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Everyone Deserves a Great Moment
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When he can, Cy likes to swim in Tomales Bay, run with his dog in the East Bay Hills, and hike the Sierra.","avatar":"https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["Contributor","subscriber"]},{"site":"news","roles":["author"]},{"site":"bayareabites","roles":["contributor"]}],"headData":{"title":"Cy Musiker | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/cmusiker"},"shotchkiss":{"type":"authors","id":"61","meta":{"index":"authors_1591205172","id":"61","found":true},"name":"Sarah Hotchkiss","firstName":"Sarah","lastName":"Hotchkiss","slug":"shotchkiss","email":"shotchkiss@kqed.org","display_author_email":true,"staff_mastheads":["arts"],"title":"Senior Associate Editor","bio":"Sarah Hotchkiss is a San Francisco \u003ca href=\"http://www.sarahhotchkiss.com\">artist\u003c/a> and arts writer. In 2019, she received the Dorothea & Leo Rabkin Foundation grant for visual art journalism and in 2020 she received a Society of Professional Journalists, Northern California award for excellence in arts and culture reporting.","avatar":"https://secure.gravatar.com/avatar/ca38c7f54590856cd4947d26274f8a90?s=600&d=blank&r=g","twitter":"sahotchkiss","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"","roles":["editor"]},{"site":"arts","roles":["Contributor","administrator"]},{"site":"artschool","roles":["administrator"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["administrator"]},{"site":"bayareabites","roles":["editor"]},{"site":"spark","roles":["editor"]},{"site":"checkplease","roles":["editor"]}],"headData":{"title":"Sarah Hotchkiss | KQED","description":"Senior Associate Editor","ogImgSrc":"https://secure.gravatar.com/avatar/ca38c7f54590856cd4947d26274f8a90?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/ca38c7f54590856cd4947d26274f8a90?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/shotchkiss"},"gmeline":{"type":"authors","id":"185","meta":{"index":"authors_1591205172","id":"185","found":true},"name":"Gabe Meline","firstName":"Gabe","lastName":"Meline","slug":"gmeline","email":"gmeline@kqed.org","display_author_email":false,"staff_mastheads":["arts"],"title":"Senior Editor, KQED Arts & Culture","bio":"Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife, his daughter, and a 1964 Volvo in his hometown of Santa Rosa, CA.","avatar":"https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g","twitter":"gmeline","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"","roles":["editor"]},{"site":"arts","roles":["administrator"]},{"site":"artschool","roles":["editor"]},{"site":"news","roles":["author"]},{"site":"pop","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"food","roles":["editor"]},{"site":"liveblog","roles":["editor"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Gabe Meline | KQED","description":"Senior Editor, KQED Arts & Culture","ogImgSrc":"https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/gmeline"},"rachael-myrow":{"type":"authors","id":"251","meta":{"index":"authors_1591205172","id":"251","found":true},"name":"Rachael Myrow","firstName":"Rachael","lastName":"Myrow","slug":"rachael-myrow","email":"rmyrow@kqed.org","display_author_email":false,"staff_mastheads":["news"],"title":"Senior Editor of KQED's Silicon Valley News Desk","bio":"Rachael Myrow is Senior Editor of KQED's Silicon Valley News Desk. You can hear her work on \u003ca href=\"https://www.npr.org/search?query=Rachael%20Myrow&page=1\">NPR\u003c/a>, \u003ca href=\"https://theworld.org/people/rachael-myrow\">The World\u003c/a>, WBUR's \u003ca href=\"https://www.wbur.org/search?q=Rachael%20Myrow\">\u003ci>Here & Now\u003c/i>\u003c/a> and the BBC. \u003c/i>She also guest hosts for KQED's \u003ci>\u003ca href=\"https://www.kqed.org/forum/tag/rachael-myrow\">Forum\u003c/a>\u003c/i>. Over the years, she's talked with Kamau Bell, David Byrne, Kamala Harris, Tony Kushner, Armistead Maupin, Van Dyke Parks, Arnold Schwarzenegger and Tommie Smith, among others.\r\n\r\nBefore all this, she hosted \u003cem>The California Report\u003c/em> for 7+ years, reporting on topics like \u003ca href=\"https://soundcloud.com/rmyrow/on-a-mission-to-reform-assisted-living\">assisted living facilities\u003c/a>, the \u003ca href=\"https://www.npr.org/sections/alltechconsidered/2014/12/01/367703789/amazon-unleashes-robot-army-to-send-your-holiday-packages-faster\">robot takeover\u003c/a> of Amazon, and \u003ca href=\"https://www.kqed.org/bayareabites/50822/in-search-of-the-chocolate-persimmon\" rel=\"noopener noreferrer\">chocolate persimmons\u003c/a>.\r\n\r\nAwards? Sure: Peabody, Edward R. Murrow, Regional Edward R. Murrow, RTNDA, Northern California RTNDA, SPJ Northern California Chapter, LA Press Club, Golden Mic. Prior to joining KQED, Rachael worked in Los Angeles at KPCC and Marketplace. She holds degrees in English and journalism from UC Berkeley (where she got her start in public radio on KALX-FM).\r\n\r\nOutside of the studio, you'll find Rachael hiking Bay Area trails and whipping up Instagram-ready meals in her kitchen.","avatar":"https://secure.gravatar.com/avatar/87bf8cb5874e045cdff430523a6d48b1?s=600&d=blank&r=g","twitter":"rachaelmyrow","facebook":null,"instagram":null,"linkedin":"https://www.linkedin.com/in/rachaelmyrow/","sites":[{"site":"arts","roles":["administrator"]},{"site":"news","roles":["edit_others_posts","editor"]},{"site":"futureofyou","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"stateofhealth","roles":["editor"]},{"site":"science","roles":["editor"]},{"site":"food","roles":["editor"]},{"site":"forum","roles":["editor"]}],"headData":{"title":"Rachael Myrow | KQED","description":"Senior Editor of KQED's Silicon Valley News 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Oakland.","avatar":"https://secure.gravatar.com/avatar/093d33baff5354890e29ad83d58d2c49?s=600&d=blank&r=g","twitter":"ogpenn","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"bayareabites","roles":["author"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Pendarvis