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The full list of nominees is on \u003ca href=\"https://www.grammy.com/news/2023-grammy-nominations-complete-winners-nominees-list\">Grammy.com\u003c/a>.\u003c/p>\n\u003cp>She is now tied with her husband Jay-Z for the most Grammy nominations by any musician. If she wins three more awards, she will match \u003ca href=\"https://www.npr.org/2012/10/19/163224678/recordings-reissued-on-soltis-100th-birthday\">classical conductor Georg Solti \u003c/a>for the most Grammy wins.\u003c/p>\n\u003cp>[aside postid='arts_13916796']Beyoncé’s nine nominations were scattered across several different categories. One is for “Be Alive,” from the film \u003cem>King Richard\u003c/em>, in the Best Song Written For Visual Media category, and the rest are for tracks from \u003ca href=\"https://www.npr.org/2022/08/01/1114499960/revolutionary-fun-beyonce-renaissance-review-roundtable\">\u003cem>Renaissance\u003c/em>\u003c/a>, which is up for album of the year. “Break My Soul” is a nominee for Song of the Year, Record of the Year and Best Dance/ Electronic Recording; “Virgo’s Groove” is up for Best R&B Performance; and “Plastic Off the Sofa” is up for Best Traditional R&B Performance.\u003c/p>\n\u003cp>Other notable Grammy contenders are \u003ca href=\"https://www.npr.org/2022/05/31/1101485755/kendrick-lamar-looks-inward-on-mr-morale-the-big-steppers\">Kendrick Lamar\u003c/a>, with eight nominations; \u003ca href=\"https://www.npr.org/2021/11/24/1058848231/with-30-adele-unleashes-another-blockbuster\">Adele\u003c/a> and \u003ca href=\"https://www.npr.org/2021/10/08/1044006453/for-brandi-carlile-band-and-family-are-one-and-the-same\">Brandi Carlile\u003c/a>, each with seven; as well as \u003ca href=\"https://www.npr.org/2022/05/16/1099120341/harry-styles-sinks-into-summer-vibes-on-harrys-house\">Harry Styles\u003c/a>, Mary J. Blige, Future, DJ Khaled and the producer and songwriter The-Dream, each with six Grammy nominations.\u003c/p>\n\u003cp>The Best New Artist category has entries from a mix of genres: 22-year-old \u003ca href=\"https://www.npr.org/2022/09/20/1124142705/at-age-22-samara-joy-is-a-classic-jazz-singer-from-a-new-generation\">TikTok phenomenon Samara Joy\u003c/a>, bluegrass singer \u003ca href=\"https://www.npr.org/2022/03/30/1089523329/maren-morris-and-molly-tuttle-tell-their-origin-stories-anew\">Molly Tuttle\u003c/a>, jazz duo \u003ca href=\"https://www.npr.org/2022/08/10/1116353580/domi-jd-beck-tiny-desk-concert\">Domi & JD Beck\u003c/a>, rapper \u003ca href=\"https://www.npr.org/sections/now-playing/2022/07/15/1111794554/latto-p\">Latto\u003c/a>, conceptual artist \u003ca href=\"https://www.youtube.com/watch?v=V71cl130ARg\">Tobe Nwigwe\u003c/a>, R&B singer \u003ca href=\"https://www.npr.org/sections/altlatino/2022/10/03/1126590920/omar-apollo-talks-music-queer-latinx\">Omar Apollo\u003c/a>, Brazilian singer \u003ca href=\"https://www.harpersbazaar.com/culture/art-books-music/a41012543/anitta-makes-history-for-brazil-vmas-2022/\">Anitta\u003c/a>, British indie rock band \u003ca href=\"https://www.youtube.com/watch?v=bJUUnXZVIfY\">Wet Leg\u003c/a>, Italian rock band \u003ca href=\"https://www.npr.org/transcripts/1098170515\">Maneskin\u003c/a>, and singer \u003ca href=\"https://www.youtube.com/watch?v=doL8DaaTYD4\">Muni Long\u003c/a>, who formerly went by the name Priscilla Renae.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The 2023 Grammys will feature several new awards categories, including Best Spoken Word Poetry Album and Best Score Soundtrack for Video Games.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Beyonc%C3%A9+leads+nominations+for+the+2023+Grammy+Awards&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"This year's nominations are in and there are few surprises.","status":"publish","parent":0,"modified":1705006157,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":311},"headData":{"title":"Beyoncé Leads Nominations for the 2023 Grammy Awards | KQED","description":"This year's nominations are in and there are few surprises.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprImageCredit":"Mason Poole","nprByline":"Mandalit del Barco","nprImageAgency":"A.M.P.A.S. via Getty Images","nprStoryId":"1136765793","nprApiLink":"http://api.npr.org/query?id=1136765793&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2022/11/15/1136765793/beyonce-leads-2023-grammy-award-nominations?ft=nprml&f=1136765793","nprRetrievedStory":"1","nprPubDate":"Tue, 15 Nov 2022 16:27:00 -0500","nprStoryDate":"Tue, 15 Nov 2022 15:26:06 -0500","nprLastModifiedDate":"Tue, 15 Nov 2022 16:27:13 -0500","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","path":"/arts/13921642/beyonce-leads-nominations-for-the-2023-grammy-awards","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Beyoncé is the top artist nominated in the 65th annual Grammy Awards, set for Feb. 5 at the Crypto.com center in Los Angeles. The full list of nominees is on \u003ca href=\"https://www.grammy.com/news/2023-grammy-nominations-complete-winners-nominees-list\">Grammy.com\u003c/a>.\u003c/p>\n\u003cp>She is now tied with her husband Jay-Z for the most Grammy nominations by any musician. If she wins three more awards, she will match \u003ca href=\"https://www.npr.org/2012/10/19/163224678/recordings-reissued-on-soltis-100th-birthday\">classical conductor Georg Solti \u003c/a>for the most Grammy wins.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13916796","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Beyoncé’s nine nominations were scattered across several different categories. One is for “Be Alive,” from the film \u003cem>King Richard\u003c/em>, in the Best Song Written For Visual Media category, and the rest are for tracks from \u003ca href=\"https://www.npr.org/2022/08/01/1114499960/revolutionary-fun-beyonce-renaissance-review-roundtable\">\u003cem>Renaissance\u003c/em>\u003c/a>, which is up for album of the year. “Break My Soul” is a nominee for Song of the Year, Record of the Year and Best Dance/ Electronic Recording; “Virgo’s Groove” is up for Best R&B Performance; and “Plastic Off the Sofa” is up for Best Traditional R&B Performance.\u003c/p>\n\u003cp>Other notable Grammy contenders are \u003ca href=\"https://www.npr.org/2022/05/31/1101485755/kendrick-lamar-looks-inward-on-mr-morale-the-big-steppers\">Kendrick Lamar\u003c/a>, with eight nominations; \u003ca href=\"https://www.npr.org/2021/11/24/1058848231/with-30-adele-unleashes-another-blockbuster\">Adele\u003c/a> and \u003ca href=\"https://www.npr.org/2021/10/08/1044006453/for-brandi-carlile-band-and-family-are-one-and-the-same\">Brandi Carlile\u003c/a>, each with seven; as well as \u003ca href=\"https://www.npr.org/2022/05/16/1099120341/harry-styles-sinks-into-summer-vibes-on-harrys-house\">Harry Styles\u003c/a>, Mary J. Blige, Future, DJ Khaled and the producer and songwriter The-Dream, each with six Grammy nominations.