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FM","link":"/"}},"arts_13880253":{"type":"posts","id":"arts_13880253","meta":{"index":"posts_1591205157","site":"arts","id":"13880253","score":null,"sort":[1589500848000]},"guestAuthors":[],"slug":"its-still-raining-game-in-northern-california","title":"It's Still Raining Game in Northern California","publishDate":1589500848,"format":"standard","headTitle":"It’s Still Raining Game in Northern California | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>f there’s one thing I’ve learned in the past two months, it’s that a worldwide pandemic can’t stifle the artists of Northern California. Which makes sense—it’s one of the most innovative places on the planet. Creativity is in our cellular membranes and the culture pulses through our veins. Plus, the rent is too damn high to quit.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>Let’s start with the well-known names. This past weekend, Oakland’s own \u003cstrong>Kehlani\u003c/strong> hit No. 1 on the Apple Music charts with her latest album, \u003cem>It Was Good Until It Wasn’t\u003c/em>. As the project took off, Kehlani made videos in quarantine and took to Twitter sharing intimate details of her experience to promote the album. It was something she had to do—otherwise, citing the coronavirus, \u003ca href=\"https://pitchfork.com/thepitch/kehlani-it-was-good-until-it-wasnt-album-cover-interview/?mbid=social_facebook&utm_source=facebook&utm_social-type=owned&utm_brand=p4k&utm_medium=social&utm_source=twitter&utm_brand=p4k&mbid=social_twitter&utm_medium=social&utm_social-type=owned\" target=\"_blank\" rel=\"noopener noreferrer\">her label would’ve postponed the release of her album\u003c/a>.\u003c/p>\n\u003cp>Just a few days before that, Sacramento’s \u003cstrong>Mozzy\u003c/strong> dropped \u003cem>Beyond Bulletproof.\u003c/em> He’d recently broadcasted a series of \u003ca href=\"https://www.youtube.com/watch?v=ZAVuUtxc5fg&feature=emb_title\">public therapy sessions\u003c/a>, and \u003ca href=\"https://www.kqed.org/arts/13880011/mozzys-new-album-processes-trauma-incarceration-by-documenting-his-healing\">initially dropped the album through JPay\u003c/a>—a service for incarcerated folks—a week before the album’s general release. On top of that, he did an interview with Rap Radar’s \u003ca href=\"https://www.instagram.com/tv/B_xsftpHAQn/?utm_source=ig_web_copy_link\">Elliott Wilson\u003c/a>. Active on the internet, in the streets and behind bars.\u003c/p>\n\u003cp>The Bay’s even getting active in television. Check the soundtrack for this season of \u003cem>Insecure\u003c/em>, which features previously released music from \u003ca href=\"https://twitter.com/LilSnickerfoot/status/1252642870319702016?s=20\">\u003cstrong>Michael Sneed\u003c/strong>\u003c/a> in one episode and \u003ca href=\"https://twitter.com/kamaiyah/status/1259701062908252160?s=20\">\u003cstrong>Kamaiyah\u003c/strong>\u003c/a> in another. And, of course, the Bay’s own \u003ca href=\"https://www.instagram.com/p/B_x8IAsJaGc/\">\u003cstrong>Nijla Mu’min\u003c/strong>\u003c/a> directed \u003cem>Insecure\u003c/em>‘s fourth episode from this season.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=pReD5WRO3vI\u003c/p>\n\u003cp>As for getting active in Hollywood, check Netflix’s \u003ca href=\"https://variety.com/2020/film/reviews/all-day-and-a-night-review-ashton-sanders-1234593865/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>All Day and A Night\u003c/em>\u003c/a>. The story of an aspiring rapper from Oakland, the film has star power from Oakland’s \u003cstrong>Yahya Abdul-Mateen II\u003c/strong> and a bunch of cameos from Northern California folks, including members of the dance crew \u003cstrong>Turf Fiendz\u003c/strong> and Oakland’s \u003cstrong>Rolanda D. Bell\u003c/strong>. The film was written by San Francisco’s \u003cstrong>Joe Robert Cole\u003c/strong>, was filmed in Oakland and Alameda, and \u003ca href=\"https://www.youtube.com/playlist?list=PL09XmXSlwDoreuB74JlQD-a4KfsTVvxie\">its soundtrack\u003c/a> features \u003cstrong>Tia Nomore, SOBxRBE, Paris,\u003c/strong> the \u003cstrong>Conscious Daughters, P-Lo, Mac Dre\u003c/strong> and more.\u003c/p>\n\u003cp>And then there’s \u003cstrong>Kool John\u003c/strong>, who’s also featured on the aforementioned soundtrack. The Richmond artist was recently shot six times during a robbery, recovered, and \u003ca href=\"https://twitter.com/K00LJ0HN/status/1257490570995331073?s=20\">hopped on Twitter to remix a Tupac quote to fit to his situation\u003c/a>.\u003c/p>\n\u003cp>Further evidence that despite catastrophic circumstances, we don’t know how to stop.\u003c/p>\n\u003cfigure id=\"attachment_13880487\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13880487\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-800x800.jpg\" alt=\"Nappy Nina's 30 Bag album cover\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-1920x1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs.jpg 2048w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Nappy Nina’s ’30 Bag’ album cover. \u003ccite>(Nappy Nina)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">F\u003c/span>or artists in the Northern California, being creative is damn near synonymous with breathing. Even when we leave our region, we carry it with us. Ask Oakland’s own \u003cstrong>Nappy Nina\u003c/strong>, who’s currently living in New York and bringing heat to all the \u003ca href=\"https://twitter.com/Nappy_Nina/status/1259252529814265860?s=20\">MENcees\u003c/a> out there. Nappy Nina’s latest project \u003cem>\u003ca href=\"https://nappynina.lnk.to/30Bag\">30 Bag\u003c/a>\u003c/em>, full of quality vibes and strategic wordplay, dropped on her 30th birthday.\u003c/p>\n\u003cfigure id=\"attachment_13880374\" class=\"wp-caption alignright\" style=\"max-width: 238px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-13880374\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/EWzRrqCUEAAO1Cw.jpg\" alt=\"Drew Banga by Stoni\" width=\"238\" height=\"345\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EWzRrqCUEAAO1Cw.jpg 621w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EWzRrqCUEAAO1Cw-160x232.jpg 160w\" sizes=\"(max-width: 238px) 100vw, 238px\">\u003cfigcaption class=\"wp-caption-text\">Drew Banga by Stoni. \u003ccite>(Stoni)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Need that more twang in your tunes? On Texas rapper \u003cstrong>Siddiq\u003c/strong>’s latest album, \u003ca href=\"https://li.sten.to/SlideMusic\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Slide Music\u003c/em>\u003c/a>, his southern delivery pairs well with the production of Oakland’s \u003cstrong>1-O.A.K.\u003c/strong>, Alameda’s \u003cstrong>Trackademicks\u003c/strong> and the rest of the HNRL crew—\u003ca href=\"https://www.npr.org/sections/allsongs/2020/05/11/853575718/heat-check-shook-up-shook-down-shook-out\" target=\"_blank\" rel=\"noopener noreferrer\">even NPR thinks so\u003c/a>. The track that caught my ear is “Wantanabe,” produced by Oakland’s \u003cstrong>Drew Banga\u003c/strong>.\u003c/p>\n\u003cp>I’ve \u003ca href=\"https://www.kqed.org/arts/13859615/rightnowish-rap-producer-drew-banga-on-music-and-fatherhood\">talked to Banga\u003c/a> on a few occasions, I can assure you he’s a really bright guy. But I’m thoroughly convinced the term “take a break” isn’t in his lexicon.\u003c/p>\n\u003cp>Banga just released a song and dance, “\u003ca href=\"https://twitter.com/DrewwwBanga/status/1258847454583091201?s=20\">G-Step\u003c/a>,” with San Francisco’s \u003cstrong>Jordan “Stunnaman02” Gomes\u003c/strong>. Banga then turned around and announced he’s got an upcoming project with Oakland lyricist \u003cstrong>Stoni\u003c/strong> called \u003cem>Ferrari Fawcet\u003c/em>, set to drop in July. Evidently, Stoni isn’t familiar with slowing down either, as she’s been occupying her time by \u003ca href=\"https://twitter.com/CallHerStoni/status/1251240115227123714?s=20\">drawing folks\u003c/a> on commission—she’s done over 20 pieces.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=pReD5WRO3vI\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">O\u003c/span>ne of the silver linings of this downtime is the ability to get familiar with artists I should’ve been listening to. For example, San Francisco’s \u003cstrong>Troy LLF\u003c/strong>, who just released \u003ca href=\"https://soundcloud.com/troyllf\">\u003cem>Til Death Do Us Part II\u003c/em>. \u003c/a>Troy LLF’s mature lyrical approach is a great counterbalance to the party music our region’s often associated with.\u003c/p>\n\u003cp>Another artist who’s newly on my radar is Oakland’s \u003cstrong>Mahawam\u003c/strong>. I couldn’t help but notice Mahawam’s recent video for, “\u003ca href=\"https://www.youtube.com/watch?v=pReD5WRO3vI\">HOPING NO ONE NOTICE\u003c/a>.” And if you like that trippy-hop vibe, I’d suggest checking out the work of \u003cstrong>MH the Verb\u003c/strong>, who calls Oakland home now but is originally from New York by way of Philly. The new 420-friendly video for his song “\u003ca href=\"https://www.instagram.com/tv/B_NbXTSFLPN/?utm_source=ig_web_copy_link\">Birthstones\u003c/a>” is a great introduction to his lyrical space odyssey of an album, \u003cem>\u003ca href=\"https://ffm.to/spaceninja\">Afronaut\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>Need more vibes? Check out \u003ca href=\"https://www.ashiakarana.com/\">\u003cstrong>Ashia Karana\u003c/strong>\u003c/a>—she grew up between New Jersey and Atlanta, but came to the Bay to study sound healing. The people she met influenced her so much that the cover art for her new project, \u003cem>Trust\u003c/em>, is done by Bay Area singer, songwriter and graphic designer \u003ca href=\"https://www.instagram.com/stoneycreation/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stoney\u003c/strong>\u003c/a>. (No relation to the aforementioned Stoni.) I listened to Ashia’s project twice last weekend, and ended up on the floor of my apartment holding a staring contest with the ceiling. I won.\u003c/p>\n\u003cp>https://youtu.be/e1U-t277yXE\u003c/p>\n\u003cp>Another mention along those vibe lines: Oakland’s \u003ca href=\"https://www.instagram.com/jadaimani510/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Jada Imani\u003c/strong>\u003c/a> dropped a new atmospheric single while sheltering in place, called “\u003ca href=\"https://jadaimani.bandcamp.com/track/i-think-that-i-am\" target=\"_blank\" rel=\"noopener noreferrer\">I Think That I Am\u003c/a>.”\u003c/p>\n\u003cp>Need more of that romantic R&B feel in your life? The new single from Union City’s \u003ca href=\"https://twitter.com/larrenwong\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>LarrenWong\u003c/strong>\u003c/a>, “\u003ca href=\"https://twitter.com/larrenwong/status/1253575585583861760?s=20\">Out My Way\u003c/a>,” almost made me text an ex. But then the pure vocals from Oakland’s \u003cstrong>Dom Jones\u003c/strong>, on her latest single “\u003ca href=\"https://distrokid.com/hyperfollow/domjones/crazytown\" target=\"_blank\" rel=\"noopener noreferrer\">Crazy Town\u003c/a>,” reminded me to put my phone down.\u003c/p>\n\u003cp>Soon after that, I was told to remain focused on my craft by an elder statesman, Vallejo’s \u003cstrong>E-40\u003c/strong>. He just dropped \u003cem>\u003ca href=\"https://twitter.com/E40/status/1259646488428212224?s=20\">The Curb Commentator\u003c/a>\u003c/em>, the first of a four-part EP series scheduled to drop throughout the year.\u003c/p>\n\u003cp>I repeat: E-40’s releasing a \u003cem>four-part project\u003c/em> this year, and he’s 52 years old. What’s your excuse?\u003c/p>\n\u003cfigure id=\"attachment_13880470\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13880470\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/1589057767_2ddb8bc5b3da89215a12aefd69d36f6b.jpg\" alt=\"Cruise USA, Larry June and Cardo's latest project\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/1589057767_2ddb8bc5b3da89215a12aefd69d36f6b.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/1589057767_2ddb8bc5b3da89215a12aefd69d36f6b-160x160.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Cruise USA, Larry June and Cardo’s latest project. \u003ccite>(Larry June)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>omeone with a similar consistency and penchant for putting real-spill over dope beats is San Francisco’s \u003cstrong>Larry June\u003c/strong>. I honestly didn’t know he even dropped a project last week until I started writing this article. I checked his Twitter, just because dude drops a new project every time the fog comes in over the Golden Gate, and sure enough, his latest project \u003cem>\u003ca href=\"https://twitter.com/LarryJuneTFM/status/1258943562248421378?s=20\">Cruise USA\u003c/a>\u003c/em> is on all platforms.\u003c/p>\n\u003cp>A good example of an “I’m not letting COVID stop my artistic flow,” is Allen “\u003ca href=\"https://www.instagram.com/LooveMoore2020/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Loove Moore\u003c/strong>\u003c/a>” Moore. He’s from West Oakland—specifically, Acorn–and he’s a musician, multimedia maker and a self-proclaimed introvert who’s found solace in creating a safe place for others to be themselves. That space was a weekly talent showcase called “\u003ca href=\"https://www.instagram.com/LooveAtTheLake/\" target=\"_blank\" rel=\"noopener noreferrer\">Loove at the Lake\u003c/a>.” Last year, in its first year of operation, it was featured in the \u003ca href=\"https://projects.sfchronicle.com/2019/visuals/lake-merritt-backyard/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>San Francisco Chronicle\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>But now that people aren’t (supposed to be) gathering en masse, he’s spending his time shooting and editing videos for the music he’s continually making. How’s he staying inspired?\u003c/p>\n\u003cp>“I march to my own understanding of life,” Loove Moore told me during a phone call, sitting outside of a studio working on a podcast. “I feel like self-expression is needed, so I don’t explode.”\u003c/p>\n\u003cp>He says it’s not just the resilient mentality that comes with being raised in West Oakland, but “the spirit” from the black church that has pushed his artistic endeavors. And now, he creates something new, constantly. When asked what the key to it all is, he simply says: “I just participate in life, bro.”\u003c/p>\n\u003cp>And it’s as simple as that for some of us. Creating is just how we participate in life.\u003c/p>\n\u003cfigure id=\"attachment_13880517\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13880517\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/LoveMoore-800x533.jpg\" alt=\"LoveMoore.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Loove Moore. \u003ccite>(Instagram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">H\u003c/span>ats off to the artists from this region who haven’t stopped creating. To those who’ve been sitting on work and finally dropped it, as well as those who’ve used this time in isolation to get creative.\u003c/p>\n\u003cp>I’m looking forward to the work of Class of 2020 high school graduate (and future NYU student) \u003ca href=\"https://www.instagram.com/official.jwalt/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>J.Walt\u003c/strong>\u003c/a>, who’s dropping a project called \u003cem>Yours Truly\u003c/em> this weekend.\u003c/p>\n\u003cp>Keeping an eye as well on East Bay lyricist \u003ca href=\"https://www.instagram.com/tv/CAIso0bggWP/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Ruby Ibarra\u003c/strong>\u003c/a>, who just dropped a new video this week and is guaranteed to be working on more.\u003c/p>\n\u003cp>Berkeley’s \u003cstrong>Caleborate\u003c/strong> also dropped a five-track project called “\u003ca href=\"http://ffm.to/sparksinthestudio\" target=\"_blank\" rel=\"noopener noreferrer\">Sparks In The Studio\u003c/a>,” just this week. I’ve yet to listen to it, but given what I know of the guy’s work, it’ll be worthwhile.\u003c/p>\n\u003cp>Fellow Berkeleyite \u003ca href=\"https://twitter.com/RexxLifeRaj/status/1260401866661232640?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Rexx Life Raj\u003c/strong>\u003c/a> announced a new video coming Friday. I’ll watch that in tandem with \u003ca href=\"https://twitter.com/kamaiyah/status/1260646823082905600?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">Kamaiyah’s latest song\u003c/a>, as she’s just announced that she’s dropping new music every Friday, starting this week.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>As a consumer and fan, I want to thank y’all for your art. It’s needed all the time, and especially right now.\u003c/p>\n\n","blocks":[],"excerpt":"A worldwide pandemic can’t stifle musicians, filmmakers, rappers and artists in the Bay Area.","status":"publish","parent":0,"modified":1705020737,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":33,"wordCount":1667},"headData":{"title":"It's Still Raining Game in Northern California | KQED","description":"A worldwide pandemic can’t stifle musicians, filmmakers, rappers and artists in the Bay Area.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"It's Still Raining Game in Northern California","datePublished":"2020-05-15T00:00:48.000Z","dateModified":"2024-01-12T00:52:17.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13880253/its-still-raining-game-in-northern-california","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>f there’s one thing I’ve learned in the past two months, it’s that a worldwide pandemic can’t stifle the artists of Northern California. Which makes sense—it’s one of the most innovative places on the planet. Creativity is in our cellular membranes and the culture pulses through our veins. Plus, the rent is too damn high to quit.