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Born and raised in Wales, she started her career in London, as a music journalist for uproarious rock ’n’ roll magazine, \u003cem>\u003ca href=\"https://www.kerrang.com/features/an-oral-history-of-alternative-tentacles-40-years-of-keeping-punk-alive/\">Kerrang!\u003c/a>\u003c/em>. In America, she got her start at alt-weeklies including \u003ca href=\"https://archives.sfweekly.com/sanfrancisco/ArticleArchives?author=2127078&excludeCategoryType=Blog\">\u003cem>SF Weekly\u003c/em>\u003c/a> and the \u003ca href=\"https://www.villagevoice.com/author/raealexandra/\">\u003cem>Village Voice\u003c/em>\u003c/a>, and freelanced for a great many other publications. Her undying love for San Francisco has, more recently, turned her into \u003ca href=\"https://www.kqed.org/arts/tag/bayareahistory/\">a history nerd\u003c/a>. In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture.","avatar":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twitter":"raemondjjjj","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Rae Alexandra | KQED","description":"Staff Writer","ogImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ralexandra"},"sgetachew":{"type":"authors","id":"11734","meta":{"index":"authors_1591205172","id":"11734","found":true},"name":"Samuel Getachew","firstName":"Samuel","lastName":"Getachew","slug":"sgetachew","email":"sgetachew@kqed.org","display_author_email":false,"staff_mastheads":[],"title":"KQED Contributor","bio":"\u003cspan style=\"font-weight: 400;\">Samuel Getachew is an 18-year-old poet and writer from Oakland, California. He is the 2019 Oakland Youth Poet Laureate, a 2020 Finalist for National Youth Poet Laureate, and a 4-time YoungArts Winner. His writing has been published in Teen Vogue, the New York Times, the Washington Post, and more. He will attend Yale University in the fall of 2021.\u003c/span>","avatar":"https://secure.gravatar.com/avatar/ebad3dcf2295975cfe77698fa670a089?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["subscriber"]}],"headData":{"title":"Samuel Getachew | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/ebad3dcf2295975cfe77698fa670a089?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/ebad3dcf2295975cfe77698fa670a089?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/sgetachew"},"ltsai":{"type":"authors","id":"11743","meta":{"index":"authors_1591205172","id":"11743","found":true},"name":"Luke Tsai","firstName":"Luke","lastName":"Tsai","slug":"ltsai","email":"ltsai@kqed.org","display_author_email":true,"staff_mastheads":["arts"],"title":"Food Editor","bio":"Luke Tsai is KQED's food editor and resident stinky tofu connoisseur. Prior to KQED, he was an editor at Eater SF, \u003cem>San Francisco \u003c/em>magazine, and the \u003cem>East Bay Express\u003c/em>, and his work has also appeared in TASTE, the \u003cem>San Francisco Chronicle\u003c/em>, and the \u003cem>Best Food Writing\u003c/em> anthology. When he isn't writing or editing, you'll find him eating most everything he can get his hands on.","avatar":"https://secure.gravatar.com/avatar/d1ff591a3047b143a0e23cf7f28fcac0?s=600&d=blank&r=g","twitter":"theluketsai","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"","roles":["editor"]},{"site":"arts","roles":["administrator"]},{"site":"bayareabites","roles":["editor"]},{"site":"food","roles":["editor"]}],"headData":{"title":"Luke Tsai | KQED","description":"Food Editor","ogImgSrc":"https://secure.gravatar.com/avatar/d1ff591a3047b143a0e23cf7f28fcac0?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/d1ff591a3047b143a0e23cf7f28fcac0?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ltsai"},"udursun":{"type":"authors","id":"11883","meta":{"index":"authors_1591205172","id":"11883","found":true},"name":"Ugur Dursun","firstName":"Ugur","lastName":"Dursun","slug":"udursun","email":"udursun@kqed.org","display_author_email":false,"staff_mastheads":["arts"],"title":"Engagement Producer, KQED Arts & Culture","bio":"Ugur Dursun is a reporter and audience engagement producer for KQED Arts. Previously, her reporting has appeared on SFGate, East Bay Times, The Mercury News, KTVU, NBC Bay Area, The Stanford Daily, and other Bay Area local news outlets. In 2023, she was a recipient of Online News Association's \u003ca href=\"https://journalists.org/programs/mj-bear-fellowship/\">MJ Bear Fellowship\u003c/a>, which honors six standout journalists under the age of 30 who are pushing innovation in digital news.","avatar":"https://secure.gravatar.com/avatar/5275bbdc74da8a8845f2b9f9f7d94a5f?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]}],"headData":{"title":"Ugur Dursun | KQED","description":"Engagement Producer, KQED Arts & Culture","ogImgSrc":"https://secure.gravatar.com/avatar/5275bbdc74da8a8845f2b9f9f7d94a5f?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/5275bbdc74da8a8845f2b9f9f7d94a5f?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/udursun"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13937413":{"type":"posts","id":"arts_13937413","meta":{"index":"posts_1591205157","site":"arts","id":"13937413","score":null,"sort":[1698951689000]},"guestAuthors":[],"slug":"uc-berkeleys-taylor-swift-business-class-set-for-2024","title":"UC Berkeley's Taylor Swift Business Class Set for 2024","publishDate":1698951689,"format":"standard","headTitle":"UC Berkeley’s Taylor Swift Business Class Set for 2024 | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.kqed.org/arts/13937049/this-is-getting-good-now-bay-areas-fans-brace-themselves-for-taylor-swifts-1989-album-re-release\">Taylor Swift\u003c/a>’s lyricism and autobiographical songwriting propelled her to cultural icon status. Yet another aspect of the Grammy Award-winning musician’s wide skill set will be the subject of a new course offering at UC Berkeley next year.\u003c/p>\n\u003cp>Artistry & Entrepreneurship: Taylor’s Version, cleverly named after the singer’s ongoing effort to re-record her catalog, will explore “what has led to Taylor Swift’s prolific success as a songwriter, businesswoman and creative influence,” \u003ca href=\"https://sites.google.com/view/taylorswiftdecal/about-the-course\">according to the course website\u003c/a>.\u003c/p>\n\u003cp>The class will consist of four distinct modules, analyzing Swift’s emergence, live performances, public personas and songwriting techniques through a business lens.\u003c/p>\n\u003cp>“We’ll put her under scrutiny, but handle it beautifully,” the description reads.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The course is part of the \u003ca href=\"https://decal.berkeley.edu/about/decal-program\">DeCal Program\u003c/a>, which allows students to create and facilitate their own classes on subjects not addressed in the traditional curriculum.\u003c/p>\n\u003cp>Sofia Lendahl, who is working on a degree in data science, will be the lead facilitator of the course for the spring 2024 term. Lendahl says her favorite album from the singer is \u003cem>evermore\u003c/em>, which Swift released as a surprise three years ago.\u003c/p>\n\u003cp>https://twitter.com/UofCalifornia/status/1719038483497713766\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>The Taylor Swift class was founded by Crystal Haryanto, who recently graduated from the university and works as an analyst at an economic consulting firm. Haryanto’s go-to album is \u003cem>Speak Now\u003c/em>, for which Swift released a “Taylor’s Version” in July — three weeks before a pair of sold-out Eras Tour concerts at Levi’s Stadium in Santa Clara. [aside postID=arts_13937049 hero='https://ww2.kqed.org/app/uploads/sites/2/2023/10/Taylor-Swift_3-1020x659.jpg'] The UC Berkeley course is the second offering at Bay Area college campuses. A sophomore Swifty at Stanford University is also slated to lead a class dedicated to the multi-platinum artist called The Last Great American Songwriter — a reference to Swift’s song “the last great american dynasty,” from her album \u003cem>folklore\u003c/em>. This class specifically examines the mega star’s storytelling abilities.\u003c/p>\n\u003cp>Swift’s lyrical stories were captured on full display at her performances during The Eras Tour, which also became \u003cem>the\u003c/em> highest-grossing concert tour movie of all time. It earned more than $120 million during its opening weekend in October. (You can still catch a screening at Bay Area movie theaters.)\u003c/p>\n\u003cp>\u003cem>The full syllabus and contact information for UC Berkeley’s Artistry & Entrepreneurship: Taylor’s Version course is available \u003c/em>\u003ca href=\"https://sites.google.com/view/taylorswiftdecal/home\">\u003cem>here\u003c/em>\u003c/a>\u003cem>. The spring semester begins Jan. 9, 2024. \u003c/em>\u003c/p>\n\u003cp>\u003cem>The Last Great American course at Stanford University is offered as a part of \u003c/em>\u003ca href=\"https://sis.stanford.edu/italic-arts-minded-residence-based-academic-program-first-year-students\">\u003cem>ITALIC\u003c/em>\u003c/a>\u003cem>, a residence-based arts immersion program for first-year students.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Taylor Swift didn't attend college, but her songwriting and entrepreneurial skills will be the subject of a new course at UC Berkeley next spring.","status":"publish","parent":0,"modified":1705003143,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":467},"headData":{"title":"UC Berkeley's Taylor Swift Business Class Set for 2024 | KQED","description":"Taylor Swift didn't attend college, but her songwriting and entrepreneurial skills will be the subject of a new course at UC Berkeley next spring.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"UC Berkeley's Taylor Swift Business Class Set for 2024","datePublished":"2023-11-02T19:01:29.000Z","dateModified":"2024-01-11T19:59:03.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13937413/uc-berkeleys-taylor-swift-business-class-set-for-2024","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/13937049/this-is-getting-good-now-bay-areas-fans-brace-themselves-for-taylor-swifts-1989-album-re-release\">Taylor Swift\u003c/a>’s lyricism and autobiographical songwriting propelled her to cultural icon status. Yet another aspect of the Grammy Award-winning musician’s wide skill set will be the subject of a new course offering at UC Berkeley next year.\u003c/p>\n\u003cp>Artistry & Entrepreneurship: Taylor’s Version, cleverly named after the singer’s ongoing effort to re-record her catalog, will explore “what has led to Taylor Swift’s prolific success as a songwriter, businesswoman and creative influence,” \u003ca href=\"https://sites.google.com/view/taylorswiftdecal/about-the-course\">according to the course website\u003c/a>.\u003c/p>\n\u003cp>The class will consist of four distinct modules, analyzing Swift’s emergence, live performances, public personas and songwriting techniques through a business lens.\u003c/p>\n\u003cp>“We’ll put her under scrutiny, but handle it beautifully,” the description reads.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The course is part of the \u003ca href=\"https://decal.berkeley.edu/about/decal-program\">DeCal Program\u003c/a>, which allows students to create and facilitate their own classes on subjects not addressed in the traditional curriculum.\u003c/p>\n\u003cp>Sofia Lendahl, who is working on a degree in data science, will be the lead facilitator of the course for the spring 2024 term. Lendahl says her favorite album from the singer is \u003cem>evermore\u003c/em>, which Swift released as a surprise three years ago.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1719038483497713766"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp> \u003c/p>\n\u003cp>The Taylor Swift class was founded by Crystal Haryanto, who recently graduated from the university and works as an analyst at an economic consulting firm. Haryanto’s go-to album is \u003cem>Speak Now\u003c/em>, for which Swift released a “Taylor’s Version” in July — three weeks before a pair of sold-out Eras Tour concerts at Levi’s Stadium in Santa Clara. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13937049","hero":"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Taylor-Swift_3-1020x659.jpg","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp> The UC Berkeley course is the second offering at Bay Area college campuses. A sophomore Swifty at Stanford University is also slated to lead a class dedicated to the multi-platinum artist called The Last Great American Songwriter — a reference to Swift’s song “the last great american dynasty,” from her album \u003cem>folklore\u003c/em>. This class specifically examines the mega star’s storytelling abilities.\u003c/p>\n\u003cp>Swift’s lyrical stories were captured on full display at her performances during The Eras Tour, which also became \u003cem>the\u003c/em> highest-grossing concert tour movie of all time. It earned more than $120 million during its opening weekend in October. (You can still catch a screening at Bay Area movie theaters.)\u003c/p>\n\u003cp>\u003cem>The full syllabus and contact information for UC Berkeley’s Artistry & Entrepreneurship: Taylor’s Version course is available \u003c/em>\u003ca href=\"https://sites.google.com/view/taylorswiftdecal/home\">\u003cem>here\u003c/em>\u003c/a>\u003cem>. The spring semester begins Jan. 9, 2024. \u003c/em>\u003c/p>\n\u003cp>\u003cem>The Last Great American course at Stanford University is offered as a part of \u003c/em>\u003ca href=\"https://sis.stanford.edu/italic-arts-minded-residence-based-academic-program-first-year-students\">\u003cem>ITALIC\u003c/em>\u003c/a>\u003cem>, a residence-based arts immersion program for first-year students.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13937413/uc-berkeleys-taylor-swift-business-class-set-for-2024","authors":["11883"],"categories":["arts_1","arts_69","arts_235"],"tags":["arts_1331","arts_9750","arts_21213","arts_2309","arts_3026"],"featImg":"arts_13937426","label":"arts"},"arts_13910739":{"type":"posts","id":"arts_13910739","meta":{"index":"posts_1591205157","site":"arts","id":"13910739","score":null,"sort":[1648569632000]},"guestAuthors":[],"slug":"portrait-of-a-thief-grace-d-li-novel-review","title":"In ‘Portrait of a Thief,’ Chinese American Students Scheme to Steal Back Looted Art","publishDate":1648569632,"format":"standard","headTitle":"In ‘Portrait of a Thief,’ Chinese American Students Scheme to Steal Back Looted Art | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>In the early 1800s Lord Elgin, a British ambassador, removed sculptures and other cultural artifacts from Athens’ Parthenon. The items, now known as the Elgin Marbles, were later sold by Elgin to the British crown and currently reside in London’s British Museum. The affair is a centuries-long point of contention between the nations of Greece and England, who have spent the intervening years requesting and denying their return, respectively. Were they looted or rescued—or both? Who do they really belong to? As Grace D. Li writes in her new novel about a fictional art heist, \u003cem>\u003ca href=\"https://www.penguinrandomhouse.com/books/679113/portrait-of-a-thief-by-grace-d-li/\" rel=\"noopener noreferrer\" target=\"_blank\">Portrait of a Thief\u003c/a>\u003c/em>: “What is art but another way of exerting power?”\u003c/p>\n\u003cp>Li—currently a third year medical student at Stanford University—works as a tour guide at the campus’ Cantor Arts Center. In addition to aiding her book research (“It’s nice to be able to walk around a museum and track things like, ‘where are the security cameras?’”), she credits her experience as a tour guide with helping her to “think about the role of museums in preserving history, and how museums take an active role in the cultivation of what we remember and what we observe.”\u003c/p>\n\u003cfigure id=\"attachment_13910772\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/Grace-Li_new-author-photo_credit-Yi-Li_600.jpg\" alt=\"Photo of woman with long dark hair in brown sleeveless top under a blooming tree\" width=\"600\" height=\"800\" class=\"size-full wp-image-13910772\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Grace-Li_new-author-photo_credit-Yi-Li_600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Grace-Li_new-author-photo_credit-Yi-Li_600-160x213.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Author and Stanford medical student Grace D. Li \u003ccite>(Yi Li)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Portrait of a Thief\u003c/em> is her debut novel. It centers on the repatriation of “what the West stole”—12 zodiac statues pilfered from China’s former Old Summer Palace by British and French colonizers during the Second Opium War. Li explains that though it might not be a pivotal event in American history books, the real-life theft is “part of the general body of knowledge” she had growing up as a Chinese American. Li’s parents both came to the U.S. in the 1990s. “That idea of ‘who does art belong to?’ and feeling caught between cultures really spoke to me,” she says, “so I wanted to write about that.”\u003c/p>\n\u003cp>China is in possession of several of the zodiac statues, but the rest remain missing. Li took this unsolved mystery as inspiration to think through questions of patrimony and ownership. “The zodiac statues are a representation of everything that had been looted from the Old Summer Palace,” she explains, and in her novel, they aren’t missing but displaced in museums around the world. This presents an opportunity for her protagonist Will Chen, who Li describes as the “quintessential, perfect Asian son.” An art history student at Harvard, suave and intelligent Will gets approached by a mysterious Chinese investor who wants him to steal the statues back from the museums. Will quickly assembles a crew of other Chinese Americans and the novel kicks off. \u003c/p>\n\u003cp>The team fills out heist crew archetypes but in a way that feels natural: Alex Huang is a MIT-trained software programmer who can feasibly parlay her skills into hacking; Will’s sister Irene has the kind of charm and confidence that can “shape the world to her will,” making her the ideal grifter; Lily Wu, whose hobby of street racing has won her many a car, is a natural pick for getaway driver; and Daniel Liang is a steady-handed pre-med student/thief. There’s intergroup tension—some hostile, some romantic—and a lot on the line as this group of 20-somethings essentially agree to sacrifice their futures to correct the past. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>Portrait of a Thief\u003c/em> is a confident debut for Li, whose writing shows great control at the line level and of the overall narrative. Descriptions are both economic and poetic; the novel keeps a swift pace as the characters crisscross the world, from the American South to the San Francisco Bay Area, to Beijing and Europe. It’s easy to see why Netflix was so quick to nab TV rights for the book.\u003c/p>\n\u003cfigure id=\"attachment_13910740\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/GettyImages-1229919603.jpg\" alt=\"Horse head sculpture behind glass with people photographing it\" width=\"1200\" height=\"900\" class=\"size-full wp-image-13910740\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/GettyImages-1229919603.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/GettyImages-1229919603-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/GettyImages-1229919603-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/GettyImages-1229919603-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/GettyImages-1229919603-768x576.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">The horse head, one of the 12 bronze zodiac animal statues, on display at the Old Summer Palace in Beijing, China on Dec. 2, 2020. \u003ccite>(TPG/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though the novel itself is slick, the characters are, realistically and endearingly, not. They are college students and the author’s knowledge of that (lack of) experience ensures their turn to crime is grippingly unsmooth. It also mirrors Li’s own work on the book. “The part where Will is taking notes while watching \u003cem>Ocean’s Eleven\u003c/em> was lifted from my real life experience trying to figure out how these movies structured a heist,” Li explains. Other heist research included the \u003cem>Fast and Furious\u003c/em> franchise and a Jackie Chan flick called \u003cem>CZ12\u003c/em> (also about the looted zodiac heads). \u003c/p>\n\u003cp>In the book, Li refers to Will and Irene’s pursuit of Chinese politics and art in school as them “reaching for the country their parents left behind.” The heist is another reach. With it, they’re working through their own relationship to China as members of its diaspora. Li’s first-hand knowledge of the Chinese American experience helps add authentic texture to their fictional experiences. Alex recalls customers over-enunciating their English when speaking to her immigrant parents, and they are all wrestling with being dutiful sons and daughters to their parents (a concept not unique to, but prominent in Asian families) while living their own lives. Also, since Li wrote much of the book during the pandemic and felt a responsibility to not ignore the way it changed the country, the rise in anti-Asian violence is also referenced as another layer of their families’ experiences in America. In this way the book itself is a reach, from Li, using fiction to imagine a new and more righteous future.