\u003c/p>\n\u003cp>The Best New Artist category has entries from a mix of genres: 22-year-old \u003ca href=\"https://www.npr.org/2022/09/20/1124142705/at-age-22-samara-joy-is-a-classic-jazz-singer-from-a-new-generation\">TikTok phenomenon Samara Joy\u003c/a>, bluegrass singer \u003ca href=\"https://www.npr.org/2022/03/30/1089523329/maren-morris-and-molly-tuttle-tell-their-origin-stories-anew\">Molly Tuttle\u003c/a>, jazz duo \u003ca href=\"https://www.npr.org/2022/08/10/1116353580/domi-jd-beck-tiny-desk-concert\">Domi & JD Beck\u003c/a>, rapper \u003ca href=\"https://www.npr.org/sections/now-playing/2022/07/15/1111794554/latto-p\">Latto\u003c/a>, conceptual artist \u003ca href=\"https://www.youtube.com/watch?v=V71cl130ARg\">Tobe Nwigwe\u003c/a>, R&B singer \u003ca href=\"https://www.npr.org/sections/altlatino/2022/10/03/1126590920/omar-apollo-talks-music-queer-latinx\">Omar Apollo\u003c/a>, Brazilian singer \u003ca href=\"https://www.harpersbazaar.com/culture/art-books-music/a41012543/anitta-makes-history-for-brazil-vmas-2022/\">Anitta\u003c/a>, British indie rock band \u003ca href=\"https://www.youtube.com/watch?v=bJUUnXZVIfY\">Wet Leg\u003c/a>, Italian rock band \u003ca href=\"https://www.npr.org/transcripts/1098170515\">Maneskin\u003c/a>, and singer \u003ca href=\"https://www.youtube.com/watch?v=doL8DaaTYD4\">Muni Long\u003c/a>, who formerly went by the name Priscilla Renae.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The 2023 Grammys will feature several new awards categories, including Best Spoken Word Poetry Album and Best Score Soundtrack for Video Games.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Beyonc%C3%A9+leads+nominations+for+the+2023+Grammy+Awards&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13921642/beyonce-leads-nominations-for-the-2023-grammy-awards","authors":["byline_arts_13921642"],"categories":["arts_1","arts_69","arts_75"],"tags":["arts_1686","arts_977","arts_1685","arts_9669","arts_3070","arts_1774","arts_19073"],"affiliates":["arts_137"],"featImg":"arts_13921643","label":"arts_137"},"arts_13909610":{"type":"posts","id":"arts_13909610","meta":{"index":"posts_1591205157","site":"arts","id":"13909610","score":null,"sort":[1645211689000]},"guestAuthors":[],"slug":"netflixs-jeen-yuhs-a-kanye-trilogy-is-mostly-genius","title":"Netflix's 'jeen-yuhs: A Kanye Trilogy' is (Mostly) Genius","publishDate":1645211689,"format":"standard","headTitle":"Netflix’s ‘jeen-yuhs: A Kanye Trilogy’ is (Mostly) Genius | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>Netflix’s new docuseries, \u003cem>jeen-yuhs: A Kanye Trilogy\u003c/em>, is truly genius… for the first two-thirds, at least.\u003c/p>\n\u003cp>That’s not a bad average for an ambitious project: Assembled from footage recorded by old friends who have been trailing the mercurial rap star with a camera for over 20 years, \u003cem>jeen-yuhs\u003c/em> spans more than four hours divided into chunks about 90 minutes each.\u003c/p>\n\u003cp>[aside postid='pop_103462']The first two episodes cover an intense time from the late 1990s until the mid 2000s, when \u003ca href=\"https://www.npr.org/artists/14889532/kanye-west\">Kanye\u003c/a> had to convince the rap world he was more than just a talented producer. Unlikely as it seems now, back then, rap labels and executives weren’t sure that this skinny kid who had cooked up compelling beats for Jay-Z, Jermaine Dupri and Foxy Brown could really sell records on his own as a rapper—particularly after Kanye was in a car accident that created serious concerns about whether he could ever spit rhymes again.\u003c/p>\n\u003cp>The last installment ranges from the mid 2000s to 2020, when his friends—filmmakers Clarence “Coodie” Simmons and Chike Ozah—grew distant from Kanye and couldn’t provide the fly-on-the-wall perspective that makes the first two parts such a treasure. Here, the most valuable moments are when Simmons lets the camera run as Kanye jumps from topic to topic in a way that appears as if his mind is racing too fast for his mouth to keep up.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=X3d5rT7FGLE\u003c/p>\n\u003ch3>Keeping the focus on Kanye’s music\u003c/h3>\n\u003cp>Simmons, a former standup comic who met Kanye in the mid-1990s while hosting a groundbreaking Chicago-based cable access show on rap called \u003cem>Channel Zero\u003c/em>, is the viewer’s guide through much of this. His narration and observations help mold what often seems like a collection of home video clips into a compelling story.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Indeed, the best thing about the first two-thirds of \u003cem>jeen-yuhs\u003c/em> is how it centers the narrative on Kanye’s music.\u003c/p>\n\u003cp>As the docuseries begins, Kanye is desperate for a record deal as a recording artist. He has produced a sizable chunk of Jay-Z’s landmark record \u003cem>The Blueprint\u003c/em>, but finds even the executives at Hova’s label Roc-A-Fella records wish he would stop bugging them and just keep cranking out dope beats for other artists.\u003c/p>\n\u003cp>[aside postid='arts_13908594']Here is where \u003cem>jeen-yuhs \u003c/em>really pulls us into Kanye’s world—in one key scene, he walks the halls of Roc-A-Fella’s New York headquarters, jumping into offices to perform his songs for random executives. He has to pull out his retainer to spit rhymes properly.\u003c/p>\n\u003cp>Kanye eventually admits to the camera that he’s not like typical MCs. At a time when gangsta rap is hot, he hasn’t got street cred as an outlaw. He talks openly about being a momma’s boy. He raps onstage wearing a backpack.\u003c/p>\n\u003cp>“My mother’s an English teacher and she used to cultivate me,” he adds, noting that his dad was a Christian marriage counselor. “I feel like I can’t sell to you that I’m finna come up and take your life…just because I think that’s hot or what’s industry-ready.”\u003c/p>\n\u003cfigure id=\"attachment_13909612\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909612\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/jeen-yuhs_kanye-and-donda-ead5782828ad0c552d62b99149da2a3513d704f3-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Kanye West and his mom Donda laugh, sitting out on their old front porch steps. \u003ccite>(Netflix)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Speaking of Kanye’s mother, Donda West; her presence casts a long shadow. Even casual fans know how much she has influenced his music, and in the first two installments of \u003cem>jeen-yuhs\u003c/em>, we see them together a lot. It’s obvious how her doting, powerful belief in Kanye fuels his own outrageous self-confidence (the second episode opens with home video footage of Kanye, at about 13 years old or so, rapping confidently at a family gathering).\u003c/p>\n\u003cp>When she dies of coronary artery disease and other factors in 2007—the docuseries features audio of the 911 call—\u003cem>jeen-yuhs\u003c/em> implies this loss presages a troubling series of issues for Kanye, whose public outbursts grow more erratic after his mother’s passing.\u003c/p>\n\u003ch3>Seeing the real stories behind a legend\u003c/h3>\n\u003cp>Fans will see behind the scenes of key moments in Kanye’s legend. After he finally got signed by Roc-A-Fella, the rapper was in a 2002 car accident which broke his jaw in three places—leading him to create a song while his mouth was still wired shut, called \u003cem>Through the Wire\u003c/em>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=uvb-1wjAtk4\u003c/p>\n\u003cp>The docuseries’ second installment shows Kanye meeting with his dentist, pushing his recovery strategy to get back to work, while also filming footage that would be used in the song’s video. Because his record label wouldn’t spend money on his album, Kanye is also shown recording with friends, including Jamie Foxx, who had a professional-level studio in his home, complete with an engineer.