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>Let’s start with the well-known names. This past weekend, Oakland’s own \u003cstrong>Kehlani\u003c/strong> hit No. 1 on the Apple Music charts with her latest album, \u003cem>It Was Good Until It Wasn’t\u003c/em>. As the project took off, Kehlani made videos in quarantine and took to Twitter sharing intimate details of her experience to promote the album. It was something she had to do—otherwise, citing the coronavirus, \u003ca href=\"https://pitchfork.com/thepitch/kehlani-it-was-good-until-it-wasnt-album-cover-interview/?mbid=social_facebook&utm_source=facebook&utm_social-type=owned&utm_brand=p4k&utm_medium=social&utm_source=twitter&utm_brand=p4k&mbid=social_twitter&utm_medium=social&utm_social-type=owned\" target=\"_blank\" rel=\"noopener noreferrer\">her label would’ve postponed the release of her album\u003c/a>.\u003c/p>\n\u003cp>Just a few days before that, Sacramento’s \u003cstrong>Mozzy\u003c/strong> dropped \u003cem>Beyond Bulletproof.\u003c/em> He’d recently broadcasted a series of \u003ca href=\"https://www.youtube.com/watch?v=ZAVuUtxc5fg&feature=emb_title\">public therapy sessions\u003c/a>, and \u003ca href=\"https://www.kqed.org/arts/13880011/mozzys-new-album-processes-trauma-incarceration-by-documenting-his-healing\">initially dropped the album through JPay\u003c/a>—a service for incarcerated folks—a week before the album’s general release. On top of that, he did an interview with Rap Radar’s \u003ca href=\"https://www.instagram.com/tv/B_xsftpHAQn/?utm_source=ig_web_copy_link\">Elliott Wilson\u003c/a>. Active on the internet, in the streets and behind bars.\u003c/p>\n\u003cp>The Bay’s even getting active in television. Check the soundtrack for this season of \u003cem>Insecure\u003c/em>, which features previously released music from \u003ca href=\"https://twitter.com/LilSnickerfoot/status/1252642870319702016?s=20\">\u003cstrong>Michael Sneed\u003c/strong>\u003c/a> in one episode and \u003ca href=\"https://twitter.com/kamaiyah/status/1259701062908252160?s=20\">\u003cstrong>Kamaiyah\u003c/strong>\u003c/a> in another. And, of course, the Bay’s own \u003ca href=\"https://www.instagram.com/p/B_x8IAsJaGc/\">\u003cstrong>Nijla Mu’min\u003c/strong>\u003c/a> directed \u003cem>Insecure\u003c/em>‘s fourth episode from this season.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pReD5WRO3vI'\n title='//www.youtube.com/embed/pReD5WRO3vI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As for getting active in Hollywood, check Netflix’s \u003ca href=\"https://variety.com/2020/film/reviews/all-day-and-a-night-review-ashton-sanders-1234593865/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>All Day and A Night\u003c/em>\u003c/a>. The story of an aspiring rapper from Oakland, the film has star power from Oakland’s \u003cstrong>Yahya Abdul-Mateen II\u003c/strong> and a bunch of cameos from Northern California folks, including members of the dance crew \u003cstrong>Turf Fiendz\u003c/strong> and Oakland’s \u003cstrong>Rolanda D. Bell\u003c/strong>. The film was written by San Francisco’s \u003cstrong>Joe Robert Cole\u003c/strong>, was filmed in Oakland and Alameda, and \u003ca href=\"https://www.youtube.com/playlist?list=PL09XmXSlwDoreuB74JlQD-a4KfsTVvxie\">its soundtrack\u003c/a> features \u003cstrong>Tia Nomore, SOBxRBE, Paris,\u003c/strong> the \u003cstrong>Conscious Daughters, P-Lo, Mac Dre\u003c/strong> and more.\u003c/p>\n\u003cp>And then there’s \u003cstrong>Kool John\u003c/strong>, who’s also featured on the aforementioned soundtrack. The Richmond artist was recently shot six times during a robbery, recovered, and \u003ca href=\"https://twitter.com/K00LJ0HN/status/1257490570995331073?s=20\">hopped on Twitter to remix a Tupac quote to fit to his situation\u003c/a>.\u003c/p>\n\u003cp>Further evidence that despite catastrophic circumstances, we don’t know how to stop.\u003c/p>\n\u003cfigure id=\"attachment_13880487\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13880487\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-800x800.jpg\" alt=\"Nappy Nina's 30 Bag album cover\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs-1920x1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EXMN6okXgAIjAZs.jpg 2048w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Nappy Nina’s ’30 Bag’ album cover. \u003ccite>(Nappy Nina)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">F\u003c/span>or artists in the Northern California, being creative is damn near synonymous with breathing. Even when we leave our region, we carry it with us. Ask Oakland’s own \u003cstrong>Nappy Nina\u003c/strong>, who’s currently living in New York and bringing heat to all the \u003ca href=\"https://twitter.com/Nappy_Nina/status/1259252529814265860?s=20\">MENcees\u003c/a> out there. Nappy Nina’s latest project \u003cem>\u003ca href=\"https://nappynina.lnk.to/30Bag\">30 Bag\u003c/a>\u003c/em>, full of quality vibes and strategic wordplay, dropped on her 30th birthday.\u003c/p>\n\u003cfigure id=\"attachment_13880374\" class=\"wp-caption alignright\" style=\"max-width: 238px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-13880374\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/EWzRrqCUEAAO1Cw.jpg\" alt=\"Drew Banga by Stoni\" width=\"238\" height=\"345\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EWzRrqCUEAAO1Cw.jpg 621w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/EWzRrqCUEAAO1Cw-160x232.jpg 160w\" sizes=\"(max-width: 238px) 100vw, 238px\">\u003cfigcaption class=\"wp-caption-text\">Drew Banga by Stoni. \u003ccite>(Stoni)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Need that more twang in your tunes? On Texas rapper \u003cstrong>Siddiq\u003c/strong>’s latest album, \u003ca href=\"https://li.sten.to/SlideMusic\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Slide Music\u003c/em>\u003c/a>, his southern delivery pairs well with the production of Oakland’s \u003cstrong>1-O.A.K.\u003c/strong>, Alameda’s \u003cstrong>Trackademicks\u003c/strong> and the rest of the HNRL crew—\u003ca href=\"https://www.npr.org/sections/allsongs/2020/05/11/853575718/heat-check-shook-up-shook-down-shook-out\" target=\"_blank\" rel=\"noopener noreferrer\">even NPR thinks so\u003c/a>. The track that caught my ear is “Wantanabe,” produced by Oakland’s \u003cstrong>Drew Banga\u003c/strong>.\u003c/p>\n\u003cp>I’ve \u003ca href=\"https://www.kqed.org/arts/13859615/rightnowish-rap-producer-drew-banga-on-music-and-fatherhood\">talked to Banga\u003c/a> on a few occasions, I can assure you he’s a really bright guy. But I’m thoroughly convinced the term “take a break” isn’t in his lexicon.\u003c/p>\n\u003cp>Banga just released a song and dance, “\u003ca href=\"https://twitter.com/DrewwwBanga/status/1258847454583091201?s=20\">G-Step\u003c/a>,” with San Francisco’s \u003cstrong>Jordan “Stunnaman02” Gomes\u003c/strong>. Banga then turned around and announced he’s got an upcoming project with Oakland lyricist \u003cstrong>Stoni\u003c/strong> called \u003cem>Ferrari Fawcet\u003c/em>, set to drop in July. Evidently, Stoni isn’t familiar with slowing down either, as she’s been occupying her time by \u003ca href=\"https://twitter.com/CallHerStoni/status/1251240115227123714?s=20\">drawing folks\u003c/a> on commission—she’s done over 20 pieces.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pReD5WRO3vI'\n title='//www.youtube.com/embed/pReD5WRO3vI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">O\u003c/span>ne of the silver linings of this downtime is the ability to get familiar with artists I should’ve been listening to. For example, San Francisco’s \u003cstrong>Troy LLF\u003c/strong>, who just released \u003ca href=\"https://soundcloud.com/troyllf\">\u003cem>Til Death Do Us Part II\u003c/em>. \u003c/a>Troy LLF’s mature lyrical approach is a great counterbalance to the party music our region’s often associated with.\u003c/p>\n\u003cp>Another artist who’s newly on my radar is Oakland’s \u003cstrong>Mahawam\u003c/strong>. I couldn’t help but notice Mahawam’s recent video for, “\u003ca href=\"https://www.youtube.com/watch?v=pReD5WRO3vI\">HOPING NO ONE NOTICE\u003c/a>.” And if you like that trippy-hop vibe, I’d suggest checking out the work of \u003cstrong>MH the Verb\u003c/strong>, who calls Oakland home now but is originally from New York by way of Philly. The new 420-friendly video for his song “\u003ca href=\"https://www.instagram.com/tv/B_NbXTSFLPN/?utm_source=ig_web_copy_link\">Birthstones\u003c/a>” is a great introduction to his lyrical space odyssey of an album, \u003cem>\u003ca href=\"https://ffm.to/spaceninja\">Afronaut\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>Need more vibes? Check out \u003ca href=\"https://www.ashiakarana.com/\">\u003cstrong>Ashia Karana\u003c/strong>\u003c/a>—she grew up between New Jersey and Atlanta, but came to the Bay to study sound healing. The people she met influenced her so much that the cover art for her new project, \u003cem>Trust\u003c/em>, is done by Bay Area singer, songwriter and graphic designer \u003ca href=\"https://www.instagram.com/stoneycreation/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stoney\u003c/strong>\u003c/a>. (No relation to the aforementioned Stoni.) I listened to Ashia’s project twice last weekend, and ended up on the floor of my apartment holding a staring contest with the ceiling. I won.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/e1U-t277yXE'\n title='//www.youtube.com/embed/e1U-t277yXE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Another mention along those vibe lines: Oakland’s \u003ca href=\"https://www.instagram.com/jadaimani510/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Jada Imani\u003c/strong>\u003c/a> dropped a new atmospheric single while sheltering in place, called “\u003ca href=\"https://jadaimani.bandcamp.com/track/i-think-that-i-am\" target=\"_blank\" rel=\"noopener noreferrer\">I Think That I Am\u003c/a>.”\u003c/p>\n\u003cp>Need more of that romantic R&B feel in your life? The new single from Union City’s \u003ca href=\"https://twitter.com/larrenwong\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>LarrenWong\u003c/strong>\u003c/a>, “\u003ca href=\"https://twitter.com/larrenwong/status/1253575585583861760?s=20\">Out My Way\u003c/a>,” almost made me text an ex. But then the pure vocals from Oakland’s \u003cstrong>Dom Jones\u003c/strong>, on her latest single “\u003ca href=\"https://distrokid.com/hyperfollow/domjones/crazytown\" target=\"_blank\" rel=\"noopener noreferrer\">Crazy Town\u003c/a>,” reminded me to put my phone down.\u003c/p>\n\u003cp>Soon after that, I was told to remain focused on my craft by an elder statesman, Vallejo’s \u003cstrong>E-40\u003c/strong>. He just dropped \u003cem>\u003ca href=\"https://twitter.com/E40/status/1259646488428212224?s=20\">The Curb Commentator\u003c/a>\u003c/em>, the first of a four-part EP series scheduled to drop throughout the year.\u003c/p>\n\u003cp>I repeat: E-40’s releasing a \u003cem>four-part project\u003c/em> this year, and he’s 52 years old. What’s your excuse?\u003c/p>\n\u003cfigure id=\"attachment_13880470\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13880470\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/1589057767_2ddb8bc5b3da89215a12aefd69d36f6b.jpg\" alt=\"Cruise USA, Larry June and Cardo's latest project\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/1589057767_2ddb8bc5b3da89215a12aefd69d36f6b.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/1589057767_2ddb8bc5b3da89215a12aefd69d36f6b-160x160.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Cruise USA, Larry June and Cardo’s latest project. \u003ccite>(Larry June)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>omeone with a similar consistency and penchant for putting real-spill over dope beats is San Francisco’s \u003cstrong>Larry June\u003c/strong>. I honestly didn’t know he even dropped a project last week until I started writing this article. I checked his Twitter, just because dude drops a new project every time the fog comes in over the Golden Gate, and sure enough, his latest project \u003cem>\u003ca href=\"https://twitter.com/LarryJuneTFM/status/1258943562248421378?s=20\">Cruise USA\u003c/a>\u003c/em> is on all platforms.\u003c/p>\n\u003cp>A good example of an “I’m not letting COVID stop my artistic flow,” is Allen “\u003ca href=\"https://www.instagram.com/LooveMoore2020/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Loove Moore\u003c/strong>\u003c/a>” Moore. He’s from West Oakland—specifically, Acorn–and he’s a musician, multimedia maker and a self-proclaimed introvert who’s found solace in creating a safe place for others to be themselves. That space was a weekly talent showcase called “\u003ca href=\"https://www.instagram.com/LooveAtTheLake/\" target=\"_blank\" rel=\"noopener noreferrer\">Loove at the Lake\u003c/a>.” Last year, in its first year of operation, it was featured in the \u003ca href=\"https://projects.sfchronicle.com/2019/visuals/lake-merritt-backyard/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>San Francisco Chronicle\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>But now that people aren’t (supposed to be) gathering en masse, he’s spending his time shooting and editing videos for the music he’s continually making. How’s he staying inspired?\u003c/p>\n\u003cp>“I march to my own understanding of life,” Loove Moore told me during a phone call, sitting outside of a studio working on a podcast. “I feel like self-expression is needed, so I don’t explode.”\u003c/p>\n\u003cp>He says it’s not just the resilient mentality that comes with being raised in West Oakland, but “the spirit” from the black church that has pushed his artistic endeavors. And now, he creates something new, constantly. When asked what the key to it all is, he simply says: “I just participate in life, bro.”\u003c/p>\n\u003cp>And it’s as simple as that for some of us. Creating is just how we participate in life.\u003c/p>\n\u003cfigure id=\"attachment_13880517\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13880517\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/LoveMoore-800x533.jpg\" alt=\"LoveMoore.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/LoveMoore.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Loove Moore. \u003ccite>(Instagram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">H\u003c/span>ats off to the artists from this region who haven’t stopped creating. To those who’ve been sitting on work and finally dropped it, as well as those who’ve used this time in isolation to get creative.\u003c/p>\n\u003cp>I’m looking forward to the work of Class of 2020 high school graduate (and future NYU student) \u003ca href=\"https://www.instagram.com/official.jwalt/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>J.Walt\u003c/strong>\u003c/a>, who’s dropping a project called \u003cem>Yours Truly\u003c/em> this weekend.\u003c/p>\n\u003cp>Keeping an eye as well on East Bay lyricist \u003ca href=\"https://www.instagram.com/tv/CAIso0bggWP/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Ruby Ibarra\u003c/strong>\u003c/a>, who just dropped a new video this week and is guaranteed to be working on more.\u003c/p>\n\u003cp>Berkeley’s \u003cstrong>Caleborate\u003c/strong> also dropped a five-track project called “\u003ca href=\"http://ffm.to/sparksinthestudio\" target=\"_blank\" rel=\"noopener noreferrer\">Sparks In The Studio\u003c/a>,” just this week. I’ve yet to listen to it, but given what I know of the guy’s work, it’ll be worthwhile.\u003c/p>\n\u003cp>Fellow Berkeleyite \u003ca href=\"https://twitter.com/RexxLifeRaj/status/1260401866661232640?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Rexx Life Raj\u003c/strong>\u003c/a> announced a new video coming Friday. I’ll watch that in tandem with \u003ca href=\"https://twitter.com/kamaiyah/status/1260646823082905600?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">Kamaiyah’s latest song\u003c/a>, as she’s just announced that she’s dropping new music every Friday, starting this week.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As a consumer and fan, I want to thank y’all for your art. It’s needed all the time, and especially right now.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13880253/its-still-raining-game-in-northern-california","authors":["11491"],"categories":["arts_1","arts_2303","arts_835","arts_76","arts_74","arts_69","arts_990","arts_70"],"tags":["arts_1604","arts_2767","arts_1601","arts_10342","arts_10278","arts_831","arts_11028","arts_1558","arts_1829","arts_9337","arts_3798","arts_2624","arts_3851","arts_974","arts_1983","arts_8924"],"featImg":"arts_13880254","label":"arts"},"arts_13880011":{"type":"posts","id":"arts_13880011","meta":{"index":"posts_1591205157","site":"arts","id":"13880011","score":null,"sort":[1589234458000]},"guestAuthors":[],"slug":"mozzys-new-album-processes-trauma-incarceration-by-documenting-his-healing","title":"Mozzy's New Album Processes Trauma, Incarceration by Documenting His Healing","publishDate":1589234458,"format":"standard","headTitle":"Mozzy’s New Album Processes Trauma, Incarceration by Documenting His Healing | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Mozzy has carried his community with him throughout his career. So for the release of his new album \u003cem>Beyond Bulletproof\u003c/em>—which dropped May 1 on EMPIRE—the beloved Sacramento rapper opted against streaming giants Spotify and Apple Music to host the record’s debut. Instead, he premiered it on JPay—an electronic communications service for incarcerated people.\u003c/p>\n\u003cp>“I got a lot of people in there, man, a lot of people counting on me,” says Mozzy, whose real name is Timothy Patterson. “A lot of people that shared this dream with me… and I feel like they’re supposed to be right here. We supposed to be sharing this experience.”\u003c/p>\n\u003cp>\u003cem>Beyond Bulletproof\u003c/em> is a “self-help book for the trenches,” Mozzy says. The street raps and unglamourous portrayals of gang life, gun violence and the pain remain, but with a concerted effort to share wisdom earned through self-reflection.