Deep Sea Fishing, Filipino Roots and Belonging ‘Where We Are’
Beyoncé Fans Reflect on Election Year Concerns at San Francisco Drag Show
‘25 Years Later’ Revisits the ‘Trancestors’ of 2005’s ‘The Aggressives’ Documentary
The Earthquakes, SF's LGBTQ+ Hockey Team, Get Ready for Their Comeback
In Praise of Tammy Hall, the Bay Area’s Indispensable Jazz Accompanist
‘Love Lies Bleeding’ Seduces With Sex and Suspense Before Spiraling
A Queer Party Renaissance Brings New Life to Downtown Oakland
At SFMOMA, Zanele Muholi Documents South African Queer Life with Intense Feeling
BAMPFA Film Series Spotlights Trans Masculine, Butch and Stud Protagonists
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It involves the search for personal identity and the need to pad pockets with paper. Just like many other aspects of Adonis’ life, it centers community.\u003c/p>\n\u003cp>Adonis is a DJ who is immersed in downtown Oakland’s nightlife scene. They currently work with \u003ca href=\"https://www.instagram.com/clubablunt510/\" target=\"_blank\" rel=\"noopener\">Club A.B.L.U.N.T. \u003c/a>(Asian Black Latinx Uniting with Native Tribes) throwing parties that center queer folks at venues around Oakland.\u003c/p>\n\u003cfigure id=\"attachment_13956076\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956076 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47%E2%80%AFPM-800x1191.png\" alt=\"Adonis stands behind a set of turntables while DJing at an event in Oakland. \" width=\"800\" height=\"1191\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM-800x1191.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM-160x238.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM-768x1143.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM.png 982w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adonis stands behind a set of turntables while DJing at an event in Oakland. \u003ccite>(Courtesy of Adonis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When they’re not on the turntables, Adonis spends significant portions of their summers doing deep-sea commercial fishing in Alaska. Adonis sees it as a way to pay bills, build community, and learn more about their Filipino roots.\u003c/p>\n\u003cp>Adopted from Cebu City as a child and raised in Maine, Adonis’ quest to learn more about their heritage has taken them across oceans and seas. They’ve taken trips to visit the Philippines, and have studied the Filipino martial art of \u003ca href=\"https://www.eskabodaan.net/\">Eskabo Daan\u003c/a>.\u003c/p>\n\u003cp>This week we discuss how it all intertwines — the search for self, love of community, deep sea fishing and appreciation of the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13956077\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956077 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18%E2%80%AFPM-800x1023.png\" alt=\"A pile of fish appear in the foreground of a photo of two people in a boat on a body of water.\" width=\"800\" height=\"1023\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-800x1023.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-1020x1304.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-160x205.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-768x982.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-1201x1536.png 1201w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM.png 1234w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adonis and a friend bundled up on a cold but successful day of deep sea fishing in Alaska. \u003ccite>(Courtesy of Adonis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC1228855841\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw, Host: \u003c/b>\u003cspan style=\"font-weight: 400\">Welcome to Rightnowish, it’s your host, Pendarvis Harshaw. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ok, we all know that one person who has a damn good life story to tell. You know, that one person who has seen some wild things and has had some extraordinary experiences, someone like today’s guest. Their name is Adonis.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Adonis is a deep sea diver, a nightclub DJ, a commercial fisherman, and a highly-trained martial artIst, plus they also have a day job. Still, through all of these experiences, they have the ability to find community anywhere, be it in a sea of people in a crowded club or literally in the middle of the ocean. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When it comes to the Bay Area, Adonis has participated in collectives that have been influential in Oakland’s vibrant, queer nightlife. Each one brings much-needed representation and exposure for queer, BIPOC DJs and performers.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Adonis told me some amazing stories about exploration, friendship, and getting connected to the roots of their Filipino identity. I invite you all to enjoy this ride, right after this message.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> You have this wonderful story of your fascination with the ocean and the seafaring creatures of the world. Where does it all begin? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis, Guest:\u003c/b>\u003cspan style=\"font-weight: 400\"> I really think a big part of this story, for me, is being an adoptee. Uh, my parents were from Maine, or, and they live there now. And so I went to Maine, and I started to be a bit rebellious, they might say. And so there was a punk scene in Maine, it got me traveling around. I had lived in Guatemala in Quetzaltenango. I was going to this school called Proyecto Lingüístico de Quetzalteco.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There had been a post online. It was called riseup.net, which is what all the anarchists use. It was encrypted, uh, encrypted email. And so there was a group that I had been in at the time, which was for women and trans women and non binary folks to connect around shared interests of travel, punk, whatever, music. And so, there was a call out that there was an anarchist sailing meetup in, uh, Rio Dulce, in Guatemala. I wasn’t on the internet like that, so I reached out on my little computer, actually probably I had a library computer, and tried to figure out who was going from our crews.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There were two spots and, or maybe three spots, and me and a couple friends, who also used to live here in Oakland, we all, we grabbed those spots out of many people ‘cause of our charisma and good looks, I imagine. And so we all got down to Guatemala, however we got down there, and, uh, jumped onto, into these workshops. People had brought their boats, there was people from Spain, people from Canada,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I really got to see the ocean in a very specific way through sailing. And we were going from Rio Dulce to the Las Islas de la Bahia in Honduras. I forget which one. I think it was Utila. And the boat just fell apart in the storm. Like, the tiller, which is how you control the rudder of the boat, just snapped off. Everything just fell apart and we had to limp back. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And they were like, “Oh, I’m so sorry. Like, this was supposed to be really cool for you.” And I was so seasick. This was the first, I was like throwing up everywhere. I couldn’t keep food down. It was four days of just trying to get to this place that was not far away. And I, we got back to land and like, “We understand if you want to get off,” and I just looked at them and I was like, ‘That was the most amazing thing I’ve ever done in my life.’ \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You said you had come in contact with an eel..\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">Right, so eventually, we finally made it to Utila. We had to go back, because we were eventually going to go up to Cuba and I think this was 2012. And, um, from where, where I’m from, if you’re in Maine, if you are in the ocean, it’s probably because you fell in and you’ll maybe die there. You just don’t do that. There’s a lot of sailors there. They’re like, “No, no, no, we don’t go swimming here, that’s how you die.” And so I had that in my head, that’s what would happen.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We get to the Bay Islands and they’re like, oh, we’re going scuba or not scuba diving, uh, “We’re going snorkeling.” \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[Chuckles]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> And I was like, ‘That sounds boring.’ And they’re like, “Oh no, we just crossed this really razor sharp reef over here in our flippers walking backwards. And then you jump in and it’s really beautiful.” \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[chuckles] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">And, uh, they finally convinced me. I put on these flippers and so I flopped in, and the reef is just this like, It felt iridescent. The sun was coming through the water. There was just colors everywhere, fish flying around my face. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Um, I looked down and there’s this emerald pile of something on the ground. I’m like, ‘What is that?’ I knew I could dive a little bit. And so, I dove down as deep as I could. And I got close enough and I was like, ‘Oh, that’s a moray eel.’ It was a, like, 15 to 20-foot long moray eel and it had a head that was maybe the size of my own head and it was opening its mouth up and down, up and down with these razor sharp teeth and I was so enamored with this beautiful thing in front of me. I just put my face into it and I stared at it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I don’t even know how long I had been down there for. So we go back up, and they’re like, “What the hell are you doing down there?” And I was like, ‘Did you guys see that?’ They were like, “Yeah, and that thing could bite you. Like, you just don’t do that.” But I was so enthralled, and I was like, I can’t stop. And so for the days that we were there still repairing our boats, every day I went down there to just look at things. And from that day forward, um, my life became sailboats. And then after that, I would sail for about four years, having my own vessel, um, going up to Alaska and fishing up there, uh, going, taking other people’s boats to Cuba back in the day and helping people get down to Panama, going through Panama canal, all over. So that’s really how it all began. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">It could almost seem conflicting to some, where it’s like, wait, you fell in love with the eel specifically, the fish, and then you in turn become a hunter and later become a fisherman. And what, what’s the connection between the two? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> I was on these boats with these really amazing women who were sailors, and they all sailed together. They would go to different parts of the world, meet back up, and these women were like, I was like, ‘what do you guys do for work?’ And they were like, “Oh, we are commercial fishermen in Alaska.” And I was like, ‘So I can just go up there and make thousands of dollars salmon fishing?’ And they were like, “This is the best kept secret. You should come up there and we’ll help you get a job.”\u003c/span> \u003cspan style=\"font-weight: 400\">So these women actually helped place me into these positions.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I know Native folks, and I know a couple of like, uh, Black folks, even that came up from Oakland in the 70s that fished up there. But people who were actually running boats or crew, it’s very rare to see people of color up there. And so there’s a whole lineage of Filipinos that were up there in this cannery, which I now fish for. There’s actually a little hut that’s called San Paquita and Caul and that’s where all the Filipinos would hang out at. Um, and it’s still there to this day, and there’s graffiti all over it in this old cannery. And it also has this very huge connection to my life and understanding my own identity. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I was adopted from Cebu City.\u003c/span> \u003cspan style=\"font-weight: 400\">I didn’t feel like I had this connection, right? I was like, oh, I don’t know how to speak these languages. I don’t know what my people were doing. I don’t feel connected to my bloodline. And so to have that all tied back together with, I mean, our people were sailors, how did we get there?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You can look at the Bajau people. Those people are spearfishing. They make their own goggles, they were making their own flippers out of whatever they had around, and they were diving down there for 5, 6, 7, 8, 10 minutes getting food. And they’re still more or less nomadic people that live on boats in the Philippines.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As I was doing these things, I was like, ‘Oh, this is what my people did. Oh, I can sail. Oh, I know how to fish,’ like, these are skills and talents that live in my blood. And so I created that, like, art from that, just even, like, the art of sailing, knowing how to sail well, and knowing how to fish well, and knowing how to create lures, and knowing how to cast nets. That lives in my body and so I get to express it. Even though I’m not in the Philippines, it was beautiful to feel like I could integrate my mind and body into skills that I feel my people were amazing at. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> That common thread of things that are, that have been present in your ancestors showing up through you through multiple ways, you have a wide array of talents and fishing is just one of them\u003c/span> \u003cspan style=\"font-weight: 400\">and you’re deeply involved in the community and a number of different groups. I wanted to bring the discussion to the work that you do in Oakland in the nightlife and, and your involvement in it. And so if we could get a little bit of background on yourself as a DJ, tell me about that. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">What was cool about that is that I met this person, and we decided to make art together. And so we created We Are The Ones We’ve Been Waiting For. And\u003c/span> \u003cspan style=\"font-weight: 400\">I started working here as a wardrobe stylist and set design, um, when I came to the Bay Area. And so, I would use those skills I was learning in the commercial world, in the commercial industries, and bring it to We Are the Ones, which was highlighting the narratives of, um, Black and brown trans folks in the bay. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Over the three to five years that We Are The Ones was organizing together, um, we just had some really beautiful parties, a lot of amazing people came through who are now, like, doing really well out here in nightlife. And so now I’m with Club ABlunt, which stands for \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[chuckles]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> Asian, Black, Latinos, United with Native Tribes. And that was a collective that my very good friend, Melanique Robichaud, or Black, she started with these other women in the 90s, in the early 90s. And so once We Are The Ones went its direction and a few of us went another direction, and so it’s now me and, uh, Aura and DJ Brown Amy and Black who are working together to do a very similar, similar thing. it just feels like we’re now out of the underground and we’re, we’ve been at the Oakland museum at the, I’m going to be representing then at the SF library.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’ve been able to pull much bigger, uh, artists as well. People want it. Like, we had Susie Analog at Counterpulse for Oakland Pride and so it’s been really beautiful to feel united on a, on a more global front.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> So much about Oakland in general, specifically downtown Oakland, the nightlife scene-how would you describe what’s going on right now in Oakland’s queer nightlife scene for folks of color?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">You know, so I feel like I took off a year and a half from going out, and I was like, okay, I’m gonna work on some other projects. It’s been really beautiful to reintegrate into nightlife because, and especially into queer and gay nightlife, which is something that I hadn’t really done. I was creating those events for people, and now I’m going to other people’s events at bars that I really had never spent time in. So, like, I mean, The Port’s about to close down, or like, going to the White Horse, or going to Fluid, which is a new place that’s doing really well. It’s really beautiful and seeing that just proliferate. Because a lot of the times I’m like, ‘SF actually doesn’t really care about us.’ SF feels really gatekeep-y and it’s just pulling all this talent from other parts of the world when there’s so much talent here in the Bay. It’s so nice to see this talent in Oakland.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m noticing this common thread of community and it brings me to wonder, like, when you think of the concept of belonging, what comes to mind?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">I guess, as an adoptee, again, I didn’t feel like I belonged. But I feel like I just had to kind of alter my mindset. And be like, I do belong, and I can be here with you, can you be here with me? And when we ask these questions, and I think we really have to look internally and accept ourselves and love ourselves, to know that if anything, we belong where we are.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And no one can take that away from you. They can try, and they will and it gets violent, but no- I think that’s why we even choose to fight back, is because we understand we belong. And that’s why I do the work that I do, or even just be kind to people because I’m like, ‘You belong and your life should also be filled with ease and grace.’\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">When I think about, you said like, it’s a way of fighting, you literally are trained in martial arts as well. And even through that further community, further sense of belonging, maybe we could start with, um, what led you to martial arts and then we could talk about belonging in that as well.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean I danced for a very long time in my life. I played instruments and I think all of those things are connected to the soul of just, you know, being Cebuano, being Visayan, and so I was like, ‘I’m gonna find another art,’ and so I chose-I was like, oh, I’ll try martial arts. So I went on the internet. There wasn’t many places I found, but one stood out, which was called Eskabodan. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When I first walked in, I knew it was a place I belonged to. The school was doing really well at the time on Polk Street and so I stayed. I still train with Grandmaster Kastor today, and he is also a legend. I mean, and now I’m training for my second degree black belt. And I also am assisting him in teaching when we travel to Europe.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It’s been really beautiful to feel another, another type of community here that is very Filipino and very rooted in a Filipino art and very rooted in martial arts. It’s like dancing and it’s a total meditation, which makes me feel really calm and it makes me feel confident.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so when I’m in a place that I think at one point that I would have felt nervous about being in, for my own safety of my body or emotional safety or whatever. I can remind myself that I can be calm and I can remember that I do belong here and that I don’t really have to be afraid.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> I was in Paris actually, coming back from a seminar that we were teaching and, uh, some young kid ripped, tried to rip my necklace off of my, off of my body. And I have never had to use any of my skills that way. And I just remember my knee jerk reaction was to grab them, twist, twist their wrists in a certain way, and then I saw, I saw it. I saw all the openings. I saw where I could have caused this person harm, or taken them out in a certain way. And all I did was I just like, put them on the ground.\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> [laughs] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">And I was like, ‘That’s mine. Please give it back,’ and he did. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Like, time felt like it slowed down, and I was like, oh, this is what I do this for. I do this so I can protect myself, and I can also protect my friends, and I can be confident in the world, which is what I feel like a lot of the work that I’ve done in general is about. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s beautiful, because I’m watching my daughter do martial arts now and I’m like, ‘I wonder will this actually sink in,’ you know? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> It really sinks in. And once it sinks in, it feels like, you can only learn, it’s, it’s like a lesson in life. There’s always more to learn, but the stuff that you learn is priceless and it will always be with you.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The folks who raised you, your parents, what do they think of your journey, of all the skills that you’ve acquired, all the places that you’ve been, this person that you’ve become? Do they appreciate all of that?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> They do. They’ve always loved me and told me that I was doing a great job. You know, so I was raised by white people, and so I feel like they have this thing where they’re like, “You can do whatever you want in the world.” And so I was told that and, you know, I actually really appreciate that from them.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I mean a lot of my friends, they were told that they were basically demons and-for being queer or gay or being trans or whatever and just demonized for their beliefs or kicked out of their house. My parents would never have done that to me. I didn’t even know parents were like that ‘cause my parents weren’t like that. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Now just through the traditions that I practice and the ways that I view the world. I understand, even though they’re not my birth parents, but both my birth parents and my adoptive parents are the most important things-that they, one my birth parents brought me into the world and then these people raised me. Now I appreciate them, and they have, and what I realize is that they have always loved and appreciated me. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> All of the things that you do from the martial arts to the fishing, DJing, community building, if there were a way to succinctly tie them all together, how would you explain what the common thread is?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> I believe as an artist I have this very specific desire to live in a very specific way. And at first it was the thrill of traveling and then the thrill of creating art, and then the thrill of learning, and then the, uh, and just having this lust for experience.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I want other people to be able to experience life this way if they want to. I have allowed myself to do that, and I also believe that you should do that. And so, when we get together, what does that look like? Or, like, let’s talk about it, let’s sing about it, let’s write about it, let’s draw about it, let’s what, how do we feel alive? There’s something there that is, like, about living to me. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">It seems to be the thread of my life right now is that, you know, you have one life, but there are many lives to be lived within it and you are another example of that. And so, yeah, thank you. Thank you for that reminder.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\"> Seriously, thank you.Thank you, thank you, thank you. Big shoutout to Adonis, I appreciate your wisdom and it’s extremely clear that your many experiences have shaped your ability to find and build community wherever you go.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For more info on queer nightlife in Oakland, Club ABLUNT’s instagram account is clubablunt510. That’s spelled like club A-B-L-U-N-T, and that’s 510 as in the area code.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Adonis can be found on Instagram at bodegavendetta It’s spelled B-O-D-E-G-A V-E-N-D-E-T-T-A.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode was hosted by me, Pendarvis Harshaw. It was produced by Sheree Bishop and Marisol Medina-Cadena. Chris Hambrick is our editor. Brendan Willard is our engineer\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Rightnowish team is also supported by Jen Chien, Katie Sprenger, Cesar Saldaña, Ugur Dursun and Holly Kernan.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Rightnowish is a KQED production. Until next time, peace!\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Adonis is a DJ who blends together a search for self, deep sea fishing and the love of community.","status":"publish","parent":0,"modified":1713483138,"stats":{"hasAudio":true,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":69,"wordCount":4189},"headData":{"title":"Deep Sea Fishing, Filipino Roots and Belonging ‘Where We Are’ | KQED","description":"Like all good sailing stories, Adonis' love for the ocean begins with a shipwreck followed by a face-to-face meeting with a huge eel. It involves the search for personal identity and the need to pad pockets with paper. Just like many other aspects of Adonis' life, it centers community.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","socialDescription":"Like all good sailing stories, Adonis' love for the ocean begins with a shipwreck followed by a face-to-face meeting with a huge eel. It involves the search for personal identity and the need to pad pockets with paper. Just like many other aspects of Adonis' life, it centers community."},"audioUrl":"https://www.podtrac.com/pts/redirect.mp3/chrt.fm/track/G6C7C3/traffic.megaphone.fm/KQINC1228855841.mp3?updated=1713389171","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13956068/deep-sea-fishing-filipino-roots-and-belonging-where-we-are","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>Like all good sailing stories, Adonis’ love for the ocean begins with a shipwreck followed by a face-to-face meeting with a huge eel. It involves the search for personal identity and the need to pad pockets with paper. Just like many other aspects of Adonis’ life, it centers community.