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FM","link":"/"}},"arts_12875326":{"type":"posts","id":"arts_12875326","meta":{"index":"posts_1591205157","site":"arts","id":"12875326","score":null,"sort":[1489086261000]},"guestAuthors":[],"slug":"grammy-award-winning-latin-jazz-flutist-dave-valentin-dies-at-64","title":"Grammy Award-Winning Latin Jazz Flutist Dave Valentin Dies at 64","publishDate":1489086261,"format":"standard","headTitle":"Grammy Award-Winning Latin Jazz Flutist Dave Valentin Dies at 64 | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>Dave Valentin became one of the pre-eminent flutists in Latin jazz. He was known for his creative combination of fusion, pop and R&B.\u003c/p>\n\u003cp>He won a Grammy in 2003 for best Latin jazz album for “The Gathering,” by the Caribbean Jazz Project. Vibraphonist Dave Samuels was also featured on that record.\u003c/p>\n\u003cp>Manager Richie Bonilla told news agencies that Valentin, 64, who had suffered multiple strokes over the last several years, died Wednesday from stroke complications and Parkinson’s disease.\u003c/p>\n\u003cp>When he was five years old, Valentin started playing bongos and congas. His father, who was in the Merchant Marine, had brought them home from Brazil.\u003c/p>\n\u003cp>Valentin took piano lessons at 9 and was playing percussion for paying gigs when he was 10.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He recorded more than a dozen albums — either as a solo artist, band leader or playing on other artists’ recordings.\u003c/p>\n\u003cp>Valentin toured with his childhood idol, percussionist Tito Puente, and was music director of Puente’s Golden Latin Jazz All-Stars.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.nytimes.com/2017/03/08/arts/music/dave-valentin-dead-latin-jazz-flutist.html\">The New York Times\u003c/a> reports Valentin delighted in recounting how he became a flutist:\u003c/p>\n\u003cblockquote>\n\u003cp>” ‘I started out as a percussionist in school. But I wanted to meet this girl, Irene, who was a flutist,’ he recalled in 2011.\u003c/p>\n\u003cp>” ‘She showed me a scale, and I played it immediately. Do-re-me-fa-so-la-ti-do. Without knowing nothing! So, I borrowed a flute, bought a Herbie Mann record and learned “Comin’ Home Baby.”\u003c/p>\n\u003cp>” ‘Three weeks later, I went to her and played it,’ he continued. ‘I knew I had her! She said, “I’ve been taking lessons for three years and you come in here in three weeks and play like that? Don’t ever talk to me again!”\u003c/p>\n\u003cp>” ‘I lost the girl, but kept the flute.’ ”\u003c/p>\n\u003c/blockquote>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Grammy+Award-Winning+Latin+Jazz+Flutist+Dave+Valentin+Dies+At+64&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n","blocks":[],"excerpt":"Valentin became one of the pre-eminent flutists in Latin jazz, known for his creative combination of fusion, pop and R&B. Valentin died on Wednesday of complications from a stroke, his manager said.","status":"publish","parent":0,"modified":1705031294,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":333},"headData":{"title":"Grammy Award-Winning Latin Jazz Flutist Dave Valentin Dies at 64 | KQED","description":"Valentin became one of the pre-eminent flutists in Latin jazz, known for his creative combination of fusion, pop and R&B. Valentin died on Wednesday of complications from a stroke, his manager said.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Grammy Award-Winning Latin Jazz Flutist Dave Valentin Dies at 64","datePublished":"2017-03-09T19:04:21.000Z","dateModified":"2024-01-12T03:48:14.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Doreen McCallister","nprStoryId":"519374941","nprApiLink":"http://api.npr.org/query?id=519374941&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"http://www.npr.org/sections/thetwo-way/2017/03/09/519374941/grammy-award-winning-latin-jazz-flutist-dave-valentin-dies-at-64?ft=nprml&f=519374941","nprRetrievedStory":"1","nprPubDate":"Thu, 09 Mar 2017 04:42:00 -0500","nprStoryDate":"Thu, 09 Mar 2017 04:43:00 -0500","nprLastModifiedDate":"Thu, 09 Mar 2017 04:43:02 -0500","path":"/arts/12875326/grammy-award-winning-latin-jazz-flutist-dave-valentin-dies-at-64","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Dave Valentin became one of the pre-eminent flutists in Latin jazz. He was known for his creative combination of fusion, pop and R&B.\u003c/p>\n\u003cp>He won a Grammy in 2003 for best Latin jazz album for “The Gathering,” by the Caribbean Jazz Project. Vibraphonist Dave Samuels was also featured on that record.\u003c/p>\n\u003cp>Manager Richie Bonilla told news agencies that Valentin, 64, who had suffered multiple strokes over the last several years, died Wednesday from stroke complications and Parkinson’s disease.\u003c/p>\n\u003cp>When he was five years old, Valentin started playing bongos and congas. His father, who was in the Merchant Marine, had brought them home from Brazil.\u003c/p>\n\u003cp>Valentin took piano lessons at 9 and was playing percussion for paying gigs when he was 10.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He recorded more than a dozen albums — either as a solo artist, band leader or playing on other artists’ recordings.\u003c/p>\n\u003cp>Valentin toured with his childhood idol, percussionist Tito Puente, and was music director of Puente’s Golden Latin Jazz All-Stars.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.nytimes.com/2017/03/08/arts/music/dave-valentin-dead-latin-jazz-flutist.html\">The New York Times\u003c/a> reports Valentin delighted in recounting how he became a flutist:\u003c/p>\n\u003cblockquote>\n\u003cp>” ‘I started out as a percussionist in school. But I wanted to meet this girl, Irene, who was a flutist,’ he recalled in 2011.\u003c/p>\n\u003cp>” ‘She showed me a scale, and I played it immediately. Do-re-me-fa-so-la-ti-do. Without knowing nothing! So, I borrowed a flute, bought a Herbie Mann record and learned “Comin’ Home Baby.”\u003c/p>\n\u003cp>” ‘Three weeks later, I went to her and played it,’ he continued. ‘I knew I had her! She said, “I’ve been taking lessons for three years and you come in here in three weeks and play like that? Don’t ever talk to me again!”\u003c/p>\n\u003cp>” ‘I lost the girl, but kept the flute.’ ”\u003c/p>\n\u003c/blockquote>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Grammy+Award-Winning+Latin+Jazz+Flutist+Dave+Valentin+Dies+At+64&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12875326/grammy-award-winning-latin-jazz-flutist-dave-valentin-dies-at-64","authors":["byline_arts_12875326"],"categories":["arts_69","arts_235"],"tags":["arts_596","arts_1091","arts_1427"],"affiliates":["arts_137"],"featImg":"arts_12875330","label":"arts_137"},"arts_12865981":{"type":"posts","id":"arts_12865981","meta":{"index":"posts_1591205157","site":"arts","id":"12865981","score":null,"sort":[1488927002000]},"guestAuthors":[],"slug":"sxsw-to-remove-immigration-warnings-from-festival-contract","title":"SXSW to Remove Immigration Warnings from Festival Contract","publishDate":1488927002,"format":"standard","headTitle":"SXSW to Remove Immigration Warnings from Festival Contract | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>The South by Southwest festival will remove language from contracts that had warned bands and performers that U.S. immigration agents could be notified over serious contract violations.\u003c/p>\n\u003cp>SXSW announced the changes Tuesday ahead of the massive music, film and technology showcase starting later this week. It comes after a New York-based musician announced he was pulling out of the festival over immigration language in his contract.\u003c/p>\n\u003cp>Word of the contract language caused swift reaction on social media and comes amid heightened fears of immigration crackdowns under President Donald Trump.\u003c/p>\n\u003cp>SXSW organizers have said the clause about notifying “appropriate U.S. immigration authorities” had been a safeguard in case artists did something truly egregious, like starting a brawl or causing safety issues.\u003c/p>\n\u003cp>SXSW says the language will be removed starting in 2018.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Read the SXSW’s statement below:\u003c/i>\u003c/p>\n\u003cblockquote>\u003cp>\nMarch 7, 2017\u003c/p>\n\u003cp>With the announcement of President Trump’s latest Travel Ban, SXSW would like to reaffirm its public opposition to these executive orders and provide ongoing support to the artists traveling from foreign countries to our event.\u003c/p>\n\u003cp>To reinforce that stance, we would like to address the concerns regarding the language in our artist invitation letter and performance agreement for the SXSW Music Festival.\u003c/p>\n\u003cp>SXSW will do the following:\u003c/p>\n\u003cp>We will change the language in our artist invitation letter and performance agreement for 2018 and beyond.