\u003c/p>\n\u003cp>https://youtu.be/DIQ24uiuHOI\u003c/p>\n\u003cp>There’s a lightness to the record, too—the lilting flute on “So Lonely,” the gentle guitar opening on “Bulletproofly” and the muted sample of Mario’s ’90s R&B classic “Let Me Love You” on “Big Homie from the Hood.” The singers Mozzy employs throughout the record—Shordie Shordie, Blxst and Eric Bellinger—soften the edges of Mozzy’s trademark gruff voice.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>With nods to his incarcerated loved ones and his own time in jail woven throughout the record, Mozzy manages to share his dream with those behind bars. Throughout the album, he recalls not having enough to buy food in jail, a backwards legal system and his grief for loved ones with no release date in sight.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/album/3Ud5r7QHfMF1UhH8a5M1cH\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Recently, the COVID-19 pandemic has made things more challenging for incarcerated people. The nearly 2.3 million people locked up in prisons and jails across the country can’t take the same precautions as those of us outside, including maintaining a six-foot distance and thoroughly cleaning hands and surfaces.\u003c/p>\n\u003cp>To mitigate the spread of the virus, federal facilities and California prisons went on lockdown last month. The measure is meant to protect the safety of incarcerated people and staff, but in action it looks a lot like the way facilities respond to riots. The protocol varies, but lockdown restrictions typically include an end to visitation, confining people to their cells for up to 23 hours a day and limiting access to day rooms, mail collection, phone calls and educational programs.\u003c/p>\n\u003cp>Without the few avenues that keep incarcerated people connected to the outside world, the isolation they feel inside a facility is magnified, with potentially harmful impacts on their emotional and mental wellbeing.\u003c/p>\n\u003cp>https://youtu.be/tr_3UXNTmEI\u003c/p>\n\u003cp>When Mozzy was incarcerated, his favorite songs became mantras that gave him fortitude. The lyrics were buoys during his stints in Sacramento County Jail, and in 2014, when he served one year in San Quentin State Prison on gun charges. “When you locked up,” Mozzy says, “you write letters to your family members or your loved ones, and you ask them to print out lyrics to certain songs.”\u003c/p>\n\u003cp>Under lockdown, those with access to a JPay tablet are among the only ones with access to the kind of art that kept Mozzy going.\u003c/p>\n\u003cp>JPay is a private communications service that allows incarcerated people to send emails, have video calls, receive money and access music, books and podcasts. The tablet averages $69.99, and users must pay every time they send an email or download media.\u003c/p>\n\u003cp>It’s costly—a single song can cost $2.50 and an album can cost as much as $45—but it’s all that’s available.\u003c/p>\n\u003cp>Incarcerated people “were the ones who listened to my music in depth—that whole system, like that whole institution. I get so much love, so much good feedback from them,” Mozzy says. “I just wanted to reciprocate.”\u003c/p>\n\u003cp>And he does. Mozzy often shows up for his incarcerated loved ones, among which he counts his favorite uncle GP the Beast, friends Lil Nick and Hot Boy Sean and many more. “This whole interview will be a list of people if I shouted everybody out,” he says.\u003c/p>\n\u003cp>He writes letters, sends photos, loads their Green Dot prepaid cards and posts bail.\u003c/p>\n\u003cp>“I’m the first person they call when they’re locked up,” Mozzy says. He did that before he became the rapper who was featured on the \u003cem>Black Panther\u003c/em> soundtrack and \u003ca href=\"https://www.kqed.org/arts/13842545/mozzy-on-gangland-landlord-kendrick-and-how-a-persistent-grind-pays-off\" target=\"_blank\" rel=\"noopener noreferrer\">got a shout-out from Kendrick Lamar at the Grammy Awards\u003c/a>. “It’s vice versa, you look out for somebody, and then when it’s your turn to go to jail, they look out for you.” [aside postid='arts_13877868']\u003c/p>\n\u003cp>For Mozzy, \u003cem>Beyond Bulletproof\u003c/em> is a way to pay it forward, too.\u003c/p>\n\u003cp>The album is dedicated to his grandmother, Brenda P. Usher, who passed in 2019. Patterson, a social worker and Black Panther Party member, adopted Mozzy when he was two years old. When he was younger, Mozzy said his grandmother would often urge him to fold substance into his music, and “give the people something that they can carry with them for a lifetime.”\u003c/p>\n\u003cp>Now, thanks to time, experience and learning to work through grief, that Mozzy feels he has made good on his grandmother’s wish. He pulled the curtain back on this process in the lead up to the release of \u003cem>Beyond Bulletproof\u003c/em> with “\u003ca href=\"https://www.youtube.com/watch?v=JbqeSRNd7uM\" target=\"_blank\" rel=\"noopener noreferrer\">Untreated Trauma\u003c/a>,” a video series of therapy sessions.\u003c/p>\n\u003cp>https://youtu.be/ZAVuUtxc5fg\u003c/p>\n\u003cp>Over the course of six episodes (only the first two are live now), Mozzy and his therapist Dr. Millie Rose talk about the recent death of his grandmother, his struggle to gain custody of his eldest daughter, depression and anxiety.\u003c/p>\n\u003cp>The therapy sessions, Mozzy says, were beautiful. But it was music that played the most instrumental part in healing from his grief.\u003c/p>\n\u003cp>He’s not alone. Even before the pandemic hit and isolation was magnified, music was a lifeline for incarcerated people.\u003c/p>\n\u003cp>“When the police want to reward you, they play music for you,” Mozzy says. “When people would go to court, they couldn’t wait because they got to get on a bus and the radio was being played.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>This time, his fans inside wouldn’t have to wait to hear the gems he wrote for them on a radio on the way to court. They got them first.\u003c/p>\n\n","blocks":[],"excerpt":"With interviews with his therapist and a release on JPay, the platform for incarcerated people, 'Beyond Bulletproof' channels a higher purpose.","status":"publish","parent":0,"modified":1705020770,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":27,"wordCount":1117},"headData":{"title":"Mozzy's New Album Processes Trauma, Incarceration by Documenting His Healing | KQED","description":"With interviews with his therapist and a release on JPay, the platform for incarcerated people, 'Beyond Bulletproof' channels a higher purpose.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Mozzy's New Album Processes Trauma, Incarceration by Documenting His Healing","datePublished":"2020-05-11T22:00:58.000Z","dateModified":"2024-01-12T00:52:50.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Montse Reyes","templateType":"standard","featuredImageType":"standard","path":"/arts/13880011/mozzys-new-album-processes-trauma-incarceration-by-documenting-his-healing","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mozzy has carried his community with him throughout his career. So for the release of his new album \u003cem>Beyond Bulletproof\u003c/em>—which dropped May 1 on EMPIRE—the beloved Sacramento rapper opted against streaming giants Spotify and Apple Music to host the record’s debut. Instead, he premiered it on JPay—an electronic communications service for incarcerated people.\u003c/p>\n\u003cp>“I got a lot of people in there, man, a lot of people counting on me,” says Mozzy, whose real name is Timothy Patterson. “A lot of people that shared this dream with me… and I feel like they’re supposed to be right here. We supposed to be sharing this experience.”\u003c/p>\n\u003cp>\u003cem>Beyond Bulletproof\u003c/em> is a “self-help book for the trenches,” Mozzy says. The street raps and unglamourous portrayals of gang life, gun violence and the pain remain, but with a concerted effort to share wisdom earned through self-reflection.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/DIQ24uiuHOI'\n title='//www.youtube.com/embed/DIQ24uiuHOI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There’s a lightness to the record, too—the lilting flute on “So Lonely,” the gentle guitar opening on “Bulletproofly” and the muted sample of Mario’s ’90s R&B classic “Let Me Love You” on “Big Homie from the Hood.” The singers Mozzy employs throughout the record—Shordie Shordie, Blxst and Eric Bellinger—soften the edges of Mozzy’s trademark gruff voice.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With nods to his incarcerated loved ones and his own time in jail woven throughout the record, Mozzy manages to share his dream with those behind bars. Throughout the album, he recalls not having enough to buy food in jail, a backwards legal system and his grief for loved ones with no release date in sight.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/album/3Ud5r7QHfMF1UhH8a5M1cH\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Recently, the COVID-19 pandemic has made things more challenging for incarcerated people. The nearly 2.3 million people locked up in prisons and jails across the country can’t take the same precautions as those of us outside, including maintaining a six-foot distance and thoroughly cleaning hands and surfaces.\u003c/p>\n\u003cp>To mitigate the spread of the virus, federal facilities and California prisons went on lockdown last month. The measure is meant to protect the safety of incarcerated people and staff, but in action it looks a lot like the way facilities respond to riots. The protocol varies, but lockdown restrictions typically include an end to visitation, confining people to their cells for up to 23 hours a day and limiting access to day rooms, mail collection, phone calls and educational programs.\u003c/p>\n\u003cp>Without the few avenues that keep incarcerated people connected to the outside world, the isolation they feel inside a facility is magnified, with potentially harmful impacts on their emotional and mental wellbeing.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tr_3UXNTmEI'\n title='//www.youtube.com/embed/tr_3UXNTmEI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>When Mozzy was incarcerated, his favorite songs became mantras that gave him fortitude. The lyrics were buoys during his stints in Sacramento County Jail, and in 2014, when he served one year in San Quentin State Prison on gun charges. “When you locked up,” Mozzy says, “you write letters to your family members or your loved ones, and you ask them to print out lyrics to certain songs.”\u003c/p>\n\u003cp>Under lockdown, those with access to a JPay tablet are among the only ones with access to the kind of art that kept Mozzy going.\u003c/p>\n\u003cp>JPay is a private communications service that allows incarcerated people to send emails, have video calls, receive money and access music, books and podcasts. The tablet averages $69.99, and users must pay every time they send an email or download media.\u003c/p>\n\u003cp>It’s costly—a single song can cost $2.50 and an album can cost as much as $45—but it’s all that’s available.\u003c/p>\n\u003cp>Incarcerated people “were the ones who listened to my music in depth—that whole system, like that whole institution. I get so much love, so much good feedback from them,” Mozzy says. “I just wanted to reciprocate.”\u003c/p>\n\u003cp>And he does. Mozzy often shows up for his incarcerated loved ones, among which he counts his favorite uncle GP the Beast, friends Lil Nick and Hot Boy Sean and many more. “This whole interview will be a list of people if I shouted everybody out,” he says.\u003c/p>\n\u003cp>He writes letters, sends photos, loads their Green Dot prepaid cards and posts bail.\u003c/p>\n\u003cp>“I’m the first person they call when they’re locked up,” Mozzy says. He did that before he became the rapper who was featured on the \u003cem>Black Panther\u003c/em> soundtrack and \u003ca href=\"https://www.kqed.org/arts/13842545/mozzy-on-gangland-landlord-kendrick-and-how-a-persistent-grind-pays-off\" target=\"_blank\" rel=\"noopener noreferrer\">got a shout-out from Kendrick Lamar at the Grammy Awards\u003c/a>. “It’s vice versa, you look out for somebody, and then when it’s your turn to go to jail, they look out for you.” \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13877868","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For Mozzy, \u003cem>Beyond Bulletproof\u003c/em> is a way to pay it forward, too.\u003c/p>\n\u003cp>The album is dedicated to his grandmother, Brenda P. Usher, who passed in 2019. Patterson, a social worker and Black Panther Party member, adopted Mozzy when he was two years old. When he was younger, Mozzy said his grandmother would often urge him to fold substance into his music, and “give the people something that they can carry with them for a lifetime.”\u003c/p>\n\u003cp>Now, thanks to time, experience and learning to work through grief, that Mozzy feels he has made good on his grandmother’s wish. He pulled the curtain back on this process in the lead up to the release of \u003cem>Beyond Bulletproof\u003c/em> with “\u003ca href=\"https://www.youtube.com/watch?v=JbqeSRNd7uM\" target=\"_blank\" rel=\"noopener noreferrer\">Untreated Trauma\u003c/a>,” a video series of therapy sessions.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZAVuUtxc5fg'\n title='//www.youtube.com/embed/ZAVuUtxc5fg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Over the course of six episodes (only the first two are live now), Mozzy and his therapist Dr. Millie Rose talk about the recent death of his grandmother, his struggle to gain custody of his eldest daughter, depression and anxiety.\u003c/p>\n\u003cp>The therapy sessions, Mozzy says, were beautiful. But it was music that played the most instrumental part in healing from his grief.\u003c/p>\n\u003cp>He’s not alone. Even before the pandemic hit and isolation was magnified, music was a lifeline for incarcerated people.\u003c/p>\n\u003cp>“When the police want to reward you, they play music for you,” Mozzy says. “When people would go to court, they couldn’t wait because they got to get on a bus and the radio was being played.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This time, his fans inside wouldn’t have to wait to hear the gems he wrote for them on a radio on the way to court. They got them first.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13880011/mozzys-new-album-processes-trauma-incarceration-by-documenting-his-healing","authors":["byline_arts_13880011"],"categories":["arts_1"],"tags":["arts_10126","arts_10127","arts_10342","arts_10278","arts_4773","arts_3798","arts_1985"],"featImg":"arts_13880098","label":"arts"},"arts_13870139":{"type":"posts","id":"arts_13870139","meta":{"index":"posts_1591205157","site":"arts","id":"13870139","score":null,"sort":[1574366884000]},"guestAuthors":[],"slug":"the-do-list-listen-to-our-picks-for-things-to-do-nov-21-28","title":"The Do List: Listen to Our Picks for Things to Do Nov. 21–28","publishDate":1574366884,"format":"audio","headTitle":"The Do List: Listen to Our Picks for Things to Do Nov. 21–28 | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Looking for things to do in the Bay Area this weekend? The Do List has you covered with concerts, festivals, exhibitions, plays, performances and more.\u003c/p>\n\u003cp>You can listen to this week’s episode with KQED’s Gabe Meline and Sam Lefebvre above, or read about our picks below.\u003c/p>\n\u003cp>\u003cstrong>Built to Spill\u003c/strong>: This band plays their album \u003cem>Keep It Like a Secret\u003c/em> in its entirety this week in Sonoma. Here’s a story about that album: Gabe was working at a record store when it came out, and after picking up the shipment, he walked four blocks across downtown to the store, carrying copies of it—and he sold four copies to friends and strangers on the street, before the store was even open. It’s only gotten more beloved since, and this weekend, the band plays it inside a 100-year-old wooden barn, on a hill above a vineyard. That’s Saturday, Nov. 23, at Gundlach-Bundschu winery outside of Sonoma. \u003ca href=\"https://www.gunbun.com/event/built-to-spill/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Mozzy\u003c/strong>: At the end of \u003cem>Black Panther\u003c/em>, when the Wakandan royalty visit Oakland, the slow-rolling, reflective music playing is “Sleep Walkin,” by Sacramento rapper Mozzy. This song placement, on a soundtrack executive-produced by Kendrick Lamar, was a major moment for an artist that’s been street famous in Northern California for years. Mozzy is a really inventive vocal stylist: he borrows sounds from the streets to create new words, and then uses these coinages for clever internal rhymes, all in a gangsta rap context reminiscent of the Jacka. While it remains to be seen to what extent his profile grows nationally, \u003cem>Black Panther\u003c/em> accurately captured how Mozzy’s music is a constant refrain in the Oakland flatlands. He plays Saturday, Nov. 23, at the Phoenix Theater in Petaluma. \u003ca href=\"https://www.thephoenixtheater.com/e/mozzy-75482942513/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘The Traitor’\u003c/strong>: The Cinema Italian Style festival kicks off this weekend with \u003cem>The Traitor\u003c/em>, a film about the implosion of the Sicilian mafia in the 1980s. This is a timely one, pegged pretty obviously to the recent release of Martin Scorcese’s \u003cem>The Irishman\u003c/em>. But whereas Scorcese often has a romanticized, admiring stance on the mafia, \u003cem>The Traitor\u003c/em> takes a bold look at the damage it’s done to Italy and its people. The rest of the festival includes some great films too, and runs Friday–Sunday, Nov. 22-24, at the Vogue Theater in San Francisco. \u003ca href=\"https://iicsanfrancisco.esteri.it/iic_sanfrancisco/en/gli_eventi/calendario/2019/11/cinema-italian-style-2019.html\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Bay Area Record Fest\u003c/strong>: It’s often said the Bay Area lacks music industry infrastructure, hence all of the artists moving to Los Angeles. But it never seems that way at the Bay Area Record Fest, an annual gathering of local independent labels that reliably reminds us of the music community’s breadth. It’s an opportunity to buy things and meet the people often cloistered in recording studios and the like. It’s also a show, this year with a strong local lineup: performance artist Tyler Holmes, pop punk bandleader Kevin Nichols, garage standbys Sonny & the Sunsets, and the rapper Tia Nomore. All of them are affiliated with participating local labels including Ratskin, Text Me and Rocks in Your Head. Earlier installments were in San Francisco, but this year the Bay Area Record Fest is at 7th West in Oakland on Saturday, Nov. 23. It’s free and doors open at noon. \u003ca href=\"https://www.facebook.com/events/679625295781036/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Slayer\u003c/strong>: We know that next week is Thanksgiving, and it can be a rough time if you don’t get along with your family. Slayer is basically the ultimate “I hate my family music,” right? They’ve been making parents angry for over 30 years with albums like \u003cem>Reign in Blood\u003c/em> and \u003cem>God Hates Us All\u003c/em>. They’ve also been threatening to call it a day, so see ‘em while you can, and bring your estranged siblings. That’s on Tuesday, Nov. 26, at the Oakland Arena. \u003ca href=\"https://www.livenation.com/events/1146211-nov-26-2019-slayer\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"Mozzy, 'The Traitor,' the Bay Area Record Fair, Slayer and more round out this week's Do List. ","status":"publish","parent":0,"modified":1705021795,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":669},"headData":{"title":"The Do List: Listen to Our Picks for Things to Do Nov. 21–28 | KQED","description":"Mozzy, 'The Traitor,' the Bay Area Record Fair, Slayer and more round out this week's Do List. