'The Healing Project' Asks: How Do We Survive in America? And How Do We Heal?
Fantastic Negrito, Kronos Quartet and Zakir Hussain Slated for Stanford Live Concerts This Summer
No Visa Necessary to Hear Music of 'Banned Countries' with Kronos Quartet
On the Air: Rachael and Sahba's Do List Picks for Apr. 7, 2018
Kronos Quartet Plays Live to a Found-Footage Homage to Hitchcock
A Conductor Plays Politics and Leads a Great Orchestra
Taylor Mac's American History in Feathers and Sky-High Heels
Samantha Bee Makes Political Comedy with a Feminist Edge
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He loves live performance, especially great theater, jazz, roots music, anything by Mahler. Cy has an MJ from UC Berkeley's School of Journalism, and got his BA from Hampshire College. His work has been recognized by the Society for Professional Journalists with their Sigma Delta Chi Award for Public Service in Journalism. 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You can hear her work on \u003ca href=\"https://www.npr.org/search?query=Rachael%20Myrow&page=1\">NPR\u003c/a>, \u003ca href=\"https://theworld.org/people/rachael-myrow\">The World\u003c/a>, WBUR's \u003ca href=\"https://www.wbur.org/search?q=Rachael%20Myrow\">\u003ci>Here & Now\u003c/i>\u003c/a> and the BBC. \u003c/i>She also guest hosts for KQED's \u003ci>\u003ca href=\"https://www.kqed.org/forum/tag/rachael-myrow\">Forum\u003c/a>\u003c/i>. Over the years, she's talked with Kamau Bell, David Byrne, Kamala Harris, Tony Kushner, Armistead Maupin, Van Dyke Parks, Arnold Schwarzenegger and Tommie Smith, among others.\r\n\r\nBefore all this, she hosted \u003cem>The California Report\u003c/em> for 7+ years, reporting on topics like \u003ca href=\"https://soundcloud.com/rmyrow/on-a-mission-to-reform-assisted-living\">assisted living facilities\u003c/a>, the \u003ca href=\"https://www.npr.org/sections/alltechconsidered/2014/12/01/367703789/amazon-unleashes-robot-army-to-send-your-holiday-packages-faster\">robot takeover\u003c/a> of Amazon, and \u003ca href=\"https://www.kqed.org/bayareabites/50822/in-search-of-the-chocolate-persimmon\" rel=\"noopener noreferrer\">chocolate persimmons\u003c/a>.\r\n\r\nAwards? Sure: Peabody, Edward R. Murrow, Regional Edward R. Murrow, RTNDA, Northern California RTNDA, SPJ Northern California Chapter, LA Press Club, Golden Mic. Prior to joining KQED, Rachael worked in Los Angeles at KPCC and Marketplace. She holds degrees in English and journalism from UC Berkeley (where she got her start in public radio on KALX-FM).\r\n\r\nOutside of the studio, you'll find Rachael hiking Bay Area trails and whipping up Instagram-ready meals in her kitchen.","avatar":"https://secure.gravatar.com/avatar/87bf8cb5874e045cdff430523a6d48b1?s=600&d=blank&r=g","twitter":"rachaelmyrow","facebook":null,"instagram":null,"linkedin":"https://www.linkedin.com/in/rachaelmyrow/","sites":[{"site":"arts","roles":["administrator"]},{"site":"news","roles":["edit_others_posts","editor"]},{"site":"futureofyou","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"stateofhealth","roles":["editor"]},{"site":"science","roles":["editor"]},{"site":"food","roles":["editor"]},{"site":"forum","roles":["editor"]}],"headData":{"title":"Rachael Myrow | KQED","description":"Senior Editor of KQED's Silicon Valley News Desk","ogImgSrc":"https://secure.gravatar.com/avatar/87bf8cb5874e045cdff430523a6d48b1?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/87bf8cb5874e045cdff430523a6d48b1?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/rachael-myrow"},"cveltman":{"type":"authors","id":"8608","meta":{"index":"authors_1591205172","id":"8608","found":true},"name":"Chloe Veltman","firstName":"Chloe","lastName":"Veltman","slug":"cveltman","email":"cveltman@kqed.org","display_author_email":true,"staff_mastheads":["news"],"title":"Arts and Culture Reporter","bio":"Chloe Veltman is a former arts and culture reporter for KQED. 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She holds a BA in english literature from King's College, Cambridge, and a Masters in Dramaturgy from the Central School of Speech and Drama/Harvard Institute for Advanced Theater Training.\r\n\u003ca href=\"https://www.chloeveltman.com\">www.chloeveltman.com\u003c/a>","avatar":"https://secure.gravatar.com/avatar/55403394b00a1ddab683952c2eb2cf85?s=600&d=blank&r=g","twitter":"chloeveltman","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["administrator"]},{"site":"news","roles":["author"]},{"site":"pop","roles":["editor"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Chloe Veltman | KQED","description":"Arts and Culture Reporter","ogImgSrc":"https://secure.gravatar.com/avatar/55403394b00a1ddab683952c2eb2cf85?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/55403394b00a1ddab683952c2eb2cf85?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/cveltman"},"nvoynovskaya":{"type":"authors","id":"11387","meta":{"index":"authors_1591205172","id":"11387","found":true},"name":"Nastia Voynovskaya","firstName":"Nastia","lastName":"Voynovskaya","slug":"nvoynovskaya","email":"nvoynovskaya@kqed.org","display_author_email":false,"staff_mastheads":["arts"],"title":"Associate Editor","bio":"Nastia Voynovskaya is a Russian-born journalist raised in the Bay Area and Tampa, Florida. She's the associate editor at KQED Arts & Culture. She's the recipient of the 2018 Society of Professional Journalists-Northern California award for arts & culture reporting. In 2021, a retrospective of the 2010s she edited and creative directed, Our Turbulent Decade, received the SPJ-NorCal award for web design. Nastia's work has been published in NPR Music, \u003cem>San Francisco Chronicle\u003c/em>, VICE, Paste Magazine, Bandcamp and SF MoMA Open Space. Previously, she served as music editor at \u003cem>East Bay Express\u003c/em> and online editor at \u003cem>Hi-Fructose Magazine\u003c/em>. She holds a B.A. in comparative literature from UC Berkeley.","avatar":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twitter":"nananastia","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["administrator"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["administrator"]},{"site":"bayareabites","roles":["editor"]},{"site":"podcasts","roles":["editor"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Nastia Voynovskaya | KQED","description":"Associate Editor","ogImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g"},"isLoading":false,"link":"/author/nvoynovskaya"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13911226":{"type":"posts","id":"arts_13911226","meta":{"index":"posts_1591205157","site":"arts","id":"13911226","score":null,"sort":[1648580459000]},"guestAuthors":[],"slug":"samora-pinderhughes-ybca-the-healing-project","title":"'The Healing Project' Asks: How Do We Survive in America? And How Do We Heal?","publishDate":1648580459,"format":"audio","headTitle":"‘The Healing Project’ Asks: How Do We Survive in America? And How Do We Heal? | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.samorapinderhughes.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Samora Pinderhughes\u003c/a> spent the past eight years exploring two questions.\u003c/p>\n\u003cp>“One is, how do we survive in America? And the other is how do we heal on a daily basis?” says the Bay Area-raised composer, pianist, filmmaker, singer and activist in an interview with KQED.\u003c/p>\n\u003cp>The result of his investigation is \u003ca href=\"https://ybca.org/event/the-healing-project/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Healing Project\u003c/em>,\u003c/a> a kaleidoscopic, highly collaborative creative endeavor comprised of a \u003ca href=\"https://www.last.fm/music/Samora+Pinderhughes/GRIEF\" target=\"_blank\" rel=\"noopener noreferrer\">15-track album\u003c/a>; an exhibition at San Francisco’s \u003ca href=\"https://ybca.org/event/the-healing-project/\" target=\"_blank\" rel=\"noopener noreferrer\">Yerba Buena Center for the Arts\u003c/a> (YBCA); an audio archive of interviews with more than 100 people across 15 states who’ve encountered structural violence like incarceration, detention or community shootings in their daily lives; and a concert series, including a performance \u003ca href=\"https://live.stanford.edu/calendar/april-2022/samora-pinderhughes\" target=\"_blank\" rel=\"noopener noreferrer\">on Saturday, April 2, at Stanford Live\u003c/a>.\u003c/p>\n\u003cp>“The project as a whole is about the experience of dealing with American institutions that create poverty,” says Pinderhughes. “Because I think a lot of times, we don’t ask people about their experiences with these systems, like, ‘What’s your day to day reality? What are you facing? How do you heal yourself?'”