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In 1993 she \u003ca href=\"https://www.kqed.org/pop/16759/wait-what-my-coworker-was-a-voice-over-hyperventilator-for-jurassic-park\">hyperventilated in \u003cem>Jurassic Park\u003c/em>\u003c/a>.","avatar":"https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g","twitter":"emmaruthless","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["contributor"]},{"site":"bayareabites","roles":["editor"]},{"site":"food","roles":["contributor"]},{"site":"liveblog","roles":["editor"]}],"headData":{"title":"Emma Silvers | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/esilvers"},"ralexandra":{"type":"authors","id":"11242","meta":{"index":"authors_1591205172","id":"11242","found":true},"name":"Rae Alexandra","firstName":"Rae","lastName":"Alexandra","slug":"ralexandra","email":"ralexandra@kqed.org","display_author_email":false,"staff_mastheads":["arts"],"title":"Staff Writer","bio":"Rae Alexandra is Staff Writer for KQED Arts & Culture, and the creator/author of the \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\">Rebel Girls From Bay Area History\u003c/a> and \u003ca href=\"https://www.kqed.org/bizarrebayarea\">Bizarre Bay Area\u003c/a> series. Born and raised in Wales, she started her career in London, as a music journalist for uproarious rock ’n’ roll magazine, \u003cem>\u003ca href=\"https://www.kerrang.com/features/an-oral-history-of-alternative-tentacles-40-years-of-keeping-punk-alive/\">Kerrang!\u003c/a>\u003c/em>. In America, she got her start at alt-weeklies including \u003ca href=\"https://archives.sfweekly.com/sanfrancisco/ArticleArchives?author=2127078&excludeCategoryType=Blog\">\u003cem>SF Weekly\u003c/em>\u003c/a> and the \u003ca href=\"https://www.villagevoice.com/author/raealexandra/\">\u003cem>Village Voice\u003c/em>\u003c/a>, and freelanced for a great many other publications. Her undying love for San Francisco has, more recently, turned her into \u003ca href=\"https://www.kqed.org/arts/tag/bayareahistory/\">a history nerd\u003c/a>. In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture.","avatar":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twitter":"raemondjjjj","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Rae Alexandra | KQED","description":"Staff Writer","ogImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ralexandra"},"nvoynovskaya":{"type":"authors","id":"11387","meta":{"index":"authors_1591205172","id":"11387","found":true},"name":"Nastia Voynovskaya","firstName":"Nastia","lastName":"Voynovskaya","slug":"nvoynovskaya","email":"nvoynovskaya@kqed.org","display_author_email":false,"staff_mastheads":["arts"],"title":"Associate Editor","bio":"Nastia Voynovskaya is a Russian-born journalist raised in the Bay Area and Tampa, Florida. She's the associate editor at KQED Arts & Culture. She's the recipient of the 2018 Society of Professional Journalists-Northern California award for arts & culture reporting. In 2021, a retrospective of the 2010s she edited and creative directed, Our Turbulent Decade, received the SPJ-NorCal award for web design. Nastia's work has been published in NPR Music, \u003cem>San Francisco Chronicle\u003c/em>, VICE, Paste Magazine, Bandcamp and SF MoMA Open Space. Previously, she served as music editor at \u003cem>East Bay Express\u003c/em> and online editor at \u003cem>Hi-Fructose Magazine\u003c/em>. She holds a B.A. in comparative literature from UC Berkeley.","avatar":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twitter":"nananastia","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["administrator"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["administrator"]},{"site":"bayareabites","roles":["editor"]},{"site":"podcasts","roles":["editor"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Nastia Voynovskaya | KQED","description":"Associate Editor","ogImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g"},"isLoading":false,"link":"/author/nvoynovskaya"},"ogpenn":{"type":"authors","id":"11491","meta":{"index":"authors_1591205172","id":"11491","found":true},"name":"Pendarvis Harshaw","firstName":"Pendarvis","lastName":"Harshaw","slug":"ogpenn","email":"ogpenn@gmail.com","display_author_email":false,"staff_mastheads":["arts"],"title":"Columnist and Host, Rightnowish","bio":"Pendarvis Harshaw is the host of \u003ca href=\"https://www.kqed.org/arts/tag/rightnowish\" rel=\"noopener noreferrer\">\u003cem>Rightnowish\u003c/em>\u003c/a> on KQED-FM, a columnist at KQED Arts, and the author of \u003ci>OG Told Me,\u003c/i> a memoir about growing up in Oakland.","avatar":"https://secure.gravatar.com/avatar/093d33baff5354890e29ad83d58d2c49?s=600&d=blank&r=g","twitter":"ogpenn","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"bayareabites","roles":["author"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Pendarvis Harshaw | KQED","description":"Columnist and Host, Rightnowish","ogImgSrc":"https://secure.gravatar.com/avatar/093d33baff5354890e29ad83d58d2c49?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/093d33baff5354890e29ad83d58d2c49?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ogpenn"},"achazaro":{"type":"authors","id":"11748","meta":{"index":"authors_1591205172","id":"11748","found":true},"name":"Alan Chazaro","firstName":"Alan","lastName":"Chazaro","slug":"achazaro","email":"agchazaro@gmail.com","display_author_email":true,"staff_mastheads":["arts"],"title":"Food Writer and Reporter","bio":"Alan Chazaro is the author of \u003cem>This Is Not a Frank Ocean Cover Album\u003c/em> (Black Lawrence Press, 2019), \u003cem>Piñata Theory\u003c/em> (Black Lawrence Press, 2020), and \u003cem>Notes from the Eastern Span of the Bay Bridge\u003c/em> (Ghost City Press, 2021). He is a graduate of June Jordan’s Poetry for the People program at UC Berkeley and a former Lawrence Ferlinghetti Fellow at the University of San Francisco. He writes about sports, food, art, music, education, and culture while repping the Bay on \u003ca href=\"https://twitter.com/alan_chazaro\">Twitter\u003c/a> and \u003ca href=\"https://www.instagram.com/alan_chazaro/?hl=en\">Instagram\u003c/a> at @alan_chazaro.","avatar":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twitter":"alan_chazaro","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]}],"headData":{"title":"Alan Chazaro | KQED","description":"Food Writer and Reporter","ogImgSrc":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/achazaro"},"ksong":{"type":"authors","id":"11813","meta":{"index":"authors_1591205172","id":"11813","found":true},"name":"Kristie Song","firstName":"Kristie","lastName":"Song","slug":"ksong","email":"ksong@kqed.org","display_author_email":false,"staff_mastheads":[],"title":"Editorial Intern ","bio":"Kristie Song is an Arts & Culture Intern at KQED. She is currently a graduate student at UC Berkeley, where she studies audio and multimedia journalism. Previously, she covered the local community for Oakland North, produced episodes for The Science of Happiness, and served as news director for KUCI, UC Irvine’s radio station. Outside of reporting, she likes drawing comics, listening to angsty rock, and practicing the guitar.","avatar":"https://secure.gravatar.com/avatar/c1149e78c3c44f92d4945a8ab0711af6?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]}],"headData":{"title":"Kristie Song | KQED","description":"Editorial Intern ","ogImgSrc":"https://secure.gravatar.com/avatar/c1149e78c3c44f92d4945a8ab0711af6?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/c1149e78c3c44f92d4945a8ab0711af6?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ksong"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13922186":{"type":"posts","id":"arts_13922186","meta":{"index":"posts_1591205157","site":"arts","id":"13922186","score":null,"sort":[1670007900000]},"guestAuthors":[],"slug":"the-most-memorable-sunset-of-the-year","title":"The Most Memorable Sunset of the Year","publishDate":1670007900,"format":"standard","headTitle":"The Most Memorable Sunset of the Year | KQED","labelTerm":{},"content":"\u003cp>\u003cem>This week, as we near the end of 2022, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\">One Beautiful Thing\u003c/a> from the year. Here, in a year of endless freeway commutes and big-city gridlock, correspondent Pendarvis Harshaw honors the spiritual regeneration of a well-timed sunset.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>omeone asks you the best place to watch a sunset in Northern California, what do you say?\u003c/p>\n\u003cp>Driving down I-80 after leaving Tahoe? Sitting on a beach in Monterey? Pulled over somewhere on Hwy. 1, watching that big burning ball in the sky skinny dip into the Pacific?\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" class=\"alignright size-thumbnail wp-image-13833985\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">This year alone, I’ve seen the sunset from the fishing pier in Benicia, and Lone Tree Point in Rodeo. Have you ever been to San Jose’s Alviso Marina? With its wetlands, wide array of birds and murky waves, it’s like another world during the evening hours.\u003c/p>\n\u003cp>One of my personal top five favorite spots is the east side of Lake Merritt; I love watching the pelicans dive into the water as the sun dips behind the Alameda County Courthouse. And quiet as it’s kept, another personal favorite is the McDonalds parking lot on the hillside of Vallejo’s Magazine Street.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This place we call home has so many large bodies of water, changes in elevation, amazing displays of architecture, and evenings of pleasant weather that you really can’t go wrong when it comes to a Northern California sunset. You could literally pull over at the intersection of Road 104 and Road 35 in Davis, among the cows, and fall in love with the colors of the sky.\u003c/p>\n\u003cfigure id=\"attachment_13922295\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/Davis.Sunset-800x587.jpg\" alt=\"The sun disappears behind the plains of Central California, the sky a burnt amber and blue\" width=\"800\" height=\"587\" class=\"size-medium wp-image-13922295\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Davis.Sunset-800x587.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Davis.Sunset-1020x748.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Davis.Sunset-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Davis.Sunset-768x563.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Davis.Sunset-1536x1127.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Davis.Sunset.jpg 1885w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The view after pulling over at Road 104 and Road 35 in Davis, among the cows. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he most memorable sunset of my year, though, involves an unfortunate carjacking on the Bay Bridge, a much-needed conversation about the under-recognized legacy of San Francisco gangsta rap, and getting blasted by sand on Ocean Beach.\u003c/p>\n\u003cp>The story starts in a boutique hip-hop clothing shop in San Francisco’s Lakeview neighborhood. Varsity jackets and colorful hoodies line one wall, while the other bears a mural painted by \u003ca href=\"https://www.kqed.org/arts/13916721/sucka-free-history-with-dregs-one\">Dregs One\u003c/a>. It’s a collage of Bay Area rappers who’ve transitioned to ancestor-hood. I’m in the middle of the store chopping it up with the shop owner, \u003ca href=\"https://www.instagram.com/cellski415/?hl=en\">Cellski\u003c/a>, a San Francisco rap icon whose career spans four decades.\u003c/p>\n\u003cp>He’s telling me about the history of rappers and dope dealers in the City. That leads to a conversation about Chemical Baby, Cellski’s clothing line, a name inspired by the toxic dirt and water found in his community, as well as the drugs.\u003c/p>\n\u003cfigure id=\"attachment_13922284\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/IMG_8555-1020x1360.jpg\" alt=\"San Francisco hip-hop legend Cellski, at his boutique clothing store in Lakeview.\" width=\"640\" height=\"853\" class=\"size-large wp-image-13922284\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/IMG_8555-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/IMG_8555-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/IMG_8555-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/IMG_8555-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/IMG_8555-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/IMG_8555-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/IMG_8555-scaled.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco hip-hop legend Cellski at his boutique clothing store in Lakeview. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>We talk about some of his upcoming plans, and then I shake his hand and head toward the door, ready to drive back to Sacramento. He warns me about traffic. On top of the usual 5 p.m. gridlock, apparently there’d been\u003ca href=\"https://www.kron4.com/news/bay-area/chp-looks-for-armed-carjacking-suspect-on-bay-bridge/\"> a carjacking on the Bay Bridge\u003c/a> earlier that day, and The City was a shitshow.\u003c/p>\n\u003cp>So I decide to kill time by grabbing a slice from Northgate Pizza and hitting Ocean Beach. That’s where I messed up. The wind and sand combined to drop a diss track that my car still hasn’t recovered from. The song goes: “Sand in my beard and in my Thermos / Sand all over my clothes and my epidermis.”\u003c/p>\n\u003cp>Beach trip truncated and traffic still a mess, I decide on an alternate route: across the Golden Gate Bridge, up 101 and over Hwy. 37 from Novato to Vallejo. From there, I figure, I can catch 80 and bypass the gridlock as I head back to Sac — and I get more than I bargained for.\u003c/p>\n\u003cfigure id=\"attachment_13922300\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-800x590.jpg\" alt=\"The sun sets behind the skyline of Oakland's downtown with Lake Merritt in the foreground\" width=\"800\" height=\"590\" class=\"size-medium wp-image-13922300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-800x590.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-1020x752.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-160x118.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-768x566.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-1536x1133.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-2048x1510.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-1920x1416.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lake Merritt, Oakland’s jewel. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he afternoon conversation with the Lakeview lyricist inspired my evening playlist. I slap a couple tracks from Cellski, then 11/5, Cougnut, and an RBL Posse track or two. With early- to mid-’90s Frisco gangsta rap blasting through the speakers of my midsize hybrid, I hit Hwy. 37 right at golden hour.\u003c/p>\n\u003cp>Driving east, the sunset in my rearview, I watch as the spring sky turns beaming, brilliant shades of Baskin-Robbins Rainbow Sherbet and Starburst Passion Fruit purple.\u003c/p>\n\u003cp>California State Route 37 is low-lying, two-lane highway that runs along the northern edge of San Pablo Bay. It’s surrounded by marshy wetlands and a series of sloughs, as well as the Napa River. The water ripples up right next to the road. The cautious mind wonders \u003ca href=\"https://www.pressdemocrat.com/article/news/highway-37-could-be-under-water-decades-from-now-heres-caltrans-solution/\">how long this infrastructure will hold against rising tides\u003c/a>. The imaginative mind feels like it’s riding atop the waves of the Bay.\u003c/p>\n\u003cp>But the present mind enjoys the classic SF gangsta rap reverberating through the stock sound system as the sun sets in my rearview mirror. \u003cem>There’s a bluebird on my shoulder, should I kill it?\u003c/em>\u003c/p>\n\u003cp>With all the photos I’ve taken of sunsets this year, that’s the one I didn’t take. Probably safer to take a pass on getting a pixelated image of a gigantic star burning 91 million miles away, while driving 70 miles per hour on a giant rotating rock. (It would’ve been really, really pretty tho.)\u003c/p>\n\u003cp>Reflecting on this year and all the sunsets I’ve seen, so many of them were background visuals for my lengthy commute. Every once in a while, I’d get to a specific spot, face toward the west, and watch nature’s daily magic happen.\u003c/p>\n\u003cp>And yet my most memorable sunset of the year, I watched as I drove in the opposite direction. How lucky are we? There are so many beautiful places to watch the sunset here in the Bay Area that we can literally turn our back, and it’s still one of the prettiest sights in the world.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"Even on the unlikeliest of days, a Northern California sunset can stop time.","status":"publish","parent":0,"modified":1705006099,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":1026},"headData":{"title":"The Most Memorable Sunset of the Year | KQED","description":"Even on the unlikeliest of days, a Northern California sunset can stop time.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Most Memorable Sunset of the Year","datePublished":"2022-12-02T19:05:00.000Z","dateModified":"2024-01-11T20:48:19.