\u003c/p>\n\u003cp>\u003cem>Portrait of a Thief\u003c/em>’s publication comes at a time when many museums in the West are being confronted with questions of ethics; Egypt and India have joined Greece in demanding repatriation of stolen works from Britain. The book embodies the zeitgeist and the spirit of the Toni Cade Bambara quote Li uses to begin its third act: “The role of the artist is to make the revolution irresistible.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>‘Portrait of a Thief’ is out on April 5. Books Inc. Mountain View (317 Castro St.) hosts a launch party with Grace D. Li in person on Tuesday, April 5 at 7pm. \u003ca href=\"https://www.booksinc.net/event/launch-party-grace-d-li-books-inc-mountain-view\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"Grace D. Li’s debut novel draws from her experience as a tour guide at Stanford’s Cantor Arts Center.","status":"publish","parent":0,"modified":1705007037,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":1093},"headData":{"title":"‘Portrait of a Thief’ Review: A Gripping Heist Novel About Looted Art | KQED","description":"Grace D. Li’s debut novel draws from her experience as a tour guide at Stanford’s Cantor Arts Center.","ogTitle":"In ‘Portrait of a Thief,’ Chinese American Students Scheme to Steal Back Looted Art","ogDescription":"","ogImgId":"","twTitle":"In ‘Portrait of a Thief,’ Chinese American Students Scheme to Steal Back Looted Art","twDescription":"","twImgId":"","socialTitle":"‘Portrait of a Thief’ Review: A Gripping Heist Novel About Looted Art %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"In ‘Portrait of a Thief,’ Chinese American Students Scheme to Steal Back Looted Art","datePublished":"2022-03-29T16:00:32.000Z","dateModified":"2024-01-11T21:03:57.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Naomi Elias","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","path":"/arts/13910739/portrait-of-a-thief-grace-d-li-novel-review","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the early 1800s Lord Elgin, a British ambassador, removed sculptures and other cultural artifacts from Athens’ Parthenon. The items, now known as the Elgin Marbles, were later sold by Elgin to the British crown and currently reside in London’s British Museum. The affair is a centuries-long point of contention between the nations of Greece and England, who have spent the intervening years requesting and denying their return, respectively. Were they looted or rescued—or both? Who do they really belong to? As Grace D. Li writes in her new novel about a fictional art heist, \u003cem>\u003ca href=\"https://www.penguinrandomhouse.com/books/679113/portrait-of-a-thief-by-grace-d-li/\" rel=\"noopener noreferrer\" target=\"_blank\">Portrait of a Thief\u003c/a>\u003c/em>: “What is art but another way of exerting power?”\u003c/p>\n\u003cp>Li—currently a third year medical student at Stanford University—works as a tour guide at the campus’ Cantor Arts Center. In addition to aiding her book research (“It’s nice to be able to walk around a museum and track things like, ‘where are the security cameras?’”), she credits her experience as a tour guide with helping her to “think about the role of museums in preserving history, and how museums take an active role in the cultivation of what we remember and what we observe.”\u003c/p>\n\u003cfigure id=\"attachment_13910772\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/Grace-Li_new-author-photo_credit-Yi-Li_600.jpg\" alt=\"Photo of woman with long dark hair in brown sleeveless top under a blooming tree\" width=\"600\" height=\"800\" class=\"size-full wp-image-13910772\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Grace-Li_new-author-photo_credit-Yi-Li_600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Grace-Li_new-author-photo_credit-Yi-Li_600-160x213.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Author and Stanford medical student Grace D. Li \u003ccite>(Yi Li)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Portrait of a Thief\u003c/em> is her debut novel. It centers on the repatriation of “what the West stole”—12 zodiac statues pilfered from China’s former Old Summer Palace by British and French colonizers during the Second Opium War. Li explains that though it might not be a pivotal event in American history books, the real-life theft is “part of the general body of knowledge” she had growing up as a Chinese American. Li’s parents both came to the U.S. in the 1990s. “That idea of ‘who does art belong to?’ and feeling caught between cultures really spoke to me,” she says, “so I wanted to write about that.”\u003c/p>\n\u003cp>China is in possession of several of the zodiac statues, but the rest remain missing. Li took this unsolved mystery as inspiration to think through questions of patrimony and ownership. “The zodiac statues are a representation of everything that had been looted from the Old Summer Palace,” she explains, and in her novel, they aren’t missing but displaced in museums around the world. This presents an opportunity for her protagonist Will Chen, who Li describes as the “quintessential, perfect Asian son.” An art history student at Harvard, suave and intelligent Will gets approached by a mysterious Chinese investor who wants him to steal the statues back from the museums. Will quickly assembles a crew of other Chinese Americans and the novel kicks off. \u003c/p>\n\u003cp>The team fills out heist crew archetypes but in a way that feels natural: Alex Huang is a MIT-trained software programmer who can feasibly parlay her skills into hacking; Will’s sister Irene has the kind of charm and confidence that can “shape the world to her will,” making her the ideal grifter; Lily Wu, whose hobby of street racing has won her many a car, is a natural pick for getaway driver; and Daniel Liang is a steady-handed pre-med student/thief. There’s intergroup tension—some hostile, some romantic—and a lot on the line as this group of 20-somethings essentially agree to sacrifice their futures to correct the past. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Portrait of a Thief\u003c/em> is a confident debut for Li, whose writing shows great control at the line level and of the overall narrative. Descriptions are both economic and poetic; the novel keeps a swift pace as the characters crisscross the world, from the American South to the San Francisco Bay Area, to Beijing and Europe. It’s easy to see why Netflix was so quick to nab TV rights for the book.\u003c/p>\n\u003cfigure id=\"attachment_13910740\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/GettyImages-1229919603.jpg\" alt=\"Horse head sculpture behind glass with people photographing it\" width=\"1200\" height=\"900\" class=\"size-full wp-image-13910740\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/GettyImages-1229919603.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/GettyImages-1229919603-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/GettyImages-1229919603-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/GettyImages-1229919603-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/GettyImages-1229919603-768x576.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">The horse head, one of the 12 bronze zodiac animal statues, on display at the Old Summer Palace in Beijing, China on Dec. 2, 2020. \u003ccite>(TPG/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though the novel itself is slick, the characters are, realistically and endearingly, not. They are college students and the author’s knowledge of that (lack of) experience ensures their turn to crime is grippingly unsmooth. It also mirrors Li’s own work on the book. “The part where Will is taking notes while watching \u003cem>Ocean’s Eleven\u003c/em> was lifted from my real life experience trying to figure out how these movies structured a heist,” Li explains. Other heist research included the \u003cem>Fast and Furious\u003c/em> franchise and a Jackie Chan flick called \u003cem>CZ12\u003c/em> (also about the looted zodiac heads). \u003c/p>\n\u003cp>In the book, Li refers to Will and Irene’s pursuit of Chinese politics and art in school as them “reaching for the country their parents left behind.” The heist is another reach. With it, they’re working through their own relationship to China as members of its diaspora. Li’s first-hand knowledge of the Chinese American experience helps add authentic texture to their fictional experiences. Alex recalls customers over-enunciating their English when speaking to her immigrant parents, and they are all wrestling with being dutiful sons and daughters to their parents (a concept not unique to, but prominent in Asian families) while living their own lives. Also, since Li wrote much of the book during the pandemic and felt a responsibility to not ignore the way it changed the country, the rise in anti-Asian violence is also referenced as another layer of their families’ experiences in America. In this way the book itself is a reach, from Li, using fiction to imagine a new and more righteous future.\u003c/p>\n\u003cp>\u003cem>Portrait of a Thief\u003c/em>’s publication comes at a time when many museums in the West are being confronted with questions of ethics; Egypt and India have joined Greece in demanding repatriation of stolen works from Britain. The book embodies the zeitgeist and the spirit of the Toni Cade Bambara quote Li uses to begin its third act: “The role of the artist is to make the revolution irresistible.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>‘Portrait of a Thief’ is out on April 5. Books Inc. Mountain View (317 Castro St.) hosts a launch party with Grace D. Li in person on Tuesday, April 5 at 7pm. \u003ca href=\"https://www.booksinc.net/event/launch-party-grace-d-li-books-inc-mountain-view\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13910739/portrait-of-a-thief-grace-d-li-novel-review","authors":["byline_arts_13910739"],"programs":["arts_140"],"categories":["arts_1"],"tags":["arts_928","arts_3935","arts_10278","arts_6028","arts_769","arts_2309","arts_585"],"featImg":"arts_13910764","label":"arts_140"},"arts_13907528":{"type":"posts","id":"arts_13907528","meta":{"index":"posts_1591205157","site":"arts","id":"13907528","score":null,"sort":[1640279126000]},"guestAuthors":[],"slug":"how-the-other-half-eats-food-deserts-food-inequality-bay-area","title":"Maybe Food Deserts Aren’t the Problem After All","publishDate":1640279126,"format":"standard","headTitle":"Maybe Food Deserts Aren’t the Problem After All | KQED","labelTerm":{},"content":"\u003cp>[dropcap]W[/dropcap]hen people read the title of sociologist Priya Fielding-Singh’s new book, \u003ca href=\"https://www.hachettebookgroup.com/titles/priya-fielding-singh-phd/how-the-other-half-eats/9780316427272/#:~:text=Packed%20with%20lyrical%20storytelling%20and,starts%20on%20the%20dinner%20plate.\">\u003ci>How the Other Half Eats\u003c/i>\u003c/a>, they might assume that it’s about how poor people eat. And it is that, in part. But in fact, Fielding-Singh tells me, the book is an attempt to assess how \u003ci>all\u003c/i> Americans eat.\u003c/p>\n\u003cp>“Everyone’s ‘other half’ is somewhat different,” the Utah-based sociologist says.\u003c/p>\n\u003cp>Out since November, \u003ci>How the Other Half Eats\u003c/i> is the product of years of ethnographic research, most of which Fielding-Singh conducted when she was a doctoral student at Stanford. Which is to say that the book is, among other things, very much a document of the Bay Area in specific. It’s a portrait of how food inequality plays out in a place that has a nearly unimaginable wealth disparity—a gap that’s widening year by year. To understand how that inequality plays out on the dinner table, Fielding-Singh interviewed 160 families across the demographic spectrum, closely shadowing four of those families—four mothers, in particular, who share their food-related hopes and frustrations.\u003c/p>\n\u003cp>The book is wide-ranging: It delves into how trying to force your kid to be a less picky eater is mostly a luxury afforded to the relatively affluent. (Low-income families can’t afford the wasted food.) It explores the use of food as a signifier of social status. It devotes multiple chapters toward assessing the disproportionate balance of time and emotional labor that mothers, across all demographics, have to spend feeding their families.\u003c/p>\n\u003cp>Perhaps above all, the book is a referendum on American policymakers’ recent focus on food deserts—the idea that the main reason why low-income folks don’t eat as well is because they don’t have access to a supermarket in their neighborhood. Eliminating food deserts was, for instance, one of the core tenets of First Lady Michelle Obama’s “\u003ca href=\"https://letsmove.obamawhitehouse.archives.gov/achievements\">Let’s Move\u003c/a>” initiative.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ci>How the Other Half Eats\u003c/i> calls that very premise into question. It also asks readers to be more empathetic—to stop judging parents for the way they feed their kids. Instead, Fielding-Singh writes, the more important question is to ask, “How can we, as a society, ensure that parents—all parents—have the means necessary to nourish their children?”\u003c/p>\n\u003cp>\u003ci>The following interview has been edited for length and clarity.\u003c/i>\u003c/p>\n\u003chr>\n\u003cp>\u003cb>The book’s subtitle is “The Untold Story of Food Inequality in America,” which I think is a bold statement to make—that no one has properly told this story yet. Can you describe how your book is different from the other literature that’s out there about food inequality in America?\u003c/b>\u003c/p>\n\u003cp>My motivation in writing the book was this wealth of epidemiological research showing that there are really important disparities in diet across class and race in the United States—what’s called the “nutritional gap.” And it’s a gap that is longstanding. It’s durable. It’s not closing. And it matters profoundly because of just how much our diets influence our health, well-being and other broader outcomes.\u003c/p>\n\u003cp>For about the past decade, there has been this prevailing narrative about why we have food inequality in this country—that there are key differences in geographic access to healthy food. I want to be really clear: Food deserts are real. They exist. There are important disparities in access to healthy food. And there are certainly areas where it is hard to get a hold of fresh and ripe and tasty fruits and vegetables.\u003c/p>\n\u003cp>But what we know from mounting research over the past four to six years is that geographic access inequalities are actually a pretty poor explanation of dietary inequalities. The best research we have suggests that they account for about 10% of the nutritional gap between rich and poor. In a car-centric nation like America, the vast majority of people actually drive to get groceries. In my research, it was especially the lower-income families that were willing to drive further to get groceries, in order to get the best deals. And while supermarket openings increase residents’ perception that they have access to healthy food, it doesn’t actually change anything about what kinds of food they purchase.\u003c/p>\n\u003cp>And so my book comes in and says, “Well, okay. If it’s not just—or primarily—food access, then what else is going on? What other forces are at play?” That’s the part that we haven’t talked about.\u003c/p>\n\u003cp>\u003cb>One of those forces that you talk about in the book is the way that wealth and social class influence people’s decisions around food in somewhat surprising ways—in the way that parents deal with children who are picky eaters, for instance, or the extent to which they allow their kids to eat junk food. Can you elaborate on that?\u003c/b>\u003c/p>\n\u003cp>One thing that I found with all the moms that I interviewed was that they all wanted their kids to eat a healthy diet, and they shared pretty broadly similar ideas about what that meant. I noticed that higher-income moms were always talking about the ways that they were trying to rebuff their kids’ junk food requests.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[pullquote size=\"large\" align=\"right\"]“\u003c/span>Wealthier moms…parented in this world of endless yeses. And so in this world of yes, saying no to junk food just wasn’t very emotionally distressing\u003cspan style=\"font-weight: 400\">.”[/pullquote]\u003c/span>But for moms who were raising their kids in poverty, making ends meet was completely dependent on saying no to their children. You could not make the rent or put gas in the car or pay the utilities if you said yes to what your kids asked for. I watched Nyah—the lowest income mom in the book whom I spent time with—say no to her kids continuously. And it was heartbreaking for her. And in this world of no, that Snickers bar, or the ice cream cone from the neighborhood ice cream truck, that was something that Nyah could almost always say yes to her kids about. It was one of the few things she had that she could afford that her kids liked, and that could bring that smile to their face every single day.\u003c/p>\n\u003cp>Wealthier moms like Julie, the highest-income mom I observed, parented in this world of endless yeses, just by the neighborhood and the house she was able to raise her kid in. And so in this world of yes, saying no to junk food just wasn’t very emotionally distressing.\u003c/p>\n\u003cp>I think that these emotions related to parenting have really been missing from the conversation about inequalities in families’ diets and in the ways that kids eat.\u003c/p>\n\u003cp>\u003cb>Most of your research was conducted in the Bay Area, which, as you note in the book, has as wide of a wealth gap as anywhere in the country. How did that specific setting influence your findings?\u003c/b>\u003c/p>\n\u003cp>Sometimes when I talk to audiences, they ask that question too: “Well, the Bay Area is so extreme. How much of the story can be generalized?” And the way that I frame it in the book is that the Bay Area is a trendsetter in the American story of inequality. It’s not an outlier. A lot of trends that we’ve seen happening in the Bay Area, like the skyrocketing incomes at the top, the hollowing of the middle class, increasing residential segregation, financial hardship among the poor—all of these things are happening in cities across America.\u003c/p>\n\u003cp>And so I think that the story I’m trying to tell is a Bay Area story, but it’s also an American story.\u003c/p>\n\u003cp>\u003cb>What’s the solution, then, if it isn’t just a matter of eliminating food deserts?\u003c/b>\u003c/p>\n\u003cp>Yes, if people take away from the book that we need to move the conversation beyond a myopic focus on food deserts, I will be very happy.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[pullquote size=\"large\" align=\"right\"]“The Bay Area is a trendsetter in the American story of inequality. It’s not an outlier.”[/pullquote]\u003c/span>This is a massive and extremely complex problem that we cannot easily walk ourselves back out of, but the way that I think about solutions is to approach it from two angles. First, on the social safety net side, I think we need to decide as a country what the minimum standard of living is that we’re okay with a family having. And so many of the mothers that I met were raising their children under conditions of such intense and unconscionable scarcity, that it feels completely unrealistic and offensive to ask them to also be able to feed their children healthily.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13895386,arts_13906189']\u003c/span>So things like instituting a living wage and expanding access to affordable housing and affordable, high-quality childcare—policies that would actually lift families out of poverty. Because my work shows that living in poverty shapes the meaning of food, and the meaning of food is what drives food choices. And so we need solutions that actually shift the meaning of food.\u003c/p>\n\u003cp>On the food systems side, we live in a country where there are billions of dollars being made off of children acting on unhealthy preferences for junk food, soda and fast food. And the food and beverage industries spend billions of dollars every year cultivating in children those desires and tastes. They’re literally profiting off of poisoning children.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>And so I would advocate for really strong regulations of marketing. And I think schools are a place where we have a lot of power, actually, to help shape kids’ preferences—to take some of the weight off of families and make parents’ lives easier.