\u003cbr>\nWe will remove the option of notifying immigration authorities in situations where a foreign artist might “adversely affect the viability of Artist’s official showcase.”\u003cbr>\n*Safety is a primary concern for SXSW, and we report any safety issues to local authorities. It is not SXSW’s duty or authority to escalate a matter beyond local authorities.\u003cbr>\nIn this political climate, especially as it relates to immigration, we recognize the heightened importance of standing together against injustice.\u003c/p>\n\u003cp>While SXSW works to be in compliance with U.S. immigration law, it is important to know that:\u003c/p>\n\u003cp>SXSW has not, does not, and will not, disclose an artist’s immigration status, except when required by law.\u003cbr>\nSXSW does not have the power to deport anyone.\u003cbr>\nThere are no “deportation clauses” in our current performance agreements. There will be no “deportation clauses” in our future participant agreements.\u003cbr>\nSXSW does not “collude with” any immigration agencies including ICE, CBP or USCIS to deport anyone.\u003cbr>\nEach year SXSW coordinates with hundreds of international acts coming to SXSW to try and mitigate issues at U.S. ports of entry. This year we are working to build a coalition of attorneys to assist any who face problems upon arrival in the States.\u003cbr>\nIn the 31 years of SXSW’s existence, we have never reported any artist or participant to any immigration agency.\u003cbr>\nWe would like to again apologize for the language in our agreements. We care deeply about the community we serve, and our event is a welcome and safe space for all people.\n\u003c/p>\u003c/blockquote>\n\n","blocks":[],"excerpt":"SXSW announced the changes ahead of the massive music, film and technology showcase starting later this week","status":"publish","parent":0,"modified":1705031326,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":501},"headData":{"title":"SXSW to Remove Immigration Warnings from Festival Contract | KQED","description":"SXSW announced the changes ahead of the massive music, film and technology showcase starting later this week","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"SXSW to Remove Immigration Warnings from Festival Contract","datePublished":"2017-03-07T22:50:02.000Z","dateModified":"2024-01-12T03:48:46.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/12865981/sxsw-to-remove-immigration-warnings-from-festival-contract","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The South by Southwest festival will remove language from contracts that had warned bands and performers that U.S. immigration agents could be notified over serious contract violations.\u003c/p>\n\u003cp>SXSW announced the changes Tuesday ahead of the massive music, film and technology showcase starting later this week. It comes after a New York-based musician announced he was pulling out of the festival over immigration language in his contract.\u003c/p>\n\u003cp>Word of the contract language caused swift reaction on social media and comes amid heightened fears of immigration crackdowns under President Donald Trump.\u003c/p>\n\u003cp>SXSW organizers have said the clause about notifying “appropriate U.S. immigration authorities” had been a safeguard in case artists did something truly egregious, like starting a brawl or causing safety issues.\u003c/p>\n\u003cp>SXSW says the language will be removed starting in 2018.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Read the SXSW’s statement below:\u003c/i>\u003c/p>\n\u003cblockquote>\u003cp>\nMarch 7, 2017\u003c/p>\n\u003cp>With the announcement of President Trump’s latest Travel Ban, SXSW would like to reaffirm its public opposition to these executive orders and provide ongoing support to the artists traveling from foreign countries to our event.\u003c/p>\n\u003cp>To reinforce that stance, we would like to address the concerns regarding the language in our artist invitation letter and performance agreement for the SXSW Music Festival.\u003c/p>\n\u003cp>SXSW will do the following:\u003c/p>\n\u003cp>We will change the language in our artist invitation letter and performance agreement for 2018 and beyond.\u003cbr>\nWe will remove the option of notifying immigration authorities in situations where a foreign artist might “adversely affect the viability of Artist’s official showcase.”\u003cbr>\n*Safety is a primary concern for SXSW, and we report any safety issues to local authorities. It is not SXSW’s duty or authority to escalate a matter beyond local authorities.\u003cbr>\nIn this political climate, especially as it relates to immigration, we recognize the heightened importance of standing together against injustice.\u003c/p>\n\u003cp>While SXSW works to be in compliance with U.S. immigration law, it is important to know that:\u003c/p>\n\u003cp>SXSW has not, does not, and will not, disclose an artist’s immigration status, except when required by law.\u003cbr>\nSXSW does not have the power to deport anyone.\u003cbr>\nThere are no “deportation clauses” in our current performance agreements. There will be no “deportation clauses” in our future participant agreements.\u003cbr>\nSXSW does not “collude with” any immigration agencies including ICE, CBP or USCIS to deport anyone.\u003cbr>\nEach year SXSW coordinates with hundreds of international acts coming to SXSW to try and mitigate issues at U.S. ports of entry. This year we are working to build a coalition of attorneys to assist any who face problems upon arrival in the States.\u003cbr>\nIn the 31 years of SXSW’s existence, we have never reported any artist or participant to any immigration agency.\u003cbr>\nWe would like to again apologize for the language in our agreements. We care deeply about the community we serve, and our event is a welcome and safe space for all people.\n\u003c/p>\u003c/blockquote>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12865981/sxsw-to-remove-immigration-warnings-from-festival-contract","authors":["92"],"programs":["arts_1272"],"categories":["arts_69","arts_235"],"tags":["arts_596","arts_1427"],"featImg":"arts_12866189","label":"arts_1272"},"arts_12861208":{"type":"posts","id":"arts_12861208","meta":{"index":"posts_1591205157","site":"arts","id":"12861208","score":null,"sort":[1488842439000]},"guestAuthors":[],"slug":"chance-the-rapper-gives-1m-to-chicago-schools-blasts-governor","title":"Chance the Rapper gives $1M to Chicago Schools, Blasts Governor","publishDate":1488842439,"format":"standard","headTitle":"Chance the Rapper gives $1M to Chicago Schools, Blasts Governor | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>Chance the Rapper’s unusual intervention into Chicago Public Schools’ funding crisis took an even more curious turn Monday when the Grammy-winner presented a $1 million check to city schools and urged Gov. Bruce Rauner to use his executive powers to help the nation’s third-largest district.\u003c/p>\n\u003cp>The Republican governor, a former venture capitalist, responded by noting his own philanthropy and floating Chicago school funding ideas that would face tough odds in the Democratic-controlled Legislature. Illinois has gone two years without a budget, the longest such stalemate of any state in nearly a century.\u003c/p>\n\u003cp>The back-and-forth came after a meeting Friday between Rauner and the artist — whose real name is Chancelor Bennett — that left the rapper visibly agitated. Chance asked for the meeting after he won three Grammys last month, including best new artist, and Rauner tweeted congratulations.\u003c/p>\n\u003cp>The Chicago native stopped at an elementary school near where he grew up to announce the donation to a schools’ foundation, calling himself a “public school kid.” He also accused Rauner of failing to present solutions without “caveats or ultimatums.”\u003c/p>\n\u003cp>“This isn’t about politics. This isn’t about posturing. This is about taking care of the kids,” he said. “Everybody and their mama knows what’s going on in Chicago. We’re about to enhance the conversation on supporting and funding the education of the kids in Chicago.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At the heart of rapper’s beef with Rauner is $215 million in teacher pension relief for Chicago schools that he vetoed last year. Rauner said a broader pension overhaul was needed, part of his push for pro-business and long-term reforms. However, the school district of roughly 400,000 students had factored the money into its roughly $5.4 billion budget and had to make mid-year cuts. The district has also proposed ending the school year early to save money.\u003c/p>\n\u003cp>Rauner, who called the meeting a “good exchange of views,” circulated plans before Chance’s public appearance for ways to recover the $215 million; both require state legislation. One option calls for using up most of Chicago’s special taxing district funds, set aside for capital projects, for a one-time infusion. The other would attach the funding to broader pension reform.