Harshaw | KQED","description":"Columnist and Host, 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Each of his pieces—a combination, in recent years, of ceramics and other materials—exists as a perfectly considered balance of glossy and textured, organic and rigid, sensuous and silly. Parts of Nagle’s sculptures “look like” a number of things, but nothing so much as alien objects shaped by a wonderfully strange and pun-obsessed mind (please see his titles). Plan your visit wisely, you may need time to recover from an overload of aesthetic pleasure afterwards. \u003ci>–Sarah Hotchkiss\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1705021583,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":128},"headData":{"title":"Ron Nagle's Exquisite Sculptures Drift into BAMPFA | KQED","description":"The question here isn’t how many of Ron Nagle’s exquisitely crafted, small-scale sculptures can fit within BAMPFA’s galleries (so many!) for Handsome Drifter, but how many Nagle sculptures one human brain can handle. Each of his pieces—a combination, in recent years, of ceramics and other materials—exists as a perfectly considered balance of glossy and textured,","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Ron Nagle's Exquisite Sculptures Drift into BAMPFA","datePublished":"2020-01-02T23:50:52.000Z","dateModified":"2024-01-12T01:06:23.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"event","featuredImageType":"standard","startTime":1579078800,"endTime":1592200800,"startTimeString":"Jan. 15–June 14","venueName":"Berkeley Art Museum and Pacific Film Archive","venueAddress":"2155 Center St., San Francisco","eventLink":"https://bampfa.org/program/ron-nagle-handsome-drifter","path":"/arts/13874366/ron-nagles-exquisite-sculptures-drift-into-bampfa","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The question here isn’t how many of Ron Nagle’s exquisitely crafted, small-scale sculptures can fit within BAMPFA’s galleries (so many!) for \u003ci>Handsome Drifter\u003c/i>, but how many Nagle sculptures one human brain can handle. Each of his pieces—a combination, in recent years, of ceramics and other materials—exists as a perfectly considered balance of glossy and textured, organic and rigid, sensuous and silly. Parts of Nagle’s sculptures “look like” a number of things, but nothing so much as alien objects shaped by a wonderfully strange and pun-obsessed mind (please see his titles). Plan your visit wisely, you may need time to recover from an overload of aesthetic pleasure afterwards. \u003ci>–Sarah Hotchkiss\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13874366/ron-nagles-exquisite-sculptures-drift-into-bampfa","authors":["61"],"programs":["arts_140"],"categories":["arts_70"],"tags":["arts_2227","arts_596","arts_752"],"featImg":"arts_13872320","label":"arts_140"},"arts_13872203":{"type":"posts","id":"arts_13872203","meta":{"index":"posts_1591205157","site":"arts","id":"13872203","score":null,"sort":[1577808007000]},"guestAuthors":[],"slug":"cockettes-50-years","title":"Celebrate 50 Years Since the Cockettes First Stepped On Stage","publishDate":1577808007,"format":"standard","headTitle":"Celebrate 50 Years Since the Cockettes First Stepped On Stage | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Flashback to 1969, the year the performance artist known as Hibiscus founded the Cockettes, a theater collective that requires not just one adjective, but several, to fully describe its aesthetic: avant-garde, psychedelic, hippie, genderfluid and glitter-covered, among others. The Cockettes’ history is brief but glorious: performing regularly at San Francisco’s Palace Theater, their show became a must-see experience of the city’s gay scene. After a disastrous attempt to break into the New York theater scene, the group disbanded in 1972.\u003c/p>\n\u003cp>Their influence is visible in David Bowie’s glam, in the musical kitsch of \u003ci>The Rocky Horror Picture Show\u003c/i>, and in the careers of former members \u003ca href=\"https://www.kqed.org/arts/13854644/how-the-world-caught-up-to-sylvester\" target=\"_blank\" rel=\"noopener noreferrer\">Sylvester\u003c/a> and Divine. And the Cockettes themselves didn’t fade into history. That’s thanks in part to San Francisco’s obsession with all things Summer of Love, a \u003ca href=\"https://www.cockettes.com/\" target=\"_blank\" rel=\"noopener noreferrer\">2002 eponymous documentary\u003c/a> and the local theater troupe Thrillpeddlers’ recent revivals of Cockettes plays, including \u003ci>Pearls over Shanghai\u003c/i> and \u003ci>Vice Palace\u003c/i>.\u003c/p>\n\u003cp>On Jan. 4, remaining members of the Cockettes and “special guests” reminisce, re-enact and revel in the 50th anniversary of the legendary group’s founding. Befitting their penchant for all things glimmering and bedazzled, that’s a golden anniversary. \u003ci>–Sarah Hotchkiss\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The Cockettes may have disbanded in 1972, but their glittery legacy lives on in this one-night revue.","status":"publish","parent":0,"modified":1705021600,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":218},"headData":{"title":"Celebrate 50 Years Since the Cockettes First Stepped On Stage | KQED","description":"The Cockettes may have disbanded in 1972, but their glittery legacy lives on in this one-night revue.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Celebrate 50 Years Since the Cockettes First Stepped On Stage","datePublished":"2019-12-31T16:00:07.000Z","dateModified":"2024-01-12T01:06:40.