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In this installment of Art School, San Francisco artist and author Jessica Hische takes us into her design studio with a demo on custom lettering from pencil sketch to vector paths.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Most of us have experimented with lettering at some point --maybe doodling our name or our favorite band's lyrics on a notebook or on our desk at school. But Hische has taken her love for lettering to the next level and built a successful career from her word designs.\u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>\u003cb>\u003ci>“When you’re starting out in lettering, being naive can be really amazing because you do weird things that people with experience do not know how to do anymore...\"\u003c/i>\u003c/b>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cspan style=\"font-weight: 400\">Hische is known for her quirky word inventions such as \u003c/span>\u003cem>\u003cb>procrastiwork\u003c/b>\u003c/em>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003cem>\u003cb>designastrator\u003c/b>\u003c/em>\u003cspan style=\"font-weight: 400\"> to describe her work practices. Her book,\u003c/span>\u003ca href=\"http://buystufffrom.jessicahische.com/product/in-progress\"> \u003cspan style=\"font-weight: 400\">In Progress\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, provides a deeper look into the lettering artist’s design process with tips and tricks on pencil selections, her story of turning lettering into a career, rough sketches, illustrator advice to live-by, social media tips and amazing examples of her work.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Start lettering or digital illustration by learning the pen tool as your first big hurdle. It can be frustrating to start, but once you get the hang of it, you’ll be drawing and vectorizing everything! Here’s a handy guide to help you get started with the\u003c/span>\u003ca href=\"https://design.tutsplus.com/tutorials/illustrators-pen-tool-the-comprehensive-guide--vector-141\"> \u003cspan style=\"font-weight: 400\">pen tool\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>\u003cb>\u003ci>“Don’t let the intimidation of actually starting down the path to do anything be what stops you because it’s hard for everybody.\" --Jessica Hische\u003c/i>\u003c/b>\u003c/p>\u003c/blockquote>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Resources: \u003c/b>\u003c/p>\n\u003cp>\u003ca href=\"http://jessicahische.is/\">\u003cb>Jessica Hische\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://jessicahische.is/heretohelp\">\u003cb>Jessica’s Dandy Resource List\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003cb>Take a full design course with Jessica at \u003c/b>\u003ca href=\"https://www.skillshare.com/site/join?coupon=jessicahische_3mfree&teacherRef=7988252&via=teacher-referral-partner&utm_source=jessicahische&utm_medium=teacher-referral-partner&utm_campaign=jessicahische_summerreferral&category=design&t=Lettering-for-Designers-One-Drop-Cap-Letterform-at-a-Time&sku=1412984025\">\u003cb>Skillshare\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=plwRPf0NOWY\">\u003cb>Plotting Vector Points with Jessica Hische\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.hellobrio.com/learn/digitize-lettering-illustrator-image-trace\">\u003cb>Step-by-step digitized lettering in Illustrator using Image Trace\u003c/b>\u003c/a>\u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1576179542,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":323},"headData":{"title":"Lettering Artistry with Jessica Hische | KQED","description":"asdasasdasda","ogTitle":"Lettering Artistry with Jessica Hische - JH","ogDescription":"You've probably seen Jessica Hische's work in a lot of places. 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In this installment of Art School, San Francisco artist and author Jessica Hische takes us into her design studio with a demo on custom lettering from pencil sketch to vector paths.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Most of us have experimented with lettering at some point --maybe doodling our name or our favorite band's lyrics on a notebook or on our desk at school. But Hische has taken her love for lettering to the next level and built a successful career from her word designs.\u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>\u003cb>\u003ci>“When you’re starting out in lettering, being naive can be really amazing because you do weird things that people with experience do not know how to do anymore...\"\u003c/i>\u003c/b>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cspan style=\"font-weight: 400\">Hische is known for her quirky word inventions such as \u003c/span>\u003cem>\u003cb>procrastiwork\u003c/b>\u003c/em>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003cem>\u003cb>designastrator\u003c/b>\u003c/em>\u003cspan style=\"font-weight: 400\"> to describe her work practices. Her book,\u003c/span>\u003ca href=\"http://buystufffrom.jessicahische.com/product/in-progress\"> \u003cspan style=\"font-weight: 400\">In Progress\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, provides a deeper look into the lettering artist’s design process with tips and tricks on pencil selections, her story of turning lettering into a career, rough sketches, illustrator advice to live-by, social media tips and amazing examples of her work.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Start lettering or digital illustration by learning the pen tool as your first big hurdle. It can be frustrating to start, but once you get the hang of it, you’ll be drawing and vectorizing everything! Here’s a handy guide to help you get started with the\u003c/span>\u003ca href=\"https://design.tutsplus.com/tutorials/illustrators-pen-tool-the-comprehensive-guide--vector-141\"> \u003cspan style=\"font-weight: 400\">pen tool\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>\u003cb>\u003ci>“Don’t let the intimidation of actually starting down the path to do anything be what stops you because it’s hard for everybody.