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The lineup also includes Swedish punks \u003ca href=\"https://www.vboysstockholm.com/\">Viagra Boys\u003c/a> and Australian industrial rockers \u003ca href=\"https://www.vowwsband.com/\">VOWWS\u003c/a>. The concert is expected to be the only West Coast date for System of a Down in 2024 outside of this month’s \u003ca href=\"https://www.sicknewworldfest.com/\">Sick New World\u003c/a> festival in Las Vegas.\u003c/p>\n\u003cp>Presented by Another Planet Entertainment, which also produces Outside Lands, the single-stage concert will take place on the weekend following Outside Lands. The concert’s proximity to Outside Lands means it will utilize much of the infrastructure from the weekend before, not unlike the country music-oriented Stagecoach festival, which takes place in Indio on the weekend following Coachella, or Napa’s Latin-music themed Festival La Onda, which this year follows the BottleRock music festival.\u003c/p>\n\u003cp>\u003ca href=\"https://goldengateparkconcerts.com/\">Tickets for the festival\u003c/a> are priced at $169 for general admission and $399 for VIP tickets plus fees. VIP guests will get expedited entry and have access to a closer views of the stage, lounges and upgraded bathrooms. Tickets officially go on sale on April 12, but \u003ca href=\"https://www.ticketmaster.com/event/1C006084BF4C4CF8?camefrom=CFC_ANOTHERPLANET_GGPCWEB&brand=anotherplanet\">Another Planet’s presale\u003c/a> starts on April 11 at 10 a.m. using the presale code \u003cstrong>golden\u003c/strong>.\u003c/p>\n\u003cp>[aside postID='news_11960570']Deftones and VOWWS last appeared in San Francisco together at a sold-out show at Bill Graham Civic Auditorium in April 2022 — a concert that was twice delayed by the COVID pandemic. Though Sacramento heroes Deftones are well-versed in playing for huge crowds at European festivals like Rock Am Ring and Reading/Leeds, this will be their biggest Bay Area concert to date.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The concert is the first to be produced under Another Planet’s newly formed Golden Gate Park Concerts banner. In September of 2023, \u003ca href=\"https://www.kqed.org/news/11960570/sfs-golden-gate-park-may-soon-host-new-concert-series-from-producers-of-outside-lands\">San Francisco’s Board of Supervisors approved additional concerts in Golden Gate Park\u003c/a>, with the stipulation that Another Planet produce three free concerts at the Civic Center, Union Square and the Embarcadero. The city also granted Another Planet exclusive rights to producing ticketed concerts in Golden Gate Park.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are excited to be bringing such an iconic lineup to the city,” Allen Scott, Another Planet’s president of concerts and festivals, said in a statement. “We are expecting fans from not just the Bay Area but from across the US and internationally.”\u003c/p>\n\n","blocks":[],"excerpt":"The one-day concert gets underway in Golden Gate Park's Polo Fields on Aug. 17, 2024.","status":"publish","parent":0,"modified":1712692603,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":444},"headData":{"title":"Ticket Alert: System of a Down, Deftones Concert Presale Code in SF | KQED","description":"How to score tickets before the general onsale for System of a Down and Deftones in San Francisco's Golden Gate Park.","ogTitle":"System of a Down, Deftones to Headline San Francisco Concert After Outside Lands","ogDescription":"","ogImgId":"","twTitle":"System of a Down, Deftones to Headline San Francisco Concert After Outside Lands","twDescription":"","twImgId":"","socialTitle":"Ticket Alert: System of a Down, Deftones Concert Presale Code in SF %%page%% %%sep%% KQED","socialDescription":"How to score tickets before the general onsale for System of a Down and Deftones in San Francisco's Golden Gate Park."},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955656/deftones-system-of-a-down-tickets-presale-code-san-francisco-golden-gate-outside-lands","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Deftones, System of a Down and The Mars Volta will play in San Francisco’s Golden Gate Park this August, inaugurating a new annual event on the same site as the Outside Lands music festival.\u003c/p>\n\u003cp>The one-day concert will take place in Golden Gate Park’s Polo Fields on Aug. 17, 2024 for an audience of up to 65,000 people. The lineup also includes Swedish punks \u003ca href=\"https://www.vboysstockholm.com/\">Viagra Boys\u003c/a> and Australian industrial rockers \u003ca href=\"https://www.vowwsband.com/\">VOWWS\u003c/a>. The concert is expected to be the only West Coast date for System of a Down in 2024 outside of this month’s \u003ca href=\"https://www.sicknewworldfest.com/\">Sick New World\u003c/a> festival in Las Vegas.\u003c/p>\n\u003cp>Presented by Another Planet Entertainment, which also produces Outside Lands, the single-stage concert will take place on the weekend following Outside Lands. The concert’s proximity to Outside Lands means it will utilize much of the infrastructure from the weekend before, not unlike the country music-oriented Stagecoach festival, which takes place in Indio on the weekend following Coachella, or Napa’s Latin-music themed Festival La Onda, which this year follows the BottleRock music festival.\u003c/p>\n\u003cp>\u003ca href=\"https://goldengateparkconcerts.com/\">Tickets for the festival\u003c/a> are priced at $169 for general admission and $399 for VIP tickets plus fees. VIP guests will get expedited entry and have access to a closer views of the stage, lounges and upgraded bathrooms. Tickets officially go on sale on April 12, but \u003ca href=\"https://www.ticketmaster.com/event/1C006084BF4C4CF8?camefrom=CFC_ANOTHERPLANET_GGPCWEB&brand=anotherplanet\">Another Planet’s presale\u003c/a> starts on April 11 at 10 a.m. using the presale code \u003cstrong>golden\u003c/strong>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11960570","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Deftones and VOWWS last appeared in San Francisco together at a sold-out show at Bill Graham Civic Auditorium in April 2022 — a concert that was twice delayed by the COVID pandemic. Though Sacramento heroes Deftones are well-versed in playing for huge crowds at European festivals like Rock Am Ring and Reading/Leeds, this will be their biggest Bay Area concert to date.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The concert is the first to be produced under Another Planet’s newly formed Golden Gate Park Concerts banner. In September of 2023, \u003ca href=\"https://www.kqed.org/news/11960570/sfs-golden-gate-park-may-soon-host-new-concert-series-from-producers-of-outside-lands\">San Francisco’s Board of Supervisors approved additional concerts in Golden Gate Park\u003c/a>, with the stipulation that Another Planet produce three free concerts at the Civic Center, Union Square and the Embarcadero. The city also granted Another Planet exclusive rights to producing ticketed concerts in Golden Gate Park.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are excited to be bringing such an iconic lineup to the city,” Allen Scott, Another Planet’s president of concerts and festivals, said in a statement. “We are expecting fans from not just the Bay Area but from across the US and internationally.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955656/deftones-system-of-a-down-tickets-presale-code-san-francisco-golden-gate-outside-lands","authors":["11242"],"programs":["arts_140"],"categories":["arts_1","arts_11615","arts_69","arts_75"],"tags":["arts_2427","arts_994","arts_1694","arts_905","arts_585","arts_700"],"featImg":"arts_13955665","label":"arts_140"},"arts_13938631":{"type":"posts","id":"arts_13938631","meta":{"index":"posts_1591205157","site":"arts","id":"13938631","score":null,"sort":[1701244557000]},"guestAuthors":[],"slug":"festival-la-onda-new-latin-music-festival-bottlerock-napa","title":"Festival La Onda, a New Latin Music Festival in Napa, Will Follow BottleRock in 2024","publishDate":1701244557,"format":"standard","headTitle":"Festival La Onda, a New Latin Music Festival in Napa, Will Follow BottleRock in 2024 | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>The organizers of BottleRock, the annual Napa music festival, have announced a new Latin music festival. \u003ca href=\"https://www.laondafest.com/\">Festival La Onda\u003c/a> will run June 1 and 2 — the weekend following BottleRock — at the same site, the Napa Valley Expo. \u003c/p>\n\u003cp>While the lineup of performers won’t be announced until Monday, Dec. 4, Festival La Onda promises two days of “major Latin touring artists,” including “regional Mexican, Latin pop, Spanish rock, reggaetón, banda, mariachi, rap, norteño, cumbia, bolero and more.” Judging by the size of the festival grounds and \u003ca href=\"https://www.bottlerocknapavalley.com/past-lineups/\">previous BottleRock headliners\u003c/a>, it’s safe to expect big names among the La Onda lineup. \u003c/p>\n\u003cp>[aside postID='arts_13936406']On Tuesday, \u003ca href=\"https://napavalleyregister.com/news/local/festival-la-onda-latin-music-bottlerock-napa-valley-latitude-38/article_1bdbbb8e-8e6d-11ee-aa2e-c340db734484.html\">the \u003cem>Napa Valley Register\u003c/em> reported\u003c/a> that in a community forum that evening, BottleRock organizers Latitude 38 met with Napa residents to announce Festival La Onda, explaining that it follows requests from the sizable local Latino population for a specialized music festival. The \u003ca href=\"https://www.laondafest.com/\">festival’s website\u003c/a> also promises local and regional Latin cuisine, specialty beverages, a spa, a silent disco and other amenities similar to BottleRock. \u003c/p>\n\u003cp>The announcement follows several trends, foremost among them the massively growing popularity of Latin music — especially in California, where nearly 40% of the state’s population is Latino. It also capitalizes on BottleRock’s on-site infrastructure for a second weekend of music, which has become routine at festivals like Coachella. And, in Napa, it follows this year’s inaugural Sabor Y Ritmo festival, with a lineup of Latin music acts, held at Silverado Resort in September. \u003c/p>\n\u003cp>Whether Festival La Onda will attract the large crowds of BottleRock, which organizers estimate at 120,000 people across three days, will be dependent largely on the performers. Going by some already announced tour dates, it may be safer to predict who \u003cem>won’t\u003c/em> be part of the lineup than who will. Gloria Trevi performs at the SAP Center in San Jose on Feb. 3, making it unlikely she’d return for Festival La Onda. Likewise, Pepe Aguilar will be at the SAP Center on July 19, and Hombres G on June 29. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As for reckless speculation: Currently, Bad Bunny’s last announced tour date in 2024, in Florida, is just five days before the festival. Peso Pluma has no conflicting plans on June 1 or 2, nor does Karol G, Fuerza Regida, Maluma or Rosalía. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The official La Onda Festival lineup will be announced at 8 a.m. on Monday, Dec. 4 at \u003ca href=\"https://www.laondafest.com/\">the festival site\u003c/a>; tickets will go on sale starting Friday, Dec. 8, at 10 a.m.\u003c/p>\n\n","blocks":[],"excerpt":"Festival La Onda promises 'major Latin touring artists' on June 1 and 2 at the Napa Valley Expo.","status":"publish","parent":0,"modified":1705003049,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":442},"headData":{"title":"Festival La Onda, a New Latin Music Festival in Napa, Will Follow BottleRock in 2024 | KQED","description":"Festival La Onda promises 'major Latin touring artists' on June 1 and 2 at the Napa Valley Expo.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13938631/festival-la-onda-new-latin-music-festival-bottlerock-napa","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The organizers of BottleRock, the annual Napa music festival, have announced a new Latin music festival. \u003ca href=\"https://www.laondafest.com/\">Festival La Onda\u003c/a> will run June 1 and 2 — the weekend following BottleRock — at the same site, the Napa Valley Expo. \u003c/p>\n\u003cp>While the lineup of performers won’t be announced until Monday, Dec. 4, Festival La Onda promises two days of “major Latin touring artists,” including “regional Mexican, Latin pop, Spanish rock, reggaetón, banda, mariachi, rap, norteño, cumbia, bolero and more.” Judging by the size of the festival grounds and \u003ca href=\"https://www.bottlerocknapavalley.com/past-lineups/\">previous BottleRock headliners\u003c/a>, it’s safe to expect big names among the La Onda lineup. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13936406","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>On Tuesday, \u003ca href=\"https://napavalleyregister.com/news/local/festival-la-onda-latin-music-bottlerock-napa-valley-latitude-38/article_1bdbbb8e-8e6d-11ee-aa2e-c340db734484.html\">the \u003cem>Napa Valley Register\u003c/em> reported\u003c/a> that in a community forum that evening, BottleRock organizers Latitude 38 met with Napa residents to announce Festival La Onda, explaining that it follows requests from the sizable local Latino population for a specialized music festival. The \u003ca href=\"https://www.laondafest.com/\">festival’s website\u003c/a> also promises local and regional Latin cuisine, specialty beverages, a spa, a silent disco and other amenities similar to BottleRock. \u003c/p>\n\u003cp>The announcement follows several trends, foremost among them the massively growing popularity of Latin music — especially in California, where nearly 40% of the state’s population is Latino. It also capitalizes on BottleRock’s on-site infrastructure for a second weekend of music, which has become routine at festivals like Coachella. And, in Napa, it follows this year’s inaugural Sabor Y Ritmo festival, with a lineup of Latin music acts, held at Silverado Resort in September. \u003c/p>\n\u003cp>Whether Festival La Onda will attract the large crowds of BottleRock, which organizers estimate at 120,000 people across three days, will be dependent largely on the performers. Going by some already announced tour dates, it may be safer to predict who \u003cem>won’t\u003c/em> be part of the lineup than who will. Gloria Trevi performs at the SAP Center in San Jose on Feb. 3, making it unlikely she’d return for Festival La Onda. Likewise, Pepe Aguilar will be at the SAP Center on July 19, and Hombres G on June 29. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As for reckless speculation: Currently, Bad Bunny’s last announced tour date in 2024, in Florida, is just five days before the festival. Peso Pluma has no conflicting plans on June 1 or 2, nor does Karol G, Fuerza Regida, Maluma or Rosalía. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The official La Onda Festival lineup will be announced at 8 a.m. on Monday, Dec. 4 at \u003ca href=\"https://www.laondafest.com/\">the festival site\u003c/a>; tickets will go on sale starting Friday, Dec. 8, at 10 a.m.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13938631/festival-la-onda-new-latin-music-festival-bottlerock-napa","authors":["185"],"categories":["arts_1","arts_69","arts_235"],"tags":["arts_1853","arts_10278","arts_21763","arts_2519","arts_1694","arts_1855"],"featImg":"arts_13902611","label":"arts"},"arts_13935691":{"type":"posts","id":"arts_13935691","meta":{"index":"posts_1591205157","site":"arts","id":"13935691","score":null,"sort":[1696267075000]},"guestAuthors":[],"slug":"little-simz-nelly-furtado-portola-festival-san-francisco","title":"At Portola, Little Simz and Nelly Furtado Show Who’s Boss","publishDate":1696267075,"format":"standard","headTitle":"At Portola, Little Simz and Nelly Furtado Show Who’s Boss | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>After a chaotic first year, Portola made a triumphant return to San Francisco’s Pier 80 — an austere, concrete landscape bookended by mechanical cranes and ships. The city’s largest cargo terminal doesn’t exactly scream musical festival, but it does say Bay Area industrial with its chest. Thousands flocked to the venue in repurposed Renaissance sequins and LED garments galore on Sept. 30 and Oct. 1 to brave Bay Area climate at her finest: too hot for layers at noon and tundra cold by dark.\u003c/p>\n\u003cp>Eric Prydz’ set on day one was less of a DJ set than it was an atmospheric experience. His electro-house beats were all-consuming even hundreds of rows back from the stage, while holograms of humanoids in hazmat gear surveilled the crowd like a cyberpunk nightmare.\u003c/p>\n\u003cp>An obvious gem of the entire two-day festival was British rapper Little Simz, who tore up the main stage on Sunday with her turbo-charged rhymes and commanding stage presence. She exuded the raw confidence of an artist well in her prime. “I bottle up and then spill it in verses / One day, I’m wordless, next day, I’m a wordsmith,” she rapped from her 2021 album \u003cem>Sometimes I Might Be Introvert\u003c/em>, and the crowd \u003cem>felt it\u003c/em>.\u003c/p>\n\u003cp>At the end of her set, Simz was as reluctant to go as the audience was. “Fuck it — if they cut us off, they cut us off,” she laughed, launching into an exhilarating bonus performance of “Woman.” (A highlight within the highlight were her ASL interpreters, who were busting moves as much as they were keeping up with her rapid fire verses.)\u003c/p>\n\u003cfigure id=\"attachment_13935673\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935673\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Little-Simz-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Simz-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Simz-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Simz-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Simz-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Simz-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Simz-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Little Simz performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>True to form, Thundercat delivered silky, six-string bass guitar solos — and meowed a lot. Rina Sawayama brought theatrical realness with three outfit changes and dramatic vocals. In the indoor scene, Kenny Beats, 2manydjs and Flying Lotus curated excellent warehouse parties. Kenny Beats’ expert mixing of Bay Area hits like “Got 5 on It” and “Tell Me When to Go” was frankly stunning.\u003c/p>\n\u003cp>FKJ, Nelly Furtado and Polo and Pan had spectacular back-to-back sets. The crowd pressed up to the stage as Furtado made an emotional comeback performance. “Thank you so much,” she said tearfully as the crowd sang along to “I’m Like A Bird,” a 2000 hit that still has the staying power to heal our collective inner child.\u003c/p>\n\u003cfigure id=\"attachment_13935630\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935630\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Nelly-Furtado-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Nelly-Furtado-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Nelly-Furtado-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Nelly-Furtado-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Nelly-Furtado-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Nelly-Furtado-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Nelly-Furtado-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-2-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nelly Furtado performs at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If Furtado brought a syrupy nostalgia for the aughts era of Juicy velour and lowrise cargo pants, then Polo and Pan brought something more timeless and even subatomic. Kinetic orbs and pulsing triangles frolicked onscreen as the duo performed effervescent songs like “Feel Good,” which had the whole crowd astral projecting onto a plane better than this one. [aside postid='arts_13935114']\u003c/p>\n\u003cp>And while Skrillex delivered a relentless yet unremarkable 90 minutes of EDM, the real supernova of Portola’s climax was Tokischa, emphasis on the climax. The Dominican rapper threw down a volcanic performance that had both fans and backup dancers literally tearing off their clothes. Even the stragglers on the outskirts of the crowd were dancing and putting their whole backs into it to songs like “Perra” and “La Combi Versace.” Nothing was lowkey about the event — and Portola was better for it.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cfigure id=\"attachment_13935686\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935686\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/The-crowd-at-Portola-festival-on-Sunday-Oct.-1-2023.-Estefany-GonzalezCR2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/The-crowd-at-Portola-festival-on-Sunday-Oct.-1-2023.-Estefany-GonzalezCR2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/The-crowd-at-Portola-festival-on-Sunday-Oct.-1-2023.-Estefany-GonzalezCR2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/The-crowd-at-Portola-festival-on-Sunday-Oct.-1-2023.-Estefany-GonzalezCR2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/The-crowd-at-Portola-festival-on-Sunday-Oct.-1-2023.-Estefany-GonzalezCR2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/The-crowd-at-Portola-festival-on-Sunday-Oct.-1-2023.-Estefany-GonzalezCR2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/The-crowd-at-Portola-festival-on-Sunday-Oct.-1-2023.-Estefany-GonzalezCR2-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Portola festival on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935689\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935689\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Thundercat-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Thundercat-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Thundercat-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Thundercat-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Thundercat-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Thundercat-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Thundercat-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thundercat performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935684\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935684\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-8.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-8.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-8-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-8-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-8-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-8-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-8-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Skrillex headlines Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935680\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935680\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Rina Sawayama performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935678\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935678\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-4.