\u003c/p>\n\u003cp>As he plays an early version of\u003cem> Through the Wire\u003c/em> for super-producer Pharrell Williams—who flips out when he hears it—you can’t help but wonder: \u003cem>Why doesn’t Kanye’s label see how big this record is going to be? \u003c/em>Eventually, Kanye spends $30,000 of his own money to make the song’s video, with Simmons and Ozah in the directors’ chairs; the video’s success convinces Roc-A-Fella to finally step up and finance production for his debut record.\u003c/p>\n\u003cp>That album—2004’s \u003cem>The College Dropout—\u003c/em>would eventually sell more than 3 million copies and be nominated for 10 Grammy awards.\u003c/p>\n\u003cp>More than filling out stories behind Kanye’s legend, these scenes show how the rapper constantly bet on his own talent and vision—even when few others shared that confidence. Whenever anyone doubted his skills or his promise, he was ready to slap a cassette tape in a machine and rap in their face until they got the message.\u003c/p>\n\u003cp>Unfortunately, as his career blew up, Kanye became less interested in having his old friends around to film him. The growing distance produces less intimate footage, turning\u003cem> jeen-yuhs\u003c/em>‘ third episode into a grab bag collection of headlines centered on Kanye’s erratic behavior.\u003c/p>\n\u003cp>(In one embarrassing moment at a Grammys afterparty, Kanye keeps calling Simmons by his friend Chike Ozah’s name, reinforcing how far outside his inner circle the filmmakers had found themselves.)\u003c/p>\n\u003cp>[aside postid='pop_49104']Still, there are telling moments, even in the third installment. Simmons and his camera travel with Kanye overseas, where the rapper begins speaking so erratically at a small gathering, the director stops filming.\u003c/p>\n\u003cp>“Have you guys ever been locked up in handcuffs and put into a hospital because your brain was too big for your skull?” Kanye asks, his voice’s diction sounding markedly different than in the docuseries’ earlier installments. “I took bipolar medication last night to have a normal conversation and turn alien into English.”\u003c/p>\n\u003cp>Simmons, whose voice pops up regularly elsewhere in the docuseries to add context, declines to explain much in moments like this. Instead, he lets the footage do the most of talking, showing Kanye pontificating in tough-to-follow monologues at a home/recording studio in Wyoming while Justin Bieber looks on.\u003c/p>\n\u003cp>There’s also a lot missing in this final episode, including Kanye’s marriage to Kim Kardashian (and their contentious split) and details about the four children they have together.\u003c/p>\n\u003cp>In the end, this faltering third installment implies rather than directly states the answer to the largest question it poses from the very beginning: What happened to Kanye West?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>And is he okay now?\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Netflix%27s+%27jeen-yuhs%3A+A+Kanye+Trilogy%27+is+%28mostly%29+genius&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"The three-part docuseries tracks the rapper's rise, starting as an up-and-coming producer in Chicago.","status":"publish","parent":0,"modified":1705007174,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":27,"wordCount":1339},"headData":{"title":"Netflix's 'jeen-yuhs: A Kanye Trilogy' is (Mostly) Genius | KQED","description":"The three-part docuseries tracks the rapper's rise, starting as an up-and-coming producer in Chicago.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprByline":"Eric Deggans","nprImageAgency":"Netflix","nprStoryId":"1081377678","nprApiLink":"http://api.npr.org/query?id=1081377678&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2022/02/17/1081377678/netflix-kanye-west-docuseries-review?ft=nprml&f=1081377678","nprRetrievedStory":"1","nprPubDate":"Fri, 18 Feb 2022 06:54:00 -0500","nprStoryDate":"Thu, 17 Feb 2022 19:02:19 -0500","nprLastModifiedDate":"Fri, 18 Feb 2022 06:54:29 -0500","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","path":"/arts/13909610/netflixs-jeen-yuhs-a-kanye-trilogy-is-mostly-genius","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Netflix’s new docuseries, \u003cem>jeen-yuhs: A Kanye Trilogy\u003c/em>, is truly genius… for the first two-thirds, at least.\u003c/p>\n\u003cp>That’s not a bad average for an ambitious project: Assembled from footage recorded by old friends who have been trailing the mercurial rap star with a camera for over 20 years, \u003cem>jeen-yuhs\u003c/em> spans more than four hours divided into chunks about 90 minutes each.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"pop_103462","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The first two episodes cover an intense time from the late 1990s until the mid 2000s, when \u003ca href=\"https://www.npr.org/artists/14889532/kanye-west\">Kanye\u003c/a> had to convince the rap world he was more than just a talented producer. Unlikely as it seems now, back then, rap labels and executives weren’t sure that this skinny kid who had cooked up compelling beats for Jay-Z, Jermaine Dupri and Foxy Brown could really sell records on his own as a rapper—particularly after Kanye was in a car accident that created serious concerns about whether he could ever spit rhymes again.\u003c/p>\n\u003cp>The last installment ranges from the mid 2000s to 2020, when his friends—filmmakers Clarence “Coodie” Simmons and Chike Ozah—grew distant from Kanye and couldn’t provide the fly-on-the-wall perspective that makes the first two parts such a treasure. Here, the most valuable moments are when Simmons lets the camera run as Kanye jumps from topic to topic in a way that appears as if his mind is racing too fast for his mouth to keep up.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/X3d5rT7FGLE'\n title='//www.youtube.com/embed/X3d5rT7FGLE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch3>Keeping the focus on Kanye’s music\u003c/h3>\n\u003cp>Simmons, a former standup comic who met Kanye in the mid-1990s while hosting a groundbreaking Chicago-based cable access show on rap called \u003cem>Channel Zero\u003c/em>, is the viewer’s guide through much of this. His narration and observations help mold what often seems like a collection of home video clips into a compelling story.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Indeed, the best thing about the first two-thirds of \u003cem>jeen-yuhs\u003c/em> is how it centers the narrative on Kanye’s music.\u003c/p>\n\u003cp>As the docuseries begins, Kanye is desperate for a record deal as a recording artist. He has produced a sizable chunk of Jay-Z’s landmark record \u003cem>The Blueprint\u003c/em>, but finds even the executives at Hova’s label Roc-A-Fella records wish he would stop bugging them and just keep cranking out dope beats for other artists.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13908594","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Here is where \u003cem>jeen-yuhs \u003c/em>really pulls us into Kanye’s world—in one key scene, he walks the halls of Roc-A-Fella’s New York headquarters, jumping into offices to perform his songs for random executives. He has to pull out his retainer to spit rhymes properly.\u003c/p>\n\u003cp>Kanye eventually admits to the camera that he’s not like typical MCs. At a time when gangsta rap is hot, he hasn’t got street cred as an outlaw. He talks openly about being a momma’s boy. He raps onstage wearing a backpack.