\" --Jessica Hische\u003c/i>\u003c/b>\u003c/p>\u003c/blockquote>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Resources: \u003c/b>\u003c/p>\n\u003cp>\u003ca href=\"http://jessicahische.is/\">\u003cb>Jessica Hische\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://jessicahische.is/heretohelp\">\u003cb>Jessica’s Dandy Resource List\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003cb>Take a full design course with Jessica at \u003c/b>\u003ca href=\"https://www.skillshare.com/site/join?coupon=jessicahische_3mfree&teacherRef=7988252&via=teacher-referral-partner&utm_source=jessicahische&utm_medium=teacher-referral-partner&utm_campaign=jessicahische_summerreferral&category=design&t=Lettering-for-Designers-One-Drop-Cap-Letterform-at-a-Time&sku=1412984025\">\u003cb>Skillshare\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=plwRPf0NOWY\">\u003cb>Plotting Vector Points with Jessica Hische\u003c/b>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.hellobrio.com/learn/digitize-lettering-illustrator-image-trace\">\u003cb>Step-by-step digitized lettering in Illustrator using Image Trace\u003c/b>\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/1026/lettering-artistry-with-jessica-hische","authors":["11320"],"categories":["artschool_4","artschool_22"],"tags":["artschool_11","artschool_40"],"featImg":"artschool_1035","label":"artschool"},"artschool_973":{"type":"posts","id":"artschool_973","meta":{"index":"posts_1591205157","site":"artschool","id":"973","score":null,"sort":[1481920995000]},"guestAuthors":[],"slug":"logo-design-with-mark-winn","title":"Logo Design with Mark Winn","publishDate":1481920995,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>Get an inside look into the iterative process of logo design with graphic designer, Mark Winn! In this Art School video, Mark takes us through the process of conceptualizing a logo theme and executing the design from pencil to pixel while providing some serious time-saving techniques in Illustrator along the way.\u003c/p>\n\u003cp>Follow the process and design your own logo, for a group, a cause or a fictional company. Share your designs with us at #KQEDartschool or tweet us @KQEDartschool.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1481933761,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":82},"headData":{"title":"Logo Design with Mark Winn | KQED","description":"Get an inside look into the iterative process of logo design with graphic designer, Mark Winn! In this Art School video, Mark takes us through the process of conceptualizing a logo theme and executing the design from pencil to pixel while providing some serious time-saving techniques in Illustrator along the way. Follow the process and","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Logo Design with Mark Winn","datePublished":"2016-12-16T20:43:15.000Z","dateModified":"2016-12-17T00:16:01.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"973 http://ww2.kqed.org/artschool/?p=973","disqusUrl":"https://ww2.kqed.org/artschool/2016/12/16/logo-design-with-mark-winn/","disqusTitle":"Logo Design with Mark Winn","videoEmbed":"https://www.youtube.com/watch?v=HqdvYyOUhZ4","path":"/artschool/973/logo-design-with-mark-winn","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Get an inside look into the iterative process of logo design with graphic designer, Mark Winn! In this Art School video, Mark takes us through the process of conceptualizing a logo theme and executing the design from pencil to pixel while providing some serious time-saving techniques in Illustrator along the way.\u003c/p>\n\u003cp>Follow the process and design your own logo, for a group, a cause or a fictional company. Share your designs with us at #KQEDartschool or tweet us @KQEDartschool.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/973/logo-design-with-mark-winn","authors":["11320"],"categories":["artschool_4","artschool_22","artschool_21"],"tags":["artschool_11","artschool_40"],"featImg":"artschool_979","label":"artschool"},"artschool_913":{"type":"posts","id":"artschool_913","meta":{"index":"posts_1591205157","site":"artschool","id":"913","score":null,"sort":[1460041586000]},"guestAuthors":[],"slug":"make-your-own-political-art-in-5-easy-steps","title":"Make Your Own Political Art in 5 Easy Steps","publishDate":1460041586,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp class=\"p1\" style=\"text-align: left\">\u003cspan class=\"s1\">For hundreds of years, artists have used their work to spread messages about important issues. Eye-catching artworks can help start a dialogue about social justice, as well as raise awareness for political candidates, activists, and others who see room for improvement in their community and beyond. Our newest video details a formula for making political art in five easy steps by offering examples of successful projects from high profile artists Banksy, Corita Kent, Emory Douglas, Ai Wei Wei, Shepard Fairey and Barbara Kruger. Boldness, accessibility, visibility and reproducibility are just a few of the qualities that help make political art stand out and reach new audiences. Follow these five steps to create your own political art, and let your work shout a message from the rooftops! \u003c/span>\u003c/p>\n\u003cp class=\"p1\" style=\"text-align: left\">\u003ciframe src=\"https://player.vimeo.com/video/226210721\" width=\"640\" height=\"360\" frameborder=\"0\" title=\"Printing For The Movement, A Love Story\" webkitallowfullscreen mozallowfullscreen allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp class=\"p1\">See this example of how to make posters that inspire, organize and illustrate a social movement. KQED Arts profiles printmakers Melanie Cervantes and Jesus Barraza of Oakland-based @DignidadRebelde.