As SF Ballet Enters a New Era, Calls for Diversity Reemerge
How Dancers Maintain Their Well-Being in Quarantine
Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More
Classical (Re)Vision Showcases San Francisco Ballet Dancers’ Stylistic Range
San Francisco Ballet Executive Director Glenn McCoy to Retire After 31 Years
On the Air: Cy and Jamedra's Do List Picks for April 13, 2018
The Future of Dance on Pointe at SF Ballet
On the Air: Cy and Marc's Do List Picks for Feb. 9, 2018
New Steps for a Classic Ballet Featuring Aaron Copland's Music
Sponsored
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He has worked as an editor and columnist at the \u003cem>East Bay Express\u003c/em>, \u003cem>SF Weekly \u003c/em>and Impose Magazine, and his journalism and criticism has appeared in \u003cem>The New York Times\u003c/em>, the Guardian and Pitchfork.","avatar":"https://secure.gravatar.com/avatar/143b570c3dec13ae74c6aa2369b04fc8?s=600&d=blank&r=g","twitter":"Lefebvre_Sam","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["author"]}],"headData":{"title":"Sam Lefebvre | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/143b570c3dec13ae74c6aa2369b04fc8?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/143b570c3dec13ae74c6aa2369b04fc8?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/slefebvre"},"cescoda":{"type":"authors","id":"11206","meta":{"index":"authors_1591205172","id":"11206","found":true},"name":"Carla Escoda","firstName":"Carla","lastName":"Escoda","slug":"cescoda","email":"ballettothepeople@gmail.com","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Carla can most often be found in theatres, airports and on airplanes, writing about dance and the arts for various websites whenever she can find wi-fi. Her blog Ballet to the People<\u003ca href=\"http://ballettothepeople.com/\" target=\"_blank\" rel=\"noreferrer\">http://\u003cwbr />ballettothepeople.com\u003c/a>> has become a street corner where dance-lovers enjoy loitering and plotting the revolution which will renew the populist roots of ballet.\r\n\u003cspan class=\"im\">\r\nIn her previous lives, Carla worked in scientific research, then in project finance in Asia. Prior to that, she trained as a ballet and modern dancer, and performed with the Yaledancers while getting her undergraduate degrees in Engineering and Applied Science and French Literature, and her graduate degree in Engineering.\u003c/span>","avatar":"https://secure.gravatar.com/avatar/3a012eb3749d4353e3e28aab414dd815?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["author"]}],"headData":{"title":"Carla Escoda | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/3a012eb3749d4353e3e28aab414dd815?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/3a012eb3749d4353e3e28aab414dd815?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/cescoda"},"mjacksonretondo":{"type":"authors","id":"11759","meta":{"index":"authors_1591205172","id":"11759","found":true},"name":"Marlena Jackson-Retondo","firstName":"Marlena","lastName":"Jackson-Retondo","slug":"mjacksonretondo","email":"mjacksonretondo@kqed.org","display_author_email":false,"staff_mastheads":[],"title":"Engagement Producer","bio":"Marlena Jackson-Retondo is the engagement producer for KQED's \u003cem>Forum \u003c/em>and \u003cem>Mindshift\u003c/em>. Prior to joining the team in 2022, Marlena was an intern with the KQED Digital News Engagement team. She grew up in the Bay Area.\u003cem> \u003c/em>","avatar":"https://secure.gravatar.com/avatar/94ab429312e9a676559e31d1894130df?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["author"]},{"site":"news","roles":["contributor"]},{"site":"forum","roles":["editor"]}],"headData":{"title":"Marlena Jackson-Retondo | KQED","description":"Engagement Producer","ogImgSrc":"https://secure.gravatar.com/avatar/94ab429312e9a676559e31d1894130df?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/94ab429312e9a676559e31d1894130df?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/mjacksonretondo"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13909322":{"type":"posts","id":"arts_13909322","meta":{"index":"posts_1591205157","site":"arts","id":"13909322","score":null,"sort":[1645031413000]},"guestAuthors":[],"slug":"sf-ballet-diversity-commitments","title":"As SF Ballet Enters a New Era, Calls for Diversity Reemerge","publishDate":1645031413,"format":"standard","headTitle":"As SF Ballet Enters a New Era, Calls for Diversity Reemerge | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">O\u003c/span>n June 2, 2020, like many other institutions that Tuesday, San Francisco Ballet’s official Instagram \u003ca href=\"https://www.instagram.com/p/CA8DjqxjR_g/\" target=\"_blank\" rel=\"noopener noreferrer\">posted\u003c/a> a black box, promising to use the time to reflect on “how to commit meaningful change.” For the next week, the Ballet posted various archival panel discussions, links to Black artists in the ballet world, and a \u003ca href=\"https://www.instagram.com/p/CBEMFUPjQu1/\" target=\"_blank\" rel=\"noopener noreferrer\">statement\u003c/a> from its leadership acknowledging Black contributions to ballet. It pledged to share “next steps and actions.”\u003c/p>\n\u003cp>But as protests in the wake of George Floyd’s murder continued all over the country, many employees felt the company hadn’t been doing enough. In their eyes, at San Francisco Ballet (SFB) and in the ballet world at large, an examination of racism was long overdue.\u003c/p>\n\u003cp>“We had not heard one word, and so just to see it on social media was extremely frustrating,” says former corps de ballet dancer Kimberly Olivier, who stepped away from SFB in 2021 after 12 years with the company. “It was very much so a performative act.”\u003c/p>\n\u003cp>This inaction brought internal discord, and a letter of demands circulated around the organization. A public Instagram account detailed dancers’ and staff members’ accounts of inequities. Amid the fallout, Executive Director Kelly Tweeddale, hired in 2019, stepped down in 2021.\u003c/p>\n\u003cp>Fast-forward to 2022, and the English National Ballet’s Tamara Rojo has been appointed to succeed longtime Artistic Director Helgi Tomasson. Rob Sánchez Nelson has been hired in a new role as the chief diversity officer, and an executive director hiring is imminent. And as the 89-year-old institution enters a new era, its leadership has an opportunity to make good on the promises it made during the racial justice uprisings of 2020.\u003c/p>\n\u003cfigure id=\"attachment_13909404\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909404\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/HelgiTomasson.CarlosAvilaGonzalez-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/HelgiTomasson.CarlosAvilaGonzalez-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/HelgiTomasson.CarlosAvilaGonzalez-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/HelgiTomasson.CarlosAvilaGonzalez-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/HelgiTomasson.CarlosAvilaGonzalez-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/HelgiTomasson.CarlosAvilaGonzalez.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artistic Director Helgi Tomasson works with dancers on stage during a rehearsal for ‘A Midsummer Night’s Dream,’ at the War Memorial Opera House in San Francisco, on Wednesday, March 4, 2020. \u003ccite>(Carlos Avila Gonzalez/The San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘I Felt Very Alone’\u003c/h2>\n\u003cp>As the momentum from 2020’s protests waned, Olivier felt frustrated with SFB leadership’s lack of initiative. The dancer decided to call a meeting in June 2020, which about half of the company’s dancers attended over Zoom. SFB leadership followed up with additional meetings open to all staff, which former Diversity Executive Toni Wilson, former Executive Director Kelly Tweeddale, and soon-to-be former Artistic Director Helgi Tomasson attended. (According to Olivier, Tomasson only came for one or two meetings.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As one of only three Black-identifying company members at the time, Olivier found herself shouldering the task of representation. “I felt very alone, and I felt like there was a huge burden for me to represent the dancers,” says Olivier. (In full disclosure, I trained with the San Francisco Ballet School 10 years ago, and as a Black-identifying person, I recognize the dynamic that Olivier describes, both in the classroom and on stage.)\u003c/p>\n\u003cp>In December 2020, an anonymous group of dancers and other employees wrote a letter to SFB leadership with a list of demands. They also created an Instagram account, \u003ca href=\"https://www.instagram.com/sfballet2021/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">@sfballet2021\u003c/a>, to air their grievances and those of others. Posted without attribution, the grievances described a company that hadn’t valued the contributions of Black and brown staff, though it featured them prominently in marketing materials.\u003c/p>\n\u003cp>[aside postID='arts_13908667']Other posts accused SFB of failing to meaningfully engage with diverse choreographers, and took issue with the company selecting works that perpetuated racist and sexist tropes. Several posts charged that SFB’s leaders, most of them white, were treating DEI work as an afterthought. (The Instagram account has been inactive since February 2021, and messages to the account from KQED went unanswered. No current dancers with SFB who were contacted agreed to be interviewed.)\u003c/p>\n\u003cp>The @sfballet2021 Instagram page also publicly listed the internal letter’s demands. Those included SFB issuing a public apology to BIPOC employees, publishing an annual DEI report, requiring 13% of employees at all levels of the organization to be Black, releasing employees from nondisclosure agreements, hiring a Chief Diversity Officer, and creating safe spaces and funding for Employee Resource Groups (ERGs) to support employees of color.\u003c/p>\n\u003cp>(Talks of a proposed meeting between the employees behind the letter and SFB leadership broke down, \u003ca href=\"https://datebook.sfchronicle.com/dance/s-f-ballet-seeks-to-diversify-make-amends-for-racial-inequities\" target=\"_blank\" rel=\"noopener noreferrer\">as reported by\u003c/a> the \u003cem>San Francisco Chronicle\u003c/em>, when the employees wanted to preserve their anonymity by meeting through a mediator, and leadership wanted to meet face-to-face.)\u003c/p>\n\u003cp>The letter additionally called for the resignation of Executive Director Kelly Tweeddale. Upon Tommasson’s announcement that his tenure would end in 2022, the group also demanded transparency in the succession plan for the next artistic director.\u003c/p>\n\u003cfigure id=\"attachment_13909441\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13909441\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/TRHoward.CRED_.EvaHarris.jpg\" alt=\"A Black woman in a black turtleneck in a black-and-white headshot pose.\" width=\"800\" height=\"696\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TRHoward.CRED_.EvaHarris.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TRHoward.CRED_.EvaHarris-160x139.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TRHoward.CRED_.EvaHarris-768x668.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Theresa Ruth Howard is a former ballet dancer and diversity strategist. The New York Times calls her ‘one of the most vocal proponents for racial equity in ballet.’ \u003ccite>(Eva Harris)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Dismantling Ballet’s ‘Antiquated Culture’\u003c/h2>\n\u003cp>Tweeddale stepped down in June 2021, and Rojo, who was unavailable for an interview for this story, was appointed last month. But uncertainty remains about the lasting effects of these changes in leadership—partially because the diversity, equity and inclusion (DEI) process can often appear abstract.\u003c/p>\n\u003cp>For clarity, I spoke with Theresa Ruth Howard, a former ballet dancer and now an independent diversity strategist based in New York. As the founder of \u003ca href=\"https://protect-us.mimecast.com/s/18f_CKr6MvT83o5DiMdHfz?domain=mobballet.org\" target=\"_blank\" rel=\"noopener noreferrer\">Memoirs of Blacks in Ballet (MoBBallet)\u003c/a>, a collective of artists that “preserves, presents, and promotes the contributions and stories of Black artists,” Howard has worked closely with numerous ballet companies, including SFB, to facilitate their DEI strategy and process. The \u003cem>New York Times\u003c/em> calls her “\u003ca href=\"https://www.nytimes.com/2020/08/06/arts/dance/theresa-ruth-howard.html\" target=\"_blank\" rel=\"noopener noreferrer\">one of the most vocal proponents for racial equity in ballet\u003c/a>.”\u003c/p>\n\u003cp>[aside postID='arts_13881257']Years of conversations with dancers, artistic and executive directors, and the boards of companies have given Howard insight into ballet companies’ slow pace of change. She encourages ballet companies to go beyond “difficult conversations” and take concrete steps to dismantle what she calls the “antiquated culture” of ballet.\u003c/p>\n\u003cp>Part of Howard’s work is bridging the gap between a company’s culture and its board of directors, who hold a great deal of power over company leadership and monetary donations—but are often disconnected from the daily work.\u003c/p>\n\u003cp>In order to reach the deepest levels of change, “you need to talk to the most vulnerable person in the organization to really understand the culture,” says Howard.\u003c/p>\n\u003cfigure id=\"attachment_13909402\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909402\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/TamaraRojo.2016.CRED_.RobbieJack-800x502.jpg\" alt=\"\" width=\"800\" height=\"502\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TamaraRojo.2016.CRED_.RobbieJack-800x502.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TamaraRojo.2016.CRED_.RobbieJack-1020x640.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TamaraRojo.2016.CRED_.RobbieJack-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TamaraRojo.2016.CRED_.RobbieJack-768x482.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TamaraRojo.2016.CRED_.RobbieJack.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tamara Rojo (center) as Frida Khalo with artists of the company in English National Ballet’s production of Annabelle Lopez Ochoa’s ‘Broken Wings’ at Sadlers Wells Theatre on April 12, 2016 in London, England. \u003ccite>(Robbie Jack/Corbis via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A New Chief Diversity Officer\u003c/h2>\n\u003cp>Interim Executive Director Danielle St. Germaine-Gordon says that SFB is committed to the DEI process “for the long haul,” and cites Howard’s collaboration with the company as invaluable. Throughout late 2020 and early 2021, SFB created longer-term working groups as part of their Inclusivity, Diversity, Equity, and Access (IDEA) initiative, which included dancers and other employees of the organization.\u003c/p>\n\u003cp>As part of their commitment to DEI work, SFB has hired their first-ever Chief Diversity Officer Rob Sánchez Nelson in Oct. 2021, “and we have an intentional focus to bring more diversity into our leadership positions,” says St. Germaine-Gordon.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sánchez Nelson has a background in LGBTQIA+, housing and disability rights advocacy—not ballet or the arts. But that also means they aren’t as entrenched in the art form’s norms and biases. \u003c/span>\u003cspan style=\"font-weight: 400\">“[SFB] really wanted a fresh approach,” they say.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sánchez Nelson wants to expand and give more power to employee resource groups, and complete SFB’s first-ever annual diversity and equity report, which will include a full demographic survey. \u003c/span>\u003cspan style=\"font-weight: 400\">Acknowledging the lack of communication between the employees and the board, Nelson sees themself as the liaison between the two groups. They say staff wants to see more transparency in communication from leadership. \u003c/span>\u003c/p>\n\u003cp>[aside postID='arts_13909289']“There is a history of information being siloed,” they explain.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sánchez Nelson participated in the interview process in Tamara Rojo’s hiring, and they anticipate being part of SFB’s search for a new executive director.\u003c/span>\u003c/p>\n\u003cp>Rojo, who is Spanish-Canadian, is the first woman to hold the position of artistic director at SFB. Nikisha Fogo’s recent appointment as principal dancer means there are two Black-identifying dancers in the company instead of one. SFB has also recently partnered with the San Francisco Conservatory of Music to develop a fellowship for Black musicians.\u003c/p>\n\u003cp>At the moment, the executive directorship is yet to be filled, which means there’s another opportunity to diversify leadership and implement lasting DEI policy. And there is much to be anticipated in terms of featured artists and choreographers for the 2023 season.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“We can’t do anything externally until internally we are on solid foundation,” Sánchez Nelson cautions.\u003c/span>\u003c/p>\n\u003ch2>A Hope for More Representation\u003c/h2>\n\u003cp>As for Olivier, she felt that during her time at SFB, the organization never got beyond the “difficult conversations” phase of the DEI process. Additionally, Olivier says, “There was a huge separation between what the dancers could know and what you know, those in leadership executive positions knew.”\u003c/p>\n\u003cp>Olivier left SFB last year. And while she has not been invited back as a consultant for their DEI process, she does hope to see more Black and Brown representation on stage and for BIPOC voices to be heard.\u003c/p>\n\u003cp>“So much healing could happen by small gestures and invitations,” Olivier says, adding that ultimately, SFB left “a lot of voices unheard, including my own.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\n","blocks":[],"excerpt":"With new leadership, the Ballet has an opportunity to fulfill its commitments to diversity made in 2020.","status":"publish","parent":0,"modified":1705007186,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":32,"wordCount":1680},"headData":{"title":"As SF Ballet Enters a New Era, Calls for Diversity Reemerge | KQED","description":"With new leadership, the Ballet has an opportunity to fulfill its commitments to diversity made in 2020.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"As SF Ballet Enters a New Era, Calls for Diversity Reemerge","datePublished":"2022-02-16T17:10:13.000Z","dateModified":"2024-01-11T21:06:26.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","path":"/arts/13909322/sf-ballet-diversity-commitments","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">O\u003c/span>n June 2, 2020, like many other institutions that Tuesday, San Francisco Ballet’s official Instagram \u003ca href=\"https://www.instagram.com/p/CA8DjqxjR_g/\" target=\"_blank\" rel=\"noopener noreferrer\">posted\u003c/a> a black box, promising to use the time to reflect on “how to commit meaningful change.” For the next week, the Ballet posted various archival panel discussions, links to Black artists in the ballet world, and a \u003ca href=\"https://www.instagram.com/p/CBEMFUPjQu1/\" target=\"_blank\" rel=\"noopener noreferrer\">statement\u003c/a> from its leadership acknowledging Black contributions to ballet. It pledged to share “next steps and actions.”\u003c/p>\n\u003cp>But as protests in the wake of George Floyd’s murder continued all over the country, many employees felt the company hadn’t been doing enough. In their eyes, at San Francisco Ballet (SFB) and in the ballet world at large, an examination of racism was long overdue.