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=jJvoxZpFavo\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Pinderhughes’ album, \u003cem>Grief\u003c/em>, is at the core of the project. The song “Holding Cell,” which vividly explores the two questions, imagines letters written by three inmates. One is on death row. Another is an undocumented immigrant in a detention center, and a third is in prison awaiting trial. While the chorus highlights the failures of the prison industrial complex across the spectrum (“Holding cell, holding cell / I can’t get well while you hold me”), the second verse points to a more healing future:\u003c/p>\n\u003cp>\u003cem>I want a quiet\u003cbr>\nlife In a flat\u003cbr>\nwith Church on a Sunday I got a voice\u003cbr>\nAnd I got a laugh\u003cbr>\nAnd I’ll use it one day\u003c/em>\u003c/p>\n\u003cp>[aside postID='arts_12059349']\u003cem>The Healing Project\u003c/em> involves dozens of collaborators, among them Pinderhughes’ own sister, the renowned flautist and vocalist \u003ca href=\"https://nyphil.org/about-us/artists/elena-pinderhughes\" target=\"_blank\" rel=\"noopener noreferrer\">Elena Pinderhughes\u003c/a>. Elena is featured on the album and will appear in live performances alongside her brother; filmmaker \u003ca href=\"https://christianpadron.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Christian Padron\u003c/a> collaborated on several music videos based on songs from the new album and additional films; and weaving/fiber artist \u003ca href=\"https://ybca.org/artist/nnaemeka-emeka-ekwelum/\" target=\"_blank\" rel=\"noopener noreferrer\">Nnaemeka Ekwelum\u003c/a>‘s series of brilliantly-colored, intricate “Grief Cloths” adorn the walls of the YBCA exhibition.\u003c/p>\n\u003cp>\u003cb>\u003c/b>“When I was weaving the ‘Grief Cloths,’ I wasn’t just thinking through my own personal grief,” says Ekwelum, who started making the flowing sculptures from plastic lacing, yarn and other materials in response to his father’s death in March 2021. “I was also thinking about the collective grief of this moment we’re all living through, with so much despair, dysfunction and structural damage.”\u003c/p>\n\u003cp>Ekwelum says the “Grief Cloths” not only embody personal and systemic grief, but also point towards healing.\u003c/p>\n\u003cp>“I’m coming into weaving from a place of anxiety or a deep sadness. And then by the end of the weaving process, I have this beautiful object that I’ve created from these difficult feelings being reflected back at me,” he says. “I’m modeling a way to transform pain into something beautiful that doesn’t eclipse the significance of what you’re feeling, but can memorialize it in a way where you can look at it and accept the lessons from it without feeling totally deflated or intimidated by what it is.”\u003c/p>\n\u003cfigure id=\"attachment_13911249\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13911249\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/RS54838_grief-cloths-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54838_grief-cloths-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54838_grief-cloths-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54838_grief-cloths-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54838_grief-cloths-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54838_grief-cloths-qut-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54838_grief-cloths-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Grief Cloths’ by fiber artist Nnaemeka Ekwelum. Left-hand wall. ‘The Healing Project,’ installation view, Yerba Buena Center for the Arts, 2022. \u003ccite>(Courtesy Yerba Buena Center for the Arts. Photographs by Charlie Villyard. )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>The Healing Project\u003c/em> also includes significant contributions from incarcerated people.\u003c/p>\n\u003cp>A small, blue-colored room in the corner of YBCA’s galleries is devoted to select voices of the many people Pinderhughes interviewed for the project, heard via a looped audio feed. One is activist and artist \u003ca href=\"https://www.keithlamar.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Keith LaMar\u003c/a>, a death row inmate in Ohio, who’s been in solitary confinement for the past three decades. He is scheduled to be executed next year.\u003c/p>\n\u003cp>“The truly tragic element of my situation is that it’s not personal,” says LaMar (whose meditations can also be heard in a series of videos on social media featuring a sparse musical tracks by Pinderhughes). “This could happen to anybody.”\u003c/p>\n\u003cfigure id=\"attachment_13911248\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13911248 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/RS54839_pitt-panther-2-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54839_pitt-panther-2-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54839_pitt-panther-2-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54839_pitt-panther-2-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54839_pitt-panther-2-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54839_pitt-panther-2-qut-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54839_pitt-panther-2-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A selection of images by Pitt Panther. \u003ccite>(Courtesy Pitt Panther)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Then there are the hand-drawn, black-and-white works on paper by Pitt Panther, such as representations of George Floyd and Black Power symbols. Panther is currently serving a prison sentence in Virginia.\u003c/p>\n\u003cp>“Pitt Panther sends me these pieces through the mail,” says Pinderhughes. “He’s one of my favorite artists in the world.”\u003c/p>\n\u003cp>YBCA’s Chief of Program Meklit Hadero says one of the powerful things about \u003cem>The Healing Project\u003c/em> is that it centers real human lived experiences at the same time as exploring massive and seemingly intractable societal problems.\u003c/p>\n\u003cp>“A lot of times when we talk about these big systems, we talk about them from places of statistics or numbers or ways that feel so impersonal that things can get brushed aside,” Hadero says. “It becomes real when it’s about people.”\u003cem> \u003c/em>\u003c/p>\n\u003cp>Pinderhughes hopes \u003cem>The Healing Project\u003c/em> will create space for people to come together to grieve, and mend, and ultimately imagine a more equitable future.\u003c/p>\n\u003cp>“It’s my attempt,” he says, “to communicate an abolitionist vision.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003cem>‘The Healing Project’ runs through June 19 at Yerba Buena Center for the Arts. \u003ca href=\"https://ybca.org/event/the-healing-project/\" target=\"_blank\" rel=\"noopener noreferrer\">More information here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Samora Pinderhughes performs with Elena Pinderhughes, Howard Wiley, Marcus Shelby, and Bobby Gonz at the Bing Studio at Stanford on Saturday, April 2. \u003ca href=\"https://live.stanford.edu/calendar/april-2022/samora-pinderhughes\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Samora Pinderhughes uses music, visual art and interviews to explore the damage caused by incarceration, policing and violence.","status":"publish","parent":0,"modified":1705007034,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":24,"wordCount":997},"headData":{"title":"'The Healing Project' Asks: How Do We Survive in America? And How Do We Heal? | KQED","description":"Samora Pinderhughes uses music, visual art and interviews to explore the damage caused by incarceration, policing and violence.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"'The Healing Project' Asks: How Do We Survive in America? And How Do We Heal?","datePublished":"2022-03-29T19:00:59.000Z","dateModified":"2024-01-11T21:03:54.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/99ae4467-d380-4cd4-9c9a-ae6a012a4a0d/audio.mp3","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13911226/samora-pinderhughes-ybca-the-healing-project","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.samorapinderhughes.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Samora Pinderhughes\u003c/a> spent the past eight years exploring two questions.\u003c/p>\n\u003cp>“One is, how do we survive in America? And the other is how do we heal on a daily basis?” says the Bay Area-raised composer, pianist, filmmaker, singer and activist in an interview with KQED.\u003c/p>\n\u003cp>The result of his investigation is \u003ca href=\"https://ybca.org/event/the-healing-project/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Healing Project\u003c/em>,\u003c/a> a kaleidoscopic, highly collaborative creative endeavor comprised of a \u003ca href=\"https://www.last.fm/music/Samora+Pinderhughes/GRIEF\" target=\"_blank\" rel=\"noopener noreferrer\">15-track album\u003c/a>; an exhibition at San Francisco’s \u003ca href=\"https://ybca.org/event/the-healing-project/\" target=\"_blank\" rel=\"noopener noreferrer\">Yerba Buena Center for the Arts\u003c/a> (YBCA); an audio archive of interviews with more than 100 people across 15 states who’ve encountered structural violence like incarceration, detention or community shootings in their daily lives; and a concert series, including a performance \u003ca href=\"https://live.stanford.edu/calendar/april-2022/samora-pinderhughes\" target=\"_blank\" rel=\"noopener noreferrer\">on Saturday, April 2, at Stanford Live\u003c/a>.