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Take these five steps to create your own political art, and let your work shout a message from the rooftops!","status":"publish","parent":0,"modified":1501000768,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":2,"wordCount":159},"headData":{"title":"Make Your Own Political Art in 5 Easy Steps | KQED","description":"Take these five steps to create your own political art, and let your work shout a message from the rooftops!","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Make Your Own Political Art in 5 Easy Steps","datePublished":"2016-04-07T15:06:26.000Z","dateModified":"2017-07-25T16:39:28.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"913 http://ww2.kqed.org/artschool/?p=913","disqusUrl":"https://ww2.kqed.org/artschool/2016/04/07/make-your-own-political-art-in-5-easy-steps/","disqusTitle":"Make Your Own Political Art in 5 Easy Steps","videoEmbed":"https://youtu.be/JMVd5k2a2IM","path":"/artschool/913/make-your-own-political-art-in-5-easy-steps","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp class=\"p1\" style=\"text-align: left\">\u003cspan class=\"s1\">For hundreds of years, artists have used their work to spread messages about important issues. Eye-catching artworks can help start a dialogue about social justice, as well as raise awareness for political candidates, activists, and others who see room for improvement in their community and beyond. Our newest video details a formula for making political art in five easy steps by offering examples of successful projects from high profile artists Banksy, Corita Kent, Emory Douglas, Ai Wei Wei, Shepard Fairey and Barbara Kruger. Boldness, accessibility, visibility and reproducibility are just a few of the qualities that help make political art stand out and reach new audiences. Follow these five steps to create your own political art, and let your work shout a message from the rooftops! \u003c/span>\u003c/p>\n\u003cp class=\"p1\" style=\"text-align: left\">\u003ciframe src=\"https://player.vimeo.com/video/226210721\" width=\"640\" height=\"360\" frameborder=\"0\" title=\"Printing For The Movement, A Love Story\" webkitallowfullscreen mozallowfullscreen allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp class=\"p1\">See this example of how to make posters that inspire, organize and illustrate a social movement. KQED Arts profiles printmakers Melanie Cervantes and Jesus Barraza of Oakland-based @DignidadRebelde.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/913/make-your-own-political-art-in-5-easy-steps","authors":["8643","16"],"categories":["artschool_4","artschool_22","artschool_7","artschool_6","artschool_2","artschool_5","artschool_21"],"tags":["artschool_11","artschool_40"],"featImg":"artschool_918","label":"artschool"},"artschool_677":{"type":"posts","id":"artschool_677","meta":{"index":"posts_1591205157","site":"artschool","id":"677","score":null,"sort":[1437981460000]},"guestAuthors":[],"slug":"ranu-mukherjees-hybrid-films","title":"Ranu Mukherjee's Hybrid Films","publishDate":1437981460,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>\u003ca href=\"http://www.ranumukherjee.com/\" target=\"_blank\">Ranu Mukherjee\u003c/a> created the term hybrid film to describe her dynamic, animated artworks created with hundreds of layers of photography, paintings and digital imagery. In the latest episode of Art School, Mukherjee unpacks the narrative and details behind her newest piece, \u003cem>Home and the World\u003c/em>, which examines cultural hybridity, the aftermath of colonialism, and feminist questions. Inspired by a scene from a film by Satyajit Ray, as well as the composition of traditional Indian lithographs, Mukherjee combined these influences with her own visual culture to create a subtle but complex moving image. \u003c/p>\n\u003cp>After discovering the secrets behind the artist's process, watch her entire hybrid film below. \u003c/p>\n\u003cp>\u003ciframe width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/1mmGIGRfXjI?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Catch \u003cem>Home and The World\u003c/em> on the big screen at \u003ca href=\"http://www.gallerywendinorris.com/a.php?view=upcoming&event_id=152\" target=\"_blank\">Gallery Wendi Norris\u003c/a> in San Francisco starting Aug. 6 - Sept. 3, 2015.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"In the latest episode of Art School, Ranu Mukherjee unpacks the narrative and details behind her newest piece, \"Home and the World,\" which examines cultural hybridity, the aftermath of colonialism, and feminist questions.","status":"publish","parent":0,"modified":1438022682,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":131},"headData":{"title":"Ranu Mukherjee's Hybrid Films | KQED","description":"In the latest episode of Art School, Ranu Mukherjee unpacks the narrative and details behind her newest piece, "Home and the World," which examines cultural hybridity, the aftermath of colonialism, and feminist questions.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Ranu Mukherjee's Hybrid Films","datePublished":"2015-07-27T07:17:40.000Z","dateModified":"2015-07-27T18:44:42.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"677 http://ww2.kqed.org/artschool/?p=677","disqusUrl":"https://ww2.kqed.org/artschool/2015/07/27/ranu-mukherjees-hybrid-films/","disqusTitle":"Ranu Mukherjee's Hybrid Films","videoEmbed":"https://youtu.be/S7UiVELl1Cg","path":"/artschool/677/ranu-mukherjees-hybrid-films","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://www.ranumukherjee.com/\" target=\"_blank\">Ranu Mukherjee\u003c/a> created the term hybrid film to describe her dynamic, animated artworks created with hundreds of layers of photography, paintings and digital imagery. In the latest episode of Art School, Mukherjee unpacks the narrative and details behind her newest piece, \u003cem>Home and the World\u003c/em>, which examines cultural hybridity, the aftermath of colonialism, and feminist questions. Inspired by a scene from a film by Satyajit Ray, as well as the composition of traditional Indian lithographs, Mukherjee combined these influences with her own visual culture to create a subtle but complex moving image. \u003c/p>\n\u003cp>After discovering the secrets behind the artist's process, watch her entire hybrid film below. \u003c/p>\n\u003cp>\u003ciframe width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/1mmGIGRfXjI?