Tall Tee’s New Track Is Prime for Your Summer Barbecue Playlist
A.CHAL to Bring Genre-Bending, Bilingual Rap to the Chapel
Bay Beats, the Library’s Streaming Service, Seeks New Bay Area Music
San Francisco's Cellski Announces First-Ever Live Band Show
Singing for Children on the Other Side of the World
Want to Play Your Own Tiny Desk Concert? The 2023 Contest Is Now Open for Entries
‘Triple Threat’ Bay Area Bluegrass Musician Goes for Grammy Gold
Ambrose Akinmusire Is Skipping the Grammys to Honor His Music Heroes
Rainbow Girls’ ‘American Dream’ Reminds Us We’re More Than Our Bank Accounts
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Two Filipino American DJs-turned-vocalists, Jon “Joog” Macapinlac and Alexander “Flex” Lim, lead the funky band, which has been igniting Bay Area dance floors since emerging from their DJ collective, Cheat Day. (The duo also has\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003ca href=\"https://www.undiscoveredsf.com/blog/2019/10/17/living-room-sf-the-not-so-new-kids-on-the-block\">a panoply of individual creative efforts\u003c/a>, including a distribution of \u003ca href=\"https://www.kqed.org/arts/13923081/purity-wine-richmond-new-years-eve-party-inclusive-natural-winery\">natural wines\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13914042/smax-okonomiyaki-chopped-cheese-asian-american-pop-up-vallejo-san-francisco\">chopped cheese sandwiches\u003c/a>.)\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For the past few years, \u003ca href=\"https://tallteesound.bandcamp.com/\">the emergent group\u003c/a> has been gaining underground traction with their playful, up-tempo rhythms that twirl with a mixture of retro boogie and smooth, player vocals. Even though they have yet to release an album — one is scheduled for later this year — Tall Tee’s niche following has patiently anticipated their full-length debut since the two homies first recorded a track together at San Francisco State University in 2018.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=XiglhPxeQzs\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On April 10, they’re delivering the musical goods. The pair will host a watch party for “So Fly” — their first official single off Tall Tee’s upcoming album, which is also the first song they ever recorded together at SFSU.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Instead of just releasing the video online, we wanted to make it more communal,” says Flex. “This is really a thank you to those who have pushed us over the years. We wanted to extend that sentiment in person to everyone who has been involved with us.”\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The premiere will take place at \u003ca href=\"https://www.instagram.com/thisisbabas.house/?hl=en\">Baba’s House\u003c/a> — a quirky, neon-lit Asian snack shop ensconced on the second story of a historic building in downtown Oakland. In a time of digitized streaming and online clout chasing, it’s always refreshing to see any genuine efforts to build community and have fun IRL. [aside postid='arts_13955372']\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The track is — as the name suggests — about being fly. More importantly, it’s an ode to the sweat and grind that goes into remaining fly in the Bay Area, a place that is notoriously vibrant but expensive as hell for artists to thrive in. Flex, a lifelong San Franciscan, and Joog, a Vallejo kid, are simply trying to sustain the good vibes that they were able to simmer in during the hyphy movement, when tall tees could be copped at any Bay Area liquor store worth its malt. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“There’s effort and hustle to look fly,” Flex says. “We wanted to be the antithesis of a tuxedo, and what’s more opposite than a tall tee?”\u003c/span>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/tallteesound/\">Tall Tee\u003c/a> premiere their debut music video in person at \u003ca href=\"https://www.instagram.com/thisisbabas.house/?hl=en\">Baba’s House\u003c/a> (410 15th St, Oakland) on April 10 at 8:30 p.m. The event includes a photo booth by Good Mother Gallery and DJ set by Jon Reyes. Tall Tee’s ‘So Fly’ video will be available to watch online on April 15.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The funky duo premieres their ‘So Fly’ music video at Oakland’s Asian American snack shop, Baba’s House.","status":"publish","parent":0,"modified":1712350821,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":517},"headData":{"title":"Tall Tee’s New Track Is Prime for Your Summer Barbecue Playlist | KQED","description":"The funky duo premieres their ‘So Fly’ music video at Oakland’s Asian American snack shop, Baba’s House.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Tall Tee’s New Track Is Prime for Your Summer Barbecue Playlist","datePublished":"2024-04-05T21:00:21.000Z","dateModified":"2024-04-05T21:00:21.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"The Do List","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955444/tall-tee-so-fly-video-release-oakland","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">If you like to two-step shuffle with a red cup in your hand, then \u003ca href=\"https://www.instagram.com/tallteesound/\">Tall Tee\u003c/a> might be the next addition to your spring barbecue playlist. Two Filipino American DJs-turned-vocalists, Jon “Joog” Macapinlac and Alexander “Flex” Lim, lead the funky band, which has been igniting Bay Area dance floors since emerging from their DJ collective, Cheat Day. (The duo also has\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003ca href=\"https://www.undiscoveredsf.com/blog/2019/10/17/living-room-sf-the-not-so-new-kids-on-the-block\">a panoply of individual creative efforts\u003c/a>, including a distribution of \u003ca href=\"https://www.kqed.org/arts/13923081/purity-wine-richmond-new-years-eve-party-inclusive-natural-winery\">natural wines\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13914042/smax-okonomiyaki-chopped-cheese-asian-american-pop-up-vallejo-san-francisco\">chopped cheese sandwiches\u003c/a>.)\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For the past few years, \u003ca href=\"https://tallteesound.bandcamp.com/\">the emergent group\u003c/a> has been gaining underground traction with their playful, up-tempo rhythms that twirl with a mixture of retro boogie and smooth, player vocals. Even though they have yet to release an album — one is scheduled for later this year — Tall Tee’s niche following has patiently anticipated their full-length debut since the two homies first recorded a track together at San Francisco State University in 2018.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/XiglhPxeQzs'\n title='//www.youtube.com/embed/XiglhPxeQzs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">On April 10, they’re delivering the musical goods. The pair will host a watch party for “So Fly” — their first official single off Tall Tee’s upcoming album, which is also the first song they ever recorded together at SFSU.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Instead of just releasing the video online, we wanted to make it more communal,” says Flex. “This is really a thank you to those who have pushed us over the years. We wanted to extend that sentiment in person to everyone who has been involved with us.”\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The premiere will take place at \u003ca href=\"https://www.instagram.com/thisisbabas.house/?hl=en\">Baba’s House\u003c/a> — a quirky, neon-lit Asian snack shop ensconced on the second story of a historic building in downtown Oakland. In a time of digitized streaming and online clout chasing, it’s always refreshing to see any genuine efforts to build community and have fun IRL. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955372","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The track is — as the name suggests — about being fly. More importantly, it’s an ode to the sweat and grind that goes into remaining fly in the Bay Area, a place that is notoriously vibrant but expensive as hell for artists to thrive in. Flex, a lifelong San Franciscan, and Joog, a Vallejo kid, are simply trying to sustain the good vibes that they were able to simmer in during the hyphy movement, when tall tees could be copped at any Bay Area liquor store worth its malt. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“There’s effort and hustle to look fly,” Flex says. “We wanted to be the antithesis of a tuxedo, and what’s more opposite than a tall tee?”\u003c/span>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/tallteesound/\">Tall Tee\u003c/a> premiere their debut music video in person at \u003ca href=\"https://www.instagram.com/thisisbabas.house/?hl=en\">Baba’s House\u003c/a> (410 15th St, Oakland) on April 10 at 8:30 p.m. The event includes a photo booth by Good Mother Gallery and DJ set by Jon Reyes. Tall Tee’s ‘So Fly’ video will be available to watch online on April 15.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955444/tall-tee-so-fly-video-release-oakland","authors":["11748"],"programs":["arts_140"],"categories":["arts_1"],"tags":["arts_4672","arts_4435","arts_1720","arts_1143","arts_1334"],"featImg":"arts_13955445","label":"source_arts_13955444"},"arts_13955045":{"type":"posts","id":"arts_13955045","meta":{"index":"posts_1591205157","site":"arts","id":"13955045","score":null,"sort":[1711999083000]},"guestAuthors":[],"slug":"a-chal-cold-medina-the-chapel-san-francisco","title":"A.CHAL to Bring Genre-Bending, Bilingual Rap to the Chapel","publishDate":1711999083,"format":"standard","headTitle":"A.CHAL to Bring Genre-Bending, Bilingual Rap to the Chapel | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003cspan style=\"font-weight: 400\">If you’re like me, you might’ve been sleeping on \u003c/span>\u003ca href=\"https://www.instagram.com/a.chal/?hl=en\">\u003cspan style=\"font-weight: 400\">A.CHAL\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — the trippy Peruvian-born wordsmith and producer whose bars switch from English to Spanish to Spanglish and back like a dirt bike churning over an uneven jungle path.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The millennial’s expansive vibe pulls from ’80s synthpop and goth, with underlying hints of trap, corridos tumbados, rock en español and reggaeton. A.CHAL in many ways embodies today’s diverse Latinx musicscape — a broad category that has been propelled into the stratosphere by genre-bending artists like Bad Bunny, Karol G, Kali Uchis, Peso Pluma and so many others.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A.CHAL’s new work could easily fit on a playlist of that caliber. And on Thurs., Apr. 4, he’ll be pulling up to the Bay to perform at \u003ca href=\"https://wl.seetickets.us/event/achal/587924?afflky=TheChapel\">The Chapel\u003c/a> in San Francisco’s Mission District as part of his nationwide tour.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With his latest album release, \u003c/span>\u003ca href=\"https://www.youtube.com/playlist?list=OLAK5uy_k6Q7AdJy8rXQy-6OOZt6hUmO9ugSrhUYQ\">\u003ci>\u003cspan style=\"font-weight: 400\">ESPÍRITU\u003c/span>\u003c/i>\u003c/a>\u003ci>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">A.CHAL — whose family immigrated to Queens, New York when he was only four years old — is entering his prime. After \u003c/span>\u003ca href=\"https://remezcla.com/features/music/interview-a-chal-explores-psychedelic-existentialism-on-espiritu/\">\u003cspan style=\"font-weight: 400\">recently spending two years in his native country\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> exploring the mountainside of Trujillo, Peru, the blossoming artist is hitting his stride and \u003c/span>\u003ca href=\"https://www.rollingstone.com/music/music-features/a-chal-espiritu-new-album-interview-1234979042/\">\u003cspan style=\"font-weight: 400\">garnering national attention\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. At times, A.CHAL sounds like a young Latinx Weeknd. On other tracks, he’s reminiscent of a lazy-flowing Benito. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Though he may be new to some West Coast listeners, A.CHAL has been a factor for years. He’s someone that \u003c/span>\u003ca href=\"https://www.instagram.com/thecoldmedina/\">\u003cspan style=\"font-weight: 400\">Cold Medina, a local Mexican and Nicaraguan rapper from Frisco\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, has had on his radar for some time. Cold Medina will be opening up for A.CHAL on his Bay Area stop.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“A few years back when I was a teaching artist at an after-school program, one of my students showed me a song of his and told me I needed to work with him, so this is a little bit of a full circle moment for me in that regard,” Cold Medina says about the upcoming show.