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"One Beautiful Thing From 2022","sourceUrl":"https://www.kqed.org/arts/tag/one-beautiful-thing","sticky":false,"templateType":"standard","featuredImageType":"standard","subhead":"Take a photo of it?","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13922186/the-most-memorable-sunset-of-the-year","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This week, as we near the end of 2022, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\">One Beautiful Thing\u003c/a> from the year. Here, in a year of endless freeway commutes and big-city gridlock, correspondent Pendarvis Harshaw honors the spiritual regeneration of a well-timed sunset.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>omeone asks you the best place to watch a sunset in Northern California, what do you say?\u003c/p>\n\u003cp>Driving down I-80 after leaving Tahoe? Sitting on a beach in Monterey? Pulled over somewhere on Hwy. 1, watching that big burning ball in the sky skinny dip into the Pacific?\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" class=\"alignright size-thumbnail wp-image-13833985\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">This year alone, I’ve seen the sunset from the fishing pier in Benicia, and Lone Tree Point in Rodeo. Have you ever been to San Jose’s Alviso Marina? With its wetlands, wide array of birds and murky waves, it’s like another world during the evening hours.\u003c/p>\n\u003cp>One of my personal top five favorite spots is the east side of Lake Merritt; I love watching the pelicans dive into the water as the sun dips behind the Alameda County Courthouse. And quiet as it’s kept, another personal favorite is the McDonalds parking lot on the hillside of Vallejo’s Magazine Street.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This place we call home has so many large bodies of water, changes in elevation, amazing displays of architecture, and evenings of pleasant weather that you really can’t go wrong when it comes to a Northern California sunset. You could literally pull over at the intersection of Road 104 and Road 35 in Davis, among the cows, and fall in love with the colors of the sky.\u003c/p>\n\u003cfigure id=\"attachment_13922295\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/Davis.Sunset-800x587.jpg\" alt=\"The sun disappears behind the plains of Central California, the sky a burnt amber and blue\" width=\"800\" height=\"587\" class=\"size-medium wp-image-13922295\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Davis.Sunset-800x587.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Davis.Sunset-1020x748.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Davis.Sunset-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Davis.Sunset-768x563.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Davis.Sunset-1536x1127.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Davis.Sunset.jpg 1885w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The view after pulling over at Road 104 and Road 35 in Davis, among the cows. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he most memorable sunset of my year, though, involves an unfortunate carjacking on the Bay Bridge, a much-needed conversation about the under-recognized legacy of San Francisco gangsta rap, and getting blasted by sand on Ocean Beach.\u003c/p>\n\u003cp>The story starts in a boutique hip-hop clothing shop in San Francisco’s Lakeview neighborhood. Varsity jackets and colorful hoodies line one wall, while the other bears a mural painted by \u003ca href=\"https://www.kqed.org/arts/13916721/sucka-free-history-with-dregs-one\">Dregs One\u003c/a>. It’s a collage of Bay Area rappers who’ve transitioned to ancestor-hood. I’m in the middle of the store chopping it up with the shop owner, \u003ca href=\"https://www.instagram.com/cellski415/?hl=en\">Cellski\u003c/a>, a San Francisco rap icon whose career spans four decades.\u003c/p>\n\u003cp>He’s telling me about the history of rappers and dope dealers in the City. That leads to a conversation about Chemical Baby, Cellski’s clothing line, a name inspired by the toxic dirt and water found in his community, as well as the drugs.\u003c/p>\n\u003cfigure id=\"attachment_13922284\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/IMG_8555-1020x1360.jpg\" alt=\"San Francisco hip-hop legend Cellski, at his boutique clothing store in Lakeview.\" width=\"640\" height=\"853\" class=\"size-large wp-image-13922284\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/IMG_8555-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/IMG_8555-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/IMG_8555-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/IMG_8555-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/IMG_8555-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/IMG_8555-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/IMG_8555-scaled.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco hip-hop legend Cellski at his boutique clothing store in Lakeview. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>We talk about some of his upcoming plans, and then I shake his hand and head toward the door, ready to drive back to Sacramento. He warns me about traffic. On top of the usual 5 p.m. gridlock, apparently there’d been\u003ca href=\"https://www.kron4.com/news/bay-area/chp-looks-for-armed-carjacking-suspect-on-bay-bridge/\"> a carjacking on the Bay Bridge\u003c/a> earlier that day, and The City was a shitshow.\u003c/p>\n\u003cp>So I decide to kill time by grabbing a slice from Northgate Pizza and hitting Ocean Beach. That’s where I messed up. The wind and sand combined to drop a diss track that my car still hasn’t recovered from. The song goes: “Sand in my beard and in my Thermos / Sand all over my clothes and my epidermis.”\u003c/p>\n\u003cp>Beach trip truncated and traffic still a mess, I decide on an alternate route: across the Golden Gate Bridge, up 101 and over Hwy. 37 from Novato to Vallejo. From there, I figure, I can catch 80 and bypass the gridlock as I head back to Sac — and I get more than I bargained for.\u003c/p>\n\u003cfigure id=\"attachment_13922300\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-800x590.jpg\" alt=\"The sun sets behind the skyline of Oakland's downtown with Lake Merritt in the foreground\" width=\"800\" height=\"590\" class=\"size-medium wp-image-13922300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-800x590.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-1020x752.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-160x118.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-768x566.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-1536x1133.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-2048x1510.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/LakeMerrit.Sunset.1-1920x1416.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lake Merritt, Oakland’s jewel. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he afternoon conversation with the Lakeview lyricist inspired my evening playlist. I slap a couple tracks from Cellski, then 11/5, Cougnut, and an RBL Posse track or two. With early- to mid-’90s Frisco gangsta rap blasting through the speakers of my midsize hybrid, I hit Hwy. 37 right at golden hour.\u003c/p>\n\u003cp>Driving east, the sunset in my rearview, I watch as the spring sky turns beaming, brilliant shades of Baskin-Robbins Rainbow Sherbet and Starburst Passion Fruit purple.\u003c/p>\n\u003cp>California State Route 37 is low-lying, two-lane highway that runs along the northern edge of San Pablo Bay. It’s surrounded by marshy wetlands and a series of sloughs, as well as the Napa River. The water ripples up right next to the road. The cautious mind wonders \u003ca href=\"https://www.pressdemocrat.com/article/news/highway-37-could-be-under-water-decades-from-now-heres-caltrans-solution/\">how long this infrastructure will hold against rising tides\u003c/a>. The imaginative mind feels like it’s riding atop the waves of the Bay.\u003c/p>\n\u003cp>But the present mind enjoys the classic SF gangsta rap reverberating through the stock sound system as the sun sets in my rearview mirror. \u003cem>There’s a bluebird on my shoulder, should I kill it?\u003c/em>\u003c/p>\n\u003cp>With all the photos I’ve taken of sunsets this year, that’s the one I didn’t take. Probably safer to take a pass on getting a pixelated image of a gigantic star burning 91 million miles away, while driving 70 miles per hour on a giant rotating rock. (It would’ve been really, really pretty tho.)\u003c/p>\n\u003cp>Reflecting on this year and all the sunsets I’ve seen, so many of them were background visuals for my lengthy commute. Every once in a while, I’d get to a specific spot, face toward the west, and watch nature’s daily magic happen.\u003c/p>\n\u003cp>And yet my most memorable sunset of the year, I watched as I drove in the opposite direction. How lucky are we? There are so many beautiful places to watch the sunset here in the Bay Area that we can literally turn our back, and it’s still one of the prettiest sights in the world.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13922186/the-most-memorable-sunset-of-the-year","authors":["11491"],"categories":["arts_1","arts_2303"],"tags":["arts_2767","arts_10342","arts_10278","arts_831","arts_19127","arts_4355","arts_1146","arts_1084","arts_3800"],"featImg":"arts_13922291","label":"source_arts_13922186"},"arts_13922179":{"type":"posts","id":"arts_13922179","meta":{"index":"posts_1591205157","site":"arts","id":"13922179","score":null,"sort":[1669997333000]},"guestAuthors":[],"slug":"my-taxi-driver-was-a-hero-when-i-needed-it-most","title":"My Taxi Driver Was a Hero When I Needed It Most","publishDate":1669997333,"format":"standard","headTitle":"My Taxi Driver Was a Hero When I Needed It Most | KQED","labelTerm":{},"content":"\u003cp>\u003cem>This week, as we near the end of 2022, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\" target=\"_blank\" rel=\"noopener noreferrer\">One Beautiful Thing\u003c/a> from the year. Here, recounting a seemingly hopeless quest to retrieve a lost bag in New York City, editor Gabe Meline remains in awe at the kindness of strangers.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>here I was, in a city of 8 million people, after 12 hours of travel, standing on Lexington Avenue and hoping for a New York miracle. I’d only been in Manhattan for an hour, and already I was flagging down a taxi late at night and shouting “Follow that cab!”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13881659\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Gabe.Bio_.Cap_.small_-160x181.jpg\" alt=\"\" width=\"160\" height=\"181\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Gabe.Bio_.Cap_.small_-160x181.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Gabe.Bio_.Cap_.small_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">Well, more accurately: “Follow that little dot on this tiny map.” Meaning the GPS-enabled dot moving around a screen as part of the Find My iPhone feature. The dot indicating that somewhere out there, in one of New York City’s other 13,000 taxi cabs, sat my daughter’s blue bag that she’d left behind, containing her diary, school laptop, notebooks, iPhone and AirPods she’d bought with her saved-up allowance.\u003c/p>\n\u003cp>The daughter who at that very moment was curled up on the hotel bed, regretting her thoughtlessness, in tears.\u003c/p>\n\u003cp>I was a small-town dad in a huge, unfamiliar metropolis, with maybe half an idea of what I was doing, at best. But I couldn’t stand to see her crying. I had to get that bag back.\u003c/p>\n\u003cp>An explanation is in order: at the airport terminal, we’d had to switch to another taxicab to get a ride into Manhattan. Our first taxi driver quoted us a fare higher than what dispatch told us it should cost, and when I asked why, he promptly threw us out of his cab. He and I exchanged some four-letter words, and we piled into the next waiting taxi.\u003c/p>\n\u003cp>It wasn’t until getting to our hotel, an hour later, that we realized the first taxi driver had sped away with the bag inside.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13922261\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/taxi.nyc_.bag_.jpg\" alt=\"a blue handbag, sitting against a white linen background\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/taxi.nyc_.bag_.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/taxi.nyc_.bag_-160x160.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>I called Central Taxi Hold at JFK for help. “You got the medallion number?” the director asked. I didn’t. “Well, tell us the credit card number you used for your fare, and we can trace the medallion number,” he said. No dice: we hadn’t ridden in the taxi, let alone paid any fare. “Oh, well then… you may be waitin’ for it to turn up in lost and found. \u003cem>If\u003c/em> he turns it in, that is.”\u003c/p>\n\u003cp>While I called 311, my wife remembered she’d set up tracking on our daughter’s phone in case of emergencies, and pulled up its map, excited to discover a little dot that refreshed every 15 seconds or so, traveling around the streets of midtown. Talking to the woman working 311, after we’d exhausted all possible options, I offhandedly remarked, “I’m half-tempted to get another cab and have them chase after this dot on the map.”\u003c/p>\n\u003cp>“Well,” she said, “that’s probably what a New Yorker would do.”\u003c/p>\n\u003cp>Challenge accepted.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13922258\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/NYC.taxi_.map_.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/NYC.taxi_.map_.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/NYC.taxi_.map_-160x160.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he first taxi driver that pulled over laughed at my wild goose chase, but the second said, “Yeah. Get in.” His name was Gani. And so began our three-hour hunt for the missing bag.\u003c/p>\n\u003cp>After a couple rounds in Manhattan, we followed the dot across the Queensboro Bridge into Queens. All the way back to JFK. We scanned the traffic around us and closely trailed the dot as our getaway taxi driver bypassed Central Taxi Hold, went straight to a terminal, picked up a fare, and — to my despair — quickly got on the freeway and headed again into Manhattan.\u003c/p>\n\u003cp>I was carsick from staring at a phone, and operating on three hours of sleep the night before. I texted my wife and daughter: “If we can’t catch him in Manhattan I may have to give up for the night. I can’t go all the way out to JFK again.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13922256\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/Texts.nyc_.taxi_.jpg\" alt=\"\" width=\"800\" height=\"491\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Texts.nyc_.taxi_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Texts.nyc_.taxi_-160x98.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Texts.nyc_.taxi_-768x471.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Gani had other plans. Up to that point, our conversation had been about how to intercept the cab. I learned all about New York’s taxicab regulations, many of which our getaway cab driver was brazenly ignoring, which didn’t fill me with hope.\u003c/p>\n\u003cp>But while driving around Manhattan for the second time, Gani asked about my daughter. “She’s 13,” I said. Old enough that she doesn’t cry anymore, I said. Except for tonight.\u003c/p>\n\u003cp>I looked up and noticed that the fare meter wasn’t running anymore. The dot on the map headed across the Queensboro Bridge yet again, and Gani followed. I assured him that it was OK to call it a night and drop me off at the hotel, but he wasn’t having it. “We will get your bag back,” he said confidently, pulling onto the bridge onramp. “We should be able to stop him at the airport this time.”\u003c/p>\n\u003cp>We did not stop him at the airport.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">B\u003c/span>ut we did happen to spot a good luck omen when we returned to JFK, outside an airport terminal: the woman who’d been working dispatch two hours earlier. Gani jerked the steering wheel to pull over while I quickly hopped out, pen and notebook in hand, to barrage her with questions. Did she remember us, having to switch cabs? Did she know the driver? Could she tell us anything to help get our bag back?\u003c/p>\n\u003cp>In short order, we had the cab driver’s phone number and medallion number. Central Taxi Hold ran the number, and discovered that he wasn’t even supposed to be on the clock that night. Probably working side jobs and illegally pocketing the fares.\u003c/p>\n\u003cp>With renewed vigor, Gani again followed the dot as it moved along the freeway, back toward Manhattan for the second time since our chase began. We called the phone number repeatedly — no answer. This rogue taxi driver was clearly avoiding us; he’d had our bag for five hours, and seemed to have no intention of turning it in to lost and found.\u003c/p>\n\u003cp>Gani tried another tact via text: “We have your medallion number and we know where you are.” He picked up our next call. And so, just when I had lost all faith, it was over in a flash.