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-4.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-4-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-4-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-4-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-4-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Rina Sawayama performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935676\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935676\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Masego-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Masego-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Masego-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Masego-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Masego-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Masego-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Masego-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Masego performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935668\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935668\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Little Dragon performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935669\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935669\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-2-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Little Dragon performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935666\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935666\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Labrinth-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Labrinth-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Labrinth-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Labrinth-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Labrinth-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Labrinth-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Labrinth-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Labrinth performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935660\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935660\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Janellelise-Ondevilla-left-and-partner-Michae-McEuen-wear-matching-light-up-outfits-to-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Janellelise-Ondevilla-left-and-partner-Michae-McEuen-wear-matching-light-up-outfits-to-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Janellelise-Ondevilla-left-and-partner-Michae-McEuen-wear-matching-light-up-outfits-to-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Janellelise-Ondevilla-left-and-partner-Michae-McEuen-wear-matching-light-up-outfits-to-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Janellelise-Ondevilla-left-and-partner-Michae-McEuen-wear-matching-light-up-outfits-to-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Janellelise-Ondevilla-left-and-partner-Michae-McEuen-wear-matching-light-up-outfits-to-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Janellelise-Ondevilla-left-and-partner-Michae-McEuen-wear-matching-light-up-outfits-to-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janellelise Ondevilla (left) and partner Michae McEuen wear matching light up outfits to Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935657\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935657\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Festivalgoers-cheer-from-the-front-row-of-the-Pier-Stage-as-Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Festivalgoers-cheer-from-the-front-row-of-the-Pier-Stage-as-Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Festivalgoers-cheer-from-the-front-row-of-the-Pier-Stage-as-Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Festivalgoers-cheer-from-the-front-row-of-the-Pier-Stage-as-Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Festivalgoers-cheer-from-the-front-row-of-the-Pier-Stage-as-Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Festivalgoers-cheer-from-the-front-row-of-the-Pier-Stage-as-Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Festivalgoers-cheer-from-the-front-row-of-the-Pier-Stage-as-Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-2-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festivalgoers cheer from the front row of the Pier Stage as Skrillex headlines Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935656\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935656\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Fans-dance-at-the-Ship-Tent-as-Kenny-Beats-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-dance-at-the-Ship-Tent-as-Kenny-Beats-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-dance-at-the-Ship-Tent-as-Kenny-Beats-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-dance-at-the-Ship-Tent-as-Kenny-Beats-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-dance-at-the-Ship-Tent-as-Kenny-Beats-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-dance-at-the-Ship-Tent-as-Kenny-Beats-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-dance-at-the-Ship-Tent-as-Kenny-Beats-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fans dance at the Ship Tent as Kenny Beats performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935655\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935655\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Fans-cheer-for-Kenny-Beats-from-the-front-row-of-the-Ship-Tent-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-cheer-for-Kenny-Beats-from-the-front-row-of-the-Ship-Tent-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-cheer-for-Kenny-Beats-from-the-front-row-of-the-Ship-Tent-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-cheer-for-Kenny-Beats-from-the-front-row-of-the-Ship-Tent-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-cheer-for-Kenny-Beats-from-the-front-row-of-the-Ship-Tent-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-cheer-for-Kenny-Beats-from-the-front-row-of-the-Ship-Tent-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-cheer-for-Kenny-Beats-from-the-front-row-of-the-Ship-Tent-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fans cheer for Kenny Beats from the front row of the Ship Tent on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935653\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935653\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Eric Prydz performs at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935652\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935652\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Eric Prydz performs at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935651\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935651\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Polo and Pan perform at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935650\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935650\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Polo and Pan perform at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935649\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935649\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Polo and Pan perform at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935647\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935647\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Flying-Lotus-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Flying-Lotus-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Flying-Lotus-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Flying-Lotus-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Flying-Lotus-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Flying-Lotus-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Flying-Lotus-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Flying Lotus performs at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935646\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935646\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Portola-attendees-Dance-as-Nelly-Furtado-performs-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-Dance-as-Nelly-Furtado-performs-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-Dance-as-Nelly-Furtado-performs-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-Dance-as-Nelly-Furtado-performs-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-Dance-as-Nelly-Furtado-performs-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-Dance-as-Nelly-Furtado-performs-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-Dance-as-Nelly-Furtado-performs-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Portola attendees dance as Nelly Furtado performs on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935645\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935645\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Portola-attendees-dance-as-Polo-and-Pan-perform-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-dance-as-Polo-and-Pan-perform-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-dance-as-Polo-and-Pan-perform-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-dance-as-Polo-and-Pan-perform-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-dance-as-Polo-and-Pan-perform-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-dance-as-Polo-and-Pan-perform-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-dance-as-Polo-and-Pan-perform-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Portola attendees dance as Polo and Pan perform on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935628\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935628\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">FKJ performs at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935627\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935627\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">FKJ performs at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935626\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935626\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Chromeo-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Chromeo-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Chromeo-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Chromeo-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Chromeo-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Chromeo-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Chromeo-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Chromeo performs at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The electronic music festival found its groove during its second year at San Francisco's Pier 80. ","status":"publish","parent":0,"modified":1705003296,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":921},"headData":{"title":"At Portola, Little Simz and Nelly Furtado Show Who’s Boss | KQED","description":"The electronic music festival found its groove during its second year at San Francisco's Pier 80. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13935691/little-simz-nelly-furtado-portola-festival-san-francisco","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>After a chaotic first year, Portola made a triumphant return to San Francisco’s Pier 80 — an austere, concrete landscape bookended by mechanical cranes and ships. The city’s largest cargo terminal doesn’t exactly scream musical festival, but it does say Bay Area industrial with its chest. Thousands flocked to the venue in repurposed Renaissance sequins and LED garments galore on Sept. 30 and Oct. 1 to brave Bay Area climate at her finest: too hot for layers at noon and tundra cold by dark.\u003c/p>\n\u003cp>Eric Prydz’ set on day one was less of a DJ set than it was an atmospheric experience. His electro-house beats were all-consuming even hundreds of rows back from the stage, while holograms of humanoids in hazmat gear surveilled the crowd like a cyberpunk nightmare.\u003c/p>\n\u003cp>An obvious gem of the entire two-day festival was British rapper Little Simz, who tore up the main stage on Sunday with her turbo-charged rhymes and commanding stage presence. She exuded the raw confidence of an artist well in her prime. “I bottle up and then spill it in verses / One day, I’m wordless, next day, I’m a wordsmith,” she rapped from her 2021 album \u003cem>Sometimes I Might Be Introvert\u003c/em>, and the crowd \u003cem>felt it\u003c/em>.\u003c/p>\n\u003cp>At the end of her set, Simz was as reluctant to go as the audience was. “Fuck it — if they cut us off, they cut us off,” she laughed, launching into an exhilarating bonus performance of “Woman.” (A highlight within the highlight were her ASL interpreters, who were busting moves as much as they were keeping up with her rapid fire verses.)\u003c/p>\n\u003cfigure id=\"attachment_13935673\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935673\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Little-Simz-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Simz-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Simz-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Simz-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Simz-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Simz-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Simz-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Little Simz performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>True to form, Thundercat delivered silky, six-string bass guitar solos — and meowed a lot. Rina Sawayama brought theatrical realness with three outfit changes and dramatic vocals. In the indoor scene, Kenny Beats, 2manydjs and Flying Lotus curated excellent warehouse parties. Kenny Beats’ expert mixing of Bay Area hits like “Got 5 on It” and “Tell Me When to Go” was frankly stunning.\u003c/p>\n\u003cp>FKJ, Nelly Furtado and Polo and Pan had spectacular back-to-back sets. The crowd pressed up to the stage as Furtado made an emotional comeback performance. “Thank you so much,” she said tearfully as the crowd sang along to “I’m Like A Bird,” a 2000 hit that still has the staying power to heal our collective inner child.\u003c/p>\n\u003cfigure id=\"attachment_13935630\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935630\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Nelly-Furtado-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Nelly-Furtado-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Nelly-Furtado-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Nelly-Furtado-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Nelly-Furtado-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Nelly-Furtado-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Nelly-Furtado-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-2-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Nelly Furtado performs at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If Furtado brought a syrupy nostalgia for the aughts era of Juicy velour and lowrise cargo pants, then Polo and Pan brought something more timeless and even subatomic. Kinetic orbs and pulsing triangles frolicked onscreen as the duo performed effervescent songs like “Feel Good,” which had the whole crowd astral projecting onto a plane better than this one. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13935114","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And while Skrillex delivered a relentless yet unremarkable 90 minutes of EDM, the real supernova of Portola’s climax was Tokischa, emphasis on the climax. The Dominican rapper threw down a volcanic performance that had both fans and backup dancers literally tearing off their clothes. Even the stragglers on the outskirts of the crowd were dancing and putting their whole backs into it to songs like “Perra” and “La Combi Versace.” Nothing was lowkey about the event — and Portola was better for it.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cfigure id=\"attachment_13935686\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935686\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/The-crowd-at-Portola-festival-on-Sunday-Oct.-1-2023.-Estefany-GonzalezCR2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/The-crowd-at-Portola-festival-on-Sunday-Oct.-1-2023.-Estefany-GonzalezCR2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/The-crowd-at-Portola-festival-on-Sunday-Oct.-1-2023.-Estefany-GonzalezCR2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/The-crowd-at-Portola-festival-on-Sunday-Oct.-1-2023.-Estefany-GonzalezCR2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/The-crowd-at-Portola-festival-on-Sunday-Oct.-1-2023.-Estefany-GonzalezCR2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/The-crowd-at-Portola-festival-on-Sunday-Oct.-1-2023.-Estefany-GonzalezCR2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/The-crowd-at-Portola-festival-on-Sunday-Oct.-1-2023.-Estefany-GonzalezCR2-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Portola festival on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935689\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935689\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Thundercat-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Thundercat-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Thundercat-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Thundercat-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Thundercat-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Thundercat-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Thundercat-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thundercat performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935684\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935684\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-8.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-8.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-8-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-8-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-8-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-8-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-8-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Skrillex headlines Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935680\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935680\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Rina Sawayama performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935678\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935678\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-4.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-4.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-4-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-4-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-4-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Rina-Sawayama-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-4-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Rina Sawayama performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935676\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935676\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Masego-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Masego-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Masego-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Masego-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Masego-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Masego-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Masego-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Masego performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935668\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935668\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Little Dragon performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935669\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935669\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Little-Dragon-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-3-2-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Little Dragon performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935666\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935666\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Labrinth-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Labrinth-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Labrinth-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Labrinth-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Labrinth-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Labrinth-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Labrinth-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-7-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Labrinth performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935660\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935660\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Janellelise-Ondevilla-left-and-partner-Michae-McEuen-wear-matching-light-up-outfits-to-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Janellelise-Ondevilla-left-and-partner-Michae-McEuen-wear-matching-light-up-outfits-to-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Janellelise-Ondevilla-left-and-partner-Michae-McEuen-wear-matching-light-up-outfits-to-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Janellelise-Ondevilla-left-and-partner-Michae-McEuen-wear-matching-light-up-outfits-to-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Janellelise-Ondevilla-left-and-partner-Michae-McEuen-wear-matching-light-up-outfits-to-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Janellelise-Ondevilla-left-and-partner-Michae-McEuen-wear-matching-light-up-outfits-to-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Janellelise-Ondevilla-left-and-partner-Michae-McEuen-wear-matching-light-up-outfits-to-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janellelise Ondevilla (left) and partner Michae McEuen wear matching light up outfits to Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935657\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935657\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Festivalgoers-cheer-from-the-front-row-of-the-Pier-Stage-as-Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Festivalgoers-cheer-from-the-front-row-of-the-Pier-Stage-as-Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Festivalgoers-cheer-from-the-front-row-of-the-Pier-Stage-as-Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Festivalgoers-cheer-from-the-front-row-of-the-Pier-Stage-as-Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Festivalgoers-cheer-from-the-front-row-of-the-Pier-Stage-as-Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Festivalgoers-cheer-from-the-front-row-of-the-Pier-Stage-as-Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Festivalgoers-cheer-from-the-front-row-of-the-Pier-Stage-as-Skrillex-headlines-Portola-on-Sunday-Oct.-1-2023.