Bruce Hornsby Brings New ‘Deep Sea Vents’ Tour to the Bay Area
North Bay Arts Orgs Receive $1.2 Million from Hewlett Foundation
Amidst its Own Loss, a Santa Rosa Violin Shop Assists Fire Victims
On the Air: Cy and Ariana's Do List Picks for Oct. 20, 2017
On the Air: Cy and Kevin's Do List Picks for Oct. 13, 2017
Wildfire Threatens NorCal Arts Organizations, Events Canceled
Cy and Ariana's Picks: Poets on Art, Drawing on Everything, and Jazz for a Summer's Day
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FM","link":"/"}},"arts_13955255":{"type":"posts","id":"arts_13955255","meta":{"index":"posts_1591205157","site":"arts","id":"13955255","score":null,"sort":[1712152813000]},"guestAuthors":[],"slug":"bruce-hornsby-bryhm-deep-sea-vents-tour","title":"Bruce Hornsby Brings New ‘Deep Sea Vents’ Tour to the Bay Area","publishDate":1712152813,"format":"standard","headTitle":"Bruce Hornsby Brings New ‘Deep Sea Vents’ Tour to the Bay Area | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Songwriter and musician \u003ca href=\"https://www.brucehornsby.com/\">Bruce Hornsby\u003c/a> has one of \u003ci>the\u003c/i> most recognizable piano intros in music. Those clear, cascading notes on “\u003ca href=\"https://www.youtube.com/watch?v=cOeKidp-iWo\">The Way It Is\u003c/a>,” off the 1986 album of the same name, became a launching pad for a storied career that has traversed genres and had him working with a wide range of collaborations.\u003c/p>\n\u003cp>Those collaborations include some Bay Area ties — like playing with The Grateful Dead in the early ’90s, putting his piano on iconic tracks like Bonnie Raitt’s “\u003ca href=\"https://www.youtube.com/watch?v=nW9Cu6GYqxo\">I Can’t Make You Love Me\u003c/a>,” and being sampled by Tupac for one of the rapper’s biggest songs, “\u003ca href=\"https://www.youtube.com/watch?v=eXvBjCO19QY\">Changes\u003c/a>.”\u003c/p>\n\u003cp>Hornsby’s latest project is a new water-themed album, \u003ca href=\"https://www.brucehornsby.com/deep-sea-vents\">\u003ci>Deep Sea Vents\u003c/i>\u003c/a>, in collaboration with the sextet \u003ca href=\"https://www.ymusicensemble.com/\">yMusic\u003c/a>. Performing together as BrhyM (pronounced “Brim”), they’re headed to San Francisco’s \u003ca href=\"https://www.ticketmaster.com/event/1C005F582CB36991\">Herbst Theatre on April 5\u003c/a> and Santa Rosa’s \u003ca href=\"https://lutherburbankcenter.org/event/bruce-hornsby24/\">Luther Burbank Center for the Arts on April 7\u003c/a>.\u003c/p>\n\u003cp>I talked with Hornsby over Zoom about his Bay Area music memories (which involved pranking the band Journey), the inspiration behind his new album and always exploring different sounds in his music, haters be damned.\u003c/p>\n\u003cp>\u003ci>Interview has been edited for length and clarity.\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Ariana Proehl:\u003c/b> \u003cstrong>You’ve performed in the Bay Area a lot over the years. And some may not know that you recorded some of your first album \u003ci>The Way It Is\u003c/i> in Sausalito back in the ’80s. What stands out to you when you look back at that time, recording out here?\u003c/strong>\u003c/p>\n\u003cp>\u003cb>Bruce Hornsby:\u003c/b> The group Journey was working next to us, and so somehow we got it into our heads to start phone pranking Journey. So I did that and called in to speak to [Journey lead guitarist] Neal Schon. I was a young man trying to get an audition for the group, that I referred to as “The Journeys.” “Hi, I’m trying to get an audition with The Journeys, is this Neal Schons?” I was using the pseudonym Melvin “Mooney” Minkins after a guy I went to high school with. So this just went on and on. So much so that in the credits for Journey’s record \u003ci>Raised on Radio\u003c/i>, there’s a special thanks to Melvin Minkins, and that’s why. I was phone pranking their manager, Herbie Herbert. They found out about it, and then they liked it. They got such a kick out of it, they had me phone pranking other people, friends of theirs.\u003c/p>\n\u003cp>I used to phone prank [Jerry] Garcia for that matter, in the later years.\u003c/p>\n\u003cp>\u003cb>Speaking of Jerry Garcia and Bay Area memories, you toured with The Grateful Dead in the early ’90s, playing keyboards for over 100 shows. What are some of your favorite memories playing with them?\u003c/b>\u003c/p>\n\u003cp>Oh, there are so many. Touring through Europe. Just the origin — the first gigs I did with them, I basically came in off the street and started winging it with them with, no rehearsal, at Madison Square Garden. That was crazy. And I used to play in my older brother’s Grateful Dead cover band in Charlottesville, Virginia. The name of the band was Bobby Hi-Test and the Octane Kids. And my brother is Bobby Hornsby. So imagine all those people who used to hang around with us, going to these great alcohol and hippie frat parties at University of Virginia playing Dead covers. Imagine them 16 years later, coming to Madison Square Garden to watch me start playing with that band. It was just an incomparable experience. Truly transcendent.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LTu5BmFFt00\u003c/p>\n\u003cp>\u003cb>Let’s talk about what brings you to the Bay Area this time around – your new album \u003ci>Deep Sea Vents\u003c/i>, with the ensemble yMusic. What sparked this album? \u003c/b>\u003c/p>\n\u003cp>In the fall of 2019, they called me up and asked me if I would do a little five-song tour with them. Then Rob [Moose of yMusic] asked if I’d be interested in writing a song with him that we could play as our encore every night. So I said, “Sure, send me a track.” They sent me this track and I wrote a song called “\u003ca href=\"https://www.youtube.com/watch?v=l--wZYW0Au0\">Deep Sea Vents\u003c/a>.” \u003cspan style=\"font-weight: 400\">We had a great time playing that at our five concerts. And after the last one we said, “hey, let’s keep doing this, let’s keep writing.” \u003c/span>Then a week later, the COVID shutdown occurred. In the fall, we reconvened on the phone. They would send me a track every two months or so. And we just kept on going. I was reading \u003ci>Moby Dick\u003c/i> at the time. And all of a sudden they sent me this track that sounded like the book. So I decided to channel Herman Melville and write this song “The Wild Whaling Life.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4vu5cF3YhFg\u003c/p>\n\u003cp>And they sent me another song — their working title was “Duck Hunt.” It starts off with these sort of quacking sounding clarinets and trumpet. I thought, “Well, okay, I’m going to write about the platypus.” Sort of taking my cue from John Lennon’s “\u003ca href=\"https://www.youtube.com/watch?v=Ws5klxbI87I\">I Am the Walrus\u003c/a>.” So I wrote the song “\u003ca href=\"https://youtu.be/IQIorHlOLC0?feature=shared\">Platypus Wow\u003c/a>” over their track. These three songs together signaled very clearly that this record really should have a running theme. And so I decided every song that I write from here on out will be ocean-related or aquatic-related.\u003c/p>\n\u003cp>\u003cb>You’re known for taking your music in all kinds of directions. I scanned some of the YouTube comments for your \u003ci>Deep Sea Vents\u003c/i> album tracks and one fan mentioned loving your music because you’re true to yourself and not a style. Does that resonate? \u003c/b>\u003c/p>\n\u003cp>Well, now you’re being very kind to read the nice comments because there are always naysayers — people who would like me to make the same record stylistically for my entire life. I’m a bit of a restless soul. I’m an old music school nerd and I love so many different types of music. And I’ve just ended up being reached out to by so many people from so many disparate areas of musical life. So consequently, I’ve made bluegrass records \u003ca href=\"https://music.youtube.com/playlist?list=OLAK5uy_kklijAlIjpugeonmOdV-MPNXh9aQXYn3Y\">with Ricky Skaggs\u003c/a>. I’ve made jazz records \u003ca href=\"https://www.youtube.com/watch?v=lnY2NOGdNfg\">with Jack DeJohnette and Christian McBride\u003c/a>, just on and on. And [\u003ci>Deep Sea Vents\u003c/i>] is just another version of all that. Another area to mine and to explore.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hqXDZgxdhyQ\u003c/p>\n\u003cp>I’m always looking for new inspiration. Thirty-nine years into this crazy career, the page is pretty filled in and I don’t like to repeat myself. So I’m interested in the new. I’m interested in the modern. Mind you, I say that, but I also tend to always write a couple of songs that come from the folk world. And that folk world was being mined early on in my music — \u003ci>The Way It Is\u003c/i> record, \u003ci>Scenes from the Southside\u003c/i> record — and I’ve kept on doing that. So hopefully there’s always something for the old-time listener who really isn’t interested in much else than that. But yes, that’s been my life, and it’s been extremely fulfilling. But you were very kind to not cite some of the nasty ones because I always get them. I’ve been getting nasty letters from fans since my second record saying, “How dare you change?” And my reaction was, “Well, okay, but you haven’t seen anything yet.” And that’s been my life.\u003c/p>\n\u003cp>\u003cb>We’re seeing this kind of conversation on the biggest of stages right now, because we just had one of the world’s biggest artists, Beyoncé, making something that people aren’t used to hearing her make with \u003ci>Cowboy Carter\u003c/i>. It will be interesting to see how we continue to evolve as a society in terms of thinking about genre and \u003ci>not\u003c/i> thinking about genre. \u003c/b>\u003c/p>\n\u003cp>I feel that Beyoncé’s record is nodding to the country world, but it’s hardly trying to be that. It is her own thing. It is Beyoncé music that leans now and then into a bit of a country flavor with the instrumentation, say, on the “Texas Hold ’Em” song.\u003c/p>\n\u003cp>\u003cb>Right, and \u003ca href=\"https://www.instagram.com/p/C4s6Zr7rlwA/?igsh=OGJlbGx0ODBqemc5\">she even said\u003c/a>, “This ain’t a Country album. This is a ‘Beyoncé’ album.” And so I feel like with you – you have a trend as well of being able to say, you know, this isn’t a “this or that” album, this is a Bruce Hornsby album. And where I go, is where I go.\u003c/b>\u003c/p>\n\u003cp>Well, okay. So I guess we’re kindred spirits, Beyoncé and I [laughter]. I’ll take it, because, of course, she’s absolutely fantastic. And this record [\u003ci>Cowboy Carter\u003c/i>] is more of that same high bar, high level.\u003c/p>\n\u003cp>\u003cb>With all that said, back to the tour at hand: how are you approaching it? Are you staying focused on new music? What can audiences expect?\u003c/b>\u003c/p>\n\u003cp>We are playing three or four old, well-known songs from 1986 to 1992. And Rob Moose [of yMusic] wrote some gorgeous arrangements of these songs. So the concert every night will include that. We’re not just “inflicting modernity” all night. We are also playing those songs, but in a very beautiful and modern fashion.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>Bruce Hornsby and yMusic perform as BryhM at the Herbst Theatre (401 Van Ness St., San Francisco) on April 5, and at the Luther Burbank Center for the Arts (50 Mark West Springs Rd., Santa Rosa) on April 7. \u003ca href=\"https://www.brucehornsby.com/tour\">Click here for ticket information\u003c/a>.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"The musician talks about pranking Journey, his collaboration with yMusic and being kindred spirits with Beyoncé.","status":"publish","parent":0,"modified":1712334677,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":26,"wordCount":1703},"headData":{"title":"Bruce Hornsby Brings New ‘Deep Sea Vents’ Tour to the Bay Area | KQED","description":"The musician talks about pranking Journey, his collaboration with yMusic and being kindred spirits with Beyoncé.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Bruce Hornsby Brings New ‘Deep Sea Vents’ Tour to the Bay Area","datePublished":"2024-04-03T14:00:13.000Z","dateModified":"2024-04-05T16:31:17.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-41c5-bcaf-aaef00f5a073/a673b774-33b6-4187-bdbb-b149010e0cb1/audio.mp3","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955255/bruce-hornsby-bryhm-deep-sea-vents-tour","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Songwriter and musician \u003ca href=\"https://www.brucehornsby.com/\">Bruce Hornsby\u003c/a> has one of \u003ci>the\u003c/i> most recognizable piano intros in music. Those clear, cascading notes on “\u003ca href=\"https://www.youtube.com/watch?v=cOeKidp-iWo\">The Way It Is\u003c/a>,” off the 1986 album of the same name, became a launching pad for a storied career that has traversed genres and had him working with a wide range of collaborations.\u003c/p>\n\u003cp>Those collaborations include some Bay Area ties — like playing with The Grateful Dead in the early ’90s, putting his piano on iconic tracks like Bonnie Raitt’s “\u003ca href=\"https://www.youtube.com/watch?v=nW9Cu6GYqxo\">I Can’t Make You Love Me\u003c/a>,” and being sampled by Tupac for one of the rapper’s biggest songs, “\u003ca href=\"https://www.youtube.com/watch?v=eXvBjCO19QY\">Changes\u003c/a>.”\u003c/p>\n\u003cp>Hornsby’s latest project is a new water-themed album, \u003ca href=\"https://www.brucehornsby.com/deep-sea-vents\">\u003ci>Deep Sea Vents\u003c/i>\u003c/a>, in collaboration with the sextet \u003ca href=\"https://www.ymusicensemble.com/\">yMusic\u003c/a>. Performing together as BrhyM (pronounced “Brim”), they’re headed to San Francisco’s \u003ca href=\"https://www.ticketmaster.com/event/1C005F582CB36991\">Herbst Theatre on April 5\u003c/a> and Santa Rosa’s \u003ca href=\"https://lutherburbankcenter.org/event/bruce-hornsby24/\">Luther Burbank Center for the Arts on April 7\u003c/a>.