\u003c/p>\n\n","blocks":[],"excerpt":"In an increasingly unequal SF Bay Area, sociologist Priya Fielding-Singh examines ‘How the Other Half Eats.’","status":"publish","parent":0,"modified":1705007369,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":28,"wordCount":1696},"headData":{"title":"'How the Other Half Eats' Reexamines Food Deserts and Food Inequality | KQED","description":"In an increasingly unequal SF Bay Area, sociologist Priya Fielding-Singh examines ‘How the Other Half Eats.’","ogTitle":"Maybe Food Deserts Aren’t the Problem After All","ogDescription":"","ogImgId":"","twTitle":"Maybe Food Deserts Aren’t the Problem After All","twDescription":"","twImgId":"","socialTitle":"'How the Other Half Eats' Reexamines Food Deserts and Food Inequality %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Maybe Food Deserts Aren’t the Problem After All","datePublished":"2021-12-23T17:05:26.000Z","dateModified":"2024-01-11T21:09:29.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Food","sourceUrl":"/food/","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13907528/how-the-other-half-eats-food-deserts-food-inequality-bay-area","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">W\u003c/span>\u003c/p>\u003cp>hen people read the title of sociologist Priya Fielding-Singh’s new book, \u003ca href=\"https://www.hachettebookgroup.com/titles/priya-fielding-singh-phd/how-the-other-half-eats/9780316427272/#:~:text=Packed%20with%20lyrical%20storytelling%20and,starts%20on%20the%20dinner%20plate.\">\u003ci>How the Other Half Eats\u003c/i>\u003c/a>, they might assume that it’s about how poor people eat. And it is that, in part. But in fact, Fielding-Singh tells me, the book is an attempt to assess how \u003ci>all\u003c/i> Americans eat.\u003c/p>\n\u003cp>“Everyone’s ‘other half’ is somewhat different,” the Utah-based sociologist says.\u003c/p>\n\u003cp>Out since November, \u003ci>How the Other Half Eats\u003c/i> is the product of years of ethnographic research, most of which Fielding-Singh conducted when she was a doctoral student at Stanford. Which is to say that the book is, among other things, very much a document of the Bay Area in specific. It’s a portrait of how food inequality plays out in a place that has a nearly unimaginable wealth disparity—a gap that’s widening year by year. To understand how that inequality plays out on the dinner table, Fielding-Singh interviewed 160 families across the demographic spectrum, closely shadowing four of those families—four mothers, in particular, who share their food-related hopes and frustrations.\u003c/p>\n\u003cp>The book is wide-ranging: It delves into how trying to force your kid to be a less picky eater is mostly a luxury afforded to the relatively affluent. (Low-income families can’t afford the wasted food.) It explores the use of food as a signifier of social status. It devotes multiple chapters toward assessing the disproportionate balance of time and emotional labor that mothers, across all demographics, have to spend feeding their families.\u003c/p>\n\u003cp>Perhaps above all, the book is a referendum on American policymakers’ recent focus on food deserts—the idea that the main reason why low-income folks don’t eat as well is because they don’t have access to a supermarket in their neighborhood. Eliminating food deserts was, for instance, one of the core tenets of First Lady Michelle Obama’s “\u003ca href=\"https://letsmove.obamawhitehouse.archives.gov/achievements\">Let’s Move\u003c/a>” initiative.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>How the Other Half Eats\u003c/i> calls that very premise into question. It also asks readers to be more empathetic—to stop judging parents for the way they feed their kids. Instead, Fielding-Singh writes, the more important question is to ask, “How can we, as a society, ensure that parents—all parents—have the means necessary to nourish their children?”\u003c/p>\n\u003cp>\u003ci>The following interview has been edited for length and clarity.\u003c/i>\u003c/p>\n\u003chr>\n\u003cp>\u003cb>The book’s subtitle is “The Untold Story of Food Inequality in America,” which I think is a bold statement to make—that no one has properly told this story yet. Can you describe how your book is different from the other literature that’s out there about food inequality in America?\u003c/b>\u003c/p>\n\u003cp>My motivation in writing the book was this wealth of epidemiological research showing that there are really important disparities in diet across class and race in the United States—what’s called the “nutritional gap.” And it’s a gap that is longstanding. It’s durable. It’s not closing. And it matters profoundly because of just how much our diets influence our health, well-being and other broader outcomes.\u003c/p>\n\u003cp>For about the past decade, there has been this prevailing narrative about why we have food inequality in this country—that there are key differences in geographic access to healthy food. I want to be really clear: Food deserts are real. They exist. There are important disparities in access to healthy food. And there are certainly areas where it is hard to get a hold of fresh and ripe and tasty fruits and vegetables.\u003c/p>\n\u003cp>But what we know from mounting research over the past four to six years is that geographic access inequalities are actually a pretty poor explanation of dietary inequalities. The best research we have suggests that they account for about 10% of the nutritional gap between rich and poor. In a car-centric nation like America, the vast majority of people actually drive to get groceries. In my research, it was especially the lower-income families that were willing to drive further to get groceries, in order to get the best deals. And while supermarket openings increase residents’ perception that they have access to healthy food, it doesn’t actually change anything about what kinds of food they purchase.\u003c/p>\n\u003cp>And so my book comes in and says, “Well, okay. If it’s not just—or primarily—food access, then what else is going on? What other forces are at play?” That’s the part that we haven’t talked about.\u003c/p>\n\u003cp>\u003cb>One of those forces that you talk about in the book is the way that wealth and social class influence people’s decisions around food in somewhat surprising ways—in the way that parents deal with children who are picky eaters, for instance, or the extent to which they allow their kids to eat junk food. Can you elaborate on that?\u003c/b>\u003c/p>\n\u003cp>One thing that I found with all the moms that I interviewed was that they all wanted their kids to eat a healthy diet, and they shared pretty broadly similar ideas about what that meant. I noticed that higher-income moms were always talking about the ways that they were trying to rebuff their kids’ junk food requests.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"“\u003c/span>Wealthier moms…parented in this world of endless yeses. And so in this world of yes, saying no to junk food just wasn’t very emotionally distressing\u003cspan style=\"font-weight: 400\">.”","name":"pullquote","attributes":{"named":{"size":"large","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>But for moms who were raising their kids in poverty, making ends meet was completely dependent on saying no to their children. You could not make the rent or put gas in the car or pay the utilities if you said yes to what your kids asked for. I watched Nyah—the lowest income mom in the book whom I spent time with—say no to her kids continuously. And it was heartbreaking for her. And in this world of no, that Snickers bar, or the ice cream cone from the neighborhood ice cream truck, that was something that Nyah could almost always say yes to her kids about. It was one of the few things she had that she could afford that her kids liked, and that could bring that smile to their face every single day.\u003c/p>\n\u003cp>Wealthier moms like Julie, the highest-income mom I observed, parented in this world of endless yeses, just by the neighborhood and the house she was able to raise her kid in. And so in this world of yes, saying no to junk food just wasn’t very emotionally distressing.\u003c/p>\n\u003cp>I think that these emotions related to parenting have really been missing from the conversation about inequalities in families’ diets and in the ways that kids eat.\u003c/p>\n\u003cp>\u003cb>Most of your research was conducted in the Bay Area, which, as you note in the book, has as wide of a wealth gap as anywhere in the country. How did that specific setting influence your findings?\u003c/b>\u003c/p>\n\u003cp>Sometimes when I talk to audiences, they ask that question too: “Well, the Bay Area is so extreme. How much of the story can be generalized?” And the way that I frame it in the book is that the Bay Area is a trendsetter in the American story of inequality. It’s not an outlier. A lot of trends that we’ve seen happening in the Bay Area, like the skyrocketing incomes at the top, the hollowing of the middle class, increasing residential segregation, financial hardship among the poor—all of these things are happening in cities across America.\u003c/p>\n\u003cp>And so I think that the story I’m trying to tell is a Bay Area story, but it’s also an American story.\u003c/p>\n\u003cp>\u003cb>What’s the solution, then, if it isn’t just a matter of eliminating food deserts?\u003c/b>\u003c/p>\n\u003cp>Yes, if people take away from the book that we need to move the conversation beyond a myopic focus on food deserts, I will be very happy.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"“The Bay Area is a trendsetter in the American story of inequality. It’s not an outlier.”","name":"pullquote","attributes":{"named":{"size":"large","align":"right","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>This is a massive and extremely complex problem that we cannot easily walk ourselves back out of, but the way that I think about solutions is to approach it from two angles. First, on the social safety net side, I think we need to decide as a country what the minimum standard of living is that we’re okay with a family having. And so many of the mothers that I met were raising their children under conditions of such intense and unconscionable scarcity, that it feels completely unrealistic and offensive to ask them to also be able to feed their children healthily.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13895386,arts_13906189","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>So things like instituting a living wage and expanding access to affordable housing and affordable, high-quality childcare—policies that would actually lift families out of poverty. Because my work shows that living in poverty shapes the meaning of food, and the meaning of food is what drives food choices. And so we need solutions that actually shift the meaning of food.\u003c/p>\n\u003cp>On the food systems side, we live in a country where there are billions of dollars being made off of children acting on unhealthy preferences for junk food, soda and fast food. And the food and beverage industries spend billions of dollars every year cultivating in children those desires and tastes. They’re literally profiting off of poisoning children.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And so I would advocate for really strong regulations of marketing. And I think schools are a place where we have a lot of power, actually, to help shape kids’ preferences—to take some of the weight off of families and make parents’ lives easier.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13907528/how-the-other-half-eats-food-deserts-food-inequality-bay-area","authors":["11743"],"categories":["arts_1","arts_12276"],"tags":["arts_1331","arts_7446","arts_10278","arts_1297","arts_989","arts_2309"],"featImg":"arts_13907532","label":"source_arts_13907528"},"arts_13896077":{"type":"posts","id":"arts_13896077","meta":{"index":"posts_1591205157","site":"arts","id":"13896077","score":null,"sort":[1618962166000]},"guestAuthors":[],"slug":"al-young-former-california-poet-laureate-dies-at-81","title":"Al Young, Former California Poet Laureate, Dies at 81","publishDate":1618962166,"format":"audio","headTitle":"Al Young, Former California Poet Laureate, Dies at 81 | KQED","labelTerm":{"site":"arts"},"content":"\u003cfigure id=\"attachment_13896078\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13896078\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/04/AlYoung_0.jpg\" alt=\"Al Young.\" width=\"400\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Al Young. \u003ccite>(Joseph Robinson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Celebrated poet and former California Poet Laureate Al Young has passed away at the age of 81, according to \u003ca href=\"https://bookhaven.stanford.edu/2021/04/al-young-is-dead-at-81/\" target=\"_blank\" rel=\"noopener noreferrer\">reports\u003c/a> from Stanford University. Young, known for his passion for jazz and his warm and friendly presence, lectured at the college for many years, and in 2005 was appointed the Poet Laureate of California by then-Governor Arnold Schwarznegger.\u003c/p>\n\u003cp>“Al Young represented the best in literary life. He was enormously talented in both fiction and poetry, though as he got older poetry came to be his natural means of expression,” Dana Gioia, the 2015–2019 California Poet Laureate, told \u003ca href=\"https://bookhaven.stanford.edu/2021/04/al-young-is-dead-at-81/\" target=\"_blank\" rel=\"noopener noreferrer\">The Book Haven\u003c/a>. “He was one of the most gracious writers I ever met… Not many writers have a gift for public service. The role came naturally for Al.”\u003c/p>\n\u003cp>Young was born in Ocean Springs, Miss., and raised in Detroit and throughout the rural South. He attended the University of Michigan before moving to the Bay Area in 1961 and graduating from U.C. Berkeley.\u003c/p>\n\u003cp>Young later taught poetry, American literature and fiction writing at U.C. Berkeley, U.C. Santa Cruz, and U.C. Davis, as well as Foothill College, Bowling Green State University, Rice University, the Colorado College, the University of Michigan, the University of Washington, and the University of Arkansas. Young became a lecturer in creative writing at Stanford University in 1969, and went on to live and work in Palo Alto for three decades.\u003c/p>\n\u003cp>In 2012, Young pitched KQED on the idea of airing a monthly poem on \u003cem>\u003ca href=\"https://www.kqed.org/news/7174/al-youngs-poem-of-the-month-says-goodbye-to-2012\" target=\"_blank\" rel=\"noopener noreferrer\">The California Report Magazine\u003c/a>\u003c/em>. For each month of the year, he wrote, recited and recorded a poem, often referencing California towns, figures and history, along with personal reflections.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It was such a joy to work with Al on the poetry series for The California Report Magazine. He was just so warm and funny and absolute joy to work with,” said KQED Bay Curious producer Suzie Racho. “He was a poet whose voice was made for radio. Oftentimes he’d do two takes in the studio before heading backing to BART.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Young received two American Book Awards in 1982 and 2002, as well as Guggenheim, Fulbright, and Wallace Stegner fellowships, the Pushcart Prize, and others.\u003c/p>\n\n","blocks":[],"excerpt":"The Mississippi-born, Bay Area-based, jazz-loving poet had a long association with Stanford University. ","status":"publish","parent":0,"modified":1705019145,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":381},"headData":{"title":"Al Young, Former California Poet Laureate, Dies at 81 | KQED","description":"The Mississippi-born, Bay Area-based, jazz-loving poet had a long association with Stanford University. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Al Young, Former California Poet Laureate, Dies at 81","datePublished":"2021-04-20T23:42:46.000Z","dateModified":"2024-01-12T00:25:45.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/deccdd55-8e92-47c9-8e60-ad1301890cc0/audio.mp3","sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13896077/al-young-former-california-poet-laureate-dies-at-81","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13896078\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13896078\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/04/AlYoung_0.jpg\" alt=\"Al Young.\" width=\"400\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Al Young. \u003ccite>(Joseph Robinson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Celebrated poet and former California Poet Laureate Al Young has passed away at the age of 81, according to \u003ca href=\"https://bookhaven.stanford.edu/2021/04/al-young-is-dead-at-81/\" target=\"_blank\" rel=\"noopener noreferrer\">reports\u003c/a> from Stanford University. Young, known for his passion for jazz and his warm and friendly presence, lectured at the college for many years, and in 2005 was appointed the Poet Laureate of California by then-Governor Arnold Schwarznegger.\u003c/p>\n\u003cp>“Al Young represented the best in literary life. He was enormously talented in both fiction and poetry, though as he got older poetry came to be his natural means of expression,” Dana Gioia, the 2015–2019 California Poet Laureate, told \u003ca href=\"https://bookhaven.stanford.edu/2021/04/al-young-is-dead-at-81/\" target=\"_blank\" rel=\"noopener noreferrer\">The Book Haven\u003c/a>. “He was one of the most gracious writers I ever met… Not many writers have a gift for public service. The role came naturally for Al.”\u003c/p>\n\u003cp>Young was born in Ocean Springs, Miss., and raised in Detroit and throughout the rural South. He attended the University of Michigan before moving to the Bay Area in 1961 and graduating from U.C. Berkeley.\u003c/p>\n\u003cp>Young later taught poetry, American literature and fiction writing at U.C. Berkeley, U.C. Santa Cruz, and U.C. Davis, as well as Foothill College, Bowling Green State University, Rice University, the Colorado College, the University of Michigan, the University of Washington, and the University of Arkansas. Young became a lecturer in creative writing at Stanford University in 1969, and went on to live and work in Palo Alto for three decades.\u003c/p>\n\u003cp>In 2012, Young pitched KQED on the idea of airing a monthly poem on \u003cem>\u003ca href=\"https://www.kqed.org/news/7174/al-youngs-poem-of-the-month-says-goodbye-to-2012\" target=\"_blank\" rel=\"noopener noreferrer\">The California Report Magazine\u003c/a>\u003c/em>. For each month of the year, he wrote, recited and recorded a poem, often referencing California towns, figures and history, along with personal reflections.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It was such a joy to work with Al on the poetry series for The California Report Magazine. He was just so warm and funny and absolute joy to work with,” said KQED Bay Curious producer Suzie Racho. “He was a poet whose voice was made for radio. Oftentimes he’d do two takes in the studio before heading backing to BART.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Young received two American Book Awards in 1982 and 2002, as well as Guggenheim, Fulbright, and Wallace Stegner fellowships, the Pushcart Prize, and others.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13896077/al-young-former-california-poet-laureate-dies-at-81","authors":["11734"],"categories":["arts_1","arts_73","arts_235","arts_1564"],"tags":["arts_7669","arts_1496","arts_2309"],"featImg":"arts_13896079","label":"arts"},"arts_13883118":{"type":"posts","id":"arts_13883118","meta":{"index":"posts_1591205157","site":"arts","id":"13883118","score":null,"sort":[1594652449000]},"guestAuthors":[],"slug":"a-grim-history-of-nob-hills-mansions-and-the-horror-novels-they-inspired","title":"A Grim History of Nob Hill's Mansions—And the Horror Novels They Inspired","publishDate":1594652449,"format":"standard","headTitle":"A Grim History of Nob Hill’s Mansions—And the Horror Novels They Inspired | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>On Oct. 5, 1891, the San Francisco \u003cem>Morning Call\u003c/em> newspaper featured an \u003ca href=\"https://cdnc.ucr.edu/?a=d&d=SFC18911005.2.65&e=-------en--20--1--txt-txIN--------1\" target=\"_blank\" rel=\"noopener noreferrer\">in-depth report\u003c/a> about “the shadow of misfortune” that was, at that time, hanging over Nob Hill’s most prestigious homes. The article focused on the abandoned mansions of the prominent Stanford, Crocker, Colton, Hopkins and Flood families. “Lifeless and forlorn,” the newspaper stated, “they tell no story but of pride ungratified and happiness that could not be purchased. So the shadows seem to rest on Nob Hill.”\u003c/p>\n\u003cp>The trail of misery was undeniable.