite Collections\u003c/em>\u003c/a> that presents common objects and structures as strange and otherwordly.\u003c/p>\n\u003cp>We get a closer, in-depth look at Odell's practice in a second video below. Follow along as she walks us through the process used to make her piece \u003cem>Garbage Selfie\u003c/em>, the product of photographing her trash for twenty-one days!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RQbgcCGky54'\n title='//www.youtube.com/embed/RQbgcCGky54'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>In the demo above Odell uses the application Adobe Photoshop to cut out and construct her selfie. But, there are a handful of software options you can use if you don't own that particular program. One example is \u003ca href=\"http://www.gimp.org/\">GIMP\u003c/a> which is a free desktop application that is strikingly similar to Photoshop. Another powerful option is \u003ca href=\"http://apps.pixlr.com/editor/\">Pixlr\u003c/a>. Pixlr is a feature-rich program which is also free and online - no download needed! Check out our series of \u003ca href=\"http://blogs.kqed.org/education/2015/03/09/working-with-photos-in-pixlr-editor/\">Pixlr explainers\u003c/a> to get up to speed and making your own \u003cem>Garbage Selfie \u003c/em>in no time.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/578/mining-the-internet-with-jenny-odell","authors":["97","16"],"categories":["artschool_22","artschool_7"],"tags":["artschool_11"],"featImg":"artschool_579","label":"artschool"},"artschool_531":{"type":"posts","id":"artschool_531","meta":{"index":"posts_1591205157","site":"artschool","id":"531","score":null,"sort":[1418644853000]},"guestAuthors":[],"slug":"make-your-own-superhero-with-amy-franceschini","title":"Make Your Own Superhero with Amy Franceschini","publishDate":1418644853,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>Hit the streets as your own, custom-made Superhero and work for the common good of your city! Artist \u003ca title=\"Futurefarmers\" href=\"http://futurefarmers.com/\" target=\"_blank\">Amy Franceschini\u003c/a> has fashioned an inspiring lesson that will help guide you through the entire process from brainstorming logos, costume, and backstory to ensuring that your Superhero works to help solve a community's needs.\u003c/p>\n\u003cp>This lesson is part of the\u003ca href=\"http://sfmoma.org\" target=\"_blank\"> San Francisco Museum of Modern Art's\u003c/a> Open Studio. Find Amy's entire lesson plan here: \u003ca title=\"Amy Franceschini's Superhero lesson plan\" href=\"http://www.sfmoma.org/explore/educators/teacher_resources/openstudio_lesson_franceschini\" target=\"_blank\">Superhero. \u003c/a>Check out the entire \u003ca title=\"SFMOMA Open Studio\" href=\"http://www.sfmoma.org/explore/educators/teacher_resources/bradford_open_studio\" target=\"_blank\">Open Studio\u003c/a> collection for more activities centered around contemporary art.\u003c/p>\n\u003cp>To learn more about Amy Franceschini, take a look at Art School's profile piece highlighting the work she's done around the world with her collaborative art collective Futurefarmers.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LhbXDLw4x8w\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Hit the streets as your own, custom-made Superhero and work for the common good of your city! Artist Amy Franceschini has fashioned an inspiring lesson that will help guide you through the entire process from brainstorming logos, costume, and backstory to ensuring that your Superhero works to help solve a community's needs. ","status":"publish","parent":0,"modified":1419032958,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":131},"headData":{"title":"Make Your Own Superhero with Amy Franceschini | KQED","description":"Hit the streets as your own, custom-made Superhero and work for the common good of your city! Artist Amy Franceschini has fashioned an inspiring lesson that will help guide you through the entire process from brainstorming logos, costume, and backstory to ensuring that your Superhero works to help solve a community's needs. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"531 http://ww2.kqed.org/artschool/?p=531","disqusUrl":"https://ww2.kqed.org/artschool/2014/12/15/make-your-own-superhero-with-amy-franceschini/","disqusTitle":"Make Your Own Superhero with Amy Franceschini","videoEmbed":"https://www.youtube.com/watch?v=1gjy-CEO2kA","path":"/artschool/531/make-your-own-superhero-with-amy-franceschini","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hit the streets as your own, custom-made Superhero and work for the common good of your city! Artist \u003ca title=\"Futurefarmers\" href=\"http://futurefarmers.com/\" target=\"_blank\">Amy Franceschini\u003c/a> has fashioned an inspiring lesson that will help guide you through the entire process from brainstorming logos, costume, and backstory to ensuring that your Superhero works to help solve a community's needs.