\u003c/p>\n\u003cp>“My mother’s an English teacher and she used to cultivate me,” he adds, noting that his dad was a Christian marriage counselor. “I feel like I can’t sell to you that I’m finna come up and take your life…just because I think that’s hot or what’s industry-ready.”\u003c/p>\n\u003cfigure id=\"attachment_13909612\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909612\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/jeen-yuhs_kanye-and-donda-ead5782828ad0c552d62b99149da2a3513d704f3-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Kanye West and his mom Donda laugh, sitting out on their old front porch steps. \u003ccite>(Netflix)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Speaking of Kanye’s mother, Donda West; her presence casts a long shadow. Even casual fans know how much she has influenced his music, and in the first two installments of \u003cem>jeen-yuhs\u003c/em>, we see them together a lot. It’s obvious how her doting, powerful belief in Kanye fuels his own outrageous self-confidence (the second episode opens with home video footage of Kanye, at about 13 years old or so, rapping confidently at a family gathering).\u003c/p>\n\u003cp>When she dies of coronary artery disease and other factors in 2007—the docuseries features audio of the 911 call—\u003cem>jeen-yuhs\u003c/em> implies this loss presages a troubling series of issues for Kanye, whose public outbursts grow more erratic after his mother’s passing.\u003c/p>\n\u003ch3>Seeing the real stories behind a legend\u003c/h3>\n\u003cp>Fans will see behind the scenes of key moments in Kanye’s legend. After he finally got signed by Roc-A-Fella, the rapper was in a 2002 car accident which broke his jaw in three places—leading him to create a song while his mouth was still wired shut, called \u003cem>Through the Wire\u003c/em>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/uvb-1wjAtk4'\n title='//www.youtube.com/embed/uvb-1wjAtk4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The docuseries’ second installment shows Kanye meeting with his dentist, pushing his recovery strategy to get back to work, while also filming footage that would be used in the song’s video. Because his record label wouldn’t spend money on his album, Kanye is also shown recording with friends, including Jamie Foxx, who had a professional-level studio in his home, complete with an engineer.\u003c/p>\n\u003cp>As he plays an early version of\u003cem> Through the Wire\u003c/em> for super-producer Pharrell Williams—who flips out when he hears it—you can’t help but wonder: \u003cem>Why doesn’t Kanye’s label see how big this record is going to be? \u003c/em>Eventually, Kanye spends $30,000 of his own money to make the song’s video, with Simmons and Ozah in the directors’ chairs; the video’s success convinces Roc-A-Fella to finally step up and finance production for his debut record.\u003c/p>\n\u003cp>That album—2004’s \u003cem>The College Dropout—\u003c/em>would eventually sell more than 3 million copies and be nominated for 10 Grammy awards.\u003c/p>\n\u003cp>More than filling out stories behind Kanye’s legend, these scenes show how the rapper constantly bet on his own talent and vision—even when few others shared that confidence. Whenever anyone doubted his skills or his promise, he was ready to slap a cassette tape in a machine and rap in their face until they got the message.\u003c/p>\n\u003cp>Unfortunately, as his career blew up, Kanye became less interested in having his old friends around to film him. The growing distance produces less intimate footage, turning\u003cem> jeen-yuhs\u003c/em>‘ third episode into a grab bag collection of headlines centered on Kanye’s erratic behavior.\u003c/p>\n\u003cp>(In one embarrassing moment at a Grammys afterparty, Kanye keeps calling Simmons by his friend Chike Ozah’s name, reinforcing how far outside his inner circle the filmmakers had found themselves.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"pop_49104","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Still, there are telling moments, even in the third installment. Simmons and his camera travel with Kanye overseas, where the rapper begins speaking so erratically at a small gathering, the director stops filming.\u003c/p>\n\u003cp>“Have you guys ever been locked up in handcuffs and put into a hospital because your brain was too big for your skull?” Kanye asks, his voice’s diction sounding markedly different than in the docuseries’ earlier installments. “I took bipolar medication last night to have a normal conversation and turn alien into English.”\u003c/p>\n\u003cp>Simmons, whose voice pops up regularly elsewhere in the docuseries to add context, declines to explain much in moments like this. Instead, he lets the footage do the most of talking, showing Kanye pontificating in tough-to-follow monologues at a home/recording studio in Wyoming while Justin Bieber looks on.\u003c/p>\n\u003cp>There’s also a lot missing in this final episode, including Kanye’s marriage to Kim Kardashian (and their contentious split) and details about the four children they have together.\u003c/p>\n\u003cp>In the end, this faltering third installment implies rather than directly states the answer to the largest question it poses from the very beginning: What happened to Kanye West?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And is he okay now?\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Netflix%27s+%27jeen-yuhs%3A+A+Kanye+Trilogy%27+is+%28mostly%29+genius&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13909610/netflixs-jeen-yuhs-a-kanye-trilogy-is-mostly-genius","authors":["byline_arts_13909610"],"categories":["arts_1","arts_69","arts_75","arts_990"],"tags":["arts_13672","arts_3070","arts_2291","arts_3324"],"affiliates":["arts_137"],"featImg":"arts_13909611","label":"arts_137"},"arts_13901650":{"type":"posts","id":"arts_13901650","meta":{"index":"posts_1591205157","site":"arts","id":"13901650","score":null,"sort":[1629752180000]},"guestAuthors":[],"slug":"that-beyonce-jay-z-and-basquiat-ad-for-tiffanys-does-have-some-upsides-you-know","title":"That Beyoncé, Jay-Z and Basquiat Ad for Tiffany's Does Have Some Upsides, You Know","publishDate":1629752180,"format":"standard","headTitle":"That Beyoncé, Jay-Z and Basquiat Ad for Tiffany’s Does Have Some Upsides, You Know | KQED","labelTerm":{},"content":"\u003cp>Online discourse got a little heated on Sunday and Monday over a new Tiffany & Co. ad campaign featuring Beyoncé, Jay-Z and a long-unseen Jean-Michel Basquiat painting titled \u003cem>Equals Pi\u003c/em>. The “About Love” campaign will last an entire year, hit print publications on Sept. 2, and, at some stage, will take over every digital billboard in Times Square.\u003c/p>\n\u003cp>In the first released image, Beyoncé stands in a sleek gown, presenting a modern take on Audrey Hepburn’s iconic outfit from the opening scene of \u003cem>Breakfast at Tiffany’s\u003c/em>. Behind her hangs the 1982 Basquiat masterpiece, which has been in a private collection, hidden from the world, for close to 40 years. At her side, Jay-Z reclines in an arm chair, with his locs arranged to mimic Basquiat’s signature hairstyle.\u003c/p>\n\u003cp>And while no one had anything bad to say about Beyoncé…\u003c/p>\n\u003cp>https://twitter.com/BTSOriented/status/1429717656727326726\u003c/p>\n\u003cp>Twitter was upset about a plethora of other things.