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Catch \u003cem>Home and The World\u003c/em> on the big screen at \u003ca href=\"http://www.gallerywendinorris.com/a.php?view=upcoming&event_id=152\" target=\"_blank\">Gallery Wendi Norris\u003c/a> in San Francisco starting Aug. 6 - Sept. 3, 2015.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/677/ranu-mukherjees-hybrid-films","authors":["16"],"categories":["artschool_22","artschool_7","artschool_21"],"tags":["artschool_11","artschool_40"],"featImg":"artschool_678","label":"artschool"},"artschool_636":{"type":"posts","id":"artschool_636","meta":{"index":"posts_1591205157","site":"artschool","id":"636","score":null,"sort":[1435696599000]},"guestAuthors":[],"slug":"art-activism-with-sanaz-mazinani","title":"Art + Activism with Sanaz Mazinani","publishDate":1435696599,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>Sanaz Mazinani is an artist with a background in political activism who uses art to inspire dialogue about perceptions of cultural identity. In the latest episode of Art School, she describes her current art practice and the intentions behind her recent installation at the Asian Art Museum in San Francisco. Using online media focusing on world news and pop culture as her source material, she creates symmetrical photo collages and videos that abstract familiar images and invite viewers to reconsider visual culture and its meaning and influence on public opinion and social justice.\u003c/p>\n\u003cp>Mazinani's site-specific installation titled \u003cem>Threshold\u003c/em> is comprised of mirrored tiles arranged in a geometric design referencing Islamic ornamentation and her personal connection to traditional sensibilities. The delicately constructed mirrored surface cover the walls and a freestanding sculpture, encouraging self-reflection and adding dynamism to a looping video of fiery explosions, the focal point of the installation.\u003cbr>\n\u003ca name=\"islamic%20ornamentation\">\u003c/a>\u003cbr>\nMazinani’s contemporary interests in often-chaotic media representations of political and cultural identity push up against the unity and order of the geometric arrangements she constructs, creating a strong juxtaposition. She expands on the intention of traditional of Islamic ornamentation in the short clip \u003ca href=\"#islamic%20ornamentation\"> below. \u003c/a> \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=5Hfx1GVI_0A&w=853&h=480]\u003c/p>\n\u003cp>Sanaz Mazinani exhibits her photography and installation art internationally, and she also works as a curator and educator. To see more of her work, visit \u003ca href=\"http://www.sanazmazinani.com\">SanazMazinani.com\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Sanaz Mazinani is an artist with a background in political activism who uses art to inspire dialogue about perceptions of cultural identity.","status":"publish","parent":0,"modified":1435821531,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":241},"headData":{"title":"Art + Activism with Sanaz Mazinani | KQED","description":"Sanaz Mazinani is an artist with a background in political activism who uses art to inspire dialogue about perceptions of cultural identity.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Art + Activism with Sanaz Mazinani","datePublished":"2015-06-30T20:36:39.000Z","dateModified":"2015-07-02T07:18:51.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"636 http://ww2.kqed.org/artschool/?p=636","disqusUrl":"https://ww2.kqed.org/artschool/2015/06/30/art-activism-with-sanaz-mazinani/","disqusTitle":"Art + Activism with Sanaz Mazinani","videoEmbed":"https://youtu.be/FTp_nLgcPyU","path":"/artschool/636/art-activism-with-sanaz-mazinani","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sanaz Mazinani is an artist with a background in political activism who uses art to inspire dialogue about perceptions of cultural identity. In the latest episode of Art School, she describes her current art practice and the intentions behind her recent installation at the Asian Art Museum in San Francisco. Using online media focusing on world news and pop culture as her source material, she creates symmetrical photo collages and videos that abstract familiar images and invite viewers to reconsider visual culture and its meaning and influence on public opinion and social justice.\u003c/p>\n\u003cp>Mazinani's site-specific installation titled \u003cem>Threshold\u003c/em> is comprised of mirrored tiles arranged in a geometric design referencing Islamic ornamentation and her personal connection to traditional sensibilities. The delicately constructed mirrored surface cover the walls and a freestanding sculpture, encouraging self-reflection and adding dynamism to a looping video of fiery explosions, the focal point of the installation.