\u003c/p>\n\u003cp>Adonis is a DJ who is immersed in downtown Oakland’s nightlife scene. They currently work with \u003ca href=\"https://www.instagram.com/clubablunt510/\" target=\"_blank\" rel=\"noopener\">Club A.B.L.U.N.T. \u003c/a>(Asian Black Latinx Uniting with Native Tribes) throwing parties that center queer folks at venues around Oakland.\u003c/p>\n\u003cfigure id=\"attachment_13956076\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956076 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47%E2%80%AFPM-800x1191.png\" alt=\"Adonis stands behind a set of turntables while DJing at an event in Oakland. \" width=\"800\" height=\"1191\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM-800x1191.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM-160x238.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM-768x1143.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.18.47 PM.png 982w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adonis stands behind a set of turntables while DJing at an event in Oakland. \u003ccite>(Courtesy of Adonis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When they’re not on the turntables, Adonis spends significant portions of their summers doing deep-sea commercial fishing in Alaska. Adonis sees it as a way to pay bills, build community, and learn more about their Filipino roots.\u003c/p>\n\u003cp>Adopted from Cebu City as a child and raised in Maine, Adonis’ quest to learn more about their heritage has taken them across oceans and seas. They’ve taken trips to visit the Philippines, and have studied the Filipino martial art of \u003ca href=\"https://www.eskabodaan.net/\">Eskabo Daan\u003c/a>.\u003c/p>\n\u003cp>This week we discuss how it all intertwines — the search for self, love of community, deep sea fishing and appreciation of the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13956077\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956077 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18%E2%80%AFPM-800x1023.png\" alt=\"A pile of fish appear in the foreground of a photo of two people in a boat on a body of water.\" width=\"800\" height=\"1023\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-800x1023.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-1020x1304.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-160x205.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-768x982.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM-1201x1536.png 1201w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screenshot-2024-04-16-at-12.19.18 PM.png 1234w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adonis and a friend bundled up on a cold but successful day of deep sea fishing in Alaska. \u003ccite>(Courtesy of Adonis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC1228855841\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">This is a computer-generated transcript. While our team has reviewed it, there may be errors.\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw, Host: \u003c/b>\u003cspan style=\"font-weight: 400\">Welcome to Rightnowish, it’s your host, Pendarvis Harshaw. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Ok, we all know that one person who has a damn good life story to tell. You know, that one person who has seen some wild things and has had some extraordinary experiences, someone like today’s guest. Their name is Adonis.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Adonis is a deep sea diver, a nightclub DJ, a commercial fisherman, and a highly-trained martial artIst, plus they also have a day job. Still, through all of these experiences, they have the ability to find community anywhere, be it in a sea of people in a crowded club or literally in the middle of the ocean. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When it comes to the Bay Area, Adonis has participated in collectives that have been influential in Oakland’s vibrant, queer nightlife. Each one brings much-needed representation and exposure for queer, BIPOC DJs and performers.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Adonis told me some amazing stories about exploration, friendship, and getting connected to the roots of their Filipino identity. I invite you all to enjoy this ride, right after this message.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> You have this wonderful story of your fascination with the ocean and the seafaring creatures of the world. Where does it all begin? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis, Guest:\u003c/b>\u003cspan style=\"font-weight: 400\"> I really think a big part of this story, for me, is being an adoptee. Uh, my parents were from Maine, or, and they live there now. And so I went to Maine, and I started to be a bit rebellious, they might say. And so there was a punk scene in Maine, it got me traveling around. I had lived in Guatemala in Quetzaltenango. I was going to this school called Proyecto Lingüístico de Quetzalteco.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There had been a post online. It was called riseup.net, which is what all the anarchists use. It was encrypted, uh, encrypted email. And so there was a group that I had been in at the time, which was for women and trans women and non binary folks to connect around shared interests of travel, punk, whatever, music. And so, there was a call out that there was an anarchist sailing meetup in, uh, Rio Dulce, in Guatemala. I wasn’t on the internet like that, so I reached out on my little computer, actually probably I had a library computer, and tried to figure out who was going from our crews.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There were two spots and, or maybe three spots, and me and a couple friends, who also used to live here in Oakland, we all, we grabbed those spots out of many people ‘cause of our charisma and good looks, I imagine. And so we all got down to Guatemala, however we got down there, and, uh, jumped onto, into these workshops. People had brought their boats, there was people from Spain, people from Canada,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I really got to see the ocean in a very specific way through sailing. And we were going from Rio Dulce to the Las Islas de la Bahia in Honduras. I forget which one. I think it was Utila. And the boat just fell apart in the storm. Like, the tiller, which is how you control the rudder of the boat, just snapped off. Everything just fell apart and we had to limp back. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And they were like, “Oh, I’m so sorry. Like, this was supposed to be really cool for you.” And I was so seasick. This was the first, I was like throwing up everywhere. I couldn’t keep food down. It was four days of just trying to get to this place that was not far away. And I, we got back to land and like, “We understand if you want to get off,” and I just looked at them and I was like, ‘That was the most amazing thing I’ve ever done in my life.’ \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You said you had come in contact with an eel..\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">Right, so eventually, we finally made it to Utila. We had to go back, because we were eventually going to go up to Cuba and I think this was 2012. And, um, from where, where I’m from, if you’re in Maine, if you are in the ocean, it’s probably because you fell in and you’ll maybe die there. You just don’t do that. There’s a lot of sailors there. They’re like, “No, no, no, we don’t go swimming here, that’s how you die.” And so I had that in my head, that’s what would happen.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We get to the Bay Islands and they’re like, oh, we’re going scuba or not scuba diving, uh, “We’re going snorkeling.” \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[Chuckles]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> And I was like, ‘That sounds boring.’ And they’re like, “Oh no, we just crossed this really razor sharp reef over here in our flippers walking backwards. And then you jump in and it’s really beautiful.” \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[chuckles] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">And, uh, they finally convinced me. I put on these flippers and so I flopped in, and the reef is just this like, It felt iridescent. The sun was coming through the water. There was just colors everywhere, fish flying around my face. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Um, I looked down and there’s this emerald pile of something on the ground. I’m like, ‘What is that?’ I knew I could dive a little bit. And so, I dove down as deep as I could. And I got close enough and I was like, ‘Oh, that’s a moray eel.’ It was a, like, 15 to 20-foot long moray eel and it had a head that was maybe the size of my own head and it was opening its mouth up and down, up and down with these razor sharp teeth and I was so enamored with this beautiful thing in front of me. I just put my face into it and I stared at it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I don’t even know how long I had been down there for. So we go back up, and they’re like, “What the hell are you doing down there?” And I was like, ‘Did you guys see that?’ They were like, “Yeah, and that thing could bite you. Like, you just don’t do that.” But I was so enthralled, and I was like, I can’t stop. And so for the days that we were there still repairing our boats, every day I went down there to just look at things. And from that day forward, um, my life became sailboats. And then after that, I would sail for about four years, having my own vessel, um, going up to Alaska and fishing up there, uh, going, taking other people’s boats to Cuba back in the day and helping people get down to Panama, going through Panama canal, all over. So that’s really how it all began. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">It could almost seem conflicting to some, where it’s like, wait, you fell in love with the eel specifically, the fish, and then you in turn become a hunter and later become a fisherman. And what, what’s the connection between the two? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> I was on these boats with these really amazing women who were sailors, and they all sailed together. They would go to different parts of the world, meet back up, and these women were like, I was like, ‘what do you guys do for work?’ And they were like, “Oh, we are commercial fishermen in Alaska.” And I was like, ‘So I can just go up there and make thousands of dollars salmon fishing?’ And they were like, “This is the best kept secret. You should come up there and we’ll help you get a job.”\u003c/span> \u003cspan style=\"font-weight: 400\">So these women actually helped place me into these positions.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I know Native folks, and I know a couple of like, uh, Black folks, even that came up from Oakland in the 70s that fished up there. But people who were actually running boats or crew, it’s very rare to see people of color up there. And so there’s a whole lineage of Filipinos that were up there in this cannery, which I now fish for. There’s actually a little hut that’s called San Paquita and Caul and that’s where all the Filipinos would hang out at. Um, and it’s still there to this day, and there’s graffiti all over it in this old cannery. And it also has this very huge connection to my life and understanding my own identity. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I was adopted from Cebu City.\u003c/span> \u003cspan style=\"font-weight: 400\">I didn’t feel like I had this connection, right? I was like, oh, I don’t know how to speak these languages. I don’t know what my people were doing. I don’t feel connected to my bloodline. And so to have that all tied back together with, I mean, our people were sailors, how did we get there?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You can look at the Bajau people. Those people are spearfishing. They make their own goggles, they were making their own flippers out of whatever they had around, and they were diving down there for 5, 6, 7, 8, 10 minutes getting food. And they’re still more or less nomadic people that live on boats in the Philippines.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As I was doing these things, I was like, ‘Oh, this is what my people did. Oh, I can sail. Oh, I know how to fish,’ like, these are skills and talents that live in my blood. And so I created that, like, art from that, just even, like, the art of sailing, knowing how to sail well, and knowing how to fish well, and knowing how to create lures, and knowing how to cast nets. That lives in my body and so I get to express it. Even though I’m not in the Philippines, it was beautiful to feel like I could integrate my mind and body into skills that I feel my people were amazing at. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> That common thread of things that are, that have been present in your ancestors showing up through you through multiple ways, you have a wide array of talents and fishing is just one of them\u003c/span> \u003cspan style=\"font-weight: 400\">and you’re deeply involved in the community and a number of different groups. I wanted to bring the discussion to the work that you do in Oakland in the nightlife and, and your involvement in it. And so if we could get a little bit of background on yourself as a DJ, tell me about that. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">What was cool about that is that I met this person, and we decided to make art together. And so we created We Are The Ones We’ve Been Waiting For. And\u003c/span> \u003cspan style=\"font-weight: 400\">I started working here as a wardrobe stylist and set design, um, when I came to the Bay Area. And so, I would use those skills I was learning in the commercial world, in the commercial industries, and bring it to We Are the Ones, which was highlighting the narratives of, um, Black and brown trans folks in the bay. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Over the three to five years that We Are The Ones was organizing together, um, we just had some really beautiful parties, a lot of amazing people came through who are now, like, doing really well out here in nightlife. And so now I’m with Club ABlunt, which stands for \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[chuckles]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> Asian, Black, Latinos, United with Native Tribes. And that was a collective that my very good friend, Melanique Robichaud, or Black, she started with these other women in the 90s, in the early 90s. And so once We Are The Ones went its direction and a few of us went another direction, and so it’s now me and, uh, Aura and DJ Brown Amy and Black who are working together to do a very similar, similar thing. it just feels like we’re now out of the underground and we’re, we’ve been at the Oakland museum at the, I’m going to be representing then at the SF library.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’ve been able to pull much bigger, uh, artists as well. People want it. Like, we had Susie Analog at Counterpulse for Oakland Pride and so it’s been really beautiful to feel united on a, on a more global front.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> So much about Oakland in general, specifically downtown Oakland, the nightlife scene-how would you describe what’s going on right now in Oakland’s queer nightlife scene for folks of color?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">You know, so I feel like I took off a year and a half from going out, and I was like, okay, I’m gonna work on some other projects. It’s been really beautiful to reintegrate into nightlife because, and especially into queer and gay nightlife, which is something that I hadn’t really done. I was creating those events for people, and now I’m going to other people’s events at bars that I really had never spent time in. So, like, I mean, The Port’s about to close down, or like, going to the White Horse, or going to Fluid, which is a new place that’s doing really well. It’s really beautiful and seeing that just proliferate. Because a lot of the times I’m like, ‘SF actually doesn’t really care about us.’ SF feels really gatekeep-y and it’s just pulling all this talent from other parts of the world when there’s so much talent here in the Bay. It’s so nice to see this talent in Oakland.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m noticing this common thread of community and it brings me to wonder, like, when you think of the concept of belonging, what comes to mind?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">I guess, as an adoptee, again, I didn’t feel like I belonged. But I feel like I just had to kind of alter my mindset. And be like, I do belong, and I can be here with you, can you be here with me? And when we ask these questions, and I think we really have to look internally and accept ourselves and love ourselves, to know that if anything, we belong where we are.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And no one can take that away from you. They can try, and they will and it gets violent, but no- I think that’s why we even choose to fight back, is because we understand we belong. And that’s why I do the work that I do, or even just be kind to people because I’m like, ‘You belong and your life should also be filled with ease and grace.’\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">When I think about, you said like, it’s a way of fighting, you literally are trained in martial arts as well. And even through that further community, further sense of belonging, maybe we could start with, um, what led you to martial arts and then we could talk about belonging in that as well.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis: \u003c/b>\u003cspan style=\"font-weight: 400\">I mean I danced for a very long time in my life. I played instruments and I think all of those things are connected to the soul of just, you know, being Cebuano, being Visayan, and so I was like, ‘I’m gonna find another art,’ and so I chose-I was like, oh, I’ll try martial arts. So I went on the internet. There wasn’t many places I found, but one stood out, which was called Eskabodan. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When I first walked in, I knew it was a place I belonged to. The school was doing really well at the time on Polk Street and so I stayed. I still train with Grandmaster Kastor today, and he is also a legend. I mean, and now I’m training for my second degree black belt. And I also am assisting him in teaching when we travel to Europe.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It’s been really beautiful to feel another, another type of community here that is very Filipino and very rooted in a Filipino art and very rooted in martial arts. It’s like dancing and it’s a total meditation, which makes me feel really calm and it makes me feel confident.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so when I’m in a place that I think at one point that I would have felt nervous about being in, for my own safety of my body or emotional safety or whatever. I can remind myself that I can be calm and I can remember that I do belong here and that I don’t really have to be afraid.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> I was in Paris actually, coming back from a seminar that we were teaching and, uh, some young kid ripped, tried to rip my necklace off of my, off of my body. And I have never had to use any of my skills that way. And I just remember my knee jerk reaction was to grab them, twist, twist their wrists in a certain way, and then I saw, I saw it. I saw all the openings. I saw where I could have caused this person harm, or taken them out in a certain way. And all I did was I just like, put them on the ground.\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> [laughs] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">And I was like, ‘That’s mine. Please give it back,’ and he did. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Like, time felt like it slowed down, and I was like, oh, this is what I do this for. I do this so I can protect myself, and I can also protect my friends, and I can be confident in the world, which is what I feel like a lot of the work that I’ve done in general is about. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s beautiful, because I’m watching my daughter do martial arts now and I’m like, ‘I wonder will this actually sink in,’ you know? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> It really sinks in. And once it sinks in, it feels like, you can only learn, it’s, it’s like a lesson in life. There’s always more to learn, but the stuff that you learn is priceless and it will always be with you.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The folks who raised you, your parents, what do they think of your journey, of all the skills that you’ve acquired, all the places that you’ve been, this person that you’ve become? Do they appreciate all of that?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> They do. They’ve always loved me and told me that I was doing a great job. You know, so I was raised by white people, and so I feel like they have this thing where they’re like, “You can do whatever you want in the world.” And so I was told that and, you know, I actually really appreciate that from them.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I mean a lot of my friends, they were told that they were basically demons and-for being queer or gay or being trans or whatever and just demonized for their beliefs or kicked out of their house. My parents would never have done that to me. I didn’t even know parents were like that ‘cause my parents weren’t like that. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Now just through the traditions that I practice and the ways that I view the world. I understand, even though they’re not my birth parents, but both my birth parents and my adoptive parents are the most important things-that they, one my birth parents brought me into the world and then these people raised me. Now I appreciate them, and they have, and what I realize is that they have always loved and appreciated me. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> All of the things that you do from the martial arts to the fishing, DJing, community building, if there were a way to succinctly tie them all together, how would you explain what the common thread is?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Adonis:\u003c/b>\u003cspan style=\"font-weight: 400\"> I believe as an artist I have this very specific desire to live in a very specific way. And at first it was the thrill of traveling and then the thrill of creating art, and then the thrill of learning, and then the, uh, and just having this lust for experience.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I want other people to be able to experience life this way if they want to. I have allowed myself to do that, and I also believe that you should do that. And so, when we get together, what does that look like? Or, like, let’s talk about it, let’s sing about it, let’s write about it, let’s draw about it, let’s what, how do we feel alive? There’s something there that is, like, about living to me. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">It seems to be the thread of my life right now is that, you know, you have one life, but there are many lives to be lived within it and you are another example of that. And so, yeah, thank you. Thank you for that reminder.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\"> Seriously, thank you.Thank you, thank you, thank you. Big shoutout to Adonis, I appreciate your wisdom and it’s extremely clear that your many experiences have shaped your ability to find and build community wherever you go.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For more info on queer nightlife in Oakland, Club ABLUNT’s instagram account is clubablunt510. That’s spelled like club A-B-L-U-N-T, and that’s 510 as in the area code.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Adonis can be found on Instagram at bodegavendetta It’s spelled B-O-D-E-G-A V-E-N-D-E-T-T-A.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode was hosted by me, Pendarvis Harshaw. It was produced by Sheree Bishop and Marisol Medina-Cadena. Chris Hambrick is our editor. Brendan Willard is our engineer\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Rightnowish team is also supported by Jen Chien, Katie Sprenger, Cesar Saldaña, Ugur Dursun and Holly Kernan.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Rightnowish is a KQED production. Until next time, peace!\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956068/deep-sea-fishing-filipino-roots-and-belonging-where-we-are","authors":["11491","11528"],"programs":["arts_8720"],"categories":["arts_1","arts_835","arts_69"],"tags":["arts_2852","arts_10278","arts_3226","arts_1143","arts_12080"],"featImg":"arts_13956173","label":"arts_8720"},"arts_13955679":{"type":"posts","id":"arts_13955679","meta":{"index":"posts_1591205157","site":"arts","id":"13955679","score":null,"sort":[1712792950000]},"guestAuthors":[],"slug":"beyonce-election-year-politics-drag-oasis-nightclub-san-francisco-cowboy-carter","title":"Beyoncé Fans Reflect on Election Year Concerns at San Francisco Drag Show","publishDate":1712792950,"format":"aside","headTitle":"Beyoncé Fans Reflect on Election Year Concerns at San Francisco Drag Show | KQED","labelTerm":{"site":"arts"},"content":"\u003cfigure id=\"attachment_13955737\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955737\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-Beyonce%CC%81Fans-JY-050_qut.jpg\" alt=\"A woman in a white sequined dress and cowboy hat kneels on one leg on a catwalk, surrounded by the audience and lit in red\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BeyoncéFans-JY-050_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BeyoncéFans-JY-050_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BeyoncéFans-JY-050_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BeyoncéFans-JY-050_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BeyoncéFans-JY-050_qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BeyoncéFans-JY-050_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bionka Simone performs Beyoncé’s ‘Texas Hold ‘Em’ at Oasis in San Francisco on Saturday, April 6, 2024. The show drew a sold-out crowd of drag fans and members of the Beyhive as an all-Black cast celebrated the release of Beyoncé’s new album, ‘Cowboy Carter.’ \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Earlier this month, \u003ca href=\"https://www.kqed.org/arts/tag/beyonce\">Beyoncé\u003c/a>’s \u003cem>Cowboy Carter\u003c/em> galloped into the national psyche in all of its flag-waving, countrified glory.\u003c/p>\n\u003cp>Considering Beyoncé’s status as an artist \u003ca href=\"https://www.kqed.org/pop/20366/six-beyonce-pieces-by-women-of-color-that-you-should-read-right-now\">unafraid to invoke political imagery in both her music and her visuals\u003c/a> — not to mention the way this album has turned into a battleground over who “\u003ca href=\"https://www.kqed.org/forum/2010101905263/from-beyonce-to-lil-hardin-my-black-country-celebrates-the-undersung-black-history-and-future-of-country-music\">owns country\u003c/a>”— it’s unsurprising that many of her fans consider themselves politically conscious, too.