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"WpOldSlug":"__trashed","templateType":"event","featuredImageType":"standard","startTime":1578196800,"endTime":1578207600,"startTimeString":"Jan. 4, 8pm","venueName":"Victoria Theatre","venueAddress":"2961 16th St., San Francisco","eventLink":"https://www.victoriatheatre.org/index.php/box-office/cockettes-are-golden-a-50th-anniversary-celebration","path":"/arts/13872203/cockettes-50-years","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Flashback to 1969, the year the performance artist known as Hibiscus founded the Cockettes, a theater collective that requires not just one adjective, but several, to fully describe its aesthetic: avant-garde, psychedelic, hippie, genderfluid and glitter-covered, among others. The Cockettes’ history is brief but glorious: performing regularly at San Francisco’s Palace Theater, their show became a must-see experience of the city’s gay scene. After a disastrous attempt to break into the New York theater scene, the group disbanded in 1972.\u003c/p>\n\u003cp>Their influence is visible in David Bowie’s glam, in the musical kitsch of \u003ci>The Rocky Horror Picture Show\u003c/i>, and in the careers of former members \u003ca href=\"https://www.kqed.org/arts/13854644/how-the-world-caught-up-to-sylvester\" target=\"_blank\" rel=\"noopener noreferrer\">Sylvester\u003c/a> and Divine. And the Cockettes themselves didn’t fade into history. That’s thanks in part to San Francisco’s obsession with all things Summer of Love, a \u003ca href=\"https://www.cockettes.com/\" target=\"_blank\" rel=\"noopener noreferrer\">2002 eponymous documentary\u003c/a> and the local theater troupe Thrillpeddlers’ recent revivals of Cockettes plays, including \u003ci>Pearls over Shanghai\u003c/i> and \u003ci>Vice Palace\u003c/i>.\u003c/p>\n\u003cp>On Jan. 4, remaining members of the Cockettes and “special guests” reminisce, re-enact and revel in the 50th anniversary of the legendary group’s founding. Befitting their penchant for all things glimmering and bedazzled, that’s a golden anniversary. \u003ci>–Sarah Hotchkiss\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13872203/cockettes-50-years","authors":["61"],"programs":["arts_140"],"categories":["arts_1","arts_967"],"tags":["arts_1118","arts_596","arts_752","arts_9194"],"featImg":"arts_12603664","label":"arts_140"},"arts_13865064":{"type":"posts","id":"arts_13865064","meta":{"index":"posts_1591205157","site":"arts","id":"13865064","score":null,"sort":[1564270929000]},"guestAuthors":[],"slug":"fort-mason-hosts-an-artist-made-roller-disco-rink","title":"Fort Mason Hosts an Artist-Made Roller Disco Rink","publishDate":1564270929,"format":"standard","headTitle":"Fort Mason Hosts an Artist-Made Roller Disco Rink | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Can roller skating bring people together during polarizing times? That’s the hope behind \u003ci>actions vent ascending frequencies\u003c/i>, the latest incarnation of a 2004 project by assume vivid astro focus (the alias of New York artist Eli Sudbrack). A psychedelic-tinged outdoor roller-skating rink with a DJ booth at its center turns the Fort Mason parking lot into a platform for both free public skating and programming organized by the Church of 8 Wheels and Bay Area Derby. No quads of your own? The Church provides rentals for just $5. \u003ci>—Sarah Hotchkiss\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Can roller skating bring people together during polarizing times? assume vivid astro focus hopes so.","status":"publish","parent":0,"modified":1705022459,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":97},"headData":{"title":"Fort Mason Hosts an Artist-Made Roller Disco Rink | KQED","description":"Can roller skating bring people together during polarizing times? assume vivid astro focus hopes so.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Fort Mason Hosts an Artist-Made Roller Disco Rink","datePublished":"2019-07-27T23:42:09.000Z","dateModified":"2024-01-12T01:20:59.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"event","featuredImageType":"standard","startTime":1568361600,"endTime":1570428000,"startTimeString":"Sept. 13–Oct. 6","venueName":"Fort Mason Center for Arts & Culture","eventLink":"https://fortmason.org/event/avaf/","path":"/arts/13865064/fort-mason-hosts-an-artist-made-roller-disco-rink","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Can roller skating bring people together during polarizing times? That’s the hope behind \u003ci>actions vent ascending frequencies\u003c/i>, the latest incarnation of a 2004 project by assume vivid astro focus (the alias of New York artist Eli Sudbrack). A psychedelic-tinged outdoor roller-skating rink with a DJ booth at its center turns the Fort Mason parking lot into a platform for both free public skating and programming organized by the Church of 8 Wheels and Bay Area Derby. No quads of your own? The Church provides rentals for just $5. \u003ci>—Sarah Hotchkiss\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13865064/fort-mason-hosts-an-artist-made-roller-disco-rink","authors":["61"],"programs":["arts_140"],"categories":["arts_70"],"tags":["arts_3978","arts_2013","arts_7679","arts_752"],"featImg":"arts_13865070","label":"arts_140"},"arts_13860729":{"type":"posts","id":"arts_13860729","meta":{"index":"posts_1591205157","site":"arts","id":"13860729","score":null,"sort":[1558466266000]},"guestAuthors":[],"slug":"get-far-out-with-space-suits-and-cosmic-dwellings-at-sfmoma","title":"Get 'Far Out' With Space Suits and Cosmic Dwellings at SFMOMA","publishDate":1558466266,"format":"standard","headTitle":"Get ‘Far Out’ With Space Suits and Cosmic Dwellings at SFMOMA | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>In celebration of the 50th anniversary of “one giant leap for mankind,” SFMOMA’s architecture and design department revisits past visions of space travel and some more recent contributions to the field. And if we’re all going to be living up there some day, who knows, this could be a useful primer on that incredibly inhospitable place we call outer space. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Revisits past visions of space travel for a possible future.","status":"publish","parent":0,"modified":1705026176,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":68},"headData":{"title":"Get 'Far Out' With Space Suits and Cosmic Dwellings at SFMOMA | KQED","description":"Revisits past visions of space travel for a possible future.