\u003cbr>\n\u003ca name=\"islamic%20ornamentation\">\u003c/a>\u003cbr>\nMazinani’s contemporary interests in often-chaotic media representations of political and cultural identity push up against the unity and order of the geometric arrangements she constructs, creating a strong juxtaposition. She expands on the intention of traditional of Islamic ornamentation in the short clip \u003ca href=\"#islamic%20ornamentation\"> below. \u003c/a> \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5Hfx1GVI_0A'\n title='//www.youtube.com/embed/5Hfx1GVI_0A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Sanaz Mazinani exhibits her photography and installation art internationally, and she also works as a curator and educator. To see more of her work, visit \u003ca href=\"http://www.sanazmazinani.com\">SanazMazinani.com\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/636/art-activism-with-sanaz-mazinani","authors":["16"],"categories":["artschool_22","artschool_7","artschool_21"],"tags":["artschool_39","artschool_11","artschool_40"],"featImg":"artschool_652","label":"artschool"},"artschool_578":{"type":"posts","id":"artschool_578","meta":{"index":"posts_1591205157","site":"artschool","id":"578","score":null,"sort":[1426029996000]},"guestAuthors":[],"slug":"mining-the-internet-with-jenny-odell","title":"Mining the Internet with Jenny Odell","publishDate":1426029996,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>Ask Bay Area native \u003ca href=\"http://www.jennyodell.com\">Jenny Odell\u003c/a> to describe her artistic practice and she just might tell you her work is more akin to a scientist or \u003ca href=\"http://www.archives.gov/preservation/professionals/archives-questions.html\">archivist\u003c/a>. Typically her work involves scouring the internet for images on Google Maps, YouTube, Yelp or Craigslist, then making large composites from the photographs and video she collects.\u003c/p>\n\u003cfigure id=\"attachment_583\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003ca href=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/waste-ponds_small-copy.jpg\">\u003cimg class=\"wp-image-583 size-medium\" src=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/waste-ponds_small-copy-600x600.jpg\" alt=\"77 Salt and Waste Ponds\" width=\"600\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-600x600.jpg 600w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-320x320.jpg 320w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-75x75.jpg 75w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy.jpg 800w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">77 Salt and Waste Ponds \u003ccite>(Jenny Odell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Container ships, water slides, wastewater treatment facilities, electrical power lines, and her own trash are just some of the objects she has catalogued and rearranged in her artwork. All of this is an effort to try and make sense out of the systems and structures that she moves past and uses everyday.\u003c/p>\n\u003cp>In this episode of Art School, we hang out with Odell in her apartment in San Francisco's Mission District and get a glimpse of her process of gathering images and crafting them into grids and other forms.\u003c/p>\n\u003cfigure id=\"attachment_586\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/odell-e1426024379204.png\">\u003cimg class=\"wp-image-586 size-medium\" src=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/odell-800x450.png\" alt=\"Jenny Odell navigating Google Maps\" width=\"800\" height=\"450\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Jenny Odell navigating Google Maps \u003ccite>(Joel Wanek)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of her largest projects resulted in the book\u003ca href=\"http://www.blurb.com/b/1262410-travel-by-approximation\">\u003cem> Travel By Approximation\u003c/em>\u003c/a>, which is the documentation of a virtual road trip she took by \"traveling\" and \"sightseeing\" through Google Maps. Another series of works she introduces us to is \u003ca href=\"http://www.jennyodell.com/satellite.html\">\u003cem>Satellite Collections\u003c/em>\u003c/a> that presents common objects and structures as strange and otherwordly.\u003c/p>\n\u003cp>We get a closer, in-depth look at Odell's practice in a second video below. Follow along as she walks us through the process used to make her piece \u003cem>Garbage Selfie\u003c/em>, the product of photographing her trash for twenty-one days!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=RQbgcCGky54\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the demo above Odell uses the application Adobe Photoshop to cut out and construct her selfie. But, there are a handful of software options you can use if you don't own that particular program. One example is \u003ca href=\"http://www.gimp.org/\">GIMP\u003c/a> which is a free desktop application that is strikingly similar to Photoshop. Another powerful option is \u003ca href=\"http://apps.pixlr.com/editor/\">Pixlr\u003c/a>. Pixlr is a feature-rich program which is also free and online - no download needed! Check out our series of \u003ca href=\"http://blogs.kqed.org/education/2015/03/09/working-with-photos-in-pixlr-editor/\">Pixlr explainers\u003c/a> to get up to speed and making your own \u003cem>Garbage Selfie \u003c/em>in no time.\u003c/p>\n\n","blocks":[],"excerpt":"Bay Area artist Jenny Odell renders our built environment as strange and otherworldly.","status":"publish","parent":0,"modified":1426035667,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":353},"headData":{"title":"Mining the Internet with Jenny Odell | KQED","description":"Bay Area artist Jenny Odell renders our built environment as strange and otherworldly.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Mining the Internet with Jenny Odell","datePublished":"2015-03-10T23:26:36.000Z","dateModified":"2015-03-11T01:01:07.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"578 http://ww2.kqed.org/artschool/?p=578","disqusUrl":"https://ww2.kqed.org/artschool/2015/03/10/mining-the-internet-with-jenny-odell/","disqusTitle":"Mining the Internet with Jenny Odell","videoEmbed":"https://www.youtube.com/watch?v=kQdyNti6MMQ","path":"/artschool/578/mining-the-internet-with-jenny-odell","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ask Bay Area native \u003ca href=\"http://www.jennyodell.com\">Jenny Odell\u003c/a> to describe her artistic practice and she just might tell you her work is more akin to a scientist or \u003ca href=\"http://www.archives.gov/preservation/professionals/archives-questions.html\">archivist\u003c/a>. Typically her work involves scouring the internet for images on Google Maps, YouTube, Yelp or Craigslist, then making large composites from the photographs and video she collects.