\u003c/p>\n\u003cp>We at KQED set out to ask Beyoncé fans at San Francisco’s Oasis nightclub, directly before a Beyoncé-themed drag show, about the state of America and the issues with which they’re most concerned in this election year.\u003c/p>\n\u003cfigure id=\"attachment_13955649\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955649\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCE%CC%81FANS-JY-014-KQED.jpg\" alt=\"A trio of tattooed and flamboyant people, including two in cowboy hats, smile and line up before a pink and red mural.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-014-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-014-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-014-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-014-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-014-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-014-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-014-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(L-R) Lance Derick, Joshua Carrasco and James Aceves. Carrasco, who is a pediatric resident at UCSF, says access to healthcare and health insurance is a huge factor in his voting decisions. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Joshua Carrasco came to the Beyoncé party with two friends, having arrived in San Francisco from Texas almost a year ago. As a pediatric resident at UCSF, Carrasco says he’s concerned about the links between poor health, underfunded education and a lack of affordable housing.\u003c/p>\n\u003cp>“When it comes to queer communities, housing is such an important social determinate of health that I think is undervalued within the San Francisco area,” Carrasco said. “A lot of the Props that were voted on [in the last election] went in a direction that I was not anticipating. I think San Francisco flaunts itself as progressive, but I think in action, it’s less progressive than I had anticipated.”\u003c/p>\n\u003cfigure id=\"attachment_13955643\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955643\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCE%CC%81FANS-JY-001-KQED.jpg\" alt=\"A smiling woman wearing a wide brimmed black hat and leather jacket stands with a shorter woman wearing her hair in braids and a short skirt. They are standing before a pink and red mural.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-001-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-001-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-001-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-001-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-001-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-001-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-001-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Annika Gabriel (L) and Gabby Huckabee (R). Both expressed concern about the age of the presidential candidates, as well as concern for their friends of color. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Asked how she’s feeling about the 2024 election, Annika Gabriel said simply: “I’m real worried about my trans friends.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At Gabriel’s side was Gabby Huckabee, who said she is “upset for my Muslim friends [and] for my friends of color.”\u003c/p>\n\u003cp>[aside postID='arts_13955021']Huckabee continued, “It’s very upsetting to me that out of everyone they could have possibly chosen for both parties, [Biden and Trump] are the two they still have come up with. I’m not optimistic for the future. I’m still going to vote for Joe Biden. Because I’m very clearly opposed to \u003ca href=\"https://www.nytimes.com/2016/10/08/us/donald-trump-tape-transcript.html\">Donald Trump grabbing people by the pussy\u003c/a>.”\u003c/p>\n\u003cfigure id=\"attachment_13955645\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955645\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCE%CC%81FANS-JY-003-KQED-e1712693509298.jpg\" alt=\"A Black man smiles broadly in front of a neon-lit O sign at night.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Aaron McCall has the environment at the forefront of his mind during this election year. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Despite not feeling enthusiastic about either presidential candidate, Aaron McCall was another attendee determined to make a difference in whichever way he can.\u003c/p>\n\u003cp>“When we are choosing people to vote for, it is not a moral statement and it’s not a statement of who we like,” the climate charity worker emphasized. “It is a statement of who we’re going to work with and who’s going to work with us.”\u003c/p>\n\u003cp>“Republicans have actively said they are going to target and attack queer [folks] and people of color,” McCall continued, “and they’re going to destroy the environment in the process.”\u003c/p>\n\u003cfigure id=\"attachment_13955647\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955647\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCE%CC%81FANS-JY-008-KQED-e1712695709640.jpg\" alt=\"A slender white man in a Beyonce t-shirt, an Arabic man wearing a blue shirt and an Asian woman in a black leather jacket stand with arms around each other outside a nightclub.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">(L-R) Sean Dante Remigio, Mahmoud Dabbah and Mara Lee. Dabbah isn’t happy with President Biden’s support of Israel and feels there isn’t much difference between Biden and Trump. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mahmoud Dabbah, a Palestinian who has lived in America for three years, believes Biden’s ability to get reelected will be greatly impacted by the president’s support of \u003ca href=\"https://www.kqed.org/news/tag/gaza\">Israel’s military actions in Gaza.\u003c/a>\u003c/p>\n\u003cp>“You can see that clearly. I think the whole world is pissed off,” Dabbah said. “This war is horrible and the U.S. is a big part of it. I hope it stops soon.”\u003c/p>\n\u003cp>[aside postID='arts_13940030']Asked if he worries about the consequences of another Trump presidency, Dabbah stated: “After what I saw from Biden, I don’t care anymore. It’s all the same for me as an immigrant.”\u003c/p>\n\u003cp>Dabbah’s friend Sean Dante Remigio agreed. “It feels very much a losing game either way,” he said. “I mean, it’s not even choosing between a lesser of two evils. There is no choice. That is the conflict.”\u003c/p>\n\u003cfigure id=\"attachment_13955702\" class=\"wp-caption aligncenter\" style=\"max-width: 1402px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955702\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-09-at-4.57.48-PM.png\" alt=\"Two young people of color stand side by side inside a nightclub with thoughtful expressions on their faces.\" width=\"1402\" height=\"936\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-09-at-4.57.48-PM.png 1402w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-09-at-4.57.48-PM-800x534.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-09-at-4.57.48-PM-1020x681.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-09-at-4.57.48-PM-160x107.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-09-at-4.57.48-PM-768x513.png 768w\" sizes=\"(max-width: 1402px) 100vw, 1402px\">\u003cfigcaption class=\"wp-caption-text\">(L) Rogue and (R) Stephane are both concerned about houselessness and access to healthcare in San Francisco. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Remigio’s thoughts were echoed by Rogue and Stephane. (Both declined to give last names.) Though the friends remain concerned with housing and healthcare in San Francisco, they don’t see an upcoming face-off between Trump and Biden offering real solutions to the nation’s problems.\u003c/p>\n\u003cp>“I feel like the options are not great,” Stephane, an international student, said. “Even if I was allowed to vote, I would need better options. I don’t really care about either of the candidates.”\u003c/p>\n\u003cp>“Yeah,” Rogue laughed, “it’s like: Poo-Poo or Pee-Pee!”\u003c/p>\n\u003cfigure id=\"attachment_13955648\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955648\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCE%CC%81FANS-JY-009-KQED.jpg\" alt=\"Two white women, one with a ponytail, one with cropped purple hair, stand close together, smiling warmly at each other. \" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-009-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-009-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-009-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-009-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-009-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-009-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-009-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Married couple Sunny and Reece Johnson are politically disillusioned — one more so than the other. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Also disillusioned with the election are Sunny and Reece Johnson, who’ve been happily married for 11 years.\u003c/p>\n\u003cp>“I will tell you that I have stopped thinking about [the election] because it’s distressing,” Reece said. “I do feel very unmotivated to vote, because I’m so burned out on the drama.”\u003c/p>\n\u003cp>“I would never \u003cem>not\u003c/em> vote, though,” Sunny interjected. “Never.”\u003c/p>\n\u003cp>Reece shrugged. “I would like to say that I would never not vote, but I’m so disenchanted.”\u003c/p>\n\u003cfigure id=\"attachment_13955651\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955651\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCE%CC%81FANS-JY-024-KQED-e1712707940654.jpg\" alt=\"A drag queen strikes a pose in black lingerie and red dressing gown, next to a wooden fence decorated with lights.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Xochitl the Queen poses on the roof deck of Oasis shortly before performing on April 5, 2024. Xochitl works in deportation defense at USF Law and uses her drag to make political statements. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One fan who wishes she could vote is drag queen Xochitl. Shortly before her performance as auburn-haired temptress Jolene, Xochitl said she is “low-key scared” about the upcoming election.\u003c/p>\n\u003cp>“My future as a performer, as an artist, as an immigrant and as a member of this society is at risk, depending on who wins,” she said. “They say we have a choice, but it’s an illusion of a choice.”\u003c/p>\n\u003cp>As a DACA recipient, Xochitl is not eligible to vote, but strives to make a difference through her job at USF Law. She also utilizes performance to express herself politically.\u003c/p>\n\u003cp>“I make my voice heard by doing art, doing drag,” Xochitl explained. “My drag is inherently political. I’ve done numbers on stage where I burn the American flag as protest, as part of my work in deportation defense. I express my fear about drag bans through my art.”\u003c/p>\n\u003cfigure id=\"attachment_13955646\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955646\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCE%CC%81FANS-JY-006-KQED-e1712693763217.jpg\" alt=\"A person with glasses and short dark haircut, stands hands in pockets in front of a pink and red mural. \" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Dani Arevalos says their biggest concern as a member of the LGBTQ+ community is being respected and acknowledged as a person. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Like many people we spoke with at Oasis, LGBTQ issues are front and center for Dani Arevalos, who feels dehumanized by recent attacks on gender nonconforming people.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“Looking to the future, my biggest concern is being respected as a human being,” Arevalos said. “I come from the Latin community, and also being LGBTQ … Honestly two very different communities [with] the same issue of being oppressed. I think going forward, being respected and being acknowledged [will help us] to move forward as a nation together.”\u003c/p>\n\n","blocks":[],"excerpt":"At Oasis nightclub, fans expressed concerns about housing, climate change, Gaza, LGBTQ rights and more.","status":"publish","parent":0,"modified":1712945992,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":30,"wordCount":1376},"headData":{"title":"Beyoncé Fans Reflect on Election Year Concerns at San Francisco Drag Show | KQED","description":"At Oasis nightclub, fans expressed concerns about housing, climate change, Gaza, LGBTQ rights and more.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955679/beyonce-election-year-politics-drag-oasis-nightclub-san-francisco-cowboy-carter","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13955737\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955737\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-Beyonce%CC%81Fans-JY-050_qut.jpg\" alt=\"A woman in a white sequined dress and cowboy hat kneels on one leg on a catwalk, surrounded by the audience and lit in red\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BeyoncéFans-JY-050_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BeyoncéFans-JY-050_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BeyoncéFans-JY-050_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BeyoncéFans-JY-050_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BeyoncéFans-JY-050_qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BeyoncéFans-JY-050_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Bionka Simone performs Beyoncé’s ‘Texas Hold ‘Em’ at Oasis in San Francisco on Saturday, April 6, 2024. The show drew a sold-out crowd of drag fans and members of the Beyhive as an all-Black cast celebrated the release of Beyoncé’s new album, ‘Cowboy Carter.’ \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Earlier this month, \u003ca href=\"https://www.kqed.org/arts/tag/beyonce\">Beyoncé\u003c/a>’s \u003cem>Cowboy Carter\u003c/em> galloped into the national psyche in all of its flag-waving, countrified glory.\u003c/p>\n\u003cp>Considering Beyoncé’s status as an artist \u003ca href=\"https://www.kqed.org/pop/20366/six-beyonce-pieces-by-women-of-color-that-you-should-read-right-now\">unafraid to invoke political imagery in both her music and her visuals\u003c/a> — not to mention the way this album has turned into a battleground over who “\u003ca href=\"https://www.kqed.org/forum/2010101905263/from-beyonce-to-lil-hardin-my-black-country-celebrates-the-undersung-black-history-and-future-of-country-music\">owns country\u003c/a>”— it’s unsurprising that many of her fans consider themselves politically conscious, too.\u003c/p>\n\u003cp>We at KQED set out to ask Beyoncé fans at San Francisco’s Oasis nightclub, directly before a Beyoncé-themed drag show, about the state of America and the issues with which they’re most concerned in this election year.\u003c/p>\n\u003cfigure id=\"attachment_13955649\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955649\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCE%CC%81FANS-JY-014-KQED.jpg\" alt=\"A trio of tattooed and flamboyant people, including two in cowboy hats, smile and line up before a pink and red mural.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-014-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-014-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-014-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-014-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-014-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-014-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-014-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(L-R) Lance Derick, Joshua Carrasco and James Aceves. Carrasco, who is a pediatric resident at UCSF, says access to healthcare and health insurance is a huge factor in his voting decisions. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Joshua Carrasco came to the Beyoncé party with two friends, having arrived in San Francisco from Texas almost a year ago. As a pediatric resident at UCSF, Carrasco says he’s concerned about the links between poor health, underfunded education and a lack of affordable housing.\u003c/p>\n\u003cp>“When it comes to queer communities, housing is such an important social determinate of health that I think is undervalued within the San Francisco area,” Carrasco said. “A lot of the Props that were voted on [in the last election] went in a direction that I was not anticipating. I think San Francisco flaunts itself as progressive, but I think in action, it’s less progressive than I had anticipated.”\u003c/p>\n\u003cfigure id=\"attachment_13955643\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955643\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCE%CC%81FANS-JY-001-KQED.jpg\" alt=\"A smiling woman wearing a wide brimmed black hat and leather jacket stands with a shorter woman wearing her hair in braids and a short skirt. They are standing before a pink and red mural.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-001-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-001-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-001-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-001-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-001-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-001-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-001-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Annika Gabriel (L) and Gabby Huckabee (R). Both expressed concern about the age of the presidential candidates, as well as concern for their friends of color. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Asked how she’s feeling about the 2024 election, Annika Gabriel said simply: “I’m real worried about my trans friends.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At Gabriel’s side was Gabby Huckabee, who said she is “upset for my Muslim friends [and] for my friends of color.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955021","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Huckabee continued, “It’s very upsetting to me that out of everyone they could have possibly chosen for both parties, [Biden and Trump] are the two they still have come up with. I’m not optimistic for the future. I’m still going to vote for Joe Biden. Because I’m very clearly opposed to \u003ca href=\"https://www.nytimes.com/2016/10/08/us/donald-trump-tape-transcript.html\">Donald Trump grabbing people by the pussy\u003c/a>.”\u003c/p>\n\u003cfigure id=\"attachment_13955645\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955645\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCE%CC%81FANS-JY-003-KQED-e1712693509298.jpg\" alt=\"A Black man smiles broadly in front of a neon-lit O sign at night.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Aaron McCall has the environment at the forefront of his mind during this election year. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Despite not feeling enthusiastic about either presidential candidate, Aaron McCall was another attendee determined to make a difference in whichever way he can.\u003c/p>\n\u003cp>“When we are choosing people to vote for, it is not a moral statement and it’s not a statement of who we like,” the climate charity worker emphasized. “It is a statement of who we’re going to work with and who’s going to work with us.”\u003c/p>\n\u003cp>“Republicans have actively said they are going to target and attack queer [folks] and people of color,” McCall continued, “and they’re going to destroy the environment in the process.”\u003c/p>\n\u003cfigure id=\"attachment_13955647\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955647\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCE%CC%81FANS-JY-008-KQED-e1712695709640.jpg\" alt=\"A slender white man in a Beyonce t-shirt, an Arabic man wearing a blue shirt and an Asian woman in a black leather jacket stand with arms around each other outside a nightclub.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">(L-R) Sean Dante Remigio, Mahmoud Dabbah and Mara Lee. Dabbah isn’t happy with President Biden’s support of Israel and feels there isn’t much difference between Biden and Trump. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mahmoud Dabbah, a Palestinian who has lived in America for three years, believes Biden’s ability to get reelected will be greatly impacted by the president’s support of \u003ca href=\"https://www.kqed.org/news/tag/gaza\">Israel’s military actions in Gaza.\u003c/a>\u003c/p>\n\u003cp>“You can see that clearly. I think the whole world is pissed off,” Dabbah said. “This war is horrible and the U.S. is a big part of it. I hope it stops soon.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13940030","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Asked if he worries about the consequences of another Trump presidency, Dabbah stated: “After what I saw from Biden, I don’t care anymore. It’s all the same for me as an immigrant.”\u003c/p>\n\u003cp>Dabbah’s friend Sean Dante Remigio agreed. “It feels very much a losing game either way,” he said. “I mean, it’s not even choosing between a lesser of two evils. There is no choice. That is the conflict.”\u003c/p>\n\u003cfigure id=\"attachment_13955702\" class=\"wp-caption aligncenter\" style=\"max-width: 1402px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955702\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-09-at-4.57.48-PM.png\" alt=\"Two young people of color stand side by side inside a nightclub with thoughtful expressions on their faces.\" width=\"1402\" height=\"936\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-09-at-4.57.48-PM.png 1402w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-09-at-4.57.48-PM-800x534.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-09-at-4.57.48-PM-1020x681.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-09-at-4.57.48-PM-160x107.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-09-at-4.57.48-PM-768x513.png 768w\" sizes=\"(max-width: 1402px) 100vw, 1402px\">\u003cfigcaption class=\"wp-caption-text\">(L) Rogue and (R) Stephane are both concerned about houselessness and access to healthcare in San Francisco. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Remigio’s thoughts were echoed by Rogue and Stephane. (Both declined to give last names.) Though the friends remain concerned with housing and healthcare in San Francisco, they don’t see an upcoming face-off between Trump and Biden offering real solutions to the nation’s problems.\u003c/p>\n\u003cp>“I feel like the options are not great,” Stephane, an international student, said. “Even if I was allowed to vote, I would need better options. I don’t really care about either of the candidates.”\u003c/p>\n\u003cp>“Yeah,” Rogue laughed, “it’s like: Poo-Poo or Pee-Pee!”\u003c/p>\n\u003cfigure id=\"attachment_13955648\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955648\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCE%CC%81FANS-JY-009-KQED.jpg\" alt=\"Two white women, one with a ponytail, one with cropped purple hair, stand close together, smiling warmly at each other. \" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-009-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-009-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-009-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-009-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-009-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-009-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCÉFANS-JY-009-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Married couple Sunny and Reece Johnson are politically disillusioned — one more so than the other. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Also disillusioned with the election are Sunny and Reece Johnson, who’ve been happily married for 11 years.\u003c/p>\n\u003cp>“I will tell you that I have stopped thinking about [the election] because it’s distressing,” Reece said. “I do feel very unmotivated to vote, because I’m so burned out on the drama.”\u003c/p>\n\u003cp>“I would never \u003cem>not\u003c/em> vote, though,” Sunny interjected. “Never.”\u003c/p>\n\u003cp>Reece shrugged. “I would like to say that I would never not vote, but I’m so disenchanted.”\u003c/p>\n\u003cfigure id=\"attachment_13955651\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955651\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCE%CC%81FANS-JY-024-KQED-e1712707940654.jpg\" alt=\"A drag queen strikes a pose in black lingerie and red dressing gown, next to a wooden fence decorated with lights.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Xochitl the Queen poses on the roof deck of Oasis shortly before performing on April 5, 2024. Xochitl works in deportation defense at USF Law and uses her drag to make political statements. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One fan who wishes she could vote is drag queen Xochitl. Shortly before her performance as auburn-haired temptress Jolene, Xochitl said she is “low-key scared” about the upcoming election.\u003c/p>\n\u003cp>“My future as a performer, as an artist, as an immigrant and as a member of this society is at risk, depending on who wins,” she said. “They say we have a choice, but it’s an illusion of a choice.”\u003c/p>\n\u003cp>As a DACA recipient, Xochitl is not eligible to vote, but strives to make a difference through her job at USF Law. She also utilizes performance to express herself politically.\u003c/p>\n\u003cp>“I make my voice heard by doing art, doing drag,” Xochitl explained. “My drag is inherently political. I’ve done numbers on stage where I burn the American flag as protest, as part of my work in deportation defense. I express my fear about drag bans through my art.”\u003c/p>\n\u003cfigure id=\"attachment_13955646\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955646\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/240405-BEYONCE%CC%81FANS-JY-006-KQED-e1712693763217.jpg\" alt=\"A person with glasses and short dark haircut, stands hands in pockets in front of a pink and red mural. \" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Dani Arevalos says their biggest concern as a member of the LGBTQ+ community is being respected and acknowledged as a person. \u003ccite>(Juliana Yamada/ KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Like many people we spoke with at Oasis, LGBTQ issues are front and center for Dani Arevalos, who feels dehumanized by recent attacks on gender nonconforming people.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Looking to the future, my biggest concern is being respected as a human being,” Arevalos said. “I come from the Latin community, and also being LGBTQ … Honestly two very different communities [with] the same issue of being oppressed. I think going forward, being respected and being acknowledged [will help us] to move forward as a nation together.