\u003c/p>\n\u003cp>Chicago officials rejected both, saying Illinois’ school funding formula is fundamentally unfair to the largely minority and poor school district. CPS has sued the state over the calculation and argues the district is further penalized since it’s the only one in Illinois where local taxpayers, not the state, help pay teacher pension costs.\u003c/p>\n\u003cp>Chance also dismissed the plans, saying he wasn’t a politician.\u003c/p>\n\u003cp>“It’s not my job to propose any policy or be behind anything but the kids,” he said.\u003c/p>\n\u003cp>Rauner’s office issued a statement detailing his history of giving: roughly $7 million over 20 years to organizations benefiting Chicago students.\u003c/p>\n\u003cp>“While the Rauners are passionate donors to our schools, individual contributions will never be enough to address the financial challenges facing CPS,” the statement said. “It would be helpful if CPS officials came to Springfield and joined in serious good faith discussions about the long-term stability of all of our schools.”\u003c/p>\n\u003cp>Rauner has blamed Chicago’s fiscal woes on years of financial mismanagement and argues that Chicago receives hundreds of millions in block grants other schools don’t.\u003c/p>\n\u003cp>Meanwhile, Chance deemed his donation — from the concert ticket proceeds — a “call to action” and asked other artists and corporations to follow suit.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The rapper has family ties to prominent Democrats. His father worked in former President Barack Obama’s Cabinet and for Chicago Mayor Rahm Emanuel. Chance has been civically engaged before, leading a march to the polls in November and serving on the board of Chicago’s DuSable Museum of African American History.\u003c/p>\n\n","blocks":[],"excerpt":"The Grammy-winning artist called on the governor to use executive powers to better fund Chicago Public Schools","status":"publish","parent":0,"modified":1705031335,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":680},"headData":{"title":"Chance the Rapper gives $1M to Chicago Schools, Blasts Governor | KQED","description":"The Grammy-winning artist called on the governor to use executive powers to better fund Chicago Public Schools","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Chance the Rapper gives $1M to Chicago Schools, Blasts Governor","datePublished":"2017-03-06T23:20:39.000Z","dateModified":"2024-01-12T03:48:55.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Associated Press","path":"/arts/12861208/chance-the-rapper-gives-1m-to-chicago-schools-blasts-governor","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Chance the Rapper’s unusual intervention into Chicago Public Schools’ funding crisis took an even more curious turn Monday when the Grammy-winner presented a $1 million check to city schools and urged Gov. Bruce Rauner to use his executive powers to help the nation’s third-largest district.\u003c/p>\n\u003cp>The Republican governor, a former venture capitalist, responded by noting his own philanthropy and floating Chicago school funding ideas that would face tough odds in the Democratic-controlled Legislature. Illinois has gone two years without a budget, the longest such stalemate of any state in nearly a century.\u003c/p>\n\u003cp>The back-and-forth came after a meeting Friday between Rauner and the artist — whose real name is Chancelor Bennett — that left the rapper visibly agitated. Chance asked for the meeting after he won three Grammys last month, including best new artist, and Rauner tweeted congratulations.\u003c/p>\n\u003cp>The Chicago native stopped at an elementary school near where he grew up to announce the donation to a schools’ foundation, calling himself a “public school kid.” He also accused Rauner of failing to present solutions without “caveats or ultimatums.”\u003c/p>\n\u003cp>“This isn’t about politics. This isn’t about posturing. This is about taking care of the kids,” he said. “Everybody and their mama knows what’s going on in Chicago. We’re about to enhance the conversation on supporting and funding the education of the kids in Chicago.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At the heart of rapper’s beef with Rauner is $215 million in teacher pension relief for Chicago schools that he vetoed last year. Rauner said a broader pension overhaul was needed, part of his push for pro-business and long-term reforms. However, the school district of roughly 400,000 students had factored the money into its roughly $5.4 billion budget and had to make mid-year cuts. The district has also proposed ending the school year early to save money.\u003c/p>\n\u003cp>Rauner, who called the meeting a “good exchange of views,” circulated plans before Chance’s public appearance for ways to recover the $215 million; both require state legislation. One option calls for using up most of Chicago’s special taxing district funds, set aside for capital projects, for a one-time infusion. The other would attach the funding to broader pension reform.\u003c/p>\n\u003cp>Chicago officials rejected both, saying Illinois’ school funding formula is fundamentally unfair to the largely minority and poor school district. CPS has sued the state over the calculation and argues the district is further penalized since it’s the only one in Illinois where local taxpayers, not the state, help pay teacher pension costs.\u003c/p>\n\u003cp>Chance also dismissed the plans, saying he wasn’t a politician.\u003c/p>\n\u003cp>“It’s not my job to propose any policy or be behind anything but the kids,” he said.\u003c/p>\n\u003cp>Rauner’s office issued a statement detailing his history of giving: roughly $7 million over 20 years to organizations benefiting Chicago students.\u003c/p>\n\u003cp>“While the Rauners are passionate donors to our schools, individual contributions will never be enough to address the financial challenges facing CPS,” the statement said. “It would be helpful if CPS officials came to Springfield and joined in serious good faith discussions about the long-term stability of all of our schools.”\u003c/p>\n\u003cp>Rauner has blamed Chicago’s fiscal woes on years of financial mismanagement and argues that Chicago receives hundreds of millions in block grants other schools don’t.\u003c/p>\n\u003cp>Meanwhile, Chance deemed his donation — from the concert ticket proceeds — a “call to action” and asked other artists and corporations to follow suit.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The rapper has family ties to prominent Democrats. His father worked in former President Barack Obama’s Cabinet and for Chicago Mayor Rahm Emanuel. Chance has been civically engaged before, leading a march to the polls in November and serving on the board of Chicago’s DuSable Museum of African American History.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12861208/chance-the-rapper-gives-1m-to-chicago-schools-blasts-governor","authors":["byline_arts_12861208"],"programs":["arts_1272"],"categories":["arts_69","arts_235"],"tags":["arts_596","arts_1427"],"featImg":"arts_12861214","label":"arts_1272"},"arts_12846150":{"type":"posts","id":"arts_12846150","meta":{"index":"posts_1591205157","site":"arts","id":"12846150","score":null,"sort":[1488576274000]},"guestAuthors":[],"slug":"schwarzenegger-on-celebrity-apprentice-i-quit","title":"Schwarzenegger on 'Celebrity Apprentice': I Quit","publishDate":1488576274,"format":"standard","headTitle":"Schwarzenegger on ‘Celebrity Apprentice’: I Quit | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>Arnold Schwarzenegger said Friday that he’s through with \u003cem>The New Celebrity Apprentice\u003c/em>, and he’s blaming President Donald Trump for the television reality show’s recent poor performance.\u003c/p>\n\u003cp>The former California governor said he wouldn’t mind working with NBC and producer Mark Burnett again “on a show that doesn’t have this baggage.”\u003c/p>\n\u003cp>Schwarzenegger replaced the president as host of the show, but Trump remained as an executive producer. The president taunted Schwarzenegger for the show’s recent poor performance in the ratings, even mocking him during an address at the National Prayer Breakfast.\u003c/p>\n\u003cp>The show, which wrapped up its 15th season last month, averaged fewer than 5 million viewers per episode. That was lower than any other incarnation except for a 2010 Trump-hosted edition without celebrities, and the most poorly-rated edition among the youthful viewers NBC cares most about, the Nielsen company said.\u003c/p>\n\u003cp>Even if he were asked again, Schwarzenegger said he wouldn’t want to do it.