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Do List: Listen to Our Picks for Things to Do Nov. 21–28","datePublished":"2019-11-21T20:08:04.000Z","dateModified":"2024-01-12T01:09:55.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://ww2.kqed.org/app/uploads/sites/77/2019/11/The-Do-List-for-Thursday-Nov-21-Monday-Nov-25.mp3","sticky":false,"audioTrackLength":288,"templateType":"standard","featuredImageType":"standard","startTime":1574323200,"endTime":1574928000,"startTimeString":"Nov. 21–28, 2019","path":"/arts/13870139/the-do-list-listen-to-our-picks-for-things-to-do-nov-21-28","parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Looking for things to do in the Bay Area this weekend? The Do List has you covered with concerts, festivals, exhibitions, plays, performances and more.\u003c/p>\n\u003cp>You can listen to this week’s episode with KQED’s Gabe Meline and Sam Lefebvre above, or read about our picks below.\u003c/p>\n\u003cp>\u003cstrong>Built to Spill\u003c/strong>: This band plays their album \u003cem>Keep It Like a Secret\u003c/em> in its entirety this week in Sonoma. Here’s a story about that album: Gabe was working at a record store when it came out, and after picking up the shipment, he walked four blocks across downtown to the store, carrying copies of it—and he sold four copies to friends and strangers on the street, before the store was even open. It’s only gotten more beloved since, and this weekend, the band plays it inside a 100-year-old wooden barn, on a hill above a vineyard. That’s Saturday, Nov. 23, at Gundlach-Bundschu winery outside of Sonoma. \u003ca href=\"https://www.gunbun.com/event/built-to-spill/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Mozzy\u003c/strong>: At the end of \u003cem>Black Panther\u003c/em>, when the Wakandan royalty visit Oakland, the slow-rolling, reflective music playing is “Sleep Walkin,” by Sacramento rapper Mozzy. This song placement, on a soundtrack executive-produced by Kendrick Lamar, was a major moment for an artist that’s been street famous in Northern California for years. Mozzy is a really inventive vocal stylist: he borrows sounds from the streets to create new words, and then uses these coinages for clever internal rhymes, all in a gangsta rap context reminiscent of the Jacka. While it remains to be seen to what extent his profile grows nationally, \u003cem>Black Panther\u003c/em> accurately captured how Mozzy’s music is a constant refrain in the Oakland flatlands. He plays Saturday, Nov. 23, at the Phoenix Theater in Petaluma. \u003ca href=\"https://www.thephoenixtheater.com/e/mozzy-75482942513/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘The Traitor’\u003c/strong>: The Cinema Italian Style festival kicks off this weekend with \u003cem>The Traitor\u003c/em>, a film about the implosion of the Sicilian mafia in the 1980s. This is a timely one, pegged pretty obviously to the recent release of Martin Scorcese’s \u003cem>The Irishman\u003c/em>. But whereas Scorcese often has a romanticized, admiring stance on the mafia, \u003cem>The Traitor\u003c/em> takes a bold look at the damage it’s done to Italy and its people. The rest of the festival includes some great films too, and runs Friday–Sunday, Nov. 22-24, at the Vogue Theater in San Francisco. \u003ca href=\"https://iicsanfrancisco.esteri.it/iic_sanfrancisco/en/gli_eventi/calendario/2019/11/cinema-italian-style-2019.html\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Bay Area Record Fest\u003c/strong>: It’s often said the Bay Area lacks music industry infrastructure, hence all of the artists moving to Los Angeles. But it never seems that way at the Bay Area Record Fest, an annual gathering of local independent labels that reliably reminds us of the music community’s breadth. It’s an opportunity to buy things and meet the people often cloistered in recording studios and the like. It’s also a show, this year with a strong local lineup: performance artist Tyler Holmes, pop punk bandleader Kevin Nichols, garage standbys Sonny & the Sunsets, and the rapper Tia Nomore. All of them are affiliated with participating local labels including Ratskin, Text Me and Rocks in Your Head. Earlier installments were in San Francisco, but this year the Bay Area Record Fest is at 7th West in Oakland on Saturday, Nov. 23. It’s free and doors open at noon. \u003ca href=\"https://www.facebook.com/events/679625295781036/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Slayer\u003c/strong>: We know that next week is Thanksgiving, and it can be a rough time if you don’t get along with your family. Slayer is basically the ultimate “I hate my family music,” right? They’ve been making parents angry for over 30 years with albums like \u003cem>Reign in Blood\u003c/em> and \u003cem>God Hates Us All\u003c/em>. They’ve also been threatening to call it a day, so see ‘em while you can, and bring your estranged siblings. That’s on Tuesday, Nov. 26, at the Oakland Arena. \u003ca href=\"https://www.livenation.com/events/1146211-nov-26-2019-slayer\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13870139/the-do-list-listen-to-our-picks-for-things-to-do-nov-21-28","authors":["185"],"programs":["arts_140"],"categories":["arts_835","arts_7862","arts_74","arts_69"],"tags":["arts_1118","arts_3798","arts_6387","arts_1143","arts_4506","arts_1072"],"featImg":"arts_13870154","label":"arts_140"},"arts_13845940":{"type":"posts","id":"arts_13845940","meta":{"index":"posts_1591205157","site":"arts","id":"13845940","score":null,"sort":[1543541873000]},"guestAuthors":[],"slug":"after-a-high-speed-police-chase-a-female-rapper-endures-raps-double-standard","title":"After a High-Speed Police Chase, A Female Rapper Endures Rap's Double Standard","publishDate":1543541873,"format":"image","headTitle":"After a High-Speed Police Chase, A Female Rapper Endures Rap’s Double Standard | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>In \u003cem>The Autobiography of Gucci Mane\u003c/em>, the Atlanta rap star details his numerous stints in DeKalb County Jail and how they bolstered his street cred. When the Bay Area’s Mac Dre was locked up for conspiracy to commit robbery in 1992, he recorded an album over the jail phone that became legendary. This past year, Brooklyn rapper 6ix9ine’s various legal troubles—including a guilty plea for a child sex crime, and an arrest for firearms—propelled him into the Billboard Hot 100 and brought collaborations with Kanye West and Nicki Minaj.\u003c/p>\n\u003cp>But the reaction was noticeably different when Oakland rapper \u003ca href=\"https://www.kqed.org/arts/13832451/qing-qi-rapper-and-thizzler-host-calls-out-scrubs-takes-no-prisoners\" target=\"_blank\" rel=\"noopener noreferrer\">Qing Qi\u003c/a> (Nikia Durgin) was booked in Nevada County Jail last week for an alleged burglary and high-speed getaway chase from police.\u003c/p>\n\u003cp>[contextly_sidebar id=”F6piqvMX5hkxFHGwhGJArqCagQfzxmOr”]\u003c/p>\n\u003cp>According to police, Qing Qi sped off at 120 miles per hour with her headlights off after officers stopped her on suspicion of burglarizing a CVS in Grass Valley. She nearly got away, but crashed in nearby Auburn, and was caught attempting to hail an Uber back to Oakland. \u003cem>The Union\u003c/em> \u003ca href=\"https://www.theunion.com/news/local-news/burglary-suspects-accused-of-fleeing-officers-wrecking-in-auburn-out-on-bond/\" target=\"_blank\" rel=\"noopener noreferrer\">reported\u003c/a> that officers found several thousand dollars of hair-care products and makeup in her car.\u003c/p>\n\u003cp>Qing Qi now faces two felony counts of second-degree burglary, one felony count of evading a peace officer and one misdemeanor count of obstructing a peace officer. Pending sentencing, she could spend up to nine years in jail.\u003c/p>\n\u003cp>All of which would ordinarily mean, by the rap rulebook, a surge in a rapper’s career. Except when Qing Qi’s mugshot appeared on the homepage of \u003ca href=\"https://www.kron4.com/news/bay-area/san-francisco-women-arrested-for-burglary-after-high-speed-pursuit/1604372781\" target=\"_blank\" rel=\"noopener noreferrer\">KRON4\u003c/a> on Nov. 17 and spread through Bay Area social media, the local rap community didn’t celebrate her outlaw status. Nor was there the type of sympathy that’s usually expressed for male rappers who get caught and put behind bars. Instead, the majority of the \u003ca href=\"https://www.instagram.com/p/BqT8dODDE-J/\" target=\"_blank\" rel=\"noopener noreferrer\">comments\u003c/a> took jabs at Qing Qi’s hair and weight.\u003c/p>\n\u003cfigure id=\"attachment_13845979\" class=\"wp-caption alignright\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13845979\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/11/IMG_4648.jpg\" alt=\"A screen shot of a screen shot of Mozzy's Instagram post with Qing Qi's mugshot. \" width=\"750\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/IMG_4648.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/IMG_4648-160x285.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/IMG_4648-675x1200.jpg 675w\" sizes=\"(max-width: 750px) 100vw, 750px\" />\u003cfigcaption class=\"wp-caption-text\">A screen shot of a screen shot of Mozzy’s Instagram post with Qing Qi’s mugshot. \u003ccite>(@allhailtheqing/Instagram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Reactions escalated when Sacramento rapper \u003ca href=\"https://www.kqed.org/arts/13842545/mozzy-on-gangland-landlord-kendrick-and-how-a-persistent-grind-pays-off\" target=\"_blank\" rel=\"noopener noreferrer\">Mozzy\u003c/a>, who has over 828,000 Instagram followers (and, ironically, is Qing Qi’s labelmate on San Francisco imprint \u003ca href=\"https://www.empi.re/\" target=\"_blank\" rel=\"noopener noreferrer\">Empire\u003c/a>), posted her and her alleged accomplice’s mugshots with the caption “Lil petty thievery n thingz” and numerous laugh-cry emojis. (The post has since been deleted.)\u003c/p>\n\u003cp>Following Mozzy’s lead, his followers responded with taunts, many commenting that she deserved arrest after dissing Sacramento during her time as co-host of Thizzler’s YouTube talk show, \u003cem>That’s My Word.\u003c/em> (While \u003ca href=\"https://youtu.be/aC-6QSiQz7E?t=8\" target=\"_blank\" rel=\"noopener noreferrer\">debating\u003c/a> whether Sacramento is culturally part of the Bay Area, Qing Qi quipped that “Sacramento people are weird,” to which her co-host DNas replied, “They’re 2005 Oakland,” implying that Sacramento is behind the times.)\u003c/p>\n\u003cp>Mozzy’s manager, DavO, told KQED through a publicist that Mozzy was trying to make a point. “He just wanted to show people how things can quickly turn around for you,” he wrote in an email, adding that Mozzy had planned to post Qing Qi’s bond, “just to show you that the same people who you put down, that you do not know from a can of paint, can be the same ones that you may need later in life. He deleted [his post] because he didn’t want to humiliate her.” (Qing Qi’s rap crew, Pu Tang Clan, posted her bond before Mozzy had the opportunity.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Still, regardless of Mozzy’s intentions, his Instagram post provided a springboard for thousands of followers to mock Qing Qi’s misfortune and appearance. Other prominent Bay Area artists, including \u003ca href=\"https://www.kqed.org/arts/13825052/kamaiyah-surprises-hayward-high-school-with-black-panther-tickets\" target=\"_blank\" rel=\"noopener noreferrer\">Kamaiyah\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13838218/on-the-ranch-with-nef-the-pharaoh\" target=\"_blank\" rel=\"noopener noreferrer\">Nef the Pharaoh\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13811392/behind-the-beats-p-lo\" target=\"_blank\" rel=\"noopener noreferrer\">P-Lo\u003c/a>, appeared to laugh along in the comments.\u003c/p>\n\u003cp>Such response was markedly different than the hero worship lavished on Los Angeles rapper \u003ca href=\"https://www.latimes.com/entertainment/music/la-et-ms-03greedo-20180617-story.html\" target=\"_blank\" rel=\"noopener noreferrer\">03 Greedo\u003c/a>, for example, when he was sentenced to 20 years for trafficking meth this summer. Other than the other female rappers in Qing Qi’s Pu Tang Clan, few people stuck their necks out to \u003ca href=\"https://www.instagram.com/p/BqV54MOAY5l/\" target=\"_blank\" rel=\"noopener noreferrer\">defend her\u003c/a>.\u003c/p>\n\u003cp>Reached by phone, Qing Qi’s Thizzler co-host DNas addressed the double standard.\u003c/p>\n\u003cp>“If anything happens to anybody else, we ain’t makin’ these jokes,” he said, adding that he himself hasn’t gotten nearly as much backlash for his Sacramento comments as Qing Qi. “I’m supporting Qi.”\u003c/p>\n\u003cfigure id=\"attachment_13846004\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13846004\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/11/MG_5390-qing-qi-800x1266.jpeg\" alt=\"\" width=\"800\" height=\"1266\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/MG_5390-qing-qi-800x1266.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/MG_5390-qing-qi-160x253.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/MG_5390-qing-qi-768x1215.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/MG_5390-qing-qi-758x1200.jpeg 758w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/MG_5390-qing-qi.jpeg 809w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003cfigcaption class=\"wp-caption-text\">Qing Qi.\u003c/figcaption>\u003c/figure>\n\u003cp>In a phone interview a week after her arrest, Qi acknowledged that, as an outspoken woman who is far from the narrow, socially acceptable mold of what a female rapper should be, her charges were received differently.\u003c/p>\n\u003cp>“For some reason, people are really upset by me. There are so many people, rappers, who have mugshots for bipping,” Qing Qi told me, using a slang term for breaking car windows. “But when I do something, they put it everywhere and everybody has to talk about it.”\u003c/p>\n\u003cp>Indeed, Qing Qi does rub some people the wrong way. She’s a single mom who raps about her sexuality, she’s full-figured and wears lingerie with her belly out, she often wears an afro, and she’s brashly outspoken about gender inequality in her music. Her 2018 mixtape \u003cem>\u003ca href=\"https://soundcloud.com/qingqi/sets/if-the-niggah-aint-shit-play-this-for-his-bitch\" target=\"_blank\" rel=\"noopener noreferrer\">ITNASPTFHB\u003c/a>\u003c/em> calls out male entitlement with hilarious punchlines that undoubtedly bruise some men’s egos.\u003c/p>\n\u003cp>In other words, if you’re a man with any amount of insecurity, she’s easy to hate.\u003c/p>\n\u003cp>“I think I’m very scary. If what I’m trying to do, and the music I’m trying to push and the image I’m trying to push is successful, I think it would bother a lot of people because it would change things drastically,” Qing Qi told me. “Because then you wouldn’t have to be skinny to show your stomach in a music video, or wear a lot of makeup, or get a long-ass weave to go to an interview.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Qing Qi’s court case is ongoing, and at press time, her public defender Tamara Zaromskis wasn’t sure when the case would go to trial—only that her plea, entered Thursday, would not be a guilty plea. But Qing Qi is optimistic. Upon her release, she put out a diss track called “\u003ca href=\"https://soundcloud.com/qingqi/tangy-qing-qi-pu-tang-clan\" target=\"_blank\" rel=\"noopener noreferrer\">Tangy\u003c/a>” to the beat of Kelis’ “Bossy”: “I got way too much shit goin’ on to be concerned with you weird internet thugs,” she raps.\u003c/p>\n\u003cp>As she summed it up in our interview: “It seems like controversy is my biggest ally.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>\u003cem>Correction: This article originally attributed the quote from Mozzy’s manager DavO to his publicist Aishah White, who passed along the information.