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955679/beyonce-election-year-politics-drag-oasis-nightclub-san-francisco-cowboy-carter","authors":["11242"],"categories":["arts_1","arts_11615"],"tags":["arts_1686","arts_1556","arts_10342","arts_10278","arts_3226","arts_10555","arts_5826"],"featImg":"arts_13955736","label":"arts"},"arts_13954702":{"type":"posts","id":"arts_13954702","meta":{"index":"posts_1591205157","site":"arts","id":"13954702","score":null,"sort":[1711663471000]},"guestAuthors":[],"slug":"beyond-aggressives-25-years-later-streaming-review-kisha-chin-trevon-octavio-gender","title":"‘25 Years Later’ Revisits the ‘Trancestors’ of 2005’s ‘The Aggressives’ Documentary","publishDate":1711663471,"format":"standard","headTitle":"‘25 Years Later’ Revisits the ‘Trancestors’ of 2005’s ‘The Aggressives’ Documentary | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>“I’m comfortable being a woman who likes women. I live my life as a man, yes, but the reality does not change. You’re born a woman and that’s how you’re going to die.”\u003c/p>\n\u003cp>So said \u003ca href=\"https://nmaahc.si.edu/lgbtq/marquise-vilson\">Marquise Vilsón\u003c/a>, one of the subjects of 2005 documentary \u003cem>The Aggressives.\u003c/em> The film captured the lives of a group of genderqueer people of color living in New York City between 1997 and 2003. A quarter century on, Vilson’s starkly resigned statement feels lightyears away from where he is today — a successful actor, mentor and activist who is, unquestionably, a man.\u003c/p>\n\u003cp>Given the strides forward that Vilsón has publicly made over the years, it’s no wonder \u003cem>Aggressives\u003c/em> director Daniel Peddle felt the need to check in with some of the other subjects of the film. In 2018, he reconnected with four of the original cast: Octavio Sanders, Trevon Haynes, Kisha Batista and Chin Tsui. He spent the next five years documenting their continuing evolutions, as well as capturing Gen Z perspectives on how these “trancestors” have positively impacted the lives of queer youth now. The result is Paramount+ and Showtime documentary, \u003cem>Beyond the Aggressives: 25 Years Later\u003c/em>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FI2zkgQ79n4\u003c/p>\n\u003cp>In many ways, reconnecting with these subjects as older, more established adults is a relief, and issues of crime, racism and poverty are not as present here as they were in \u003cem>The Aggressives\u003c/em>. Kisha in particular appears to be living her best life: one full of love, joy, art and motorcycles. She is the philosophical heart of the movie and lights up the screen every time she’s on it — a quality that’s allowed her to snag roles on TV shows like \u003cem>Orange is the New Black\u003c/em>, \u003cem>Law & Order\u003c/em> and \u003cem>Manifest.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>That’s not to say our protagonists are not still experiencing hardship as a direct result of their gender identities. At the outset of the film, because of a series of calamitous events, Chin is detained by ICE. Worse, agents put him in long-term solitary confinement because he’s transgender. His struggle for freedom and independence is at the center of his story arc.\u003c/p>\n\u003cp>[aside postid='arts_13952433']When we see Trevon, he’s getting ready to start a family with his girlfriend Jade. As the couple works together to overcome medical issues, it’s clear that doctors’ misunderstandings of gender-nonconforming people only exacerbate their fertility struggles. Trevon is frustrated but determined. One gets the sense that, together, he and Jade could conquer pretty much anything.\u003c/p>\n\u003cp>Octavio gives us a powerful reflection on how growing up around prejudice continues to impact his self-image. Looking back on the first movie, he says he didn’t come out as trans because he was still living with family then and didn’t want to lose his home. Later, we see that fear of familial rejection has lingered.\u003c/p>\n\u003cp>At one point, Octavio notes: “If I had a choice to change my gender, I would. The reason why I don’t is because I have a son … I don’t want society judging him because of who his parent is.”\u003c/p>\n\u003cp>His son’s support later in the film provides the movie with some of its most touching moments.\u003c/p>\n\u003cp>Despite social progress in the years between \u003cem>The Aggressives\u003c/em> and \u003cem>25 Years Later\u003c/em>, self-identification continues to be a point of contention. In the original film, everyone identified as “femme aggressive” at some point, but mostly found themselves outgrowing the term. In the new documentary, Trevon uses male pronouns, but swings between referring to himself as trans, nonbinary and no label at all. It goes to show that language around gender needs to be ever-evolving.\u003c/p>\n\u003cp>[aside postid='arts_13954796']Kisha is still eschewing labels too, but does so with a refreshing sense of joy. “I define myself,” she says, “and I choose to be free.”\u003c/p>\n\u003cp>In the end, that’s what\u003cem> Beyond The Aggressives: 25 Years Later\u003c/em> is really about: growth, evolution, self-expression and the bravery inherent in pushing back against limitations. Its theme of self-realization is a universal one, but it is Kisha who most beautifully sums up the still-developing stories of our four old friends on screen.\u003c/p>\n\u003cp>“Identity is something that you create yourself — something like art. It’s a process. It’s always changing,” she says. “It’s an alignment of self and soul.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Beyond The Aggressives: 25 Years Later’ premieres on Showtime on March 30, 2024. The movie will also be available to stream via Paramount+ for subscribers with a Showtime add-on.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The new Showtime/Paramount+ film shows how far transgender visibility and culture has progressed this century.","status":"publish","parent":0,"modified":1711663471,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":813},"headData":{"title":"How to Stream 'The Aggressives: 25 Years Later’ Documentary | KQED","description":"The new Showtime/Paramount+ film shows how far transgender visibility and culture has progressed this century.","ogTitle":"‘25 Years Later’ Revisits the ‘Trancestors’ of 2005’s ‘The Aggressives’ Documentary","ogDescription":"","ogImgId":"","twTitle":"‘25 Years Later’ Revisits the ‘Trancestors’ of 2005’s ‘The Aggressives’ Documentary","twDescription":"","twImgId":"","socialTitle":"How to Stream 'The Aggressives: 25 Years Later’ Documentary %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13954702/beyond-aggressives-25-years-later-streaming-review-kisha-chin-trevon-octavio-gender","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>“I’m comfortable being a woman who likes women. I live my life as a man, yes, but the reality does not change. You’re born a woman and that’s how you’re going to die.”\u003c/p>\n\u003cp>So said \u003ca href=\"https://nmaahc.si.edu/lgbtq/marquise-vilson\">Marquise Vilsón\u003c/a>, one of the subjects of 2005 documentary \u003cem>The Aggressives.\u003c/em> The film captured the lives of a group of genderqueer people of color living in New York City between 1997 and 2003. A quarter century on, Vilson’s starkly resigned statement feels lightyears away from where he is today — a successful actor, mentor and activist who is, unquestionably, a man.\u003c/p>\n\u003cp>Given the strides forward that Vilsón has publicly made over the years, it’s no wonder \u003cem>Aggressives\u003c/em> director Daniel Peddle felt the need to check in with some of the other subjects of the film. In 2018, he reconnected with four of the original cast: Octavio Sanders, Trevon Haynes, Kisha Batista and Chin Tsui. He spent the next five years documenting their continuing evolutions, as well as capturing Gen Z perspectives on how these “trancestors” have positively impacted the lives of queer youth now. The result is Paramount+ and Showtime documentary, \u003cem>Beyond the Aggressives: 25 Years Later\u003c/em>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FI2zkgQ79n4'\n title='//www.youtube.com/embed/FI2zkgQ79n4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In many ways, reconnecting with these subjects as older, more established adults is a relief, and issues of crime, racism and poverty are not as present here as they were in \u003cem>The Aggressives\u003c/em>. Kisha in particular appears to be living her best life: one full of love, joy, art and motorcycles. She is the philosophical heart of the movie and lights up the screen every time she’s on it — a quality that’s allowed her to snag roles on TV shows like \u003cem>Orange is the New Black\u003c/em>, \u003cem>Law & Order\u003c/em> and \u003cem>Manifest.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>That’s not to say our protagonists are not still experiencing hardship as a direct result of their gender identities. At the outset of the film, because of a series of calamitous events, Chin is detained by ICE. Worse, agents put him in long-term solitary confinement because he’s transgender. His struggle for freedom and independence is at the center of his story arc.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13952433","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>When we see Trevon, he’s getting ready to start a family with his girlfriend Jade. As the couple works together to overcome medical issues, it’s clear that doctors’ misunderstandings of gender-nonconforming people only exacerbate their fertility struggles. Trevon is frustrated but determined. One gets the sense that, together, he and Jade could conquer pretty much anything.\u003c/p>\n\u003cp>Octavio gives us a powerful reflection on how growing up around prejudice continues to impact his self-image. Looking back on the first movie, he says he didn’t come out as trans because he was still living with family then and didn’t want to lose his home. Later, we see that fear of familial rejection has lingered.\u003c/p>\n\u003cp>At one point, Octavio notes: “If I had a choice to change my gender, I would. The reason why I don’t is because I have a son … I don’t want society judging him because of who his parent is.”\u003c/p>\n\u003cp>His son’s support later in the film provides the movie with some of its most touching moments.\u003c/p>\n\u003cp>Despite social progress in the years between \u003cem>The Aggressives\u003c/em> and \u003cem>25 Years Later\u003c/em>, self-identification continues to be a point of contention. In the original film, everyone identified as “femme aggressive” at some point, but mostly found themselves outgrowing the term. In the new documentary, Trevon uses male pronouns, but swings between referring to himself as trans, nonbinary and no label at all. It goes to show that language around gender needs to be ever-evolving.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954796","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Kisha is still eschewing labels too, but does so with a refreshing sense of joy. “I define myself,” she says, “and I choose to be free.”\u003c/p>\n\u003cp>In the end, that’s what\u003cem> Beyond The Aggressives: 25 Years Later\u003c/em> is really about: growth, evolution, self-expression and the bravery inherent in pushing back against limitations. Its theme of self-realization is a universal one, but it is Kisha who most beautifully sums up the still-developing stories of our four old friends on screen.\u003c/p>\n\u003cp>“Identity is something that you create yourself — something like art. It’s a process. It’s always changing,” she says. “It’s an alignment of self and soul.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Beyond The Aggressives: 25 Years Later’ premieres on Showtime on March 30, 2024. The movie will also be available to stream via Paramount+ for subscribers with a Showtime add-on.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13954702/beyond-aggressives-25-years-later-streaming-review-kisha-chin-trevon-octavio-gender","authors":["11242"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_74"],"tags":["arts_13672","arts_3226","arts_21825","arts_769","arts_8404","arts_585","arts_702"],"featImg":"arts_13954925","label":"arts_140"},"arts_13953910":{"type":"posts","id":"arts_13953910","meta":{"index":"posts_1591205157","site":"arts","id":"13953910","score":null,"sort":[1710524049000]},"guestAuthors":[],"slug":"the-earthquakes-sfs-lgbtq-hockey-team-get-ready-for-their-comeback","title":"The Earthquakes, SF's LGBTQ+ Hockey Team, Get Ready for Their Comeback","publishDate":1710524049,"format":"standard","headTitle":"The Earthquakes, SF’s LGBTQ+ Hockey Team, Get Ready for Their Comeback | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>In 1998, the \u003ca href=\"https://www.instagram.com/sfquakes/\">Earthquakes\u003c/a>, San Francisco’s only co-ed LGBTQ+ ice hockey team, were lined up outside an Amsterdam arena for their entrance into the first-ever European Gay Games. The team had been established only a year earlier, pulling together both veterans of the sport and first-time hockey players. On that day, they joined 13,000 fellow athletes from 68 nations for the games’ opening ceremonies.\u003c/p>\n\u003cp>The Gay Games brought in more than 200,000 people to Europe’s self-proclaimed gay capital to celebrate sexual diversity at a time when sports and society at large were heavily steeped in homophobia, and the AIDS epidemic continued to devastate the LGBTQ+ community.\u003c/p>\n\u003cp>Yet the Gay Games made space for joy amid this turbulence. “You finally get to walk through the gates and see all these people, the stands are filled, and it definitely was super special,” says Quakes co-founder John Heine from his Concord home. He was 37 years old during Gay Games V — and not entirely out of the closet.\u003c/p>\n\u003cp>“I was hooked, and that was kind of my coming out story,” recalls Heine, now 62 and recovering from a recent hockey-related shoulder injury. “That was a lot of the importance in the vision about gay hockey, the San Francisco Quakes and also the Gay Games. For us, it was a way of learning how to fit into society and the coming out process.”\u003c/p>\n\u003cfigure id=\"attachment_13954187\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13954187\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-scaled.jpg\" alt=\"A film photo of two hockey players out of uniform. \" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The Quakes’ co-founders John Heine (left) and Kim McAfee (right) in 1997. \u003ccite>(Courtesy of John Heine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Now, almost three decades since the team’s inception, the Quakes are returning to the ice following a pandemic hiatus. In a week, they’ll head south to compete alongside 11 other LGBTQ+ teams from across North America at the second-ever \u003ca href=\"https://www.palmspringsgayhockey.org/\">Palm Springs International Pride Hockey Tournament\u003c/a>, which kicks off March 20.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Quakes play at Yerba Buena Ice Skating Center as part of the San Francisco Adult Hockey League. With the revival, the team debuted a fresh look last month at the San José Sharks’ Pride game. The new logo offers nods to their home city and the Sharks, who have been longtime allies: a pink triangle and a progress arrow, symbols of Pride.\u003c/p>\n\u003cfigure id=\"attachment_13953901\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953901\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Number 44, Marion Lang, sits and watches The San Francisco Quakes play at the Yerba Buena Ice Skating and Bowling Center in San Francisco on Mar. 7, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Quakes’ comeback arrives at a time when the NHL is grappling with how to be more inclusive: The league banned themed jerseys in June 2023, during Pride month. A ban on Pride tape on hockey sticks followed in October of that year. After players and fans criticized the move, the \u003ca href=\"https://www.npr.org/2023/10/25/1208403697/nhl-pride-tape-ban-lifted-travis-dermott\">NHL reversed the rules\u003c/a>.\u003c/p>\n\u003cp>Despite these controversies in the league, the Sharks have been vocal supporters of the LGBTQ+ community and the Quakes in particular. They regularly welcome the queer hockey team to the SAP Center with friendly scrimmages and pro-bono coaching from Sharks’ head coach David Quinn.\u003c/p>\n\u003cp>“They’ve done Pride nights very, very well,” says 58-year-old Kieran Flaherty, who has been a member of the Quakes for two decades. “The way the Sharks did it, it seemed less pinkwashing and jumping on the bandwagon and more substantive in the approach. They came to us and said, ‘How would you guys like to do Pride this year in a way that might help you?’”\u003c/p>\n\u003cfigure id=\"attachment_13953899\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953899\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kiki Flaherty (right) looks on as players jump over the wall during a game at the Yerba Buena Ice Skating and Bowling Center in San Francisco on Mar. 7, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Flaherty got his start on the ice at four years old. Hockey was part of his family history: he hails from Minnesota, known as the “State of Hockey.” Though he wasn’t out at the time, he left the sport in eighth grade after feeling unwelcome for being more effeminate than the other boys on the team.\u003c/p>\n\u003cp>He came out at 22 and moved to San Francisco shortly after, where he first discovered the Quakes and the Gay Games. For Flaherty and many other team members, the Quakes and the Games provided a safe space for LGBTQ+ people and allies alike to play in an industry that can be, at times, hostile.\u003c/p>\n\u003cp>“That is part of our genesis,” Flaherty says. “Many of us felt we didn’t have a good place, a safe place, a healthy place for us to participate when we were younger. We were hoping that our presence would help to turn that around.”\u003c/p>\n\u003cfigure id=\"attachment_13953895\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953895\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The San Francisco Quakes players get ready in their locker room before their game at the Yerba Buena Ice Skating and Bowling Center in San Francisco on Mar. 7, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The team consists of cisgender, trans and gender-diverse members, primarily of middle age with a few athletes in their early 60s. The Quakes welcomes varying experience levels, which has been part of their philosophy since the team was founded. But the team was nearly defunct from the pandemic about a year ago. With help recruiting from the Sharks, the next generation of LGBTQ+ hockey players is finding their way onto the Quakes.\u003c/p>\n\u003cp>“I couldn’t imagine a team like this not existing anymore, or teams like this across the United States not existing,” says 23-year-old Joey Marcacci, a gay athlete who’s played ice hockey since he was young. “It’s so important.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"Ahead of a national tournament in Palm Springs, the Quakes look back at their 30-year history.","status":"publish","parent":0,"modified":1710529035,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":961},"headData":{"title":"The Earthquakes, SF's LGBTQ+ Hockey Team, Get Ready for Their Comeback | KQED","description":"Ahead of a national tournament in Palm Springs, the Quakes look back at their 30-year history.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprByline":"Myron Caringal ","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13953910/the-earthquakes-sfs-lgbtq-hockey-team-get-ready-for-their-comeback","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 1998, the \u003ca href=\"https://www.instagram.com/sfquakes/\">Earthquakes\u003c/a>, San Francisco’s only co-ed LGBTQ+ ice hockey team, were lined up outside an Amsterdam arena for their entrance into the first-ever European Gay Games. The team had been established only a year earlier, pulling together both veterans of the sport and first-time hockey players. On that day, they joined 13,000 fellow athletes from 68 nations for the games’ opening ceremonies.\u003c/p>\n\u003cp>The Gay Games brought in more than 200,000 people to Europe’s self-proclaimed gay capital to celebrate sexual diversity at a time when sports and society at large were heavily steeped in homophobia, and the AIDS epidemic continued to devastate the LGBTQ+ community.\u003c/p>\n\u003cp>Yet the Gay Games made space for joy amid this turbulence. “You finally get to walk through the gates and see all these people, the stands are filled, and it definitely was super special,” says Quakes co-founder John Heine from his Concord home. He was 37 years old during Gay Games V — and not entirely out of the closet.\u003c/p>\n\u003cp>“I was hooked, and that was kind of my coming out story,” recalls Heine, now 62 and recovering from a recent hockey-related shoulder injury. “That was a lot of the importance in the vision about gay hockey, the San Francisco Quakes and also the Gay Games. For us, it was a way of learning how to fit into society and the coming out process.”\u003c/p>\n\u003cfigure id=\"attachment_13954187\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13954187\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-scaled.jpg\" alt=\"A film photo of two hockey players out of uniform. \" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/quakes02-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The Quakes’ co-founders John Heine (left) and Kim McAfee (right) in 1997. \u003ccite>(Courtesy of John Heine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Now, almost three decades since the team’s inception, the Quakes are returning to the ice following a pandemic hiatus. In a week, they’ll head south to compete alongside 11 other LGBTQ+ teams from across North America at the second-ever \u003ca href=\"https://www.palmspringsgayhockey.org/\">Palm Springs International Pride Hockey Tournament\u003c/a>, which kicks off March 20.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Quakes play at Yerba Buena Ice Skating Center as part of the San Francisco Adult Hockey League. With the revival, the team debuted a fresh look last month at the San José Sharks’ Pride game. The new logo offers nods to their home city and the Sharks, who have been longtime allies: a pink triangle and a progress arrow, symbols of Pride.\u003c/p>\n\u003cfigure id=\"attachment_13953901\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953901\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-12-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Number 44, Marion Lang, sits and watches The San Francisco Quakes play at the Yerba Buena Ice Skating and Bowling Center in San Francisco on Mar. 7, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Quakes’ comeback arrives at a time when the NHL is grappling with how to be more inclusive: The league banned themed jerseys in June 2023, during Pride month. A ban on Pride tape on hockey sticks followed in October of that year. After players and fans criticized the move, the \u003ca href=\"https://www.npr.org/2023/10/25/1208403697/nhl-pride-tape-ban-lifted-travis-dermott\">NHL reversed the rules\u003c/a>.\u003c/p>\n\u003cp>Despite these controversies in the league, the Sharks have been vocal supporters of the LGBTQ+ community and the Quakes in particular. They regularly welcome the queer hockey team to the SAP Center with friendly scrimmages and pro-bono coaching from Sharks’ head coach David Quinn.\u003c/p>\n\u003cp>“They’ve done Pride nights very, very well,” says 58-year-old Kieran Flaherty, who has been a member of the Quakes for two decades. “The way the Sharks did it, it seemed less pinkwashing and jumping on the bandwagon and more substantive in the approach. They came to us and said, ‘How would you guys like to do Pride this year in a way that might help you?’”\u003c/p>\n\u003cfigure id=\"attachment_13953899\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953899\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-10-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kiki Flaherty (right) looks on as players jump over the wall during a game at the Yerba Buena Ice Skating and Bowling Center in San Francisco on Mar. 7, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Flaherty got his start on the ice at four years old. Hockey was part of his family history: he hails from Minnesota, known as the “State of Hockey.” Though he wasn’t out at the time, he left the sport in eighth grade after feeling unwelcome for being more effeminate than the other boys on the team.\u003c/p>\n\u003cp>He came out at 22 and moved to San Francisco shortly after, where he first discovered the Quakes and the Gay Games. For Flaherty and many other team members, the Quakes and the Games provided a safe space for LGBTQ+ people and allies alike to play in an industry that can be, at times, hostile.\u003c/p>\n\u003cp>“That is part of our genesis,” Flaherty says. “Many of us felt we didn’t have a good place, a safe place, a healthy place for us to participate when we were younger. We were hoping that our presence would help to turn that around.”\u003c/p>\n\u003cfigure id=\"attachment_13953895\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953895\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240307-SF-QUAKES-KSM-3-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The San Francisco Quakes players get ready in their locker room before their game at the Yerba Buena Ice Skating and Bowling Center in San Francisco on Mar. 7, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The team consists of cisgender, trans and gender-diverse members, primarily of middle age with a few athletes in their early 60s. The Quakes welcomes varying experience levels, which has been part of their philosophy since the team was founded. But the team was nearly defunct from the pandemic about a year ago. With help recruiting from the Sharks, the next generation of LGBTQ+ hockey players is finding their way onto the Quakes.\u003c/p>\n\u003cp>“I couldn’t imagine a team like this not existing anymore, or teams like this across the United States not existing,” says 23-year-old Joey Marcacci, a gay athlete who’s played ice hockey since he was young. “It’s so important.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13953910/the-earthquakes-sfs-lgbtq-hockey-team-get-ready-for-their-comeback","authors":["byline_arts_13953910"],"categories":["arts_1","arts_835","arts_235","arts_13238"],"tags":["arts_10278","arts_10422","arts_3226","arts_1146","arts_4506"],"featImg":"arts_13953900","label":"arts"},"arts_13953773":{"type":"posts","id":"arts_13953773","meta":{"index":"posts_1591205157","site":"arts","id":"13953773","score":null,"sort":[1710190794000]},"guestAuthors":[],"slug":"in-praise-of-tammy-hall-bay-area-jazz-piano","title":"In Praise of Tammy Hall, the Bay Area’s Indispensable Jazz Accompanist","publishDate":1710190794,"format":"aside","headTitle":"In Praise of Tammy Hall, the Bay Area’s Indispensable Jazz Accompanist | KQED","labelTerm":{"site":"arts"},"content":"\u003cfigure id=\"attachment_13953882\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert-800x533.jpg\" alt=\"A Black woman in black top and greyish hair styled up plays the piano.