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“With Trump being involved in the show people have a bad taste and don’t want to participate as a spectator or as a sponsor or in any other way support the show,” he said in an interview with the Empire web site. “It’s a very divisive period now and I think this show got caught up in all that division.”\u003c/p>\n\u003cp>After Schwarzenegger’s debut in January, Trump took to Twitter to report the show had been swamped “in comparison to the ratings machine, DJT” — using his initials.\u003c/p>\n\u003cp>Schwarzenegger shot back on social media that he hoped Trump would work for the American people as aggressively as he did for his ratings. The actor, like Trump a Republican, did not endorse Trump and said during last fall’s campaign that he would not vote for him.\u003c/p>\n\u003cp>When \u003cem>The New Celebrity Apprentice\u003c/em> ended its season last month, Trump tweeted that Schwarzenegger “did a really bad job as governor of California and even worse on \u003cem>The Apprentice\u003c/em>, but at least he tried hard.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>NBC had no immediate comment about whether the show would return with a new host.\u003c/p>\n\n","blocks":[],"excerpt":"The ex-governor blamed President Donald Trump for the television reality show's recent poor performance","status":"publish","parent":0,"modified":1705031353,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":374},"headData":{"title":"Schwarzenegger on 'Celebrity Apprentice': I Quit | KQED","description":"The ex-governor blamed President Donald Trump for the television reality show's recent poor performance","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Schwarzenegger on 'Celebrity Apprentice': I Quit","datePublished":"2017-03-03T21:24:34.000Z","dateModified":"2024-01-12T03:49:13.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"David Bauder, Associated Press","path":"/arts/12846150/schwarzenegger-on-celebrity-apprentice-i-quit","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Arnold Schwarzenegger said Friday that he’s through with \u003cem>The New Celebrity Apprentice\u003c/em>, and he’s blaming President Donald Trump for the television reality show’s recent poor performance.\u003c/p>\n\u003cp>The former California governor said he wouldn’t mind working with NBC and producer Mark Burnett again “on a show that doesn’t have this baggage.”\u003c/p>\n\u003cp>Schwarzenegger replaced the president as host of the show, but Trump remained as an executive producer. The president taunted Schwarzenegger for the show’s recent poor performance in the ratings, even mocking him during an address at the National Prayer Breakfast.\u003c/p>\n\u003cp>The show, which wrapped up its 15th season last month, averaged fewer than 5 million viewers per episode. That was lower than any other incarnation except for a 2010 Trump-hosted edition without celebrities, and the most poorly-rated edition among the youthful viewers NBC cares most about, the Nielsen company said.\u003c/p>\n\u003cp>Even if he were asked again, Schwarzenegger said he wouldn’t want to do it.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“With Trump being involved in the show people have a bad taste and don’t want to participate as a spectator or as a sponsor or in any other way support the show,” he said in an interview with the Empire web site. “It’s a very divisive period now and I think this show got caught up in all that division.”\u003c/p>\n\u003cp>After Schwarzenegger’s debut in January, Trump took to Twitter to report the show had been swamped “in comparison to the ratings machine, DJT” — using his initials.\u003c/p>\n\u003cp>Schwarzenegger shot back on social media that he hoped Trump would work for the American people as aggressively as he did for his ratings. The actor, like Trump a Republican, did not endorse Trump and said during last fall’s campaign that he would not vote for him.\u003c/p>\n\u003cp>When \u003cem>The New Celebrity Apprentice\u003c/em> ended its season last month, Trump tweeted that Schwarzenegger “did a really bad job as governor of California and even worse on \u003cem>The Apprentice\u003c/em>, but at least he tried hard.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>NBC had no immediate comment about whether the show would return with a new host.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12846150/schwarzenegger-on-celebrity-apprentice-i-quit","authors":["byline_arts_12846150"],"programs":["arts_1272"],"categories":["arts_235","arts_990"],"tags":["arts_596","arts_1427"],"featImg":"arts_12846151","label":"arts_1272"},"arts_12840998":{"type":"posts","id":"arts_12840998","meta":{"index":"posts_1591205157","site":"arts","id":"12840998","score":null,"sort":[1488484816000]},"guestAuthors":[],"slug":"lou-reeds-demos-papers-and-record-collection-soon-to-be-public","title":"Lou Reed's Demos, Papers and Record Collection Soon to be Public","publishDate":1488484816,"format":"standard","headTitle":"Lou Reed’s Demos, Papers and Record Collection Soon to be Public | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>Thursday would have been Lou Reed’s 75th birthday. This morning, his widow, performance artist Laurie Anderson, marked the occasion by announcing that the New York Public Library for the Performing Arts will house Reed’s complete archives. The collection includes thousands of hours of video and audio recordings, Reed’s personal record collection and more than 300 boxes of papers, photos and other items spanning his six-decade career.\u003c/p>\n\u003cp>There’s a 1971 recording of Reed reading poetry. There’s a bill from the legendary New York bar Max’s Kansas City — Reed’s tab stood at $194.08. There’s also a birthday card of more recent vintage inscribed, “Dear Honey Bun, Love and Hugs, Mo” — as in Moe Tucker, The Velvet Underground’s drummer. But NYPL director Jonathan Hiam says it’s the business and legal records that have him excited: The contracts, licensing agreements, tour receipts, and other documents paint a detailed picture of how the music industry evolved.\u003c/p>\n\u003cp>“These kinds of documents are usually in the hands of a private enterprise still, and there’s usually no financial incentive to make them available to anybody,” Hiam says. “So if you’re doing research, this is really a boon.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=5r998weOUiM\u003c/p>\n\u003cp>Later this year, library staff will begin the process of digitizing the thousands of hours of video and audio recordings. Music producer and archivist Don Fleming, who has been supervising the restoration, says the process has turned up a few gems.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“One of the things they found was a tape from the early ’60s, which seems to be Lou with one of his high school bands rehearsing for the variety show,” Fleming says. “And just following that [clip] is Lou playing Bob Dylan songs.”\u003c/p>\n\u003cp>Those recordings aren’t available yet for legal reasons. But once the issues have been worked out, the recordings — and everything else in the archive — will be available to anyone who visits the library. Laurie Anderson says that’s why she chose to put the archive there instead of a museum or academic institution.\u003c/p>\n\u003cp>“I really wanted it to not be deep in some vault where only people with white gloves can come. He was really democratic,” Anderson explains.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=lqEoTN4BGPQ\u003c/p>\n\u003cp>Anderson says she hopes access to the archive will paint a more nuanced picture of Lou Reed than the tough guy in leather jacket and shades everyone knows.\u003c/p>\n\u003cp>“You realize everyone makes mistakes — everyone. Everyone loses their nerve — everyone. Everyone feels vulnerable and small. Take courage from that,” she says. “And that’s why I wanted this archive out: So everyone could see how hard it is to do that, and how determined he was.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The New York Public Library will be hosting Reed-related events over the next several weeks. The complete archive — including those early demo recordings — should be available to the public later this year. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Lou+Reed%27s+Demos%2C+Papers+And+Record+Collection+Soon+To+Be+Public&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n","blocks":[],"excerpt":"Reed's widow, Laurie Anderson, is donating his personal archive to the New York Public Library on the occasion of what would have been his 75th birthday.","status":"publish","parent":0,"modified":1705031368,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":541},"headData":{"title":"Lou Reed's Demos, Papers and Record Collection Soon to be Public | KQED","description":"Reed's widow, Laurie Anderson, is donating his personal archive to the New York Public Library on the occasion of what would have been his 75th birthday.