\u003c/p>\n\u003cp>At around midnight on 34th and 1st, the runaway cab driver pulled over, handed us the bag, and drove off. I checked the contents; all there. Incredible. Out of all the far-fetched, improbable plans, ours had actually worked. “I … I can’t believe that really happened,” I muttered from the passenger seat.\u003c/p>\n\u003cp>Gani just laughed — and, slapping his palm on the steering wheel, announced: “Welcome to New York!”\u003c/p>\n\u003cfigure id=\"attachment_13922257\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13922257\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/Nyc.Taxi_.finale.jpg\" alt=\"A man and a teenage girl, holding a small blue bag, pose together outside a yellow taxicab on the busy streets on New York City\" width=\"600\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Nyc.Taxi_.finale.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Nyc.Taxi_.finale-160x213.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Gani and the author’s daughter, reunited at last with her lost bag. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"How a three-hour taxicab chase around New York City restored my faith in human kindness.","status":"publish","parent":0,"modified":1705006101,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":30,"wordCount":1195},"headData":{"title":"My Taxi Driver Was a Hero When I Needed It Most | KQED","description":"How a three-hour taxicab chase around New York City restored my faith in human kindness.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"My Taxi Driver Was a Hero When I Needed It Most","datePublished":"2022-12-02T16:08:53.000Z","dateModified":"2024-01-11T20:48:21.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"One Beautiful Thing From 2022","sourceUrl":"https://www.kqed.org/arts/tag/one-beautiful-thing","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13922179/my-taxi-driver-was-a-hero-when-i-needed-it-most","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This week, as we near the end of 2022, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\" target=\"_blank\" rel=\"noopener noreferrer\">One Beautiful Thing\u003c/a> from the year. Here, recounting a seemingly hopeless quest to retrieve a lost bag in New York City, editor Gabe Meline remains in awe at the kindness of strangers.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>here I was, in a city of 8 million people, after 12 hours of travel, standing on Lexington Avenue and hoping for a New York miracle. I’d only been in Manhattan for an hour, and already I was flagging down a taxi late at night and shouting “Follow that cab!”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13881659\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Gabe.Bio_.Cap_.small_-160x181.jpg\" alt=\"\" width=\"160\" height=\"181\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Gabe.Bio_.Cap_.small_-160x181.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Gabe.Bio_.Cap_.small_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">Well, more accurately: “Follow that little dot on this tiny map.” Meaning the GPS-enabled dot moving around a screen as part of the Find My iPhone feature. The dot indicating that somewhere out there, in one of New York City’s other 13,000 taxi cabs, sat my daughter’s blue bag that she’d left behind, containing her diary, school laptop, notebooks, iPhone and AirPods she’d bought with her saved-up allowance.\u003c/p>\n\u003cp>The daughter who at that very moment was curled up on the hotel bed, regretting her thoughtlessness, in tears.\u003c/p>\n\u003cp>I was a small-town dad in a huge, unfamiliar metropolis, with maybe half an idea of what I was doing, at best. But I couldn’t stand to see her crying. I had to get that bag back.\u003c/p>\n\u003cp>An explanation is in order: at the airport terminal, we’d had to switch to another taxicab to get a ride into Manhattan. Our first taxi driver quoted us a fare higher than what dispatch told us it should cost, and when I asked why, he promptly threw us out of his cab. He and I exchanged some four-letter words, and we piled into the next waiting taxi.\u003c/p>\n\u003cp>It wasn’t until getting to our hotel, an hour later, that we realized the first taxi driver had sped away with the bag inside.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13922261\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/taxi.nyc_.bag_.jpg\" alt=\"a blue handbag, sitting against a white linen background\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/taxi.nyc_.bag_.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/taxi.nyc_.bag_-160x160.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>I called Central Taxi Hold at JFK for help. “You got the medallion number?” the director asked. I didn’t. “Well, tell us the credit card number you used for your fare, and we can trace the medallion number,” he said. No dice: we hadn’t ridden in the taxi, let alone paid any fare. “Oh, well then… you may be waitin’ for it to turn up in lost and found. \u003cem>If\u003c/em> he turns it in, that is.”\u003c/p>\n\u003cp>While I called 311, my wife remembered she’d set up tracking on our daughter’s phone in case of emergencies, and pulled up its map, excited to discover a little dot that refreshed every 15 seconds or so, traveling around the streets of midtown. Talking to the woman working 311, after we’d exhausted all possible options, I offhandedly remarked, “I’m half-tempted to get another cab and have them chase after this dot on the map.”\u003c/p>\n\u003cp>“Well,” she said, “that’s probably what a New Yorker would do.”\u003c/p>\n\u003cp>Challenge accepted.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13922258\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/NYC.taxi_.map_.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/NYC.taxi_.map_.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/NYC.taxi_.map_-160x160.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he first taxi driver that pulled over laughed at my wild goose chase, but the second said, “Yeah. Get in.” His name was Gani. And so began our three-hour hunt for the missing bag.\u003c/p>\n\u003cp>After a couple rounds in Manhattan, we followed the dot across the Queensboro Bridge into Queens. All the way back to JFK. We scanned the traffic around us and closely trailed the dot as our getaway taxi driver bypassed Central Taxi Hold, went straight to a terminal, picked up a fare, and — to my despair — quickly got on the freeway and headed again into Manhattan.\u003c/p>\n\u003cp>I was carsick from staring at a phone, and operating on three hours of sleep the night before. I texted my wife and daughter: “If we can’t catch him in Manhattan I may have to give up for the night. I can’t go all the way out to JFK again.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13922256\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/Texts.nyc_.taxi_.jpg\" alt=\"\" width=\"800\" height=\"491\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Texts.nyc_.taxi_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Texts.nyc_.taxi_-160x98.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Texts.nyc_.taxi_-768x471.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Gani had other plans. Up to that point, our conversation had been about how to intercept the cab. I learned all about New York’s taxicab regulations, many of which our getaway cab driver was brazenly ignoring, which didn’t fill me with hope.\u003c/p>\n\u003cp>But while driving around Manhattan for the second time, Gani asked about my daughter. “She’s 13,” I said. Old enough that she doesn’t cry anymore, I said. Except for tonight.\u003c/p>\n\u003cp>I looked up and noticed that the fare meter wasn’t running anymore. The dot on the map headed across the Queensboro Bridge yet again, and Gani followed. I assured him that it was OK to call it a night and drop me off at the hotel, but he wasn’t having it. “We will get your bag back,” he said confidently, pulling onto the bridge onramp. “We should be able to stop him at the airport this time.”\u003c/p>\n\u003cp>We did not stop him at the airport.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">B\u003c/span>ut we did happen to spot a good luck omen when we returned to JFK, outside an airport terminal: the woman who’d been working dispatch two hours earlier. Gani jerked the steering wheel to pull over while I quickly hopped out, pen and notebook in hand, to barrage her with questions. Did she remember us, having to switch cabs? Did she know the driver? Could she tell us anything to help get our bag back?\u003c/p>\n\u003cp>In short order, we had the cab driver’s phone number and medallion number. Central Taxi Hold ran the number, and discovered that he wasn’t even supposed to be on the clock that night. Probably working side jobs and illegally pocketing the fares.\u003c/p>\n\u003cp>With renewed vigor, Gani again followed the dot as it moved along the freeway, back toward Manhattan for the second time since our chase began. We called the phone number repeatedly — no answer. This rogue taxi driver was clearly avoiding us; he’d had our bag for five hours, and seemed to have no intention of turning it in to lost and found.\u003c/p>\n\u003cp>Gani tried another tact via text: “We have your medallion number and we know where you are.” He picked up our next call. And so, just when I had lost all faith, it was over in a flash.\u003c/p>\n\u003cp>At around midnight on 34th and 1st, the runaway cab driver pulled over, handed us the bag, and drove off. I checked the contents; all there. Incredible. Out of all the far-fetched, improbable plans, ours had actually worked. “I … I can’t believe that really happened,” I muttered from the passenger seat.\u003c/p>\n\u003cp>Gani just laughed — and, slapping his palm on the steering wheel, announced: “Welcome to New York!”\u003c/p>\n\u003cfigure id=\"attachment_13922257\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13922257\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/Nyc.Taxi_.finale.jpg\" alt=\"A man and a teenage girl, holding a small blue bag, pose together outside a yellow taxicab on the busy streets on New York City\" width=\"600\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Nyc.Taxi_.finale.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/Nyc.Taxi_.finale-160x213.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Gani and the author’s daughter, reunited at last with her lost bag. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13922179/my-taxi-driver-was-a-hero-when-i-needed-it-most","authors":["185"],"categories":["arts_1","arts_2303"],"tags":["arts_2767","arts_10342","arts_10278","arts_7131","arts_19127","arts_7085"],"featImg":"arts_13922255","label":"source_arts_13922179"},"arts_13922154":{"type":"posts","id":"arts_13922154","meta":{"index":"posts_1591205157","site":"arts","id":"13922154","score":null,"sort":[1669937436000]},"guestAuthors":[],"slug":"how-listening-to-nilssons-the-point-with-my-kid-helps-me-not-hate-everything","title":"How Listening to Nilsson’s ‘The Point!’ With My Kid Helps Me Not Hate Everything","publishDate":1669937436,"format":"standard","headTitle":"How Listening to Nilsson’s ‘The Point!’ With My Kid Helps Me Not Hate Everything | KQED","labelTerm":{},"content":"\u003cp>\u003cem>This week, as we near the end of 2022, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\">One Beautiful Thing\u003c/a> from the year. Here, in a very discouraging year for human rights and freedom of expression, editor Emma Silvers finds solace and hope in a Nixon-era TV special.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>’ve always been skeptical of people who boast about their children’s taste in music. At best, it comes off like a stretch of the truth. (“Oh, your kindergartener likes Led Zeppelin? My 18-month-old’s first words were Sigur Rós, in a perfect Icelandic accent!”) At worst, there’s an icky, narcissistic undercurrent to it — a view of child-as-accessory — like we’re keeping score in some kind of demented Pitchfork “Best New Kid” competition.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13922205\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/Emma.bio_.headshot.caption.jpg\" alt=\"\" width=\"160\" height=\"180\">And yet. My reading of this tendency changed when I actually had a baby, and came to understand one reason people get legitimately excited about their kids liking good stuff: because the vast majority of children’s entertainment makes parents want to \u003cem>stab themselves in the ears with a screwdriver\u003c/em>. And whatever your child likes, you, as a parent, are going to wind up watching or listening to it over and over again.\u003c/p>\n\u003cp>Enter \u003cem>The Point!.\u003c/em>\u003c/p>\n\u003cp>For the uninitiated, \u003cem>The Point!\u003c/em> refers to both the \u003ca href=\"https://www.npr.org/2020/02/15/806149966/50-years-of-the-point-harry-nilsson-s-wonderful-weird-musical-fable\">dreamy 1970 concept album\u003c/a> by singer-songwriter Harry Nilsson and its accompanying animated film (narrated by Dustin Hoffman, Ringo Starr or Alan Thicke, depending on which version your parents taped off TV). A classic hero’s journey, it tells the tale of a boy named Oblio who’s born “different” from everyone else, and he and his dog Arrow get cast out for it. In the so-called Pointless Forest, Oblio comes to understand the beauty in differences, then returns home to help everyone around him learn that lesson too. Along the way there’s an evil count, a doofy king, a giant pterodactyl and a jazzcat-riffing, Buddhist wisdom-dispensing pile of rocks.\u003c/p>\n\u003cp>For a Nixon-era primetime network TV special — it was a 1971 ABC Movie of the Week — it’s an exceptionally beautiful, quietly anti-authoritarian and \u003ca href=\"https://insheepsclothinghifi.com/harry-nilsson-the-point-1971/\">100% LSD-influenced\u003c/a> work of art.\u003c/p>\n\u003cfigure id=\"attachment_13922193\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/GettyImages-532828927.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13922193\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/GettyImages-532828927-800x531.jpg\" alt=\"a black and white photo of a white man with a cigarette in his mouth at a piano\" width=\"800\" height=\"531\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-532828927-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-532828927-1020x677.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-532828927-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-532828927-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-532828927.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Harry Nilsson at the piano, 1972. \u003ccite>(Stan Meagher/Daily Express/Hulton Archive/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I didn’t put too much thought into it \u003ca href=\"https://twitter.com/emmaruthless/status/1498134265258668033\">when I first showed Miles \u003cem>The Point!\u003c/em> \u003c/a>(though I knew that it wasn’t \u003cem>Cars\u003c/em> again, nor, god forbid, \u003cem>Cars 2\u003c/em>). I’ve always loved Nilsson’s music, and I was pleased to see that the 50-year-old, hand-drawn animation held my 3-year-old’s attention just as well as the frenetic, computer-generated kids’ shows that currently populate any streaming service. What I did not expect, until he began to request it — repeatedly — is the catharsis it would provide over the course of a strange and at times infuriating year.\u003c/p>\n\u003cp>But there it was, on in the car, in the living room; too weird to be a lullaby, too soothing to be anything else; an IV drip insisting on the existence of \u003cem>meaning\u003c/em>, even on the days it was really hard to find. Warmly but firmly, it kept my nihilism in check: After \u003ca href=\"https://www.kqed.org/arts/13899378/blackalicious-gift-of-gab-a-celebrated-mc-dies-at-age-50\">Gift of Gab died\u003c/a>, I listened to “Blazing Arrow” (built around a buoyant sample of Nilsson’s “Me and My Arrow”) and marveled at the beauty of two very different lyricists leaving behind such a wildly creative conversation. The week Roe v. Wade was overturned, and I became an expert at crying in efficient spurts before getting back to the task at hand, Nilsson’s “Think About Your Troubles” got me to see teardrops in a sort of pretty, conceptual way, reminded me they were normal and necessary. It helped to zoom out, even just momentarily, and think about cycles: of water systems, of sorrow, of history.\u003c/p>\n\u003cp>Miles sings this song to himself in the bath these days (“think about the bubbles!”), and no matter what else I am currently screwing up on as a parent, it makes me feel like I’ve done one thing right.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=guqFqcV4Po0\u003c/p>\n\u003cp>Lately, I find myself thinking about \u003cem>The Point!\u003c/em> when politicians say dangerous, moronic things about queer youth: I think of the old, evil count who’s terrified of change and of losing power, and the complacent king who tries to keep to the letter of law regardless of the necessary shift happening before his eyes.