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13953882\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tammy Hall, one of the most in-demand vocal accompanists in the Bay Area jazz scene, plays a full slate of shows this month — and gets honored by others in a special tribute. \u003ccite>(Janice Rickert)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The art of vocal accompaniment requires a pianist to hover in the background. The paradox of Tammy Hall is that, in mastering this selfless role of subsuming oneself, she’s turned herself into the Bay Area’s conspicuously indispensable woman — a near-iconic figure fought over by jazz divas, blues belters, Brazilian singers and stars of women’s music alike.\u003c/p>\n\u003cp>A supremely soulful player with a fierce left hand, Hall is a consummate musician who cherishes elevating other artists, keeping her chops in check so as not to call attention away from the singer. Hall isn’t averse to leading a combo; she’s delivered many a thrilling performance with a trio or quartet. But it’s the Jedi practice of attaining invisibility while shaping a vocalist’s performance that has made Hall a ubiquitous presence at venues around the region.\u003c/p>\n\u003cp>In a recent conversation from her home in Seaside, where she moved three years ago “to be with the love of my life” after being priced out of San Francisco, Hall described some of the attributes required for effective accompaniment.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VFb0SR6WdIo\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“You cannot have an ego,” she said. “At its best, you don’t know where you begin and the singer ends. Playing with Kim Nalley for her Nina Simone tribute, it was feeling like I was breathing with her. There has to be a marked amount of empathy. Not everybody has the capacity. And if you get a solo, you better be really saying something, not just spouting out a lot of notes.”\u003c/p>\n\u003cp>Some serious health setbacks at the end of last year took Hall out of circulation for several months, and she’s still working to rebuild her stamina. She’s going to need it. Throughout March, she’s got a punishing schedule, including curating SFJAZZ’s four-part “\u003ca href=\"https://www.sfjazz.org/tickets/productions/23-24/education/discover-jazz/seen-heard-bay-area-women-jazz/\">Seen & Heard: Bay Area Women in Jazz & Beyond\u003c/a>.”\u003c/p>\n\u003cp>[aside postID='arts_13926121']Part of the organization’s Discover Jazz education program, the Wednesday night series kicked off last week and continues March 13 with Melba’s Kitchen, the all-women big band that performs compositions and arrangements by the late trombone great Melba Liston (with a generous helping of material by innovative pianist and composer Mary Lou Williams).\u003c/p>\n\u003cp>Trombonist Pat Mullan, who co-directs Melba’s Kitchen, started hearing Hall around three decades ago, shortly after the pianist returned to the Bay Area following a productive three-year stint in Brussels. Hall made a powerful impression backing jazz chanteuse Denise Perrier, but Mullan got a fuller sense of her power in the Montclair Women’s Big Band, “where I began to hear the extent of her genius,” Mullan said. “She could make that band swing!”\u003c/p>\n\u003cp>During the years when Mullan kept the East Bay’s long-running Junius Courtney Big Band going following the 2003 death of its namesake trumpeter, she sought out Hall for collaborations that revealed the depth of the pianist’s jazz knowledge. For a 2011 Freight & Salvage performance celebrating the legacy of Earl “Fatha” Hines, a pervasively influential pianist in the decades before World War II, she brought a “really clear vision, instructing the band about what she wanted from the group,” Mullan said. “She has a facility of getting her message across to musicians, and if you can do that, you can get it across to audiences. She really had Hines in her body.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=i6qIICqjY4w\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>It’s entirely in keeping with Hall’s personality and career that her SFJAZZ series turns the spotlight on other artists. On March 20, an illustrious cast comes together in the Joe Henderson Lab to celebrate Afro-Cuban vocalist Bobi Céspedes, a key figure on the Bay Area’s Latin music scene since the 1980s. Hall’s series concludes March 27 back in Miner Auditorium with a night dedicated to powerhouse vocalist Linda Tillery — who, like Hall, was deeply involved with the women’s music movement centered around \u003ca href=\"https://www.kqed.org/arts/13926121/barbara-higbie-teresa-trull-olivia-records\">Olivia Records\u003c/a>, which opened up space for a stylistically diverse array of lesbian musicians in the 1970s and ’80s.\u003c/p>\n\u003cp>“I’m really excited we get to celebrate Linda,” Hall said. “She’s been a vital and indelible force in this music. I remember first seeing her at Ollie’s in the back room playing drums.”\u003c/p>\n\u003cp>Darlene “Ollie” Oliveira’s namesake club in Oakland’s Temescal was a headquarters for lesbian musicians in the 1980s, and it was where Hall, who grew up in Dallas, landed one of her first regular Bay Area gigs, playing Sundays with a fusion band Beyond Definition. She’s since stayed connected to the women’s music scene, particularly through Holly Near, with whom she performs at \u003ca href=\"https://secure.thefreight.org/13987/holly-near-0518\">Freight & Salvage on May 18\u003c/a> for Near’s “Almost 75th Birthday Party” show.\u003c/p>\n\u003cfigure id=\"attachment_13953881\" class=\"wp-caption aligncenter\" style=\"max-width: 884px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-courtesy-of-the-artist.jpg\" alt=\"\" width=\"884\" height=\"462\" class=\"size-full wp-image-13953881\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-courtesy-of-the-artist.jpg 884w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-courtesy-of-the-artist-800x418.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-courtesy-of-the-artist-160x84.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-courtesy-of-the-artist-768x401.jpg 768w\" sizes=\"(max-width: 884px) 100vw, 884px\">\u003cfigcaption class=\"wp-caption-text\">Tammy Hall. \u003ccite>(Courtesy Tammy Hall)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While Hall hands out well-deserved bouquets to other women, the Civic Center jazz spot Mr. Tipple’s is ensuring she gets a floral arrangement of her own. She hasn’t just been a regular presence at Mr. Tipple’s: Tracy Piper’s \u003ca href=\"https://mitziemee.com/wp-content/uploads/2022/03/2022-3-28.jpg\">striking mural of the pianist\u003c/a> graces the club’s otherwise nondescript Fell Street façade. So turning \u003ca href=\"https://mrtipplessf.com/calendar/\">March 16 into a marathon toast\u003c/a> for Hall seems entirely fitting. Club proprietor Jay Bordeleau has booked five shows through the course of the night, including an early set by Hall’s trio, followed by the Santa Cruz samba band SambaDá and jazz vocalists Azure McCall, Christelle Durandy and Tiffany Austin.\u003c/p>\n\u003cp>“How do you book Women’s History Month without Tammy?” Bordeleau said. “Tiffany Austin said, ‘Let’s give Tammy her flowers and do a tribute she can enjoy.’ So we decided to do a celebration for her in her style, but not rely on her. I told her, ‘You can sit in the audience and just enjoy the shows.’”\u003c/p>\n\u003cp>[aside postID='arts_13830544']Hall backs another bevy of women players on March 23 at Freight & Salvage as the leader of the Lillian Armstrong Tribute Band for vocalist Rhonda Benin’s \u003ca href=\"https://secure.thefreight.org/13801/rhonda-benins-0202\">10th Annual Just Like a Woman\u003c/a> revue. And she’s back at \u003ca href=\"https://www.sfjazz.org/tickets/productions/23-24/education/family-matinee/tammy-l-hall/\">SFJAZZ’s Miner Auditorium on May 18\u003c/a> for a family matinee celebrating Mary Lou Williams and Brazilian pianist Tania Maria.\u003c/p>\n\u003cp>Rebeca Mauleón, a formidable pianist herself who’s worked closely with Hall over the years as director of education at SFJAZZ, has always admired Hall’s “rare combination of power and grace.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“It’s as if she cradles the piano while knocking it on its rear end! Her musical generosity and humanity are always front and center,” Mauleón said. “Tammy truly shows up for her bandmates, for her colleagues, and for her students. She is unequivocally one of our Bay Area treasures.”\u003c/p>\n\n","blocks":[],"excerpt":"The supremely talented jazz pianist and fixture at local clubs is busy this month receiving her flowers.","status":"publish","parent":0,"modified":1710211165,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":1258},"headData":{"title":"In Praise of Tammy Hall, the Bay Area’s Indispensable Jazz Accompanist | KQED","description":"The supremely talented jazz pianist and fixture at local clubs is busy this month receiving her flowers.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"WpOldSlug":"in-praise-of-tammy-hall-the-bay-areas-indispensable-jazz-accompanist","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13953773/in-praise-of-tammy-hall-bay-area-jazz-piano","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13953882\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert-800x533.jpg\" alt=\"A Black woman in black top and greyish hair styled up plays the piano.\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13953882\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-by-Janice-Rickert.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tammy Hall, one of the most in-demand vocal accompanists in the Bay Area jazz scene, plays a full slate of shows this month — and gets honored by others in a special tribute. \u003ccite>(Janice Rickert)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The art of vocal accompaniment requires a pianist to hover in the background. The paradox of Tammy Hall is that, in mastering this selfless role of subsuming oneself, she’s turned herself into the Bay Area’s conspicuously indispensable woman — a near-iconic figure fought over by jazz divas, blues belters, Brazilian singers and stars of women’s music alike.\u003c/p>\n\u003cp>A supremely soulful player with a fierce left hand, Hall is a consummate musician who cherishes elevating other artists, keeping her chops in check so as not to call attention away from the singer. Hall isn’t averse to leading a combo; she’s delivered many a thrilling performance with a trio or quartet. But it’s the Jedi practice of attaining invisibility while shaping a vocalist’s performance that has made Hall a ubiquitous presence at venues around the region.\u003c/p>\n\u003cp>In a recent conversation from her home in Seaside, where she moved three years ago “to be with the love of my life” after being priced out of San Francisco, Hall described some of the attributes required for effective accompaniment.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VFb0SR6WdIo'\n title='//www.youtube.com/embed/VFb0SR6WdIo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“You cannot have an ego,” she said. “At its best, you don’t know where you begin and the singer ends. Playing with Kim Nalley for her Nina Simone tribute, it was feeling like I was breathing with her. There has to be a marked amount of empathy. Not everybody has the capacity. And if you get a solo, you better be really saying something, not just spouting out a lot of notes.”\u003c/p>\n\u003cp>Some serious health setbacks at the end of last year took Hall out of circulation for several months, and she’s still working to rebuild her stamina. She’s going to need it. Throughout March, she’s got a punishing schedule, including curating SFJAZZ’s four-part “\u003ca href=\"https://www.sfjazz.org/tickets/productions/23-24/education/discover-jazz/seen-heard-bay-area-women-jazz/\">Seen & Heard: Bay Area Women in Jazz & Beyond\u003c/a>.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13926121","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Part of the organization’s Discover Jazz education program, the Wednesday night series kicked off last week and continues March 13 with Melba’s Kitchen, the all-women big band that performs compositions and arrangements by the late trombone great Melba Liston (with a generous helping of material by innovative pianist and composer Mary Lou Williams).\u003c/p>\n\u003cp>Trombonist Pat Mullan, who co-directs Melba’s Kitchen, started hearing Hall around three decades ago, shortly after the pianist returned to the Bay Area following a productive three-year stint in Brussels. Hall made a powerful impression backing jazz chanteuse Denise Perrier, but Mullan got a fuller sense of her power in the Montclair Women’s Big Band, “where I began to hear the extent of her genius,” Mullan said. “She could make that band swing!”\u003c/p>\n\u003cp>During the years when Mullan kept the East Bay’s long-running Junius Courtney Big Band going following the 2003 death of its namesake trumpeter, she sought out Hall for collaborations that revealed the depth of the pianist’s jazz knowledge. For a 2011 Freight & Salvage performance celebrating the legacy of Earl “Fatha” Hines, a pervasively influential pianist in the decades before World War II, she brought a “really clear vision, instructing the band about what she wanted from the group,” Mullan said. “She has a facility of getting her message across to musicians, and if you can do that, you can get it across to audiences. She really had Hines in her body.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/i6qIICqjY4w'\n title='//www.youtube.com/embed/i6qIICqjY4w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> \u003c/p>\n\u003cp>It’s entirely in keeping with Hall’s personality and career that her SFJAZZ series turns the spotlight on other artists. On March 20, an illustrious cast comes together in the Joe Henderson Lab to celebrate Afro-Cuban vocalist Bobi Céspedes, a key figure on the Bay Area’s Latin music scene since the 1980s. Hall’s series concludes March 27 back in Miner Auditorium with a night dedicated to powerhouse vocalist Linda Tillery — who, like Hall, was deeply involved with the women’s music movement centered around \u003ca href=\"https://www.kqed.org/arts/13926121/barbara-higbie-teresa-trull-olivia-records\">Olivia Records\u003c/a>, which opened up space for a stylistically diverse array of lesbian musicians in the 1970s and ’80s.\u003c/p>\n\u003cp>“I’m really excited we get to celebrate Linda,” Hall said. “She’s been a vital and indelible force in this music. I remember first seeing her at Ollie’s in the back room playing drums.”\u003c/p>\n\u003cp>Darlene “Ollie” Oliveira’s namesake club in Oakland’s Temescal was a headquarters for lesbian musicians in the 1980s, and it was where Hall, who grew up in Dallas, landed one of her first regular Bay Area gigs, playing Sundays with a fusion band Beyond Definition. She’s since stayed connected to the women’s music scene, particularly through Holly Near, with whom she performs at \u003ca href=\"https://secure.thefreight.org/13987/holly-near-0518\">Freight & Salvage on May 18\u003c/a> for Near’s “Almost 75th Birthday Party” show.\u003c/p>\n\u003cfigure id=\"attachment_13953881\" class=\"wp-caption aligncenter\" style=\"max-width: 884px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-courtesy-of-the-artist.jpg\" alt=\"\" width=\"884\" height=\"462\" class=\"size-full wp-image-13953881\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-courtesy-of-the-artist.jpg 884w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-courtesy-of-the-artist-800x418.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-courtesy-of-the-artist-160x84.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Tammy-Hall-courtesy-of-the-artist-768x401.jpg 768w\" sizes=\"(max-width: 884px) 100vw, 884px\">\u003cfigcaption class=\"wp-caption-text\">Tammy Hall. \u003ccite>(Courtesy Tammy Hall)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While Hall hands out well-deserved bouquets to other women, the Civic Center jazz spot Mr. Tipple’s is ensuring she gets a floral arrangement of her own. She hasn’t just been a regular presence at Mr. Tipple’s: Tracy Piper’s \u003ca href=\"https://mitziemee.com/wp-content/uploads/2022/03/2022-3-28.jpg\">striking mural of the pianist\u003c/a> graces the club’s otherwise nondescript Fell Street façade. So turning \u003ca href=\"https://mrtipplessf.com/calendar/\">March 16 into a marathon toast\u003c/a> for Hall seems entirely fitting. Club proprietor Jay Bordeleau has booked five shows through the course of the night, including an early set by Hall’s trio, followed by the Santa Cruz samba band SambaDá and jazz vocalists Azure McCall, Christelle Durandy and Tiffany Austin.\u003c/p>\n\u003cp>“How do you book Women’s History Month without Tammy?” Bordeleau said. “Tiffany Austin said, ‘Let’s give Tammy her flowers and do a tribute she can enjoy.’ So we decided to do a celebration for her in her style, but not rely on her. I told her, ‘You can sit in the audience and just enjoy the shows.’”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13830544","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Hall backs another bevy of women players on March 23 at Freight & Salvage as the leader of the Lillian Armstrong Tribute Band for vocalist Rhonda Benin’s \u003ca href=\"https://secure.thefreight.org/13801/rhonda-benins-0202\">10th Annual Just Like a Woman\u003c/a> revue. And she’s back at \u003ca href=\"https://www.sfjazz.org/tickets/productions/23-24/education/family-matinee/tammy-l-hall/\">SFJAZZ’s Miner Auditorium on May 18\u003c/a> for a family matinee celebrating Mary Lou Williams and Brazilian pianist Tania Maria.\u003c/p>\n\u003cp>Rebeca Mauleón, a formidable pianist herself who’s worked closely with Hall over the years as director of education at SFJAZZ, has always admired Hall’s “rare combination of power and grace.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s as if she cradles the piano while knocking it on its rear end! Her musical generosity and humanity are always front and center,” Mauleón said. “Tammy truly shows up for her bandmates, for her colleagues, and for her students. She is unequivocally one of our Bay Area treasures.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13953773/in-praise-of-tammy-hall-bay-area-jazz-piano","authors":["86"],"categories":["arts_1","arts_69"],"tags":["arts_10278","arts_1420","arts_3226","arts_22007","arts_2048"],"featImg":"arts_13953880","label":"arts"},"arts_13953601":{"type":"posts","id":"arts_13953601","meta":{"index":"posts_1591205157","site":"arts","id":"13953601","score":null,"sort":[1709853716000]},"guestAuthors":[],"slug":"love-lies-bleeding-review-kristen-stewart-ed-harris-kate-glass","title":"‘Love Lies Bleeding’ Seduces With Sex and Suspense Before Spiraling","publishDate":1709853716,"format":"standard","headTitle":"‘Love Lies Bleeding’ Seduces With Sex and Suspense Before Spiraling | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003cem>Love Lies Bleeding\u003c/em> is a weird goddamn movie.\u003c/p>\n\u003cp>It manages to be incredibly sexy one moment and turn-away-from-the-screen repulsive the next. Graphic violence and ironic humor rub up against one another. Everyone looks like a dirty trashbag, but in a way that is somehow pleasing to the eye. (Not dissimilar to 1996’s \u003cem>Trainspotting,\u003c/em> I suppose — if \u003cem>Trainspotting\u003c/em> had more perms and greasy mullets.)\u003c/p>\n\u003cp>It’s also a movie that spends two-thirds viscerally steeping itself in gritty realism, only to erupt into a surreal fantasy that flounders in the last act.\u003c/p>\n\u003cp>[aside postid='arts_13929913']Yes. Please take my word for it: \u003cem>Love Lies Bleeding\u003c/em> is a weird goddamn movie that doesn’t just defy a single genre, it actively flips all of them off.\u003c/p>\n\u003cp>At the outset, this is a story that’s unusual in the best possible way. The setting is small-town New Mexico in 1989. Grumpy, chain-smoking gym employee Lou (Kristen Stewart) meets bodybuilding out-of-towner Jackie (Katy O’Brian). The two immediately shack up and begin a steamy — albeit steroid-enhanced — relationship. Jackie works at a nearby gun range that’s run by Lou’s estranged father, Lou Sr (Ed Harris). Jackie gets her job via J.J. (Dave Franco) after the two share a brief sexual encounter on her first night in town. J.J. also happens to be married to Lou’s sister Beth (Jena Malone), whom he viciously beats on a regular basis.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=BF_J3-DmiS0&t=43s\u003c/p>\n\u003cp>The bulk of \u003cem>Love Lies Bleeding\u003c/em> is a brilliantly acted, thoroughly engrossing, slow spiral into increasingly violent, desperate and complicated circumstances. J.J.’s actions set the characters on a crash course in which people are killed, bodies are concealed, traps are set, lines are blurred and allegiances are changed. At its core, the film is about love and monstrousness and how the two can intersect. But it’s also about broken families, lonely people and corrupt systems.\u003c/p>\n\u003cp>If \u003cem>Love Lies Bleeding\u003c/em> had successfully retained that tone and momentum throughout, it could have been a damn-near perfect movie. Where it throws itself drunkenly off a cliff is in trying too hard to labor its main raison d’être: the idea that love is capable of driving people to unthinkable actions.\u003c/p>\n\u003cp>Once the main characters are all thoroughly tied up in each other’s bad decisions, the script can’t quite figure out a sensible way to resolve itself. And with that, writer-director Rose Glass throws out the low-key, synth-enhanced, grimy sexiness that originally set the tone in favor of cartoonish imagery, a sharp shift into surreality and, worse still, plot holes.\u003c/p>\n\u003cp>[aside postid='arts_13952668']Still, there is enough to marvel at here that I can’t, in good conscience, tell you to skip \u003cem>Love Lies Bleeding\u003c/em> altogether. The aesthetics and misfit fashions alone are worth the viewing time. Then there’s all the hot-but-realistically-low-key sex between Lou and Jackie. Kristen Stewart’s slowly unraveling performance is magnificent. Katy O’Brian and her rippling muscles are consistently mesmerizing. And Ed Harris is so sinister here, this performance makes his \u003cem>Westworld\u003c/em> character look like a romantic lead.\u003c/p>\n\u003cp>So, by all means, go and see \u003cem>Love Lies Bleeding\u003c/em> for all of the above. Just don’t expect to get lost in its dirty little orbit for too long. It never quite sticks the landing.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Love Lies Bleeding’ officially hits Bay Area big screens on March 15, 2024. Special preview screenings begin in select San Francisco and Oakland theaters on March 12. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Kristen Stewart's latest is a lesbian love story on steroids — literally.","status":"publish","parent":0,"modified":1709853716,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":631},"headData":{"title":"‘Love Lies Bleeding’ Review: A Sexy Affair Spirals, ’80s Style | KQED","description":"Kristen Stewart's latest is a lesbian love story on steroids — literally.","ogTitle":"‘Love Lies Bleeding’ Seduces With Sex and Suspense Before Spiraling","ogDescription":"","ogImgId":"","twTitle":"‘Love Lies Bleeding’ Seduces With Sex and Suspense Before Spiraling","twDescription":"","twImgId":"","socialTitle":"‘Love Lies Bleeding’ Review: A Sexy Affair Spirals, ’80s Style %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13953601/love-lies-bleeding-review-kristen-stewart-ed-harris-kate-glass","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Love Lies Bleeding\u003c/em> is a weird goddamn movie.\u003c/p>\n\u003cp>It manages to be incredibly sexy one moment and turn-away-from-the-screen repulsive the next. Graphic violence and ironic humor rub up against one another. Everyone looks like a dirty trashbag, but in a way that is somehow pleasing to the eye. (Not dissimilar to 1996’s \u003cem>Trainspotting,\u003c/em> I suppose — if \u003cem>Trainspotting\u003c/em> had more perms and greasy mullets.)\u003c/p>\n\u003cp>It’s also a movie that spends two-thirds viscerally steeping itself in gritty realism, only to erupt into a surreal fantasy that flounders in the last act.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13929913","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Yes. Please take my word for it: \u003cem>Love Lies Bleeding\u003c/em> is a weird goddamn movie that doesn’t just defy a single genre, it actively flips all of them off.\u003c/p>\n\u003cp>At the outset, this is a story that’s unusual in the best possible way. The setting is small-town New Mexico in 1989. Grumpy, chain-smoking gym employee Lou (Kristen Stewart) meets bodybuilding out-of-towner Jackie (Katy O’Brian). The two immediately shack up and begin a steamy — albeit steroid-enhanced — relationship. Jackie works at a nearby gun range that’s run by Lou’s estranged father, Lou Sr (Ed Harris). Jackie gets her job via J.J. (Dave Franco) after the two share a brief sexual encounter on her first night in town. J.J. also happens to be married to Lou’s sister Beth (Jena Malone), whom he viciously beats on a regular basis.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BF_J3-DmiS0'\n title='//www.youtube.com/embed/BF_J3-DmiS0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The bulk of \u003cem>Love Lies Bleeding\u003c/em> is a brilliantly acted, thoroughly engrossing, slow spiral into increasingly violent, desperate and complicated circumstances. J.J.’s actions set the characters on a crash course in which people are killed, bodies are concealed, traps are set, lines are blurred and allegiances are changed. At its core, the film is about love and monstrousness and how the two can intersect. But it’s also about broken families, lonely people and corrupt systems.\u003c/p>\n\u003cp>If \u003cem>Love Lies Bleeding\u003c/em> had successfully retained that tone and momentum throughout, it could have been a damn-near perfect movie. Where it throws itself drunkenly off a cliff is in trying too hard to labor its main raison d’être: the idea that love is capable of driving people to unthinkable actions.