\u003c/p>\n\u003cp>“We had not heard one word, and so just to see it on social media was extremely frustrating,” says former corps de ballet dancer Kimberly Olivier, who stepped away from SFB in 2021 after 12 years with the company. “It was very much so a performative act.”\u003c/p>\n\u003cp>This inaction brought internal discord, and a letter of demands circulated around the organization. A public Instagram account detailed dancers’ and staff members’ accounts of inequities. Amid the fallout, Executive Director Kelly Tweeddale, hired in 2019, stepped down in 2021.\u003c/p>\n\u003cp>Fast-forward to 2022, and the English National Ballet’s Tamara Rojo has been appointed to succeed longtime Artistic Director Helgi Tomasson. Rob Sánchez Nelson has been hired in a new role as the chief diversity officer, and an executive director hiring is imminent. And as the 89-year-old institution enters a new era, its leadership has an opportunity to make good on the promises it made during the racial justice uprisings of 2020.\u003c/p>\n\u003cfigure id=\"attachment_13909404\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909404\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/HelgiTomasson.CarlosAvilaGonzalez-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/HelgiTomasson.CarlosAvilaGonzalez-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/HelgiTomasson.CarlosAvilaGonzalez-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/HelgiTomasson.CarlosAvilaGonzalez-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/HelgiTomasson.CarlosAvilaGonzalez-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/HelgiTomasson.CarlosAvilaGonzalez.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artistic Director Helgi Tomasson works with dancers on stage during a rehearsal for ‘A Midsummer Night’s Dream,’ at the War Memorial Opera House in San Francisco, on Wednesday, March 4, 2020. \u003ccite>(Carlos Avila Gonzalez/The San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘I Felt Very Alone’\u003c/h2>\n\u003cp>As the momentum from 2020’s protests waned, Olivier felt frustrated with SFB leadership’s lack of initiative. The dancer decided to call a meeting in June 2020, which about half of the company’s dancers attended over Zoom. SFB leadership followed up with additional meetings open to all staff, which former Diversity Executive Toni Wilson, former Executive Director Kelly Tweeddale, and soon-to-be former Artistic Director Helgi Tomasson attended. (According to Olivier, Tomasson only came for one or two meetings.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As one of only three Black-identifying company members at the time, Olivier found herself shouldering the task of representation. “I felt very alone, and I felt like there was a huge burden for me to represent the dancers,” says Olivier. (In full disclosure, I trained with the San Francisco Ballet School 10 years ago, and as a Black-identifying person, I recognize the dynamic that Olivier describes, both in the classroom and on stage.)\u003c/p>\n\u003cp>In December 2020, an anonymous group of dancers and other employees wrote a letter to SFB leadership with a list of demands. They also created an Instagram account, \u003ca href=\"https://www.instagram.com/sfballet2021/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">@sfballet2021\u003c/a>, to air their grievances and those of others. Posted without attribution, the grievances described a company that hadn’t valued the contributions of Black and brown staff, though it featured them prominently in marketing materials.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13908667","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Other posts accused SFB of failing to meaningfully engage with diverse choreographers, and took issue with the company selecting works that perpetuated racist and sexist tropes. Several posts charged that SFB’s leaders, most of them white, were treating DEI work as an afterthought. (The Instagram account has been inactive since February 2021, and messages to the account from KQED went unanswered. No current dancers with SFB who were contacted agreed to be interviewed.)\u003c/p>\n\u003cp>The @sfballet2021 Instagram page also publicly listed the internal letter’s demands. Those included SFB issuing a public apology to BIPOC employees, publishing an annual DEI report, requiring 13% of employees at all levels of the organization to be Black, releasing employees from nondisclosure agreements, hiring a Chief Diversity Officer, and creating safe spaces and funding for Employee Resource Groups (ERGs) to support employees of color.\u003c/p>\n\u003cp>(Talks of a proposed meeting between the employees behind the letter and SFB leadership broke down, \u003ca href=\"https://datebook.sfchronicle.com/dance/s-f-ballet-seeks-to-diversify-make-amends-for-racial-inequities\" target=\"_blank\" rel=\"noopener noreferrer\">as reported by\u003c/a> the \u003cem>San Francisco Chronicle\u003c/em>, when the employees wanted to preserve their anonymity by meeting through a mediator, and leadership wanted to meet face-to-face.)\u003c/p>\n\u003cp>The letter additionally called for the resignation of Executive Director Kelly Tweeddale. Upon Tommasson’s announcement that his tenure would end in 2022, the group also demanded transparency in the succession plan for the next artistic director.\u003c/p>\n\u003cfigure id=\"attachment_13909441\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13909441\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/TRHoward.CRED_.EvaHarris.jpg\" alt=\"A Black woman in a black turtleneck in a black-and-white headshot pose.\" width=\"800\" height=\"696\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TRHoward.CRED_.EvaHarris.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TRHoward.CRED_.EvaHarris-160x139.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TRHoward.CRED_.EvaHarris-768x668.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Theresa Ruth Howard is a former ballet dancer and diversity strategist. The New York Times calls her ‘one of the most vocal proponents for racial equity in ballet.’ \u003ccite>(Eva Harris)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Dismantling Ballet’s ‘Antiquated Culture’\u003c/h2>\n\u003cp>Tweeddale stepped down in June 2021, and Rojo, who was unavailable for an interview for this story, was appointed last month. But uncertainty remains about the lasting effects of these changes in leadership—partially because the diversity, equity and inclusion (DEI) process can often appear abstract.\u003c/p>\n\u003cp>For clarity, I spoke with Theresa Ruth Howard, a former ballet dancer and now an independent diversity strategist based in New York. As the founder of \u003ca href=\"https://protect-us.mimecast.com/s/18f_CKr6MvT83o5DiMdHfz?domain=mobballet.org\" target=\"_blank\" rel=\"noopener noreferrer\">Memoirs of Blacks in Ballet (MoBBallet)\u003c/a>, a collective of artists that “preserves, presents, and promotes the contributions and stories of Black artists,” Howard has worked closely with numerous ballet companies, including SFB, to facilitate their DEI strategy and process. The \u003cem>New York Times\u003c/em> calls her “\u003ca href=\"https://www.nytimes.com/2020/08/06/arts/dance/theresa-ruth-howard.html\" target=\"_blank\" rel=\"noopener noreferrer\">one of the most vocal proponents for racial equity in ballet\u003c/a>.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13881257","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Years of conversations with dancers, artistic and executive directors, and the boards of companies have given Howard insight into ballet companies’ slow pace of change. She encourages ballet companies to go beyond “difficult conversations” and take concrete steps to dismantle what she calls the “antiquated culture” of ballet.\u003c/p>\n\u003cp>Part of Howard’s work is bridging the gap between a company’s culture and its board of directors, who hold a great deal of power over company leadership and monetary donations—but are often disconnected from the daily work.\u003c/p>\n\u003cp>In order to reach the deepest levels of change, “you need to talk to the most vulnerable person in the organization to really understand the culture,” says Howard.\u003c/p>\n\u003cfigure id=\"attachment_13909402\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909402\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/TamaraRojo.2016.CRED_.RobbieJack-800x502.jpg\" alt=\"\" width=\"800\" height=\"502\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TamaraRojo.2016.CRED_.RobbieJack-800x502.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TamaraRojo.2016.CRED_.RobbieJack-1020x640.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TamaraRojo.2016.CRED_.RobbieJack-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TamaraRojo.2016.CRED_.RobbieJack-768x482.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/TamaraRojo.2016.CRED_.RobbieJack.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tamara Rojo (center) as Frida Khalo with artists of the company in English National Ballet’s production of Annabelle Lopez Ochoa’s ‘Broken Wings’ at Sadlers Wells Theatre on April 12, 2016 in London, England. \u003ccite>(Robbie Jack/Corbis via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A New Chief Diversity Officer\u003c/h2>\n\u003cp>Interim Executive Director Danielle St. Germaine-Gordon says that SFB is committed to the DEI process “for the long haul,” and cites Howard’s collaboration with the company as invaluable. Throughout late 2020 and early 2021, SFB created longer-term working groups as part of their Inclusivity, Diversity, Equity, and Access (IDEA) initiative, which included dancers and other employees of the organization.\u003c/p>\n\u003cp>As part of their commitment to DEI work, SFB has hired their first-ever Chief Diversity Officer Rob Sánchez Nelson in Oct. 2021, “and we have an intentional focus to bring more diversity into our leadership positions,” says St. Germaine-Gordon.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sánchez Nelson has a background in LGBTQIA+, housing and disability rights advocacy—not ballet or the arts. But that also means they aren’t as entrenched in the art form’s norms and biases. \u003c/span>\u003cspan style=\"font-weight: 400\">“[SFB] really wanted a fresh approach,” they say.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sánchez Nelson wants to expand and give more power to employee resource groups, and complete SFB’s first-ever annual diversity and equity report, which will include a full demographic survey. \u003c/span>\u003cspan style=\"font-weight: 400\">Acknowledging the lack of communication between the employees and the board, Nelson sees themself as the liaison between the two groups. They say staff wants to see more transparency in communication from leadership. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13909289","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“There is a history of information being siloed,” they explain.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sánchez Nelson participated in the interview process in Tamara Rojo’s hiring, and they anticipate being part of SFB’s search for a new executive director.\u003c/span>\u003c/p>\n\u003cp>Rojo, who is Spanish-Canadian, is the first woman to hold the position of artistic director at SFB. Nikisha Fogo’s recent appointment as principal dancer means there are two Black-identifying dancers in the company instead of one. SFB has also recently partnered with the San Francisco Conservatory of Music to develop a fellowship for Black musicians.\u003c/p>\n\u003cp>At the moment, the executive directorship is yet to be filled, which means there’s another opportunity to diversify leadership and implement lasting DEI policy. And there is much to be anticipated in terms of featured artists and choreographers for the 2023 season.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“We can’t do anything externally until internally we are on solid foundation,” Sánchez Nelson cautions.\u003c/span>\u003c/p>\n\u003ch2>A Hope for More Representation\u003c/h2>\n\u003cp>As for Olivier, she felt that during her time at SFB, the organization never got beyond the “difficult conversations” phase of the DEI process. Additionally, Olivier says, “There was a huge separation between what the dancers could know and what you know, those in leadership executive positions knew.”\u003c/p>\n\u003cp>Olivier left SFB last year. And while she has not been invited back as a consultant for their DEI process, she does hope to see more Black and Brown representation on stage and for BIPOC voices to be heard.\u003c/p>\n\u003cp>“So much healing could happen by small gestures and invitations,” Olivier says, adding that ultimately, SFB left “a lot of voices unheard, including my own.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13909322/sf-ballet-diversity-commitments","authors":["11759"],"categories":["arts_1","arts_835","arts_966"],"tags":["arts_3156","arts_879","arts_4027","arts_10342","arts_10278","arts_1643"],"featImg":"arts_13909439","label":"arts"},"arts_13879497":{"type":"posts","id":"arts_13879497","meta":{"index":"posts_1591205157","site":"arts","id":"13879497","score":null,"sort":[1588197622000]},"guestAuthors":[],"slug":"how-dancers-maintain-their-well-being-in-quarantine","title":"How Dancers Maintain Their Well-Being in Quarantine","publishDate":1588197622,"format":"standard","headTitle":"How Dancers Maintain Their Well-Being in Quarantine | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cem>Note: This is the second in a three-part series about the effect of the coronavirus crisis on Bay Area dance companies. Find part one \u003ca href=\"https://www.kqed.org/arts/13879355/the-precarity-and-ingenuity-of-bay-area-dance-in-isolation\" rel=\"noopener noreferrer\" target=\"_blank\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>To get a full snapshot of Bay Area dance during the coronavirus pandemic, one has to look at a wide variety of organizations—from small, project-based, pick-up companies to one of the largest ballet companies in America. But the true measure of impact goes beyond dance companies, to the individual level. One theme emerges: in what suddenly feels like an existential time for dance, organizational survival is inextricably tied to dancer well-being.\u003c/p>\n\u003cp>\u003ca href=\"http://odc.dance/executive-leadership\" target=\"_blank\" rel=\"noopener noreferrer\">As \u003cstrong>Brenda Way\u003c/strong>\u003c/a>, founder and artistic director of\u003ca href=\"http://odc.dance/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong> ODC\u003c/strong>\u003c/a>, says, “We have to work to keep young people from being terribly depressed. Speaking for myself, we’ve been through a lot of hard stuff in our time, so we kind of know how to handle it, but young people don’t.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=l-FV79d9Qy4&list=PLJ4iJTHU2yqRqFDmE8ld-_DtT59A7OofA&index=13&t=0s\u003c/p>\n\u003cp>The organization operates as a “mother ship” for emerging and mid-size dance companies, with 10 dancers of its own, 28 full-time employees, 132 teachers and 40 accompanists. It supports a school, theater, dance company, clinic, café and Pilates center on a budget of about $7.6 million, which is roughly 50% earned and 50% contributed. That budget is now unstable: “It’s a perfect storm, in that our loyal supporters, including foundations, are seeing the value of their assets fall in the markets,” says Way.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://dancersgroup.org/2018/12/lessons-learned-pulling-double-duty-conversation-robert-dekkers/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Robert Dekkers\u003c/strong>\u003c/a> runs his own small company, \u003ca href=\"https://www.postballet.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Post:Ballet\u003c/strong>\u003c/a>, in addition to the community and pre-professional programs at \u003ca href=\"http://www.berkeleyballet.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Berkeley Ballet Theater\u003c/strong>\u003c/a>. This is “a precarious moment” for BBT, he says, with the closure of the school and transition to a reduced online curriculum. But he says that as it marks its 40th anniversary, there is a strong sense of community, and he is confident of support for the school.\u003c/p>\n\u003cfigure id=\"attachment_13879118\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13879118\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Robert-Sandrine-Christian-800x1065.jpg\" alt=\"\" width=\"800\" height=\"1065\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Robert-Sandrine-Christian-800x1065.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Robert-Sandrine-Christian-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Robert-Sandrine-Christian-768x1022.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Robert-Sandrine-Christian-1020x1358.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Robert-Sandrine-Christian-1920x2556.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Robert Dekkers sheltering at the barre with Sandrine Cassini and Christian Squires. (Photo courtesy Robert Dekkers)\u003c/figcaption>\u003c/figure>\n\u003cp>He likens Post:Ballet to “a speedboat, which can shift quickly from live performances to video.” With eight dancers at the core, it operates on a budget of $100–$130k, one-third each coming from ticket sales, foundations and individuals. (“No government!” he says.) Dekkers recently directed a short film as part of a larger project, titled \u003cem>Lyra\u003c/em>, that interprets the Orpheus and Eurydice myth for modern times. He now aims to produce a few more film sketches and delay the live dance production, hoping that film will increase access to the work of Post:Ballet beyond the Bay Area.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=pvYWU0hZm0k\u003c/p>\n\u003cp>Yet he’s always mindful of his dancers and students, who are desperate to get into the studio. “They have such a narrow window to perform,” he says. “A year of missed opportunities when you’re at your prime is so hard.”\u003c/p>\n\u003ch2>Piecing it Together\u003c/h2>\n\u003cp>Of the dancers who perform professionally in the Bay Area, the majority work short gigs. \u003cstrong>Robert Moses\u003c/strong> notes, “If you’re a gig worker dancer, you work for maybe three dance companies for a certain number of hours, and the rest you’re driving Uber. All of that is gone. Maybe some of that won’t come back, because attitudes about live performance—which is its own particular wonderful thing—may change, may not be valued the same way. That’s my concern. All that time you take building an audience of people interested in the experience of being in a room with other people, sharing reactions to something that moves them, touches them.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dsQQiLQhvSw\u003c/p>\n\u003cp>\u003ca href=\"http://sonsheree.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Sonsherée Giles\u003c/strong>\u003c/a>, who dances with AXIS, Jo Kreiter’s Flyaway Productions and Nancy Karp & Dancers, says the impact of the shutdown has been “phenomenal, emotionally draining, surreal. You start to learn of [those around you] getting sick. The degrees of separation are shrinking on everybody.”\u003c/p>\n\u003cp>Giles tries to stay healthy by teaching and taking classes online. “I resisted at first. I’m not a computer person, now I’m excited to be in front of the computer… a new low in my life!” Meetings and teaching for AXIS helps to structure her day: “Some people are in a bathroom, some in a kitchen, improvising in small spaces. A lot of breathing and meditating and stretching, finding ways to strengthen and still warm up.”