\u003c/em>\u003c/p>\n","blocks":[],"excerpt":"Qing Qi's troubles with the law would elevate any male rapper's career. Instead, she now faces mockery and scorn.","status":"publish","parent":0,"modified":1705026940,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":24,"wordCount":1154},"headData":{"title":"After a High-Speed Police Chase, A Female Rapper Endures Rap's Double Standard | KQED","description":"Qing Qi's troubles with the law would elevate any male rapper's career. Instead, she now faces mockery and scorn.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"After a High-Speed Police Chase, A Female Rapper Endures Rap's Double Standard","datePublished":"2018-11-30T01:37:53.000Z","dateModified":"2024-01-12T02:35:40.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13845940/after-a-high-speed-police-chase-a-female-rapper-endures-raps-double-standard","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In \u003cem>The Autobiography of Gucci Mane\u003c/em>, the Atlanta rap star details his numerous stints in DeKalb County Jail and how they bolstered his street cred. When the Bay Area’s Mac Dre was locked up for conspiracy to commit robbery in 1992, he recorded an album over the jail phone that became legendary. This past year, Brooklyn rapper 6ix9ine’s various legal troubles—including a guilty plea for a child sex crime, and an arrest for firearms—propelled him into the Billboard Hot 100 and brought collaborations with Kanye West and Nicki Minaj.\u003c/p>\n\u003cp>But the reaction was noticeably different when Oakland rapper \u003ca href=\"https://www.kqed.org/arts/13832451/qing-qi-rapper-and-thizzler-host-calls-out-scrubs-takes-no-prisoners\" target=\"_blank\" rel=\"noopener noreferrer\">Qing Qi\u003c/a> (Nikia Durgin) was booked in Nevada County Jail last week for an alleged burglary and high-speed getaway chase from police.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>According to police, Qing Qi sped off at 120 miles per hour with her headlights off after officers stopped her on suspicion of burglarizing a CVS in Grass Valley. She nearly got away, but crashed in nearby Auburn, and was caught attempting to hail an Uber back to Oakland. \u003cem>The Union\u003c/em> \u003ca href=\"https://www.theunion.com/news/local-news/burglary-suspects-accused-of-fleeing-officers-wrecking-in-auburn-out-on-bond/\" target=\"_blank\" rel=\"noopener noreferrer\">reported\u003c/a> that officers found several thousand dollars of hair-care products and makeup in her car.\u003c/p>\n\u003cp>Qing Qi now faces two felony counts of second-degree burglary, one felony count of evading a peace officer and one misdemeanor count of obstructing a peace officer. Pending sentencing, she could spend up to nine years in jail.\u003c/p>\n\u003cp>All of which would ordinarily mean, by the rap rulebook, a surge in a rapper’s career. Except when Qing Qi’s mugshot appeared on the homepage of \u003ca href=\"https://www.kron4.com/news/bay-area/san-francisco-women-arrested-for-burglary-after-high-speed-pursuit/1604372781\" target=\"_blank\" rel=\"noopener noreferrer\">KRON4\u003c/a> on Nov. 17 and spread through Bay Area social media, the local rap community didn’t celebrate her outlaw status. Nor was there the type of sympathy that’s usually expressed for male rappers who get caught and put behind bars. Instead, the majority of the \u003ca href=\"https://www.instagram.com/p/BqT8dODDE-J/\" target=\"_blank\" rel=\"noopener noreferrer\">comments\u003c/a> took jabs at Qing Qi’s hair and weight.\u003c/p>\n\u003cfigure id=\"attachment_13845979\" class=\"wp-caption alignright\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13845979\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/11/IMG_4648.jpg\" alt=\"A screen shot of a screen shot of Mozzy's Instagram post with Qing Qi's mugshot. \" width=\"750\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/IMG_4648.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/IMG_4648-160x285.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/IMG_4648-675x1200.jpg 675w\" sizes=\"(max-width: 750px) 100vw, 750px\" />\u003cfigcaption class=\"wp-caption-text\">A screen shot of a screen shot of Mozzy’s Instagram post with Qing Qi’s mugshot. \u003ccite>(@allhailtheqing/Instagram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Reactions escalated when Sacramento rapper \u003ca href=\"https://www.kqed.org/arts/13842545/mozzy-on-gangland-landlord-kendrick-and-how-a-persistent-grind-pays-off\" target=\"_blank\" rel=\"noopener noreferrer\">Mozzy\u003c/a>, who has over 828,000 Instagram followers (and, ironically, is Qing Qi’s labelmate on San Francisco imprint \u003ca href=\"https://www.empi.re/\" target=\"_blank\" rel=\"noopener noreferrer\">Empire\u003c/a>), posted her and her alleged accomplice’s mugshots with the caption “Lil petty thievery n thingz” and numerous laugh-cry emojis. (The post has since been deleted.)\u003c/p>\n\u003cp>Following Mozzy’s lead, his followers responded with taunts, many commenting that she deserved arrest after dissing Sacramento during her time as co-host of Thizzler’s YouTube talk show, \u003cem>That’s My Word.\u003c/em> (While \u003ca href=\"https://youtu.be/aC-6QSiQz7E?t=8\" target=\"_blank\" rel=\"noopener noreferrer\">debating\u003c/a> whether Sacramento is culturally part of the Bay Area, Qing Qi quipped that “Sacramento people are weird,” to which her co-host DNas replied, “They’re 2005 Oakland,” implying that Sacramento is behind the times.)\u003c/p>\n\u003cp>Mozzy’s manager, DavO, told KQED through a publicist that Mozzy was trying to make a point. “He just wanted to show people how things can quickly turn around for you,” he wrote in an email, adding that Mozzy had planned to post Qing Qi’s bond, “just to show you that the same people who you put down, that you do not know from a can of paint, can be the same ones that you may need later in life. He deleted [his post] because he didn’t want to humiliate her.” (Qing Qi’s rap crew, Pu Tang Clan, posted her bond before Mozzy had the opportunity.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Still, regardless of Mozzy’s intentions, his Instagram post provided a springboard for thousands of followers to mock Qing Qi’s misfortune and appearance. Other prominent Bay Area artists, including \u003ca href=\"https://www.kqed.org/arts/13825052/kamaiyah-surprises-hayward-high-school-with-black-panther-tickets\" target=\"_blank\" rel=\"noopener noreferrer\">Kamaiyah\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13838218/on-the-ranch-with-nef-the-pharaoh\" target=\"_blank\" rel=\"noopener noreferrer\">Nef the Pharaoh\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13811392/behind-the-beats-p-lo\" target=\"_blank\" rel=\"noopener noreferrer\">P-Lo\u003c/a>, appeared to laugh along in the comments.\u003c/p>\n\u003cp>Such response was markedly different than the hero worship lavished on Los Angeles rapper \u003ca href=\"https://www.latimes.com/entertainment/music/la-et-ms-03greedo-20180617-story.html\" target=\"_blank\" rel=\"noopener noreferrer\">03 Greedo\u003c/a>, for example, when he was sentenced to 20 years for trafficking meth this summer. Other than the other female rappers in Qing Qi’s Pu Tang Clan, few people stuck their necks out to \u003ca href=\"https://www.instagram.com/p/BqV54MOAY5l/\" target=\"_blank\" rel=\"noopener noreferrer\">defend her\u003c/a>.\u003c/p>\n\u003cp>Reached by phone, Qing Qi’s Thizzler co-host DNas addressed the double standard.\u003c/p>\n\u003cp>“If anything happens to anybody else, we ain’t makin’ these jokes,” he said, adding that he himself hasn’t gotten nearly as much backlash for his Sacramento comments as Qing Qi. “I’m supporting Qi.”\u003c/p>\n\u003cfigure id=\"attachment_13846004\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13846004\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/11/MG_5390-qing-qi-800x1266.jpeg\" alt=\"\" width=\"800\" height=\"1266\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/MG_5390-qing-qi-800x1266.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/MG_5390-qing-qi-160x253.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/MG_5390-qing-qi-768x1215.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/MG_5390-qing-qi-758x1200.jpeg 758w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/11/MG_5390-qing-qi.jpeg 809w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003cfigcaption class=\"wp-caption-text\">Qing Qi.\u003c/figcaption>\u003c/figure>\n\u003cp>In a phone interview a week after her arrest, Qi acknowledged that, as an outspoken woman who is far from the narrow, socially acceptable mold of what a female rapper should be, her charges were received differently.\u003c/p>\n\u003cp>“For some reason, people are really upset by me. There are so many people, rappers, who have mugshots for bipping,” Qing Qi told me, using a slang term for breaking car windows. “But when I do something, they put it everywhere and everybody has to talk about it.”\u003c/p>\n\u003cp>Indeed, Qing Qi does rub some people the wrong way. She’s a single mom who raps about her sexuality, she’s full-figured and wears lingerie with her belly out, she often wears an afro, and she’s brashly outspoken about gender inequality in her music. Her 2018 mixtape \u003cem>\u003ca href=\"https://soundcloud.com/qingqi/sets/if-the-niggah-aint-shit-play-this-for-his-bitch\" target=\"_blank\" rel=\"noopener noreferrer\">ITNASPTFHB\u003c/a>\u003c/em> calls out male entitlement with hilarious punchlines that undoubtedly bruise some men’s egos.\u003c/p>\n\u003cp>In other words, if you’re a man with any amount of insecurity, she’s easy to hate.\u003c/p>\n\u003cp>“I think I’m very scary. If what I’m trying to do, and the music I’m trying to push and the image I’m trying to push is successful, I think it would bother a lot of people because it would change things drastically,” Qing Qi told me. “Because then you wouldn’t have to be skinny to show your stomach in a music video, or wear a lot of makeup, or get a long-ass weave to go to an interview.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Qing Qi’s court case is ongoing, and at press time, her public defender Tamara Zaromskis wasn’t sure when the case would go to trial—only that her plea, entered Thursday, would not be a guilty plea. But Qing Qi is optimistic. Upon her release, she put out a diss track called “\u003ca href=\"https://soundcloud.com/qingqi/tangy-qing-qi-pu-tang-clan\" target=\"_blank\" rel=\"noopener noreferrer\">Tangy\u003c/a>” to the beat of Kelis’ “Bossy”: “I got way too much shit goin’ on to be concerned with you weird internet thugs,” she raps.\u003c/p>\n\u003cp>As she summed it up in our interview: “It seems like controversy is my biggest ally.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" />\u003c/p>\n\u003cp>\u003cem>Correction: This article originally attributed the quote from Mozzy’s manager DavO to his publicist Aishah White, who passed along the information.\u003c/em>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13845940/after-a-high-speed-police-chase-a-female-rapper-endures-raps-double-standard","authors":["11387"],"categories":["arts_2303","arts_69"],"tags":["arts_5397","arts_2767","arts_1118","arts_831","arts_1558","arts_3798","arts_3420","arts_596","arts_1803","arts_974"],"featImg":"arts_13846003","label":"arts"},"arts_13842545":{"type":"posts","id":"arts_13842545","meta":{"index":"posts_1591205157","site":"arts","id":"13842545","score":null,"sort":[1539717113000]},"guestAuthors":[],"slug":"mozzy-on-gangland-landlord-kendrick-and-how-a-persistent-grind-pays-off","title":"Mozzy On 'Gangland Landlord,' Kendrick and How a Persistent Grind Pays Off","publishDate":1539717113,"format":"image","headTitle":"Mozzy On ‘Gangland Landlord,’ Kendrick and How a Persistent Grind Pays Off | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>ix years ago, Mozzy thought his rap career was almost over.\u003c/p>\n\u003cp>The artist was 25 and had already served several stints behind bars on drug and weapons charges. His first child was on the way, and his mixtapes and music videos depicting Sacramento’s hardscrabble gang lifestyle hadn’t attracted much of an audience outside of his Oak Park neighborhood.\u003c/p>\n\u003cp>Flash forward to February 2018, when Kendrick Lamar accepted his Grammy for Best Rap Album. The first words out of his mouth to 19.8 million viewers at home and an auditorium of celebrities? “This is special, man. Like my guy Mozzy say, ‘God up top all the time,’ real talk.”\u003c/p>\n\u003cp>Upon hearing the unexpected Grammys shout out, West Coast rap fans exploded with excitement on \u003ca href=\"https://twitter.com/search?q=kendrick%20mozzy%20grammy%27s&src=typd\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a> and national publications \u003ca href=\"http://www.vulture.com/2018/02/a-guide-to-mozzy-the-sacramento-rapper-kendrick-lamar-loves.html\" target=\"_blank\" rel=\"noopener\">clued readers in\u003c/a> to the identity of the little-known artist who just received Lamar’s ultimate cosign.\u003c/p>\n\u003cp>Things only sped up from there. Less than a week after the Grammys, Ryan Coogler’s record-shattering \u003cem>Black Panther\u003c/em> came out in theaters. During the last scene, when T’Challa and Shuri visit the Oakland park that once contained a milk-crate basketball hoop, millions of viewers in sold-out theaters across the country heard Mozzy’s song “Sleep Walkin'” from his 2017 album \u003cem>1 Up Top Ahk\u003c/em>. Mozzy’s was the voice that symbolized that moment of returning to one’s roots to take care of those who are still struggling.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://youtu.be/cAgRk2rBhlg\u003c/p>\n\u003cp>“I felt like, ‘Mama, we made it.’ After all the work we put in underground, they started to pay attention and recognize us on a national level,” says the 31-year-old Mozzy in a recent phone interview. “This is what we were shootin’ for. If I was to stop right now, I lived a dream.”\u003c/p>\n\u003cp>Mozzy’s autobiographical new album, \u003ca href=\"https://itunes.apple.com/us/album/gangland-landlord/1438263477?app=itunes&ign-mpt=uo%3D4\" target=\"_blank\" rel=\"noopener\">\u003cem>Gangland Landlord\u003c/em>\u003c/a>, released Oct. 5 on San Francisco distribution label Empire, is his first offering with the national spotlight on him. And although he recorded it knowing the industry was watching, the project comes across as an un-self-conscious, genuine self-portrait.\u003c/p>\n\u003cp>\u003cem>Gangland Landlord\u003c/em> weighs heavy with traumatic memories, with tense violins, pensive piano and ominous church bells underscoring narratives of Mozzy clawing himself out of poverty. It’s Mozzy’s most cleanly executed release since \u003cem>Bladadah\u003c/em>, the 2015 album that expanded his reach beyond Sacramento and made him a star of Northern California’s underground scene.\u003c/p>\n\u003cp>“The big dog, I’m the fella-fella,” says Mozzy, explaining that the album’s title is a reflection of his new stature. “I’m the one the people come to. I’m the people’s champ.”\u003c/p>\n\u003cfigure id=\"attachment_13842714\" class=\"wp-caption alignright\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13842714 size-full\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-150x150.jpg 150w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Cover art for Mozzy’s ‘Gangland Landlord.’\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>t’s easy to call oneself a people’s champ; acting on it is the hard part. Amid a whirlwind press tour, Mozzy recently made time to go back to Sacramento (he currently lives in Los Angeles). He threw a charity event at a local park where he gave away backpacks, school supplies, haircut vouchers and $7,000 in cash to his old neighbors and friends.\u003c/p>\n\u003cp>“Provide for your people—I’m just looking out for mine,” says Mozzy, whose real name is Tim Patterson. “I’m the ‘landlord’ of this region, so I’m responsible. I don’t want no cookie, I don’t want no applause from nobody. No matter what I’m doing in life, if I have the means to look out for ’em, that’s what I’ma do, because these are the same people who was rooting for me when it was ugly, when it was spunky, when I only had seven listeners and 10 views on YouTube.”\u003c/p>\n\u003cp>Mozzy’s rise to the national stage is particularly remarkable because his subject matter, even on an album he knew would reach beyond his regional audience, is decidedly niche. He raps devotedly—militantly—about a gang lifestyle that’s far removed from anything Middle America could relate to, in a notorious neighborhood in a city whose culture is little-known to outsiders.\u003c/p>\n\u003cp>There’s no sugarcoating or sanitizing on \u003cem>Gangland Landlord\u003c/em>, either. Unlike Migos or Future, who depict shoot-outs in trap houses as minor detours on the way to innumerable rap-money riches, Mozzy is deeply reflective about his street activities and time behind bars, and how both of those things have affected his mental health and development as a man.\u003c/p>\n\u003cp>“Smile now, cry later when I’m by myself / More chains for the gang than I buy myself / Misled by the blind, tryna find myself,” he raps in a gravelly voice over low piano notes and a bass-heavy knock on “Not Impressive.” Later in the verse, he breaks from his growly cadence, trailing off into a whisper with the last word of every bar, betraying the pain behind his tough exterior.\u003c/p>\n\u003cp>https://youtu.be/KOVLJdPRlZE\u003c/p>\n\u003cp>Mozzy is a keen storyteller whose snapshots of life in inner-city America are as brutally realistic as they are vulnerable. “Perhaps his core talent is to convey violence in a way that feels honest, which makes his competition seem mediated, dishonest, even exploitative,” wrote \u003ca href=\"https://www.rollingstone.com/music/music-lists/40-best-rap-albums-of-2015-40015/mozzy-bladadah-26234/\" target=\"_blank\" rel=\"noopener\">\u003cem>Rolling Stone\u003c/em>\u003c/a>‘s David Drake when the magazine named Mozzy’s \u003cem>Bladadah\u003c/em> the 22nd best rap album of 2015.