\u003c/p>\n\u003cfigure id=\"attachment_583\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003ca href=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/waste-ponds_small-copy.jpg\">\u003cimg class=\"wp-image-583 size-medium\" src=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/waste-ponds_small-copy-600x600.jpg\" alt=\"77 Salt and Waste Ponds\" width=\"600\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-600x600.jpg 600w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-768x768.jpg 768w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-320x320.jpg 320w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy-75x75.jpg 75w, https://ww2.kqed.org/app/uploads/sites/4/2015/03/waste-ponds_small-copy.jpg 800w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">77 Salt and Waste Ponds \u003ccite>(Jenny Odell)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Container ships, water slides, wastewater treatment facilities, electrical power lines, and her own trash are just some of the objects she has catalogued and rearranged in her artwork. All of this is an effort to try and make sense out of the systems and structures that she moves past and uses everyday.\u003c/p>\n\u003cp>In this episode of Art School, we hang out with Odell in her apartment in San Francisco's Mission District and get a glimpse of her process of gathering images and crafting them into grids and other forms.\u003c/p>\n\u003cfigure id=\"attachment_586\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/odell-e1426024379204.png\">\u003cimg class=\"wp-image-586 size-medium\" src=\"http://ww2.kqed.org/artschool/wp-content/uploads/sites/4/2015/03/odell-800x450.png\" alt=\"Jenny Odell navigating Google Maps\" width=\"800\" height=\"450\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Jenny Odell navigating Google Maps \u003ccite>(Joel Wanek)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of her largest projects resulted in the book\u003ca href=\"http://www.blurb.com/b/1262410-travel-by-approximation\">\u003cem> Travel By Approximation\u003c/em>\u003c/a>, which is the documentation of a virtual road trip she took by \"traveling\" and \"sightseeing\" through Google Maps. Another series of works she introduces us to is \u003ca href=\"http://www.jennyodell.com/satellite.html\">\u003cem>Satellite Collections\u003c/em>\u003c/a> that presents common objects and structures as strange and otherwordly.\u003c/p>\n\u003cp>We get a closer, in-depth look at Odell's practice in a second video below. Follow along as she walks us through the process used to make her piece \u003cem>Garbage Selfie\u003c/em>, the product of photographing her trash for twenty-one days!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RQbgcCGky54'\n title='//www.youtube.com/embed/RQbgcCGky54'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>In the demo above Odell uses the application Adobe Photoshop to cut out and construct her selfie. But, there are a handful of software options you can use if you don't own that particular program. One example is \u003ca href=\"http://www.gimp.org/\">GIMP\u003c/a> which is a free desktop application that is strikingly similar to Photoshop. Another powerful option is \u003ca href=\"http://apps.pixlr.com/editor/\">Pixlr\u003c/a>. Pixlr is a feature-rich program which is also free and online - no download needed! Check out our series of \u003ca href=\"http://blogs.kqed.org/education/2015/03/09/working-with-photos-in-pixlr-editor/\">Pixlr explainers\u003c/a> to get up to speed and making your own \u003cem>Garbage Selfie \u003c/em>in no time.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/578/mining-the-internet-with-jenny-odell","authors":["97","16"],"categories":["artschool_22","artschool_7"],"tags":["artschool_11"],"featImg":"artschool_579","label":"artschool"},"artschool_531":{"type":"posts","id":"artschool_531","meta":{"index":"posts_1591205157","site":"artschool","id":"531","score":null,"sort":[1418644853000]},"guestAuthors":[],"slug":"make-your-own-superhero-with-amy-franceschini","title":"Make Your Own Superhero with Amy Franceschini","publishDate":1418644853,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>Hit the streets as your own, custom-made Superhero and work for the common good of your city! Artist \u003ca title=\"Futurefarmers\" href=\"http://futurefarmers.com/\" target=\"_blank\">Amy Franceschini\u003c/a> has fashioned an inspiring lesson that will help guide you through the entire process from brainstorming logos, costume, and backstory to ensuring that your Superhero works to help solve a community's needs.\u003c/p>\n\u003cp>This lesson is part of the\u003ca href=\"http://sfmoma.org\" target=\"_blank\"> San Francisco Museum of Modern Art's\u003c/a> Open Studio. Find Amy's entire lesson plan here: \u003ca title=\"Amy Franceschini's Superhero lesson plan\" href=\"http://www.sfmoma.org/explore/educators/teacher_resources/openstudio_lesson_franceschini\" target=\"_blank\">Superhero. \u003c/a>Check out the entire \u003ca title=\"SFMOMA Open Studio\" href=\"http://www.sfmoma.org/explore/educators/teacher_resources/bradford_open_studio\" target=\"_blank\">Open Studio\u003c/a> collection for more activities centered around contemporary art.\u003c/p>\n\u003cp>To learn more about Amy Franceschini, take a look at Art School's profile piece highlighting the work she's done around the world with her collaborative art collective Futurefarmers.