\u003c/p>\n\u003cp>I talked with Hornsby over Zoom about his Bay Area music memories (which involved pranking the band Journey), the inspiration behind his new album and always exploring different sounds in his music, haters be damned.\u003c/p>\n\u003cp>\u003ci>Interview has been edited for length and clarity.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Ariana Proehl:\u003c/b> \u003cstrong>You’ve performed in the Bay Area a lot over the years. And some may not know that you recorded some of your first album \u003ci>The Way It Is\u003c/i> in Sausalito back in the ’80s. What stands out to you when you look back at that time, recording out here?\u003c/strong>\u003c/p>\n\u003cp>\u003cb>Bruce Hornsby:\u003c/b> The group Journey was working next to us, and so somehow we got it into our heads to start phone pranking Journey. So I did that and called in to speak to [Journey lead guitarist] Neal Schon. I was a young man trying to get an audition for the group, that I referred to as “The Journeys.” “Hi, I’m trying to get an audition with The Journeys, is this Neal Schons?” I was using the pseudonym Melvin “Mooney” Minkins after a guy I went to high school with. So this just went on and on. So much so that in the credits for Journey’s record \u003ci>Raised on Radio\u003c/i>, there’s a special thanks to Melvin Minkins, and that’s why. I was phone pranking their manager, Herbie Herbert. They found out about it, and then they liked it. They got such a kick out of it, they had me phone pranking other people, friends of theirs.\u003c/p>\n\u003cp>I used to phone prank [Jerry] Garcia for that matter, in the later years.\u003c/p>\n\u003cp>\u003cb>Speaking of Jerry Garcia and Bay Area memories, you toured with The Grateful Dead in the early ’90s, playing keyboards for over 100 shows. What are some of your favorite memories playing with them?\u003c/b>\u003c/p>\n\u003cp>Oh, there are so many. Touring through Europe. Just the origin — the first gigs I did with them, I basically came in off the street and started winging it with them with, no rehearsal, at Madison Square Garden. That was crazy. And I used to play in my older brother’s Grateful Dead cover band in Charlottesville, Virginia. The name of the band was Bobby Hi-Test and the Octane Kids. And my brother is Bobby Hornsby. So imagine all those people who used to hang around with us, going to these great alcohol and hippie frat parties at University of Virginia playing Dead covers. Imagine them 16 years later, coming to Madison Square Garden to watch me start playing with that band. It was just an incomparable experience. Truly transcendent.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LTu5BmFFt00'\n title='//www.youtube.com/embed/LTu5BmFFt00'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cb>Let’s talk about what brings you to the Bay Area this time around – your new album \u003ci>Deep Sea Vents\u003c/i>, with the ensemble yMusic. What sparked this album? \u003c/b>\u003c/p>\n\u003cp>In the fall of 2019, they called me up and asked me if I would do a little five-song tour with them. Then Rob [Moose of yMusic] asked if I’d be interested in writing a song with him that we could play as our encore every night. So I said, “Sure, send me a track.” They sent me this track and I wrote a song called “\u003ca href=\"https://www.youtube.com/watch?v=l--wZYW0Au0\">Deep Sea Vents\u003c/a>.” \u003cspan style=\"font-weight: 400\">We had a great time playing that at our five concerts. And after the last one we said, “hey, let’s keep doing this, let’s keep writing.” \u003c/span>Then a week later, the COVID shutdown occurred. In the fall, we reconvened on the phone. They would send me a track every two months or so. And we just kept on going. I was reading \u003ci>Moby Dick\u003c/i> at the time. And all of a sudden they sent me this track that sounded like the book. So I decided to channel Herman Melville and write this song “The Wild Whaling Life.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4vu5cF3YhFg'\n title='//www.youtube.com/embed/4vu5cF3YhFg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And they sent me another song — their working title was “Duck Hunt.” It starts off with these sort of quacking sounding clarinets and trumpet. I thought, “Well, okay, I’m going to write about the platypus.” Sort of taking my cue from John Lennon’s “\u003ca href=\"https://www.youtube.com/watch?v=Ws5klxbI87I\">I Am the Walrus\u003c/a>.” So I wrote the song “\u003ca href=\"https://youtu.be/IQIorHlOLC0?feature=shared\">Platypus Wow\u003c/a>” over their track. These three songs together signaled very clearly that this record really should have a running theme. And so I decided every song that I write from here on out will be ocean-related or aquatic-related.\u003c/p>\n\u003cp>\u003cb>You’re known for taking your music in all kinds of directions. I scanned some of the YouTube comments for your \u003ci>Deep Sea Vents\u003c/i> album tracks and one fan mentioned loving your music because you’re true to yourself and not a style. Does that resonate? \u003c/b>\u003c/p>\n\u003cp>Well, now you’re being very kind to read the nice comments because there are always naysayers — people who would like me to make the same record stylistically for my entire life. I’m a bit of a restless soul. I’m an old music school nerd and I love so many different types of music. And I’ve just ended up being reached out to by so many people from so many disparate areas of musical life. So consequently, I’ve made bluegrass records \u003ca href=\"https://music.youtube.com/playlist?list=OLAK5uy_kklijAlIjpugeonmOdV-MPNXh9aQXYn3Y\">with Ricky Skaggs\u003c/a>. I’ve made jazz records \u003ca href=\"https://www.youtube.com/watch?v=lnY2NOGdNfg\">with Jack DeJohnette and Christian McBride\u003c/a>, just on and on. And [\u003ci>Deep Sea Vents\u003c/i>] is just another version of all that. Another area to mine and to explore.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hqXDZgxdhyQ'\n title='//www.youtube.com/embed/hqXDZgxdhyQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I’m always looking for new inspiration. Thirty-nine years into this crazy career, the page is pretty filled in and I don’t like to repeat myself. So I’m interested in the new. I’m interested in the modern. Mind you, I say that, but I also tend to always write a couple of songs that come from the folk world. And that folk world was being mined early on in my music — \u003ci>The Way It Is\u003c/i> record, \u003ci>Scenes from the Southside\u003c/i> record — and I’ve kept on doing that. So hopefully there’s always something for the old-time listener who really isn’t interested in much else than that. But yes, that’s been my life, and it’s been extremely fulfilling. But you were very kind to not cite some of the nasty ones because I always get them. I’ve been getting nasty letters from fans since my second record saying, “How dare you change?” And my reaction was, “Well, okay, but you haven’t seen anything yet.” And that’s been my life.\u003c/p>\n\u003cp>\u003cb>We’re seeing this kind of conversation on the biggest of stages right now, because we just had one of the world’s biggest artists, Beyoncé, making something that people aren’t used to hearing her make with \u003ci>Cowboy Carter\u003c/i>. It will be interesting to see how we continue to evolve as a society in terms of thinking about genre and \u003ci>not\u003c/i> thinking about genre. \u003c/b>\u003c/p>\n\u003cp>I feel that Beyoncé’s record is nodding to the country world, but it’s hardly trying to be that. It is her own thing. It is Beyoncé music that leans now and then into a bit of a country flavor with the instrumentation, say, on the “Texas Hold ’Em” song.\u003c/p>\n\u003cp>\u003cb>Right, and \u003ca href=\"https://www.instagram.com/p/C4s6Zr7rlwA/?igsh=OGJlbGx0ODBqemc5\">she even said\u003c/a>, “This ain’t a Country album. This is a ‘Beyoncé’ album.” And so I feel like with you – you have a trend as well of being able to say, you know, this isn’t a “this or that” album, this is a Bruce Hornsby album. And where I go, is where I go.\u003c/b>\u003c/p>\n\u003cp>Well, okay. So I guess we’re kindred spirits, Beyoncé and I [laughter]. I’ll take it, because, of course, she’s absolutely fantastic. And this record [\u003ci>Cowboy Carter\u003c/i>] is more of that same high bar, high level.\u003c/p>\n\u003cp>\u003cb>With all that said, back to the tour at hand: how are you approaching it? Are you staying focused on new music? What can audiences expect?\u003c/b>\u003c/p>\n\u003cp>We are playing three or four old, well-known songs from 1986 to 1992. And Rob Moose [of yMusic] wrote some gorgeous arrangements of these songs. So the concert every night will include that. We’re not just “inflicting modernity” all night. We are also playing those songs, but in a very beautiful and modern fashion.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>Bruce Hornsby and yMusic perform as BryhM at the Herbst Theatre (401 Van Ness St., San Francisco) on April 5, and at the Luther Burbank Center for the Arts (50 Mark West Springs Rd., Santa Rosa) on April 7. \u003ca href=\"https://www.brucehornsby.com/tour\">Click here for ticket information\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955255/bruce-hornsby-bryhm-deep-sea-vents-tour","authors":["11296"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_10278","arts_1988","arts_1146","arts_2721","arts_585"],"featImg":"arts_13955261","label":"arts_140"},"arts_13830550":{"type":"posts","id":"arts_13830550","meta":{"index":"posts_1591205157","site":"arts","id":"13830550","score":null,"sort":[1524774505000]},"guestAuthors":[],"slug":"north-bay-arts-orgs-receive-1-2-million-from-hewlett-foundation","title":"North Bay Arts Orgs Receive $1.2 Million from Hewlett Foundation","publishDate":1524774505,"format":"standard","headTitle":"North Bay Arts Orgs Receive $1.2 Million from Hewlett Foundation | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>The William and Flora Hewlett Foundation announced plans Thursday to distribute $1.2 million in grants to eight arts organizations in the North Bay that were affected by \u003ca href=\"https://www.kqed.org/arts/series/up-from-the-ashes\" rel=\"noopener\" target=\"_blank\">last year’s wildfires\u003c/a>.\u003c/p>\n\u003cp>The one-time fire recovery grants range from $100,000 to $205,000. As unrestricted grants, they may be used according to each nonprofit organization’s needs. In some cases the funds will repair damaged facilities, while in others it will replenish revenues lost due to canceled shows.\u003c/p>\n\u003cp>“Recovering from a disaster isn’t accomplished in a week or a month, and these unrestricted grants will support the ongoing recovery needs of these arts organizations and their communities,” said Emiko Ono, director of the Hewlett Foundation’s Performing Arts Program. \u003c/p>\n\u003cp>The organizations receiving grants are:\u003c/p>\n\u003cul>\n\u003cli>\n\u003ca href=\"https://www.artscouncilnapavalley.org/\" rel=\"noopener\" target=\"_blank\">Arts Council Napa Valley\u003c/a> — Napa County’s arts agency.\u003c/li>\n\u003cli>\u003ca href=\"http://www.cazadero.org/\" rel=\"noopener\" target=\"_blank\">Cazadero Music Camp\u003c/a> — A 50-year-old music program for kids 10-18.\u003c/li>\n\u003cli>\u003ca href=\"http://www.cinnabartheater.org/\" rel=\"noopener\" target=\"_blank\">Cinnabar Theater\u003c/a> — A Petaluma-based performing arts theater started in 1970. \u003c/li>\n\u003cli>\u003ca href=\"http://theimaginists.org/\" rel=\"noopener\" target=\"_blank\">Knights of Indulgence/ The Imaginists\u003c/a> — An experimental theater company based in Santa Rosa.\u003c/li>\n\u003cli>\u003ca href=\"https://lutherburbankcenter.org/\" rel=\"noopener\" target=\"_blank\">Luther Burbank Center for the Arts\u003c/a> — A large performance space and education program in Santa Rosa.\u003c/li>\n\u003cli>\u003ca href=\"https://www.srsymphony.org/\" rel=\"noopener\" target=\"_blank\">Santa Rosa Symphony\u003c/a> — A regional symphony with an international reputation.\u003c/li>\n\u003cli>\u003ca href=\"http://sonomaedb.org/Current-Projects/Creative-Sonoma/\" rel=\"noopener\" target=\"_blank\">Sonoma County Economic Development Board/ Creative Sonoma\u003c/a> — A consulting and advocacy group focused on helping arts organizations in Sonoma.\u003c/li>\n\u003cli>\u003ca href=\"http://greenmusiccenter.sonoma.edu/\" rel=\"noopener\" target=\"_blank\">Sonoma State University/ Green Music Center\u003c/a> — A performance venue on SSU’s campus in Rohnert Park.\u003c/li>\n\u003c/ul>\n\u003cp>The several large wildfires in the North Bay that ignited in October of last year burned approximately 245,000 acres in total, and resulted in the deaths of 44 people and an estimated $9.4 billion in property damage. The large artist community in the area suffered significantly, as \u003ca href=\"https://www.kqed.org/arts/13813818/jeremy-ehling-stable-santa-rosa\" rel=\"noopener\" target=\"_blank\">many artworks\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13813914/allen-sudduth-santa-rosa\" rel=\"noopener\" target=\"_blank\">instruments\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13811269/bernie-krauses-equipment-decades-of-musical-memorabilia-lost-in-fires\" rel=\"noopener\" target=\"_blank\">collections of memorabilia\u003c/a> were destroyed. Over six months later, the \u003ca href=\"https://www.kqed.org/arts/13828118/up-from-the-ashes-six-months-after-the-north-bay-fires\" rel=\"noopener\" target=\"_blank\">area is still recovering\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.hewlett.org/\" rel=\"noopener\" target=\"_blank\">The Hewlett Foundation\u003c/a> was founded more than 50 years ago to support institutions and advance ideas that “promote a better world.” With assets estimated around $9 billion, it is considered one of the wealthiest grant makers in the nation. \u003c/p>\n\n","blocks":[],"excerpt":"The Hewlett Foundation will provide grants to eight non-profits still recovering from last year's wildfires.","status":"publish","parent":0,"modified":1705027993,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":360},"headData":{"title":"North Bay Arts Orgs Receive $1.2 Million from Hewlett Foundation | KQED","description":"The Hewlett Foundation will provide grants to eight non-profits still recovering from last year's wildfires.