Free Mochi Pizza For National Pizza Day? Yes, Please
New Social History ‘Palo Alto’ Tells a Story of Laborers and Exploiters
‘Triple Threat’ Bay Area Bluegrass Musician Goes for Grammy Gold
Why Can’t BJ Boyd Get His Shot?
Sidewalk Serenade Brings Valentine's Day Spirit to Seniors Stuck Indoors at Channing House
Make Like a Wise Man and Head to this Nativity Exhibit in Palo Alto
Jonathan Calm Revisits 'Green Book' Locations in Search of America's Past and Present
Does Silicon Valley Need an Instagramable Icon?
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Or the South Bay?","imgSizes":{"thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-160x90.jpg","width":160,"height":90,"mimeType":"image/jpeg"},"medium":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-800x450.jpg","width":800,"height":450,"mimeType":"image/jpeg"},"medium_large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-768x432.jpg","width":768,"height":432,"mimeType":"image/jpeg"},"large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-1020x574.jpg","width":1020,"height":574,"mimeType":"image/jpeg"},"complete_open_graph":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-1200x675.jpg","width":1200,"height":675,"mimeType":"image/jpeg"},"fd-lrg":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-1920x1080.jpg","width":1920,"height":1080,"mimeType":"image/jpeg"},"fd-med":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-1180x664.jpg","width":1180,"height":664,"mimeType":"image/jpeg"},"fd-sm":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-960x540.jpg","width":960,"height":540,"mimeType":"image/jpeg"},"post-thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-672x372.jpg","width":672,"height":372,"mimeType":"image/jpeg"},"twentyfourteen-full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-1038x576.jpg","width":1038,"height":576,"mimeType":"image/jpeg"},"xxsmall":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-240x135.jpg","width":240,"height":135,"mimeType":"image/jpeg"},"xsmall":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-375x211.jpg","width":375,"height":211,"mimeType":"image/jpeg"},"small":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-520x293.jpg","width":520,"height":293,"mimeType":"image/jpeg"},"xlarge":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-1180x664.jpg","width":1180,"height":664,"mimeType":"image/jpeg"},"full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-1920x1080.jpg","width":1920,"height":1080,"mimeType":"image/jpeg"},"guest-author-32":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-32x32.jpg","width":32,"height":32,"mimeType":"image/jpeg"},"guest-author-50":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-50x50.jpg","width":50,"height":50,"mimeType":"image/jpeg"},"guest-author-64":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-64x64.jpg","width":64,"height":64,"mimeType":"image/jpeg"},"guest-author-96":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-96x96.jpg","width":96,"height":96,"mimeType":"image/jpeg"},"guest-author-128":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-128x128.jpg","width":128,"height":128,"mimeType":"image/jpeg"},"detail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3-150x150.jpg","width":150,"height":150,"mimeType":"image/jpeg"},"kqedFullSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2018/04/Apple-Park-3.jpg","width":1920,"height":1080}},"fetchFailed":false,"isLoading":false}},"audioPlayerReducer":{"postId":"stream_live"},"authorsReducer":{"byline_arts_13923665":{"type":"authors","id":"byline_arts_13923665","meta":{"override":true},"slug":"byline_arts_13923665","name":"Naomi Elias","isLoading":false},"byline_arts_13913451":{"type":"authors","id":"byline_arts_13913451","meta":{"override":true},"slug":"byline_arts_13913451","name":"Nick Lozito","isLoading":false},"byline_arts_13867857":{"type":"authors","id":"byline_arts_13867857","meta":{"override":true},"slug":"byline_arts_13867857","name":"Serginho Roosblad","isLoading":false},"rachael-myrow":{"type":"authors","id":"251","meta":{"index":"authors_1591205172","id":"251","found":true},"name":"Rachael Myrow","firstName":"Rachael","lastName":"Myrow","slug":"rachael-myrow","email":"rmyrow@kqed.org","display_author_email":false,"staff_mastheads":["news"],"title":"Senior Editor of KQED's Silicon Valley News Desk","bio":"Rachael Myrow is Senior Editor of KQED's Silicon Valley News Desk. You can hear her work on \u003ca href=\"https://www.npr.org/search?query=Rachael%20Myrow&page=1\">NPR\u003c/a>, \u003ca href=\"https://theworld.org/people/rachael-myrow\">The World\u003c/a>, WBUR's \u003ca href=\"https://www.wbur.org/search?q=Rachael%20Myrow\">\u003ci>Here & Now\u003c/i>\u003c/a> and the BBC. \u003c/i>She also guest hosts for KQED's \u003ci>\u003ca href=\"https://www.kqed.org/forum/tag/rachael-myrow\">Forum\u003c/a>\u003c/i>. Over the years, she's talked with Kamau Bell, David Byrne, Kamala Harris, Tony Kushner, Armistead Maupin, Van Dyke Parks, Arnold Schwarzenegger and Tommie Smith, among others.\r\n\r\nBefore all this, she hosted \u003cem>The California Report\u003c/em> for 7+ years, reporting on topics like \u003ca href=\"https://soundcloud.com/rmyrow/on-a-mission-to-reform-assisted-living\">assisted living facilities\u003c/a>, the \u003ca href=\"https://www.npr.org/sections/alltechconsidered/2014/12/01/367703789/amazon-unleashes-robot-army-to-send-your-holiday-packages-faster\">robot takeover\u003c/a> of Amazon, and \u003ca href=\"https://www.kqed.org/bayareabites/50822/in-search-of-the-chocolate-persimmon\" rel=\"noopener noreferrer\">chocolate persimmons\u003c/a>.\r\n\r\nAwards? Sure: Peabody, Edward R. Murrow, Regional Edward R. Murrow, RTNDA, Northern California RTNDA, SPJ Northern California Chapter, LA Press Club, Golden Mic. Prior to joining KQED, Rachael worked in Los Angeles at KPCC and Marketplace. 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He is a graduate of June Jordan’s Poetry for the People program at UC Berkeley and a former Lawrence Ferlinghetti Fellow at the University of San Francisco. He writes about sports, food, art, music, education, and culture while repping the Bay on \u003ca href=\"https://twitter.com/alan_chazaro\">Twitter\u003c/a> and \u003ca href=\"https://www.instagram.com/alan_chazaro/?hl=en\">Instagram\u003c/a> at @alan_chazaro.","avatar":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twitter":"alan_chazaro","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]}],"headData":{"title":"Alan Chazaro | KQED","description":"Food Writer and 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FM","link":"/"}},"arts_13956365":{"type":"posts","id":"arts_13956365","meta":{"index":"posts_1591205157","site":"arts","id":"13956365","score":null,"sort":[1713897523000]},"guestAuthors":[],"slug":"larry-june-stanford-blackfest-free","title":"Larry June to Headline Stanford's Free Blackfest","publishDate":1713897523,"format":"standard","headTitle":"Larry June to Headline Stanford’s Free Blackfest | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>San Francisco rapper Larry June will headline Stanford University’s \u003ca href=\"https://live.stanford.edu/events/2024-frost/blackfest-2024\" target=\"_blank\" rel=\"noopener\">Blackfest\u003c/a>, a completely free annual event organized by students and open to the general public, on May 4 at the university’s Frost Amphitheater.\u003c/p>\n\u003cp>In addition to the orange juice–drinking game spitter from the City, the afternoon features performances by Oakland’s youth troupe of MCs \u003ca href=\"https://proud2beblack.org/new-page\" target=\"_blank\" rel=\"noopener\">Young Gifted and Black\u003c/a>, along with a set from Washington D.C.’s up-and-coming, high-energy MC \u003ca href=\"https://www.instagram.com/redveil/?hl=en\" target=\"_blank\" rel=\"noopener\">redveil\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13956368\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956368 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-800x800.jpg\" alt=\"Attendees of Stanford's Blackfest 2022 pose for a photo. \" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-2048x2048.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-1920x1920.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Attendees of Stanford’s Blackfest 2022 pose for a photo. \u003ccite>(Vanessa Onuoha)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Presented by Stanford’s \u003ca href=\"https://bcsc.stanford.edu/get-involved/black-volunteer-student-organizations-bvso/performing-arts-organizations\" target=\"_blank\" rel=\"noopener\">Black Family Gathering Committee\u003c/a> and Stanford Live, the event is hosted by \u003ca href=\"https://www.instagram.com/shaydiddy/?hl=en\" target=\"_blank\" rel=\"noopener\">KMEL’s Shay Diddy\u003c/a> and will showcase a full Divine Nine step show.\u003c/p>\n\u003cp>Event organizers say their goal in 2024 is similar to previous years: showcase top-tier talent and cultivate community, both on campus and throughout the Bay Area. But this time around, they’re putting extra emphasis on the history of the event, and creating an installation to teach others about its roots.\u003c/p>\n\u003cp>The history of \u003ca href=\"https://stanfordmag.org/contents/we-are-family\" target=\"_blank\" rel=\"noopener\">Blackfest\u003c/a> dates back to the early ’70s, when separate groups of Black students living on opposite sides of campus decided to come together for one day. Led by the Black Community Services Center and the Black Student Union, students organized a picnic-style meet-up at Roble Field. They played sports and card games, passed along family recipes and made meals. Most importantly, they got to know one another.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13956367\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Over the years, the event evolved. At the turn of the millennium, the first live performances were incorporated. Blackfest has since grown from a picnic to a one-day festival — with some of the biggest names in music rocking the stage, such as Kendrick Lamar, Big Sean, 2 Chainz, Lil Yachty, Metro Boomin, E-40 and \u003ca href=\"https://arts.stanford.edu/rapper-future-performs-at-stanfords-blackfest/\" target=\"_blank\" rel=\"noopener\">Future\u003c/a>.\u003c/p>\n\u003cp>“They are bringing globally and nationally recognized talent to the Bay Area for free,” says Kamel Jacot-Bell, co-founder of Ankh Marketing, during a conference call.\u003c/p>\n\u003cp>“We’re choosing people who feel relevant to the community,” adds Catherine Harbour.\u003c/p>\n\u003cp>A 21 year-old senior from East Brunswick, New Jersey, Harbour is the co-president of the Black Family Gathering Committee and the lead organizer of Blackfest. She notes that the aforementioned artists performed at Blackfest before they were superstars.\u003c/p>\n\u003cp>“A lot of those names were chosen when they were on the way up,” says Harbour, adding that their music speaks to the audience the event organizers are aiming for. “We’re looking for talent that will bring people together.”\u003c/p>\n\u003cfigure id=\"attachment_13956366\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13956366\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-800x1212.jpg\" alt=\"A few flicks from Stanford's Blackfest in 1979.\" width=\"800\" height=\"1212\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-800x1212.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1020x1545.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-160x242.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-768x1163.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1014x1536.jpg 1014w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1352x2048.jpg 1352w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1920x2908.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-scaled.jpg 1690w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A few images from Stanford’s Blackfest in 1979. \u003ccite>(Richard Craven)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ever evolving, Blackfest has grown since the pandemic. It’s now located at \u003ca href=\"https://live.stanford.edu/venues/frost-amphitheater\" target=\"_blank\" rel=\"noopener\">Frost Amphitheater\u003c/a>, which can hold up to 8,000 people. “We now have a full professional-grade concert happening each year,” says Harbour. “It’s incredible to have those resources given to us by the school.”\u003c/p>\n\u003cp>Those resources help achieve the goal of an awesome experience for Stanford students and the broader Bay Area, says Harbour. She also wants the entire Bay Area Black community to be aware of people at Stanford who are working hard to put resources toward the celebration of Black culture and community.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4DQ7EvevkWw\u003c/p>\n\u003cp>And it’s been that way for decades.\u003c/p>\n\u003cp>“For us to be throwing an event as large-scale as it is today,” says Harbour, “it took so many people before us to mobilize — people with even less resources, less funding and less name recognition.”\u003c/p>\n\u003cp>Preserving Black culture is an often difficult task, Harbour adds, but it’s important work — not just for today, but for generations to come.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Larry June headlines Stanford’s Blackfest on Saturday, May 4, at 3:30 p.m. For tickets and more information, visit the \u003ca href=\"https://live.stanford.edu/events/2024-frost/blackfest-2024/\" target=\"_blank\" rel=\"noopener\">Stanford Live site\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The annual free celebration of Black culture takes place May 4 at Frost Amphitheater.","status":"publish","parent":0,"modified":1713898188,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":670},"headData":{"title":"Larry June to Headline Stanford's Free Blackfest | KQED","description":"The annual free celebration of Black culture takes place May 4 at Frost Amphitheater.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Larry June to Headline Stanford's Free Blackfest","datePublished":"2024-04-23T18:38:43.000Z","dateModified":"2024-04-23T18:49:48.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13956365/larry-june-stanford-blackfest-free","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco rapper Larry June will headline Stanford University’s \u003ca href=\"https://live.stanford.edu/events/2024-frost/blackfest-2024\" target=\"_blank\" rel=\"noopener\">Blackfest\u003c/a>, a completely free annual event organized by students and open to the general public, on May 4 at the university’s Frost Amphitheater.\u003c/p>\n\u003cp>In addition to the orange juice–drinking game spitter from the City, the afternoon features performances by Oakland’s youth troupe of MCs \u003ca href=\"https://proud2beblack.org/new-page\" target=\"_blank\" rel=\"noopener\">Young Gifted and Black\u003c/a>, along with a set from Washington D.C.’s up-and-coming, high-energy MC \u003ca href=\"https://www.instagram.com/redveil/?hl=en\" target=\"_blank\" rel=\"noopener\">redveil\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13956368\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956368 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-800x800.jpg\" alt=\"Attendees of Stanford's Blackfest 2022 pose for a photo. \" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-2048x2048.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DSC_7675-1920x1920.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Attendees of Stanford’s Blackfest 2022 pose for a photo. \u003ccite>(Vanessa Onuoha)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Presented by Stanford’s \u003ca href=\"https://bcsc.stanford.edu/get-involved/black-volunteer-student-organizations-bvso/performing-arts-organizations\" target=\"_blank\" rel=\"noopener\">Black Family Gathering Committee\u003c/a> and Stanford Live, the event is hosted by \u003ca href=\"https://www.instagram.com/shaydiddy/?hl=en\" target=\"_blank\" rel=\"noopener\">KMEL’s Shay Diddy\u003c/a> and will showcase a full Divine Nine step show.\u003c/p>\n\u003cp>Event organizers say their goal in 2024 is similar to previous years: showcase top-tier talent and cultivate community, both on campus and throughout the Bay Area. But this time around, they’re putting extra emphasis on the history of the event, and creating an installation to teach others about its roots.\u003c/p>\n\u003cp>The history of \u003ca href=\"https://stanfordmag.org/contents/we-are-family\" target=\"_blank\" rel=\"noopener\">Blackfest\u003c/a> dates back to the early ’70s, when separate groups of Black students living on opposite sides of campus decided to come together for one day. Led by the Black Community Services Center and the Black Student Union, students organized a picnic-style meet-up at Roble Field. They played sports and card games, passed along family recipes and made meals. Most importantly, they got to know one another.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13956367\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Black-Family-Picnic-early-70s-1-1.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Over the years, the event evolved. At the turn of the millennium, the first live performances were incorporated. Blackfest has since grown from a picnic to a one-day festival — with some of the biggest names in music rocking the stage, such as Kendrick Lamar, Big Sean, 2 Chainz, Lil Yachty, Metro Boomin, E-40 and \u003ca href=\"https://arts.stanford.edu/rapper-future-performs-at-stanfords-blackfest/\" target=\"_blank\" rel=\"noopener\">Future\u003c/a>.\u003c/p>\n\u003cp>“They are bringing globally and nationally recognized talent to the Bay Area for free,” says Kamel Jacot-Bell, co-founder of Ankh Marketing, during a conference call.\u003c/p>\n\u003cp>“We’re choosing people who feel relevant to the community,” adds Catherine Harbour.\u003c/p>\n\u003cp>A 21 year-old senior from East Brunswick, New Jersey, Harbour is the co-president of the Black Family Gathering Committee and the lead organizer of Blackfest. She notes that the aforementioned artists performed at Blackfest before they were superstars.\u003c/p>\n\u003cp>“A lot of those names were chosen when they were on the way up,” says Harbour, adding that their music speaks to the audience the event organizers are aiming for. “We’re looking for talent that will bring people together.”