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13955051\" class=\"wp-caption alignleft\" style=\"max-width: 584px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955051\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-29-at-6.25.42-PM.png\" alt=\"A Latinx man stands on an outdoor balcony with his sunglasses on while looking downard\" width=\"584\" height=\"720\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-29-at-6.25.42-PM.png 584w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-29-at-6.25.42-PM-160x197.png 160w\" sizes=\"(max-width: 584px) 100vw, 584px\">\u003cfigcaption class=\"wp-caption-text\">Cold Medina has been involved in the Bay Area’s arts and education scene for years. He’s now opening for A.CHAL, whose music a former student first introduced him to. \u003ccite>(Courtesy Cold Medina)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Like A.CHAL, Cold Medina’s vibe is at once tropical, chill and clouded by weed smoke. On his 2023 EP, \u003c/span>\u003ca href=\"https://thecoldmedina.bandcamp.com/album/a-quest-called-medina\">\u003ci>\u003cspan style=\"font-weight: 400\">A Quest Called Medina \u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">with Vallejo producer \u003c/span>\u003ca href=\"https://www.instagram.com/_sydequest/\">\u003cspan style=\"font-weight: 400\">Sydequest\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, he flaunts his conscious lyricism with an array of references to Mexican culture and Bay slang. Parallel to A.CHAL’s journey, Medina has spent his adult years traveling to his ancestral homeland, and it shows in the music, which often references — through either direct language or music video settings — an earnest connection to Latin America.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“There’s a lot more space for Latinx artists to grow their platforms and get some well deserved attention,” Cold Medina says. “The industry still has a narrow view of what a Latinx artist is and can be, [and] with mainstream exposure it can be easy for artists to get pigeonholed. [But] the Latinx experience is very unique and diverse. You are going to get some indigenous perspective and sounds rooted in that experience.”\u003c/span>\u003c/p>\n\u003cp>That spiritual essence will be in full effect when the two bilingual artists synergize on Valencia Street later this week.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.instagram.com/a.chal/?hl=en\">A.CHAL\u003c/a> and \u003ca href=\"https://www.instagram.com/thecoldmedina/\">Cold Medina\u003c/a> will be performing at The Chapel (777 Valencia St., SF) on Thurs. Apr. 4 at 7 p.m. \u003c/span>\u003c/i>\u003ca href=\"https://wl.seetickets.us/event/achal/587924?afflky=TheChapel\">\u003ci>\u003cspan style=\"font-weight: 400\">Tickets and details here\u003c/span>\u003c/i>\u003c/a>\u003ci>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"The Peruvian New York rapper and his SF collaborator Cold Medina embody today's diverse Latinx musical landscape.","status":"publish","parent":0,"modified":1711999083,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":606},"headData":{"title":"A.CHAL to Bring Genre-Bending, Bilingual Rap to the Chapel | KQED","description":"The Peruvian New York rapper and his SF collaborator Cold Medina embody today's diverse Latinx musical landscape.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"A.CHAL to Bring Genre-Bending, Bilingual Rap to the Chapel","datePublished":"2024-04-01T19:18:03.000Z","dateModified":"2024-04-01T19:18:03.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955045/a-chal-cold-medina-the-chapel-san-francisco","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">If you’re like me, you might’ve been sleeping on \u003c/span>\u003ca href=\"https://www.instagram.com/a.chal/?hl=en\">\u003cspan style=\"font-weight: 400\">A.CHAL\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — the trippy Peruvian-born wordsmith and producer whose bars switch from English to Spanish to Spanglish and back like a dirt bike churning over an uneven jungle path.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The millennial’s expansive vibe pulls from ’80s synthpop and goth, with underlying hints of trap, corridos tumbados, rock en español and reggaeton. A.CHAL in many ways embodies today’s diverse Latinx musicscape — a broad category that has been propelled into the stratosphere by genre-bending artists like Bad Bunny, Karol G, Kali Uchis, Peso Pluma and so many others.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A.CHAL’s new work could easily fit on a playlist of that caliber. And on Thurs., Apr. 4, he’ll be pulling up to the Bay to perform at \u003ca href=\"https://wl.seetickets.us/event/achal/587924?afflky=TheChapel\">The Chapel\u003c/a> in San Francisco’s Mission District as part of his nationwide tour.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With his latest album release, \u003c/span>\u003ca href=\"https://www.youtube.com/playlist?list=OLAK5uy_k6Q7AdJy8rXQy-6OOZt6hUmO9ugSrhUYQ\">\u003ci>\u003cspan style=\"font-weight: 400\">ESPÍRITU\u003c/span>\u003c/i>\u003c/a>\u003ci>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">A.CHAL — whose family immigrated to Queens, New York when he was only four years old — is entering his prime. After \u003c/span>\u003ca href=\"https://remezcla.com/features/music/interview-a-chal-explores-psychedelic-existentialism-on-espiritu/\">\u003cspan style=\"font-weight: 400\">recently spending two years in his native country\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> exploring the mountainside of Trujillo, Peru, the blossoming artist is hitting his stride and \u003c/span>\u003ca href=\"https://www.rollingstone.com/music/music-features/a-chal-espiritu-new-album-interview-1234979042/\">\u003cspan style=\"font-weight: 400\">garnering national attention\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. At times, A.CHAL sounds like a young Latinx Weeknd. On other tracks, he’s reminiscent of a lazy-flowing Benito. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Though he may be new to some West Coast listeners, A.CHAL has been a factor for years. He’s someone that \u003c/span>\u003ca href=\"https://www.instagram.com/thecoldmedina/\">\u003cspan style=\"font-weight: 400\">Cold Medina, a local Mexican and Nicaraguan rapper from Frisco\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, has had on his radar for some time. Cold Medina will be opening up for A.CHAL on his Bay Area stop.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“A few years back when I was a teaching artist at an after-school program, one of my students showed me a song of his and told me I needed to work with him, so this is a little bit of a full circle moment for me in that regard,” Cold Medina says about the upcoming show.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13955051\" class=\"wp-caption alignleft\" style=\"max-width: 584px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955051\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-29-at-6.25.42-PM.png\" alt=\"A Latinx man stands on an outdoor balcony with his sunglasses on while looking downard\" width=\"584\" height=\"720\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-29-at-6.25.42-PM.png 584w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-29-at-6.25.42-PM-160x197.png 160w\" sizes=\"(max-width: 584px) 100vw, 584px\">\u003cfigcaption class=\"wp-caption-text\">Cold Medina has been involved in the Bay Area’s arts and education scene for years. He’s now opening for A.CHAL, whose music a former student first introduced him to. \u003ccite>(Courtesy Cold Medina)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Like A.CHAL, Cold Medina’s vibe is at once tropical, chill and clouded by weed smoke. On his 2023 EP, \u003c/span>\u003ca href=\"https://thecoldmedina.bandcamp.com/album/a-quest-called-medina\">\u003ci>\u003cspan style=\"font-weight: 400\">A Quest Called Medina \u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">with Vallejo producer \u003c/span>\u003ca href=\"https://www.instagram.com/_sydequest/\">\u003cspan style=\"font-weight: 400\">Sydequest\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, he flaunts his conscious lyricism with an array of references to Mexican culture and Bay slang. Parallel to A.CHAL’s journey, Medina has spent his adult years traveling to his ancestral homeland, and it shows in the music, which often references — through either direct language or music video settings — an earnest connection to Latin America.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“There’s a lot more space for Latinx artists to grow their platforms and get some well deserved attention,” Cold Medina says. “The industry still has a narrow view of what a Latinx artist is and can be, [and] with mainstream exposure it can be easy for artists to get pigeonholed. [But] the Latinx experience is very unique and diverse. You are going to get some indigenous perspective and sounds rooted in that experience.”\u003c/span>\u003c/p>\n\u003cp>That spiritual essence will be in full effect when the two bilingual artists synergize on Valencia Street later this week.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.instagram.com/a.chal/?hl=en\">A.CHAL\u003c/a> and \u003ca href=\"https://www.instagram.com/thecoldmedina/\">Cold Medina\u003c/a> will be performing at The Chapel (777 Valencia St., SF) on Thurs. Apr. 4 at 7 p.m. \u003c/span>\u003c/i>\u003ca href=\"https://wl.seetickets.us/event/achal/587924?afflky=TheChapel\">\u003ci>\u003cspan style=\"font-weight: 400\">Tickets and details here\u003c/span>\u003c/i>\u003c/a>\u003ci>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955045/a-chal-cold-medina-the-chapel-san-francisco","authors":["11748"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_69"],"tags":["arts_4435","arts_831","arts_1720","arts_1257","arts_974","arts_1146"],"featImg":"arts_13955048","label":"arts_140"},"arts_13952702":{"type":"posts","id":"arts_13952702","meta":{"index":"posts_1591205157","site":"arts","id":"13952702","score":null,"sort":[1709764411000]},"guestAuthors":[],"slug":"sf-library-music-streaming-submissions-bay-beats","title":"Bay Beats, the Library’s Streaming Service, Seeks New Bay Area Music","publishDate":1709764411,"format":"standard","headTitle":"Bay Beats, the Library’s Streaming Service, Seeks New Bay Area Music | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Calling all musicians! Submissions are back open for \u003ca href=\"https://baybeats.sfpl.org/\">Bay Beats\u003c/a>, the San Francisco Public Library’s free music streaming platform.\u003c/p>\n\u003cp>Dedicated exclusively to spotlighting Bay Area talent, \u003ca href=\"https://www.kqed.org/arts/13936864/bay-beats-san-francisco-public-library-streaming-local-music\">Bay Beats first launched in October 2023\u003c/a>, six months after a call for work by bands, musicians and composers from the region’s nine counties. In that time, 600 submissions were whittled down to 144, with selected artists each receiving a $250 honorarium for their contributions.\u003c/p>\n\u003cp>Last year’s artists were chosen by an all-star panel of local jurors including \u003ca href=\"https://www.kqed.org/arts/13931155/dregs-one-history-of-the-bay-intluniz-mac-mall-keak-da-sneak-midway\">Dregs One\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13910566/la-dona-penas-con-pan-music-video\">La Doña\u003c/a> and Avengers frontwoman \u003ca href=\"https://www.kqed.org/arts/13930570/hit-girls-bay-area-punk-avengers-frightwig-penelope-houston-jen-larson-sfpl\">Penelope Houston\u003c/a>. Houston — who was a longtime employee at San Francisco’s main library before retiring in 2020 — is returning again this year to decide which artists will make the cut. She tells KQED Arts she’s really looking forward to listening to the submissions.\u003c/p>\n\u003cp>“It’s a great way to discover other sounds, for the jurors and, ultimately, for the many SFPL library card holders who explore the chosen music,” Houston says. (The Bay Beats catalog is currently free to stream for anyone with an internet connection, and downloadable for library card holders.)\u003c/p>\n\u003cp>“Really it’s a win-win situation for everyone,” Houston continues. “Hopefully lots of entries will come in and Bay Beats will grow every year.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Houston’s fellow judges this year include Berkeley pianist Sarah Cahill, Club Foot Orchestra’s Beth Custer, composer and musician James Fei, DJ and writer \u003ca href=\"https://www.kqed.org/author/tamarapalmer\">Tamara Palmer\u003c/a>, Latin jazz aficionado Jesse Varela, journalist and radio producer Emmanuel Nado and musician and composer David James. Rounding out this year’s panel is MC and producer\u003ca href=\"https://www.kqed.org/arts/13930122/hip-hop-for-change-studio-oakland-san-francisco-leadership-change\"> Unlearn the World\u003c/a>, aka Marlon Richardson.\u003c/p>\n\u003cp>“I’m looking for inspiration and [something] groundbreaking,” Richardson tells KQED Arts. “There’s so much cookie-cutter microwave music coming out every single day. I want to hear something that sticks to ya ribs, that stays in your brain and your heart.”\u003c/p>\n\u003cp>While each juror will approach how they select finalists differently, Richardson plans to follow his gut.\u003c/p>\n\u003cp>“Regardless of genre, I wanna hear music that can translate from the speakers to the soul,” he says. “Something that strikes a chord with you emotionally and makes you want to hear it over and over again.