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"North Bay Arts Orgs Receive $1.2 Million from Hewlett Foundation","datePublished":"2018-04-26T20:28:25.000Z","dateModified":"2024-01-12T02:53:13.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13830550/north-bay-arts-orgs-receive-1-2-million-from-hewlett-foundation","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The William and Flora Hewlett Foundation announced plans Thursday to distribute $1.2 million in grants to eight arts organizations in the North Bay that were affected by \u003ca href=\"https://www.kqed.org/arts/series/up-from-the-ashes\" rel=\"noopener\" target=\"_blank\">last year’s wildfires\u003c/a>.\u003c/p>\n\u003cp>The one-time fire recovery grants range from $100,000 to $205,000. As unrestricted grants, they may be used according to each nonprofit organization’s needs. In some cases the funds will repair damaged facilities, while in others it will replenish revenues lost due to canceled shows.\u003c/p>\n\u003cp>“Recovering from a disaster isn’t accomplished in a week or a month, and these unrestricted grants will support the ongoing recovery needs of these arts organizations and their communities,” said Emiko Ono, director of the Hewlett Foundation’s Performing Arts Program. \u003c/p>\n\u003cp>The organizations receiving grants are:\u003c/p>\n\u003cul>\n\u003cli>\n\u003ca href=\"https://www.artscouncilnapavalley.org/\" rel=\"noopener\" target=\"_blank\">Arts Council Napa Valley\u003c/a> — Napa County’s arts agency.\u003c/li>\n\u003cli>\u003ca href=\"http://www.cazadero.org/\" rel=\"noopener\" target=\"_blank\">Cazadero Music Camp\u003c/a> — A 50-year-old music program for kids 10-18.\u003c/li>\n\u003cli>\u003ca href=\"http://www.cinnabartheater.org/\" rel=\"noopener\" target=\"_blank\">Cinnabar Theater\u003c/a> — A Petaluma-based performing arts theater started in 1970. \u003c/li>\n\u003cli>\u003ca href=\"http://theimaginists.org/\" rel=\"noopener\" target=\"_blank\">Knights of Indulgence/ The Imaginists\u003c/a> — An experimental theater company based in Santa Rosa.\u003c/li>\n\u003cli>\u003ca href=\"https://lutherburbankcenter.org/\" rel=\"noopener\" target=\"_blank\">Luther Burbank Center for the Arts\u003c/a> — A large performance space and education program in Santa Rosa.\u003c/li>\n\u003cli>\u003ca href=\"https://www.srsymphony.org/\" rel=\"noopener\" target=\"_blank\">Santa Rosa Symphony\u003c/a> — A regional symphony with an international reputation.\u003c/li>\n\u003cli>\u003ca href=\"http://sonomaedb.org/Current-Projects/Creative-Sonoma/\" rel=\"noopener\" target=\"_blank\">Sonoma County Economic Development Board/ Creative Sonoma\u003c/a> — A consulting and advocacy group focused on helping arts organizations in Sonoma.\u003c/li>\n\u003cli>\u003ca href=\"http://greenmusiccenter.sonoma.edu/\" rel=\"noopener\" target=\"_blank\">Sonoma State University/ Green Music Center\u003c/a> — A performance venue on SSU’s campus in Rohnert Park.\u003c/li>\n\u003c/ul>\n\u003cp>The several large wildfires in the North Bay that ignited in October of last year burned approximately 245,000 acres in total, and resulted in the deaths of 44 people and an estimated $9.4 billion in property damage. The large artist community in the area suffered significantly, as \u003ca href=\"https://www.kqed.org/arts/13813818/jeremy-ehling-stable-santa-rosa\" rel=\"noopener\" target=\"_blank\">many artworks\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13813914/allen-sudduth-santa-rosa\" rel=\"noopener\" target=\"_blank\">instruments\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13811269/bernie-krauses-equipment-decades-of-musical-memorabilia-lost-in-fires\" rel=\"noopener\" target=\"_blank\">collections of memorabilia\u003c/a> were destroyed. Over six months later, the \u003ca href=\"https://www.kqed.org/arts/13828118/up-from-the-ashes-six-months-after-the-north-bay-fires\" rel=\"noopener\" target=\"_blank\">area is still recovering\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.hewlett.org/\" rel=\"noopener\" target=\"_blank\">The Hewlett Foundation\u003c/a> was founded more than 50 years ago to support institutions and advance ideas that “promote a better world.” With assets estimated around $9 billion, it is considered one of the wealthiest grant makers in the nation. \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13830550/north-bay-arts-orgs-receive-1-2-million-from-hewlett-foundation","authors":["93"],"programs":["arts_1272"],"categories":["arts_1","arts_235"],"tags":["arts_1448","arts_1988","arts_746","arts_596","arts_2960"],"featImg":"arts_13813973","label":"arts_1272"},"arts_13813714":{"type":"posts","id":"arts_13813714","meta":{"index":"posts_1591205157","site":"arts","id":"13813714","score":null,"sort":[1510171253000]},"guestAuthors":[],"slug":"amidst-its-own-loss-a-santa-rosa-violin-shop-assists-fire-victims","title":"Amidst its Own Loss, a Santa Rosa Violin Shop Assists Fire Victims","publishDate":1510171253,"format":"image","headTitle":"Amidst its Own Loss, a Santa Rosa Violin Shop Assists Fire Victims | KQED","labelTerm":{"term":2934,"site":"arts"},"content":"\u003cp>When we think of a musical instrument that most closely mimics the human soul in a state of upheaval, the violin comes most readily to mind. If the guitar gently weeps, the violin wails, uncontrollably.\u003c/p>\n\u003cp>So it’s heartening to hear how the \u003ca href=\"http://www.lovelandviolinshop.com/\" target=\"_blank\" rel=\"noopener\">Loveland Violin Shop\u003c/a> in Santa Rosa is helping to put violins back in people’s hands after the Tubbs Fire so cruelly took them away.\u003c/p>\n\u003cp>Shop owner Mick Loveland was out of town when the blaze scorched Sonoma County. (At the time of reporting this story, he was traveling abroad.) His 28-year-old son, Julian Loveland, happened to be at his parents’ Santa Rosa home, watering the plants, when the fire spread to the neighborhood. “It was raining embers at the front of house,” Julian says. “I could see whole wall of flames.”\u003c/p>\n\u003cfigure id=\"attachment_13813886\" class=\"wp-caption aligncenter\" style=\"max-width: 796px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13813886\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Courtesy-Julian-Loveland-1.jpg\" alt=\"The Loveland family home in Santa Rosa.\" width=\"796\" height=\"1181\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Courtesy-Julian-Loveland-1.jpg 796w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Courtesy-Julian-Loveland-1-160x237.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Courtesy-Julian-Loveland-1-768x1139.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Courtesy-Julian-Loveland-1-240x356.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Courtesy-Julian-Loveland-1-375x556.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Courtesy-Julian-Loveland-1-520x772.jpg 520w\" sizes=\"(max-width: 796px) 100vw, 796px\">\u003cfigcaption class=\"wp-caption-text\">The Loveland family home in Santa Rosa. \u003ccite>(Photo: Julian Loveland)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Julian grabbed whatever he could from the house and drove away as the flames engulfed the Loveland’s property.\u003c/p>\n\u003cp>“It’s emotional for my parents, because they’ve been in that house since 1980, and a whole lifetime of memories were enclosed in there,” Julian says. “It’s the house I grew up in.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[contextly_sidebar id=”s8nNM5mkZwOWHAJy5KhWqAV3sSITSXnZ”]\u003c/p>\n\u003cp>Though the house is gone, the violin shop, which has been in downtown Santa Rosa since 1980, remains intact. If the fire had made it a mile further south, Sonoma County’s only violin store would have been turned into ash.\u003c/p>\n\u003cp>Julian, who learned the craft of the luthier from his father and works at the store, says a conservative estimate of the business’ inventory at the time of the fire amounted to at least $500,000 of instruments and bows. Among the shop’s holdings are a violin made by Bernardus Calcanius of Genoa in 1743 and a rare James Tubbs bow from England.\u003c/p>\n\u003cp>“This list would go on to include dozens of other instruments by makers who may be less well known, but whose works are still coveted by professional string players today,” Julian says.\u003c/p>\n\u003cfigure id=\"attachment_13813888\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13813888\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-800x600.jpg\" alt=\"Julian Loveland behind the counter at the Loveland Violin Shop.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Julian Loveland behind the counter at the Loveland Violin Shop. \u003ccite>(Photo: Kelley Boyer)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As people start to pull their lives back together since the fire, Sonoma County’s string players have been reaching out to the Loveland Violin Shop. Julian says he and his colleagues have received at least two dozen phone calls from people who lost homes with violins.\u003c/p>\n\u003cp>“So many of our customers were affected by this,” Julian says. “Some people grabbed their instruments in two minutes and managed to flee with them. Some weren’t able to do that.”\u003c/p>\n\u003cp>One such customer is violin teacher Karen VanDeventer, who’s been coming to the store for more than 30 years, since moving to Santa Rosa from San Jose. She taught in the public middle school in the nearby town of Windsor until she retired a few years ago. She now coaches a few students privately, and continues to play in chamber groups.\u003c/p>\n\u003cfigure id=\"attachment_13813857\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13813857 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-800x857.jpg\" alt=\"Violin teacher Karen VanDeventer has been a Loveland Violin Shop customer for around 30 years.\" width=\"800\" height=\"857\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-800x857.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-160x171.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-768x822.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-1020x1092.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-1920x2056.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-1180x1263.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-960x1028.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-240x257.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-375x401.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-520x557.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Violin teacher Karen VanDeventer has been a Loveland Violin Shop customer for more than 30 years. \u003ccite>(Photo: Charles VanDeventer)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>VanDeventer and her husband lost their home in the Larkfield neighborhood of Santa Rosa in the Tubbs fire, including her two violins and her piano. A man in her church gifted her an old instrument, and she went directly to the Loveland Violin Shop to furnish herself with new strings, rosin and a chin rest.\u003c/p>\n\u003cp>VanDeventer was in a state of particular anguish about the loss of her beloved Heberlein violin, which she’d had in her possession for many years. When he heard the news, Mick Loveland rummaged around in his store and put a Heberlein down on the counter in front of her. “I burst into tears and said, ‘I can’t do that yet,’” VanDeventer says.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2.jpg\" alt=\"\" width=\"400\" height=\"400\" class=\"alignright size-full wp-image-13813910\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-150x150.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Though VanDeventer wasn’t ready to buy a new violin that day, she appreciated Mick Loveland’s customer care. “I thought it was sweet he looked around and had one he could show me. I might go back one day, and that might be the one I wind up with.”\u003c/p>\n\u003cp>He gave her a big discount on her accessories, anyway. “He was always super supportive and still is,” VanDeventer says.\u003c/p>\n\u003cp>Beyond offering discounts on accessories, Julian Loveland says the store has been providing musical instruments to anyone who lost one in the fire, and his team are busy writing appraisals to help replace instruments for those who lacked the necessary documentation to put in insurance claims for their losses.\u003c/p>\n\u003cp>“We have already supplied a dozen or more instruments, with more to come,” Julian says. “We have ordered additional instruments to meet demand.”\u003c/p>\n\u003cp>The store has been particularly vigilant about meeting the needs of young musicians. “You can imagine how much of a shock it would be for a child to lose their violin,” Julian Loveland says. “There have been a number of occasions where a kid’s violin was lost and we just put another in their hands.”\u003c/p>\n\u003cfigure id=\"attachment_13813973\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13813973\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-800x452.jpg\" alt=\"Around 200 instruments from the Luther Burbank Center for the Arts' musical lending library were destroyed in the Tubbs Fire.\" width=\"800\" height=\"452\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-800x452.