\u003c/p>\n\u003cp>“The project as a whole is about the experience of dealing with American institutions that create poverty,” says Pinderhughes. “Because I think a lot of times, we don’t ask people about their experiences with these systems, like, ‘What’s your day to day reality? What are you facing? How do you heal yourself?'”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/jJvoxZpFavo'\n title='//www.youtube.com/embed/jJvoxZpFavo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Pinderhughes’ album, \u003cem>Grief\u003c/em>, is at the core of the project. The song “Holding Cell,” which vividly explores the two questions, imagines letters written by three inmates. One is on death row. Another is an undocumented immigrant in a detention center, and a third is in prison awaiting trial. While the chorus highlights the failures of the prison industrial complex across the spectrum (“Holding cell, holding cell / I can’t get well while you hold me”), the second verse points to a more healing future:\u003c/p>\n\u003cp>\u003cem>I want a quiet\u003cbr>\nlife In a flat\u003cbr>\nwith Church on a Sunday I got a voice\u003cbr>\nAnd I got a laugh\u003cbr>\nAnd I’ll use it one day\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_12059349","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cem>The Healing Project\u003c/em> involves dozens of collaborators, among them Pinderhughes’ own sister, the renowned flautist and vocalist \u003ca href=\"https://nyphil.org/about-us/artists/elena-pinderhughes\" target=\"_blank\" rel=\"noopener noreferrer\">Elena Pinderhughes\u003c/a>. Elena is featured on the album and will appear in live performances alongside her brother; filmmaker \u003ca href=\"https://christianpadron.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Christian Padron\u003c/a> collaborated on several music videos based on songs from the new album and additional films; and weaving/fiber artist \u003ca href=\"https://ybca.org/artist/nnaemeka-emeka-ekwelum/\" target=\"_blank\" rel=\"noopener noreferrer\">Nnaemeka Ekwelum\u003c/a>‘s series of brilliantly-colored, intricate “Grief Cloths” adorn the walls of the YBCA exhibition.\u003c/p>\n\u003cp>\u003cb>\u003c/b>“When I was weaving the ‘Grief Cloths,’ I wasn’t just thinking through my own personal grief,” says Ekwelum, who started making the flowing sculptures from plastic lacing, yarn and other materials in response to his father’s death in March 2021. “I was also thinking about the collective grief of this moment we’re all living through, with so much despair, dysfunction and structural damage.”\u003c/p>\n\u003cp>Ekwelum says the “Grief Cloths” not only embody personal and systemic grief, but also point towards healing.\u003c/p>\n\u003cp>“I’m coming into weaving from a place of anxiety or a deep sadness. And then by the end of the weaving process, I have this beautiful object that I’ve created from these difficult feelings being reflected back at me,” he says. “I’m modeling a way to transform pain into something beautiful that doesn’t eclipse the significance of what you’re feeling, but can memorialize it in a way where you can look at it and accept the lessons from it without feeling totally deflated or intimidated by what it is.”\u003c/p>\n\u003cfigure id=\"attachment_13911249\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13911249\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/RS54838_grief-cloths-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54838_grief-cloths-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54838_grief-cloths-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54838_grief-cloths-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54838_grief-cloths-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54838_grief-cloths-qut-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54838_grief-cloths-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Grief Cloths’ by fiber artist Nnaemeka Ekwelum. Left-hand wall. ‘The Healing Project,’ installation view, Yerba Buena Center for the Arts, 2022. \u003ccite>(Courtesy Yerba Buena Center for the Arts. Photographs by Charlie Villyard. )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>The Healing Project\u003c/em> also includes significant contributions from incarcerated people.\u003c/p>\n\u003cp>A small, blue-colored room in the corner of YBCA’s galleries is devoted to select voices of the many people Pinderhughes interviewed for the project, heard via a looped audio feed. One is activist and artist \u003ca href=\"https://www.keithlamar.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Keith LaMar\u003c/a>, a death row inmate in Ohio, who’s been in solitary confinement for the past three decades. He is scheduled to be executed next year.\u003c/p>\n\u003cp>“The truly tragic element of my situation is that it’s not personal,” says LaMar (whose meditations can also be heard in a series of videos on social media featuring a sparse musical tracks by Pinderhughes). “This could happen to anybody.”\u003c/p>\n\u003cfigure id=\"attachment_13911248\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13911248 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/RS54839_pitt-panther-2-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54839_pitt-panther-2-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54839_pitt-panther-2-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54839_pitt-panther-2-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54839_pitt-panther-2-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54839_pitt-panther-2-qut-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/RS54839_pitt-panther-2-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A selection of images by Pitt Panther. \u003ccite>(Courtesy Pitt Panther)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Then there are the hand-drawn, black-and-white works on paper by Pitt Panther, such as representations of George Floyd and Black Power symbols. Panther is currently serving a prison sentence in Virginia.\u003c/p>\n\u003cp>“Pitt Panther sends me these pieces through the mail,” says Pinderhughes. “He’s one of my favorite artists in the world.”\u003c/p>\n\u003cp>YBCA’s Chief of Program Meklit Hadero says one of the powerful things about \u003cem>The Healing Project\u003c/em> is that it centers real human lived experiences at the same time as exploring massive and seemingly intractable societal problems.\u003c/p>\n\u003cp>“A lot of times when we talk about these big systems, we talk about them from places of statistics or numbers or ways that feel so impersonal that things can get brushed aside,” Hadero says. “It becomes real when it’s about people.”\u003cem> \u003c/em>\u003c/p>\n\u003cp>Pinderhughes hopes \u003cem>The Healing Project\u003c/em> will create space for people to come together to grieve, and mend, and ultimately imagine a more equitable future.\u003c/p>\n\u003cp>“It’s my attempt,” he says, “to communicate an abolitionist vision.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003cem>‘The Healing Project’ runs through June 19 at Yerba Buena Center for the Arts. \u003ca href=\"https://ybca.org/event/the-healing-project/\" target=\"_blank\" rel=\"noopener noreferrer\">More information here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Samora Pinderhughes performs with Elena Pinderhughes, Howard Wiley, Marcus Shelby, and Bobby Gonz at the Bing Studio at Stanford on Saturday, April 2. \u003ca href=\"https://live.stanford.edu/calendar/april-2022/samora-pinderhughes\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13911226/samora-pinderhughes-ybca-the-healing-project","authors":["8608"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_69","arts_70"],"tags":["arts_10342","arts_10278","arts_2683","arts_1420","arts_3584","arts_1526","arts_1146","arts_2265","arts_585","arts_1040","arts_1955"],"featImg":"arts_13911261","label":"arts_140"},"arts_13898238":{"type":"posts","id":"arts_13898238","meta":{"index":"posts_1591205157","site":"arts","id":"13898238","score":null,"sort":[1622754019000]},"guestAuthors":[],"slug":"fantastic-negrito-kronos-quartet-and-zakir-hussain-slated-for-stanford-live-concerts-this-summer","title":"Fantastic Negrito, Kronos Quartet and Zakir Hussain Slated for Stanford Live Concerts This Summer","publishDate":1622754019,"format":"standard","headTitle":"Fantastic Negrito, Kronos Quartet and Zakir Hussain Slated for Stanford Live Concerts This Summer | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Bay Area music lovers can add more live shows to their summer calendars: Stanford Live announced today that it would resume in-person concerts at Frost Amphitheater on July 1. The new schedule of programming, developed in partnership with the San Francisco Symphony and SFJAZZ, kicks off with a concert by tabla master Zakir Hussain, saxophonist Joshua Redman and Stanford Jazz Workshop.