-2-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festivalgoers cheer from the front row of the Pier Stage as Skrillex headlines Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935656\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935656\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Fans-dance-at-the-Ship-Tent-as-Kenny-Beats-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-dance-at-the-Ship-Tent-as-Kenny-Beats-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-dance-at-the-Ship-Tent-as-Kenny-Beats-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-dance-at-the-Ship-Tent-as-Kenny-Beats-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-dance-at-the-Ship-Tent-as-Kenny-Beats-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-dance-at-the-Ship-Tent-as-Kenny-Beats-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-dance-at-the-Ship-Tent-as-Kenny-Beats-performs-at-Portola-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-5-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fans dance at the Ship Tent as Kenny Beats performs at Portola on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935655\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935655\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Fans-cheer-for-Kenny-Beats-from-the-front-row-of-the-Ship-Tent-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-cheer-for-Kenny-Beats-from-the-front-row-of-the-Ship-Tent-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-cheer-for-Kenny-Beats-from-the-front-row-of-the-Ship-Tent-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-cheer-for-Kenny-Beats-from-the-front-row-of-the-Ship-Tent-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-cheer-for-Kenny-Beats-from-the-front-row-of-the-Ship-Tent-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-cheer-for-Kenny-Beats-from-the-front-row-of-the-Ship-Tent-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Fans-cheer-for-Kenny-Beats-from-the-front-row-of-the-Ship-Tent-on-Sunday-Oct.-1-2023.-Estefany-Gonzalez-2-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Fans cheer for Kenny Beats from the front row of the Ship Tent on Sunday, Oct. 1, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935653\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935653\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Eric Prydz performs at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935652\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935652\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Eric-Prydz-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Eric Prydz performs at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935651\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935651\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Polo and Pan perform at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935650\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935650\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Polo and Pan perform at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935649\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935649\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Polo-and-Pan-perform-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Polo and Pan perform at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935647\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935647\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Flying-Lotus-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Flying-Lotus-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Flying-Lotus-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Flying-Lotus-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Flying-Lotus-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Flying-Lotus-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Flying-Lotus-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Flying Lotus performs at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935646\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935646\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Portola-attendees-Dance-as-Nelly-Furtado-performs-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-Dance-as-Nelly-Furtado-performs-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-Dance-as-Nelly-Furtado-performs-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-Dance-as-Nelly-Furtado-performs-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-Dance-as-Nelly-Furtado-performs-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-Dance-as-Nelly-Furtado-performs-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-Dance-as-Nelly-Furtado-performs-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Portola attendees dance as Nelly Furtado performs on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935645\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935645\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Portola-attendees-dance-as-Polo-and-Pan-perform-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-dance-as-Polo-and-Pan-perform-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-dance-as-Polo-and-Pan-perform-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-dance-as-Polo-and-Pan-perform-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-dance-as-Polo-and-Pan-perform-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-dance-as-Polo-and-Pan-perform-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Portola-attendees-dance-as-Polo-and-Pan-perform-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Portola attendees dance as Polo and Pan perform on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935628\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935628\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-3-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">FKJ performs at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935627\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935627\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/FKJ-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-1-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">FKJ performs at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13935626\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935626\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Chromeo-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Chromeo-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Chromeo-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Chromeo-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Chromeo-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Chromeo-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Chromeo-performs-at-Portola-on-Saturday-Sept.-30-2023.-Estefany-Gonzalez-5-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Chromeo performs at Portola on Saturday, Sept. 30, 2023. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13935691/little-simz-nelly-furtado-portola-festival-san-francisco","authors":["11872"],"categories":["arts_1","arts_69"],"tags":["arts_10278","arts_4928","arts_7167","arts_1694"],"featImg":"arts_13935632","label":"arts"},"arts_13934655":{"type":"posts","id":"arts_13934655","meta":{"index":"posts_1591205157","site":"arts","id":"13934655","score":null,"sort":[1694555787000]},"guestAuthors":[],"slug":"chuseok-mid-autumn-fesetival-oakland-chinatown-korean-chinese-elders-ssi-ya-gi","title":"Korean and Chinese Elders Come Together for a Night of Harvest Festival Storytelling","publishDate":1694555787,"format":"standard","headTitle":"Korean and Chinese Elders Come Together for a Night of Harvest Festival Storytelling | KQED","labelTerm":{},"content":"\u003cp>For the past two years, \u003ca href=\"https://www.instagram.com/ssiyagi/\">Ssi Ya Gi\u003c/a> has been fine-tuning its unique program for \u003ca href=\"https://www.kqed.org/arts/13930456/ssi-ya-gi-korean-immigrant-elders-cafe-ohlone-food-memories-pandemic-berkeley\">community outreach\u003c/a>: The organization’s volunteers have met with dozens of Korean elders in the Bay Area and Los Angeles, listening as they shared stories about their most cherished food memories — the boiled whale meat sold in one elder’s hometown, or the deliciously “shiny and greasy” rice that another elder harvested from his family’s rice farm.\u003c/p>\n\u003cp>Then they’ve turned those stories into \u003ca href=\"https://www.ssiyagi.com/portfolio-2\">zines\u003c/a>, preserving them as a record of history and a gorgeous art object that can be shared with the next generation.\u003c/p>\n\u003cp>It’s proved to be a winning formula for an organization born out of a desire to alleviate the profound loneliness that so many monolingual, homebound seniors in the Korean community experienced during the height of the pandemic: As it turns out, there’s no better way to connect with a person than to \u003ci>really\u003c/i> listen to their life story.\u003c/p>\n\u003cp>Now, Ssi Ya Gi is using its distinctive blend of food, elder outreach, oral history and DIY artmaking to build bridges with another community: Chinese seniors in Oakland Chinatown. On Thursday, Sept. 14, elders from the Bay Area’s Chinese and Korean communities will come together at Chinatown’s Lincoln Square Park for a night of cross-cultural story sharing and food.\u003c/p>\n\u003cp>Co-sponsored by the AAPI community–focused art nonprofit \u003ca href=\"https://www.cutfruitcollective.org/\">Cut Fruit Collective\u003c/a> and the \u003ca href=\"https://www.chinatownmemories.org/\">Oakland Chinatown Oral History Project\u003c/a>, the event will celebrate both Chuseok (the Korean harvest festival) and Chinese Mid-Autumn Festival.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>First and foremost, it will be a night of storytelling, as the seniors share their personal — and often delicious — memories of Chuseok and Mid-Autumn Festival. In advance of the event, the three participating organizations worked with Asian American artists to create five new zines based on the Chuseok and Mid-Autumn Festival stories of Korean and Chinese elders in Oakland. The zines are trilingual (translated into English, Korean and Chinese), with titles like \u003ci>Lee Lee’s Mid-Autumn Festival \u003c/i>and \u003ci>Syeon Pyeon With Love\u003c/i>. Attendees can receive copies of the zines in exchange for a donation to support the community work of Ssi Ya Gi and Cut Fruit Collective.\u003c/p>\n\u003cfigure id=\"attachment_13934657\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13934657\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/Chuseok-Mid-Autumn-Zines.jpg\" alt=\"Five illustrated zines with Korean, English and Chinese text, shown against a blue background.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Chuseok-Mid-Autumn-Zines.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Chuseok-Mid-Autumn-Zines-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Chuseok-Mid-Autumn-Zines-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Chuseok-Mid-Autumn-Zines-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Chuseok-Mid-Autumn-Zines-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Chuseok-Mid-Autumn-Zines-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The five new zines preserve the food memories of Korean and Chinese seniors in Oakland. The stories have been translated into English, Korean and Chinese. \u003ccite>(Courtesy of Cut Fruit Collective)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There will be a hands-on component as well. Ssi Ya Gi is creating a food altar, inspired by the \u003ca href=\"https://www.eater.com/21507882/korean-chuseok-2020-holiday-feast-celebrating-during-covid-19-pandemic\">charye table\u003c/a> that’s traditionally set during Chuseok as a memorial for one’s ancestors. Attendees will be invited to write or draw their own food memory, or a memory of a loved one, on a wishing ribbon that they can place on the altar. In exchange, they’ll get a sweet reward: a Cantonese-style mooncake, songpyeon (steamed rice cake shaped like a half moon) or mungwort bean powder injeolmi (another kind of steamed rice cake) — all treats traditionally served during the Chinese and Korean harvest festivals.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13930456,arts_13924280,arts_13908103']\u003c/span>Last fall, Ssi Ya Gi hosted \u003ca href=\"https://www.kqed.org/arts/13930456/ssi-ya-gi-korean-immigrant-elders-cafe-ohlone-food-memories-pandemic-berkeley\">a similar cross-cultural feast at Cafe Ohlone\u003c/a>, built around the Korean and Ohlone communities’ mutual appreciation of ingredients such as acorn and fernbrake. When I spoke to the organization’s founders at the time, they stressed that they wanted the dinner itself to be a gift to the elders who participated in the project — a way to thank them for passing on their hard-earned wisdom and their memories, which would otherwise be lost to history. Likewise, the Korean and Chinese elders who participated this time will break bread together at a more intimate private listening supper prior to the public celebration.\u003c/p>\n\u003cp>This time, afterwards, the rest of us will have a chance to thank them too.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The Chuseok and Mid-Autumn Festival story sharing event will take place on Thursday, Sept. 14, 5–8 p.m. at Lincoln Square Park (261 11th St.) in Oakland Chinatown. The free event is part of Oakland Chinatown’s \u003c/i>\u003ca href=\"https://www.friendsoflincolnsquarepark.org/blog/summernights2023\">\u003ci>Lincoln Summer Nights\u003c/i>\u003c/a>\u003ci> series. Online \u003c/i>\u003ca href=\"https://givebutter.com/dLHeJj\">\u003ci>RSVP\u003c/i>\u003c/a>\u003ci> is optional.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"Ssi Ya Gi brings its unique fusion of food, oral history and zines to Oakland Chinatown.","status":"publish","parent":0,"modified":1705005037,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":708},"headData":{"title":"Korean and Chinese Elders Celebrate Chuseok, Mid-Autumn Festival in Oakland Chinatown | KQED","description":"Ssi Ya Gi brings its unique fusion of food, oral history and zines to Oakland Chinatown.","ogTitle":"Korean and Chinese Elders Come Together for a Night of Harvest Festival Storytelling","ogDescription":"","ogImgId":"","twTitle":"Korean and Chinese Elders Come Together for a Night of Harvest Festival Storytelling","twDescription":"","twImgId":"","socialTitle":"Korean and Chinese Elders Celebrate Chuseok, Mid-Autumn Festival in Oakland Chinatown %%page%% %%sep%% KQED"},"source":"Food","sourceUrl":"https://www.kqed.org/food","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13934655/chuseok-mid-autumn-fesetival-oakland-chinatown-korean-chinese-elders-ssi-ya-gi","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>For the past two years, \u003ca href=\"https://www.instagram.com/ssiyagi/\">Ssi Ya Gi\u003c/a> has been fine-tuning its unique program for \u003ca href=\"https://www.kqed.org/arts/13930456/ssi-ya-gi-korean-immigrant-elders-cafe-ohlone-food-memories-pandemic-berkeley\">community outreach\u003c/a>: The organization’s volunteers have met with dozens of Korean elders in the Bay Area and Los Angeles, listening as they shared stories about their most cherished food memories — the boiled whale meat sold in one elder’s hometown, or the deliciously “shiny and greasy” rice that another elder harvested from his family’s rice farm.\u003c/p>\n\u003cp>Then they’ve turned those stories into \u003ca href=\"https://www.ssiyagi.com/portfolio-2\">zines\u003c/a>, preserving them as a record of history and a gorgeous art object that can be shared with the next generation.\u003c/p>\n\u003cp>It’s proved to be a winning formula for an organization born out of a desire to alleviate the profound loneliness that so many monolingual, homebound seniors in the Korean community experienced during the height of the pandemic: As it turns out, there’s no better way to connect with a person than to \u003ci>really\u003c/i> listen to their life story.\u003c/p>\n\u003cp>Now, Ssi Ya Gi is using its distinctive blend of food, elder outreach, oral history and DIY artmaking to build bridges with another community: Chinese seniors in Oakland Chinatown. On Thursday, Sept. 14, elders from the Bay Area’s Chinese and Korean communities will come together at Chinatown’s Lincoln Square Park for a night of cross-cultural story sharing and food.\u003c/p>\n\u003cp>Co-sponsored by the AAPI community–focused art nonprofit \u003ca href=\"https://www.cutfruitcollective.org/\">Cut Fruit Collective\u003c/a> and the \u003ca href=\"https://www.chinatownmemories.org/\">Oakland Chinatown Oral History Project\u003c/a>, the event will celebrate both Chuseok (the Korean harvest festival) and Chinese Mid-Autumn Festival.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>First and foremost, it will be a night of storytelling, as the seniors share their personal — and often delicious — memories of Chuseok and Mid-Autumn Festival. In advance of the event, the three participating organizations worked with Asian American artists to create five new zines based on the Chuseok and Mid-Autumn Festival stories of Korean and Chinese elders in Oakland. The zines are trilingual (translated into English, Korean and Chinese), with titles like \u003ci>Lee Lee’s Mid-Autumn Festival \u003c/i>and \u003ci>Syeon Pyeon With Love\u003c/i>. Attendees can receive copies of the zines in exchange for a donation to support the community work of Ssi Ya Gi and Cut Fruit Collective.\u003c/p>\n\u003cfigure id=\"attachment_13934657\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13934657\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/Chuseok-Mid-Autumn-Zines.jpg\" alt=\"Five illustrated zines with Korean, English and Chinese text, shown against a blue background.\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Chuseok-Mid-Autumn-Zines.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Chuseok-Mid-Autumn-Zines-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Chuseok-Mid-Autumn-Zines-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Chuseok-Mid-Autumn-Zines-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Chuseok-Mid-Autumn-Zines-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Chuseok-Mid-Autumn-Zines-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The five new zines preserve the food memories of Korean and Chinese seniors in Oakland. The stories have been translated into English, Korean and Chinese. \u003ccite>(Courtesy of Cut Fruit Collective)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There will be a hands-on component as well. Ssi Ya Gi is creating a food altar, inspired by the \u003ca href=\"https://www.eater.com/21507882/korean-chuseok-2020-holiday-feast-celebrating-during-covid-19-pandemic\">charye table\u003c/a> that’s traditionally set during Chuseok as a memorial for one’s ancestors. Attendees will be invited to write or draw their own food memory, or a memory of a loved one, on a wishing ribbon that they can place on the altar. In exchange, they’ll get a sweet reward: a Cantonese-style mooncake, songpyeon (steamed rice cake shaped like a half moon) or mungwort bean powder injeolmi (another kind of steamed rice cake) — all treats traditionally served during the Chinese and Korean harvest festivals.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13930456,arts_13924280,arts_13908103","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>Last fall, Ssi Ya Gi hosted \u003ca href=\"https://www.kqed.org/arts/13930456/ssi-ya-gi-korean-immigrant-elders-cafe-ohlone-food-memories-pandemic-berkeley\">a similar cross-cultural feast at Cafe Ohlone\u003c/a>, built around the Korean and Ohlone communities’ mutual appreciation of ingredients such as acorn and fernbrake. When I spoke to the organization’s founders at the time, they stressed that they wanted the dinner itself to be a gift to the elders who participated in the project — a way to thank them for passing on their hard-earned wisdom and their memories, which would otherwise be lost to history. Likewise, the Korean and Chinese elders who participated this time will break bread together at a more intimate private listening supper prior to the public celebration.\u003c/p>\n\u003cp>This time, afterwards, the rest of us will have a chance to thank them too.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The Chuseok and Mid-Autumn Festival story sharing event will take place on Thursday, Sept. 14, 5–8 p.m. at Lincoln Square Park (261 11th St.) in Oakland Chinatown. The free event is part of Oakland Chinatown’s \u003c/i>\u003ca href=\"https://www.friendsoflincolnsquarepark.org/blog/summernights2023\">\u003ci>Lincoln Summer Nights\u003c/i>\u003c/a>\u003ci> series. Online \u003c/i>\u003ca href=\"https://givebutter.com/dLHeJj\">\u003ci>RSVP\u003c/i>\u003c/a>\u003ci> is optional.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13934655/chuseok-mid-autumn-fesetival-oakland-chinatown-korean-chinese-elders-ssi-ya-gi","authors":["11743"],"programs":["arts_140"],"categories":["arts_1","arts_12276"],"tags":["arts_21727","arts_19525","arts_1297","arts_15803","arts_1694","arts_1143","arts_20871","arts_585","arts_914"],"featImg":"arts_13930535","label":"source_arts_13934655"},"arts_13934431":{"type":"posts","id":"arts_13934431","meta":{"index":"posts_1591205157","site":"arts","id":"13934431","score":null,"sort":[1694112755000]},"guestAuthors":[],"slug":"the-burning-man-2023-mud-cleanup-playa-pollution","title":"The Burning Man Party Is Over. Now a Massive Cleanup Begins","publishDate":1694112755,"format":"standard","headTitle":"The Burning Man Party Is Over. Now a Massive Cleanup Begins | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>The rain has passed, and the temple has burned. Now, as Burning Man slowly empties, it’s time to clean up.\u003c/p>\n\u003cp>Burning Man organizers have three weeks to clean up any remnants of the makeshift city plopped across over 4 square miles (10 square kilometers) of the Black Rock Desert in northwestern Nevada, but a summer storm that left tens of thousands stranded in ankle-deep mud could alter that timeframe.\u003c/p>\n\u003cp>[aside postid='arts_13934280']The annual gathering, which launched on a San Francisco beach in 1986, attracts nearly 80,000 artists, musicians and activists to the sprawling stretch of public land for a weeklong mix of wilderness camping and avant-garde performances. One of the principles of Burning Man is to leave no trace — an expectation that all attendees will pack out everything they brought to Black Rock City and clean out their camps before leaving.\u003c/p>\n\u003cp>But in the aftermath of torrential rains that closed roads, jammed traffic and forced many to walk miles barefoot through the muck, the area is dotted with abandoned vehicles, rugs, furniture, tents and trash. In a normal year, the desert floor is harder and easier to navigate, but flooding and deep imprints from vehicles spinning tires in the muck have made traveling there more difficult.