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Get 'Far Out' With Space Suits and Cosmic Dwellings at SFMOMA","datePublished":"2019-05-21T19:17:46.000Z","dateModified":"2024-01-12T02:22:56.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"event","featuredImageType":"standard","startTime":1563609600,"endTime":1548054000,"startTimeString":"July 20, 2019–Jan. 20, 2020","venueName":"San Francisco Museum of Modern Art","venueAddress":"151 3rd St., San Francisco","eventLink":"https://www.sfmoma.org/exhibition/far-out-suits-habs-and-labs-for-outer-space/","path":"/arts/13860729/get-far-out-with-space-suits-and-cosmic-dwellings-at-sfmoma","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In celebration of the 50th anniversary of “one giant leap for mankind,” SFMOMA’s architecture and design department revisits past visions of space travel and some more recent contributions to the field. And if we’re all going to be living up there some day, who knows, this could be a useful primer on that incredibly inhospitable place we call outer space. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13860729/get-far-out-with-space-suits-and-cosmic-dwellings-at-sfmoma","authors":["61"],"programs":["arts_140"],"categories":["arts_70"],"tags":["arts_1381","arts_7776","arts_752"],"featImg":"arts_13860742","label":"arts_140"},"arts_13855681":{"type":"posts","id":"arts_13855681","meta":{"index":"posts_1591205157","site":"arts","id":"13855681","score":null,"sort":[1556132467000]},"guestAuthors":[],"slug":"a-hip-hop-record-thats-designed-to-deteriorate","title":"A Hip-Hop Record That's Designed to Deteriorate","publishDate":1556132467,"format":"standard","headTitle":"A Hip-Hop Record That’s Designed to Deteriorate | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>When Kevin Allen and DJ Basta debut their new single “Seed 05” \u003ca href=\"https://www.eventbrite.com/e/dj-basta-kevin-allen-seed-05-limited-edition-record-release-tickets-60136122762\">this Friday at the Spirit Haus Gallery in West Oakland\u003c/a>, it’ll be a record release party—a \u003cem>very limited\u003c/em> record release party.\u003c/p>\n\u003cp>While “Seed 05” will eventually be available on streaming platforms, 20 copies of the single will be distributed on Friday. The records were cut individually, in real time, on Petra-Fi Records’ 80 year-old record lathe.\u003c/p>\n\u003cp>The records are made of polycarbonate material that purposefully wears after a certain number of plays. That may sound counterintuitive, but Allen theorizes that it’ll inspire people to actually pay attention when they listen to the five-minute, three-song record. And after that, people can hang it on the wall as an art piece.\u003c/p>\n\u003cp>This record is a part of a series from DJ Basta’s label\u003ca href=\"https://rootsandbranches.bandcamp.com/\"> Roots & Branches\u003c/a>, which is creating a 10-piece set known as the \u003cem>Record Box\u003c/em>. The series of records will feature local artists and beats by DJ Basta, and each record’s cover artwork is drawn from collages made by DJ Basta (see above). So, it really is art.\u003c/p>\n\u003cp>If you’re a fan of records, rap music or just good vibes, Spirit Haus is the place to be on Friday, April 26. Though the 20 preorders for the “Seed 05” single are sold out, if you have records of your own, they invite you to bring them through so they can play them for the audience. \u003ca href=\"https://www.eventbrite.com/e/dj-basta-kevin-allen-seed-05-limited-edition-record-release-tickets-60136122762\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Kevin Allen and DJ Basta's 'Seed 05' is pressed in polycarbonate, which commands intense listening before wearing out.","status":"publish","parent":0,"modified":1705026289,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":268},"headData":{"title":"A Hip-Hop Record That's Designed to Deteriorate | KQED","description":"Kevin Allen and DJ Basta's 'Seed 05' is pressed in polycarbonate, which commands intense listening before wearing out.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"A Hip-Hop Record That's Designed to Deteriorate","datePublished":"2019-04-24T19:01:07.000Z","dateModified":"2024-01-12T02:24:49.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13855681/a-hip-hop-record-thats-designed-to-deteriorate","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When Kevin Allen and DJ Basta debut their new single “Seed 05” \u003ca href=\"https://www.eventbrite.com/e/dj-basta-kevin-allen-seed-05-limited-edition-record-release-tickets-60136122762\">this Friday at the Spirit Haus Gallery in West Oakland\u003c/a>, it’ll be a record release party—a \u003cem>very limited\u003c/em> record release party.\u003c/p>\n\u003cp>While “Seed 05” will eventually be available on streaming platforms, 20 copies of the single will be distributed on Friday. The records were cut individually, in real time, on Petra-Fi Records’ 80 year-old record lathe.\u003c/p>\n\u003cp>The records are made of polycarbonate material that purposefully wears after a certain number of plays. That may sound counterintuitive, but Allen theorizes that it’ll inspire people to actually pay attention when they listen to the five-minute, three-song record. And after that, people can hang it on the wall as an art piece.\u003c/p>\n\u003cp>This record is a part of a series from DJ Basta’s label\u003ca href=\"https://rootsandbranches.bandcamp.com/\"> Roots & Branches\u003c/a>, which is creating a 10-piece set known as the \u003cem>Record Box\u003c/em>. The series of records will feature local artists and beats by DJ Basta, and each record’s cover artwork is drawn from collages made by DJ Basta (see above). So, it really is art.