\u003c/p>\n\u003cfigure id=\"attachment_13956366\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13956366\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-800x1212.jpg\" alt=\"A few flicks from Stanford's Blackfest in 1979.\" width=\"800\" height=\"1212\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-800x1212.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1020x1545.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-160x242.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-768x1163.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1014x1536.jpg 1014w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1352x2048.jpg 1352w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-1920x2908.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Hanging-out-eating-on-Roble-Field-at-Black-Family-Picnic-1979-scaled.jpg 1690w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A few images from Stanford’s Blackfest in 1979. \u003ccite>(Richard Craven)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ever evolving, Blackfest has grown since the pandemic. It’s now located at \u003ca href=\"https://live.stanford.edu/venues/frost-amphitheater\" target=\"_blank\" rel=\"noopener\">Frost Amphitheater\u003c/a>, which can hold up to 8,000 people. “We now have a full professional-grade concert happening each year,” says Harbour. “It’s incredible to have those resources given to us by the school.”\u003c/p>\n\u003cp>Those resources help achieve the goal of an awesome experience for Stanford students and the broader Bay Area, says Harbour. She also wants the entire Bay Area Black community to be aware of people at Stanford who are working hard to put resources toward the celebration of Black culture and community.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4DQ7EvevkWw'\n title='//www.youtube.com/embed/4DQ7EvevkWw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And it’s been that way for decades.\u003c/p>\n\u003cp>“For us to be throwing an event as large-scale as it is today,” says Harbour, “it took so many people before us to mobilize — people with even less resources, less funding and less name recognition.”\u003c/p>\n\u003cp>Preserving Black culture is an often difficult task, Harbour adds, but it’s important work — not just for today, but for generations to come.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Larry June headlines Stanford’s Blackfest on Saturday, May 4, at 3:30 p.m. For tickets and more information, visit the \u003ca href=\"https://live.stanford.edu/events/2024-frost/blackfest-2024/\" target=\"_blank\" rel=\"noopener\">Stanford Live site\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956365/larry-june-stanford-blackfest-free","authors":["11491"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_69"],"tags":["arts_10278","arts_831","arts_9337","arts_1315","arts_2309","arts_585"],"featImg":"arts_13929276","label":"arts_140"},"arts_13951657":{"type":"posts","id":"arts_13951657","meta":{"index":"posts_1591205157","site":"arts","id":"13951657","score":null,"sort":[1707255784000]},"guestAuthors":[],"slug":"mochiko-mochi-pizza-palo-alto-free-slices","title":"Free Mochi Pizza For National Pizza Day? Yes, Please","publishDate":1707255784,"format":"standard","headTitle":"Free Mochi Pizza For National Pizza Day? Yes, Please | KQED","labelTerm":{},"content":"\u003cp>\u003cspan style=\"font-weight: 400\">A few months ago, my wife — who, like me, is an avid pizza head — sent me news about an interesting new style of pizza we’d never heard of, but wanted to devour: mochi pizza.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Served at \u003c/span>\u003ca href=\"https://www.instagram.com/mochikomochipizza/\">\u003cspan style=\"font-weight: 400\">Mochiko\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> in Burlingame, the rare, rectangular pies use mochigome — a form of Japanese glutinous rice that is steamed then turned into a chewy paste — instead of traditional flour dough. Though we haven’t been able to make the trip out to Burlingame yet (\u003c/span>\u003ca href=\"https://www.kqed.org/news/11973704/things-to-do-bay-area-with-children\">\u003cspan style=\"font-weight: 400\">it’s not always easy getting out of the house with an infant\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">), it’s on my short list of foods I’m willing to pay my share of gas money to try.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">[aside postID='arts_13931296,arts_13928196']\u003c/span>With Japanese-inspired flavors like chicken curry (which features chicken karaage and Japanese curry) in addition to classics like pepperoni, Mochiko appears to be carving (slicing?) out a niche lane as what they claim to be \u003c/span>\u003ca href=\"https://www.sfgate.com/food/article/bay-area-mochiko-mochi-pizza-opening-18457749.php\">\u003cspan style=\"font-weight: 400\">the first ever mochi pizzeria\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. The idea, it seems, is to create a \u003ca href=\"https://www.mochipizza.com/faq/\">gluten-free crust\u003c/a> that combines \u003ca href=\"https://www.sfchronicle.com/food/restaurants/article/best-new-bay-area-18517990.php\">crispy outer edges\u003c/a> with a stretchy, chewy interior. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Now, the restaurant is making it even easier for Bay Area eaters to experience the mochi fusion by introducing a second location — essentially a new menu available inside the Palo Alto branch of \u003c/span>\u003ca href=\"https://www.instagram.com/sushirrito/?hl=en\">\u003cspan style=\"font-weight: 400\">Sushirrito\u003c/span>\u003c/a>. (P\u003cspan style=\"font-weight: 400\">erhaps unsurprisingly, t\u003c/span>\u003cspan style=\"font-weight: 400\">he owners of Mochiko are also the ones behind that hybrid sushi burrito chain.) \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Having soft-launched at the end of January, Mochiko’s new outpost will celebrate its official grand opening on Friday, Feb. 9 — which also happens to be National Pizza Day. To add extra sauce to their deal, the Palo Alto shop will serve free slices that day, from 4 to 6 p.m. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Since it’s easier for me to get to this location, expect to find me finally checking mochi pizza off my things-you-can-only-eat-in-the-Bay-Area bingo card. I’m sure I won’t be the only one.\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/mochikomochipizza/\">\u003ci>\u003cspan style=\"font-weight: 400\">Mochiko Mochi Pizza\u003c/span>\u003c/i>\u003c/a>\u003ci>\u003cspan style=\"font-weight: 400\"> (448 University Ave., Palo Alto, inside Sushirrito) will host its grand opening on Fri., Feb. 9, when it will serve free slices from 4 to 6 p.m. Moving forward, the restaurant will be open daily from noon to 8 p.m.\u003c/span>\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"A uniquely Bay Area pizzeria's new Palo Alto location celebrates its grand opening.","status":"publish","parent":0,"modified":1707255784,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":388},"headData":{"title":"New Mochi Pizza Restaurant Is Offering Free Slices in Palo Alto | KQED","description":"A uniquely Bay Area pizzeria's new Palo Alto location celebrates its grand opening.","ogTitle":"Free Mochi Pizza For National Pizza Day? Yes, Please","ogDescription":"","ogImgId":"","twTitle":"Free Mochi Pizza For National Pizza Day? Yes, Please","twDescription":"","twImgId":"","socialTitle":"New Mochi Pizza Restaurant Is Offering Free Slices in Palo Alto%%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Free Mochi Pizza For National Pizza Day? Yes, Please","datePublished":"2024-02-06T21:43:04.000Z","dateModified":"2024-02-06T21:43:04.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Food","sourceUrl":"https://www.kqed.org/food","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13951657/mochiko-mochi-pizza-palo-alto-free-slices","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">A few months ago, my wife — who, like me, is an avid pizza head — sent me news about an interesting new style of pizza we’d never heard of, but wanted to devour: mochi pizza.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Served at \u003c/span>\u003ca href=\"https://www.instagram.com/mochikomochipizza/\">\u003cspan style=\"font-weight: 400\">Mochiko\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> in Burlingame, the rare, rectangular pies use mochigome — a form of Japanese glutinous rice that is steamed then turned into a chewy paste — instead of traditional flour dough. Though we haven’t been able to make the trip out to Burlingame yet (\u003c/span>\u003ca href=\"https://www.kqed.org/news/11973704/things-to-do-bay-area-with-children\">\u003cspan style=\"font-weight: 400\">it’s not always easy getting out of the house with an infant\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">), it’s on my short list of foods I’m willing to pay my share of gas money to try.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cspan style=\"color: #2b2b2b;font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13931296,arts_13928196","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>With Japanese-inspired flavors like chicken curry (which features chicken karaage and Japanese curry) in addition to classics like pepperoni, Mochiko appears to be carving (slicing?) out a niche lane as what they claim to be \u003c/span>\u003ca href=\"https://www.sfgate.com/food/article/bay-area-mochiko-mochi-pizza-opening-18457749.php\">\u003cspan style=\"font-weight: 400\">the first ever mochi pizzeria\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. The idea, it seems, is to create a \u003ca href=\"https://www.mochipizza.com/faq/\">gluten-free crust\u003c/a> that combines \u003ca href=\"https://www.sfchronicle.com/food/restaurants/article/best-new-bay-area-18517990.php\">crispy outer edges\u003c/a> with a stretchy, chewy interior. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Now, the restaurant is making it even easier for Bay Area eaters to experience the mochi fusion by introducing a second location — essentially a new menu available inside the Palo Alto branch of \u003c/span>\u003ca href=\"https://www.instagram.com/sushirrito/?hl=en\">\u003cspan style=\"font-weight: 400\">Sushirrito\u003c/span>\u003c/a>. (P\u003cspan style=\"font-weight: 400\">erhaps unsurprisingly, t\u003c/span>\u003cspan style=\"font-weight: 400\">he owners of Mochiko are also the ones behind that hybrid sushi burrito chain.) \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Having soft-launched at the end of January, Mochiko’s new outpost will celebrate its official grand opening on Friday, Feb. 9 — which also happens to be National Pizza Day. To add extra sauce to their deal, the Palo Alto shop will serve free slices that day, from 4 to 6 p.m. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Since it’s easier for me to get to this location, expect to find me finally checking mochi pizza off my things-you-can-only-eat-in-the-Bay-Area bingo card. I’m sure I won’t be the only one.\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/mochikomochipizza/\">\u003ci>\u003cspan style=\"font-weight: 400\">Mochiko Mochi Pizza\u003c/span>\u003c/i>\u003c/a>\u003ci>\u003cspan style=\"font-weight: 400\"> (448 University Ave., Palo Alto, inside Sushirrito) will host its grand opening on Fri., Feb. 9, when it will serve free slices from 4 to 6 p.m. Moving forward, the restaurant will be open daily from noon to 8 p.m.\u003c/span>\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13951657/mochiko-mochi-pizza-palo-alto-free-slices","authors":["11748"],"programs":["arts_140"],"categories":["arts_1","arts_12276"],"tags":["arts_5400","arts_1297","arts_21673","arts_1315","arts_14730","arts_585"],"featImg":"arts_13951687","label":"source_arts_13951657"},"arts_13923665":{"type":"posts","id":"arts_13923665","meta":{"index":"posts_1591205157","site":"arts","id":"13923665","score":null,"sort":[1676394052000]},"guestAuthors":[],"slug":"palo-alto-book-malcolm-harris-marxist-social-history-capitalism-silicon-valley","title":"New Social History ‘Palo Alto’ Tells a Story of Laborers and Exploiters","publishDate":1676394052,"format":"standard","headTitle":"New Social History ‘Palo Alto’ Tells a Story of Laborers and Exploiters | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>We’ve all seen a version of the domino effect meme. In it, a man (\u003ca href=\"https://youtu.be/y97rBdSYbkg\">YouTuber Stephen Morris\u003c/a>) crouches low to demonstrate how a small domino can knock over a larger domino which can knock over an even larger domino and create a chain reaction. The meme has been used to explain how the assassination of Archduke Franz Ferdinand lead to WWI, or how an apple falling off a tree in the 1600s could be responsible for the tears of high schoolers in math class four centuries later.\u003c/p>\n\u003cp>In his new book, \u003cem>\u003ca href=\"https://www.littlebrown.com/titles/malcolm-harris/palo-alto/9780316592031/\">Palo Alto: A History of California, Capitalism, and The World\u003c/a>\u003c/em>, writer Malcolm Harris positions the foundation of Silicon Valley as a small domino that unleashes the true final domino, the destruction of the world. It’s a bold claim that, after reading the argument laid out over the book’s 700-plus pages, is not entirely unearned or unconvincing.\u003c/p>\n\u003cp>Harris is also the author of \u003cem>\u003ca href=\"https://www.littlebrown.com/titles/will-collyer/kids-these-days/9781478992332/\">Kids These Days: Human Capital and the Making of Millennials\u003c/a>\u003c/em>, a formal account of the birth, promise and maligning of the millennial generation which counts him as a member. Harris, who is based in Washington, D.C., began his writing and research for \u003cem>Palo Alto\u003c/em> in 2020 — although in many ways, the seeds of this story were planted in childhood, which he partly spent in Palo Alto.\u003c/p>\n\u003cp>The book opens with an unexpected data point: teen suicide rates from the early 2000s. Beginning in the 2000s and extending well into the 2010s, \u003ca href=\"https://www.inverse.com/article/11555-teen-suicides-investigated-as-an-epidemic-in-palo-alto\">a pattern of teen suicides\u003c/a> began to occur on Caltrain tracks, the railway line near Palo Alto High School where Stanford University’s founder, Leland Stanford, helped establish the nation’s \u003ca href=\"https://news.stanford.edu/2019/05/08/first-transcontinental-railroad-stanford-forever-linked/\">first transcontinental railroad\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13923795\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/01/Mal-photo_credit-Julia-Burke_1200.jpg\" alt=\"Red haired white man in glasses smiles with arms crossed\" width=\"1200\" height=\"1594\" class=\"size-full wp-image-13923795\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Mal-photo_credit-Julia-Burke_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Mal-photo_credit-Julia-Burke_1200-800x1063.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Mal-photo_credit-Julia-Burke_1200-1020x1355.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Mal-photo_credit-Julia-Burke_1200-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Mal-photo_credit-Julia-Burke_1200-768x1020.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Mal-photo_credit-Julia-Burke_1200-1156x1536.jpg 1156w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Author Malcolm Harris. \u003ccite>(Julia Burke)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You have this historical confluence between this suicide wave that is coextensive with my own childhood,” Harris explains, “as well as the story of the railroad and so, the connection between those two is the foundational violence that led me into the subject.” Rather than use this data as an entry point to a memoir about surviving one of the world’s most famous bubbles, Harris uses it to open a line of investigation into the heart of a city that has achieved so much and at such a great cost.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>Palo Alto\u003c/em> is divided into five sections that cover significant time periods of roughly 20–50 years, the last of which is 2000–2020. Both in subject and tone, Harris’ writing merits comparison to the work of anarchist archivist David Graeber, a man described by \u003cem>The New York Times\u003c/em> as a “caustic critic” in his \u003ca href=\"https://www.nytimes.com/2020/09/04/books/david-graeber-dead.html\">2020 obit\u003c/a>. Harris’ sentences are accessible but packed with information — the footnotes of this book could form another book — and very pointed. Some readers may be unprepared to hear him casually declare the state “a whiteness cartel” or the decidedly un-reverential way he speaks of key figures in Silicon Valley’s history (Noyce, Packard, Jobs, Wozniak, Gates) who are most often written about in hagiographic terms.\u003c/p>\n\u003cp>But, as Harris will openly admit, the book is written “from a Marxist lens.” He adds that as a Marxist, “the closest to an objective understanding of history as we can get [is] by plotting this history through the struggle of classes.” In his own words, his book strives to keep company with and follow in the mold of writers who took part in the histories they documented and “whose rigor I aspire to” like Cedric J. Robinson, Roxanne Dunbar-Ortiz, H. Bruce Franklin, Mae Ngai and the late Mike Davis — “a North Star” and fellow Marxist — whose books \u003cem>City of Quartz\u003c/em> and \u003cem>Prisoners of the American Dream\u003c/em> are considered among the definitive histories of power and class struggle in urban America.\u003c/p>\n\u003cp>The field of social history emerged as a response to the popularity and obliqueness of political history, which focused on elites and “great” (read: rich and white) men, and erased, through omission, the lives and experiences of the masses. “So much of our reception around history books and social history books and social commentary books is siloed sometimes and particularly by race,” Harris explains. “This book isn’t sold as an Asian American history book, but that doesn’t mean that Asian American history isn’t a central thread of the whole story.”\u003c/p>\n\u003cfigure id=\"attachment_13923796\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/01/GettyImages-1150980334-scaled.jpg\" alt=\"Black and white illustration of future Stanford campus\" width=\"2560\" height=\"1683\" class=\"size-full wp-image-13923796\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-800x526.