\u003c/p>\n\u003cp>The lineup continues with three shows every week through August 7, and includes a variety of international musical genres, comedy and family-friendly events. Other highlights include a July 8 concert by blues-rock Grammy winner Fantastic Negrito, and several San Francisco Symphony performances led by music director Esa-Pekka Salonen, New Jersey Symphony Orchestra’s Xian Zhang and the Oakland Symphony’s Michael Morgan.\u003c/p>\n\u003cp>Innovative contemporary classical ensemble Kronos Quartet is set to perform with Ethio-jazz singer and composer Meklit on July 3. And on August 5, jazz vocalist Gregory Porter will perform with the Marcus Shelby Quintet and singer Tiffany Austin.\u003c/p>\n\u003cp>Tickets will go on sale to Stanford Live members on June 7 and will become available to the general public on June 11. August performances go on sale in July. \u003ca href=\"http://frostamphitheater.com\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Live performances return to Frost Amphitheater on July 1, with a wide-ranging program curated in partnership with San Francisco Symphony and SFJAZZ. ","status":"publish","parent":0,"modified":1705008274,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":202},"headData":{"title":"Fantastic Negrito, Kronos Quartet and Zakir Hussain Slated for Stanford Live Concerts This Summer | KQED","description":"Live performances return to Frost Amphitheater on July 1, with a wide-ranging program curated in partnership with San Francisco Symphony and SFJAZZ. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Fantastic Negrito, Kronos Quartet and Zakir Hussain Slated for Stanford Live Concerts This Summer","datePublished":"2021-06-03T21:00:19.000Z","dateModified":"2024-01-11T21:24:34.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13898238/fantastic-negrito-kronos-quartet-and-zakir-hussain-slated-for-stanford-live-concerts-this-summer","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Bay Area music lovers can add more live shows to their summer calendars: Stanford Live announced today that it would resume in-person concerts at Frost Amphitheater on July 1. The new schedule of programming, developed in partnership with the San Francisco Symphony and SFJAZZ, kicks off with a concert by tabla master Zakir Hussain, saxophonist Joshua Redman and Stanford Jazz Workshop.\u003c/p>\n\u003cp>The lineup continues with three shows every week through August 7, and includes a variety of international musical genres, comedy and family-friendly events. Other highlights include a July 8 concert by blues-rock Grammy winner Fantastic Negrito, and several San Francisco Symphony performances led by music director Esa-Pekka Salonen, New Jersey Symphony Orchestra’s Xian Zhang and the Oakland Symphony’s Michael Morgan.\u003c/p>\n\u003cp>Innovative contemporary classical ensemble Kronos Quartet is set to perform with Ethio-jazz singer and composer Meklit on July 3. And on August 5, jazz vocalist Gregory Porter will perform with the Marcus Shelby Quintet and singer Tiffany Austin.\u003c/p>\n\u003cp>Tickets will go on sale to Stanford Live members on June 7 and will become available to the general public on June 11. August performances go on sale in July. \u003ca href=\"http://frostamphitheater.com\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13898238/fantastic-negrito-kronos-quartet-and-zakir-hussain-slated-for-stanford-live-concerts-this-summer","authors":["11387"],"categories":["arts_1"],"tags":["arts_10278","arts_6387","arts_10902","arts_2265","arts_585"],"featImg":"arts_13898239","label":"arts"},"arts_13843220":{"type":"posts","id":"arts_13843220","meta":{"index":"posts_1591205157","site":"arts","id":"13843220","score":null,"sort":[1540040768000]},"guestAuthors":[],"slug":"no-visa-necessary-to-hear-music-of-banned-nations-with-the-kronos-quartet","title":"No Visa Necessary to Hear Music of 'Banned Countries' with Kronos Quartet","publishDate":1540040768,"format":"audio","headTitle":"No Visa Necessary to Hear Music of ‘Banned Countries’ with Kronos Quartet | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>The\u003ca href=\"https://www.kronosquartet.org\" target=\"_blank\" rel=\"noopener\"> Kronos Quartet\u003c/a> has a long history of performing music with a political edge. \u003ca href=\"https://live.stanford.edu/calendar/october-2018/kronos-quartet\" target=\"_blank\" rel=\"noopener\">\u003cem>Music for Change: The Banned Countries\u003c/em>,\u003c/a> coming up Saturday at Stanford’s Bing Concert Hall, is no exception.\u003ci>\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/i>\u003c/p>\n\u003cp>After the Trump administration issued executive orders limiting travel from majority-Muslim countries last year, the director of Stanford’s Iranian Studies program, \u003ca href=\"https://web.stanford.edu/group/abbasmilani/cgi-bin/wordpress/\" target=\"_blank\" rel=\"noopener\">Abbas Milani\u003c/a>, was upset.\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>“It’s shameful on a human basis. But it’s also destructive to the fabric of culture in this country. And, I would submit, to the long-term strategic interest of this country,” Milani says.\u003c/p>\n\u003cp>Then he got an idea. Melani contacted the Kronos Quartet, long known for provocative collaborations. The pitch: music from “banned” countries—Iran, Iraq, Libya, Somalia, Sudan, Syria and Yemen—the \u003ca href=\"https://www.nytimes.com/2017/01/27/us/politics/trump-syrian-refugees.html\" target=\"_blank\" rel=\"noopener\">original seven\u003c/a> named by the Trump administration before it tweaked the list to pass legal muster.\u003c/p>\n\u003cp>Not that this would be the first time the Kronos Quartet has performed music from these countries or worked directly with artists originally from these countries. The program includes a number of works Kronos has performed for decades, like Islam Chipsy’s \u003cem>Zaghlala \u003c/em>arranged for a string quartet by Jacob Garchik\u003cem>. \u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=FK7pgcNFCFU]\u003c/p>\n\u003cp>The subtitle of the piece is \u003ci>Blurred vision caused by strong light hitting the eyes. \u003c/i>You can search for information about Chipsy on the World Wide Web, or you can find him on \u003ca href=\"https://kronosquartet.org/fifty-for-the-future/composers/islam-chipsy\" target=\"_blank\" rel=\"noopener\">Kronos Quartet’s website\u003c/a>, where the artist is one of many profiled for the English-speaking world’s convenience:\u003c/p>\n\u003cblockquote>\u003cp>Part of Egypt’s thriving underground music scene, Chipsy’s EEK trio has carved out a singular sonic niche distinct from the electro-chaabi artists who are almost required at wedding celebrations. Raw and lo-fi, his music is both virtuosic and unabashedly hand-crafted.\u003c/p>\u003c/blockquote>\n\u003cp>The program also includes new music commissioned specifically for this concert series, like \u003cem>Winds from South \u003c/em>from the Iranian composer \u003ca href=\"https://kronosquartet.org/fifty-for-the-future/composers/aftab-darvishi\" target=\"_blank\" rel=\"noopener\">Aftab Darvishi \u003c/a>and Dur-Dur Band’s \u003cem>Dooyo. \u003c/em>\u003ca href=\"https://www.npr.org/2013/05/05/180871371/a-funky-fresh-sound-from-somalia-with-a-political-history\" target=\"_blank\" rel=\"noopener\">Dur-Dur Band\u003c/a>, for those unfamiliar with the Mogadishu nightclub scene of the 1980s, delightedly blends funk, disco, and soul. Arranged by film score composer Jacob Garchik, it’s easy to imagine Garchik and the band landing new contracts scoring films.\u003c/p>\n\u003cp>Perhaps it’s not surprising then that\u003cem> Music for Change \u003c/em>doesn’t limit itself to the “banned” countries. This concert series is yet another opportunity for the quartet to celebrate music and musicians it loves from all over the Middle East, Asia and Africa.\u003c/p>\n\u003cp>“The music of the founders of the string quartet: Hayden, Mozart, Beethoven, Schubert,” says Kronos founder and first violinist David Harrington. “For many years, they were the only composers whose work I knew. When I was about 14, I took a look at the globe that was in my room, and I had this moment of realization. All the string quartet music I’ve ever heard was written by four guys who spoke the same language, were of the same religion, and they lived in the same city at one point or another. And that seemed really weird.”\u003c/p>\n\u003cp>Harrington says the concert “is an exploration of life, of culture, of sound, of music.” But he’s come to learn it’s not just the U.S. that bans people or considers certain cultural communication dangerous. “There are places in the world right now where there are things you can’t listen to, you’re forbidden to hear.