Exhibitions Across the Bay Area Remember the North Bay Fires
Up From the Ashes, Six Months After the North Bay Fires
Wildfires Jeopardize Jobs for Cannabis Trimmers
Photo Recap: Band Together Bay Area Raises Millions for Fire Relief
After Losing 30 Years of Artwork in Fire, a Painter Looks Ahead
How a Bilingual Radio Station Helped the Undocumented During the Fires
Musicians Soothe Evacuees at North Bay Fire Shelters
North Bay Venues Close Due to Wildfires, Others Open to Help Out
Playing Outside
Sponsored
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Now you too can mark the year since by frequenting a few of these thoughtful displays.\u003c/p>\n\u003cfigure id=\"attachment_13842031\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13842031\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/SonomaState_victor_640.jpg\" alt=\"Louise Victor, 'Fire and Ashes,' 2018.\" width=\"640\" height=\"676\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/SonomaState_victor_640.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/SonomaState_victor_640-160x169.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/SonomaState_victor_640-240x254.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/SonomaState_victor_640-375x396.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/SonomaState_victor_640-520x549.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Louise Victor, ‘Fire and Ashes,’ 2018. \u003ccite>(Courtesy of Sonoma State University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Reflections: After the Fire’\u003c/h2>\n\u003cp>\u003cb>Aug. 20–Dec. 14, 2018\u003cbr>\n\u003ca href=\"https://library.sonoma.edu/about/gallery/reflections-after-fire\" target=\"_blank\" rel=\"noopener\">Sonoma State University\u003c/a>\u003c/b>\u003c/p>\n\u003cp>The University Library Gallery at Sonoma State exhibits work by 21 people—not just artists, but photographers, videographers, first responders and community members—documenting and responding to the firestorm. The impulses behind their artistic output are varied: some want to process their own feelings through art, others hope to offer a sense of optimism and inspiration in the face of loss. A reception on Oct. 17, from 4–5:30pm, marks the date the campus reopened in 2017, a nod to the school’s perseverance in the face of local disaster.\u003c/p>\n\u003ch2>‘Young Suh: Wildfires’\u003c/h2>\n\u003cp>\u003cb>Sept. 14–Nov. 17, 2018\u003cbr>\n\u003ca href=\"https://www.sfartscommission.org/experience-art/exhibitions/young-suh-wildfires\" target=\"_blank\" rel=\"noopener\">San Francisco Arts Commission Galleries\u003c/a>\u003c/b>\u003c/p>\n\u003cp>Even though last year’s fires were devastating in their scale, fires have become an annual occurrence throughout California, a fact that allowed Bay Area photographer Young Suh to spend four years working on his series \u003ci>Wildfires\u003c/i>. “Suh’s lush and languid images take the viewer from the comfortable position of being just out of the fire’s path, to standing within feet of the source,” reads the exhibition description. Playing off both our attraction to the beautiful drama of smoke, and our fear of nature’s destructive power, Suh’s images capture a state of “anxious desire.”\u003c/p>\n\u003cfigure id=\"attachment_13842044\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-800x532.jpg\" alt=\"Jan Nunn, 'Commune II.'\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13842044\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-1020x678.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-1200x798.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-1180x784.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-960x638.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-375x249.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn.jpg 1366w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jan Nunn, ‘Commune II.’ \u003ccite>(Courtesy Luther Burbank Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Harmonies: Kati Casida, Catherine Daley and Jann Nunn’\u003c/h2>\n\u003cp>\u003cb>Sept. 13, 2018–Sept. 20, 2020\u003cbr>\n\u003ca href=\"https://www.sfartscommission.org/experience-art/exhibitions/young-suh-wildfires\" target=\"_blank\" rel=\"noopener\">Luther Burbank Center Sculpture Garden\u003c/a>\u003c/b>\u003c/p>\n\u003cp>For any curator, placing a sculpture exhibition in the literal path of the 2017 fire raises a philosophical question: should the art reflect the region’s tragedy? At the Luther Burbank Center, \u003cem>Harmonies\u003c/em> isn’t a fire-obsessed, hit-you-over-the-head exhibition, and it’s better for it. While Nunn’s \u003cem>XLIV\u003c/em>—44 stars symbolizing the 44 lives lost in the fire—could be seen as somber, especially against the still-scarred nearby hills, Anita Wigglesworth tells KQED of \u003cem>Harmonies\u003c/em>, “Once every piece was set, we walked around and all of us said, ‘This is a really \u003cem>joyous\u003c/em> exhibition.’ You never know how everything comes together until it’s there.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cfigure id=\"attachment_13842033\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13842033\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/RISORGERE_640.jpg\" alt=\"Luba Zygarewicz, 'RISORGERE,' 2018.\" width=\"640\" height=\"721\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/RISORGERE_640.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/RISORGERE_640-160x180.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/RISORGERE_640-240x270.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/RISORGERE_640-375x422.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/RISORGERE_640-520x586.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Luba Zygarewicz, ‘RISORGERE,’ 2018. \u003ccite>(Courtesy of Sonoma Community Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘From Fire, Love Rises: Stories Shared from the Artist Community’\u003c/h2>\n\u003cp>\u003cb>Sept. 29, 2018–Jan. 6, 2019\u003cbr>\n\u003ca href=\"http://svma.org/exhibitions/fire-love-rises-stories-shared-artist-community\" target=\"_blank\" rel=\"noopener\">Sonoma Valley Museum of Art\u003c/a>\u003c/b>\u003c/p>\n\u003cp>Many Sonoma and Napa county artists, this exhibition’s description states, “have relied on their artistic practice to recover from their losses and help restore the community around them.” This group exhibition stresses the artistic visions that help a community move forward. Among the long list of metalworkers, photographers, ceramicists, printmakers, new media artists, poets and writers included in this exhibition are familiar names like \u003ca href=\"https://www.kqed.org/arts/13813058/a-photographer-turns-the-lens-on-her-own-homes-charred-remains\" target=\"_blank\" rel=\"noopener\">Norma I. Quintana\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13813960/watch-a-santa-rosa-cartoonists-a-fire-story-come-to-life\" target=\"_blank\" rel=\"noopener\">Brian Fies\u003c/a>.\u003c/p>\n\u003ch2>‘RE-COLLECT: Recalling Sonoma One Year Later’\u003c/h2>\n\u003cp>\u003cb>Sept. 29–Oct. 14, 2018\u003cbr>\n\u003ca href=\"https://sonomacommunitycenter.org/events/gallery-exhibitions/\" target=\"_blank\" rel=\"noopener\">Sonoma Community Center\u003c/a>\u003c/b>\u003c/p>\n\u003cp>In conjunction with the Sonoma Valley Museum of Art, \u003ci>RE-COLLECT\u003c/i> presents works by three local artists: Mike Acker, Barbara White Perry and Luba Zygarewicz. Zygarewicz’s contribution to the show is an expansive sculptural arrangement of hundreds of salvaged objects—bits of twisted metal, hubcaps, scissors, things too distorted to identify—over a gradation of colored, melted glass.\u003c/p>\n\u003cfigure id=\"attachment_13842034\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13842034 size-full\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal.jpg\" alt=\"Norma I. Quintana, from the series 'Forage from Fire,' 2017.\" width=\"1500\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-1200x1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-150x150.jpg 150w\" sizes=\"(max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Norma I. Quintana, from the series ‘Forage from Fire,’ 2017. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Norma I. Quintana, ‘Forage From Fire’\u003c/h2>\n\u003cp>\u003cb>Oct. 4–20, 2018\u003cbr>\n\u003ca href=\"http://www.sfcamerawork.org/forage-from-fire\" target=\"_blank\" rel=\"noopener\">SF Camerawork, San Francisco\u003c/a>\u003c/b>\u003c/p>\n\u003cp>Days after she lost her home, studio and countless silver gelatin prints to the Atlas Fire, Norma I. Quintana began photographing the remnants of her life with her iPhone: jewelry, cameras, Christmas ornaments, doll parts, kitchen tools and picture frames, all blackened and burnt. In her images, a black plastic glove issued to homeowners to protect their hands during fire clean-up becomes a stand-in for all the hands of all the people who lost their possessions to the fires. “Finding these objects, no longer in the state they were when they were mine, somehow makes the destruction less devastating,” \u003ca href=\"https://www.kqed.org/arts/13813058/a-photographer-turns-the-lens-on-her-own-homes-charred-remains\" target=\"_blank\" rel=\"noopener\">she told KQED Arts last October\u003c/a>, as she was still sifting through the ashes. “What is devastating, of course, is the loss of my home, that security, that place of memories. I don’t know yet if these pictures can soothe that, for me or anyone else. I hope so.”\u003c/p>\n\u003cfigure id=\"attachment_13842035\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13842035\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB.jpg\" alt=\"Brian Fies, from 'A Fire Story,' 2017.\" width=\"1500\" height=\"1076\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-160x115.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-800x574.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-768x551.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-1020x732.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-1200x861.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-1180x846.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-960x689.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-240x172.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-375x269.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-520x373.jpg 520w\" sizes=\"(max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Brian Fies, from ‘A Fire Story,’ 2017. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘From the Fire: A Community Reflects and Rebuilds’\u003c/h2>\n\u003cp>\u003cb>Oct. 6, 2018–Jan. 27, 2019\u003cbr>\n\u003ca href=\"https://museumsc.org/from-the-fire-a-community-reflects-and-rebuilds/\" target=\"_blank\" rel=\"noopener\">Museums of Sonoma County, Santa Rosa\u003c/a>\u003c/b>\u003c/p>\n\u003cp>The Museums of Sonoma County examines the fires from “personal, historical and environmental perspectives,” bringing together a temporary exhibition with two ongoing projects developed immediately after the fires. One of those projects is \u003ci>The Fire Wall\u003c/i>, a community-submitted digital database of images, artworks and stories. The other is \u003ci>The Fire Collection\u003c/i>, objects and artifacts—like a heat-warped street sign—contributed to the museum. Artworks from Teresa Camozzi, Brian Fies, Kimberlee Koym-Murteira, Gregory Roberts, Adam Shaw, Penny Wolin and Martín Zúñiga represent personal and emotional responses, while a timeline of the fires’ advancement, snippets of press coverage and examples of rebuilding efforts present a “facts-based” look at the events.\u003c/p>\n\u003cfigure id=\"attachment_13842036\" class=\"wp-caption aligncenter\" style=\"max-width: 1097px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13842036\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm.jpg\" alt=\"Linda Gass, 'Reclamation.'\" width=\"1097\" height=\"676\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm.jpg 1097w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-800x493.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-768x473.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-1020x629.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-960x592.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-240x148.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-375x231.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-520x320.jpg 520w\" sizes=\"(max-width: 1097px) 100vw, 1097px\">\u003cfigcaption class=\"wp-caption-text\">Linda Gass, ‘Reclamation.’ \u003ccite>(Courtesy of Art Responds)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Art Responds: The Wine Country Fires’\u003c/h2>\n\u003cp>\u003cb>Oct. 10–Dec. 15, 2018\u003cbr>\n\u003ca href=\"https://www.art-responds.com\" target=\"_blank\" rel=\"noopener\">1252 First Street, Napa\u003c/a>\u003c/b>\u003c/p>\n\u003cp>This art exhibition and event series, curated by Rina Faletti, emphasizes the importance of creating spaces where communities affected by disaster can come together and see their experiences reflected through art. Featuring work from Oscar Aguilar Olea, Julia Crane, Andrea Dale, Lowell Downey, Brian Fies, Jeff Frost, Linda Gass, Edmund Ian Grant, Norma I. Quintana, Kristi Rene and Laura Resen, \u003ci>Art Responds\u003c/i> also includes a night of film screenings (artistic and documentary) and a panel discussion on Oct. 21, 3–6pm. “When art leads this discussion,” Faletti says in her curatorial statement, “the aesthetic objects hold a creative power to steer conversation into new directions and unfamiliar territories.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Art institutions provide room for contemplation and remembrance, proving the necessity of such spaces during the best and worst of times.","status":"publish","parent":0,"modified":1705027180,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":1172},"headData":{"title":"Exhibitions Across the Bay Area Remember the North Bay Fires | KQED","description":"Art institutions provide room for contemplation and remembrance, proving the necessity of such spaces during the best and worst of times.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13842012/exhibitions-across-the-bay-area-remember-the-north-bay-fires","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>As Bay Area communities reflect on the days that forever changed their landscape, relationships and local economies, art institutions have stepped up to provide room for that contemplation, proving the necessity of such spaces during the best and worst of times.\u003c/p>\n\u003cp>Exhibitions in museums, libraries and galleries across Sonoma, Napa and San Francisco counties showcase the artwork of those both directly affected by the fires, and those who felt compelled to respond artistically. Now you too can mark the year since by frequenting a few of these thoughtful displays.\u003c/p>\n\u003cfigure id=\"attachment_13842031\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13842031\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/SonomaState_victor_640.jpg\" alt=\"Louise Victor, 'Fire and Ashes,' 2018.\" width=\"640\" height=\"676\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/SonomaState_victor_640.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/SonomaState_victor_640-160x169.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/SonomaState_victor_640-240x254.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/SonomaState_victor_640-375x396.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/SonomaState_victor_640-520x549.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Louise Victor, ‘Fire and Ashes,’ 2018. \u003ccite>(Courtesy of Sonoma State University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Reflections: After the Fire’\u003c/h2>\n\u003cp>\u003cb>Aug. 20–Dec. 14, 2018\u003cbr>\n\u003ca href=\"https://library.sonoma.edu/about/gallery/reflections-after-fire\" target=\"_blank\" rel=\"noopener\">Sonoma State University\u003c/a>\u003c/b>\u003c/p>\n\u003cp>The University Library Gallery at Sonoma State exhibits work by 21 people—not just artists, but photographers, videographers, first responders and community members—documenting and responding to the firestorm. The impulses behind their artistic output are varied: some want to process their own feelings through art, others hope to offer a sense of optimism and inspiration in the face of loss. A reception on Oct. 17, from 4–5:30pm, marks the date the campus reopened in 2017, a nod to the school’s perseverance in the face of local disaster.\u003c/p>\n\u003ch2>‘Young Suh: Wildfires’\u003c/h2>\n\u003cp>\u003cb>Sept. 14–Nov. 17, 2018\u003cbr>\n\u003ca href=\"https://www.sfartscommission.org/experience-art/exhibitions/young-suh-wildfires\" target=\"_blank\" rel=\"noopener\">San Francisco Arts Commission Galleries\u003c/a>\u003c/b>\u003c/p>\n\u003cp>Even though last year’s fires were devastating in their scale, fires have become an annual occurrence throughout California, a fact that allowed Bay Area photographer Young Suh to spend four years working on his series \u003ci>Wildfires\u003c/i>. “Suh’s lush and languid images take the viewer from the comfortable position of being just out of the fire’s path, to standing within feet of the source,” reads the exhibition description. Playing off both our attraction to the beautiful drama of smoke, and our fear of nature’s destructive power, Suh’s images capture a state of “anxious desire.”\u003c/p>\n\u003cfigure id=\"attachment_13842044\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-800x532.jpg\" alt=\"Jan Nunn, 'Commune II.'\" width=\"800\" height=\"532\" class=\"size-medium wp-image-13842044\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-1020x678.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-1200x798.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-1180x784.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-960x638.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-375x249.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Commune_-Nunn.jpg 1366w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jan Nunn, ‘Commune II.’ \u003ccite>(Courtesy Luther Burbank Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Harmonies: Kati Casida, Catherine Daley and Jann Nunn’\u003c/h2>\n\u003cp>\u003cb>Sept. 13, 2018–Sept. 20, 2020\u003cbr>\n\u003ca href=\"https://www.sfartscommission.org/experience-art/exhibitions/young-suh-wildfires\" target=\"_blank\" rel=\"noopener\">Luther Burbank Center Sculpture Garden\u003c/a>\u003c/b>\u003c/p>\n\u003cp>For any curator, placing a sculpture exhibition in the literal path of the 2017 fire raises a philosophical question: should the art reflect the region’s tragedy? At the Luther Burbank Center, \u003cem>Harmonies\u003c/em> isn’t a fire-obsessed, hit-you-over-the-head exhibition, and it’s better for it. While Nunn’s \u003cem>XLIV\u003c/em>—44 stars symbolizing the 44 lives lost in the fire—could be seen as somber, especially against the still-scarred nearby hills, Anita Wigglesworth tells KQED of \u003cem>Harmonies\u003c/em>, “Once every piece was set, we walked around and all of us said, ‘This is a really \u003cem>joyous\u003c/em> exhibition.’ You never know how everything comes together until it’s there.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cfigure id=\"attachment_13842033\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13842033\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/RISORGERE_640.jpg\" alt=\"Luba Zygarewicz, 'RISORGERE,' 2018.\" width=\"640\" height=\"721\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/RISORGERE_640.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/RISORGERE_640-160x180.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/RISORGERE_640-240x270.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/RISORGERE_640-375x422.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/RISORGERE_640-520x586.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Luba Zygarewicz, ‘RISORGERE,’ 2018. \u003ccite>(Courtesy of Sonoma Community Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘From Fire, Love Rises: Stories Shared from the Artist Community’\u003c/h2>\n\u003cp>\u003cb>Sept. 29, 2018–Jan. 6, 2019\u003cbr>\n\u003ca href=\"http://svma.org/exhibitions/fire-love-rises-stories-shared-artist-community\" target=\"_blank\" rel=\"noopener\">Sonoma Valley Museum of Art\u003c/a>\u003c/b>\u003c/p>\n\u003cp>Many Sonoma and Napa county artists, this exhibition’s description states, “have relied on their artistic practice to recover from their losses and help restore the community around them.” This group exhibition stresses the artistic visions that help a community move forward. Among the long list of metalworkers, photographers, ceramicists, printmakers, new media artists, poets and writers included in this exhibition are familiar names like \u003ca href=\"https://www.kqed.org/arts/13813058/a-photographer-turns-the-lens-on-her-own-homes-charred-remains\" target=\"_blank\" rel=\"noopener\">Norma I. Quintana\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13813960/watch-a-santa-rosa-cartoonists-a-fire-story-come-to-life\" target=\"_blank\" rel=\"noopener\">Brian Fies\u003c/a>.\u003c/p>\n\u003ch2>‘RE-COLLECT: Recalling Sonoma One Year Later’\u003c/h2>\n\u003cp>\u003cb>Sept. 29–Oct. 14, 2018\u003cbr>\n\u003ca href=\"https://sonomacommunitycenter.org/events/gallery-exhibitions/\" target=\"_blank\" rel=\"noopener\">Sonoma Community Center\u003c/a>\u003c/b>\u003c/p>\n\u003cp>In conjunction with the Sonoma Valley Museum of Art, \u003ci>RE-COLLECT\u003c/i> presents works by three local artists: Mike Acker, Barbara White Perry and Luba Zygarewicz. Zygarewicz’s contribution to the show is an expansive sculptural arrangement of hundreds of salvaged objects—bits of twisted metal, hubcaps, scissors, things too distorted to identify—over a gradation of colored, melted glass.