\u003c/p>\n\u003cp>“Mozzy’s music slaps, but the gruff lyricist is a bard,” asserted \u003cem>The Atlantic\u003c/em>‘s Hannah Giorgis in her \u003ca href=\"https://www.theatlantic.com/entertainment/archive/2018/10/mozzy-sacramento-gangland-landlord-rap-album/572281/\" target=\"_blank\" rel=\"noopener\">recent profile\u003c/a> of the rapper.\u003c/p>\n\u003cp>“I ain’t afraid to cry in my music,” Mozzy tells me. “I ain’t afraid to cry out for help. I ain’t afraid to let you know I don’t know, I don’t got all the answers. I ain’t afraid to let you know my faults, to let you know I was hurt, I was broke, I was starving.”\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">W\u003c/span>hile Bay Area rappers often complain that national labels and publications pass over them in favor of championing artists from Los Angeles, getting national recognition is even more of an uphill battle for a rapper from Sacramento, a city whose culture rarely makes a blip on the national radar beyond movies like \u003cem>Lady Bird\u003c/em>, which depicts a much whiter, safer version of the city Mozzy raps about.\u003c/p>\n\u003cp>When I ask how it feels to represent Sacramento and Oak Park on the national stage, Mozzy replies with a long, resounding, “HAAAAAAAAANH!”\u003c/p>\n\u003cp>“For sure we the underdogs, but I ain’t gon’ lie, we movin’ mountains right now,” he says.\u003c/p>\n\u003cp>Mozzy was raised in Oak Park by his grandmother, a former Black Panther, practicing Muslim and strict disciplinarian. His father was often in and out of jail, his mother struggled with addiction and many of his aunts and uncles were affiliated with the Bloods. Outside of the confines of his grandmother’s orderly home, Mozzy began getting in trouble at an early age and was selling drugs and breaking into houses by the time he was in middle school.\u003c/p>\n\u003cp>“I was raised in a respectful manner. There were other households that were less fortunate,” he reflects. “But the streets shaped me a lot. I was stuck in the streets for a long time. It got a lot to do with my character: I’d say the aggressive push, the way I bite down with my music.”\u003c/p>\n\u003cfigure id=\"attachment_13842297\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842297\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_0741-800x533.jpg\" alt=\"Mozzy plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mozzy plays Rolling Loud Bay Area on Sunday, September 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Around the same time, Mozzy realized he wanted to be a rapper like his uncle, GP the Beast, who recorded Mozzy for the first time when he was just 11 and going by Lil Tim. In the years that followed, rapping and making quick money in the streets began to consume Mozzy. He ended up dropping out of high school to pursue music, but music only overtook his street activities much later, when his star began to rise after \u003cem>Bladadah\u003c/em>.\u003c/p>\n\u003cp>“In 2015, fresh out of jail, that’s when people started offering me thousands for projects. That’s when I knew—ain’t never made this type of money,” he says, still in disbelief. “First time I touched $50,000, legitimately—I could ride around with this 50 and the police can’t take it from me because I have proof of where I got it from—that’s when I was like, it’s real. When I gave my grandmother $100,000, that’s when I was like, ‘Yeah, this is what we doin’, f-ck all that other sh-t.'”\u003c/p>\n\u003cp>Between 2005 and 2008, Mozzy went to Sacramento County Jail on a variety of charges, including evading police and possessing marijuana with intent to sell. The repercussions of those convictions from his late teens and early ’20s follow him to this day. He was barred from owning a gun as a convicted felon, but, as he explains it, life in Oak Park required the protection of a weapon. In 2014, he served a year in San Quentin State Prison on firearms charges. (Mozzy says that, nowadays, his prior convictions still sometimes affect his ability to perform abroad.)\u003c/p>\n\u003cp>Mozzy’s stint at San Quentin was a wake-up call. “My dad was in jail when I was my daughter’s age,” he says, referring to his eldest, Ariana-Dooterz, who is now five. “We was in the same prison, though. So you know, I’m walking the same yard he was walking, history repeating itself. I couldn’t wait to get out so I could bite down, so I could get it together, so I could be a man. I had responsibilities and I didn’t want to put that burden on my family.”\u003c/p>\n\u003cp>Around the same time, Mozzy’s music started gaining traction outside of Sacramento. In 2013, he recorded a \u003cem>Tonite Show\u003c/em> album with Oakland’s DJ Fresh, the producer responsible for hyphy-era regional hits like D-Lo’s “No Hoe” and Mistah F.A.B.’s “We Go Stupid in the Bay.” Oakland’s Philthy Rich tapped Mozzy for the downcast, piano-heavy “\u003ca href=\"https://www.youtube.com/watch?v=7kBMDZGnhQs\" target=\"_blank\" rel=\"noopener\">I’m Just Being Honest\u003c/a>“; Joe Blow, another Oakland rapper with local clout, invited him to feature on the nostalgically soulful “\u003ca href=\"https://www.youtube.com/watch?v=7iC65U0DK9Q\" target=\"_blank\" rel=\"noopener\">Locked In\u003c/a>.” Mozzy’s name began to circulate in Bay Area rap circles, and in 2015, he cemented himself into the local scene with \u003cem>Down to the Wire: 4th Ave Edition \u003c/em>on J. Stalin’s Livewire Records, a household name for anyone who followed the Oakland street rap scene of the 2000s.\u003c/p>\n\u003cp>“It just took off from me from right there. The whole Bay started f-ckin’ with me,” he says. “They embraced me.”\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span>s Mozzy’s reputation as a searingly honest wordsmith grew, he remained on probation through 2017 and was barred from leaving the state of California without permission from his officer. This posed an inconvenience to his career: his 2016 and 2017 albums \u003cem>Mandatory Check\u003c/em> and \u003cem>1 Up Top Ahk\u003c/em> reached No. 11 and No. 36 on Billboard’s top R&B/hip-hop albums chart, and he began getting requests to perform out of state. Fortunately, his probation officer usually obliged.\u003c/p>\n\u003cfigure id=\"attachment_13842718\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842718\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-800x800.jpg\" alt=\"Cover art for Mozzy's '1 Up Top Ahk.'\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-150x150.jpg 150w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk.jpg 980w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cover art for Mozzy’s ‘1 Up Top Ahk.’\u003c/figcaption>\u003c/figure>\n\u003cp>Without these hindrances, Mozzy might be farther along in his career. But he still doesn’t regret his past. “It do put a damper on some things, it threw a lot of things off,” he says. “But I don’t regret nothing. If I hadn’t went through the beautiful struggles I went through, I think it would have minimized my hunger.”\u003c/p>\n\u003cp>Though his criminal past is key to understanding him as a person and artist, \u003ca href=\"https://www.newsreview.com/sacramento/sacramento-gangster-rapper-mozzy-is/content?oid=20363358\" target=\"_blank\" rel=\"noopener\">early stories\u003c/a> about Mozzy sometimes read more like crime reports than profiles of an exciting new artist. And indeed, if Mozzy’s career continues to progress the way it has the past three years, he’s about to be scrutinized by a lot more label heads, journalists, streaming service execs and listeners who may harbor stereotypes and misconceptions about his background or previous way of life.\u003c/p>\n\u003cfigure id=\"attachment_13842296\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842296\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_0740-800x533.jpg\" alt=\"Mozzy plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mozzy plays Rolling Loud Bay Area on Sunday, September 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, Mozzy says he’d sooner fall off than censor himself. “I ain’t in it for the money,” he says, defiant. “If I decline financially, it wouldn’t hurt me as much as changing and tweaking my music for someone else. That would do more damage to my inner self than financial problems.”\u003c/p>\n\u003cp>Mozzy is living a new lifestyle now, far away from the trenches he raps about. He’s a family man with a girlfriend and two daughters (seven-month-old Zayda was born earlier this year). They’re living in L.A. in a safe neighborhood, in a building with an elevator, far away from the dangers of Oak Park. “I gotta make sure they don’t go through the same beautiful struggles I went through,” Mozzy says, adding that his daughters are his biggest motivation. “I want them to be 10 times doper than me. No matter what career choice, no matter what they’re doing in life, I want to provide them with that head start and that healthy household with a mother and father present, unlike the majority of our community.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“It’s no room for f-ckin’ up.”\u003c/p>\n\n","blocks":[],"excerpt":"The Sacramento rapper talks life since 'Black Panther,' his new album and leaving the streets behind. ","status":"publish","parent":0,"modified":1705027129,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":36,"wordCount":2380},"headData":{"title":"Mozzy On 'Gangland Landlord,' Kendrick and How a Persistent Grind Pays Off | KQED","description":"The Sacramento rapper talks life since 'Black Panther,' his new album and leaving the streets behind. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Mozzy On 'Gangland Landlord,' Kendrick and How a Persistent Grind Pays Off","datePublished":"2018-10-16T19:11:53.000Z","dateModified":"2024-01-12T02:38:49.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13842545/mozzy-on-gangland-landlord-kendrick-and-how-a-persistent-grind-pays-off","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>ix years ago, Mozzy thought his rap career was almost over.\u003c/p>\n\u003cp>The artist was 25 and had already served several stints behind bars on drug and weapons charges. His first child was on the way, and his mixtapes and music videos depicting Sacramento’s hardscrabble gang lifestyle hadn’t attracted much of an audience outside of his Oak Park neighborhood.\u003c/p>\n\u003cp>Flash forward to February 2018, when Kendrick Lamar accepted his Grammy for Best Rap Album. The first words out of his mouth to 19.8 million viewers at home and an auditorium of celebrities? “This is special, man. Like my guy Mozzy say, ‘God up top all the time,’ real talk.”\u003c/p>\n\u003cp>Upon hearing the unexpected Grammys shout out, West Coast rap fans exploded with excitement on \u003ca href=\"https://twitter.com/search?q=kendrick%20mozzy%20grammy%27s&src=typd\" target=\"_blank\" rel=\"noopener\">Twitter\u003c/a> and national publications \u003ca href=\"http://www.vulture.com/2018/02/a-guide-to-mozzy-the-sacramento-rapper-kendrick-lamar-loves.html\" target=\"_blank\" rel=\"noopener\">clued readers in\u003c/a> to the identity of the little-known artist who just received Lamar’s ultimate cosign.\u003c/p>\n\u003cp>Things only sped up from there. Less than a week after the Grammys, Ryan Coogler’s record-shattering \u003cem>Black Panther\u003c/em> came out in theaters. During the last scene, when T’Challa and Shuri visit the Oakland park that once contained a milk-crate basketball hoop, millions of viewers in sold-out theaters across the country heard Mozzy’s song “Sleep Walkin'” from his 2017 album \u003cem>1 Up Top Ahk\u003c/em>. Mozzy’s was the voice that symbolized that moment of returning to one’s roots to take care of those who are still struggling.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cAgRk2rBhlg'\n title='//www.youtube.com/embed/cAgRk2rBhlg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“I felt like, ‘Mama, we made it.’ After all the work we put in underground, they started to pay attention and recognize us on a national level,” says the 31-year-old Mozzy in a recent phone interview. “This is what we were shootin’ for. If I was to stop right now, I lived a dream.”\u003c/p>\n\u003cp>Mozzy’s autobiographical new album, \u003ca href=\"https://itunes.apple.com/us/album/gangland-landlord/1438263477?app=itunes&ign-mpt=uo%3D4\" target=\"_blank\" rel=\"noopener\">\u003cem>Gangland Landlord\u003c/em>\u003c/a>, released Oct. 5 on San Francisco distribution label Empire, is his first offering with the national spotlight on him. And although he recorded it knowing the industry was watching, the project comes across as an un-self-conscious, genuine self-portrait.\u003c/p>\n\u003cp>\u003cem>Gangland Landlord\u003c/em> weighs heavy with traumatic memories, with tense violins, pensive piano and ominous church bells underscoring narratives of Mozzy clawing himself out of poverty. It’s Mozzy’s most cleanly executed release since \u003cem>Bladadah\u003c/em>, the 2015 album that expanded his reach beyond Sacramento and made him a star of Northern California’s underground scene.\u003c/p>\n\u003cp>“The big dog, I’m the fella-fella,” says Mozzy, explaining that the album’s title is a reflection of his new stature. “I’m the one the people come to. I’m the people’s champ.”\u003c/p>\n\u003cfigure id=\"attachment_13842714\" class=\"wp-caption alignright\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13842714 size-full\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/mozzy-gangland-landlord-stream-150x150.jpg 150w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Cover art for Mozzy’s ‘Gangland Landlord.’\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>t’s easy to call oneself a people’s champ; acting on it is the hard part. Amid a whirlwind press tour, Mozzy recently made time to go back to Sacramento (he currently lives in Los Angeles). He threw a charity event at a local park where he gave away backpacks, school supplies, haircut vouchers and $7,000 in cash to his old neighbors and friends.\u003c/p>\n\u003cp>“Provide for your people—I’m just looking out for mine,” says Mozzy, whose real name is Tim Patterson. “I’m the ‘landlord’ of this region, so I’m responsible. I don’t want no cookie, I don’t want no applause from nobody. No matter what I’m doing in life, if I have the means to look out for ’em, that’s what I’ma do, because these are the same people who was rooting for me when it was ugly, when it was spunky, when I only had seven listeners and 10 views on YouTube.”\u003c/p>\n\u003cp>Mozzy’s rise to the national stage is particularly remarkable because his subject matter, even on an album he knew would reach beyond his regional audience, is decidedly niche. He raps devotedly—militantly—about a gang lifestyle that’s far removed from anything Middle America could relate to, in a notorious neighborhood in a city whose culture is little-known to outsiders.\u003c/p>\n\u003cp>There’s no sugarcoating or sanitizing on \u003cem>Gangland Landlord\u003c/em>, either. Unlike Migos or Future, who depict shoot-outs in trap houses as minor detours on the way to innumerable rap-money riches, Mozzy is deeply reflective about his street activities and time behind bars, and how both of those things have affected his mental health and development as a man.\u003c/p>\n\u003cp>“Smile now, cry later when I’m by myself / More chains for the gang than I buy myself / Misled by the blind, tryna find myself,” he raps in a gravelly voice over low piano notes and a bass-heavy knock on “Not Impressive.” Later in the verse, he breaks from his growly cadence, trailing off into a whisper with the last word of every bar, betraying the pain behind his tough exterior.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/KOVLJdPRlZE'\n title='//www.youtube.com/embed/KOVLJdPRlZE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Mozzy is a keen storyteller whose snapshots of life in inner-city America are as brutally realistic as they are vulnerable. “Perhaps his core talent is to convey violence in a way that feels honest, which makes his competition seem mediated, dishonest, even exploitative,” wrote \u003ca href=\"https://www.rollingstone.com/music/music-lists/40-best-rap-albums-of-2015-40015/mozzy-bladadah-26234/\" target=\"_blank\" rel=\"noopener\">\u003cem>Rolling Stone\u003c/em>\u003c/a>‘s David Drake when the magazine named Mozzy’s \u003cem>Bladadah\u003c/em> the 22nd best rap album of 2015.\u003c/p>\n\u003cp>“Mozzy’s music slaps, but the gruff lyricist is a bard,” asserted \u003cem>The Atlantic\u003c/em>‘s Hannah Giorgis in her \u003ca href=\"https://www.theatlantic.com/entertainment/archive/2018/10/mozzy-sacramento-gangland-landlord-rap-album/572281/\" target=\"_blank\" rel=\"noopener\">recent profile\u003c/a> of the rapper.\u003c/p>\n\u003cp>“I ain’t afraid to cry in my music,” Mozzy tells me. “I ain’t afraid to cry out for help. I ain’t afraid to let you know I don’t know, I don’t got all the answers. I ain’t afraid to let you know my faults, to let you know I was hurt, I was broke, I was starving.”\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">W\u003c/span>hile Bay Area rappers often complain that national labels and publications pass over them in favor of championing artists from Los Angeles, getting national recognition is even more of an uphill battle for a rapper from Sacramento, a city whose culture rarely makes a blip on the national radar beyond movies like \u003cem>Lady Bird\u003c/em>, which depicts a much whiter, safer version of the city Mozzy raps about.\u003c/p>\n\u003cp>When I ask how it feels to represent Sacramento and Oak Park on the national stage, Mozzy replies with a long, resounding, “HAAAAAAAAANH!”\u003c/p>\n\u003cp>“For sure we the underdogs, but I ain’t gon’ lie, we movin’ mountains right now,” he says.