\u003c/p>\n\u003cp>If you’re a fan of records, rap music or just good vibes, Spirit Haus is the place to be on Friday, April 26. Though the 20 preorders for the “Seed 05” single are sold out, if you have records of your own, they invite you to bring them through so they can play them for the audience. \u003ca href=\"https://www.eventbrite.com/e/dj-basta-kevin-allen-seed-05-limited-edition-record-release-tickets-60136122762\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13855681/a-hip-hop-record-thats-designed-to-deteriorate","authors":["11491"],"programs":["arts_140"],"categories":["arts_69"],"tags":["arts_831","arts_752"],"featImg":"arts_13855749","label":"arts_140"},"arts_13831782":{"type":"posts","id":"arts_13831782","meta":{"index":"posts_1591205157","site":"arts","id":"13831782","score":null,"sort":[1525908130000]},"guestAuthors":[],"slug":"filmmaking-brothers-and-ex-soulmates-discuss-a-15-year-career","title":"Filmmaking Brothers and 'Ex-Soulmates' Discuss a 15-Year Career","publishDate":1525908130,"format":"standard","headTitle":"Filmmaking Brothers and ‘Ex-Soulmates’ Discuss a 15-Year Career | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Everyone comes into the world of Jay and Mark Duplass in different ways. For me, it was \u003cem>The One I Love\u003c/em>, one of the most surreal movies about a failing marriage in the past decade. The brothers, who like to call themselves “ex-soulmates,” specialize in strange circumstances with an emotional core; their first film, \u003cem>This is John\u003c/em>, is a seven-minute short about a man who, in the process of trying to record an outgoing message on his answering machine, has a breakdown. Haven’t we all been there?\u003c/p>\n\u003cp>Now, the brothers Duplass have written a memoir, \u003cem>Like Brothers\u003c/em>, detailing their relationship, their filmmaking process and their career highlights, including the HBO series \u003cem>Togetherness\u003c/em>. In addition to making the press rounds, they appear \u003ca href=\"https://www.jccsf.org/arts-ideas/duplass-brothers/\" rel=\"noopener\" target=\"_blank\">at the San Francisco Jewish Community Center on Saturday, May 12\u003c/a>, to talk with SFFILM’s director of programming Rachel Rosen. All attendees receive a book — and among the rewards of being a Duplass fan is that their output is so prolific, there won’t be any lack of their films to watch afterward.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Jay and Mark Duplass talk about their surreal, emotional work at the San Francisco Jewish Community Center.","status":"publish","parent":0,"modified":1705027906,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":186},"headData":{"title":"Filmmaking Brothers and 'Ex-Soulmates' Discuss a 15-Year Career | KQED","description":"Jay and Mark Duplass talk about their surreal, emotional work at the San Francisco Jewish Community Center.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Filmmaking Brothers and 'Ex-Soulmates' Discuss a 15-Year Career","datePublished":"2018-05-09T23:22:10.000Z","dateModified":"2024-01-12T02:51:46.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13831782/filmmaking-brothers-and-ex-soulmates-discuss-a-15-year-career","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Everyone comes into the world of Jay and Mark Duplass in different ways. For me, it was \u003cem>The One I Love\u003c/em>, one of the most surreal movies about a failing marriage in the past decade. The brothers, who like to call themselves “ex-soulmates,” specialize in strange circumstances with an emotional core; their first film, \u003cem>This is John\u003c/em>, is a seven-minute short about a man who, in the process of trying to record an outgoing message on his answering machine, has a breakdown. Haven’t we all been there?\u003c/p>\n\u003cp>Now, the brothers Duplass have written a memoir, \u003cem>Like Brothers\u003c/em>, detailing their relationship, their filmmaking process and their career highlights, including the HBO series \u003cem>Togetherness\u003c/em>. In addition to making the press rounds, they appear \u003ca href=\"https://www.jccsf.org/arts-ideas/duplass-brothers/\" rel=\"noopener\" target=\"_blank\">at the San Francisco Jewish Community Center on Saturday, May 12\u003c/a>, to talk with SFFILM’s director of programming Rachel Rosen. All attendees receive a book — and among the rewards of being a Duplass fan is that their output is so prolific, there won’t be any lack of their films to watch afterward.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13831782/filmmaking-brothers-and-ex-soulmates-discuss-a-15-year-career","authors":["185"],"programs":["arts_140"],"categories":["arts_71"],"tags":["arts_977","arts_596","arts_752"],"featImg":"arts_13831787","label":"arts_140"},"arts_13817838":{"type":"posts","id":"arts_13817838","meta":{"index":"posts_1591205157","site":"arts","id":"13817838","score":null,"sort":[1513758825000]},"guestAuthors":[],"slug":"marga-gomez-pays-tribute-to-her-showman-dad-with-latin-standards","title":"Marga Gomez Pays Tribute to Her Showman Dad with Latin Standards","publishDate":1513758825,"format":"standard","headTitle":"Marga Gomez Pays Tribute to Her Showman Dad with Latin Standards | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003cspan style=\"font-weight: 400\">\u003cem>Latin Standards\u003c/em> is Marga Gomez’s 12th solo play: a love letter to her blustery Cuban father and the ways his passion to perform influenced her career as a comedian. Started in New York, Gomez has toured the country over the last year and now brings the show home to the Bay Area in 2018.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">San Franciscans will remember Gomez launching a hipster comedy night at “Esta Noche,” a doomed Mission district drag club, during the onset of San Francisco’s gentrification crisis.