\u003c/p>\n\u003cp>This week, many attendees descended on the airport in Reno, Nevada, to get last-minute flights home. Car washes at times turned away vehicles too caked in mud and clay, according to KTVN-TV in Reno. There are signs outside nearby grocery stores banning disposal of Burning Man-related trash and recycling in their bins.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Eleonora Segreti, who lives in central Italy and made her second visit this year to Burning Man, left the site early Tuesday.\u003c/p>\n\u003cp>Leave no trace is “a strong principle,” she said Tuesday after taking a shuttle to Reno-Tahoe International Airport. “If it is a matter of staying overnight one extra day to do the work to clean up, most of the people are doing that.”\u003c/p>\n\u003cp>But that sentiment is not felt by everyone. Jeffrey Longoria of San Francisco said since he started attending, trash issues have gotten worse.\u003c/p>\n\u003cp>“People are starting to leave a trace,” said Longoria, 37, while cleaning his mud-stained boots outside of a Walmart in Reno. “They’re forgetting the core principles of the burn.”\u003c/p>\n\u003cp>The erosion of those core principals might be in part because many of the festival’s original attendees have gotten older, he said, and there’s a wave of newer attendees — “the kind that have a couple hundred thousand-dollar RVs and are careless about the environment.”\u003c/p>\n\u003cfigure id=\"attachment_13934444\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13934444\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/GettyImages-1645979832-scaled-e1694111658726-800x534.jpg\" alt=\"Streams of fireworks shoot up from the ground in the desert. They explode around a large geometric sculpture.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1645979832-scaled-e1694111658726-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1645979832-scaled-e1694111658726-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1645979832-scaled-e1694111658726-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1645979832-scaled-e1694111658726-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1645979832-scaled-e1694111658726-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1645979832-scaled-e1694111658726.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The roads out of Burning Man finally opened on Monday afternoon. The festival’s grand finale was also delayed by muddy conditions. \u003ccite>(JULIE JAMMOT/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A permit issued by the U.S. Bureau of Land Management requires Burning Man organizers to clear the area of debris after vehicles exit the desert, about 100 miles (161 kilometers) northeast of Reno. Burning Man organizers did not immediately respond to questions from The Associated Press about how the rain will impact the cleanup timeline.\u003c/p>\n\u003cp>In a media update Wednesday evening, organizers said “individuals who had to leave before their carpools and camps were ready to depart, and camps who needed to leave early due to the storm, are returning to the event site today through Saturday to disassemble their projects, tear down their camps, and remove their possessions.”\u003c/p>\n\u003cp>The temporary closure of the area for Burning Man is in effect for 66 days each year, according to the BLM: 31 to build the makeshift city, nine for the main event and 26 for post-festival cleanup.\u003c/p>\n\u003cp>Last year, after the festival’s return following a two-year hiatus due to the pandemic, the Burning Man team narrowly passed its Oct. 7 inspection.\u003c/p>\n\u003cp>“But it was extraordinarily and alarmingly close,” the restoration team’s manager wrote earlier this year in a post on the Burning Man website summarizing last year’s cleanup efforts, while urging attendees leave no trace.\u003c/p>\n\u003cp>[aside postid='arts_13839695']The post described 2022 as one of the “messiest playas in recent history” — evidenced by a 15-yard (13 meters) dumpster filled with cardboard boxes, glass bottles, carpeted rugs and plastic. The cleanup team also collected more than 1,000 tent stakes — “the most dangerous” and abundant debris left behind, according to the post.\u003c/p>\n\u003cp>During the 2022 inspection, BLM surveyed 120 different areas chosen at random across the festival site for trash and debris, according to Burning Man’s annual cleanup report. They failed eight of the tests last year and would not have passed if they had failed 12, according to the report.\u003c/p>\n\u003cp>Cleanup also involves smoothing out the dried lake bed with large rakes attached to trucks and picking up trash on the frequented highways, according to BLM spokesperson John Asselin.\u003c/p>\n\u003cp>Next month, teams made up of federal employees and Burning Man organizers will again conduct a site inspection. Event organizers will be on the hook for any repairs that are identified as necessary, Asselin said.\u003c/p>\n\u003cp>Many festival attendees — who refer to themselves as burners — arrive with limited supplies. Challenges in the form of brutal heat, dust storms and torrential rains are expected and, largely, welcomed.\u003c/p>\n\u003cp>While there, they build an elaborate if temporary city of themed camps, decorated art cars and guerilla theatrics.\u003c/p>\n\u003cp>The ceremonial burnings of a towering, faceless effigy Monday night, and the temple Tuesday night had been postponed because of heavy rain. More than a half-inch (1.3 centimeters) fell on Friday, turning the powdery desert floor into mud.\u003c/p>\n\u003cfigure id=\"attachment_13934442\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13934442\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/GettyImages-1643691487-scaled-e1694111336787-800x600.jpg\" alt=\"The sun sets over a makeshift muddy campsite. Rainwater pools around tents. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1643691487-scaled-e1694111336787-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1643691487-scaled-e1694111336787-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1643691487-scaled-e1694111336787-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1643691487-scaled-e1694111336787-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1643691487-scaled-e1694111336787-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1643691487-scaled-e1694111336787.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Burning Man 2023. \u003ccite>(David Crane/picture alliance via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For many, torching the temple has become the centerpiece of the celebration — an intimate, spiritual tradition in which attendees commemorate departed loved ones.\u003c/p>\n\u003cp>Nevada U.S. Rep. Mark Amodei, whose district includes Black Rock Desert, said Burning Man is a positive event for the area. Its organizers work well with local officials and he expects they again will meet the requirement to clean up, even if it’s “more of a chore this time.”\u003c/p>\n\u003cp>Still, Amodei said, Burning Man organizers have been good partners and have cleaned up after themselves in past years, as their event permit requires.\u003c/p>\n\u003cp>Cliff Osborne, a tow truck operator who is in his sixth year working at Burning Man, estimated that since Monday, his company has towed 50 vehicles to the highway, and freed another 60 vehicles from mud.\u003c/p>\n\u003cp>[aside postid='arts_13934383']For the first time this year, organizers hired a road-grader to smooth ruts in the well-traveled road from the festival site to the highway, Osborne said.\u003c/p>\n\u003cp>He said on Wednesday that roads were hardening, dusty air had returned and he had seen no one injured. The site itself “is more messy this year than in the past,” with a lot more garbage, he said.\u003c/p>\n\u003cp>Amodei told the AP it would be “a little bit more of a chore this time” to clean up the site. “And I’m sure they’re up to the task.”\u003c/p>\n\u003cp>Some festivalgoers plan to stay as long as it takes to clean the grounds.\u003c/p>\n\u003cp>“This is a national conservation area, and it’s part of our mission to leave it and as good a condition as we found it,” said Alexander Elmendorf, 36, who planned to stay until Friday. “So that means getting every bed, utensil, every cigarette butt.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Sonner and Stern reported from Reno, Nevada, and Komenda reported from Tacoma, Washington. Associated Press reporters Rio Yamat and Ken Ritter in Las Vegas contributed. Stern is a corps member for The Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"2022's Burning Man left one of the ‘messiest playas in recent history.’ How much worse will ankle-deep mud make things?","status":"publish","parent":0,"modified":1705005056,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":34,"wordCount":1342},"headData":{"title":"The Burning Man Party Is Over. Now a Massive Cleanup Begins | KQED","description":"2022's Burning Man left one of the ‘messiest playas in recent history.’ How much worse will ankle-deep mud make things?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprByline":"Ed Komenda, Gabe Stern and Scott Sonner, Associated Press","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13934431/the-burning-man-2023-mud-cleanup-playa-pollution","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The rain has passed, and the temple has burned. Now, as Burning Man slowly empties, it’s time to clean up.\u003c/p>\n\u003cp>Burning Man organizers have three weeks to clean up any remnants of the makeshift city plopped across over 4 square miles (10 square kilometers) of the Black Rock Desert in northwestern Nevada, but a summer storm that left tens of thousands stranded in ankle-deep mud could alter that timeframe.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13934280","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The annual gathering, which launched on a San Francisco beach in 1986, attracts nearly 80,000 artists, musicians and activists to the sprawling stretch of public land for a weeklong mix of wilderness camping and avant-garde performances. One of the principles of Burning Man is to leave no trace — an expectation that all attendees will pack out everything they brought to Black Rock City and clean out their camps before leaving.\u003c/p>\n\u003cp>But in the aftermath of torrential rains that closed roads, jammed traffic and forced many to walk miles barefoot through the muck, the area is dotted with abandoned vehicles, rugs, furniture, tents and trash. In a normal year, the desert floor is harder and easier to navigate, but flooding and deep imprints from vehicles spinning tires in the muck have made traveling there more difficult.\u003c/p>\n\u003cp>This week, many attendees descended on the airport in Reno, Nevada, to get last-minute flights home. Car washes at times turned away vehicles too caked in mud and clay, according to KTVN-TV in Reno. There are signs outside nearby grocery stores banning disposal of Burning Man-related trash and recycling in their bins.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Eleonora Segreti, who lives in central Italy and made her second visit this year to Burning Man, left the site early Tuesday.\u003c/p>\n\u003cp>Leave no trace is “a strong principle,” she said Tuesday after taking a shuttle to Reno-Tahoe International Airport. “If it is a matter of staying overnight one extra day to do the work to clean up, most of the people are doing that.”\u003c/p>\n\u003cp>But that sentiment is not felt by everyone. Jeffrey Longoria of San Francisco said since he started attending, trash issues have gotten worse.\u003c/p>\n\u003cp>“People are starting to leave a trace,” said Longoria, 37, while cleaning his mud-stained boots outside of a Walmart in Reno. “They’re forgetting the core principles of the burn.”\u003c/p>\n\u003cp>The erosion of those core principals might be in part because many of the festival’s original attendees have gotten older, he said, and there’s a wave of newer attendees — “the kind that have a couple hundred thousand-dollar RVs and are careless about the environment.”\u003c/p>\n\u003cfigure id=\"attachment_13934444\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13934444\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/GettyImages-1645979832-scaled-e1694111658726-800x534.jpg\" alt=\"Streams of fireworks shoot up from the ground in the desert. They explode around a large geometric sculpture.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1645979832-scaled-e1694111658726-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1645979832-scaled-e1694111658726-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1645979832-scaled-e1694111658726-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1645979832-scaled-e1694111658726-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1645979832-scaled-e1694111658726-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1645979832-scaled-e1694111658726.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The roads out of Burning Man finally opened on Monday afternoon. The festival’s grand finale was also delayed by muddy conditions. \u003ccite>(JULIE JAMMOT/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A permit issued by the U.S. Bureau of Land Management requires Burning Man organizers to clear the area of debris after vehicles exit the desert, about 100 miles (161 kilometers) northeast of Reno. Burning Man organizers did not immediately respond to questions from The Associated Press about how the rain will impact the cleanup timeline.\u003c/p>\n\u003cp>In a media update Wednesday evening, organizers said “individuals who had to leave before their carpools and camps were ready to depart, and camps who needed to leave early due to the storm, are returning to the event site today through Saturday to disassemble their projects, tear down their camps, and remove their possessions.”\u003c/p>\n\u003cp>The temporary closure of the area for Burning Man is in effect for 66 days each year, according to the BLM: 31 to build the makeshift city, nine for the main event and 26 for post-festival cleanup.\u003c/p>\n\u003cp>Last year, after the festival’s return following a two-year hiatus due to the pandemic, the Burning Man team narrowly passed its Oct. 7 inspection.\u003c/p>\n\u003cp>“But it was extraordinarily and alarmingly close,” the restoration team’s manager wrote earlier this year in a post on the Burning Man website summarizing last year’s cleanup efforts, while urging attendees leave no trace.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13839695","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The post described 2022 as one of the “messiest playas in recent history” — evidenced by a 15-yard (13 meters) dumpster filled with cardboard boxes, glass bottles, carpeted rugs and plastic. The cleanup team also collected more than 1,000 tent stakes — “the most dangerous” and abundant debris left behind, according to the post.\u003c/p>\n\u003cp>During the 2022 inspection, BLM surveyed 120 different areas chosen at random across the festival site for trash and debris, according to Burning Man’s annual cleanup report. They failed eight of the tests last year and would not have passed if they had failed 12, according to the report.\u003c/p>\n\u003cp>Cleanup also involves smoothing out the dried lake bed with large rakes attached to trucks and picking up trash on the frequented highways, according to BLM spokesperson John Asselin.\u003c/p>\n\u003cp>Next month, teams made up of federal employees and Burning Man organizers will again conduct a site inspection. Event organizers will be on the hook for any repairs that are identified as necessary, Asselin said.\u003c/p>\n\u003cp>Many festival attendees — who refer to themselves as burners — arrive with limited supplies. Challenges in the form of brutal heat, dust storms and torrential rains are expected and, largely, welcomed.\u003c/p>\n\u003cp>While there, they build an elaborate if temporary city of themed camps, decorated art cars and guerilla theatrics.\u003c/p>\n\u003cp>The ceremonial burnings of a towering, faceless effigy Monday night, and the temple Tuesday night had been postponed because of heavy rain. More than a half-inch (1.3 centimeters) fell on Friday, turning the powdery desert floor into mud.\u003c/p>\n\u003cfigure id=\"attachment_13934442\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13934442\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/GettyImages-1643691487-scaled-e1694111336787-800x600.jpg\" alt=\"The sun sets over a makeshift muddy campsite. Rainwater pools around tents. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1643691487-scaled-e1694111336787-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1643691487-scaled-e1694111336787-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1643691487-scaled-e1694111336787-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1643691487-scaled-e1694111336787-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1643691487-scaled-e1694111336787-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1643691487-scaled-e1694111336787.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Burning Man 2023. \u003ccite>(David Crane/picture alliance via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For many, torching the temple has become the centerpiece of the celebration — an intimate, spiritual tradition in which attendees commemorate departed loved ones.\u003c/p>\n\u003cp>Nevada U.S. Rep. Mark Amodei, whose district includes Black Rock Desert, said Burning Man is a positive event for the area. Its organizers work well with local officials and he expects they again will meet the requirement to clean up, even if it’s “more of a chore this time.”\u003c/p>\n\u003cp>Still, Amodei said, Burning Man organizers have been good partners and have cleaned up after themselves in past years, as their event permit requires.\u003c/p>\n\u003cp>Cliff Osborne, a tow truck operator who is in his sixth year working at Burning Man, estimated that since Monday, his company has towed 50 vehicles to the highway, and freed another 60 vehicles from mud.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13934383","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>For the first time this year, organizers hired a road-grader to smooth ruts in the well-traveled road from the festival site to the highway, Osborne said.\u003c/p>\n\u003cp>He said on Wednesday that roads were hardening, dusty air had returned and he had seen no one injured. The site itself “is more messy this year than in the past,” with a lot more garbage, he said.\u003c/p>\n\u003cp>Amodei told the AP it would be “a little bit more of a chore this time” to clean up the site. “And I’m sure they’re up to the task.”\u003c/p>\n\u003cp>Some festivalgoers plan to stay as long as it takes to clean the grounds.\u003c/p>\n\u003cp>“This is a national conservation area, and it’s part of our mission to leave it and as good a condition as we found it,” said Alexander Elmendorf, 36, who planned to stay until Friday. “So that means getting every bed, utensil, every cigarette butt.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Sonner and Stern reported from Reno, Nevada, and Komenda reported from Tacoma, Washington. Associated Press reporters Rio Yamat and Ken Ritter in Las Vegas contributed. Stern is a corps member for The Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13934431/the-burning-man-2023-mud-cleanup-playa-pollution","authors":["byline_arts_13934431"],"categories":["arts_1","arts_835","arts_235"],"tags":["arts_1335","arts_1694"],"featImg":"arts_13934437","label":"arts"},"arts_13934324":{"type":"posts","id":"arts_13934324","meta":{"index":"posts_1591205157","site":"arts","id":"13934324","score":null,"sort":[1693960844000]},"guestAuthors":[],"slug":"hiero-day-2023-oakland-review-photos","title":"Hiero Day 2023 Affirmed Hip-Hop’s Local Essence — and National Gravity","publishDate":1693960844,"format":"aside","headTitle":"Hiero Day 2023 Affirmed Hip-Hop’s Local Essence — and National Gravity | KQED","labelTerm":{},"content":"\u003cfigure id=\"attachment_13934333\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00413.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00413.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00413-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00413-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00413-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00413-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00413-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Common on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>\u003cstrong>Editor’s note\u003c/strong>: This story is part of \u003c/em>\u003ca href=\"https://www.kqed.org/bayareahiphop\">That’s My Word\u003c/a>\u003cem>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop\u003c/a> history.\u003c/em>\u003c/p>\n\u003cp>With stellar performances from headlining act Common and the eponymous Hieroglyphics crew, Hiero Day 2023 did not disappoint.\u003c/p>\n\u003cp>In its second year at Frank Ogawa Plaza, in front of Oakland City Hall – downsized from the previous location at Third Street and Linden, which saw crowds in excess of 20,000 – the daylong hip-hop festival felt just right. With little crowd congestion, one could easily stroll through the vendors and food options, or traverse between two stages. Yet it was dense enough to evoke a sense of collective excitement amongst attendees – a mix of hip-hop fans from seemingly all ages, walks of life, and ethnic backgrounds.\u003c/p>\n\u003cp>[aside postID='arts_13924126']It’s safe to say people will be talking about Common’s Oakland appearance long afterwards. The Chicago emcee, actor, activist and philanthropist delivered a top-notch set that interspersed his own hits with iconic hip-hop songs by other artists, in honor of “Hip Hop 50” – the 50th anniversary of hip-hop, a through-line for many acts throughout the day. Colorfully dressed in a short sleeve button-down shirt, Common’s charisma and commanding stage presence were in evidence for all to see. \u003c/p>\n\u003cfigure id=\"attachment_13934339\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00335.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934339\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00335.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00335-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00335-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00335-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00335-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00335-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Common talking with Davey D backstage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Common began his set with his ode to hip-hop culture, “I Used to Love H.E.R.,” which first catapulted him to national attention in the mid-’90s. Like De La Soul’s “Stakes Is High,” the song stands as a cautionary tale, warning against cultural co-option and commodification while underscoring what’s attractive and endearing about the culture in the first place. With poetic flair, Common spins his tale by metaphorically referring to hip-hop as a girl he fell in love with at the age of 10, who “was fresh, yo, when she was underground.