\u003c/p>\n\u003cp>“I thought I was going to have all this time. But I think I’m grieving,” she said. She and her partner are mostly living on savings. “I know a lot of people not paying rent to save money for food. I did pay April rent. But I’m using my credit card to buy food.”\u003c/p>\n\u003cp>Independent choreographer \u003ca href=\"http://www.kristindamrow.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Kristin Damrow\u003c/strong>\u003c/a> says “dancers are used to the hustle, but when you can’t hustle… “\u003c/p>\n\u003cp>Yet now that reliance on the internet (“a platform that many people have a love/hate relationship with in this community”) as the new home for dance has peaked, she welcomes the chance to win a wider national and global audience for Bay Area dance. She hosts a meet-up called ‘\u003ca href=\"https://www.facebook.com/groups/441391729394406/\" target=\"_blank\" rel=\"noopener noreferrer\">Choreographers & Coffee\u003c/a>’ which has gone virtual and expanded from the Bay Area to Berlin, Los Angeles, Philadelphia, Hawaii, and Switzerland. The series has sparked conversations on “how we have shifted our own creative process, how we are continuing to engage our audiences, challenges we have felt in funding, dreaming up what the perfect dance community might look like, and changes we can make to get there.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=sFuH-A5kscs\u003c/p>\n\u003cp>A lot of Damrow’s audience is younger, she says, and some work in the tech world. “This could also be an opportunity for resurgence in live performance, when the younger generation sees the value in experiencing art and supporting dance. When it’s suddenly gone.” Her new work, called \u003cem>Acclimate\u003c/em>, about human adaptation to environmental change, had been set to premiere at YBCA in April.\u003c/p>\n\u003ch2>At San Francisco Ballet, ‘Creating a Playbook as We Go’\u003c/h2>\n\u003cp>Largely protected from the gig economy, a minority of dancers are attached to single companies, working under contracts that run no more than 44 weeks per year. These include the dancers of \u003ca href=\"https://www.sfballet.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Ballet\u003c/strong>\u003c/a>, the second largest ballet company in the country, and the oldest. For these dancers, the opening night of \u003cem>A Midsummer Night’s Dream\u003c/em> turned out to be closing night of the entire season with the abrupt closure of the War Memorial Opera House on March 7, ahead of nearly every other venue for dance in the country.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Hjn0s33ezoY\u003c/p>\n\u003cp>For principal dancer \u003ca href=\"https://www.sfballet.org/artist/wei-wang/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Wei Wang\u003c/strong>\u003c/a>, who was to have danced the role of Oberon later in the run, the shutdown feels particularly isolating—not just because he misses the contact with his peers in the studio, but because his family was in lockdown in China, and he had no chance of seeking refuge with them. As the company started to stream content, Wang teamed up with San Francisco Ballet Orchestra violist Caroline Lee to create a video that conveys both desolation and hopefulness.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=yTRopJfMwyY\u003c/p>\n\u003cp>Ballet master \u003ca href=\"https://www.sfballet.org/artist/tina-leblanc/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Tina LeBlanc\u003c/strong>\u003c/a> has also parachuted into the void, teaching a virtual company class accompanied by pianist Mongo Buriad, both sheltering in place in their homes. Wang tries to take class every day: “It’s a good way to start the day, helps on some level to keep from driving myself crazy.”\u003c/p>\n\u003cp>Like many, LeBlanc is wrestling for the first time with the technology and the logistics of teaching a technique that requires close physical fine-tuning, and that feeds off the energy of a roomful of bodies bounding in unison across the acreage of a dance studio.\u003c/p>\n\u003cp>Without that kind of space at home, or a sprung floor with the matte covering needed to support jumping and turning, virtual training in isolation is at best a way to maintain human connection—but not the rigorous training needed for this team activity. So much in dance involves precision movement, the fine-tuning of spacing and partnering mechanics that can only be achieved by many hours of working together in a studio under the guidance of a choreographer or ballet master.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ecGV-rMwTtY\u003c/p>\n\u003cp>Prolonged isolation poses a unique threat, too. Dancers’ bodies are instruments which swiftly deteriorate without a regimen of daily class and rehearsals. And their careers are so short that a lost season is the equivalent of a lost decade for other artists.\u003c/p>\n\u003cp>Governor Newsom has indicated that a phased return to normalcy will likely delay large gatherings. San Francisco Ballet, says executive director \u003cstrong>Kelly Tweeddale\u003c/strong>, is now focusing on “how to get dancers back into the studios. We’re creating a playbook as we go. Because their own training, athleticism, ability to perform at the level that they need, will take four to six weeks before even thinking about performances.”\u003c/p>\n\u003cp>In the meantime, the company is releasing a new ballet from its archives every Friday that will be available for streaming for a week:\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/videoseries?controls=0&list=PLQ7A49bWFwYBeqeq3J46C86nlQUZhmZeO\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>With 78 dancers and a monthly payroll of $2.5–$3 million, the company launched \u003ca href=\"https://www.sfballet.org/support-us/critical-relief-fund/\" target=\"_blank\" rel=\"noopener noreferrer\">a fundraising campaign\u003c/a> that has so far raised over $700K with gifts from nearly 850 donors, plus a $500K gift from the Hearst Foundation. The company’s also fortunate to have been approved for Paycheck Protection Program (PPP) funding under the Federal CARES Act. This, Tweeddale says, will allow them to fund payroll through the end of June.\u003c/p>\n\u003cp>“Yet we’re mindful,” Tweeddale adds, “of the many organizations in our community who are still in the queue, and for whom additional funding may be required through the CARES Act.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Part III of this series will run on Thursday.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"From small outfits to one of the largest ballet companies in America, dancers struggle in quarantine.","status":"publish","parent":0,"modified":1705020831,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":29,"wordCount":1730},"headData":{"title":"How Dancers Maintain Their Well-Being in Quarantine | KQED","description":"From small outfits to one of the largest ballet companies in America, dancers struggle in quarantine.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How Dancers Maintain Their Well-Being in Quarantine","datePublished":"2020-04-29T22:00:22.000Z","dateModified":"2024-01-12T00:53:51.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13879497/how-dancers-maintain-their-well-being-in-quarantine","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Note: This is the second in a three-part series about the effect of the coronavirus crisis on Bay Area dance companies. Find part one \u003ca href=\"https://www.kqed.org/arts/13879355/the-precarity-and-ingenuity-of-bay-area-dance-in-isolation\" rel=\"noopener noreferrer\" target=\"_blank\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>To get a full snapshot of Bay Area dance during the coronavirus pandemic, one has to look at a wide variety of organizations—from small, project-based, pick-up companies to one of the largest ballet companies in America. But the true measure of impact goes beyond dance companies, to the individual level. One theme emerges: in what suddenly feels like an existential time for dance, organizational survival is inextricably tied to dancer well-being.\u003c/p>\n\u003cp>\u003ca href=\"http://odc.dance/executive-leadership\" target=\"_blank\" rel=\"noopener noreferrer\">As \u003cstrong>Brenda Way\u003c/strong>\u003c/a>, founder and artistic director of\u003ca href=\"http://odc.dance/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong> ODC\u003c/strong>\u003c/a>, says, “We have to work to keep young people from being terribly depressed. Speaking for myself, we’ve been through a lot of hard stuff in our time, so we kind of know how to handle it, but young people don’t.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/l-FV79d9Qy4'\n title='//www.youtube.com/embed/l-FV79d9Qy4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The organization operates as a “mother ship” for emerging and mid-size dance companies, with 10 dancers of its own, 28 full-time employees, 132 teachers and 40 accompanists. It supports a school, theater, dance company, clinic, café and Pilates center on a budget of about $7.6 million, which is roughly 50% earned and 50% contributed. That budget is now unstable: “It’s a perfect storm, in that our loyal supporters, including foundations, are seeing the value of their assets fall in the markets,” says Way.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://dancersgroup.org/2018/12/lessons-learned-pulling-double-duty-conversation-robert-dekkers/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Robert Dekkers\u003c/strong>\u003c/a> runs his own small company, \u003ca href=\"https://www.postballet.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Post:Ballet\u003c/strong>\u003c/a>, in addition to the community and pre-professional programs at \u003ca href=\"http://www.berkeleyballet.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Berkeley Ballet Theater\u003c/strong>\u003c/a>. This is “a precarious moment” for BBT, he says, with the closure of the school and transition to a reduced online curriculum. But he says that as it marks its 40th anniversary, there is a strong sense of community, and he is confident of support for the school.\u003c/p>\n\u003cfigure id=\"attachment_13879118\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13879118\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/Robert-Sandrine-Christian-800x1065.jpg\" alt=\"\" width=\"800\" height=\"1065\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Robert-Sandrine-Christian-800x1065.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Robert-Sandrine-Christian-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Robert-Sandrine-Christian-768x1022.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Robert-Sandrine-Christian-1020x1358.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/Robert-Sandrine-Christian-1920x2556.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Robert Dekkers sheltering at the barre with Sandrine Cassini and Christian Squires. (Photo courtesy Robert Dekkers)\u003c/figcaption>\u003c/figure>\n\u003cp>He likens Post:Ballet to “a speedboat, which can shift quickly from live performances to video.” With eight dancers at the core, it operates on a budget of $100–$130k, one-third each coming from ticket sales, foundations and individuals. (“No government!” he says.) Dekkers recently directed a short film as part of a larger project, titled \u003cem>Lyra\u003c/em>, that interprets the Orpheus and Eurydice myth for modern times. He now aims to produce a few more film sketches and delay the live dance production, hoping that film will increase access to the work of Post:Ballet beyond the Bay Area.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pvYWU0hZm0k'\n title='//www.youtube.com/embed/pvYWU0hZm0k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Yet he’s always mindful of his dancers and students, who are desperate to get into the studio. “They have such a narrow window to perform,” he says. “A year of missed opportunities when you’re at your prime is so hard.”\u003c/p>\n\u003ch2>Piecing it Together\u003c/h2>\n\u003cp>Of the dancers who perform professionally in the Bay Area, the majority work short gigs. \u003cstrong>Robert Moses\u003c/strong> notes, “If you’re a gig worker dancer, you work for maybe three dance companies for a certain number of hours, and the rest you’re driving Uber. All of that is gone. Maybe some of that won’t come back, because attitudes about live performance—which is its own particular wonderful thing—may change, may not be valued the same way. That’s my concern. All that time you take building an audience of people interested in the experience of being in a room with other people, sharing reactions to something that moves them, touches them.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dsQQiLQhvSw'\n title='//www.youtube.com/embed/dsQQiLQhvSw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003ca href=\"http://sonsheree.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Sonsherée Giles\u003c/strong>\u003c/a>, who dances with AXIS, Jo Kreiter’s Flyaway Productions and Nancy Karp & Dancers, says the impact of the shutdown has been “phenomenal, emotionally draining, surreal. You start to learn of [those around you] getting sick. The degrees of separation are shrinking on everybody.”\u003c/p>\n\u003cp>Giles tries to stay healthy by teaching and taking classes online. “I resisted at first. I’m not a computer person, now I’m excited to be in front of the computer… a new low in my life!” Meetings and teaching for AXIS helps to structure her day: “Some people are in a bathroom, some in a kitchen, improvising in small spaces. A lot of breathing and meditating and stretching, finding ways to strengthen and still warm up.”\u003c/p>\n\u003cp>“I thought I was going to have all this time. But I think I’m grieving,” she said. She and her partner are mostly living on savings. “I know a lot of people not paying rent to save money for food. I did pay April rent. But I’m using my credit card to buy food.”\u003c/p>\n\u003cp>Independent choreographer \u003ca href=\"http://www.kristindamrow.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Kristin Damrow\u003c/strong>\u003c/a> says “dancers are used to the hustle, but when you can’t hustle… “\u003c/p>\n\u003cp>Yet now that reliance on the internet (“a platform that many people have a love/hate relationship with in this community”) as the new home for dance has peaked, she welcomes the chance to win a wider national and global audience for Bay Area dance. She hosts a meet-up called ‘\u003ca href=\"https://www.facebook.com/groups/441391729394406/\" target=\"_blank\" rel=\"noopener noreferrer\">Choreographers & Coffee\u003c/a>’ which has gone virtual and expanded from the Bay Area to Berlin, Los Angeles, Philadelphia, Hawaii, and Switzerland. The series has sparked conversations on “how we have shifted our own creative process, how we are continuing to engage our audiences, challenges we have felt in funding, dreaming up what the perfect dance community might look like, and changes we can make to get there.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sFuH-A5kscs'\n title='//www.youtube.com/embed/sFuH-A5kscs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>A lot of Damrow’s audience is younger, she says, and some work in the tech world. “This could also be an opportunity for resurgence in live performance, when the younger generation sees the value in experiencing art and supporting dance. When it’s suddenly gone.” Her new work, called \u003cem>Acclimate\u003c/em>, about human adaptation to environmental change, had been set to premiere at YBCA in April.\u003c/p>\n\u003ch2>At San Francisco Ballet, ‘Creating a Playbook as We Go’\u003c/h2>\n\u003cp>Largely protected from the gig economy, a minority of dancers are attached to single companies, working under contracts that run no more than 44 weeks per year. These include the dancers of \u003ca href=\"https://www.sfballet.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Ballet\u003c/strong>\u003c/a>, the second largest ballet company in the country, and the oldest. For these dancers, the opening night of \u003cem>A Midsummer Night’s Dream\u003c/em> turned out to be closing night of the entire season with the abrupt closure of the War Memorial Opera House on March 7, ahead of nearly every other venue for dance in the country.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Hjn0s33ezoY'\n title='//www.youtube.com/embed/Hjn0s33ezoY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>For principal dancer \u003ca href=\"https://www.sfballet.org/artist/wei-wang/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Wei Wang\u003c/strong>\u003c/a>, who was to have danced the role of Oberon later in the run, the shutdown feels particularly isolating—not just because he misses the contact with his peers in the studio, but because his family was in lockdown in China, and he had no chance of seeking refuge with them. As the company started to stream content, Wang teamed up with San Francisco Ballet Orchestra violist Caroline Lee to create a video that conveys both desolation and hopefulness.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yTRopJfMwyY'\n title='//www.youtube.com/embed/yTRopJfMwyY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Ballet master \u003ca href=\"https://www.sfballet.org/artist/tina-leblanc/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Tina LeBlanc\u003c/strong>\u003c/a> has also parachuted into the void, teaching a virtual company class accompanied by pianist Mongo Buriad, both sheltering in place in their homes. Wang tries to take class every day: “It’s a good way to start the day, helps on some level to keep from driving myself crazy.”\u003c/p>\n\u003cp>Like many, LeBlanc is wrestling for the first time with the technology and the logistics of teaching a technique that requires close physical fine-tuning, and that feeds off the energy of a roomful of bodies bounding in unison across the acreage of a dance studio.\u003c/p>\n\u003cp>Without that kind of space at home, or a sprung floor with the matte covering needed to support jumping and turning, virtual training in isolation is at best a way to maintain human connection—but not the rigorous training needed for this team activity. So much in dance involves precision movement, the fine-tuning of spacing and partnering mechanics that can only be achieved by many hours of working together in a studio under the guidance of a choreographer or ballet master.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ecGV-rMwTtY'\n title='//www.youtube.com/embed/ecGV-rMwTtY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Prolonged isolation poses a unique threat, too. Dancers’ bodies are instruments which swiftly deteriorate without a regimen of daily class and rehearsals. And their careers are so short that a lost season is the equivalent of a lost decade for other artists.\u003c/p>\n\u003cp>Governor Newsom has indicated that a phased return to normalcy will likely delay large gatherings. San Francisco Ballet, says executive director \u003cstrong>Kelly Tweeddale\u003c/strong>, is now focusing on “how to get dancers back into the studios. We’re creating a playbook as we go. Because their own training, athleticism, ability to perform at the level that they need, will take four to six weeks before even thinking about performances.”\u003c/p>\n\u003cp>In the meantime, the company is releasing a new ballet from its archives every Friday that will be available for streaming for a week:\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/videoseries?controls=0&list=PLQ7A49bWFwYBeqeq3J46C86nlQUZhmZeO\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>With 78 dancers and a monthly payroll of $2.5–$3 million, the company launched \u003ca href=\"https://www.sfballet.org/support-us/critical-relief-fund/\" target=\"_blank\" rel=\"noopener noreferrer\">a fundraising campaign\u003c/a> that has so far raised over $700K with gifts from nearly 850 donors, plus a $500K gift from the Hearst Foundation. The company’s also fortunate to have been approved for Paycheck Protection Program (PPP) funding under the Federal CARES Act. This, Tweeddale says, will allow them to fund payroll through the end of June.