\u003c/p>\n\u003cfigure id=\"attachment_13842034\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13842034 size-full\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal.jpg\" alt=\"Norma I. Quintana, from the series 'Forage from Fire,' 2017.\" width=\"1500\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-1200x1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/NQ_typewriterfinal-150x150.jpg 150w\" sizes=\"(max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Norma I. Quintana, from the series ‘Forage from Fire,’ 2017. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Norma I. Quintana, ‘Forage From Fire’\u003c/h2>\n\u003cp>\u003cb>Oct. 4–20, 2018\u003cbr>\n\u003ca href=\"http://www.sfcamerawork.org/forage-from-fire\" target=\"_blank\" rel=\"noopener\">SF Camerawork, San Francisco\u003c/a>\u003c/b>\u003c/p>\n\u003cp>Days after she lost her home, studio and countless silver gelatin prints to the Atlas Fire, Norma I. Quintana began photographing the remnants of her life with her iPhone: jewelry, cameras, Christmas ornaments, doll parts, kitchen tools and picture frames, all blackened and burnt. In her images, a black plastic glove issued to homeowners to protect their hands during fire clean-up becomes a stand-in for all the hands of all the people who lost their possessions to the fires. “Finding these objects, no longer in the state they were when they were mine, somehow makes the destruction less devastating,” \u003ca href=\"https://www.kqed.org/arts/13813058/a-photographer-turns-the-lens-on-her-own-homes-charred-remains\" target=\"_blank\" rel=\"noopener\">she told KQED Arts last October\u003c/a>, as she was still sifting through the ashes. “What is devastating, of course, is the loss of my home, that security, that place of memories. I don’t know yet if these pictures can soothe that, for me or anyone else. I hope so.”\u003c/p>\n\u003cfigure id=\"attachment_13842035\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13842035\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB.jpg\" alt=\"Brian Fies, from 'A Fire Story,' 2017.\" width=\"1500\" height=\"1076\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-160x115.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-800x574.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-768x551.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-1020x732.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-1200x861.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-1180x846.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-960x689.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-240x172.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-375x269.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Museums_fire-JPG-600-KQED-WEB-520x373.jpg 520w\" sizes=\"(max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Brian Fies, from ‘A Fire Story,’ 2017. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘From the Fire: A Community Reflects and Rebuilds’\u003c/h2>\n\u003cp>\u003cb>Oct. 6, 2018–Jan. 27, 2019\u003cbr>\n\u003ca href=\"https://museumsc.org/from-the-fire-a-community-reflects-and-rebuilds/\" target=\"_blank\" rel=\"noopener\">Museums of Sonoma County, Santa Rosa\u003c/a>\u003c/b>\u003c/p>\n\u003cp>The Museums of Sonoma County examines the fires from “personal, historical and environmental perspectives,” bringing together a temporary exhibition with two ongoing projects developed immediately after the fires. One of those projects is \u003ci>The Fire Wall\u003c/i>, a community-submitted digital database of images, artworks and stories. The other is \u003ci>The Fire Collection\u003c/i>, objects and artifacts—like a heat-warped street sign—contributed to the museum. Artworks from Teresa Camozzi, Brian Fies, Kimberlee Koym-Murteira, Gregory Roberts, Adam Shaw, Penny Wolin and Martín Zúñiga represent personal and emotional responses, while a timeline of the fires’ advancement, snippets of press coverage and examples of rebuilding efforts present a “facts-based” look at the events.\u003c/p>\n\u003cfigure id=\"attachment_13842036\" class=\"wp-caption aligncenter\" style=\"max-width: 1097px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13842036\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm.jpg\" alt=\"Linda Gass, 'Reclamation.'\" width=\"1097\" height=\"676\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm.jpg 1097w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-800x493.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-768x473.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-1020x629.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-960x592.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-240x148.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-375x231.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/Gass_Reclamation_sm-520x320.jpg 520w\" sizes=\"(max-width: 1097px) 100vw, 1097px\">\u003cfigcaption class=\"wp-caption-text\">Linda Gass, ‘Reclamation.’ \u003ccite>(Courtesy of Art Responds)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Art Responds: The Wine Country Fires’\u003c/h2>\n\u003cp>\u003cb>Oct. 10–Dec. 15, 2018\u003cbr>\n\u003ca href=\"https://www.art-responds.com\" target=\"_blank\" rel=\"noopener\">1252 First Street, Napa\u003c/a>\u003c/b>\u003c/p>\n\u003cp>This art exhibition and event series, curated by Rina Faletti, emphasizes the importance of creating spaces where communities affected by disaster can come together and see their experiences reflected through art. Featuring work from Oscar Aguilar Olea, Julia Crane, Andrea Dale, Lowell Downey, Brian Fies, Jeff Frost, Linda Gass, Edmund Ian Grant, Norma I. Quintana, Kristi Rene and Laura Resen, \u003ci>Art Responds\u003c/i> also includes a night of film screenings (artistic and documentary) and a panel discussion on Oct. 21, 3–6pm. “When art leads this discussion,” Faletti says in her curatorial statement, “the aesthetic objects hold a creative power to steer conversation into new directions and unfamiliar territories.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13842012/exhibitions-across-the-bay-area-remember-the-north-bay-fires","authors":["61"],"categories":["arts_835","arts_235","arts_70"],"tags":["arts_1118","arts_1006","arts_2757","arts_596"],"featImg":"arts_13842039","label":"arts"},"arts_13828118":{"type":"posts","id":"arts_13828118","meta":{"index":"posts_1591205157","site":"arts","id":"13828118","score":null,"sort":[1522940454000]},"guestAuthors":[],"slug":"up-from-the-ashes-six-months-after-the-north-bay-fires","title":"Up From the Ashes, Six Months After the North Bay Fires","publishDate":1522940454,"format":"image","headTitle":"Up From the Ashes, Six Months After the North Bay Fires | KQED","labelTerm":{"term":2934,"site":"arts"},"content":"\u003cp>When we talked to artists, chefs and creatives affected by the North Bay fires just one month into their new realities, they were dealing with the immediate aftermath of the devastation — finding ways to comfort their communities and come to terms with loss and uncertainty. Six months later, national media outlets are long gone from Sonoma, Napa and Mendocino Counties. Lots have been cleared, businesses reopened, construction has begun. \u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/series/up-from-the-ashes\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2.jpg\" alt=\"\" width=\"400\" height=\"400\" class=\"alignright size-full wp-image-13813910\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-150x150.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003cp>But for eight of the subjects of our initial \u003ca href=\"https://www.kqed.org/arts/series/up-from-the-ashes\" rel=\"noopener\" target=\"_blank\">post-fire stories\u003c/a> from last November — Norma Quintana, Mark and Terri Stark, Heather Irwin, Allen Sudduth, Brain Fies, Robin Pressman and Mick Loveland — life is anything but back to normal. \u003c/p>\n\u003cp>Some have turned their trauma into fuel for new creative projects, others are in a holding pattern of temporary housing and insurance delays. But sharing their talents — whether that’s through photographs, delicious meals or healing music — has helped them move forward on new, unexpected paths, after those fateful days of October 2017.\u003c/p>\n\u003ch2>‘This is When the Real Work Begins’\u003c/h2>\n\u003cp>The last time we spoke to Norma Quintana she was literally sifting through the ruins of her burnt-out Napa home.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[contextly_sidebar id=”hQcTBb6dSb02fdTDJ3jCAsGbATQbHlAG”]\u003c/p>\n\u003cp>Gloved and crouched over the rubble, she pulled out small objects and photographed them with her iPhone. Fifty of those images became a series she calls \u003ci>Forage from the Fire\u003c/i>. An acclaimed photographer, documentarian, and collector, Norma’s response was instinctual: capture a visual record of the events that had detonated her community. She had no idea that in the weeks and months to come the images would strike a healing chord with others who’d lost everything to the blazes. \u003c/p>\n\u003cfigure id=\"attachment_13828782\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/NormaForageImage2_640.jpg\" alt=\"Norma Quintana, from the series 'Forage from the Fire,' 2017.\" width=\"640\" height=\"800\" class=\"size-full wp-image-13828782\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/NormaForageImage2_640.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/NormaForageImage2_640-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/NormaForageImage2_640-240x300.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/NormaForageImage2_640-375x469.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/NormaForageImage2_640-520x650.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Norma Quintana, from the series ‘Forage from the Fire,’ 2017. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Says one fire victim after viewing Norma’s image of a charred Nativity scene, “I thought of all the Nativities and Christmases I have seen since I was a little girl and realized that while things thing can be damaged and even disappear, the memories never leave. That thought alone helps me a lot.”\u003c/p>\n\u003cp>Norma has since become familiar with this response. “These pictures help people break down their trauma into parts, and somehow that makes it easier,” she says. She is applying for a grant to study human trauma and wants to return to her first photographic love, portraiture, to capture her insights.\u003c/p>\n\u003cp>“There are so many people in our society whose lives have been turned upside down by forces completely beyond our control. We need to understand what is happening to them and why.” The recent killing of three mental health workers in Napa County veterans home by a former army rifleman believed to be suffering from extreme post-traumatic stress disorder has spurred her determination to dig in to the problem.\u003c/p>\n\u003cp>Meanwhile, \u003ci>Forage from the Fire\u003c/i> has prompted Napa’s Rail Arts District organization (RAD) to offer Quintana the opportunity to print her images on electrical boxes and transformers along the Napa Valley Wine Train line. And, after six months bouncing from one temporary lodging to another, her family has bought a new home in a new part of town. \u003c/p>\n\u003cp>But perhaps most gratifying has been the outpouring of gifts sent to Norma, mostly by strangers, to help her replace the books, images and collections she lost in the fire.\u003c/p>\n\u003cp>“I can feel it,” she says. “It’s taken a while. But I am starting to feel at home again. For me, this is when the real work begins.” \u003ci>—David Markus\u003c/i>\u003c/p>\n\u003ch2>‘I’ve Learned That I Can Withstand a Lot’\u003c/h2>\n\u003cfigure id=\"attachment_13828454\" class=\"wp-caption alignright\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/RobinPressman.CRED_.LiaBethany.jpg\" alt=\"Robin Pressman planting redwood saplings at her property in the Santa Rosa foothills.\" width=\"720\" height=\"960\" class=\"size-full wp-image-13828454\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/RobinPressman.CRED_.LiaBethany.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/RobinPressman.CRED_.LiaBethany-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/RobinPressman.CRED_.LiaBethany-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/RobinPressman.CRED_.LiaBethany-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/RobinPressman.CRED_.LiaBethany-520x693.jpg 520w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Robin Pressman planting redwood saplings at her property in the Santa Rosa foothills. \u003ccite>(Lia Bethany)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the immediate aftermath of the Tubbs Fire, Robin Pressman was at her Sunday morning radio show in Sonoma County, playing “music for keeping us up and going.” She’d lost her house and all her belongings, and didn’t know where she’d go next. But she knew that the songs she played helped. \u003c/p>\n\u003cp>Six months later, Pressman finds herself drawn to the song “\u003ca href=\"https://youtu.be/R8Gv6A2_BFI\">Less & Less\u003c/a>,” by the folksinger Tim O’Brien, about living with fewer possessions. She’s since moved into a 350-square-foot shack in Berkeley, “one-tenth the size of my old house.” She rescued a few things while sifting through the ashes of her Santa Rosa home — ceramic artworks by both her mother and her husband’s mother, and some only-partially-melted bronze pieces — and she’s gotten closer to rebuilding her CD collection with the help of friends and fellow DJs. \u003c/p>\n\u003cp>Certain other changes in Pressman’s life accelerated after the fires. Her husband, Peter, moved into a nursing home, one of those eventualities that became expedited by the loss of their home. In addition to hosting “The Sunday Muse” on KRSH-FM in Santa Rosa, she also \u003ca href=\"https://www.sfchronicle.com/entertainment/radiowaves/article/A-DJ-s-juggling-act-classical-and-folk-music-12716907.php#photo-15115431\" rel=\"noopener\" target=\"_blank\">went full-time at classical station KDFC in November\u003c/a>, and now hosts the afternoon show “The Home Stretch,” a job for which she’d been auditioning when the fires hit. \u003c/p>\n\u003cp>[contextly_sidebar id=”CyijfYnGm63y1VvqCyaan6AI0XkFqU3s”]\u003c/p>\n\u003cp>The one uncertainty remains Pressman’s property. Pressman was dropped by her insurance company late last summer due to fire danger, the fifth coverage provider to do so right before the fires hit. Left to take what was offered by her mortgage company’s insurance — which undervalued the house by about half its true value — “I just got the check I got and was done with it,” she says. She’s currently researching if it’s financially feasible to build a new house on the lot in order to sell it and recoup her losses. If not, she says, she’ll simply sell the land she called home for 18 years. \u003c/p>\n\u003cp>“I guess I’ve learned that I can withstand a lot,” Pressman says today. “Even though what you could say is ‘the worst’ has happened, I feel pretty resilient, and pretty strong.” \u003cem>—Gabe Meline\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13828750\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/FiesStill1200.jpg\" alt=\"Still from the KQED animation of Brian Fies 'A Fire Story.'\" width=\"1200\" height=\"675\" class=\"size-full wp-image-13828750\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-520x293.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Still from the KQED animation of Brian Fies ‘A Fire Story.’ \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Hopeful Still Feels a Long Way Off’\u003c/h2>\n\u003cp>When we adapted Santa Rosa illustrator Brian Fies’ \u003cem>A Fire Story\u003c/em> last fall, the resulting \u003ca href=\"https://vimeo.com/241621786\" rel=\"noopener\" target=\"_blank\">animated video narrated by Fies himself\u003c/a> drew more than 2 million views. “I think it’s the first-person reporting that people really connected with,” says Fies, who detailed in \u003ca href=\"http://brianfies.blogspot.com/2017/10/a-fire-story-complete.html\" rel=\"noopener\" target=\"_blank\">an 18-page comic strip\u003c/a> his and his wife’s evacuation, the discovery of losing their home, and what that experience felt like in the immediate days and weeks that followed. \u003c/p>\n\u003cp>[contextly_sidebar id=”PUerRlY41jNfpIdjihgWCeZvKaH3bH5P”]\u003c/p>\n\u003cp>Six months later, from a rental home on the Russian River, Fies continues to illustrate and write about his experience — his decision to rebuild, his dealings with FEMA, and all the what-next questions that appear after you’ve lost just about everything. Together, they will fill a 160-page graphic novel that he hopes to finish by next year. “It’s turning out to be a long, hard slog,” says Fies of the recovery and rebuilding process. “Hopeful still feels a long way off — we haven’t built a new normal. But we are all looking forward to the day when we are back with our neighbors, opening a bottle of something, and toasting that we all made it.”\u003c/p>\n\u003cp>In the full-length novel, Fies plans to take a journalistic approach, drawing on other people’s stories, as well as offering context of how the drought and climate change contributed to the deadly fire. \u003c/p>\n\u003cp>With the rental market more stabilized now than in the immediate months after the fire, Fies and his wife plan to move closer to Santa Rosa soon. Among the surprising gifts that family and friends have shared with them over the last few months are photographs of his family, including many moments captured that Fies never even knew existed. “We’ve realized how many friends we really have — just how kind and generous they all are,” Fies says. \u003cem>—Kelly Whalen\u003c/em>\u003c/p>\n\u003ch2>‘We Were Pretty Lucky’\u003c/h2>\n\u003cp>When we spoke with local guitar hero Allen Sudduth last week, he was moving into his new home in the hills near Santa Rosa’s Bennett Valley neighborhood. He and his wife lived at a friend’s summer home in Guerneville in the months after the deadly wildfires destroyed their house and now, almost half a year later, they have returned to Santa Rosa.\u003c/p>\n\u003cp>[contextly_sidebar id=”6OF6sJqEB5E5BwlniN4OQl7EC6sjeCZU”]\u003c/p>\n\u003cp>“Everything came to us through personal connections and networking,” Sudduth says. “We were pretty lucky in that regard.”\u003c/p>\n\u003cp>But Sudduth isn’t done dealing with the aftermath of the fire. The fires took almost everything from him, including his sizable collection of musical instruments and recording equipment. Six months later, Sudduth’s insurance claim is still open, and he and his wife haven’t decided whether or not they’ll rebuild their house on their property in Coffey Park. He says his dealings with his insurance company have been great, but they’re not ready to make a commitment yet.\u003c/p>\n\u003cfigure id=\"attachment_13828712\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Sudduth2_640.jpg\" alt=\"Allen Sudduth and wife, Kris Sudduth, six months after the North Bay fires destroyed their home.\" width=\"640\" height=\"852\" class=\"size-full wp-image-13828712\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Sudduth2_640.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Sudduth2_640-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Sudduth2_640-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Sudduth2_640-375x499.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Sudduth2_640-520x692.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Allen Sudduth and wife, Kris Sudduth, six months after the North Bay fires destroyed their home. \u003ccite>(Courtesy of Allen Sudduth)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“A lot of people came up short on their insurance, in terms of rebuilding,” Sudduth says.\u003c/p>\n\u003cp>Since the fire, Sudduth has been focusing on his music. He’s still got the five guitars he picked up in the weeks after he lost his house, and he’s been working on a benefit album with fellow Santa Rosa musicians called \u003ci>After the Fire\u003c/i>.\u003c/p>\n\u003cp>He also still stands by his decision to only grab his dad’s Martin when he evacuated. He realizes now that what he saved is going to become a family heirloom.\u003c/p>\n\u003cp>“A week or two after the fire, we went down to Oakland to visit my son and he said, ‘Bring down the Martin; I want to hear you play it,’” Sudduth says. “He picked it up and started playing it, and I went, ‘Where the f**k did you learn to play like that?’ He’s a really good musician.”\u003c/p>\n\u003cp>“At that moment, I knew I had made the right decision to save it, so he could inherit it.” \u003cem>—Kevin L. Jones\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13828713\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Starks1200.jpg\" alt=\"Terri and Mark Stark at their Santa Rosa restaurant Bird & The Bottle.\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13828713\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-520x347.