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/yungseafx/status/1429667087572557829\u003c/p>\n\u003cp>The Basquiat cosplaying accusations were rife…\u003c/p>\n\u003cp>https://twitter.com/MsLaFitteTweets/status/1429765208386457602\u003c/p>\n\u003cp>Plus, understandably, art lovers were perturbed that \u003cem>Equals Pi\u003c/em> was being revealed in public for the first time as part of an ad campaign.\u003c/p>\n\u003cp>https://twitter.com/ScBayScJohnson/status/1429677853252202502\u003c/p>\n\u003cp>The fact that the painting was partially obscured did not help matters.\u003c/p>\n\u003cp>https://twitter.com/Demboslice_/status/1429673868046778369\u003c/p>\n\u003cp>Questions were also raised about whether Basquiat would want his work used in such a way.\u003c/p>\n\u003cp>https://twitter.com/notoriouskpg_/status/1429810458672783362\u003c/p>\n\u003cp>And others just questioned whether art, period, should be used to decorate capitalist endeavors.\u003c/p>\n\u003cp>https://twitter.com/spoonspoon_/status/1429680587305103362\u003c/p>\n\u003cp>That’s before anyone even got into the moral questions around important art works staying hidden from the world in private collections.\u003c/p>\n\u003cp>https://twitter.com/__lukec/status/1429676847869034500\u003c/p>\n\u003cp>In the online kerfuffle, three significant aspects of the ad campaign have been largely skipped over. Those being:\u003c/p>\n\u003cp>1. Tiffany & Co’s (undoubtedly gargantuan, but currently unknown) payment to Bey and Jay for the campaign also involves a $2 million donation for scholarship and internship programs at HBCUs.\u003c/p>\n\u003cp>2. Tiffany’s has purchased \u003cem>Equals Pi\u003c/em> and plans to display it in their flagship Fifth Avenue store in New York once it has completed renovations. Which means the world will finally be able to see it, \u003cem>and\u003c/em> in a place that doesn’t charge an entrance fee.\u003c/p>\n\u003cp>3. Beyoncé is the first Black woman to ever wear the 128.54 carat Tiffany Diamond. Only three other women have ever been permitted to wear it: Mary Whitehouse, Audrey Hepburn and Lady Gaga.\u003c/p>\n\u003cp>All of which are, quantifiably, very good things.\u003c/p>\n\u003cp>Would it have been more ideal for people to first see this painting in a way that didn’t involve also trying to sell jewelry? Of course. Should Jay-Z think about getting his own hairdo? Maybe. Does it feel weird to see Basquiat’s work being used in this way? That’s up to you, but given that one of his closest collaborators in life was Andy Warhol—the person most responsible for blending high art with commercialism in the first place—it’s hard to imagine he’d mind very much. Are we all going to be sick to death of this ad campaign in six months’ time? Oh, you betcha. (Beyoncé is even going to sing “Moon River” to Jay-Z at some point, so … that’s happening.)\u003c/p>\n\u003cp>Truthfully, if anything in this whole campaign is ripe for mockery, it’s the completely unfounded assertions that Tiffany & Co. have been making about \u003cem>Equals Pi\u003c/em>‘s turquoise background. “We don’t have any literature that says [Basquiat] made the painting for Tiffany,” executive vice president of products and communications, Alexandre Arnault, told \u003ca href=\"https://wwd.com/accessories-news/jewelry/beyonce-jay-z-tiffany-ad-campaign-1234900967/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>WWD\u003c/em>\u003c/a>. “My guess is that the [blue painting] is not by chance. The color is so specific that it has to be some kind of homage.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If we could get a collective Twitter eyeroll for \u003cem>that\u003c/em>, that’d be marvelous.\u003c/p>\n\n","blocks":[],"excerpt":"You can feel icky about a Basquiat painting being revealed in a jewelry ad—but there are positives here too.","status":"publish","parent":0,"modified":1705007921,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":698},"headData":{"title":"That Beyoncé, Jay-Z and Basquiat Ad for Tiffany's Does Have Some Upsides, You Know | KQED","description":"You can feel icky about a Basquiat painting being revealed in a jewelry ad—but there are positives here too.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"source":"Commentary","sourceUrl":"https://www.kqed.org/artscommentary","sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13901650/that-beyonce-jay-z-and-basquiat-ad-for-tiffanys-does-have-some-upsides-you-know","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Online discourse got a little heated on Sunday and Monday over a new Tiffany & Co. ad campaign featuring Beyoncé, Jay-Z and a long-unseen Jean-Michel Basquiat painting titled \u003cem>Equals Pi\u003c/em>. The “About Love” campaign will last an entire year, hit print publications on Sept. 2, and, at some stage, will take over every digital billboard in Times Square.\u003c/p>\n\u003cp>In the first released image, Beyoncé stands in a sleek gown, presenting a modern take on Audrey Hepburn’s iconic outfit from the opening scene of \u003cem>Breakfast at Tiffany’s\u003c/em>. Behind her hangs the 1982 Basquiat masterpiece, which has been in a private collection, hidden from the world, for close to 40 years. At her side, Jay-Z reclines in an arm chair, with his locs arranged to mimic Basquiat’s signature hairstyle.\u003c/p>\n\u003cp>And while no one had anything bad to say about Beyoncé…\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1429717656727326726"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Twitter was upset about a plethora of other things.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1429667087572557829"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The Basquiat cosplaying accusations were rife…\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1429765208386457602"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Plus, understandably, art lovers were perturbed that \u003cem>Equals Pi\u003c/em> was being revealed in public for the first time as part of an ad campaign.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1429677853252202502"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The fact that the painting was partially obscured did not help matters.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1429673868046778369"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Questions were also raised about whether Basquiat would want his work used in such a way.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1429810458672783362"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>And others just questioned whether art, period, should be used to decorate capitalist endeavors.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1429680587305103362"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>That’s before anyone even got into the moral questions around important art works staying hidden from the world in private collections.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1429676847869034500"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>In the online kerfuffle, three significant aspects of the ad campaign have been largely skipped over. Those being:\u003c/p>\n\u003cp>1. Tiffany & Co’s (undoubtedly gargantuan, but currently unknown) payment to Bey and Jay for the campaign also involves a $2 million donation for scholarship and internship programs at HBCUs.