\u003c/p>\n\u003cp>“Yet we’re mindful,” Tweeddale adds, “of the many organizations in our community who are still in the queue, and for whom additional funding may be required through the CARES Act.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Part III of this series will run on Thursday.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13879497/how-dancers-maintain-their-well-being-in-quarantine","authors":["11206"],"categories":["arts_1","arts_966"],"tags":["arts_10126","arts_879","arts_10278","arts_1406","arts_1643"],"featImg":"arts_13879513","label":"arts"},"arts_13876160":{"type":"posts","id":"arts_13876160","meta":{"index":"posts_1591205157","site":"arts","id":"13876160","score":null,"sort":[1584140436000]},"guestAuthors":[],"slug":"canceled-by-coronavirus-a-list-of-bay-area-concerts-cultural-events-museums-more","title":"Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More","publishDate":1584140436,"format":"standard","headTitle":"Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More | KQED","labelTerm":{},"content":"\u003cp>Updated: March 17, 6:30am\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Note\u003c/strong>: \u003cstrong>This list is no longer being updated as of March 17\u003c/strong>. Because of new restrictions and shelter-in-place orders, it is safe to assume that every concert, performance, museum or cultural event in the Bay Area has been canceled or closed for the time being.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 17, a \u003ca href=\"https://www.kqed.org/news/11806988/sheltering-in-place-what-you-need-to-know\" rel=\"noopener noreferrer\" target=\"_blank\">shelter-in-place order took effect for six Bay Area counties\u003c/a>, requiring people to stay at home and leave only for essential activities.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 16, the CDC \u003ca href=\"https://www.kqed.org/arts/13876716/cdc-recommends-against-gatherings-of-50-or-more-states-close-bars-restaurants\" rel=\"noopener noreferrer\" target=\"_blank\">warned against gatherings of 50 people or more\u003c/a>, including “conferences, festivals, parades, concerts, sporting events, weddings, and other types of assemblies.” Governor Gavin Newsom also \u003ca href=\"https://www.kqed.org/news/11806871/newsom-calls-for-closure-of-all-bars-in-an-effort-to-increase-social-distancing\" rel=\"noopener noreferrer\" target=\"_blank\">called for the closure\u003c/a> of all bars, wineries, nightclubs and breweries.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Stay up to date on full coronavirus coverage \u003ca href=\"https://www.kqed.org/coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>Concern over the spread of the coronavirus has caused the cancellation of many concerts, performances and other cultural events in the Bay Area.[aside postid=\"science_1957877\"]\u003c/p>\n\u003cp>Below, see a list of cultural events, concerts and performances canceled or postponed due to coronavirus concerns. Many venues have enacted flexible refund and ticket-exchange policies. Click through the venue or event name for details, and for updated information about reopening.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"https://www.act-sf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>American Conservatory Theater\u003c/strong>\u003c/a>\u003cbr>\nAll performances of ‘Toni Stone’ (Geary Theater) and ‘Gloria’ (Strand Theater) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">‘Ain’t I a Woman’\u003c/a>\u003c/strong> (March 15)\u003cbr>\nPerformance by Core Ensemble canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Ana Gabriel\u003c/a>\u003c/strong>\u003cbr>\nMarch 19 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Andre Rieu\u003c/a>\u003c/strong>\u003cbr>\nMarch 22 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://asianart.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Asian Art Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/athletics\" rel=\"noopener noreferrer\" target=\"_blank\">Oakland A’s\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.augusthallsf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">August Hall\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 27 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/balboa\" rel=\"noopener noreferrer\" target=\"_blank\">Balboa Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://bampfa.org/news/new-info-bampfa-update-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">BAMPFA\u003c/a>\u003c/strong>\u003cbr>\nAll film screenings, tours and public programs canceled through March 29\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.baybookfest.org/2020cancellation/\" rel=\"noopener noreferrer\" target=\"_blank\">Bay Area Book Festival\u003c/a>\u003c/strong> (May 2 and 3)\u003cbr>\nPostponed to May 1-2, 2021\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gradlectures.berkeley.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley Graduate Lectures\u003c/a>\u003c/strong>\u003cbr>\nAll lectures canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.berkeleyrep.org/?gclsrc=aw.ds&gclid=Cj0KCQjwu6fzBRC6ARIsAJUwa2SSGnQum2eM6ybkE8IFauSDY_ugwioEz44pG-2t0TkGpUXzvuyXNocaAlwYEALw_wcB&gclsrc=aw.ds\" rel=\"noopener noreferrer\" target=\"_blank\">Berkeley Repertory Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of \u003cem>Culture Clash (Still) in America\u003c/em> canceled; \u003cem>School Girls; Or, The African Mean Girls Play\u003c/em>, originally slated to start on March 19, on hiatus through April 5\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Bill Graham Civic Auditorium\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/venues/bing-concert-hall\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Bing Concert Hall\u003c/strong>\u003c/a>\u003cbr>\nMost shows canceled through April 15, including Cecile McLorin Salvant (March 13)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.calacademy.org/a-message-to-our-academy-community-on-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">California Academy of Sciences\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://californiahistoricalsociety.org/\" rel=\"noopener noreferrer\" target=\"_blank\">California Historical Society\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://museum.stanford.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cantor Arts Center and Anderson Collection\u003c/strong> \u003c/a>\u003cbr>\nClosed to the public through April 15\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.catchlight.io/\" target=\"_blank\" rel=\"noopener noreferrer\">CatchLight Visual Storytelling Summit\u003c/a>\u003c/strong> (May 17–18)\u003cbr>\nPostponed to late October 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.chasecenter.com/news/5h4k5TxZF2QdDYpa6MTNLa\" rel=\"noopener noreferrer\" target=\"_blank\">Celine Dion\u003c/a>\u003c/strong> (March 12)\u003cbr>\nConcert at Chase Center postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://centerfornewmusic.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Center for New Music\u003c/a>\u003c/strong>\u003cbr>\nAll public events suspended through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">Chase Center\u003c/a>\u003c/strong>\u003cbr>\nNBA season postponed, Warriors games off; all concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfcherryblossom.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Cherry Blossom Festival, Japantown SF\u003c/a>\u003c/strong> (April 11-12 and April 17-19)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.cinequest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cinequest Film Festival\u003c/strong>\u003c/a> (March 3–15)\u003cbr>\nMarch 8-15 events postponed to August 16–30\u003c/p>\n\u003cp>\u003ca href=\"http://circuscenter.org/blog/2020/03/07/covid-19--march-13-14-cabaret-cancelled\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Circus Center Cabaret\u003c/strong>\u003c/a> (March 13_14)\u003cbr>\nCanceled; looking to reschedule\u003c/p>\n\u003cp>\u003ca href=\"https://www.cirquedusoleil.com/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>Cirque du Soleil: Axel\u003c/strong>\u003c/a> (March 24-28)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cityarts.net/\" target=\"_blank\" rel=\"noopener noreferrer\">City Arts & Lectures\u003c/a>\u003c/strong>\u003cbr>\nCertain scheduled events to be held with no audience and livestreamed: Anna Wiener (March 12), Peggy Orenstein (March 19), and Robert Reich (March 23)\u003c/p>\n\u003cp>\u003ca href=\"https://www.commonwealthclub.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Commonwealth Club\u003c/strong>\u003c/a>\u003cbr>\nAll in-person events canceled through March 22 for San Francisco, Marin County and Silicon Valley\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.thecjm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Contemporary Jewish Museum\u003c/a>\u003c/strong>\u003cbr>\nAll public programs and tours canceled through March 22; museum remains open\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://counterpulse.org/\" rel=\"noopener noreferrer\" target=\"_blank\">CounterPulse\u003c/a>\u003c/strong>\u003cbr>\nAll performances and public events through May 31 canceled or postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/d41d8cd9/2nd-annual-daly-city-rock-roll-flea-market/2391757860910159/\" target=\"_blank\" rel=\"noopener noreferrer\">Daly City Rock & Roll Flea Market\u003c/a>\u003c/strong> (March 15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/AroundTown\" rel=\"noopener noreferrer\" target=\"_blank\">‘Dance Downtown’ at ODC\u003c/a>\u003c/strong>\u003cbr>\nMarch 27 gala canceled; all Spring performances postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://deyoung.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">de Young Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theexit.org/\" rel=\"noopener noreferrer\" target=\"_blank\">EXIT Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March, including Burlesque Extravaganza (March 18–21)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.exploratorium.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">The Exploratorium\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through the end of March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.feinsteinssf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Feinstein’s at the Nikko\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through April 6\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://thefillmore.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Fillmore\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 18 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://thefoxoakland.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Fox Theater, Oakland\u003c/a>\u003c/strong>\u003cbr>\nAll concerts canceled through March 30, including Wilco, Melanie Martinez, Ilana Glazer, Third Eye Blind and others\u003c/p>\n\u003cp>\u003ca href=\"https://www.gdconf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Game Developers Conference\u003c/strong>\u003c/a> (March 16–20)\u003cbr>\nPostponed; working to reschedule for August 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/giants\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Giants\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003ca href=\"https://www.goldengatepark150.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Golden Gate Park 150th Anniversary Celebration\u003c/strong>\u003c/a> (April 4)\u003cbr>\nPostponed; to be rescheduled for a later date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://goldengatepark.com/golden-gate-park-senior-center.html\" target=\"_blank\" rel=\"noopener noreferrer\">Golden Gate Park Senior Center\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 23\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gmc.sonoma.edu/covid-19-update/\" rel=\"noopener noreferrer\" target=\"_blank\">Green Music Center\u003c/a>\u003c/strong>\u003cbr>\nAll performances through April 11 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://wwd.com/fashion-news/fashion-scoops/gucci-cancels-cruise-2021-show-in-san-francisco-1203526819/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Gucci Cruise Fashion Show\u003c/strong>\u003c/a> (May 18)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13876404/hamilton-canceled-in-san-francisco-due-to-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘Hamilton’ at the Orpheum Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.harrypottertheplay.com/san-francisco/coronavirus-update/\" target=\"_blank\" rel=\"noopener noreferrer\">‘Harry Potter and the Cursed Child’\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://www.shipyardartists.com/open-studios/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Hunter’s Point Shipyard Artists\u003c/strong>\u003c/a>\u003cbr>\nAnnual spring open studios rescheduled to May 16–17\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcinematheque.org/screenings/i-hate-the-internet-techno-dystopian-malaise-and-visions-of-rebellion/\" target=\"_blank\" rel=\"noopener noreferrer\">‘I Hate the Internet: Techno-Dystopian Malaise and Visions of Rebellion’\u003c/a>\u003c/strong> (March 12)\u003cbr>\nPostponed; to be rescheduled at future date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sanjosetheaters.org/event/the-illusionists-live-from-broadway/\" target=\"_blank\" rel=\"noopener noreferrer\">The Illusionists – Live From Broadway\u003c/a>\u003c/strong> (March 24 and 25)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Independent\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"http://intloceanfilmfest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>International Ocean Film Festival\u003c/strong>\u003c/a> (March 12–15)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://iccnc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Islamic Cultural Center of Northern California\u003c/a>\u003c/strong>\u003cbr>\nAll public events canceled through March 23, including Nowruz celebration on March 14\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.jcceastbay.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Jewish Community Center East Bay\u003c/a> \u003c/strong>\u003cbr>\nAll large events (50 people or more) though March 27 canceled or rescheduled\u003c/p>\n\u003cp>\u003ca href=\"https://www.jccsf.org/staying-healthy-together/\">\u003cstrong>San Francisco Jewish Community Center\u003c/strong> \u003c/a>\u003cbr>\nPurim Festival (March 8) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">Knuth Music Hall, SF State\u003c/a>\u003c/strong>\u003cbr>\nPerformances on March 16, 18 and 19 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.broadwaysf.com/Online/default.asp\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘The Last Ship’ at the Golden Gate Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"http://www.leftcoastensemble.org/fairytale\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Left Coast Chamber Ensemble\u003c/strong>\u003c/a>\u003cbr>\n‘Fairytale Pieces’ (March 8 and 9) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://legionofhonor.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Legion of Honor\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/lesbianswhotech/photos/a.656630677683654/3341946979151997/?type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">Lesbians Who Tech\u003c/a>\u003c/strong> (April 23–25)\u003cbr>\nRescheduled for August, 2020\u003c/p>\n\u003cp>\u003ca href=\"http://www.lindyinthepark.com/\">\u003cstrong>Lindy in the Park\u003c/strong>\u003c/a>\u003cbr>\nMarch 8 and 15 events canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.lhtsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Lorraine Hansberry Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Intimate Apparel’ (March 13–29) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://lutherburbankcenter.org/healthandsafetyupdate/\" rel=\"noopener noreferrer\" target=\"_blank\">Luther Burbank Center\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March canceled or postponed, including Wilco, Brittany Howard, Laura Dern and more\u003c/p>\n\u003cp>\u003ca href=\"https://maclaarte.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>MACLA\u003c/strong>\u003c/a>\u003cbr>\nAll public programs postponed, including \u003cem>We Have Iré\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.marintheatre.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Marin Theatre Co.\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘Love’ and ‘Natural Shocks’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.aztecadancers.com/mexica-new-year\" target=\"_blank\" rel=\"noopener noreferrer\">Mexica New Year Ceremony & Celebration San Jose\u003c/a>\u003c/strong> (March 14)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.nctcsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>New Conservatory Theatre Center\u003c/strong>\u003c/a>\u003cbr>\nAll performances, including \u003cem>The Book of Mountains and Seas\u003c/em>, canceled through March 21\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The New Parish\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://museumca.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland Museum of California\u003c/a>\u003c/strong>\u003cbr>\nMuseum closed to the public through March 27; 50th Anniversary Gala (March 14) canceled as well\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/tripletake\" target=\"_blank\" rel=\"noopener noreferrer\">ODC/RAWDance\u003c/a>\u003c/strong>\u003cbr>\n‘Triple Take’ (March 12–15) postponed to later this year; exact date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://offthegrid.com/blog/supporting-local-communities-through-implementation-of-covid-19-prevention-best-practices/\" target=\"_blank\" rel=\"noopener noreferrer\">Off the Grid\u003c/a>\u003c/strong>\u003cbr>\nEvent at Fort Mason on March 13 and 20 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.operasj.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Opera San Jose\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘The Magic Flute’ (April 18–May 3) canceled\u003c/p>\n\u003cp>\u003ca href=\"http://www.cspaloalto.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Palo Alto Christian Science Church\u003c/strong>\u003c/a>\u003cbr>\nJames Welch concert (March 8) postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://pearljam.com/tour\" target=\"_blank\" rel=\"noopener noreferrer\">Pearl Jam\u003c/a>\u003c/strong> (April 18–19)\u003cbr>\nEntire tour canceled, including April 18–19 dates at Oakland Arena\u003c/p>\n\u003cp>\u003ca href=\"https://peninsulasymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Peninsula Symphony\u003c/strong>\u003c/a>\u003cbr>\nMarch 13 and 14 ‘Violins of Hope’ concerts postponed; to be rescheduled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://philharmonia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Philharmonia Baroque Orchestra\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Romantic Reflections’ (March 11-15) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/photo.php?fbid=10157788026750552&set=a.211581100551&type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Rebecca Solnit\u003c/strong>\u003c/a>\u003cbr>\nAll stops on book tour through March 25 canceled, including at Booksmith SF (March 16)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/events/94291513455\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls Trivia Happy Hour with KQED\u003c/a>\u003c/strong> (March 16)\u003cbr>\nPostponed to future date TBA\u003c/p>\n\u003cp>\u003ca href=\"https://www.rebootideasfestival.