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-1020x671.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-768x505.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-1536x1010.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-2048x1347.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-1920x1263.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">An illustration depicts an aerial view of ‘Senator Leland Stanford’s Farm at Palo Alto, California’ in 1888. \u003ccite>(Interim Archives/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>To tell the whole story, Palo Alto wrangles together seemingly disparate threads: railroad colonialism, the founding of the Bank of California in 1864 (the nation’s first commercial bank), Japanophobia, forgotten Black Beat poets, an interracial coalition of striking farm workers, the invention of the microchip, and the post-9/11 information arms race.\u003c/p>\n\u003cp>\u003cem>Palo Alto\u003c/em>, exceedingly deliberative and grand in scope, is a social history of a city via the people who built it — both the laborers and the people who exploited them. In this way, Harris lays out a clear corollary for how the history of one zip code is the story of California, which, “with its high profits and bifurcated labor force,” he writes, “modeled capitalist discipline for the nation.” The second concept in the book’s descriptive title is actually its main player, as Harris argues nearly everything that has happened has been propelled to happen by the perennial winds of capitalism.\u003c/p>\n\u003cp>Harris writes about capitalism like it’s an invading, occupying force that has only gotten hungrier and more territorial as time goes on: “Capital hit California like a meteor, alien tendrils surging from the crash site.” The book’s central framing device is the refrain, “forces, not men.” Repeated, the phrase reiterates the primacy of forces like capitalism over the capitalists that enact them.\u003c/p>\n\u003cp>If the great men associated with Palo Alto hadn’t been present, Harris writes, capitalism would have summoned other men to take their place. In his view, Palo Alto was inevitable.\u003c/p>\n\u003cp>Harris avoids a propagandic tone by working from historical points that are objectively true — Palo Alto has become the most consequential suburb in the world, we live in a capitalist world system — and connecting dots throughout history that not only create a picture of California, but also offer persuasive explanations for why California looks the way it does, wields the power it has and espouses the toxic achievement philosophies that have become its trademark and albatross.\u003c/p>\n\u003cp>Despite compiling a detailed litany of “the series of plagues visited upon California” throughout history, Harris eschews fatalism in favor of something approaching optimism. “To think about life this way is not to surrender to predetermination,” he writes in the book, “only by understanding how we’re made use of can we start to distinguish our selves from our situations.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Palo Alto\u003c/em> is not a prescriptive text; this isn’t a how-to book about fixing California. It’s a book determined to detail what’s wrong with it and how it all went so wrong. Ultimately, the success of \u003cem>Palo Alto\u003c/em> will not rest in the number of converts it produces but in whether it gets readers to think about the subject and their situations differently.\u003c/p>\n\n","blocks":[],"excerpt":"Malcom Harris’ accessible but informative history takes on the forces of capitalism that have shaped Silicon Valley.","status":"publish","parent":0,"modified":1705005847,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":1266},"headData":{"title":"‘Palo Alto’ Book Review: A Marxist History of Silicon Valley | KQED","description":"Malcom Harris’ accessible but informative history takes on the forces of capitalism that have shaped Silicon Valley.","ogTitle":"New Social History ‘Palo Alto’ Tells a Story of Laborers and Exploiters","ogDescription":"","ogImgId":"","twTitle":"New Social History ‘Palo Alto’ Tells a Story of Laborers and Exploiters","twDescription":"","twImgId":"","socialTitle":"‘Palo Alto’ Book Review: A Marxist History of Silicon Valley %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"New Social History ‘Palo Alto’ Tells a Story of Laborers and Exploiters","datePublished":"2023-02-14T17:00:52.000Z","dateModified":"2024-01-11T20:44:07.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Naomi Elias","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13923665/palo-alto-book-malcolm-harris-marxist-social-history-capitalism-silicon-valley","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>We’ve all seen a version of the domino effect meme. In it, a man (\u003ca href=\"https://youtu.be/y97rBdSYbkg\">YouTuber Stephen Morris\u003c/a>) crouches low to demonstrate how a small domino can knock over a larger domino which can knock over an even larger domino and create a chain reaction. The meme has been used to explain how the assassination of Archduke Franz Ferdinand lead to WWI, or how an apple falling off a tree in the 1600s could be responsible for the tears of high schoolers in math class four centuries later.\u003c/p>\n\u003cp>In his new book, \u003cem>\u003ca href=\"https://www.littlebrown.com/titles/malcolm-harris/palo-alto/9780316592031/\">Palo Alto: A History of California, Capitalism, and The World\u003c/a>\u003c/em>, writer Malcolm Harris positions the foundation of Silicon Valley as a small domino that unleashes the true final domino, the destruction of the world. It’s a bold claim that, after reading the argument laid out over the book’s 700-plus pages, is not entirely unearned or unconvincing.\u003c/p>\n\u003cp>Harris is also the author of \u003cem>\u003ca href=\"https://www.littlebrown.com/titles/will-collyer/kids-these-days/9781478992332/\">Kids These Days: Human Capital and the Making of Millennials\u003c/a>\u003c/em>, a formal account of the birth, promise and maligning of the millennial generation which counts him as a member. Harris, who is based in Washington, D.C., began his writing and research for \u003cem>Palo Alto\u003c/em> in 2020 — although in many ways, the seeds of this story were planted in childhood, which he partly spent in Palo Alto.\u003c/p>\n\u003cp>The book opens with an unexpected data point: teen suicide rates from the early 2000s. Beginning in the 2000s and extending well into the 2010s, \u003ca href=\"https://www.inverse.com/article/11555-teen-suicides-investigated-as-an-epidemic-in-palo-alto\">a pattern of teen suicides\u003c/a> began to occur on Caltrain tracks, the railway line near Palo Alto High School where Stanford University’s founder, Leland Stanford, helped establish the nation’s \u003ca href=\"https://news.stanford.edu/2019/05/08/first-transcontinental-railroad-stanford-forever-linked/\">first transcontinental railroad\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13923795\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/01/Mal-photo_credit-Julia-Burke_1200.jpg\" alt=\"Red haired white man in glasses smiles with arms crossed\" width=\"1200\" height=\"1594\" class=\"size-full wp-image-13923795\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Mal-photo_credit-Julia-Burke_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Mal-photo_credit-Julia-Burke_1200-800x1063.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Mal-photo_credit-Julia-Burke_1200-1020x1355.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Mal-photo_credit-Julia-Burke_1200-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Mal-photo_credit-Julia-Burke_1200-768x1020.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/Mal-photo_credit-Julia-Burke_1200-1156x1536.jpg 1156w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Author Malcolm Harris. \u003ccite>(Julia Burke)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You have this historical confluence between this suicide wave that is coextensive with my own childhood,” Harris explains, “as well as the story of the railroad and so, the connection between those two is the foundational violence that led me into the subject.” Rather than use this data as an entry point to a memoir about surviving one of the world’s most famous bubbles, Harris uses it to open a line of investigation into the heart of a city that has achieved so much and at such a great cost.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Palo Alto\u003c/em> is divided into five sections that cover significant time periods of roughly 20–50 years, the last of which is 2000–2020. Both in subject and tone, Harris’ writing merits comparison to the work of anarchist archivist David Graeber, a man described by \u003cem>The New York Times\u003c/em> as a “caustic critic” in his \u003ca href=\"https://www.nytimes.com/2020/09/04/books/david-graeber-dead.html\">2020 obit\u003c/a>. Harris’ sentences are accessible but packed with information — the footnotes of this book could form another book — and very pointed. Some readers may be unprepared to hear him casually declare the state “a whiteness cartel” or the decidedly un-reverential way he speaks of key figures in Silicon Valley’s history (Noyce, Packard, Jobs, Wozniak, Gates) who are most often written about in hagiographic terms.\u003c/p>\n\u003cp>But, as Harris will openly admit, the book is written “from a Marxist lens.” He adds that as a Marxist, “the closest to an objective understanding of history as we can get [is] by plotting this history through the struggle of classes.” In his own words, his book strives to keep company with and follow in the mold of writers who took part in the histories they documented and “whose rigor I aspire to” like Cedric J. Robinson, Roxanne Dunbar-Ortiz, H. Bruce Franklin, Mae Ngai and the late Mike Davis — “a North Star” and fellow Marxist — whose books \u003cem>City of Quartz\u003c/em> and \u003cem>Prisoners of the American Dream\u003c/em> are considered among the definitive histories of power and class struggle in urban America.\u003c/p>\n\u003cp>The field of social history emerged as a response to the popularity and obliqueness of political history, which focused on elites and “great” (read: rich and white) men, and erased, through omission, the lives and experiences of the masses. “So much of our reception around history books and social history books and social commentary books is siloed sometimes and particularly by race,” Harris explains. “This book isn’t sold as an Asian American history book, but that doesn’t mean that Asian American history isn’t a central thread of the whole story.”\u003c/p>\n\u003cfigure id=\"attachment_13923796\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/01/GettyImages-1150980334-scaled.jpg\" alt=\"Black and white illustration of future Stanford campus\" width=\"2560\" height=\"1683\" class=\"size-full wp-image-13923796\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-800x526.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-1020x671.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-768x505.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-1536x1010.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-2048x1347.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/GettyImages-1150980334-1920x1263.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">An illustration depicts an aerial view of ‘Senator Leland Stanford’s Farm at Palo Alto, California’ in 1888. \u003ccite>(Interim Archives/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>To tell the whole story, Palo Alto wrangles together seemingly disparate threads: railroad colonialism, the founding of the Bank of California in 1864 (the nation’s first commercial bank), Japanophobia, forgotten Black Beat poets, an interracial coalition of striking farm workers, the invention of the microchip, and the post-9/11 information arms race.\u003c/p>\n\u003cp>\u003cem>Palo Alto\u003c/em>, exceedingly deliberative and grand in scope, is a social history of a city via the people who built it — both the laborers and the people who exploited them. In this way, Harris lays out a clear corollary for how the history of one zip code is the story of California, which, “with its high profits and bifurcated labor force,” he writes, “modeled capitalist discipline for the nation.” The second concept in the book’s descriptive title is actually its main player, as Harris argues nearly everything that has happened has been propelled to happen by the perennial winds of capitalism.\u003c/p>\n\u003cp>Harris writes about capitalism like it’s an invading, occupying force that has only gotten hungrier and more territorial as time goes on: “Capital hit California like a meteor, alien tendrils surging from the crash site.” The book’s central framing device is the refrain, “forces, not men.” Repeated, the phrase reiterates the primacy of forces like capitalism over the capitalists that enact them.\u003c/p>\n\u003cp>If the great men associated with Palo Alto hadn’t been present, Harris writes, capitalism would have summoned other men to take their place. In his view, Palo Alto was inevitable.\u003c/p>\n\u003cp>Harris avoids a propagandic tone by working from historical points that are objectively true — Palo Alto has become the most consequential suburb in the world, we live in a capitalist world system — and connecting dots throughout history that not only create a picture of California, but also offer persuasive explanations for why California looks the way it does, wields the power it has and espouses the toxic achievement philosophies that have become its trademark and albatross.\u003c/p>\n\u003cp>Despite compiling a detailed litany of “the series of plagues visited upon California” throughout history, Harris eschews fatalism in favor of something approaching optimism. “To think about life this way is not to surrender to predetermination,” he writes in the book, “only by understanding how we’re made use of can we start to distinguish our selves from our situations.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Palo Alto\u003c/em> is not a prescriptive text; this isn’t a how-to book about fixing California. It’s a book determined to detail what’s wrong with it and how it all went so wrong. Ultimately, the success of \u003cem>Palo Alto\u003c/em> will not rest in the number of converts it produces but in whether it gets readers to think about the subject and their situations differently.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13923665/palo-alto-book-malcolm-harris-marxist-social-history-capitalism-silicon-valley","authors":["byline_arts_13923665"],"programs":["arts_140"],"categories":["arts_1","arts_73"],"tags":["arts_6660","arts_7446","arts_10278","arts_1315","arts_3001","arts_585"],"featImg":"arts_13923792","label":"arts_140"},"arts_13924654":{"type":"posts","id":"arts_13924654","meta":{"index":"posts_1591205157","site":"arts","id":"13924654","score":null,"sort":[1675384617000]},"guestAuthors":[],"slug":"triple-threat-bay-area-bluegrass-musician-goes-for-grammy-gold","title":"‘Triple Threat’ Bay Area Bluegrass Musician Goes for Grammy Gold","publishDate":1675384617,"format":"standard","headTitle":"‘Triple Threat’ Bay Area Bluegrass Musician Goes for Grammy Gold | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Singer and guitarist \u003ca href=\"https://www.mollytuttlemusic.com/\">Molly Tuttle\u003c/a> has been lighting up the bluegrass music scene with her third album, \u003cem>Crooked Tree\u003c/em> — and she’s got two Grammy nominations this year to prove it. One is for Best Bluegrass Album and one is for the coveted Best New Artist award — making her the first bluegrass artist to be nominated in the latter category.\u003c/p>\n\u003cp>“It just wasn’t on my radar of even being a possibility,” Tuttle says of the Best New Artist nomination. “So when I saw that, it just blew me away. I was kind of in disbelief for a few days.”\u003c/p>\n\u003cp>Tuttle, who grew up in Palo Alto and now lives in Nashville, is no stranger to awards, though. She’s a two-time winner of the International Bluegrass Music Association’s Guitar Player of the Year award — the first woman to win the title. In 2022, she was named Female Vocalist of the Year by the same organization.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=9zIlaJ-RroQ\u003c/p>\n\u003cp>It’s recognition that affirms what her father \u003ca href=\"https://www.jacktuttle.com/\">Jack Tuttle\u003c/a>, a Palo Alto-based bluegrass musician and music teacher, sees as her triple-threat talent.\u003c/p>\n\u003cp>“Molly can play very intricate, complex lines that are very fluid. Kind of smoother, cleaner than your typical bluegrass guitar player,” Tuttle says. “She’s got that package now of high-level guitar playing, great singer and a really good songwriter.”\u003c/p>\n\u003cp>Molly Tuttle knew by high school that she wanted music to be her path. She’d been playing at bluegrass jams since she was 11, plus festival gigs alongside her father and two brothers in the family band, The Tuttles.\u003c/p>\n\u003cp>“When I had other friends talk about colleges and what they wanted to do after graduating, it dawned on me that like, all I really want to do is play music,” Tuttle says. “And that’s what I’m doing every chance I get. Every weekend I’m trying to play shows and I get home and want to practice guitar.”\u003c/p>\n\u003cfigure id=\"attachment_13924681\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13924681\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-800x539.jpeg\" alt=\"a four piece band, an older man with white hair and three kids, one girl and two young boys, all playing guitar\" width=\"800\" height=\"539\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-800x539.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-1020x687.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-160x108.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-768x517.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-1536x1034.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-2048x1379.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-1920x1293.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Teenaged Molly Tuttle with her father, Jack Tuttle, and brothers Michael (left) and Sullivan (right) performing at a Bay Area fundraiser as their band The Tuttles. \u003ccite>(Courtesy of Jack Tuttle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She first honed her songwriting skills by taking classes at Foothill Community College in Los Altos Hills during her last two years of high school. She then set off to Berklee College of Music in Boston, where she studied in their Americana Roots program.