\u003c/p>\n\u003cp>2. Tiffany’s has purchased \u003cem>Equals Pi\u003c/em> and plans to display it in their flagship Fifth Avenue store in New York once it has completed renovations. Which means the world will finally be able to see it, \u003cem>and\u003c/em> in a place that doesn’t charge an entrance fee.\u003c/p>\n\u003cp>3. Beyoncé is the first Black woman to ever wear the 128.54 carat Tiffany Diamond. Only three other women have ever been permitted to wear it: Mary Whitehouse, Audrey Hepburn and Lady Gaga.\u003c/p>\n\u003cp>All of which are, quantifiably, very good things.\u003c/p>\n\u003cp>Would it have been more ideal for people to first see this painting in a way that didn’t involve also trying to sell jewelry? Of course. Should Jay-Z think about getting his own hairdo? Maybe. Does it feel weird to see Basquiat’s work being used in this way? That’s up to you, but given that one of his closest collaborators in life was Andy Warhol—the person most responsible for blending high art with commercialism in the first place—it’s hard to imagine he’d mind very much. Are we all going to be sick to death of this ad campaign in six months’ time? Oh, you betcha. (Beyoncé is even going to sing “Moon River” to Jay-Z at some point, so … that’s happening.)\u003c/p>\n\u003cp>Truthfully, if anything in this whole campaign is ripe for mockery, it’s the completely unfounded assertions that Tiffany & Co. have been making about \u003cem>Equals Pi\u003c/em>‘s turquoise background. “We don’t have any literature that says [Basquiat] made the painting for Tiffany,” executive vice president of products and communications, Alexandre Arnault, told \u003ca href=\"https://wwd.com/accessories-news/jewelry/beyonce-jay-z-tiffany-ad-campaign-1234900967/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>WWD\u003c/em>\u003c/a>. “My guess is that the [blue painting] is not by chance. The color is so specific that it has to be some kind of homage.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If we could get a collective Twitter eyeroll for \u003cem>that\u003c/em>, that’d be marvelous.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13901650/that-beyonce-jay-z-and-basquiat-ad-for-tiffanys-does-have-some-upsides-you-know","authors":["11242"],"categories":["arts_1","arts_76","arts_69","arts_75"],"tags":["arts_14452","arts_1686","arts_2767","arts_10278","arts_3070","arts_15280"],"featImg":"arts_13901669","label":"source_arts_13901650"},"arts_13897052":{"type":"posts","id":"arts_13897052","meta":{"index":"posts_1591205157","site":"arts","id":"13897052","score":null,"sort":[1620838960000]},"guestAuthors":[],"slug":"tina-turner-jay-z-kraftwerk-among-those-inducted-into-rock-roll-hall-of-fame","title":"Tina Turner, Jay-Z, Kraftwerk Among Those Inducted Into Rock & Roll Hall Of Fame","publishDate":1620838960,"format":"standard","headTitle":"Tina Turner, Jay-Z, Kraftwerk Among Those Inducted Into Rock & Roll Hall Of Fame | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Tina Turner doesn’t need anybody’s validation to hold her place in rock and roll history, but she’s now been inducted into the Rock & Roll Hall of Fame as a solo artist. She joins 12 others in what the organization calls the most diverse list of inductees in the its 36-year history.\u003c/p>\n\u003cp>Joining Turner among the performers in the main class of 2021 inductees are Todd Rundgren, Carole King, Jay-Z, The Go-Go’s and Foo Fighters. The full list of inductees, which includes those named in categories like “Early Influence” and “Musical Excellence,” is below.\u003c/p>\n\u003cp>The inclusion of Turner, King and The Go-Go’s makes it the first time three female artists have been inducted in the Performers category in a single class.\u003c/p>\n\u003cp>The Go-Go’s, Foo Fighters and Jay-Z are all first-time nominees (an act is eligible for induction 25 years after the release of its first commercial recording). Foo Fighters and Jay-Z were nominated in their first year of eligibility. The Go-Go’s have been eligible since 2006.\u003c/p>\n\u003cp>Foo Fighters lead singer Dave Grohl was inducted in 2014 with his previous band Nirvana, and King was inducted for her songwriting in 1990 along with Gerry Goffin. Tina Turner was also previously inducted in 1991 for her work with Ike Turner.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A total of 16 artists were nominated for the 2021 class. Those who will not be inducted this year are Iron Maiden, Chaka Khan, Rage Against the Machine, Mary J. Blige, Kate Bush, Devo, Fela Kuti, New York Dolls and Dionne Warwick.\u003c/p>\n\u003cp>In a statement, Chairman of the Rock & Roll Hall of Fame Foundation John Sykes said, “This diverse class of talented inductees reflects the Hall’s ongoing commitment to honor artists whose music created the sound of youth culture.”\u003c/p>\n\u003cp>The induction ceremony is set to take place on Oct. 30, and will be broadcast on HBO.\u003c/p>\n\u003chr>\n\u003ch3>Complete List Of 2021 Rock & Roll Hall of Fame Inductees\u003c/h3>\n\u003cp>Performers Category:\u003c/p>\n\u003cul>\n\u003cli>Foo Fighters\u003c/li>\n\u003cli>Jay-Z\u003c/li>\n\u003cli>The Go-Go’s\u003c/li>\n\u003cli>Carole King\u003c/li>\n\u003cli>Todd Rundgren\u003c/li>\n\u003cli>Tina Turner\u003c/li>\n\u003c/ul>\n\u003cp>Ahmet Ertegun Award (given to non-performing music industry professionals)\u003c/p>\n\u003cul>\n\u003cli>Clarence Avant\u003c/li>\n\u003c/ul>\n\u003cp>Musical Excellence Award\u003c/p>\n\u003cul>\n\u003cli>LL Cool J\u003c/li>\n\u003cli>Billy Preston\u003c/li>\n\u003cli>Randy Rhoads\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\n\u003cp>Early Influence Award\u003c/p>\n\u003cul>\n\u003cli>Kraftwerk\u003c/li>\n\u003cli>Gil Scott-Heron\u003c/li>\n\u003cli>Charley Patton\u003c/li>\n\u003c/ul>\n\u003cdiv class=\"fullattribution\">Copyright 2021 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Tina+Turner%2C+Jay-Z%2C+Foo+Fighters+Among+Those+Inducted+Into+Rock+%26+Roll+Hall+Of+Fame&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n","blocks":[],"excerpt":"It's the most diverse collection of inductees in the Hall of Fame's 36-year history, according to the organization.","status":"publish","parent":0,"modified":1705008392,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":408},"headData":{"title":"Tina Turner, Jay-Z, Kraftwerk Among Those Inducted Into Rock & Roll Hall Of Fame | KQED","description":"It's the most diverse collection of inductees in the Hall of Fame's 36-year history, according to the organization.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprImageCredit":"MICHAEL GOTTSCHALK","nprByline":"Andrew Limbong","nprImageAgency":"DDP/AFP via Getty Images","nprStoryId":"995950982","nprApiLink":"http://api.npr.org/query?id=995950982&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2021/05/12/995950982/tina-turner-jay-z-foo-fighters-among-those-inducted-into-rock-roll-hall-of-fame?ft=nprml&f=995950982","nprRetrievedStory":"1","nprPubDate":"Wed, 12 May 2021 08:59:00 -0400","nprStoryDate":"Wed, 12 May 2021 08:05:00 -0400","nprLastModifiedDate":"Wed, 12 May 2021 08:59:54 -0400","templateType":"standard","featuredImageType":"standard","path":"/arts/13897052/tina-turner-jay-z-kraftwerk-among-those-inducted-into-rock-roll-hall-of-fame","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Tina Turner doesn’t need anybody’s validation to hold her place in rock and roll history, but she’s now been inducted into the Rock & Roll Hall of Fame as a solo artist. She joins 12 others in what the organization calls the most diverse list of inductees in the its 36-year history.