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Terri and Mark Stark at their Santa Rosa restaurant Bird & The Bottle. \u003ccite>(Wendy Goodfriend)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘The Community, Everyone, Really Came Together’\u003c/h2>\n\u003cp>When KQED first talked with Terri and Mark Stark in the days after their restaurant, Willi’s Wine Bar, burned down, they were unsure if they could rebuild on the historic property site. Now, instead of rebuilding, the Starks are in negotiations to lease a restaurant space in Santa Rosa to open the new Willi’s. \u003c/p>\n\u003cp>The Starks, who own \u003ca href=\"http://www.starkrestaurants.com/\" rel=\"noopener\" target=\"_blank\">five other restaurants\u003c/a> in Sonoma County, were \u003ca href=\"https://www.kqed.org/bayareabites/122193/after-heroic-efforts-by-restaurateurs-north-bay-restaurants-are-still-here-and-need-your-support\" rel=\"noopener\" target=\"_blank\">heroic in their efforts\u003c/a> to feed evacuees and first responders during the initial days of the fires. They also supported their employees by reopening their restaurants as soon as possible and finding work at their other establishments for the displaced Willi’s staff. \u003c/p>\n\u003cp>[contextly_sidebar id=”3NUWpYEqMUa6szpDmyRxNXEI1K2DANr1″]\u003c/p>\n\u003cp>According to Terri, the wine tourism season has started, and people are coming back to the area, alleviating fears that business would tank in the aftermath of the fires. But Terri says, “Things are far from being back to normal.” \u003c/p>\n\u003cp>Employees who previously worked at Willi’s are excited about the restaurant reopening. “They miss each other,” Terri says. “They want to be part of Willi’s again and work together.” If everything goes according to plan, they hope to open the new restaurant on Oct. 9, 2018, the first-year anniversary of the fire.\u003c/p>\n\u003cp>“If there is one thing to be said — something positive out of such a horrible occurrence — it is that the community, everyone, really came together,” Terri says. “For anyone who needed help, people were there to do what they could.”\u003c/p>\n\u003cp>The couple also has a new restaurant in the works – a New York-style Jewish deli in Santa Rosa. “We really need one up here,” Terri says. “There are not that many in the Bay Area, let alone up here.”\u003c/p>\n\u003cp>To be named Grossman’s (Terri’s maiden name is Gross, shortened from Grossman), the restaurant will make its own challah, rye bread and bagels. And according to Terri, it will be “Jew-ish.” \u003ci>—Wendy Goodfriend\u003c/i>\u003c/p>\n\u003ch2>‘People Still Want to Enjoy Music’\u003c/h2>\n\u003cp>The Loveland Violin Shop in Santa Rosa has been a hub for Sonoma County’s string players since 1980. Thankfully, the downtown, family-run business survived the North Bay fires, and the owners helped out musicians who’d lost precious instruments in the disaster by offering discounts and assistance with filing insurance claims. \u003c/p>\n\u003cp>[contextly_sidebar id=”Dl91scTOFyFq5f1bTWR0bwvhSq1i3ueM”]But the store’s owner, Mick Loveland, wasn’t so lucky when it came to his personal property near Calistoga.\u003c/p>\n\u003cp>“It was raining embers at the front of house,” Mick’s son Julian, who was looking after his parents’ longtime home when the fire spread, told KQED last November. (Mick was away traveling at the time.) “I could see a whole wall of flames.”\u003c/p>\n\u003cfigure id=\"attachment_13828774\" class=\"wp-caption alignright\" style=\"max-width: 480px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Loveland2-e1522948143348.jpg\" alt=\"Julian and Mick Loveland in the family's Santa Rosa shop.\" width=\"480\" height=\"640\" class=\"size-full wp-image-13828774\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Loveland2-e1522948143348.jpg 480w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Loveland2-e1522948143348-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Loveland2-e1522948143348-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Loveland2-e1522948143348-375x500.jpg 375w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">Julian and Mick Loveland in the family’s Santa Rosa shop. \u003ccite>(Chloe Veltman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Loveland has been working to pull his life back together ever since. “Our lot has been cleared, and we are in the process of getting our dead trees logged to allow us to rebuild,” Loveland says. But rebuilding is a nightmare. “We are constantly having to deal with the insurance company, the loggers, foresters, the well person, the septic person, the county, shopping for clothes, etc. It’s all-consuming.”\u003c/p>\n\u003cp>Loveland recently bought a mobile home and is planning to move into it when the lease on the rental he’s currently in is up in May. “It’s a place to reside while we rebuild,” he says. “We’ll resell it when we finish the new house.”\u003c/p>\n\u003cp>Despite his rebuilding woes, Loveland remains optimistic. He’s particularly touched by the kindness and generosity shown by many of the people in his community. “This is still a beautiful area to live with lots of wonderful people,” he says. “Nature is doing its job of healing. The land will repair itself!”\u003c/p>\n\u003cp>And Loveland says business at the Loveland Violin Shop has been brisk in recent months. “Not particularly because of the fires, but in spite of them,” he says. “People still want to enjoy music.” \u003cem>—Chloe Veltman\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13828727\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200.jpg\" alt=\"A dish served up by Sonoma Family Meal.\" width=\"1200\" height=\"900\" class=\"size-full wp-image-13828727\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-520x390.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A dish served up by Sonoma Family Meal. \u003ccite>(Courtesy of Heather Irwin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘There Are a Lot of People Here That Feel Left Behind’\u003c/h2>\n\u003cp>When Heather Irwin and her family evacuated their home during the North Bay fires, one of their many concerns was accessing food during the disaster. Irwin, who is a food journalist, was inspired to do something to help other families facing similar difficulties. Mobilizing her connections in the local community, she brought food professionals and volunteers together to make healthy and safe meals for displaced families. And \u003ca href=\"http://sonomafamilymeal.org/\" rel=\"noopener\" target=\"_blank\">Sonoma Family Meal\u003c/a> was born.\u003c/p>\n\u003cp>After feeding families in need in the days immediately after the fire began, when SFM made 2,000 meals a day, they regrouped around Thanksgiving and applied for non-profit status to get funding to continue their efforts. SFM is now feeding up to 50 families – a population that is falling through the cracks of the system – and they have a waiting list of 25 people. \u003c/p>\n\u003cp>“I learned how passionate our food community is and how much people care,” Irwin says. “And that’s what really drives me.”\u003c/p>\n\u003cp>Even with generous donations from local sources like the Redwood Credit Union, Mark and Terri Stark, and Kendall Jackson, SFM needs significantly more funding to operate for the rest of the year. They also have plans to create an emergency food network, so a system is in place if (and more likely, when) there are similar disasters in the future. \u003c/p>\n\u003cp>“These families are suffering and there are a lot of people here that feel left behind, they feel the world has moved on,” Irwin says. “They are really scared and if we can just offer them a couple of meals a week so they can sit down as a family and take that pressure off, I think it’s pretty darn worth it.” \u003ci>—Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>For more stories from artists in the wake of the fires, \u003ca href=\"https://www.kqed.org/arts/series/up-from-the-ashes\" rel=\"noopener\" target=\"_blank\">click here\u003c/a>.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"We check back in with the artists, chefs and creatives we profiled half a year ago to see how their lives have changed.","status":"publish","parent":0,"modified":1705028124,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":57,"wordCount":2909},"headData":{"title":"Up From the Ashes, Six Months After the North Bay Fires | KQED","description":"We check back in with the artists, chefs and creatives we profiled half a year ago to see how their lives have changed.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13828118/up-from-the-ashes-six-months-after-the-north-bay-fires","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When we talked to artists, chefs and creatives affected by the North Bay fires just one month into their new realities, they were dealing with the immediate aftermath of the devastation — finding ways to comfort their communities and come to terms with loss and uncertainty. Six months later, national media outlets are long gone from Sonoma, Napa and Mendocino Counties. Lots have been cleared, businesses reopened, construction has begun. \u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/series/up-from-the-ashes\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2.jpg\" alt=\"\" width=\"400\" height=\"400\" class=\"alignright size-full wp-image-13813910\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-150x150.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003cp>But for eight of the subjects of our initial \u003ca href=\"https://www.kqed.org/arts/series/up-from-the-ashes\" rel=\"noopener\" target=\"_blank\">post-fire stories\u003c/a> from last November — Norma Quintana, Mark and Terri Stark, Heather Irwin, Allen Sudduth, Brain Fies, Robin Pressman and Mick Loveland — life is anything but back to normal. \u003c/p>\n\u003cp>Some have turned their trauma into fuel for new creative projects, others are in a holding pattern of temporary housing and insurance delays. But sharing their talents — whether that’s through photographs, delicious meals or healing music — has helped them move forward on new, unexpected paths, after those fateful days of October 2017.\u003c/p>\n\u003ch2>‘This is When the Real Work Begins’\u003c/h2>\n\u003cp>The last time we spoke to Norma Quintana she was literally sifting through the ruins of her burnt-out Napa home.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Gloved and crouched over the rubble, she pulled out small objects and photographed them with her iPhone. Fifty of those images became a series she calls \u003ci>Forage from the Fire\u003c/i>. An acclaimed photographer, documentarian, and collector, Norma’s response was instinctual: capture a visual record of the events that had detonated her community. She had no idea that in the weeks and months to come the images would strike a healing chord with others who’d lost everything to the blazes. \u003c/p>\n\u003cfigure id=\"attachment_13828782\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/NormaForageImage2_640.jpg\" alt=\"Norma Quintana, from the series 'Forage from the Fire,' 2017.\" width=\"640\" height=\"800\" class=\"size-full wp-image-13828782\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/NormaForageImage2_640.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/NormaForageImage2_640-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/NormaForageImage2_640-240x300.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/NormaForageImage2_640-375x469.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/NormaForageImage2_640-520x650.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Norma Quintana, from the series ‘Forage from the Fire,’ 2017. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Says one fire victim after viewing Norma’s image of a charred Nativity scene, “I thought of all the Nativities and Christmases I have seen since I was a little girl and realized that while things thing can be damaged and even disappear, the memories never leave. That thought alone helps me a lot.”\u003c/p>\n\u003cp>Norma has since become familiar with this response. “These pictures help people break down their trauma into parts, and somehow that makes it easier,” she says. She is applying for a grant to study human trauma and wants to return to her first photographic love, portraiture, to capture her insights.\u003c/p>\n\u003cp>“There are so many people in our society whose lives have been turned upside down by forces completely beyond our control. We need to understand what is happening to them and why.” The recent killing of three mental health workers in Napa County veterans home by a former army rifleman believed to be suffering from extreme post-traumatic stress disorder has spurred her determination to dig in to the problem.\u003c/p>\n\u003cp>Meanwhile, \u003ci>Forage from the Fire\u003c/i> has prompted Napa’s Rail Arts District organization (RAD) to offer Quintana the opportunity to print her images on electrical boxes and transformers along the Napa Valley Wine Train line. And, after six months bouncing from one temporary lodging to another, her family has bought a new home in a new part of town. \u003c/p>\n\u003cp>But perhaps most gratifying has been the outpouring of gifts sent to Norma, mostly by strangers, to help her replace the books, images and collections she lost in the fire.\u003c/p>\n\u003cp>“I can feel it,” she says. “It’s taken a while. But I am starting to feel at home again. For me, this is when the real work begins.” \u003ci>—David Markus\u003c/i>\u003c/p>\n\u003ch2>‘I’ve Learned That I Can Withstand a Lot’\u003c/h2>\n\u003cfigure id=\"attachment_13828454\" class=\"wp-caption alignright\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/RobinPressman.CRED_.LiaBethany.jpg\" alt=\"Robin Pressman planting redwood saplings at her property in the Santa Rosa foothills.\" width=\"720\" height=\"960\" class=\"size-full wp-image-13828454\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/RobinPressman.CRED_.LiaBethany.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/RobinPressman.CRED_.LiaBethany-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/RobinPressman.CRED_.LiaBethany-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/RobinPressman.CRED_.LiaBethany-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/RobinPressman.CRED_.LiaBethany-520x693.jpg 520w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Robin Pressman planting redwood saplings at her property in the Santa Rosa foothills. \u003ccite>(Lia Bethany)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the immediate aftermath of the Tubbs Fire, Robin Pressman was at her Sunday morning radio show in Sonoma County, playing “music for keeping us up and going.” She’d lost her house and all her belongings, and didn’t know where she’d go next. But she knew that the songs she played helped. \u003c/p>\n\u003cp>Six months later, Pressman finds herself drawn to the song “\u003ca href=\"https://youtu.be/R8Gv6A2_BFI\">Less & Less\u003c/a>,” by the folksinger Tim O’Brien, about living with fewer possessions. She’s since moved into a 350-square-foot shack in Berkeley, “one-tenth the size of my old house.” She rescued a few things while sifting through the ashes of her Santa Rosa home — ceramic artworks by both her mother and her husband’s mother, and some only-partially-melted bronze pieces — and she’s gotten closer to rebuilding her CD collection with the help of friends and fellow DJs. \u003c/p>\n\u003cp>Certain other changes in Pressman’s life accelerated after the fires. Her husband, Peter, moved into a nursing home, one of those eventualities that became expedited by the loss of their home. In addition to hosting “The Sunday Muse” on KRSH-FM in Santa Rosa, she also \u003ca href=\"https://www.sfchronicle.com/entertainment/radiowaves/article/A-DJ-s-juggling-act-classical-and-folk-music-12716907.php#photo-15115431\" rel=\"noopener\" target=\"_blank\">went full-time at classical station KDFC in November\u003c/a>, and now hosts the afternoon show “The Home Stretch,” a job for which she’d been auditioning when the fires hit. \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The one uncertainty remains Pressman’s property. Pressman was dropped by her insurance company late last summer due to fire danger, the fifth coverage provider to do so right before the fires hit. Left to take what was offered by her mortgage company’s insurance — which undervalued the house by about half its true value — “I just got the check I got and was done with it,” she says. She’s currently researching if it’s financially feasible to build a new house on the lot in order to sell it and recoup her losses. If not, she says, she’ll simply sell the land she called home for 18 years. \u003c/p>\n\u003cp>“I guess I’ve learned that I can withstand a lot,” Pressman says today. “Even though what you could say is ‘the worst’ has happened, I feel pretty resilient, and pretty strong.” \u003cem>—Gabe Meline\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13828750\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/FiesStill1200.jpg\" alt=\"Still from the KQED animation of Brian Fies 'A Fire Story.'\" width=\"1200\" height=\"675\" class=\"size-full wp-image-13828750\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/FiesStill1200-520x293.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Still from the KQED animation of Brian Fies ‘A Fire Story.’ \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Hopeful Still Feels a Long Way Off’\u003c/h2>\n\u003cp>When we adapted Santa Rosa illustrator Brian Fies’ \u003cem>A Fire Story\u003c/em> last fall, the resulting \u003ca href=\"https://vimeo.com/241621786\" rel=\"noopener\" target=\"_blank\">animated video narrated by Fies himself\u003c/a> drew more than 2 million views. “I think it’s the first-person reporting that people really connected with,” says Fies, who detailed in \u003ca href=\"http://brianfies.blogspot.com/2017/10/a-fire-story-complete.html\" rel=\"noopener\" target=\"_blank\">an 18-page comic strip\u003c/a> his and his wife’s evacuation, the discovery of losing their home, and what that experience felt like in the immediate days and weeks that followed. \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Six months later, from a rental home on the Russian River, Fies continues to illustrate and write about his experience — his decision to rebuild, his dealings with FEMA, and all the what-next questions that appear after you’ve lost just about everything. Together, they will fill a 160-page graphic novel that he hopes to finish by next year. “It’s turning out to be a long, hard slog,” says Fies of the recovery and rebuilding process. “Hopeful still feels a long way off — we haven’t built a new normal. But we are all looking forward to the day when we are back with our neighbors, opening a bottle of something, and toasting that we all made it.”\u003c/p>\n\u003cp>In the full-length novel, Fies plans to take a journalistic approach, drawing on other people’s stories, as well as offering context of how the drought and climate change contributed to the deadly fire. \u003c/p>\n\u003cp>With the rental market more stabilized now than in the immediate months after the fire, Fies and his wife plan to move closer to Santa Rosa soon. Among the surprising gifts that family and friends have shared with them over the last few months are photographs of his family, including many moments captured that Fies never even knew existed. “We’ve realized how many friends we really have — just how kind and generous they all are,” Fies says. \u003cem>—Kelly Whalen\u003c/em>\u003c/p>\n\u003ch2>‘We Were Pretty Lucky’\u003c/h2>\n\u003cp>When we spoke with local guitar hero Allen Sudduth last week, he was moving into his new home in the hills near Santa Rosa’s Bennett Valley neighborhood. He and his wife lived at a friend’s summer home in Guerneville in the months after the deadly wildfires destroyed their house and now, almost half a year later, they have returned to Santa Rosa.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“Everything came to us through personal connections and networking,” Sudduth says. “We were pretty lucky in that regard.”\u003c/p>\n\u003cp>But Sudduth isn’t done dealing with the aftermath of the fire. The fires took almost everything from him, including his sizable collection of musical instruments and recording equipment. Six months later, Sudduth’s insurance claim is still open, and he and his wife haven’t decided whether or not they’ll rebuild their house on their property in Coffey Park. He says his dealings with his insurance company have been great, but they’re not ready to make a commitment yet.\u003c/p>\n\u003cfigure id=\"attachment_13828712\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Sudduth2_640.jpg\" alt=\"Allen Sudduth and wife, Kris Sudduth, six months after the North Bay fires destroyed their home.\" width=\"640\" height=\"852\" class=\"size-full wp-image-13828712\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Sudduth2_640.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Sudduth2_640-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Sudduth2_640-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Sudduth2_640-375x499.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Sudduth2_640-520x692.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Allen Sudduth and wife, Kris Sudduth, six months after the North Bay fires destroyed their home. \u003ccite>(Courtesy of Allen Sudduth)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“A lot of people came up short on their insurance, in terms of rebuilding,” Sudduth says.\u003c/p>\n\u003cp>Since the fire, Sudduth has been focusing on his music. He’s still got the five guitars he picked up in the weeks after he lost his house, and he’s been working on a benefit album with fellow Santa Rosa musicians called \u003ci>After the Fire\u003c/i>.