\u003c/p>\n\u003cp>Mozzy was raised in Oak Park by his grandmother, a former Black Panther, practicing Muslim and strict disciplinarian. His father was often in and out of jail, his mother struggled with addiction and many of his aunts and uncles were affiliated with the Bloods. Outside of the confines of his grandmother’s orderly home, Mozzy began getting in trouble at an early age and was selling drugs and breaking into houses by the time he was in middle school.\u003c/p>\n\u003cp>“I was raised in a respectful manner. There were other households that were less fortunate,” he reflects. “But the streets shaped me a lot. I was stuck in the streets for a long time. It got a lot to do with my character: I’d say the aggressive push, the way I bite down with my music.”\u003c/p>\n\u003cfigure id=\"attachment_13842297\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842297\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_0741-800x533.jpg\" alt=\"Mozzy plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0741-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mozzy plays Rolling Loud Bay Area on Sunday, September 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Around the same time, Mozzy realized he wanted to be a rapper like his uncle, GP the Beast, who recorded Mozzy for the first time when he was just 11 and going by Lil Tim. In the years that followed, rapping and making quick money in the streets began to consume Mozzy. He ended up dropping out of high school to pursue music, but music only overtook his street activities much later, when his star began to rise after \u003cem>Bladadah\u003c/em>.\u003c/p>\n\u003cp>“In 2015, fresh out of jail, that’s when people started offering me thousands for projects. That’s when I knew—ain’t never made this type of money,” he says, still in disbelief. “First time I touched $50,000, legitimately—I could ride around with this 50 and the police can’t take it from me because I have proof of where I got it from—that’s when I was like, it’s real. When I gave my grandmother $100,000, that’s when I was like, ‘Yeah, this is what we doin’, f-ck all that other sh-t.'”\u003c/p>\n\u003cp>Between 2005 and 2008, Mozzy went to Sacramento County Jail on a variety of charges, including evading police and possessing marijuana with intent to sell. The repercussions of those convictions from his late teens and early ’20s follow him to this day. He was barred from owning a gun as a convicted felon, but, as he explains it, life in Oak Park required the protection of a weapon. In 2014, he served a year in San Quentin State Prison on firearms charges. (Mozzy says that, nowadays, his prior convictions still sometimes affect his ability to perform abroad.)\u003c/p>\n\u003cp>Mozzy’s stint at San Quentin was a wake-up call. “My dad was in jail when I was my daughter’s age,” he says, referring to his eldest, Ariana-Dooterz, who is now five. “We was in the same prison, though. So you know, I’m walking the same yard he was walking, history repeating itself. I couldn’t wait to get out so I could bite down, so I could get it together, so I could be a man. I had responsibilities and I didn’t want to put that burden on my family.”\u003c/p>\n\u003cp>Around the same time, Mozzy’s music started gaining traction outside of Sacramento. In 2013, he recorded a \u003cem>Tonite Show\u003c/em> album with Oakland’s DJ Fresh, the producer responsible for hyphy-era regional hits like D-Lo’s “No Hoe” and Mistah F.A.B.’s “We Go Stupid in the Bay.” Oakland’s Philthy Rich tapped Mozzy for the downcast, piano-heavy “\u003ca href=\"https://www.youtube.com/watch?v=7kBMDZGnhQs\" target=\"_blank\" rel=\"noopener\">I’m Just Being Honest\u003c/a>“; Joe Blow, another Oakland rapper with local clout, invited him to feature on the nostalgically soulful “\u003ca href=\"https://www.youtube.com/watch?v=7iC65U0DK9Q\" target=\"_blank\" rel=\"noopener\">Locked In\u003c/a>.” Mozzy’s name began to circulate in Bay Area rap circles, and in 2015, he cemented himself into the local scene with \u003cem>Down to the Wire: 4th Ave Edition \u003c/em>on J. Stalin’s Livewire Records, a household name for anyone who followed the Oakland street rap scene of the 2000s.\u003c/p>\n\u003cp>“It just took off from me from right there. The whole Bay started f-ckin’ with me,” he says. “They embraced me.”\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span>s Mozzy’s reputation as a searingly honest wordsmith grew, he remained on probation through 2017 and was barred from leaving the state of California without permission from his officer. This posed an inconvenience to his career: his 2016 and 2017 albums \u003cem>Mandatory Check\u003c/em> and \u003cem>1 Up Top Ahk\u003c/em> reached No. 11 and No. 36 on Billboard’s top R&B/hip-hop albums chart, and he began getting requests to perform out of state. Fortunately, his probation officer usually obliged.\u003c/p>\n\u003cfigure id=\"attachment_13842718\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842718\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-800x800.jpg\" alt=\"Cover art for Mozzy's '1 Up Top Ahk.'\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk-150x150.jpg 150w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/1-up-top-ahk.jpg 980w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cover art for Mozzy’s ‘1 Up Top Ahk.’\u003c/figcaption>\u003c/figure>\n\u003cp>Without these hindrances, Mozzy might be farther along in his career. But he still doesn’t regret his past. “It do put a damper on some things, it threw a lot of things off,” he says. “But I don’t regret nothing. If I hadn’t went through the beautiful struggles I went through, I think it would have minimized my hunger.”\u003c/p>\n\u003cp>Though his criminal past is key to understanding him as a person and artist, \u003ca href=\"https://www.newsreview.com/sacramento/sacramento-gangster-rapper-mozzy-is/content?oid=20363358\" target=\"_blank\" rel=\"noopener\">early stories\u003c/a> about Mozzy sometimes read more like crime reports than profiles of an exciting new artist. And indeed, if Mozzy’s career continues to progress the way it has the past three years, he’s about to be scrutinized by a lot more label heads, journalists, streaming service execs and listeners who may harbor stereotypes and misconceptions about his background or previous way of life.\u003c/p>\n\u003cfigure id=\"attachment_13842296\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13842296\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/10/MG_0740-800x533.jpg\" alt=\"Mozzy plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/10/MG_0740-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mozzy plays Rolling Loud Bay Area on Sunday, September 16, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, Mozzy says he’d sooner fall off than censor himself. “I ain’t in it for the money,” he says, defiant. “If I decline financially, it wouldn’t hurt me as much as changing and tweaking my music for someone else. That would do more damage to my inner self than financial problems.”\u003c/p>\n\u003cp>Mozzy is living a new lifestyle now, far away from the trenches he raps about. He’s a family man with a girlfriend and two daughters (seven-month-old Zayda was born earlier this year). They’re living in L.A. in a safe neighborhood, in a building with an elevator, far away from the dangers of Oak Park. “I gotta make sure they don’t go through the same beautiful struggles I went through,” Mozzy says, adding that his daughters are his biggest motivation. “I want them to be 10 times doper than me. No matter what career choice, no matter what they’re doing in life, I want to provide them with that head start and that healthy household with a mother and father present, unlike the majority of our community.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s no room for f-ckin’ up.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13842545/mozzy-on-gangland-landlord-kendrick-and-how-a-persistent-grind-pays-off","authors":["11387"],"categories":["arts_69","arts_235"],"tags":["arts_3563","arts_1118","arts_831","arts_1774","arts_5849","arts_3798","arts_596","arts_974","arts_5779"],"featImg":"arts_13842298","label":"arts"},"arts_13828036":{"type":"posts","id":"arts_13828036","meta":{"index":"posts_1591205157","site":"arts","id":"13828036","score":null,"sort":[1522103823000]},"guestAuthors":[],"slug":"talking-with-prezi-the-rapper-pledging-to-do-better-for-hunters-point","title":"Talking With Prezi, the Rapper Pledging to 'Do Better' for Hunters Point","publishDate":1522103823,"format":"image","headTitle":"Talking With Prezi, the Rapper Pledging to ‘Do Better’ for Hunters Point | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>n 2016, Charles Gardner, also known as Prezi, was acquitted of all charges related to a fatal shooting at a San Francisco nightclub. A year later, Prezi released his first song, “\u003ca href=\"https://www.youtube.com/watch?v=OLGtumQ1GMk\" target=\"_blank\" rel=\"noopener noreferrer\">Do Better\u003c/a>,” with the hook “Family telling me to do better / I’ma do better / I’ma do better.” And with that proclamation, he spoke the next chapter of his life into existence: the song has over 17 million views on YouTube alone, and has climbed the radio charts, been remixed with some big names in the Northern California rap scene, and has led to Prezi going on tour.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>Now, he’s looking to make his next move: to put his hood on.\u003c/p>\n\u003cp>Prezi’s neighborhood is on the southeastern corner of San Francisco’s 7×7 square. It’s a part of town tourists don’t patronize. You won’t see a postcard with Hunters Point Housing projects on it. Fat chance you’ll find a poster, mug or other memorabilia showing the amazing view from Harbor Road looking eastward across the Bay toward Oakland, the glorious piece of land that I call home.\u003c/p>\n\u003cp>Prezi’s not asking for a postcard or mug for Hunters Point. Just the respect and recognition it deserves.\u003c/p>\n\u003cfigure id=\"attachment_13828044\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828044\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-800x535.jpg\" alt=\"Prezi at the corner of Harbor and Northridge in Hunters Point, looking over the Bay. \" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-375x251.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Prezi at the corner of Harbor and Northridge in Hunters Point, looking over the Bay. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">L\u003c/span>ast week I ventured over to Hunters Point, crossing the Bay Bridge, driving south on 101 and eventually parking my car on Harbor Road. When I got there, I just listened: construction trucks beeped as they worked to renovate the old barracks-turned-low-income housing; birds squawked while flying from the hillside to the ruins of the old Shipyard below; a passing pit bull breathed heavily as his owner gave me a silent head nod. In the distance, I could hear laughter from a group of guys standing about two football fields from my car.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Prezi, who’s about 6’4″ with ‘locs that drop to mid-torso, emerged and gave dap to every person in that circle before making his way down the block to where I was parked. We walked into a small playground area, and sat on some stairs that I’d later discover were featured on the cover of RBL Posse’s 1992 album, \u003cem>A Lesson To Be Learned\u003c/em>, which dropped a year after Prezi was born.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘Some people don’t understand our music, or what we go through. We don’t chose the life we live. We don’t chose where we come from.’\u003c/aside>\n\u003cp>Before I could ask my first question, a lady by the name of Stacy, who introduced herself as the community chef, walked up and gave Prezi a hug. Before she left, she let us know that anytime we want a plate, all we have to do is say the word.\u003c/p>\n\u003cp>At 26, Prezi is already a bit of historian for this area, the roots of his family tree engrained in the concrete. His grandparents landed in this neighborhood when they moved to the Bay from Texas. Both his mom and pops were raised on Harbor Way. He has three kids of his own now. And though “Do Better” is getting airplay around the world, Prezi hasn’t moved.\u003c/p>\n\u003cp>He’s an exception to the mass exodus of African Americans from the City, where just over 5 perfect of the entire population (884,363 as of 2016) is black, down from just over 10 percent (out of a total of 723,959) in the early ’90s.\u003c/p>\n\u003cp>As the overall population grows, and the black population shrinks, he’s still here. Proudly. Still living in the projects—and still experiencing the feel of being a second-class citizen in a world-class city.\u003c/p>\n\u003cp>“I just got pulled over today,” said Prezi, with a 1,000-yard stare out toward the Bay. “The police was like, ‘Prezi!? How ya doin!? I been seeing the billboards [for “Do Better”] and everything, it’s nice to see.’”\u003c/p>\n\u003cfigure id=\"attachment_13828043\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828043\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/Prezi.HPView-800x450.jpg\" alt=\"Looking out over the Bay near Harbor Road in Hunters Point.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Looking out over the Bay near Harbor Road in Hunters Point. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The rarity of the interaction is amplified, he said, when you consider recent headlines of police shootings in America, and San Francisco in particular. He also said that the officer didn’t give him a ticket.\u003c/p>\n\u003cp>“It blew me away, like, they’re paying attention,” Prezi said.\u003c/p>\n\u003cp>It makes sense. Prezi is telling the story of a community that is hard to reach, for some. And hard to get out of, for others. Geographically shunned to the far corner of a booming metropolitan city. Economically separated from the tech jobs in downtown. Environmentally degraded by years of injustice: it’s the former home to a Naval Shipyard, the onetime location of a Naval Radiological Defense Laboratory and the grounds on which a PG&E plant pumped toxins for over 50 years.\u003c/p>\n\u003cp>All of this resulted in the \u003ca href=\"https://cumulis.epa.gov/supercpad/cursites/csitinfo.cfm?id=0902722\" target=\"_blank\" rel=\"noopener noreferrer\">EPA declaring it a Superfund Site\u003c/a>, the only one of its kind in San Francisco. The health effects have been shown through a number of studies, including one that shows incredibly \u003ca href=\"https://www.sfgate.com/news/article/Disputed-S-F-Power-Plant-Expected-to-Get-1st-OK-2991805.php\" target=\"_blank\" rel=\"noopener noreferrer\">high rates of breast cancer\u003c/a> for African American women in the neighborhood.\u003c/p>\n\u003cp>When asked what it means to be speaking for his community, Prezi said, “When you’re in this kind of position, you don’t see how big things are, cause you’re on the inside looking out.”\u003c/p>\n\u003cfigure id=\"attachment_13828041\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828041\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/Prezi.Group_-800x535.jpg\" alt=\"Prezi (center) with friends in Hunters Point.\" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-375x251.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Prezi (center) with friends in Hunters Point. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But one moment it started to click was after a show in Humboldt. That’s where Prezi met his favorite rapper, Mozzy. I balked. \u003cem>What\u003c/em>? Favorite rapper \u003cem>ever\u003c/em>?\u003c/p>\n\u003cp>“Yeah,” Prezi replied, “‘cause he speaks my life into existence. The trials, the not having this or that, the really coming from super nothing. He put me in a place that no other rapper ever put me in.”\u003c/p>\n\u003cp>He clarified a little: “Of course I love the Bigs and Pacs, they spoke dope music. But they weren’t putting me into ‘where I came from’. Mozzy was the first rapper that ever put me back in my childhood. Like, damn, \u003cem>I\u003c/em> could’ve said that… Some people don’t understand our music, or what we go through. We don’t chose the life we live. We don’t chose where we come from.”\u003c/p>\n\u003cfigure id=\"attachment_13828045\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828045\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-800x535.jpg\" alt=\"Prezi in Hunters Point with Stacy, who calls herself the 'community chef.'\" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-375x251.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Prezi in Hunters Point with Stacy, who calls herself the ‘community chef.’ \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>o be an African American, an artist and from San Francisco is almost as rare as it gets. Prezi’s legend isn’t just a San Francisco story or another American tall tale; it’s a universal narrative of struggle and perseverance. In the midst of environmental, historical and current institutional hurdles, he simply wants to “do better”. And for that, I commend him.\u003c/p>\n\u003cp>I took a few photos of him, his community members, and his street sign. Quietly noting to myself that the sounds of the beeping construction trucks are evidence that change is afoot, and the brothers standing in a circle laughing won’t be there forever.\u003c/p>\n\u003cp>Before I got in the car to head back across the Bay, I finally asked. Why do they call you Prezi?\u003c/p>\n\u003cp>With a smile protruding out his hooded sweatshirt, he said, “I’m the president around here.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Pendarvis Harshaw is the author of ‘\u003ca href=\"http://www.latimes.com/local/abcarian/la-me-abcarian-og-harshaw-20170409-story.html\" target=\"_blank\" rel=\"noopener noreferrer\">OG Told Me\u003c/a>,’ a memoir about growing up in Oakland. Find him on Twitter \u003ca href=\"https://twitter.com/ogpenn\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"With a hit song, the 26-year-old San Francisco rapper wants to deliver some respect back to his neighborhood.","status":"publish","parent":0,"modified":1705028193,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":28,"wordCount":1311},"headData":{"title":"Talking With Prezi, the Rapper Pledging to 'Do Better' for Hunters Point | KQED","description":"With a hit song, the 26-year-old San Francisco rapper wants to deliver some respect back to his neighborhood.