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At first “original, pure, untampered, a down sister,” she changed – moving to the West Coast and embracing a gangsta lifestyle instead of Afrocentricity, then becoming popular with suburban crowds. Though his love has been defiled and degraded, Common pledges at the end of the song: “I’ma take her back, hopin’ that the shit stop / ‘Cause who I’m talkin’ about, y’all, is hip-hop.”\u003c/p>\n\u003cp>It proved to be the perfect set opener, a classic tune made before many in the audience were born, that remains relevant in its message while aligning with the Hip Hop 50 theme. Another highlight was “The Corner,” from the album \u003cem>Be\u003c/em>, produced by Kanye West (back when he was hip-hop’s rising star on the boards), the album version of which features Umar Bin Hassan of the Last Poets, the socially-conscious spoken word artists known as the godfathers of rap. It was a solid selection that peeled back Common’s Hollywood sheen for some authentic grit. \u003c/p>\n\u003cfigure id=\"attachment_13934336\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00132.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934336\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00132.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00132-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00132-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00132-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00132-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00132-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Del the Funky Homosapien and Ras Ceylon backstage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Common closed his set, and the show, with “The Light,” a single from the heyday of the neo-soul era that remains one of hip-hop’s sweetest love songs. Though Common has a reputation as a ladies’ man – Oakland mayor Sheng Thao gushed over him earlier in the day – his approach to the opposite sex has always been respectful. So it wasn’t difficult for the ladies in the house to get completely into the song’s mellow, feel-good vibe, singing along to the chorus lifted from the late Bobby Caldwell: “There are times, when you need someone / I will be by your side / There is a light that shines / Special for me and you.”\u003c/p>\n\u003cp>Right before Common’s set, Hieroglyphics performed a short but impactful set that seemed to roll back the clock 30 years in terms of their on-stage energy – except their kineticism was tempered by veteran savvy. Up-and coming emcees in the crowd were likely taking notes; this was a masterclass in live performance dynamics. Kicking off with 1998’s “Oakland Blackouts,” the fan favorite’s laid-back album version donned a supercharged carapace live, as Del the Funky Homosapien and Opio traded verses well-qualified to be hip-hop quotables. This may be the only rap song in history to compare emcees to “platypuses,” and the two emcees’ internal rhyme schemes were impeccable throughout. \u003c/p>\n\u003cp>“Oakland Blackouts” set the tone for the rest of the set, as the other Hieros fed off Del and Opio with lots of crowd-amping gestures and hand raises. There were noticeable rushes from the audience for particularly nasty lyrical flurries by Tajai and Pep Love, although there really wasn’t a weak flow to be found amongst any of the Hieros. It would have been nice had the set afforded more exposition of deep cuts from the collective’s three-decade catalog – “The Powers That Be,” from 2003’s \u003cem>Full Circle\u003c/em>, sounded epic. \u003c/p>\n\u003cfigure id=\"attachment_13934882\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/Hiero.Group_.2023-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" class=\"size-full wp-image-13934882\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Hieroglyphics on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The song’s bouncy, boom-bap beat shows why Domino is highly underrated as a producer, while the verses from Opio, Tajai, Del and Pep Love were a wicked whirlwind of battle-rap braggadocio and pop culture references (including Chow Yun Fat and Voltron). When Del says “I’m kinda different yo / what I say is thought-provoking,” he could easily be referring to his entire crew. “This is rap Olympics / Hieroglyphics, the dream team,” Pep Love proclaimed. In that moment, no one witnessing the show would have reasonably disagreed.\u003c/p>\n\u003cp>[aside postID='arts_13927692']Hieroglyphics closed their set with Souls of Mischief’s iconic “93 Til Infinity,” which has to be one of the top hip-hop anthems of all time. There’s just something about the A-Plus-produced track that makes you feel warm and fuzzy inside. Maybe it’s the pitch-shifted Billy Cobham sample, or maybe it’s the breezy lyrics which evoke the epitome of laid-back Cali cool (“Now we feel the good vibrations / So many females, so much inspiration”). The song never gets old.\u003c/p>\n\u003cp>An unexpected highlight took place between Hieroglyphics and Common’s sets, when Oakland Mayor Sheng Thao and Mystik Journeymen/Living Legends emcee Corey “Sunspot Jonz” Johnson announced that the City has partnered with Hiero Day – a development that illustrates just how far hip-hop has come. Some may recall when Oakland’s annual Art & Soul festival avoided booking hip-hop acts altogether, or Oakland’s year-long moratorium on rap shows at City-owned facilities. Just as Hieroglyphics broke the mold by performing at Art & Soul, this year’s Hiero Day appeared to usher in a new era of municipal collaboration with the hip-hop community. \u003c/p>\n\u003cfigure id=\"attachment_13934330\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00356.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934330\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00356.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00356-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00356-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00356-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00356-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00356-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Oakland Mayor Shen Thao on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Thao, for her part, certainly seemed to embrace the culture. Dressed in a hella fresh varsity-style jacket with Oakland’s tree logo embroidered on the back, she looked amped to be able to talk about something other than rising crime rates, police scandals, and the deteriorating relationship with the Oakland A’s. She handed out a series of commemorative proclamations honoring the contributions of community mainstays and culture keepers, including Johnson; radio personality, DJ, and educator Davey D; Eastside Arts Alliance co-founders Elena Serrano and Traci Bartlow; visual artist and filmmaker Shomari Smith; and rapper, entrepreneur and activist Mistah F.A.B. \u003c/p>\n\u003cp>Each of the honorees gave a short speech. “I brought the underground here,” Johnson remarked, while Serrano noted that her association with hip-hop predates Eastside’s founding, going back to the late ’90s at Berkeley’s La Pena. F.A.B. made a point of speaking to underserved kids dealing with trauma: “It’s possible. Whether your father’s incarcerated or your mother’s on drugs, it’s possible to make it” – referring to his own uncertain upbringing and triumphant transformation into a certified cultural hero. \u003c/p>\n\u003cfigure id=\"attachment_13934335\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00062-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" class=\"size-full wp-image-13934335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Chuck Johnson and Mistah F.A.B. pose with singer Alanis Morissette, husband and rapper Soul Eye and their family at Hiero Day in Oakland’s Frank Ogawa Plaza on Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The presentations closed with Thao handing Common a heavyweight boxing-style belt, acknowledging his community work. Later, during his set, the rapper noted that he had been inspired by “the Town”’s examples, citing both Hieroglyphics and the Black Panthers, and name-checking Fred Hampton, the martyred leader of Chicago’s Panther chapter and subject of the recent film \u003cem>Judas and the Black Messiah\u003c/em>. \u003c/p>\n\u003cp>The pacing at the end — Hiero, Thao, and Common — capped a day that started at noon and gradually built up momentum, as up-and-coming artists rocked both stages and attendees filtered into the venue. Some of the undercard was hit-or-miss, and the production’s timing got skewed, forcing some set times to be shortened, but there were still plenty of highlights.\u003c/p>\n\u003cfigure id=\"attachment_13934360\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00040.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00040.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00040-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00040-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00040-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00040-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00040-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Richie Cunning on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A sparsely-attended early set by Richie Cunning on the second stage probably deserved a bigger audience. Cunning has been an emcee on the rise for many years now, and his flow, delivery, and punchline game seem increasingly ready for prime time. For fans of hardcore Bay Area mobb music, it was great to see Cellski with DJ T.C. the Enhancer. The Kev Choice Ensemble added jazzy musicality with a trip through hip-hop history, from Chic’s “Good Times” to a nod to Zumbi of Zion-I with “Don’t Lose Your Head.” \u003c/p>\n\u003cfigure id=\"attachment_13934334\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00230.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00230.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00230-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00230-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00230-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00230-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00230-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kev Choice on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>L.A. underground legend Medusa, who once bested Eminem in a rap battle back in the ’90s, delivered a fiery and fierce-as-fuck set. It was great to see the former member of duo Feline Science and Project Blowed alumnus still doing her thing. Her set was unfortunately truncated, but not before she ripped the recent single “Catch Yo Feelinz” (“You better catch your feelings / I’m about to jump off!”), which shows she can flow over anything, even a contemporary-sounding trap beat. \u003c/p>\n\u003cp>\u003cem>Ultimate Breaks and Beats\u003c/em> curator Breakbeat Lou performed a high-level DJ set with sublime segues, like the Funky Four + 1’s “That’s The Joint” into Naughty By Nature’s “Uptown Anthem,” The Whole Darn Family’s “Seven Minutes of Funk” into Dru Down’s “Pimp of the Year,” and Digable Planets’ “Rebirth of Slick” into E-40’s “Yay Area.” Blending original songs with later tracks that used them as sample sources further carried the theme of hip-hop history as a progression and evolution of a cultural movement that started from the bottom and ended up at City Hall – literally. Yadidahmean?\u003c/p>\n\u003cfigure id=\"attachment_13934340\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00110.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934340\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00110.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00110-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00110-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00110-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00110-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00110-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Cellski on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Throughout the day, several of the artists spoke backstage about hip-hop’s evolution and their personal journeys through the culture. Del, reflecting on 50 years of hip-hop, said, “I just want our values and everything we based it on to live on.” Those values include“self-improvement goals and knowing your environment, being able to deal with motherfuckers in a competitive way instead of fighting or killing each other.” \u003c/p>\n\u003cfigure id=\"attachment_13934348\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00271.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934348\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00271.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00271-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00271-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00271-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00271-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00271-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Opio on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A-Plus remarked on the longevity of “93 Til Infinity”: “I feel appreciative, honored. You know that I produce many different things, man. But that one is certainly special. It’s done everything for Souls of Mischief and for Hiero. The ways it’s aged, and the new generation with streaming, they’re looking back at it and then finding their own way with music.”\u003c/p>\n\u003cp>That’s enabled Hiero’s fanbase to expand beyond old heads, he says. “Young kids are part of our demo at this point. And it’s just really surreal. You don’t think that far ahead, like 30 years from now, young kids are going to think your song is the shit.”\u003c/p>\n\u003cfigure id=\"attachment_13934887\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/Medusa.HieroDay2023-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" class=\"size-full wp-image-13934887\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Medusa on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mistah F.A.B. specifically saluted Souls of Mischief’s milestone and what it means for the Bay Area and for Oakland. “To me, Hip Hop 30 is more important to Hip Hop 50, which is kind of weird. Crazy. But Hip Hop 30 for Hiero is very important, man. And I just love the fact that we’ve been included (in the Hiero Day celebration) to be able to watch our hometown guys come through, and for years continue to maintain relevancy, and continue to keep pushing and representing Oakland.”\u003c/p>\n\u003cfigure id=\"attachment_13934346\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00055.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934346\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mistah F.A.B. at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That said, there would be no 30th anniversary for Souls had the culture never existed in the first place. F.A.B. continued: “Big shout out to the forefathers that opened up the doors. We’re happy to be here. Let’s continue to get another 50 up out of it, and not let the culture die, by preserving and respecting our elders and continuing to keep doing new work.”\u003c/p>\n\u003cfigure id=\"attachment_13934344\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00348.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934344\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00348.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00348-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00348-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00348-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00348-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00348-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"With headliner Common, the Hieroglyphics crew celebrated 30 years of '93 Til Infinity' in front of Oakland City Hall. ","status":"publish","parent":0,"modified":1705005063,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":28,"wordCount":2469},"headData":{"title":"Hiero Day 2023 Affirmed Hip-Hop’s Local Essence — and National Gravity | KQED","description":"With headliner Common, the Hieroglyphics crew celebrated 30 years of '93 Til Infinity' in front of Oakland City Hall. ","ogTitle":"","ogDescription":"","ogImgId":"arts_13934341","twTitle":"","twDescription":"","twImgId":"arts_13934341"},"source":"That's My Word","sourceUrl":"https://www.kqed.org/bayareahiphop","sticky":false,"WpOldSlug":"hiero-day-2023-affirmed-hip-hops-local-essence-and-national-gravity","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13934324/hiero-day-2023-oakland-review-photos","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13934333\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00413.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00413.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00413-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00413-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00413-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00413-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00413-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Common on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>\u003cstrong>Editor’s note\u003c/strong>: This story is part of \u003c/em>\u003ca href=\"https://www.kqed.org/bayareahiphop\">That’s My Word\u003c/a>\u003cem>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop\u003c/a> history.\u003c/em>\u003c/p>\n\u003cp>With stellar performances from headlining act Common and the eponymous Hieroglyphics crew, Hiero Day 2023 did not disappoint.\u003c/p>\n\u003cp>In its second year at Frank Ogawa Plaza, in front of Oakland City Hall – downsized from the previous location at Third Street and Linden, which saw crowds in excess of 20,000 – the daylong hip-hop festival felt just right. With little crowd congestion, one could easily stroll through the vendors and food options, or traverse between two stages. Yet it was dense enough to evoke a sense of collective excitement amongst attendees – a mix of hip-hop fans from seemingly all ages, walks of life, and ethnic backgrounds.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13924126","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>It’s safe to say people will be talking about Common’s Oakland appearance long afterwards. The Chicago emcee, actor, activist and philanthropist delivered a top-notch set that interspersed his own hits with iconic hip-hop songs by other artists, in honor of “Hip Hop 50” – the 50th anniversary of hip-hop, a through-line for many acts throughout the day. Colorfully dressed in a short sleeve button-down shirt, Common’s charisma and commanding stage presence were in evidence for all to see. \u003c/p>\n\u003cfigure id=\"attachment_13934339\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00335.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934339\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00335.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00335-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00335-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00335-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00335-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00335-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Common talking with Davey D backstage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Common began his set with his ode to hip-hop culture, “I Used to Love H.E.R.,” which first catapulted him to national attention in the mid-’90s. Like De La Soul’s “Stakes Is High,” the song stands as a cautionary tale, warning against cultural co-option and commodification while underscoring what’s attractive and endearing about the culture in the first place. With poetic flair, Common spins his tale by metaphorically referring to hip-hop as a girl he fell in love with at the age of 10, who “was fresh, yo, when she was underground.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At first “original, pure, untampered, a down sister,” she changed – moving to the West Coast and embracing a gangsta lifestyle instead of Afrocentricity, then becoming popular with suburban crowds. Though his love has been defiled and degraded, Common pledges at the end of the song: “I’ma take her back, hopin’ that the shit stop / ‘Cause who I’m talkin’ about, y’all, is hip-hop.”\u003c/p>\n\u003cp>It proved to be the perfect set opener, a classic tune made before many in the audience were born, that remains relevant in its message while aligning with the Hip Hop 50 theme. Another highlight was “The Corner,” from the album \u003cem>Be\u003c/em>, produced by Kanye West (back when he was hip-hop’s rising star on the boards), the album version of which features Umar Bin Hassan of the Last Poets, the socially-conscious spoken word artists known as the godfathers of rap. It was a solid selection that peeled back Common’s Hollywood sheen for some authentic grit. \u003c/p>\n\u003cfigure id=\"attachment_13934336\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00132.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934336\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00132.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00132-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00132-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00132-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00132-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00132-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Del the Funky Homosapien and Ras Ceylon backstage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Common closed his set, and the show, with “The Light,” a single from the heyday of the neo-soul era that remains one of hip-hop’s sweetest love songs. Though Common has a reputation as a ladies’ man – Oakland mayor Sheng Thao gushed over him earlier in the day – his approach to the opposite sex has always been respectful. So it wasn’t difficult for the ladies in the house to get completely into the song’s mellow, feel-good vibe, singing along to the chorus lifted from the late Bobby Caldwell: “There are times, when you need someone / I will be by your side / There is a light that shines / Special for me and you.”