\u003c/p>\n\u003cp>At the start of her career, though, Tuttle didn’t want to be pigeonholed as a bluegrass artist.\u003c/p>\n\u003cp>“I felt like I had all this other music that I loved to listen to and that I loved to write,” Tuttle says. “So my first two records were \u003ca href=\"https://www.youtube.com/watch?v=EQHecBZTx-Q\">kind of a departure\u003c/a> from the music I grew up with and that felt really natural to me.”\u003c/p>\n\u003cp>Then the pandemic hit. Between sheltering in place and the shutdown of music venues and festivals, Tuttle realized how much she missed the bluegrass community.\u003c/p>\n\u003cp>“Bluegrass music is so cool because you go to a festival and you see all your friends. And you might see people who are up on the stage and at night they’re in the campsite jamming. It’s really communal music,” Tuttle says.\u003c/p>\n\u003cp>Now, with the success of \u003ci>Crooked Tree,\u003c/i> Tuttle’s headlining some of the big festivals she grew up watching her music heroes play.\u003c/p>\n\u003cp>“I feel like I’ve reached so many of those early dreams that I had as a kid,” Tuttle reflects. “It feels really cool. Like this year we’re going to headline the \u003ca href=\"https://californiabluegrass.org/fathers_day_festival/fdf-home/\">Father’s Day Bluegrass Festival\u003c/a>, which I grew up going to in Grass Valley.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=i7yYfC2Osl0\u003c/p>\n\u003cp>That festival inspired the song “Grass Valley” on her Grammy-nominated album. It features her father on backing vocals and came out of a yearning for togetherness during the height of the pandemic.\u003c/p>\n\u003cp>“When we were no longer able to gather, something about that triggered this kind of feeling in me. Like, I want to make these songs that people can jam on in the campsites and play with their friends,” Tuttle says. “It’s probably the most autobiographical song on the record. I just wanted to pay tribute to where it all started for me.”\u003c/p>\n\u003cp>Another song on her album also conjures memories of home, albeit bittersweet ones. Titled \u003ca href=\"https://www.youtube.com/watch?v=RyR4uMhUKkg\">“San Francisco Blues,”\u003c/a> the song laments the impacts of gentrification in the Bay Area.\u003c/p>\n\u003cp>“It’s sort of a personal song. That disconnect between, like, I go back and all my favorite spots are disappearing and the vibe seems different from when I used to go into the city as a kid,” Tuttle says.\u003c/p>\n\u003cp>It’s also a nod to people who have been pushed out of the Bay Area due to the high cost of living, something she relates to as a musician. Despite being regularly homesick for California, she says, “it definitely makes more sense to live here in Nashville, where it’s more affordable.”\u003c/p>\n\u003cp>Right now, though, those blues are taking a backseat to the pride that Molly Tuttle, her family and local fans are feeling as her star rises, including the Grammy nod.\u003c/p>\n\u003cp>“You can see the pride in all the people in the bluegrass community. She’s like the home state gal that’s making it big,” says Jack Tuttle.\u003c/p>\n\u003cp>And Molly Tuttle says she’s taking that support with her into Grammy night: “I definitely feel the Bay Area music scene rooting for me, which is cool.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Palo Alto-raised Molly Tuttle is up for two awards including Best New Artist, making her the first bluegrass musician to be nominated in the category.","status":"publish","parent":0,"modified":1705005887,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":24,"wordCount":989},"headData":{"title":"‘Triple Threat’ Bay Area Bluegrass Musician Goes for Grammy Gold | KQED","description":"Palo Alto-raised Molly Tuttle is up for two awards including Best New Artist, making her the first bluegrass musician to be nominated in the category.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"‘Triple Threat’ Bay Area Bluegrass Musician Goes for Grammy Gold","datePublished":"2023-02-03T00:36:57.000Z","dateModified":"2024-01-11T20:44:47.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/9350b1ae-4eee-4fd3-ae4b-af9f013c51e8/audio.mp3","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13924654/triple-threat-bay-area-bluegrass-musician-goes-for-grammy-gold","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Singer and guitarist \u003ca href=\"https://www.mollytuttlemusic.com/\">Molly Tuttle\u003c/a> has been lighting up the bluegrass music scene with her third album, \u003cem>Crooked Tree\u003c/em> — and she’s got two Grammy nominations this year to prove it. One is for Best Bluegrass Album and one is for the coveted Best New Artist award — making her the first bluegrass artist to be nominated in the latter category.\u003c/p>\n\u003cp>“It just wasn’t on my radar of even being a possibility,” Tuttle says of the Best New Artist nomination. “So when I saw that, it just blew me away. I was kind of in disbelief for a few days.”\u003c/p>\n\u003cp>Tuttle, who grew up in Palo Alto and now lives in Nashville, is no stranger to awards, though. She’s a two-time winner of the International Bluegrass Music Association’s Guitar Player of the Year award — the first woman to win the title. In 2022, she was named Female Vocalist of the Year by the same organization.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/9zIlaJ-RroQ'\n title='//www.youtube.com/embed/9zIlaJ-RroQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It’s recognition that affirms what her father \u003ca href=\"https://www.jacktuttle.com/\">Jack Tuttle\u003c/a>, a Palo Alto-based bluegrass musician and music teacher, sees as her triple-threat talent.\u003c/p>\n\u003cp>“Molly can play very intricate, complex lines that are very fluid. Kind of smoother, cleaner than your typical bluegrass guitar player,” Tuttle says. “She’s got that package now of high-level guitar playing, great singer and a really good songwriter.”\u003c/p>\n\u003cp>Molly Tuttle knew by high school that she wanted music to be her path. She’d been playing at bluegrass jams since she was 11, plus festival gigs alongside her father and two brothers in the family band, The Tuttles.\u003c/p>\n\u003cp>“When I had other friends talk about colleges and what they wanted to do after graduating, it dawned on me that like, all I really want to do is play music,” Tuttle says. “And that’s what I’m doing every chance I get. Every weekend I’m trying to play shows and I get home and want to practice guitar.”\u003c/p>\n\u003cfigure id=\"attachment_13924681\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13924681\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-800x539.jpeg\" alt=\"a four piece band, an older man with white hair and three kids, one girl and two young boys, all playing guitar\" width=\"800\" height=\"539\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-800x539.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-1020x687.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-160x108.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-768x517.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-1536x1034.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-2048x1379.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-1920x1293.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Teenaged Molly Tuttle with her father, Jack Tuttle, and brothers Michael (left) and Sullivan (right) performing at a Bay Area fundraiser as their band The Tuttles. \u003ccite>(Courtesy of Jack Tuttle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She first honed her songwriting skills by taking classes at Foothill Community College in Los Altos Hills during her last two years of high school. She then set off to Berklee College of Music in Boston, where she studied in their Americana Roots program.\u003c/p>\n\u003cp>At the start of her career, though, Tuttle didn’t want to be pigeonholed as a bluegrass artist.\u003c/p>\n\u003cp>“I felt like I had all this other music that I loved to listen to and that I loved to write,” Tuttle says. “So my first two records were \u003ca href=\"https://www.youtube.com/watch?v=EQHecBZTx-Q\">kind of a departure\u003c/a> from the music I grew up with and that felt really natural to me.”\u003c/p>\n\u003cp>Then the pandemic hit. Between sheltering in place and the shutdown of music venues and festivals, Tuttle realized how much she missed the bluegrass community.\u003c/p>\n\u003cp>“Bluegrass music is so cool because you go to a festival and you see all your friends. And you might see people who are up on the stage and at night they’re in the campsite jamming. It’s really communal music,” Tuttle says.\u003c/p>\n\u003cp>Now, with the success of \u003ci>Crooked Tree,\u003c/i> Tuttle’s headlining some of the big festivals she grew up watching her music heroes play.\u003c/p>\n\u003cp>“I feel like I’ve reached so many of those early dreams that I had as a kid,” Tuttle reflects. “It feels really cool. Like this year we’re going to headline the \u003ca href=\"https://californiabluegrass.org/fathers_day_festival/fdf-home/\">Father’s Day Bluegrass Festival\u003c/a>, which I grew up going to in Grass Valley.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/i7yYfC2Osl0'\n title='//www.youtube.com/embed/i7yYfC2Osl0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>That festival inspired the song “Grass Valley” on her Grammy-nominated album. It features her father on backing vocals and came out of a yearning for togetherness during the height of the pandemic.\u003c/p>\n\u003cp>“When we were no longer able to gather, something about that triggered this kind of feeling in me. Like, I want to make these songs that people can jam on in the campsites and play with their friends,” Tuttle says. “It’s probably the most autobiographical song on the record. I just wanted to pay tribute to where it all started for me.”\u003c/p>\n\u003cp>Another song on her album also conjures memories of home, albeit bittersweet ones. Titled \u003ca href=\"https://www.youtube.com/watch?v=RyR4uMhUKkg\">“San Francisco Blues,”\u003c/a> the song laments the impacts of gentrification in the Bay Area.\u003c/p>\n\u003cp>“It’s sort of a personal song. That disconnect between, like, I go back and all my favorite spots are disappearing and the vibe seems different from when I used to go into the city as a kid,” Tuttle says.\u003c/p>\n\u003cp>It’s also a nod to people who have been pushed out of the Bay Area due to the high cost of living, something she relates to as a musician. Despite being regularly homesick for California, she says, “it definitely makes more sense to live here in Nashville, where it’s more affordable.”\u003c/p>\n\u003cp>Right now, though, those blues are taking a backseat to the pride that Molly Tuttle, her family and local fans are feeling as her star rises, including the Grammy nod.\u003c/p>\n\u003cp>“You can see the pride in all the people in the bluegrass community. She’s like the home state gal that’s making it big,” says Jack Tuttle.\u003c/p>\n\u003cp>And Molly Tuttle says she’s taking that support with her into Grammy night: “I definitely feel the Bay Area music scene rooting for me, which is cool.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13924654/triple-threat-bay-area-bluegrass-musician-goes-for-grammy-gold","authors":["11296"],"categories":["arts_1","arts_835","arts_69"],"tags":["arts_2415","arts_1685","arts_19556","arts_1720","arts_1315"],"featImg":"arts_13924659","label":"arts"},"arts_13913451":{"type":"posts","id":"arts_13913451","meta":{"index":"posts_1591205157","site":"arts","id":"13913451","score":null,"sort":[1652886029000]},"guestAuthors":[],"slug":"bj-boyd-baseball-palo-alto-mlb","title":"Why Can’t BJ Boyd Get His Shot?","publishDate":1652886029,"format":"standard","headTitle":"Why Can’t BJ Boyd Get His Shot? | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>BJ Boyd is soaking up his last few days in Palo Alto on a recent May afternoon. Two-year-old daughter Bria is climbing on daddy while he’s on the phone. When wife Tatiana returns in the evening, the family will enjoy a walk around the neighborhood.\u003c/p>\n\u003cp>Once he finalizes his dual citizenship documentation, Boyd plans to return to Mexico for the regular season with the \u003ca href=\"http://acereros.com.mx/\" rel=\"noopener noreferrer\" target=\"_blank\">Acereros de Monclova\u003c/a>, a team of former MLB All-Stars, Gold Glove winners and castoffs. It’s the first time the Palo Alto High School graduate has ventured outside of the United States during an athletic career that includes stints with the Oakland A’s and Minnesota Twins organizations, broken up by a season playing football at Foothill College in Los Altos.\u003c/p>\n\u003cp>A week earlier, Boyd was playing preseason games in the Mexican League, a rough equivalent to Triple-A baseball. On his Acereros roster were Pablo Sandoval, the 2012 World Series hero for the San Francisco Giants; Chris Carter, the former Oakland A’s prospect who led the American League in home runs in 2016; and Bruce Maxwell, the former A’s catcher who in 2017 was the first MLB player to kneel during the national anthem in protest of police brutality.\u003c/p>\n\u003cp>[aside postID='arts_13910698']After a recent team photoshoot in front of the Monclova stadium, Boyd got a glimpse of the steel town (Acereros translates to “Steelers”) while riding in the back of a truck. Monclova, a three-hour drive south of the Texas border, is a long way from Palo Alto, where Tatiana is expecting the couple’s second child in September. She recently resigned from her job with the school district to care for Bria full-time.\u003c/p>\n\u003cp>“It takes a special family dynamic to want to go through this,” said Tatiana, who plans to visit BJ in June and July. “The 2-year-old takes it hard when Dad leaves. I was excited because I wanted to visit and experience something new. You only live once, and why not?”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.instagram.com/p/CdeJadEOWxh/\u003c/p>\n\u003ch2>‘I Have to Leave the States to Make More Money’\u003c/h2>\n\u003cp>The Mexican League contract is the biggest of Boyd’s career. The team provides players with shared apartments—humble dwellings for professional athletes looking to jump-start careers.\u003c/p>\n\u003cp>“If I can play with these big leaguers here, I can play with them in the States,” said the burly left-handed hitter who batted .319 with 15 homers in Double-A last season with the Minnesota Twins organization. “Some of my teammates ask, ‘How did you not get a shot?’ It is what it is.”\u003c/p>\n\u003cp>The “shot” Boyd seeks is in the majors, where a declining percentage of Black players—from a high of 18% in the 1980s to around 7% last season—leads Boyd wondering if more than stats have kept him from opportunities. He isn’t alone. In 2020, after police killings of unarmed Black civilians led to national protests, a group of Black baseball players formed the \u003ca href=\"https://www.playersalliance.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Players Alliance\u003c/a>, aimed at growing diversity and equity in the game. MLB has pledged to donate up to $150 million over 10 years to the organization. \u003c/p>\n\u003cp>“It doesn’t add up for me as an African American player that I have to leave the States to make more money,” Boyd said. “There’s a reason Bruce is in the (Mexican) league. He took a knee.”\u003c/p>\n\u003cfigure id=\"attachment_13913456\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/BJBoyd.TraderJoes-800x571.jpg\" alt=\"A sign mounted at Trader Joe's across from Palo Alto High School in 2012, congratulating BJ Boyd on his signing with the Oakland A's.\" width=\"800\" height=\"571\" class=\"size-medium wp-image-13913456\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.TraderJoes-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.TraderJoes-1020x728.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.TraderJoes-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.TraderJoes-768x548.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.TraderJoes-1536x1097.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.TraderJoes.jpg 1574w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A sign mounted at Trader Joe’s across from Palo Alto High School in 2012, congratulating BJ Boyd on his signing with the Oakland A’s. \u003ccite>(Nina Thorsen/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A Brush With the A’s, and a Return to Football\u003c/h2>\n\u003cp>After being drafted by the A’s in 2012, Boyd proved a consistent hitter during his first five seasons in the lower minor leagues—taking buses from town to town, living with host families. The center fielder’s breakout season came in 2017 when, while playing with Double-A Midland, he was in contention for the Texas League batting title and finished third, hitting .323.\u003c/p>\n\u003cp>He played in 2018 with Triple-A Nashville, one level below the A’s, and hit .271 with 49 RBIs. But with a crowded outfield in Oakland, Boyd didn’t like his chances of making the MLB roster in spring training. After seven minor-league seasons, and with his college football eligibility intact, Boyd returned to the other sport he excelled at in his youth.\u003c/p>\n\u003cp>As a teenager, Boyd jumped at the A’s signing bonus instead of pursuing college football. “The instant money was right there, and I didn’t come from money,” Boyd said. It’s a decision he regrets after years in the minors of getting passed for opportunities he feels he deserved. When the A’s drafted dual-sport athlete Kyler Murray in 2018, Boyd wasn’t surprised when the Heisman Trophy-winning quarterback turned down the A’s offer for instant stardom in the NFL.\u003c/p>\n\u003cp>Dual sport athletes were once more common, with Bo Jackson and Deion Sanders setting the standard for NFL-MLB crossovers in the 1980s and 1990s. Jackson is the only player to become an MLB All-Star and NFL Pro Bowl player. Sanders once played in an NFL game and MLB playoff game on the same day. Over the last 20 years, however, as professional teams invest more money in players and athletes become more specialized, the trend has fallen off.