\u003c/p>\n\u003cp>Once the main characters are all thoroughly tied up in each other’s bad decisions, the script can’t quite figure out a sensible way to resolve itself. And with that, writer-director Rose Glass throws out the low-key, synth-enhanced, grimy sexiness that originally set the tone in favor of cartoonish imagery, a sharp shift into surreality and, worse still, plot holes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13952668","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Still, there is enough to marvel at here that I can’t, in good conscience, tell you to skip \u003cem>Love Lies Bleeding\u003c/em> altogether. The aesthetics and misfit fashions alone are worth the viewing time. Then there’s all the hot-but-realistically-low-key sex between Lou and Jackie. Kristen Stewart’s slowly unraveling performance is magnificent. Katy O’Brian and her rippling muscles are consistently mesmerizing. And Ed Harris is so sinister here, this performance makes his \u003cem>Westworld\u003c/em> character look like a romantic lead.\u003c/p>\n\u003cp>So, by all means, go and see \u003cem>Love Lies Bleeding\u003c/em> for all of the above. Just don’t expect to get lost in its dirty little orbit for too long. It never quite sticks the landing.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Love Lies Bleeding’ officially hits Bay Area big screens on March 15, 2024. Special preview screenings begin in select San Francisco and Oakland theaters on March 12. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13953601/love-lies-bleeding-review-kristen-stewart-ed-harris-kate-glass","authors":["11242"],"programs":["arts_140"],"categories":["arts_1","arts_74","arts_75"],"tags":["arts_10278","arts_3226","arts_769","arts_585"],"featImg":"arts_13953603","label":"arts_140"},"arts_13953497":{"type":"posts","id":"arts_13953497","meta":{"index":"posts_1591205157","site":"arts","id":"13953497","score":null,"sort":[1709832346000]},"guestAuthors":[],"slug":"a-queer-party-renaissance-brings-new-life-to-downtown-oakland","title":"A Queer Party Renaissance Brings New Life to Downtown Oakland","publishDate":1709832346,"format":"aside","headTitle":"A Queer Party Renaissance Brings New Life to Downtown Oakland | KQED","labelTerm":{"site":"arts"},"content":"\u003cfigure id=\"attachment_13952711\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952711\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sarahfe Harris Juarbe, a.k.a. Bruja Fe, dances at the Marimacha dance party in Oakland on Feb. 17, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s 11 p.m. on a recent Saturday, and the dance floor at Oakland’s \u003ca href=\"https://fluid510.com/\">Fluid510\u003c/a> starts filling up with people in cowboy hats and boots, platforms and mesh, neck tattoos and baggy polos, and head-to-toe leather.\u003c/p>\n\u003cp>Here at a new queer party called Marimacha, the DJ, \u003ca href=\"https://www.instagram.com/xulaquiles/\">Xulaquiles\u003c/a>, switches the vibe from 2000s reggaeton to Kali Uchis’ “\u003ca href=\"https://youtu.be/_h-Vcm7hqb4?si=DJOQZ3r3QjD-JH24\">Dame Beso // Muévete\u003c/a>.” The dancers, mostly women and gender-nonconforming people of every style and expression, react accordingly, going from throwing it back to twirling each other in time with the merengue rhythm.\u003c/p>\n\u003cfigure id=\"attachment_13952710\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952710\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Victoria Fajardo, a.k.a. DJ Xulaquiles a.k.a. Kiki, plays her set at the Marimacha dance party at Fluid510 in Oakland on Feb. 17, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Marimacha is among an exciting new surge in queer parties right now in downtown Oakland. On any given Friday or Saturday night, clubgoers can walk from drag show to queer cocktail lounge to Afrobeats night to house music party, all within a half-mile radius. Even more queer events — speed dating, kink workshops, board game nights, open mics and food pop-ups — offer a wealth of weeknight and evening options for those who want more than drinking and dancing.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13952162/oakland-public-safety-crime-commentary\">Downtown Oakland’s struggles\u003c/a> get a lot of airtime. But if you only watch cable news and read Nextdoor posts about bipping and chain store closures, you’ll miss the fact that the Town’s LGBTQ+ nightlife scene is flourishing in ways it hasn’t in years.\u003c/p>\n\u003cp>Oakland now boasts at least eight queer venues, many of which opened in the past year. Along with a \u003ca href=\"https://oaklandside.org/2023/11/07/oakland-lakeshore-lgbtq-cultural-district-lake-merritt/\">newly designated LGBTQ+ District\u003c/a> near Lakeshore Avenue, this explosion of nightlife has brought new events just as eclectic, creative and politically engaged as Oakland’s queer community itself.\u003c/p>\n\u003cfigure id=\"attachment_13952709\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952709\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">People dance at the Marimacha dance party at Fluid510 in Oakland on Feb. 17, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I feel like there’s a renaissance happening right now,” says \u003ca href=\"https://www.instagram.com/beauty_botanica/\">Olivia Bianco-Chaidez\u003c/a>, who co-produced Marimacha. “Things are getting spicier again.”\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#queeroaklandvenuelist\">Jump to: Our list of queer venues in Oakland\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>The lay of the land\u003c/h2>\n\u003cp>Queer nightlife in Oakland has always been more diverse across race and gender than in San Francisco, whose gayborhood, the Castro, has skewed white and male since becoming a mecca over 50 years ago. And while Oakland has long been a haven for queer and trans people of color, pre-pandemic hangout options were slim; brick-and-mortar establishments one could visit any night of the week numbered at less than a handful. [aside postid='arts_13938947']\u003c/p>\n\u003cp>January 2020 saw the closure of two adjoining Broadway venues, \u003ca href=\"https://www.kqed.org/arts/13871726/sf-developer-displaces-club-bnb-and-club-21-reducing-oakland-lgbtq-bars-by-half\">Club BnB and Club 21\u003c/a>, after the landlord doubled the clubs’ rent and replaced them with tech offices. At the time, the closure cut Oakland’s number of queer nightlife venues in half, leaving just the \u003ca href=\"https://www.instagram.com/whitehorsebar/?hl=en\">White Horse\u003c/a> — the North Oakland standby on Telegraph that’s been open since the 1930s — and the drag-and-dancing Broadway hotspot Port Bar, which closed this February, also \u003ca href=\"https://oaklandside.org/2024/01/30/oakland-port-bar-closure-landlord-dispute/\">due to a landlord dispute\u003c/a>. (Another landlord dispute forced Bianco-Chaidez and her partner in work and life, Mar Mendoza, who DJs as \u003ca href=\"https://www.instagram.com/dreamsthedj\">Dreams\u003c/a>, to close their underground venue El Afters last fall, though they \u003ca href=\"https://www.instagram.com/elaftersoakland/\">continue to produce events under that banner\u003c/a>.)\u003c/p>\n\u003cfigure id=\"attachment_13952707\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952707\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Olivia Bianco-Chaidez (left) and Mar Mendoza, a.k.a. Dreams (right), at Fluid510 in Oakland on Feb. 17, 2024. Bianco-Chaidez and Mendoza co-hosted their inaugural Marimacha party, celebrating “the buchona baddies, cunty cabronas, diablo daddies, and all of our sexy community.” \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, against the odds, a flurry of new activity emerged out of the pandemic’s shutdowns. “It was years of turmoil, but also years of envisioning and imagining,” says event producer Yanni Brump, who DJs as \u003ca href=\"https://www.instagram.com/djprincessdxddy/\">Princess Dxddy\u003c/a>. “So now, you see the offspring of that in people’s manifestation of having the events they want, the spaces they want to gather.”\u003c/p>\n\u003cp>Queer-owned cocktail lounge \u003ca href=\"https://www.instagram.com/friendsandfamilybar/\">Friends and Family\u003c/a> — open to all, but known as a sapphic safe space — launched with to-go service when COVID-19 restrictions began to lift, and now makes a thriving hub on 25th Street for queer chefs, vintners and mixologists. (Its neon-lit bathroom might also be queer Oakland’s most popular dating profile photo backdrop.)\u003c/p>\n\u003cp>By 2021, Oakland’s downtown also saw the opening of \u003ca href=\"https://www.instagram.com/quericonightclub/\">Que Rico\u003c/a>, the Latinx-focused venue on 15th Street. It’s home to drag and dancing, as well as parties-with-a-purpose like \u003ca href=\"https://www.instagram.com/qumbiaqrew/\">Queer Qumbia\u003c/a>, which recently fundraised for Palestinian Youth Movement and Arab Resource and Organizing Center. Also in 2021, \u003ca href=\"https://www.thebarsummer.com/\">Summer Bar & Lounge\u003c/a> opened its doors in Old Oakland, and now boasts a packed weekly program of karaoke, drag and go-go dancers.\u003c/p>\n\u003cfigure id=\"attachment_13953620\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953620\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Edward Booker (left) pours a drink while Vivi Sousa (right) looks on at Nectar Social Club in Oakland, Calif. on Friday, Feb. 2, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Oakland’s queer nightlife renaissance began to crystalize in 2023, when a critical mass of new venues arrived, catering to a wide array of identities and interests. Across from Que Rico is \u003ca href=\"https://www.instagram.com/nectarsocialclub/?hl=en\">Nectar Social Club\u003c/a>, which celebrated its opening last fall with a sprawling block party produced by \u003ca href=\"https://www.kqed.org/arts/13929138/in-oakland-a-drag-fest-for-the-community-by-the-community\">Oaklash\u003c/a>, the progressive drag festival that champions trans performers as well as racial and disability justice.\u003c/p>\n\u003cp>Since, Nectar’s programming has flourished, with some of the most creative events the Town has to offer. “I focus on people who are doing things that are a little bit alternative, who are building things in a grassroots way, who really understand how to bring together community around whatever creative offering they have,” says owner Jeremy Redford, who DJs as FloridaWTR.\u003c/p>\n\u003cfigure id=\"attachment_13951613\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13951613\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jeremy Redford, owner of Nectar Social Club in Oakland, on Feb. 2, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On a recent Friday afternoon, Nectar, which operates as a coffee shop by day and a bar by night, is filled with clusters of friends working on laptops, drawing and gossiping over lattes. After dark, DJ Romii and friends spin house music as a couple makes out in the corner and dancers bop around sipping espresso martinis and mocktails.\u003c/p>\n\u003cp>\u003ca href=\"https://feelmoresocial.com/\">Feelmore Social Club\u003c/a> is just a couple blocks away on Broadway — it’s a grown-and-sexy cocktail lounge spin-off of Nenna Joiner’s long-running sex shop of the same name. With vintage erotic art adorning the walls, it welcomes the kinky and curious.\u003c/p>\n\u003cp>“What we really wanted to bring to the bar landscape was a space where sex-positive people could actually expect and think of when you’re talking about like, ‘Hey, where do we [go] for a poly meetup?’” says Joiner, seated at a barstool while a Sade song plays through the speakers.\u003c/p>\n\u003cfigure id=\"attachment_13951616\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13951616\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nenna Joiner, owner of Feelmore Social Club, on Feb 2., 2024 in Oakland. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Last May, Richard Fuentes and Sean Sullivan (the owners of the now-closed Port Bar) opened Fluid510, the aforementioned 250-capacity nightclub next door to Feelmore. As the name might suggest, its programming leans heavily, though not exclusively, queer.\u003c/p>\n\u003cp>Just a few blocks north toward the Paramount Theater is the elegant, Art Deco-inspired \u003ca href=\"https://www.goingtotownoakland.com/\">Town Bar & Lounge\u003c/a>, whose omnivorous event schedule includes \u003ci>RuPaul’s Drag Race\u003c/i> watch parties, food pop-ups, disco nights and live R&B concerts. On Thursday nights, Town Bar hosts Femme Suite, a weekly Thursday ladies night produced by Dennise Chakra-Kan and Lady Ryan, the power couple behind Lvrgrl at the White Horse and roaming day party The Sweet Spot.\u003c/p>\n\u003cp>“I think me and Ryan definitely have the same vision of curating a space that is safe for our community, and making sure that Black and Brown people are definitely at the forefront of things,” says Chakra-Kan.\u003c/p>\n\u003cfigure id=\"attachment_13953589\" class=\"wp-caption aligncenter\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953589\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-scaled.jpeg\" alt=\"\" width=\"2048\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-scaled.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-800x1000.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-1020x1275.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-160x200.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-768x960.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-1229x1536.jpeg 1229w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-1638x2048.jpeg 1638w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-1920x2400.jpeg 1920w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">Dennise Chakra-Kan and Lady Ryan (left to right) at their Sweet Spot New Year’s Eve party at the White Horse on Dec. 31, 2023. \u003ccite>(Stephen Flynn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Ready to mingle\u003c/h2>\n\u003cp>At a day party called Love Spell in February, a distinctly flirty energy buzzes in the room of mostly women at Oakland’s High 5ive Rooftop Bar. Two speed dating rounds — for ages 25-35 and 35+ — just wrapped, and few exuberant folks get the dance floor started. Couples lean in close or sit on each other’s laps, while those who arrived alone browse jewelry and clothing from queer vendors, glancing around in the hopes of making eye contact with an attractive stranger.\u003c/p>\n\u003cp>In our age of Tinder, Feeld and Hinge, it turns out meeting in person is back in style. “I think we’re experiencing phone fatigue and app fatigue,” says Montana Hooks, the one-woman team behind events platform and online publication \u003ca href=\"https://www.queerinoakland.com/\">Queer In Oakland\u003c/a>, which co-produced Love Spell. “It’s almost going full circle again to the simpler times before apps totally saturated the way that we connect socially, and it’s fun and it’s novel again. I definitely think that the popularity of mixers and speed dating in queer communities can speak to that.”\u003c/p>\n\u003cfigure id=\"attachment_13953582\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953582\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240301-Oakland-Queer-Spaces-Montana-Hooks-KSM-01_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240301-Oakland-Queer-Spaces-Montana-Hooks-KSM-01_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240301-Oakland-Queer-Spaces-Montana-Hooks-KSM-01_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240301-Oakland-Queer-Spaces-Montana-Hooks-KSM-01_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240301-Oakland-Queer-Spaces-Montana-Hooks-KSM-01_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240301-Oakland-Queer-Spaces-Montana-Hooks-KSM-01_qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240301-Oakland-Queer-Spaces-Montana-Hooks-KSM-01_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Montana Hooks of Queer In Oakland at Fluid510 in Oakland on Feb. 18, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hooks, a longtime Oakland resident who grew up in Fremont, started Queer In Oakland because she struggled to find queer community herself after returning to the Bay from a brief stint in Seattle. The project began with a humble Google calendar of event listings in 2017. After throwing some entrepreneurial mixers — and online events during COVID shutdowns — in 2023 Hooks turned her focus to producing parties, which have now flourished into \u003ca href=\"https://www.instagram.com/queerinoakland/\">some of the most eclectic queer events\u003c/a> the Town has to offer.\u003c/p>\n\u003cp>In recent weeks, she’s put on an indie music night and a mixer for queer creatives at Nectar Social Club, and a house music night that packed out Amber Lounge on a Thursday. On March 9 at Night Heron, there’s Instinct, a sexy dance party with a dark dress code of red, black, leather and fishnets. A singles night for queer and trans people of color called Tease is slated at Sessions on 15th on March 14, followed by a queer cowgirl party called Wild West (co-produced with Reverse Cowgirl) at Fluid510 on March 30.\u003c/p>\n\u003cfigure id=\"attachment_13953621\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953621\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-1.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-1.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-1-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A dancer moves in rhythm as the party gets started on Feb. 17, 2024. The Marimacha dance party at Fluid510 is billed as ‘a friki nite of perreo, reggaeton, cumbias & club music.’ \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“As we’re becoming stronger as a queer community, I feel we can take up space now in ways that less marginalized communities don’t even have to give a second thought to,” Hooks says.\u003c/p>\n\u003cp>Nectar Social Club is certainly doing its part to strengthen the community on and off the dance floor. Recently, it hosted a photography show and launch party for \u003ca href=\"https://pusseimagazine.com/\">\u003ci>Pussei* Magazine\u003c/i>\u003c/a>, as well as artist Shreya’s exhibition of futuristic paintings inspired by South Asian folklore. Rapper and activist Aima the Dreamer, who co-produces the long-running day party \u003ca href=\"https://www.instagram.com/wearesoulovely/?hl=en\">Soulovely\u003c/a>, recently launched an open mic night and artist showcase called Groove Gallery, where the night begins with a ritual and freewriting prompt, followed by music and poetry focused on Black and Brown, queer and trans liberation.\u003c/p>\n\u003cfigure id=\"attachment_13951618\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13951618\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Malik Bey (center) and Ashley Hughes (right) work at their laptops at the bar inside Nectar Social Club on Feb. 2, 2024 in Oakland. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The future seems so uncertain, and we’ve been holding all of these deep political, social, health-based, economic tensions,” Redford says. “And more so than ever, we need community.”\u003c/p>\n\u003cp>“[We’re] tapping into people who are just really creative and understand how to get people into the moment, how to get people out of their shell,” he adds.\u003c/p>\n\u003cp>One of those people is Brump, a.k.a. Princess Dxddy. The model and fashion-show producer started DJing last year. They connected with Redford through Oaklash’s Skills for Nightlife Accelerator Program and bonded over a love of music with Afro-diasporic rhythms. Earlier this year, Brump debuted Spirit, an Afrobeats, amapiano and global dance music party at Nectar.\u003c/p>\n\u003cp>“Music touches parts of our spirit, and allows our innermost worlds to come to the forefront,” says Brump, noting the importance of safe spaces for femmes and gender-nonconforming people. “To allow ourselves to be free is a very spiritual experience.”\u003c/p>\n\u003cfigure id=\"attachment_13953618\" class=\"wp-caption aligncenter\" style=\"max-width: 1707px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953618\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-scaled.jpg\" alt=\"a man in white t shirt and necklace DJs with blue lights and a patterned ceiling in the background\" width=\"1707\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-scaled.jpg 1707w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-1920x2880.jpg 1920w\" sizes=\"(max-width: 1707px) 100vw, 1707px\">\u003cfigcaption class=\"wp-caption-text\">Yanni Brump, who DJs as Princess Dxddy, at their Afrobeats and amapiano party Spirit on Jan. 26, 2024 at Nectar Social Club. \u003ccite>(Courtesy of Nectar Social Club)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘We still gon’ thrive no matter what’\u003c/h2>\n\u003cp>Even with all this new activity, downtown Oakland does feel sleepy these days. The First Friday street fair — a major foot traffic driver for businesses — went on hiatus from January to March, citing financial strain.\u003c/p>\n\u003cp>Maybe it’s the rain; maybe it’s grocery and gas prices; maybe it’s safety concerns or shuttered businesses — you’re not really seeing groups of young people hopping from bar to food truck to bar as they did in previous years.\u003c/p>\n\u003cp>Redford points to a new pattern he’s picked up on from event-goers. “The days of people waking up on a Friday and saying, ‘I’m just going to go out in downtown Oakland and walk around’ seem like they’re coming to an end,” he says. “So many people are following and tracking the community leaders [and] builders who they feel aligned with, and they’re putting on their calendars the events … that really resonate with them.”\u003c/p>\n\u003cfigure id=\"attachment_13953622\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953622\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-2.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-2.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-2-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Sarahfe Harris Juarbe, a.k.a. Bruja Fe, towls off during a break from dancing at the Marimacha dance party in Oakland on Feb. 17, 2024. Harris Juarbe said they had three costumes to change into for the inaugural party. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Town Bar owner Joshua Huynh alluded to something similar when I visited him on a Friday before doors opened. “You really want something for everyone, literally everyone,” he says of his event schedule.\u003c/p>\n\u003cp>Of all the dance parties and chef pop-ups he’s hosted, the night that reflects the spirit of Town Bar for him was a low-key cookie decorating party on Christmas Eve. “People were like, ‘I had nowhere to go’ and ‘thank you.’ It was a home-y thing, so that was nice,” he recalls.\u003c/p>\n\u003cfigure id=\"attachment_13951620\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13951620\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Joshua Huynh, owner of Town Bar and Lounge in Oakland, on Feb. 2, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Huynh puts that community feeling into action: He regularly collects donations at the door for the Oakland LGBTQ Community Center’s food bank, and says he’s raised over $15,000 for it since Town Bar opened in April 2023.\u003c/p>\n\u003cp>“I know 100% of our money’s directly giving back to the community without a middleman taking a cut,” he says.\u003c/p>\n\u003cp>For decades, that’s been the spirit of Oakland’s queer community. It’s led by people who find themselves at the intersections of multiple marginalized identities, whether immigrant, Black, gender-nonconforming, all of the above or something else entirely. And despite challenges in Oakland and society at large, our queer and trans culture-makers have always poured themselves into creating refuges for joy, self-expression and solidarity.\u003c/p>\n\u003cp>As Bianco-Chaidez, the co-producer of the new Marimacha party, says: “We still gon’ thrive no matter what.”\u003c/p>\n\u003cfigure id=\"attachment_13952708\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952708\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dancers at the Marimacha party hosted by EL AFTERS X SFLA QUEER NIGHTLIFE at Fluid510 in Oakland on Feb. 17, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca id=\"queeroaklandvenuelist\">\u003c/a>Where to find queer nightlife in Oakland\u003c/h2>\n\u003cp>\u003cem>\u003cstrong>\u003ca href=\"https://www.instagram.com/elaftersoakland/\">El Afters\u003c/a>. \u003c/strong>\u003c/em>\u003cem>Parties and events at rotating venues.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/friendsandfamilybar/\">\u003cstrong>Friends and Family\u003c/strong>\u003c/a> (468 25th Street). Cocktail lounge with light bites and events. Open Monday and Tuesday 5-11 p.m., Wednesday-Saturday 5 p.m.-midnight.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://feelmoresocial.com/\">\u003cstrong>Feelmore Social Club\u003c/strong>\u003c/a> (1542 Broadway Avenue). Cocktail lounge with kink and sex-positive events. Open Sunday 11-5 p.m., Monday 5-11 p.m., Tuesday-Saturday 11 a.m.-12:30 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://fluid510.com/\">\u003cstrong>Fluid510\u003c/strong>\u003c/a> (1544 Broadway Avenue). Large nightclub with weekly parties, serves food. Open Wednesday and Thursday 4 p.m.-midnight, Friday 4 p.m.-2 a.m., Saturday 11 a.m. – 2 a.m., Sunday 11 a.m.-midnight. \u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/nectarsocialclub/?hl=en\">\u003cstrong>Nectar Social Club\u003c/strong>\u003c/a> (408 15th Street). Coffee shop and bar with evening events and late-night dance parties. Open Tuesday and Wednesday 10 a.m.-6 p.m., Thursday-Saturday 10 a.m.-10 p.m. and until 2 a.m. for special events. \u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/queerinoakland/\">\u003cstrong>Queer in Oakland\u003c/strong>\u003c/a>. Parties and events at rotating venues.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/quericonightclub/\">\u003cstrong>Que Rico\u003c/strong>\u003c/a> (381 15th Street). Nightclub with drag and DJs. Open Tuesday 6 p.m.–11 p.m., Wednesday and Thursday 5–10:30 p.m., Fridays and Saturdays 5 p.m. – 2 a.m.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/wearesoulovely/?hl=en\">\u003cstrong>Soulovely\u003c/strong>\u003c/a>. Monthly day party on Second Sundays April-October at 7th West (1255 7th Street).\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.thebarsummer.com/\">\u003cstrong>Summer Bar & Lounge\u003c/strong>\u003c/a> (526 8th Street). Intimate venue with karaoke, drag and dancing. Tuesday-Thursday 8 p.m.-midnight, Friday and Saturday, 8 p.m.-1:30 a.m., Sunday 4-8 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.goingtotownoakland.com/\">\u003cstrong>Town Bar & Lounge\u003c/strong>\u003c/a> (2001 Broadway Avenue). Art-deco lounge with dancing, food pop-ups and other events. Sunday-Wednesday, 5-11 p.m., Thursday 5 p.m.-midnight, Friday and Saturday 5 p.m.-2 a.m.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/thesweetspotoak/\">\u003cstrong>The Sweet Spot\u003c/strong>\u003c/a>. Parties and events at rotating venues.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/whitehorsebar/?hl=en\">\u003cstrong>White Horse Bar\u003c/strong>\u003c/a> (6551 Telegraph Avenue). Historic bar and nightclub with a DJs, karaoke, drag and special events. Tuesday-Thursday 5 p.m.