\u003c/p>\n\u003cp>Joining Turner among the performers in the main class of 2021 inductees are Todd Rundgren, Carole King, Jay-Z, The Go-Go’s and Foo Fighters. The full list of inductees, which includes those named in categories like “Early Influence” and “Musical Excellence,” is below.\u003c/p>\n\u003cp>The inclusion of Turner, King and The Go-Go’s makes it the first time three female artists have been inducted in the Performers category in a single class.\u003c/p>\n\u003cp>The Go-Go’s, Foo Fighters and Jay-Z are all first-time nominees (an act is eligible for induction 25 years after the release of its first commercial recording). Foo Fighters and Jay-Z were nominated in their first year of eligibility. The Go-Go’s have been eligible since 2006.\u003c/p>\n\u003cp>Foo Fighters lead singer Dave Grohl was inducted in 2014 with his previous band Nirvana, and King was inducted for her songwriting in 1990 along with Gerry Goffin. Tina Turner was also previously inducted in 1991 for her work with Ike Turner.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A total of 16 artists were nominated for the 2021 class. Those who will not be inducted this year are Iron Maiden, Chaka Khan, Rage Against the Machine, Mary J. Blige, Kate Bush, Devo, Fela Kuti, New York Dolls and Dionne Warwick.\u003c/p>\n\u003cp>In a statement, Chairman of the Rock & Roll Hall of Fame Foundation John Sykes said, “This diverse class of talented inductees reflects the Hall’s ongoing commitment to honor artists whose music created the sound of youth culture.”\u003c/p>\n\u003cp>The induction ceremony is set to take place on Oct. 30, and will be broadcast on HBO.\u003c/p>\n\u003chr>\n\u003ch3>Complete List Of 2021 Rock & Roll Hall of Fame Inductees\u003c/h3>\n\u003cp>Performers Category:\u003c/p>\n\u003cul>\n\u003cli>Foo Fighters\u003c/li>\n\u003cli>Jay-Z\u003c/li>\n\u003cli>The Go-Go’s\u003c/li>\n\u003cli>Carole King\u003c/li>\n\u003cli>Todd Rundgren\u003c/li>\n\u003cli>Tina Turner\u003c/li>\n\u003c/ul>\n\u003cp>Ahmet Ertegun Award (given to non-performing music industry professionals)\u003c/p>\n\u003cul>\n\u003cli>Clarence Avant\u003c/li>\n\u003c/ul>\n\u003cp>Musical Excellence Award\u003c/p>\n\u003cul>\n\u003cli>LL Cool J\u003c/li>\n\u003cli>Billy Preston\u003c/li>\n\u003cli>Randy Rhoads\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\n\u003cp>Early Influence Award\u003c/p>\n\u003cul>\n\u003cli>Kraftwerk\u003c/li>\n\u003cli>Gil Scott-Heron\u003c/li>\n\u003cli>Charley Patton\u003c/li>\n\u003c/ul>\n\u003cdiv class=\"fullattribution\">Copyright 2021 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Tina+Turner%2C+Jay-Z%2C+Foo+Fighters+Among+Those+Inducted+Into+Rock+%26+Roll+Hall+Of+Fame&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13897052/tina-turner-jay-z-kraftwerk-among-those-inducted-into-rock-roll-hall-of-fame","authors":["byline_arts_13897052"],"categories":["arts_1","arts_69","arts_235"],"tags":["arts_831","arts_3070","arts_1420","arts_905","arts_12942"],"featImg":"arts_13897053","label":"arts"},"arts_13892005":{"type":"posts","id":"arts_13892005","meta":{"index":"posts_1591205157","site":"arts","id":"13892005","score":null,"sort":[1611953206000]},"guestAuthors":[],"slug":"amanda-gorman-and-poetry-will-be-part-of-super-bowl-lv","title":"Amanda Gorman—and Poetry—Will Be Part of Super Bowl LV","publishDate":1611953206,"format":"standard","headTitle":"Amanda Gorman—and Poetry—Will Be Part of Super Bowl LV | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>The country’s newest literary superstar, 22-year-old poet \u003ca href=\"https://www.theamandagorman.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Amanda Gorman\u003c/a>, is going to be showcased at an event more often associated with beer, chicken wings and Cheetos: Super Bowl LV.\u003c/p>\n\u003cp>Gorman, the country’s first National Youth Poet Laureate, dazzled viewers with her recitation of her poem “The Hill We Climb” at President Biden’s inauguration this month, and the video of her performance has gone viral. She will be reciting at the Super Bowl pre-show on Feb. 7, before the Kansas City Chiefs play the Tampa Bay Buccaneers.\u003c/p>\n\u003cp>Gorman could reach far more Americans through her appearance at the Super Bowl than she did during Inauguration Day: viewership for the football game in 2020 peaked at \u003ca href=\"https://www.cbssports.com/nfl/news/2020-super-bowl-ratings-revealed-chiefs-49ers-ranks-as-the-11th-most-watched-show-in-tv-history/\" target=\"_blank\" rel=\"noopener noreferrer\">99.9 million\u003c/a>—by contrast, President Biden’s inauguration—which was one of the most-watched in American history—drew \u003ca href=\"https://apnews.com/article/joe-biden-donald-trump-new-york-ronald-reagan-television-cebdb622a8d8e93fd01f4820d559c9d3\" target=\"_blank\" rel=\"noopener noreferrer\">33.8 million\u003c/a> viewers.\u003c/p>\n\u003cp>Her new poem will honor \u003ca href=\"https://www.pbs.org/newshour/arts/amanda-gorman-to-read-poem-at-super-bowl\" target=\"_blank\" rel=\"noopener noreferrer\">three Americans\u003c/a>—Los Angeles educator Trimaine Davis, Florida nurse manager Suzie Dorner and Pittsburgh-based James Martin, a Marine veteran who volunteers with the Wounded Warrior Project and who has taken in local kids facing issues at home—for their work during the coronavirus pandemic. The three have also been named honorary captains for the Super Bowl by the NFL. [aside postid='arts_13863975']\u003c/p>\n\u003cp>It’s unclear if Gorman’s invitation came directly from the NFL or from Jay-Z, whose Roc Nation entertainment company \u003ca href=\"https://www.npr.org/2019/08/22/753387025/jay-z-roc-nation-nfl-partnership-colin-kaepernick\" target=\"_blank\" rel=\"noopener noreferrer\">formed a partnership\u003c/a> with the football league last year to help amp up its social justice profile in the aftermath of the controversy surrounding former San Francisco 49ers quarterback Colin Kaepernick and his activism.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s been a big week for Gorman, who is the the youngest poet in presidential inauguration history. Not only did she announce her Super Bowl performance, but she also nabbed a modeling contract with one of the world’s top modeling agencies, \u003ca href=\"https://twitter.com/IMGmodels/status/1354110297678770177?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">IMG\u003c/a> (as did Vice President Harris’ stepdaughter \u003ca href=\"https://www.cnn.com/style/article/ella-emhoff-img-models/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">Ella Emhoff\u003c/a>). [aside postid='arts_13891604']\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Gorman is also enjoying massive presales for three upcoming books being published by Penguin Random House, including a collection of her work called \u003cem>The Hill We Climb and Other Poems \u003c/em>and a children’s book entitled \u003cem>Change Sings\u003c/em>, both of which are scheduled to be published on Sept. 21. A collectible edition of her inauguration poem will be published on March 16. Penguin Random House has announced that each of the three books will have a whopping initial publishing run of 1 million copies—putting her work in the same sales league as titles in Lemony Snicket’s \u003cem>A Series of Unfortunate Events.