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-1020x576.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-1920x1084.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-1180x666.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-960x542.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">More than 200 instruments from the Luther Burbank Center for the Arts’ musical lending library were destroyed in the Tubbs Fire. \u003ccite>(Will Bucquoy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Loveland Violin Store has also been working with the \u003ca href=\"https://lutherburbankcenter.org/\">Luther Burbank Center for the Arts\u003c/a>, a major performing arts hub in Santa Rosa which lost its education facility in the fire. The Luther Burbank Center’s Music for Schools program maintained a musical instrument lending library which loaned out violins and other instruments to more than 300 local children who might not otherwise have access to musical instruction.\u003c/p>\n\u003cp>“I would go borrow things for kids from there,” VanDeventer says of the valuable community resource. The fire destroyed more 200 instruments from the collection, including some 80 violins. The total value of the loss is estimated at $120,000.\u003c/p>\n\u003cp>“After we lost so many instruments in the fire, we have been scrambling to find instruments for our students,” says Ray Gargano, director of education and community engagement at the Burbank Center. “Loveland’s was the first place we contacted, because they have been such a great partner through the years and we knew they would take care of us.”\u003c/p>\n\u003cp>VanDeventer was able to return to teaching her private students last week, using a space a friend loaned her as her music studio.\u003c/p>\n\u003cp>“It’s wonderful to see our community pulling together,” VanDeventer says. “So many of us turn to music for solace anyway, and if you’re one of the ones getting to play, that helps you and other people.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"The Santa Rosa store has helped put string instruments back in people’s hands after the Tubbs Fire.","status":"publish","parent":0,"modified":1705029163,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":28,"wordCount":1154},"headData":{"title":"Amidst its Own Loss, a Santa Rosa Violin Shop Assists Fire Victims | KQED","description":"The Santa Rosa store has helped put string instruments back in people’s hands after the Tubbs Fire.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Amidst its Own Loss, a Santa Rosa Violin Shop Assists Fire Victims","datePublished":"2017-11-08T20:00:53.000Z","dateModified":"2024-01-12T03:12:43.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13813714/amidst-its-own-loss-a-santa-rosa-violin-shop-assists-fire-victims","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When we think of a musical instrument that most closely mimics the human soul in a state of upheaval, the violin comes most readily to mind. If the guitar gently weeps, the violin wails, uncontrollably.\u003c/p>\n\u003cp>So it’s heartening to hear how the \u003ca href=\"http://www.lovelandviolinshop.com/\" target=\"_blank\" rel=\"noopener\">Loveland Violin Shop\u003c/a> in Santa Rosa is helping to put violins back in people’s hands after the Tubbs Fire so cruelly took them away.\u003c/p>\n\u003cp>Shop owner Mick Loveland was out of town when the blaze scorched Sonoma County. (At the time of reporting this story, he was traveling abroad.) His 28-year-old son, Julian Loveland, happened to be at his parents’ Santa Rosa home, watering the plants, when the fire spread to the neighborhood. “It was raining embers at the front of house,” Julian says. “I could see whole wall of flames.”\u003c/p>\n\u003cfigure id=\"attachment_13813886\" class=\"wp-caption aligncenter\" style=\"max-width: 796px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13813886\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Courtesy-Julian-Loveland-1.jpg\" alt=\"The Loveland family home in Santa Rosa.\" width=\"796\" height=\"1181\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Courtesy-Julian-Loveland-1.jpg 796w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Courtesy-Julian-Loveland-1-160x237.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Courtesy-Julian-Loveland-1-768x1139.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Courtesy-Julian-Loveland-1-240x356.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Courtesy-Julian-Loveland-1-375x556.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Courtesy-Julian-Loveland-1-520x772.jpg 520w\" sizes=\"(max-width: 796px) 100vw, 796px\">\u003cfigcaption class=\"wp-caption-text\">The Loveland family home in Santa Rosa. \u003ccite>(Photo: Julian Loveland)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Julian grabbed whatever he could from the house and drove away as the flames engulfed the Loveland’s property.\u003c/p>\n\u003cp>“It’s emotional for my parents, because they’ve been in that house since 1980, and a whole lifetime of memories were enclosed in there,” Julian says. “It’s the house I grew up in.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Though the house is gone, the violin shop, which has been in downtown Santa Rosa since 1980, remains intact. If the fire had made it a mile further south, Sonoma County’s only violin store would have been turned into ash.\u003c/p>\n\u003cp>Julian, who learned the craft of the luthier from his father and works at the store, says a conservative estimate of the business’ inventory at the time of the fire amounted to at least $500,000 of instruments and bows. Among the shop’s holdings are a violin made by Bernardus Calcanius of Genoa in 1743 and a rare James Tubbs bow from England.\u003c/p>\n\u003cp>“This list would go on to include dozens of other instruments by makers who may be less well known, but whose works are still coveted by professional string players today,” Julian says.\u003c/p>\n\u003cfigure id=\"attachment_13813888\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13813888\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-800x600.jpg\" alt=\"Julian Loveland behind the counter at the Loveland Violin Shop.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/photo-2-by-kelley-boyer-1.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Julian Loveland behind the counter at the Loveland Violin Shop. \u003ccite>(Photo: Kelley Boyer)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As people start to pull their lives back together since the fire, Sonoma County’s string players have been reaching out to the Loveland Violin Shop. Julian says he and his colleagues have received at least two dozen phone calls from people who lost homes with violins.\u003c/p>\n\u003cp>“So many of our customers were affected by this,” Julian says. “Some people grabbed their instruments in two minutes and managed to flee with them. Some weren’t able to do that.”\u003c/p>\n\u003cp>One such customer is violin teacher Karen VanDeventer, who’s been coming to the store for more than 30 years, since moving to Santa Rosa from San Jose. She taught in the public middle school in the nearby town of Windsor until she retired a few years ago. She now coaches a few students privately, and continues to play in chamber groups.\u003c/p>\n\u003cfigure id=\"attachment_13813857\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13813857 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-800x857.jpg\" alt=\"Violin teacher Karen VanDeventer has been a Loveland Violin Shop customer for around 30 years.\" width=\"800\" height=\"857\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-800x857.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-160x171.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-768x822.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-1020x1092.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-1920x2056.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-1180x1263.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-960x1028.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-240x257.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-375x401.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Kareh-VanDeVenter-520x557.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Violin teacher Karen VanDeventer has been a Loveland Violin Shop customer for more than 30 years. \u003ccite>(Photo: Charles VanDeventer)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>VanDeventer and her husband lost their home in the Larkfield neighborhood of Santa Rosa in the Tubbs fire, including her two violins and her piano. A man in her church gifted her an old instrument, and she went directly to the Loveland Violin Shop to furnish herself with new strings, rosin and a chin rest.\u003c/p>\n\u003cp>VanDeventer was in a state of particular anguish about the loss of her beloved Heberlein violin, which she’d had in her possession for many years. When he heard the news, Mick Loveland rummaged around in his store and put a Heberlein down on the counter in front of her. “I burst into tears and said, ‘I can’t do that yet,’” VanDeventer says.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2.jpg\" alt=\"\" width=\"400\" height=\"400\" class=\"alignright size-full wp-image-13813910\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/Ashes2-400x400px-2-150x150.jpg 150w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Though VanDeventer wasn’t ready to buy a new violin that day, she appreciated Mick Loveland’s customer care. “I thought it was sweet he looked around and had one he could show me. I might go back one day, and that might be the one I wind up with.”\u003c/p>\n\u003cp>He gave her a big discount on her accessories, anyway. “He was always super supportive and still is,” VanDeventer says.\u003c/p>\n\u003cp>Beyond offering discounts on accessories, Julian Loveland says the store has been providing musical instruments to anyone who lost one in the fire, and his team are busy writing appraisals to help replace instruments for those who lacked the necessary documentation to put in insurance claims for their losses.\u003c/p>\n\u003cp>“We have already supplied a dozen or more instruments, with more to come,” Julian says. “We have ordered additional instruments to meet demand.”\u003c/p>\n\u003cp>The store has been particularly vigilant about meeting the needs of young musicians. “You can imagine how much of a shock it would be for a child to lose their violin,” Julian Loveland says. “There have been a number of occasions where a kid’s violin was lost and we just put another in their hands.”\u003c/p>\n\u003cfigure id=\"attachment_13813973\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13813973\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-800x452.jpg\" alt=\"Around 200 instruments from the Luther Burbank Center for the Arts' musical lending library were destroyed in the Tubbs Fire.\" width=\"800\" height=\"452\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-800x452.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-1020x576.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-1920x1084.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-1180x666.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-960x542.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/11/wb_LBCMusicLibraryAA002A_10312017-046_pe-e1510075090471-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">More than 200 instruments from the Luther Burbank Center for the Arts’ musical lending library were destroyed in the Tubbs Fire. \u003ccite>(Will Bucquoy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Loveland Violin Store has also been working with the \u003ca href=\"https://lutherburbankcenter.org/\">Luther Burbank Center for the Arts\u003c/a>, a major performing arts hub in Santa Rosa which lost its education facility in the fire. The Luther Burbank Center’s Music for Schools program maintained a musical instrument lending library which loaned out violins and other instruments to more than 300 local children who might not otherwise have access to musical instruction.\u003c/p>\n\u003cp>“I would go borrow things for kids from there,” VanDeventer says of the valuable community resource. The fire destroyed more 200 instruments from the collection, including some 80 violins. The total value of the loss is estimated at $120,000.\u003c/p>\n\u003cp>“After we lost so many instruments in the fire, we have been scrambling to find instruments for our students,” says Ray Gargano, director of education and community engagement at the Burbank Center. “Loveland’s was the first place we contacted, because they have been such a great partner through the years and we knew they would take care of us.”\u003c/p>\n\u003cp>VanDeventer was able to return to teaching her private students last week, using a space a friend loaned her as her music studio.\u003c/p>\n\u003cp>“It’s wonderful to see our community pulling together,” VanDeventer says. “So many of us turn to music for solace anyway, and if you’re one of the ones getting to play, that helps you and other people.