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Artists who’d like to have their music considered are invited to upload two or three songs, all for a total of no more than 30 minutes of music, to \u003ca href=\"https://baybeats.sfpl.org/submit/album-data\">Bay Beats’ submissions page\u003c/a>. The closing date is May 31, 2024, and a maximum of 150 artists will eventually be added to the streaming platform. Good luck!\u003c/p>\n\n","blocks":[],"excerpt":"The SFPL's music platform is expanding again — and you have until May 31 to send in your tunes. ","status":"publish","parent":0,"modified":1709764432,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":461},"headData":{"title":"New Bay Area Music Wanted for SF Library's Streaming Platform | KQED","description":"The SFPL's music platform is expanding again — and you have until May 31 to send in your tunes. ","ogTitle":"Bay Beats, the Library’s Streaming Service, Seeks New Bay Area Music","ogDescription":"","ogImgId":"","twTitle":"Bay Beats, the Library’s Streaming Service, Seeks New Bay Area Music","twDescription":"","twImgId":"","socialTitle":"New Bay Area Music Wanted for SF Library's Streaming Platform %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Bay Beats, the Library’s Streaming Service, Seeks New Bay Area Music","datePublished":"2024-03-06T22:33:31.000Z","dateModified":"2024-03-06T22:33:52.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13952702/sf-library-music-streaming-submissions-bay-beats","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Calling all musicians! Submissions are back open for \u003ca href=\"https://baybeats.sfpl.org/\">Bay Beats\u003c/a>, the San Francisco Public Library’s free music streaming platform.\u003c/p>\n\u003cp>Dedicated exclusively to spotlighting Bay Area talent, \u003ca href=\"https://www.kqed.org/arts/13936864/bay-beats-san-francisco-public-library-streaming-local-music\">Bay Beats first launched in October 2023\u003c/a>, six months after a call for work by bands, musicians and composers from the region’s nine counties. In that time, 600 submissions were whittled down to 144, with selected artists each receiving a $250 honorarium for their contributions.\u003c/p>\n\u003cp>Last year’s artists were chosen by an all-star panel of local jurors including \u003ca href=\"https://www.kqed.org/arts/13931155/dregs-one-history-of-the-bay-intluniz-mac-mall-keak-da-sneak-midway\">Dregs One\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13910566/la-dona-penas-con-pan-music-video\">La Doña\u003c/a> and Avengers frontwoman \u003ca href=\"https://www.kqed.org/arts/13930570/hit-girls-bay-area-punk-avengers-frightwig-penelope-houston-jen-larson-sfpl\">Penelope Houston\u003c/a>. Houston — who was a longtime employee at San Francisco’s main library before retiring in 2020 — is returning again this year to decide which artists will make the cut. She tells KQED Arts she’s really looking forward to listening to the submissions.\u003c/p>\n\u003cp>“It’s a great way to discover other sounds, for the jurors and, ultimately, for the many SFPL library card holders who explore the chosen music,” Houston says. (The Bay Beats catalog is currently free to stream for anyone with an internet connection, and downloadable for library card holders.)\u003c/p>\n\u003cp>“Really it’s a win-win situation for everyone,” Houston continues. “Hopefully lots of entries will come in and Bay Beats will grow every year.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Houston’s fellow judges this year include Berkeley pianist Sarah Cahill, Club Foot Orchestra’s Beth Custer, composer and musician James Fei, DJ and writer \u003ca href=\"https://www.kqed.org/author/tamarapalmer\">Tamara Palmer\u003c/a>, Latin jazz aficionado Jesse Varela, journalist and radio producer Emmanuel Nado and musician and composer David James. Rounding out this year’s panel is MC and producer\u003ca href=\"https://www.kqed.org/arts/13930122/hip-hop-for-change-studio-oakland-san-francisco-leadership-change\"> Unlearn the World\u003c/a>, aka Marlon Richardson.\u003c/p>\n\u003cp>“I’m looking for inspiration and [something] groundbreaking,” Richardson tells KQED Arts. “There’s so much cookie-cutter microwave music coming out every single day. I want to hear something that sticks to ya ribs, that stays in your brain and your heart.”\u003c/p>\n\u003cp>While each juror will approach how they select finalists differently, Richardson plans to follow his gut.\u003c/p>\n\u003cp>“Regardless of genre, I wanna hear music that can translate from the speakers to the soul,” he says. “Something that strikes a chord with you emotionally and makes you want to hear it over and over again.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Artists who’d like to have their music considered are invited to upload two or three songs, all for a total of no more than 30 minutes of music, to \u003ca href=\"https://baybeats.sfpl.org/submit/album-data\">Bay Beats’ submissions page\u003c/a>. The closing date is May 31, 2024, and a maximum of 150 artists will eventually be added to the streaming platform. Good luck!\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13952702/sf-library-music-streaming-submissions-bay-beats","authors":["11242"],"categories":["arts_1","arts_11615","arts_69","arts_235"],"tags":["arts_10278","arts_1720","arts_7221","arts_6427"],"featImg":"arts_13908381","label":"arts"},"arts_13952088":{"type":"posts","id":"arts_13952088","meta":{"index":"posts_1591205157","site":"arts","id":"13952088","score":null,"sort":[1707844518000]},"guestAuthors":[],"slug":"cellski-mr-predicter-live-band-frisco","title":"San Francisco's Cellski Announces First-Ever Live Band Show","publishDate":1707844518,"format":"standard","headTitle":"San Francisco’s Cellski Announces First-Ever Live Band Show | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>There aren’t many Frisco rappers with as much flavor as \u003ca href=\"https://www.instagram.com/cellski415/?hl=en\">Cellski\u003c/a>. In 1994, the streetwise lyricist and producer helped give rise to mobb music in the 415 with his debut studio album, \u003ci>Mr. Predicter\u003c/i>. Now, for its 30th anniversary, he’ll perform the breakout LP with a live band on \u003ca href=\"https://www.brickandmortarmusic.com/event-details/13418813/cellski/\">Feb. 22 in San Francisco\u003c/a>.\u003c/p>\n\u003cp>At age 20, Cellski produced and engineered \u003cem>Mr. Predicter\u003c/em> himself, with the assistance of his friends Tomie Witherspoon (a.k.a. the famed rap engineer T.C., who will DJ the event) and Don Marsh, a.k.a. The Enhancer. After recording its 17 tracks, he released it on his own label, Inner City Records.\u003c/p>\n\u003cp>[aside postID='arts_13922141']As Cellski’s first ever show with a live band, the set will add songs from his 1998 release, \u003cem>Canadian Bacon and Hash Browns\u003c/em>, and will bring out San Francisco legends from \u003ca href=\"https://www.kqed.org/arts/13923766/rbl-posse-a-lesson-to-be-learned-album-cover\">RBL Posse\u003c/a>.\u003c/p>\n\u003cp>For his backing band, the emcee has teamed up with \u003ca href=\"https://www.instagram.com/topchefsband?igsh=MzRlODBiNWFlZA%3D%3D\">The Top Chefs\u003c/a>, a San Francisco band made up of \u003ca href=\"https://www.kqed.org/arts/13910221/family-not-a-group-san-francisco-rap\">Family Not A Group\u003c/a> members who’ve previously worked with rappers like SF’s Afterthought and Vallejo’s LaRussell.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=reRDnI-JIsY&list=OLAK5uy_kYuBvBEuw5PMn8cxzmTV4sOnHNwbu1GXI&index=5\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>While Cellski’s work has been vastly underappreciated — part of \u003ca href=\"https://www.kqed.org/news/11957970/the-bays-overlooked-contributions-to-hip-hop\">a larger wave of historically overlooked San Francisco rappers \u003c/a>— he says he’s more concerned with assisting his community and being a pioneer in his own lane than chasing after fame.\u003c/p>\n\u003cp>“I’m independent,” he says proudly. “At 18 [years old], I went to \u003ca href=\"http://www.cityhallrecords.com/\">City Hall\u003c/a> and started my own label. Back then, you could sell $20,000 on your own and make the type of money these record labels wanted to sign you for. It didn’t make sense to sign if you could make money yourself.”\u003c/p>\n\u003cp>[aside postID='arts_13951122']Cellski’s cultivated a loyal fanbase beyond music as well. In recent years, he launched a streetwear brand and boutique, \u003ca href=\"https://www.instagram.com/chemicalbabycbc/?hl=en\">Chemical Baby Clothing\u003c/a>, as well as a “mash burger” pop-up, \u003ca href=\"https://www.kqed.org/arts/13922141/cellskis-big-mafi-burgers-come-with-a-side-of-sf-rap-history\">Big Mafi Burgers\u003c/a>, which often shows up at the parking lot of Levi’s Stadium before 49ers games or on a weekend afternoon in Golden Gate Park.\u003c/p>\n\u003cp>Whether you’re a Bay Area hip-hop OG or a newcomer, a live set from Mr. Predicter himself is a rare way to witness \u003ca href=\"https://www.kqed.org/arts/13895586/a-salute-to-san-francisco-rap\">San Francisco’s laudable rap legacy\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Cellski performs his album ‘Mr. Predicter’ with a live band on Thursday, Feb. 22, at the Brick & Mortar Music Hall in San Francisco. \u003c/i>\u003ca href=\"https://www.brickandmortarmusic.com/event-details/13418813/cellski/\">\u003ci>Ticket info and details here.\u003c/i>\u003c/a>\u003c/p>\n\n","blocks":[],"excerpt":"Cellski performs his debut album 'Mr. Predicter' with a full band at Brick and Mortar Music Hall.","status":"publish","parent":0,"modified":1707936361,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":447},"headData":{"title":"San Francisco's Cellski Announces First-Ever Live Band Show | KQED","description":"Cellski performs his debut album 'Mr. Predicter' with a full band at Brick and Mortar Music Hall.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"San Francisco's Cellski Announces First-Ever Live Band Show","datePublished":"2024-02-13T17:15:18.000Z","dateModified":"2024-02-14T18:46:01.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13952088/cellski-mr-predicter-live-band-frisco","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>There aren’t many Frisco rappers with as much flavor as \u003ca href=\"https://www.instagram.com/cellski415/?hl=en\">Cellski\u003c/a>. In 1994, the streetwise lyricist and producer helped give rise to mobb music in the 415 with his debut studio album, \u003ci>Mr. Predicter\u003c/i>. Now, for its 30th anniversary, he’ll perform the breakout LP with a live band on \u003ca href=\"https://www.brickandmortarmusic.com/event-details/13418813/cellski/\">Feb. 22 in San Francisco\u003c/a>.\u003c/p>\n\u003cp>At age 20, Cellski produced and engineered \u003cem>Mr. Predicter\u003c/em> himself, with the assistance of his friends Tomie Witherspoon (a.k.a. the famed rap engineer T.C., who will DJ the event) and Don Marsh, a.k.a. The Enhancer. After recording its 17 tracks, he released it on his own label, Inner City Records.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13922141","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>As Cellski’s first ever show with a live band, the set will add songs from his 1998 release, \u003cem>Canadian Bacon and Hash Browns\u003c/em>, and will bring out San Francisco legends from \u003ca href=\"https://www.kqed.org/arts/13923766/rbl-posse-a-lesson-to-be-learned-album-cover\">RBL Posse\u003c/a>.\u003c/p>\n\u003cp>For his backing band, the emcee has teamed up with \u003ca href=\"https://www.instagram.com/topchefsband?igsh=MzRlODBiNWFlZA%3D%3D\">The Top Chefs\u003c/a>, a San Francisco band made up of \u003ca href=\"https://www.kqed.org/arts/13910221/family-not-a-group-san-francisco-rap\">Family Not A Group\u003c/a> members who’ve previously worked with rappers like SF’s Afterthought and Vallejo’s LaRussell.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/reRDnI-JIsY'\n title='//www.youtube.com/embed/reRDnI-JIsY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>While Cellski’s work has been vastly underappreciated — part of \u003ca href=\"https://www.kqed.org/news/11957970/the-bays-overlooked-contributions-to-hip-hop\">a larger wave of historically overlooked San Francisco rappers \u003c/a>— he says he’s more concerned with assisting his community and being a pioneer in his own lane than chasing after fame.\u003c/p>\n\u003cp>“I’m independent,” he says proudly. “At 18 [years old], I went to \u003ca href=\"http://www.cityhallrecords.com/\">City Hall\u003c/a> and started my own label. Back then, you could sell $20,000 on your own and make the type of money these record labels wanted to sign you for. It didn’t make sense to sign if you could make money yourself.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13951122","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Cellski’s cultivated a loyal fanbase beyond music as well. In recent years, he launched a streetwear brand and boutique, \u003ca href=\"https://www.instagram.com/chemicalbabycbc/?hl=en\">Chemical Baby Clothing\u003c/a>, as well as a “mash burger” pop-up, \u003ca href=\"https://www.kqed.org/arts/13922141/cellskis-big-mafi-burgers-come-with-a-side-of-sf-rap-history\">Big Mafi Burgers\u003c/a>, which often shows up at the parking lot of Levi’s Stadium before 49ers games or on a weekend afternoon in Golden Gate Park.