\u003c/p>\n\u003cp>Even more uncommon is what Boyd attempted. At age 26, the 230-pounder was eight years older than many of his Foothill teammates. He brought “a sense of maturity that the young guys followed,” assistant coach Brandon Younger said. Working as a security guard at night, Boyd took classes during the day. On the football field, the running back totaled 653 total yards and six touchdowns for an Owls team that finished the 2019 regular season unbeaten.\u003c/p>\n\u003cfigure id=\"attachment_13913458\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/BJBoyd.night_-800x503.jpg\" alt=\"A young couple holds their toddler daughter on the baseball field at night. \" width=\"800\" height=\"503\" class=\"size-medium wp-image-13913458\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.night_-800x503.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.night_-1020x641.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.night_-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.night_-768x482.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.night_-1536x965.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.night_-1920x1206.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.night_.jpg 2009w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘He’s always made something out of nothing,” says wife Tatiana (left) of BJ Boyd. The couple are currently expecting their second child together. \u003ccite>(Courtesy the Boyd Family)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Home Run After Home Run’\u003c/h2>\n\u003cp>“He didn’t grow up with a lot,” said Tatiana, who as a child lived blocks away from BJ in north Palo Alto. The two began dating when she returned from college. “He’s always had to make something out of nothing, always looking for the next thing to do to get better as a person.”\u003c/p>\n\u003cp>As for Tatiana, “She’s the reason why I get to play,” Boyd said.\u003c/p>\n\u003cp>Shortly after the football season, Tatiana gave birth to Bria. When the coronavirus struck in 2020, the MLB season was postponed and Foothill’s football season was canceled. BJ and Tatiana got married in September 2020 in Carmel, at a time when Boyd was unsure of his athletic future. He resumed coaching youth baseball teams—Top Tier and Swagger Athletics—in the South Bay, and worked out with a personal trainer to stay prepared for his next professional opportunity. (Boyd continues to work with area youth; in February, he joined Oakland native and former MLB All-Star Tyson Ross in hosting a free baseball clinic at the \u003ca href=\"https://www.riekes.org/athletic-fitness\" rel=\"noopener noreferrer\" target=\"_blank\">Riekes Center\u003c/a> in Menlo Park.)\u003c/p>\n\u003cp>In 2021, Boyd gave baseball another chance. After a brief stint with an independent league team, the Twins signed him to a minor-league deal. The outfielder established himself as one the league’s best hitters with Double-A Wichita. And for the first time in his career, he was driving the ball out of the park. “He was hitting home run after home run,” recalls Tatiana, who flew to the Midwest with Bria to catch the hot hitting in person. “He knew he was back and he wanted to stay back. He was on fire and it was so much fun to watch.” Boyd’s previous season high for homers was eight; he equaled that total over a nine-game span in August alone. \u003c/p>\n\u003cp>Boyd was called up to Triple-A St. Paul, where his hitting fell off. Despite his impressive Double-A statistics, coming after two years away from baseball, Boyd didn’t receive MLB calls once the owners’ lockout ended this spring. Then Monclova offered.\u003c/p>\n\u003cfigure id=\"attachment_13913457\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/BJBoyd.Acereros.jpg\" alt=\"A man in a blue baseball uniform runs the bases on the baseball diamond.\" width=\"600\" height=\"600\" class=\"size-full wp-image-13913457\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.Acereros.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.Acereros-160x160.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">BJ Boyd in uniform for the Acereros, in Monclova, where he hopes to join a roster that includes Bay Area favorites Pablo Sandoval and Josh Reddick. \u003ccite>(Courtesy the Boyd Family)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A League in Need of His Hitting\u003c/h2>\n\u003cp>“For me, going to Mexico, I feel way better,” said Boyd, who hopes to join an active roster that includes former A’s Gold Glove winner Josh Reddick. “People make jokes and say it’s an exile league. They take care of their players better than the minor leagues. They pay better than the States.”\u003c/p>\n\u003cp>As the current MLB season rolls along, Boyd can’t help but notice paltry offensive stats across the league. The A’s, who once drafted Boyd, currently have a .199 team batting average. The Arizona Diamondbacks are hitting .203. The \u003ca href=\"https://www.baseball-reference.com/leagues/majors/2022-standard-batting.shtml\" rel=\"noopener noreferrer\" target=\"_blank\">league average is .234\u003c/a>, on pace to be the worst average in its 152-year history.\u003c/p>\n\u003cp>Boyd’s ability to hit for a high average is a skill that, in recent years, has been devalued by MLB teams whose analytics say batters should swing for the fences, or not at all. But with MLB hitters struggling at historic levels—perhaps because of a \u003ca href=\"https://bleacherreport.com/articles/10034259-mlbs-ball-controversy-could-define-the-2022-season\" rel=\"noopener noreferrer\" target=\"_blank\">controversial alteration to the baseballs\u003c/a>—Boyd could draw the attention of teams in need of a bat.\u003c/p>\n\u003cp>“If it comes I would definitely take it,” Boyd said of an MLB offer. “But I’d rather stay in Mexico than go back to the minor leagues. I’ve already been to Triple-A and Double-A. I’ve already proven myself. But why didn’t I get my chance? That’s my question to the MLB.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\n","blocks":[],"excerpt":"The Palo Alto-raised outfielder hits well, with good stats and plenty of drive. So why's he playing in Mexico?","status":"publish","parent":0,"modified":1705006838,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":26,"wordCount":1735},"headData":{"title":"Why Can’t BJ Boyd Get His Shot? | KQED","description":"The Palo Alto-raised outfielder hits well, with good stats and plenty of drive. So why's he playing in Mexico?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Why Can’t BJ Boyd Get His Shot?","datePublished":"2022-05-18T15:00:29.000Z","dateModified":"2024-01-11T21:00:38.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"WpOldSlug":"why-cant-bj-boyd-get-his-shot","nprByline":"Nick Lozito","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","path":"/arts/13913451/bj-boyd-baseball-palo-alto-mlb","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>BJ Boyd is soaking up his last few days in Palo Alto on a recent May afternoon. Two-year-old daughter Bria is climbing on daddy while he’s on the phone. When wife Tatiana returns in the evening, the family will enjoy a walk around the neighborhood.\u003c/p>\n\u003cp>Once he finalizes his dual citizenship documentation, Boyd plans to return to Mexico for the regular season with the \u003ca href=\"http://acereros.com.mx/\" rel=\"noopener noreferrer\" target=\"_blank\">Acereros de Monclova\u003c/a>, a team of former MLB All-Stars, Gold Glove winners and castoffs. It’s the first time the Palo Alto High School graduate has ventured outside of the United States during an athletic career that includes stints with the Oakland A’s and Minnesota Twins organizations, broken up by a season playing football at Foothill College in Los Altos.\u003c/p>\n\u003cp>A week earlier, Boyd was playing preseason games in the Mexican League, a rough equivalent to Triple-A baseball. On his Acereros roster were Pablo Sandoval, the 2012 World Series hero for the San Francisco Giants; Chris Carter, the former Oakland A’s prospect who led the American League in home runs in 2016; and Bruce Maxwell, the former A’s catcher who in 2017 was the first MLB player to kneel during the national anthem in protest of police brutality.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13910698","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>After a recent team photoshoot in front of the Monclova stadium, Boyd got a glimpse of the steel town (Acereros translates to “Steelers”) while riding in the back of a truck. Monclova, a three-hour drive south of the Texas border, is a long way from Palo Alto, where Tatiana is expecting the couple’s second child in September. She recently resigned from her job with the school district to care for Bria full-time.\u003c/p>\n\u003cp>“It takes a special family dynamic to want to go through this,” said Tatiana, who plans to visit BJ in June and July. “The 2-year-old takes it hard when Dad leaves. I was excited because I wanted to visit and experience something new. You only live once, and why not?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"CdeJadEOWxh"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003ch2>‘I Have to Leave the States to Make More Money’\u003c/h2>\n\u003cp>The Mexican League contract is the biggest of Boyd’s career. The team provides players with shared apartments—humble dwellings for professional athletes looking to jump-start careers.\u003c/p>\n\u003cp>“If I can play with these big leaguers here, I can play with them in the States,” said the burly left-handed hitter who batted .319 with 15 homers in Double-A last season with the Minnesota Twins organization. “Some of my teammates ask, ‘How did you not get a shot?’ It is what it is.”\u003c/p>\n\u003cp>The “shot” Boyd seeks is in the majors, where a declining percentage of Black players—from a high of 18% in the 1980s to around 7% last season—leads Boyd wondering if more than stats have kept him from opportunities. He isn’t alone. In 2020, after police killings of unarmed Black civilians led to national protests, a group of Black baseball players formed the \u003ca href=\"https://www.playersalliance.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Players Alliance\u003c/a>, aimed at growing diversity and equity in the game. MLB has pledged to donate up to $150 million over 10 years to the organization. \u003c/p>\n\u003cp>“It doesn’t add up for me as an African American player that I have to leave the States to make more money,” Boyd said. “There’s a reason Bruce is in the (Mexican) league. He took a knee.”\u003c/p>\n\u003cfigure id=\"attachment_13913456\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/BJBoyd.TraderJoes-800x571.jpg\" alt=\"A sign mounted at Trader Joe's across from Palo Alto High School in 2012, congratulating BJ Boyd on his signing with the Oakland A's.\" width=\"800\" height=\"571\" class=\"size-medium wp-image-13913456\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.TraderJoes-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.TraderJoes-1020x728.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.TraderJoes-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.TraderJoes-768x548.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.TraderJoes-1536x1097.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.TraderJoes.jpg 1574w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A sign mounted at Trader Joe’s across from Palo Alto High School in 2012, congratulating BJ Boyd on his signing with the Oakland A’s. \u003ccite>(Nina Thorsen/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A Brush With the A’s, and a Return to Football\u003c/h2>\n\u003cp>After being drafted by the A’s in 2012, Boyd proved a consistent hitter during his first five seasons in the lower minor leagues—taking buses from town to town, living with host families. The center fielder’s breakout season came in 2017 when, while playing with Double-A Midland, he was in contention for the Texas League batting title and finished third, hitting .323.\u003c/p>\n\u003cp>He played in 2018 with Triple-A Nashville, one level below the A’s, and hit .271 with 49 RBIs. But with a crowded outfield in Oakland, Boyd didn’t like his chances of making the MLB roster in spring training. After seven minor-league seasons, and with his college football eligibility intact, Boyd returned to the other sport he excelled at in his youth.\u003c/p>\n\u003cp>As a teenager, Boyd jumped at the A’s signing bonus instead of pursuing college football. “The instant money was right there, and I didn’t come from money,” Boyd said. It’s a decision he regrets after years in the minors of getting passed for opportunities he feels he deserved. When the A’s drafted dual-sport athlete Kyler Murray in 2018, Boyd wasn’t surprised when the Heisman Trophy-winning quarterback turned down the A’s offer for instant stardom in the NFL.\u003c/p>\n\u003cp>Dual sport athletes were once more common, with Bo Jackson and Deion Sanders setting the standard for NFL-MLB crossovers in the 1980s and 1990s. Jackson is the only player to become an MLB All-Star and NFL Pro Bowl player. Sanders once played in an NFL game and MLB playoff game on the same day. Over the last 20 years, however, as professional teams invest more money in players and athletes become more specialized, the trend has fallen off.\u003c/p>\n\u003cp>Even more uncommon is what Boyd attempted. At age 26, the 230-pounder was eight years older than many of his Foothill teammates. He brought “a sense of maturity that the young guys followed,” assistant coach Brandon Younger said. Working as a security guard at night, Boyd took classes during the day. On the football field, the running back totaled 653 total yards and six touchdowns for an Owls team that finished the 2019 regular season unbeaten.\u003c/p>\n\u003cfigure id=\"attachment_13913458\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/BJBoyd.night_-800x503.jpg\" alt=\"A young couple holds their toddler daughter on the baseball field at night. \" width=\"800\" height=\"503\" class=\"size-medium wp-image-13913458\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.night_-800x503.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.night_-1020x641.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.night_-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.night_-768x482.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.night_-1536x965.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.night_-1920x1206.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.night_.jpg 2009w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘He’s always made something out of nothing,” says wife Tatiana (left) of BJ Boyd. The couple are currently expecting their second child together. \u003ccite>(Courtesy the Boyd Family)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Home Run After Home Run’\u003c/h2>\n\u003cp>“He didn’t grow up with a lot,” said Tatiana, who as a child lived blocks away from BJ in north Palo Alto. The two began dating when she returned from college. “He’s always had to make something out of nothing, always looking for the next thing to do to get better as a person.”\u003c/p>\n\u003cp>As for Tatiana, “She’s the reason why I get to play,” Boyd said.\u003c/p>\n\u003cp>Shortly after the football season, Tatiana gave birth to Bria. When the coronavirus struck in 2020, the MLB season was postponed and Foothill’s football season was canceled. BJ and Tatiana got married in September 2020 in Carmel, at a time when Boyd was unsure of his athletic future. He resumed coaching youth baseball teams—Top Tier and Swagger Athletics—in the South Bay, and worked out with a personal trainer to stay prepared for his next professional opportunity. (Boyd continues to work with area youth; in February, he joined Oakland native and former MLB All-Star Tyson Ross in hosting a free baseball clinic at the \u003ca href=\"https://www.riekes.org/athletic-fitness\" rel=\"noopener noreferrer\" target=\"_blank\">Riekes Center\u003c/a> in Menlo Park.)\u003c/p>\n\u003cp>In 2021, Boyd gave baseball another chance. After a brief stint with an independent league team, the Twins signed him to a minor-league deal. The outfielder established himself as one the league’s best hitters with Double-A Wichita. And for the first time in his career, he was driving the ball out of the park. “He was hitting home run after home run,” recalls Tatiana, who flew to the Midwest with Bria to catch the hot hitting in person. “He knew he was back and he wanted to stay back. He was on fire and it was so much fun to watch.” Boyd’s previous season high for homers was eight; he equaled that total over a nine-game span in August alone. \u003c/p>\n\u003cp>Boyd was called up to Triple-A St. Paul, where his hitting fell off. Despite his impressive Double-A statistics, coming after two years away from baseball, Boyd didn’t receive MLB calls once the owners’ lockout ended this spring. Then Monclova offered.\u003c/p>\n\u003cfigure id=\"attachment_13913457\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/BJBoyd.Acereros.jpg\" alt=\"A man in a blue baseball uniform runs the bases on the baseball diamond.\" width=\"600\" height=\"600\" class=\"size-full wp-image-13913457\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.Acereros.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/BJBoyd.Acereros-160x160.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">BJ Boyd in uniform for the Acereros, in Monclova, where he hopes to join a roster that includes Bay Area favorites Pablo Sandoval and Josh Reddick. \u003ccite>(Courtesy the Boyd Family)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A League in Need of His Hitting\u003c/h2>\n\u003cp>“For me, going to Mexico, I feel way better,” said Boyd, who hopes to join an active roster that includes former A’s Gold Glove winner Josh Reddick. “People make jokes and say it’s an exile league. They take care of their players better than the minor leagues. They pay better than the States.”\u003c/p>\n\u003cp>As the current MLB season rolls along, Boyd can’t help but notice paltry offensive stats across the league. The A’s, who once drafted Boyd, currently have a .199 team batting average. The Arizona Diamondbacks are hitting .203. The \u003ca href=\"https://www.baseball-reference.com/leagues/majors/2022-standard-batting.shtml\" rel=\"noopener noreferrer\" target=\"_blank\">league average is .234\u003c/a>, on pace to be the worst average in its 152-year history.