-midnight. Friday 5 p.m.-2 a.m. Saturday 3 p.m.-2 a.m. Sunday 3-10 p.m. Monday 4-9 p.m. [ad fullwidth]\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"An explosion of new queer nightlife within a half-mile radius has Oakland popping with action.","status":"publish","parent":0,"modified":1709857792,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":51,"wordCount":3114},"headData":{"title":"Where to Find LGBTQ+ Nightlife in Oakland | KQED","description":"An explosion of new queer nightlife within a half-mile radius has Oakland popping with action.","ogTitle":"A Queer Party Renaissance Brings New Life to Downtown Oakland","ogDescription":"","ogImgId":"","twTitle":"A Queer Party Renaissance Brings New Life to Downtown Oakland","twDescription":"","twImgId":"","socialTitle":"Where to Find LGBTQ+ Nightlife in Oakland %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13953497/a-queer-party-renaissance-brings-new-life-to-downtown-oakland","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13952711\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952711\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-18-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sarahfe Harris Juarbe, a.k.a. Bruja Fe, dances at the Marimacha dance party in Oakland on Feb. 17, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s 11 p.m. on a recent Saturday, and the dance floor at Oakland’s \u003ca href=\"https://fluid510.com/\">Fluid510\u003c/a> starts filling up with people in cowboy hats and boots, platforms and mesh, neck tattoos and baggy polos, and head-to-toe leather.\u003c/p>\n\u003cp>Here at a new queer party called Marimacha, the DJ, \u003ca href=\"https://www.instagram.com/xulaquiles/\">Xulaquiles\u003c/a>, switches the vibe from 2000s reggaeton to Kali Uchis’ “\u003ca href=\"https://youtu.be/_h-Vcm7hqb4?si=DJOQZ3r3QjD-JH24\">Dame Beso // Muévete\u003c/a>.” The dancers, mostly women and gender-nonconforming people of every style and expression, react accordingly, going from throwing it back to twirling each other in time with the merengue rhythm.\u003c/p>\n\u003cfigure id=\"attachment_13952710\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952710\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-15-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Victoria Fajardo, a.k.a. DJ Xulaquiles a.k.a. Kiki, plays her set at the Marimacha dance party at Fluid510 in Oakland on Feb. 17, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Marimacha is among an exciting new surge in queer parties right now in downtown Oakland. On any given Friday or Saturday night, clubgoers can walk from drag show to queer cocktail lounge to Afrobeats night to house music party, all within a half-mile radius. Even more queer events — speed dating, kink workshops, board game nights, open mics and food pop-ups — offer a wealth of weeknight and evening options for those who want more than drinking and dancing.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13952162/oakland-public-safety-crime-commentary\">Downtown Oakland’s struggles\u003c/a> get a lot of airtime. But if you only watch cable news and read Nextdoor posts about bipping and chain store closures, you’ll miss the fact that the Town’s LGBTQ+ nightlife scene is flourishing in ways it hasn’t in years.\u003c/p>\n\u003cp>Oakland now boasts at least eight queer venues, many of which opened in the past year. Along with a \u003ca href=\"https://oaklandside.org/2023/11/07/oakland-lakeshore-lgbtq-cultural-district-lake-merritt/\">newly designated LGBTQ+ District\u003c/a> near Lakeshore Avenue, this explosion of nightlife has brought new events just as eclectic, creative and politically engaged as Oakland’s queer community itself.\u003c/p>\n\u003cfigure id=\"attachment_13952709\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952709\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-14-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">People dance at the Marimacha dance party at Fluid510 in Oakland on Feb. 17, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I feel like there’s a renaissance happening right now,” says \u003ca href=\"https://www.instagram.com/beauty_botanica/\">Olivia Bianco-Chaidez\u003c/a>, who co-produced Marimacha. “Things are getting spicier again.”\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#queeroaklandvenuelist\">Jump to: Our list of queer venues in Oakland\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>The lay of the land\u003c/h2>\n\u003cp>Queer nightlife in Oakland has always been more diverse across race and gender than in San Francisco, whose gayborhood, the Castro, has skewed white and male since becoming a mecca over 50 years ago. And while Oakland has long been a haven for queer and trans people of color, pre-pandemic hangout options were slim; brick-and-mortar establishments one could visit any night of the week numbered at less than a handful. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13938947","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>January 2020 saw the closure of two adjoining Broadway venues, \u003ca href=\"https://www.kqed.org/arts/13871726/sf-developer-displaces-club-bnb-and-club-21-reducing-oakland-lgbtq-bars-by-half\">Club BnB and Club 21\u003c/a>, after the landlord doubled the clubs’ rent and replaced them with tech offices. At the time, the closure cut Oakland’s number of queer nightlife venues in half, leaving just the \u003ca href=\"https://www.instagram.com/whitehorsebar/?hl=en\">White Horse\u003c/a> — the North Oakland standby on Telegraph that’s been open since the 1930s — and the drag-and-dancing Broadway hotspot Port Bar, which closed this February, also \u003ca href=\"https://oaklandside.org/2024/01/30/oakland-port-bar-closure-landlord-dispute/\">due to a landlord dispute\u003c/a>. (Another landlord dispute forced Bianco-Chaidez and her partner in work and life, Mar Mendoza, who DJs as \u003ca href=\"https://www.instagram.com/dreamsthedj\">Dreams\u003c/a>, to close their underground venue El Afters last fall, though they \u003ca href=\"https://www.instagram.com/elaftersoakland/\">continue to produce events under that banner\u003c/a>.)\u003c/p>\n\u003cfigure id=\"attachment_13952707\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952707\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-04-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Olivia Bianco-Chaidez (left) and Mar Mendoza, a.k.a. Dreams (right), at Fluid510 in Oakland on Feb. 17, 2024. Bianco-Chaidez and Mendoza co-hosted their inaugural Marimacha party, celebrating “the buchona baddies, cunty cabronas, diablo daddies, and all of our sexy community.” \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, against the odds, a flurry of new activity emerged out of the pandemic’s shutdowns. “It was years of turmoil, but also years of envisioning and imagining,” says event producer Yanni Brump, who DJs as \u003ca href=\"https://www.instagram.com/djprincessdxddy/\">Princess Dxddy\u003c/a>. “So now, you see the offspring of that in people’s manifestation of having the events they want, the spaces they want to gather.”\u003c/p>\n\u003cp>Queer-owned cocktail lounge \u003ca href=\"https://www.instagram.com/friendsandfamilybar/\">Friends and Family\u003c/a> — open to all, but known as a sapphic safe space — launched with to-go service when COVID-19 restrictions began to lift, and now makes a thriving hub on 25th Street for queer chefs, vintners and mixologists. (Its neon-lit bathroom might also be queer Oakland’s most popular dating profile photo backdrop.)\u003c/p>\n\u003cp>By 2021, Oakland’s downtown also saw the opening of \u003ca href=\"https://www.instagram.com/quericonightclub/\">Que Rico\u003c/a>, the Latinx-focused venue on 15th Street. It’s home to drag and dancing, as well as parties-with-a-purpose like \u003ca href=\"https://www.instagram.com/qumbiaqrew/\">Queer Qumbia\u003c/a>, which recently fundraised for Palestinian Youth Movement and Arab Resource and Organizing Center. Also in 2021, \u003ca href=\"https://www.thebarsummer.com/\">Summer Bar & Lounge\u003c/a> opened its doors in Old Oakland, and now boasts a packed weekly program of karaoke, drag and go-go dancers.\u003c/p>\n\u003cfigure id=\"attachment_13953620\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953620\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Edward Booker (left) pours a drink while Vivi Sousa (right) looks on at Nectar Social Club in Oakland, Calif. on Friday, Feb. 2, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Oakland’s queer nightlife renaissance began to crystalize in 2023, when a critical mass of new venues arrived, catering to a wide array of identities and interests. Across from Que Rico is \u003ca href=\"https://www.instagram.com/nectarsocialclub/?hl=en\">Nectar Social Club\u003c/a>, which celebrated its opening last fall with a sprawling block party produced by \u003ca href=\"https://www.kqed.org/arts/13929138/in-oakland-a-drag-fest-for-the-community-by-the-community\">Oaklash\u003c/a>, the progressive drag festival that champions trans performers as well as racial and disability justice.\u003c/p>\n\u003cp>Since, Nectar’s programming has flourished, with some of the most creative events the Town has to offer. “I focus on people who are doing things that are a little bit alternative, who are building things in a grassroots way, who really understand how to bring together community around whatever creative offering they have,” says owner Jeremy Redford, who DJs as FloridaWTR.\u003c/p>\n\u003cfigure id=\"attachment_13951613\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13951613\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-08-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jeremy Redford, owner of Nectar Social Club in Oakland, on Feb. 2, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On a recent Friday afternoon, Nectar, which operates as a coffee shop by day and a bar by night, is filled with clusters of friends working on laptops, drawing and gossiping over lattes. After dark, DJ Romii and friends spin house music as a couple makes out in the corner and dancers bop around sipping espresso martinis and mocktails.\u003c/p>\n\u003cp>\u003ca href=\"https://feelmoresocial.com/\">Feelmore Social Club\u003c/a> is just a couple blocks away on Broadway — it’s a grown-and-sexy cocktail lounge spin-off of Nenna Joiner’s long-running sex shop of the same name. With vintage erotic art adorning the walls, it welcomes the kinky and curious.\u003c/p>\n\u003cp>“What we really wanted to bring to the bar landscape was a space where sex-positive people could actually expect and think of when you’re talking about like, ‘Hey, where do we [go] for a poly meetup?’” says Joiner, seated at a barstool while a Sade song plays through the speakers.\u003c/p>\n\u003cfigure id=\"attachment_13951616\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13951616\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-17-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Nenna Joiner, owner of Feelmore Social Club, on Feb 2., 2024 in Oakland. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Last May, Richard Fuentes and Sean Sullivan (the owners of the now-closed Port Bar) opened Fluid510, the aforementioned 250-capacity nightclub next door to Feelmore. As the name might suggest, its programming leans heavily, though not exclusively, queer.\u003c/p>\n\u003cp>Just a few blocks north toward the Paramount Theater is the elegant, Art Deco-inspired \u003ca href=\"https://www.goingtotownoakland.com/\">Town Bar & Lounge\u003c/a>, whose omnivorous event schedule includes \u003ci>RuPaul’s Drag Race\u003c/i> watch parties, food pop-ups, disco nights and live R&B concerts. On Thursday nights, Town Bar hosts Femme Suite, a weekly Thursday ladies night produced by Dennise Chakra-Kan and Lady Ryan, the power couple behind Lvrgrl at the White Horse and roaming day party The Sweet Spot.\u003c/p>\n\u003cp>“I think me and Ryan definitely have the same vision of curating a space that is safe for our community, and making sure that Black and Brown people are definitely at the forefront of things,” says Chakra-Kan.\u003c/p>\n\u003cfigure id=\"attachment_13953589\" class=\"wp-caption aligncenter\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953589\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-scaled.jpeg\" alt=\"\" width=\"2048\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-scaled.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-800x1000.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-1020x1275.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-160x200.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-768x960.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-1229x1536.jpeg 1229w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-1638x2048.jpeg 1638w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/1N8A8439-1920x2400.jpeg 1920w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">Dennise Chakra-Kan and Lady Ryan (left to right) at their Sweet Spot New Year’s Eve party at the White Horse on Dec. 31, 2023. \u003ccite>(Stephen Flynn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Ready to mingle\u003c/h2>\n\u003cp>At a day party called Love Spell in February, a distinctly flirty energy buzzes in the room of mostly women at Oakland’s High 5ive Rooftop Bar. Two speed dating rounds — for ages 25-35 and 35+ — just wrapped, and few exuberant folks get the dance floor started. Couples lean in close or sit on each other’s laps, while those who arrived alone browse jewelry and clothing from queer vendors, glancing around in the hopes of making eye contact with an attractive stranger.\u003c/p>\n\u003cp>In our age of Tinder, Feeld and Hinge, it turns out meeting in person is back in style. “I think we’re experiencing phone fatigue and app fatigue,” says Montana Hooks, the one-woman team behind events platform and online publication \u003ca href=\"https://www.queerinoakland.com/\">Queer In Oakland\u003c/a>, which co-produced Love Spell. “It’s almost going full circle again to the simpler times before apps totally saturated the way that we connect socially, and it’s fun and it’s novel again. I definitely think that the popularity of mixers and speed dating in queer communities can speak to that.”\u003c/p>\n\u003cfigure id=\"attachment_13953582\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953582\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240301-Oakland-Queer-Spaces-Montana-Hooks-KSM-01_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240301-Oakland-Queer-Spaces-Montana-Hooks-KSM-01_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240301-Oakland-Queer-Spaces-Montana-Hooks-KSM-01_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240301-Oakland-Queer-Spaces-Montana-Hooks-KSM-01_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240301-Oakland-Queer-Spaces-Montana-Hooks-KSM-01_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240301-Oakland-Queer-Spaces-Montana-Hooks-KSM-01_qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/240301-Oakland-Queer-Spaces-Montana-Hooks-KSM-01_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Montana Hooks of Queer In Oakland at Fluid510 in Oakland on Feb. 18, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hooks, a longtime Oakland resident who grew up in Fremont, started Queer In Oakland because she struggled to find queer community herself after returning to the Bay from a brief stint in Seattle. The project began with a humble Google calendar of event listings in 2017. After throwing some entrepreneurial mixers — and online events during COVID shutdowns — in 2023 Hooks turned her focus to producing parties, which have now flourished into \u003ca href=\"https://www.instagram.com/queerinoakland/\">some of the most eclectic queer events\u003c/a> the Town has to offer.\u003c/p>\n\u003cp>In recent weeks, she’s put on an indie music night and a mixer for queer creatives at Nectar Social Club, and a house music night that packed out Amber Lounge on a Thursday. On March 9 at Night Heron, there’s Instinct, a sexy dance party with a dark dress code of red, black, leather and fishnets. A singles night for queer and trans people of color called Tease is slated at Sessions on 15th on March 14, followed by a queer cowgirl party called Wild West (co-produced with Reverse Cowgirl) at Fluid510 on March 30.\u003c/p>\n\u003cfigure id=\"attachment_13953621\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953621\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-1.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-1.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-1-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A dancer moves in rhythm as the party gets started on Feb. 17, 2024. The Marimacha dance party at Fluid510 is billed as ‘a friki nite of perreo, reggaeton, cumbias & club music.’ \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“As we’re becoming stronger as a queer community, I feel we can take up space now in ways that less marginalized communities don’t even have to give a second thought to,” Hooks says.\u003c/p>\n\u003cp>Nectar Social Club is certainly doing its part to strengthen the community on and off the dance floor. Recently, it hosted a photography show and launch party for \u003ca href=\"https://pusseimagazine.com/\">\u003ci>Pussei* Magazine\u003c/i>\u003c/a>, as well as artist Shreya’s exhibition of futuristic paintings inspired by South Asian folklore. Rapper and activist Aima the Dreamer, who co-produces the long-running day party \u003ca href=\"https://www.instagram.com/wearesoulovely/?hl=en\">Soulovely\u003c/a>, recently launched an open mic night and artist showcase called Groove Gallery, where the night begins with a ritual and freewriting prompt, followed by music and poetry focused on Black and Brown, queer and trans liberation.\u003c/p>\n\u003cfigure id=\"attachment_13951618\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13951618\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-22-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Malik Bey (center) and Ashley Hughes (right) work at their laptops at the bar inside Nectar Social Club on Feb. 2, 2024 in Oakland. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The future seems so uncertain, and we’ve been holding all of these deep political, social, health-based, economic tensions,” Redford says. “And more so than ever, we need community.”\u003c/p>\n\u003cp>“[We’re] tapping into people who are just really creative and understand how to get people into the moment, how to get people out of their shell,” he adds.\u003c/p>\n\u003cp>One of those people is Brump, a.k.a. Princess Dxddy. The model and fashion-show producer started DJing last year. They connected with Redford through Oaklash’s Skills for Nightlife Accelerator Program and bonded over a love of music with Afro-diasporic rhythms. Earlier this year, Brump debuted Spirit, an Afrobeats, amapiano and global dance music party at Nectar.\u003c/p>\n\u003cp>“Music touches parts of our spirit, and allows our innermost worlds to come to the forefront,” says Brump, noting the importance of safe spaces for femmes and gender-nonconforming people. “To allow ourselves to be free is a very spiritual experience.”\u003c/p>\n\u003cfigure id=\"attachment_13953618\" class=\"wp-caption aligncenter\" style=\"max-width: 1707px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953618\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-scaled.jpg\" alt=\"a man in white t shirt and necklace DJs with blue lights and a patterned ceiling in the background\" width=\"1707\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-scaled.jpg 1707w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/dsc01245-1920x2880.jpg 1920w\" sizes=\"(max-width: 1707px) 100vw, 1707px\">\u003cfigcaption class=\"wp-caption-text\">Yanni Brump, who DJs as Princess Dxddy, at their Afrobeats and amapiano party Spirit on Jan. 26, 2024 at Nectar Social Club. \u003ccite>(Courtesy of Nectar Social Club)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘We still gon’ thrive no matter what’\u003c/h2>\n\u003cp>Even with all this new activity, downtown Oakland does feel sleepy these days. The First Friday street fair — a major foot traffic driver for businesses — went on hiatus from January to March, citing financial strain.\u003c/p>\n\u003cp>Maybe it’s the rain; maybe it’s grocery and gas prices; maybe it’s safety concerns or shuttered businesses — you’re not really seeing groups of young people hopping from bar to food truck to bar as they did in previous years.\u003c/p>\n\u003cp>Redford points to a new pattern he’s picked up on from event-goers. “The days of people waking up on a Friday and saying, ‘I’m just going to go out in downtown Oakland and walk around’ seem like they’re coming to an end,” he says. “So many people are following and tracking the community leaders [and] builders who they feel aligned with, and they’re putting on their calendars the events … that really resonate with them.”\u003c/p>\n\u003cfigure id=\"attachment_13953622\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953622\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-2.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-2.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/download-2-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Sarahfe Harris Juarbe, a.k.a. Bruja Fe, towls off during a break from dancing at the Marimacha dance party in Oakland on Feb. 17, 2024. Harris Juarbe said they had three costumes to change into for the inaugural party. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Town Bar owner Joshua Huynh alluded to something similar when I visited him on a Friday before doors opened. “You really want something for everyone, literally everyone,” he says of his event schedule.\u003c/p>\n\u003cp>Of all the dance parties and chef pop-ups he’s hosted, the night that reflects the spirit of Town Bar for him was a low-key cookie decorating party on Christmas Eve. “People were like, ‘I had nowhere to go’ and ‘thank you.’ It was a home-y thing, so that was nice,” he recalls.\u003c/p>\n\u003cfigure id=\"attachment_13951620\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13951620\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240202-OAKLANDQUEERSPACES-KSM-24-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Joshua Huynh, owner of Town Bar and Lounge in Oakland, on Feb. 2, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Huynh puts that community feeling into action: He regularly collects donations at the door for the Oakland LGBTQ Community Center’s food bank, and says he’s raised over $15,000 for it since Town Bar opened in April 2023.\u003c/p>\n\u003cp>“I know 100% of our money’s directly giving back to the community without a middleman taking a cut,” he says.\u003c/p>\n\u003cp>For decades, that’s been the spirit of Oakland’s queer community. It’s led by people who find themselves at the intersections of multiple marginalized identities, whether immigrant, Black, gender-nonconforming, all of the above or something else entirely. And despite challenges in Oakland and society at large, our queer and trans culture-makers have always poured themselves into creating refuges for joy, self-expression and solidarity.\u003c/p>\n\u003cp>As Bianco-Chaidez, the co-producer of the new Marimacha party, says: “We still gon’ thrive no matter what.”\u003c/p>\n\u003cfigure id=\"attachment_13952708\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952708\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240217-OAKLAND-QUEER-SPACES-KSM-07-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dancers at the Marimacha party hosted by EL AFTERS X SFLA QUEER NIGHTLIFE at Fluid510 in Oakland on Feb. 17, 2024. \u003ccite>(Kathryn Styer Martínez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca id=\"queeroaklandvenuelist\">\u003c/a>Where to find queer nightlife in Oakland\u003c/h2>\n\u003cp>\u003cem>\u003cstrong>\u003ca href=\"https://www.instagram.com/elaftersoakland/\">El Afters\u003c/a>. \u003c/strong>\u003c/em>\u003cem>Parties and events at rotating venues.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/friendsandfamilybar/\">\u003cstrong>Friends and Family\u003c/strong>\u003c/a> (468 25th Street). Cocktail lounge with light bites and events. Open Monday and Tuesday 5-11 p.m., Wednesday-Saturday 5 p.m.-midnight.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://feelmoresocial.com/\">\u003cstrong>Feelmore Social Club\u003c/strong>\u003c/a> (1542 Broadway Avenue). Cocktail lounge with kink and sex-positive events. Open Sunday 11-5 p.m., Monday 5-11 p.m., Tuesday-Saturday 11 a.m.-12:30 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://fluid510.com/\">\u003cstrong>Fluid510\u003c/strong>\u003c/a> (1544 Broadway Avenue). Large nightclub with weekly parties, serves food. Open Wednesday and Thursday 4 p.m.-midnight, Friday 4 p.m.-2 a.m., Saturday 11 a.m. – 2 a.m., Sunday 11 a.m.-midnight. \u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/nectarsocialclub/?hl=en\">\u003cstrong>Nectar Social Club\u003c/strong>\u003c/a> (408 15th Street). Coffee shop and bar with evening events and late-night dance parties. Open Tuesday and Wednesday 10 a.m.-6 p.m., Thursday-Saturday 10 a.m.-10 p.m. and until 2 a.m. for special events. \u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/queerinoakland/\">\u003cstrong>Queer in Oakland\u003c/strong>\u003c/a>. Parties and events at rotating venues.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/quericonightclub/\">\u003cstrong>Que Rico\u003c/strong>\u003c/a> (381 15th Street). Nightclub with drag and DJs. Open Tuesday 6 p.m.–11 p.m., Wednesday and Thursday 5–10:30 p.m., Fridays and Saturdays 5 p.m. – 2 a.m.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/wearesoulovely/?hl=en\">\u003cstrong>Soulovely\u003c/strong>\u003c/a>. Monthly day party on Second Sundays April-October at 7th West (1255 7th Street).\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.thebarsummer.com/\">\u003cstrong>Summer Bar & Lounge\u003c/strong>\u003c/a> (526 8th Street). Intimate venue with karaoke, drag and dancing. Tuesday-Thursday 8 p.m.-midnight, Friday and Saturday, 8 p.m.-1:30 a.m., Sunday 4-8 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.goingtotownoakland.com/\">\u003cstrong>Town Bar & Lounge\u003c/strong>\u003c/a> (2001 Broadway Avenue). Art-deco lounge with dancing, food pop-ups and other events. Sunday-Wednesday, 5-11 p.m., Thursday 5 p.m.-midnight, Friday and Saturday 5 p.m.-2 a.m.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/thesweetspotoak/\">\u003cstrong>The Sweet Spot\u003c/strong>\u003c/a>. Parties and events at rotating venues.\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.instagram.com/whitehorsebar/?hl=en\">\u003cstrong>White Horse Bar\u003c/strong>\u003c/a> (6551 Telegraph Avenue). Historic bar and nightclub with a DJs, karaoke, drag and special events. Tuesday-Thursday 5 p.m.