\u003c/p>\n\u003cp>At the end of the story, Oblio helps the townspeople realize that rote conformity shouldn’t be the goal; that everyone has value and deserves respect; that empathy, exploration and new perspectives all matter. He and Arrow are welcomed home, the crowd cheers and that’s pretty much it.\u003c/p>\n\u003cp>Life isn’t that simple, of course. But the old, evil counts are real, and it is true that they cannot keep their vise grip on the rest of us forever. The kids of our world have seen the cracks in the old order, and they’re building a new one — they will tell you about what matters there if you’re willing to listen.\u003c/p>\n\u003cp>I guess I’ve come to accept my role as a mostly useless townsperson in this analogy. But when I’m in the car, singing along with a preschooler to a half-century-old album that feels relevant as ever, I briefly have enough faith in humanity to want to grab a hammer too.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"In which a whimsical, LSD-influenced concept album from 1970 proves surprisingly successful at staving off nihilism in 2022.","status":"publish","parent":0,"modified":1705006104,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":962},"headData":{"title":"How Listening to Nilsson’s ‘The Point!’ With My Kid Helps Me Not Hate Everything | KQED","description":"In which a whimsical, LSD-influenced concept album from 1970 proves surprisingly successful at staving off nihilism in 2022.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How Listening to Nilsson’s ‘The Point!’ With My Kid Helps Me Not Hate Everything","datePublished":"2022-12-01T23:30:36.000Z","dateModified":"2024-01-11T20:48:24.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"One Beautiful Thing From 2022","sourceUrl":"https://www.kqed.org/arts/tag/one-beautiful-thing","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13922154/how-listening-to-nilssons-the-point-with-my-kid-helps-me-not-hate-everything","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This week, as we near the end of 2022, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\">One Beautiful Thing\u003c/a> from the year. Here, in a very discouraging year for human rights and freedom of expression, editor Emma Silvers finds solace and hope in a Nixon-era TV special.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>’ve always been skeptical of people who boast about their children’s taste in music. At best, it comes off like a stretch of the truth. (“Oh, your kindergartener likes Led Zeppelin? My 18-month-old’s first words were Sigur Rós, in a perfect Icelandic accent!”) At worst, there’s an icky, narcissistic undercurrent to it — a view of child-as-accessory — like we’re keeping score in some kind of demented Pitchfork “Best New Kid” competition.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13922205\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/Emma.bio_.headshot.caption.jpg\" alt=\"\" width=\"160\" height=\"180\">And yet. My reading of this tendency changed when I actually had a baby, and came to understand one reason people get legitimately excited about their kids liking good stuff: because the vast majority of children’s entertainment makes parents want to \u003cem>stab themselves in the ears with a screwdriver\u003c/em>. And whatever your child likes, you, as a parent, are going to wind up watching or listening to it over and over again.\u003c/p>\n\u003cp>Enter \u003cem>The Point!.\u003c/em>\u003c/p>\n\u003cp>For the uninitiated, \u003cem>The Point!\u003c/em> refers to both the \u003ca href=\"https://www.npr.org/2020/02/15/806149966/50-years-of-the-point-harry-nilsson-s-wonderful-weird-musical-fable\">dreamy 1970 concept album\u003c/a> by singer-songwriter Harry Nilsson and its accompanying animated film (narrated by Dustin Hoffman, Ringo Starr or Alan Thicke, depending on which version your parents taped off TV). A classic hero’s journey, it tells the tale of a boy named Oblio who’s born “different” from everyone else, and he and his dog Arrow get cast out for it. In the so-called Pointless Forest, Oblio comes to understand the beauty in differences, then returns home to help everyone around him learn that lesson too. Along the way there’s an evil count, a doofy king, a giant pterodactyl and a jazzcat-riffing, Buddhist wisdom-dispensing pile of rocks.\u003c/p>\n\u003cp>For a Nixon-era primetime network TV special — it was a 1971 ABC Movie of the Week — it’s an exceptionally beautiful, quietly anti-authoritarian and \u003ca href=\"https://insheepsclothinghifi.com/harry-nilsson-the-point-1971/\">100% LSD-influenced\u003c/a> work of art.\u003c/p>\n\u003cfigure id=\"attachment_13922193\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/GettyImages-532828927.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13922193\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/GettyImages-532828927-800x531.jpg\" alt=\"a black and white photo of a white man with a cigarette in his mouth at a piano\" width=\"800\" height=\"531\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-532828927-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-532828927-1020x677.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-532828927-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-532828927-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-532828927.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Harry Nilsson at the piano, 1972. \u003ccite>(Stan Meagher/Daily Express/Hulton Archive/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I didn’t put too much thought into it \u003ca href=\"https://twitter.com/emmaruthless/status/1498134265258668033\">when I first showed Miles \u003cem>The Point!\u003c/em> \u003c/a>(though I knew that it wasn’t \u003cem>Cars\u003c/em> again, nor, god forbid, \u003cem>Cars 2\u003c/em>). I’ve always loved Nilsson’s music, and I was pleased to see that the 50-year-old, hand-drawn animation held my 3-year-old’s attention just as well as the frenetic, computer-generated kids’ shows that currently populate any streaming service. What I did not expect, until he began to request it — repeatedly — is the catharsis it would provide over the course of a strange and at times infuriating year.\u003c/p>\n\u003cp>But there it was, on in the car, in the living room; too weird to be a lullaby, too soothing to be anything else; an IV drip insisting on the existence of \u003cem>meaning\u003c/em>, even on the days it was really hard to find. Warmly but firmly, it kept my nihilism in check: After \u003ca href=\"https://www.kqed.org/arts/13899378/blackalicious-gift-of-gab-a-celebrated-mc-dies-at-age-50\">Gift of Gab died\u003c/a>, I listened to “Blazing Arrow” (built around a buoyant sample of Nilsson’s “Me and My Arrow”) and marveled at the beauty of two very different lyricists leaving behind such a wildly creative conversation. The week Roe v. Wade was overturned, and I became an expert at crying in efficient spurts before getting back to the task at hand, Nilsson’s “Think About Your Troubles” got me to see teardrops in a sort of pretty, conceptual way, reminded me they were normal and necessary. It helped to zoom out, even just momentarily, and think about cycles: of water systems, of sorrow, of history.\u003c/p>\n\u003cp>Miles sings this song to himself in the bath these days (“think about the bubbles!”), and no matter what else I am currently screwing up on as a parent, it makes me feel like I’ve done one thing right.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/guqFqcV4Po0'\n title='//www.youtube.com/embed/guqFqcV4Po0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Lately, I find myself thinking about \u003cem>The Point!\u003c/em> when politicians say dangerous, moronic things about queer youth: I think of the old, evil count who’s terrified of change and of losing power, and the complacent king who tries to keep to the letter of law regardless of the necessary shift happening before his eyes.\u003c/p>\n\u003cp>At the end of the story, Oblio helps the townspeople realize that rote conformity shouldn’t be the goal; that everyone has value and deserves respect; that empathy, exploration and new perspectives all matter. He and Arrow are welcomed home, the crowd cheers and that’s pretty much it.\u003c/p>\n\u003cp>Life isn’t that simple, of course. But the old, evil counts are real, and it is true that they cannot keep their vise grip on the rest of us forever. The kids of our world have seen the cracks in the old order, and they’re building a new one — they will tell you about what matters there if you’re willing to listen.\u003c/p>\n\u003cp>I guess I’ve come to accept my role as a mostly useless townsperson in this analogy. But when I’m in the car, singing along with a preschooler to a half-century-old album that feels relevant as ever, I briefly have enough faith in humanity to want to grab a hammer too.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13922154/how-listening-to-nilssons-the-point-with-my-kid-helps-me-not-hate-everything","authors":["7237"],"categories":["arts_1","arts_74","arts_69"],"tags":["arts_4262","arts_3788","arts_10342","arts_10278","arts_19127","arts_6285","arts_2792"],"featImg":"arts_13922228","label":"source_arts_13922154"},"arts_13921882":{"type":"posts","id":"arts_13921882","meta":{"index":"posts_1591205157","site":"arts","id":"13921882","score":null,"sort":[1669923419000]},"guestAuthors":[],"slug":"flea-market-san-francisco-weekends","title":"The Flea Market Is My Weekend","publishDate":1669923419,"format":"aside","headTitle":"The Flea Market Is My Weekend | KQED","labelTerm":{},"content":"\u003cfigure id=\"attachment_13921891\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/GettyImages-1322401462.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13921891\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/GettyImages-1322401462-800x537.jpg\" alt=\"Crowd of people examine used objects\" width=\"800\" height=\"537\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/GettyImages-1322401462-800x537.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/GettyImages-1322401462-1020x685.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/GettyImages-1322401462-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/GettyImages-1322401462-768x516.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/GettyImages-1322401462.jpg 1502w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Shoppers at the Alemany flea market look over a table in 1997. \u003ccite>(Photo by Lea Suzuki / The San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>At we near the end of 2022, each of us writers and editors at KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\">one beautiful thing\u003c/a> from the year. Here, in a year where our work lives and personal lives became ever more intertwined, our editor Sarah Hotchkiss explains how visiting flea markets helped her retain the concept of free time. \u003c/em>\u003c/p>\n\u003cp>[dropcap]I[/dropcap] am very bad at weekends. I do not relax, I do not go on local hikes or drink mimosas at brunch or do any of the million things the Bay Area has to offer its more sane residents. I know I’m doing this wrong. While other people replenish their work-addled minds by taking in vistas, eating delicious food (leisurely) or simply enjoying the year-round comfort of our Bay Area weather, I spend my weekends alone in a frigid concrete-lined studio, hunched under fluorescent lights.\u003c/p>\n\u003cp>Ostensibly, I am doing the thing I love, which is making art. But my body does not thank me for these extra hours of work and isolation. It’s lonely and sometimes painful (neck aches, finger cramps, eye twitches). Periodically, I remember to move around a bit and shove some snacks in my face. I listen to hours of tinny podcasts and audiobooks on my phone.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13922215\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/Sarah.bio_.headshot.thumb_.jpg\" alt=\"\" width=\"160\" height=\"177\">When I look back at a 2022 of un-weekends, the highlights were the moments when I portioned off something that might resemble a more ordinary understanding of what those days are for. For three hours each Sunday, I go to the flea market.\u003c/p>\n\u003cp>This is a very specific, not-for-everyone ritual. Because I live with a flea market aficionado and meet a select group of friends there nearly weekly, I sometimes forget that. I have recommended the flea market to people who cruise through in 15 minutes or less and never return. Family members who seem to like old, interesting things have humored me, then touched nothing and bought nothing, confused by my dedication to this activity and place.\u003c/p>\n\u003cp>I have to remind myself that even though there is something for everyone at the flea market, the flea market is not \u003ci>for\u003c/i> everyone.\u003c/p>\n\u003cp>Despite the flea market’s polarizing effect, I have found my people. My boyfriend, a total fiend for used books, odd objects and anything that might be described as a “deal” or a “find,” has been known to visit foreign cities and feel satisfied only when he has attended the local flea market. Kassel, Germany? Pretty good. Mexico City? Amazing. Turin, Italy? We ran out of room in our luggage.\u003c/p>\n\u003cfigure id=\"attachment_13922224\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/GettyImages-1256176605.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13922224\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/GettyImages-1256176605-800x535.jpg\" alt=\"Three African-American family members laughing and gesturing at items on a table during a flea market\" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1256176605-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1256176605-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1256176605-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1256176605-768x514.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1256176605.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A family sells items at a flea market in San Francisco, 1984. \u003ccite>(Clarence Gatson Collection/Gado/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Our home is filled with things picked up off the streets of San Francisco. Our shelves are lined with used books like \u003ci>Flim-Flam!\u003c/i> (because exclamation marks are delightful), pulp paperbacks stacked two-deep, and even (in a meta-moment) a photo book of ’70s and ’80s California flea markets.\u003c/p>\n\u003cp>The joy of the flea market is the browse, not necessarily the find. Meander past sellers with their wares spread across folding tables or moving blankets with a concrete goal and you’ll likely never find the object you’re looking for, especially if you’ve seen it every week prior. You have to let the flea market come to you.\u003c/p>\n\u003cp>And even if you’re never going to purchase a plaster rooster or a pair of silver shoes or a crated sculpture made from spray foam and corrugated aluminum, seeing these things, knowing they were once loved or worn or made, is enough. It’s enough to remember that the people who owned them are strange and not like you — a great thing. They had different tastes and needs. They wore silver shoes! And kept a plaster rooster in their dinette! And made a weird-ass sculpture that might actually be good!\u003c/p>\n\u003cfigure id=\"attachment_13922222\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/GettyImages-1321749318.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13922222\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/GettyImages-1321749318-800x634.jpg\" alt=\"a pile of baseball cards and money among other antique on a table\" width=\"800\" height=\"634\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1321749318-800x634.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1321749318-1020x808.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1321749318-160x127.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1321749318-768x608.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1321749318.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Stamp books, money from around the world and baseball cards at the Alemany Flea Market in San Francisco. \u003ccite>(Liz Hafalia/The San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In these moments, the flea market is a reminder that different lives (expressed through objects) can coexist. Such reminders don’t happen that often anymore: jury duty, public transit, the library. But we are usually here to seek out joy and small pleasures, not just metaphors for a healthy society.\u003c/p>\n\u003cp>When you find a thing at the flea market that is so wonderful you don’t even bother to haggle over the price, that you must have for some deeply felt reason despite the accumulation of stuff on your shelves, that is an even more wonderful connection. You now share a relationship to that object with someone else. And you are not different. You and one other, unknowable person are the same.\u003c/p>\n\u003cp>What is the weekend if not a momentary forgetting of your work-week self?\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"This year, browsing delightful curios for three hours every Sunday helped me forget myself.","status":"publish","parent":0,"modified":1705006107,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":857},"headData":{"title":"The Flea Market Is My Weekend | KQED","description":"This year, browsing delightful curios for three hours every Sunday helped me forget myself.