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=7PQYF4-BbrE&w=560&h=315]”They’re scholars of music,” says Milani of Kronos. “They put time into it. Behind every concert, there are months and months of training and rigorous scholarship.”\u003c/p>\n\u003cp>Praising the quartet’s “impeccable taste,” Milani notes Harrington was already so well-versed in the music of the Middle East and Africa, he had ideas about who and what to highlight from the first meeting.\u003c/p>\n\u003cp>“He went through the people, right off the top of his head, that he knew existed. I was just flabbergasted at how clearly ready he was,” Milani marveled.\u003c/p>\n\u003cp>After Stanford, but the Kronos Quartet heads to Europe and the East Coast to perform music from banned countries there, too.\u003c/p>\n\u003cul>\n\u003cli>12/4 — Santa Barbara, California: UC Santa Barbara Arts and Lectures\u003c/li>\n\u003cli>2/8/19 — New York, New York: Carnegie Hall\u003c/li>\n\u003cli>3/2/19 — Washington D.C.: Washington Performing Arts\u003c/li>\n\u003cli>5/9/19 — Sonoma, California: Green Music Center\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem> Music for Change: the Banned Countries\u003c/em>\u003c/strong> is one night only, Oct. 20, 2018, at Stanford’s Bing Concert Hall, More information \u003ca href=\"https://live.stanford.edu/calendar/october-2018/kronos-quartet\" target=\"_blank\" rel=\"noopener\">\u003cstrong>here\u003c/strong>\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"A Stanford professor asked the famous quartet to put together a performance of music from the seven Muslim-majority countries covered by the Trump administration's original travel ban.","status":"publish","parent":0,"modified":1705027108,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":818},"headData":{"title":"No Visa Necessary to Hear Music of 'Banned Countries' with Kronos Quartet | KQED","description":"A Stanford professor asked the famous quartet to put together a performance of music from the seven Muslim-majority countries covered by the Trump administration's original travel ban.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"No Visa Necessary to Hear Music of 'Banned Countries' with Kronos Quartet","datePublished":"2018-10-20T13:06:08.000Z","dateModified":"2024-01-12T02:38:28.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/2018/10/MyrowBannedMusic.mp3","sticky":false,"audioTrackLength":118,"path":"/arts/13843220/no-visa-necessary-to-hear-music-of-banned-nations-with-the-kronos-quartet","parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The\u003ca href=\"https://www.kronosquartet.org\" target=\"_blank\" rel=\"noopener\"> Kronos Quartet\u003c/a> has a long history of performing music with a political edge. \u003ca href=\"https://live.stanford.edu/calendar/october-2018/kronos-quartet\" target=\"_blank\" rel=\"noopener\">\u003cem>Music for Change: The Banned Countries\u003c/em>,\u003c/a> coming up Saturday at Stanford’s Bing Concert Hall, is no exception.\u003ci>\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/i>\u003c/p>\n\u003cp>After the Trump administration issued executive orders limiting travel from majority-Muslim countries last year, the director of Stanford’s Iranian Studies program, \u003ca href=\"https://web.stanford.edu/group/abbasmilani/cgi-bin/wordpress/\" target=\"_blank\" rel=\"noopener\">Abbas Milani\u003c/a>, was upset.\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>“It’s shameful on a human basis. But it’s also destructive to the fabric of culture in this country. And, I would submit, to the long-term strategic interest of this country,” Milani says.\u003c/p>\n\u003cp>Then he got an idea. Melani contacted the Kronos Quartet, long known for provocative collaborations. The pitch: music from “banned” countries—Iran, Iraq, Libya, Somalia, Sudan, Syria and Yemen—the \u003ca href=\"https://www.nytimes.com/2017/01/27/us/politics/trump-syrian-refugees.html\" target=\"_blank\" rel=\"noopener\">original seven\u003c/a> named by the Trump administration before it tweaked the list to pass legal muster.\u003c/p>\n\u003cp>Not that this would be the first time the Kronos Quartet has performed music from these countries or worked directly with artists originally from these countries. The program includes a number of works Kronos has performed for decades, like Islam Chipsy’s \u003cem>Zaghlala \u003c/em>arranged for a string quartet by Jacob Garchik\u003cem>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FK7pgcNFCFU'\n title='//www.youtube.com/embed/FK7pgcNFCFU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The subtitle of the piece is \u003ci>Blurred vision caused by strong light hitting the eyes. \u003c/i>You can search for information about Chipsy on the World Wide Web, or you can find him on \u003ca href=\"https://kronosquartet.org/fifty-for-the-future/composers/islam-chipsy\" target=\"_blank\" rel=\"noopener\">Kronos Quartet’s website\u003c/a>, where the artist is one of many profiled for the English-speaking world’s convenience:\u003c/p>\n\u003cblockquote>\u003cp>Part of Egypt’s thriving underground music scene, Chipsy’s EEK trio has carved out a singular sonic niche distinct from the electro-chaabi artists who are almost required at wedding celebrations. Raw and lo-fi, his music is both virtuosic and unabashedly hand-crafted.\u003c/p>\u003c/blockquote>\n\u003cp>The program also includes new music commissioned specifically for this concert series, like \u003cem>Winds from South \u003c/em>from the Iranian composer \u003ca href=\"https://kronosquartet.org/fifty-for-the-future/composers/aftab-darvishi\" target=\"_blank\" rel=\"noopener\">Aftab Darvishi \u003c/a>and Dur-Dur Band’s \u003cem>Dooyo. \u003c/em>\u003ca href=\"https://www.npr.org/2013/05/05/180871371/a-funky-fresh-sound-from-somalia-with-a-political-history\" target=\"_blank\" rel=\"noopener\">Dur-Dur Band\u003c/a>, for those unfamiliar with the Mogadishu nightclub scene of the 1980s, delightedly blends funk, disco, and soul. Arranged by film score composer Jacob Garchik, it’s easy to imagine Garchik and the band landing new contracts scoring films.\u003c/p>\n\u003cp>Perhaps it’s not surprising then that\u003cem> Music for Change \u003c/em>doesn’t limit itself to the “banned” countries. This concert series is yet another opportunity for the quartet to celebrate music and musicians it loves from all over the Middle East, Asia and Africa.\u003c/p>\n\u003cp>“The music of the founders of the string quartet: Hayden, Mozart, Beethoven, Schubert,” says Kronos founder and first violinist David Harrington. “For many years, they were the only composers whose work I knew. When I was about 14, I took a look at the globe that was in my room, and I had this moment of realization. All the string quartet music I’ve ever heard was written by four guys who spoke the same language, were of the same religion, and they lived in the same city at one point or another. And that seemed really weird.”\u003c/p>\n\u003cp>Harrington says the concert “is an exploration of life, of culture, of sound, of music.” But he’s come to learn it’s not just the U.S. that bans people or considers certain cultural communication dangerous. “There are places in the world right now where there are things you can’t listen to, you’re forbidden to hear.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7PQYF4-BbrE'\n title='//www.youtube.com/embed/7PQYF4-BbrE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>”They’re scholars of music,” says Milani of Kronos. “They put time into it. Behind every concert, there are months and months of training and rigorous scholarship.”\u003c/p>\n\u003cp>Praising the quartet’s “impeccable taste,” Milani notes Harrington was already so well-versed in the music of the Middle East and Africa, he had ideas about who and what to highlight from the first meeting.\u003c/p>\n\u003cp>“He went through the people, right off the top of his head, that he knew existed. I was just flabbergasted at how clearly ready he was,” Milani marveled.\u003c/p>\n\u003cp>After Stanford, but the Kronos Quartet heads to Europe and the East Coast to perform music from banned countries there, too.