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LhbXDLw4x8w\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Hit the streets as your own, custom-made Superhero and work for the common good of your city! Artist Amy Franceschini has fashioned an inspiring lesson that will help guide you through the entire process from brainstorming logos, costume, and backstory to ensuring that your Superhero works to help solve a community's needs. ","status":"publish","parent":0,"modified":1419032958,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":131},"headData":{"title":"Make Your Own Superhero with Amy Franceschini | KQED","description":"Hit the streets as your own, custom-made Superhero and work for the common good of your city! Artist Amy Franceschini has fashioned an inspiring lesson that will help guide you through the entire process from brainstorming logos, costume, and backstory to ensuring that your Superhero works to help solve a community's needs. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Make Your Own Superhero with Amy Franceschini","datePublished":"2014-12-15T12:00:53.000Z","dateModified":"2014-12-19T23:49:18.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"531 http://ww2.kqed.org/artschool/?p=531","disqusUrl":"https://ww2.kqed.org/artschool/2014/12/15/make-your-own-superhero-with-amy-franceschini/","disqusTitle":"Make Your Own Superhero with Amy Franceschini","videoEmbed":"https://www.youtube.com/watch?v=1gjy-CEO2kA","path":"/artschool/531/make-your-own-superhero-with-amy-franceschini","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hit the streets as your own, custom-made Superhero and work for the common good of your city! Artist \u003ca title=\"Futurefarmers\" href=\"http://futurefarmers.com/\" target=\"_blank\">Amy Franceschini\u003c/a> has fashioned an inspiring lesson that will help guide you through the entire process from brainstorming logos, costume, and backstory to ensuring that your Superhero works to help solve a community's needs.\u003c/p>\n\u003cp>This lesson is part of the\u003ca href=\"http://sfmoma.org\" target=\"_blank\"> San Francisco Museum of Modern Art's\u003c/a> Open Studio. Find Amy's entire lesson plan here: \u003ca title=\"Amy Franceschini's Superhero lesson plan\" href=\"http://www.sfmoma.org/explore/educators/teacher_resources/openstudio_lesson_franceschini\" target=\"_blank\">Superhero. \u003c/a>Check out the entire \u003ca title=\"SFMOMA Open Studio\" href=\"http://www.sfmoma.org/explore/educators/teacher_resources/bradford_open_studio\" target=\"_blank\">Open Studio\u003c/a> collection for more activities centered around contemporary art.\u003c/p>\n\u003cp>To learn more about Amy Franceschini, take a look at Art School's profile piece highlighting the work she's done around the world with her collaborative art collective Futurefarmers.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LhbXDLw4x8w'\n title='//www.youtube.com/embed/LhbXDLw4x8w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/531/make-your-own-superhero-with-amy-franceschini","authors":["97"],"categories":["artschool_22","artschool_7","artschool_2","artschool_5","artschool_21"],"tags":["artschool_11"],"featImg":"artschool_532","label":"artschool"},"artschool_521":{"type":"posts","id":"artschool_521","meta":{"index":"posts_1591205157","site":"artschool","id":"521","score":null,"sort":[1417892883000]},"guestAuthors":[],"slug":"collaborative-art-with-amy-franceschini","title":"Social Practice Art with Amy Franceschini","publishDate":1417892883,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>Amy Franceschini is a San Francisco based artist whose practice spans drawing, sculpture, design, net art, public art, and gardening. She is concerned with notions of community, sustainable environment, and the relations between humans and nature.\u003c/p>\n\u003cp>In this episode of Art School we hang out with Franceschini in her Mission District studio that also serves as the headquarters for Futurefarmers, an international collective of artists, bakers, architects and other builders. Listen in as she talks about working collaboratively and making work that encourages dialogue and exchange.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Amy Franceschini’s is a San Francisco based artist whose practice spans drawing, sculpture, design, net art, public art, and gardening. She is a founder and member of Futurefarmers which is an international collective of artists, bakers, architects and other builders. We visit her Mission District studio and hear about her collaborative, socially engaged practice.","status":"publish","parent":0,"modified":1438737499,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":88},"headData":{"title":"Social Practice Art with Amy Franceschini | KQED","description":"Amy Franceschini’s is a San Francisco based artist whose practice spans drawing, sculpture, design, net art, public art, and gardening. She is a founder and member of Futurefarmers which is an international collective of artists, bakers, architects and other builders. We visit her Mission District studio and hear about her collaborative, socially engaged practice.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Social Practice Art with Amy Franceschini","datePublished":"2014-12-06T19:08:03.000Z","dateModified":"2015-08-05T01:18:19.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"521 http://ww2.kqed.org/artschool/?p=521","disqusUrl":"https://ww2.kqed.org/artschool/2014/12/06/collaborative-art-with-amy-franceschini/","disqusTitle":"Social Practice Art with Amy Franceschini","videoEmbed":"https://www.youtube.com/watch?v=LhbXDLw4x8w&feature=youtu.be","path":"/artschool/521/collaborative-art-with-amy-franceschini","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Amy Franceschini is a San Francisco based artist whose practice spans drawing, sculpture, design, net art, public art, and gardening. She is concerned with notions of community, sustainable environment, and the relations between humans and nature.