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Flea Market Is My Weekend","datePublished":"2022-12-01T19:36:59.000Z","dateModified":"2024-01-11T20:48:27.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"One Beautiful Thing From 2022","sourceUrl":"https://www.kqed.org/arts/tag/one-beautiful-thing","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13921882/flea-market-san-francisco-weekends","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13921891\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/GettyImages-1322401462.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13921891\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/GettyImages-1322401462-800x537.jpg\" alt=\"Crowd of people examine used objects\" width=\"800\" height=\"537\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/GettyImages-1322401462-800x537.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/GettyImages-1322401462-1020x685.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/GettyImages-1322401462-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/GettyImages-1322401462-768x516.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/GettyImages-1322401462.jpg 1502w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Shoppers at the Alemany flea market look over a table in 1997. \u003ccite>(Photo by Lea Suzuki / The San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>At we near the end of 2022, each of us writers and editors at KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\">one beautiful thing\u003c/a> from the year. Here, in a year where our work lives and personal lives became ever more intertwined, our editor Sarah Hotchkiss explains how visiting flea markets helped her retain the concept of free time. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">I\u003c/span>\u003c/p>\u003cp> am very bad at weekends. I do not relax, I do not go on local hikes or drink mimosas at brunch or do any of the million things the Bay Area has to offer its more sane residents. I know I’m doing this wrong. While other people replenish their work-addled minds by taking in vistas, eating delicious food (leisurely) or simply enjoying the year-round comfort of our Bay Area weather, I spend my weekends alone in a frigid concrete-lined studio, hunched under fluorescent lights.\u003c/p>\n\u003cp>Ostensibly, I am doing the thing I love, which is making art. But my body does not thank me for these extra hours of work and isolation. It’s lonely and sometimes painful (neck aches, finger cramps, eye twitches). Periodically, I remember to move around a bit and shove some snacks in my face. I listen to hours of tinny podcasts and audiobooks on my phone.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13922215\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/Sarah.bio_.headshot.thumb_.jpg\" alt=\"\" width=\"160\" height=\"177\">When I look back at a 2022 of un-weekends, the highlights were the moments when I portioned off something that might resemble a more ordinary understanding of what those days are for. For three hours each Sunday, I go to the flea market.\u003c/p>\n\u003cp>This is a very specific, not-for-everyone ritual. Because I live with a flea market aficionado and meet a select group of friends there nearly weekly, I sometimes forget that. I have recommended the flea market to people who cruise through in 15 minutes or less and never return. Family members who seem to like old, interesting things have humored me, then touched nothing and bought nothing, confused by my dedication to this activity and place.\u003c/p>\n\u003cp>I have to remind myself that even though there is something for everyone at the flea market, the flea market is not \u003ci>for\u003c/i> everyone.\u003c/p>\n\u003cp>Despite the flea market’s polarizing effect, I have found my people. My boyfriend, a total fiend for used books, odd objects and anything that might be described as a “deal” or a “find,” has been known to visit foreign cities and feel satisfied only when he has attended the local flea market. Kassel, Germany? Pretty good. Mexico City? Amazing. Turin, Italy? We ran out of room in our luggage.\u003c/p>\n\u003cfigure id=\"attachment_13922224\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/GettyImages-1256176605.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13922224\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/GettyImages-1256176605-800x535.jpg\" alt=\"Three African-American family members laughing and gesturing at items on a table during a flea market\" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1256176605-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1256176605-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1256176605-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1256176605-768x514.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1256176605.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A family sells items at a flea market in San Francisco, 1984. \u003ccite>(Clarence Gatson Collection/Gado/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Our home is filled with things picked up off the streets of San Francisco. Our shelves are lined with used books like \u003ci>Flim-Flam!\u003c/i> (because exclamation marks are delightful), pulp paperbacks stacked two-deep, and even (in a meta-moment) a photo book of ’70s and ’80s California flea markets.\u003c/p>\n\u003cp>The joy of the flea market is the browse, not necessarily the find. Meander past sellers with their wares spread across folding tables or moving blankets with a concrete goal and you’ll likely never find the object you’re looking for, especially if you’ve seen it every week prior. You have to let the flea market come to you.\u003c/p>\n\u003cp>And even if you’re never going to purchase a plaster rooster or a pair of silver shoes or a crated sculpture made from spray foam and corrugated aluminum, seeing these things, knowing they were once loved or worn or made, is enough. It’s enough to remember that the people who owned them are strange and not like you — a great thing. They had different tastes and needs. They wore silver shoes! And kept a plaster rooster in their dinette! And made a weird-ass sculpture that might actually be good!\u003c/p>\n\u003cfigure id=\"attachment_13922222\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/GettyImages-1321749318.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13922222\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/GettyImages-1321749318-800x634.jpg\" alt=\"a pile of baseball cards and money among other antique on a table\" width=\"800\" height=\"634\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1321749318-800x634.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1321749318-1020x808.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1321749318-160x127.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1321749318-768x608.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/12/GettyImages-1321749318.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Stamp books, money from around the world and baseball cards at the Alemany Flea Market in San Francisco. \u003ccite>(Liz Hafalia/The San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In these moments, the flea market is a reminder that different lives (expressed through objects) can coexist. Such reminders don’t happen that often anymore: jury duty, public transit, the library. But we are usually here to seek out joy and small pleasures, not just metaphors for a healthy society.\u003c/p>\n\u003cp>When you find a thing at the flea market that is so wonderful you don’t even bother to haggle over the price, that you must have for some deeply felt reason despite the accumulation of stuff on your shelves, that is an even more wonderful connection. You now share a relationship to that object with someone else. And you are not different. You and one other, unknowable person are the same.\u003c/p>\n\u003cp>What is the weekend if not a momentary forgetting of your work-week self?\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13921882/flea-market-san-francisco-weekends","authors":["61"],"categories":["arts_1","arts_2303"],"tags":["arts_11374","arts_2767","arts_10342","arts_10278","arts_19125","arts_19127"],"featImg":"arts_13922220","label":"source_arts_13921882"},"arts_13921914":{"type":"posts","id":"arts_13921914","meta":{"index":"posts_1591205157","site":"arts","id":"13921914","score":null,"sort":[1669852852000]},"guestAuthors":[],"slug":"a-conversation-with-a-stranger-about-love","title":"A Conversation With a Stranger About Love","publishDate":1669852852,"format":"aside","headTitle":"A Conversation With a Stranger About Love | KQED","labelTerm":{},"content":"\u003cfigure id=\"attachment_13922094\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/ConvoAboutLove.uncropped-800x533.jpg\" alt=\"A young woman, back to the camera, walks alone at night, illuminated by a lamp along a park path\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13922094\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/ConvoAboutLove.uncropped-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/ConvoAboutLove.uncropped-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/ConvoAboutLove.uncropped-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/ConvoAboutLove.uncropped-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/ConvoAboutLove.uncropped.jpg 1254w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">What does love’s fullness look and feel like? And how will I know that what I’m experiencing is the real thing? \u003ccite>(iStock)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>This week, as we near the end of 2022, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\">One Beautiful Thing\u003c/a> from the year. Here, recalling a late-night chat with a stranger on the internet, intern Kristie Song reflects on love’s possibility, and the forms its arrival may take.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>n April, I asked a stranger what it felt like to be in love.\u003c/p>\n\u003cp>As we sat in our dimly lit rooms miles away from each other, threaded together by a weak internet connection, Erik told me about the first time they had ever truly and profoundly felt in love.\u003c/p>\n\u003cp>“It’s just a feeling of fullness. A feeling of sunshine, of comfort, of warmth and safety that has never really left me since that relationship.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/Kristie.headshot.bio_.jpg\" alt=\"\" width=\"160\" height=\"182\" class=\"alignright size-full wp-image-13922096\">I had asked because I’d never experienced this kind of love myself. Like a child trying to make sense of outer space, or insects, I leaned in and prodded. \u003ci>Why? How? And then what? \u003c/i>What does this fullness look and feel like? And how do I know that what I’m experiencing is the real thing?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I’ve had hundreds of crushes over the years, but those brief minglings with affection and projected fantasies of love never lasted.\u003c/p>\n\u003cp>In my first year of college, I hopped from dorm to dorm, avoiding my own as much as possible. One evening, I was resting on my friend’s bed when one of her roommates walked in, huffed and plopped herself beside me. “I had a shit day,” she said. “Can we cuddle?”\u003c/p>\n\u003cp>I’d never held someone or been held in this way, but nodded and turned to my side. She wrapped an arm around my torso tightly, pressing herself into me. I don’t remember how long it lasted, but my new and normally rambunctious friend was silent the whole time, her pulse steady in the small of my back, her breath even in the crook of my neck. That moment, in the quiet of that room, where our tired bodies met — did that constitute fullness?\u003c/p>\n\u003cp>In the past, I projected love onto people who’d affirmed me in some way, who made me feel that my body and mind were of value. I yearned for a love that treasured what I loathed about myself, a voice to blanket the one inside my head that berated my every move, feature and action. (This is, perhaps, an impossible goal.)\u003c/p>\n\u003cp>Then, in late March, I went to the theater to watch Joachim Trier’s \u003cem>The Worst Person in the World\u003c/em>. In the film, a woman not much older than I stumbles into relationship and relationship, seeking a kind of romantic salve to quiet her turbulent mind. Afterward, I walked the winding road home and thought of the ways I, too, had tried to convince people to love and “fix” me. How I yielded to kisses shared on unfamiliar beds and offered myself up emotionally, opening my heart wider and wider to others, telling myself that this is how I can properly give and receive romantic intimacy. When these people would inevitably leave, I searched for others to fill the fissures left behind, repeating the cycle.\u003c/p>\n\u003cp>Still, this urgency envelops my brain. \u003ci>I need to experience it now or I never will!\u003c/i> I want to know what love feels like, but how do I know I’ve stumbled upon something right when all I’ve come across are its caricatures? It’s like peering at a silhouette: you can gaze at its shape, its apparition, but all you can do is trace its outlines over and over, hoping in vain that the image will make itself clear someday.\u003c/p>\n\u003cp>I told Erik about this, as we neared the end of our conversation.\u003c/p>\n\u003cp>“You’ll know when it happens. It’s a feeling, it’s not a thought,” they replied. “It’s not like, ‘Okay, this checks all my boxes.’ It’s an emotional, visceral feeling of safety and trust, basically.”\u003c/p>\n\u003cp>So, I’ve laid my search for love to rest. I’m looking for something else. A feeling: the warm bubbling of easy laughter, the comfort of being able to speak openly and stumble over my words without the pressure to be witty or inquisitive in moments where I just want to be silent. I’m looking for contentment, something slow and sure and which doesn’t need convincing. I’m seeking intimacy that doesn’t harbor ulterior motives.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I’m seeking a love that doesn’t need to be earned, because after this year, I’m finally understanding that it never really needed to be.\u003c/p>\n\n","blocks":[],"excerpt":"This year, I realized that love — slow and sure love — doesn't need convincing. ","status":"publish","parent":0,"modified":1705006111,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":842},"headData":{"title":"A Conversation With a Stranger About Love | KQED","description":"This year, I realized that love — slow and sure love — doesn't need convincing. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"A Conversation With a Stranger About Love","datePublished":"2022-12-01T00:00:52.000Z","dateModified":"2024-01-11T20:48:31.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"One Beautiful Thing from 2022","sourceUrl":"https://www.kqed.org/arts/tag/one-beautiful-thing","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13921914/a-conversation-with-a-stranger-about-love","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13922094\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/ConvoAboutLove.uncropped-800x533.jpg\" alt=\"A young woman, back to the camera, walks alone at night, illuminated by a lamp along a park path\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13922094\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/ConvoAboutLove.uncropped-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/ConvoAboutLove.uncropped-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/ConvoAboutLove.uncropped-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/ConvoAboutLove.uncropped-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/ConvoAboutLove.uncropped.jpg 1254w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">What does love’s fullness look and feel like? And how will I know that what I’m experiencing is the real thing? \u003ccite>(iStock)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>This week, as we near the end of 2022, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\">One Beautiful Thing\u003c/a> from the year. Here, recalling a late-night chat with a stranger on the internet, intern Kristie Song reflects on love’s possibility, and the forms its arrival may take.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>n April, I asked a stranger what it felt like to be in love.\u003c/p>\n\u003cp>As we sat in our dimly lit rooms miles away from each other, threaded together by a weak internet connection, Erik told me about the first time they had ever truly and profoundly felt in love.\u003c/p>\n\u003cp>“It’s just a feeling of fullness. A feeling of sunshine, of comfort, of warmth and safety that has never really left me since that relationship.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/Kristie.headshot.bio_.jpg\" alt=\"\" width=\"160\" height=\"182\" class=\"alignright size-full wp-image-13922096\">I had asked because I’d never experienced this kind of love myself. Like a child trying to make sense of outer space, or insects, I leaned in and prodded. \u003ci>Why? How? And then what? \u003c/i>What does this fullness look and feel like? And how do I know that what I’m experiencing is the real thing?