\u003c/p>\n\u003cp>Right before Common’s set, Hieroglyphics performed a short but impactful set that seemed to roll back the clock 30 years in terms of their on-stage energy – except their kineticism was tempered by veteran savvy. Up-and coming emcees in the crowd were likely taking notes; this was a masterclass in live performance dynamics. Kicking off with 1998’s “Oakland Blackouts,” the fan favorite’s laid-back album version donned a supercharged carapace live, as Del the Funky Homosapien and Opio traded verses well-qualified to be hip-hop quotables. This may be the only rap song in history to compare emcees to “platypuses,” and the two emcees’ internal rhyme schemes were impeccable throughout. \u003c/p>\n\u003cp>“Oakland Blackouts” set the tone for the rest of the set, as the other Hieros fed off Del and Opio with lots of crowd-amping gestures and hand raises. There were noticeable rushes from the audience for particularly nasty lyrical flurries by Tajai and Pep Love, although there really wasn’t a weak flow to be found amongst any of the Hieros. It would have been nice had the set afforded more exposition of deep cuts from the collective’s three-decade catalog – “The Powers That Be,” from 2003’s \u003cem>Full Circle\u003c/em>, sounded epic. \u003c/p>\n\u003cfigure id=\"attachment_13934882\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/Hiero.Group_.2023-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" class=\"size-full wp-image-13934882\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Hiero.Group_.2023-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Hieroglyphics on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The song’s bouncy, boom-bap beat shows why Domino is highly underrated as a producer, while the verses from Opio, Tajai, Del and Pep Love were a wicked whirlwind of battle-rap braggadocio and pop culture references (including Chow Yun Fat and Voltron). When Del says “I’m kinda different yo / what I say is thought-provoking,” he could easily be referring to his entire crew. “This is rap Olympics / Hieroglyphics, the dream team,” Pep Love proclaimed. In that moment, no one witnessing the show would have reasonably disagreed.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13927692","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Hieroglyphics closed their set with Souls of Mischief’s iconic “93 Til Infinity,” which has to be one of the top hip-hop anthems of all time. There’s just something about the A-Plus-produced track that makes you feel warm and fuzzy inside. Maybe it’s the pitch-shifted Billy Cobham sample, or maybe it’s the breezy lyrics which evoke the epitome of laid-back Cali cool (“Now we feel the good vibrations / So many females, so much inspiration”). The song never gets old.\u003c/p>\n\u003cp>An unexpected highlight took place between Hieroglyphics and Common’s sets, when Oakland Mayor Sheng Thao and Mystik Journeymen/Living Legends emcee Corey “Sunspot Jonz” Johnson announced that the City has partnered with Hiero Day – a development that illustrates just how far hip-hop has come. Some may recall when Oakland’s annual Art & Soul festival avoided booking hip-hop acts altogether, or Oakland’s year-long moratorium on rap shows at City-owned facilities. Just as Hieroglyphics broke the mold by performing at Art & Soul, this year’s Hiero Day appeared to usher in a new era of municipal collaboration with the hip-hop community. \u003c/p>\n\u003cfigure id=\"attachment_13934330\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00356.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934330\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00356.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00356-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00356-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00356-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00356-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00356-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Oakland Mayor Shen Thao on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Thao, for her part, certainly seemed to embrace the culture. Dressed in a hella fresh varsity-style jacket with Oakland’s tree logo embroidered on the back, she looked amped to be able to talk about something other than rising crime rates, police scandals, and the deteriorating relationship with the Oakland A’s. She handed out a series of commemorative proclamations honoring the contributions of community mainstays and culture keepers, including Johnson; radio personality, DJ, and educator Davey D; Eastside Arts Alliance co-founders Elena Serrano and Traci Bartlow; visual artist and filmmaker Shomari Smith; and rapper, entrepreneur and activist Mistah F.A.B. \u003c/p>\n\u003cp>Each of the honorees gave a short speech. “I brought the underground here,” Johnson remarked, while Serrano noted that her association with hip-hop predates Eastside’s founding, going back to the late ’90s at Berkeley’s La Pena. F.A.B. made a point of speaking to underserved kids dealing with trauma: “It’s possible. Whether your father’s incarcerated or your mother’s on drugs, it’s possible to make it” – referring to his own uncertain upbringing and triumphant transformation into a certified cultural hero. \u003c/p>\n\u003cfigure id=\"attachment_13934335\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00062-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" class=\"size-full wp-image-13934335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00062-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Chuck Johnson and Mistah F.A.B. pose with singer Alanis Morissette, husband and rapper Soul Eye and their family at Hiero Day in Oakland’s Frank Ogawa Plaza on Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The presentations closed with Thao handing Common a heavyweight boxing-style belt, acknowledging his community work. Later, during his set, the rapper noted that he had been inspired by “the Town”’s examples, citing both Hieroglyphics and the Black Panthers, and name-checking Fred Hampton, the martyred leader of Chicago’s Panther chapter and subject of the recent film \u003cem>Judas and the Black Messiah\u003c/em>. \u003c/p>\n\u003cp>The pacing at the end — Hiero, Thao, and Common — capped a day that started at noon and gradually built up momentum, as up-and-coming artists rocked both stages and attendees filtered into the venue. Some of the undercard was hit-or-miss, and the production’s timing got skewed, forcing some set times to be shortened, but there were still plenty of highlights.\u003c/p>\n\u003cfigure id=\"attachment_13934360\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00040.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00040.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00040-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00040-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00040-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00040-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00040-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Richie Cunning on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A sparsely-attended early set by Richie Cunning on the second stage probably deserved a bigger audience. Cunning has been an emcee on the rise for many years now, and his flow, delivery, and punchline game seem increasingly ready for prime time. For fans of hardcore Bay Area mobb music, it was great to see Cellski with DJ T.C. the Enhancer. The Kev Choice Ensemble added jazzy musicality with a trip through hip-hop history, from Chic’s “Good Times” to a nod to Zumbi of Zion-I with “Don’t Lose Your Head.” \u003c/p>\n\u003cfigure id=\"attachment_13934334\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00230.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00230.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00230-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00230-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00230-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00230-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00230-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kev Choice on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>L.A. underground legend Medusa, who once bested Eminem in a rap battle back in the ’90s, delivered a fiery and fierce-as-fuck set. It was great to see the former member of duo Feline Science and Project Blowed alumnus still doing her thing. Her set was unfortunately truncated, but not before she ripped the recent single “Catch Yo Feelinz” (“You better catch your feelings / I’m about to jump off!”), which shows she can flow over anything, even a contemporary-sounding trap beat. \u003c/p>\n\u003cp>\u003cem>Ultimate Breaks and Beats\u003c/em> curator Breakbeat Lou performed a high-level DJ set with sublime segues, like the Funky Four + 1’s “That’s The Joint” into Naughty By Nature’s “Uptown Anthem,” The Whole Darn Family’s “Seven Minutes of Funk” into Dru Down’s “Pimp of the Year,” and Digable Planets’ “Rebirth of Slick” into E-40’s “Yay Area.” Blending original songs with later tracks that used them as sample sources further carried the theme of hip-hop history as a progression and evolution of a cultural movement that started from the bottom and ended up at City Hall – literally. Yadidahmean?\u003c/p>\n\u003cfigure id=\"attachment_13934340\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00110.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934340\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00110.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00110-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00110-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00110-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00110-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00110-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Cellski on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Throughout the day, several of the artists spoke backstage about hip-hop’s evolution and their personal journeys through the culture. Del, reflecting on 50 years of hip-hop, said, “I just want our values and everything we based it on to live on.” Those values include“self-improvement goals and knowing your environment, being able to deal with motherfuckers in a competitive way instead of fighting or killing each other.” \u003c/p>\n\u003cfigure id=\"attachment_13934348\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00271.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934348\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00271.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00271-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00271-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00271-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00271-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00271-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Opio on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A-Plus remarked on the longevity of “93 Til Infinity”: “I feel appreciative, honored. You know that I produce many different things, man. But that one is certainly special. It’s done everything for Souls of Mischief and for Hiero. The ways it’s aged, and the new generation with streaming, they’re looking back at it and then finding their own way with music.”\u003c/p>\n\u003cp>That’s enabled Hiero’s fanbase to expand beyond old heads, he says. “Young kids are part of our demo at this point. And it’s just really surreal. You don’t think that far ahead, like 30 years from now, young kids are going to think your song is the shit.”\u003c/p>\n\u003cfigure id=\"attachment_13934887\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/Medusa.HieroDay2023-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" class=\"size-full wp-image-13934887\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/Medusa.HieroDay2023-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Medusa on stage at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mistah F.A.B. specifically saluted Souls of Mischief’s milestone and what it means for the Bay Area and for Oakland. “To me, Hip Hop 30 is more important to Hip Hop 50, which is kind of weird. Crazy. But Hip Hop 30 for Hiero is very important, man. And I just love the fact that we’ve been included (in the Hiero Day celebration) to be able to watch our hometown guys come through, and for years continue to maintain relevancy, and continue to keep pushing and representing Oakland.”\u003c/p>\n\u003cfigure id=\"attachment_13934346\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00055.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934346\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00055-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Mistah F.A.B. at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That said, there would be no 30th anniversary for Souls had the culture never existed in the first place. F.A.B. continued: “Big shout out to the forefathers that opened up the doors. We’re happy to be here. Let’s continue to get another 50 up out of it, and not let the culture die, by preserving and respecting our elders and continuing to keep doing new work.”\u003c/p>\n\u003cfigure id=\"attachment_13934344\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/DSC00348.jpg\" alt=\"\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13934344\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00348.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00348-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00348-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00348-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00348-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/DSC00348-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Hiero Day in Frank Ogawa Plaza, Oakland, Sept. 4, 2023. \u003ccite>(Eric Arnold/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13934324/hiero-day-2023-oakland-review-photos","authors":["11839"],"categories":["arts_1","arts_69"],"tags":["arts_8505","arts_10342","arts_10278","arts_1088","arts_2284","arts_831","arts_1694","arts_1143","arts_19347"],"featImg":"arts_13934348","label":"source_arts_13934324"},"arts_13934280":{"type":"posts","id":"arts_13934280","meta":{"index":"posts_1591205157","site":"arts","id":"13934280","score":null,"sort":[1693936400000]},"guestAuthors":[],"slug":"burning-man-attendees-stuck-in-mud-traffic-festival","title":"Burning Man Festival Attendees, Finally Free to Leave, Face Hours of Traffic","publishDate":1693936400,"format":"standard","headTitle":"Burning Man Festival Attendees, Finally Free to Leave, Face Hours of Traffic | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>Organizers of the annual Burning Man music and arts festival lifted a driving ban on Monday afternoon as muddy roads that had stranded thousands of attendees in the Nevada desert had dried up enough to allow people to begin leaving.\u003c/p>\n\u003cp>[aside postid='arts_13933276']“Exodus operations have officially begun in Black Rock City,” \u003ca href=\"https://burningman.org/event/wetplaya2023/\">organizers posted\u003c/a> Monday at 2 p.m. local time, about seven hours before the festival’s fiery conclusion. The torching of a giant, faceless, man-shaped effigy was carried out Monday evening, after having been postponed twice due to the weather.\u003c/p>\n\u003cp>But as of Tuesday morning, the festival was asking participants to consider staying a little longer if they could. Traffic was so congested that at one point, it was taking drivers roughly seven hours to traverse a 5-mile route, pocked with puddles, to the nearest paved road. By midmorning, that time had dropped to 2-3 hours, \u003ca href=\"https://twitter.com/bmantraffic/status/1699080461656699198\">the organizers said on social media. \u003c/a>\u003c/p>\n\u003cp>And that was just the beginning of the journey home for the roughly 72,000 attendees who traveled to the festival’s remote site in northern Nevada, about 120 miles north of the nearest airport in Reno. \u003ca href=\"https://twitter.com/RenoAirport/status/1698911517566210426\">The airport warned on social media\u003c/a> that it did not have the facilities to house travelers for long periods of time while they sorted out plans.\u003c/p>\n\u003cp>https://twitter.com/RenoAirport/status/1698911517566210426\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Even during normal years, exodus\u003ca href=\"https://survival.burningman.org/transportation-traffic/exodus/\"> traffic jams can last for six to nine hours\u003c/a>, according to the organizers. Cars, trucks and RVs stuffed with sleeping bags, stoves and tents all cram onto a single two-lane road leading to the nearest major highway.\u003c/p>\n\u003cp>But this year’s participants had been stranded since Sunday, after storms turned the desert playa into a mud bath. Close to an inch of precipitation flooded the area starting on Friday, prompting event organizers to close access to the festival until vehicles could safely pass and to warn campers to conserve food and water.\u003c/p>\n\u003ch3>Wet weather didn’t dampen the Burning Man spirit\u003c/h3>\n\u003cp>Despite reports of stuck vehicles, overflowing port-a-potties, postponed bus pickups and spotty Wi-Fi service, \u003ca href=\"https://www.npr.org/2023/09/02/1197441202/burning-man-festival-rains-floods-stranded-nevada\">several attendees who spoke to NPR\u003c/a> say the wet weather hadn’t dampened moods.\u003c/p>\n\u003cp>“We’re pooling all our food as far as resources. And I would say honestly, walking around the city, spirits are pretty high,” attendee Anya Kamenetz \u003ca href=\"https://www.npr.org/2023/09/03/1197461152/thousands-of-burning-man-attendees-are-stranded-in-the-nevada-desert\">said on Sunday\u003c/a>.\u003c/p>\n\u003cp>The challenging conditions are testing a community of so-called burners, which touts self-reliance and communal effort among its \u003ca href=\"https://burningman.org/about/10-principles/\">core principles\u003c/a>.\u003c/p>\n\u003cp>[aside postid='arts_13885765']Event volunteer Josh Lease said that in true Burning Man spirit, people were sharing warm clothes and phone chargers where they could — and they kept the music blaring.\u003c/p>\n\u003cp>“It’s like any other Burning Man, just muddy,” he told NPR on Saturday evening.\u003c/p>\n\u003cp>“The warnings do sound very dire, and of course, the organization has to tell people to take care,” said \u003ca href=\"https://www.npr.org/people/1196799368/claudia-peschiutta\">Claudia Peschiutta\u003c/a>, an editor with NPR’s \u003cem>Morning Edition\u003c/em> who attended the event, but “I haven’t seen one person who seems worried about it at all.”\u003c/p>\n\u003cp>Some frustration, however, started to seep in for some attendees by Sunday.\u003c/p>\n\u003cp>In rainy Burning Mans past, longtime burner Joe Bamberg said he’s seen couches, carpets and clothes eventually dry out. But this time, he said, “all is damp and will be ruined by mold,” he said.\u003c/p>\n\u003cp>“I am not thrilled,” said Bamberg, who added: “People make do, it is part of the adventure.”\u003c/p>\n\u003cp>Meanwhile, authorities in Nevada were investigating a death at the site. The Pershing County sheriff said on Saturday that a person was found dead on the playa but declined to offer any further details \u003ca href=\"https://www.cnn.com/videos/us/2023/09/03/burning-man-stranded-update-county-official-cnntm-vpx.cnn\">in an interview with CNN\u003c/a> on Monday.\u003c/p>\n\u003cfigure id=\"attachment_13934282\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13934282\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/gettyimages-1642957320-4e5f3959be8d1d234fa4ce76db21432cf9824015-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/gettyimages-1642957320-4e5f3959be8d1d234fa4ce76db21432cf9824015-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/gettyimages-1642957320-4e5f3959be8d1d234fa4ce76db21432cf9824015-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/gettyimages-1642957320-4e5f3959be8d1d234fa4ce76db21432cf9824015-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/gettyimages-1642957320-4e5f3959be8d1d234fa4ce76db21432cf9824015-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/gettyimages-1642957320-4e5f3959be8d1d234fa4ce76db21432cf9824015.jpg 1023w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Burning Man attendees walk through a muddy desert plain on Saturday, after heavy rains pelted the annual Nevada festival. \u003ccite>(Julie Jammot/ AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Some burners made the trek out on foot\u003c/h3>\n\u003cp>The \u003ca href=\"https://burningman.org/\">Burning Man Organization\u003c/a> had begun telling attendees to shelter in place on Saturday, when it announced that access into and out of the site was closed for the remainder of the event, which runs from Aug. 27 through Sep. 4. Only emergency vehicles were allowed to pass, the organization said in a \u003ca href=\"https://docs.google.com/spreadsheets/d/1AfpmyriBHIFQ_Jymw3wHn9dtAGTgLcAjbnogNPsLvEA/htmlview#gid=0\">statement\u003c/a>.\u003c/p>\n\u003cp>“Conserve food, water, and fuel, and shelter in a warm, safe space,” the statement urged those stuck in the desert.\u003c/p>\n\u003cp>Although they urged attendees against driving on Sunday, event officials said that some vehicles designed for off-road terrain had been able to navigate the mud and successfully leave the event.\u003c/p>\n\u003cp>Other attendees chose to walk several miles across the muck to exit the grounds.\u003c/p>\n\u003cp>Music producer Diplo said he and comedian Chris Rock escaped the event on Saturday after walking 6 miles before hitching a ride from a fan in a pickup truck.\u003c/p>\n\u003cp>“I legit walked the side of the road for hours with my thumb out cuz I have a show in dc tonight and didnt want to let yall down,” \u003ca href=\"https://www.instagram.com/reel/CwtMcuQuuDY/?utm_source=ig_web_copy_link\">he wrote in an Instagram post\u003c/a>.\u003c/p>\n\u003cp>https://www.instagram.com/reel/CwtMcuQuuDY/\u003c/p>\n\u003cp>Neal Katyal, former acting Obama-era solicitor general, also made the trek out. He \u003ca href=\"https://twitter.com/neal_katyal/status/1698302619083509871?s=20\">said he was safe\u003c/a> after his first trip to the festival ended with “an incredibly harrowing 6-mile hike at midnight through heavy and slippery mud.”\u003c/p>\n\u003cp>President Biden had been briefed on the situation, according to a White House official. Event attendees were told over the weekend to listen to state and local officials, and event organizers, the administration official said.\u003c/p>\n\u003cp>[aside postid='arts_13839695']“We have come here knowing this is a place where we bring everything we need to survive,” the organization said in a statement Saturday night. “It is because of this that we are all well-prepared for a weather event like this.”\u003c/p>\n\u003cp>“We have done table-top drills for events like this. We are engaged full-time on all aspects of safety and looking ahead to our Exodus as our next priority.”\u003c/p>\n\u003cp>More than 70,000 people visit the makeshift town of Black Rock City every year to dance, make art and join a self-sufficient, counter-cultural community.\u003c/p>\n\u003cp>The weeklong festival began in 1986 as a small gathering in San Francisco. Today, celebrities, tech moguls and social media influencers are common attendees. \u003ca href=\"https://tickets.burningman.org/?_gl=1%2Anja9og%2A_ga%2AMTk2NDMwOTYxMS4xNjkzOTEwMDA3%2A_ga_411YJ8ZFDE%2AMTY5MzkxNzEzNy4yLjEuMTY5MzkxOTEzNy4wLjAuMA..\">This year’s ticket prices\u003c/a> started at $575.