\u003c/p>\n\u003cp>Boyd’s ability to hit for a high average is a skill that, in recent years, has been devalued by MLB teams whose analytics say batters should swing for the fences, or not at all. But with MLB hitters struggling at historic levels—perhaps because of a \u003ca href=\"https://bleacherreport.com/articles/10034259-mlbs-ball-controversy-could-define-the-2022-season\" rel=\"noopener noreferrer\" target=\"_blank\">controversial alteration to the baseballs\u003c/a>—Boyd could draw the attention of teams in need of a bat.\u003c/p>\n\u003cp>“If it comes I would definitely take it,” Boyd said of an MLB offer. “But I’d rather stay in Mexico than go back to the minor leagues. I’ve already been to Triple-A and Double-A. I’ve already proven myself. But why didn’t I get my chance? That’s my question to the MLB.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13913451/bj-boyd-baseball-palo-alto-mlb","authors":["byline_arts_13913451"],"categories":["arts_1","arts_13238"],"tags":["arts_10092","arts_10342","arts_8273","arts_5792","arts_1551","arts_1315","arts_4506","arts_13802"],"featImg":"arts_13913459","label":"arts"},"arts_13892665":{"type":"posts","id":"arts_13892665","meta":{"index":"posts_1591205157","site":"arts","id":"13892665","score":null,"sort":[1613086388000]},"guestAuthors":[],"slug":"sidewalk-serenade-brings-valentines-day-spirit-to-seniors-stuck-indoors-at-channing-house","title":"Sidewalk Serenade Brings Valentine's Day Spirit to Seniors Stuck Indoors at Channing House","publishDate":1613086388,"format":"audio","headTitle":"Sidewalk Serenade Brings Valentine’s Day Spirit to Seniors Stuck Indoors at Channing House | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Nova Jimenez sets up her mic, music stand and portable amp on the sidewalk across the parking lot from \u003ca href=\"https://channinghouse.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Channing House\u003c/a>, where around 250 seniors call the austere, 11-storey concrete building in Palo Alto home.\u003c/p>\n\u003cp>“Hello, Channing House! Oh, dear friends, I’m so happy to see you!” says the singer into her mic. “I come to sing for you a few Valentine’s Day songs and some inspirational songs. Let’s get started!”\u003c/p>\n\u003cp>Jiminez is no stranger to this type of concert — she’s spent nearly every weekend since last May performing her “sidewalk serenades” for frontline workers and isolated individuals in the San Francisco Bay Area as a response to the COVID-19 pandemic.\u003c/p>\n\u003cp>The professional soprano’s varied repertoire includes the Italian opera composer Ruggero Leoncavallo’s “Mattinata,” the vintage American musical number “The Way You Look Tonight” by Jerome Kern and Dorothy Fields, and “Show Yourself” from \u003cem>Frozen 2\u003c/em> by Kristen Anderson-Lopez and Bobby Lopez.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FTnuzqNb1JQ\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This is the third time Jimenez has sung outside Channing House since the pandemic started. She had previously performed \u003cem>inside\u003c/em> the senior residential facility, as part of its live events series. (The series, like all of the facility’s live events, was canceled last spring as lockdown orders went into effect.)\u003c/p>\n\u003cp>Dozens of residents appear on their balconies and in the parking lot to listen, as they did when the singer last serenaded them, around the holidays.\u003c/p>\n\u003cp>“We enjoyed it very much at Christmas!” says resident George Young.\u003c/p>\n\u003cp>“It was just so touching to hear her sing and also to see the residents out on their balconies enjoying her performance,” says Channing House CEO Rhonda Bekkedahl. “Any time we get a little bright spot in our day during these times, it’s just a really wonderful thing.”\u003c/p>\n\u003cfigure id=\"attachment_13892681\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892681\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/RS47196_channing-house-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47196_channing-house-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47196_channing-house-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47196_channing-house-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47196_channing-house-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47196_channing-house-qut-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47196_channing-house-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Around 250 seniors live at Channing House in Palo Alto. Some of them took to their balconies to hear Nova Jimenez sing. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This time, wearing a dress emblazoned with red peonies and white daisies, Jimenez exudes the spirit of springtime and romance as she launches into crowd-pleasing classics like “La Vie En Rose.”\u003c/p>\n\u003cp>But life has been far from rosy for the residents of Channing House this past year. They’ve endured two COVID-19 outbreaks. Five people have died. It’s been a time of loss and confinement.\u003c/p>\n\u003cp>“The residents are really limited in what they can do,” says Bekkedahl. “We’re not allowed to permit any visitors to come into the building. So that’s been a real challenge. It’s just been the hardest time.”\u003c/p>\n\u003cp>Jimenez’s sidewalk serenades provide the residents with a much-needed break.\u003c/p>\n\u003cp>“It’s a little bit of a breath of fresh air from the outside world,” says resident Tom Fiene. “We’ve been pretty well isolated here for many months.”\u003c/p>\n\u003cp>“She’s got a lot of pizzazz and she’s just fun,” says his wife, Nancy Fiene. “We were up on our balcony when she was here before and we were dancing up there, but we decided to come down here this time.”\u003c/p>\n\u003cfigure id=\"attachment_13892682\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892682\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/RS47193_george-nancy-tom-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47193_george-nancy-tom-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47193_george-nancy-tom-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47193_george-nancy-tom-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47193_george-nancy-tom-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47193_george-nancy-tom-qut-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47193_george-nancy-tom-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Channing House residents George Young, Nancy Fiene and Tom Fiene. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jimenez says she’s always turned to singing in difficult times. It’s the first thing she did, alone at home, when the pandemic hit.\u003c/p>\n\u003cp>“And then here I am singing by myself, and I thought, well, maybe, maybe someone wants to hear me? I don’t know,” she says.\u003c/p>\n\u003cp>The singer placed an ad on the online community site NextDoor offering her services for free to frontline workers, or anyone homebound or isolated due to the pandemic, and in need of a little uplift.\u003c/p>\n\u003cp>The response has been enthusiastic. Jimenez says she’s performed more than 50 outdoor serenades during the pandemic, for audiences as varied as E.R. doctors and nurses, mail workers and nursery school kids and teachers.\u003c/p>\n\u003cp>The latest concert at Channing House even involves a singalong.\u003c/p>\n\u003cp>“I want you to feel like you’re going to just let it out and sing to the heavens!” instructs Jimenez before explaining how to sing the chorus from “A Brand New Day”, a number from the 1974 musical \u003cem>The Wiz\u003c/em>.\u003c/p>\n\u003cp>This optimistic song might resonate with the residents of Channing House, because they just recently received the COVID-19 vaccine.\u003c/p>\n\u003cp>“I can’t wait till I can come in person and sing for you all in your beautiful auditorium again,” Jimenez tells her audience.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Maybe it won’t be too long before the singer will be able to say farewell to the sidewalk and bring her serenade indoors.\u003c/p>\n\n","blocks":[],"excerpt":"Singer Nova Jimenez has spent nearly every weekend since last May performing songs for frontline workers and isolated individuals in the Bay Area as a response to the COVID-19 pandemic.","status":"publish","parent":0,"modified":1705019486,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":25,"wordCount":842},"headData":{"title":"Sidewalk Serenade Brings Valentine's Day Spirit to Seniors Stuck Indoors at Channing House | KQED","description":"Singer Nova Jimenez has spent nearly every weekend since last May performing songs for frontline workers and isolated individuals in the Bay Area as a response to the COVID-19 pandemic.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Sidewalk Serenade Brings Valentine's Day Spirit to Seniors Stuck Indoors at Channing House","datePublished":"2021-02-11T23:33:08.000Z","dateModified":"2024-01-12T00:31:26.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/856b885f-9739-482d-ad30-accd010522c0/audio.mp3","sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13892665/sidewalk-serenade-brings-valentines-day-spirit-to-seniors-stuck-indoors-at-channing-house","audioDuration":221000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Nova Jimenez sets up her mic, music stand and portable amp on the sidewalk across the parking lot from \u003ca href=\"https://channinghouse.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Channing House\u003c/a>, where around 250 seniors call the austere, 11-storey concrete building in Palo Alto home.\u003c/p>\n\u003cp>“Hello, Channing House! Oh, dear friends, I’m so happy to see you!” says the singer into her mic. “I come to sing for you a few Valentine’s Day songs and some inspirational songs. Let’s get started!”\u003c/p>\n\u003cp>Jiminez is no stranger to this type of concert — she’s spent nearly every weekend since last May performing her “sidewalk serenades” for frontline workers and isolated individuals in the San Francisco Bay Area as a response to the COVID-19 pandemic.\u003c/p>\n\u003cp>The professional soprano’s varied repertoire includes the Italian opera composer Ruggero Leoncavallo’s “Mattinata,” the vintage American musical number “The Way You Look Tonight” by Jerome Kern and Dorothy Fields, and “Show Yourself” from \u003cem>Frozen 2\u003c/em> by Kristen Anderson-Lopez and Bobby Lopez.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FTnuzqNb1JQ'\n title='//www.youtube.com/embed/FTnuzqNb1JQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This is the third time Jimenez has sung outside Channing House since the pandemic started. She had previously performed \u003cem>inside\u003c/em> the senior residential facility, as part of its live events series. (The series, like all of the facility’s live events, was canceled last spring as lockdown orders went into effect.)\u003c/p>\n\u003cp>Dozens of residents appear on their balconies and in the parking lot to listen, as they did when the singer last serenaded them, around the holidays.\u003c/p>\n\u003cp>“We enjoyed it very much at Christmas!” says resident George Young.\u003c/p>\n\u003cp>“It was just so touching to hear her sing and also to see the residents out on their balconies enjoying her performance,” says Channing House CEO Rhonda Bekkedahl. “Any time we get a little bright spot in our day during these times, it’s just a really wonderful thing.”\u003c/p>\n\u003cfigure id=\"attachment_13892681\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892681\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/RS47196_channing-house-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47196_channing-house-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47196_channing-house-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47196_channing-house-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47196_channing-house-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47196_channing-house-qut-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47196_channing-house-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Around 250 seniors live at Channing House in Palo Alto. Some of them took to their balconies to hear Nova Jimenez sing. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This time, wearing a dress emblazoned with red peonies and white daisies, Jimenez exudes the spirit of springtime and romance as she launches into crowd-pleasing classics like “La Vie En Rose.”\u003c/p>\n\u003cp>But life has been far from rosy for the residents of Channing House this past year. They’ve endured two COVID-19 outbreaks. Five people have died. It’s been a time of loss and confinement.\u003c/p>\n\u003cp>“The residents are really limited in what they can do,” says Bekkedahl. “We’re not allowed to permit any visitors to come into the building. So that’s been a real challenge. It’s just been the hardest time.”\u003c/p>\n\u003cp>Jimenez’s sidewalk serenades provide the residents with a much-needed break.\u003c/p>\n\u003cp>“It’s a little bit of a breath of fresh air from the outside world,” says resident Tom Fiene. “We’ve been pretty well isolated here for many months.”\u003c/p>\n\u003cp>“She’s got a lot of pizzazz and she’s just fun,” says his wife, Nancy Fiene. “We were up on our balcony when she was here before and we were dancing up there, but we decided to come down here this time.”\u003c/p>\n\u003cfigure id=\"attachment_13892682\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13892682\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/RS47193_george-nancy-tom-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47193_george-nancy-tom-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47193_george-nancy-tom-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47193_george-nancy-tom-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47193_george-nancy-tom-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47193_george-nancy-tom-qut-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/RS47193_george-nancy-tom-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Channing House residents George Young, Nancy Fiene and Tom Fiene. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jimenez says she’s always turned to singing in difficult times. It’s the first thing she did, alone at home, when the pandemic hit.\u003c/p>\n\u003cp>“And then here I am singing by myself, and I thought, well, maybe, maybe someone wants to hear me? I don’t know,” she says.\u003c/p>\n\u003cp>The singer placed an ad on the online community site NextDoor offering her services for free to frontline workers, or anyone homebound or isolated due to the pandemic, and in need of a little uplift.\u003c/p>\n\u003cp>The response has been enthusiastic. Jimenez says she’s performed more than 50 outdoor serenades during the pandemic, for audiences as varied as E.R. doctors and nurses, mail workers and nursery school kids and teachers.\u003c/p>\n\u003cp>The latest concert at Channing House even involves a singalong.\u003c/p>\n\u003cp>“I want you to feel like you’re going to just let it out and sing to the heavens!” instructs Jimenez before explaining how to sing the chorus from “A Brand New Day”, a number from the 1974 musical \u003cem>The Wiz\u003c/em>.\u003c/p>\n\u003cp>This optimistic song might resonate with the residents of Channing House, because they just recently received the COVID-19 vaccine.\u003c/p>\n\u003cp>“I can’t wait till I can come in person and sing for you all in your beautiful auditorium again,” Jimenez tells her audience.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Maybe it won’t be too long before the singer will be able to say farewell to the sidewalk and bring her serenade indoors.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13892665/sidewalk-serenade-brings-valentines-day-spirit-to-seniors-stuck-indoors-at-channing-house","authors":["8608"],"categories":["arts_1","arts_69"],"tags":["arts_10126","arts_1315"],"featImg":"arts_13892667","label":"arts"},"arts_13871050":{"type":"posts","id":"arts_13871050","meta":{"index":"posts_1591205157","site":"arts","id":"13871050","score":null,"sort":[1575727231000]},"guestAuthors":[],"slug":"make-like-a-wise-man-and-head-to-this-nativity-exhibit-in-palo-alto","title":"Make Like a Wise Man and Head to this Nativity Exhibit in Palo Alto","publishDate":1575727231,"format":"audio","headTitle":"Make Like a Wise Man and Head to this Nativity Exhibit in Palo Alto | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>You don’t have to be a Christian or given to holiday season kitsch to appreciate the annual \u003ca href=\"http://www.christmascreche.org\" target=\"_blank\" rel=\"noopener noreferrer\">Christmas Crèche Exhibit\u003c/a> at the Church of Jesus Christ of Latter-day Saints in Palo Alto.\u003c/p>\n\u003cp>For a couple thousand years now, the nativity scene has inspired artists all over the world to depict the magic of the Christmas story: Baby Jesus in a Bethlehem manger, surrounded by his parents, Mary and Joseph, the three wise men, shepherds, a host of farm animals and sometimes local villagers, too. It’s an ancient tradition, as open to individual interpretation as there are humans on earth. \u003c/p>\n\u003cp>“It started with just a few people, with a few nativities, from a few places, in one room, and it’s grown to now, where we have it for five days and 10,000 people come every year as a tradition,” says Marguerite Gong Hancock, co-director and co-founder, here all 32 years the church has been putting on this show.\u003c/p>\n\u003cfigure id=\"attachment_13871058\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13871058\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/RS40347_PHOTO-DEC-06-10-24-13-AM-qut.jpg\" alt=\"This nativity scene from Ethiopia is painted on goat skin.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40347_PHOTO-DEC-06-10-24-13-AM-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40347_PHOTO-DEC-06-10-24-13-AM-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40347_PHOTO-DEC-06-10-24-13-AM-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40347_PHOTO-DEC-06-10-24-13-AM-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40347_PHOTO-DEC-06-10-24-13-AM-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40347_PHOTO-DEC-06-10-24-13-AM-qut-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">This nativity scene from Ethiopia is painted on goat skin. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>These days, people come by the busload from senior centers and elementary schools all over the San Francisco Bay Area and beyond. Families and book clubs add lunch nearby and make a day of it in Palo Alto.