\u003c/p>\n\u003cp>In this episode of Art School we hang out with Franceschini in her Mission District studio that also serves as the headquarters for Futurefarmers, an international collective of artists, bakers, architects and other builders. Listen in as she talks about working collaboratively and making work that encourages dialogue and exchange.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/521/collaborative-art-with-amy-franceschini","authors":["97"],"categories":["artschool_22","artschool_7","artschool_2","artschool_21"],"tags":["artschool_11"],"featImg":"artschool_522","label":"artschool"},"artschool_294":{"type":"posts","id":"artschool_294","meta":{"index":"posts_1591205157","site":"artschool","id":"294","score":null,"sort":[1403848828000]},"guestAuthors":[],"slug":"app-art-with-franky-aguilar-2","title":"App Art with Franky Aguilar","publishDate":1403848828,"format":"video","headTitle":"KQED Art School | KQED Arts","labelTerm":{"site":"artschool"},"content":"\u003cp>Oakland’s Franky Aguilar is the artist behind the wildly popular mobile art apps CatWang, Snoopify, Ima Unicorn, and GifYogurt, to name a few. Inspired by street culture, candy colors, and Internet iconography like cats and pizza, Aguilar works with artists to create a user experience that is equally fun and creative.\u003c/p>\n\u003cp>For many of the apps, Aguilar or other artists create digital stickers that can be collaged onto existing photos, or used to make an original design, allowing users to remix art assets to create their own digital images that can easily be shared online.\u003c/p>\n\u003cp>KQED Art School took a field trip to Aguilar’s studio to learn more about the creation of his company, 99centbrains, and his apps, which are used by millions of people worldwide.\u003c/p>\n\u003cp>Play around with some of 99centbrains free apps, make something, and share your images on Twitter. Tag us \u003cstrong>@KQEDArtSchool\u003c/strong> and we’ll re-tweet your creations.\u003c/p>\n\u003cp>Learn more about Franky Aguilar and 99centbrains at 99centbrains.com.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For learners of all ages, use this video about Franky Aguilar and the following questions as a catalyst for discussion and creative activities.\u003c/p>\n\u003cp>If a user takes an artist’s designs and uses them to create something new, who is the author of the image? Is it a collaboration, an appropriation, or something else?\u003cbr>\nHow does remixing visual art relate to remixing in other art contexts like music?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>What kind of art app would you design? Describe the look, function, and flavor of your app idea, and who your audience would be.\u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1406854370,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":262},"headData":{"title":"App Art with Franky Aguilar | KQED","description":"Oakland’s Franky Aguilar is the artist behind the wildly popular mobile art apps CatWang, Snoopify, Ima Unicorn, and GifYogurt, to name a few. Inspired by street culture, candy colors, and Internet iconography like cats and pizza, Aguilar works with artists to create a user experience that is equally fun and creative. For many of the","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"App Art with Franky Aguilar","datePublished":"2014-06-27T06:00:28.000Z","dateModified":"2014-08-01T00:52:50.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"294 http://ww2.kqed.org/artschool/?p=294","disqusUrl":"https://ww2.kqed.org/artschool/2014/06/27/app-art-with-franky-aguilar-2/","disqusTitle":"App Art with Franky Aguilar","videoEmbed":"http://www.youtube.com/watch?v=uJBl23no0Qg","path":"/artschool/294/app-art-with-franky-aguilar-2","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland’s Franky Aguilar is the artist behind the wildly popular mobile art apps CatWang, Snoopify, Ima Unicorn, and GifYogurt, to name a few. Inspired by street culture, candy colors, and Internet iconography like cats and pizza, Aguilar works with artists to create a user experience that is equally fun and creative.\u003c/p>\n\u003cp>For many of the apps, Aguilar or other artists create digital stickers that can be collaged onto existing photos, or used to make an original design, allowing users to remix art assets to create their own digital images that can easily be shared online.\u003c/p>\n\u003cp>KQED Art School took a field trip to Aguilar’s studio to learn more about the creation of his company, 99centbrains, and his apps, which are used by millions of people worldwide.\u003c/p>\n\u003cp>Play around with some of 99centbrains free apps, make something, and share your images on Twitter. Tag us \u003cstrong>@KQEDArtSchool\u003c/strong> and we’ll re-tweet your creations.\u003c/p>\n\u003cp>Learn more about Franky Aguilar and 99centbrains at 99centbrains.com.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For learners of all ages, use this video about Franky Aguilar and the following questions as a catalyst for discussion and creative activities.\u003c/p>\n\u003cp>If a user takes an artist’s designs and uses them to create something new, who is the author of the image? Is it a collaboration, an appropriation, or something else?\u003cbr>\nHow does remixing visual art relate to remixing in other art contexts like music?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>What kind of art app would you design? Describe the look, function, and flavor of your app idea, and who your audience would be.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/artschool/294/app-art-with-franky-aguilar-2","authors":["16"],"categories":["artschool_22","artschool_21"],"tags":["artschool_11"],"featImg":"artschool_315","label":"artschool"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? 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