\u003c/p>\n\u003cp>Whether you’re a Bay Area hip-hop OG or a newcomer, a live set from Mr. Predicter himself is a rare way to witness \u003ca href=\"https://www.kqed.org/arts/13895586/a-salute-to-san-francisco-rap\">San Francisco’s laudable rap legacy\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Cellski performs his album ‘Mr. Predicter’ with a live band on Thursday, Feb. 22, at the Brick & Mortar Music Hall in San Francisco. \u003c/i>\u003ca href=\"https://www.brickandmortarmusic.com/event-details/13418813/cellski/\">\u003ci>Ticket info and details here.\u003c/i>\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13952088/cellski-mr-predicter-live-band-frisco","authors":["11748"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_69"],"tags":["arts_8505","arts_831","arts_1720","arts_974","arts_1146","arts_585","arts_19347"],"featImg":"arts_13934340","label":"arts_140"},"arts_13940325":{"type":"posts","id":"arts_13940325","meta":{"index":"posts_1591205157","site":"arts","id":"13940325","score":null,"sort":[1705007647000]},"guestAuthors":[],"slug":"mixtape-for-palestine-meca-benefit-compilation","title":"Singing for Children on the Other Side of the World","publishDate":1705007647,"format":"standard","headTitle":"Singing for Children on the Other Side of the World | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>If you hang around San Francisco’s indie folk scene, it will not take you long to run into singer and promoter \u003ca href=\"https://www.sfweekly.com/music/music-heroes-jessie-woletz/article_bfe961b1-70a1-5154-9113-cd00d5024e65.html\">Jessie Woletz\u003c/a>. As an individual, she’s warm and soft-spoken, having worked as a nanny for over a decade. But as \u003ca href=\"https://www.instagram.com/seaweedsway/?hl=en\">Seaweed Sway\u003c/a>, the moniker for her DIY music and event-production project that’s hosted shows around the Bay Area since 2007, she’s a veritable force of nature. She gets things done. And she knows \u003cem>a lot\u003c/em> of people.\u003c/p>\n\u003cp>[aside postID='arts_13940282']Both of these attributes came in handy last month, when Woletz — feeling helpless while taking in images of the devastation in Gaza — decided to contact artists she knew with a simple request: “Do you want to donate a song to support relief in Palestine?”\u003c/p>\n\u003cp>The result is a compilation, clocking in at 87 songs and counting, that has already raised more than $5000 for the \u003ca href=\"https://www.mecaforpeace.org/\">Middle East Children’s Alliance\u003c/a> since its release on Jan. 1. \u003cem>\u003ca href=\"https://seaweedsway.bandcamp.com/album/mixtape-for-palestine-fundraiser-for-middle-east-childrens-alliance-for-peace-25-125-scroll-down-to-donate-directly-get-music\">Mixtape for Palestine\u003c/a>, \u003c/em>available for download via Bandcamp with a donation to MECA, is a sprawling patchwork of songs — some originals, some previously released, some covers — by artists across a wide variety of genres.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4014827160/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=3952569100/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Emerging local artists appear alongside names with wider recognition, including Jolie Holland, Little Wings, field medic, C.J. Boyd (with a song featuring Bonnie “Prince” Billy), Ayla Nereo, Meklit and more. Veteran Bay Area musicians turned out in droves, including \u003ca href=\"https://www.kqed.org/arts/13855177/doctor-musician-and-activist-rupa-marya-offers-a-healing-balm-on-new-april-fishes-album\">Rupa & the April Fishes\u003c/a>, Brian Belknap, \u003ca href=\"https://www.youtube.com/watch?v=HHR_n_o0f20\">Diana Gameros\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13906345/sean-hayes-new-album-be-like-water-offers-pathway-from-worry\">Sean Hayes\u003c/a>, Kelly McFarling, Chelsea Coleman, Whiskerman, \u003ca href=\"https://www.kqed.org/news/11667569/singer-songwriter-megan-keelys-tribute-to-her-grandmother\">Megan Keely\u003c/a>, Ezra Lipp and \u003ca href=\"https://www.kqed.org/arts/13894398/amina-shareef-ali-comes-back-to-life\">Amina Shareef Ali\u003c/a>.\u003c/p>\n\u003cp>A handful of the tracks directly address the current death toll in Palestine, like Maia “MJoy” Wiitala’s “\u003ca href=\"https://seaweedsway.bandcamp.com/track/watermelon-nights\">Watermelon Nights\u003c/a>,” and B. Hamilton’s “\u003ca href=\"https://seaweedsway.bandcamp.com/track/that-god-damn-paul-mccartney-christmas-song\">That God Damn Paul McCartney Christmas Song\u003c/a>.” (While the very first track, Nora Roman and the Border Busters’ “\u003ca href=\"https://seaweedsway.bandcamp.com/track/song-for-palestine\">Song For Palestine\u003c/a>,” could have been written last week, the group actually released it in 2011.) Others are protest songs originally inspired by other causes or oppressed communities; still others speak more generally on themes of heartbreak and grief. Woletz welcomed them all.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4014827160/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=1737183087/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>“I wasn’t sure anyone would want to do it,” she says of her initial trepidation. “I know different artists have different views [on the war] … but my hope was, ‘OK, let’s find where we align.’ I think we can have different views and still come together to support people who are not getting resources.”\u003c/p>\n\u003cp>[aside postID='arts_13939726']Quickly, she says, it became obvious that many artists agreed. It took some dialogue about the exact language that would be released with the compilation, and where and how funds would be distributed, says Woletz. But she was moved by the sheer number of musicians who ultimately wanted to get involved.\u003c/p>\n\u003cp>“It’s a risky thing for some of them, there’s a risk of losing fans,” she says. “But people are choosing to speak out anyway, putting themselves out there, and that feels really powerful.”\u003c/p>\n\u003cp>The compilation’s cover image, \u003ca href=\"https://www.instagram.com/p/C1H_xqiOB0K/?hl=en\">donated by artist Donovan Brutus\u003c/a>, was inspired by Palestinian embroidery, with traditional motifs like chickpeas, raisins, roosters and the Moon of Bethlehem embedded throughout the design.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4014827160/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=2648187703/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Brutus is just one of many artists involved with the project whom Woletz originally met at Amnesia, the tiny, beloved Mission District music venue where she hosted shows for years, and \u003ca href=\"https://www.kqed.org/arts/13873227/amnesia-is-the-latest-san-francisco-music-venue-to-close\">which closed in 2020\u003c/a>.\u003c/p>\n\u003cp>For those who frequented the club in its heyday, the compilation also feels a bit like a family reunion, full of now far-flung artists who once called the Bay home: Kacey Johansing and Lapel, now both in Los Angeles; Kendra McKinley and Sonya Cotton, in New York and New Jersey; Misisipi Mike Wolf, now in Duluth, Minnesota. Mariee Siou, now based in Portland, is one of several artist-activists who was instrumental in helping Woletz learn about Palestine, and in spurring her to take action.\u003c/p>\n\u003cp>“So many artists have left over the last few years, especially during the pandemic, and I think we all have grief about that,” says Woletz. “This is hopefully a way to build a sort of shared reality, to bring together different communities at a time when so many of us are feeling helpless, and put our energy in the same place.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>‘Mixtape for Palestine’ is \u003ca href=\"https://seaweedsway.bandcamp.com/album/mixtape-for-palestine-fundraiser-for-middle-east-childrens-alliance-for-peace-25-125-scroll-down-to-donate-directly-get-music\">available on Bandcamp\u003c/a> for a donation of at least $25 to MECA. To bypass Bandcamp’s fees so the organization receives 100% of your donation, visit \u003ca href=\"http://bit.ly/MECAmixtape\">bit.ly/MECAmixtape\u003c/a> and include your email address to receive a download link.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"‘Mixtape for Palestine’ features Jolie Holland, Little Wings and a slew of Bay Area indie staples to raise funds for MECA.","status":"publish","parent":0,"modified":1705017836,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":true,"iframeSrcs":["https://bandcamp.com/EmbeddedPlayer/album=4014827160/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=3952569100/transparent=true/","https://bandcamp.com/EmbeddedPlayer/album=4014827160/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=1737183087/transparent=true/","https://bandcamp.com/EmbeddedPlayer/album=4014827160/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=2648187703/transparent=true/"],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":798},"headData":{"title":"‘Mixtape for Palestine’ Raises Funds for MECA Through Music | KQED","description":"Jolie Holland, Little Wings and a slew of Bay Area indie musicians have contributed songs to a new benefit compilation.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","socialTitle":"‘Mixtape for Palestine’ Raises Funds for MECA Through Music %%page%% %%sep%% KQED","socialDescription":"Jolie Holland, Little Wings and a slew of Bay Area indie musicians have contributed songs to a new benefit compilation.","schema":{"@context":"http://schema.org","@type":"Article","headline":"Singing for Children on the Other Side of the World","datePublished":"2024-01-11T21:14:07.000Z","dateModified":"2024-01-12T00:03:56.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"WpOldSlug":"singing-for-children-on-the-other-side-of-the-world","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13940325/mixtape-for-palestine-meca-benefit-compilation","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you hang around San Francisco’s indie folk scene, it will not take you long to run into singer and promoter \u003ca href=\"https://www.sfweekly.com/music/music-heroes-jessie-woletz/article_bfe961b1-70a1-5154-9113-cd00d5024e65.html\">Jessie Woletz\u003c/a>. As an individual, she’s warm and soft-spoken, having worked as a nanny for over a decade. But as \u003ca href=\"https://www.instagram.com/seaweedsway/?hl=en\">Seaweed Sway\u003c/a>, the moniker for her DIY music and event-production project that’s hosted shows around the Bay Area since 2007, she’s a veritable force of nature. She gets things done. And she knows \u003cem>a lot\u003c/em> of people.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13940282","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Both of these attributes came in handy last month, when Woletz — feeling helpless while taking in images of the devastation in Gaza — decided to contact artists she knew with a simple request: “Do you want to donate a song to support relief in Palestine?”\u003c/p>\n\u003cp>The result is a compilation, clocking in at 87 songs and counting, that has already raised more than $5000 for the \u003ca href=\"https://www.mecaforpeace.org/\">Middle East Children’s Alliance\u003c/a> since its release on Jan. 1. \u003cem>\u003ca href=\"https://seaweedsway.bandcamp.com/album/mixtape-for-palestine-fundraiser-for-middle-east-childrens-alliance-for-peace-25-125-scroll-down-to-donate-directly-get-music\">Mixtape for Palestine\u003c/a>, \u003c/em>available for download via Bandcamp with a donation to MECA, is a sprawling patchwork of songs — some originals, some previously released, some covers — by artists across a wide variety of genres.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4014827160/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=3952569100/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Emerging local artists appear alongside names with wider recognition, including Jolie Holland, Little Wings, field medic, C.J. Boyd (with a song featuring Bonnie “Prince” Billy), Ayla Nereo, Meklit and more. Veteran Bay Area musicians turned out in droves, including \u003ca href=\"https://www.kqed.org/arts/13855177/doctor-musician-and-activist-rupa-marya-offers-a-healing-balm-on-new-april-fishes-album\">Rupa & the April Fishes\u003c/a>, Brian Belknap, \u003ca href=\"https://www.youtube.com/watch?v=HHR_n_o0f20\">Diana Gameros\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13906345/sean-hayes-new-album-be-like-water-offers-pathway-from-worry\">Sean Hayes\u003c/a>, Kelly McFarling, Chelsea Coleman, Whiskerman, \u003ca href=\"https://www.kqed.org/news/11667569/singer-songwriter-megan-keelys-tribute-to-her-grandmother\">Megan Keely\u003c/a>, Ezra Lipp and \u003ca href=\"https://www.kqed.org/arts/13894398/amina-shareef-ali-comes-back-to-life\">Amina Shareef Ali\u003c/a>.