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13813714/amidst-its-own-loss-a-santa-rosa-violin-shop-assists-fire-victims","authors":["8608"],"series":["arts_2934"],"categories":["arts_69","arts_235"],"tags":["arts_1119","arts_1118","arts_1988","arts_596","arts_2726"],"featImg":"arts_13814027","label":"arts_2934"},"arts_13811970":{"type":"posts","id":"arts_13811970","meta":{"index":"posts_1591205157","site":"arts","id":"13811970","score":null,"sort":[1508374571000]},"guestAuthors":[],"slug":"on-the-air-cy-and-arianas-picks-do-list-picks-for-oct-20-2017","title":"On the Air: Cy and Ariana's Do List Picks for Oct. 20, 2017","publishDate":1508374571,"format":"audio","headTitle":"On the Air: Cy and Ariana’s Do List Picks for Oct. 20, 2017 | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>After an awful pair of weeks, arts venues in Napa and Sonoma Counties are trying to resume programming, even as their employees mourn their losses. My co-host this week, Ariana Proehl, grew up in Santa Rosa. She said how inspiring it’s been to see the community coming together, with generous help from first responders and volunteers. “My aunt, who’s a painter living in Sebastopol immediately emailed her artist friends looking to organize an art show to raise money for victims of the fires, and I trust we’ll be seeing lots more of that spirit in the days and weeks to come,” she said.\u003c/p>\n\u003cp>Rene and Irish Mike are hosting a fundraiser Saturday afternoon Oct 21, at the Longboard Margarita Bar in Pacifica. It’s free, but they’re passing the hat for the \u003ca href=\"http://sonomahumane.org/\" target=\"_blank\" rel=\"noopener\">Sonoma Humane Society\u003c/a>, with music by The Sam Chase, wunderkind Matt Jaffe and others. \u003ca href=\"https://www.facebook.com/events/1054875204655614\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dean Biersch owns the \u003ca href=\"http://www.hopmonk.com/\" target=\"_blank\" rel=\"noopener\">The Hopmonk Taverns \u003c/a>in Sonoma, Sebastopol and Novato. He’s scheduled shows this week so his clubs can be a gathering place for the community again. \u003c/span>“And a close second for us,” Biersch told me by phone, “is to keep the staff employed. You know most of these people are working for hourly wages and tips, and this is going to hit very hard.” \u003cb>\u003ci>\u003cbr>\n\u003c/i>\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The\u003ca href=\"http://gmc.sonoma.edu//\" target=\"_blank\" rel=\"noopener\"> Green Music Center\u003c/a> at Sonoma State in Rohnert Park plans to resume its regular schedule Sunday Oct. 22 with a \u003ca href=\"http://gmc.sonoma.edu/event/3532121-hudson-jack-dejohnette-larry-grenadier\" target=\"_blank\" rel=\"noopener\">concert by the jazz band Hudson.\u003c/a> Director Jacob Yarrow says the center is offering free tickets for the rest of October to anyone impacted by the fire: “Pay as you can, come as you are, please come and just be with your community.” \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13806933\" class=\"wp-caption aligncenter\" style=\"max-width: 520px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13806933\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2.jpg\" alt=\"An image from the exhibit 'Bittersweet Harvest,' about the U.S. Bracero program, at the Napa Valley Museum.\" width=\"520\" height=\"235\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2-160x72.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2-240x108.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2-375x169.jpg 375w\" sizes=\"(max-width: 520px) 100vw, 520px\">\u003cfigcaption class=\"wp-caption-text\">An image from the exhibit ‘Bittersweet Harvest,’ about the U.S. Bracero program, at the Napa Valley Museum. \u003ccite>(Photo Courtesy of the Smithsonian Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://lutherburbankcenter.org/\" target=\"_blank\" rel=\"noopener\">The Luther Burbank Center in Santa Rosa\u003c/a> is still standing, but the fires badly damaged the east wing, including a smaller auditorium. Luther Burbank plans to resume regular concerts\u003ca href=\"https://lutherburbankcenter.org/event/air-supply/\" target=\"_blank\" rel=\"noopener\"> Nov. 11 with a show by Air Supply\u003c/a>. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Across the Mayacamas Range, \u003ca href=\"http://www.dirosaart.org/\" target=\"_blank\" rel=\"noopener\">the di Rosa Center for Contemporary Arts,\u003c/a> south of Napa, reopens Sunday October 22nd, \u003ca href=\"http://napavalleymuseum.org/\" target=\"_blank\" rel=\"noopener\">The Napa Valley Museum\u003c/a> in Yountville has just reopened. No damage there or to the \u003ca href=\"http://lincolntheater.com/\" target=\"_blank\" rel=\"noopener\">Napa Valley Performing Arts Center\u003c/a>, also in Yountville, which plans to resume shows in November. And\u003ca href=\"http://www.bluenotenapa.com/\" target=\"_blank\" rel=\"noopener\"> Blue Note Napa\u003c/a> is scheduled to reopen Nov. 7 with a show by Dennis Quaid and the Sharks. \u003c/span>\u003c/p>\n\u003cp>Now for the rest of the show:\u003c/p>\n\u003cp>\u003cstrong>Oct. 25-29:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VX84\" target=\"_blank\" rel=\"noopener\">Mariza, the queen of fado, brings her songs of longing to Bing Hall and SFJAZZ\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 28:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VX8k\" target=\"_blank\" rel=\"noopener\">The YBCA Summit is like a Ted Talk times 100 on the themes of culture, politics, truth, and equity.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 26-29:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VX8r\" target=\"_blank\" rel=\"noopener\"> Axis Dance welcomes a new artistic director and celebrates a 30th anniversary\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 26:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VX8G\" target=\"_blank\" rel=\"noopener\"> Open Mike Eagle raps about housing projects and iPads\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"On the Do List this week, Cy Musiker and co-host Ariana Proehl cover efforts to resume programming at North Bay Arts venues, and other shows. ","status":"publish","parent":0,"modified":1705029296,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":515},"headData":{"title":"On the Air: Cy and Ariana's Do List Picks for Oct. 20, 2017 | KQED","description":"On the Do List this week, Cy Musiker and co-host Ariana Proehl cover efforts to resume programming at North Bay Arts venues, and other shows. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"On the Air: Cy and Ariana's Do List Picks for Oct. 20, 2017","datePublished":"2017-10-19T00:56:11.000Z","dateModified":"2024-01-12T03:14:56.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio//2017/10/TheDoListforOct20.mp3","sticky":false,"path":"/arts/13811970/on-the-air-cy-and-arianas-picks-do-list-picks-for-oct-20-2017","audioDuration":485000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>After an awful pair of weeks, arts venues in Napa and Sonoma Counties are trying to resume programming, even as their employees mourn their losses. My co-host this week, Ariana Proehl, grew up in Santa Rosa. She said how inspiring it’s been to see the community coming together, with generous help from first responders and volunteers. “My aunt, who’s a painter living in Sebastopol immediately emailed her artist friends looking to organize an art show to raise money for victims of the fires, and I trust we’ll be seeing lots more of that spirit in the days and weeks to come,” she said.\u003c/p>\n\u003cp>Rene and Irish Mike are hosting a fundraiser Saturday afternoon Oct 21, at the Longboard Margarita Bar in Pacifica. It’s free, but they’re passing the hat for the \u003ca href=\"http://sonomahumane.org/\" target=\"_blank\" rel=\"noopener\">Sonoma Humane Society\u003c/a>, with music by The Sam Chase, wunderkind Matt Jaffe and others. \u003ca href=\"https://www.facebook.com/events/1054875204655614\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dean Biersch owns the \u003ca href=\"http://www.hopmonk.com/\" target=\"_blank\" rel=\"noopener\">The Hopmonk Taverns \u003c/a>in Sonoma, Sebastopol and Novato. He’s scheduled shows this week so his clubs can be a gathering place for the community again. \u003c/span>“And a close second for us,” Biersch told me by phone, “is to keep the staff employed. You know most of these people are working for hourly wages and tips, and this is going to hit very hard.” \u003cb>\u003ci>\u003cbr>\n\u003c/i>\u003c/b>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The\u003ca href=\"http://gmc.sonoma.edu//\" target=\"_blank\" rel=\"noopener\"> Green Music Center\u003c/a> at Sonoma State in Rohnert Park plans to resume its regular schedule Sunday Oct. 22 with a \u003ca href=\"http://gmc.sonoma.edu/event/3532121-hudson-jack-dejohnette-larry-grenadier\" target=\"_blank\" rel=\"noopener\">concert by the jazz band Hudson.\u003c/a> Director Jacob Yarrow says the center is offering free tickets for the rest of October to anyone impacted by the fire: “Pay as you can, come as you are, please come and just be with your community.” \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13806933\" class=\"wp-caption aligncenter\" style=\"max-width: 520px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13806933\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2.jpg\" alt=\"An image from the exhibit 'Bittersweet Harvest,' about the U.S. Bracero program, at the Napa Valley Museum.\" width=\"520\" height=\"235\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2-160x72.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2-240x108.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/bittersweet_harvest_2-375x169.jpg 375w\" sizes=\"(max-width: 520px) 100vw, 520px\">\u003cfigcaption class=\"wp-caption-text\">An image from the exhibit ‘Bittersweet Harvest,’ about the U.S. Bracero program, at the Napa Valley Museum. \u003ccite>(Photo Courtesy of the Smithsonian Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://lutherburbankcenter.org/\" target=\"_blank\" rel=\"noopener\">The Luther Burbank Center in Santa Rosa\u003c/a> is still standing, but the fires badly damaged the east wing, including a smaller auditorium. Luther Burbank plans to resume regular concerts\u003ca href=\"https://lutherburbankcenter.org/event/air-supply/\" target=\"_blank\" rel=\"noopener\"> Nov. 11 with a show by Air Supply\u003c/a>. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Across the Mayacamas Range, \u003ca href=\"http://www.dirosaart.org/\" target=\"_blank\" rel=\"noopener\">the di Rosa Center for Contemporary Arts,\u003c/a> south of Napa, reopens Sunday October 22nd, \u003ca href=\"http://napavalleymuseum.org/\" target=\"_blank\" rel=\"noopener\">The Napa Valley Museum\u003c/a> in Yountville has just reopened. No damage there or to the \u003ca href=\"http://lincolntheater.com/\" target=\"_blank\" rel=\"noopener\">Napa Valley Performing Arts Center\u003c/a>, also in Yountville, which plans to resume shows in November. And\u003ca href=\"http://www.bluenotenapa.com/\" target=\"_blank\" rel=\"noopener\"> Blue Note Napa\u003c/a> is scheduled to reopen Nov. 7 with a show by Dennis Quaid and the Sharks. \u003c/span>\u003c/p>\n\u003cp>Now for the rest of the show:\u003c/p>\n\u003cp>\u003cstrong>Oct. 25-29:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VX84\" target=\"_blank\" rel=\"noopener\">Mariza, the queen of fado, brings her songs of longing to Bing Hall and SFJAZZ\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 28:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VX8k\" target=\"_blank\" rel=\"noopener\">The YBCA Summit is like a Ted Talk times 100 on the themes of culture, politics, truth, and equity.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 26-29:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VX8r\" target=\"_blank\" rel=\"noopener\"> Axis Dance welcomes a new artistic director and celebrates a 30th anniversary\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 26:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VX8G\" target=\"_blank\" rel=\"noopener\"> Open Mike Eagle raps about housing projects and iPads\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13811970/on-the-air-cy-and-arianas-picks-do-list-picks-for-oct-20-2017","authors":["32"],"categories":["arts_1","arts_968","arts_835","arts_966","arts_71","arts_69","arts_235","arts_75","arts_70"],"tags":["arts_879","arts_2225","arts_1118","arts_2520","arts_1006","arts_831","arts_1988","arts_6387","arts_1855","arts_596","arts_2721","arts_2822","arts_626"],"featImg":"arts_13811046","label":"arts"},"arts_13811185":{"type":"posts","id":"arts_13811185","meta":{"index":"posts_1591205157","site":"arts","id":"13811185","score":null,"sort":[1507766747000]},"guestAuthors":[],"slug":"on-the-air-cy-and-kevins-do-list-picks-for-oct-13-2017","title":"On the Air: Cy and Kevin's Do List Picks for Oct. 13, 2017","publishDate":1507766747,"format":"audio","headTitle":"On the Air: Cy and Kevin’s Do List Picks for Oct. 13, 2017 | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>It’s a heartbreaking week for artists and venues in the North Bay, with the fires still raging in Sonoma, Napa and Mendocino. Electronic music pioneer \u003ca href=\"https://ww2.kqed.org/arts/2017/10/11/bernie-krauses-equipment-decades-of-musical-memorabilia-lost-in-fires/\" target=\"_blank\" rel=\"noopener\">Bernie Krause lost his home\u003c/a>, all his equipment and his two cats. The \u003ca href=\"https://www.facebook.com/pg/lutherburbankcenter/posts/?ref=page_internal\" target=\"_blank\" rel=\"noopener\">Luther Burbank Center in Santa Rosa suffered some damage\u003c/a>, and along with the \u003ca href=\"https://www.facebook.com/search/str/Green+music+Center/keywords_blended_featured_posts?esd=eyJlc2lkIjoiUzpfSTEzOTcwNzI4Mjc0ODk0ODpWSzo1MjQzNjc2MTEyMzEwNDgiLCJwc2lkIjp7IjEzOTcwNzI4Mjc0ODk0ODo1MjQzNjc2MTEyMzEwNDgiOiJVenBmU1RFek9UY3dOekk0TWpjME9EazBPRHBXU3pvMU1qUXpOamMyTVRFeU16RXdORGc9In0sImNyY3QiOiJ0ZXh0IiwiY3NpZCI6IjA2NjE0OTVlZmM1N2Q1NmJiY2VhY2YzYzg0YjA0ZWNiIn0%3D\" target=\"_blank\" rel=\"noopener\">Green Music Center\u003c/a> and other venues, remains closed indefinitely. Same for the di Rosa in Napa, the Napa Museum, and the Napa Valley Performing Arts Center. The \u003ca href=\"http://www.mystictheatre.com/\" target=\"_blank\" rel=\"noopener\">Mystic Theatre in Petaluma\u003c/a> opened its doors as a shelter, but resumes programming on Friday (Oct. 13).