\u003c/p>\n\u003cul>\n\u003cli>12/4 — Santa Barbara, California: UC Santa Barbara Arts and Lectures\u003c/li>\n\u003cli>2/8/19 — New York, New York: Carnegie Hall\u003c/li>\n\u003cli>3/2/19 — Washington D.C.: Washington Performing Arts\u003c/li>\n\u003cli>5/9/19 — Sonoma, California: Green Music Center\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem> Music for Change: the Banned Countries\u003c/em>\u003c/strong> is one night only, Oct. 20, 2018, at Stanford’s Bing Concert Hall, More information \u003ca href=\"https://live.stanford.edu/calendar/october-2018/kronos-quartet\" target=\"_blank\" rel=\"noopener\">\u003cstrong>here\u003c/strong>\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13843220/no-visa-necessary-to-hear-music-of-banned-nations-with-the-kronos-quartet","authors":["251"],"categories":["arts_1","arts_69","arts_235"],"tags":["arts_1118","arts_2244","arts_596","arts_4642","arts_2265","arts_5618"],"featImg":"arts_13843222","label":"arts"},"arts_13828633":{"type":"posts","id":"arts_13828633","meta":{"index":"posts_1591205157","site":"arts","id":"13828633","score":null,"sort":[1522905052000]},"guestAuthors":[],"slug":"on-the-air-rachael-and-sahbas-do-list-picks-for-apr-7-2018","title":"On the Air: Rachael and Sahba's Do List Picks for Apr. 7, 2018","publishDate":1522905052,"format":"audio","headTitle":"On the Air: Rachael and Sahba’s Do List Picks for Apr. 7, 2018 | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Rachael Myrow here, pinch-hitting for Cy Musiker this week. Naturally, I picked a co-host from Palo Alto — visual artist and salon organizer \u003ca href=\"http://sahbashere.com\" target=\"_blank\" rel=\"noopener\">Sabha Shere\u003c/a> — and we talked about the upcoming concerts and exhibitions we’re most excited about.\u003c/p>\n\u003cp>\u003cstrong>Apr. 6–8\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13828634/science-parties-with-pop-culture-at-silicon-valley-comic-con-2018\" target=\"_blank\" rel=\"noopener\">Science Parties With Pop Culture at Silicon Valley Comic Con 2018\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Apr. 6:\u003c/strong> \u003ca href=\"https://www.kqed.org/arts/13828637/kronos-quartet-plays-live-to-a-found-footage-homage-to-hitchcock\" target=\"_blank\" rel=\"noopener\">Kronos Quartet Plays Live to Green Fog, a Found Footage Homage to Hitchcock\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Apr. 9–14: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13828645/other-minds-festival-celebrates-cerebral-and-witty-sound-poetry\" target=\"_blank\" rel=\"noopener\">Other Minds Festival Celebrates Cerebral and Witty Sound Poetry\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Mar. 24– Aug. 12\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13828651/cult-of-the-machine-explores-the-magnetic-pull-of-industrial-design\" target=\"_blank\" rel=\"noopener\">Cult of the Machine Explores the Magnetic Pull of Industrial Design\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Mar. 30– Apr. 29:\u003c/strong> \u003ca href=\"https://www.kqed.org/arts/13828662/in-a-time-of-economic-extremes-shakespeares-timon-recast-as-a-silicon-valley-ceo\" target=\"_blank\" rel=\"noopener\">In a Time of Economic Extremes, Shakespeare’s Timon Recast as a Silicon Valley CEO\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Apr. 6: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13828695/haim-plays-the-greek-theatre-on-the-road-to-coachella\" target=\"_blank\" rel=\"noopener\">Haim Plays at the Greek Theatre in Berkeley on The Road to Coachella\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Apr. 20–22\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13828705/the-classic-chicano-novel-reimagined-as-an-opera\" target=\"_blank\" rel=\"noopener\">The Classic Chicano Novel ‘Bless Me, Última’ Reimagined as an Opera\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Apr. 27-28\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13828723/epic-tale-from-the-ancient-indian-ramayan-takes-flight-in-san-francisco\" target=\"_blank\" rel=\"noopener\">Epic Tale From the Ancient Indian Ramayan Takes Flight in San Francisco\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"The Do List highlights what we're most excited about in April, including Silicon Valley Comic Con, Bless Me, Ultima and Green Fog.","status":"publish","parent":0,"modified":1705028126,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":175},"headData":{"title":"On the Air: Rachael and Sahba's Do List Picks for Apr. 7, 2018 | KQED","description":"The Do List highlights what we're most excited about in April, including Silicon Valley Comic Con, Bless Me, Ultima and Green Fog.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"On the Air: Rachael and Sahba's Do List Picks for Apr. 7, 2018","datePublished":"2018-04-05T05:10:52.000Z","dateModified":"2024-01-12T02:55:26.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio/thedolist/2018/04/TDL20180404.mp3","sticky":false,"path":"/arts/13828633/on-the-air-rachael-and-sahbas-do-list-picks-for-apr-7-2018","audioDuration":559000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Rachael Myrow here, pinch-hitting for Cy Musiker this week. Naturally, I picked a co-host from Palo Alto — visual artist and salon organizer \u003ca href=\"http://sahbashere.com\" target=\"_blank\" rel=\"noopener\">Sabha Shere\u003c/a> — and we talked about the upcoming concerts and exhibitions we’re most excited about.\u003c/p>\n\u003cp>\u003cstrong>Apr. 6–8\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13828634/science-parties-with-pop-culture-at-silicon-valley-comic-con-2018\" target=\"_blank\" rel=\"noopener\">Science Parties With Pop Culture at Silicon Valley Comic Con 2018\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Apr. 6:\u003c/strong> \u003ca href=\"https://www.kqed.org/arts/13828637/kronos-quartet-plays-live-to-a-found-footage-homage-to-hitchcock\" target=\"_blank\" rel=\"noopener\">Kronos Quartet Plays Live to Green Fog, a Found Footage Homage to Hitchcock\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Apr. 9–14: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13828645/other-minds-festival-celebrates-cerebral-and-witty-sound-poetry\" target=\"_blank\" rel=\"noopener\">Other Minds Festival Celebrates Cerebral and Witty Sound Poetry\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Mar. 24– Aug. 12\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13828651/cult-of-the-machine-explores-the-magnetic-pull-of-industrial-design\" target=\"_blank\" rel=\"noopener\">Cult of the Machine Explores the Magnetic Pull of Industrial Design\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Mar. 30– Apr. 29:\u003c/strong> \u003ca href=\"https://www.kqed.org/arts/13828662/in-a-time-of-economic-extremes-shakespeares-timon-recast-as-a-silicon-valley-ceo\" target=\"_blank\" rel=\"noopener\">In a Time of Economic Extremes, Shakespeare’s Timon Recast as a Silicon Valley CEO\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Apr. 6: \u003c/strong>\u003ca href=\"https://www.kqed.org/arts/13828695/haim-plays-the-greek-theatre-on-the-road-to-coachella\" target=\"_blank\" rel=\"noopener\">Haim Plays at the Greek Theatre in Berkeley on The Road to Coachella\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Apr. 20–22\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13828705/the-classic-chicano-novel-reimagined-as-an-opera\" target=\"_blank\" rel=\"noopener\">The Classic Chicano Novel ‘Bless Me, Última’ Reimagined as an Opera\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Apr. 27-28\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13828723/epic-tale-from-the-ancient-indian-ramayan-takes-flight-in-san-francisco\" target=\"_blank\" rel=\"noopener\">Epic Tale From the Ancient Indian Ramayan Takes Flight in San Francisco\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13828633/on-the-air-rachael-and-sahbas-do-list-picks-for-apr-7-2018","authors":["251"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_966","arts_74","arts_69","arts_1003","arts_75","arts_967","arts_70"],"tags":["arts_3669","arts_3419","arts_1942","arts_1414","arts_879","arts_1210","arts_3607","arts_1118","arts_2244","arts_3772","arts_2265","arts_626"],"featImg":"arts_13828738","label":"arts_140"},"arts_13828637":{"type":"posts","id":"arts_13828637","meta":{"index":"posts_1591205157","site":"arts","id":"13828637","score":null,"sort":[1522885770000]},"guestAuthors":[],"slug":"kronos-quartet-plays-live-to-a-found-footage-homage-to-hitchcock","title":"Kronos Quartet Plays Live to a Found-Footage Homage to Hitchcock","publishDate":1522885770,"format":"standard","headTitle":"Kronos Quartet Plays Live to a Found-Footage Homage to Hitchcock | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>We don’t spend a lot of time these days thinking about San Francisco as an icon of noir, but with the fog and the hills and the crazy quilt-like streets, it was very much that when the great Alfred Hitchcock made the classic 1958 film \u003cem>Vertigo\u003c/em>.\u003c/p>\n\u003cp>So imagine a modern day homage to \u003ci>Vertigo\u003c/i> stitched together from 200-plus snippets of found footage like a crazy quilt. Instead of panels, the quilt it made up of scene from TV and movies that are classic in their own right, like \u003cem>The Lady From Shanghai\u003c/em>, \u003cem>The Conversation\u003c/em>, and \u003cem>Basic Instinct.