\u003c/p>\n\u003cp>The exhibit now takes over the whole building, from the sanctuary to the basketball court. There are 50 countries represented, with more than 250 nativities in every media imaginable: paint, porcelain, crystal, driftwood, goat skin, tagua nut, recycled bicycle wheels, auto parts, et cetera.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We have a whole range, things that are from artists who may be internationally known to things that are made by school children,” Gong Hancock says.\u003c/p>\n\u003cfigure id=\"attachment_13871059\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13871059 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/RS40348_PHOTO-DEC-06-10-25-49-AM-qut.jpg\" alt=\"This nativity scene from Ecuador is carved out of tagua nut.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40348_PHOTO-DEC-06-10-25-49-AM-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40348_PHOTO-DEC-06-10-25-49-AM-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40348_PHOTO-DEC-06-10-25-49-AM-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40348_PHOTO-DEC-06-10-25-49-AM-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40348_PHOTO-DEC-06-10-25-49-AM-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40348_PHOTO-DEC-06-10-25-49-AM-qut-1200x900.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">This nativity scene from Ecuador is carved out of tagua nut. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Straining to remember whether this pastiche reflects the stories told in biblical texts? Better to relax and accept this genre gives wide berth to artistic imagination and cultural diversity.\u003c/p>\n\u003cp>Thousands of people apply to feature their nativity scenes every year, but only ten percent or so are chosen. Gong Hancock and her co-curator try to contain the deluge with an annual theme.\u003c/p>\n\u003cp>This year, the theme is “Star of Wonder, Star of Night,” referencing the popular Christmas carol, \u003ca href=\"https://www.youtube.com/watch?v=fEGHk9LXQSk\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>We Three KIngs\u003c/em>\u003c/a>. Of course, that’s a broad theme. To further subcategorize, the church’s seven rooms each focus on a color, media or geographic region, like Asia, or South America.\u003c/p>\n\u003cfigure id=\"attachment_13871060\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13871060\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/RS40346_PHOTO-DEC-06-10-23-06-AM-qut.jpg\" alt='This nativity scene, constructed from bicycle parts, is called \"\"The hopes and fears of all the gears.\" ' width=\"1920\" height=\"1755\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40346_PHOTO-DEC-06-10-23-06-AM-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40346_PHOTO-DEC-06-10-23-06-AM-qut-160x146.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40346_PHOTO-DEC-06-10-23-06-AM-qut-800x731.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40346_PHOTO-DEC-06-10-23-06-AM-qut-768x702.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40346_PHOTO-DEC-06-10-23-06-AM-qut-1020x932.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40346_PHOTO-DEC-06-10-23-06-AM-qut-1200x1097.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">This nativity scene, constructed from bicycle parts, is called “”The hopes and fears of all the gears.” \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>\u003c/b>Where did this holiday staple begin? Gong Hancock explains, “The story goes that \u003ca href=\"https://slate.com/human-interest/2013/12/history-of-the-christmas-creche-st-francis-invented-the-nativity-scene.html\" target=\"_blank\" rel=\"noopener noreferrer\">St. Francis of Assisi\u003c/a>, in 1223, created the first nativity in Italy, inspired by seeing shepherds in the distance. Over time, people started to make beautiful figurines and statues, and the churches would put them on display. People would tour from church to church to church. So it’s in that spirit that we have gathered nativity scenes and opened wide our doors, so that people can come and enjoy them.”\u003c/p>\n\u003cp>There’s also live art, music, and marionette shows daily, as well as craft workshops for children. Is it over the top? Absolutely, but not in the materialistic way Americans have come to love and/or hate. The exhibit is free, the labor is volunteered, and the art is surprising and delightful, regardless of whether Christianity is your jam.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The 32 annual Christmas Crèche Exhibit runs December 7-11, 2019 at the Church of Jesus Christ of Latter-day Saints in Palo Alto. \u003ca href=\"http://www.christmascreche.org\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The 32 annual Christmas Crèche Exhibit runs December 7-11, 2019 at the Church of Jesus Christ of Latter-day Saints in Palo Alto.","status":"publish","parent":0,"modified":1705021717,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":626},"headData":{"title":"Make Like a Wise Man and Head to this Nativity Exhibit in Palo Alto | KQED","description":"The 32 annual Christmas Crèche Exhibit runs December 7-11, 2019 at the Church of Jesus Christ of Latter-day Saints in Palo Alto.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Make Like a Wise Man and Head to this Nativity Exhibit in Palo Alto","datePublished":"2019-12-07T14:00:31.000Z","dateModified":"2024-01-12T01:08:37.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/2019/12/MyrowChristmasCreche.mp3","sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13871050/make-like-a-wise-man-and-head-to-this-nativity-exhibit-in-palo-alto","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>You don’t have to be a Christian or given to holiday season kitsch to appreciate the annual \u003ca href=\"http://www.christmascreche.org\" target=\"_blank\" rel=\"noopener noreferrer\">Christmas Crèche Exhibit\u003c/a> at the Church of Jesus Christ of Latter-day Saints in Palo Alto.\u003c/p>\n\u003cp>For a couple thousand years now, the nativity scene has inspired artists all over the world to depict the magic of the Christmas story: Baby Jesus in a Bethlehem manger, surrounded by his parents, Mary and Joseph, the three wise men, shepherds, a host of farm animals and sometimes local villagers, too. It’s an ancient tradition, as open to individual interpretation as there are humans on earth. \u003c/p>\n\u003cp>“It started with just a few people, with a few nativities, from a few places, in one room, and it’s grown to now, where we have it for five days and 10,000 people come every year as a tradition,” says Marguerite Gong Hancock, co-director and co-founder, here all 32 years the church has been putting on this show.\u003c/p>\n\u003cfigure id=\"attachment_13871058\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13871058\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/RS40347_PHOTO-DEC-06-10-24-13-AM-qut.jpg\" alt=\"This nativity scene from Ethiopia is painted on goat skin.\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40347_PHOTO-DEC-06-10-24-13-AM-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40347_PHOTO-DEC-06-10-24-13-AM-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40347_PHOTO-DEC-06-10-24-13-AM-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40347_PHOTO-DEC-06-10-24-13-AM-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40347_PHOTO-DEC-06-10-24-13-AM-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40347_PHOTO-DEC-06-10-24-13-AM-qut-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">This nativity scene from Ethiopia is painted on goat skin. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>These days, people come by the busload from senior centers and elementary schools all over the San Francisco Bay Area and beyond. Families and book clubs add lunch nearby and make a day of it in Palo Alto.\u003c/p>\n\u003cp>The exhibit now takes over the whole building, from the sanctuary to the basketball court. There are 50 countries represented, with more than 250 nativities in every media imaginable: paint, porcelain, crystal, driftwood, goat skin, tagua nut, recycled bicycle wheels, auto parts, et cetera.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We have a whole range, things that are from artists who may be internationally known to things that are made by school children,” Gong Hancock says.\u003c/p>\n\u003cfigure id=\"attachment_13871059\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13871059 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/RS40348_PHOTO-DEC-06-10-25-49-AM-qut.jpg\" alt=\"This nativity scene from Ecuador is carved out of tagua nut.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40348_PHOTO-DEC-06-10-25-49-AM-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40348_PHOTO-DEC-06-10-25-49-AM-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40348_PHOTO-DEC-06-10-25-49-AM-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40348_PHOTO-DEC-06-10-25-49-AM-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40348_PHOTO-DEC-06-10-25-49-AM-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40348_PHOTO-DEC-06-10-25-49-AM-qut-1200x900.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">This nativity scene from Ecuador is carved out of tagua nut. \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Straining to remember whether this pastiche reflects the stories told in biblical texts? Better to relax and accept this genre gives wide berth to artistic imagination and cultural diversity.\u003c/p>\n\u003cp>Thousands of people apply to feature their nativity scenes every year, but only ten percent or so are chosen. Gong Hancock and her co-curator try to contain the deluge with an annual theme.\u003c/p>\n\u003cp>This year, the theme is “Star of Wonder, Star of Night,” referencing the popular Christmas carol, \u003ca href=\"https://www.youtube.com/watch?v=fEGHk9LXQSk\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>We Three KIngs\u003c/em>\u003c/a>. Of course, that’s a broad theme. To further subcategorize, the church’s seven rooms each focus on a color, media or geographic region, like Asia, or South America.\u003c/p>\n\u003cfigure id=\"attachment_13871060\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13871060\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/12/RS40346_PHOTO-DEC-06-10-23-06-AM-qut.jpg\" alt='This nativity scene, constructed from bicycle parts, is called \"\"The hopes and fears of all the gears.\" ' width=\"1920\" height=\"1755\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40346_PHOTO-DEC-06-10-23-06-AM-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40346_PHOTO-DEC-06-10-23-06-AM-qut-160x146.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40346_PHOTO-DEC-06-10-23-06-AM-qut-800x731.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40346_PHOTO-DEC-06-10-23-06-AM-qut-768x702.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40346_PHOTO-DEC-06-10-23-06-AM-qut-1020x932.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/12/RS40346_PHOTO-DEC-06-10-23-06-AM-qut-1200x1097.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">This nativity scene, constructed from bicycle parts, is called “”The hopes and fears of all the gears.” \u003ccite>(Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>\u003c/b>Where did this holiday staple begin? Gong Hancock explains, “The story goes that \u003ca href=\"https://slate.com/human-interest/2013/12/history-of-the-christmas-creche-st-francis-invented-the-nativity-scene.html\" target=\"_blank\" rel=\"noopener noreferrer\">St. Francis of Assisi\u003c/a>, in 1223, created the first nativity in Italy, inspired by seeing shepherds in the distance. Over time, people started to make beautiful figurines and statues, and the churches would put them on display. People would tour from church to church to church. So it’s in that spirit that we have gathered nativity scenes and opened wide our doors, so that people can come and enjoy them.”\u003c/p>\n\u003cp>There’s also live art, music, and marionette shows daily, as well as craft workshops for children. Is it over the top? Absolutely, but not in the materialistic way Americans have come to love and/or hate. The exhibit is free, the labor is volunteered, and the art is surprising and delightful, regardless of whether Christianity is your jam.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The 32 annual Christmas Crèche Exhibit runs December 7-11, 2019 at the Church of Jesus Christ of Latter-day Saints in Palo Alto. \u003ca href=\"http://www.christmascreche.org\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13871050/make-like-a-wise-man-and-head-to-this-nativity-exhibit-in-palo-alto","authors":["251"],"categories":["arts_1","arts_835","arts_235"],"tags":["arts_3388","arts_1118","arts_596","arts_1315","arts_4642"],"featImg":"arts_13887613","label":"arts"},"arts_13867857":{"type":"posts","id":"arts_13867857","meta":{"index":"posts_1591205157","site":"arts","id":"13867857","score":null,"sort":[1570571864000]},"guestAuthors":[],"slug":"jonathan-calm","title":"Jonathan Calm Revisits 'Green Book' Locations in Search of America's Past and Present","publishDate":1570571864,"format":"video","headTitle":"Jonathan Calm Revisits ‘Green Book’ Locations in Search of America’s Past and Present | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>When African-American travelers wanted to drive across the U.S. in the Jim Crow era, they consulted a guidebook specially made and marketed to the growing Black middle class. \u003ci>The Negro Motorist Green Book\u003c/i>, published between 1936 and 1966, told them where it was safe to stop for gas, where to eat and where to sleep, where they wouldn’t be refused service because of racial discrimination. “Vacation without aggravation” reads one volume’s cover.\u003c/p>\n\u003cfigure id=\"attachment_13867885\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867885\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/GB_Stamped-800x1083.jpg\" alt=\"'The Negro Motorist Green-Book' in 1940\" width=\"800\" height=\"1083\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-800x1083.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-160x217.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-768x1039.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-1020x1380.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-887x1200.jpg 887w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped.jpg 1478w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘The Negro Motorist Green-Book’ in 1940\u003c/figcaption>\u003c/figure>\n\u003cp>Over half a century later, Palo Alto artist and Stanford University Assistant Professor of Photography \u003ca href=\"https://www.jonathancalm.com/projects\" target=\"_blank\" rel=\"noopener noreferrer\">Jonathan Calm\u003c/a> revisits the sites listed in the \u003ci>Green Book\u003c/i>, photographing them in black and white as part of a growing archive, and exploring the myth of the road trip as a quintessential American freedom.\u003c/p>\n\u003cp>“There were definitely more dangerous times to be a black motorist,” Calm says, “even though it doesn’t feel like that today.” He is acutely aware of the number of Black men and women who have been pulled from their cars and become victims of police violence. In his series \u003ci>\u003ca href=\"https://www.jonathancalm.com/prejudice\" target=\"_blank\" rel=\"noopener noreferrer\">Travel is Fatal to Prejudice\u003c/a>\u003c/i>, Calm superimposes a target symbol on aerial views of cities; names like Sandra Bland and Philando Castille run across the bottom of each print.\u003c/p>\n\u003cp>Driving, stopping, eating, drinking and staying at hotels along the way, Calm enacts a contemporary version of the 20th-century African-American road trip, often finding the places listed in the \u003ci>Green Book\u003c/i> long gone, converted into other businesses, or simply rubble.\u003c/p>\n\u003cfigure id=\"attachment_13867864\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867864\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-800x829.jpg\" alt=\"\" width=\"800\" height=\"829\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-800x829.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-160x166.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-768x796.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-1020x1057.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-1158x1200.jpg 1158w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I.jpg 1853w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Lorraine Motel in Memphis, photographed by Calm in 2016. The site of Martin Luther King, Jr.’s 1968 assassination was once listed in the ‘Green Book.’\u003c/figcaption>\u003c/figure>\n\u003cp>As a New Yorker, Calm’s journey has also been personally educational—until he drove through the Southern states when he started the project three years ago, his only conception of the region was what he’d learned in school growing up. Visiting sites of Black hospitality in areas marked by past racist violence, there was a constant dissonance with his 2016 present. “I saw a lot of emptiness,” Calm says, “towns and cities that were hollowed out.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Calm’s project isn’t just about photographing historical locations (or their absence); the experience of being a Black man driving on American highways is part of the art-making. “That fear that I have,” he says, “that fear that other people have for me is a very similar fear that people would have had back when the \u003ci>Green Book\u003c/i> was published.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I want to be free, and this drive is investigating that level of freedom.” —\u003cem>Text by Sarah Hotchkiss\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Watch the Palo Alto artist document sites that once offered safe havens for Black travelers, questioning just how much has changed over half a century later.","status":"publish","parent":0,"modified":1705022021,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":471},"headData":{"title":"Jonathan Calm Revisits 'Green Book' Locations in Search of America's Past and Present | KQED","description":"Watch the Palo Alto artist document sites that once offered safe havens for Black travelers, questioning just how much has changed over half a century later.