\u003c/p>\n\u003cp>He also still stands by his decision to only grab his dad’s Martin when he evacuated. He realizes now that what he saved is going to become a family heirloom.\u003c/p>\n\u003cp>“A week or two after the fire, we went down to Oakland to visit my son and he said, ‘Bring down the Martin; I want to hear you play it,’” Sudduth says. “He picked it up and started playing it, and I went, ‘Where the f**k did you learn to play like that?’ He’s a really good musician.”\u003c/p>\n\u003cp>“At that moment, I knew I had made the right decision to save it, so he could inherit it.” \u003cem>—Kevin L. Jones\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13828713\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Starks1200.jpg\" alt=\"Terri and Mark Stark at their Santa Rosa restaurant Bird & The Bottle.\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13828713\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Starks1200-520x347.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Terri and Mark Stark at their Santa Rosa restaurant Bird & The Bottle. \u003ccite>(Wendy Goodfriend)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘The Community, Everyone, Really Came Together’\u003c/h2>\n\u003cp>When KQED first talked with Terri and Mark Stark in the days after their restaurant, Willi’s Wine Bar, burned down, they were unsure if they could rebuild on the historic property site. Now, instead of rebuilding, the Starks are in negotiations to lease a restaurant space in Santa Rosa to open the new Willi’s. \u003c/p>\n\u003cp>The Starks, who own \u003ca href=\"http://www.starkrestaurants.com/\" rel=\"noopener\" target=\"_blank\">five other restaurants\u003c/a> in Sonoma County, were \u003ca href=\"https://www.kqed.org/bayareabites/122193/after-heroic-efforts-by-restaurateurs-north-bay-restaurants-are-still-here-and-need-your-support\" rel=\"noopener\" target=\"_blank\">heroic in their efforts\u003c/a> to feed evacuees and first responders during the initial days of the fires. They also supported their employees by reopening their restaurants as soon as possible and finding work at their other establishments for the displaced Willi’s staff. \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>According to Terri, the wine tourism season has started, and people are coming back to the area, alleviating fears that business would tank in the aftermath of the fires. But Terri says, “Things are far from being back to normal.” \u003c/p>\n\u003cp>Employees who previously worked at Willi’s are excited about the restaurant reopening. “They miss each other,” Terri says. “They want to be part of Willi’s again and work together.” If everything goes according to plan, they hope to open the new restaurant on Oct. 9, 2018, the first-year anniversary of the fire.\u003c/p>\n\u003cp>“If there is one thing to be said — something positive out of such a horrible occurrence — it is that the community, everyone, really came together,” Terri says. “For anyone who needed help, people were there to do what they could.”\u003c/p>\n\u003cp>The couple also has a new restaurant in the works – a New York-style Jewish deli in Santa Rosa. “We really need one up here,” Terri says. “There are not that many in the Bay Area, let alone up here.”\u003c/p>\n\u003cp>To be named Grossman’s (Terri’s maiden name is Gross, shortened from Grossman), the restaurant will make its own challah, rye bread and bagels. And according to Terri, it will be “Jew-ish.” \u003ci>—Wendy Goodfriend\u003c/i>\u003c/p>\n\u003ch2>‘People Still Want to Enjoy Music’\u003c/h2>\n\u003cp>The Loveland Violin Shop in Santa Rosa has been a hub for Sonoma County’s string players since 1980. Thankfully, the downtown, family-run business survived the North Bay fires, and the owners helped out musicians who’d lost precious instruments in the disaster by offering discounts and assistance with filing insurance claims. \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>But the store’s owner, Mick Loveland, wasn’t so lucky when it came to his personal property near Calistoga.\u003c/p>\n\u003cp>“It was raining embers at the front of house,” Mick’s son Julian, who was looking after his parents’ longtime home when the fire spread, told KQED last November. (Mick was away traveling at the time.) “I could see a whole wall of flames.”\u003c/p>\n\u003cfigure id=\"attachment_13828774\" class=\"wp-caption alignright\" style=\"max-width: 480px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Loveland2-e1522948143348.jpg\" alt=\"Julian and Mick Loveland in the family's Santa Rosa shop.\" width=\"480\" height=\"640\" class=\"size-full wp-image-13828774\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Loveland2-e1522948143348.jpg 480w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Loveland2-e1522948143348-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Loveland2-e1522948143348-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Loveland2-e1522948143348-375x500.jpg 375w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">Julian and Mick Loveland in the family’s Santa Rosa shop. \u003ccite>(Chloe Veltman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Loveland has been working to pull his life back together ever since. “Our lot has been cleared, and we are in the process of getting our dead trees logged to allow us to rebuild,” Loveland says. But rebuilding is a nightmare. “We are constantly having to deal with the insurance company, the loggers, foresters, the well person, the septic person, the county, shopping for clothes, etc. It’s all-consuming.”\u003c/p>\n\u003cp>Loveland recently bought a mobile home and is planning to move into it when the lease on the rental he’s currently in is up in May. “It’s a place to reside while we rebuild,” he says. “We’ll resell it when we finish the new house.”\u003c/p>\n\u003cp>Despite his rebuilding woes, Loveland remains optimistic. He’s particularly touched by the kindness and generosity shown by many of the people in his community. “This is still a beautiful area to live with lots of wonderful people,” he says. “Nature is doing its job of healing. The land will repair itself!”\u003c/p>\n\u003cp>And Loveland says business at the Loveland Violin Shop has been brisk in recent months. “Not particularly because of the fires, but in spite of them,” he says. “People still want to enjoy music.” \u003cem>—Chloe Veltman\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13828727\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200.jpg\" alt=\"A dish served up by Sonoma Family Meal.\" width=\"1200\" height=\"900\" class=\"size-full wp-image-13828727\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/sonoma-family-meal1200-520x390.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A dish served up by Sonoma Family Meal. \u003ccite>(Courtesy of Heather Irwin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘There Are a Lot of People Here That Feel Left Behind’\u003c/h2>\n\u003cp>When Heather Irwin and her family evacuated their home during the North Bay fires, one of their many concerns was accessing food during the disaster. Irwin, who is a food journalist, was inspired to do something to help other families facing similar difficulties. Mobilizing her connections in the local community, she brought food professionals and volunteers together to make healthy and safe meals for displaced families. And \u003ca href=\"http://sonomafamilymeal.org/\" rel=\"noopener\" target=\"_blank\">Sonoma Family Meal\u003c/a> was born.\u003c/p>\n\u003cp>After feeding families in need in the days immediately after the fire began, when SFM made 2,000 meals a day, they regrouped around Thanksgiving and applied for non-profit status to get funding to continue their efforts. SFM is now feeding up to 50 families – a population that is falling through the cracks of the system – and they have a waiting list of 25 people. \u003c/p>\n\u003cp>“I learned how passionate our food community is and how much people care,” Irwin says. “And that’s what really drives me.”\u003c/p>\n\u003cp>Even with generous donations from local sources like the Redwood Credit Union, Mark and Terri Stark, and Kendall Jackson, SFM needs significantly more funding to operate for the rest of the year. They also have plans to create an emergency food network, so a system is in place if (and more likely, when) there are similar disasters in the future. \u003c/p>\n\u003cp>“These families are suffering and there are a lot of people here that feel left behind, they feel the world has moved on,” Irwin says. “They are really scared and if we can just offer them a couple of meals a week so they can sit down as a family and take that pressure off, I think it’s pretty darn worth it.” \u003ci>—Wendy Goodfriend\u003c/i>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>For more stories from artists in the wake of the fires, \u003ca href=\"https://www.kqed.org/arts/series/up-from-the-ashes\" rel=\"noopener\" target=\"_blank\">click here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13828118/up-from-the-ashes-six-months-after-the-north-bay-fires","authors":["92"],"series":["arts_2934"],"categories":["arts_835"],"tags":["arts_1118","arts_1297","arts_2757","arts_596","arts_2946"],"featImg":"arts_13828715","label":"arts_2934"},"arts_13814318":{"type":"posts","id":"arts_13814318","meta":{"index":"posts_1591205157","site":"arts","id":"13814318","score":null,"sort":[1510614057000]},"guestAuthors":[],"slug":"wildfires-jeopardize-jobs-for-cannabis-trimmers","title":"Wildfires Jeopardize Jobs for Cannabis Trimmers","publishDate":1510614057,"format":"image","headTitle":"Wildfires Jeopardize Jobs for Cannabis Trimmers | KQED","labelTerm":{"term":2934,"site":"arts"},"content":"\u003cp>Twelve hours after moving the last of his Christmas-tree-sized marijuana plants from his Marin County farm to Harborside’s Monterey County property in order to save them from smoke damage, Peter Pietrangeli had finally closed his eyes in a Scotts Valley hotel room when he got a text about flames approaching his other property in nearby Boulder Creek, in the Santa Cruz mountains.\u003c/p>\n\u003cp>The Bear Fire was only a quarter of a mile away from his farm, and Pietrangeli knew his 12 trimmers — workers who manicure cannabis buds to optimize their quality — were on the property without cellphone reception. CHP officers blocked the roads to keep people away from the blaze, but he persuaded them to let him up to the farm. As smoke poured in, he got his crew out at about midnight.\u003c/p>\n\u003cp>“It was quite traumatic to deal with all that,” he says. “Half of them were sleeping; some of them were up trimming. None of them had any idea.”\u003c/p>\n\u003cfigure id=\"attachment_13814527\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814527\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7341-800x600.jpg\" alt=\"Pietrangeli scrambled to evacuate his trimmers as flames approached his Boulder Creek farm. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7341.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7341-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7341-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7341-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7341-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7341-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pietrangeli scrambled to evacuate his trimmers as flames approached his Boulder Creek farm. \u003ccite>(Peter Pietrangeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“On the way out, we came really close to the fire,” recalls a trimmer from Peitrangeli’s farm who requested to remain anonymous. “It was still a shock when we arrived at the hotel; we still didn’t realize what danger we could have been in — that came a little bit later. It took a while to fully realize what’s really going on.”\u003c/p>\n\u003cp>He and the other workers stayed in a hotel with Pietrangeli for several days until it was safe to return to the property. “We had no idea if the fire is coming to the farm,” says the trimmer. “All our stuff was there; some people had valuables because there was no time to get them, like passports. It was a scary time.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Pietrangeli is the founder and CEO of Acme Elixirs, a company that sells cannabis-infused tinctures, edibles, and vape pens throughout dispensaries in California. Though his Boulder Creek property endured substantial smoke damage, he considers himself one of the lucky ones. Growers that he knows in Sonoma County lost entire homes, farms, and greenhouses — essentially, their entire livelihoods.\u003c/p>\n\u003cp>With state legalization taking effect next year, the North Bay wildfires “happened, ironically, after several people put down tons of money, millions of dollars, to set up farms and greenhouses in Santa Rosa and Sonoma,” he says.\u003c/p>\n\u003cfigure id=\"attachment_13814528\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814528\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7336-800x1067.jpg\" alt=\"Pietrangeli (right) and grower Chris Leenhouts worked around the clock transferring their harvest to containers at Harborside's farm in the Salinas Valley.\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7336.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7336-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7336-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7336-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7336-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7336-520x694.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pietrangeli (right) and grower Chris Leenhouts worked around the clock transferring their harvest to containers at Harborside’s farm in the Salinas Valley. \u003ccite>(Courtesy of Pete Pietrangeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Because marijuana is still federally illegal, crucial resources available to other kinds of business owners — such as loans, insurance, and federal disaster relief aid — are not available to owners of cannabis businesses. Many of the small growers Pietrangeli knows cultivated marijuana in the grey market and were preparing to go legit in time for Proposition 64, the recreational adult use act, to take effect in January.\u003c/p>\n\u003cp>“Now they’re going to go into next year almost empty-handed and start all over,” he laments. “A lot of these people rely on money from the previous season to make the next season work, so there’s definitely a ripple effect that’s caused a lot of different economic downfalls for people in the cannabis industry.”\u003c/p>\n\u003cp>That ripple effect extends to the cannabis industry’s workforce. Pietrangeli typically employs 30 people across his three properties in Boulder Creek, Lagunitas, and Nevada City during harvest season. Because smoke from the wildfires damaged a substantial portion of his crops, he’s using plants that would have normally been sold as flowers for tinctures and extracts and cutting costs on labor by using trimming machines. His crew of 30 has shrunk down to just 8 people.\u003c/p>\n\u003cp>“Only three people of our group went back to the farm to Pete,” says the trimmer I spoke with. After about a week, he left to find work elsewhere. He was able to find another trimming job through industry connections, but other trimmers he knows haven’t been so lucky.\u003c/p>\n\u003cp>“I know a lot of people that are waiting to come to farms, but it’s not so easy right now,” he adds. “I know a few other trimmers who are looking for work and they don’t find a spot and they’re waiting since the fire. A lot of people have been affected.”\u003c/p>\n\u003cfigure id=\"attachment_13814530\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814530\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7339-800x600.jpg\" alt=\"The Bear Fire came to just a quarter mile away from Pietrangeli's farm in the Santa Cruz mountains. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7339.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7339-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7339-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7339-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7339-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7339-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Bear Fire came to just a quarter mile away from Pietrangeli’s farm in the Santa Cruz mountains. \u003ccite>(Pete Pietrangeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Prior to the Northern California wildfires, trimmers’ jobs were already in jeopardy. As I learned \u003ca href=\"http://www.greenstate.com/culture/a12231224/bay-area-artists-lucrative-secret-side-gig\" target=\"_blank\" rel=\"noopener\">talking to trimmers earlier this year\u003c/a>, as more product floods the soon-to-be-legal market, the price of trimmers’ labor has decreased. In previous years, temporary workers — many of them artists from the Bay Area who traveled up north for flexible, short-term gigs — were paid $250 for every pound of cannabis they trimmed. Now, the average wage is closer to $150 a pound — and is dropping in the aftermath of the wildfires. At some farms, trimmers are being replaced by machines altogether.\u003c/p>\n\u003cp>Fortunately, things are not all bad for the cannabis industry. Hezekiah Allen, executive director of the California Growers Association, estimates that only a small fraction of the state’s total marijuana supply was affected by the fires, so there’s still plenty of trimming work available.\u003c/p>\n\u003cp>“But for the folks relying on these specific farms, they’re in a pretty tough spot,” he adds.\u003c/p>\n\u003cp>Allen estimates that over 45 farmers lost their crops, their homes, or a combination of both in the wildfires. “While it was a pretty high number of farms that were impacted, it really is a small percentage of the overall farms,” he says. “There are tens of thousands of cannabis farms throughout the north coast.”\u003c/p>\n\u003cp>Despite those figures, Allen admits that there has been a substantial impact on the workforce. “Because of the seasonal nature of the work, it can be a bit tricky to estimate” how many trimmers have lost their jobs, he says. “But I would guess there are easily several hundred people that are without work at this point.”\u003c/p>\n\u003cp>That figure may rise as farmers account for smoke damage. While the number of farms that burned to the ground is relatively small, Andrew DeAngelo, the operations manager of Harborside, a dispensary chain with its own farm in the Salinas Valley, estimates that smoke damage may render far more crops unusable, further decreasing the need for trimmers.\u003c/p>\n\u003cfigure id=\"attachment_13814529\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814529\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7342-800x1067.jpg\" alt=\"Smoke from wildfires can stick to the resin in cannabis buds, rendering them unusable. \" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7342.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7342-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7342-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7342-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7342-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7342-520x694.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Smoke from wildfires can stick to the resin in cannabis buds, rendering them unusable. \u003ccite>(Pete Pietrangeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Smoke damage on cannabis is kind of like smoke damage on wine grapes or fresh fruit: It’s really hard to get the campfire smell and taste out of the food or crop,” he says. “We generally don’t put products like that on our shelves — and certainly not in a legal, regulated market would that be allowed, I assume.”\u003c/p>\n\u003cp>Like the California Growers Association, which has partnered with several cannabis advocacy groups to set up a \u003ca href=\"http://www.calgrowersassociation.org/calfireaid\" target=\"_blank\" rel=\"noopener\">wildfire recovery fund\u003c/a>, Harborside has held several fundraisers to help colleagues in the cannabis industry make up for their losses, raising over $28,000. There’s still a long way to go to make up for the hundreds of millions of dollars in losses the industry has endured, DeAngelo says.\u003c/p>\n\u003cp>Still, DeAngelo and others I spoke with remain optimistic for the industry’s future. He says this year’s harvest was a particularly fruitful one, and he and other industry peers are doing what they can to assist relief efforts. CannaCraft, a brand he works with, for instance, is raising money for an emergency housing fund for growers who lost their homes. DeAngelo characterizes cannabis entrepreneurs as a particularly resilient group of people who are used to overcoming all sorts of challenges, especially since their work was previously conducted in the black market.\u003c/p>\n\u003cp>“Cannabis people tend to do well in emergencies,” he says, “in terms of coming together and sharing resources to get people back on their feet.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814525\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7340-800x455.jpg\" alt=\"Pete Pietrangeli had to harvest and move his plants early in order to save them from smoke damage.\" width=\"0\" height=\"0\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-800x455.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-768x437.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-1020x581.