\u003c/p>\n\u003cp>The\u003ca href=\"https://www.facebook.com/pg/hopmonksebastopol/posts/?ref=page_internal\" target=\"_blank\" rel=\"noopener\"> Hop Monk Taverns\u003c/a> in Sonoma and Sebastopol are canceling weekend music shows, but owner Dean Biersch says they’re still hoping to do a Sunday show with John Doe of the band X at their Novato venue, depending on air quality. \u003ca href=\"https://www.facebook.com/winecountryspokenwordfestival/\" target=\"_blank\" rel=\"noopener\">The Inaugural Wine Country Spoken Word Festival\u003c/a> is offering a special rate of five dollars for tickets to their Ghost Stories event at \u003ca href=\"http://brewstersbeergarden.com/\" target=\"_blank\" rel=\"noopener\">Brewsters Beer Garden\u003c/a> in Petaluma (Oct. 13), and for their shows on Saturday (Oct. 14), with half the proceeds to be donated to fire victims and their families. Our thoughts are with you all you.\u003c/p>\n\u003cp>Meanwhile here’s our show, a refuge against stress, of joy through art, in the midst of tragedy, with my colleague, Interactive Producer Kevin Jones, as co-host.\u003c/p>\n\u003cp>\u003cstrong>Oct. 20-21:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/10/11/soul-music-that-drifts-through-space/\" target=\"_blank\" rel=\"noopener\">Nick Hakim plays trippy soul music that seems to drift through space at a pair of gigs in San Francisco and Oakland.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 12-22: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2017/10/11/a-play-about-syrian-refugees-told-through-the-language-of-food/\" target=\"_blank\" rel=\"noopener\">The play \u003cem>My Sweet Land\u003c/em> presents its tale of Syrian refugees in home and community kitchens through the cooking of a batch of kibbeh.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Oct. 14\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/10/11/a-celebration-of-culture-that-unites-the-two-koreas/\" target=\"_blank\" rel=\"noopener\">Concerts and seminars at U.C. Santa Cruz and U.C. Berkeley present music from a united Korean culture from before the country divided.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 7-Jan. 21, 2018\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/10/11/an-inflatable-sculpture-designed-to-fight-existential-dread/\" target=\"_blank\" rel=\"noopener\">An inflatable sculpture at the Oakland Museum of California battles existential dread.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 14:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/10/11/fantastic-negrito-makes-music-about-our-times-and-troubles/\" target=\"_blank\" rel=\"noopener\">Fantastic Negrito makes music to inspire and unite.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 18 & 19: \u003c/strong>MacArthur Fellow and writer Viet Thanh Nguyen (\u003cem>The Sympathizer\u003c/em>) speaks at \u003ca href=\"http://www.litart.org/viet-thanh-nguyen/\" target=\"_blank\" rel=\"noopener\">San Jose State Oct. 18 \u003c/a>and at \u003ca href=\"https://lwcal.scu.edu/index.php#!event_id/37896/view/event/date/20171019\" target=\"_blank\" rel=\"noopener\">Santa Clara University Oct. 19.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Oct 13, 14: \u003c/strong>\u003ca href=\"https://tickets.cafilm.org/websales/pages/info.aspx?evtinfo=316725~983c845f-a11a-4407-a254-d45cc3fdaab3&epguid=a1ad63af-e5ba-48a3-940d-9a52532417fb&\" target=\"_blank\" rel=\"noopener\">The documentary \u003cem>On the Sly: In Search of the Family Stone \u003c/em>plays at the Mill Valley Film Festival \u003c/a>\u003c/p>\n\n","blocks":[],"excerpt":"The Do List's picks this week include joyful sculpture at OMCA, neo-soul artist Nick Hakim, Oakland's Fantastic Negrito and more.","status":"publish","parent":0,"modified":1705029357,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":391},"headData":{"title":"On the Air: Cy and Kevin's Do List Picks for Oct. 13, 2017 | KQED","description":"The Do List's picks this week include joyful sculpture at OMCA, neo-soul artist Nick Hakim, Oakland's Fantastic Negrito and more.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"On the Air: Cy and Kevin's Do List Picks for Oct. 13, 2017","datePublished":"2017-10-12T00:05:47.000Z","dateModified":"2024-01-12T03:15:57.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio//2017/10/TheDoListPodcastforOct132017.mp3","sticky":false,"path":"/arts/13811185/on-the-air-cy-and-kevins-do-list-picks-for-oct-13-2017","audioDuration":546000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s a heartbreaking week for artists and venues in the North Bay, with the fires still raging in Sonoma, Napa and Mendocino. Electronic music pioneer \u003ca href=\"https://ww2.kqed.org/arts/2017/10/11/bernie-krauses-equipment-decades-of-musical-memorabilia-lost-in-fires/\" target=\"_blank\" rel=\"noopener\">Bernie Krause lost his home\u003c/a>, all his equipment and his two cats. The \u003ca href=\"https://www.facebook.com/pg/lutherburbankcenter/posts/?ref=page_internal\" target=\"_blank\" rel=\"noopener\">Luther Burbank Center in Santa Rosa suffered some damage\u003c/a>, and along with the \u003ca href=\"https://www.facebook.com/search/str/Green+music+Center/keywords_blended_featured_posts?esd=eyJlc2lkIjoiUzpfSTEzOTcwNzI4Mjc0ODk0ODpWSzo1MjQzNjc2MTEyMzEwNDgiLCJwc2lkIjp7IjEzOTcwNzI4Mjc0ODk0ODo1MjQzNjc2MTEyMzEwNDgiOiJVenBmU1RFek9UY3dOekk0TWpjME9EazBPRHBXU3pvMU1qUXpOamMyTVRFeU16RXdORGc9In0sImNyY3QiOiJ0ZXh0IiwiY3NpZCI6IjA2NjE0OTVlZmM1N2Q1NmJiY2VhY2YzYzg0YjA0ZWNiIn0%3D\" target=\"_blank\" rel=\"noopener\">Green Music Center\u003c/a> and other venues, remains closed indefinitely. Same for the di Rosa in Napa, the Napa Museum, and the Napa Valley Performing Arts Center. The \u003ca href=\"http://www.mystictheatre.com/\" target=\"_blank\" rel=\"noopener\">Mystic Theatre in Petaluma\u003c/a> opened its doors as a shelter, but resumes programming on Friday (Oct. 13).\u003c/p>\n\u003cp>The\u003ca href=\"https://www.facebook.com/pg/hopmonksebastopol/posts/?ref=page_internal\" target=\"_blank\" rel=\"noopener\"> Hop Monk Taverns\u003c/a> in Sonoma and Sebastopol are canceling weekend music shows, but owner Dean Biersch says they’re still hoping to do a Sunday show with John Doe of the band X at their Novato venue, depending on air quality. \u003ca href=\"https://www.facebook.com/winecountryspokenwordfestival/\" target=\"_blank\" rel=\"noopener\">The Inaugural Wine Country Spoken Word Festival\u003c/a> is offering a special rate of five dollars for tickets to their Ghost Stories event at \u003ca href=\"http://brewstersbeergarden.com/\" target=\"_blank\" rel=\"noopener\">Brewsters Beer Garden\u003c/a> in Petaluma (Oct. 13), and for their shows on Saturday (Oct. 14), with half the proceeds to be donated to fire victims and their families. Our thoughts are with you all you.\u003c/p>\n\u003cp>Meanwhile here’s our show, a refuge against stress, of joy through art, in the midst of tragedy, with my colleague, Interactive Producer Kevin Jones, as co-host.\u003c/p>\n\u003cp>\u003cstrong>Oct. 20-21:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/10/11/soul-music-that-drifts-through-space/\" target=\"_blank\" rel=\"noopener\">Nick Hakim plays trippy soul music that seems to drift through space at a pair of gigs in San Francisco and Oakland.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 12-22: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2017/10/11/a-play-about-syrian-refugees-told-through-the-language-of-food/\" target=\"_blank\" rel=\"noopener\">The play \u003cem>My Sweet Land\u003c/em> presents its tale of Syrian refugees in home and community kitchens through the cooking of a batch of kibbeh.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Oct. 14\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/10/11/a-celebration-of-culture-that-unites-the-two-koreas/\" target=\"_blank\" rel=\"noopener\">Concerts and seminars at U.C. Santa Cruz and U.C. Berkeley present music from a united Korean culture from before the country divided.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 7-Jan. 21, 2018\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/10/11/an-inflatable-sculpture-designed-to-fight-existential-dread/\" target=\"_blank\" rel=\"noopener\">An inflatable sculpture at the Oakland Museum of California battles existential dread.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 14:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2017/10/11/fantastic-negrito-makes-music-about-our-times-and-troubles/\" target=\"_blank\" rel=\"noopener\">Fantastic Negrito makes music to inspire and unite.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 18 & 19: \u003c/strong>MacArthur Fellow and writer Viet Thanh Nguyen (\u003cem>The Sympathizer\u003c/em>) speaks at \u003ca href=\"http://www.litart.org/viet-thanh-nguyen/\" target=\"_blank\" rel=\"noopener\">San Jose State Oct. 18 \u003c/a>and at \u003ca href=\"https://lwcal.scu.edu/index.php#!event_id/37896/view/event/date/20171019\" target=\"_blank\" rel=\"noopener\">Santa Clara University Oct. 19.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Oct 13, 14: \u003c/strong>\u003ca href=\"https://tickets.cafilm.org/websales/pages/info.aspx?evtinfo=316725~983c845f-a11a-4407-a254-d45cc3fdaab3&epguid=a1ad63af-e5ba-48a3-940d-9a52532417fb&\" target=\"_blank\" rel=\"noopener\">The documentary \u003cem>On the Sly: In Search of the Family Stone \u003c/em>plays at the Mill Valley Film Festival \u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13811185/on-the-air-cy-and-kevins-do-list-picks-for-oct-13-2017","authors":["32"],"categories":["arts_73","arts_835","arts_71","arts_74","arts_69","arts_235","arts_75","arts_967"],"tags":["arts_2435","arts_1588","arts_1118","arts_2750","arts_2520","arts_1006","arts_2352","arts_1988","arts_6387","arts_2763","arts_2753","arts_2743","arts_1143","arts_2755","arts_2752","arts_626","arts_1072","arts_2741","arts_2746","arts_2093"],"featImg":"arts_13811364","label":"arts"},"arts_13810967":{"type":"posts","id":"arts_13810967","meta":{"index":"posts_1591205157","site":"arts","id":"13810967","score":null,"sort":[1507583286000]},"guestAuthors":[],"slug":"wildfire-luther-burbank-arts","title":"Wildfire Threatens NorCal Arts Organizations, Events Canceled","publishDate":1507583286,"format":"standard","headTitle":"Wildfire Threatens NorCal Arts Organizations, Events Canceled | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>\u003cb>UPDATE:\u003c/b> The Sonoma County Sheriff confirms that ten people died in the fire. Officials say the death toll is expected to climb. Santa Rosa Police announced a 6:45pm curfew for the city. \u003c/p>\n\u003cp>https://twitter.com/KQEDnews/status/917544383955714048\u003c/p>\n\u003cp>Wildfires that burned over 58,000 acres in Napa and Sonoma counties and forced mass evacuations also destroyed several historic structures, including an entire wing of the Luther Burbank Center for the Arts in Santa Rosa. It’s also led to several events being canceled or delayed.\u003c/p>\n\u003cp>The fire began late Sunday night. By the following morning an estimated 1,500 structures had been burned and 20,000 residents had been evacuated overnight. As of noon Monday, between 45,000 and 50,000 customers in the area were without power. \u003c/p>\n\u003cp>Gov. Jerry Brown declared a state of emergency for much of the area in Northern California.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“This is really serious, it’s moving fast, the heat, lack of humidity and wind are all driving a very dangerous situation and making it worse,” \u003ca href=\"https://ww2.kqed.org/news/2017/10/09/wind-whipped-wildfires-forcing-evacuations-in-napa-and-sonoma-counties/\" rel=\"noopener\" target=\"_blank\">Brown said\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13811037\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/SMoking-Luther-800x450.jpg\" alt=\"The remains of the east end of the Luther Burbank Center for Arts\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13811037\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The remains of the east end of the Luther Burbank Center for Arts \u003ccite>(Adam Grossberg/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Early reports noted that the Luther Burbank Center for the Arts had burned down, but at 11:30am the center’s representatives stated that only the center’s classrooms and east end had been destroyed. The center’s main building, which hosts its 1,400-seat theater, suffered only minimal damage.\u003c/p>\n\u003cp>https://www.facebook.com/lutherburbankcenter/posts/10155219364118472\u003c/p>\n\u003cp>At least two beloved restaurants reportedly burnt down: Cricklewood, which has been open since 1976; and Willi’s Wine Bar, one of the area’s first eateries to serve small plates.\u003c/p>\n\u003cp>https://www.facebook.com/WillisWineBar/photos/a.356717027685224.94791.116646821692247/1697865386903708\u003c/p>\n\u003cp>The wildfire came close to the \u003ca href=\"https://schulzmuseum.org\" rel=\"noopener\" target=\"_blank\">Charles Schulz Museum\u003c/a> but did not damage it. The museum lost power and was evacuated by early Monday morning. \u003c/p>\n\u003cp>https://twitter.com/peterhartlaub/status/917460524593377280\u003c/p>\n\u003cp>The fire also threatened the 6th Street Playhouse in Santa Rosa, spreading to a nearby house and an empty field next to the theater last night. But employees reportedly fought off the creeping flames and as of Monday afternoon, the theater was untouched and without power. The opening of the theater’s production of \u003ci>Steel Magnolias\u003c/i> has been postponed because so many actors were evacuated from their homes, executive director Jared Sakren told the \u003ca href=\"http://www.sfchronicle.com/art/article/Live-updates-North-Bay-fire-s-impact-on-arts-12264189.php\" rel=\"noopener\" target=\"_blank\">San Francisco Chronicle\u003c/a>. \u003c/p>\n\u003cp>https://www.facebook.com/6thStreetPlayhouse/posts/10155794498624721\u003c/p>\n\u003cp>The Santa Rosa Symphony’s Monday night performance at the Green Music Center also been canceled. The center is housed at Sonoma State University, which is closed until Wednesday.