\u003c/span>\u003c/p>\n\u003cp>Her father’s glory days — with the stage name Willy Chevalier — were the 1950s and 60s in New York. By the 70s, he was struggling for work as live entertainment venues in the Latino community declined. An entertainer’s life is often one of ups and downs, and she talks about her own as well as his. Marga Gomez performs \u003cem>Latin Standards\u003c/em> at the \u003ca href=\"https://brava.secure.force.com/ticket/#details_a0S41000006WsNxEAK\" target=\"_blank\" rel=\"noopener\">Brava Theater\u003c/a> Jan. 11-28, and then Feb. 9-11 at \u003ca href=\"http://maclaarte.org/programs/performing-arts/\" target=\"_blank\" rel=\"noopener\">MACLA\u003c/a> in San Jose. \u003c/p>\n\u003cp>Catch a sneak peak of \u003cem>Latin Standards\u003c/em> as performed at The Public’s \u003cem>Under The Radar Festival\u003c/em>:\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=FDa86KplBG8]\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"San Francisco's Marga Gomez turns her comedic gaze on her Cuban father's career as a showman in New York.","status":"publish","parent":0,"modified":1705028872,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":199},"headData":{"title":"Marga Gomez Pays Tribute to Her Showman Dad with Latin Standards | KQED","description":"San Francisco's Marga Gomez turns her comedic gaze on her Cuban father's career as a showman in New York.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Marga Gomez Pays Tribute to Her Showman Dad with Latin Standards","datePublished":"2017-12-20T08:33:45.000Z","dateModified":"2024-01-12T03:07:52.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13817838/marga-gomez-pays-tribute-to-her-showman-dad-with-latin-standards","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">\u003cem>Latin Standards\u003c/em> is Marga Gomez’s 12th solo play: a love letter to her blustery Cuban father and the ways his passion to perform influenced her career as a comedian. Started in New York, Gomez has toured the country over the last year and now brings the show home to the Bay Area in 2018.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">San Franciscans will remember Gomez launching a hipster comedy night at “Esta Noche,” a doomed Mission district drag club, during the onset of San Francisco’s gentrification crisis.\u003c/span>\u003c/p>\n\u003cp>Her father’s glory days — with the stage name Willy Chevalier — were the 1950s and 60s in New York. By the 70s, he was struggling for work as live entertainment venues in the Latino community declined. An entertainer’s life is often one of ups and downs, and she talks about her own as well as his. Marga Gomez performs \u003cem>Latin Standards\u003c/em> at the \u003ca href=\"https://brava.secure.force.com/ticket/#details_a0S41000006WsNxEAK\" target=\"_blank\" rel=\"noopener\">Brava Theater\u003c/a> Jan. 11-28, and then Feb. 9-11 at \u003ca href=\"http://maclaarte.org/programs/performing-arts/\" target=\"_blank\" rel=\"noopener\">MACLA\u003c/a> in San Jose. \u003c/p>\n\u003cp>Catch a sneak peak of \u003cem>Latin Standards\u003c/em> as performed at The Public’s \u003cem>Under The Radar Festival\u003c/em>:\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FDa86KplBG8'\n title='//www.youtube.com/embed/FDa86KplBG8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13817838/marga-gomez-pays-tribute-to-her-showman-dad-with-latin-standards","authors":["251"],"programs":["arts_140"],"categories":["arts_968"],"tags":["arts_549","arts_596","arts_1084","arts_752"],"featImg":"arts_13817857","label":"arts_140"},"arts_13805777":{"type":"posts","id":"arts_13805777","meta":{"index":"posts_1591205157","site":"arts","id":"13805777","score":null,"sort":[1502951263000]},"guestAuthors":[],"slug":"everyone-deserves-a-great-moment","title":"Everyone Deserves a Great Moment","publishDate":1502951263,"format":"standard","headTitle":"Everyone Deserves a Great Moment | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003cem>The Making of a Great Moment\u003c/em> is a little play, a rolling world premiere by \u003ca href=\"http://www.peternachtrieb.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Peter Sinn Nachtrieb \u003c/a>that spoofs traveling theater companies with silly jokes and slapstick — and then digs much deeper than you’d expect into the meaning of human existence. Danny Scheie and Aysan Celik are terrific as the struggling actors on tour, hoping, as we all do, for that one great moment to illuminate their lives. \u003cem>The Making of a Great Moment\u003c/em> runs July 26–Aug. 26 at Z Space in San Francisco; \u003ca href=\"http://www.zspace.org/themakingofagreatmoment\" target=\"_blank\" rel=\"noopener noreferrer\">details here.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Peter Sinn Nachtrieb's spoof of traveling theater companies digs much deeper than you'd expect into the meaning of human existence.","status":"publish","parent":0,"modified":1705029752,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":97},"headData":{"title":"Everyone Deserves a Great Moment | KQED","description":"Peter Sinn Nachtrieb's spoof of traveling theater companies digs much deeper than you'd expect into the meaning of human existence.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Everyone Deserves a Great Moment","datePublished":"2017-08-17T06:27:43.000Z","dateModified":"2024-01-12T03:22:32.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13805777/everyone-deserves-a-great-moment","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>The Making of a Great Moment\u003c/em> is a little play, a rolling world premiere by \u003ca href=\"http://www.peternachtrieb.