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-1180x672.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-960x547.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-240x137.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-375x213.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-520x296.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"With millions of dollars in crops lost or damaged in the wildfires, hundreds of trimmers are out of work. ","status":"publish","parent":0,"modified":1705029124,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":26,"wordCount":1428},"headData":{"title":"Wildfires Jeopardize Jobs for Cannabis Trimmers | KQED","description":"With millions of dollars in crops lost or damaged in the wildfires, hundreds of trimmers are out of work. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13814318/wildfires-jeopardize-jobs-for-cannabis-trimmers","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Twelve hours after moving the last of his Christmas-tree-sized marijuana plants from his Marin County farm to Harborside’s Monterey County property in order to save them from smoke damage, Peter Pietrangeli had finally closed his eyes in a Scotts Valley hotel room when he got a text about flames approaching his other property in nearby Boulder Creek, in the Santa Cruz mountains.\u003c/p>\n\u003cp>The Bear Fire was only a quarter of a mile away from his farm, and Pietrangeli knew his 12 trimmers — workers who manicure cannabis buds to optimize their quality — were on the property without cellphone reception. CHP officers blocked the roads to keep people away from the blaze, but he persuaded them to let him up to the farm. As smoke poured in, he got his crew out at about midnight.\u003c/p>\n\u003cp>“It was quite traumatic to deal with all that,” he says. “Half of them were sleeping; some of them were up trimming. None of them had any idea.”\u003c/p>\n\u003cfigure id=\"attachment_13814527\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814527\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7341-800x600.jpg\" alt=\"Pietrangeli scrambled to evacuate his trimmers as flames approached his Boulder Creek farm. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7341.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7341-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7341-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7341-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7341-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7341-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pietrangeli scrambled to evacuate his trimmers as flames approached his Boulder Creek farm. \u003ccite>(Peter Pietrangeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“On the way out, we came really close to the fire,” recalls a trimmer from Peitrangeli’s farm who requested to remain anonymous. “It was still a shock when we arrived at the hotel; we still didn’t realize what danger we could have been in — that came a little bit later. It took a while to fully realize what’s really going on.”\u003c/p>\n\u003cp>He and the other workers stayed in a hotel with Pietrangeli for several days until it was safe to return to the property. “We had no idea if the fire is coming to the farm,” says the trimmer. “All our stuff was there; some people had valuables because there was no time to get them, like passports. It was a scary time.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Pietrangeli is the founder and CEO of Acme Elixirs, a company that sells cannabis-infused tinctures, edibles, and vape pens throughout dispensaries in California. Though his Boulder Creek property endured substantial smoke damage, he considers himself one of the lucky ones. Growers that he knows in Sonoma County lost entire homes, farms, and greenhouses — essentially, their entire livelihoods.\u003c/p>\n\u003cp>With state legalization taking effect next year, the North Bay wildfires “happened, ironically, after several people put down tons of money, millions of dollars, to set up farms and greenhouses in Santa Rosa and Sonoma,” he says.\u003c/p>\n\u003cfigure id=\"attachment_13814528\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814528\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7336-800x1067.jpg\" alt=\"Pietrangeli (right) and grower Chris Leenhouts worked around the clock transferring their harvest to containers at Harborside's farm in the Salinas Valley.\" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7336.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7336-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7336-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7336-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7336-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7336-520x694.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pietrangeli (right) and grower Chris Leenhouts worked around the clock transferring their harvest to containers at Harborside’s farm in the Salinas Valley. \u003ccite>(Courtesy of Pete Pietrangeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Because marijuana is still federally illegal, crucial resources available to other kinds of business owners — such as loans, insurance, and federal disaster relief aid — are not available to owners of cannabis businesses. Many of the small growers Pietrangeli knows cultivated marijuana in the grey market and were preparing to go legit in time for Proposition 64, the recreational adult use act, to take effect in January.\u003c/p>\n\u003cp>“Now they’re going to go into next year almost empty-handed and start all over,” he laments. “A lot of these people rely on money from the previous season to make the next season work, so there’s definitely a ripple effect that’s caused a lot of different economic downfalls for people in the cannabis industry.”\u003c/p>\n\u003cp>That ripple effect extends to the cannabis industry’s workforce. Pietrangeli typically employs 30 people across his three properties in Boulder Creek, Lagunitas, and Nevada City during harvest season. Because smoke from the wildfires damaged a substantial portion of his crops, he’s using plants that would have normally been sold as flowers for tinctures and extracts and cutting costs on labor by using trimming machines. His crew of 30 has shrunk down to just 8 people.\u003c/p>\n\u003cp>“Only three people of our group went back to the farm to Pete,” says the trimmer I spoke with. After about a week, he left to find work elsewhere. He was able to find another trimming job through industry connections, but other trimmers he knows haven’t been so lucky.\u003c/p>\n\u003cp>“I know a lot of people that are waiting to come to farms, but it’s not so easy right now,” he adds. “I know a few other trimmers who are looking for work and they don’t find a spot and they’re waiting since the fire. A lot of people have been affected.”\u003c/p>\n\u003cfigure id=\"attachment_13814530\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814530\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7339-800x600.jpg\" alt=\"The Bear Fire came to just a quarter mile away from Pietrangeli's farm in the Santa Cruz mountains. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7339.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7339-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7339-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7339-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7339-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7339-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Bear Fire came to just a quarter mile away from Pietrangeli’s farm in the Santa Cruz mountains. \u003ccite>(Pete Pietrangeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Prior to the Northern California wildfires, trimmers’ jobs were already in jeopardy. As I learned \u003ca href=\"http://www.greenstate.com/culture/a12231224/bay-area-artists-lucrative-secret-side-gig\" target=\"_blank\" rel=\"noopener\">talking to trimmers earlier this year\u003c/a>, as more product floods the soon-to-be-legal market, the price of trimmers’ labor has decreased. In previous years, temporary workers — many of them artists from the Bay Area who traveled up north for flexible, short-term gigs — were paid $250 for every pound of cannabis they trimmed. Now, the average wage is closer to $150 a pound — and is dropping in the aftermath of the wildfires. At some farms, trimmers are being replaced by machines altogether.\u003c/p>\n\u003cp>Fortunately, things are not all bad for the cannabis industry. Hezekiah Allen, executive director of the California Growers Association, estimates that only a small fraction of the state’s total marijuana supply was affected by the fires, so there’s still plenty of trimming work available.\u003c/p>\n\u003cp>“But for the folks relying on these specific farms, they’re in a pretty tough spot,” he adds.\u003c/p>\n\u003cp>Allen estimates that over 45 farmers lost their crops, their homes, or a combination of both in the wildfires. “While it was a pretty high number of farms that were impacted, it really is a small percentage of the overall farms,” he says. “There are tens of thousands of cannabis farms throughout the north coast.”\u003c/p>\n\u003cp>Despite those figures, Allen admits that there has been a substantial impact on the workforce. “Because of the seasonal nature of the work, it can be a bit tricky to estimate” how many trimmers have lost their jobs, he says. “But I would guess there are easily several hundred people that are without work at this point.”\u003c/p>\n\u003cp>That figure may rise as farmers account for smoke damage. While the number of farms that burned to the ground is relatively small, Andrew DeAngelo, the operations manager of Harborside, a dispensary chain with its own farm in the Salinas Valley, estimates that smoke damage may render far more crops unusable, further decreasing the need for trimmers.\u003c/p>\n\u003cfigure id=\"attachment_13814529\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814529\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7342-800x1067.jpg\" alt=\"Smoke from wildfires can stick to the resin in cannabis buds, rendering them unusable. \" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7342.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7342-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7342-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7342-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7342-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7342-520x694.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Smoke from wildfires can stick to the resin in cannabis buds, rendering them unusable. \u003ccite>(Pete Pietrangeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Smoke damage on cannabis is kind of like smoke damage on wine grapes or fresh fruit: It’s really hard to get the campfire smell and taste out of the food or crop,” he says. “We generally don’t put products like that on our shelves — and certainly not in a legal, regulated market would that be allowed, I assume.”\u003c/p>\n\u003cp>Like the California Growers Association, which has partnered with several cannabis advocacy groups to set up a \u003ca href=\"http://www.calgrowersassociation.org/calfireaid\" target=\"_blank\" rel=\"noopener\">wildfire recovery fund\u003c/a>, Harborside has held several fundraisers to help colleagues in the cannabis industry make up for their losses, raising over $28,000. There’s still a long way to go to make up for the hundreds of millions of dollars in losses the industry has endured, DeAngelo says.\u003c/p>\n\u003cp>Still, DeAngelo and others I spoke with remain optimistic for the industry’s future. He says this year’s harvest was a particularly fruitful one, and he and other industry peers are doing what they can to assist relief efforts. CannaCraft, a brand he works with, for instance, is raising money for an emergency housing fund for growers who lost their homes. DeAngelo characterizes cannabis entrepreneurs as a particularly resilient group of people who are used to overcoming all sorts of challenges, especially since their work was previously conducted in the black market.\u003c/p>\n\u003cp>“Cannabis people tend to do well in emergencies,” he says, “in terms of coming together and sharing resources to get people back on their feet.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814525\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7340-800x455.jpg\" alt=\"Pete Pietrangeli had to harvest and move his plants early in order to save them from smoke damage.\" width=\"0\" height=\"0\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-800x455.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-768x437.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-1020x581.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-1180x672.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-960x547.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-240x137.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-375x213.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7340-520x296.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13814318/wildfires-jeopardize-jobs-for-cannabis-trimmers","authors":["11387"],"series":["arts_2934"],"categories":["arts_835"],"tags":["arts_3077","arts_1118","arts_1297","arts_3078","arts_2757","arts_596"],"featImg":"arts_13814525","label":"arts_2934"},"arts_13814628":{"type":"posts","id":"arts_13814628","meta":{"index":"posts_1591205157","site":"arts","id":"13814628","score":null,"sort":[1510343665000]},"guestAuthors":[],"slug":"photo-recap-band-together-bay-area","title":"Photo Recap: Band Together Bay Area Raises Millions for Fire Relief","publishDate":1510343665,"format":"image","headTitle":"Photo Recap: Band Together Bay Area Raises Millions for Fire Relief | KQED","labelTerm":{"term":2934,"site":"arts"},"content":"\u003cp>“Music Heals.”\u003c/p>\n\u003cp>That’s what Metallica singer James Hetfield told a sold-out stadium before the band played a benefit concert for those affected by the North Bay wildfires, which left some of the most devastating losses in California history with more than 5,000 homes lost and many people displaced. \u003c/p>\n\u003cp>Metallica, along with G-Eazy, Rancid, Metallica, Dave Matthews and Tim Reynolds, Dead & Company and Raphael Saadiq, performed at AT&T Park on Thursday, Nov. 9, at Band Together Bay Area. Artists waived their usual fees as ticket revenues were donated to \u003ca href=\"https://tippingpoint.org/relief\" rel=\"noopener\" target=\"_blank\">Tipping Point Emergency Relief Fund\u003c/a>, which supports low-income North Bay residents displaced by the fire. \u003c/p>\n\u003cp>A number of seats were given also given to first responders, volunteers and people impacted by the fires. While music can’t heal everything, the concert gave a number of families a break from hard times — not to mention to mention the whole event raised a reported $15 million for a good cause. \u003c/p>\n\u003cp>[gallery type=\"slideshow\" size=\"full\" ids=\"13814629,13814627,13814625,13814624,13814622,13814621,13814620,13814619,13814617,13814616,13814615,13814614,13814613,13814612,13814611,13814610,13814609,13814608,13814607,13814606,13814605,13814604,13814603,13814601,13814598\" orderby=\"rand\"]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814632\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/MG_1082-1-800x450.jpg\" alt=\"Metallica headlines Band Together Bay Area, a benefit concert for North Bay Fire relief at AT&T Park on Thursday, November 9.\" width=\"0\" height=\"0\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Metallica, G-Eazy, Rancid, and more played a benefit at AT&T Park for North Bay fire victims. ","status":"publish","parent":0,"modified":1705029138,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":204},"headData":{"title":"Photo Recap: Band Together Bay Area Raises Millions for Fire Relief | KQED","description":"Metallica, G-Eazy, Rancid, and more played a benefit at AT&T Park for North Bay fire victims. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprByline":"Estefany Gonzalez","path":"/arts/13814628/photo-recap-band-together-bay-area","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Music Heals.”\u003c/p>\n\u003cp>That’s what Metallica singer James Hetfield told a sold-out stadium before the band played a benefit concert for those affected by the North Bay wildfires, which left some of the most devastating losses in California history with more than 5,000 homes lost and many people displaced. \u003c/p>\n\u003cp>Metallica, along with G-Eazy, Rancid, Metallica, Dave Matthews and Tim Reynolds, Dead & Company and Raphael Saadiq, performed at AT&T Park on Thursday, Nov. 9, at Band Together Bay Area. Artists waived their usual fees as ticket revenues were donated to \u003ca href=\"https://tippingpoint.org/relief\" rel=\"noopener\" target=\"_blank\">Tipping Point Emergency Relief Fund\u003c/a>, which supports low-income North Bay residents displaced by the fire. \u003c/p>\n\u003cp>A number of seats were given also given to first responders, volunteers and people impacted by the fires. While music can’t heal everything, the concert gave a number of families a break from hard times — not to mention to mention the whole event raised a reported $15 million for a good cause. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"type":"slideshow","size":"full","ids":"13814629,13814627,13814625,13814624,13814622,13814621,13814620,13814619,13814617,13814616,13814615,13814614,13814613,13814612,13814611,13814610,13814609,13814608,13814607,13814606,13814605,13814604,13814603,13814601,13814598","orderby":"rand","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13814632\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/MG_1082-1-800x450.jpg\" alt=\"Metallica headlines Band Together Bay Area, a benefit concert for North Bay Fire relief at AT&T Park on Thursday, November 9.\" width=\"0\" height=\"0\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/MG_1082-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13814628/photo-recap-band-together-bay-area","authors":["byline_arts_13814628"],"series":["arts_2934"],"categories":["arts_69"],"tags":["arts_1010","arts_2757","arts_596"],"featImg":"arts_13814632","label":"arts_2934"},"arts_13813872":{"type":"posts","id":"arts_13813872","meta":{"index":"posts_1591205157","site":"arts","id":"13813872","score":null,"sort":[1510070414000]},"guestAuthors":[],"slug":"after-losing-30-years-of-artwork-in-fire-a-painter-looks-ahead","title":"After Losing 30 Years of Artwork in Fire, a Painter Looks Ahead","publishDate":1510070414,"format":"image","headTitle":"After Losing 30 Years of Artwork in Fire, a Painter Looks Ahead | KQED","labelTerm":{"term":2934,"site":"arts"},"content":"\u003cp>Even as he saw flames encroaching on the hills behind his home in Santa Rosa’s Coffey Park neighborhood, Chris Henry didn’t think he was about to lose the house he’d lived in for the past 14 years. \u003c/p>\n\u003cfigure id=\"attachment_13813874\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7321-800x1063.png\" alt=\"Chris Henry's house before the fire.\" width=\"800\" height=\"1063\" class=\"size-medium wp-image-13813874\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7321.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7321-160x213.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7321-768x1020.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7321-240x319.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7321-375x498.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7321-520x691.png 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chris Henry’s house before the fire. \u003ccite>(Chris Henry)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I had no idea what these fires could do,” says the 56-year-old artist when we meet at a downtown Santa Rosa coffee shop. As we talk, he often glances at his phone to make sure he doesn’t miss a call from a family member or insurance agent. Since the flames took his home several weeks ago, his life has been filled with constant phone calls as he tries to put the pieces back together — so much so that he hasn’t had a chance to think about painting, even though he has clients expecting commissions. \u003c/p>\n\u003cp>“No, my focus isn’t there, partly because I have a new career: It’s being on the phone with insurance people,” he says with a half smile.\u003c/p>\n\u003cp>Henry is an abstract expressionist painter whose work is well-known around Sonoma County. He exhibits at \u003ca href=\"https://www.facebook.com/tfsonoma/\" rel=\"noopener\" target=\"_blank\">Terra Firma Gallery\u003c/a> in Sonoma and, for the past dozen years, he’s opened his studio to the public for the annual \u003ca href=\"http://sonomacountyarttrails.org/\" rel=\"noopener\" target=\"_blank\">ArtTrails\u003c/a>, a county-wide art crawl that takes place each year in October. \u003c/p>\n\u003cfigure id=\"attachment_13813876\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7322-800x586.png\" alt=\"When Chris Henry returned early the next morning, his house was gone. \" width=\"800\" height=\"586\" class=\"size-medium wp-image-13813876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-800x586.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-160x117.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-768x563.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-1020x747.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-1180x865.png 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-960x703.