\u003c/p>\n\u003cp>A handful of the tracks directly address the current death toll in Palestine, like Maia “MJoy” Wiitala’s “\u003ca href=\"https://seaweedsway.bandcamp.com/track/watermelon-nights\">Watermelon Nights\u003c/a>,” and B. Hamilton’s “\u003ca href=\"https://seaweedsway.bandcamp.com/track/that-god-damn-paul-mccartney-christmas-song\">That God Damn Paul McCartney Christmas Song\u003c/a>.” (While the very first track, Nora Roman and the Border Busters’ “\u003ca href=\"https://seaweedsway.bandcamp.com/track/song-for-palestine\">Song For Palestine\u003c/a>,” could have been written last week, the group actually released it in 2011.) Others are protest songs originally inspired by other causes or oppressed communities; still others speak more generally on themes of heartbreak and grief. Woletz welcomed them all.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4014827160/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=1737183087/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>“I wasn’t sure anyone would want to do it,” she says of her initial trepidation. “I know different artists have different views [on the war] … but my hope was, ‘OK, let’s find where we align.’ I think we can have different views and still come together to support people who are not getting resources.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13939726","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Quickly, she says, it became obvious that many artists agreed. It took some dialogue about the exact language that would be released with the compilation, and where and how funds would be distributed, says Woletz. But she was moved by the sheer number of musicians who ultimately wanted to get involved.\u003c/p>\n\u003cp>“It’s a risky thing for some of them, there’s a risk of losing fans,” she says. “But people are choosing to speak out anyway, putting themselves out there, and that feels really powerful.”\u003c/p>\n\u003cp>The compilation’s cover image, \u003ca href=\"https://www.instagram.com/p/C1H_xqiOB0K/?hl=en\">donated by artist Donovan Brutus\u003c/a>, was inspired by Palestinian embroidery, with traditional motifs like chickpeas, raisins, roosters and the Moon of Bethlehem embedded throughout the design.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=4014827160/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=2648187703/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Brutus is just one of many artists involved with the project whom Woletz originally met at Amnesia, the tiny, beloved Mission District music venue where she hosted shows for years, and \u003ca href=\"https://www.kqed.org/arts/13873227/amnesia-is-the-latest-san-francisco-music-venue-to-close\">which closed in 2020\u003c/a>.\u003c/p>\n\u003cp>For those who frequented the club in its heyday, the compilation also feels a bit like a family reunion, full of now far-flung artists who once called the Bay home: Kacey Johansing and Lapel, now both in Los Angeles; Kendra McKinley and Sonya Cotton, in New York and New Jersey; Misisipi Mike Wolf, now in Duluth, Minnesota. Mariee Siou, now based in Portland, is one of several artist-activists who was instrumental in helping Woletz learn about Palestine, and in spurring her to take action.\u003c/p>\n\u003cp>“So many artists have left over the last few years, especially during the pandemic, and I think we all have grief about that,” says Woletz. “This is hopefully a way to build a sort of shared reality, to bring together different communities at a time when so many of us are feeling helpless, and put our energy in the same place.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>‘Mixtape for Palestine’ is \u003ca href=\"https://seaweedsway.bandcamp.com/album/mixtape-for-palestine-fundraiser-for-middle-east-childrens-alliance-for-peace-25-125-scroll-down-to-donate-directly-get-music\">available on Bandcamp\u003c/a> for a donation of at least $25 to MECA. To bypass Bandcamp’s fees so the organization receives 100% of your donation, visit \u003ca href=\"http://bit.ly/MECAmixtape\">bit.ly/MECAmixtape\u003c/a> and include your email address to receive a download link.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13940325/mixtape-for-palestine-meca-benefit-compilation","authors":["7237"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_1720","arts_21682","arts_1146","arts_585"],"featImg":"arts_13940442","label":"arts_140"},"arts_13924807":{"type":"posts","id":"arts_13924807","meta":{"index":"posts_1591205157","site":"arts","id":"13924807","score":null,"sort":[1675797768000]},"guestAuthors":[],"slug":"want-to-play-your-own-tiny-desk-concert-the-2023-contest-is-now-open-for-entries","title":"Want to Play Your Own Tiny Desk Concert? The 2023 Contest Is Now Open for Entries","publishDate":1675797768,"format":"standard","headTitle":"Want to Play Your Own Tiny Desk Concert? The 2023 Contest Is Now Open for Entries | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>\u003cstrong>\u003cem>The Tiny Desk Contest, NPR Music’s annual search for the next great undiscovered artist, is back!\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>First, let’s meet this year’s esteemed panel. Returning judges \u003ca href=\"https://www.npr.org/people/2100252/bob-boilen\">Bob Boilen\u003c/a> (Tiny Desk series creator and \u003cem>All Songs Considered \u003c/em>host) and \u003ca href=\"https://www.npr.org/people/302983377/bobby-carter\">Bobby Carter\u003c/a> (Tiny Desk series producer) will be joined by five new experts: The inimitable Sharon Van Etten, who performed behind the \u003ca href=\"https://youtu.be/ECVEVDES3Js\">original Tiny Desk\u003c/a> in 2010 and then \u003ca href=\"https://www.npr.org/2019/10/07/766645155/sharon-van-etten-tiny-desk-concert\">played again\u003c/a> at today’s Tiny Desk; Baby Rose, who \u003ca href=\"https://www.npr.org/2020/02/10/803620275/baby-rose-tiny-desk-concert\">graced the Desk\u003c/a> with her incredible voice in early 2020; fellow \u003ca href=\"https://www.npr.org/2020/06/22/880379461/sudan-archives-tiny-desk-concert\">Tiny Desk alum\u003c/a> Sudan Archives, a gifted singer and violinist whose sound pulls from R&B, hip-hop and experimental electronic music and, last but not least, \u003ca href=\"https://www.kexp.org/djs/albina-cabrera/\">Albina Cabrera\u003c/a> of KEXP, a champion of independent musicians and Latin American music. Each of these judges has an ear for exceptional talent, is passionate about up-and-coming artists and knows exactly what it takes to perform behind the Tiny Desk.[aside label=\"Related Stories\" postID=\"arts_10384842,arts_13860137\"]\u003c/p>\n\u003cp>Are you an unsigned artist 18 years or older? Here’s how to enter:\u003c/p>\n\u003col>\n\u003cli>Record a video of you playing one original song behind a desk.\u003c/li>\n\u003cli>Upload your video to YouTube.\u003c/li>\n\u003cli>Submit your video at \u003ca href=\"http://npr.org/tinydeskcontest\">npr.org/tinydeskcontest\u003c/a> before \u003cstrong>the Contest closes on March 13 at 11:59 p.m. ET.\u003c/strong>\u003c/li>\n\u003c/ol>\n\u003cp>The winner will play a Tiny Desk concert, be interviewed on\u003cem> All Things Considered\u003c/em> and headline our Tiny Desk Contest On The Road tour. But even if you don’t win, there are tons of ways you might benefit from entering — first, you join a supportive community of creatives from across the country. You also have a ton of opportunities to be featured by NPR Music over the next few months — we’ll be sharing standout entries on the \u003ca href=\"https://www.npr.org/series/1072544367/tiny-desk-contest\">Contest blog\u003c/a>, on NPR Music’s social channels, on YouTube as part of our annual Top Shelf series and more.\u003c/p>\n\u003cp>We’re also expanding our Tiny Desk Contest On The Road tour this summer. After this year’s winner plays their Tiny Desk concert, they’ll hit the road to play shows alongside other entrants in Los Angeles, Oakland, Houston, Chicago, Seattle, Atlanta, Philadelphia and Brooklyn.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>Questions?\u003c/em> We recommend first completing this \u003ca href=\"https://tinydeskcontest.npr.org/2023-contest/rules-quiz/\">quick checklist\u003c/a> to make sure your video is eligible to win. You could also check out our \u003ca href=\"https://help.npr.org/contact/s/article?name=tiny-desk-contest-faq\">FAQs\u003c/a>, or if you’re feeling ambitious, the \u003ca href=\"https://tinydeskcontest.npr.org/2023-contest/2023-rules/\">official Contest rules\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>One last, important thing to keep in mind: Your video doesn’t need to be fancy. The Tiny Desk was born as a DIY project and is a space where artists perform stripped-down sets. While some of our winners had ambitious entry videos, most filmed theirs while simply sitting at their regular old desks in their bedrooms and basements. Our judges are looking for artists with a story to tell, a new perspective to share and a singular talent. Show us what you’ve got.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Want+to+play+your+own+Tiny+Desk+concert%3F+The+2023+Contest+is+now+open+for+entries&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"Unsigned artists can submit their original music to the Contest until March 13.","status":"publish","parent":0,"modified":1705005872,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":509},"headData":{"title":"Want to Play Your Own Tiny Desk Concert? The 2023 Contest Is Now Open for Entries | KQED","description":"Unsigned artists can submit their original music to the Contest until March 13.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Want to Play Your Own Tiny Desk Concert? The 2023 Contest Is Now Open for Entries","datePublished":"2023-02-07T19:22:48.000Z","dateModified":"2024-01-11T20:44:32.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Bobby Carter","nprImageAgency":"NPR","nprStoryId":"1154827261","nprApiLink":"http://api.npr.org/query?id=1154827261&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2023/02/07/1154827261/want-to-play-your-own-tiny-desk-concert-the-2023-contest-is-now-open-for-entries?ft=nprml&f=1154827261","nprRetrievedStory":"1","nprPubDate":"Tue, 07 Feb 2023 09:59:00 -0500","nprStoryDate":"Tue, 07 Feb 2023 09:59:36 -0500","nprLastModifiedDate":"Tue, 07 Feb 2023 09:59:36 -0500","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13924807/want-to-play-your-own-tiny-desk-concert-the-2023-contest-is-now-open-for-entries","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003cem>The Tiny Desk Contest, NPR Music’s annual search for the next great undiscovered artist, is back!\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>First, let’s meet this year’s esteemed panel. Returning judges \u003ca href=\"https://www.npr.org/people/2100252/bob-boilen\">Bob Boilen\u003c/a> (Tiny Desk series creator and \u003cem>All Songs Considered \u003c/em>host) and \u003ca href=\"https://www.npr.org/people/302983377/bobby-carter\">Bobby Carter\u003c/a> (Tiny Desk series producer) will be joined by five new experts: The inimitable Sharon Van Etten, who performed behind the \u003ca href=\"https://youtu.be/ECVEVDES3Js\">original Tiny Desk\u003c/a> in 2010 and then \u003ca href=\"https://www.npr.org/2019/10/07/766645155/sharon-van-etten-tiny-desk-concert\">played again\u003c/a> at today’s Tiny Desk; Baby Rose, who \u003ca href=\"https://www.npr.org/2020/02/10/803620275/baby-rose-tiny-desk-concert\">graced the Desk\u003c/a> with her incredible voice in early 2020; fellow \u003ca href=\"https://www.npr.org/2020/06/22/880379461/sudan-archives-tiny-desk-concert\">Tiny Desk alum\u003c/a> Sudan Archives, a gifted singer and violinist whose sound pulls from R&B, hip-hop and experimental electronic music and, last but not least, \u003ca href=\"https://www.kexp.org/djs/albina-cabrera/\">Albina Cabrera\u003c/a> of KEXP, a champion of independent musicians and Latin American music. Each of these judges has an ear for exceptional talent, is passionate about up-and-coming artists and knows exactly what it takes to perform behind the Tiny Desk.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Related Stories ","postid":"arts_10384842,arts_13860137"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Are you an unsigned artist 18 years or older? Here’s how to enter:\u003c/p>\n\u003col>\n\u003cli>Record a video of you playing one original song behind a desk.\u003c/li>\n\u003cli>Upload your video to YouTube.\u003c/li>\n\u003cli>Submit your video at \u003ca href=\"http://npr.org/tinydeskcontest\">npr.org/tinydeskcontest\u003c/a> before \u003cstrong>the Contest closes on March 13 at 11:59 p.m. ET.\u003c/strong>\u003c/li>\n\u003c/ol>\n\u003cp>The winner will play a Tiny Desk concert, be interviewed on\u003cem> All Things Considered\u003c/em> and headline our Tiny Desk Contest On The Road tour. But even if you don’t win, there are tons of ways you might benefit from entering — first, you join a supportive community of creatives from across the country. You also have a ton of opportunities to be featured by NPR Music over the next few months — we’ll be sharing standout entries on the \u003ca href=\"https://www.npr.org/series/1072544367/tiny-desk-contest\">Contest blog\u003c/a>, on NPR Music’s social channels, on YouTube as part of our annual Top Shelf series and more.\u003c/p>\n\u003cp>We’re also expanding our Tiny Desk Contest On The Road tour this summer. After this year’s winner plays their Tiny Desk concert, they’ll hit the road to play shows alongside other entrants in Los Angeles, Oakland, Houston, Chicago, Seattle, Atlanta, Philadelphia and Brooklyn.