\u003c/p>\n\u003cp>Leland and Jane Stanford abandoned their 50-room mansion on the corner of Powell and California Streets after their son died at 15 years old. In 1883, after the senator and his wife held Leland Jr.’s funeral in the 41,000 square-foot house, they moved to Menlo Park, leaving the mansion as a sort of shrine to their son. One particularly macabre feature was left visible for passersby. “In [Leland Jr.’s] old room, looking out over the bay,” \u003cem>The Morning Call\u003c/em> observed, “all the belongings of his boyhood cluster undisturbed. His picture hangs before a window, the blinds of which are never drawn. To this room, a mother comes to weep. It is the shrine of her grief.”\u003c/p>\n\u003cfigure id=\"attachment_13904177\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13904177\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/20211004_134556-800x588.jpg\" alt=\"\" width=\"800\" height=\"588\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/20211004_134556-800x588.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/20211004_134556-1020x749.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/20211004_134556-160x118.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/20211004_134556-768x564.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/20211004_134556-1536x1128.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/20211004_134556-2048x1504.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/20211004_134556-1920x1410.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Stanford mansion in 1883. Behind it, at the top of the hill, is the Hopkins mansion. \u003ccite>(The Bancroft Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Many of the Stanfords’ neighbors were struck with similar misfortunes.\u003c/p>\n\u003cp>Charles Crocker, a co-founder of the Central Pacific Railroad, as well as the bank that later became Wells Fargo, had built his 25,000 square-foot home at the peak of Nob Hill (then called California Hill). His intention was to acquire and demolish the 13 houses already on the land and build on the vacant plot. He succeeded in buying 12. When the owner of the final home—an undertaker named Nicholas Yung—requested $12,000 to move, Crocker refused to pay and, instead, walled off Yung’s home behind a monstrous, 40-foot-tall “spite fence.”\u003c/p>\n\u003cfigure id=\"attachment_13883180\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13883180\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/Muybridge_SF_pan_1878_portion_showing_spite_fence.jpg\" alt=\"Portion of a panoramic photograph, taken in April 1878 by Eadweard Muybridge, showing the spite fence constructed by Charles Crocker around Nicolas Yung's home.\" width=\"640\" height=\"559\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Muybridge_SF_pan_1878_portion_showing_spite_fence.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Muybridge_SF_pan_1878_portion_showing_spite_fence-160x140.jpg 160w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Portion of a panoramic photograph, taken in April 1878 by Eadweard Muybridge, showing the spite fence constructed by Charles Crocker around Nicolas Yung’s home.\u003c/figcaption>\u003c/figure>\n\u003cp>Crocker died in 1888, leaving two of his sons squabbling over ownership of the house while also continuing their father’s feud with Yung. It’s remarkable that the eldest Crocker, Fred, had the energy for such pettiness, having lost his 29-year-old wife in childbirth the year before his father died. (Fred never married again and their daughter, Mary, only made it to 24.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Next door to the Crocker mansion (and the spite fence) was the Italian-style villa of General David Colton, an attorney and another co-founder of the Central Pacific Railroad. The $75,000 L-shaped, two-story home was completed in 1872. Six years later, Colton was thrown from a horse and subsequently crushed by the animal. Surgery was attempted, but a deadly infection resulted and he died at the age of 47, leaving significant debts.\u003c/p>\n\u003cp>[aside postid='arts_13937270']Colton’s death triggered a series of unfortunate events. Believing that her husband’s Pacific Railroad colleagues had swindled her out of money, Ellen Colton took action that resulted in \u003ca href=\"http://pcad.lib.washington.edu/building/16605/\" target=\"_blank\" rel=\"noopener noreferrer\">multiple lawsuits\u003c/a>, two years in court and a mountain of \u003ca href=\"https://cdnc.ucr.edu/?a=d&d=DAC18840712.2.4&e=-------en--20--1--txt-txIN--------1\" target=\"_blank\" rel=\"noopener noreferrer\">gossip in the local press\u003c/a>. The \u003cem>Morning Call\u003c/em> reported that the lawsuits resulted in “much of the [Colton] estate” being “frittered away.”\u003c/p>\n\u003cp>The paper was also careful to note the bad luck that had befallen one of the Coltons’ two daughters, Carrie. It reported that her first husband died after a year and a half of their marriage, and her second, Henry McClane Martin—“a love match without doubt”—died of a sudden illness that once again left her “heart-broken.” The newspaper said the family mansion was left, “vacant and gruesome with memories.”\u003c/p>\n\u003cp>Eventually, one of the people Ellen had fought in court, Collis P. Huntington, bought the Colton home for $250,000. But because his family was based in New York, the mansion remained largely empty.\u003c/p>\n\u003cfigure id=\"attachment_13883191\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13883191\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/nob-hill-houses-800x800.jpg\" alt=\"The Crocker, Stanford and Colton mansions, as illustrated in an 1891 edition of San Francisco's 'Morning Call' newspaper.\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/nob-hill-houses-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/nob-hill-houses-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/nob-hill-houses-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/nob-hill-houses-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/nob-hill-houses-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/nob-hill-houses-2048x2048.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/nob-hill-houses-1920x1920.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crocker, Stanford and Colton mansions, as illustrated in an 1891 edition of San Francisco’s ‘Morning Call’ newspaper.\u003c/figcaption>\u003c/figure>\n\u003cp>Another neighbor on California Street was Richard Tobin, a lawyer, co-founder of The Hibernia Savings and Loan Society and one of the original owners of the \u003cem>San Francisco Chronicle\u003c/em>. He became successful after emigrating from Ireland in 1849 with his father and brother, but his 5,400 square-foot mansion at Taylor Street was more modest than his neighbors’ abodes. (It did, however, still include a 75-foot-tall observatory tower and a private chapel, complete with stained glass windows.)\u003c/p>\n\u003cp>[aside postid='arts_13879301']The Tobin clan evidently experienced some trouble with their neighbors. The \u003ca href=\"https://www.maritimeheritage.org/vips/tobin.htm\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Daily Alta\u003c/em> reported\u003c/a> on May 21, 1877 that “On Thursday morning, Charles A. Crocker [he of the spite fence] and William Tobin engaged in a row in a Market Street saloon, during which Tobin was stabbed in the abdomen. Yesterday Crocker was examined before Judge Lawler, and Tobin asserted that they were both drunk, and that the stabbing was done accidentally. The charge was consequently dismissed.”\u003c/p>\n\u003cp>(It is unclear from records whether William was Richard’s brother or father.)\u003c/p>\n\u003cp>Richard Tobin died in 1887, but his wife remained in their Nob Hill home. That was until August 27, 1895, when house-painters using gasoline lamps to burn off old paint caused a massive fire. The \u003ca href=\"https://www.maritimeheritage.org/vips/tobin.htm\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>San Francisco Call\u003c/em> reported\u003c/a> that “between $10,000 and $15,000 [of] damages” were caused, in part because “the heavy steam engines” of the fire trucks had trouble mounting the hill. The paper also reported that the house was insured for only $5,000.\u003c/p>\n\u003cp>The grand twist in all of this is that the architectural firm responsible for all four of these homes was one and the same: Bugbee & Sons. And the head of that company, Samuel C. Bugbee, just happens to be the great-great grandfather of Shirley Jackson. Jackson, of course, was an author who built her career writing about strange and cursed old houses in books like 1959’s \u003cem>The Haunting of Hill House\u003c/em> and 1962’s \u003cem>We Have Always Lived in the\u003c/em> \u003cem>Castle\u003c/em>. In 1958’s \u003cem>The Sundial\u003c/em>, a cantankerous family lives in a mansion at the top of the hill, surrounded by an imposing wall. (It’s impossible not to think of the Crockers.)\u003c/p>\n\u003cp>[aside postid='arts_13881990']Though enormously successful with their architecture firm—they also built Mills Hall at Mills College (1871), Wade Opera House (1876) and the Golden Gate Park Conservatory—the Bugbees had a habit of dying suddenly. Samuel died Sept. 1, 1877 on a ferry between San Francisco and Oakland. His son Charles dropped dead in the street a few years later. His other son, Sumner Bugbee, died unexpectedly during a train journey from New York to California. And later, Charles’ brother, John Stephenson Bugbee (the only non-architect in the family) died of a stroke in the middle of making a speech to the 1896 Alaska Republican convention.\u003c/p>\n\u003cp>Today, none of the Bugbee mansions of Nob Hill are still standing. Those that survived until 1906 all burned in the fires following the earthquake. Landmarks do remain in their places though. The Huntington family, who purchased the Colton mansion, donated the land to the city after the house burned down. \u003ca href=\"https://www.sfparksalliance.org/our-parks/parks/huntington-park\" target=\"_blank\" rel=\"noopener noreferrer\">Huntington Park\u003c/a> now stands where it once did. And across the street, standing on the site of the old Crocker mansion, is Grace Cathedral.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>At the time of writing \u003cem>The Haunting of Hill House\u003c/em>, Shirley Jackson had requested photos of the mansions her ancestors built for inspiration. Her mother sent her a batch of newspaper clippings. One contained a picture of the Crocker House and a note. “Glad [it] didn’t survive the earthquake.”\u003c/p>\n\n","blocks":[],"excerpt":"Before the 1906 earthquake destroyed them, misfortune befell the owners—and architects—of the most lavish mansions in San Francisco.","status":"publish","parent":0,"modified":1712787057,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":1360},"headData":{"title":"A Grim History of Nob Hill's Mansions—And the Horror Novels They Inspired | KQED","description":"Before the 1906 earthquake destroyed them, misfortune befell the owners—and architects—of the most lavish mansions in San Francisco.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"A Grim History of Nob Hill's Mansions—And the Horror Novels They Inspired","datePublished":"2020-07-13T15:00:49.000Z","dateModified":"2024-04-10T22:10:57.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13883118/a-grim-history-of-nob-hills-mansions-and-the-horror-novels-they-inspired","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Oct. 5, 1891, the San Francisco \u003cem>Morning Call\u003c/em> newspaper featured an \u003ca href=\"https://cdnc.ucr.edu/?a=d&d=SFC18911005.2.65&e=-------en--20--1--txt-txIN--------1\" target=\"_blank\" rel=\"noopener noreferrer\">in-depth report\u003c/a> about “the shadow of misfortune” that was, at that time, hanging over Nob Hill’s most prestigious homes. The article focused on the abandoned mansions of the prominent Stanford, Crocker, Colton, Hopkins and Flood families. “Lifeless and forlorn,” the newspaper stated, “they tell no story but of pride ungratified and happiness that could not be purchased. So the shadows seem to rest on Nob Hill.”\u003c/p>\n\u003cp>The trail of misery was undeniable.\u003c/p>\n\u003cp>Leland and Jane Stanford abandoned their 50-room mansion on the corner of Powell and California Streets after their son died at 15 years old. In 1883, after the senator and his wife held Leland Jr.’s funeral in the 41,000 square-foot house, they moved to Menlo Park, leaving the mansion as a sort of shrine to their son. One particularly macabre feature was left visible for passersby. “In [Leland Jr.’s] old room, looking out over the bay,” \u003cem>The Morning Call\u003c/em> observed, “all the belongings of his boyhood cluster undisturbed. His picture hangs before a window, the blinds of which are never drawn. To this room, a mother comes to weep. It is the shrine of her grief.”\u003c/p>\n\u003cfigure id=\"attachment_13904177\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13904177\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/20211004_134556-800x588.jpg\" alt=\"\" width=\"800\" height=\"588\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/20211004_134556-800x588.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/20211004_134556-1020x749.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/20211004_134556-160x118.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/20211004_134556-768x564.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/20211004_134556-1536x1128.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/20211004_134556-2048x1504.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/20211004_134556-1920x1410.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Stanford mansion in 1883. Behind it, at the top of the hill, is the Hopkins mansion. \u003ccite>(The Bancroft Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Many of the Stanfords’ neighbors were struck with similar misfortunes.\u003c/p>\n\u003cp>Charles Crocker, a co-founder of the Central Pacific Railroad, as well as the bank that later became Wells Fargo, had built his 25,000 square-foot home at the peak of Nob Hill (then called California Hill). His intention was to acquire and demolish the 13 houses already on the land and build on the vacant plot. He succeeded in buying 12. When the owner of the final home—an undertaker named Nicholas Yung—requested $12,000 to move, Crocker refused to pay and, instead, walled off Yung’s home behind a monstrous, 40-foot-tall “spite fence.”\u003c/p>\n\u003cfigure id=\"attachment_13883180\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13883180\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/Muybridge_SF_pan_1878_portion_showing_spite_fence.jpg\" alt=\"Portion of a panoramic photograph, taken in April 1878 by Eadweard Muybridge, showing the spite fence constructed by Charles Crocker around Nicolas Yung's home.\" width=\"640\" height=\"559\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Muybridge_SF_pan_1878_portion_showing_spite_fence.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Muybridge_SF_pan_1878_portion_showing_spite_fence-160x140.jpg 160w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Portion of a panoramic photograph, taken in April 1878 by Eadweard Muybridge, showing the spite fence constructed by Charles Crocker around Nicolas Yung’s home.\u003c/figcaption>\u003c/figure>\n\u003cp>Crocker died in 1888, leaving two of his sons squabbling over ownership of the house while also continuing their father’s feud with Yung. It’s remarkable that the eldest Crocker, Fred, had the energy for such pettiness, having lost his 29-year-old wife in childbirth the year before his father died. (Fred never married again and their daughter, Mary, only made it to 24.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Next door to the Crocker mansion (and the spite fence) was the Italian-style villa of General David Colton, an attorney and another co-founder of the Central Pacific Railroad. The $75,000 L-shaped, two-story home was completed in 1872. Six years later, Colton was thrown from a horse and subsequently crushed by the animal. Surgery was attempted, but a deadly infection resulted and he died at the age of 47, leaving significant debts.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13937270","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Colton’s death triggered a series of unfortunate events. Believing that her husband’s Pacific Railroad colleagues had swindled her out of money, Ellen Colton took action that resulted in \u003ca href=\"http://pcad.lib.washington.edu/building/16605/\" target=\"_blank\" rel=\"noopener noreferrer\">multiple lawsuits\u003c/a>, two years in court and a mountain of \u003ca href=\"https://cdnc.ucr.edu/?a=d&d=DAC18840712.2.4&e=-------en--20--1--txt-txIN--------1\" target=\"_blank\" rel=\"noopener noreferrer\">gossip in the local press\u003c/a>. The \u003cem>Morning Call\u003c/em> reported that the lawsuits resulted in “much of the [Colton] estate” being “frittered away.”\u003c/p>\n\u003cp>The paper was also careful to note the bad luck that had befallen one of the Coltons’ two daughters, Carrie. It reported that her first husband died after a year and a half of their marriage, and her second, Henry McClane Martin—“a love match without doubt”—died of a sudden illness that once again left her “heart-broken.” The newspaper said the family mansion was left, “vacant and gruesome with memories.”\u003c/p>\n\u003cp>Eventually, one of the people Ellen had fought in court, Collis P. Huntington, bought the Colton home for $250,000. But because his family was based in New York, the mansion remained largely empty.\u003c/p>\n\u003cfigure id=\"attachment_13883191\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13883191\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/nob-hill-houses-800x800.jpg\" alt=\"The Crocker, Stanford and Colton mansions, as illustrated in an 1891 edition of San Francisco's 'Morning Call' newspaper.\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/nob-hill-houses-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/nob-hill-houses-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/nob-hill-houses-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/nob-hill-houses-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/nob-hill-houses-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/nob-hill-houses-2048x2048.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/nob-hill-houses-1920x1920.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crocker, Stanford and Colton mansions, as illustrated in an 1891 edition of San Francisco’s ‘Morning Call’ newspaper.\u003c/figcaption>\u003c/figure>\n\u003cp>Another neighbor on California Street was Richard Tobin, a lawyer, co-founder of The Hibernia Savings and Loan Society and one of the original owners of the \u003cem>San Francisco Chronicle\u003c/em>. He became successful after emigrating from Ireland in 1849 with his father and brother, but his 5,400 square-foot mansion at Taylor Street was more modest than his neighbors’ abodes. (It did, however, still include a 75-foot-tall observatory tower and a private chapel, complete with stained glass windows.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13879301","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The Tobin clan evidently experienced some trouble with their neighbors. The \u003ca href=\"https://www.maritimeheritage.org/vips/tobin.htm\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Daily Alta\u003c/em> reported\u003c/a> on May 21, 1877 that “On Thursday morning, Charles A. Crocker [he of the spite fence] and William Tobin engaged in a row in a Market Street saloon, during which Tobin was stabbed in the abdomen. Yesterday Crocker was examined before Judge Lawler, and Tobin asserted that they were both drunk, and that the stabbing was done accidentally. The charge was consequently dismissed.”\u003c/p>\n\u003cp>(It is unclear from records whether William was Richard’s brother or father.)\u003c/p>\n\u003cp>Richard Tobin died in 1887, but his wife remained in their Nob Hill home. That was until August 27, 1895, when house-painters using gasoline lamps to burn off old paint caused a massive fire. The \u003ca href=\"https://www.maritimeheritage.org/vips/tobin.htm\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>San Francisco Call\u003c/em> reported\u003c/a> that “between $10,000 and $15,000 [of] damages” were caused, in part because “the heavy steam engines” of the fire trucks had trouble mounting the hill. The paper also reported that the house was insured for only $5,000.\u003c/p>\n\u003cp>The grand twist in all of this is that the architectural firm responsible for all four of these homes was one and the same: Bugbee & Sons. And the head of that company, Samuel C. Bugbee, just happens to be the great-great grandfather of Shirley Jackson. Jackson, of course, was an author who built her career writing about strange and cursed old houses in books like 1959’s \u003cem>The Haunting of Hill House\u003c/em> and 1962’s \u003cem>We Have Always Lived in the\u003c/em> \u003cem>Castle\u003c/em>. In 1958’s \u003cem>The Sundial\u003c/em>, a cantankerous family lives in a mansion at the top of the hill, surrounded by an imposing wall. (It’s impossible not to think of the Crockers.