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The weekend’s events weren’t the first time the entrance had been blocked at this year’s festival. A group of climate protesters caused \u003ca href=\"https://www.theguardian.com/culture/2023/aug/28/burning-man-protest-climate-change-environment\">miles of gridlock\u003c/a> at the start of the event by parking a 28-foot trailer in the way.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Burning+Man+festival+attendees%2C+finally+free+to+leave%2C+face+hours+of+traffic&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"Organizers had asked attendees to shelter in place on Saturday, as torrential rains turned the desert site into a mud pit. ","status":"publish","parent":0,"modified":1705005069,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":31,"wordCount":1142},"headData":{"title":"Burning Man Festival Attendees, Finally Free to Leave, Face Hours of Traffic | KQED","description":"Organizers had asked attendees to shelter in place on Saturday, as torrential rains turned the desert site into a mud pit. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprImageCredit":"Matt Mills McKnight","nprByline":"Chloe Veltman","nprImageAgency":"Reuters","nprStoryId":"1197587557","nprApiLink":"http://api.npr.org/query?id=1197587557&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2023/09/05/1197587557/burning-man-exodus-2023-mud?ft=nprml&f=1197587557","nprRetrievedStory":"1","nprPubDate":"Tue, 05 Sep 2023 11:52:00 -0400","nprStoryDate":"Tue, 05 Sep 2023 08:54:08 -0400","nprLastModifiedDate":"Tue, 05 Sep 2023 11:52:21 -0400","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13934280/burning-man-attendees-stuck-in-mud-traffic-festival","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Organizers of the annual Burning Man music and arts festival lifted a driving ban on Monday afternoon as muddy roads that had stranded thousands of attendees in the Nevada desert had dried up enough to allow people to begin leaving.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13933276","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“Exodus operations have officially begun in Black Rock City,” \u003ca href=\"https://burningman.org/event/wetplaya2023/\">organizers posted\u003c/a> Monday at 2 p.m. local time, about seven hours before the festival’s fiery conclusion. The torching of a giant, faceless, man-shaped effigy was carried out Monday evening, after having been postponed twice due to the weather.\u003c/p>\n\u003cp>But as of Tuesday morning, the festival was asking participants to consider staying a little longer if they could. Traffic was so congested that at one point, it was taking drivers roughly seven hours to traverse a 5-mile route, pocked with puddles, to the nearest paved road. By midmorning, that time had dropped to 2-3 hours, \u003ca href=\"https://twitter.com/bmantraffic/status/1699080461656699198\">the organizers said on social media. \u003c/a>\u003c/p>\n\u003cp>And that was just the beginning of the journey home for the roughly 72,000 attendees who traveled to the festival’s remote site in northern Nevada, about 120 miles north of the nearest airport in Reno. \u003ca href=\"https://twitter.com/RenoAirport/status/1698911517566210426\">The airport warned on social media\u003c/a> that it did not have the facilities to house travelers for long periods of time while they sorted out plans.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1698911517566210426"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Even during normal years, exodus\u003ca href=\"https://survival.burningman.org/transportation-traffic/exodus/\"> traffic jams can last for six to nine hours\u003c/a>, according to the organizers. Cars, trucks and RVs stuffed with sleeping bags, stoves and tents all cram onto a single two-lane road leading to the nearest major highway.\u003c/p>\n\u003cp>But this year’s participants had been stranded since Sunday, after storms turned the desert playa into a mud bath. Close to an inch of precipitation flooded the area starting on Friday, prompting event organizers to close access to the festival until vehicles could safely pass and to warn campers to conserve food and water.\u003c/p>\n\u003ch3>Wet weather didn’t dampen the Burning Man spirit\u003c/h3>\n\u003cp>Despite reports of stuck vehicles, overflowing port-a-potties, postponed bus pickups and spotty Wi-Fi service, \u003ca href=\"https://www.npr.org/2023/09/02/1197441202/burning-man-festival-rains-floods-stranded-nevada\">several attendees who spoke to NPR\u003c/a> say the wet weather hadn’t dampened moods.\u003c/p>\n\u003cp>“We’re pooling all our food as far as resources. And I would say honestly, walking around the city, spirits are pretty high,” attendee Anya Kamenetz \u003ca href=\"https://www.npr.org/2023/09/03/1197461152/thousands-of-burning-man-attendees-are-stranded-in-the-nevada-desert\">said on Sunday\u003c/a>.\u003c/p>\n\u003cp>The challenging conditions are testing a community of so-called burners, which touts self-reliance and communal effort among its \u003ca href=\"https://burningman.org/about/10-principles/\">core principles\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13885765","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Event volunteer Josh Lease said that in true Burning Man spirit, people were sharing warm clothes and phone chargers where they could — and they kept the music blaring.\u003c/p>\n\u003cp>“It’s like any other Burning Man, just muddy,” he told NPR on Saturday evening.\u003c/p>\n\u003cp>“The warnings do sound very dire, and of course, the organization has to tell people to take care,” said \u003ca href=\"https://www.npr.org/people/1196799368/claudia-peschiutta\">Claudia Peschiutta\u003c/a>, an editor with NPR’s \u003cem>Morning Edition\u003c/em> who attended the event, but “I haven’t seen one person who seems worried about it at all.”\u003c/p>\n\u003cp>Some frustration, however, started to seep in for some attendees by Sunday.\u003c/p>\n\u003cp>In rainy Burning Mans past, longtime burner Joe Bamberg said he’s seen couches, carpets and clothes eventually dry out. But this time, he said, “all is damp and will be ruined by mold,” he said.\u003c/p>\n\u003cp>“I am not thrilled,” said Bamberg, who added: “People make do, it is part of the adventure.”\u003c/p>\n\u003cp>Meanwhile, authorities in Nevada were investigating a death at the site. The Pershing County sheriff said on Saturday that a person was found dead on the playa but declined to offer any further details \u003ca href=\"https://www.cnn.com/videos/us/2023/09/03/burning-man-stranded-update-county-official-cnntm-vpx.cnn\">in an interview with CNN\u003c/a> on Monday.\u003c/p>\n\u003cfigure id=\"attachment_13934282\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13934282\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/gettyimages-1642957320-4e5f3959be8d1d234fa4ce76db21432cf9824015-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/gettyimages-1642957320-4e5f3959be8d1d234fa4ce76db21432cf9824015-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/gettyimages-1642957320-4e5f3959be8d1d234fa4ce76db21432cf9824015-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/gettyimages-1642957320-4e5f3959be8d1d234fa4ce76db21432cf9824015-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/gettyimages-1642957320-4e5f3959be8d1d234fa4ce76db21432cf9824015-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/gettyimages-1642957320-4e5f3959be8d1d234fa4ce76db21432cf9824015.jpg 1023w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Burning Man attendees walk through a muddy desert plain on Saturday, after heavy rains pelted the annual Nevada festival. \u003ccite>(Julie Jammot/ AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Some burners made the trek out on foot\u003c/h3>\n\u003cp>The \u003ca href=\"https://burningman.org/\">Burning Man Organization\u003c/a> had begun telling attendees to shelter in place on Saturday, when it announced that access into and out of the site was closed for the remainder of the event, which runs from Aug. 27 through Sep. 4. Only emergency vehicles were allowed to pass, the organization said in a \u003ca href=\"https://docs.google.com/spreadsheets/d/1AfpmyriBHIFQ_Jymw3wHn9dtAGTgLcAjbnogNPsLvEA/htmlview#gid=0\">statement\u003c/a>.\u003c/p>\n\u003cp>“Conserve food, water, and fuel, and shelter in a warm, safe space,” the statement urged those stuck in the desert.\u003c/p>\n\u003cp>Although they urged attendees against driving on Sunday, event officials said that some vehicles designed for off-road terrain had been able to navigate the mud and successfully leave the event.\u003c/p>\n\u003cp>Other attendees chose to walk several miles across the muck to exit the grounds.\u003c/p>\n\u003cp>Music producer Diplo said he and comedian Chris Rock escaped the event on Saturday after walking 6 miles before hitching a ride from a fan in a pickup truck.\u003c/p>\n\u003cp>“I legit walked the side of the road for hours with my thumb out cuz I have a show in dc tonight and didnt want to let yall down,” \u003ca href=\"https://www.instagram.com/reel/CwtMcuQuuDY/?utm_source=ig_web_copy_link\">he wrote in an Instagram post\u003c/a>.\u003c/p>\n\u003cp>https://www.instagram.com/reel/CwtMcuQuuDY/\u003c/p>\n\u003cp>Neal Katyal, former acting Obama-era solicitor general, also made the trek out. He \u003ca href=\"https://twitter.com/neal_katyal/status/1698302619083509871?s=20\">said he was safe\u003c/a> after his first trip to the festival ended with “an incredibly harrowing 6-mile hike at midnight through heavy and slippery mud.”\u003c/p>\n\u003cp>President Biden had been briefed on the situation, according to a White House official. Event attendees were told over the weekend to listen to state and local officials, and event organizers, the administration official said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13839695","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“We have come here knowing this is a place where we bring everything we need to survive,” the organization said in a statement Saturday night. “It is because of this that we are all well-prepared for a weather event like this.”\u003c/p>\n\u003cp>“We have done table-top drills for events like this. We are engaged full-time on all aspects of safety and looking ahead to our Exodus as our next priority.”\u003c/p>\n\u003cp>More than 70,000 people visit the makeshift town of Black Rock City every year to dance, make art and join a self-sufficient, counter-cultural community.\u003c/p>\n\u003cp>The weeklong festival began in 1986 as a small gathering in San Francisco. Today, celebrities, tech moguls and social media influencers are common attendees. \u003ca href=\"https://tickets.burningman.org/?_gl=1%2Anja9og%2A_ga%2AMTk2NDMwOTYxMS4xNjkzOTEwMDA3%2A_ga_411YJ8ZFDE%2AMTY5MzkxNzEzNy4yLjEuMTY5MzkxOTEzNy4wLjAuMA..\">This year’s ticket prices\u003c/a> started at $575.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The weekend’s events weren’t the first time the entrance had been blocked at this year’s festival. A group of climate protesters caused \u003ca href=\"https://www.theguardian.com/culture/2023/aug/28/burning-man-protest-climate-change-environment\">miles of gridlock\u003c/a> at the start of the event by parking a 28-foot trailer in the way.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Burning+Man+festival+attendees%2C+finally+free+to+leave%2C+face+hours+of+traffic&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13934280/burning-man-attendees-stuck-in-mud-traffic-festival","authors":["byline_arts_13934280"],"categories":["arts_1","arts_835","arts_69","arts_235"],"tags":["arts_1335","arts_1694"],"affiliates":["arts_137"],"featImg":"arts_13934281","label":"arts_137"},"arts_13933276":{"type":"posts","id":"arts_13933276","meta":{"index":"posts_1591205157","site":"arts","id":"13933276","score":null,"sort":[1692626450000]},"guestAuthors":[],"slug":"fall-concerts-festivals-san-francisco-oakland-bay-area-2023","title":"Bay Area Concerts Not to Miss This Fall","publishDate":1692626450,"format":"aside","headTitle":"Bay Area Concerts Not to Miss This Fall | KQED","labelTerm":{},"content":"\u003cp>\u003cstrong>Update, Aug. 21, 2023: \u003c/strong>The \u003ca href=\"https://concerts.livenation.com/lights-on-festival-mountain-view-california-09-16-2023/event/1C005ED501CE7C4D\">Lights On Festival\u003c/a> in Mountain View, previously included in this roundup, is now canceled.\u003c/p>\n\u003cp>The best thing about living the Bay Area is that just when summer feels like it’s ending, we get hit with an extra two months of warm weather — and a fresh slate of festivals, concerts and dance parties. Here are 10 must-see fall shows to get on your calendar.\u003c/p>\n\u003cfigure id=\"attachment_13933308\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933308\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/GettyImages-1344570056-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat performs during weekend one of Austin City Limits Music Festival at Zilker Park on October 02, 2021 in Austin, Texas. \u003ccite>(Photo by Erika Goldring/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.ticketmaster.com/doja-cat-the-scarlet-tour-san-francisco-california-10-31-2023/event/1C005ED4F97764E5\">Doja Cat\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Oct. 31, 2023\u003cbr>\nChase Center, San Francisco\u003cbr>\n$140+\u003c/em>\u003c/p>\n\u003cp>Doja Cat’s had an incredible rise from SoundCloud standout to viral sensation to international pop superstar, and signs suggest that the next phase of her career will be her most expressive and hard-hitting yet. With her recently shaved head, cinematic music videos and bars that remind everyone she can \u003ci>rap\u003c/i> rap, it’s clear that she doesn’t want to play into a cookie-cutter pop mold, and Halloween is a perfect occasion to see this shapeshifting mastermind.\u003c/p>\n\u003cfigure id=\"attachment_12278228\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12278228\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/10/13th_01-800x450.jpg\" alt=\"Angela Davis speaks inside West Oakland's abandoned 16th Street train station, in a still from Ava DuVernay's '13th.'\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Angela Davis speaks inside West Oakland’s abandoned 16th Street train station, in a still from Ava DuVernay’s ’13th.’ \u003ccite>(Courtesy of SFFS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.oaklandsymphony.org/artist/angela-davis/\">Playlist: Angela Y. Davis at Oakland Symphony\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Oct. 21, 2023\u003c/em>\u003cbr>\n\u003cem>Paramount Theatre, Oakland\u003c/em>\u003cbr>\n\u003cem>$40–$125\u003c/em>\u003c/p>\n\u003cp>What music gave Angela Davis strength to survive imprisonment on false charges in the early ’70s, when she was a member of the Black Panther Party? What did she listen to as she prepared her lectures on feminism and African American studies at UC Santa Cruz, or sat down to pen her best-selling books on prison abolition? Fans will find out when the world-renowned activist and scholar curates one of the Oakland Symphony’s \u003ci>Playlist\u003c/i> concerts, a series started by the late conductor Michael Morgan where prominent culture-makers select songs for the orchestra to reimagine. Comedian W. Kamau Bell will host.\u003c/p>\n\u003cfigure id=\"attachment_13805273\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805273\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/08/LittleDragon.MAIN_-800x450.jpg\" alt=\"Little Dragon performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Little Dragon performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://portolamusicfestival.com/\">Portola Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 30 and Oct. 1\u003c/em>\u003cbr>\n\u003cem>Pier 80, San Francisco\u003c/em>\u003cbr>\n\u003cem>$229.95+ single day, $359.95+ two-day\u003c/em>\u003c/p>\n\u003cp>Portola is designed for open-minded ravers and partiers. You have house music legends Armand Van Helden and Chris Lake going back to back; Tokischa, the Dominican sex siren of dembow and reggaeton; a Basement Jaxx DJ set; one of the UK’s finest MCs, Little Simz; cult-favorite indie band Little Dragon; and Skrillex. These artists don’t have a ton in common on the surface, but all of them are bound to have party-goers sweating on the dance floor.\u003c/p>\n\u003cfigure id=\"attachment_13933307\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933307\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/GettyImages-1214366877-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1214366877-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1214366877-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1214366877-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1214366877-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1214366877.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">American Blues musician Christone ‘Kingfish’ Ingram plays guitar as he performs onstage at Buddy Guy’s Legends nightclub, Chicago, Illinois, January 11, 2020. \u003ccite>( Paul Natkin/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 29–Oct. 1\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>As concert ticket prices continue to rise, it’s become even more clear how much of a San Francisco treasure Hardly Strictly is. The 23rd annual free festival celebrates bluegrass, roots music and more, with a lineup of fiery up-and-comers like blues singer-guitarist Christone “Kingfish” Ingram and veterans like country-punk band Lucero. Phases and one and two of the lineup have already been announced, and phase three should be dropping any day now.\u003c/p>\n\u003cfigure id=\"attachment_13849392\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13849392\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/01/ShyanG.MAIN_-800x450.jpg\" alt=\"Shy'an G's new EP, 'The Reset,' finds the East Bay artist jumping into a life with the top down.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/ShyanG.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/ShyanG.MAIN_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/ShyanG.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/ShyanG.MAIN_-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/ShyanG.MAIN_-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/ShyanG.MAIN_.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Shy’an G. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.artandsouloakland.com/\">Art + Soul\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 17, 2023\u003c/em>\u003cbr>\n\u003cem>Frank Ogawa Plaza, Oakland\u003c/em>\u003cbr>\n\u003cem>Free\u003c/em>\u003c/p>\n\u003cp>The popular, family-friendly Oakland street fair Art + Soul joins forces with AfroComicCon this year for a weekend of music, comics, graphic novels and art. Headliners include the lauded hip-hop duo Latyrx and special guests, Grammy-winning children’s music group Alphabet Rockers and the Women in Hip-Hop Revue, which includes a heavy-hitting, diverse lineup of Suga-T, RyanNicole, Coco Peila, Dakini Star, GinaMadrid, Breathless, Shy’an G and Versoul, with DJ LadyRyan behind the decks.\u003c/p>\n\u003cfigure id=\"attachment_13917247\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Spellling-performs-at-Outside-Lands-on-Friday-August-5-2022.--800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Spellling-performs-at-Outside-Lands-on-Friday-August-5-2022.--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Spellling-performs-at-Outside-Lands-on-Friday-August-5-2022.--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Spellling-performs-at-Outside-Lands-on-Friday-August-5-2022.--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Spellling-performs-at-Outside-Lands-on-Friday-August-5-2022.--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Spellling-performs-at-Outside-Lands-on-Friday-August-5-2022.--1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Spellling-performs-at-Outside-Lands-on-Friday-August-5-2022.-.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Spellling performs at Outside Lands on Friday, August 5, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/through-the-looking-glass-an-evening-with-spellling-friends-tickets-663304911847\">Through the Looking Glass\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 16, 2023\u003cbr>\nChildren’s Fairyland, Oakland\u003cbr>\n$70–$85\u003c/em>\u003c/p>\n\u003cp>Oakland artist Spellling has a gift for transporting listeners into magical realms, both with her mythical lyrics and her band’s otherworldly instrumentation. She draws from a long legacy of experimental, spiritual Black music — a legacy she’ll connect to at her own festival, Through the Looking Glass, which also stars Afrofuturism purveyors Sun Ra Arkestra, Laraaji, Zachary James Watkins, AroMa and more. The event will transform Children’s Fairyland into an adult playground of imagination and top-tier artistry.\u003c/p>\n\u003cfigure id=\"attachment_13898239\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13898239\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/fantastic_negrito_at_crossing_border_by-Peter-Koudstaal-1-10-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">Grammy-winning blues-rock artist Fantastic Negrito. \u003ccite>(Peter Koudstaal)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://dockofbayfest.com/\">Dock of the Bay Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 9 and 10, 2023\u003c/em>\u003cbr>\n\u003cem>Mare Island\u003c/em>\u003cbr>\n\u003cem>Single day $95+\u003c/em>\u003c/p>\n\u003cp>Funk and soul lovers can two-step on the waterfront at Dock of the Bay Festival, which brings together boogie hitmakers Morris Day and the Time, funk legends Average White Band and Bay Area favorites like Grammy-winning blues-rocker Fantastic Negrito and soul revivalists Monophonics. Expect danceable grooves and instrumental excellence.\u003c/p>\n\u003cfigure id=\"attachment_13842816\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842816\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/10/MG_4331-800x533.jpg\" alt=\"Lord Huron perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4331.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4331-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4331-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4331-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4331-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4331-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lord Huron perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.soundsummit.net/\">Sound Summit\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 9, 2023\u003c/em>\u003cbr>\n\u003cem>Mountain Theater, Mount Tamalpais State Park\u003c/em>\u003cbr>\n\u003cem>$120+\u003c/em>\u003c/p>\n\u003cp>On a mountaintop among frolicking chipmunks, underneath circling hawks, Sound Summit brings a day of indie rock and folk to one of the Bay Area’s most spectacular view spots: Mount Tam. This year festival-goers will hear the ballads of Lord Huron, Sierra Ferrell’s genre-bending explorations of jazz and calypso, Kevin Morby’s twangy garage punk, country supergroup Brokedown in Bakersfield and Mill Valley salsa, Afrobeat, reggae and funk band Vinyl. Remember to pack in, pack out and leave no trace.