-midnight. Friday 5 p.m.-2 a.m. Saturday 3 p.m.-2 a.m. Sunday 3-10 p.m. Monday 4-9 p.m. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13953497/a-queer-party-renaissance-brings-new-life-to-downtown-oakland","authors":["11387"],"categories":["arts_1","arts_69","arts_235"],"tags":["arts_10342","arts_10278","arts_3226","arts_7520","arts_5351","arts_1143","arts_12080"],"featImg":"arts_13953615","label":"arts"},"arts_13952117":{"type":"posts","id":"arts_13952117","meta":{"index":"posts_1591205157","site":"arts","id":"13952117","score":null,"sort":[1707853207000]},"guestAuthors":[],"slug":"zanele-muholi-sfmoma-eye-me-queer-south-african-photography","title":"At SFMOMA, Zanele Muholi Documents South African Queer Life with Intense Feeling","publishDate":1707853207,"format":"standard","headTitle":"At SFMOMA, Zanele Muholi Documents South African Queer Life with Intense Feeling | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Walking through the initial galleries of the SFMOMA’s stunning new exhibit by queer South African photographer \u003ca href=\"https://www.sfmoma.org/exhibition/zanele-muholi-eye-me/\">Zanele Muholi, \u003cem>Eye Me\u003c/em>\u003c/a>, one immediately notices Muholi’s capacity to wring emotions from their subjects’ hands.\u003c/p>\n\u003cp>There’s care implicit in how the subject of “ID Crisis” handles the bandage binding their breasts. The hands grasping before the subject’s genitals in “Aftermath” suggest fearfulness and self-protection — appropriate for an image built around a large upper thigh scar that was the result of a hate crime. And the hands in a series called “Brave Beauties” draw on the coquettish postures of fashion photography to stylize and dignify their trans women subjects. [ad fullwidth]\u003c/p>\n\u003cp>The way Muholi brings out personality and feeling through gestures speaks to the photographer’s gift for conveying emotional complexity. For 20 years, Muholi has practiced what they refer to as “visual activism” by exhaustively documenting queer Black life and culture in their native South Africa. They are known for developing lengthy relationships with their subjects — often photographing individuals again and again through their lives — and for working to empower subjects both during photo shoots and afterwards.\u003c/p>\n\u003cp>Quotes from the artist scattered throughout \u003cem>Eye Me\u003c/em> speak to Muholi’s aspirations to create a bounty of images for the queer community’s benefit: “This work is done to ensure that the next generation will be able to draw on a diverse, and queer, archive of images.”\u003c/p>\n\u003cfigure id=\"attachment_13952139\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952139\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-scaled.jpg\" alt=\"A black-and-white photo of hands with hospital bracelets over plaied\" width=\"2560\" height=\"1778\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-800x556.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-1020x708.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-768x533.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-1536x1067.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-2048x1422.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-1920x1334.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Zanele Muholi, ‘Hate Crimes Survivor I,’ from the series ‘Only Half the Picture,’ 2004. \u003ccite>(Courtesy of the artist and Yancey Richardson, New York; © Zanele Muholi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Eye Me\u003c/em> is arranged in sections to cover five of the eight major photo series that Muholi has created to date. These images often tie to themes of coercion and violence against LGBTQ+ individuals — either centering the lives of survivors of sexual assault and hate crimes, or showing the ways queer and trans people experience joy and love in spite of efforts to deny them both. Although Muholi does photograph men, they focus mostly on women and femmes, and \u003cem>Eye Me\u003c/em> wafts with the fragrances of a multi-layered femininity, be it a lover’s protective, warning stare, two naked women in joking play or partners standing in a large bucket bathing themselves together. [aside postid='arts_13951888']\u003c/p>\n\u003cp>Muholi is drawn to patterns made by embracing bodies and entwined limbs. Their portrait of queer couple Musa Ngubane and Mabongi Ndlovu shows a hug in which hands and arms seem almost preternaturally connected. The shot of Katlego Mashiloane and Nosipho Lavuta bent over, bathing together, makes the pair’s backs look as though they are merging together into one.\u003c/p>\n\u003cp>This sense of cohesion makes these images feel so intimate, emotionally raw and powerful. \u003cem>Eye Me\u003c/em> can at times be an overwhelming experience for the intensity and quantity of emotions that permeate from virtually every shot in the show.\u003c/p>\n\u003cfigure id=\"attachment_13952142\" class=\"wp-caption aligncenter\" style=\"max-width: 2222px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952142\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-scaled.jpg\" alt=\"A black-and-white self-portrait of the artist with elaborate fabric framing their face.\" width=\"2222\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-scaled.jpg 2222w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-800x922.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-1020x1175.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-768x885.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-1333x1536.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-1777x2048.jpg 1777w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-1920x2212.jpg 1920w\" sizes=\"(max-width: 2222px) 100vw, 2222px\">\u003cfigcaption class=\"wp-caption-text\">Zanele Muholi, ‘Somnyama Ngonyama II,’ Oslo, 2015. \u003ccite>(Courtesy of the artist and Yancey Richardson, New York; © Zanele Muholi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The largest gallery in \u003cem>Eye Me\u003c/em> is reserved for work from Muholi’s magisterial series “Somnyama Ngonyama,” in which they took 365 self-portraits as a vast array of alter egos in locations around the world, from Kyoto to Charlottesville to Nuoro, Italy. Striking in their intricacy (see the dozens of combs carefully arrayed in Muholi’s hair for “Qiniso”) as well as provocative (for “Faniswa,” Muholi painted a uterus on their shoulder), the photographs show the artist often adopting postures of coiled power and great intensity.\u003c/p>\n\u003cp>For the exhibit, SFMOMA reproduced several of the images from this series to mural size, and the effect is electrifying. In a piece like “Manzi I,” the larger size gives audiences the chance to fully appreciate Muholi’s intricate interplay of textures and masterful arrangement of tones, and their facial expression of wariness, fatigue and resistance hits all the harder. [aside postid='arts_13950490']\u003c/p>\n\u003cp>No matter how abstract or timeless it aspires to be, all art is created and viewed within a cultural context. It feels complicated to experience \u003cem>Eye Me\u003c/em> in San Francisco — a part of the United States that remains relatively safe while much of the country unleashes a tide of anti-LGBTQ+ hatred. Even though South Africa is among the most progressive African nations when it comes to queer rights — in 1996 it became the first country in the world to put legal protections for LGBTQ+ people into its constitution — violence, poverty and fragility are basic constituents of Muholi’s artistic palette. It is hard not to wonder what everyday life is like for their subjects. Such questions lead inevitably back to thoughts of how Blackness and queerness are increasingly the subject of violence and depredation here in the U.S.\u003c/p>\n\u003cfigure id=\"attachment_13952144\" class=\"wp-caption aligncenter\" style=\"max-width: 1707px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952144\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-scaled.jpg\" alt=\"\" width=\"1707\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-scaled.jpg 1707w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-1920x2880.jpg 1920w\" sizes=\"(max-width: 1707px) 100vw, 1707px\">\u003cfigcaption class=\"wp-caption-text\">Zanele Muholi, ‘Yaya Mavundla, Parktown, Johannesburg,’ from the series ‘Brave Beauties,’ 2014. \u003ccite>(Courtesy of the artist and Yancey Richardson, New York; © Zanele Muholi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Although Muholi tends to shoot their photos in ways that abstract away the surrounding world, there is still a powerful sense of being granted glimpses into a community in which the hope for safety and dignity resonates. This is in part because Muholi so assiduously manages the signifiers of Blackness and queerness in their photos — for instance, in “Yaya Mavundla I,” a trans woman stands proud and elegant in a bra and miniskirt made from layers and layers of Saran Wrap. The sense of defiance in the face of invalidation and vulnerability is familiar, even as Mavundla’s body feels part of a queerness that hits very differently from what viewers in San Francisco might be accustomed to. This mixture makes \u003cem>Eye Me\u003c/em> feel necessary and vital.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.sfmoma.org/exhibition/zanele-muholi-eye-me/\">Zanele Muholi’s ‘Eye Me’\u003c/a> is on view at SFMOMA through Aug. 11, 2024. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Stylized portraits, spanning decades, show their subjects' care, love, self-protection and dignity. ","status":"publish","parent":0,"modified":1707853207,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":1010},"headData":{"title":"At SFMOMA, Zanele Muholi Documents South African Queer Life with Intense Feeling | KQED","description":"Stylized portraits, spanning decades, show their subjects' care, love, self-protection and dignity. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprByline":"Veronica Esposito ","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13952117/zanele-muholi-sfmoma-eye-me-queer-south-african-photography","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Walking through the initial galleries of the SFMOMA’s stunning new exhibit by queer South African photographer \u003ca href=\"https://www.sfmoma.org/exhibition/zanele-muholi-eye-me/\">Zanele Muholi, \u003cem>Eye Me\u003c/em>\u003c/a>, one immediately notices Muholi’s capacity to wring emotions from their subjects’ hands.\u003c/p>\n\u003cp>There’s care implicit in how the subject of “ID Crisis” handles the bandage binding their breasts. The hands grasping before the subject’s genitals in “Aftermath” suggest fearfulness and self-protection — appropriate for an image built around a large upper thigh scar that was the result of a hate crime. And the hands in a series called “Brave Beauties” draw on the coquettish postures of fashion photography to stylize and dignify their trans women subjects. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The way Muholi brings out personality and feeling through gestures speaks to the photographer’s gift for conveying emotional complexity. For 20 years, Muholi has practiced what they refer to as “visual activism” by exhaustively documenting queer Black life and culture in their native South Africa. They are known for developing lengthy relationships with their subjects — often photographing individuals again and again through their lives — and for working to empower subjects both during photo shoots and afterwards.\u003c/p>\n\u003cp>Quotes from the artist scattered throughout \u003cem>Eye Me\u003c/em> speak to Muholi’s aspirations to create a bounty of images for the queer community’s benefit: “This work is done to ensure that the next generation will be able to draw on a diverse, and queer, archive of images.”\u003c/p>\n\u003cfigure id=\"attachment_13952139\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952139\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-scaled.jpg\" alt=\"A black-and-white photo of hands with hospital bracelets over plaied\" width=\"2560\" height=\"1778\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-800x556.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-1020x708.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-768x533.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-1536x1067.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-2048x1422.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/01_Zanele-Muholi_Hate-Crimes-Survivor-I_2004-1920x1334.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Zanele Muholi, ‘Hate Crimes Survivor I,’ from the series ‘Only Half the Picture,’ 2004. \u003ccite>(Courtesy of the artist and Yancey Richardson, New York; © Zanele Muholi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Eye Me\u003c/em> is arranged in sections to cover five of the eight major photo series that Muholi has created to date. These images often tie to themes of coercion and violence against LGBTQ+ individuals — either centering the lives of survivors of sexual assault and hate crimes, or showing the ways queer and trans people experience joy and love in spite of efforts to deny them both. Although Muholi does photograph men, they focus mostly on women and femmes, and \u003cem>Eye Me\u003c/em> wafts with the fragrances of a multi-layered femininity, be it a lover’s protective, warning stare, two naked women in joking play or partners standing in a large bucket bathing themselves together. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13951888","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Muholi is drawn to patterns made by embracing bodies and entwined limbs. Their portrait of queer couple Musa Ngubane and Mabongi Ndlovu shows a hug in which hands and arms seem almost preternaturally connected. The shot of Katlego Mashiloane and Nosipho Lavuta bent over, bathing together, makes the pair’s backs look as though they are merging together into one.\u003c/p>\n\u003cp>This sense of cohesion makes these images feel so intimate, emotionally raw and powerful. \u003cem>Eye Me\u003c/em> can at times be an overwhelming experience for the intensity and quantity of emotions that permeate from virtually every shot in the show.\u003c/p>\n\u003cfigure id=\"attachment_13952142\" class=\"wp-caption aligncenter\" style=\"max-width: 2222px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952142\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-scaled.jpg\" alt=\"A black-and-white self-portrait of the artist with elaborate fabric framing their face.\" width=\"2222\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-scaled.jpg 2222w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-800x922.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-1020x1175.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-768x885.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-1333x1536.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-1777x2048.jpg 1777w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/11_Zanele-Muholi_Somnyama-Ngonyama-II_Oslo_2015-1920x2212.jpg 1920w\" sizes=\"(max-width: 2222px) 100vw, 2222px\">\u003cfigcaption class=\"wp-caption-text\">Zanele Muholi, ‘Somnyama Ngonyama II,’ Oslo, 2015. \u003ccite>(Courtesy of the artist and Yancey Richardson, New York; © Zanele Muholi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The largest gallery in \u003cem>Eye Me\u003c/em> is reserved for work from Muholi’s magisterial series “Somnyama Ngonyama,” in which they took 365 self-portraits as a vast array of alter egos in locations around the world, from Kyoto to Charlottesville to Nuoro, Italy. Striking in their intricacy (see the dozens of combs carefully arrayed in Muholi’s hair for “Qiniso”) as well as provocative (for “Faniswa,” Muholi painted a uterus on their shoulder), the photographs show the artist often adopting postures of coiled power and great intensity.\u003c/p>\n\u003cp>For the exhibit, SFMOMA reproduced several of the images from this series to mural size, and the effect is electrifying. In a piece like “Manzi I,” the larger size gives audiences the chance to fully appreciate Muholi’s intricate interplay of textures and masterful arrangement of tones, and their facial expression of wariness, fatigue and resistance hits all the harder. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13950490","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>No matter how abstract or timeless it aspires to be, all art is created and viewed within a cultural context. It feels complicated to experience \u003cem>Eye Me\u003c/em> in San Francisco — a part of the United States that remains relatively safe while much of the country unleashes a tide of anti-LGBTQ+ hatred. Even though South Africa is among the most progressive African nations when it comes to queer rights — in 1996 it became the first country in the world to put legal protections for LGBTQ+ people into its constitution — violence, poverty and fragility are basic constituents of Muholi’s artistic palette. It is hard not to wonder what everyday life is like for their subjects. Such questions lead inevitably back to thoughts of how Blackness and queerness are increasingly the subject of violence and depredation here in the U.S.\u003c/p>\n\u003cfigure id=\"attachment_13952144\" class=\"wp-caption aligncenter\" style=\"max-width: 1707px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952144\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-scaled.jpg\" alt=\"\" width=\"1707\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-scaled.jpg 1707w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/04_Zanele-Muholi_Yaya-Mavundla-Parktown-Johannesburg_2014-1920x2880.jpg 1920w\" sizes=\"(max-width: 1707px) 100vw, 1707px\">\u003cfigcaption class=\"wp-caption-text\">Zanele Muholi, ‘Yaya Mavundla, Parktown, Johannesburg,’ from the series ‘Brave Beauties,’ 2014. \u003ccite>(Courtesy of the artist and Yancey Richardson, New York; © Zanele Muholi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Although Muholi tends to shoot their photos in ways that abstract away the surrounding world, there is still a powerful sense of being granted glimpses into a community in which the hope for safety and dignity resonates. This is in part because Muholi so assiduously manages the signifiers of Blackness and queerness in their photos — for instance, in “Yaya Mavundla I,” a trans woman stands proud and elegant in a bra and miniskirt made from layers and layers of Saran Wrap. The sense of defiance in the face of invalidation and vulnerability is familiar, even as Mavundla’s body feels part of a queerness that hits very differently from what viewers in San Francisco might be accustomed to. This mixture makes \u003cem>Eye Me\u003c/em> feel necessary and vital.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.sfmoma.org/exhibition/zanele-muholi-eye-me/\">Zanele Muholi’s ‘Eye Me’\u003c/a> is on view at SFMOMA through Aug. 11, 2024. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13952117/zanele-muholi-sfmoma-eye-me-queer-south-african-photography","authors":["byline_arts_13952117"],"categories":["arts_1","arts_70"],"tags":["arts_3226","arts_822","arts_769","arts_1381"],"featImg":"arts_13952138","label":"arts"},"arts_13950600":{"type":"posts","id":"arts_13950600","meta":{"index":"posts_1591205157","site":"arts","id":"13950600","score":null,"sort":[1705625200000]},"guestAuthors":[],"slug":"bampfa-film-masc-trans-men-butch-dykes-gender-nonconforming-heroes","title":"BAMPFA Film Series Spotlights Trans Masculine, Butch and Stud Protagonists","publishDate":1705625200,"format":"standard","headTitle":"BAMPFA Film Series Spotlights Trans Masculine, Butch and Stud Protagonists | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Though they may not often get shine on the big screen, trans men, butch lesbians and studs have fascinating stories that span time periods and cultures. An upcoming month of screenings at Berkeley Art Museum and Pacific Film Archive (BAMPFA) offers a rare opportunity to take in a diverse selection of films with masculine-of-center, gender-nonconforming protagonists.\u003c/p>\n\u003cp>Curated by queer film historian Jenni Olson and trans critic Caden Mark Gardner, \u003ca href=\"https://bampfa.org/program/masc\">\u003ci>Masc: Trans Men, Butch Dykes, and Gender Nonconforming Heroes in Cinema\u003c/i>\u003c/a> kicks off on Jan. 19 with a screening of \u003ci>No Ordinary Man\u003c/i> (directed by Aisling Chin-Yee and Chase Joynt, 2020), a documentary about jazz pianist Billy Tipton, who was outed as assigned female at birth and slandered in the press after his death in 1989. The film not only uplifts his musical contributions, but also explores the sacrifices he made in order to pass. At the screening, Olson will host a discussion with premier trans historian Susan Stryker and GLBT Historical Society archivist Isaac Fellman. [aside postid='arts_13900522']\u003c/p>\n\u003cp>Catherine Gund and Daresha Kyi’s \u003ci>Chavela\u003c/i> (2017), screening Jan. 28, is another music documentary that spotlights the breathtakingly talented and frustratingly complicated late Mexican singer Chavela Vargas, who influenced artistic greats like Pedro Almodóvar and once dated Frida Kahlo. Marcia Ochoa, co-founder of El/La Para Trans Latinas, will accompany Olson in introducing the film.\u003c/p>\n\u003cp>Another highlight of the program, Daniel Peddle’s \u003ci>The Aggressives\u003c/i> (2005), screening Feb. 17, follows trans masculine folks in the New York ballroom scene of the 1990s and 2000s, where many queer and gender-nonconforming people turn for a creative outlet and chosen family. Mindfulness teacher and activist Fresh “Lev” White and UC Berkeley Professor Mel Y. Chen will join Olson in a discussion.\u003c/p>\n\u003cp>And Kim Longinotto and Jano Williams’ \u003ci>Shinjuku Boys\u003c/i> (1995), screening Feb. 25, follows three trans men (known as onabe in Japan) who entertain women at Tokyo host clubs. A discussion will follow with artist, filmmaker and scholar TT Takemoto and San Francisco State University provost Amy Sueyoshi.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In addition to documentaries, the five-week \u003cem>Masc\u003c/em> program includes narrative films and shorts that, taken together, uplift the many fluid gender expressions that have always been here.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘Masc: Trans Men, Butch Dykes, and Gender Nonconforming Heroes’ takes place at BAMPFA in Berkeley Jan. 19–Feb. 25. \u003ca href=\"https://bampfa.org/program/masc\">Full film schedule here\u003c/a>. \u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"Documentaries, narratives and shorts tell stories of gender nonconformity across decades and cultures.","status":"publish","parent":0,"modified":1705625200,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":404},"headData":{"title":"BAMPFA’s ‘Masc’ Films Spotlight Gender-Nonconforming Heroes | KQED","description":"Documentaries, narratives and shorts tell stories of gender nonconformity across decades and cultures.","ogTitle":"BAMPFA Film Series Spotlights Trans Masculine, Butch and Stud Protagonists","ogDescription":"","ogImgId":"","twTitle":"BAMPFA Film Series Spotlights Trans Masculine, Butch and Stud Protagonists","twDescription":"","twImgId":"","socialTitle":"BAMPFA’s ‘Masc’ Films Spotlight Gender-Nonconforming Heroes %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13950600/bampfa-film-masc-trans-men-butch-dykes-gender-nonconforming-heroes","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Though they may not often get shine on the big screen, trans men, butch lesbians and studs have fascinating stories that span time periods and cultures. An upcoming month of screenings at Berkeley Art Museum and Pacific Film Archive (BAMPFA) offers a rare opportunity to take in a diverse selection of films with masculine-of-center, gender-nonconforming protagonists.\u003c/p>\n\u003cp>Curated by queer film historian Jenni Olson and trans critic Caden Mark Gardner, \u003ca href=\"https://bampfa.org/program/masc\">\u003ci>Masc: Trans Men, Butch Dykes, and Gender Nonconforming Heroes in Cinema\u003c/i>\u003c/a> kicks off on Jan. 19 with a screening of \u003ci>No Ordinary Man\u003c/i> (directed by Aisling Chin-Yee and Chase Joynt, 2020), a documentary about jazz pianist Billy Tipton, who was outed as assigned female at birth and slandered in the press after his death in 1989. The film not only uplifts his musical contributions, but also explores the sacrifices he made in order to pass. At the screening, Olson will host a discussion with premier trans historian Susan Stryker and GLBT Historical Society archivist Isaac Fellman. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13900522","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Catherine Gund and Daresha Kyi’s \u003ci>Chavela\u003c/i> (2017), screening Jan. 28, is another music documentary that spotlights the breathtakingly talented and frustratingly complicated late Mexican singer Chavela Vargas, who influenced artistic greats like Pedro Almodóvar and once dated Frida Kahlo. Marcia Ochoa, co-founder of El/La Para Trans Latinas, will accompany Olson in introducing the film.\u003c/p>\n\u003cp>Another highlight of the program, Daniel Peddle’s \u003ci>The Aggressives\u003c/i> (2005), screening Feb. 17, follows trans masculine folks in the New York ballroom scene of the 1990s and 2000s, where many queer and gender-nonconforming people turn for a creative outlet and chosen family. Mindfulness teacher and activist Fresh “Lev” White and UC Berkeley Professor Mel Y. Chen will join Olson in a discussion.\u003c/p>\n\u003cp>And Kim Longinotto and Jano Williams’ \u003ci>Shinjuku Boys\u003c/i> (1995), screening Feb. 25, follows three trans men (known as onabe in Japan) who entertain women at Tokyo host clubs. A discussion will follow with artist, filmmaker and scholar TT Takemoto and San Francisco State University provost Amy Sueyoshi.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In addition to documentaries, the five-week \u003cem>Masc\u003c/em> program includes narrative films and shorts that, taken together, uplift the many fluid gender expressions that have always been here.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘Masc: Trans Men, Butch Dykes, and Gender Nonconforming Heroes’ takes place at BAMPFA in Berkeley Jan. 19–Feb. 25. \u003ca href=\"https://bampfa.org/program/masc\">Full film schedule here\u003c/a>. \u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13950600/bampfa-film-masc-trans-men-butch-dykes-gender-nonconforming-heroes","authors":["11387"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_74"],"tags":["arts_10278","arts_977","arts_3226","arts_585"],"featImg":"arts_13950612","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? 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You ask the questions. You decide what Bay Curious investigates. 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Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. 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