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I’ve had hundreds of crushes over the years, but those brief minglings with affection and projected fantasies of love never lasted.\u003c/p>\n\u003cp>In my first year of college, I hopped from dorm to dorm, avoiding my own as much as possible. One evening, I was resting on my friend’s bed when one of her roommates walked in, huffed and plopped herself beside me. “I had a shit day,” she said. “Can we cuddle?”\u003c/p>\n\u003cp>I’d never held someone or been held in this way, but nodded and turned to my side. She wrapped an arm around my torso tightly, pressing herself into me. I don’t remember how long it lasted, but my new and normally rambunctious friend was silent the whole time, her pulse steady in the small of my back, her breath even in the crook of my neck. That moment, in the quiet of that room, where our tired bodies met — did that constitute fullness?\u003c/p>\n\u003cp>In the past, I projected love onto people who’d affirmed me in some way, who made me feel that my body and mind were of value. I yearned for a love that treasured what I loathed about myself, a voice to blanket the one inside my head that berated my every move, feature and action. (This is, perhaps, an impossible goal.)\u003c/p>\n\u003cp>Then, in late March, I went to the theater to watch Joachim Trier’s \u003cem>The Worst Person in the World\u003c/em>. In the film, a woman not much older than I stumbles into relationship and relationship, seeking a kind of romantic salve to quiet her turbulent mind. Afterward, I walked the winding road home and thought of the ways I, too, had tried to convince people to love and “fix” me. How I yielded to kisses shared on unfamiliar beds and offered myself up emotionally, opening my heart wider and wider to others, telling myself that this is how I can properly give and receive romantic intimacy. When these people would inevitably leave, I searched for others to fill the fissures left behind, repeating the cycle.\u003c/p>\n\u003cp>Still, this urgency envelops my brain. \u003ci>I need to experience it now or I never will!\u003c/i> I want to know what love feels like, but how do I know I’ve stumbled upon something right when all I’ve come across are its caricatures? It’s like peering at a silhouette: you can gaze at its shape, its apparition, but all you can do is trace its outlines over and over, hoping in vain that the image will make itself clear someday.\u003c/p>\n\u003cp>I told Erik about this, as we neared the end of our conversation.\u003c/p>\n\u003cp>“You’ll know when it happens. It’s a feeling, it’s not a thought,” they replied. “It’s not like, ‘Okay, this checks all my boxes.’ It’s an emotional, visceral feeling of safety and trust, basically.”\u003c/p>\n\u003cp>So, I’ve laid my search for love to rest. I’m looking for something else. A feeling: the warm bubbling of easy laughter, the comfort of being able to speak openly and stumble over my words without the pressure to be witty or inquisitive in moments where I just want to be silent. I’m looking for contentment, something slow and sure and which doesn’t need convincing. I’m seeking intimacy that doesn’t harbor ulterior motives.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I’m seeking a love that doesn’t need to be earned, because after this year, I’m finally understanding that it never really needed to be.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13921914/a-conversation-with-a-stranger-about-love","authors":["11813"],"categories":["arts_1"],"tags":["arts_10342","arts_3931","arts_19127","arts_2391"],"featImg":"arts_13922093","label":"source_arts_13921914"},"arts_13922115":{"type":"posts","id":"arts_13922115","meta":{"index":"posts_1591205157","site":"arts","id":"13922115","score":null,"sort":[1669834832000]},"guestAuthors":[],"slug":"warriors-championship-a-new-rookie-emerges","title":"In a Championship Season, Our Rookie Emerges","publishDate":1669834832,"format":"standard","headTitle":"In a Championship Season, Our Rookie Emerges | KQED","labelTerm":{},"content":"\u003cp>\u003cem>This week, as we near the end of 2022, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\" target=\"_blank\" rel=\"noopener noreferrer\">One Beautiful Thing\u003c/a> from the year. Here, still awash in excitement over the Warriors’ victory, writer Alan Chazaro has an important next-season draft pick to share.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">O\u003c/span>ut of a year’s worth of events, Thursday, June 16, might seem like an arbitrary date. But it’s a day that still lingers in my body — and one that will define the dimensions of joy and hope in my life moving forward.\u003c/p>\n\u003cp>It began like any great day for a true Baydestrian: with the Steph Curry-led Warriors playing against the Boston Celtics in Game Six of the 2022 NBA Finals. To understand the weight of this fact, you must first understand my life as a loyal, non-bandwagon member of Dub Nation, through decades of ridicule and shame when the team would regularly finish among the perennial losers of the league. Back when they played at Oracle Arena. Back when the Bay Area felt like a different home, and my teenage self had yet to discover what home really meant to me.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13922121\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/Alan.Chazaro.bio_.headshot.jpg\" alt=\"\" width=\"160\" height=\"181\">But this particular Thursday in June was different. The Warriors were gearing up to claim their fourth trophy during a dynastic run of championship glory. I had grown up, and so had the team. It was unexpected. It was unthinkable. Despite the doubting, shit-talking and excuse-making from sports media and haters that had dismissed the Warriors for years (or perhaps, because of it), this day felt particularly glorious for OG fans like myself.\u003c/p>\n\u003cp>And still, the game wasn’t even my primary focus. For months, my wife and I had been planning our own little dynasty. After nearly 15 years together — having met in a Chicano Studies class at UC Berkeley as undergrads — we had decided to add a new team member to our squad, and were in the process of trying for our first child.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I couldn’t have asked for a better scenario on that Thursday morning. Briana called me into the room to share the news: a positive pregnancy test laid on top of a Warriors onesie. Our child had decided to announce himself that day, as the Warriors were on the verge of hoops history. I’m not usually one to shed tears — when my grandmother recently passed, after I’d visited her in Mexico, I smiled, knowing she found peace — but this was different. I did cry. Because this wasn’t an ending. This was the beginning of a beautiful thing: Maceo Agosto Chazaro. And the Warriors. Well, they have been a part of my life since grade school.\u003c/p>\n\u003cp>The Dubs ended up winning it all. My wife and I took BART to San Francisco to be at Chase Center with the fans, just a few hours after we’d learned our baby was growing inside her belly. Though the actual game was happening in Boston, we gathered in front of the Warriors’ arena as the last shot splashed and the celebratory drinks poured (my wife, of course, abstaining). The day felt bigger than basketball. It still does.\u003c/p>\n\u003cfigure id=\"attachment_13922123\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13922123\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/Kids.Warriors.Chase_-800x521.jpg\" alt=\"Two small children in Warriors gear laugh with their mother nearby in a crowd of sports fans\" width=\"800\" height=\"521\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Kids.Warriors.Chase_-800x521.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Kids.Warriors.Chase_-1020x664.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Kids.Warriors.Chase_-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Kids.Warriors.Chase_-768x500.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Kids.Warriors.Chase_-1536x999.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Kids.Warriors.Chase_.jpg 1832w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kids play outside Chase Center on June 13, 2022, as the Golden State Warriors win the NBA Finals. \u003ccite>(Alan Chazaro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Looking back on it, I recall what it is that’s always drawn me to the sport — especially as a Mexican American who grew up in an all-male home with my father and older brother. Basketball taught me about myself and what it takes to overcome, even when the odds seem insurmountable. It was never just about scoring on a fast-break dunk or making flashy dribbles. It was about chemistry; about communication; about the synergy of watching humans working in synchronized perfection to reach a collective objective; about rebuilding and trying again. At its best, a sports team can represent an entire region’s pride and identity, like a family’s last name.\u003c/p>\n\u003cp>When I think of baby Chazaro entering the world, I wonder how he’ll fit into the rhythm and structure of our unit. How we’ll have to adapt, and apply everything we know in order to coach him up. How our fun-sized rookie will develop his own skills and talents as we provide a healthy environment for him to thrive into his full potential.\u003c/p>\n\u003cp>There will be turnovers. There will be miscommunications. There will be losses. Hella losses — particularly a loss of sleep, as I’ve been told by other parents. But I doubt that will really matter when those moments of joy, growth and achievement are finally reached.\u003c/p>\n\u003cp>I won’t ever know exactly what those players felt in that locker room on the night they banded together to win it all. But I’ll always remember the feeling of euphoria and limitless possibility that coursed through me on that June day, when Briana and I realized we’d taken the biggest shot of our lives. As a team.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"June 13 was a big day for the Warriors — and an even bigger day for the Chazaro family.","status":"publish","parent":0,"modified":1705006116,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":864},"headData":{"title":"In a Championship Season, Our Rookie Emerges | KQED","description":"June 13 was a big day for the Warriors — and an even bigger day for the Chazaro family.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"In a Championship Season, Our Rookie Emerges","datePublished":"2022-11-30T19:00:32.000Z","dateModified":"2024-01-11T20:48:36.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"One Beautiful Thing From 2022","sourceUrl":" https://www.kqed.org/arts/tag/one-beautiful-thing","sticky":false,"WpOldSlug":"in-a-championship-season-our-rookie-emerges","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13922115/warriors-championship-a-new-rookie-emerges","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This week, as we near the end of 2022, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\" target=\"_blank\" rel=\"noopener noreferrer\">One Beautiful Thing\u003c/a> from the year. Here, still awash in excitement over the Warriors’ victory, writer Alan Chazaro has an important next-season draft pick to share.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">O\u003c/span>ut of a year’s worth of events, Thursday, June 16, might seem like an arbitrary date. But it’s a day that still lingers in my body — and one that will define the dimensions of joy and hope in my life moving forward.\u003c/p>\n\u003cp>It began like any great day for a true Baydestrian: with the Steph Curry-led Warriors playing against the Boston Celtics in Game Six of the 2022 NBA Finals. To understand the weight of this fact, you must first understand my life as a loyal, non-bandwagon member of Dub Nation, through decades of ridicule and shame when the team would regularly finish among the perennial losers of the league. Back when they played at Oracle Arena. Back when the Bay Area felt like a different home, and my teenage self had yet to discover what home really meant to me.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13922121\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/Alan.Chazaro.bio_.headshot.jpg\" alt=\"\" width=\"160\" height=\"181\">But this particular Thursday in June was different. The Warriors were gearing up to claim their fourth trophy during a dynastic run of championship glory. I had grown up, and so had the team. It was unexpected. It was unthinkable. Despite the doubting, shit-talking and excuse-making from sports media and haters that had dismissed the Warriors for years (or perhaps, because of it), this day felt particularly glorious for OG fans like myself.\u003c/p>\n\u003cp>And still, the game wasn’t even my primary focus. For months, my wife and I had been planning our own little dynasty. After nearly 15 years together — having met in a Chicano Studies class at UC Berkeley as undergrads — we had decided to add a new team member to our squad, and were in the process of trying for our first child.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I couldn’t have asked for a better scenario on that Thursday morning. Briana called me into the room to share the news: a positive pregnancy test laid on top of a Warriors onesie. Our child had decided to announce himself that day, as the Warriors were on the verge of hoops history. I’m not usually one to shed tears — when my grandmother recently passed, after I’d visited her in Mexico, I smiled, knowing she found peace — but this was different. I did cry. Because this wasn’t an ending. This was the beginning of a beautiful thing: Maceo Agosto Chazaro. And the Warriors. Well, they have been a part of my life since grade school.\u003c/p>\n\u003cp>The Dubs ended up winning it all. My wife and I took BART to San Francisco to be at Chase Center with the fans, just a few hours after we’d learned our baby was growing inside her belly. Though the actual game was happening in Boston, we gathered in front of the Warriors’ arena as the last shot splashed and the celebratory drinks poured (my wife, of course, abstaining). The day felt bigger than basketball. It still does.\u003c/p>\n\u003cfigure id=\"attachment_13922123\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13922123\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/Kids.Warriors.Chase_-800x521.jpg\" alt=\"Two small children in Warriors gear laugh with their mother nearby in a crowd of sports fans\" width=\"800\" height=\"521\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Kids.Warriors.Chase_-800x521.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Kids.Warriors.Chase_-1020x664.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Kids.Warriors.Chase_-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Kids.Warriors.Chase_-768x500.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Kids.Warriors.Chase_-1536x999.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Kids.Warriors.Chase_.jpg 1832w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kids play outside Chase Center on June 13, 2022, as the Golden State Warriors win the NBA Finals. \u003ccite>(Alan Chazaro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Looking back on it, I recall what it is that’s always drawn me to the sport — especially as a Mexican American who grew up in an all-male home with my father and older brother. Basketball taught me about myself and what it takes to overcome, even when the odds seem insurmountable. It was never just about scoring on a fast-break dunk or making flashy dribbles. It was about chemistry; about communication; about the synergy of watching humans working in synchronized perfection to reach a collective objective; about rebuilding and trying again. At its best, a sports team can represent an entire region’s pride and identity, like a family’s last name.\u003c/p>\n\u003cp>When I think of baby Chazaro entering the world, I wonder how he’ll fit into the rhythm and structure of our unit. How we’ll have to adapt, and apply everything we know in order to coach him up. How our fun-sized rookie will develop his own skills and talents as we provide a healthy environment for him to thrive into his full potential.\u003c/p>\n\u003cp>There will be turnovers. There will be miscommunications. There will be losses. Hella losses — particularly a loss of sleep, as I’ve been told by other parents. But I doubt that will really matter when those moments of joy, growth and achievement are finally reached.\u003c/p>\n\u003cp>I won’t ever know exactly what those players felt in that locker room on the night they banded together to win it all. But I’ll always remember the feeling of euphoria and limitless possibility that coursed through me on that June day, when Briana and I realized we’d taken the biggest shot of our lives. As a team.