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Questions?\u003c/em> We recommend first completing this \u003ca href=\"https://tinydeskcontest.npr.org/2023-contest/rules-quiz/\">quick checklist\u003c/a> to make sure your video is eligible to win. You could also check out our \u003ca href=\"https://help.npr.org/contact/s/article?name=tiny-desk-contest-faq\">FAQs\u003c/a>, or if you’re feeling ambitious, the \u003ca href=\"https://tinydeskcontest.npr.org/2023-contest/2023-rules/\">official Contest rules\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>One last, important thing to keep in mind: Your video doesn’t need to be fancy. The Tiny Desk was born as a DIY project and is a space where artists perform stripped-down sets. While some of our winners had ambitious entry videos, most filmed theirs while simply sitting at their regular old desks in their bedrooms and basements. Our judges are looking for artists with a story to tell, a new perspective to share and a singular talent. Show us what you’ve got.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Want+to+play+your+own+Tiny+Desk+concert%3F+The+2023+Contest+is+now+open+for+entries&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13924807/want-to-play-your-own-tiny-desk-concert-the-2023-contest-is-now-open-for-entries","authors":["byline_arts_13924807"],"categories":["arts_1","arts_835","arts_69"],"tags":["arts_1720","arts_1377"],"affiliates":["arts_137"],"featImg":"arts_13924818","label":"arts_137"},"arts_13924654":{"type":"posts","id":"arts_13924654","meta":{"index":"posts_1591205157","site":"arts","id":"13924654","score":null,"sort":[1675384617000]},"guestAuthors":[],"slug":"triple-threat-bay-area-bluegrass-musician-goes-for-grammy-gold","title":"‘Triple Threat’ Bay Area Bluegrass Musician Goes for Grammy Gold","publishDate":1675384617,"format":"standard","headTitle":"‘Triple Threat’ Bay Area Bluegrass Musician Goes for Grammy Gold | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Singer and guitarist \u003ca href=\"https://www.mollytuttlemusic.com/\">Molly Tuttle\u003c/a> has been lighting up the bluegrass music scene with her third album, \u003cem>Crooked Tree\u003c/em> — and she’s got two Grammy nominations this year to prove it. One is for Best Bluegrass Album and one is for the coveted Best New Artist award — making her the first bluegrass artist to be nominated in the latter category.\u003c/p>\n\u003cp>“It just wasn’t on my radar of even being a possibility,” Tuttle says of the Best New Artist nomination. “So when I saw that, it just blew me away. I was kind of in disbelief for a few days.”\u003c/p>\n\u003cp>Tuttle, who grew up in Palo Alto and now lives in Nashville, is no stranger to awards, though. She’s a two-time winner of the International Bluegrass Music Association’s Guitar Player of the Year award — the first woman to win the title. In 2022, she was named Female Vocalist of the Year by the same organization.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=9zIlaJ-RroQ\u003c/p>\n\u003cp>It’s recognition that affirms what her father \u003ca href=\"https://www.jacktuttle.com/\">Jack Tuttle\u003c/a>, a Palo Alto-based bluegrass musician and music teacher, sees as her triple-threat talent.\u003c/p>\n\u003cp>“Molly can play very intricate, complex lines that are very fluid. Kind of smoother, cleaner than your typical bluegrass guitar player,” Tuttle says. “She’s got that package now of high-level guitar playing, great singer and a really good songwriter.”\u003c/p>\n\u003cp>Molly Tuttle knew by high school that she wanted music to be her path. She’d been playing at bluegrass jams since she was 11, plus festival gigs alongside her father and two brothers in the family band, The Tuttles.\u003c/p>\n\u003cp>“When I had other friends talk about colleges and what they wanted to do after graduating, it dawned on me that like, all I really want to do is play music,” Tuttle says. “And that’s what I’m doing every chance I get. Every weekend I’m trying to play shows and I get home and want to practice guitar.”\u003c/p>\n\u003cfigure id=\"attachment_13924681\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13924681\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-800x539.jpeg\" alt=\"a four piece band, an older man with white hair and three kids, one girl and two young boys, all playing guitar\" width=\"800\" height=\"539\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-800x539.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-1020x687.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-160x108.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-768x517.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-1536x1034.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-2048x1379.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-1920x1293.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Teenaged Molly Tuttle with her father, Jack Tuttle, and brothers Michael (left) and Sullivan (right) performing at a Bay Area fundraiser as their band The Tuttles. \u003ccite>(Courtesy of Jack Tuttle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She first honed her songwriting skills by taking classes at Foothill Community College in Los Altos Hills during her last two years of high school. She then set off to Berklee College of Music in Boston, where she studied in their Americana Roots program.\u003c/p>\n\u003cp>At the start of her career, though, Tuttle didn’t want to be pigeonholed as a bluegrass artist.\u003c/p>\n\u003cp>“I felt like I had all this other music that I loved to listen to and that I loved to write,” Tuttle says. “So my first two records were \u003ca href=\"https://www.youtube.com/watch?v=EQHecBZTx-Q\">kind of a departure\u003c/a> from the music I grew up with and that felt really natural to me.”\u003c/p>\n\u003cp>Then the pandemic hit. Between sheltering in place and the shutdown of music venues and festivals, Tuttle realized how much she missed the bluegrass community.\u003c/p>\n\u003cp>“Bluegrass music is so cool because you go to a festival and you see all your friends. And you might see people who are up on the stage and at night they’re in the campsite jamming. It’s really communal music,” Tuttle says.\u003c/p>\n\u003cp>Now, with the success of \u003ci>Crooked Tree,\u003c/i> Tuttle’s headlining some of the big festivals she grew up watching her music heroes play.\u003c/p>\n\u003cp>“I feel like I’ve reached so many of those early dreams that I had as a kid,” Tuttle reflects. “It feels really cool. Like this year we’re going to headline the \u003ca href=\"https://californiabluegrass.org/fathers_day_festival/fdf-home/\">Father’s Day Bluegrass Festival\u003c/a>, which I grew up going to in Grass Valley.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=i7yYfC2Osl0\u003c/p>\n\u003cp>That festival inspired the song “Grass Valley” on her Grammy-nominated album. It features her father on backing vocals and came out of a yearning for togetherness during the height of the pandemic.\u003c/p>\n\u003cp>“When we were no longer able to gather, something about that triggered this kind of feeling in me. Like, I want to make these songs that people can jam on in the campsites and play with their friends,” Tuttle says. “It’s probably the most autobiographical song on the record. I just wanted to pay tribute to where it all started for me.”\u003c/p>\n\u003cp>Another song on her album also conjures memories of home, albeit bittersweet ones. Titled \u003ca href=\"https://www.youtube.com/watch?v=RyR4uMhUKkg\">“San Francisco Blues,”\u003c/a> the song laments the impacts of gentrification in the Bay Area.\u003c/p>\n\u003cp>“It’s sort of a personal song. That disconnect between, like, I go back and all my favorite spots are disappearing and the vibe seems different from when I used to go into the city as a kid,” Tuttle says.\u003c/p>\n\u003cp>It’s also a nod to people who have been pushed out of the Bay Area due to the high cost of living, something she relates to as a musician. Despite being regularly homesick for California, she says, “it definitely makes more sense to live here in Nashville, where it’s more affordable.”\u003c/p>\n\u003cp>Right now, though, those blues are taking a backseat to the pride that Molly Tuttle, her family and local fans are feeling as her star rises, including the Grammy nod.\u003c/p>\n\u003cp>“You can see the pride in all the people in the bluegrass community. She’s like the home state gal that’s making it big,” says Jack Tuttle.\u003c/p>\n\u003cp>And Molly Tuttle says she’s taking that support with her into Grammy night: “I definitely feel the Bay Area music scene rooting for me, which is cool.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Palo Alto-raised Molly Tuttle is up for two awards including Best New Artist, making her the first bluegrass musician to be nominated in the category.","status":"publish","parent":0,"modified":1705005887,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":24,"wordCount":989},"headData":{"title":"‘Triple Threat’ Bay Area Bluegrass Musician Goes for Grammy Gold | KQED","description":"Palo Alto-raised Molly Tuttle is up for two awards including Best New Artist, making her the first bluegrass musician to be nominated in the category.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"‘Triple Threat’ Bay Area Bluegrass Musician Goes for Grammy Gold","datePublished":"2023-02-03T00:36:57.000Z","dateModified":"2024-01-11T20:44:47.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/9350b1ae-4eee-4fd3-ae4b-af9f013c51e8/audio.mp3","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13924654/triple-threat-bay-area-bluegrass-musician-goes-for-grammy-gold","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Singer and guitarist \u003ca href=\"https://www.mollytuttlemusic.com/\">Molly Tuttle\u003c/a> has been lighting up the bluegrass music scene with her third album, \u003cem>Crooked Tree\u003c/em> — and she’s got two Grammy nominations this year to prove it. One is for Best Bluegrass Album and one is for the coveted Best New Artist award — making her the first bluegrass artist to be nominated in the latter category.\u003c/p>\n\u003cp>“It just wasn’t on my radar of even being a possibility,” Tuttle says of the Best New Artist nomination. “So when I saw that, it just blew me away. I was kind of in disbelief for a few days.”\u003c/p>\n\u003cp>Tuttle, who grew up in Palo Alto and now lives in Nashville, is no stranger to awards, though. She’s a two-time winner of the International Bluegrass Music Association’s Guitar Player of the Year award — the first woman to win the title. In 2022, she was named Female Vocalist of the Year by the same organization.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/9zIlaJ-RroQ'\n title='//www.youtube.com/embed/9zIlaJ-RroQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It’s recognition that affirms what her father \u003ca href=\"https://www.jacktuttle.com/\">Jack Tuttle\u003c/a>, a Palo Alto-based bluegrass musician and music teacher, sees as her triple-threat talent.\u003c/p>\n\u003cp>“Molly can play very intricate, complex lines that are very fluid. Kind of smoother, cleaner than your typical bluegrass guitar player,” Tuttle says. “She’s got that package now of high-level guitar playing, great singer and a really good songwriter.”\u003c/p>\n\u003cp>Molly Tuttle knew by high school that she wanted music to be her path. She’d been playing at bluegrass jams since she was 11, plus festival gigs alongside her father and two brothers in the family band, The Tuttles.\u003c/p>\n\u003cp>“When I had other friends talk about colleges and what they wanted to do after graduating, it dawned on me that like, all I really want to do is play music,” Tuttle says. “And that’s what I’m doing every chance I get. Every weekend I’m trying to play shows and I get home and want to practice guitar.”\u003c/p>\n\u003cfigure id=\"attachment_13924681\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13924681\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-800x539.jpeg\" alt=\"a four piece band, an older man with white hair and three kids, one girl and two young boys, all playing guitar\" width=\"800\" height=\"539\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-800x539.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-1020x687.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-160x108.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-768x517.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-1536x1034.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-2048x1379.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/High-School-Cystic-Fibrosis-Fundraiser-1920x1293.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Teenaged Molly Tuttle with her father, Jack Tuttle, and brothers Michael (left) and Sullivan (right) performing at a Bay Area fundraiser as their band The Tuttles. \u003ccite>(Courtesy of Jack Tuttle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She first honed her songwriting skills by taking classes at Foothill Community College in Los Altos Hills during her last two years of high school. She then set off to Berklee College of Music in Boston, where she studied in their Americana Roots program.