\u003c/p>\n\u003cp>https://www.facebook.com/greenmusiccenter/posts/1677743538945307 \u003c/p>\n\u003cp>As of Monday afternoon, there have been no reports of damage to the area’s local art galleries. The diRosa Center for Contemporary Art reported Monday morning that all of its galleries were safe and firefighters were in the area. diRosa’s spokesperson Danielle Smith told the \u003ca href=\"http://www.sfchronicle.com/art/article/Live-updates-North-Bay-fire-s-impact-on-arts-12264189.php\" rel=\"noopener\" target=\"_blank\">S.F. Chronicle\u003c/a> that “the fire had burned down to the picnic tables but was contained.”\u003c/p>\n\u003cp>https://www.facebook.com/dirosaart/posts/10154837999075493\u003c/p>\n\u003cp>In Petaluma, the Mystic Theater, the city’s historic music venue, is providing food and temporary shelter for those in need. \u003c/p>\n\u003cp>https://www.facebook.com/MysticTheatre/photos/a.10151914450477669.1073741826.52056022668/10155246388952669\u003c/p>\n\u003cp>[gallery type=\"slideshow\" size=\"full\" link=\"none\" ids=\"13811049,13811050,13811047,13811046,13811045\"]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Follow this story for updates. For more information on the fire outside of the arts community, follow \u003ca href=\"https://ww2.kqed.org/news/2017/10/09/wind-whipped-wildfires-forcing-evacuations-in-napa-and-sonoma-counties/\" rel=\"noopener\" target=\"_blank\">KQED News’ coverage\u003c/a>.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"Several venues were endangered by the fast-moving fire and many events were canceled due to evacuations.","status":"publish","parent":0,"modified":1705029379,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":true,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":594},"headData":{"title":"Wildfire Threatens NorCal Arts Organizations, Events Canceled | KQED","description":"Several venues were endangered by the fast-moving fire and many events were canceled due to evacuations.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Wildfire Threatens NorCal Arts Organizations, Events Canceled","datePublished":"2017-10-09T21:08:06.000Z","dateModified":"2024-01-12T03:16:19.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13810967/wildfire-luther-burbank-arts","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>UPDATE:\u003c/b> The Sonoma County Sheriff confirms that ten people died in the fire. Officials say the death toll is expected to climb. Santa Rosa Police announced a 6:45pm curfew for the city. \u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"917544383955714048"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Wildfires that burned over 58,000 acres in Napa and Sonoma counties and forced mass evacuations also destroyed several historic structures, including an entire wing of the Luther Burbank Center for the Arts in Santa Rosa. It’s also led to several events being canceled or delayed.\u003c/p>\n\u003cp>The fire began late Sunday night. By the following morning an estimated 1,500 structures had been burned and 20,000 residents had been evacuated overnight. As of noon Monday, between 45,000 and 50,000 customers in the area were without power. \u003c/p>\n\u003cp>Gov. Jerry Brown declared a state of emergency for much of the area in Northern California.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“This is really serious, it’s moving fast, the heat, lack of humidity and wind are all driving a very dangerous situation and making it worse,” \u003ca href=\"https://ww2.kqed.org/news/2017/10/09/wind-whipped-wildfires-forcing-evacuations-in-napa-and-sonoma-counties/\" rel=\"noopener\" target=\"_blank\">Brown said\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13811037\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/SMoking-Luther-800x450.jpg\" alt=\"The remains of the east end of the Luther Burbank Center for Arts\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13811037\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/SMoking-Luther-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The remains of the east end of the Luther Burbank Center for Arts \u003ccite>(Adam Grossberg/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Early reports noted that the Luther Burbank Center for the Arts had burned down, but at 11:30am the center’s representatives stated that only the center’s classrooms and east end had been destroyed. The center’s main building, which hosts its 1,400-seat theater, suffered only minimal damage.\u003c/p>\n\u003cp>https://www.facebook.com/lutherburbankcenter/posts/10155219364118472\u003c/p>\n\u003cp>At least two beloved restaurants reportedly burnt down: Cricklewood, which has been open since 1976; and Willi’s Wine Bar, one of the area’s first eateries to serve small plates.\u003c/p>\n\u003cp>https://www.facebook.com/WillisWineBar/photos/a.356717027685224.94791.116646821692247/1697865386903708\u003c/p>\n\u003cp>The wildfire came close to the \u003ca href=\"https://schulzmuseum.org\" rel=\"noopener\" target=\"_blank\">Charles Schulz Museum\u003c/a> but did not damage it. The museum lost power and was evacuated by early Monday morning. \u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"917460524593377280"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The fire also threatened the 6th Street Playhouse in Santa Rosa, spreading to a nearby house and an empty field next to the theater last night. But employees reportedly fought off the creeping flames and as of Monday afternoon, the theater was untouched and without power. The opening of the theater’s production of \u003ci>Steel Magnolias\u003c/i> has been postponed because so many actors were evacuated from their homes, executive director Jared Sakren told the \u003ca href=\"http://www.sfchronicle.com/art/article/Live-updates-North-Bay-fire-s-impact-on-arts-12264189.php\" rel=\"noopener\" target=\"_blank\">San Francisco Chronicle\u003c/a>. \u003c/p>\n\u003cp>https://www.facebook.com/6thStreetPlayhouse/posts/10155794498624721\u003c/p>\n\u003cp>The Santa Rosa Symphony’s Monday night performance at the Green Music Center also been canceled. The center is housed at Sonoma State University, which is closed until Wednesday.\u003c/p>\n\u003cp>https://www.facebook.com/greenmusiccenter/posts/1677743538945307 \u003c/p>\n\u003cp>As of Monday afternoon, there have been no reports of damage to the area’s local art galleries. The diRosa Center for Contemporary Art reported Monday morning that all of its galleries were safe and firefighters were in the area. diRosa’s spokesperson Danielle Smith told the \u003ca href=\"http://www.sfchronicle.com/art/article/Live-updates-North-Bay-fire-s-impact-on-arts-12264189.php\" rel=\"noopener\" target=\"_blank\">S.F. Chronicle\u003c/a> that “the fire had burned down to the picnic tables but was contained.”\u003c/p>\n\u003cp>https://www.facebook.com/dirosaart/posts/10154837999075493\u003c/p>\n\u003cp>In Petaluma, the Mystic Theater, the city’s historic music venue, is providing food and temporary shelter for those in need. \u003c/p>\n\u003cp>https://www.facebook.com/MysticTheatre/photos/a.10151914450477669.1073741826.52056022668/10155246388952669\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"gallery","attributes":{"named":{"type":"slideshow","size":"full","link":"none","ids":"13811049,13811050,13811047,13811046,13811045","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Follow this story for updates. For more information on the fire outside of the arts community, follow \u003ca href=\"https://ww2.kqed.org/news/2017/10/09/wind-whipped-wildfires-forcing-evacuations-in-napa-and-sonoma-counties/\" rel=\"noopener\" target=\"_blank\">KQED News’ coverage\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13810967/wildfire-luther-burbank-arts","authors":["93"],"programs":["arts_1272"],"categories":["arts_1","arts_235"],"tags":["arts_1448","arts_1988","arts_596","arts_2721"],"featImg":"arts_13811028","label":"arts_1272"},"arts_13747360":{"type":"posts","id":"arts_13747360","meta":{"index":"posts_1591205157","site":"arts","id":"13747360","score":null,"sort":[1501113628000]},"guestAuthors":[],"slug":"cy-and-arianas-picks-poets-on-art-drawing-on-everything-and-jazz-for-a-summers-day","title":"Cy and Ariana's Picks: Poets on Art, Drawing on Everything, and Jazz for a Summer's Day","publishDate":1501113628,"format":"audio","headTitle":"Cy and Ariana’s Picks: Poets on Art, Drawing on Everything, and Jazz for a Summer’s Day | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>This week we welcome back as co-host KQED Youth Media Manager and music geek Ariana Proehl. Despite the fact that it’s summer, we are overstocked with cool stuff: We didn’t have a chance to talk about the incredible John Luther Adams festival, running July 26–30 at SFJAZZ (and outdoors, at \u003ca href=\"https://sfjazz.org/events/sessions/2017/jla/inuksuit\" target=\"_blank\" rel=\"noopener noreferrer\">Sutro Baths\u003c/a>). It looks like a huge deal, with a world premiere by the Alaskan composer on the schedule — \u003ca href=\"https://sfjazz.org/johnlutheradams\" target=\"_blank\" rel=\"noopener noreferrer\">details here.\u003c/a> And there’s no place better to be for families than at the free 30th annual Berkeley Kite Festival, running July 29-30 at the Berkeley Marina. \u003ca href=\"http://www.highlinekites.com/pages.php?pageid=21\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>. Now on with the show.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=C2EJ5_HOiDA\u003c/p>\n\u003cp>\u003cstrong>Aug. 11–13:\u003c/strong> \u003ca href=\"https://summerfest.sanjosejazz.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Jose Jazz Sumer Fest\u003c/a> always features a lot of salsa — and this year, the woman from Benin, Angélique Kidjo, does her own tribute to the musical style. The gifted Cuban singer Daymé Arocena also delivers her intoxicating mix of rumba, Santeria and jazz, and the Bay Area’s dance kings, the Pacific Mambo Orchestra, is also there. But the festival embraces all kinds of music, with a strong hit of R&B and funk this year, with Maceo Parker, George Clinton and Parliament Funkadelic representing the past, and East Bay band The Seshen exemplifying the future. Traditional jazz lovers will be happy to catch bassist Eddie Gomez (in a quintet with George Cables, Randy Brecker, Javon Jackson and Jimmy Cobb), and B3 organ jazz master Dr. Lonnie Smith. \u003ca href=\"https://summerfest.sanjosejazz.org/?gclid=CJOr1_3qp9UCFRKXfgodwYcOXg\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=kwPEFVHZTmE\u003c/p>\n\u003cp>\u003cstrong>Aug. 4\u003c/strong>: One extra jazz note as the gifted ukulele player Taimane, who gets a huge sound with her three finger technique, follows her San Jose Jazz performance with a gig at Don Quixote’s in Felton, in the Santa Cruz Mountains, on Aug. 15. \u003ca href=\"http://www.bandsintown.com/event/14825388-taimane-gardner-felton-don-quixotes-international-music-hall-2017?artist=Taimane+Gardner\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>. And then she’s at Freight and Salvage in Berkeley on Aug. 16. \u003ca href=\"http://thefreight.org/taimane-special-guest-ruslan-sirota\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13748743\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13748743\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-800x775.jpg\" alt=\"Work by Duhirwe Rushemeza part of the show 'Ease of Fiction' at MOAD in San Francisco\" width=\"800\" height=\"775\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-800x775.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-160x155.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-768x744.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-1020x988.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-1180x1143.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-960x930.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-240x232.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-375x363.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-520x504.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Work by Duhirwe Rushemeza, part of the show ‘Ease of Fiction’ at MOAD in San Francisco. \u003ccite>(Photo: Courtesy of Museum of the African Diaspora (MOAD))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Aug 3, 10 and 17: Who better to interpret challenging visual arts than poets? That’s the idea behind \u003cem>Community Voices: Poets Speak\u003c/em> at the \u003c/strong>\u003ca href=\"http://www.moadsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">The Museum of the African Diaspora\u003c/a> (MOAD) — where every week a new poet offers their insights into the exhibition \u003cem>The Ease of Fiction\u003c/em>, which presents the work of four African artists living in the United States. Poet Arisa White is the curator for the series, tapping fellow Bay Area members of Cave Canem (Latin for “beware the dog”), a poetry fellowship for African-American poets. As Ariana notes, what a beautiful and fun way to experience visual art — with a poet as your guide. Details for upcoming evenings (featuring Oakland poet George Higgens and former San Francisco Poet Laureate devorah major) \u003ca href=\"https://www.moadsf.org/event/community-voices-poets-speak/\" target=\"_blank\" rel=\"noopener noreferrer\">are here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zuNMmaU1XGw\u003c/p>\n\u003cp>\u003cstrong>Continuing through Aug. 5:\u003c/strong> Music at Menlo, now underway, is just the nicest little chamber festival you can imagine, with concerts and seminars, international stars and student ensembles lecturing and playing in intimate concert halls. A stone’s throw from Facebook HQ, the annual festival \u003ca href=\"https://ww2.kqed.org/arts/2017/07/11/for-chamber-music-in-silicon-valley-hoodies-and-haydn-dont-mix/\" target=\"_blank\" rel=\"noopener noreferrer\">hasn’t exactly seen the tech-worker crowd embrace it yet\u003c/a>, but that’s a side note when the music is of such high quality. This year’s theme is \u003cem>The Glorious Violin\u003c/em>, featuring violin music from the Baroque to brand new works. \u003ca href=\"https://musicatmenlo.