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Peter Sinn Nachtrieb \u003c/a>that spoofs traveling theater companies with silly jokes and slapstick — and then digs much deeper than you’d expect into the meaning of human existence. Danny Scheie and Aysan Celik are terrific as the struggling actors on tour, hoping, as we all do, for that one great moment to illuminate their lives. \u003cem>The Making of a Great Moment\u003c/em> runs July 26–Aug. 26 at Z Space in San Francisco; \u003ca href=\"http://www.zspace.org/themakingofagreatmoment\" target=\"_blank\" rel=\"noopener noreferrer\">details here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13805777/everyone-deserves-a-great-moment","authors":["32"],"programs":["arts_140"],"categories":["arts_835","arts_967"],"tags":["arts_752","arts_626","arts_1240"],"featImg":"arts_13805787","label":"arts_140"},"arts_12767689":{"type":"posts","id":"arts_12767689","meta":{"index":"posts_1591205157","site":"arts","id":"12767689","score":null,"sort":[1487174400000]},"guestAuthors":[],"slug":"canyon-cinema-turns-50-showers-bay-area-with-a-year-of-cinematic-gifts","title":"Canyon Cinema Turns 50, Showers Bay Area with a Year of Cinematic Riches","publishDate":1487174400,"format":"standard","headTitle":"Canyon Cinema Turns 50, Showers Bay Area with a Year of Cinematic Riches | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>The traditional marker of a fiftieth anniversary is gold, but this year, \u003ca href=\"http://canyoncinema.com/\" target=\"_blank\" rel=\"noopener\">Canyon Cinema\u003c/a> celebrates five decades of existence with all things silver screen. Incorporated as a film distribution business in 1967 by a group of avant-garde, underground and experimental filmmakers (among them, \u003ca href=\"https://ww2.kqed.org/arts/2016/10/28/bruce-conner-artist-who-twice-declared-himself-dead-lives-on-at-sfmoma/\" target=\"_blank\" rel=\"noopener\">Bruce Conner\u003c/a>), Canyon Cinema is now a nonprofit foundation dedicated to the preservation and presentation of non-commercial artist-made moving images. \u003c/p>\n\u003cp>\u003ca href=\"http://canyoncinema50.org/\" target=\"_blank\" rel=\"noopener\">Canyon Cinema 50\u003c/a>, a year-long program celebrating the organization’s past, present and future, kicks off at 7pm on Feb. 15, with “\u003ca href=\"http://canyoncinema50.org/events/upcoming-events/2-15-17-inside-and-out-more-or-less-of-me-presented-by-mark-street/\" target=\"_blank\" rel=\"noopener\">Inside and Out: More or Less of Me\u003c/a>,” a presentation by New York-based artist Mark Street at California College of the Arts. Street’s work ranges from material explorations of 16mm film to urban “essays” to an upcoming documentary tracing economic cycles in North Dakota oil country. “I’m inspired by filmmakers whose artistic journey begins with their quotidian life and takes us into uncharted terrain,” Street says. Along with his own work, Street will screen 16mm shorts from the Canyon Cinema archive, films by Gunvor Nelson, Robert Breer and Paula Froehle.\u003c/p>\n\u003cfigure id=\"attachment_12768080\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Street_2_1200.jpg\" alt=\"Mark Street\" width=\"1200\" height=\"675\" class=\"size-full wp-image-12768080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-520x293.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Mark Street \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If Street’s presentation whets your appetite for “uncharted terrain,” but you’re looking to stretch your legs \u003ci>and\u003c/i> watch experimental film, head to the Exploratorium’s Kanbar Forum on Feb. 16, 7:30pm. “\u003ca href=\"http://canyoncinema50.org/events/upcoming-events/2-16-17-changing-the-shape-of-film-an-evening-with-barbara-hammer/\" target=\"_blank\" rel=\"noopener\">Changing the Shape of Film: An Evening with Barbara Hammer\u003c/a>” introduces audiences to two examples of “transmuted cinema” from the filmmaker’s 40-plus-year career. By making a weather balloon a projection surface or putting a 16mm projector in motion, Hammer’s works question the formal arrangement between projector, audience and screen, sometimes forcing viewers to negotiate new vantage points lest they miss out on the action. After the screenings, Hammer, a pioneer of queer cinema with over 80 moving images under her belt, holds court for an intimate conversation with her audience.\u003c/p>\n\u003cfigure id=\"attachment_12768084\" class=\"wp-caption aligncenter\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979.jpg\" alt=\"Barbara Hammer performing 'Available Apace' at A Space, Toronto, 1979.\" width=\"2048\" height=\"1578\" class=\"size-full wp-image-12768084\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-160x123.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-800x617.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-768x592.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-1020x786.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-1920x1480.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-1180x909.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-960x740.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-240x185.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-375x289.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-520x401.jpg 520w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Hammer performing ‘Available Apace’ at A Space, Toronto, 1979. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Canyon Cinema 50 screening series continues for the rest of 2017, with yet-to-be-announced events at partner institutions the Exploratorium, Pro Arts, BAMPFA, the San Francisco Film Society and San Francisco Cinematheque. If there seems to be very little to look forward to in the year(s) to come, Canyon Cinema proves the avant-garde, underground and experimental can and will survive despite political climates that would rather see such artistic practices discredited, defunded and dissolved. Long may it survive as well.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cstrong>Canyon Cinema 50\u003c/strong> begins Wednesday, Feb. 15 and continues throughout 2017. For more information on the series, visit \u003ca href=\"http://canyoncinema50.org\" target=\"_blank\" rel=\"noopener\">canyoncinema50.org\u003c/a>.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"The venerable nonprofit celebrates five decades of supporting experimental artist-made moving images with two events this week and more to come.","status":"publish","parent":0,"modified":1705031544,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":459},"headData":{"title":"Canyon Cinema Turns 50, Showers Bay Area with a Year of Cinematic Riches | KQED","description":"The venerable nonprofit celebrates five decades of supporting experimental artist-made moving images with two events this week and more to come.