\u003c/em>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.sffilm.org\" target=\"_blank\" rel=\"noopener\">San Francisco Film Society\u003c/a> and \u003ca href=\"https://live.stanford.edu\" target=\"_blank\" rel=\"noopener\">Stanford Live\u003c/a> co-commissioned \u003cem>Green Fog\u003c/em> from filmmaker \u003ca href=\"https://vimeo.com/user4895266\" target=\"_blank\" rel=\"noopener\">Guy Maddin\u003c/a>, as well as a new score from composer \u003ca href=\"http://jacobgarchik.com/?page_id=8\" target=\"_blank\" rel=\"noopener\">Jacob Garchik\u003c/a> for the \u003ca href=\"http://kronosquartet.org\" target=\"_blank\" rel=\"noopener\">Kronos Quartet\u003c/a> to play live with the film. The first performance was at the 2017 San Francisco International Film Festival.\u003c/p>\n\u003cp>Chris Lorway, Executive Director says this has been making the film festival rounds for good reason. He says when he and Noah Cowen of SFFilm cooked up this idea a little over a year ago, “we had no requirements but that it had to be a love letter to the city.”\u003c/p>\n\u003cp>As Maddin’s interns combed through archival footage and found lots of chasing across rooftops and steep hills, “they realized they could put together the plot of \u003cem>Vertigo\u003c/em>,” Lorway notes, making \u003cem>Green Fog\u003c/em> a love letter to San Francisco, but also Hitchcock.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=J4LTz4OC3pA\u003c/p>\n\u003cp>Lorway also says the new score delivers a tip of the hat to Bernard Hermann, who wrote the soundtrack to \u003cem>Vertigo\u003c/em>. Ummm, maybe? Some critics say you might hurt your brain trying too hard to make the connections between the originals and the homages, but what is unarguable is that you will be entertained.\u003c/p>\n\u003cp>“It’s pretty fun,” Lorway adds. “It’s got a tongue-in-cheek element to it that was a bit surprising to me.”\u003c/p>\n\u003cp>The Kronos Quartet and throat singer Tanya Tagaq perform live with the movie \u003cem>Green Fog\u003c/em> on April 6 at the Bing Concert Hall. \u003ca href=\"https://live.stanford.edu/calendar/april-2018/kronos-quartet\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\n\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"Don't go to 'Green Fog' expecting Alfred Hitchcock and Bernard Herman. Go with curiosity to see inspired artists responding to the classic film 'Vertigo.'","status":"publish","parent":0,"modified":1705028136,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":372},"headData":{"title":"Kronos Quartet Plays Live to a Found-Footage Homage to Hitchcock | KQED","description":"Don't go to 'Green Fog' expecting Alfred Hitchcock and Bernard Herman. Go with curiosity to see inspired artists responding to the classic film 'Vertigo.'","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Kronos Quartet Plays Live to a Found-Footage Homage to Hitchcock","datePublished":"2018-04-04T23:49:30.000Z","dateModified":"2024-01-12T02:55:36.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13828637/kronos-quartet-plays-live-to-a-found-footage-homage-to-hitchcock","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>We don’t spend a lot of time these days thinking about San Francisco as an icon of noir, but with the fog and the hills and the crazy quilt-like streets, it was very much that when the great Alfred Hitchcock made the classic 1958 film \u003cem>Vertigo\u003c/em>.\u003c/p>\n\u003cp>So imagine a modern day homage to \u003ci>Vertigo\u003c/i> stitched together from 200-plus snippets of found footage like a crazy quilt. Instead of panels, the quilt it made up of scene from TV and movies that are classic in their own right, like \u003cem>The Lady From Shanghai\u003c/em>, \u003cem>The Conversation\u003c/em>, and \u003cem>Basic Instinct.\u003c/em>\u003c/p>\n\u003cp>The \u003ca href=\"https://www.sffilm.org\" target=\"_blank\" rel=\"noopener\">San Francisco Film Society\u003c/a> and \u003ca href=\"https://live.stanford.edu\" target=\"_blank\" rel=\"noopener\">Stanford Live\u003c/a> co-commissioned \u003cem>Green Fog\u003c/em> from filmmaker \u003ca href=\"https://vimeo.com/user4895266\" target=\"_blank\" rel=\"noopener\">Guy Maddin\u003c/a>, as well as a new score from composer \u003ca href=\"http://jacobgarchik.com/?page_id=8\" target=\"_blank\" rel=\"noopener\">Jacob Garchik\u003c/a> for the \u003ca href=\"http://kronosquartet.org\" target=\"_blank\" rel=\"noopener\">Kronos Quartet\u003c/a> to play live with the film. The first performance was at the 2017 San Francisco International Film Festival.\u003c/p>\n\u003cp>Chris Lorway, Executive Director says this has been making the film festival rounds for good reason. He says when he and Noah Cowen of SFFilm cooked up this idea a little over a year ago, “we had no requirements but that it had to be a love letter to the city.”\u003c/p>\n\u003cp>As Maddin’s interns combed through archival footage and found lots of chasing across rooftops and steep hills, “they realized they could put together the plot of \u003cem>Vertigo\u003c/em>,” Lorway notes, making \u003cem>Green Fog\u003c/em> a love letter to San Francisco, but also Hitchcock.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/J4LTz4OC3pA'\n title='//www.youtube.com/embed/J4LTz4OC3pA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Lorway also says the new score delivers a tip of the hat to Bernard Hermann, who wrote the soundtrack to \u003cem>Vertigo\u003c/em>. Ummm, maybe? Some critics say you might hurt your brain trying too hard to make the connections between the originals and the homages, but what is unarguable is that you will be entertained.\u003c/p>\n\u003cp>“It’s pretty fun,” Lorway adds. “It’s got a tongue-in-cheek element to it that was a bit surprising to me.”\u003c/p>\n\u003cp>The Kronos Quartet and throat singer Tanya Tagaq perform live with the movie \u003cem>Green Fog\u003c/em> on April 6 at the Bing Concert Hall. \u003ca href=\"https://live.stanford.edu/calendar/april-2018/kronos-quartet\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\n\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13828637/kronos-quartet-plays-live-to-a-found-footage-homage-to-hitchcock","authors":["251"],"programs":["arts_140"],"categories":["arts_835","arts_74","arts_69"],"tags":["arts_3669","arts_2308","arts_977","arts_1315","arts_3772","arts_2265"],"featImg":"arts_13828643","label":"arts_140"},"arts_13812661":{"type":"posts","id":"arts_13812661","meta":{"index":"posts_1591205157","site":"arts","id":"13812661","score":null,"sort":[1508982147000]},"guestAuthors":[],"slug":"a-conductor-plays-politics-and-leads-a-great-orchestra","title":"A Conductor Plays Politics and Leads a Great Orchestra","publishDate":1508982147,"format":"standard","headTitle":"A Conductor Plays Politics and Leads a Great Orchestra | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Conductor Valery Gergiev leads the Mariinsky, his home orchestra, on a barnstorming tour of the Bay Area this month, playing Shostakovich and Prokofiev and other classics. It’s a big deal. Gergiev conducted Prokofiev’s opera \u003cem>War and Peace,\u003c/em> based on the Leo Tolstoy book, at San Francisco Opera in 1991, and the music remains vivid for me as one of the greatest performances I’ve ever seen.\u003c/p>\n\u003cp>The Mariinksy is one of the world’s outstanding orchestras. But in the past few years, I’ve wondered about Gergiev’s politics as he’s expressed vocal support for Vladimir Putin, despite the leader’s harsh crackdowns on dissent and LGBTQ rights. My co-host Tomas Riley notes he’s never believed in the notion that politics stops at the art house door, “but as with any good Russian novel,” Riley said, “the levels of intrigue get deep and expansive, and you don’t have to like every character.” \u003ca href=\"http://mariinsky.us/performances/mariinsky-orchestra-performance-schedule/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=pFih0b-VJec\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"A brilliant conductor and his orchestra barnstorms the Bay Area, hoping we don't fuss about his politics.","status":"publish","parent":0,"modified":1705029245,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":185},"headData":{"title":"A Conductor Plays Politics and Leads a Great Orchestra | KQED","description":"A brilliant conductor and his orchestra barnstorms the Bay Area, hoping we don't fuss about his politics.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"A Conductor Plays Politics and Leads a Great Orchestra","datePublished":"2017-10-26T01:42:27.000Z","dateModified":"2024-01-12T03:14:05.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13812661/a-conductor-plays-politics-and-leads-a-great-orchestra","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Conductor Valery Gergiev leads the Mariinsky, his home orchestra, on a barnstorming tour of the Bay Area this month, playing Shostakovich and Prokofiev and other classics. It’s a big deal. Gergiev conducted Prokofiev’s opera \u003cem>War and Peace,\u003c/em> based on the Leo Tolstoy book, at San Francisco Opera in 1991, and the music remains vivid for me as one of the greatest performances I’ve ever seen.