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13881990","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Though enormously successful with their architecture firm—they also built Mills Hall at Mills College (1871), Wade Opera House (1876) and the Golden Gate Park Conservatory—the Bugbees had a habit of dying suddenly. Samuel died Sept. 1, 1877 on a ferry between San Francisco and Oakland. His son Charles dropped dead in the street a few years later. His other son, Sumner Bugbee, died unexpectedly during a train journey from New York to California. And later, Charles’ brother, John Stephenson Bugbee (the only non-architect in the family) died of a stroke in the middle of making a speech to the 1896 Alaska Republican convention.\u003c/p>\n\u003cp>Today, none of the Bugbee mansions of Nob Hill are still standing. Those that survived until 1906 all burned in the fires following the earthquake. Landmarks do remain in their places though. The Huntington family, who purchased the Colton mansion, donated the land to the city after the house burned down. \u003ca href=\"https://www.sfparksalliance.org/our-parks/parks/huntington-park\" target=\"_blank\" rel=\"noopener noreferrer\">Huntington Park\u003c/a> now stands where it once did. And across the street, standing on the site of the old Crocker mansion, is Grace Cathedral.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At the time of writing \u003cem>The Haunting of Hill House\u003c/em>, Shirley Jackson had requested photos of the mansions her ancestors built for inspiration. Her mother sent her a batch of newspaper clippings. One contained a picture of the Crocker House and a note. “Glad [it] didn’t survive the earthquake.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13883118/a-grim-history-of-nob-hills-mansions-and-the-horror-novels-they-inspired","authors":["11242"],"categories":["arts_1","arts_7862","arts_11615"],"tags":["arts_4178","arts_6660","arts_14353","arts_928","arts_10278","arts_11608","arts_2309"],"featImg":"arts_13883127","label":"arts"},"arts_13876160":{"type":"posts","id":"arts_13876160","meta":{"index":"posts_1591205157","site":"arts","id":"13876160","score":null,"sort":[1584140436000]},"guestAuthors":[],"slug":"canceled-by-coronavirus-a-list-of-bay-area-concerts-cultural-events-museums-more","title":"Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More","publishDate":1584140436,"format":"standard","headTitle":"Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More | KQED","labelTerm":{},"content":"\u003cp>Updated: March 17, 6:30am\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Note\u003c/strong>: \u003cstrong>This list is no longer being updated as of March 17\u003c/strong>. Because of new restrictions and shelter-in-place orders, it is safe to assume that every concert, performance, museum or cultural event in the Bay Area has been canceled or closed for the time being.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 17, a \u003ca href=\"https://www.kqed.org/news/11806988/sheltering-in-place-what-you-need-to-know\" rel=\"noopener noreferrer\" target=\"_blank\">shelter-in-place order took effect for six Bay Area counties\u003c/a>, requiring people to stay at home and leave only for essential activities.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 16, the CDC \u003ca href=\"https://www.kqed.org/arts/13876716/cdc-recommends-against-gatherings-of-50-or-more-states-close-bars-restaurants\" rel=\"noopener noreferrer\" target=\"_blank\">warned against gatherings of 50 people or more\u003c/a>, including “conferences, festivals, parades, concerts, sporting events, weddings, and other types of assemblies.” Governor Gavin Newsom also \u003ca href=\"https://www.kqed.org/news/11806871/newsom-calls-for-closure-of-all-bars-in-an-effort-to-increase-social-distancing\" rel=\"noopener noreferrer\" target=\"_blank\">called for the closure\u003c/a> of all bars, wineries, nightclubs and breweries.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Stay up to date on full coronavirus coverage \u003ca href=\"https://www.kqed.org/coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>Concern over the spread of the coronavirus has caused the cancellation of many concerts, performances and other cultural events in the Bay Area.[aside postid=\"science_1957877\"]\u003c/p>\n\u003cp>Below, see a list of cultural events, concerts and performances canceled or postponed due to coronavirus concerns. Many venues have enacted flexible refund and ticket-exchange policies. Click through the venue or event name for details, and for updated information about reopening.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"https://www.act-sf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>American Conservatory Theater\u003c/strong>\u003c/a>\u003cbr>\nAll performances of ‘Toni Stone’ (Geary Theater) and ‘Gloria’ (Strand Theater) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">‘Ain’t I a Woman’\u003c/a>\u003c/strong> (March 15)\u003cbr>\nPerformance by Core Ensemble canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Ana Gabriel\u003c/a>\u003c/strong>\u003cbr>\nMarch 19 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Andre Rieu\u003c/a>\u003c/strong>\u003cbr>\nMarch 22 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://asianart.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Asian Art Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/athletics\" rel=\"noopener noreferrer\" target=\"_blank\">Oakland A’s\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.augusthallsf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">August Hall\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 27 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/balboa\" rel=\"noopener noreferrer\" target=\"_blank\">Balboa Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://bampfa.org/news/new-info-bampfa-update-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">BAMPFA\u003c/a>\u003c/strong>\u003cbr>\nAll film screenings, tours and public programs canceled through March 29\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.baybookfest.org/2020cancellation/\" rel=\"noopener noreferrer\" target=\"_blank\">Bay Area Book Festival\u003c/a>\u003c/strong> (May 2 and 3)\u003cbr>\nPostponed to May 1-2, 2021\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gradlectures.berkeley.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley Graduate Lectures\u003c/a>\u003c/strong>\u003cbr>\nAll lectures canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.berkeleyrep.org/?gclsrc=aw.ds&gclid=Cj0KCQjwu6fzBRC6ARIsAJUwa2SSGnQum2eM6ybkE8IFauSDY_ugwioEz44pG-2t0TkGpUXzvuyXNocaAlwYEALw_wcB&gclsrc=aw.ds\" rel=\"noopener noreferrer\" target=\"_blank\">Berkeley Repertory Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of \u003cem>Culture Clash (Still) in America\u003c/em> canceled; \u003cem>School Girls; Or, The African Mean Girls Play\u003c/em>, originally slated to start on March 19, on hiatus through April 5\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Bill Graham Civic Auditorium\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/venues/bing-concert-hall\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Bing Concert Hall\u003c/strong>\u003c/a>\u003cbr>\nMost shows canceled through April 15, including Cecile McLorin Salvant (March 13)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.calacademy.org/a-message-to-our-academy-community-on-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">California Academy of Sciences\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://californiahistoricalsociety.org/\" rel=\"noopener noreferrer\" target=\"_blank\">California Historical Society\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://museum.stanford.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cantor Arts Center and Anderson Collection\u003c/strong> \u003c/a>\u003cbr>\nClosed to the public through April 15\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.catchlight.io/\" target=\"_blank\" rel=\"noopener noreferrer\">CatchLight Visual Storytelling Summit\u003c/a>\u003c/strong> (May 17–18)\u003cbr>\nPostponed to late October 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.chasecenter.com/news/5h4k5TxZF2QdDYpa6MTNLa\" rel=\"noopener noreferrer\" target=\"_blank\">Celine Dion\u003c/a>\u003c/strong> (March 12)\u003cbr>\nConcert at Chase Center postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://centerfornewmusic.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Center for New Music\u003c/a>\u003c/strong>\u003cbr>\nAll public events suspended through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">Chase Center\u003c/a>\u003c/strong>\u003cbr>\nNBA season postponed, Warriors games off; all concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfcherryblossom.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Cherry Blossom Festival, Japantown SF\u003c/a>\u003c/strong> (April 11-12 and April 17-19)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.cinequest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cinequest Film Festival\u003c/strong>\u003c/a> (March 3–15)\u003cbr>\nMarch 8-15 events postponed to August 16–30\u003c/p>\n\u003cp>\u003ca href=\"http://circuscenter.org/blog/2020/03/07/covid-19--march-13-14-cabaret-cancelled\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Circus Center Cabaret\u003c/strong>\u003c/a> (March 13_14)\u003cbr>\nCanceled; looking to reschedule\u003c/p>\n\u003cp>\u003ca href=\"https://www.cirquedusoleil.com/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>Cirque du Soleil: Axel\u003c/strong>\u003c/a> (March 24-28)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cityarts.net/\" target=\"_blank\" rel=\"noopener noreferrer\">City Arts & Lectures\u003c/a>\u003c/strong>\u003cbr>\nCertain scheduled events to be held with no audience and livestreamed: Anna Wiener (March 12), Peggy Orenstein (March 19), and Robert Reich (March 23)\u003c/p>\n\u003cp>\u003ca href=\"https://www.commonwealthclub.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Commonwealth Club\u003c/strong>\u003c/a>\u003cbr>\nAll in-person events canceled through March 22 for San Francisco, Marin County and Silicon Valley\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.thecjm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Contemporary Jewish Museum\u003c/a>\u003c/strong>\u003cbr>\nAll public programs and tours canceled through March 22; museum remains open\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://counterpulse.org/\" rel=\"noopener noreferrer\" target=\"_blank\">CounterPulse\u003c/a>\u003c/strong>\u003cbr>\nAll performances and public events through May 31 canceled or postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/d41d8cd9/2nd-annual-daly-city-rock-roll-flea-market/2391757860910159/\" target=\"_blank\" rel=\"noopener noreferrer\">Daly City Rock & Roll Flea Market\u003c/a>\u003c/strong> (March 15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/AroundTown\" rel=\"noopener noreferrer\" target=\"_blank\">‘Dance Downtown’ at ODC\u003c/a>\u003c/strong>\u003cbr>\nMarch 27 gala canceled; all Spring performances postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://deyoung.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">de Young Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theexit.org/\" rel=\"noopener noreferrer\" target=\"_blank\">EXIT Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March, including Burlesque Extravaganza (March 18–21)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.exploratorium.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">The Exploratorium\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through the end of March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.feinsteinssf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Feinstein’s at the Nikko\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through April 6\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://thefillmore.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Fillmore\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 18 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://thefoxoakland.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Fox Theater, Oakland\u003c/a>\u003c/strong>\u003cbr>\nAll concerts canceled through March 30, including Wilco, Melanie Martinez, Ilana Glazer, Third Eye Blind and others\u003c/p>\n\u003cp>\u003ca href=\"https://www.gdconf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Game Developers Conference\u003c/strong>\u003c/a> (March 16–20)\u003cbr>\nPostponed; working to reschedule for August 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/giants\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Giants\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003ca href=\"https://www.goldengatepark150.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Golden Gate Park 150th Anniversary Celebration\u003c/strong>\u003c/a> (April 4)\u003cbr>\nPostponed; to be rescheduled for a later date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://goldengatepark.com/golden-gate-park-senior-center.html\" target=\"_blank\" rel=\"noopener noreferrer\">Golden Gate Park Senior Center\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 23\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gmc.sonoma.edu/covid-19-update/\" rel=\"noopener noreferrer\" target=\"_blank\">Green Music Center\u003c/a>\u003c/strong>\u003cbr>\nAll performances through April 11 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://wwd.com/fashion-news/fashion-scoops/gucci-cancels-cruise-2021-show-in-san-francisco-1203526819/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Gucci Cruise Fashion Show\u003c/strong>\u003c/a> (May 18)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13876404/hamilton-canceled-in-san-francisco-due-to-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘Hamilton’ at the Orpheum Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.harrypottertheplay.com/san-francisco/coronavirus-update/\" target=\"_blank\" rel=\"noopener noreferrer\">‘Harry Potter and the Cursed Child’\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://www.shipyardartists.com/open-studios/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Hunter’s Point Shipyard Artists\u003c/strong>\u003c/a>\u003cbr>\nAnnual spring open studios rescheduled to May 16–17\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcinematheque.org/screenings/i-hate-the-internet-techno-dystopian-malaise-and-visions-of-rebellion/\" target=\"_blank\" rel=\"noopener noreferrer\">‘I Hate the Internet: Techno-Dystopian Malaise and Visions of Rebellion’\u003c/a>\u003c/strong> (March 12)\u003cbr>\nPostponed; to be rescheduled at future date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sanjosetheaters.org/event/the-illusionists-live-from-broadway/\" target=\"_blank\" rel=\"noopener noreferrer\">The Illusionists – Live From Broadway\u003c/a>\u003c/strong> (March 24 and 25)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Independent\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"http://intloceanfilmfest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>International Ocean Film Festival\u003c/strong>\u003c/a> (March 12–15)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://iccnc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Islamic Cultural Center of Northern California\u003c/a>\u003c/strong>\u003cbr>\nAll public events canceled through March 23, including Nowruz celebration on March 14\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.jcceastbay.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Jewish Community Center East Bay\u003c/a> \u003c/strong>\u003cbr>\nAll large events (50 people or more) though March 27 canceled or rescheduled\u003c/p>\n\u003cp>\u003ca href=\"https://www.jccsf.org/staying-healthy-together/\">\u003cstrong>San Francisco Jewish Community Center\u003c/strong> \u003c/a>\u003cbr>\nPurim Festival (March 8) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">Knuth Music Hall, SF State\u003c/a>\u003c/strong>\u003cbr>\nPerformances on March 16, 18 and 19 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.broadwaysf.com/Online/default.asp\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘The Last Ship’ at the Golden Gate Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"http://www.leftcoastensemble.org/fairytale\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Left Coast Chamber Ensemble\u003c/strong>\u003c/a>\u003cbr>\n‘Fairytale Pieces’ (March 8 and 9) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://legionofhonor.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Legion of Honor\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/lesbianswhotech/photos/a.656630677683654/3341946979151997/?type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">Lesbians Who Tech\u003c/a>\u003c/strong> (April 23–25)\u003cbr>\nRescheduled for August, 2020\u003c/p>\n\u003cp>\u003ca href=\"http://www.lindyinthepark.com/\">\u003cstrong>Lindy in the Park\u003c/strong>\u003c/a>\u003cbr>\nMarch 8 and 15 events canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.lhtsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Lorraine Hansberry Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Intimate Apparel’ (March 13–29) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://lutherburbankcenter.org/healthandsafetyupdate/\" rel=\"noopener noreferrer\" target=\"_blank\">Luther Burbank Center\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March canceled or postponed, including Wilco, Brittany Howard, Laura Dern and more\u003c/p>\n\u003cp>\u003ca href=\"https://maclaarte.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>MACLA\u003c/strong>\u003c/a>\u003cbr>\nAll public programs postponed, including \u003cem>We Have Iré\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.marintheatre.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Marin Theatre Co.\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘Love’ and ‘Natural Shocks’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.aztecadancers.com/mexica-new-year\" target=\"_blank\" rel=\"noopener noreferrer\">Mexica New Year Ceremony & Celebration San Jose\u003c/a>\u003c/strong> (March 14)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.nctcsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>New Conservatory Theatre Center\u003c/strong>\u003c/a>\u003cbr>\nAll performances, including \u003cem>The Book of Mountains and Seas\u003c/em>, canceled through March 21\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The New Parish\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://museumca.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland Museum of California\u003c/a>\u003c/strong>\u003cbr>\nMuseum closed to the public through March 27; 50th Anniversary Gala (March 14) canceled as well\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/tripletake\" target=\"_blank\" rel=\"noopener noreferrer\">ODC/RAWDance\u003c/a>\u003c/strong>\u003cbr>\n‘Triple Take’ (March 12–15) postponed to later this year; exact date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://offthegrid.com/blog/supporting-local-communities-through-implementation-of-covid-19-prevention-best-practices/\" target=\"_blank\" rel=\"noopener noreferrer\">Off the Grid\u003c/a>\u003c/strong>\u003cbr>\nEvent at Fort Mason on March 13 and 20 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.operasj.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Opera San Jose\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘The Magic Flute’ (April 18–May 3) canceled\u003c/p>\n\u003cp>\u003ca href=\"http://www.cspaloalto.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Palo Alto Christian Science Church\u003c/strong>\u003c/a>\u003cbr>\nJames Welch concert (March 8) postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://pearljam.com/tour\" target=\"_blank\" rel=\"noopener noreferrer\">Pearl Jam\u003c/a>\u003c/strong> (April 18–19)\u003cbr>\nEntire tour canceled, including April 18–19 dates at Oakland Arena\u003c/p>\n\u003cp>\u003ca href=\"https://peninsulasymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Peninsula Symphony\u003c/strong>\u003c/a>\u003cbr>\nMarch 13 and 14 ‘Violins of Hope’ concerts postponed; to be rescheduled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://philharmonia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Philharmonia Baroque Orchestra\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Romantic Reflections’ (March 11-15) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/photo.php?fbid=10157788026750552&set=a.211581100551&type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Rebecca Solnit\u003c/strong>\u003c/a>\u003cbr>\nAll stops on book tour through March 25 canceled, including at Booksmith SF (March 16)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/events/94291513455\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls Trivia Happy Hour with KQED\u003c/a>\u003c/strong> (March 16)\u003cbr>\nPostponed to future date TBA\u003c/p>\n\u003cp>\u003ca href=\"https://www.rebootideasfestival.