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-240x176.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-375x275.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-520x381.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322.png 1242w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">When Chris Henry returned early the next morning, his house was gone. \u003ccite>(Chris Henry )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>ArtTrails coincided with this year’s disastrous wildfires, and Henry had been looking forward to showing local art lovers his new studio, which he spent the summer building out in his garage. He estimates there were between 25 and 30 paintings in the studio, including a self-portrait he painted over 30 years ago. In a backyard shed were more expensive art supplies, including bronze sheeting and glass for mixed-media works. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Calculating the value of the losses, Henry says, has been overwhelming. “I haven’t gotten to that part yet. It’s too much.”\u003c/p>\n\u003cp>In many respects, though, Henry considers himself lucky. After he saw flames approaching and neighbors evacuating, he fled to his brother’s house in another part of Santa Rosa with his wife, stepson, daughter-in-law, and four-year-old granddaughter. They’d had to leave behind their two cats, and when Henry and his brother returned for them at around 4am the next morning, he saw his house was completely gone.\u003c/p>\n\u003cp>Two weeks after the fire, while scrolling through lost pets at animal shelters on Facebook, his daughter-in-law found their two cats; the white one had turned dark grey from the ash. “I almost didn’t recognize him,” Henry says. \u003c/p>\n\u003cfigure id=\"attachment_13813877\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7320-800x272.png\" alt=\"Chris Henry's art studio before the fire. \" width=\"800\" height=\"272\" class=\"size-medium wp-image-13813877\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7320.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7320-160x54.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7320-768x261.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7320-240x82.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7320-375x128.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7320-520x177.png 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chris Henry’s art studio before the fire. \u003ccite>(Chris Henry)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fortunately for the family, they found a rental near Henry’s brother’s house, and the insurance on their home will help their plans to rebuild. \u003c/p>\n\u003cp>But for now, Henry and his family are trying to return to their routines and regain a sense of normalcy. His wife is back at work at her hair salon, and he’s looking for a new studio and already itching to get started on his commissions. Fortunately, Terra Firma Gallery has a good portion of his work, so not everything was lost. \u003c/p>\n\u003cp>Despite the experience, Henry is thankful that his family survived; not everyone in his neighborhood did. An estimated \u003ca href=\"https://ww2.kqed.org/forum/2017/10/26/remembering-those-who-died-in-the-north-bay-wildfires/\" rel=\"noopener\" target=\"_blank\">17 of the identified fire victims\u003c/a> were from Santa Rosa. \u003c/p>\n\u003cp>“I tend to look forward more than back, so I want to get up and going as soon as possible,” he says. “And listen, if you saw me the day after the fire, I was a mess. But I’ve come to a place where it really is, to me, just stuff.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"Even though the Tubbs fire claimed his home, his studio, and 30 years of art in Coffey Park, abstract expressionist Chris Henry remains grateful for surviving.","status":"publish","parent":0,"modified":1705029170,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":663},"headData":{"title":"After Losing 30 Years of Artwork in Fire, a Painter Looks Ahead | KQED","description":"Even though the Tubbs fire claimed his home, his studio, and 30 years of art in Coffey Park, abstract expressionist Chris Henry remains grateful for surviving.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13813872/after-losing-30-years-of-artwork-in-fire-a-painter-looks-ahead","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Even as he saw flames encroaching on the hills behind his home in Santa Rosa’s Coffey Park neighborhood, Chris Henry didn’t think he was about to lose the house he’d lived in for the past 14 years. \u003c/p>\n\u003cfigure id=\"attachment_13813874\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7321-800x1063.png\" alt=\"Chris Henry's house before the fire.\" width=\"800\" height=\"1063\" class=\"size-medium wp-image-13813874\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7321.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7321-160x213.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7321-768x1020.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7321-240x319.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7321-375x498.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7321-520x691.png 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chris Henry’s house before the fire. \u003ccite>(Chris Henry)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I had no idea what these fires could do,” says the 56-year-old artist when we meet at a downtown Santa Rosa coffee shop. As we talk, he often glances at his phone to make sure he doesn’t miss a call from a family member or insurance agent. Since the flames took his home several weeks ago, his life has been filled with constant phone calls as he tries to put the pieces back together — so much so that he hasn’t had a chance to think about painting, even though he has clients expecting commissions. \u003c/p>\n\u003cp>“No, my focus isn’t there, partly because I have a new career: It’s being on the phone with insurance people,” he says with a half smile.\u003c/p>\n\u003cp>Henry is an abstract expressionist painter whose work is well-known around Sonoma County. He exhibits at \u003ca href=\"https://www.facebook.com/tfsonoma/\" rel=\"noopener\" target=\"_blank\">Terra Firma Gallery\u003c/a> in Sonoma and, for the past dozen years, he’s opened his studio to the public for the annual \u003ca href=\"http://sonomacountyarttrails.org/\" rel=\"noopener\" target=\"_blank\">ArtTrails\u003c/a>, a county-wide art crawl that takes place each year in October. \u003c/p>\n\u003cfigure id=\"attachment_13813876\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7322-800x586.png\" alt=\"When Chris Henry returned early the next morning, his house was gone. \" width=\"800\" height=\"586\" class=\"size-medium wp-image-13813876\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-800x586.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-160x117.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-768x563.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-1020x747.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-1180x865.png 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-960x703.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-240x176.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-375x275.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322-520x381.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7322.png 1242w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">When Chris Henry returned early the next morning, his house was gone. \u003ccite>(Chris Henry )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>ArtTrails coincided with this year’s disastrous wildfires, and Henry had been looking forward to showing local art lovers his new studio, which he spent the summer building out in his garage. He estimates there were between 25 and 30 paintings in the studio, including a self-portrait he painted over 30 years ago. In a backyard shed were more expensive art supplies, including bronze sheeting and glass for mixed-media works. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Calculating the value of the losses, Henry says, has been overwhelming. “I haven’t gotten to that part yet. It’s too much.”\u003c/p>\n\u003cp>In many respects, though, Henry considers himself lucky. After he saw flames approaching and neighbors evacuating, he fled to his brother’s house in another part of Santa Rosa with his wife, stepson, daughter-in-law, and four-year-old granddaughter. They’d had to leave behind their two cats, and when Henry and his brother returned for them at around 4am the next morning, he saw his house was completely gone.\u003c/p>\n\u003cp>Two weeks after the fire, while scrolling through lost pets at animal shelters on Facebook, his daughter-in-law found their two cats; the white one had turned dark grey from the ash. “I almost didn’t recognize him,” Henry says. \u003c/p>\n\u003cfigure id=\"attachment_13813877\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/IMG_7320-800x272.png\" alt=\"Chris Henry's art studio before the fire. \" width=\"800\" height=\"272\" class=\"size-medium wp-image-13813877\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7320.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7320-160x54.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7320-768x261.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7320-240x82.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7320-375x128.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/IMG_7320-520x177.png 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chris Henry’s art studio before the fire. \u003ccite>(Chris Henry)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fortunately for the family, they found a rental near Henry’s brother’s house, and the insurance on their home will help their plans to rebuild. \u003c/p>\n\u003cp>But for now, Henry and his family are trying to return to their routines and regain a sense of normalcy. His wife is back at work at her hair salon, and he’s looking for a new studio and already itching to get started on his commissions. Fortunately, Terra Firma Gallery has a good portion of his work, so not everything was lost. \u003c/p>\n\u003cp>Despite the experience, Henry is thankful that his family survived; not everyone in his neighborhood did. An estimated \u003ca href=\"https://ww2.kqed.org/forum/2017/10/26/remembering-those-who-died-in-the-north-bay-wildfires/\" rel=\"noopener\" target=\"_blank\">17 of the identified fire victims\u003c/a> were from Santa Rosa. \u003c/p>\n\u003cp>“I tend to look forward more than back, so I want to get up and going as soon as possible,” he says. “And listen, if you saw me the day after the fire, I was a mess. But I’ve come to a place where it really is, to me, just stuff.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13813872/after-losing-30-years-of-artwork-in-fire-a-painter-looks-ahead","authors":["11387"],"series":["arts_2934"],"categories":["arts_70"],"tags":["arts_1118","arts_2757","arts_596","arts_2721","arts_3018"],"featImg":"arts_13813907","label":"arts_2934"},"arts_13813587":{"type":"posts","id":"arts_13813587","meta":{"index":"posts_1591205157","site":"arts","id":"13813587","score":null,"sort":[1509721250000]},"guestAuthors":[],"slug":"how-a-bilingual-radio-station-helped-the-undocumented-during-the-fires","title":"How a Bilingual Radio Station Helped the Undocumented During the Fires","publishDate":1509721250,"format":"image","headTitle":"How a Bilingual Radio Station Helped the Undocumented During the Fires | KQED","labelTerm":{"term":2934,"site":"arts"},"content":"\u003cp>Alicia Sanchez was at a family reunion in Las Vegas when she first heard news of the North Bay wildfires. Despite the time — it was 3am – she knew she couldn’t neglect her duties as the president of the board of directors for \u003ca href=\"https://kbbf.org\" target=\"_blank\" rel=\"noopener\">KBBF\u003c/a>, Santa Rosa’s bilingual public radio station. She immediately called programming director Edgar Avila and told him to rush to the station. By 6am, Avila and several of KBBF’s other radio hosts were translating life-saving evacuation information into Spanish and broadcasting it throughout the region.\u003c/p>\n\u003cp>“This disaster showed us that we do serve a purpose, because of the fact that there was no news in Spanish,” says Sanchez, a retired labor organizer in her sixties with thick, grey hair and beaded earrings.\u003c/p>\n\u003cp>KBBF was founded with a social justice mission during the \u003ca href=\"https://en.wikipedia.org/wiki/Chicano_Movement\" target=\"_blank\" rel=\"noopener\">Chicano movement\u003c/a> of the early ’70s. Today, it’s the oldest bilingual station in the country, and is run entirely by volunteers. It’s not unusual for Sanchez and Avila, a DJ and musician in his twenties, to provide services that go beyond their job descriptions.\u003c/p>\n\u003cp>Their roles have become even more critical during the current administration, as many KBBF listeners are Mexican immigrants and some of them are undocumented. Amid recent crackdowns on immigration, local residents often call KBBF for advice on tenants’ rights or immigration services.\u003c/p>\n\u003cp>“We’re a radio station, but we have that information and they don’t trust anyone else to give them that information,” says Avila.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘Those people are displaced, and we know that because of the phone calls we get, but we know they’re not going to the shelters.’ \u003ccite>Edgar AVila, KBBF\u003c/cite>\u003cbr>\n\u003c/aside>\n\u003cp>When the fires struck, KBBF aired information about evacuations, fire boundaries, air quality, and services for local Latino immigrants who were displaced or had \u003ca href=\"https://ww2.kqed.org/news/2017/10/12/sonoma-countys-latino-workforce-faces-job-losses-from-fires/\" target=\"_blank\" rel=\"noopener\">lost their jobs\u003c/a> because of the destructive fires.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In Sonoma County, where nearly a third of the population is Latino, one of the challenges Avila and Sanchez faced was getting local residents access to services without jeopardizing their immigration status. “The latest one right now is, if you want to get help from \u003ca href=\"https://www.fema.gov/\" rel=\"noopener\" target=\"_blank\">FEMA\u003c/a>, they read this out loud to you that you are aware that the information you have just given [them] may be shared with Homeland Security — including \u003ca href=\"https://www.ice.gov/\" rel=\"noopener\" target=\"_blank\">ICE\u003c/a> — so a lot of people are not wanting to go and apply,” says Sanchez.\u003c/p>\n\u003cp>Despite the fact that ICE \u003ca href=\"https://ww2.kqed.org/news/2017/10/13/immigration-agents-halt-operations-in-northern-california-fire-areas/\" target=\"_blank\" rel=\"noopener\">issued a statement\u003c/a> that they would not check the immigration status of those evacuating the wildfires, many listeners called KBBF and said that they were afraid to go to shelters because of the armed, uniformed National Guard officers — who, in their eyes, resembled border patrol — that were stationed outside.\u003c/p>\n\u003cp>“It’s a lack of cultural understanding” on the government’s part, Sanchez says.\u003c/p>\n\u003cp>In such a climate of mistrust and disinformation, many undocumented residents stayed with family members, in their cars, or in other out-of-the-way hideouts. “Every time we’d talk to people and go to shelters, we wouldn’t see many Latino people,” Avila says. “Those people are displaced, and we know that because of the phone calls we get, but we know they’re not going to the shelters.”\u003c/p>\n\u003cp>With recent news of ICE detaining people going through great hardships — such as \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/02/16/515685385/ice-detains-a-victim-of-domestic-abuse-at-texas-courthouse\" target=\"_blank\" rel=\"noopener\">domestic violence victims\u003c/a> at court hearings, or \u003ca href=\"https://www.huffingtonpost.com/entry/undocumented-woman-with-brain-tumor-removed-from-hospital-tied-up_us_58aefbd5e4b057efdce9ac25\" target=\"_blank\" rel=\"noopener\">patients at hospitals\u003c/a> — evacuees had reason to worry, Avila notes. “Valedictorians are getting deported,” he says, “so why wouldn’t they get deported?”\u003c/p>\n\u003cfigure id=\"attachment_13813594\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13813594\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/DSC_0551-800x450.jpg\" alt=\"A volunteer organizes supplies in KBBF's donation center. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0551.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0551-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0551-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0551-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0551-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0551-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A volunteer organizes supplies in KBBF’s donation center. \u003ccite>(Nastia Voynovskaya )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the weeks since the wildfires began, Avila and Sanchez converted a conference room in the station’s office in Roseland — Santa Rosa’s predominantly working-class, Latino neighborhood — into a donation center, passing out masks, clothes, toiletries, and other supplies to people who had been displaced from their homes or lost their jobs because of the fires.\u003c/p>\n\u003cp>“The reason we have the donation center is because of Trump, basically,” says Avila. “People are afraid to go to other places.”\u003c/p>\n\u003cp>He and Sanchez invited politicians on air, including Assemblymember Marc Levine and U.S. Representative Jared Huffman, to assure the public that shelters would not check their immigration status. They also brought the San Francisco-based Mexican consul general on air to give information to Mexican citizens on how to replace documents lost in the fire.\u003c/p>\n\u003cp>But even with distrust of the government, local residents have offered support to one another. “We’d get calls saying, ‘I have hot food at my house and all day I’m gonna be giving out hot food, this is my address.’ So we’d put it on the air,” says Avila.\u003c/p>\n\u003cp>Like everyone affected by the North Bay fires, the challenge the Latino community now faces will be in rebuilding their lives. But for working-class, undocumented residents, there are added difficulties. The flames destroyed many of the jobs available to undocumented immigrants, like cleaning the million-dollar homes that burned down in Santa Rosa’s Fountaingrove neighborhood, or working the vineyards for the wine industry. Sanchez says she’s unsure what’s next, but she’s heartened by the fact that people have stepped up to help one another.\u003c/p>\n\u003cp>That almost makes up for the fatigue she’s incurred from sleepless nights coordinating relief efforts at KBBF.\u003c/p>\n\u003cp>“It’s a combination of being devastated, and so sad and shocked and everything else, and being so proud of the people and seeing the love,” she says. “I’ve had two weeks of being surrounded by nothing by love.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13813592\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/DSC_0550-1-800x450.jpg\" alt=\"Alicia Sanchez (left) and Edgar Avila offered vital information to local Spanish speakers feeling the North Bay fires.\" width=\"0\" height=\"0\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"The small bilingual radio station KBBF offered indispensable services and information to Spanish speakers fleeing the fires. ","status":"publish","parent":0,"modified":1705029180,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":996},"headData":{"title":"How a Bilingual Radio Station Helped the Undocumented During the Fires | KQED","description":"The small bilingual radio station KBBF offered indispensable services and information to Spanish speakers fleeing the fires. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13813587/how-a-bilingual-radio-station-helped-the-undocumented-during-the-fires","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Alicia Sanchez was at a family reunion in Las Vegas when she first heard news of the North Bay wildfires. Despite the time — it was 3am – she knew she couldn’t neglect her duties as the president of the board of directors for \u003ca href=\"https://kbbf.org\" target=\"_blank\" rel=\"noopener\">KBBF\u003c/a>, Santa Rosa’s bilingual public radio station. She immediately called programming director Edgar Avila and told him to rush to the station. By 6am, Avila and several of KBBF’s other radio hosts were translating life-saving evacuation information into Spanish and broadcasting it throughout the region.\u003c/p>\n\u003cp>“This disaster showed us that we do serve a purpose, because of the fact that there was no news in Spanish,” says Sanchez, a retired labor organizer in her sixties with thick, grey hair and beaded earrings.\u003c/p>\n\u003cp>KBBF was founded with a social justice mission during the \u003ca href=\"https://en.wikipedia.org/wiki/Chicano_Movement\" target=\"_blank\" rel=\"noopener\">Chicano movement\u003c/a> of the early ’70s. Today, it’s the oldest bilingual station in the country, and is run entirely by volunteers. It’s not unusual for Sanchez and Avila, a DJ and musician in his twenties, to provide services that go beyond their job descriptions.