\u003c/p>\n\u003cp>At the start of her career, though, Tuttle didn’t want to be pigeonholed as a bluegrass artist.\u003c/p>\n\u003cp>“I felt like I had all this other music that I loved to listen to and that I loved to write,” Tuttle says. “So my first two records were \u003ca href=\"https://www.youtube.com/watch?v=EQHecBZTx-Q\">kind of a departure\u003c/a> from the music I grew up with and that felt really natural to me.”\u003c/p>\n\u003cp>Then the pandemic hit. Between sheltering in place and the shutdown of music venues and festivals, Tuttle realized how much she missed the bluegrass community.\u003c/p>\n\u003cp>“Bluegrass music is so cool because you go to a festival and you see all your friends. And you might see people who are up on the stage and at night they’re in the campsite jamming. It’s really communal music,” Tuttle says.\u003c/p>\n\u003cp>Now, with the success of \u003ci>Crooked Tree,\u003c/i> Tuttle’s headlining some of the big festivals she grew up watching her music heroes play.\u003c/p>\n\u003cp>“I feel like I’ve reached so many of those early dreams that I had as a kid,” Tuttle reflects. “It feels really cool. Like this year we’re going to headline the \u003ca href=\"https://californiabluegrass.org/fathers_day_festival/fdf-home/\">Father’s Day Bluegrass Festival\u003c/a>, which I grew up going to in Grass Valley.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/i7yYfC2Osl0'\n title='//www.youtube.com/embed/i7yYfC2Osl0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>That festival inspired the song “Grass Valley” on her Grammy-nominated album. It features her father on backing vocals and came out of a yearning for togetherness during the height of the pandemic.\u003c/p>\n\u003cp>“When we were no longer able to gather, something about that triggered this kind of feeling in me. Like, I want to make these songs that people can jam on in the campsites and play with their friends,” Tuttle says. “It’s probably the most autobiographical song on the record. I just wanted to pay tribute to where it all started for me.”\u003c/p>\n\u003cp>Another song on her album also conjures memories of home, albeit bittersweet ones. Titled \u003ca href=\"https://www.youtube.com/watch?v=RyR4uMhUKkg\">“San Francisco Blues,”\u003c/a> the song laments the impacts of gentrification in the Bay Area.\u003c/p>\n\u003cp>“It’s sort of a personal song. That disconnect between, like, I go back and all my favorite spots are disappearing and the vibe seems different from when I used to go into the city as a kid,” Tuttle says.\u003c/p>\n\u003cp>It’s also a nod to people who have been pushed out of the Bay Area due to the high cost of living, something she relates to as a musician. Despite being regularly homesick for California, she says, “it definitely makes more sense to live here in Nashville, where it’s more affordable.”\u003c/p>\n\u003cp>Right now, though, those blues are taking a backseat to the pride that Molly Tuttle, her family and local fans are feeling as her star rises, including the Grammy nod.\u003c/p>\n\u003cp>“You can see the pride in all the people in the bluegrass community. She’s like the home state gal that’s making it big,” says Jack Tuttle.\u003c/p>\n\u003cp>And Molly Tuttle says she’s taking that support with her into Grammy night: “I definitely feel the Bay Area music scene rooting for me, which is cool.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13924654/triple-threat-bay-area-bluegrass-musician-goes-for-grammy-gold","authors":["11296"],"categories":["arts_1","arts_835","arts_69"],"tags":["arts_2415","arts_1685","arts_19556","arts_1720","arts_1315"],"featImg":"arts_13924659","label":"arts"},"arts_13924375":{"type":"posts","id":"arts_13924375","meta":{"index":"posts_1591205157","site":"arts","id":"13924375","score":null,"sort":[1675121290000]},"guestAuthors":[],"slug":"ambrose-akinmusire-jazz-trumpet-grammys-oakland-music","title":"Ambrose Akinmusire Is Skipping the Grammys to Honor His Music Heroes","publishDate":1675121290,"format":"standard","headTitle":"Ambrose Akinmusire Is Skipping the Grammys to Honor His Music Heroes | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Oakland-born jazz trumpeter \u003ca href=\"https://www.ambroseakinmusire.com/\">Ambrose Akinmusire\u003c/a> received the second Grammy nomination of his career in November. It was for Best Improvised Jazz Solo, with the song “Rounds (Live)” on Terri Lynne Carrington’s pivotal \u003cem>\u003ca href=\"https://www.npr.org/2022/09/21/1124362063/terri-lyne-carrington-addresses-womens-omission-from-jazz-canon-with-new-standar\">New Standards, Vol. 1\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>But Akinmusire won’t be in Los Angeles on Feb. 5 for this year’s awards ceremony. Instead, the acclaimed musician will be in the Bay — where he’s based — paying tribute to his musical mentors, with a new residency Feb. 3–9 at SFJAZZ.\u003c/p>\n\u003cp>[aside label=\"Related Stories\" postID=\"arts_13887363\"]Described as possibly “the most distinctive, elusive and ultimately satisfying trumpeter of his generation,” by \u003ca href=\"https://www.nytimes.com/2018/10/10/arts/music/ambrose-akinmusire-origami-harvest-review.html\">the \u003ci>New York Times\u003c/i>\u003c/a>, Akinmusire is a master improviser whose original compositions blend influences beyond classical jazz, including poetry, blues and hip-hop. And while his talent and accomplishments regularly send him to venues all over the world, there’s still no place like home.\u003c/p>\n\u003cp>“I believe that Oakland, specifically, is sacred ground,” says Akinmusire. “I think it’s a place where you can come and replenish yourself. And that’s something that I see in the culture. It’s something I hear in the music. It’s something that I hear in the way we talk.”\u003c/p>\n\u003cp>The series of four performances will cap off his role as one of SFJAZZ’s 2022-23 resident artistic directors. “I told [SFJAZZ] I just wanted to find creative ways of saying ‘thank you.’ Showing gratitude,” says the musician of the opportunity.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Dm2eK__EbUw\u003c/p>\n\u003cp>He kicked off the role last March with a residency titled “Porter,” after his first jazz trumpet teacher, the late Robert Porter, and featured guest performances by some of the Bay Area musicians and mentors who shaped him as an artist, like bassist \u003ca href=\"https://www.kqed.org/arts/tag/marcus-shelby\">Marcus Shelby\u003c/a>.\u003c/p>\n\u003cp>“There was a lot of older cats that were here that mentored me that nobody knows of. Like \u003ca href=\"https://www.eastbaytimes.com/2005/02/06/local-jazz-great-ed-kelly-69-dies/\">Ed Kelly\u003c/a> or Robert Porter or \u003ca href=\"https://www.sfgate.com/music/article/Khalil-Shaheed-noted-jazz-trumpet-player-dies-3439622.php\">Khalil Shaheed\u003c/a> … a drummer named Hi Fi — all these old-school cats who were just around,” says Akinmusire, who played in the jazz ensemble at Berkeley High School. “And some of them were ex-Black Panthers and all these other things. But they played jazz and they were really instrumental in developing me and a lot of the younger musicians.”\u003c/p>\n\u003cp>The tribute to his musical heroes continues with this new run of performances, which will feature artists like drummer Thomas Pridgen, formerly of the group Mars Volta, and saxophonist Joshua Redman, a fellow Berkeley High alum.\u003c/p>\n\u003cp>Akinmusire will perform as part of a quartet, trio and duo at the SFJAZZ Center’s Miner Auditorium and then conclude with a solo performance at San Francisco’s Grace Cathedral, giving a cool “countdown” structure to the performances — 4, 3, 2, 1 — for which Akinmusire gives credit to outgoing SFJAZZ founder and executive artistic director Randall Kline.\u003c/p>\n\u003cp>For the duo performance, Akinmusire will be joined by legendary double bassist Ron Carter — which is a dream come true for the trumpeter. “At a young age, I wanted to — and I still want to — be Ron Carter. I want to grow up and have the integrity that he has. I mean everything he says, every note he plays has so much integrity and beauty in it,” says the musician, pointing out that Carter doesn’t typically perform with artists of Akinmusire’s generation.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=86PPN1zVdZw\u003c/p>\n\u003cp>The final, solo performance at Grace Cathedral carries special meaning, says the musician, who notes that he recorded a solo album about a year and a half ago that has yet to be released.\u003c/p>\n\u003cp>“Playing solo has just been something that’s been in the back of my head,” he says. The appeal, he adds, is the beauty that lives in sitting with oneself — and that being enough.\u003c/p>\n\u003cp>“I think when you have a lot of technique and you can play almost everything that’s in your head, it’s hard to commit to beauty. It’s hard to not do the flashy stuff,” says Akinmusire. “So I wanted to do a solo project that is just about sitting in the center of the beauty. The center of self, which is, for me, beauty. And so that’s why I’m doing the Grace Cathedral [show].”\u003c/p>\n\u003cp>And that’s likely why so many music lovers will relish the opportunity to experience it with him.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003ci>Ambrose Akinmusire performs nightly from Feb. 3–5 at the SFJAZZ Center and Feb. 9 at Grace Cathedral in San Francisco. \u003ca href=\"https://www.sfjazz.org/calendar/?month=2.2023&series=50876\">Details here\u003c/a>.\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The acclaimed jazz trumpeter, who received his second nomination in November, performs at an SFJAZZ residency Feb. 3–9.","status":"publish","parent":0,"modified":1705005921,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":814},"headData":{"title":"Ambrose Akinmusire Is Skipping the Grammys for Bay Area Shows | KQED","description":"The acclaimed jazz trumpeter, who received his second nomination in November, performs at an SFJAZZ residency Feb. 3–9.","ogTitle":"Ambrose Akinmusire Is Skipping the Grammys to Honor His Oakland Music Heroes","ogDescription":"","ogImgId":"","twTitle":"Ambrose Akinmusire Is Skipping the Grammys to Honor His Oakland Music Heroes","twDescription":"","twImgId":"","socialTitle":"Ambrose Akinmusire Is Skipping the Grammys for Bay Area Shows %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Ambrose Akinmusire Is Skipping the Grammys to Honor His Music Heroes","datePublished":"2023-01-30T23:28:10.000Z","dateModified":"2024-01-11T20:45:21.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/72b58c58-d7f5-4320-bb30-af9e014a1191/audio.mp3","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13924375/ambrose-akinmusire-jazz-trumpet-grammys-oakland-music","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland-born jazz trumpeter \u003ca href=\"https://www.ambroseakinmusire.com/\">Ambrose Akinmusire\u003c/a> received the second Grammy nomination of his career in November. It was for Best Improvised Jazz Solo, with the song “Rounds (Live)” on Terri Lynne Carrington’s pivotal \u003cem>\u003ca href=\"https://www.npr.org/2022/09/21/1124362063/terri-lyne-carrington-addresses-womens-omission-from-jazz-canon-with-new-standar\">New Standards, Vol. 1\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>But Akinmusire won’t be in Los Angeles on Feb. 5 for this year’s awards ceremony. Instead, the acclaimed musician will be in the Bay — where he’s based — paying tribute to his musical mentors, with a new residency Feb. 3–9 at SFJAZZ.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Related Stories ","postid":"arts_13887363"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Described as possibly “the most distinctive, elusive and ultimately satisfying trumpeter of his generation,” by \u003ca href=\"https://www.nytimes.com/2018/10/10/arts/music/ambrose-akinmusire-origami-harvest-review.html\">the \u003ci>New York Times\u003c/i>\u003c/a>, Akinmusire is a master improviser whose original compositions blend influences beyond classical jazz, including poetry, blues and hip-hop. And while his talent and accomplishments regularly send him to venues all over the world, there’s still no place like home.\u003c/p>\n\u003cp>“I believe that Oakland, specifically, is sacred ground,” says Akinmusire. “I think it’s a place where you can come and replenish yourself. And that’s something that I see in the culture. It’s something I hear in the music. It’s something that I hear in the way we talk.”\u003c/p>\n\u003cp>The series of four performances will cap off his role as one of SFJAZZ’s 2022-23 resident artistic directors. “I told [SFJAZZ] I just wanted to find creative ways of saying ‘thank you.’ Showing gratitude,” says the musician of the opportunity.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Dm2eK__EbUw'\n title='//www.youtube.com/embed/Dm2eK__EbUw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>He kicked off the role last March with a residency titled “Porter,” after his first jazz trumpet teacher, the late Robert Porter, and featured guest performances by some of the Bay Area musicians and mentors who shaped him as an artist, like bassist \u003ca href=\"https://www.kqed.org/arts/tag/marcus-shelby\">Marcus Shelby\u003c/a>.