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Reboot Ideas Festival\u003c/strong>\u003c/a> (March 26–29)\u003cbr>\nPostponed; working to reschedule\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.roxie.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Roxie Theater\u003c/a>\u003c/strong>\u003cbr>\nCLosed to the public and all screenings canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://salesforcetransitcenter.com/events/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Salesforce Park\u003c/strong>\u003c/a>\u003cbr>\nAll group activities in the park suspended; park itself remains open\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfballet.org/a-message-regarding-the-covid-19-virus/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Ballet\u003c/strong>\u003c/a>\u003cbr>\nComplete run of \u003cem>A Midsummer Night’s Dream\u003c/em> (March 7–15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfbcgala.weebly.com/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Boys Chorus\u003c/a>\u003c/strong>\u003cbr>\nAnnual gala (March 14) rescheduled to May 16\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfca.org/2019-2020-season/\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Choral Artists\u003c/a>\u003c/strong>\u003cbr>\n‘Joyful Voices, Stomping Feet’ performances canceled for March 8 (SF), March 14 (Palo Alto) and March 15 (Oakland)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfgmc.org/welcome/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Gay Men’s Chorus\u003c/a> \u003c/strong>\u003cbr>\nPerformances of ‘Penned in Pink’ (March 26 and 28) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfneofuturists.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Neo-Futurists\u003c/a>\u003c/strong>\u003cbr>\nPerformances of \u003cem>The Infinite Wrench\u003c/em> (March 13 and 14) and \u003cem>Infinite Bitch\u003c/em> (March 19–21) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://sfpl.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Public Library\u003c/strong>\u003c/a>\u003cbr>\nAll branches closed and programs canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfrecpark.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Recreation and Parks\u003c/a>\u003c/strong>\u003cbr>\nAll senior programming canceled through March 21; lawn bowling and summer resource fair canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfsymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Symphony\u003c/strong>\u003c/a>\u003cbr>\nConcerts canceled through April 6, including James Galway, Michael Tilson Thomas and more; tour of New York and Europe (March 17–April 7) also canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SaintPatricksDaySF/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco St. Patrick’s Day Parade\u003c/strong>\u003c/a> (March 14)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SJChamberOrchestra/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Chamber Orchestra\u003c/strong>\u003c/a>\u003cbr>\nMarch 29 ‘Inferno’ concert canceled; to be rescheduled at later date\u003c/p>\n\u003cp>\u003ca href=\"https://www.cdm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Children’s Discovery Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 10\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.nhl.com/sharks\" rel=\"noopener noreferrer\" target=\"_blank\">San Jose Sharks\u003c/a>\u003c/strong>\u003cbr>\nNHL season put on pause; all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.srsymphony.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Santa Rosa Symphony\u003c/a>\u003c/strong>\u003cbr>\n‘Showcasing Contemporary Women’ program (March 21-23) canceled; Youth Ensemble concert (March 15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sffilm.org/\" rel=\"noopener noreferrer\" target=\"_blank\">SFFILM\u003c/a>\u003c/strong> (April 8-21)\u003cbr>\nEntire 2020 festival canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfjazz.org/visit/health/\" rel=\"noopener noreferrer\" target=\"_blank\">SFJAZZ\u003c/a>\u003c/strong>\u003cbr>\nAll concerts and programming through April 5 postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfmoma.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SFMOMA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/calendar/all/all/all/all/all\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Live\u003c/strong>\u003c/a>\u003cbr>\nAll large-scale concerts canceled through April 15\u003c/p>\n\u003cp>\u003ca href=\"https://stanfordtheatre.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll movie screenings temporarily suspended\u003c/p>\n\u003cp>\u003ca href=\"https://www.sundaystreetssf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Sunday Streets: Mission District\u003c/strong>\u003c/a> (March 8)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.exploratorium.edu/visit/covid19\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Tactile Dome at the Exploratorium\u003c/strong>\u003c/a>\u003cbr>\nExhibit closed indefinitely\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theatreworks.org/covid19/\" rel=\"noopener noreferrer\" target=\"_blank\">TheatreWorks Silicon Valley\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘They Promised Her the Moon’ and ‘Ragtime’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.tonyrobbins.com/news/upw-san-jose-is-postponed/\" target=\"_blank\" rel=\"noopener noreferrer\">UPW San Jose with Tony Robbins\u003c/a>\u003c/strong> (March 12–15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/vogue\" rel=\"noopener noreferrer\" target=\"_blank\">Vogue Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003ca href=\"https://www.waltdisney.org/visitor-update\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Walt Disney Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 20\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Warriors\u003c/strong>\u003c/a>\u003cbr>\nNBA season put on pause, all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.wattis.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Wattis Institute\u003c/a>\u003c/strong>\u003cbr>\nHồng-Ân Trương talk (March 12) and Astria Suparak’s illustrated lecture (March 19) postponed until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://winchestermysteryhouse.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Winchester Mystery House\u003c/a>\u003c/strong>\u003cbr>\nClosed through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://womensoundoff.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Women Sound Off\u003c/a>\u003c/strong> (slated for April 3–5)\u003cbr>\nPostponed to October 2–4\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://blog.ycombinator.com/yc-w20-online-demo-day-now-on-march-16/\" target=\"_blank\" rel=\"noopener noreferrer\">Y Combinator Demo Day\u003c/a>\u003c/strong> (March 23)\u003cbr>\nMoved to March 16, now entirely online\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ybca.org/\" rel=\"noopener noreferrer\" target=\"_blank\">YBCA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.yoshis.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Yoshi’s\u003c/a>\u003c/strong>\u003cbr>\nAll shows will have reduced capacity through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.zspace.org/covid-19prep\" rel=\"noopener noreferrer\" target=\"_blank\">Z Space\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://calperformances.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Zellerbach Hall\u003c/a>\u003c/strong>\u003cbr>\nAll Cal Performances events are still on, but ticketholders may exchange for other dates or request refunds for shows through March 29\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Submit info about canceled events \u003ca href=\"mailto:gmeline@kqed.org?subject=Coronavirus%20Cancelation\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003cem>For information on how to keep yourself safe from the coronavirus, \u003ca href=\"https://www.kqed.org/science/1957469/what-californians-need-to-know-about-the-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">click here\u003c/a>, and see KQED’s \u003ca href=\"https://www.kqed.org/science/1957877/live-updates-coronavirus-in-the-san-francisco-bay-area\" target=\"_blank\" rel=\"noopener noreferrer\">live updates\u003c/a> for the latest news.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"See which Bay Area events and concerts have been canceled or postponed due to coronavirus concerns.","status":"publish","parent":0,"modified":1705021096,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":124,"wordCount":1758},"headData":{"title":"Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More | KQED","description":"See which Bay Area events and concerts have been canceled or postponed due to coronavirus concerns.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More","datePublished":"2020-03-13T23:00:36.000Z","dateModified":"2024-01-12T00:58:16.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Coronavirus","sourceUrl":"https://www.kqed.org/coronavirus","sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13876160/canceled-by-coronavirus-a-list-of-bay-area-concerts-cultural-events-museums-more","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Updated: March 17, 6:30am\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Note\u003c/strong>: \u003cstrong>This list is no longer being updated as of March 17\u003c/strong>. Because of new restrictions and shelter-in-place orders, it is safe to assume that every concert, performance, museum or cultural event in the Bay Area has been canceled or closed for the time being.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 17, a \u003ca href=\"https://www.kqed.org/news/11806988/sheltering-in-place-what-you-need-to-know\" rel=\"noopener noreferrer\" target=\"_blank\">shelter-in-place order took effect for six Bay Area counties\u003c/a>, requiring people to stay at home and leave only for essential activities.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 16, the CDC \u003ca href=\"https://www.kqed.org/arts/13876716/cdc-recommends-against-gatherings-of-50-or-more-states-close-bars-restaurants\" rel=\"noopener noreferrer\" target=\"_blank\">warned against gatherings of 50 people or more\u003c/a>, including “conferences, festivals, parades, concerts, sporting events, weddings, and other types of assemblies.” Governor Gavin Newsom also \u003ca href=\"https://www.kqed.org/news/11806871/newsom-calls-for-closure-of-all-bars-in-an-effort-to-increase-social-distancing\" rel=\"noopener noreferrer\" target=\"_blank\">called for the closure\u003c/a> of all bars, wineries, nightclubs and breweries.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Stay up to date on full coronavirus coverage \u003ca href=\"https://www.kqed.org/coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>Concern over the spread of the coronavirus has caused the cancellation of many concerts, performances and other cultural events in the Bay Area.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"science_1957877","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Below, see a list of cultural events, concerts and performances canceled or postponed due to coronavirus concerns. Many venues have enacted flexible refund and ticket-exchange policies. Click through the venue or event name for details, and for updated information about reopening.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"https://www.act-sf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>American Conservatory Theater\u003c/strong>\u003c/a>\u003cbr>\nAll performances of ‘Toni Stone’ (Geary Theater) and ‘Gloria’ (Strand Theater) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">‘Ain’t I a Woman’\u003c/a>\u003c/strong> (March 15)\u003cbr>\nPerformance by Core Ensemble canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Ana Gabriel\u003c/a>\u003c/strong>\u003cbr>\nMarch 19 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Andre Rieu\u003c/a>\u003c/strong>\u003cbr>\nMarch 22 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://asianart.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Asian Art Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/athletics\" rel=\"noopener noreferrer\" target=\"_blank\">Oakland A’s\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.augusthallsf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">August Hall\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 27 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/balboa\" rel=\"noopener noreferrer\" target=\"_blank\">Balboa Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://bampfa.org/news/new-info-bampfa-update-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">BAMPFA\u003c/a>\u003c/strong>\u003cbr>\nAll film screenings, tours and public programs canceled through March 29\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.baybookfest.org/2020cancellation/\" rel=\"noopener noreferrer\" target=\"_blank\">Bay Area Book Festival\u003c/a>\u003c/strong> (May 2 and 3)\u003cbr>\nPostponed to May 1-2, 2021\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gradlectures.berkeley.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley Graduate Lectures\u003c/a>\u003c/strong>\u003cbr>\nAll lectures canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.berkeleyrep.org/?gclsrc=aw.ds&gclid=Cj0KCQjwu6fzBRC6ARIsAJUwa2SSGnQum2eM6ybkE8IFauSDY_ugwioEz44pG-2t0TkGpUXzvuyXNocaAlwYEALw_wcB&gclsrc=aw.ds\" rel=\"noopener noreferrer\" target=\"_blank\">Berkeley Repertory Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of \u003cem>Culture Clash (Still) in America\u003c/em> canceled; \u003cem>School Girls; Or, The African Mean Girls Play\u003c/em>, originally slated to start on March 19, on hiatus through April 5\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Bill Graham Civic Auditorium\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/venues/bing-concert-hall\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Bing Concert Hall\u003c/strong>\u003c/a>\u003cbr>\nMost shows canceled through April 15, including Cecile McLorin Salvant (March 13)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.calacademy.org/a-message-to-our-academy-community-on-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">California Academy of Sciences\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://californiahistoricalsociety.org/\" rel=\"noopener noreferrer\" target=\"_blank\">California Historical Society\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://museum.stanford.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cantor Arts Center and Anderson Collection\u003c/strong> \u003c/a>\u003cbr>\nClosed to the public through April 15\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.catchlight.io/\" target=\"_blank\" rel=\"noopener noreferrer\">CatchLight Visual Storytelling Summit\u003c/a>\u003c/strong> (May 17–18)\u003cbr>\nPostponed to late October 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.chasecenter.com/news/5h4k5TxZF2QdDYpa6MTNLa\" rel=\"noopener noreferrer\" target=\"_blank\">Celine Dion\u003c/a>\u003c/strong> (March 12)\u003cbr>\nConcert at Chase Center postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://centerfornewmusic.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Center for New Music\u003c/a>\u003c/strong>\u003cbr>\nAll public events suspended through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">Chase Center\u003c/a>\u003c/strong>\u003cbr>\nNBA season postponed, Warriors games off; all concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfcherryblossom.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Cherry Blossom Festival, Japantown SF\u003c/a>\u003c/strong> (April 11-12 and April 17-19)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.cinequest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cinequest Film Festival\u003c/strong>\u003c/a> (March 3–15)\u003cbr>\nMarch 8-15 events postponed to August 16–30\u003c/p>\n\u003cp>\u003ca href=\"http://circuscenter.org/blog/2020/03/07/covid-19--march-13-14-cabaret-cancelled\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Circus Center Cabaret\u003c/strong>\u003c/a> (March 13_14)\u003cbr>\nCanceled; looking to reschedule\u003c/p>\n\u003cp>\u003ca href=\"https://www.cirquedusoleil.com/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>Cirque du Soleil: Axel\u003c/strong>\u003c/a> (March 24-28)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cityarts.net/\" target=\"_blank\" rel=\"noopener noreferrer\">City Arts & Lectures\u003c/a>\u003c/strong>\u003cbr>\nCertain scheduled events to be held with no audience and livestreamed: Anna Wiener (March 12), Peggy Orenstein (March 19), and Robert Reich (March 23)\u003c/p>\n\u003cp>\u003ca href=\"https://www.commonwealthclub.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Commonwealth Club\u003c/strong>\u003c/a>\u003cbr>\nAll in-person events canceled through March 22 for San Francisco, Marin County and Silicon Valley\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.thecjm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Contemporary Jewish Museum\u003c/a>\u003c/strong>\u003cbr>\nAll public programs and tours canceled through March 22; museum remains open\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://counterpulse.org/\" rel=\"noopener noreferrer\" target=\"_blank\">CounterPulse\u003c/a>\u003c/strong>\u003cbr>\nAll performances and public events through May 31 canceled or postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/d41d8cd9/2nd-annual-daly-city-rock-roll-flea-market/2391757860910159/\" target=\"_blank\" rel=\"noopener noreferrer\">Daly City Rock & Roll Flea Market\u003c/a>\u003c/strong> (March 15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/AroundTown\" rel=\"noopener noreferrer\" target=\"_blank\">‘Dance Downtown’ at ODC\u003c/a>\u003c/strong>\u003cbr>\nMarch 27 gala canceled; all Spring performances postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://deyoung.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">de Young Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theexit.org/\" rel=\"noopener noreferrer\" target=\"_blank\">EXIT Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March, including Burlesque Extravaganza (March 18–21)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.exploratorium.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">The Exploratorium\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through the end of March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.feinsteinssf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Feinstein’s at the Nikko\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through April 6\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://thefillmore.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Fillmore\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 18 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://thefoxoakland.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Fox Theater, Oakland\u003c/a>\u003c/strong>\u003cbr>\nAll concerts canceled through March 30, including Wilco, Melanie Martinez, Ilana Glazer, Third Eye Blind and others\u003c/p>\n\u003cp>\u003ca href=\"https://www.gdconf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Game Developers Conference\u003c/strong>\u003c/a> (March 16–20)\u003cbr>\nPostponed; working to reschedule for August 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/giants\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Giants\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003ca href=\"https://www.goldengatepark150.