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Talking With Prezi, the Rapper Pledging to 'Do Better' for Hunters Point","datePublished":"2018-03-26T22:37:03.000Z","dateModified":"2024-01-12T02:56:33.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13828036/talking-with-prezi-the-rapper-pledging-to-do-better-for-hunters-point","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>n 2016, Charles Gardner, also known as Prezi, was acquitted of all charges related to a fatal shooting at a San Francisco nightclub. A year later, Prezi released his first song, “\u003ca href=\"https://www.youtube.com/watch?v=OLGtumQ1GMk\" target=\"_blank\" rel=\"noopener noreferrer\">Do Better\u003c/a>,” with the hook “Family telling me to do better / I’ma do better / I’ma do better.” And with that proclamation, he spoke the next chapter of his life into existence: the song has over 17 million views on YouTube alone, and has climbed the radio charts, been remixed with some big names in the Northern California rap scene, and has led to Prezi going on tour.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>Now, he’s looking to make his next move: to put his hood on.\u003c/p>\n\u003cp>Prezi’s neighborhood is on the southeastern corner of San Francisco’s 7×7 square. It’s a part of town tourists don’t patronize. You won’t see a postcard with Hunters Point Housing projects on it. Fat chance you’ll find a poster, mug or other memorabilia showing the amazing view from Harbor Road looking eastward across the Bay toward Oakland, the glorious piece of land that I call home.\u003c/p>\n\u003cp>Prezi’s not asking for a postcard or mug for Hunters Point. Just the respect and recognition it deserves.\u003c/p>\n\u003cfigure id=\"attachment_13828044\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828044\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-800x535.jpg\" alt=\"Prezi at the corner of Harbor and Northridge in Hunters Point, looking over the Bay. \" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-375x251.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Streetsigns.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Prezi at the corner of Harbor and Northridge in Hunters Point, looking over the Bay. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">L\u003c/span>ast week I ventured over to Hunters Point, crossing the Bay Bridge, driving south on 101 and eventually parking my car on Harbor Road. When I got there, I just listened: construction trucks beeped as they worked to renovate the old barracks-turned-low-income housing; birds squawked while flying from the hillside to the ruins of the old Shipyard below; a passing pit bull breathed heavily as his owner gave me a silent head nod. In the distance, I could hear laughter from a group of guys standing about two football fields from my car.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Prezi, who’s about 6’4″ with ‘locs that drop to mid-torso, emerged and gave dap to every person in that circle before making his way down the block to where I was parked. We walked into a small playground area, and sat on some stairs that I’d later discover were featured on the cover of RBL Posse’s 1992 album, \u003cem>A Lesson To Be Learned\u003c/em>, which dropped a year after Prezi was born.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘Some people don’t understand our music, or what we go through. We don’t chose the life we live. We don’t chose where we come from.’\u003c/aside>\n\u003cp>Before I could ask my first question, a lady by the name of Stacy, who introduced herself as the community chef, walked up and gave Prezi a hug. Before she left, she let us know that anytime we want a plate, all we have to do is say the word.\u003c/p>\n\u003cp>At 26, Prezi is already a bit of historian for this area, the roots of his family tree engrained in the concrete. His grandparents landed in this neighborhood when they moved to the Bay from Texas. Both his mom and pops were raised on Harbor Way. He has three kids of his own now. And though “Do Better” is getting airplay around the world, Prezi hasn’t moved.\u003c/p>\n\u003cp>He’s an exception to the mass exodus of African Americans from the City, where just over 5 perfect of the entire population (884,363 as of 2016) is black, down from just over 10 percent (out of a total of 723,959) in the early ’90s.\u003c/p>\n\u003cp>As the overall population grows, and the black population shrinks, he’s still here. Proudly. Still living in the projects—and still experiencing the feel of being a second-class citizen in a world-class city.\u003c/p>\n\u003cp>“I just got pulled over today,” said Prezi, with a 1,000-yard stare out toward the Bay. “The police was like, ‘Prezi!? How ya doin!? I been seeing the billboards [for “Do Better”] and everything, it’s nice to see.’”\u003c/p>\n\u003cfigure id=\"attachment_13828043\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828043\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/Prezi.HPView-800x450.jpg\" alt=\"Looking out over the Bay near Harbor Road in Hunters Point.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.HPView.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Looking out over the Bay near Harbor Road in Hunters Point. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The rarity of the interaction is amplified, he said, when you consider recent headlines of police shootings in America, and San Francisco in particular. He also said that the officer didn’t give him a ticket.\u003c/p>\n\u003cp>“It blew me away, like, they’re paying attention,” Prezi said.\u003c/p>\n\u003cp>It makes sense. Prezi is telling the story of a community that is hard to reach, for some. And hard to get out of, for others. Geographically shunned to the far corner of a booming metropolitan city. Economically separated from the tech jobs in downtown. Environmentally degraded by years of injustice: it’s the former home to a Naval Shipyard, the onetime location of a Naval Radiological Defense Laboratory and the grounds on which a PG&E plant pumped toxins for over 50 years.\u003c/p>\n\u003cp>All of this resulted in the \u003ca href=\"https://cumulis.epa.gov/supercpad/cursites/csitinfo.cfm?id=0902722\" target=\"_blank\" rel=\"noopener noreferrer\">EPA declaring it a Superfund Site\u003c/a>, the only one of its kind in San Francisco. The health effects have been shown through a number of studies, including one that shows incredibly \u003ca href=\"https://www.sfgate.com/news/article/Disputed-S-F-Power-Plant-Expected-to-Get-1st-OK-2991805.php\" target=\"_blank\" rel=\"noopener noreferrer\">high rates of breast cancer\u003c/a> for African American women in the neighborhood.\u003c/p>\n\u003cp>When asked what it means to be speaking for his community, Prezi said, “When you’re in this kind of position, you don’t see how big things are, cause you’re on the inside looking out.”\u003c/p>\n\u003cfigure id=\"attachment_13828041\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828041\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/Prezi.Group_-800x535.jpg\" alt=\"Prezi (center) with friends in Hunters Point.\" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-375x251.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Group_.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Prezi (center) with friends in Hunters Point. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But one moment it started to click was after a show in Humboldt. That’s where Prezi met his favorite rapper, Mozzy. I balked. \u003cem>What\u003c/em>? Favorite rapper \u003cem>ever\u003c/em>?\u003c/p>\n\u003cp>“Yeah,” Prezi replied, “‘cause he speaks my life into existence. The trials, the not having this or that, the really coming from super nothing. He put me in a place that no other rapper ever put me in.”\u003c/p>\n\u003cp>He clarified a little: “Of course I love the Bigs and Pacs, they spoke dope music. But they weren’t putting me into ‘where I came from’. Mozzy was the first rapper that ever put me back in my childhood. Like, damn, \u003cem>I\u003c/em> could’ve said that… Some people don’t understand our music, or what we go through. We don’t chose the life we live. We don’t chose where we come from.”\u003c/p>\n\u003cfigure id=\"attachment_13828045\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13828045\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-800x535.jpg\" alt=\"Prezi in Hunters Point with Stacy, who calls herself the 'community chef.'\" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-960x641.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-375x251.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_-520x347.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/Prezi.Chef_.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Prezi in Hunters Point with Stacy, who calls herself the ‘community chef.’ \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>o be an African American, an artist and from San Francisco is almost as rare as it gets. Prezi’s legend isn’t just a San Francisco story or another American tall tale; it’s a universal narrative of struggle and perseverance. In the midst of environmental, historical and current institutional hurdles, he simply wants to “do better”. And for that, I commend him.\u003c/p>\n\u003cp>I took a few photos of him, his community members, and his street sign. Quietly noting to myself that the sounds of the beeping construction trucks are evidence that change is afoot, and the brothers standing in a circle laughing won’t be there forever.\u003c/p>\n\u003cp>Before I got in the car to head back across the Bay, I finally asked. Why do they call you Prezi?\u003c/p>\n\u003cp>With a smile protruding out his hooded sweatshirt, he said, “I’m the president around here.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Pendarvis Harshaw is the author of ‘\u003ca href=\"http://www.latimes.com/local/abcarian/la-me-abcarian-og-harshaw-20170409-story.html\" target=\"_blank\" rel=\"noopener noreferrer\">OG Told Me\u003c/a>,’ a memoir about growing up in Oakland. Find him on Twitter \u003ca href=\"https://twitter.com/ogpenn\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13828036/talking-with-prezi-the-rapper-pledging-to-do-better-for-hunters-point","authors":["11491"],"categories":["arts_2303"],"tags":["arts_2767","arts_1118","arts_831","arts_4017","arts_3798","arts_596","arts_4355"],"featImg":"arts_13828040","label":"arts"},"arts_13823286":{"type":"posts","id":"arts_13823286","meta":{"index":"posts_1591205157","site":"arts","id":"13823286","score":null,"sort":[1517432182000]},"guestAuthors":[],"slug":"local-rap-artists-mozzy-sob-x-rbe-on-black-panther-soundtrack","title":"Local Rap Artists Mozzy, SOB x RBE on 'Black Panther' Soundtrack","publishDate":1517432182,"format":"standard","headTitle":"Local Rap Artists Mozzy, SOB x RBE on ‘Black Panther’ Soundtrack | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>If hip-hop fans were wondering if Kendrick Lamar and Sacramento rapper Mozzy had a collaboration in the works after K.Dot \u003ca href=\"http://www.sacbee.com/news/local/article197178319.html\" target=\"_blank\" rel=\"noopener\">quoted Mozzy\u003c/a> during his Grammys acceptance speech, we now have our answer. Earlier today, Lamar tweeted the highly anticipated tracklist for \u003cem>Black Panther\u003c/em>, the reportedly groundbreaking Marvel film directed by Ryan Coogler.\u003c/p>\n\u003cp>Coogler, who also directed \u003cem>Fruitvale Station\u003c/em> and \u003cem>Creed\u003c/em>, is originally from Oakland, so it makes sense that \u003cem>Black Panther’s\u003c/em> soundtrack shows Northern California some love. In addition to “Seasons” by Mozzy (also featuring South African artists Sjava and Reason), it includes a new song by Vallejo upstarts SOBxRBE called “Paramedic!”\u003c/p>\n\u003cp>The rest of the soundtrack, curated by Lamar, features heavy-hitters like Future, Swae Lee, the Weeknd, Travis Scott, SZA, and James Blake. Ab-Soul and Jay Rock from Lamar’s Top Dawg Entertainment also make appearances and notable newcomers like Jorja Smith, Zacari, and Khalid are on the soundtrack as well.\u003c/p>\n\u003cp>https://twitter.com/kendricklamar/status/958788331420069888\u003c/p>\n\u003cp>\u003cstrong>Tracklist\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Black Panther,” Kendrick Lamar\u003cbr>\n“All The Stars,” Kendrick Lamar, SZA\u003cbr>\n“X,” ScHoolboy Q, 2 Chainz, Saudi\u003cbr>\n“The Ways,” Khalid, Swae Lee\u003cbr>\n“Opps,” Vince Staples, Yugen Blakrok\u003cbr>\n“I Am,” Jorja Smith\u003cbr>\n“Paramedic!” SOB X RBE\u003cbr>\n“Bloody Waters,” Ab-Soul, Anderson .Paak, James Blake\u003cbr>\n“King’s Dead,” Jay Rock, Kendrick Lamar, Future, James Blake\u003cbr>\n“Redemption Interlude”\u003cbr>\n“Redemption,” Zacari, Babes Wodumo\u003cbr>\n“Seasons,” Mozzy, Sjava, Reason\u003cbr>\n“Big Shot,” Kendrick Lamar, Travis Scott\u003cbr>\n“Pray For Me,” The Weeknd, Kendrick Lamar\u003c/p>\n\u003cp>So far, only the rap scorcher “\u003ca href=\"https://soundcloud.com/topdawgent/kings-dead\" target=\"_blank\" rel=\"noopener\">King’s Dead\u003c/a>” and soaring electro-R&B track “\u003ca href=\"https://youtu.be/GfCqMv--ncA\" target=\"_blank\" rel=\"noopener\">All the Stars\u003c/a>” are out; we’ll have to wait ’til the soundtrack’s Feb. 9 release to hear more. \u003cem>Black Panther\u003c/em> hits theaters on Feb. 16.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/382202108″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"Vallejo and Sacramento get some shine on the hotly anticipated soundtrack curated by Kendrick Lamar.","status":"publish","parent":0,"modified":1705028637,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":372},"headData":{"title":"Local Rap Artists Mozzy, SOB x RBE on 'Black Panther' Soundtrack | KQED","description":"Vallejo and Sacramento get some shine on the hotly anticipated soundtrack curated by Kendrick Lamar.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Local Rap Artists Mozzy, SOB x RBE on 'Black Panther' Soundtrack","datePublished":"2018-01-31T20:56:22.000Z","dateModified":"2024-01-12T03:03:57.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13823286/local-rap-artists-mozzy-sob-x-rbe-on-black-panther-soundtrack","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>If hip-hop fans were wondering if Kendrick Lamar and Sacramento rapper Mozzy had a collaboration in the works after K.Dot \u003ca href=\"http://www.sacbee.com/news/local/article197178319.html\" target=\"_blank\" rel=\"noopener\">quoted Mozzy\u003c/a> during his Grammys acceptance speech, we now have our answer. Earlier today, Lamar tweeted the highly anticipated tracklist for \u003cem>Black Panther\u003c/em>, the reportedly groundbreaking Marvel film directed by Ryan Coogler.\u003c/p>\n\u003cp>Coogler, who also directed \u003cem>Fruitvale Station\u003c/em> and \u003cem>Creed\u003c/em>, is originally from Oakland, so it makes sense that \u003cem>Black Panther’s\u003c/em> soundtrack shows Northern California some love. In addition to “Seasons” by Mozzy (also featuring South African artists Sjava and Reason), it includes a new song by Vallejo upstarts SOBxRBE called “Paramedic!”\u003c/p>\n\u003cp>The rest of the soundtrack, curated by Lamar, features heavy-hitters like Future, Swae Lee, the Weeknd, Travis Scott, SZA, and James Blake. Ab-Soul and Jay Rock from Lamar’s Top Dawg Entertainment also make appearances and notable newcomers like Jorja Smith, Zacari, and Khalid are on the soundtrack as well.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"958788331420069888"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cstrong>Tracklist\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Black Panther,” Kendrick Lamar\u003cbr>\n“All The Stars,” Kendrick Lamar, SZA\u003cbr>\n“X,” ScHoolboy Q, 2 Chainz, Saudi\u003cbr>\n“The Ways,” Khalid, Swae Lee\u003cbr>\n“Opps,” Vince Staples, Yugen Blakrok\u003cbr>\n“I Am,” Jorja Smith\u003cbr>\n“Paramedic!” SOB X RBE\u003cbr>\n“Bloody Waters,” Ab-Soul, Anderson .Paak, James Blake\u003cbr>\n“King’s Dead,” Jay Rock, Kendrick Lamar, Future, James Blake\u003cbr>\n“Redemption Interlude”\u003cbr>\n“Redemption,” Zacari, Babes Wodumo\u003cbr>\n“Seasons,” Mozzy, Sjava, Reason\u003cbr>\n“Big Shot,” Kendrick Lamar, Travis Scott\u003cbr>\n“Pray For Me,” The Weeknd, Kendrick Lamar\u003c/p>\n\u003cp>So far, only the rap scorcher “\u003ca href=\"https://soundcloud.com/topdawgent/kings-dead\" target=\"_blank\" rel=\"noopener\">King’s Dead\u003c/a>” and soaring electro-R&B track “\u003ca href=\"https://youtu.be/GfCqMv--ncA\" target=\"_blank\" rel=\"noopener\">All the Stars\u003c/a>” are out; we’ll have to wait ’til the soundtrack’s Feb. 9 release to hear more. \u003cem>Black Panther\u003c/em> hits theaters on Feb. 16.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/382202108″&visual=true&”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true”'\n title='”https://api.soundcloud.com/tracks/382202108″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13823286/local-rap-artists-mozzy-sob-x-rbe-on-black-panther-soundtrack","authors":["11387"],"categories":["arts_74","arts_69"],"tags":["arts_3563","arts_1118","arts_1774","arts_3798","arts_596","arts_3800"],"featImg":"arts_13823353","label":"arts"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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You ask the questions. You decide what Bay Curious investigates. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. 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On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. 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