\u003c/p>\n\u003cp>“There was a lot of older cats that were here that mentored me that nobody knows of. Like \u003ca href=\"https://www.eastbaytimes.com/2005/02/06/local-jazz-great-ed-kelly-69-dies/\">Ed Kelly\u003c/a> or Robert Porter or \u003ca href=\"https://www.sfgate.com/music/article/Khalil-Shaheed-noted-jazz-trumpet-player-dies-3439622.php\">Khalil Shaheed\u003c/a> … a drummer named Hi Fi — all these old-school cats who were just around,” says Akinmusire, who played in the jazz ensemble at Berkeley High School. “And some of them were ex-Black Panthers and all these other things. But they played jazz and they were really instrumental in developing me and a lot of the younger musicians.”\u003c/p>\n\u003cp>The tribute to his musical heroes continues with this new run of performances, which will feature artists like drummer Thomas Pridgen, formerly of the group Mars Volta, and saxophonist Joshua Redman, a fellow Berkeley High alum.\u003c/p>\n\u003cp>Akinmusire will perform as part of a quartet, trio and duo at the SFJAZZ Center’s Miner Auditorium and then conclude with a solo performance at San Francisco’s Grace Cathedral, giving a cool “countdown” structure to the performances — 4, 3, 2, 1 — for which Akinmusire gives credit to outgoing SFJAZZ founder and executive artistic director Randall Kline.\u003c/p>\n\u003cp>For the duo performance, Akinmusire will be joined by legendary double bassist Ron Carter — which is a dream come true for the trumpeter. “At a young age, I wanted to — and I still want to — be Ron Carter. I want to grow up and have the integrity that he has. I mean everything he says, every note he plays has so much integrity and beauty in it,” says the musician, pointing out that Carter doesn’t typically perform with artists of Akinmusire’s generation.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/86PPN1zVdZw'\n title='//www.youtube.com/embed/86PPN1zVdZw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The final, solo performance at Grace Cathedral carries special meaning, says the musician, who notes that he recorded a solo album about a year and a half ago that has yet to be released.\u003c/p>\n\u003cp>“Playing solo has just been something that’s been in the back of my head,” he says. The appeal, he adds, is the beauty that lives in sitting with oneself — and that being enough.\u003c/p>\n\u003cp>“I think when you have a lot of technique and you can play almost everything that’s in your head, it’s hard to commit to beauty. It’s hard to not do the flashy stuff,” says Akinmusire. “So I wanted to do a solo project that is just about sitting in the center of the beauty. The center of self, which is, for me, beauty. And so that’s why I’m doing the Grace Cathedral [show].”\u003c/p>\n\u003cp>And that’s likely why so many music lovers will relish the opportunity to experience it with him.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003ci>Ambrose Akinmusire performs nightly from Feb. 3–5 at the SFJAZZ Center and Feb. 9 at Grace Cathedral in San Francisco. \u003ca href=\"https://www.sfjazz.org/calendar/?month=2.2023&series=50876\">Details here\u003c/a>.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13924375/ambrose-akinmusire-jazz-trumpet-grammys-oakland-music","authors":["11296"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_69"],"tags":["arts_4516","arts_8355","arts_1270","arts_1626","arts_1420","arts_1720","arts_1143","arts_2048","arts_585"],"featImg":"arts_13924461","label":"arts_140"},"arts_13921657":{"type":"posts","id":"arts_13921657","meta":{"index":"posts_1591205157","site":"arts","id":"13921657","score":null,"sort":[1668637040000]},"guestAuthors":[],"slug":"rainbow-girls-american-dream-reminds-us-were-more-than-our-bank-accounts","title":"Rainbow Girls’ ‘American Dream’ Reminds Us We’re More Than Our Bank Accounts","publishDate":1668637040,"format":"standard","headTitle":"Rainbow Girls’ ‘American Dream’ Reminds Us We’re More Than Our Bank Accounts | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Songs that straight-up tell you they’re about America are tricky. They can veer so easily into grandstanding or cliché. The ones that don’t — the songs that say something \u003ca href=\"https://www.youtube.com/watch?v=VYOjWnS4cMY\" target=\"_blank\" rel=\"noopener noreferrer\">real and honest\u003c/a> about the United States — are often sad and conflicted. Then we as listeners \u003ca href=\"https://www.youtube.com/watch?v=EPhWR4d3FJQ\">overlook those darker aspects\u003c/a> in our collective memory in order to make said songs more easily enjoyable at 4th of July barbecues. This irony isn’t new.\u003c/p>\n\u003cp>What’s fresh about \u003ca href=\"https://www.kqed.org/news/11638481/rainbow-girls-turn-up-their-political-message-by-turning-off-their-amps\">Rainbow Girls\u003c/a>’ “American Dream” is how poignantly the North Bay trio captures the changing shape of this country’s broken promises — without soapboxing. This song knocks the wind out of me. Vulnerability, stubborn hope and deep, overwhelming grief all leak through the spaces between the words and the harmonies and the fingerpicked guitar.[aside label= postID=\"news_11638481\"]\u003c/p>\n\u003cp>The band wrote “American Dream” \u003ca href=\"https://www.popmatters.com/rainbow-girls-american-dream-2507655759.html\">five years ago\u003c/a>; it’s the title track from an album they released November 8, 2017. When I first heard it — a year after the election that, fittingly, knocked the wind out of so many of us — it made me cry. It tapped so perfectly into that feeling of being \u003cem>robbed\u003c/em>.\u003c/p>\n\u003cp>But of course I had also spent much of 2017 feeling stupid, and privileged, for thinking anything had ever been guaranteed. To those of us who graduated high school around 9/11 (kicking off decades of war) and entered the job market during a historic recession (all while basic costs of living continued to skyrocket), adult life had been one instance after another of the bottom dropping out. Why should we expect anything different?\u003c/p>\n\u003cp>Five years later, now with a live version and warm, intimate video recorded at the band’s Bodega home, this song still makes me cry — for all the same reasons and also some new ones.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>It’s nice to have a plan for growing old\u003cbr>\nUnfathomable luxury, a plan for growing old\u003cbr>\nIt hits you all at once, then you wish that you’d been told\u003cbr>\nBut circumstances change and then you’re kicked out in the cold\u003cbr>\nBut everyone’s worth something and it’s not their weight in gold\u003c/em>\u003c/p>\n\u003cp>A lot of people have downsized their dreams over the last few years. Forget a white picket fence and 2.5 children; try staying sober one more day, keeping your loved ones healthy or affording that next grocery run. In 2022, so many of us are trying to stay afloat on an increasingly flimsy life raft of sure things: Will it be safe to have a family holiday party next month? Will I be able to afford health care when I’m 65? Will it not matter, because the entirety of California will be on fire or under the sea or somehow both?\u003c/p>\n\u003cp>“American Dream” is a sad and conflicted song, to be sure. But it also now plays, to me, as quietly triumphant. Because against a backdrop of economic desperation and uncertainty, it becomes fundamentally beautiful to \u003cem>have\u003c/em> dreams — to not only admit to them, but to nurture and share them.\u003c/p>\n\u003cp>The institutions have failed us. Home ownership is increasingly out of reach. This song reminds me that how we treat one another, and the small ways we bear witness to each others’ humanity and desire and grief — finding ways to say \u003cem>yes, you were here, your hopes meant something, you mean something\u003c/em> — all of that is still very much up to us.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=rqV852TP8gA\u003c/p>\n\n","blocks":[],"excerpt":"The North Bay trio grieves this country's broken promises — and offers a quietly radical morsel of hope.","status":"publish","parent":0,"modified":1705006152,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":610},"headData":{"title":"Rainbow Girls’ ‘American Dream’ Reminds Us We’re More Than Our Bank Accounts | KQED","description":"The North Bay trio grieves this country's broken promises — and offers a quietly radical morsel of hope.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Rainbow Girls’ ‘American Dream’ Reminds Us We’re More Than Our Bank Accounts","datePublished":"2022-11-16T22:17:20.000Z","dateModified":"2024-01-11T20:49:12.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13921657/rainbow-girls-american-dream-reminds-us-were-more-than-our-bank-accounts","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Songs that straight-up tell you they’re about America are tricky. They can veer so easily into grandstanding or cliché. The ones that don’t — the songs that say something \u003ca href=\"https://www.youtube.com/watch?v=VYOjWnS4cMY\" target=\"_blank\" rel=\"noopener noreferrer\">real and honest\u003c/a> about the United States — are often sad and conflicted. Then we as listeners \u003ca href=\"https://www.youtube.com/watch?v=EPhWR4d3FJQ\">overlook those darker aspects\u003c/a> in our collective memory in order to make said songs more easily enjoyable at 4th of July barbecues. This irony isn’t new.\u003c/p>\n\u003cp>What’s fresh about \u003ca href=\"https://www.kqed.org/news/11638481/rainbow-girls-turn-up-their-political-message-by-turning-off-their-amps\">Rainbow Girls\u003c/a>’ “American Dream” is how poignantly the North Bay trio captures the changing shape of this country’s broken promises — without soapboxing. This song knocks the wind out of me. Vulnerability, stubborn hope and deep, overwhelming grief all leak through the spaces between the words and the harmonies and the fingerpicked guitar.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11638481","label":"label="},"numeric":["label="]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The band wrote “American Dream” \u003ca href=\"https://www.popmatters.com/rainbow-girls-american-dream-2507655759.html\">five years ago\u003c/a>; it’s the title track from an album they released November 8, 2017. When I first heard it — a year after the election that, fittingly, knocked the wind out of so many of us — it made me cry. It tapped so perfectly into that feeling of being \u003cem>robbed\u003c/em>.\u003c/p>\n\u003cp>But of course I had also spent much of 2017 feeling stupid, and privileged, for thinking anything had ever been guaranteed. To those of us who graduated high school around 9/11 (kicking off decades of war) and entered the job market during a historic recession (all while basic costs of living continued to skyrocket), adult life had been one instance after another of the bottom dropping out. Why should we expect anything different?\u003c/p>\n\u003cp>Five years later, now with a live version and warm, intimate video recorded at the band’s Bodega home, this song still makes me cry — for all the same reasons and also some new ones.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>It’s nice to have a plan for growing old\u003cbr>\nUnfathomable luxury, a plan for growing old\u003cbr>\nIt hits you all at once, then you wish that you’d been told\u003cbr>\nBut circumstances change and then you’re kicked out in the cold\u003cbr>\nBut everyone’s worth something and it’s not their weight in gold\u003c/em>\u003c/p>\n\u003cp>A lot of people have downsized their dreams over the last few years. Forget a white picket fence and 2.5 children; try staying sober one more day, keeping your loved ones healthy or affording that next grocery run. In 2022, so many of us are trying to stay afloat on an increasingly flimsy life raft of sure things: Will it be safe to have a family holiday party next month? Will I be able to afford health care when I’m 65? Will it not matter, because the entirety of California will be on fire or under the sea or somehow both?\u003c/p>\n\u003cp>“American Dream” is a sad and conflicted song, to be sure. But it also now plays, to me, as quietly triumphant. Because against a backdrop of economic desperation and uncertainty, it becomes fundamentally beautiful to \u003cem>have\u003c/em> dreams — to not only admit to them, but to nurture and share them.\u003c/p>\n\u003cp>The institutions have failed us. Home ownership is increasingly out of reach. This song reminds me that how we treat one another, and the small ways we bear witness to each others’ humanity and desire and grief — finding ways to say \u003cem>yes, you were here, your hopes meant something, you mean something\u003c/em> — all of that is still very much up to us.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/rqV852TP8gA'\n title='//www.youtube.com/embed/rqV852TP8gA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13921657/rainbow-girls-american-dream-reminds-us-were-more-than-our-bank-accounts","authors":["7237"],"categories":["arts_1","arts_69"],"tags":["arts_17110","arts_2415","arts_21788","arts_1720","arts_13240"],"featImg":"arts_13921664","label":"arts"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? 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