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Golden Gate Park 150th Anniversary Celebration\u003c/strong>\u003c/a> (April 4)\u003cbr>\nPostponed; to be rescheduled for a later date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://goldengatepark.com/golden-gate-park-senior-center.html\" target=\"_blank\" rel=\"noopener noreferrer\">Golden Gate Park Senior Center\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 23\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gmc.sonoma.edu/covid-19-update/\" rel=\"noopener noreferrer\" target=\"_blank\">Green Music Center\u003c/a>\u003c/strong>\u003cbr>\nAll performances through April 11 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://wwd.com/fashion-news/fashion-scoops/gucci-cancels-cruise-2021-show-in-san-francisco-1203526819/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Gucci Cruise Fashion Show\u003c/strong>\u003c/a> (May 18)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13876404/hamilton-canceled-in-san-francisco-due-to-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘Hamilton’ at the Orpheum Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.harrypottertheplay.com/san-francisco/coronavirus-update/\" target=\"_blank\" rel=\"noopener noreferrer\">‘Harry Potter and the Cursed Child’\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://www.shipyardartists.com/open-studios/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Hunter’s Point Shipyard Artists\u003c/strong>\u003c/a>\u003cbr>\nAnnual spring open studios rescheduled to May 16–17\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcinematheque.org/screenings/i-hate-the-internet-techno-dystopian-malaise-and-visions-of-rebellion/\" target=\"_blank\" rel=\"noopener noreferrer\">‘I Hate the Internet: Techno-Dystopian Malaise and Visions of Rebellion’\u003c/a>\u003c/strong> (March 12)\u003cbr>\nPostponed; to be rescheduled at future date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sanjosetheaters.org/event/the-illusionists-live-from-broadway/\" target=\"_blank\" rel=\"noopener noreferrer\">The Illusionists – Live From Broadway\u003c/a>\u003c/strong> (March 24 and 25)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Independent\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"http://intloceanfilmfest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>International Ocean Film Festival\u003c/strong>\u003c/a> (March 12–15)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://iccnc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Islamic Cultural Center of Northern California\u003c/a>\u003c/strong>\u003cbr>\nAll public events canceled through March 23, including Nowruz celebration on March 14\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.jcceastbay.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Jewish Community Center East Bay\u003c/a> \u003c/strong>\u003cbr>\nAll large events (50 people or more) though March 27 canceled or rescheduled\u003c/p>\n\u003cp>\u003ca href=\"https://www.jccsf.org/staying-healthy-together/\">\u003cstrong>San Francisco Jewish Community Center\u003c/strong> \u003c/a>\u003cbr>\nPurim Festival (March 8) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">Knuth Music Hall, SF State\u003c/a>\u003c/strong>\u003cbr>\nPerformances on March 16, 18 and 19 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.broadwaysf.com/Online/default.asp\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘The Last Ship’ at the Golden Gate Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"http://www.leftcoastensemble.org/fairytale\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Left Coast Chamber Ensemble\u003c/strong>\u003c/a>\u003cbr>\n‘Fairytale Pieces’ (March 8 and 9) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://legionofhonor.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Legion of Honor\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/lesbianswhotech/photos/a.656630677683654/3341946979151997/?type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">Lesbians Who Tech\u003c/a>\u003c/strong> (April 23–25)\u003cbr>\nRescheduled for August, 2020\u003c/p>\n\u003cp>\u003ca href=\"http://www.lindyinthepark.com/\">\u003cstrong>Lindy in the Park\u003c/strong>\u003c/a>\u003cbr>\nMarch 8 and 15 events canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.lhtsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Lorraine Hansberry Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Intimate Apparel’ (March 13–29) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://lutherburbankcenter.org/healthandsafetyupdate/\" rel=\"noopener noreferrer\" target=\"_blank\">Luther Burbank Center\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March canceled or postponed, including Wilco, Brittany Howard, Laura Dern and more\u003c/p>\n\u003cp>\u003ca href=\"https://maclaarte.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>MACLA\u003c/strong>\u003c/a>\u003cbr>\nAll public programs postponed, including \u003cem>We Have Iré\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.marintheatre.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Marin Theatre Co.\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘Love’ and ‘Natural Shocks’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.aztecadancers.com/mexica-new-year\" target=\"_blank\" rel=\"noopener noreferrer\">Mexica New Year Ceremony & Celebration San Jose\u003c/a>\u003c/strong> (March 14)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.nctcsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>New Conservatory Theatre Center\u003c/strong>\u003c/a>\u003cbr>\nAll performances, including \u003cem>The Book of Mountains and Seas\u003c/em>, canceled through March 21\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The New Parish\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://museumca.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland Museum of California\u003c/a>\u003c/strong>\u003cbr>\nMuseum closed to the public through March 27; 50th Anniversary Gala (March 14) canceled as well\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/tripletake\" target=\"_blank\" rel=\"noopener noreferrer\">ODC/RAWDance\u003c/a>\u003c/strong>\u003cbr>\n‘Triple Take’ (March 12–15) postponed to later this year; exact date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://offthegrid.com/blog/supporting-local-communities-through-implementation-of-covid-19-prevention-best-practices/\" target=\"_blank\" rel=\"noopener noreferrer\">Off the Grid\u003c/a>\u003c/strong>\u003cbr>\nEvent at Fort Mason on March 13 and 20 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.operasj.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Opera San Jose\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘The Magic Flute’ (April 18–May 3) canceled\u003c/p>\n\u003cp>\u003ca href=\"http://www.cspaloalto.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Palo Alto Christian Science Church\u003c/strong>\u003c/a>\u003cbr>\nJames Welch concert (March 8) postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://pearljam.com/tour\" target=\"_blank\" rel=\"noopener noreferrer\">Pearl Jam\u003c/a>\u003c/strong> (April 18–19)\u003cbr>\nEntire tour canceled, including April 18–19 dates at Oakland Arena\u003c/p>\n\u003cp>\u003ca href=\"https://peninsulasymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Peninsula Symphony\u003c/strong>\u003c/a>\u003cbr>\nMarch 13 and 14 ‘Violins of Hope’ concerts postponed; to be rescheduled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://philharmonia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Philharmonia Baroque Orchestra\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Romantic Reflections’ (March 11-15) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/photo.php?fbid=10157788026750552&set=a.211581100551&type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Rebecca Solnit\u003c/strong>\u003c/a>\u003cbr>\nAll stops on book tour through March 25 canceled, including at Booksmith SF (March 16)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/events/94291513455\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls Trivia Happy Hour with KQED\u003c/a>\u003c/strong> (March 16)\u003cbr>\nPostponed to future date TBA\u003c/p>\n\u003cp>\u003ca href=\"https://www.rebootideasfestival.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Reboot Ideas Festival\u003c/strong>\u003c/a> (March 26–29)\u003cbr>\nPostponed; working to reschedule\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.roxie.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Roxie Theater\u003c/a>\u003c/strong>\u003cbr>\nCLosed to the public and all screenings canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://salesforcetransitcenter.com/events/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Salesforce Park\u003c/strong>\u003c/a>\u003cbr>\nAll group activities in the park suspended; park itself remains open\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfballet.org/a-message-regarding-the-covid-19-virus/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Ballet\u003c/strong>\u003c/a>\u003cbr>\nComplete run of \u003cem>A Midsummer Night’s Dream\u003c/em> (March 7–15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfbcgala.weebly.com/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Boys Chorus\u003c/a>\u003c/strong>\u003cbr>\nAnnual gala (March 14) rescheduled to May 16\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfca.org/2019-2020-season/\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Choral Artists\u003c/a>\u003c/strong>\u003cbr>\n‘Joyful Voices, Stomping Feet’ performances canceled for March 8 (SF), March 14 (Palo Alto) and March 15 (Oakland)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfgmc.org/welcome/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Gay Men’s Chorus\u003c/a> \u003c/strong>\u003cbr>\nPerformances of ‘Penned in Pink’ (March 26 and 28) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfneofuturists.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Neo-Futurists\u003c/a>\u003c/strong>\u003cbr>\nPerformances of \u003cem>The Infinite Wrench\u003c/em> (March 13 and 14) and \u003cem>Infinite Bitch\u003c/em> (March 19–21) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://sfpl.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Public Library\u003c/strong>\u003c/a>\u003cbr>\nAll branches closed and programs canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfrecpark.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Recreation and Parks\u003c/a>\u003c/strong>\u003cbr>\nAll senior programming canceled through March 21; lawn bowling and summer resource fair canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfsymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Symphony\u003c/strong>\u003c/a>\u003cbr>\nConcerts canceled through April 6, including James Galway, Michael Tilson Thomas and more; tour of New York and Europe (March 17–April 7) also canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SaintPatricksDaySF/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco St. Patrick’s Day Parade\u003c/strong>\u003c/a> (March 14)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SJChamberOrchestra/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Chamber Orchestra\u003c/strong>\u003c/a>\u003cbr>\nMarch 29 ‘Inferno’ concert canceled; to be rescheduled at later date\u003c/p>\n\u003cp>\u003ca href=\"https://www.cdm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Children’s Discovery Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 10\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.nhl.com/sharks\" rel=\"noopener noreferrer\" target=\"_blank\">San Jose Sharks\u003c/a>\u003c/strong>\u003cbr>\nNHL season put on pause; all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.srsymphony.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Santa Rosa Symphony\u003c/a>\u003c/strong>\u003cbr>\n‘Showcasing Contemporary Women’ program (March 21-23) canceled; Youth Ensemble concert (March 15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sffilm.org/\" rel=\"noopener noreferrer\" target=\"_blank\">SFFILM\u003c/a>\u003c/strong> (April 8-21)\u003cbr>\nEntire 2020 festival canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfjazz.org/visit/health/\" rel=\"noopener noreferrer\" target=\"_blank\">SFJAZZ\u003c/a>\u003c/strong>\u003cbr>\nAll concerts and programming through April 5 postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfmoma.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SFMOMA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/calendar/all/all/all/all/all\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Live\u003c/strong>\u003c/a>\u003cbr>\nAll large-scale concerts canceled through April 15\u003c/p>\n\u003cp>\u003ca href=\"https://stanfordtheatre.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll movie screenings temporarily suspended\u003c/p>\n\u003cp>\u003ca href=\"https://www.sundaystreetssf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Sunday Streets: Mission District\u003c/strong>\u003c/a> (March 8)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.exploratorium.edu/visit/covid19\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Tactile Dome at the Exploratorium\u003c/strong>\u003c/a>\u003cbr>\nExhibit closed indefinitely\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theatreworks.org/covid19/\" rel=\"noopener noreferrer\" target=\"_blank\">TheatreWorks Silicon Valley\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘They Promised Her the Moon’ and ‘Ragtime’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.tonyrobbins.com/news/upw-san-jose-is-postponed/\" target=\"_blank\" rel=\"noopener noreferrer\">UPW San Jose with Tony Robbins\u003c/a>\u003c/strong> (March 12–15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/vogue\" rel=\"noopener noreferrer\" target=\"_blank\">Vogue Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003ca href=\"https://www.waltdisney.org/visitor-update\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Walt Disney Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 20\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Warriors\u003c/strong>\u003c/a>\u003cbr>\nNBA season put on pause, all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.wattis.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Wattis Institute\u003c/a>\u003c/strong>\u003cbr>\nHồng-Ân Trương talk (March 12) and Astria Suparak’s illustrated lecture (March 19) postponed until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://winchestermysteryhouse.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Winchester Mystery House\u003c/a>\u003c/strong>\u003cbr>\nClosed through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://womensoundoff.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Women Sound Off\u003c/a>\u003c/strong> (slated for April 3–5)\u003cbr>\nPostponed to October 2–4\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://blog.ycombinator.com/yc-w20-online-demo-day-now-on-march-16/\" target=\"_blank\" rel=\"noopener noreferrer\">Y Combinator Demo Day\u003c/a>\u003c/strong> (March 23)\u003cbr>\nMoved to March 16, now entirely online\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ybca.org/\" rel=\"noopener noreferrer\" target=\"_blank\">YBCA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.yoshis.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Yoshi’s\u003c/a>\u003c/strong>\u003cbr>\nAll shows will have reduced capacity through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.zspace.org/covid-19prep\" rel=\"noopener noreferrer\" target=\"_blank\">Z Space\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://calperformances.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Zellerbach Hall\u003c/a>\u003c/strong>\u003cbr>\nAll Cal Performances events are still on, but ticketholders may exchange for other dates or request refunds for shows through March 29\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Submit info about canceled events \u003ca href=\"mailto:gmeline@kqed.org?subject=Coronavirus%20Cancelation\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003cem>For information on how to keep yourself safe from the coronavirus, \u003ca href=\"https://www.kqed.org/science/1957469/what-californians-need-to-know-about-the-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">click here\u003c/a>, and see KQED’s \u003ca href=\"https://www.kqed.org/science/1957877/live-updates-coronavirus-in-the-san-francisco-bay-area\" target=\"_blank\" rel=\"noopener noreferrer\">live updates\u003c/a> for the latest news.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13876160/canceled-by-coronavirus-a-list-of-bay-area-concerts-cultural-events-museums-more","authors":["185"],"categories":["arts_835","arts_966","arts_76","arts_74","arts_69","arts_235","arts_967","arts_70"],"tags":["arts_1398","arts_10126","arts_11014","arts_10127","arts_1118","arts_9598","arts_1643","arts_1367","arts_2309"],"featImg":"arts_13876154","label":"source_arts_13876160"},"arts_13874446":{"type":"posts","id":"arts_13874446","meta":{"index":"posts_1591205157","site":"arts","id":"13874446","score":null,"sort":[1581004833000]},"guestAuthors":[],"slug":"classical-revision-showcases-san-francisco-ballet-dancers-stylistic-range","title":"Classical (Re)Vision Showcases San Francisco Ballet Dancers’ Stylistic Range","publishDate":1581004833,"format":"standard","headTitle":"Classical (Re)Vision Showcases San Francisco Ballet Dancers’ Stylistic Range | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>The brevity of a dance career in ballet occupied the thoughts of choreographer Stanton Welch as he created Bespoke, a wistful, yearning work that fittingly begins with a silent solo. \u003cem>Bespoke\u003c/em>, set to Bach’s violin concertos, begins the second program of Classical (Re)Vision, a San Francisco Ballet series designed to showcase the stylistic range of its dancers. \u003cem>Sandpaper Ballet\u003c/em>, choreographed by Mark Morris and set to music by Leroy Anderson, brings a light, winking tone to the end of the program. Between these two ballets each night are rotating “Director’s Choice” works, contemporary fare selected by artistic director Helgi Tomasson, including some of his own choreography. The “Director’s Choice” works were recently announced to replace \u003cem>Hummingbird\u003c/em> following sexual misconduct allegations against its choreographer, Liam Scarlett of the Royal Ballet. Program 2 of Classical (Re)Vision opens Tuesday, Feb. 11 and runs until Saturday, Feb 22 at the War Memorial Opera House. \u003cem>—Sam Lefebvre\u003c/em> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Stanton Welch’s Bespoke begins the second program of Classical (Re)Vision. ","status":"publish","parent":0,"modified":1705021346,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":167},"headData":{"title":"Classical (Re)Vision Showcases San Francisco Ballet Dancers’ Stylistic Range | KQED","description":"Stanton Welch’s Bespoke begins the second program of Classical (Re)Vision. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Classical (Re)Vision Showcases San Francisco Ballet Dancers’ Stylistic Range","datePublished":"2020-02-06T16:00:33.000Z","dateModified":"2024-01-12T01:02:26.