\u003c/p>\n\u003cp>Their roles have become even more critical during the current administration, as many KBBF listeners are Mexican immigrants and some of them are undocumented. Amid recent crackdowns on immigration, local residents often call KBBF for advice on tenants’ rights or immigration services.\u003c/p>\n\u003cp>“We’re a radio station, but we have that information and they don’t trust anyone else to give them that information,” says Avila.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘Those people are displaced, and we know that because of the phone calls we get, but we know they’re not going to the shelters.’ \u003ccite>Edgar AVila, KBBF\u003c/cite>\u003cbr>\n\u003c/aside>\n\u003cp>When the fires struck, KBBF aired information about evacuations, fire boundaries, air quality, and services for local Latino immigrants who were displaced or had \u003ca href=\"https://ww2.kqed.org/news/2017/10/12/sonoma-countys-latino-workforce-faces-job-losses-from-fires/\" target=\"_blank\" rel=\"noopener\">lost their jobs\u003c/a> because of the destructive fires.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In Sonoma County, where nearly a third of the population is Latino, one of the challenges Avila and Sanchez faced was getting local residents access to services without jeopardizing their immigration status. “The latest one right now is, if you want to get help from \u003ca href=\"https://www.fema.gov/\" rel=\"noopener\" target=\"_blank\">FEMA\u003c/a>, they read this out loud to you that you are aware that the information you have just given [them] may be shared with Homeland Security — including \u003ca href=\"https://www.ice.gov/\" rel=\"noopener\" target=\"_blank\">ICE\u003c/a> — so a lot of people are not wanting to go and apply,” says Sanchez.\u003c/p>\n\u003cp>Despite the fact that ICE \u003ca href=\"https://ww2.kqed.org/news/2017/10/13/immigration-agents-halt-operations-in-northern-california-fire-areas/\" target=\"_blank\" rel=\"noopener\">issued a statement\u003c/a> that they would not check the immigration status of those evacuating the wildfires, many listeners called KBBF and said that they were afraid to go to shelters because of the armed, uniformed National Guard officers — who, in their eyes, resembled border patrol — that were stationed outside.\u003c/p>\n\u003cp>“It’s a lack of cultural understanding” on the government’s part, Sanchez says.\u003c/p>\n\u003cp>In such a climate of mistrust and disinformation, many undocumented residents stayed with family members, in their cars, or in other out-of-the-way hideouts. “Every time we’d talk to people and go to shelters, we wouldn’t see many Latino people,” Avila says. “Those people are displaced, and we know that because of the phone calls we get, but we know they’re not going to the shelters.”\u003c/p>\n\u003cp>With recent news of ICE detaining people going through great hardships — such as \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/02/16/515685385/ice-detains-a-victim-of-domestic-abuse-at-texas-courthouse\" target=\"_blank\" rel=\"noopener\">domestic violence victims\u003c/a> at court hearings, or \u003ca href=\"https://www.huffingtonpost.com/entry/undocumented-woman-with-brain-tumor-removed-from-hospital-tied-up_us_58aefbd5e4b057efdce9ac25\" target=\"_blank\" rel=\"noopener\">patients at hospitals\u003c/a> — evacuees had reason to worry, Avila notes. “Valedictorians are getting deported,” he says, “so why wouldn’t they get deported?”\u003c/p>\n\u003cfigure id=\"attachment_13813594\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13813594\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/DSC_0551-800x450.jpg\" alt=\"A volunteer organizes supplies in KBBF's donation center. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0551.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0551-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0551-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0551-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0551-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0551-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A volunteer organizes supplies in KBBF’s donation center. \u003ccite>(Nastia Voynovskaya )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the weeks since the wildfires began, Avila and Sanchez converted a conference room in the station’s office in Roseland — Santa Rosa’s predominantly working-class, Latino neighborhood — into a donation center, passing out masks, clothes, toiletries, and other supplies to people who had been displaced from their homes or lost their jobs because of the fires.\u003c/p>\n\u003cp>“The reason we have the donation center is because of Trump, basically,” says Avila. “People are afraid to go to other places.”\u003c/p>\n\u003cp>He and Sanchez invited politicians on air, including Assemblymember Marc Levine and U.S. Representative Jared Huffman, to assure the public that shelters would not check their immigration status. They also brought the San Francisco-based Mexican consul general on air to give information to Mexican citizens on how to replace documents lost in the fire.\u003c/p>\n\u003cp>But even with distrust of the government, local residents have offered support to one another. “We’d get calls saying, ‘I have hot food at my house and all day I’m gonna be giving out hot food, this is my address.’ So we’d put it on the air,” says Avila.\u003c/p>\n\u003cp>Like everyone affected by the North Bay fires, the challenge the Latino community now faces will be in rebuilding their lives. But for working-class, undocumented residents, there are added difficulties. The flames destroyed many of the jobs available to undocumented immigrants, like cleaning the million-dollar homes that burned down in Santa Rosa’s Fountaingrove neighborhood, or working the vineyards for the wine industry. Sanchez says she’s unsure what’s next, but she’s heartened by the fact that people have stepped up to help one another.\u003c/p>\n\u003cp>That almost makes up for the fatigue she’s incurred from sleepless nights coordinating relief efforts at KBBF.\u003c/p>\n\u003cp>“It’s a combination of being devastated, and so sad and shocked and everything else, and being so proud of the people and seeing the love,” she says. “I’ve had two weeks of being surrounded by nothing by love.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13813592\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/DSC_0550-1-800x450.jpg\" alt=\"Alicia Sanchez (left) and Edgar Avila offered vital information to local Spanish speakers feeling the North Bay fires.\" width=\"0\" height=\"0\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/DSC_0550-1-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13813587/how-a-bilingual-radio-station-helped-the-undocumented-during-the-fires","authors":["11387"],"series":["arts_2934"],"categories":["arts_71"],"tags":["arts_1118","arts_2757","arts_596","arts_2721"],"featImg":"arts_13813599","label":"arts_2934"},"arts_13812271":{"type":"posts","id":"arts_13812271","meta":{"index":"posts_1591205157","site":"arts","id":"13812271","score":null,"sort":[1508709604000]},"guestAuthors":[],"slug":"musicians-soothe-evacuees-at-north-bay-fire-shelters","title":"Musicians Soothe Evacuees at North Bay Fire Shelters","publishDate":1508709604,"format":"standard","headTitle":"Musicians Soothe Evacuees at North Bay Fire Shelters | KQED","labelTerm":{"term":2934,"site":"arts"},"content":"\u003cp>Most days since the North Bay fire rescue operation started, Buzzy Martin has been coming to the shelter at Sonoma County Fairgrounds to play his guitar and sing for those displaced by the disaster.\u003c/p>\n\u003cp>https://www.kqed.org/.stream/anon/radio/RDnews/2017/10/VeltmanShelterMusic.mp3\u003c/p>\n\u003cp>“‘Zip-a-dee-doo-dah,’ is one of the big ones,” said Martin of his musical selections. Other evacuation shelter favorites include “I’ve Been Working on the Railroad,” “Lean on Me,” “Stand by Me,” and “My Girl.” The jovial musician also said he gets everybody singing along with him.\u003c/p>\n\u003cp>“I felt that it would be a good way at least for me to give something back to the community,” said Martin, who lives in Sebastopol and has a long history of performing in homeless shelters, prisons and other places where underserved communities are to be found. “I know that music heals the soul and I wanted to put some smiles on peoples’ faces.”\u003c/p>\n\u003cfigure id=\"attachment_13812363\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13812363\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-800x451.jpg\" alt=\"Musician Buzzy Martin entertains a passerby at a Santa Rosa shelter.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-1920x1083.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Musician Buzzy Martin entertains a passerby at a Santa Rosa shelter. \u003ccite>(Photo: Gina Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Martin is among the more than 150 musicians who have volunteered their services at shelters across Sonoma County since the fires broke out late at night on Sunday, Oct. 8.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Local music promoter Bryce Dow-Williamson is one of the key organizers of the musical fire relief effort. He has booked both solo musicians like Martin, as well as groups, including an a cappella vocal ensemble and a brass band.\u003c/p>\n\u003cfigure id=\"attachment_13812364\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13812364\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-800x450.jpg\" alt=\"Music promoter Bryce Dow-Williamson organized the musical relief effort in the wake of the North Bay fires.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Music promoter Bryce Dow-Williamson organized the musical relief effort in the wake of the North Bay fires. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“When people are feeling all the weight of the tragedy that’s happened, music as well as other comforts can become more necessary,” Dow-Williamson said.\u003c/p>\n\u003cp>Martin’s music provided a healing moment for evacuee Robert Maxwell and his dog Precious, who were sitting on a bench outside Grace Pavilion, one of the main hubs at the Sonoma County Fairground shelter location, when the troubadour came by with his guitar.\u003c/p>\n\u003cp>“We just found out she’s pregnant and we’re just having a hard time,” Maxwell said of his dog, whom he said is due to give birth in November or December.\u003c/p>\n\u003cp>Martin’s music soon soothed the sad-eyed little dog. She stopped barking, rested her chin in her paws and closed her eyes as Martin strummed and sang “Stand by Me.”\u003c/p>\n\u003cfigure id=\"attachment_13812365\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13812365\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-800x533.jpg\" alt=\"Buzzy Martin plays while Robert Maxwell hangs out with his dog, Precious.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Buzzy Martin plays while Robert Maxwell hangs out with his dog, Precious. \u003ccite>(Photo: Gina Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It kept her calm,” Maxwell said of the song’s affect on Precious. “She fell asleep a little bit.”\u003c/p>\n\u003cp>Maxwell lost his home on Coffey Lane and said the music also helped take his mind off things. He has signed up for assistance through FEMA and doesn’t know how long he’ll be stuck at the shelter.\u003c/p>\n\u003cp>Even though the shelters around Sonoma County are emptying out as authorities are allowing evacuees to return to their homes, Dow-Williamson said he intends to continue his effort to bring healing to the community through music.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Now that we’re beyond that first little bit of tension, there’s the long haul that we need to care about — the lives of people beyond survival,” Dow-Williamson said. “Now that we’re surviving, we need to thrive too.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"More than 150 Sonoma musicians signed up to play and sing at shelters across the county in the wake of the devastating fires.","status":"publish","parent":0,"modified":1705029274,"stats":{"hasAudio":true,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":596},"headData":{"title":"Musicians Soothe Evacuees at North Bay Fire Shelters | KQED","description":"More than 150 Sonoma musicians signed up to play and sing at shelters across the county in the wake of the devastating fires.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13812271/musicians-soothe-evacuees-at-north-bay-fire-shelters","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Most days since the North Bay fire rescue operation started, Buzzy Martin has been coming to the shelter at Sonoma County Fairgrounds to play his guitar and sing for those displaced by the disaster.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"audioLink","attributes":{"named":{"src":"https://www.kqed.org/.stream/anon/radio/RDnews/2017/10/VeltmanShelterMusic.mp3"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>“‘Zip-a-dee-doo-dah,’ is one of the big ones,” said Martin of his musical selections. Other evacuation shelter favorites include “I’ve Been Working on the Railroad,” “Lean on Me,” “Stand by Me,” and “My Girl.” The jovial musician also said he gets everybody singing along with him.\u003c/p>\n\u003cp>“I felt that it would be a good way at least for me to give something back to the community,” said Martin, who lives in Sebastopol and has a long history of performing in homeless shelters, prisons and other places where underserved communities are to be found. “I know that music heals the soul and I wanted to put some smiles on peoples’ faces.”\u003c/p>\n\u003cfigure id=\"attachment_13812363\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13812363\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-800x451.jpg\" alt=\"Musician Buzzy Martin entertains a passerby at a Santa Rosa shelter.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-1920x1083.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-31-e1508611491688-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Musician Buzzy Martin entertains a passerby at a Santa Rosa shelter. \u003ccite>(Photo: Gina Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Martin is among the more than 150 musicians who have volunteered their services at shelters across Sonoma County since the fires broke out late at night on Sunday, Oct. 8.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Local music promoter Bryce Dow-Williamson is one of the key organizers of the musical fire relief effort. He has booked both solo musicians like Martin, as well as groups, including an a cappella vocal ensemble and a brass band.\u003c/p>\n\u003cfigure id=\"attachment_13812364\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13812364\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-800x450.jpg\" alt=\"Music promoter Bryce Dow-Williamson organized the musical relief effort in the wake of the North Bay fires.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/IMG_7199-e1508611620196-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Music promoter Bryce Dow-Williamson organized the musical relief effort in the wake of the North Bay fires. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“When people are feeling all the weight of the tragedy that’s happened, music as well as other comforts can become more necessary,” Dow-Williamson said.\u003c/p>\n\u003cp>Martin’s music provided a healing moment for evacuee Robert Maxwell and his dog Precious, who were sitting on a bench outside Grace Pavilion, one of the main hubs at the Sonoma County Fairground shelter location, when the troubadour came by with his guitar.\u003c/p>\n\u003cp>“We just found out she’s pregnant and we’re just having a hard time,” Maxwell said of his dog, whom he said is due to give birth in November or December.\u003c/p>\n\u003cp>Martin’s music soon soothed the sad-eyed little dog. She stopped barking, rested her chin in her paws and closed her eyes as Martin strummed and sang “Stand by Me.”\u003c/p>\n\u003cfigure id=\"attachment_13812365\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13812365\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-800x533.jpg\" alt=\"Buzzy Martin plays while Robert Maxwell hangs out with his dog, Precious.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/EvacuationCenters_SantaRosa_102017_GinaLopez_-20-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Buzzy Martin plays while Robert Maxwell hangs out with his dog, Precious. \u003ccite>(Photo: Gina Lopez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It kept her calm,” Maxwell said of the song’s affect on Precious. “She fell asleep a little bit.”\u003c/p>\n\u003cp>Maxwell lost his home on Coffey Lane and said the music also helped take his mind off things. He has signed up for assistance through FEMA and doesn’t know how long he’ll be stuck at the shelter.\u003c/p>\n\u003cp>Even though the shelters around Sonoma County are emptying out as authorities are allowing evacuees to return to their homes, Dow-Williamson said he intends to continue his effort to bring healing to the community through music.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Now that we’re beyond that first little bit of tension, there’s the long haul that we need to care about — the lives of people beyond survival,” Dow-Williamson said. “Now that we’re surviving, we need to thrive too.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13812271/musicians-soothe-evacuees-at-north-bay-fire-shelters","authors":["8608"],"series":["arts_2934"],"categories":["arts_69","arts_235"],"tags":["arts_1037","arts_1119","arts_1118","arts_2757","arts_596","arts_2721","arts_2946"],"featImg":"arts_13812369","label":"arts_2934"},"arts_13811735":{"type":"posts","id":"arts_13811735","meta":{"index":"posts_1591205157","site":"arts","id":"13811735","score":null,"sort":[1508204487000]},"guestAuthors":[],"slug":"luther-burbank-center-closes-due-to-fire-damage","title":"North Bay Venues Close Due to Wildfires, Others Open to Help Out","publishDate":1508204487,"format":"standard","headTitle":"North Bay Venues Close Due to Wildfires, Others Open to Help Out | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>After wildfires wiped out a large portion of the Luther Burbank Center for the Arts, the Santa Rosa concert hall canceled all performances through Nov. 5, while other North Bay venues plan to hold their scheduled events this week.\u003c/p>\n\u003cp>Along with killing 41 local residents and destroying 5,700 structures in the North Bay, the fires burned up the east wing of the Luther Burbank Center, which housed a school for autistic children. It also damaged the center’s 1,400-person concert hall.\u003c/p>\n\u003cp>In a statement released to the media Monday, the center’s representatives said that staff and local officials are assessing the damage done to the remaining structures. Until then, staff canceled all performances through Nov. 5 and promised to \u003ca href=\"https://www.broadwayworld.com/san-francisco/article/Luther-Burbank-Center-for-the-Arts-Postpones-Performances-thru-November-5-20171016\" rel=\"noopener\" target=\"_blank\">reimburse ticket-holders\u003c/a>. \u003c/p>\n\u003cp>https://www.facebook.com/lutherburbankcenter/photos/a.65750973471.72258.8655128471/10155234421498472/\u003c/p>\n\u003cp>“We want to open our doors to you as soon as we can. But we won’t do that until we are sure it is safe and clean,” \u003ca href=\"https://www.facebook.com/lutherburbankcenter/photos/a.65750973471.72258.8655128471/10155234421498472/\" rel=\"noopener\" target=\"_blank\">a statement\u003c/a> posted on the center’s Facebook page read. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The center’s canceled events include a Symphony Pops tribute to Louis Armstrong, a performance by Guerra de Chistes, and an evening with Brian Reed, the creator of the \u003ci>S-Town\u003c/i> podcast.\u003c/p>\n\u003cp>Another big event in the area that was canceled was the Lagunitas Beer Circus in Petaluma. The promoters announced the cancellation on Friday, saying it was due to public health and safety concerns.\u003c/p>\n\u003cp>“For those of you with plans to travel to this area, we apologize for the inconvenience. This event is at its core about supporting the local community and giving back, but this year we’re going to do this differently and help the families affected by the fires,” the Lagunitas statement read.\u003c/p>\n\u003cp>Many other venues in the North Bay canceled events but have also re-opened. \u003c/p>\n\u003cp>The Mystic Theatre in Petaluma \u003ca href=\"https://www.facebook.com/MysticTheatre/photos/a.10151914450477669.1073741826.52056022668/10155256845242669/\" rel=\"noopener\" target=\"_blank\">canceled its Tauk show\u003c/a> scheduled for Oct. 14, but stayed open during the week to take clothing donations, and supply hot food and temporary shelter for local residents displaced by the fire. \u003c/p>\n\u003cfigure id=\"attachment_13811808\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-800x1067.jpg\" alt=\"Displaced residents line up for food at the Mystic Theatre in Petaluma\" width=\"800\" height=\"1067\" class=\"size-medium wp-image-13811808\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-960x1280.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-520x693.