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Reboot Ideas Festival\u003c/strong>\u003c/a> (March 26–29)\u003cbr>\nPostponed; working to reschedule\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.roxie.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Roxie Theater\u003c/a>\u003c/strong>\u003cbr>\nCLosed to the public and all screenings canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://salesforcetransitcenter.com/events/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Salesforce Park\u003c/strong>\u003c/a>\u003cbr>\nAll group activities in the park suspended; park itself remains open\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfballet.org/a-message-regarding-the-covid-19-virus/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Ballet\u003c/strong>\u003c/a>\u003cbr>\nComplete run of \u003cem>A Midsummer Night’s Dream\u003c/em> (March 7–15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfbcgala.weebly.com/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Boys Chorus\u003c/a>\u003c/strong>\u003cbr>\nAnnual gala (March 14) rescheduled to May 16\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfca.org/2019-2020-season/\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Choral Artists\u003c/a>\u003c/strong>\u003cbr>\n‘Joyful Voices, Stomping Feet’ performances canceled for March 8 (SF), March 14 (Palo Alto) and March 15 (Oakland)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfgmc.org/welcome/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Gay Men’s Chorus\u003c/a> \u003c/strong>\u003cbr>\nPerformances of ‘Penned in Pink’ (March 26 and 28) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfneofuturists.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Neo-Futurists\u003c/a>\u003c/strong>\u003cbr>\nPerformances of \u003cem>The Infinite Wrench\u003c/em> (March 13 and 14) and \u003cem>Infinite Bitch\u003c/em> (March 19–21) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://sfpl.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Public Library\u003c/strong>\u003c/a>\u003cbr>\nAll branches closed and programs canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfrecpark.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Recreation and Parks\u003c/a>\u003c/strong>\u003cbr>\nAll senior programming canceled through March 21; lawn bowling and summer resource fair canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfsymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Symphony\u003c/strong>\u003c/a>\u003cbr>\nConcerts canceled through April 6, including James Galway, Michael Tilson Thomas and more; tour of New York and Europe (March 17–April 7) also canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SaintPatricksDaySF/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco St. Patrick’s Day Parade\u003c/strong>\u003c/a> (March 14)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SJChamberOrchestra/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Chamber Orchestra\u003c/strong>\u003c/a>\u003cbr>\nMarch 29 ‘Inferno’ concert canceled; to be rescheduled at later date\u003c/p>\n\u003cp>\u003ca href=\"https://www.cdm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Children’s Discovery Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 10\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.nhl.com/sharks\" rel=\"noopener noreferrer\" target=\"_blank\">San Jose Sharks\u003c/a>\u003c/strong>\u003cbr>\nNHL season put on pause; all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.srsymphony.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Santa Rosa Symphony\u003c/a>\u003c/strong>\u003cbr>\n‘Showcasing Contemporary Women’ program (March 21-23) canceled; Youth Ensemble concert (March 15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sffilm.org/\" rel=\"noopener noreferrer\" target=\"_blank\">SFFILM\u003c/a>\u003c/strong> (April 8-21)\u003cbr>\nEntire 2020 festival canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfjazz.org/visit/health/\" rel=\"noopener noreferrer\" target=\"_blank\">SFJAZZ\u003c/a>\u003c/strong>\u003cbr>\nAll concerts and programming through April 5 postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfmoma.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SFMOMA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/calendar/all/all/all/all/all\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Live\u003c/strong>\u003c/a>\u003cbr>\nAll large-scale concerts canceled through April 15\u003c/p>\n\u003cp>\u003ca href=\"https://stanfordtheatre.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll movie screenings temporarily suspended\u003c/p>\n\u003cp>\u003ca href=\"https://www.sundaystreetssf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Sunday Streets: Mission District\u003c/strong>\u003c/a> (March 8)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.exploratorium.edu/visit/covid19\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Tactile Dome at the Exploratorium\u003c/strong>\u003c/a>\u003cbr>\nExhibit closed indefinitely\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theatreworks.org/covid19/\" rel=\"noopener noreferrer\" target=\"_blank\">TheatreWorks Silicon Valley\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘They Promised Her the Moon’ and ‘Ragtime’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.tonyrobbins.com/news/upw-san-jose-is-postponed/\" target=\"_blank\" rel=\"noopener noreferrer\">UPW San Jose with Tony Robbins\u003c/a>\u003c/strong> (March 12–15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/vogue\" rel=\"noopener noreferrer\" target=\"_blank\">Vogue Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003ca href=\"https://www.waltdisney.org/visitor-update\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Walt Disney Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 20\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Warriors\u003c/strong>\u003c/a>\u003cbr>\nNBA season put on pause, all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.wattis.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Wattis Institute\u003c/a>\u003c/strong>\u003cbr>\nHồng-Ân Trương talk (March 12) and Astria Suparak’s illustrated lecture (March 19) postponed until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://winchestermysteryhouse.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Winchester Mystery House\u003c/a>\u003c/strong>\u003cbr>\nClosed through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://womensoundoff.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Women Sound Off\u003c/a>\u003c/strong> (slated for April 3–5)\u003cbr>\nPostponed to October 2–4\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://blog.ycombinator.com/yc-w20-online-demo-day-now-on-march-16/\" target=\"_blank\" rel=\"noopener noreferrer\">Y Combinator Demo Day\u003c/a>\u003c/strong> (March 23)\u003cbr>\nMoved to March 16, now entirely online\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ybca.org/\" rel=\"noopener noreferrer\" target=\"_blank\">YBCA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.yoshis.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Yoshi’s\u003c/a>\u003c/strong>\u003cbr>\nAll shows will have reduced capacity through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.zspace.org/covid-19prep\" rel=\"noopener noreferrer\" target=\"_blank\">Z Space\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://calperformances.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Zellerbach Hall\u003c/a>\u003c/strong>\u003cbr>\nAll Cal Performances events are still on, but ticketholders may exchange for other dates or request refunds for shows through March 29\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Submit info about canceled events \u003ca href=\"mailto:gmeline@kqed.org?subject=Coronavirus%20Cancelation\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003cem>For information on how to keep yourself safe from the coronavirus, \u003ca href=\"https://www.kqed.org/science/1957469/what-californians-need-to-know-about-the-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">click here\u003c/a>, and see KQED’s \u003ca href=\"https://www.kqed.org/science/1957877/live-updates-coronavirus-in-the-san-francisco-bay-area\" target=\"_blank\" rel=\"noopener noreferrer\">live updates\u003c/a> for the latest news.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"See which Bay Area events and concerts have been canceled or postponed due to coronavirus concerns.","status":"publish","parent":0,"modified":1705021096,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":124,"wordCount":1758},"headData":{"title":"Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More | KQED","description":"See which Bay Area events and concerts have been canceled or postponed due to coronavirus concerns.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More","datePublished":"2020-03-13T23:00:36.000Z","dateModified":"2024-01-12T00:58:16.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Coronavirus","sourceUrl":"https://www.kqed.org/coronavirus","sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13876160/canceled-by-coronavirus-a-list-of-bay-area-concerts-cultural-events-museums-more","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Updated: March 17, 6:30am\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Note\u003c/strong>: \u003cstrong>This list is no longer being updated as of March 17\u003c/strong>. Because of new restrictions and shelter-in-place orders, it is safe to assume that every concert, performance, museum or cultural event in the Bay Area has been canceled or closed for the time being.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 17, a \u003ca href=\"https://www.kqed.org/news/11806988/sheltering-in-place-what-you-need-to-know\" rel=\"noopener noreferrer\" target=\"_blank\">shelter-in-place order took effect for six Bay Area counties\u003c/a>, requiring people to stay at home and leave only for essential activities.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 16, the CDC \u003ca href=\"https://www.kqed.org/arts/13876716/cdc-recommends-against-gatherings-of-50-or-more-states-close-bars-restaurants\" rel=\"noopener noreferrer\" target=\"_blank\">warned against gatherings of 50 people or more\u003c/a>, including “conferences, festivals, parades, concerts, sporting events, weddings, and other types of assemblies.” Governor Gavin Newsom also \u003ca href=\"https://www.kqed.org/news/11806871/newsom-calls-for-closure-of-all-bars-in-an-effort-to-increase-social-distancing\" rel=\"noopener noreferrer\" target=\"_blank\">called for the closure\u003c/a> of all bars, wineries, nightclubs and breweries.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Stay up to date on full coronavirus coverage \u003ca href=\"https://www.kqed.org/coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>Concern over the spread of the coronavirus has caused the cancellation of many concerts, performances and other cultural events in the Bay Area.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"science_1957877","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Below, see a list of cultural events, concerts and performances canceled or postponed due to coronavirus concerns. Many venues have enacted flexible refund and ticket-exchange policies. Click through the venue or event name for details, and for updated information about reopening.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"https://www.act-sf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>American Conservatory Theater\u003c/strong>\u003c/a>\u003cbr>\nAll performances of ‘Toni Stone’ (Geary Theater) and ‘Gloria’ (Strand Theater) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">‘Ain’t I a Woman’\u003c/a>\u003c/strong> (March 15)\u003cbr>\nPerformance by Core Ensemble canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Ana Gabriel\u003c/a>\u003c/strong>\u003cbr>\nMarch 19 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Andre Rieu\u003c/a>\u003c/strong>\u003cbr>\nMarch 22 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://asianart.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Asian Art Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/athletics\" rel=\"noopener noreferrer\" target=\"_blank\">Oakland A’s\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.augusthallsf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">August Hall\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 27 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/balboa\" rel=\"noopener noreferrer\" target=\"_blank\">Balboa Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://bampfa.org/news/new-info-bampfa-update-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">BAMPFA\u003c/a>\u003c/strong>\u003cbr>\nAll film screenings, tours and public programs canceled through March 29\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.baybookfest.org/2020cancellation/\" rel=\"noopener noreferrer\" target=\"_blank\">Bay Area Book Festival\u003c/a>\u003c/strong> (May 2 and 3)\u003cbr>\nPostponed to May 1-2, 2021\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gradlectures.berkeley.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley Graduate Lectures\u003c/a>\u003c/strong>\u003cbr>\nAll lectures canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.berkeleyrep.org/?gclsrc=aw.ds&gclid=Cj0KCQjwu6fzBRC6ARIsAJUwa2SSGnQum2eM6ybkE8IFauSDY_ugwioEz44pG-2t0TkGpUXzvuyXNocaAlwYEALw_wcB&gclsrc=aw.ds\" rel=\"noopener noreferrer\" target=\"_blank\">Berkeley Repertory Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of \u003cem>Culture Clash (Still) in America\u003c/em> canceled; \u003cem>School Girls; Or, The African Mean Girls Play\u003c/em>, originally slated to start on March 19, on hiatus through April 5\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Bill Graham Civic Auditorium\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/venues/bing-concert-hall\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Bing Concert Hall\u003c/strong>\u003c/a>\u003cbr>\nMost shows canceled through April 15, including Cecile McLorin Salvant (March 13)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.calacademy.org/a-message-to-our-academy-community-on-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">California Academy of Sciences\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://californiahistoricalsociety.org/\" rel=\"noopener noreferrer\" target=\"_blank\">California Historical Society\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://museum.stanford.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cantor Arts Center and Anderson Collection\u003c/strong> \u003c/a>\u003cbr>\nClosed to the public through April 15\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.catchlight.io/\" target=\"_blank\" rel=\"noopener noreferrer\">CatchLight Visual Storytelling Summit\u003c/a>\u003c/strong> (May 17–18)\u003cbr>\nPostponed to late October 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.chasecenter.com/news/5h4k5TxZF2QdDYpa6MTNLa\" rel=\"noopener noreferrer\" target=\"_blank\">Celine Dion\u003c/a>\u003c/strong> (March 12)\u003cbr>\nConcert at Chase Center postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://centerfornewmusic.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Center for New Music\u003c/a>\u003c/strong>\u003cbr>\nAll public events suspended through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">Chase Center\u003c/a>\u003c/strong>\u003cbr>\nNBA season postponed, Warriors games off; all concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfcherryblossom.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Cherry Blossom Festival, Japantown SF\u003c/a>\u003c/strong> (April 11-12 and April 17-19)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.cinequest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cinequest Film Festival\u003c/strong>\u003c/a> (March 3–15)\u003cbr>\nMarch 8-15 events postponed to August 16–30\u003c/p>\n\u003cp>\u003ca href=\"http://circuscenter.org/blog/2020/03/07/covid-19--march-13-14-cabaret-cancelled\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Circus Center Cabaret\u003c/strong>\u003c/a> (March 13_14)\u003cbr>\nCanceled; looking to reschedule\u003c/p>\n\u003cp>\u003ca href=\"https://www.cirquedusoleil.com/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>Cirque du Soleil: Axel\u003c/strong>\u003c/a> (March 24-28)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cityarts.net/\" target=\"_blank\" rel=\"noopener noreferrer\">City Arts & Lectures\u003c/a>\u003c/strong>\u003cbr>\nCertain scheduled events to be held with no audience and livestreamed: Anna Wiener (March 12), Peggy Orenstein (March 19), and Robert Reich (March 23)\u003c/p>\n\u003cp>\u003ca href=\"https://www.commonwealthclub.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Commonwealth Club\u003c/strong>\u003c/a>\u003cbr>\nAll in-person events canceled through March 22 for San Francisco, Marin County and Silicon Valley\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.thecjm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Contemporary Jewish Museum\u003c/a>\u003c/strong>\u003cbr>\nAll public programs and tours canceled through March 22; museum remains open\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://counterpulse.org/\" rel=\"noopener noreferrer\" target=\"_blank\">CounterPulse\u003c/a>\u003c/strong>\u003cbr>\nAll performances and public events through May 31 canceled or postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/d41d8cd9/2nd-annual-daly-city-rock-roll-flea-market/2391757860910159/\" target=\"_blank\" rel=\"noopener noreferrer\">Daly City Rock & Roll Flea Market\u003c/a>\u003c/strong> (March 15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/AroundTown\" rel=\"noopener noreferrer\" target=\"_blank\">‘Dance Downtown’ at ODC\u003c/a>\u003c/strong>\u003cbr>\nMarch 27 gala canceled; all Spring performances postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://deyoung.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">de Young Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theexit.org/\" rel=\"noopener noreferrer\" target=\"_blank\">EXIT Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March, including Burlesque Extravaganza (March 18–21)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.exploratorium.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">The Exploratorium\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through the end of March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.feinsteinssf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Feinstein’s at the Nikko\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through April 6\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://thefillmore.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Fillmore\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 18 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://thefoxoakland.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Fox Theater, Oakland\u003c/a>\u003c/strong>\u003cbr>\nAll concerts canceled through March 30, including Wilco, Melanie Martinez, Ilana Glazer, Third Eye Blind and others\u003c/p>\n\u003cp>\u003ca href=\"https://www.gdconf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Game Developers Conference\u003c/strong>\u003c/a> (March 16–20)\u003cbr>\nPostponed; working to reschedule for August 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/giants\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Giants\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003ca href=\"https://www.goldengatepark150.