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13922115/warriors-championship-a-new-rookie-emerges","authors":["11748"],"categories":["arts_1","arts_2303"],"tags":["arts_5786","arts_6926","arts_2767","arts_10342","arts_10278","arts_19127","arts_6285","arts_3298"],"featImg":"arts_13922118","label":"source_arts_13922115"},"arts_13922047":{"type":"posts","id":"arts_13922047","meta":{"index":"posts_1591205157","site":"arts","id":"13922047","score":null,"sort":[1669754672000]},"guestAuthors":[],"slug":"russia-ukraine-war-porfiriy-ivanov-ice-water","title":"How a Ukrainian Mystic’s Ice-Water Cure Helped Me Cope With the Chaos of 2022","publishDate":1669754672,"format":"standard","headTitle":"How a Ukrainian Mystic’s Ice-Water Cure Helped Me Cope With the Chaos of 2022 | KQED","labelTerm":{},"content":"\u003cp>\u003cem>This week, as we near the end of 2022, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\">One Beautiful Thing\u003c/a> from the year. Here, during a year of violence and tumult in her home country, editor Nastia Voynovskaya finds herself reconnecting with old ways to help reckon with the increasingly precarious present.\u003c/em>\u003c/p>\n\u003cp>[dropcap]W[/dropcap]hen Russia invaded Ukraine in February, visceral panic spread through my immigrant community as we watched bombings and evacuations playing out live on social media. Some of my friends had relatives fleeing the attacks, and they waited for WhatsApp updates with worry and fear.\u003c/p>\n\u003cp>Many \u003ca href=\"https://www.kqed.org/arts/13909903/for-many-former-soviet-immigrants-russias-war-on-ukraine-is-horrific\" target=\"_blank\" rel=\"noopener noreferrer\">Russians and Ukrainians are literally kin\u003c/a>, as we are in my blended family, and the war began to tear us apart. Clashing views led to schisms in relationships. Russians like me who didn’t support the invasion were forced to reexamine the foundations of our identity.\u003c/p>\n\u003cp>My reexamination came about in a somewhat unexpected way — yet maybe one that was predestined.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13922061\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/Nastia.bio_.thumbnail.jpg\" alt=\"\" width=\"160\" height=\"184\">Assimilation comes with a sense of loss. Immigrants acquire a new accent, and new habits, and grow alienated from our old ways of life. I’ve held on, trying to find a bicultural identity in the aisles of Russian markets, in music and in books. But I’ve had to make a concerted effort to stay in touch with my culture as I get older and more American. After the war started, questions began to run through my mind. \u003cem>Was it actually worth the struggle to prove I belong to something that seems so hateful? Wouldn’t erasing my identity because of shame become its own form of pain?\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I was grieving on multiple levels. My grandfather, my last grandparent, passed away in St. Petersburg a week before the invasion. As economic sanctions, flight cancellations and mass arrests of anti-war protesters \u003ca href=\"https://www.kqed.org/arts/13910742/jc-smith-jackie-gage-san-jose-musicians-russia-war-ukraine\" target=\"_blank\" rel=\"noopener noreferrer\">sparked chaos in Russia\u003c/a>, it began to sink in that I had no idea when I might be able to safely return to my hometown.\u003c/p>\n\u003cp>My Russian group chat lit up with \u003ca href=\"https://novaukraine.org/en/homepage/\" target=\"_blank\" rel=\"noopener noreferrer\">relief\u003c/a> \u003ca href=\"https://upogau.org/\" target=\"_blank\" rel=\"noopener noreferrer\">fundraisers\u003c/a> and updates, and even as I tried to find productive ways to help, my anxiety showed no signs of letting up. I knew I needed to get grounded, to get back into my body.\u003c/p>\n\u003cp>In March, I was invited to a wedding in snowy Utah, where my outdoorsy friends incorporated skiing into their nuptials. I had only skied a handful of times in my life, so I was unaccustomed to how the cold air numbed my chin, and how snow felt going down my ski pants when I fell. But as I descended the slopes at speeds way beyond my comfort zone, I had no choice but to be present. Gripping my ski poles in simultaneous awe and terror, I flew past green pines glistening with puffs of powdery snow, and watched snowflakes swirl as wind and fog drifted in over a mountain ridge in the distance. After a few hours, my jaw unclenched and my brows unfurrowed. And as I defrosted in the shower, I realized that the cold air had filled me with an aliveness that I hadn’t felt in months.\u003c/p>\n\u003cp>I had to do it again.\u003c/p>\n\u003cp>The snow trip unlocked a deep memory, and I remembered that cold temperatures were my people’s ally. When I was a kid in St. Petersburg, my mom, like many Russian mothers, poured buckets of cold water on me and my sister after baths. It was part of a cultural belief that controlled exposure to cold temperatures would boost your immunity and make you more resilient \u003cspan style=\"font-weight: 400\">—\u003c/span> the same reason people take their children swimming in the \u003ca href=\"https://www.ruptly.tv/en/videos/20170129-037-Russia-Mothers-and-children-plunge-into-near-frozen-Lake-Baikal-\" target=\"_blank\" rel=\"noopener noreferrer\">frozen waters of Siberia’s Lake Baikal\u003c/a>. In Russian it’s called “zakalivaniye organizma,” or hardening of the body. And it was preached as an integral part of a healthy lifestyle by a controversial Ukrainian-Russian mystic with a Zeus-like beard, whose teachings helped me understand my experience on the slopes.\u003c/p>\n\u003cp>[dropcap]P[/dropcap]orfiriy Ivanov was \u003ca href=\"https://www.rbth.com/history/333017-porfiriy-ivanov-russian-yogi-or-fraud\" target=\"_blank\" rel=\"noopener noreferrer\">an eccentric character born in 1898 in the Luhansk Region of Ukraine\u003c/a>, which was then part of the Russian Empire and is currently on contested land. An ice-water evangelist, he claimed to have cured himself of cancer by \u003ca href=\"http://kaznovsky.chat.ru/ogonyek.htm\" target=\"_blank\" rel=\"noopener noreferrer\">dousing himself in cold water\u003c/a> and walking in the snow barefoot. Throughout his long life, he wore shorts in freezing temperatures. His nonconformist attitude and allusions to supernatural powers were so controversial that he was tortured by Nazis during World War II. Later, he was twice sentenced to a brutal Soviet mental institution. After he died in 1983, the Russian Orthodox church labeled him a heretic.\u003c/p>\n\u003cp>My mom had been one of Ivanov’s followers in the early ’90s. I had always regarded this as a quirky fact of our lives in the old country, but my recent exposure to the cold made me wonder if this strange healer’s methods might have a place in my life.\u003c/p>\n\u003cp>Blasting myself with cold water at the end of a shower became a hack for treating anxiety. The sheer physical shock forced me to breathe deeply and enter a Zen state that I rarely had the patience to achieve through meditation. When I took turns roasting myself in the sauna and jumping into the freezing cold plunge at San Francisco’s Russian bathhouse, Archimedes Banya, the extreme temperatures banished my intrusive thoughts like a lobotomy.\u003c/p>\n\u003cp>Could this be the cure for my chronic affliction of overthinking? Newly emboldened by my cold water tolerance, and thanks to the encouragement of a surfer friend, I recently immersed myself in the chilly waters of the Pacific Ocean — in November. The waves thrashed me around as I attempted to get up on a board, and even though I only made it to my knees, I felt proud. Once again, the cold temperature put me in an altered state where sensory experiences felt more real: My eyes widened, and I was conscious of my heartbeat. Amid the intensity, I felt a calm that’s hard to come by on an average day of consuming news on social media.\u003c/p>\n\u003cfigure id=\"attachment_13922052\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13922052\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/IMG_6631-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/IMG_6631-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/IMG_6631-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/IMG_6631-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/IMG_6631-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/IMG_6631-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/IMG_6631-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/IMG_6631-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nastia Voynovskaya attempts to surf in Pacifica. \u003ccite>(Joi Ward)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Maybe Porfiriy Ivanov had a point: Cold water makes you more resilient. I had started 2022 feeling spiritually weakened. After two years of the pandemic, and then a war, I felt lost and hopeless. Every now and again, I remembered the memes about 2016 being the worst year ever. Then 2017, and 2018, and so on. After 2020, many of us began to accept that life is simply full of turmoil.\u003c/p>\n\u003cp>Not to leave you with the bleak ending of a Russian novel, but isn’t there power in knowing the difficult truth? I’m a realist, but I’m an optimist too: Accepting things as they are doesn’t have to mean resignation, so long as you have a constructive way to cope.\u003c/p>\n\u003cp>Otherwise, reality can hit you like an icy bucket of water.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"Faced with the uncertainty of the pandemic and a war, I rediscovered a way to ground myself. ","status":"publish","parent":0,"modified":1705006120,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":1185},"headData":{"title":"How a Ukrainian Mystic’s Ice-Water Cure Helped Me Cope With the Chaos of 2022 | KQED","description":"Faced with the uncertainty of the pandemic and a war, I rediscovered a way to ground myself. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How a Ukrainian Mystic’s Ice-Water Cure Helped Me Cope With the Chaos of 2022","datePublished":"2022-11-29T20:44:32.000Z","dateModified":"2024-01-11T20:48:40.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"One Beautiful Thing From 2022","sourceUrl":"https://www.kqed.org/arts/tag/one-beautiful-thing","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13922047/russia-ukraine-war-porfiriy-ivanov-ice-water","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This week, as we near the end of 2022, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://www.kqed.org/arts/tag/one-beautiful-thing\">One Beautiful Thing\u003c/a> from the year. Here, during a year of violence and tumult in her home country, editor Nastia Voynovskaya finds herself reconnecting with old ways to help reckon with the increasingly precarious present.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">W\u003c/span>\u003c/p>\u003cp>hen Russia invaded Ukraine in February, visceral panic spread through my immigrant community as we watched bombings and evacuations playing out live on social media. Some of my friends had relatives fleeing the attacks, and they waited for WhatsApp updates with worry and fear.\u003c/p>\n\u003cp>Many \u003ca href=\"https://www.kqed.org/arts/13909903/for-many-former-soviet-immigrants-russias-war-on-ukraine-is-horrific\" target=\"_blank\" rel=\"noopener noreferrer\">Russians and Ukrainians are literally kin\u003c/a>, as we are in my blended family, and the war began to tear us apart. Clashing views led to schisms in relationships. Russians like me who didn’t support the invasion were forced to reexamine the foundations of our identity.\u003c/p>\n\u003cp>My reexamination came about in a somewhat unexpected way — yet maybe one that was predestined.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13922061\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/Nastia.bio_.thumbnail.jpg\" alt=\"\" width=\"160\" height=\"184\">Assimilation comes with a sense of loss. Immigrants acquire a new accent, and new habits, and grow alienated from our old ways of life. I’ve held on, trying to find a bicultural identity in the aisles of Russian markets, in music and in books. But I’ve had to make a concerted effort to stay in touch with my culture as I get older and more American. After the war started, questions began to run through my mind. \u003cem>Was it actually worth the struggle to prove I belong to something that seems so hateful? Wouldn’t erasing my identity because of shame become its own form of pain?\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I was grieving on multiple levels. My grandfather, my last grandparent, passed away in St. Petersburg a week before the invasion. As economic sanctions, flight cancellations and mass arrests of anti-war protesters \u003ca href=\"https://www.kqed.org/arts/13910742/jc-smith-jackie-gage-san-jose-musicians-russia-war-ukraine\" target=\"_blank\" rel=\"noopener noreferrer\">sparked chaos in Russia\u003c/a>, it began to sink in that I had no idea when I might be able to safely return to my hometown.\u003c/p>\n\u003cp>My Russian group chat lit up with \u003ca href=\"https://novaukraine.org/en/homepage/\" target=\"_blank\" rel=\"noopener noreferrer\">relief\u003c/a> \u003ca href=\"https://upogau.org/\" target=\"_blank\" rel=\"noopener noreferrer\">fundraisers\u003c/a> and updates, and even as I tried to find productive ways to help, my anxiety showed no signs of letting up. I knew I needed to get grounded, to get back into my body.\u003c/p>\n\u003cp>In March, I was invited to a wedding in snowy Utah, where my outdoorsy friends incorporated skiing into their nuptials. I had only skied a handful of times in my life, so I was unaccustomed to how the cold air numbed my chin, and how snow felt going down my ski pants when I fell. But as I descended the slopes at speeds way beyond my comfort zone, I had no choice but to be present. Gripping my ski poles in simultaneous awe and terror, I flew past green pines glistening with puffs of powdery snow, and watched snowflakes swirl as wind and fog drifted in over a mountain ridge in the distance. After a few hours, my jaw unclenched and my brows unfurrowed. And as I defrosted in the shower, I realized that the cold air had filled me with an aliveness that I hadn’t felt in months.\u003c/p>\n\u003cp>I had to do it again.\u003c/p>\n\u003cp>The snow trip unlocked a deep memory, and I remembered that cold temperatures were my people’s ally. When I was a kid in St. Petersburg, my mom, like many Russian mothers, poured buckets of cold water on me and my sister after baths. It was part of a cultural belief that controlled exposure to cold temperatures would boost your immunity and make you more resilient \u003cspan style=\"font-weight: 400\">—\u003c/span> the same reason people take their children swimming in the \u003ca href=\"https://www.ruptly.tv/en/videos/20170129-037-Russia-Mothers-and-children-plunge-into-near-frozen-Lake-Baikal-\" target=\"_blank\" rel=\"noopener noreferrer\">frozen waters of Siberia’s Lake Baikal\u003c/a>. In Russian it’s called “zakalivaniye organizma,” or hardening of the body. And it was preached as an integral part of a healthy lifestyle by a controversial Ukrainian-Russian mystic with a Zeus-like beard, whose teachings helped me understand my experience on the slopes.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">P\u003c/span>\u003c/p>\u003cp>orfiriy Ivanov was \u003ca href=\"https://www.rbth.com/history/333017-porfiriy-ivanov-russian-yogi-or-fraud\" target=\"_blank\" rel=\"noopener noreferrer\">an eccentric character born in 1898 in the Luhansk Region of Ukraine\u003c/a>, which was then part of the Russian Empire and is currently on contested land. An ice-water evangelist, he claimed to have cured himself of cancer by \u003ca href=\"http://kaznovsky.chat.ru/ogonyek.htm\" target=\"_blank\" rel=\"noopener noreferrer\">dousing himself in cold water\u003c/a> and walking in the snow barefoot. Throughout his long life, he wore shorts in freezing temperatures. His nonconformist attitude and allusions to supernatural powers were so controversial that he was tortured by Nazis during World War II. Later, he was twice sentenced to a brutal Soviet mental institution. After he died in 1983, the Russian Orthodox church labeled him a heretic.\u003c/p>\n\u003cp>My mom had been one of Ivanov’s followers in the early ’90s. I had always regarded this as a quirky fact of our lives in the old country, but my recent exposure to the cold made me wonder if this strange healer’s methods might have a place in my life.\u003c/p>\n\u003cp>Blasting myself with cold water at the end of a shower became a hack for treating anxiety. The sheer physical shock forced me to breathe deeply and enter a Zen state that I rarely had the patience to achieve through meditation. When I took turns roasting myself in the sauna and jumping into the freezing cold plunge at San Francisco’s Russian bathhouse, Archimedes Banya, the extreme temperatures banished my intrusive thoughts like a lobotomy.\u003c/p>\n\u003cp>Could this be the cure for my chronic affliction of overthinking? Newly emboldened by my cold water tolerance, and thanks to the encouragement of a surfer friend, I recently immersed myself in the chilly waters of the Pacific Ocean — in November. The waves thrashed me around as I attempted to get up on a board, and even though I only made it to my knees, I felt proud. Once again, the cold temperature put me in an altered state where sensory experiences felt more real: My eyes widened, and I was conscious of my heartbeat. Amid the intensity, I felt a calm that’s hard to come by on an average day of consuming news on social media.