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Displaced residents line up for food at the Mystic Theatre in Petaluma \u003ccite>(Courtesy of the Mystic Theatre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Faith Moody, general manager for the Mystic, said the owners of McNear’s Restaurant reached out to her early last week, asking if they could use her club to serve hot meals and have “some place safe to go.” She agreed, setting up the venue so the restaurant could provide three meals a day to families affected by the fire. The staff at the theater also played cartoons on a giant screen and set up a play room for children. A day after the theater was set up, Moody said that hundreds of locals came in for food and shelter, and there were so many volunteers and donations that they had to stop accepting them.\u003c/p>\n\u003cp>“The city of Petaluma really stepped up,” Moody said on Friday. \u003c/p>\n\u003cp>Moody, who had to evacuate her Santa Rosa home early Monday and later relocated to Sacramento, said she was glad to provide some kind of relief for those who were displaced.\u003c/p>\n\u003cp>“The situation is so much worse than what we’re seeing on the news,” Moody said.\u003c/p>\n\u003cp>Hop Monk, the small chain of brew pubs in the North Bay, closed its Sonoma restaurant but kept its other locations open. All of the shows scheduled at the various locations were also canceled except for the John Doe concert at the Novato location Sunday night. Dean Biersch, the owner of the Hop Monk chain, said “everybody came out” to see the influential punk frontman.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There was a real question whether or not we should make this thing happen,” Biersch said. “It was an indicator of what music means to people when they’re struggling.” \u003c/p>\n\n","blocks":[],"excerpt":"After wildfires damaged the Luther Burbank Center for the Arts, it canceled all performances through Nov. 5","status":"publish","parent":0,"modified":1705029321,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":655},"headData":{"title":"North Bay Venues Close Due to Wildfires, Others Open to Help Out | KQED","description":"After wildfires damaged the Luther Burbank Center for the Arts, it canceled all performances through Nov. 5","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13811735/luther-burbank-center-closes-due-to-fire-damage","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>After wildfires wiped out a large portion of the Luther Burbank Center for the Arts, the Santa Rosa concert hall canceled all performances through Nov. 5, while other North Bay venues plan to hold their scheduled events this week.\u003c/p>\n\u003cp>Along with killing 41 local residents and destroying 5,700 structures in the North Bay, the fires burned up the east wing of the Luther Burbank Center, which housed a school for autistic children. It also damaged the center’s 1,400-person concert hall.\u003c/p>\n\u003cp>In a statement released to the media Monday, the center’s representatives said that staff and local officials are assessing the damage done to the remaining structures. Until then, staff canceled all performances through Nov. 5 and promised to \u003ca href=\"https://www.broadwayworld.com/san-francisco/article/Luther-Burbank-Center-for-the-Arts-Postpones-Performances-thru-November-5-20171016\" rel=\"noopener\" target=\"_blank\">reimburse ticket-holders\u003c/a>. \u003c/p>\n\u003cp>https://www.facebook.com/lutherburbankcenter/photos/a.65750973471.72258.8655128471/10155234421498472/\u003c/p>\n\u003cp>“We want to open our doors to you as soon as we can. But we won’t do that until we are sure it is safe and clean,” \u003ca href=\"https://www.facebook.com/lutherburbankcenter/photos/a.65750973471.72258.8655128471/10155234421498472/\" rel=\"noopener\" target=\"_blank\">a statement\u003c/a> posted on the center’s Facebook page read. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The center’s canceled events include a Symphony Pops tribute to Louis Armstrong, a performance by Guerra de Chistes, and an evening with Brian Reed, the creator of the \u003ci>S-Town\u003c/i> podcast.\u003c/p>\n\u003cp>Another big event in the area that was canceled was the Lagunitas Beer Circus in Petaluma. The promoters announced the cancellation on Friday, saying it was due to public health and safety concerns.\u003c/p>\n\u003cp>“For those of you with plans to travel to this area, we apologize for the inconvenience. This event is at its core about supporting the local community and giving back, but this year we’re going to do this differently and help the families affected by the fires,” the Lagunitas statement read.\u003c/p>\n\u003cp>Many other venues in the North Bay canceled events but have also re-opened. \u003c/p>\n\u003cp>The Mystic Theatre in Petaluma \u003ca href=\"https://www.facebook.com/MysticTheatre/photos/a.10151914450477669.1073741826.52056022668/10155256845242669/\" rel=\"noopener\" target=\"_blank\">canceled its Tauk show\u003c/a> scheduled for Oct. 14, but stayed open during the week to take clothing donations, and supply hot food and temporary shelter for local residents displaced by the fire. \u003c/p>\n\u003cfigure id=\"attachment_13811808\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-800x1067.jpg\" alt=\"Displaced residents line up for food at the Mystic Theatre in Petaluma\" width=\"800\" height=\"1067\" class=\"size-medium wp-image-13811808\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-960x1280.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-520x693.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Displaced residents line up for food at the Mystic Theatre in Petaluma \u003ccite>(Courtesy of the Mystic Theatre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Faith Moody, general manager for the Mystic, said the owners of McNear’s Restaurant reached out to her early last week, asking if they could use her club to serve hot meals and have “some place safe to go.” She agreed, setting up the venue so the restaurant could provide three meals a day to families affected by the fire. The staff at the theater also played cartoons on a giant screen and set up a play room for children. A day after the theater was set up, Moody said that hundreds of locals came in for food and shelter, and there were so many volunteers and donations that they had to stop accepting them.\u003c/p>\n\u003cp>“The city of Petaluma really stepped up,” Moody said on Friday. \u003c/p>\n\u003cp>Moody, who had to evacuate her Santa Rosa home early Monday and later relocated to Sacramento, said she was glad to provide some kind of relief for those who were displaced.\u003c/p>\n\u003cp>“The situation is so much worse than what we’re seeing on the news,” Moody said.\u003c/p>\n\u003cp>Hop Monk, the small chain of brew pubs in the North Bay, closed its Sonoma restaurant but kept its other locations open. All of the shows scheduled at the various locations were also canceled except for the John Doe concert at the Novato location Sunday night. Dean Biersch, the owner of the Hop Monk chain, said “everybody came out” to see the influential punk frontman.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There was a real question whether or not we should make this thing happen,” Biersch said. “It was an indicator of what music means to people when they’re struggling.” \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13811735/luther-burbank-center-closes-due-to-fire-damage","authors":["93"],"programs":["arts_1272"],"categories":["arts_1","arts_69","arts_235"],"tags":["arts_1448","arts_2757","arts_596"],"featImg":"arts_13811037","label":"arts_1272"},"arts_13811475":{"type":"posts","id":"arts_13811475","meta":{"index":"posts_1591205157","site":"arts","id":"13811475","score":null,"sort":[1507906810000]},"guestAuthors":[],"slug":"playing-outside","title":"Playing Outside","publishDate":1507906810,"format":"image","headTitle":"Playing Outside | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>en, fifteen, maybe twenty years from now, my daughter will wonder what her first birthday was like.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>That’s when I’ll point to the sky, and tell her that it was graphite colored for the entire week prior to celebrating her first full trip around the sun. I’ll recall that as she mastered the art of walking and ran circles around our apartment, I questioned if was safe for her to simply be outside.\u003c/p>\n\u003cp>I’ll let her see the headlines of how wicked wildfires killed numerous people, decimated thousands of buildings and engulfed swaths of land not too far from our home. I’ll tell her how gusty winds brought the residual effects to our doorstep.\u003c/p>\n\u003cp>I’ll let her know of other disasters that took place in the days prior to her first birthday. I’ll bring up news clips of how enormous earthquakes caused massive amounts of death and damage to our neighboring country to the south. And I’ll show her videos of the southeastern portion of her home country, and I’ll explain how the people there suffered from horrible hurricanes and flooding.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I’ll laugh out of reflective frustration, as I explain to her how these disasters took a backseat to the manmade bullshit of the day.\u003c/p>\n\u003cp>Unfortunately, I’ll have to discuss the 45th President of the United States.\u003c/p>\n\u003caside class=\"pullquote alignright\">I’ll show her the stats on how Black women made 67 cents for every dollar a white man made.\u003c/aside>\n\u003cp>I’ll have to explain his antics, this thing called Twitter, the significance of “alleged” ties to Russia, and how a debate over standing or kneeling for the national anthem was a bigger issue than the prospect of nuclear war.\u003c/p>\n\u003cp>I’ll bring up the story of a gunman in Las Vegas who chose to take the lives of 58 innocent people.\u003c/p>\n\u003cp>I’ll delve into this thing that’s been labeled “the opioid epidemic,” and how it received more attention and empathy than the crack epidemic of my childhood.\u003c/p>\n\u003cp>I’ll show her numerous headlines proving the issues of sexual assault and rape were at the forefront of the entertainment industry. That’ll naturally lead into a discussion about how difficult it was to simply be an African American woman in 2017. I’ll show her the stats on how Black women made 67 cents for every dollar a white man made.\u003c/p>\n\u003cp>I’ll tell her how a Black woman got suspended from her journalism job for making similar remarks to those a white rapper and a white Miss America pageant winner received praise for.\u003c/p>\n\u003cp>I’ll bring it home, and show her that the land where she was born was ground zero for the sex trafficking industry. And I’ll follow that with the tale of how the local police department played a role in it—and received a bogus slap on the wrist for their heinous participation.\u003c/p>\n\u003cp>All of this, and I’ll add my opinion about how the biggest enemy of the Black woman was arguably Black men.\u003c/p>\n\u003cfigure id=\"attachment_13811504\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13811504\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/Playing1200.jpg\" alt=\"Independent playtime: The author's daughter playing in water.\" width=\"1200\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-520x390.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Independent playtime: The author’s daughter playing in water. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I’ll have to let her know that from the time of her conception, I was convinced that I wasn’t ready to have a child. I was her first opposition. God bless the grace of the gorgeous woman that is her mother, for she believed otherwise.\u003c/p>\n\u003caside class=\"pullquote alignright\">Oakland could be the model of equal economic, racial, gender and religious diversity it has the potential to be.\u003c/aside>\n\u003cp>I’ll explain to my daughter that beyond my own internal struggles, I cowered in the face of bringing another soul into this place where I’ve seen little significant change in my lifetime. A place where our people have been fighting for generations to obtain an equal shot at the freedom to pursue happiness, but little has changed. I’ll explain to her that America in 2017 had moved toward progress just as she did when she was learning to walk: two steps forward, one step back, with the ever-present threat of falling.\u003c/p>\n\u003cp>And then, she’ll ask, why didn’t I leave?\u003c/p>\n\u003cp>To that, I’ll tell her two things. First, there are significant problems in just about every part of this world. And secondly, I thought I could change something right here. I thought in ten, fifteen, maybe twenty years, there’d be significant change. I thought in the next few years Oakland could be the model of equal economic, racial, gender and religious diversity it has the potential to be. I thought California could not only decrease its overcrowded prisons, but also put an end to the practice of incarcerating youth. I thought America just might be able to see that people crossing an imaginary border aren’t “illegal,” just people looking for a better life. I thought that maybe, just maybe, one day a Black girl wouldn’t be afraid to walk by a group of Black men on the street—instead, she’d be happy to see fellow members of her community. Hell, she might even refer to them as her brothers — and they’d act accordingly.\u003c/p>\n\u003cp>Again, I’ll laugh out of reflective frustration, as I tell her that I knew the politics, the policing, the people and the pollution of this place were perilous in 2017. And even though I overcame a lot of my fears in that first year, and grew almost as much as she did, there were still things out of my control. Things like the smoke-laden layer of sky that threatened our respiratory systems and caused us to cancel her birthday party at the park. And then I’ll show her photos of us having a good time on her first birthday, even if it’s just spent running circles around the apartment we’re fortunate to call home; especially in the face of all that’s going on outside.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Pendarvis Harshaw is the author of ‘\u003ca href=\"http://www.latimes.com/local/abcarian/la-me-abcarian-og-harshaw-20170409-story.html\" target=\"_blank\" rel=\"noopener noreferrer\">OG Told Me\u003c/a>,’ a memoir about growing up in Oakland. Find him on Twitter \u003ca href=\"https://twitter.com/ogpenn\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Ten, fifteen, twenty years from now, how will we explain these perilous times to the next generation?","status":"publish","parent":0,"modified":1705029340,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":23,"wordCount":1069},"headData":{"title":"Playing Outside | KQED","description":"Ten, fifteen, twenty years from now, how will we explain these perilous times to the next generation?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13811475/playing-outside","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>en, fifteen, maybe twenty years from now, my daughter will wonder what her first birthday was like.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>That’s when I’ll point to the sky, and tell her that it was graphite colored for the entire week prior to celebrating her first full trip around the sun. I’ll recall that as she mastered the art of walking and ran circles around our apartment, I questioned if was safe for her to simply be outside.\u003c/p>\n\u003cp>I’ll let her see the headlines of how wicked wildfires killed numerous people, decimated thousands of buildings and engulfed swaths of land not too far from our home. I’ll tell her how gusty winds brought the residual effects to our doorstep.\u003c/p>\n\u003cp>I’ll let her know of other disasters that took place in the days prior to her first birthday. I’ll bring up news clips of how enormous earthquakes caused massive amounts of death and damage to our neighboring country to the south. And I’ll show her videos of the southeastern portion of her home country, and I’ll explain how the people there suffered from horrible hurricanes and flooding.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I’ll laugh out of reflective frustration, as I explain to her how these disasters took a backseat to the manmade bullshit of the day.\u003c/p>\n\u003cp>Unfortunately, I’ll have to discuss the 45th President of the United States.\u003c/p>\n\u003caside class=\"pullquote alignright\">I’ll show her the stats on how Black women made 67 cents for every dollar a white man made.\u003c/aside>\n\u003cp>I’ll have to explain his antics, this thing called Twitter, the significance of “alleged” ties to Russia, and how a debate over standing or kneeling for the national anthem was a bigger issue than the prospect of nuclear war.\u003c/p>\n\u003cp>I’ll bring up the story of a gunman in Las Vegas who chose to take the lives of 58 innocent people.\u003c/p>\n\u003cp>I’ll delve into this thing that’s been labeled “the opioid epidemic,” and how it received more attention and empathy than the crack epidemic of my childhood.\u003c/p>\n\u003cp>I’ll show her numerous headlines proving the issues of sexual assault and rape were at the forefront of the entertainment industry. That’ll naturally lead into a discussion about how difficult it was to simply be an African American woman in 2017. I’ll show her the stats on how Black women made 67 cents for every dollar a white man made.\u003c/p>\n\u003cp>I’ll tell her how a Black woman got suspended from her journalism job for making similar remarks to those a white rapper and a white Miss America pageant winner received praise for.\u003c/p>\n\u003cp>I’ll bring it home, and show her that the land where she was born was ground zero for the sex trafficking industry. And I’ll follow that with the tale of how the local police department played a role in it—and received a bogus slap on the wrist for their heinous participation.\u003c/p>\n\u003cp>All of this, and I’ll add my opinion about how the biggest enemy of the Black woman was arguably Black men.\u003c/p>\n\u003cfigure id=\"attachment_13811504\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13811504\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/Playing1200.jpg\" alt=\"Independent playtime: The author's daughter playing in water.\" width=\"1200\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Playing1200-520x390.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Independent playtime: The author’s daughter playing in water. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I’ll have to let her know that from the time of her conception, I was convinced that I wasn’t ready to have a child. I was her first opposition. God bless the grace of the gorgeous woman that is her mother, for she believed otherwise.\u003c/p>\n\u003caside class=\"pullquote alignright\">Oakland could be the model of equal economic, racial, gender and religious diversity it has the potential to be.\u003c/aside>\n\u003cp>I’ll explain to my daughter that beyond my own internal struggles, I cowered in the face of bringing another soul into this place where I’ve seen little significant change in my lifetime. A place where our people have been fighting for generations to obtain an equal shot at the freedom to pursue happiness, but little has changed. I’ll explain to her that America in 2017 had moved toward progress just as she did when she was learning to walk: two steps forward, one step back, with the ever-present threat of falling.\u003c/p>\n\u003cp>And then, she’ll ask, why didn’t I leave?\u003c/p>\n\u003cp>To that, I’ll tell her two things. First, there are significant problems in just about every part of this world. And secondly, I thought I could change something right here. I thought in ten, fifteen, maybe twenty years, there’d be significant change. I thought in the next few years Oakland could be the model of equal economic, racial, gender and religious diversity it has the potential to be. I thought California could not only decrease its overcrowded prisons, but also put an end to the practice of incarcerating youth. I thought America just might be able to see that people crossing an imaginary border aren’t “illegal,” just people looking for a better life. I thought that maybe, just maybe, one day a Black girl wouldn’t be afraid to walk by a group of Black men on the street—instead, she’d be happy to see fellow members of her community. Hell, she might even refer to them as her brothers — and they’d act accordingly.\u003c/p>\n\u003cp>Again, I’ll laugh out of reflective frustration, as I tell her that I knew the politics, the policing, the people and the pollution of this place were perilous in 2017. And even though I overcame a lot of my fears in that first year, and grew almost as much as she did, there were still things out of my control. Things like the smoke-laden layer of sky that threatened our respiratory systems and caused us to cancel her birthday party at the park. And then I’ll show her photos of us having a good time on her first birthday, even if it’s just spent running circles around the apartment we’re fortunate to call home; especially in the face of all that’s going on outside.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Pendarvis Harshaw is the author of ‘\u003ca href=\"http://www.latimes.com/local/abcarian/la-me-abcarian-og-harshaw-20170409-story.html\" target=\"_blank\" rel=\"noopener noreferrer\">OG Told Me\u003c/a>,’ a memoir about growing up in Oakland. Find him on Twitter \u003ca href=\"https://twitter.com/ogpenn\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13811475/playing-outside","authors":["11491"],"categories":["arts_2303"],"tags":["arts_2767","arts_1118","arts_2757","arts_596","arts_1143","arts_6285"],"featImg":"arts_13811496","label":"arts"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. 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