\u003c/p>\n\u003cfigure id=\"attachment_13865652\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865652\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/09/Hiero-Day-2019-1433-800x450.jpg\" alt=\"Hieroglyphics on stage at Hiero Day 2019.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Hiero-Day-2019-1433-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Hiero-Day-2019-1433-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Hiero-Day-2019-1433-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Hiero-Day-2019-1433-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Hiero-Day-2019-1433-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Hiero-Day-2019-1433.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hieroglyphics on stage at Hiero Day 2019. \u003ccite>(Eric Arnold)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.hieroday.com/\">Hiero Day\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 4, 2023\u003c/em>\u003cbr>\n\u003cem>Frank Ogawa Plaza\u003c/em>\u003cbr>\n\u003cem>Free\u003c/em>\u003c/p>\n\u003cp>Hip-hop’s 50th anniversary coincides with the 30th anniversary of Souls of Mischief’s essential album \u003ci>’93 ’til Infinity\u003c/i>, so 2023 promises an auspicious Hiero Day. This year, the intergenerational, homegrown hip-hop festival moves from Jack London Square to Frank Ogawa Plaza, and is free with RSVP. The lineup so far includes Hieroglyphics with special guest Common, Breakbeat Lou, Paris, Abstract Rude, Lil Blood and more, with additional artists soon to be announced. \u003ca href=\"https://www.instagram.com/p/Cv2wb-bvnkF/\">Several pre-Hiero Day events\u003c/a> — including a Souls of Mischief mural reveal — are planned at Hungry Ghost Studio, Moxy, Crybaby and more, and an afterparty at is slated for Crybaby on Sept. 4.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Hiero Day is free; Angela Davis curates a night at the symphony; and more. ","status":"publish","parent":0,"modified":1705005128,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":1119},"headData":{"title":"Bay Area Concerts Not to Miss This Fall | KQED","description":"Hiero Day is free; Angela Davis curates a night at the symphony; and more. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"source":"Fall Guide 2023","sourceUrl":"https://www.kqed.org/fallguide2023","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13933276/fall-concerts-festivals-san-francisco-oakland-bay-area-2023","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Update, Aug. 21, 2023: \u003c/strong>The \u003ca href=\"https://concerts.livenation.com/lights-on-festival-mountain-view-california-09-16-2023/event/1C005ED501CE7C4D\">Lights On Festival\u003c/a> in Mountain View, previously included in this roundup, is now canceled.\u003c/p>\n\u003cp>The best thing about living the Bay Area is that just when summer feels like it’s ending, we get hit with an extra two months of warm weather — and a fresh slate of festivals, concerts and dance parties. Here are 10 must-see fall shows to get on your calendar.\u003c/p>\n\u003cfigure id=\"attachment_13933308\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933308\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/GettyImages-1344570056-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1344570056.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat performs during weekend one of Austin City Limits Music Festival at Zilker Park on October 02, 2021 in Austin, Texas. \u003ccite>(Photo by Erika Goldring/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.ticketmaster.com/doja-cat-the-scarlet-tour-san-francisco-california-10-31-2023/event/1C005ED4F97764E5\">Doja Cat\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Oct. 31, 2023\u003cbr>\nChase Center, San Francisco\u003cbr>\n$140+\u003c/em>\u003c/p>\n\u003cp>Doja Cat’s had an incredible rise from SoundCloud standout to viral sensation to international pop superstar, and signs suggest that the next phase of her career will be her most expressive and hard-hitting yet. With her recently shaved head, cinematic music videos and bars that remind everyone she can \u003ci>rap\u003c/i> rap, it’s clear that she doesn’t want to play into a cookie-cutter pop mold, and Halloween is a perfect occasion to see this shapeshifting mastermind.\u003c/p>\n\u003cfigure id=\"attachment_12278228\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12278228\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/10/13th_01-800x450.jpg\" alt=\"Angela Davis speaks inside West Oakland's abandoned 16th Street train station, in a still from Ava DuVernay's '13th.'\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/13th_01-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Angela Davis speaks inside West Oakland’s abandoned 16th Street train station, in a still from Ava DuVernay’s ’13th.’ \u003ccite>(Courtesy of SFFS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.oaklandsymphony.org/artist/angela-davis/\">Playlist: Angela Y. Davis at Oakland Symphony\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Oct. 21, 2023\u003c/em>\u003cbr>\n\u003cem>Paramount Theatre, Oakland\u003c/em>\u003cbr>\n\u003cem>$40–$125\u003c/em>\u003c/p>\n\u003cp>What music gave Angela Davis strength to survive imprisonment on false charges in the early ’70s, when she was a member of the Black Panther Party? What did she listen to as she prepared her lectures on feminism and African American studies at UC Santa Cruz, or sat down to pen her best-selling books on prison abolition? Fans will find out when the world-renowned activist and scholar curates one of the Oakland Symphony’s \u003ci>Playlist\u003c/i> concerts, a series started by the late conductor Michael Morgan where prominent culture-makers select songs for the orchestra to reimagine. Comedian W. Kamau Bell will host.\u003c/p>\n\u003cfigure id=\"attachment_13805273\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805273\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/08/LittleDragon.MAIN_-800x450.jpg\" alt=\"Little Dragon performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/LittleDragon.MAIN_-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Little Dragon performs at the Outside Lands music festival in San Francisco, Aug. 11, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://portolamusicfestival.com/\">Portola Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 30 and Oct. 1\u003c/em>\u003cbr>\n\u003cem>Pier 80, San Francisco\u003c/em>\u003cbr>\n\u003cem>$229.95+ single day, $359.95+ two-day\u003c/em>\u003c/p>\n\u003cp>Portola is designed for open-minded ravers and partiers. You have house music legends Armand Van Helden and Chris Lake going back to back; Tokischa, the Dominican sex siren of dembow and reggaeton; a Basement Jaxx DJ set; one of the UK’s finest MCs, Little Simz; cult-favorite indie band Little Dragon; and Skrillex. These artists don’t have a ton in common on the surface, but all of them are bound to have party-goers sweating on the dance floor.\u003c/p>\n\u003cfigure id=\"attachment_13933307\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933307\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/GettyImages-1214366877-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1214366877-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1214366877-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1214366877-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1214366877-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/GettyImages-1214366877.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">American Blues musician Christone ‘Kingfish’ Ingram plays guitar as he performs onstage at Buddy Guy’s Legends nightclub, Chicago, Illinois, January 11, 2020. \u003ccite>( Paul Natkin/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 29–Oct. 1\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>As concert ticket prices continue to rise, it’s become even more clear how much of a San Francisco treasure Hardly Strictly is. The 23rd annual free festival celebrates bluegrass, roots music and more, with a lineup of fiery up-and-comers like blues singer-guitarist Christone “Kingfish” Ingram and veterans like country-punk band Lucero. Phases and one and two of the lineup have already been announced, and phase three should be dropping any day now.\u003c/p>\n\u003cfigure id=\"attachment_13849392\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13849392\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/01/ShyanG.MAIN_-800x450.jpg\" alt=\"Shy'an G's new EP, 'The Reset,' finds the East Bay artist jumping into a life with the top down.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/ShyanG.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/ShyanG.MAIN_-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/ShyanG.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/ShyanG.MAIN_-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/ShyanG.MAIN_-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/ShyanG.MAIN_.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Shy’an G. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.artandsouloakland.com/\">Art + Soul\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 17, 2023\u003c/em>\u003cbr>\n\u003cem>Frank Ogawa Plaza, Oakland\u003c/em>\u003cbr>\n\u003cem>Free\u003c/em>\u003c/p>\n\u003cp>The popular, family-friendly Oakland street fair Art + Soul joins forces with AfroComicCon this year for a weekend of music, comics, graphic novels and art. Headliners include the lauded hip-hop duo Latyrx and special guests, Grammy-winning children’s music group Alphabet Rockers and the Women in Hip-Hop Revue, which includes a heavy-hitting, diverse lineup of Suga-T, RyanNicole, Coco Peila, Dakini Star, GinaMadrid, Breathless, Shy’an G and Versoul, with DJ LadyRyan behind the decks.\u003c/p>\n\u003cfigure id=\"attachment_13917247\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Spellling-performs-at-Outside-Lands-on-Friday-August-5-2022.--800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Spellling-performs-at-Outside-Lands-on-Friday-August-5-2022.--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Spellling-performs-at-Outside-Lands-on-Friday-August-5-2022.--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Spellling-performs-at-Outside-Lands-on-Friday-August-5-2022.--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Spellling-performs-at-Outside-Lands-on-Friday-August-5-2022.--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Spellling-performs-at-Outside-Lands-on-Friday-August-5-2022.--1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Spellling-performs-at-Outside-Lands-on-Friday-August-5-2022.-.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Spellling performs at Outside Lands on Friday, August 5, 2022. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/through-the-looking-glass-an-evening-with-spellling-friends-tickets-663304911847\">Through the Looking Glass\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 16, 2023\u003cbr>\nChildren’s Fairyland, Oakland\u003cbr>\n$70–$85\u003c/em>\u003c/p>\n\u003cp>Oakland artist Spellling has a gift for transporting listeners into magical realms, both with her mythical lyrics and her band’s otherworldly instrumentation. She draws from a long legacy of experimental, spiritual Black music — a legacy she’ll connect to at her own festival, Through the Looking Glass, which also stars Afrofuturism purveyors Sun Ra Arkestra, Laraaji, Zachary James Watkins, AroMa and more. The event will transform Children’s Fairyland into an adult playground of imagination and top-tier artistry.\u003c/p>\n\u003cfigure id=\"attachment_13898239\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13898239\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/fantastic_negrito_at_crossing_border_by-Peter-Koudstaal-1-10-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">Grammy-winning blues-rock artist Fantastic Negrito. \u003ccite>(Peter Koudstaal)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://dockofbayfest.com/\">Dock of the Bay Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 9 and 10, 2023\u003c/em>\u003cbr>\n\u003cem>Mare Island\u003c/em>\u003cbr>\n\u003cem>Single day $95+\u003c/em>\u003c/p>\n\u003cp>Funk and soul lovers can two-step on the waterfront at Dock of the Bay Festival, which brings together boogie hitmakers Morris Day and the Time, funk legends Average White Band and Bay Area favorites like Grammy-winning blues-rocker Fantastic Negrito and soul revivalists Monophonics. Expect danceable grooves and instrumental excellence.\u003c/p>\n\u003cfigure id=\"attachment_13842816\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842816\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/10/MG_4331-800x533.jpg\" alt=\"Lord Huron perform at Treasure Island Music Festival on Oct. 14, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4331.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4331-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4331-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4331-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4331-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_4331-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lord Huron perform at Treasure Island Music Festival on Oct. 14, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.soundsummit.net/\">Sound Summit\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 9, 2023\u003c/em>\u003cbr>\n\u003cem>Mountain Theater, Mount Tamalpais State Park\u003c/em>\u003cbr>\n\u003cem>$120+\u003c/em>\u003c/p>\n\u003cp>On a mountaintop among frolicking chipmunks, underneath circling hawks, Sound Summit brings a day of indie rock and folk to one of the Bay Area’s most spectacular view spots: Mount Tam. This year festival-goers will hear the ballads of Lord Huron, Sierra Ferrell’s genre-bending explorations of jazz and calypso, Kevin Morby’s twangy garage punk, country supergroup Brokedown in Bakersfield and Mill Valley salsa, Afrobeat, reggae and funk band Vinyl. Remember to pack in, pack out and leave no trace.\u003c/p>\n\u003cfigure id=\"attachment_13865652\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13865652\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/09/Hiero-Day-2019-1433-800x450.jpg\" alt=\"Hieroglyphics on stage at Hiero Day 2019.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Hiero-Day-2019-1433-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Hiero-Day-2019-1433-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Hiero-Day-2019-1433-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Hiero-Day-2019-1433-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Hiero-Day-2019-1433-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/09/Hiero-Day-2019-1433.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hieroglyphics on stage at Hiero Day 2019. \u003ccite>(Eric Arnold)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.hieroday.com/\">Hiero Day\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 4, 2023\u003c/em>\u003cbr>\n\u003cem>Frank Ogawa Plaza\u003c/em>\u003cbr>\n\u003cem>Free\u003c/em>\u003c/p>\n\u003cp>Hip-hop’s 50th anniversary coincides with the 30th anniversary of Souls of Mischief’s essential album \u003ci>’93 ’til Infinity\u003c/i>, so 2023 promises an auspicious Hiero Day. This year, the intergenerational, homegrown hip-hop festival moves from Jack London Square to Frank Ogawa Plaza, and is free with RSVP. The lineup so far includes Hieroglyphics with special guest Common, Breakbeat Lou, Paris, Abstract Rude, Lil Blood and more, with additional artists soon to be announced. \u003ca href=\"https://www.instagram.com/p/Cv2wb-bvnkF/\">Several pre-Hiero Day events\u003c/a> — including a Souls of Mischief mural reveal — are planned at Hungry Ghost Studio, Moxy, Crybaby and more, and an afterparty at is slated for Crybaby on Sept. 4.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13933276/fall-concerts-festivals-san-francisco-oakland-bay-area-2023","authors":["11387"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_4906","arts_7774","arts_21522","arts_1588","arts_10278","arts_1088","arts_1694","arts_3281","arts_2021","arts_585"],"featImg":"arts_13805273","label":"source_arts_13933276"},"arts_13933285":{"type":"posts","id":"arts_13933285","meta":{"index":"posts_1591205157","site":"arts","id":"13933285","score":null,"sort":[1692217553000]},"guestAuthors":[],"slug":"hiero-day-lineup-free-common-paris-oakland","title":"Hiero Day Is Free This Year, With Common, Abstract Rude, Cellski and More","publishDate":1692217553,"format":"standard","headTitle":"Hiero Day Is Free This Year, With Common, Abstract Rude, Cellski and More | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/hiero-day\">Hiero Day\u003c/a>, the long-running annual Oakland block party, will be free this year, organizers have announced. The initial lineup announcement includes Chicago legend \u003cstrong>Common\u003c/strong>, L.A.’s Project Blowed maestro \u003cstrong>Abstract Rude\u003c/strong>, \u003cem>Ultimate Breaks and Beats\u003c/em> co-creator \u003cstrong>Breakbeat Lou\u003c/strong> and others, with more to come. As is custom, the \u003ca href=\"https://www.kqed.org/arts/tag/hieroglyphics\">\u003cstrong>Hieroglyphics\u003c/strong>\u003c/a> crew and its various incarnations will also perform. \u003c/p>\n\u003cp>\u003cstrong>Update, 8/30\u003c/strong>: \u003ca href=\"https://www.instagram.com/hieroooday/\">Added performers\u003c/a> include Cellski, Medusa, Macarthur Maze, the Architect, DJ Black Woman, Kev Choice, DJ D-Sharp, Oke Junior and Kingmakers. Paris, previously announced, is no longer on the \u003ca href=\"https://www.instagram.com/p/Cwlcjm8vjso/\">final lineup\u003c/a>, seen below.\u003c/p>\n\u003cp>https://www.instagram.com/p/Cwlcjm8vjso/\u003c/p>\n\u003cp>Hiero Day takes place Monday, Sept. 4, and serves as a de facto 30th anniversary celebration of \u003ca href=\"https://www.kqed.org/arts/tag/souls-of-mischief\">\u003cstrong>Souls of Mischief\u003c/strong>\u003c/a>’s debut album \u003cem>93 Til Infinity\u003c/em>. Now that admission will be free, those who had bought tickets for his year’s Hiero Day will be refunded, organizers announced. \u003c/p>\n\u003cp>[aside postID='arts_13924170']Hiero Day will also move locations this year, and be held in Frank Ogawa Plaza directly in front of City Hall, reflecting the event’s new association with the City of Oakland. Other sponsors include the Oakland A’s, Bartable, and \u003ca href=\"https://www.kqed.org/arts/13877570/a-tribute-to-soul-beat-tv-the-black-owned-network-of-east-oakland\">Soul Beat\u003c/a>. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Numerous \u003ca href=\"https://www.instagram.com/p/Cv2wb-bvnkF/\">ancillary events\u003c/a> are scheduled around Hiero Day, including pre-parties as well as a \u003ca href=\"https://www.instagram.com/p/Cvxy_2INihL/\">Souls of Mischief mural reveal\u003c/a> in East Oakland. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More details can be found on Hiero Day’s \u003ca href=\"https://www.instagram.com/hieroooday/\">Instagram\u003c/a> or \u003ca href=\"https://www.hieroday.com/\">website\u003c/a>. \u003c/p>\n\n","blocks":[],"excerpt":"With Common as the headliner, the annual block party will be free this year, and held at a new location.","status":"publish","parent":0,"modified":1705005145,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":239},"headData":{"title":"Hiero Day Is Free This Year, With Common, Abstract Rude, Cellski and More | KQED","description":"With Common as the headliner, the annual block party will be free this year, and held at a new location.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13933285/hiero-day-lineup-free-common-paris-oakland","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/hiero-day\">Hiero Day\u003c/a>, the long-running annual Oakland block party, will be free this year, organizers have announced. The initial lineup announcement includes Chicago legend \u003cstrong>Common\u003c/strong>, L.A.’s Project Blowed maestro \u003cstrong>Abstract Rude\u003c/strong>, \u003cem>Ultimate Breaks and Beats\u003c/em> co-creator \u003cstrong>Breakbeat Lou\u003c/strong> and others, with more to come. As is custom, the \u003ca href=\"https://www.kqed.org/arts/tag/hieroglyphics\">\u003cstrong>Hieroglyphics\u003c/strong>\u003c/a> crew and its various incarnations will also perform. \u003c/p>\n\u003cp>\u003cstrong>Update, 8/30\u003c/strong>: \u003ca href=\"https://www.instagram.com/hieroooday/\">Added performers\u003c/a> include Cellski, Medusa, Macarthur Maze, the Architect, DJ Black Woman, Kev Choice, DJ D-Sharp, Oke Junior and Kingmakers. Paris, previously announced, is no longer on the \u003ca href=\"https://www.instagram.com/p/Cwlcjm8vjso/\">final lineup\u003c/a>, seen below.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"Cwlcjm8vjso"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hiero Day takes place Monday, Sept. 4, and serves as a de facto 30th anniversary celebration of \u003ca href=\"https://www.kqed.org/arts/tag/souls-of-mischief\">\u003cstrong>Souls of Mischief\u003c/strong>\u003c/a>’s debut album \u003cem>93 Til Infinity\u003c/em>. Now that admission will be free, those who had bought tickets for his year’s Hiero Day will be refunded, organizers announced. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13924170","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Hiero Day will also move locations this year, and be held in Frank Ogawa Plaza directly in front of City Hall, reflecting the event’s new association with the City of Oakland. Other sponsors include the Oakland A’s, Bartable, and \u003ca href=\"https://www.kqed.org/arts/13877570/a-tribute-to-soul-beat-tv-the-black-owned-network-of-east-oakland\">Soul Beat\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Numerous \u003ca href=\"https://www.instagram.com/p/Cv2wb-bvnkF/\">ancillary events\u003c/a> are scheduled around Hiero Day, including pre-parties as well as a \u003ca href=\"https://www.instagram.com/p/Cvxy_2INihL/\">Souls of Mischief mural reveal\u003c/a> in East Oakland. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More details can be found on Hiero Day’s \u003ca href=\"https://www.instagram.com/hieroooday/\">Instagram\u003c/a> or \u003ca href=\"https://www.hieroday.com/\">website\u003c/a>. \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13933285/hiero-day-lineup-free-common-paris-oakland","authors":["185"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_1088","arts_831","arts_1694","arts_585"],"featImg":"arts_13933290","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. 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Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. 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