\u003c/p>\n\u003cfigure id=\"attachment_13922052\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13922052\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/IMG_6631-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/IMG_6631-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/IMG_6631-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/IMG_6631-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/IMG_6631-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/IMG_6631-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/IMG_6631-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/IMG_6631-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nastia Voynovskaya attempts to surf in Pacifica. \u003ccite>(Joi Ward)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Maybe Porfiriy Ivanov had a point: Cold water makes you more resilient. I had started 2022 feeling spiritually weakened. After two years of the pandemic, and then a war, I felt lost and hopeless. Every now and again, I remembered the memes about 2016 being the worst year ever. Then 2017, and 2018, and so on. After 2020, many of us began to accept that life is simply full of turmoil.\u003c/p>\n\u003cp>Not to leave you with the bleak ending of a Russian novel, but isn’t there power in knowing the difficult truth? I’m a realist, but I’m an optimist too: Accepting things as they are doesn’t have to mean resignation, so long as you have a constructive way to cope.\u003c/p>\n\u003cp>Otherwise, reality can hit you like an icy bucket of water.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13922047/russia-ukraine-war-porfiriy-ivanov-ice-water","authors":["11387"],"categories":["arts_1","arts_2303"],"tags":["arts_2767","arts_10342","arts_10278","arts_9988","arts_1773","arts_19127","arts_16761"],"featImg":"arts_13922049","label":"source_arts_13922047"},"arts_13921900":{"type":"posts","id":"arts_13921900","meta":{"index":"posts_1591205157","site":"arts","id":"13921900","score":null,"sort":[1669669992000]},"guestAuthors":[],"slug":"best-of-2022-beastie-boys-santa-cruz","title":"Gen Z Kids Still Wanna Fight [dun-dun] for Their Right [da-dun] to Paaaaaaartayyy","publishDate":1669669992,"format":"standard","headTitle":"Gen Z Kids Still Wanna Fight [dun-dun] for Their Right [da-dun] to Paaaaaaartayyy | KQED","labelTerm":{},"content":"\u003cp>\u003cem>This week, as we near the end of 2022, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://ww2.kqed.org/arts/tag/one-beautiful-thing\" target=\"_blank\" rel=\"noopener noreferrer\">One Beautiful Thing\u003c/a> from the year. Here, among a year that saw our tactile relationship to music further deteriorating, writer Rae Alexandra finds joy in a chance encounter affirming that certain icons haven’t been forgotten.\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13882786\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final-160x176.jpg\" alt=\"\" width=\"160\" height=\"176\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final-160x176.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>n August, I was strolling the packed Santa Cruz Beach Boardwalk with a friend when a trio of teens suddenly caught my eye. Casually walking in the opposite direction, the boys, complete strangers to me, were instantly recognizable.\u003c/p>\n\u003cp>One kid wore a red baseball cap and red shirt with the word “Stuyvesant” on it. The second had scruffy black hair and (despite the very hot weather) sported a black leather jacket over a white T-shirt. The third kid had on blue double denim paired with a FILA logo shirt, a baseball cap, and a VW chain hanging around his neck. The words leapt out of my mouth before I’d had a chance to even think about them. “It’s the Beastie Boys!” I yelled across the boardwalk.\u003c/p>\n\u003cp>All three boys heard me and immediately erupted into the kind of undiluted glee that only comes when someone finally recognizes your brilliance for the first time. Once they’d calmed down a bit, I asked if I could take their photo for posterity. The trio happily obliged, then went on their way, excitedly chatting about what had just happened.\u003c/p>\n\u003cfigure id=\"attachment_13921908\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13921908\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/Screen-Shot-2022-11-22-at-4.54.26-PM-800x847.png\" alt=\"Three teenage boys huddle together, smiling broadly, while dressed like the Beastie Boys.\" width=\"800\" height=\"847\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Screen-Shot-2022-11-22-at-4.54.26-PM-800x847.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Screen-Shot-2022-11-22-at-4.54.26-PM-1020x1079.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Screen-Shot-2022-11-22-at-4.54.26-PM-160x169.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Screen-Shot-2022-11-22-at-4.54.26-PM-768x813.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Screen-Shot-2022-11-22-at-4.54.26-PM.png 1066w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The super-rad teens who walked around Santa Cruz Beach Boardwalk dressed like 1986 Beastie Boys for no reason. \u003ccite>(Rae Alexandra)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I didn’t ask these goofy, incredibly cool kids their names. I didn’t ask them any questions. We simply shared a moment of mutual respect. I respected them for their musical knowledge and attention to detail; they respected that I recognized their point of reference. I suspect our brief exchange was far more important to me, however, than it was to them.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I was 8 years old when the music video for “\u003ca href=\"https://www.youtube.com/watch?v=eBShN8qT4lk\" target=\"_blank\" rel=\"noopener noreferrer\">(You Gotta) Fight For Your Right (To Party)\u003c/a>” — the source of the Santa Cruz teenagers’ outfits — was released. The Beastie Boys went on to soundtrack most of my formative years. I spent the mid-’90s cultivating a wardrobe almost entirely based on the band’s “\u003ca href=\"https://www.youtube.com/watch?v=ru3gH27Fn6E\" target=\"_blank\" rel=\"noopener noreferrer\">So What’cha Want\u003c/a>” video. In 1996, when Kathleen Hanna from Bikini Kill starting dating the Beasties’ Ad Rock, it absolved me of the feminist guilt that had plagued me for still appreciating their earliest records. In college, I noticed that the Beastie Boys were the great leveler — the one thing the punk rock kids, the hip-hop kids, the skater kids and the stoner kids could all agree on.\u003c/p>\n\u003cp>Back then, truly loving a band was hard work. You had to own physical copies of their records (including imports) in order to listen to them. Sometimes you had to order these from the record store, or a mail-order catalog, and sometimes that took over a month. You had to keep a blank tape in the VCR at all times if you wanted to watch your favorite videos on demand later. In the pre-internet age, I remember that coming by Beastie Boys merch — let alone a copy of \u003cem>Grand Royal\u003c/em>, the band’s own fanzine — required patience, persistence and a fair amount of postage. But there was joy in the hunt, and unbelievable satisfaction in finally getting your hands on what you’d wanted.\u003c/p>\n\u003cp>Truthfully, I’ve spent years now feeling bad for Gen Z and their relationship with music. When you have every song in the history of the world in your pocket, the joy of discovery is reduced. The tactile joys of the record store are absent. The price of concert tickets is now astronomically high in part because physical album sales figures are so low — which results in bands being way less physically accessible. Worst of all, with streaming services’ \u003ca href=\"https://www.theverge.com/2021/11/10/22774897/spotify-connect-autoplay-default-speaker-music-streaming\" target=\"_blank\" rel=\"noopener noreferrer\">insistence on autoplay\u003c/a>, songs are often listened to by algorithm, and not by complete album as the artist originally intended. When the hunt is gone, I’ve long worried, the rewards are fleeting.\u003c/p>\n\u003cp>So the teenaged Beastie Boys of Santa Cruz carried some important lessons for 44-year-old me. They taught me that, despite having all the musical options in the world, Gen Z kids still know a Really Great Anthem when they hear it. They let me know that young energy once spent on hunting for music and merch hasn’t disappeared; it’s merely transformed into new forms of dedication. (Like, I don’t know, spending Monday afternoon dressed up like a band most of your friends haven’t even heard of.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>My boardwalk Beasties encounter also taught me that the Beastie Boys are \u003cem>still\u003c/em> a great leveler — and that the spirit of teen rebellion transcends generational barriers. More than anything, these teens let me know that, while they may not do music fandom exactly how we did it, the Gen Z kids are just fine.\u003c/p>\n\n","blocks":[],"excerpt":"How a chance encounter with teenaged Beastie Boys impersonators restored my faith in modern music fandom.","status":"publish","parent":0,"modified":1705006124,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":876},"headData":{"title":"Gen Z Kids Still Wanna Fight [dun-dun] for Their Right [da-dun] to Paaaaaaartayyy | KQED","description":"How a chance encounter with teenaged Beastie Boys impersonators restored my faith in modern music fandom.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Gen Z Kids Still Wanna Fight [dun-dun] for Their Right [da-dun] to Paaaaaaartayyy","datePublished":"2022-11-28T21:13:12.000Z","dateModified":"2024-01-11T20:48:44.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"One Beautiful Thing From 2022","sourceUrl":"https://ww2.kqed.org/arts/tag/one-beautiful-thing","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13921900/best-of-2022-beastie-boys-santa-cruz","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This week, as we near the end of 2022, the writers and editors of KQED Arts & Culture are reflecting on \u003ca href=\"https://ww2.kqed.org/arts/tag/one-beautiful-thing\" target=\"_blank\" rel=\"noopener noreferrer\">One Beautiful Thing\u003c/a> from the year. Here, among a year that saw our tactile relationship to music further deteriorating, writer Rae Alexandra finds joy in a chance encounter affirming that certain icons haven’t been forgotten.\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13882786\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final-160x176.jpg\" alt=\"\" width=\"160\" height=\"176\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final-160x176.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>n August, I was strolling the packed Santa Cruz Beach Boardwalk with a friend when a trio of teens suddenly caught my eye. Casually walking in the opposite direction, the boys, complete strangers to me, were instantly recognizable.\u003c/p>\n\u003cp>One kid wore a red baseball cap and red shirt with the word “Stuyvesant” on it. The second had scruffy black hair and (despite the very hot weather) sported a black leather jacket over a white T-shirt. The third kid had on blue double denim paired with a FILA logo shirt, a baseball cap, and a VW chain hanging around his neck. The words leapt out of my mouth before I’d had a chance to even think about them. “It’s the Beastie Boys!” I yelled across the boardwalk.\u003c/p>\n\u003cp>All three boys heard me and immediately erupted into the kind of undiluted glee that only comes when someone finally recognizes your brilliance for the first time. Once they’d calmed down a bit, I asked if I could take their photo for posterity. The trio happily obliged, then went on their way, excitedly chatting about what had just happened.\u003c/p>\n\u003cfigure id=\"attachment_13921908\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13921908\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/11/Screen-Shot-2022-11-22-at-4.54.26-PM-800x847.png\" alt=\"Three teenage boys huddle together, smiling broadly, while dressed like the Beastie Boys.\" width=\"800\" height=\"847\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Screen-Shot-2022-11-22-at-4.54.26-PM-800x847.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Screen-Shot-2022-11-22-at-4.54.26-PM-1020x1079.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Screen-Shot-2022-11-22-at-4.54.26-PM-160x169.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Screen-Shot-2022-11-22-at-4.54.26-PM-768x813.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/11/Screen-Shot-2022-11-22-at-4.54.26-PM.png 1066w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The super-rad teens who walked around Santa Cruz Beach Boardwalk dressed like 1986 Beastie Boys for no reason. \u003ccite>(Rae Alexandra)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I didn’t ask these goofy, incredibly cool kids their names. I didn’t ask them any questions. We simply shared a moment of mutual respect. I respected them for their musical knowledge and attention to detail; they respected that I recognized their point of reference. I suspect our brief exchange was far more important to me, however, than it was to them.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I was 8 years old when the music video for “\u003ca href=\"https://www.youtube.com/watch?v=eBShN8qT4lk\" target=\"_blank\" rel=\"noopener noreferrer\">(You Gotta) Fight For Your Right (To Party)\u003c/a>” — the source of the Santa Cruz teenagers’ outfits — was released. The Beastie Boys went on to soundtrack most of my formative years. I spent the mid-’90s cultivating a wardrobe almost entirely based on the band’s “\u003ca href=\"https://www.youtube.com/watch?v=ru3gH27Fn6E\" target=\"_blank\" rel=\"noopener noreferrer\">So What’cha Want\u003c/a>” video. In 1996, when Kathleen Hanna from Bikini Kill starting dating the Beasties’ Ad Rock, it absolved me of the feminist guilt that had plagued me for still appreciating their earliest records. In college, I noticed that the Beastie Boys were the great leveler — the one thing the punk rock kids, the hip-hop kids, the skater kids and the stoner kids could all agree on.\u003c/p>\n\u003cp>Back then, truly loving a band was hard work. You had to own physical copies of their records (including imports) in order to listen to them. Sometimes you had to order these from the record store, or a mail-order catalog, and sometimes that took over a month. You had to keep a blank tape in the VCR at all times if you wanted to watch your favorite videos on demand later. In the pre-internet age, I remember that coming by Beastie Boys merch — let alone a copy of \u003cem>Grand Royal\u003c/em>, the band’s own fanzine — required patience, persistence and a fair amount of postage. But there was joy in the hunt, and unbelievable satisfaction in finally getting your hands on what you’d wanted.\u003c/p>\n\u003cp>Truthfully, I’ve spent years now feeling bad for Gen Z and their relationship with music. When you have every song in the history of the world in your pocket, the joy of discovery is reduced. The tactile joys of the record store are absent. The price of concert tickets is now astronomically high in part because physical album sales figures are so low — which results in bands being way less physically accessible. Worst of all, with streaming services’ \u003ca href=\"https://www.theverge.com/2021/11/10/22774897/spotify-connect-autoplay-default-speaker-music-streaming\" target=\"_blank\" rel=\"noopener noreferrer\">insistence on autoplay\u003c/a>, songs are often listened to by algorithm, and not by complete album as the artist originally intended. When the hunt is gone, I’ve long worried, the rewards are fleeting.\u003c/p>\n\u003cp>So the teenaged Beastie Boys of Santa Cruz carried some important lessons for 44-year-old me. They taught me that, despite having all the musical options in the world, Gen Z kids still know a Really Great Anthem when they hear it. They let me know that young energy once spent on hunting for music and merch hasn’t disappeared; it’s merely transformed into new forms of dedication. (Like, I don’t know, spending Monday afternoon dressed up like a band most of your friends haven’t even heard of.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>My boardwalk Beasties encounter also taught me that the Beastie Boys are \u003cem>still\u003c/em> a great leveler — and that the spirit of teen rebellion transcends generational barriers. More than anything, these teens let me know that, while they may not do music fandom exactly how we did it, the Gen Z kids are just fine.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13921900/best-of-2022-beastie-boys-santa-cruz","authors":["11242"],"categories":["arts_1","arts_69","arts_75"],"tags":["arts_5665","arts_10342","arts_10278","arts_12735","arts_19127"],"featImg":"arts_13921923","label":"source_arts_13921900"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. 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