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"event","featuredImageType":"standard","startTime":1581408000,"endTime":1582441200,"startTimeString":"Tuesday, Feb. 11-Saturday, Feb. 22","venueName":"War Memorial Opera House","venueAddress":"301 Van Ness Avenue, San Francisco ","eventLink":"https://www.sfballet.org/productions/classical-revision/","path":"/arts/13874446/classical-revision-showcases-san-francisco-ballet-dancers-stylistic-range","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The brevity of a dance career in ballet occupied the thoughts of choreographer Stanton Welch as he created Bespoke, a wistful, yearning work that fittingly begins with a silent solo. \u003cem>Bespoke\u003c/em>, set to Bach’s violin concertos, begins the second program of Classical (Re)Vision, a San Francisco Ballet series designed to showcase the stylistic range of its dancers. \u003cem>Sandpaper Ballet\u003c/em>, choreographed by Mark Morris and set to music by Leroy Anderson, brings a light, winking tone to the end of the program. Between these two ballets each night are rotating “Director’s Choice” works, contemporary fare selected by artistic director Helgi Tomasson, including some of his own choreography. The “Director’s Choice” works were recently announced to replace \u003cem>Hummingbird\u003c/em> following sexual misconduct allegations against its choreographer, Liam Scarlett of the Royal Ballet. Program 2 of Classical (Re)Vision opens Tuesday, Feb. 11 and runs until Saturday, Feb 22 at the War Memorial Opera House. \u003cem>—Sam Lefebvre\u003c/em> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13874446/classical-revision-showcases-san-francisco-ballet-dancers-stylistic-range","authors":["11091"],"programs":["arts_140"],"categories":["arts_1","arts_966"],"tags":["arts_879","arts_1118","arts_596","arts_1643"],"featImg":"arts_13874448","label":"arts_140"},"arts_13840328":{"type":"posts","id":"arts_13840328","meta":{"index":"posts_1591205157","site":"arts","id":"13840328","score":null,"sort":[1536109228000]},"guestAuthors":[],"slug":"san-francisco-ballet-executive-director-glenn-mccoy-to-retire-after-31-years","title":"San Francisco Ballet Executive Director Glenn McCoy to Retire After 31 Years","publishDate":1536109228,"format":"aside","headTitle":"San Francisco Ballet Executive Director Glenn McCoy to Retire After 31 Years | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cfigure id=\"attachment_13840330\" class=\"wp-caption aligncenter\" style=\"max-width: 641px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/San-Francisco-Ballet_McCOY-Glenn_-Color_Web-800.jpg\" alt=\"Glenn McCoy is retiring after 31 years with the San Francisco Ballet.\" width=\"641\" height=\"800\" class=\"size-full wp-image-13840330\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/San-Francisco-Ballet_McCOY-Glenn_-Color_Web-800.jpg 641w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/San-Francisco-Ballet_McCOY-Glenn_-Color_Web-800-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/San-Francisco-Ballet_McCOY-Glenn_-Color_Web-800-240x300.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/San-Francisco-Ballet_McCOY-Glenn_-Color_Web-800-375x468.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/San-Francisco-Ballet_McCOY-Glenn_-Color_Web-800-520x649.jpg 520w\" sizes=\"(max-width: 641px) 100vw, 641px\">\u003cfigcaption class=\"wp-caption-text\">Glenn McCoy is retiring after 31 years with the San Francisco Ballet. \u003ccite>(Chris Hardy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Glenn McCoy, executive director of the San Francisco Ballet, will retire following the 2019 season, the company announced Tuesday. \u003c/p>\n\u003cp>McCoy is \u003ca href=\"https://www.sfgate.com/entertainment/article/Glenn-McCoy-runs-the-business-of-San-Francisco-3297500.php\">credited\u003c/a> with guiding the company through the recession and into a new era of fiscal health. He’s been with the ballet for 31 years, the past 16 years as executive director. \u003c/p>\n\u003cp>In a statement, McCoy said simply of his departure, “The time has come for me to step aside.” He plans to move to Sonoma. \u003c/p>\n\u003cp>San Francisco Ballet Artistic Director Helgi Tomasson, who’s led the esteemed company creatively since 1985, said of McCoy in a statement, “His talent for financial and operational management has enabled me to focus on the company’s repertory and provided the freedom to implement my artistic vision for the Ballet.” \u003c/p>\n\u003cp>Carl Pascarella, chair of the ballet’s board of trustees, also commended McCoy’s leadership. “The company is organizationally stronger than ever and just finished its best year financially and artistically in its 85-year history,” he said in a statement.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>McCoy joined the San Francisco Ballet, known as the country’s oldest professional company, in 1987 and held posts including company manager, general manager, and managing director before becoming executive director in 2002. He will remain director through the 2019 season while the ballet seeks a replacement. \u003c/p>\n\n","blocks":[],"excerpt":"“The time has come for me to step aside,” McCoy said in a statement.","status":"publish","parent":0,"modified":1705027288,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":244},"headData":{"title":"San Francisco Ballet Executive Director Glenn McCoy to Retire After 31 Years | KQED","description":"“The time has come for me to step aside,” McCoy said in a statement.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"San Francisco Ballet Executive Director Glenn McCoy to Retire After 31 Years","datePublished":"2018-09-05T01:00:28.000Z","dateModified":"2024-01-12T02:41:28.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13840328/san-francisco-ballet-executive-director-glenn-mccoy-to-retire-after-31-years","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13840330\" class=\"wp-caption aligncenter\" style=\"max-width: 641px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/San-Francisco-Ballet_McCOY-Glenn_-Color_Web-800.jpg\" alt=\"Glenn McCoy is retiring after 31 years with the San Francisco Ballet.\" width=\"641\" height=\"800\" class=\"size-full wp-image-13840330\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/San-Francisco-Ballet_McCOY-Glenn_-Color_Web-800.jpg 641w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/San-Francisco-Ballet_McCOY-Glenn_-Color_Web-800-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/San-Francisco-Ballet_McCOY-Glenn_-Color_Web-800-240x300.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/San-Francisco-Ballet_McCOY-Glenn_-Color_Web-800-375x468.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/San-Francisco-Ballet_McCOY-Glenn_-Color_Web-800-520x649.jpg 520w\" sizes=\"(max-width: 641px) 100vw, 641px\">\u003cfigcaption class=\"wp-caption-text\">Glenn McCoy is retiring after 31 years with the San Francisco Ballet. \u003ccite>(Chris Hardy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Glenn McCoy, executive director of the San Francisco Ballet, will retire following the 2019 season, the company announced Tuesday. \u003c/p>\n\u003cp>McCoy is \u003ca href=\"https://www.sfgate.com/entertainment/article/Glenn-McCoy-runs-the-business-of-San-Francisco-3297500.php\">credited\u003c/a> with guiding the company through the recession and into a new era of fiscal health. He’s been with the ballet for 31 years, the past 16 years as executive director. \u003c/p>\n\u003cp>In a statement, McCoy said simply of his departure, “The time has come for me to step aside.” He plans to move to Sonoma. \u003c/p>\n\u003cp>San Francisco Ballet Artistic Director Helgi Tomasson, who’s led the esteemed company creatively since 1985, said of McCoy in a statement, “His talent for financial and operational management has enabled me to focus on the company’s repertory and provided the freedom to implement my artistic vision for the Ballet.” \u003c/p>\n\u003cp>Carl Pascarella, chair of the ballet’s board of trustees, also commended McCoy’s leadership. “The company is organizationally stronger than ever and just finished its best year financially and artistically in its 85-year history,” he said in a statement.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>McCoy joined the San Francisco Ballet, known as the country’s oldest professional company, in 1987 and held posts including company manager, general manager, and managing director before becoming executive director in 2002. He will remain director through the 2019 season while the ballet seeks a replacement. \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13840328/san-francisco-ballet-executive-director-glenn-mccoy-to-retire-after-31-years","authors":["11091"],"programs":["arts_1272"],"categories":["arts_966","arts_235"],"tags":["arts_879","arts_1118","arts_746","arts_596","arts_1643"],"featImg":"arts_13840335","label":"arts_1272"},"arts_13829221":{"type":"posts","id":"arts_13829221","meta":{"index":"posts_1591205157","site":"arts","id":"13829221","score":null,"sort":[1523497085000]},"guestAuthors":[],"slug":"on-the-air-cy-and-jamedras-do-list-picks-for-april-13-2018","title":"On the Air: Cy and Jamedra's Do List Picks for April 13, 2018","publishDate":1523497085,"format":"audio","headTitle":"On the Air: Cy and Jamedra’s Do List Picks for April 13, 2018 | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Jamedra Brown-Fleischman is back as my Do List co-host this week to talk about San Francisco Ballet’s big dance festival, \u003cem>Unbound\u003c/em>, and its 12 world premieres — and about another world premiere from San Francisco queer choreographer Sean Dorsey. Plus, we ask: What would possess seasoned Broadway show producers to mash up the Go-Go’s pop-punk with an Elizabethan melodrama?! The answers await in the podcast above and the story links below.\u003c/p>\n\u003cp>\u003cstrong>April 13\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13829196/twin-voices-of-the-african-diaspora\" rel=\"noopener\" target=\"_blank\">The Ibeyi sisters make thrilling music of the African diaspora\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>April 19-21\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13829213/sean-dorsey-worries-about-boys-in-trouble\" rel=\"noopener\" target=\"_blank\">Choreographer Sean Dorsey offers a transgender and queer take on how to be a better man\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>April 20-May 6\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13829141/the-future-of-dance-on-pointe-at-sf-ballet\" rel=\"noopener\" target=\"_blank\">SF Ballet’s \u003cem>Unbound\u003c/em> looks to partially answer the question: Where is dance headed in the 21st century?\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>April 13 & 20\u003c/strong>: \u003ca href=\"http://www.ratatet.com/new-events/\" target=\"_blank\" rel=\"noopener\">Allan Hall’s jazz band Ratatet makes exquisite chamber jazz in shows at Berkeley’s Jazz Conservatory and at San Jose’s Art Boutiki\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>April 21\u003c/strong>: \u003ca href=\"http://www.studiograndoakland.org/calendar/2018/4/21/full-color-a-staged-reading\" target=\"_blank\" rel=\"noopener\">The Afro Urban Society and Studio Grand in Oakland present \u003cem>Full Color\u003c/em>, a short story written by Itoro Udofia that has been adapted for the stage in an event honoring Sexual Assault Awareness Month\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>April 10-May 6\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13829147/elizabethan-melodrama-meets-the-go-gos-in-head-over-heels\" rel=\"noopener\" target=\"_blank\">Elizabethan melodrama meets the Go-Go’s pop-punk in the world premiere of the musical \u003cem>Head Over Heels\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>SHOUTOUTS!\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>April 21\u003c/strong>: \u003ca href=\"https://www.eventbrite.com/e/drunk-theatre-tickets-42516267300?aff=pfcal&_eboga=646760143.1523494195\" target=\"_blank\" rel=\"noopener\">Drunk Theatre puts actors to a test that no “method” can prepare them for\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>April 14\u003c/strong>: \u003ca href=\"http://www.slimspresents.com/event/wax-idols-gamh-w-pardoner-humid-sea-witch-presents/\" target=\"_blank\" rel=\"noopener\">The Oakland band Wax Idols has a new album and CD release concert that shows off their morbid sense of punk humor\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Ps0QOAiXY3M\u003c/p>\n\n","blocks":[],"excerpt":"On The Do List this week, Cy and Jamedra feature a dance festival at SF Ballet, an Elizabethan punk musical mashup and more.","status":"publish","parent":0,"modified":1705028096,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":284},"headData":{"title":"On the Air: Cy and Jamedra's Do List Picks for April 13, 2018 | KQED","description":"On The Do List this week, Cy and Jamedra feature a dance festival at SF Ballet, an Elizabethan punk musical mashup and more.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"On the Air: Cy and Jamedra's Do List Picks for April 13, 2018","datePublished":"2018-04-12T01:38:05.000Z","dateModified":"2024-01-12T02:54:56.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio/thedolist/2018/04/TDL20180413.mp3","sticky":false,"path":"/arts/13829221/on-the-air-cy-and-jamedras-do-list-picks-for-april-13-2018","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Jamedra Brown-Fleischman is back as my Do List co-host this week to talk about San Francisco Ballet’s big dance festival, \u003cem>Unbound\u003c/em>, and its 12 world premieres — and about another world premiere from San Francisco queer choreographer Sean Dorsey. Plus, we ask: What would possess seasoned Broadway show producers to mash up the Go-Go’s pop-punk with an Elizabethan melodrama?! The answers await in the podcast above and the story links below.\u003c/p>\n\u003cp>\u003cstrong>April 13\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13829196/twin-voices-of-the-african-diaspora\" rel=\"noopener\" target=\"_blank\">The Ibeyi sisters make thrilling music of the African diaspora\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>April 19-21\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13829213/sean-dorsey-worries-about-boys-in-trouble\" rel=\"noopener\" target=\"_blank\">Choreographer Sean Dorsey offers a transgender and queer take on how to be a better man\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>April 20-May 6\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13829141/the-future-of-dance-on-pointe-at-sf-ballet\" rel=\"noopener\" target=\"_blank\">SF Ballet’s \u003cem>Unbound\u003c/em> looks to partially answer the question: Where is dance headed in the 21st century?\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>April 13 & 20\u003c/strong>: \u003ca href=\"http://www.ratatet.com/new-events/\" target=\"_blank\" rel=\"noopener\">Allan Hall’s jazz band Ratatet makes exquisite chamber jazz in shows at Berkeley’s Jazz Conservatory and at San Jose’s Art Boutiki\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>April 21\u003c/strong>: \u003ca href=\"http://www.studiograndoakland.org/calendar/2018/4/21/full-color-a-staged-reading\" target=\"_blank\" rel=\"noopener\">The Afro Urban Society and Studio Grand in Oakland present \u003cem>Full Color\u003c/em>, a short story written by Itoro Udofia that has been adapted for the stage in an event honoring Sexual Assault Awareness Month\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>April 10-May 6\u003c/strong>: \u003ca href=\"https://www.kqed.org/arts/13829147/elizabethan-melodrama-meets-the-go-gos-in-head-over-heels\" rel=\"noopener\" target=\"_blank\">Elizabethan melodrama meets the Go-Go’s pop-punk in the world premiere of the musical \u003cem>Head Over Heels\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>SHOUTOUTS!\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>April 21\u003c/strong>: \u003ca href=\"https://www.eventbrite.com/e/drunk-theatre-tickets-42516267300?aff=pfcal&_eboga=646760143.1523494195\" target=\"_blank\" rel=\"noopener\">Drunk Theatre puts actors to a test that no “method” can prepare them for\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>April 14\u003c/strong>: \u003ca href=\"http://www.slimspresents.com/event/wax-idols-gamh-w-pardoner-humid-sea-witch-presents/\" target=\"_blank\" rel=\"noopener\">The Oakland band Wax Idols has a new album and CD release concert that shows off their morbid sense of punk humor\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Ps0QOAiXY3M'\n title='//www.youtube.com/embed/Ps0QOAiXY3M'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13829221/on-the-air-cy-and-jamedras-do-list-picks-for-april-13-2018","authors":["32"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_966","arts_69","arts_235","arts_967"],"tags":["arts_879","arts_1118","arts_596","arts_1643","arts_626","arts_1240"],"featImg":"arts_13829225","label":"arts_140"},"arts_13829141":{"type":"posts","id":"arts_13829141","meta":{"index":"posts_1591205157","site":"arts","id":"13829141","score":null,"sort":[1523495376000]},"guestAuthors":[],"slug":"the-future-of-dance-on-pointe-at-sf-ballet","title":"The Future of Dance on Pointe at SF Ballet","publishDate":1523495376,"format":"standard","headTitle":"The Future of Dance on Pointe at SF Ballet | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>In a normal season, the San Francisco Ballet might stage four or five world premieres, plus a few West Coast debuts by promising and veteran choreographers. But from April 20 through May 6, SF Ballet presents an orgy of new work by 12 dancemakers from around the world as part of Unbound, a dance festival with a slightly kinky name. This is Artistic Director Helgi Tomasson’s baby, in the planning for more than two years; he says he wants the festival to answer the question: \u003cem>Where is ballet headed in our time?\u003c/em>\u003c/p>\n\u003cp>“I just wanted to see what today’s young sought-after choreographers were doing, and where they were heading.” Tomasson told me, in his cooly dispassionate way, during an interview in his SF Ballet office. “And is that going to give us a definitive answer where ballet is going? I don’t know. But I thought it was worth asking the question. It has to evolve.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=eieEyvgVWbE\u003c/p>\n\u003cp>Christopher Wheeldon (\u003cem>An American in Paris\u003c/em>), Justin Peck (\u003cem>In the Countenance of Kings)\u003c/em>, and Myles Thatcher (a member of SF Ballet) are among the more familiar names in the lineup. But the festival is also presenting two women choreographers, often a rarity in the ballet world. Annabelle Lopez Ocha’s new work \u003cem>Guernica \u003c/em>is inspired by her passion for the work of Picasso, and British choreographer Cathy Marston’s new work is a version of the doomed love triangle in the novel Ethan Frome.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=6SsCdMtZwfQ\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Also as part of the festival, San Francisco dancemaker Alonzo King makes his debut with SF Ballet — about time. He’s celebrating 35 years of his own Lines Ballet April 6-15 at the Yerba Buena Center for the Arts.\u003c/p>\n\u003cp>SF Ballet has put a big effort into videotaping interviews with the choreographers, and offering previews of their dances. (I learned that Arthur Pita was inspired to dance by John Travolta’s performance in \u003cem>Grease\u003c/em>.) It’s a \u003ca href=\"https://www.sfballet.org/season/events/unbound-2018/dance-films-unbound\" target=\"_blank\" rel=\"noopener\">great guide\u003c/a> for dance lovers in deciding what to attend if they can’t go to every show.\u003c/p>\n\u003cp>\u003cem>Unbound\u003c/em> kicks off Friday, April 20, and runs through May 6 at the War Memorial Opera House in San Francisco. \u003ca href=\"https://www.sfballet.org/unbound\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=so0_hQK5K9U\u003c/p>\n\n","blocks":[],"excerpt":"In 'Unbound,' SF Ballet presents an orgy of new dance works by 12 choreographers from around the world.","status":"publish","parent":0,"modified":1705028098,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":400},"headData":{"title":"The Future of Dance on Pointe at SF Ballet | KQED","description":"In 'Unbound,' SF Ballet presents an orgy of new dance works by 12 choreographers from around the world.