\u003c/p>\n\u003cp>This lesson is part of the\u003ca href=\"http://sfmoma.org\" target=\"_blank\"> San Francisco Museum of Modern Art's\u003c/a> Open Studio. Find Amy's entire lesson plan here: \u003ca title=\"Amy Franceschini's Superhero lesson plan\" href=\"http://www.sfmoma.org/explore/educators/teacher_resources/openstudio_lesson_franceschini\" target=\"_blank\">Superhero. \u003c/a>Check out the entire \u003ca title=\"SFMOMA Open Studio\" href=\"http://www.sfmoma.org/explore/educators/teacher_resources/bradford_open_studio\" target=\"_blank\">Open Studio\u003c/a> collection for more activities centered around contemporary art.\u003c/p>\n\u003cp>To learn more about Amy Franceschini, take a look at Art School's profile piece highlighting the work she's done around the world with her collaborative art collective Futurefarmers.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LhbXDLw4x8w'\n title='//www.youtube.com/embed/LhbXDLw4x8w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/531/make-your-own-superhero-with-amy-franceschini","authors":["97"],"categories":["artschool_22","artschool_7","artschool_2","artschool_5","artschool_21"],"tags":["artschool_11"],"featImg":"artschool_532","label":"artschool"},"artschool_521":{"type":"posts","id":"artschool_521","meta":{"index":"posts_1591205157","site":"artschool","id":"521","score":null,"sort":[1417892883000]},"guestAuthors":[],"slug":"collaborative-art-with-amy-franceschini","title":"Social Practice Art with Amy Franceschini","publishDate":1417892883,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>Amy Franceschini is a San Francisco based artist whose practice spans drawing, sculpture, design, net art, public art, and gardening. She is concerned with notions of community, sustainable environment, and the relations between humans and nature.\u003c/p>\n\u003cp>In this episode of Art School we hang out with Franceschini in her Mission District studio that also serves as the headquarters for Futurefarmers, an international collective of artists, bakers, architects and other builders. Listen in as she talks about working collaboratively and making work that encourages dialogue and exchange.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Amy Franceschini’s is a San Francisco based artist whose practice spans drawing, sculpture, design, net art, public art, and gardening. She is a founder and member of Futurefarmers which is an international collective of artists, bakers, architects and other builders. We visit her Mission District studio and hear about her collaborative, socially engaged practice.","status":"publish","parent":0,"modified":1438737499,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":88},"headData":{"title":"Social Practice Art with Amy Franceschini | KQED","description":"Amy Franceschini’s is a San Francisco based artist whose practice spans drawing, sculpture, design, net art, public art, and gardening. She is a founder and member of Futurefarmers which is an international collective of artists, bakers, architects and other builders. We visit her Mission District studio and hear about her collaborative, socially engaged practice.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"521 http://ww2.kqed.org/artschool/?p=521","disqusUrl":"https://ww2.kqed.org/artschool/2014/12/06/collaborative-art-with-amy-franceschini/","disqusTitle":"Social Practice Art with Amy Franceschini","videoEmbed":"https://www.youtube.com/watch?v=LhbXDLw4x8w&feature=youtu.be","path":"/artschool/521/collaborative-art-with-amy-franceschini","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Amy Franceschini is a San Francisco based artist whose practice spans drawing, sculpture, design, net art, public art, and gardening. She is concerned with notions of community, sustainable environment, and the relations between humans and nature.\u003c/p>\n\u003cp>In this episode of Art School we hang out with Franceschini in her Mission District studio that also serves as the headquarters for Futurefarmers, an international collective of artists, bakers, architects and other builders. Listen in as she talks about working collaboratively and making work that encourages dialogue and exchange.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/521/collaborative-art-with-amy-franceschini","authors":["97"],"categories":["artschool_22","artschool_7","artschool_2","artschool_21"],"tags":["artschool_11"],"featImg":"artschool_522","label":"artschool"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. 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Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. 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