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Canyon Cinema Turns 50, Showers Bay Area with a Year of Cinematic Riches","datePublished":"2017-02-15T16:00:00.000Z","dateModified":"2024-01-12T03:52:24.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/12767689/canyon-cinema-turns-50-showers-bay-area-with-a-year-of-cinematic-gifts","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The traditional marker of a fiftieth anniversary is gold, but this year, \u003ca href=\"http://canyoncinema.com/\" target=\"_blank\" rel=\"noopener\">Canyon Cinema\u003c/a> celebrates five decades of existence with all things silver screen. Incorporated as a film distribution business in 1967 by a group of avant-garde, underground and experimental filmmakers (among them, \u003ca href=\"https://ww2.kqed.org/arts/2016/10/28/bruce-conner-artist-who-twice-declared-himself-dead-lives-on-at-sfmoma/\" target=\"_blank\" rel=\"noopener\">Bruce Conner\u003c/a>), Canyon Cinema is now a nonprofit foundation dedicated to the preservation and presentation of non-commercial artist-made moving images. \u003c/p>\n\u003cp>\u003ca href=\"http://canyoncinema50.org/\" target=\"_blank\" rel=\"noopener\">Canyon Cinema 50\u003c/a>, a year-long program celebrating the organization’s past, present and future, kicks off at 7pm on Feb. 15, with “\u003ca href=\"http://canyoncinema50.org/events/upcoming-events/2-15-17-inside-and-out-more-or-less-of-me-presented-by-mark-street/\" target=\"_blank\" rel=\"noopener\">Inside and Out: More or Less of Me\u003c/a>,” a presentation by New York-based artist Mark Street at California College of the Arts. Street’s work ranges from material explorations of 16mm film to urban “essays” to an upcoming documentary tracing economic cycles in North Dakota oil country. “I’m inspired by filmmakers whose artistic journey begins with their quotidian life and takes us into uncharted terrain,” Street says. Along with his own work, Street will screen 16mm shorts from the Canyon Cinema archive, films by Gunvor Nelson, Robert Breer and Paula Froehle.\u003c/p>\n\u003cfigure id=\"attachment_12768080\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Street_2_1200.jpg\" alt=\"Mark Street\" width=\"1200\" height=\"675\" class=\"size-full wp-image-12768080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Street_2_1200-520x293.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Mark Street \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If Street’s presentation whets your appetite for “uncharted terrain,” but you’re looking to stretch your legs \u003ci>and\u003c/i> watch experimental film, head to the Exploratorium’s Kanbar Forum on Feb. 16, 7:30pm. “\u003ca href=\"http://canyoncinema50.org/events/upcoming-events/2-16-17-changing-the-shape-of-film-an-evening-with-barbara-hammer/\" target=\"_blank\" rel=\"noopener\">Changing the Shape of Film: An Evening with Barbara Hammer\u003c/a>” introduces audiences to two examples of “transmuted cinema” from the filmmaker’s 40-plus-year career. By making a weather balloon a projection surface or putting a 16mm projector in motion, Hammer’s works question the formal arrangement between projector, audience and screen, sometimes forcing viewers to negotiate new vantage points lest they miss out on the action. After the screenings, Hammer, a pioneer of queer cinema with over 80 moving images under her belt, holds court for an intimate conversation with her audience.\u003c/p>\n\u003cfigure id=\"attachment_12768084\" class=\"wp-caption aligncenter\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979.jpg\" alt=\"Barbara Hammer performing 'Available Apace' at A Space, Toronto, 1979.\" width=\"2048\" height=\"1578\" class=\"size-full wp-image-12768084\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-160x123.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-800x617.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-768x592.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-1020x786.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-1920x1480.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-1180x909.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-960x740.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-240x185.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-375x289.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Available-Space-@ASpaceToronto_1979-520x401.jpg 520w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">Barbara Hammer performing ‘Available Apace’ at A Space, Toronto, 1979. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Canyon Cinema 50 screening series continues for the rest of 2017, with yet-to-be-announced events at partner institutions the Exploratorium, Pro Arts, BAMPFA, the San Francisco Film Society and San Francisco Cinematheque. If there seems to be very little to look forward to in the year(s) to come, Canyon Cinema proves the avant-garde, underground and experimental can and will survive despite political climates that would rather see such artistic practices discredited, defunded and dissolved. Long may it survive as well.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cstrong>Canyon Cinema 50\u003c/strong> begins Wednesday, Feb. 15 and continues throughout 2017. For more information on the series, visit \u003ca href=\"http://canyoncinema50.org\" target=\"_blank\" rel=\"noopener\">canyoncinema50.org\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/12767689/canyon-cinema-turns-50-showers-bay-area-with-a-year-of-cinematic-gifts","authors":["61"],"programs":["arts_140"],"categories":["arts_74","arts_70"],"tags":["arts_1118","arts_1006","arts_596","arts_752"],"featImg":"arts_12768077","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? 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