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Future of Dance on Pointe at SF Ballet","datePublished":"2018-04-12T01:09:36.000Z","dateModified":"2024-01-12T02:54:58.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13829141/the-future-of-dance-on-pointe-at-sf-ballet","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In a normal season, the San Francisco Ballet might stage four or five world premieres, plus a few West Coast debuts by promising and veteran choreographers. But from April 20 through May 6, SF Ballet presents an orgy of new work by 12 dancemakers from around the world as part of Unbound, a dance festival with a slightly kinky name. This is Artistic Director Helgi Tomasson’s baby, in the planning for more than two years; he says he wants the festival to answer the question: \u003cem>Where is ballet headed in our time?\u003c/em>\u003c/p>\n\u003cp>“I just wanted to see what today’s young sought-after choreographers were doing, and where they were heading.” Tomasson told me, in his cooly dispassionate way, during an interview in his SF Ballet office. “And is that going to give us a definitive answer where ballet is going? I don’t know. But I thought it was worth asking the question. It has to evolve.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eieEyvgVWbE'\n title='//www.youtube.com/embed/eieEyvgVWbE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Christopher Wheeldon (\u003cem>An American in Paris\u003c/em>), Justin Peck (\u003cem>In the Countenance of Kings)\u003c/em>, and Myles Thatcher (a member of SF Ballet) are among the more familiar names in the lineup. But the festival is also presenting two women choreographers, often a rarity in the ballet world. Annabelle Lopez Ocha’s new work \u003cem>Guernica \u003c/em>is inspired by her passion for the work of Picasso, and British choreographer Cathy Marston’s new work is a version of the doomed love triangle in the novel Ethan Frome.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6SsCdMtZwfQ'\n title='//www.youtube.com/embed/6SsCdMtZwfQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Also as part of the festival, San Francisco dancemaker Alonzo King makes his debut with SF Ballet — about time. He’s celebrating 35 years of his own Lines Ballet April 6-15 at the Yerba Buena Center for the Arts.\u003c/p>\n\u003cp>SF Ballet has put a big effort into videotaping interviews with the choreographers, and offering previews of their dances. (I learned that Arthur Pita was inspired to dance by John Travolta’s performance in \u003cem>Grease\u003c/em>.) It’s a \u003ca href=\"https://www.sfballet.org/season/events/unbound-2018/dance-films-unbound\" target=\"_blank\" rel=\"noopener\">great guide\u003c/a> for dance lovers in deciding what to attend if they can’t go to every show.\u003c/p>\n\u003cp>\u003cem>Unbound\u003c/em> kicks off Friday, April 20, and runs through May 6 at the War Memorial Opera House in San Francisco. \u003ca href=\"https://www.sfballet.org/unbound\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/so0_hQK5K9U'\n title='//www.youtube.com/embed/so0_hQK5K9U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13829141/the-future-of-dance-on-pointe-at-sf-ballet","authors":["32"],"programs":["arts_140"],"categories":["arts_966"],"tags":["arts_879","arts_1643"],"featImg":"arts_13829145","label":"arts_140"},"arts_13823814":{"type":"posts","id":"arts_13823814","meta":{"index":"posts_1591205157","site":"arts","id":"13823814","score":null,"sort":[1518056091000]},"guestAuthors":[],"slug":"on-the-air-cy-and-marcs-do-list-picks-for-feb-9-2018","title":"On the Air: Cy and Marc's Do List Picks for Feb. 9, 2018","publishDate":1518056091,"format":"audio","headTitle":"On the Air: Cy and Marc’s Do List Picks for Feb. 9, 2018 | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp style=\"padding-left: 30px\">Marc Bamuthi Joseph is back as co-host on The Do List this week. He’s the chief of program and pedagogy at Yerba Buena Center for the Arts, and also a dancer, poet, and opera librettist. We talk about the San Jose Jazz Winter Fest, some classic plays at Ubuntu, SF Playhouse and the Aurora, and a special \u003cem>Black Panther\u003c/em> double bill. You can feel the show just lift off when Marc talks about why art matters. Take a listen.\u003c/p>\n\u003cp>\u003cstrong>Feb. 15-28: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/stars-come-out-to-play-at-san-jose-jazz-winter-fest/\" target=\"_blank\" rel=\"noopener\">San Jose Jazz Winter Fest lights up San Jose\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 11:\u003c/strong> \u003ca href=\"https://www.facebook.com/events/1832991043409977/\" target=\"_blank\" rel=\"noopener\">Jon Santos explores the sacred roots of Latin jazz at a Sunday concert in Oakland\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 13-24: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/new-steps-for-a-classic-ballet-featuring-aaron-coplands-music/\" target=\"_blank\" rel=\"noopener\">The San Francisco Ballet showcases Justin Peck’s new take on Aaron Copland’s \u003cem>Rodeo\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 23-March 10:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/post-wwii-play-born-yesterday-feels-relevant-today/\" target=\"_blank\" rel=\"noopener\">The post-war play\u003cem> Born Yesterday\u003c/em>, about corruption in Washington, feels especially relevant today\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Feb. 2-25: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/a-streetcar-line-divides-the-genders-and-classes/\" target=\"_blank\" rel=\"noopener\">A \u003cem>Streetcar Named Desire\u003c/em> made for the streets of Oakland\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 26-March 4:\u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/when-moral-principles-lose-out-to-love/\" target=\"_blank\" rel=\"noopener\"> GB Shaw’s first play is an indictment of capitalism and a moral tale about moral principles bowing to love\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 20-21:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/shabazz-palaces-marries-afrofuturism-with-hip-hop/\" target=\"_blank\" rel=\"noopener\">Shabazz Palaces bring their blend of Afrofuturism and hip-hop to San Jose and Noise Pop\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 20:\u003c/strong>\u003ca href=\"https://www.eventbrite.com/e/ta-nehisi-coates-and-film-screening-of-marvels-black-panther-tickets-42285828050\" target=\"_blank\" rel=\"noopener\"> A literary double bill pairs Ta-Nehisi Coates and the new film \u003cem>Black Panther\u003c/em> at the Grand Lake Theater\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 14: \u003c/strong>\u003ca href=\"https://oakland.impacthub.net/event/the-power-of-radical-self-love-book-tour-launch-party-with-sonya-renee-taylor/\" target=\"_blank\" rel=\"noopener\">Sonya Renee Taylor reads from her new book \u003cem>The Body is Not an Apology: The Power of Radical Self-Love\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 21:\u003c/strong> \u003ca href=\"https://calperformances.org/performances/2017-18/berkeley-talks/tony-kushner-and-sarah-vowell-the-lincoln-legacy-the-man-and-his-presidency.php\" target=\"_blank\" rel=\"noopener\">Tony Kushner and Sarah Vowell talk about American and Hollywood history, Lincoln, and assassinations at Cal Performances\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13823952\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13823952\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-800x380.jpg\" alt=\"Marc Bamuthi Joseph and Cy Musiker in the studio at KQED\" width=\"800\" height=\"380\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-800x380.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-160x76.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-768x365.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-1020x484.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-1920x911.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-1180x560.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-960x456.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-240x114.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-375x178.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-520x247.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609.jpg 2037w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marc Bamuthi Joseph and Cy Musiker in the studio at KQED. \u003ccite>(Photo: Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"The Do List's Cy Musiker is joined by Marc Bamuthi Joseph to talk 'Black Panther,' Shabazz Palaces, 'Born Yesterday,' Sonya Renee Taylor and more.","status":"publish","parent":0,"modified":1705028564,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":289},"headData":{"title":"On the Air: Cy and Marc's Do List Picks for Feb. 9, 2018 | KQED","description":"The Do List's Cy Musiker is joined by Marc Bamuthi Joseph to talk 'Black Panther,' Shabazz Palaces, 'Born Yesterday,' Sonya Renee Taylor and more.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"On the Air: Cy and Marc's Do List Picks for Feb. 9, 2018","datePublished":"2018-02-08T02:14:51.000Z","dateModified":"2024-01-12T03:02:44.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio/thedolist/2018/02/TDL20180209.mp3","sticky":false,"path":"/arts/13823814/on-the-air-cy-and-marcs-do-list-picks-for-feb-9-2018","audioDuration":674000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp style=\"padding-left: 30px\">Marc Bamuthi Joseph is back as co-host on The Do List this week. He’s the chief of program and pedagogy at Yerba Buena Center for the Arts, and also a dancer, poet, and opera librettist. We talk about the San Jose Jazz Winter Fest, some classic plays at Ubuntu, SF Playhouse and the Aurora, and a special \u003cem>Black Panther\u003c/em> double bill. You can feel the show just lift off when Marc talks about why art matters. Take a listen.\u003c/p>\n\u003cp>\u003cstrong>Feb. 15-28: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/stars-come-out-to-play-at-san-jose-jazz-winter-fest/\" target=\"_blank\" rel=\"noopener\">San Jose Jazz Winter Fest lights up San Jose\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 11:\u003c/strong> \u003ca href=\"https://www.facebook.com/events/1832991043409977/\" target=\"_blank\" rel=\"noopener\">Jon Santos explores the sacred roots of Latin jazz at a Sunday concert in Oakland\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 13-24: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/new-steps-for-a-classic-ballet-featuring-aaron-coplands-music/\" target=\"_blank\" rel=\"noopener\">The San Francisco Ballet showcases Justin Peck’s new take on Aaron Copland’s \u003cem>Rodeo\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 23-March 10:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/post-wwii-play-born-yesterday-feels-relevant-today/\" target=\"_blank\" rel=\"noopener\">The post-war play\u003cem> Born Yesterday\u003c/em>, about corruption in Washington, feels especially relevant today\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Feb. 2-25: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/a-streetcar-line-divides-the-genders-and-classes/\" target=\"_blank\" rel=\"noopener\">A \u003cem>Streetcar Named Desire\u003c/em> made for the streets of Oakland\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 26-March 4:\u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/when-moral-principles-lose-out-to-love/\" target=\"_blank\" rel=\"noopener\"> GB Shaw’s first play is an indictment of capitalism and a moral tale about moral principles bowing to love\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 20-21:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/02/07/shabazz-palaces-marries-afrofuturism-with-hip-hop/\" target=\"_blank\" rel=\"noopener\">Shabazz Palaces bring their blend of Afrofuturism and hip-hop to San Jose and Noise Pop\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 20:\u003c/strong>\u003ca href=\"https://www.eventbrite.com/e/ta-nehisi-coates-and-film-screening-of-marvels-black-panther-tickets-42285828050\" target=\"_blank\" rel=\"noopener\"> A literary double bill pairs Ta-Nehisi Coates and the new film \u003cem>Black Panther\u003c/em> at the Grand Lake Theater\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 14: \u003c/strong>\u003ca href=\"https://oakland.impacthub.net/event/the-power-of-radical-self-love-book-tour-launch-party-with-sonya-renee-taylor/\" target=\"_blank\" rel=\"noopener\">Sonya Renee Taylor reads from her new book \u003cem>The Body is Not an Apology: The Power of Radical Self-Love\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 21:\u003c/strong> \u003ca href=\"https://calperformances.org/performances/2017-18/berkeley-talks/tony-kushner-and-sarah-vowell-the-lincoln-legacy-the-man-and-his-presidency.php\" target=\"_blank\" rel=\"noopener\">Tony Kushner and Sarah Vowell talk about American and Hollywood history, Lincoln, and assassinations at Cal Performances\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13823952\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13823952\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-800x380.jpg\" alt=\"Marc Bamuthi Joseph and Cy Musiker in the studio at KQED\" width=\"800\" height=\"380\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-800x380.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-160x76.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-768x365.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-1020x484.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-1920x911.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-1180x560.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-960x456.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-240x114.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-375x178.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609-520x247.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Marc-Bamuthi-Joseph-and-Cy-Musiker-in-the-studio-at-KQED-e1518052628609.jpg 2037w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marc Bamuthi Joseph and Cy Musiker in the studio at KQED. \u003ccite>(Photo: Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13823814/on-the-air-cy-and-marcs-do-list-picks-for-feb-9-2018","authors":["32"],"programs":["arts_140"],"categories":["arts_1","arts_73","arts_968","arts_966","arts_71","arts_74","arts_69","arts_967"],"tags":["arts_3563","arts_928","arts_1118","arts_12322","arts_1006","arts_3876","arts_596","arts_1643","arts_1321","arts_2334","arts_626","arts_3879"],"featImg":"arts_13823816","label":"arts_140"},"arts_13823868":{"type":"posts","id":"arts_13823868","meta":{"index":"posts_1591205157","site":"arts","id":"13823868","score":null,"sort":[1518043815000]},"guestAuthors":[],"slug":"new-steps-for-a-classic-ballet-featuring-aaron-coplands-music","title":"New Steps for a Classic Ballet Featuring Aaron Copland's Music","publishDate":1518043815,"format":"standard","headTitle":"New Steps for a Classic Ballet Featuring Aaron Copland’s Music | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Aaron Copland’s \u003cem>Rodeo\u003c/em> (pronounced \u003cem>row-DAY-oh\u003c/em>) is a classic piece of musical Americana that evokes the imagery of a barn dance. Copland wrote it for a 1942 Agnes De Mille ballet that played up the music’s western influences; the dancers did their two steps and pirouettes while dressed as cowboys, cowgirls, and farm gals. \u003c/p>\n\u003cp>Now San Francisco Ballet is featuring choreographer Justin Peck’s new take on the music, which is stripped of its western trappings. Peck is a resident choreographer with the New York City Ballet, and a prolific and inventive dancemaker. Peck’s productions move big groups around the stage in beautiful patterns and often pair male dancers in romantic duets, which is still shocking to some. Just to emphasize his fresh approach, Peck insists on pronouncing \u003cem>Rodeo\u003c/em> without the Spanish influence, so \u003cem>ROW-dee-oh\u003c/em> instead of \u003cem>row-DAY-oh\u003c/em>. \u003c/p>\n\u003cp>We saw Peck’s fabulously busy \u003cem>In the Countenance of Kings\u003c/em> last year at SF Ballet. His version of \u003ci>Countenance\u003c/i> was set to music from Sufjan Stevens’ composition \u003cem>The BQE\u003c/em>. \u003cem>Rodeo\u003c/em> is part of Program 2 at SF Ballet, titled \u003ci>Bright Fast Cool Blue,\u003c/i> which also features dances by Benjamin Millepied (\u003ci>The Chairman Dances,\u003c/i> set to music by Berkeley’s John Adams\u003ci>), \u003c/i>and George Balanchine, one of SF Ballet Artistic Director Helgi Tomasson’s mentors. Details for Program 2 running Feb. 13-24 are \u003ca href=\"https://www.sfballet.org/season/2018-repertory/2018-program-2\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?time_continue=1&v=tLna7S-iF7U\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"SF Ballet's Program 2 celebrates the work of three American dancemakers","status":"publish","parent":0,"modified":1705028577,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":260},"headData":{"title":"New Steps for a Classic Ballet Featuring Aaron Copland's Music | KQED","description":"SF Ballet's Program 2 celebrates the work of three American dancemakers","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"New Steps for a Classic Ballet Featuring Aaron Copland's Music","datePublished":"2018-02-07T22:50:15.000Z","dateModified":"2024-01-12T03:02:57.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13823868/new-steps-for-a-classic-ballet-featuring-aaron-coplands-music","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Aaron Copland’s \u003cem>Rodeo\u003c/em> (pronounced \u003cem>row-DAY-oh\u003c/em>) is a classic piece of musical Americana that evokes the imagery of a barn dance. Copland wrote it for a 1942 Agnes De Mille ballet that played up the music’s western influences; the dancers did their two steps and pirouettes while dressed as cowboys, cowgirls, and farm gals. \u003c/p>\n\u003cp>Now San Francisco Ballet is featuring choreographer Justin Peck’s new take on the music, which is stripped of its western trappings. Peck is a resident choreographer with the New York City Ballet, and a prolific and inventive dancemaker. Peck’s productions move big groups around the stage in beautiful patterns and often pair male dancers in romantic duets, which is still shocking to some. Just to emphasize his fresh approach, Peck insists on pronouncing \u003cem>Rodeo\u003c/em> without the Spanish influence, so \u003cem>ROW-dee-oh\u003c/em> instead of \u003cem>row-DAY-oh\u003c/em>. \u003c/p>\n\u003cp>We saw Peck’s fabulously busy \u003cem>In the Countenance of Kings\u003c/em> last year at SF Ballet. His version of \u003ci>Countenance\u003c/i> was set to music from Sufjan Stevens’ composition \u003cem>The BQE\u003c/em>. \u003cem>Rodeo\u003c/em> is part of Program 2 at SF Ballet, titled \u003ci>Bright Fast Cool Blue,\u003c/i> which also features dances by Benjamin Millepied (\u003ci>The Chairman Dances,\u003c/i> set to music by Berkeley’s John Adams\u003ci>), \u003c/i>and George Balanchine, one of SF Ballet Artistic Director Helgi Tomasson’s mentors. Details for Program 2 running Feb. 13-24 are \u003ca href=\"https://www.sfballet.org/season/2018-repertory/2018-program-2\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tLna7S-iF7U'\n title='//www.youtube.com/embed/tLna7S-iF7U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13823868/new-steps-for-a-classic-ballet-featuring-aaron-coplands-music","authors":["32"],"programs":["arts_140"],"categories":["arts_966"],"tags":["arts_879","arts_1006","arts_1677","arts_6387","arts_596","arts_1643"],"featImg":"arts_13823883","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. 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On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. 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