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Golden Gate Park 150th Anniversary Celebration\u003c/strong>\u003c/a> (April 4)\u003cbr>\nPostponed; to be rescheduled for a later date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://goldengatepark.com/golden-gate-park-senior-center.html\" target=\"_blank\" rel=\"noopener noreferrer\">Golden Gate Park Senior Center\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 23\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gmc.sonoma.edu/covid-19-update/\" rel=\"noopener noreferrer\" target=\"_blank\">Green Music Center\u003c/a>\u003c/strong>\u003cbr>\nAll performances through April 11 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://wwd.com/fashion-news/fashion-scoops/gucci-cancels-cruise-2021-show-in-san-francisco-1203526819/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Gucci Cruise Fashion Show\u003c/strong>\u003c/a> (May 18)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13876404/hamilton-canceled-in-san-francisco-due-to-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘Hamilton’ at the Orpheum Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.harrypottertheplay.com/san-francisco/coronavirus-update/\" target=\"_blank\" rel=\"noopener noreferrer\">‘Harry Potter and the Cursed Child’\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://www.shipyardartists.com/open-studios/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Hunter’s Point Shipyard Artists\u003c/strong>\u003c/a>\u003cbr>\nAnnual spring open studios rescheduled to May 16–17\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcinematheque.org/screenings/i-hate-the-internet-techno-dystopian-malaise-and-visions-of-rebellion/\" target=\"_blank\" rel=\"noopener noreferrer\">‘I Hate the Internet: Techno-Dystopian Malaise and Visions of Rebellion’\u003c/a>\u003c/strong> (March 12)\u003cbr>\nPostponed; to be rescheduled at future date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sanjosetheaters.org/event/the-illusionists-live-from-broadway/\" target=\"_blank\" rel=\"noopener noreferrer\">The Illusionists – Live From Broadway\u003c/a>\u003c/strong> (March 24 and 25)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Independent\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"http://intloceanfilmfest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>International Ocean Film Festival\u003c/strong>\u003c/a> (March 12–15)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://iccnc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Islamic Cultural Center of Northern California\u003c/a>\u003c/strong>\u003cbr>\nAll public events canceled through March 23, including Nowruz celebration on March 14\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.jcceastbay.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Jewish Community Center East Bay\u003c/a> \u003c/strong>\u003cbr>\nAll large events (50 people or more) though March 27 canceled or rescheduled\u003c/p>\n\u003cp>\u003ca href=\"https://www.jccsf.org/staying-healthy-together/\">\u003cstrong>San Francisco Jewish Community Center\u003c/strong> \u003c/a>\u003cbr>\nPurim Festival (March 8) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">Knuth Music Hall, SF State\u003c/a>\u003c/strong>\u003cbr>\nPerformances on March 16, 18 and 19 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.broadwaysf.com/Online/default.asp\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘The Last Ship’ at the Golden Gate Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"http://www.leftcoastensemble.org/fairytale\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Left Coast Chamber Ensemble\u003c/strong>\u003c/a>\u003cbr>\n‘Fairytale Pieces’ (March 8 and 9) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://legionofhonor.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Legion of Honor\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/lesbianswhotech/photos/a.656630677683654/3341946979151997/?type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">Lesbians Who Tech\u003c/a>\u003c/strong> (April 23–25)\u003cbr>\nRescheduled for August, 2020\u003c/p>\n\u003cp>\u003ca href=\"http://www.lindyinthepark.com/\">\u003cstrong>Lindy in the Park\u003c/strong>\u003c/a>\u003cbr>\nMarch 8 and 15 events canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.lhtsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Lorraine Hansberry Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Intimate Apparel’ (March 13–29) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://lutherburbankcenter.org/healthandsafetyupdate/\" rel=\"noopener noreferrer\" target=\"_blank\">Luther Burbank Center\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March canceled or postponed, including Wilco, Brittany Howard, Laura Dern and more\u003c/p>\n\u003cp>\u003ca href=\"https://maclaarte.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>MACLA\u003c/strong>\u003c/a>\u003cbr>\nAll public programs postponed, including \u003cem>We Have Iré\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.marintheatre.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Marin Theatre Co.\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘Love’ and ‘Natural Shocks’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.aztecadancers.com/mexica-new-year\" target=\"_blank\" rel=\"noopener noreferrer\">Mexica New Year Ceremony & Celebration San Jose\u003c/a>\u003c/strong> (March 14)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.nctcsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>New Conservatory Theatre Center\u003c/strong>\u003c/a>\u003cbr>\nAll performances, including \u003cem>The Book of Mountains and Seas\u003c/em>, canceled through March 21\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The New Parish\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://museumca.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland Museum of California\u003c/a>\u003c/strong>\u003cbr>\nMuseum closed to the public through March 27; 50th Anniversary Gala (March 14) canceled as well\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/tripletake\" target=\"_blank\" rel=\"noopener noreferrer\">ODC/RAWDance\u003c/a>\u003c/strong>\u003cbr>\n‘Triple Take’ (March 12–15) postponed to later this year; exact date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://offthegrid.com/blog/supporting-local-communities-through-implementation-of-covid-19-prevention-best-practices/\" target=\"_blank\" rel=\"noopener noreferrer\">Off the Grid\u003c/a>\u003c/strong>\u003cbr>\nEvent at Fort Mason on March 13 and 20 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.operasj.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Opera San Jose\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘The Magic Flute’ (April 18–May 3) canceled\u003c/p>\n\u003cp>\u003ca href=\"http://www.cspaloalto.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Palo Alto Christian Science Church\u003c/strong>\u003c/a>\u003cbr>\nJames Welch concert (March 8) postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://pearljam.com/tour\" target=\"_blank\" rel=\"noopener noreferrer\">Pearl Jam\u003c/a>\u003c/strong> (April 18–19)\u003cbr>\nEntire tour canceled, including April 18–19 dates at Oakland Arena\u003c/p>\n\u003cp>\u003ca href=\"https://peninsulasymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Peninsula Symphony\u003c/strong>\u003c/a>\u003cbr>\nMarch 13 and 14 ‘Violins of Hope’ concerts postponed; to be rescheduled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://philharmonia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Philharmonia Baroque Orchestra\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Romantic Reflections’ (March 11-15) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/photo.php?fbid=10157788026750552&set=a.211581100551&type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Rebecca Solnit\u003c/strong>\u003c/a>\u003cbr>\nAll stops on book tour through March 25 canceled, including at Booksmith SF (March 16)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/events/94291513455\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls Trivia Happy Hour with KQED\u003c/a>\u003c/strong> (March 16)\u003cbr>\nPostponed to future date TBA\u003c/p>\n\u003cp>\u003ca href=\"https://www.rebootideasfestival.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Reboot Ideas Festival\u003c/strong>\u003c/a> (March 26–29)\u003cbr>\nPostponed; working to reschedule\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.roxie.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Roxie Theater\u003c/a>\u003c/strong>\u003cbr>\nCLosed to the public and all screenings canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://salesforcetransitcenter.com/events/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Salesforce Park\u003c/strong>\u003c/a>\u003cbr>\nAll group activities in the park suspended; park itself remains open\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfballet.org/a-message-regarding-the-covid-19-virus/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Ballet\u003c/strong>\u003c/a>\u003cbr>\nComplete run of \u003cem>A Midsummer Night’s Dream\u003c/em> (March 7–15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfbcgala.weebly.com/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Boys Chorus\u003c/a>\u003c/strong>\u003cbr>\nAnnual gala (March 14) rescheduled to May 16\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfca.org/2019-2020-season/\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Choral Artists\u003c/a>\u003c/strong>\u003cbr>\n‘Joyful Voices, Stomping Feet’ performances canceled for March 8 (SF), March 14 (Palo Alto) and March 15 (Oakland)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfgmc.org/welcome/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Gay Men’s Chorus\u003c/a> \u003c/strong>\u003cbr>\nPerformances of ‘Penned in Pink’ (March 26 and 28) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfneofuturists.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Neo-Futurists\u003c/a>\u003c/strong>\u003cbr>\nPerformances of \u003cem>The Infinite Wrench\u003c/em> (March 13 and 14) and \u003cem>Infinite Bitch\u003c/em> (March 19–21) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://sfpl.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Public Library\u003c/strong>\u003c/a>\u003cbr>\nAll branches closed and programs canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfrecpark.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Recreation and Parks\u003c/a>\u003c/strong>\u003cbr>\nAll senior programming canceled through March 21; lawn bowling and summer resource fair canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfsymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Symphony\u003c/strong>\u003c/a>\u003cbr>\nConcerts canceled through April 6, including James Galway, Michael Tilson Thomas and more; tour of New York and Europe (March 17–April 7) also canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SaintPatricksDaySF/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco St. Patrick’s Day Parade\u003c/strong>\u003c/a> (March 14)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SJChamberOrchestra/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Chamber Orchestra\u003c/strong>\u003c/a>\u003cbr>\nMarch 29 ‘Inferno’ concert canceled; to be rescheduled at later date\u003c/p>\n\u003cp>\u003ca href=\"https://www.cdm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Children’s Discovery Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 10\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.nhl.com/sharks\" rel=\"noopener noreferrer\" target=\"_blank\">San Jose Sharks\u003c/a>\u003c/strong>\u003cbr>\nNHL season put on pause; all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.srsymphony.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Santa Rosa Symphony\u003c/a>\u003c/strong>\u003cbr>\n‘Showcasing Contemporary Women’ program (March 21-23) canceled; Youth Ensemble concert (March 15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sffilm.org/\" rel=\"noopener noreferrer\" target=\"_blank\">SFFILM\u003c/a>\u003c/strong> (April 8-21)\u003cbr>\nEntire 2020 festival canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfjazz.org/visit/health/\" rel=\"noopener noreferrer\" target=\"_blank\">SFJAZZ\u003c/a>\u003c/strong>\u003cbr>\nAll concerts and programming through April 5 postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfmoma.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SFMOMA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/calendar/all/all/all/all/all\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Live\u003c/strong>\u003c/a>\u003cbr>\nAll large-scale concerts canceled through April 15\u003c/p>\n\u003cp>\u003ca href=\"https://stanfordtheatre.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll movie screenings temporarily suspended\u003c/p>\n\u003cp>\u003ca href=\"https://www.sundaystreetssf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Sunday Streets: Mission District\u003c/strong>\u003c/a> (March 8)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.exploratorium.edu/visit/covid19\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Tactile Dome at the Exploratorium\u003c/strong>\u003c/a>\u003cbr>\nExhibit closed indefinitely\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theatreworks.org/covid19/\" rel=\"noopener noreferrer\" target=\"_blank\">TheatreWorks Silicon Valley\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘They Promised Her the Moon’ and ‘Ragtime’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.tonyrobbins.com/news/upw-san-jose-is-postponed/\" target=\"_blank\" rel=\"noopener noreferrer\">UPW San Jose with Tony Robbins\u003c/a>\u003c/strong> (March 12–15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/vogue\" rel=\"noopener noreferrer\" target=\"_blank\">Vogue Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003ca href=\"https://www.waltdisney.org/visitor-update\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Walt Disney Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 20\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Warriors\u003c/strong>\u003c/a>\u003cbr>\nNBA season put on pause, all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.wattis.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Wattis Institute\u003c/a>\u003c/strong>\u003cbr>\nHồng-Ân Trương talk (March 12) and Astria Suparak’s illustrated lecture (March 19) postponed until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://winchestermysteryhouse.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Winchester Mystery House\u003c/a>\u003c/strong>\u003cbr>\nClosed through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://womensoundoff.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Women Sound Off\u003c/a>\u003c/strong> (slated for April 3–5)\u003cbr>\nPostponed to October 2–4\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://blog.ycombinator.com/yc-w20-online-demo-day-now-on-march-16/\" target=\"_blank\" rel=\"noopener noreferrer\">Y Combinator Demo Day\u003c/a>\u003c/strong> (March 23)\u003cbr>\nMoved to March 16, now entirely online\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ybca.org/\" rel=\"noopener noreferrer\" target=\"_blank\">YBCA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.yoshis.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Yoshi’s\u003c/a>\u003c/strong>\u003cbr>\nAll shows will have reduced capacity through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.zspace.org/covid-19prep\" rel=\"noopener noreferrer\" target=\"_blank\">Z Space\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://calperformances.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Zellerbach Hall\u003c/a>\u003c/strong>\u003cbr>\nAll Cal Performances events are still on, but ticketholders may exchange for other dates or request refunds for shows through March 29\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Submit info about canceled events \u003ca href=\"mailto:gmeline@kqed.org?subject=Coronavirus%20Cancelation\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003cem>For information on how to keep yourself safe from the coronavirus, \u003ca href=\"https://www.kqed.org/science/1957469/what-californians-need-to-know-about-the-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">click here\u003c/a>, and see KQED’s \u003ca href=\"https://www.kqed.org/science/1957877/live-updates-coronavirus-in-the-san-francisco-bay-area\" target=\"_blank\" rel=\"noopener noreferrer\">live updates\u003c/a> for the latest news.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13876160/canceled-by-coronavirus-a-list-of-bay-area-concerts-cultural-events-museums-more","authors":["185"],"categories":["arts_835","arts_966","arts_76","arts_74","arts_69","arts_235","arts_967","arts_70"],"tags":["arts_1398","arts_10126","arts_11014","arts_10127","arts_1118","arts_9598","arts_1643","arts_1367","arts_2309"],"featImg":"arts_13876154","label":"source_arts_13876160"},"arts_13867857":{"type":"posts","id":"arts_13867857","meta":{"index":"posts_1591205157","site":"arts","id":"13867857","score":null,"sort":[1570571864000]},"guestAuthors":[],"slug":"jonathan-calm","title":"Jonathan Calm Revisits 'Green Book' Locations in Search of America's Past and Present","publishDate":1570571864,"format":"video","headTitle":"Jonathan Calm Revisits ‘Green Book’ Locations in Search of America’s Past and Present | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>When African-American travelers wanted to drive across the U.S. in the Jim Crow era, they consulted a guidebook specially made and marketed to the growing Black middle class. \u003ci>The Negro Motorist Green Book\u003c/i>, published between 1936 and 1966, told them where it was safe to stop for gas, where to eat and where to sleep, where they wouldn’t be refused service because of racial discrimination. “Vacation without aggravation” reads one volume’s cover.\u003c/p>\n\u003cfigure id=\"attachment_13867885\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867885\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/GB_Stamped-800x1083.jpg\" alt=\"'The Negro Motorist Green-Book' in 1940\" width=\"800\" height=\"1083\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-800x1083.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-160x217.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-768x1039.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-1020x1380.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-887x1200.jpg 887w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped.jpg 1478w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘The Negro Motorist Green-Book’ in 1940\u003c/figcaption>\u003c/figure>\n\u003cp>Over half a century later, Palo Alto artist and Stanford University Assistant Professor of Photography \u003ca href=\"https://www.jonathancalm.com/projects\" target=\"_blank\" rel=\"noopener noreferrer\">Jonathan Calm\u003c/a> revisits the sites listed in the \u003ci>Green Book\u003c/i>, photographing them in black and white as part of a growing archive, and exploring the myth of the road trip as a quintessential American freedom.\u003c/p>\n\u003cp>“There were definitely more dangerous times to be a black motorist,” Calm says, “even though it doesn’t feel like that today.” He is acutely aware of the number of Black men and women who have been pulled from their cars and become victims of police violence. In his series \u003ci>\u003ca href=\"https://www.jonathancalm.com/prejudice\" target=\"_blank\" rel=\"noopener noreferrer\">Travel is Fatal to Prejudice\u003c/a>\u003c/i>, Calm superimposes a target symbol on aerial views of cities; names like Sandra Bland and Philando Castille run across the bottom of each print.\u003c/p>\n\u003cp>Driving, stopping, eating, drinking and staying at hotels along the way, Calm enacts a contemporary version of the 20th-century African-American road trip, often finding the places listed in the \u003ci>Green Book\u003c/i> long gone, converted into other businesses, or simply rubble.\u003c/p>\n\u003cfigure id=\"attachment_13867864\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867864\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-800x829.jpg\" alt=\"\" width=\"800\" height=\"829\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-800x829.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-160x166.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-768x796.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-1020x1057.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-1158x1200.jpg 1158w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I.jpg 1853w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Lorraine Motel in Memphis, photographed by Calm in 2016. The site of Martin Luther King, Jr.’s 1968 assassination was once listed in the ‘Green Book.’\u003c/figcaption>\u003c/figure>\n\u003cp>As a New Yorker, Calm’s journey has also been personally educational—until he drove through the Southern states when he started the project three years ago, his only conception of the region was what he’d learned in school growing up. Visiting sites of Black hospitality in areas marked by past racist violence, there was a constant dissonance with his 2016 present. “I saw a lot of emptiness,” Calm says, “towns and cities that were hollowed out.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Calm’s project isn’t just about photographing historical locations (or their absence); the experience of being a Black man driving on American highways is part of the art-making. “That fear that I have,” he says, “that fear that other people have for me is a very similar fear that people would have had back when the \u003ci>Green Book\u003c/i> was published.