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Lou Reed's Demos, Papers and Record Collection Soon to be Public","datePublished":"2017-03-02T20:00:16.000Z","dateModified":"2024-01-12T03:49:28.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Rick Karr","nprImageAgency":"AFP/Getty Images","nprStoryId":"518150352","nprApiLink":"http://api.npr.org/query?id=518150352&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"http://www.npr.org/2017/03/02/518150352/lou-reeds-demos-papers-and-record-collection-soon-to-be-public?ft=nprml&f=518150352","nprRetrievedStory":"1","nprPubDate":"Thu, 02 Mar 2017 12:46:00 -0500","nprStoryDate":"Thu, 02 Mar 2017 12:46:02 -0500","nprLastModifiedDate":"Thu, 02 Mar 2017 12:46:02 -0500","path":"/arts/12840998/lou-reeds-demos-papers-and-record-collection-soon-to-be-public","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Thursday would have been Lou Reed’s 75th birthday. This morning, his widow, performance artist Laurie Anderson, marked the occasion by announcing that the New York Public Library for the Performing Arts will house Reed’s complete archives. The collection includes thousands of hours of video and audio recordings, Reed’s personal record collection and more than 300 boxes of papers, photos and other items spanning his six-decade career.\u003c/p>\n\u003cp>There’s a 1971 recording of Reed reading poetry. There’s a bill from the legendary New York bar Max’s Kansas City — Reed’s tab stood at $194.08. There’s also a birthday card of more recent vintage inscribed, “Dear Honey Bun, Love and Hugs, Mo” — as in Moe Tucker, The Velvet Underground’s drummer. But NYPL director Jonathan Hiam says it’s the business and legal records that have him excited: The contracts, licensing agreements, tour receipts, and other documents paint a detailed picture of how the music industry evolved.\u003c/p>\n\u003cp>“These kinds of documents are usually in the hands of a private enterprise still, and there’s usually no financial incentive to make them available to anybody,” Hiam says. “So if you’re doing research, this is really a boon.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5r998weOUiM'\n title='//www.youtube.com/embed/5r998weOUiM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Later this year, library staff will begin the process of digitizing the thousands of hours of video and audio recordings. Music producer and archivist Don Fleming, who has been supervising the restoration, says the process has turned up a few gems.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“One of the things they found was a tape from the early ’60s, which seems to be Lou with one of his high school bands rehearsing for the variety show,” Fleming says. “And just following that [clip] is Lou playing Bob Dylan songs.”\u003c/p>\n\u003cp>Those recordings aren’t available yet for legal reasons. But once the issues have been worked out, the recordings — and everything else in the archive — will be available to anyone who visits the library. Laurie Anderson says that’s why she chose to put the archive there instead of a museum or academic institution.\u003c/p>\n\u003cp>“I really wanted it to not be deep in some vault where only people with white gloves can come. He was really democratic,” Anderson explains.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/lqEoTN4BGPQ'\n title='//www.youtube.com/embed/lqEoTN4BGPQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Anderson says she hopes access to the archive will paint a more nuanced picture of Lou Reed than the tough guy in leather jacket and shades everyone knows.\u003c/p>\n\u003cp>“You realize everyone makes mistakes — everyone. Everyone loses their nerve — everyone. Everyone feels vulnerable and small. Take courage from that,” she says. “And that’s why I wanted this archive out: So everyone could see how hard it is to do that, and how determined he was.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The New York Public Library will be hosting Reed-related events over the next several weeks. The complete archive — including those early demo recordings — should be available to the public later this year. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Lou+Reed%27s+Demos%2C+Papers+And+Record+Collection+Soon+To+Be+Public&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12840998/lou-reeds-demos-papers-and-record-collection-soon-to-be-public","authors":["byline_arts_12840998"],"programs":["arts_1272"],"categories":["arts_69","arts_235"],"tags":["arts_596","arts_1427"],"affiliates":["arts_137"],"featImg":"arts_12840999","label":"arts_1272"},"arts_12836190":{"type":"posts","id":"arts_12836190","meta":{"index":"posts_1591205157","site":"arts","id":"12836190","score":null,"sort":[1488408348000]},"guestAuthors":[],"slug":"state-says-keep-woody-guthrie-image-off-oklahoma-capitol","title":"State Says Keep Woody Guthrie Image Off Oklahoma Capitol","publishDate":1488408348,"format":"standard","headTitle":"State Says Keep Woody Guthrie Image Off Oklahoma Capitol | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>An image of Woody Guthrie lit up the Oklahoma Capitol, but the state doesn’t want the unauthorized artwork coming back.\u003c/p>\n\u003cp>Oklahoma City artist Jack Fowler says he projected an image of the folk singer Monday night onto tarps covering construction work in an effort to get people to “shake up the powers that be.” Guthrie was born in Okemah, Oklahoma, and influenced singers including Bob Dylan and Bruce Springsteen.\u003c/p>\n\u003cp>Fowler said Tuesday he believes the “This Land Is Your Land” singer would be appalled that state lawmakers are considering taxing “car washes and funerals” at the same time another proposal would eliminate corporate income taxes.\u003c/p>\n\u003cp>Oklahoma’s agency that manages property said in a statement the projection is prohibited due to safety concerns for crews working on a Capitol restoration project.\u003c/p>\n\u003cp>https://www.facebook.com/jack.fowler.739/posts/10209996820050221\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"An image of Woody Guthrie lit up the Oklahoma Capitol, but the state doesn't want the artwork to come back","status":"publish","parent":0,"modified":1705031382,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":151},"headData":{"title":"State Says Keep Woody Guthrie Image Off Oklahoma Capitol | KQED","description":"An image of Woody Guthrie lit up the Oklahoma Capitol, but the state doesn't want the artwork to come back","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"State Says Keep Woody Guthrie Image Off Oklahoma Capitol","datePublished":"2017-03-01T22:45:48.000Z","dateModified":"2024-01-12T03:49:42.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Associated Press","path":"/arts/12836190/state-says-keep-woody-guthrie-image-off-oklahoma-capitol","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>An image of Woody Guthrie lit up the Oklahoma Capitol, but the state doesn’t want the unauthorized artwork coming back.\u003c/p>\n\u003cp>Oklahoma City artist Jack Fowler says he projected an image of the folk singer Monday night onto tarps covering construction work in an effort to get people to “shake up the powers that be.” Guthrie was born in Okemah, Oklahoma, and influenced singers including Bob Dylan and Bruce Springsteen.\u003c/p>\n\u003cp>Fowler said Tuesday he believes the “This Land Is Your Land” singer would be appalled that state lawmakers are considering taxing “car washes and funerals” at the same time another proposal would eliminate corporate income taxes.\u003c/p>\n\u003cp>Oklahoma’s agency that manages property said in a statement the projection is prohibited due to safety concerns for crews working on a Capitol restoration project.\u003c/p>\n\u003cp>https://www.facebook.com/jack.fowler.739/posts/10209996820050221\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12836190/state-says-keep-woody-guthrie-image-off-oklahoma-capitol","authors":["byline_arts_12836190"],"programs":["arts_1272"],"categories":["arts_69","arts_235","arts_70"],"tags":["arts_596","arts_1427"],"featImg":"arts_12836391","label":"arts_1272"},"arts_12827009":{"type":"posts","id":"arts_12827009","meta":{"index":"posts_1591205157","site":"arts","id":"12827009","score":null,"sort":[1488228553000]},"guestAuthors":[],"slug":"oscars-mistake-puts-consulting-firms-reputation-in-jeopardy","title":"Oscars Mistake Puts Consulting Firm's Reputation in Jeopardy","publishDate":1488228553,"format":"standard","headTitle":"Oscars Mistake Puts Consulting Firm’s Reputation in Jeopardy | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>For 82 years, accounting and consulting firm PwC has enjoyed a reputational boon from handling the balloting process at the Academy Awards.\u003c/p>\n\u003cp>Now its hard-won image as a dependable partner is under threat.