\u003c/p>\n\u003cp>The Mariinksy is one of the world’s outstanding orchestras. But in the past few years, I’ve wondered about Gergiev’s politics as he’s expressed vocal support for Vladimir Putin, despite the leader’s harsh crackdowns on dissent and LGBTQ rights. My co-host Tomas Riley notes he’s never believed in the notion that politics stops at the art house door, “but as with any good Russian novel,” Riley said, “the levels of intrigue get deep and expansive, and you don’t have to like every character.” \u003ca href=\"http://mariinsky.us/performances/mariinsky-orchestra-performance-schedule/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pFih0b-VJec'\n title='//www.youtube.com/embed/pFih0b-VJec'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13812661/a-conductor-plays-politics-and-leads-a-great-orchestra","authors":["32"],"programs":["arts_140"],"categories":["arts_835","arts_69"],"tags":["arts_2435","arts_2520","arts_1006","arts_2267","arts_596","arts_2265","arts_626","arts_2880"],"featImg":"arts_13812662","label":"arts_140"},"arts_13807585":{"type":"posts","id":"arts_13807585","meta":{"index":"posts_1591205157","site":"arts","id":"13807585","score":null,"sort":[1504752387000]},"guestAuthors":[],"slug":"taylor-macs-american-history-in-feathers-and-sky-high-heels","title":"Taylor Mac's American History in Feathers and Sky-High Heels","publishDate":1504752387,"format":"standard","headTitle":"Taylor Mac’s American History in Feathers and Sky-High Heels | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003cstrong>Sept. 15-27:\u003c/strong> \u003ca href=\"http://www.taylormac.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Taylor Mac’s\u003c/a>\u003cem> 24-Decade History of Popular Music\u003c/em> is perhaps the most ambitious of the shows we’re previewing this week on the Do List. It’s a solo piece (albeit with a small orchestra backing the songs), but Mac sings and lectures his way through the full span of American history, focusing on its hypocrisies, betrayals and unfulfilled promises as portrayed in songs from “Yankee Doodle” to “Amazing Grace.” This is what Mac calls a “radical faerie” take on the subject, meaning Mac mixes radical left-wing politics with a radical sense of humor, and what the \u003cem>New York Times\u003c/em>‘ critic Wesley Morris calls a “a radical sense of beauty.” Mac towers over the stage in heels and sparkly costumes, topped by giant feathered headdresses à la Carmen Miranda. But beware, he plays theater games too, with lots of audience involvement. Mac is as happy to annoy you as thrill you with this musical, as long you leave the theater feeling something. For his four nights at the Curran Theater (Sept. 15–24), \u003ca href=\"https://sfcurran.com/\" target=\"_blank\" rel=\"noopener noreferrer\">details here.\u003c/a> For his abridged three-hour version of the show at Bing Concert Hall at Stanford, \u003ca href=\"https://live.stanford.edu/calendar/september-2017/24-decade-history-popular-music-abridged\" target=\"_blank\" rel=\"noopener noreferrer\">details here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=JHSaoMVqta4\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Taylor Mac's '24-Decade History of Popular Music' covers the full span of American history.","status":"publish","parent":0,"modified":1705029605,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":223},"headData":{"title":"Taylor Mac's American History in Feathers and Sky-High Heels | KQED","description":"Taylor Mac's '24-Decade History of Popular Music' covers the full span of American history.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Taylor Mac's American History in Feathers and Sky-High Heels","datePublished":"2017-09-07T02:46:27.000Z","dateModified":"2024-01-12T03:20:05.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13807585/taylor-macs-american-history-in-feathers-and-sky-high-heels","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Sept. 15-27:\u003c/strong> \u003ca href=\"http://www.taylormac.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Taylor Mac’s\u003c/a>\u003cem> 24-Decade History of Popular Music\u003c/em> is perhaps the most ambitious of the shows we’re previewing this week on the Do List. It’s a solo piece (albeit with a small orchestra backing the songs), but Mac sings and lectures his way through the full span of American history, focusing on its hypocrisies, betrayals and unfulfilled promises as portrayed in songs from “Yankee Doodle” to “Amazing Grace.” This is what Mac calls a “radical faerie” take on the subject, meaning Mac mixes radical left-wing politics with a radical sense of humor, and what the \u003cem>New York Times\u003c/em>‘ critic Wesley Morris calls a “a radical sense of beauty.” Mac towers over the stage in heels and sparkly costumes, topped by giant feathered headdresses à la Carmen Miranda. But beware, he plays theater games too, with lots of audience involvement. Mac is as happy to annoy you as thrill you with this musical, as long you leave the theater feeling something. For his four nights at the Curran Theater (Sept. 15–24), \u003ca href=\"https://sfcurran.com/\" target=\"_blank\" rel=\"noopener noreferrer\">details here.\u003c/a> For his abridged three-hour version of the show at Bing Concert Hall at Stanford, \u003ca href=\"https://live.stanford.edu/calendar/september-2017/24-decade-history-popular-music-abridged\" target=\"_blank\" rel=\"noopener noreferrer\">details here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JHSaoMVqta4'\n title='//www.youtube.com/embed/JHSaoMVqta4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13807585/taylor-macs-american-history-in-feathers-and-sky-high-heels","authors":["32"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_76","arts_69","arts_235","arts_75"],"tags":["arts_2308","arts_1789","arts_1006","arts_596","arts_2265","arts_626"],"featImg":"arts_13807587","label":"arts_140"},"arts_13807037":{"type":"posts","id":"arts_13807037","meta":{"index":"posts_1591205157","site":"arts","id":"13807037","score":null,"sort":[1504138888000]},"guestAuthors":[],"slug":"samantha-bee-makes-political-comedy-with-a-feminist-edge","title":"Samantha Bee Makes Political Comedy with a Feminist Edge","publishDate":1504138888,"format":"standard","headTitle":"Samantha Bee Makes Political Comedy with a Feminist Edge | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003cstrong>Oct. 10-11\u003c/strong>: Samantha Bee is a leader of the new wave of political comedy on TV, hosting the daily news-skewering show \u003ca href=\"http://samanthabee.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Full Frontal\u003c/em> \u003c/a>on TBS. And in the age of Trump, she’s as big a draw as any comedian out there, even for these live appearances billed as just talking. She comes to Stanford. \u003ca href=\"http://events.stanford.edu/events/691/69199/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>. And UC Davis. \u003ca href=\"https://www.mondaviarts.org/event/2017-18/conversation-samantha-bee\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=TjybXsyCjv0\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Samantha Bee Makes Political Comedy with a Feminist Edge","status":"publish","parent":0,"modified":1705029660,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":76},"headData":{"title":"Samantha Bee Makes Political Comedy with a Feminist Edge | KQED","description":"Samantha Bee Makes Political Comedy with a Feminist Edge","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Samantha Bee Makes Political Comedy with a Feminist Edge","datePublished":"2017-08-31T00:21:28.000Z","dateModified":"2024-01-12T03:21:00.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13807037/samantha-bee-makes-political-comedy-with-a-feminist-edge","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Oct. 10-11\u003c/strong>: Samantha Bee is a leader of the new wave of political comedy on TV, hosting the daily news-skewering show \u003ca href=\"http://samanthabee.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Full Frontal\u003c/em> \u003c/a>on TBS. And in the age of Trump, she’s as big a draw as any comedian out there, even for these live appearances billed as just talking. She comes to Stanford. \u003ca href=\"http://events.stanford.edu/events/691/69199/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>. And UC Davis. \u003ca href=\"https://www.mondaviarts.org/event/2017-18/conversation-samantha-bee\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/TjybXsyCjv0'\n title='//www.youtube.com/embed/TjybXsyCjv0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13807037/samantha-bee-makes-political-comedy-with-a-feminist-edge","authors":["32"],"programs":["arts_140"],"categories":["arts_968","arts_835","arts_71","arts_235","arts_75","arts_990"],"tags":["arts_549","arts_1118","arts_1006","arts_2267","arts_596","arts_2265","arts_626"],"featImg":"arts_13807040","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. 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