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I want to be free, and this drive is investigating that level of freedom.” —\u003cem>Text by Sarah Hotchkiss\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Watch the Palo Alto artist document sites that once offered safe havens for Black travelers, questioning just how much has changed over half a century later.","status":"publish","parent":0,"modified":1705022021,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":471},"headData":{"title":"Jonathan Calm Revisits 'Green Book' Locations in Search of America's Past and Present | KQED","description":"Watch the Palo Alto artist document sites that once offered safe havens for Black travelers, questioning just how much has changed over half a century later.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Jonathan Calm Revisits 'Green Book' Locations in Search of America's Past and Present","datePublished":"2019-10-08T21:57:44.000Z","dateModified":"2024-01-12T01:13:41.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"videoEmbed":"https://youtu.be/EBw98YDoQkU","pbsMediaId":"3071163481","sticky":false,"WpOldSlug":"jonathan-calm-revisits-green-book-locations-in-search-of-americas-past-and-present","nprByline":"Serginho Roosblad","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","path":"/arts/13867857/jonathan-calm","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When African-American travelers wanted to drive across the U.S. in the Jim Crow era, they consulted a guidebook specially made and marketed to the growing Black middle class. \u003ci>The Negro Motorist Green Book\u003c/i>, published between 1936 and 1966, told them where it was safe to stop for gas, where to eat and where to sleep, where they wouldn’t be refused service because of racial discrimination. “Vacation without aggravation” reads one volume’s cover.\u003c/p>\n\u003cfigure id=\"attachment_13867885\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867885\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/GB_Stamped-800x1083.jpg\" alt=\"'The Negro Motorist Green-Book' in 1940\" width=\"800\" height=\"1083\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-800x1083.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-160x217.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-768x1039.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-1020x1380.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-887x1200.jpg 887w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped.jpg 1478w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘The Negro Motorist Green-Book’ in 1940\u003c/figcaption>\u003c/figure>\n\u003cp>Over half a century later, Palo Alto artist and Stanford University Assistant Professor of Photography \u003ca href=\"https://www.jonathancalm.com/projects\" target=\"_blank\" rel=\"noopener noreferrer\">Jonathan Calm\u003c/a> revisits the sites listed in the \u003ci>Green Book\u003c/i>, photographing them in black and white as part of a growing archive, and exploring the myth of the road trip as a quintessential American freedom.\u003c/p>\n\u003cp>“There were definitely more dangerous times to be a black motorist,” Calm says, “even though it doesn’t feel like that today.” He is acutely aware of the number of Black men and women who have been pulled from their cars and become victims of police violence. In his series \u003ci>\u003ca href=\"https://www.jonathancalm.com/prejudice\" target=\"_blank\" rel=\"noopener noreferrer\">Travel is Fatal to Prejudice\u003c/a>\u003c/i>, Calm superimposes a target symbol on aerial views of cities; names like Sandra Bland and Philando Castille run across the bottom of each print.\u003c/p>\n\u003cp>Driving, stopping, eating, drinking and staying at hotels along the way, Calm enacts a contemporary version of the 20th-century African-American road trip, often finding the places listed in the \u003ci>Green Book\u003c/i> long gone, converted into other businesses, or simply rubble.\u003c/p>\n\u003cfigure id=\"attachment_13867864\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867864\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-800x829.jpg\" alt=\"\" width=\"800\" height=\"829\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-800x829.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-160x166.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-768x796.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-1020x1057.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-1158x1200.jpg 1158w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I.jpg 1853w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Lorraine Motel in Memphis, photographed by Calm in 2016. The site of Martin Luther King, Jr.’s 1968 assassination was once listed in the ‘Green Book.’\u003c/figcaption>\u003c/figure>\n\u003cp>As a New Yorker, Calm’s journey has also been personally educational—until he drove through the Southern states when he started the project three years ago, his only conception of the region was what he’d learned in school growing up. Visiting sites of Black hospitality in areas marked by past racist violence, there was a constant dissonance with his 2016 present. “I saw a lot of emptiness,” Calm says, “towns and cities that were hollowed out.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Calm’s project isn’t just about photographing historical locations (or their absence); the experience of being a Black man driving on American highways is part of the art-making. “That fear that I have,” he says, “that fear that other people have for me is a very similar fear that people would have had back when the \u003ci>Green Book\u003c/i> was published.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I want to be free, and this drive is investigating that level of freedom.” —\u003cem>Text by Sarah Hotchkiss\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13867857/jonathan-calm","authors":["byline_arts_13867857"],"categories":["arts_70"],"tags":["arts_1331","arts_1118","arts_750","arts_5266","arts_596","arts_1315","arts_822","arts_3652","arts_3126","arts_2309","arts_4204","arts_1007","arts_901"],"featImg":"arts_13867875","label":"arts"},"arts_13864671":{"type":"posts","id":"arts_13864671","meta":{"index":"posts_1591205157","site":"arts","id":"13864671","score":null,"sort":[1566500720000]},"guestAuthors":[],"slug":"the-do-list-listen-to-our-weekend-picks-for-aug-23-30","title":"The Do List: Listen to Our Weekend Picks for Aug. 23–30","publishDate":1566500720,"format":"audio","headTitle":"The Do List: Listen to Our Weekend Picks for Aug. 23–30 | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>It’s time for the weekend!\u003c/p>\n\u003cp>Looking for things to do in the Bay Area? Listen to KQED Arts’ Gabe Meline and Nastia Voynovskaya discuss their critic’s picks for this weekend at the audio link above, and read about each event below.\u003c/p>\n\u003cp>\u003cstrong>Lionel Richie\u003c/strong>: You might remember seven or so years ago when Lionel Richie went country, and even performed on the CMA Awards—don’t worry, this ain’t that. Lately, he’s been playing hit after hit: “Hello,” “Running With the Night,” “Stuck on You,” “Dancing on the Ceiling”… hours of ’80s classics. He performs Saturday, Aug. 24, at the recently refurbished Frost Amphitheater at Stanford. \u003ca href=\"https://live.stanford.edu/calendar/august-2019/lionel-richie\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Tankcrimes Takeover\u003c/strong>: Tankcrimes has held it down in the Bay Area punk and metal scene for almost 20 years as an underground label that champions bands of the dark, heavy and face-melting variety. They’re taking over Eli’s Mile High Club in Oakland on Friday, Aug. 23, with a showcase of some of the doom metal, death metal, punk and hardcore bands on their roster, including Necrot, as well as Kicker, Cliterati and Deathgrave. \u003ca href=\"https://www.eventbrite.com/e/tankcrimes-takeover-of-elis-necrot-kicker-cliterati-deathgrave-tickets-67329160331\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘The Flick’\u003c/strong>: We’ve seen movies about record store employees—\u003cem>High Fidelity\u003c/em>, \u003cem>Empire Records\u003c/em>—but there’s never been a great script about movie theater employees… until now. \u003cem>The Flick\u003c/em> is a Pulitzer Prize-winning play about three employees working at a suburban movie theater, and how their lives intersect. But it’s about more than the movie trivia they try to stump each other with—it’s about those interactions we all have during formative years in our lives, that shape us in even the most basic environments. It opens Thursday, Aug,. 22, at the Ashby Stage in Berkeley, and runs through Sept. 22. \u003ca href=\"https://shotgunplayers.org\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>‘Shame // Reflections’\u003c/strong>: At Oros Gallery in the back of Pentacle Coffee in SF, this photo show features photography by Hannah Said and Sammy Jonny, two Muslim artists. They juxtapose photos of Muslim women in hijabs from their community with photos of Trump supporters at his inauguration to ask questions about power, privilege and intimidation. There’s an opening reception on Friday, Aug. 23, with an artist talk on Sept. 20. \u003ca href=\"https://www.instagram.com/orosgallery/?hl=en\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Meredith Monk\u003c/strong>: There is nobody quite like Meredith Monk, a singer and composer who’s always intriguing. And at Grace Cathedral, with its high ceilings and famous seven-second echo, her music should sound even more amazing. On her current tour, she’s stopping by the L.A. Philharmonic and Lincoln Center in New York—and while those shows are not free, this one is. That’s on Friday night, Aug, 23, at Grace Cathedral in San Francisco. \u003ca href=\"https://gracecathedral.org/events/meredith-monk-vocal-ensemble-unearthed/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"On the Do List this week, we're talking about Muslim photography, movie theater employees, the Bay Area's premier death metal record label, and more.","status":"publish","parent":0,"modified":1705022268,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":486},"headData":{"title":"The Do List: Listen to Our Weekend Picks for Aug. 23–30 | KQED","description":"On the Do List this week, we're talking about Muslim photography, movie theater employees, the Bay Area's premier death metal record label, and more.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Do List: Listen to Our Weekend Picks for Aug. 23–30","datePublished":"2019-08-22T19:05:20.000Z","dateModified":"2024-01-12T01:17:48.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://ww2.kqed.org/podcasts/wp-content/uploads/sites/77/2019/08/288719_TheDoListforThursdayAugust22-SundayAugust25mix1.mp3","sticky":false,"audioTrackLength":251,"templateType":"standard","featuredImageType":"standard","path":"/arts/13864671/the-do-list-listen-to-our-weekend-picks-for-aug-23-30","parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s time for the weekend!\u003c/p>\n\u003cp>Looking for things to do in the Bay Area? Listen to KQED Arts’ Gabe Meline and Nastia Voynovskaya discuss their critic’s picks for this weekend at the audio link above, and read about each event below.\u003c/p>\n\u003cp>\u003cstrong>Lionel Richie\u003c/strong>: You might remember seven or so years ago when Lionel Richie went country, and even performed on the CMA Awards—don’t worry, this ain’t that. Lately, he’s been playing hit after hit: “Hello,” “Running With the Night,” “Stuck on You,” “Dancing on the Ceiling”… hours of ’80s classics. He performs Saturday, Aug. 24, at the recently refurbished Frost Amphitheater at Stanford. \u003ca href=\"https://live.stanford.edu/calendar/august-2019/lionel-richie\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Tankcrimes Takeover\u003c/strong>: Tankcrimes has held it down in the Bay Area punk and metal scene for almost 20 years as an underground label that champions bands of the dark, heavy and face-melting variety. They’re taking over Eli’s Mile High Club in Oakland on Friday, Aug. 23, with a showcase of some of the doom metal, death metal, punk and hardcore bands on their roster, including Necrot, as well as Kicker, Cliterati and Deathgrave. \u003ca href=\"https://www.eventbrite.com/e/tankcrimes-takeover-of-elis-necrot-kicker-cliterati-deathgrave-tickets-67329160331\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘The Flick’\u003c/strong>: We’ve seen movies about record store employees—\u003cem>High Fidelity\u003c/em>, \u003cem>Empire Records\u003c/em>—but there’s never been a great script about movie theater employees… until now. \u003cem>The Flick\u003c/em> is a Pulitzer Prize-winning play about three employees working at a suburban movie theater, and how their lives intersect. But it’s about more than the movie trivia they try to stump each other with—it’s about those interactions we all have during formative years in our lives, that shape us in even the most basic environments. It opens Thursday, Aug,. 22, at the Ashby Stage in Berkeley, and runs through Sept. 22. \u003ca href=\"https://shotgunplayers.org\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>‘Shame // Reflections’\u003c/strong>: At Oros Gallery in the back of Pentacle Coffee in SF, this photo show features photography by Hannah Said and Sammy Jonny, two Muslim artists. They juxtapose photos of Muslim women in hijabs from their community with photos of Trump supporters at his inauguration to ask questions about power, privilege and intimidation. There’s an opening reception on Friday, Aug. 23, with an artist talk on Sept. 20. \u003ca href=\"https://www.instagram.com/orosgallery/?hl=en\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Meredith Monk\u003c/strong>: There is nobody quite like Meredith Monk, a singer and composer who’s always intriguing. And at Grace Cathedral, with its high ceilings and famous seven-second echo, her music should sound even more amazing. On her current tour, she’s stopping by the L.A. Philharmonic and Lincoln Center in New York—and while those shows are not free, this one is. That’s on Friday night, Aug, 23, at Grace Cathedral in San Francisco. \u003ca href=\"https://gracecathedral.org/events/meredith-monk-vocal-ensemble-unearthed/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13864671/the-do-list-listen-to-our-weekend-picks-for-aug-23-30","authors":["185"],"programs":["arts_140"],"categories":["arts_835","arts_69","arts_967","arts_70"],"tags":["arts_1118","arts_2360","arts_2309","arts_1334"],"featImg":"arts_13864692","label":"arts_140"},"arts_13864690":{"type":"posts","id":"arts_13864690","meta":{"index":"posts_1591205157","site":"arts","id":"13864690","score":null,"sort":[1566500418000]},"guestAuthors":[],"slug":"lynda-benglis-pace-palo-alto","title":"Five Decades of Lynda Benglis' Sculptures at Pace Palo Alto","publishDate":1566500418,"format":"standard","headTitle":"Five Decades of Lynda Benglis’ Sculptures at Pace Palo Alto | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Does the Bay Area know about Lynda Benglis? Long a New York legend, her knotty, blobby, materially adventurous sculptures appear minimally in just a few local museums. SFMOMA seems to have \u003ca href=\"https://www.sfmoma.org/artist/Lynda_Benglis/\" rel=\"noopener\" target=\"_blank\">one\u003c/a>, as does Stanford’s \u003ca href=\"https://anderson.stanford.edu/collection/plum-by-lynda-benglis/\" rel=\"noopener\" target=\"_blank\">Anderson Collection\u003c/a>. The de Young might have something in its \u003ca href=\"https://deyoung.famsf.org/deyoung/collections/dorothy-george-saxe-collection-contemporary-craft\" rel=\"noopener\" target=\"_blank\">Dorothy & George Saxe Collection of Contemporary Craft\u003c/a>, but searches within the OMCA and BAMPFA holdings yield no results.\u003c/p>\n\u003cp>To discover just how much we’re missing out on, Pace’s Palo Alto outpost kindly presents \u003ci>\u003ca href=\"https://www.pacegallery.com/exhibitions/13049/lynda-benglis\" rel=\"noopener\" target=\"_blank\">LYNDA BENGLIS\u003c/a>\u003c/i>, a mini-retrospective of 20 works from the 1970s to the present and the artist’s first Bay Area solo exhibition in over 15 years. Her full range of approaches and materials are on view: Benglis casts biomorphic abstract sculptures in materials like aluminum and pigmented polyurethane (semitransparent, globular objects that seem to glow from within), builds up surfaces with resin and beeswax, or layers sparkly handmade paper over chicken wire shapes. \u003c/p>\n\u003cp>In the 1960s, Benglis became known for her colorful latex and foam pours—physically impressive responses to a male-dominated (and wall-mounted) art scene. And she never let up. Now 77, she’s still producing large-scale work, testaments to her stance, as stated in a \u003ca href=\"https://www.nytimes.com/2019/08/16/t-magazine/lynda-benglis.html\" rel=\"noopener\" target=\"_blank\">recent interview\u003c/a>: “I am not interested in going backward.”\u003c/p>\n\u003cp>For more juicy bon mots, Benglis arrives in our neck of the woods for a conversation with writer, curator and activist Kimberly Drew on \u003ca href=\"https://arts.stanford.edu/office-of-the-vice-president-for-the-arts/artists-on-the-future/\" rel=\"noopener\" target=\"_blank\">Oct. 22 at Stanford\u003c/a>. \u003ci>—Sarah Hotchkiss\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The New York and Santa Fe-based artist shows her knotty, blobby, materially adventurous sculptures in a long overdue Bay Area solo.","status":"publish","parent":0,"modified":1705022270,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":253},"headData":{"title":"Five Decades of Lynda Benglis' Sculptures at Pace Palo Alto | KQED","description":"The New York and Santa Fe-based artist shows her knotty, blobby, materially adventurous sculptures in a long overdue Bay Area solo.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Five Decades of Lynda Benglis' Sculptures at Pace Palo Alto","datePublished":"2019-08-22T19:00:18.000Z","dateModified":"2024-01-12T01:17:50.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"WpOldSlug":"five-decades-of-lynda-benglis-sculpture-graces-pace-palo-alto","templateType":"event","featuredImageType":"standard","startTime":1566374400,"endTime":1571896800,"startTimeString":"Aug. 21–Oct. 23","venueName":"Pace Palot Alto","venueAddress":"229 Hamilton Ave., Palo Alto","eventLink":"https://www.pacegallery.com/exhibitions/13049/lynda-benglis","path":"/arts/13864690/lynda-benglis-pace-palo-alto","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Does the Bay Area know about Lynda Benglis? Long a New York legend, her knotty, blobby, materially adventurous sculptures appear minimally in just a few local museums. SFMOMA seems to have \u003ca href=\"https://www.sfmoma.org/artist/Lynda_Benglis/\" rel=\"noopener\" target=\"_blank\">one\u003c/a>, as does Stanford’s \u003ca href=\"https://anderson.stanford.edu/collection/plum-by-lynda-benglis/\" rel=\"noopener\" target=\"_blank\">Anderson Collection\u003c/a>. The de Young might have something in its \u003ca href=\"https://deyoung.famsf.org/deyoung/collections/dorothy-george-saxe-collection-contemporary-craft\" rel=\"noopener\" target=\"_blank\">Dorothy & George Saxe Collection of Contemporary Craft\u003c/a>, but searches within the OMCA and BAMPFA holdings yield no results.\u003c/p>\n\u003cp>To discover just how much we’re missing out on, Pace’s Palo Alto outpost kindly presents \u003ci>\u003ca href=\"https://www.pacegallery.com/exhibitions/13049/lynda-benglis\" rel=\"noopener\" target=\"_blank\">LYNDA BENGLIS\u003c/a>\u003c/i>, a mini-retrospective of 20 works from the 1970s to the present and the artist’s first Bay Area solo exhibition in over 15 years. Her full range of approaches and materials are on view: Benglis casts biomorphic abstract sculptures in materials like aluminum and pigmented polyurethane (semitransparent, globular objects that seem to glow from within), builds up surfaces with resin and beeswax, or layers sparkly handmade paper over chicken wire shapes. \u003c/p>\n\u003cp>In the 1960s, Benglis became known for her colorful latex and foam pours—physically impressive responses to a male-dominated (and wall-mounted) art scene. And she never let up. Now 77, she’s still producing large-scale work, testaments to her stance, as stated in a \u003ca href=\"https://www.nytimes.com/2019/08/16/t-magazine/lynda-benglis.html\" rel=\"noopener\" target=\"_blank\">recent interview\u003c/a>: “I am not interested in going backward.”\u003c/p>\n\u003cp>For more juicy bon mots, Benglis arrives in our neck of the woods for a conversation with writer, curator and activist Kimberly Drew on \u003ca href=\"https://arts.stanford.edu/office-of-the-vice-president-for-the-arts/artists-on-the-future/\" rel=\"noopener\" target=\"_blank\">Oct. 22 at Stanford\u003c/a>. \u003ci>—Sarah Hotchkiss\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13864690/lynda-benglis-pace-palo-alto","authors":["61"],"programs":["arts_140"],"categories":["arts_70"],"tags":["arts_1006","arts_596","arts_2309","arts_1334"],"featImg":"arts_13864691","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. 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