\u003c/p>\n\u003cp>The company has apologized for a colossal mistake at the 89th Academy Awards on Sunday night when actors Faye Dunaway and Warren Beatty wrongly announced the top Oscar went to “La La Land,” instead of \u003cem>Moonlight\u003c/em>.\u003c/p>\n\u003cp>The presenters, it turned out, had been given the wrong envelope by tabulators PwC, in this case the one awarding Emma Stone for best actress for her role in \u003cem>La La Land\u003c/em>. The representatives from PwC, formerly known as PricewaterhouseCoopers, eventually corrected the mistake on air but it’s not clear yet how the wrong envelope ended up in the hands of the “Bonnie and Clyde” stars.\u003c/p>\n\u003cp>Whatever the reason, it’s been a cue for endless jokes and hilarity around the world.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For London-headquartered PwC, it’s anything but funny.\u003c/p>\n\u003cp>According to Nigel Currie, an independent London-based branding specialist with decades’ worth of industry experience, this mistake is “as bad a mess-up as you could imagine.”\u003c/p>\n\u003cp>“They had a pretty simple job to do and messed it up spectacularly,” he said. “They will be in deep crisis talks on how to deal with it.”\u003c/p>\n\u003cp>Brands go to extraordinary lengths to protect their image and reputation and to be seen as good corporate citizens. History is littered by examples when a hard-won reputation nosedives — from sporting legends Tiger Woods and Lance Armstrong to business giants like BP following the Deepwater Horizon oil spill disaster and Volkswagen after its emissions cheating scandal.\u003c/p>\n\u003cp>Crisis managers say PwC has no other option than to front-up immediately and explain exactly what happened to contain the damage to its reputation and brand and plot a way forward where there’s no repeat.\u003c/p>\n\u003cp>“There will certainly have to be accounting for this error,” said Jeremy Robinson-Leon, principal and chief operating officer at New York-based public relations firm Group Gordon. “The onus will be on PwC, assuming they stay as partners, to institute controls to ensure this doesn’t happen again.”\u003c/p>\n\u003cp>PwC, which originated in London over a century ago, was quick to apologize to the movies involved, Beatty, Dunaway and viewers, but has yet to fully explain what happened.\u003c/p>\n\u003cp>“The presenters had mistakenly been given the wrong category envelope and, when discovered, was immediately corrected,” it said in a statement. “We are currently investigating how this could have happened, and deeply regret that this occurred.”\u003c/p>\n\u003cp>In fact, it took over two minutes on air, during which time the “La La Land” team gave three acceptance speeches, before PwC corrected the mistake on stage.\u003c/p>\n\u003cp>PwC’s representatives were Brian Cullinan, a partner at the firm — and, according to his bio on the company’s website, a Matt Damon lookalike — and Martha Ruiz, the second woman to serve as a PwC Oscars tabulator.\u003c/p>\n\u003cp>Cullinan is the lead partner for the Academy of Motion Picture Arts and Sciences, including the annual balloting for the Oscars ceremony. He has been part of the balloting team since 2014.\u003cbr>\nRuiz, a 19-year veteran at PwC who specializes in providing tax compliance and advisory services to entertainment clients in southern California, joined Cullinan as the Oscars balloting co-leader in 2015.\u003c/p>\n\u003cp>In a promotional video on the company’s website ahead of Sunday’s show, Cullinan said he and Ruiz are the only two who knew who the winners were on the night of the awards.\u003c/p>\n\u003cp>“There are 24 categories. We have the winners in sealed envelopes that we hold and maintain throughout the evening and hand those to the presenters before they walk out on stage,” he said.\u003c/p>\n\u003cp>According to Mike Davies, PwC’s director of global communications, both Cullinan and Ruiz would have had a briefcase on either side of the auditorium to hand out the envelope for the category to be announced. Each briefcase would have had one envelope of each category winner.\u003c/p>\n\u003cp>In his remarks before the show, Cullinan had said PwC’s relationship with the Academy Awards is testament to the firm’s reputation in the market for being “a firm of integrity, of accuracy and confidentiality and all of those things that are really key to the role we have with the Academy in counting these ballots.”\u003c/p>\n\u003cp>“But I think it’s really symbolic of how we’re thought of beyond this role and how our clients think of us and I think it’s something we take very seriously and take a lot of pride in.”\u003cbr>\nRobinson-Leon said it was important to remember that counting ballots is not PwC’s core business but that it will have to be serious about dealing with the aftermath of Sunday’s embarrassment and media fallout.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“This can happen once and there will be relative forgiveness but it can’t happen twice,” said Group Gordon’s Robinson-Leon. “If they were to do this again, that could have an impact on the brand. If this is an isolated incident, the long-term impact on the brand will be minimal.”\u003c/p>\n\n","blocks":[],"excerpt":"For 82 years, PwC has enjoyed a reputational boon from handling the balloting process at the Academy Awards.","status":"publish","parent":0,"modified":1705031410,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":24,"wordCount":913},"headData":{"title":"Oscars Mistake Puts Consulting Firm's Reputation in Jeopardy | KQED","description":"For 82 years, PwC has enjoyed a reputational boon from handling the balloting process at the Academy Awards.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Oscars Mistake Puts Consulting Firm's Reputation in Jeopardy","datePublished":"2017-02-27T20:49:13.000Z","dateModified":"2024-01-12T03:50:10.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Pan Pylas, Associated Press","path":"/arts/12827009/oscars-mistake-puts-consulting-firms-reputation-in-jeopardy","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>For 82 years, accounting and consulting firm PwC has enjoyed a reputational boon from handling the balloting process at the Academy Awards.\u003c/p>\n\u003cp>Now its hard-won image as a dependable partner is under threat.\u003c/p>\n\u003cp>The company has apologized for a colossal mistake at the 89th Academy Awards on Sunday night when actors Faye Dunaway and Warren Beatty wrongly announced the top Oscar went to “La La Land,” instead of \u003cem>Moonlight\u003c/em>.\u003c/p>\n\u003cp>The presenters, it turned out, had been given the wrong envelope by tabulators PwC, in this case the one awarding Emma Stone for best actress for her role in \u003cem>La La Land\u003c/em>. The representatives from PwC, formerly known as PricewaterhouseCoopers, eventually corrected the mistake on air but it’s not clear yet how the wrong envelope ended up in the hands of the “Bonnie and Clyde” stars.\u003c/p>\n\u003cp>Whatever the reason, it’s been a cue for endless jokes and hilarity around the world.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For London-headquartered PwC, it’s anything but funny.\u003c/p>\n\u003cp>According to Nigel Currie, an independent London-based branding specialist with decades’ worth of industry experience, this mistake is “as bad a mess-up as you could imagine.”\u003c/p>\n\u003cp>“They had a pretty simple job to do and messed it up spectacularly,” he said. “They will be in deep crisis talks on how to deal with it.”\u003c/p>\n\u003cp>Brands go to extraordinary lengths to protect their image and reputation and to be seen as good corporate citizens. History is littered by examples when a hard-won reputation nosedives — from sporting legends Tiger Woods and Lance Armstrong to business giants like BP following the Deepwater Horizon oil spill disaster and Volkswagen after its emissions cheating scandal.\u003c/p>\n\u003cp>Crisis managers say PwC has no other option than to front-up immediately and explain exactly what happened to contain the damage to its reputation and brand and plot a way forward where there’s no repeat.\u003c/p>\n\u003cp>“There will certainly have to be accounting for this error,” said Jeremy Robinson-Leon, principal and chief operating officer at New York-based public relations firm Group Gordon. “The onus will be on PwC, assuming they stay as partners, to institute controls to ensure this doesn’t happen again.”\u003c/p>\n\u003cp>PwC, which originated in London over a century ago, was quick to apologize to the movies involved, Beatty, Dunaway and viewers, but has yet to fully explain what happened.\u003c/p>\n\u003cp>“The presenters had mistakenly been given the wrong category envelope and, when discovered, was immediately corrected,” it said in a statement. “We are currently investigating how this could have happened, and deeply regret that this occurred.”\u003c/p>\n\u003cp>In fact, it took over two minutes on air, during which time the “La La Land” team gave three acceptance speeches, before PwC corrected the mistake on stage.