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hAN8LnK960o\u003c/p>\n\u003cp>\u003cstrong>Aug. 1, 2, 8, and 15:\u003c/strong> Boz Scaggs began his career in the dawn of the “San Francisco Sound” playing in the Steve Miller Band, later scoring hits in the ’70s with blue-eyed soul and disco favorites. Ariana says she bonded with a boyfriend in her youth over the soulful groove of “Lowdown,” and Scaggs is still mixing it up in 2017, with a new album featuring his takes on songs by Fats Domino (see the video for “A Fool to Care” above), Al Green, and even the Spinners. Even though he owns Slim’s music club in San Francisco, Scaggs plays the Luther Burbank Center in Santa Rosa on Aug. 1, Monterey’s Golden State Theater on Aug. 2, Saratoga’s Mountain Winery Aug. 8, and Livermore’s Wente Winery Aug. 15. Details \u003ca href=\"http://www.bozscaggs.com/tour.html\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7ywYnk0-xUY\u003c/p>\n\u003cp>\u003cstrong>Continuing through Aug. 18\u003c/strong>: Shantell Martin is an artist who likes to draw on everything — metaphorically and literally. She grew up in a public housing complex in East London, where she drew behind the curtains and on the floor under her bed to avoid getting in trouble. Now, galleries are eager to have her use her Sharpies on their walls, because she’s become an international art star. Her style is a bit like Keith Haring, with a more whimsical streak. Her newest show is \u003cem>Charge Your Self\u003c/em>, and speckled among the googly eyes of the faces she draws are affirmations like “Share your voice. Use your magic.” Ariana says she got a lot of energy from the show. We both felt charged up. \u003ca href=\"http://www.blouinartinfo.com/news/story/2383359/charge-your-self-by-shantell-martin-at-chandran-gallery-san\" target=\"_blank\" rel=\"noopener noreferrer\">Details for Martin’s show at Chandran Gallery in Union Square are here.\u003c/a>\u003c/p>\n\u003cp>Thanks, Ariana!\u003c/p>\n\u003cfigure id=\"attachment_13748662\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13748662\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-1-2-800x550.jpg\" alt=\"Ariana Proehl and Cy Musiker at the Chandran Gallery for the Shantell Martin show\" width=\"800\" height=\"550\">\u003cfigcaption class=\"wp-caption-text\">Ariana Proehl and Cy Musiker at the Chandran Gallery for the Shantell Martin show. \u003ccite>(Photo: Courtesy of Chandran Gallery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"Do List co-hosts Cy Musiker and Ariana Proehl talk about San Jose's Jazz Fest, a poetry and art show at MoAD, Music at Menlo, a show by Shantell Martin and more.","status":"publish","parent":0,"modified":1705029929,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":937},"headData":{"title":"Cy and Ariana's Picks: Poets on Art, Drawing on Everything, and Jazz for a Summer's Day | KQED","description":"Do List co-hosts Cy Musiker and Ariana Proehl talk about San Jose's Jazz Fest, a poetry and art show at MoAD, Music at Menlo, a show by Shantell Martin and more.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Cy and Ariana's Picks: Poets on Art, Drawing on Everything, and Jazz for a Summer's Day","datePublished":"2017-07-27T00:00:28.000Z","dateModified":"2024-01-12T03:25:29.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio//2017/07/TheDoListJuly282017.mp3","sticky":false,"path":"/arts/13747360/cy-and-arianas-picks-poets-on-art-drawing-on-everything-and-jazz-for-a-summers-day","audioDuration":420000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week we welcome back as co-host KQED Youth Media Manager and music geek Ariana Proehl. Despite the fact that it’s summer, we are overstocked with cool stuff: We didn’t have a chance to talk about the incredible John Luther Adams festival, running July 26–30 at SFJAZZ (and outdoors, at \u003ca href=\"https://sfjazz.org/events/sessions/2017/jla/inuksuit\" target=\"_blank\" rel=\"noopener noreferrer\">Sutro Baths\u003c/a>). It looks like a huge deal, with a world premiere by the Alaskan composer on the schedule — \u003ca href=\"https://sfjazz.org/johnlutheradams\" target=\"_blank\" rel=\"noopener noreferrer\">details here.\u003c/a> And there’s no place better to be for families than at the free 30th annual Berkeley Kite Festival, running July 29-30 at the Berkeley Marina. \u003ca href=\"http://www.highlinekites.com/pages.php?pageid=21\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>. Now on with the show.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/C2EJ5_HOiDA'\n title='//www.youtube.com/embed/C2EJ5_HOiDA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Aug. 11–13:\u003c/strong> \u003ca href=\"https://summerfest.sanjosejazz.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Jose Jazz Sumer Fest\u003c/a> always features a lot of salsa — and this year, the woman from Benin, Angélique Kidjo, does her own tribute to the musical style. The gifted Cuban singer Daymé Arocena also delivers her intoxicating mix of rumba, Santeria and jazz, and the Bay Area’s dance kings, the Pacific Mambo Orchestra, is also there. But the festival embraces all kinds of music, with a strong hit of R&B and funk this year, with Maceo Parker, George Clinton and Parliament Funkadelic representing the past, and East Bay band The Seshen exemplifying the future. Traditional jazz lovers will be happy to catch bassist Eddie Gomez (in a quintet with George Cables, Randy Brecker, Javon Jackson and Jimmy Cobb), and B3 organ jazz master Dr. Lonnie Smith. \u003ca href=\"https://summerfest.sanjosejazz.org/?gclid=CJOr1_3qp9UCFRKXfgodwYcOXg\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kwPEFVHZTmE'\n title='//www.youtube.com/embed/kwPEFVHZTmE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Aug. 4\u003c/strong>: One extra jazz note as the gifted ukulele player Taimane, who gets a huge sound with her three finger technique, follows her San Jose Jazz performance with a gig at Don Quixote’s in Felton, in the Santa Cruz Mountains, on Aug. 15. \u003ca href=\"http://www.bandsintown.com/event/14825388-taimane-gardner-felton-don-quixotes-international-music-hall-2017?artist=Taimane+Gardner\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>. And then she’s at Freight and Salvage in Berkeley on Aug. 16. \u003ca href=\"http://thefreight.org/taimane-special-guest-ruslan-sirota\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13748743\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13748743\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-800x775.jpg\" alt=\"Work by Duhirwe Rushemeza part of the show 'Ease of Fiction' at MOAD in San Francisco\" width=\"800\" height=\"775\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-800x775.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-160x155.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-768x744.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-1020x988.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-1180x1143.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-960x930.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-240x232.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-375x363.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-520x504.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/Duhirwe-Rushemeza-II.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Work by Duhirwe Rushemeza, part of the show ‘Ease of Fiction’ at MOAD in San Francisco. \u003ccite>(Photo: Courtesy of Museum of the African Diaspora (MOAD))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Aug 3, 10 and 17: Who better to interpret challenging visual arts than poets? That’s the idea behind \u003cem>Community Voices: Poets Speak\u003c/em> at the \u003c/strong>\u003ca href=\"http://www.moadsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">The Museum of the African Diaspora\u003c/a> (MOAD) — where every week a new poet offers their insights into the exhibition \u003cem>The Ease of Fiction\u003c/em>, which presents the work of four African artists living in the United States. Poet Arisa White is the curator for the series, tapping fellow Bay Area members of Cave Canem (Latin for “beware the dog”), a poetry fellowship for African-American poets. As Ariana notes, what a beautiful and fun way to experience visual art — with a poet as your guide. Details for upcoming evenings (featuring Oakland poet George Higgens and former San Francisco Poet Laureate devorah major) \u003ca href=\"https://www.moadsf.org/event/community-voices-poets-speak/\" target=\"_blank\" rel=\"noopener noreferrer\">are here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zuNMmaU1XGw'\n title='//www.youtube.com/embed/zuNMmaU1XGw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Continuing through Aug. 5:\u003c/strong> Music at Menlo, now underway, is just the nicest little chamber festival you can imagine, with concerts and seminars, international stars and student ensembles lecturing and playing in intimate concert halls. A stone’s throw from Facebook HQ, the annual festival \u003ca href=\"https://ww2.kqed.org/arts/2017/07/11/for-chamber-music-in-silicon-valley-hoodies-and-haydn-dont-mix/\" target=\"_blank\" rel=\"noopener noreferrer\">hasn’t exactly seen the tech-worker crowd embrace it yet\u003c/a>, but that’s a side note when the music is of such high quality. This year’s theme is \u003cem>The Glorious Violin\u003c/em>, featuring violin music from the Baroque to brand new works. \u003ca href=\"https://musicatmenlo.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hAN8LnK960o'\n title='//www.youtube.com/embed/hAN8LnK960o'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Aug. 1, 2, 8, and 15:\u003c/strong> Boz Scaggs began his career in the dawn of the “San Francisco Sound” playing in the Steve Miller Band, later scoring hits in the ’70s with blue-eyed soul and disco favorites. Ariana says she bonded with a boyfriend in her youth over the soulful groove of “Lowdown,” and Scaggs is still mixing it up in 2017, with a new album featuring his takes on songs by Fats Domino (see the video for “A Fool to Care” above), Al Green, and even the Spinners. Even though he owns Slim’s music club in San Francisco, Scaggs plays the Luther Burbank Center in Santa Rosa on Aug. 1, Monterey’s Golden State Theater on Aug. 2, Saratoga’s Mountain Winery Aug. 8, and Livermore’s Wente Winery Aug. 15. Details \u003ca href=\"http://www.bozscaggs.com/tour.html\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7ywYnk0-xUY'\n title='//www.youtube.com/embed/7ywYnk0-xUY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Continuing through Aug. 18\u003c/strong>: Shantell Martin is an artist who likes to draw on everything — metaphorically and literally. She grew up in a public housing complex in East London, where she drew behind the curtains and on the floor under her bed to avoid getting in trouble. Now, galleries are eager to have her use her Sharpies on their walls, because she’s become an international art star. Her style is a bit like Keith Haring, with a more whimsical streak. Her newest show is \u003cem>Charge Your Self\u003c/em>, and speckled among the googly eyes of the faces she draws are affirmations like “Share your voice. Use your magic.” Ariana says she got a lot of energy from the show. We both felt charged up. \u003ca href=\"http://www.blouinartinfo.com/news/story/2383359/charge-your-self-by-shantell-martin-at-chandran-gallery-san\" target=\"_blank\" rel=\"noopener noreferrer\">Details for Martin’s show at Chandran Gallery in Union Square are here.\u003c/a>\u003c/p>\n\u003cp>Thanks, Ariana!\u003c/p>\n\u003cfigure id=\"attachment_13748662\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13748662\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/Image-uploaded-from-iOS-1-2-800x550.jpg\" alt=\"Ariana Proehl and Cy Musiker at the Chandran Gallery for the Shantell Martin show\" width=\"800\" height=\"550\">\u003cfigcaption class=\"wp-caption-text\">Ariana Proehl and Cy Musiker at the Chandran Gallery for the Shantell Martin show. \u003ccite>(Photo: Courtesy of Chandran Gallery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13747360/cy-and-arianas-picks-poets-on-art-drawing-on-everything-and-jazz-for-a-summers-day","authors":["32"],"programs":["arts_140"],"categories":["arts_69","arts_235","arts_70"],"tags":["arts_1118","arts_1006","arts_1988","arts_1987","arts_1694","arts_596","arts_626"],"featImg":"arts_13748711","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Consider-This-Podcast-Tile-703x703-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png","officialWebsiteLink":"http://freakonomics.com/","airtime":"SUN 1am-2am, SAT 3pm-4pm","meta":{"site":"radio","source":"WNYC"},"link":"/radio/program/freakonomics-radio","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519","tuneIn":"https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/","rss":"https://feeds.feedburner.com/freakonomicsradio"}},"fresh-air":{"id":"fresh-air","title":"Fresh Air","info":"Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. 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