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Jonathan Calm Revisits 'Green Book' Locations in Search of America's Past and Present","datePublished":"2019-10-08T21:57:44.000Z","dateModified":"2024-01-12T01:13:41.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"videoEmbed":"https://youtu.be/EBw98YDoQkU","pbsMediaId":"3071163481","sticky":false,"WpOldSlug":"jonathan-calm-revisits-green-book-locations-in-search-of-americas-past-and-present","nprByline":"Serginho Roosblad","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","path":"/arts/13867857/jonathan-calm","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When African-American travelers wanted to drive across the U.S. in the Jim Crow era, they consulted a guidebook specially made and marketed to the growing Black middle class. \u003ci>The Negro Motorist Green Book\u003c/i>, published between 1936 and 1966, told them where it was safe to stop for gas, where to eat and where to sleep, where they wouldn’t be refused service because of racial discrimination. “Vacation without aggravation” reads one volume’s cover.\u003c/p>\n\u003cfigure id=\"attachment_13867885\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867885\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/GB_Stamped-800x1083.jpg\" alt=\"'The Negro Motorist Green-Book' in 1940\" width=\"800\" height=\"1083\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-800x1083.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-160x217.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-768x1039.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-1020x1380.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped-887x1200.jpg 887w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB_Stamped.jpg 1478w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘The Negro Motorist Green-Book’ in 1940\u003c/figcaption>\u003c/figure>\n\u003cp>Over half a century later, Palo Alto artist and Stanford University Assistant Professor of Photography \u003ca href=\"https://www.jonathancalm.com/projects\" target=\"_blank\" rel=\"noopener noreferrer\">Jonathan Calm\u003c/a> revisits the sites listed in the \u003ci>Green Book\u003c/i>, photographing them in black and white as part of a growing archive, and exploring the myth of the road trip as a quintessential American freedom.\u003c/p>\n\u003cp>“There were definitely more dangerous times to be a black motorist,” Calm says, “even though it doesn’t feel like that today.” He is acutely aware of the number of Black men and women who have been pulled from their cars and become victims of police violence. In his series \u003ci>\u003ca href=\"https://www.jonathancalm.com/prejudice\" target=\"_blank\" rel=\"noopener noreferrer\">Travel is Fatal to Prejudice\u003c/a>\u003c/i>, Calm superimposes a target symbol on aerial views of cities; names like Sandra Bland and Philando Castille run across the bottom of each print.\u003c/p>\n\u003cp>Driving, stopping, eating, drinking and staying at hotels along the way, Calm enacts a contemporary version of the 20th-century African-American road trip, often finding the places listed in the \u003ci>Green Book\u003c/i> long gone, converted into other businesses, or simply rubble.\u003c/p>\n\u003cfigure id=\"attachment_13867864\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13867864\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-800x829.jpg\" alt=\"\" width=\"800\" height=\"829\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-800x829.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-160x166.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-768x796.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-1020x1057.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I-1158x1200.jpg 1158w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/GB-Lorraine-Motel-I.jpg 1853w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Lorraine Motel in Memphis, photographed by Calm in 2016. The site of Martin Luther King, Jr.’s 1968 assassination was once listed in the ‘Green Book.’\u003c/figcaption>\u003c/figure>\n\u003cp>As a New Yorker, Calm’s journey has also been personally educational—until he drove through the Southern states when he started the project three years ago, his only conception of the region was what he’d learned in school growing up. Visiting sites of Black hospitality in areas marked by past racist violence, there was a constant dissonance with his 2016 present. “I saw a lot of emptiness,” Calm says, “towns and cities that were hollowed out.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Calm’s project isn’t just about photographing historical locations (or their absence); the experience of being a Black man driving on American highways is part of the art-making. “That fear that I have,” he says, “that fear that other people have for me is a very similar fear that people would have had back when the \u003ci>Green Book\u003c/i> was published.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I want to be free, and this drive is investigating that level of freedom.” —\u003cem>Text by Sarah Hotchkiss\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13867857/jonathan-calm","authors":["byline_arts_13867857"],"categories":["arts_70"],"tags":["arts_1331","arts_1118","arts_750","arts_5266","arts_596","arts_1315","arts_822","arts_3652","arts_3126","arts_2309","arts_4204","arts_1007","arts_901"],"featImg":"arts_13867875","label":"arts"},"arts_13852981":{"type":"posts","id":"arts_13852981","meta":{"index":"posts_1591205157","site":"arts","id":"13852981","score":null,"sort":[1552741217000]},"guestAuthors":[],"slug":"does-silicon-valley-need-an-instagramable-icon","title":"Does Silicon Valley Need an Instagramable Icon?","publishDate":1552741217,"format":"audio","headTitle":"Does Silicon Valley Need an Instagramable Icon? | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Hollywood has the Hollywood Sign. San Francisco has the Golden Gate Bridge.\u003cspan class=\"Apple-converted-space\"> \u003c/span>But there’s no one iconic visual the world recognizes as embodying Silicon Valley. \u003ci>\u003c/i>\u003c/p>\n\u003cp>The garage in Palo Alto where Hewlett Packard began? Too humble, visually speaking.\u003c/p>\n\u003cp>How about Apple’s snazzy new\u003cspan class=\"Apple-converted-space\"> corporate headquarters\u003c/span> in Cupertino? Too corporate, and frankly, a little chilling in this dystopian era of Big Tech choking the San Francisco Bay Area with traffic and rising real estate prices.\u003c/p>\n\u003cp>The Electric Light Tower, a commanding if spindly precursor to the Eiffel Tower championed by the \u003ca href=\"http://www.sanjoselighttower.org\" target=\"_blank\" rel=\"noopener\">San Jose Light Tower Corporation\u003c/a> was inspiring in its day, but a modern version would likely prove more of a nostalgic nod to times past than a cohesive symbol of what we are today.\u003c/p>\n\u003cp>There’s really no one visual that says “Silicon Valley.” Or “South Bay.”\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“What are people going to Instagram when they come to San Jose and Silicon Valley?” asks \u003ca href=\"https://www.mercurynews.com/author/sal-pizarro/\" target=\"_blank\" rel=\"noopener\">Sal Pizarro\u003c/a>, Around Town columnist with the \u003ci>Mercury News\u003c/i>. One might argue the region doesn’t need an icon if one hasn’t organically emerged by now.\u003c/p>\n\u003cp>But Pizarro says a \u003ca href=\"https://sanjose.legistar.com/LegislationDetail.aspx?ID=3871636&GUID=6E11BF0F-5D33-4866-80BE-0811F12A3BEC&Options=&Search=\" target=\"_blank\" rel=\"noopener\">new design competition\u003c/a> in San Jose — and the patronizing coverage that followed from various publications led by the \u003ca href=\"https://www.nytimes.com/2019/03/09/technology/silicon-valley-monument-landmark.html\" target=\"_blank\" rel=\"noopener\">\u003cem>New York Times\u003c/em>\u003c/a> this past week — indicates that, perhaps, we do.\u003c/p>\n\u003cfigure id=\"attachment_13853000\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13853000\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-800x646.png\" alt=\"The Electric Light Tower was proposed by the publisher of the San Jose Mercury, the precursor of the Mercury News. In 1881, the tower was a pioneering use of electricity for municipal purposes. \" width=\"800\" height=\"646\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-800x646.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-160x129.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-768x620.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-1020x824.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-1200x970.png 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM.png 1260w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Electric Light Tower was proposed by the publisher of the San Jose Mercury, the precursor of the Mercury News. In 1881, the tower was a pioneering use of electricity for municipal purposes. \u003ccite>(Photo: Courtesy of San Jose State University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We do have a problem identifying who we are,” Pizarro acknowledges. “I think we’ve got a great culture, and a great arts scene here, and we have some really wonderful things to do. But when someone comes from out of town, it’s hard to say, ‘We have great Vietnamese restaurants. Take a picture in front of them.’”\u003c/p>\n\u003cp>That works for me. How \u003ci>about\u003c/i> a giant bowl of pho?\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>Why is it so hard to come up with one idea everyone can get behind?\u003c/p>\n\u003cp>For one thing, there’s a problem conflating San Jose with Silicon Valley. The two aren’t the same thing. Also, there is no disputing in matters of taste.\u003c/p>\n\u003cdiv class=\"page\" title=\"Page 18\">\n\u003cdiv class=\"section\">\n\u003cdiv class=\"layoutArea\">\n\u003cdiv class=\"column\">\n\u003cp>The San Jose Light Tower Corporation’s plan is to hold an international competition to solicit concepts for a “world-class iconic landmark” tentatively intended for Guadalupe River Park at Arena Green.\u003c/p>\n\u003cdiv class=\"page\" title=\"Page 2\">\n\u003cdiv class=\"layoutArea\">\n\u003cdiv class=\"column\">\n\u003cp>Three finalists chosen by a seven-member jury will be awarded a monetary stipend to develop their ideas for further review and selection of the final design. Sometime in early 2020, the nonprofit will return to the San Jose City Council with a recommendation and seek authorization to proceed with design and development.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_13853002\" class=\"wp-caption aligncenter\" style=\"max-width: 747px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13853002\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/giphy.gif\" alt='How HBO cracked the nut for its \"Silicon Valley\" show open.' width=\"747\" height=\"419\">\u003cfigcaption class=\"wp-caption-text\">How HBO cracked the nut for its “Silicon Valley” show open. \u003ccite>(Photo: Courtesy of HBO)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I’m confident that no matter how good the design, it will not work for everyone,” says San Jose Mayor Sam Liccardo. “There will be someone who has a reason to object. But that’s OK. We don’t need unanimity to move forward with something that is compelling, and hopefully inspiring.”\u003c/p>\n\u003cp>Yes, he has an idea to submit for the contest, and no, he’s not going to share it with us at this time. “Hell, no! I want it to win!”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"There’s really no single visual that says 'Silicon Valley.' Or 'South Bay.' Is that a problem? Yes, to some.","status":"publish","parent":0,"modified":1705026479,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":601},"headData":{"title":"Does Silicon Valley Need an Instagramable Icon? | KQED","description":"There’s really no single visual that says 'Silicon Valley.' Or 'South Bay.' Is that a problem? Yes, to some.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Does Silicon Valley Need an Instagramable Icon?","datePublished":"2019-03-16T13:00:17.000Z","dateModified":"2024-01-12T02:27:59.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/2019/03/SiliconValleySymbol.mp3","sticky":false,"audioTrackLength":116,"path":"/arts/13852981/does-silicon-valley-need-an-instagramable-icon","audioDuration":116000,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hollywood has the Hollywood Sign. San Francisco has the Golden Gate Bridge.\u003cspan class=\"Apple-converted-space\"> \u003c/span>But there’s no one iconic visual the world recognizes as embodying Silicon Valley. \u003ci>\u003c/i>\u003c/p>\n\u003cp>The garage in Palo Alto where Hewlett Packard began? Too humble, visually speaking.\u003c/p>\n\u003cp>How about Apple’s snazzy new\u003cspan class=\"Apple-converted-space\"> corporate headquarters\u003c/span> in Cupertino? Too corporate, and frankly, a little chilling in this dystopian era of Big Tech choking the San Francisco Bay Area with traffic and rising real estate prices.\u003c/p>\n\u003cp>The Electric Light Tower, a commanding if spindly precursor to the Eiffel Tower championed by the \u003ca href=\"http://www.sanjoselighttower.org\" target=\"_blank\" rel=\"noopener\">San Jose Light Tower Corporation\u003c/a> was inspiring in its day, but a modern version would likely prove more of a nostalgic nod to times past than a cohesive symbol of what we are today.\u003c/p>\n\u003cp>There’s really no one visual that says “Silicon Valley.” Or “South Bay.”\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“What are people going to Instagram when they come to San Jose and Silicon Valley?” asks \u003ca href=\"https://www.mercurynews.com/author/sal-pizarro/\" target=\"_blank\" rel=\"noopener\">Sal Pizarro\u003c/a>, Around Town columnist with the \u003ci>Mercury News\u003c/i>. One might argue the region doesn’t need an icon if one hasn’t organically emerged by now.\u003c/p>\n\u003cp>But Pizarro says a \u003ca href=\"https://sanjose.legistar.com/LegislationDetail.aspx?ID=3871636&GUID=6E11BF0F-5D33-4866-80BE-0811F12A3BEC&Options=&Search=\" target=\"_blank\" rel=\"noopener\">new design competition\u003c/a> in San Jose — and the patronizing coverage that followed from various publications led by the \u003ca href=\"https://www.nytimes.com/2019/03/09/technology/silicon-valley-monument-landmark.html\" target=\"_blank\" rel=\"noopener\">\u003cem>New York Times\u003c/em>\u003c/a> this past week — indicates that, perhaps, we do.\u003c/p>\n\u003cfigure id=\"attachment_13853000\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13853000\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-800x646.png\" alt=\"The Electric Light Tower was proposed by the publisher of the San Jose Mercury, the precursor of the Mercury News. In 1881, the tower was a pioneering use of electricity for municipal purposes. \" width=\"800\" height=\"646\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-800x646.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-160x129.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-768x620.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-1020x824.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-1200x970.png 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM.png 1260w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Electric Light Tower was proposed by the publisher of the San Jose Mercury, the precursor of the Mercury News. In 1881, the tower was a pioneering use of electricity for municipal purposes. \u003ccite>(Photo: Courtesy of San Jose State University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We do have a problem identifying who we are,” Pizarro acknowledges. “I think we’ve got a great culture, and a great arts scene here, and we have some really wonderful things to do. But when someone comes from out of town, it’s hard to say, ‘We have great Vietnamese restaurants. Take a picture in front of them.’”\u003c/p>\n\u003cp>That works for me. How \u003ci>about\u003c/i> a giant bowl of pho?\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>Why is it so hard to come up with one idea everyone can get behind?\u003c/p>\n\u003cp>For one thing, there’s a problem conflating San Jose with Silicon Valley. The two aren’t the same thing. Also, there is no disputing in matters of taste.\u003c/p>\n\u003cdiv class=\"page\" title=\"Page 18\">\n\u003cdiv class=\"section\">\n\u003cdiv class=\"layoutArea\">\n\u003cdiv class=\"column\">\n\u003cp>The San Jose Light Tower Corporation’s plan is to hold an international competition to solicit concepts for a “world-class iconic landmark” tentatively intended for Guadalupe River Park at Arena Green.\u003c/p>\n\u003cdiv class=\"page\" title=\"Page 2\">\n\u003cdiv class=\"layoutArea\">\n\u003cdiv class=\"column\">\n\u003cp>Three finalists chosen by a seven-member jury will be awarded a monetary stipend to develop their ideas for further review and selection of the final design. Sometime in early 2020, the nonprofit will return to the San Jose City Council with a recommendation and seek authorization to proceed with design and development.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_13853002\" class=\"wp-caption aligncenter\" style=\"max-width: 747px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13853002\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/giphy.gif\" alt='How HBO cracked the nut for its \"Silicon Valley\" show open.' width=\"747\" height=\"419\">\u003cfigcaption class=\"wp-caption-text\">How HBO cracked the nut for its “Silicon Valley” show open. \u003ccite>(Photo: Courtesy of HBO)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I’m confident that no matter how good the design, it will not work for everyone,” says San Jose Mayor Sam Liccardo. “There will be someone who has a reason to object. But that’s OK. We don’t need unanimity to move forward with something that is compelling, and hopefully inspiring.”\u003c/p>\n\u003cp>Yes, he has an idea to submit for the contest, and no, he’s not going to share it with us at this time. “Hell, no! I want it to win!”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13852981/does-silicon-valley-need-an-instagramable-icon","authors":["251"],"categories":["arts_835","arts_235","arts_70"],"tags":["arts_6902","arts_1118","arts_596","arts_1315","arts_1084","arts_3001"],"featImg":"arts_13829861","label":"arts"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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