\u003c/p>\n\u003cp>PwC’s representatives were Brian Cullinan, a partner at the firm — and, according to his bio on the company’s website, a Matt Damon lookalike — and Martha Ruiz, the second woman to serve as a PwC Oscars tabulator.\u003c/p>\n\u003cp>Cullinan is the lead partner for the Academy of Motion Picture Arts and Sciences, including the annual balloting for the Oscars ceremony. He has been part of the balloting team since 2014.\u003cbr>\nRuiz, a 19-year veteran at PwC who specializes in providing tax compliance and advisory services to entertainment clients in southern California, joined Cullinan as the Oscars balloting co-leader in 2015.\u003c/p>\n\u003cp>In a promotional video on the company’s website ahead of Sunday’s show, Cullinan said he and Ruiz are the only two who knew who the winners were on the night of the awards.\u003c/p>\n\u003cp>“There are 24 categories. We have the winners in sealed envelopes that we hold and maintain throughout the evening and hand those to the presenters before they walk out on stage,” he said.\u003c/p>\n\u003cp>According to Mike Davies, PwC’s director of global communications, both Cullinan and Ruiz would have had a briefcase on either side of the auditorium to hand out the envelope for the category to be announced. Each briefcase would have had one envelope of each category winner.\u003c/p>\n\u003cp>In his remarks before the show, Cullinan had said PwC’s relationship with the Academy Awards is testament to the firm’s reputation in the market for being “a firm of integrity, of accuracy and confidentiality and all of those things that are really key to the role we have with the Academy in counting these ballots.”\u003c/p>\n\u003cp>“But I think it’s really symbolic of how we’re thought of beyond this role and how our clients think of us and I think it’s something we take very seriously and take a lot of pride in.”\u003cbr>\nRobinson-Leon said it was important to remember that counting ballots is not PwC’s core business but that it will have to be serious about dealing with the aftermath of Sunday’s embarrassment and media fallout.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“This can happen once and there will be relative forgiveness but it can’t happen twice,” said Group Gordon’s Robinson-Leon. “If they were to do this again, that could have an impact on the brand. If this is an isolated incident, the long-term impact on the brand will be minimal.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12827009/oscars-mistake-puts-consulting-firms-reputation-in-jeopardy","authors":["byline_arts_12827009"],"programs":["arts_1272"],"categories":["arts_74","arts_235"],"tags":["arts_596","arts_1427"],"featImg":"arts_12827048","label":"arts_1272"},"arts_12813820":{"type":"posts","id":"arts_12813820","meta":{"index":"posts_1591205157","site":"arts","id":"12813820","score":null,"sort":[1487983781000]},"guestAuthors":[],"slug":"bill-cosby-wont-face-a-barrage-of-accusers-at-his-trial","title":"Bill Cosby Won't Face a Barrage of Accusers at his Trial","publishDate":1487983781,"format":"standard","headTitle":"Bill Cosby Won’t Face a Barrage of Accusers at his Trial | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>In a major break for Bill Cosby, a judge ruled Friday that just one of the comedian’s multitude of other accusers can testify at his trial to bolster charges he drugged and violated a woman more than a decade ago.\u003c/p>\n\u003cp>The 79-year-old TV star is set to go on trial in June, accused of sexually assaulting former Temple University employee Andrea Constand at his suburban Philadelphia home in 2004. Prosecutors wanted to put 13 other women on the stand to show that his alleged conduct was part of a distinct pattern of behavior.\u003c/p>\n\u003cp>Montgomery County Judge Steven O’Neill disallowed all but one of those women, saying in a one-page ruling that he carefully weighed the possible value of their testimony against the potential prejudice to Cosby.\u003c/p>\n\u003cp>The one witness who can testify says the comic drugged and assaulted her in 1996 at a Los Angeles hotel.\u003c/p>\n\u003cp>Cosby’s lawyer had no immediate comment, but the actor himself re-tweeted news stories on the ruling, adding the hashtags “#KeepWatching” and “#PayAttention.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>With O’Neill’s order, the trial will now rest more heavily on Constand’s credibility.\u003c/p>\n\u003cp>“There is an obvious value to the prosecution when you have numerous accusers. That alone adds tremendous weight to the case,” said lawyer Joseph McGettigan, a prosecutor in the Penn State sex abuse scandal.\u003c/p>\n\u003cp>The ruling could also shave weeks off the trial.\u003c/p>\n\u003cp>Cosby, who is free on $1 million bail, could get 10 years in prison if convicted. He is expected in court again Monday to ask that the jurors be selected from another county because of the heavy publicity.\u003c/p>\n\u003cp>Prosecutors compiled the list of 13 potential witnesses from the nearly 50 women who have come forward in recent years to say they were drugged and molested — a barrage that destroyed Cosby’s good-guy reputation as the star of TV’s \u003cem>Cosby Show\u003c/em> in the 1980s.\u003c/p>\n\u003cp>His lawyers objected to the testimony about “prior bad acts,” saying that in some cases the sex was consensual, while others involved models and actresses falsely accusing Cosby to gain money or attention.\u003c/p>\n\u003cp>His attorneys also argued that some of the allegations were so vague — with some of the women unsure of when the alleged encounters even took place — that it would be impossible for Cosby to defend himself.\u003c/p>\n\u003cp>While the ruling is a big victory for Cosby at his trial, it could deprive him of grounds for appeal if he is convicted. In 2015, a Pennsylvania appeals court threw out a Roman Catholic Church official’s conviction because the jury was allowed to hear from 23 priest-abuse victims who were not directly part of the case.\u003c/p>\n\u003cp>“It’s the best of times and the worst of times for Cosby. It gives the defendant the opportunity to try the case that should be tried, the lone accuser,” said defense lawyer William J. Brennan, who was involved in the church case. “If it doesn’t go his way, he probably is limited on appellate issues. However, I’d take this, hands down, over the alternative.”\u003c/p>\n\u003cp>The ruling is one of two key pretrial issues in the case. The judge earlier ruled that the jury can hear Cosby’s damaging testimony from Constand’s 2005 lawsuit against the comedian.\u003c/p>\n\u003cp>Cosby’s deposition runs to nearly 1,000 pages and covers a string of extramarital liaisons dating to the 1960s. It was the release of the sealed testimony in 2015 that led prosecutors to reopen the case.\u003c/p>\n\u003cp>Constand told police he gave her three unmarked pills and then penetrated her with his fingers as she drifted in and out of consciousness. The comedian has said the sexual contact was consensual.\u003c/p>\n\u003cp>The additional accuser who can testify worked for one of Cosby’s agents and had known the entertainer for six years when he invited her to lunch at his bungalow at the Bel Air Hotel to discuss her career plans.\u003c/p>\n\u003cp>She said he was in a robe and slippers when she arrived and offered her wine and a pill that she consumed after he assured her it was safe. She said he then sexually assaulted her on his bed.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Among the other accusers who won’t be allowed to testify, one said she was an aspiring actress when Cosby assaulted her at a home near Reno, Nevada, in 1984. Another said Cosby drugged and assaulted her in the late 1960s after befriending her and her 9-year-old son.\u003c/p>\n\n","blocks":[],"excerpt":"A judge ruled Friday that just one of the comedian's multitude of other accusers can testify in his trial","status":"publish","parent":0,"modified":1705031431,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":780},"headData":{"title":"Bill Cosby Won't Face a Barrage of Accusers at his Trial | KQED","description":"A judge ruled Friday that just one of the comedian's multitude of other accusers can testify in his trial","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Bill Cosby Won't Face a Barrage of Accusers at his Trial","datePublished":"2017-02-25T00:49:41.000Z","dateModified":"2024-01-12T03:50:31.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Maryclaire Dale, Associated Press","path":"/arts/12813820/bill-cosby-wont-face-a-barrage-of-accusers-at-his-trial","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In a major break for Bill Cosby, a judge ruled Friday that just one of the comedian’s multitude of other accusers can testify at his trial to bolster charges he drugged and violated a woman more than a decade ago.\u003c/p>\n\u003cp>The 79-year-old TV star is set to go on trial in June, accused of sexually assaulting former Temple University employee Andrea Constand at his suburban Philadelphia home in 2004. Prosecutors wanted to put 13 other women on the stand to show that his alleged conduct was part of a distinct pattern of behavior.\u003c/p>\n\u003cp>Montgomery County Judge Steven O’Neill disallowed all but one of those women, saying in a one-page ruling that he carefully weighed the possible value of their testimony against the potential prejudice to Cosby.\u003c/p>\n\u003cp>The one witness who can testify says the comic drugged and assaulted her in 1996 at a Los Angeles hotel.\u003c/p>\n\u003cp>Cosby’s lawyer had no immediate comment, but the actor himself re-tweeted news stories on the ruling, adding the hashtags “#KeepWatching” and “#PayAttention.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With O’Neill’s order, the trial will now rest more heavily on Constand’s credibility.\u003c/p>\n\u003cp>“There is an obvious value to the prosecution when you have numerous accusers. That alone adds tremendous weight to the case,” said lawyer Joseph McGettigan, a prosecutor in the Penn State sex abuse scandal.\u003c/p>\n\u003cp>The ruling could also shave weeks off the trial.\u003c/p>\n\u003cp>Cosby, who is free on $1 million bail, could get 10 years in prison if convicted. He is expected in court again Monday to ask that the jurors be selected from another county because of the heavy publicity.\u003c/p>\n\u003cp>Prosecutors compiled the list of 13 potential witnesses from the nearly 50 women who have come forward in recent years to say they were drugged and molested — a barrage that destroyed Cosby’s good-guy reputation as the star of TV’s \u003cem>Cosby Show\u003c/em> in the 1980s.\u003c/p>\n\u003cp>His lawyers objected to the testimony about “prior bad acts,” saying that in some cases the sex was consensual, while others involved models and actresses falsely accusing Cosby to gain money or attention.\u003c/p>\n\u003cp>His attorneys also argued that some of the allegations were so vague — with some of the women unsure of when the alleged encounters even took place — that it would be impossible for Cosby to defend himself.\u003c/p>\n\u003cp>While the ruling is a big victory for Cosby at his trial, it could deprive him of grounds for appeal if he is convicted. In 2015, a Pennsylvania appeals court threw out a Roman Catholic Church official’s conviction because the jury was allowed to hear from 23 priest-abuse victims who were not directly part of the case.\u003c/p>\n\u003cp>“It’s the best of times and the worst of times for Cosby. It gives the defendant the opportunity to try the case that should be tried, the lone accuser,” said defense lawyer William J. Brennan, who was involved in the church case. “If it doesn’t go his way, he probably is limited on appellate issues. However, I’d take this, hands down, over the alternative.”\u003c/p>\n\u003cp>The ruling is one of two key pretrial issues in the case. The judge earlier ruled that the jury can hear Cosby’s damaging testimony from Constand’s 2005 lawsuit against the comedian.\u003c/p>\n\u003cp>Cosby’s deposition runs to nearly 1,000 pages and covers a string of extramarital liaisons dating to the 1960s. It was the release of the sealed testimony in 2015 that led prosecutors to reopen the case.\u003c/p>\n\u003cp>Constand told police he gave her three unmarked pills and then penetrated her with his fingers as she drifted in and out of consciousness. The comedian has said the sexual contact was consensual.\u003c/p>\n\u003cp>The additional accuser who can testify worked for one of Cosby’s agents and had known the entertainer for six years when he invited her to lunch at his bungalow at the Bel Air Hotel to discuss her career plans.\u003c/p>\n\u003cp>She said he was in a robe and slippers when she arrived and offered her wine and a pill that she consumed after he assured her it was safe. She said he then sexually assaulted her on his bed.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Among the other accusers who won’t be allowed to testify, one said she was an aspiring actress when Cosby assaulted her at a home near Reno, Nevada, in 1984. Another said Cosby drugged and assaulted her in the late 1960s after befriending her and her 9-year-old son.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12813820/bill-cosby-wont-face-a-barrage-of-accusers-at-his-trial","authors":["byline_arts_12813820"],"programs":["arts_1272"],"categories":["arts_968","arts_74","arts_235","arts_990"],"tags":["arts_596","arts_1427"],"featImg":"arts_11339317","label":"arts_1272"},"arts_12808330":{"type":"posts","id":"arts_12808330","meta":{"index":"posts_1591205157","site":"arts","id":"12808330","score":null,"sort":[1487901021000]},"guestAuthors":[],"slug":"landlord-orders-removal-of-bobs-burger-mural-from-rheas-cafe","title":"Landlord Orders Removal of Bob's Burger Mural from Rhea's Cafe","publishDate":1487901021,"format":"standard","headTitle":"Landlord Orders Removal of Bob’s Burger Mural from Rhea’s Cafe | KQED","labelTerm":{"term":1545,"site":"arts"},"content":"\u003cp>The owner of the building on 20th Street that houses the sandwich shop Rhea’s Cafe has forced the removal of a Sirron Norris mural that depicted characters from \u003cem>Bob’s Burgers\u003c/em>, a popular animated Fox TV sitcom.\u003c/p>\n\u003cp>[contextly_sidebar id=”NSIDFl1COuJppOO7btFBW6EHwiogUULw”]\u003c/p>\n\u003cp>Fearing copyright infringement, the building’s owner enlisted Rhea’s executive chef and owner, James Choi, to paint over the four-month-old mural that had decorated its front roll-up doors. The mural of a couple embracing lovingly, depicted the show’s main characters, husband and wife duo Bob and Linda Belcher.\u003c/p>\n\u003cp>Norris, a local street artist who was once a tenant in the building that houses Rhea’s Cafe, is also the lead illustrator of the \u003cem>Bob’s Burgers\u003c/em> sitcom.\u003c/p>\n\u003cp>“The producer [Loren Bouchard], who Sirron met, lived on 20th Street, a couple of blocks from here,” said Choi. “So that show was conceived right on this street.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://missionlocal.org/2017/02/sirron-norris-mural-using-bobs-burgers-ordered-removed-by-landlord/\" target=\"_blank\" rel=\"noopener\">Read more at Mission Local\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"The owner of the 20th Street sandwich shop that houses Rhea’s Cafe has forced the removal of a Sirron Norris mural","status":"publish","parent":0,"modified":1705031447,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":171},"headData":{"title":"Landlord Orders Removal of Bob's Burger Mural from Rhea's Cafe | KQED","description":"The owner of the 20th Street sandwich shop that houses Rhea’s Cafe has forced the removal of a Sirron Norris mural","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Landlord Orders Removal of Bob's Burger Mural from Rhea's Cafe","datePublished":"2017-02-24T01:50:21.000Z","dateModified":"2024-01-12T03:50:47.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Laura Waxmann","path":"/arts/12808330/landlord-orders-removal-of-bobs-burger-mural-from-rheas-cafe","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The owner of the building on 20th Street that houses the sandwich shop Rhea’s Cafe has forced the removal of a Sirron Norris mural that depicted characters from \u003cem>Bob’s Burgers\u003c/em>, a popular animated Fox TV sitcom.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Fearing copyright infringement, the building’s owner enlisted Rhea’s executive chef and owner, James Choi, to paint over the four-month-old mural that had decorated its front roll-up doors. The mural of a couple embracing lovingly, depicted the show’s main characters, husband and wife duo Bob and Linda Belcher.\u003c/p>\n\u003cp>Norris, a local street artist who was once a tenant in the building that houses Rhea’s Cafe, is also the lead illustrator of the \u003cem>Bob’s Burgers\u003c/em> sitcom.\u003c/p>\n\u003cp>“The producer [Loren Bouchard], who Sirron met, lived on 20th Street, a couple of blocks from here,” said Choi. “So that show was conceived right on this street.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://missionlocal.org/2017/02/sirron-norris-mural-using-bobs-burgers-ordered-removed-by-landlord/\" target=\"_blank\" rel=\"noopener\">Read more at Mission Local\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12808330/landlord-orders-removal-of-bobs-burger-mural-from-rheas-cafe","authors":["byline_arts_12808330"],"categories":["arts_235","arts_70"],"tags":["arts_596","arts_1427"],"affiliates":["arts_1545"],"featImg":"arts_12809320","label":"arts_1545"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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