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Amanda+Gorman+%E2%80%94+And+Poetry+%E2%80%94+Will+Be+Part+Of+Super+Bowl+LV&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"The poet will recite a new piece during the Super Bowl LV pre-show next Sunday, fresh from her appearance at the inauguration.","status":"publish","parent":0,"modified":1705019563,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":454},"headData":{"title":"Amanda Gorman—and Poetry—Will Be Part of Super Bowl LV | KQED","description":"The poet will recite a new piece during the Super Bowl LV pre-show next Sunday, fresh from her appearance at the inauguration.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprImageCredit":"Patrick Semansky","nprByline":"Anastasia Tsioulcas","nprImageAgency":"Getty Images","nprStoryId":"962030186","nprApiLink":"http://api.npr.org/query?id=962030186&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2021/01/29/962030186/amanda-gorman-and-poetry-will-be-part-of-super-bowl-lv?ft=nprml&f=962030186","nprRetrievedStory":"1","nprPubDate":"Fri, 29 Jan 2021 13:08:00 -0500","nprStoryDate":"Fri, 29 Jan 2021 12:04:00 -0500","nprLastModifiedDate":"Fri, 29 Jan 2021 13:08:03 -0500","templateType":"standard","featuredImageType":"standard","path":"/arts/13892005/amanda-gorman-and-poetry-will-be-part-of-super-bowl-lv","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The country’s newest literary superstar, 22-year-old poet \u003ca href=\"https://www.theamandagorman.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Amanda Gorman\u003c/a>, is going to be showcased at an event more often associated with beer, chicken wings and Cheetos: Super Bowl LV.\u003c/p>\n\u003cp>Gorman, the country’s first National Youth Poet Laureate, dazzled viewers with her recitation of her poem “The Hill We Climb” at President Biden’s inauguration this month, and the video of her performance has gone viral. She will be reciting at the Super Bowl pre-show on Feb. 7, before the Kansas City Chiefs play the Tampa Bay Buccaneers.\u003c/p>\n\u003cp>Gorman could reach far more Americans through her appearance at the Super Bowl than she did during Inauguration Day: viewership for the football game in 2020 peaked at \u003ca href=\"https://www.cbssports.com/nfl/news/2020-super-bowl-ratings-revealed-chiefs-49ers-ranks-as-the-11th-most-watched-show-in-tv-history/\" target=\"_blank\" rel=\"noopener noreferrer\">99.9 million\u003c/a>—by contrast, President Biden’s inauguration—which was one of the most-watched in American history—drew \u003ca href=\"https://apnews.com/article/joe-biden-donald-trump-new-york-ronald-reagan-television-cebdb622a8d8e93fd01f4820d559c9d3\" target=\"_blank\" rel=\"noopener noreferrer\">33.8 million\u003c/a> viewers.\u003c/p>\n\u003cp>Her new poem will honor \u003ca href=\"https://www.pbs.org/newshour/arts/amanda-gorman-to-read-poem-at-super-bowl\" target=\"_blank\" rel=\"noopener noreferrer\">three Americans\u003c/a>—Los Angeles educator Trimaine Davis, Florida nurse manager Suzie Dorner and Pittsburgh-based James Martin, a Marine veteran who volunteers with the Wounded Warrior Project and who has taken in local kids facing issues at home—for their work during the coronavirus pandemic. The three have also been named honorary captains for the Super Bowl by the NFL. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13863975","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s unclear if Gorman’s invitation came directly from the NFL or from Jay-Z, whose Roc Nation entertainment company \u003ca href=\"https://www.npr.org/2019/08/22/753387025/jay-z-roc-nation-nfl-partnership-colin-kaepernick\" target=\"_blank\" rel=\"noopener noreferrer\">formed a partnership\u003c/a> with the football league last year to help amp up its social justice profile in the aftermath of the controversy surrounding former San Francisco 49ers quarterback Colin Kaepernick and his activism.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s been a big week for Gorman, who is the the youngest poet in presidential inauguration history. Not only did she announce her Super Bowl performance, but she also nabbed a modeling contract with one of the world’s top modeling agencies, \u003ca href=\"https://twitter.com/IMGmodels/status/1354110297678770177?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">IMG\u003c/a> (as did Vice President Harris’ stepdaughter \u003ca href=\"https://www.cnn.com/style/article/ella-emhoff-img-models/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">Ella Emhoff\u003c/a>). \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13891604","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Gorman is also enjoying massive presales for three upcoming books being published by Penguin Random House, including a collection of her work called \u003cem>The Hill We Climb and Other Poems \u003c/em>and a children’s book entitled \u003cem>Change Sings\u003c/em>, both of which are scheduled to be published on Sept. 21. A collectible edition of her inauguration poem will be published on March 16. Penguin Random House has announced that each of the three books will have a whopping initial publishing run of 1 million copies—putting her work in the same sales league as titles in Lemony Snicket’s \u003cem>A Series of Unfortunate Events.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Amanda+Gorman+%E2%80%94+And+Poetry+%E2%80%94+Will+Be+Part+Of+Super+Bowl+LV&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13892005/amanda-gorman-and-poetry-will-be-part-of-super-bowl-lv","authors":["byline_arts_13892005"],"categories":["arts_1","arts_75","arts_13238"],"tags":["arts_3070","arts_13310"],"affiliates":["arts_137"],"featImg":"arts_13892006","label":"arts_137"},"arts_13863975":{"type":"posts","id":"arts_13863975","meta":{"index":"posts_1591205157","site":"arts","id":"13863975","score":null,"sort":[1565736973000]},"guestAuthors":[],"slug":"fans-feeling-cynical-after-jay-z-flip-flops-on-the-nfl","title":"Fans Feeling Cynical After Jay-Z Flip-Flops on the NFL","publishDate":1565736973,"format":"standard","headTitle":"Fans Feeling Cynical After Jay-Z Flip-Flops on the NFL | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Just about the only thing that united America during 2019’s Super Bowl Halftime Show was the collective yawn it prompted.\u003c/p>\n\u003cp>After Rihanna and Pink, in solidarity with Colin Kaepernick, both turned down the chance to headline, the nation got stuck with a Maroon 5/Travis Scott/Big Boi snooze-fest—all of whom were \u003ca href=\"https://twitter.com/nessnitty/status/1085552587552837632?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1085552587552837632&ref_url=https%3A%2F%2Fvariety.com%2F2019%2Fbiz%2Fnews%2Ftravis-scott-colin-kaepernick-super-bowl-1203109159%2F\" target=\"_blank\" rel=\"noopener\">criticized\u003c/a> for taking part. Maroon 5 apparently \u003ca href=\"https://variety.com/2018/music/news/maroon-5-super-bowl-halftime-show-1203089706/\">struggled to find anyone\u003c/a> willing to fill the guest spots, with reports that Nicki Minaj, Usher, Cardi B, Mary J. Blige, Lauryn Hill and Andre 3000 all said no.\u003c/p>\n\u003cp>Probably fearing a similar outcome in 2020, the NFL has taken the bold step of collaborating with one of its fiercest critics: Jay-Z. Despite spitting \u003cem>“I said no to the Super Bowl, you need me, I don’t need you”\u003c/em> on last year’s \u003ca href=\"https://www.youtube.com/watch?v=kbMqWXnpXcA\">“APESHIT,”\u003c/a> and also reportedly trying to \u003ca href=\"https://variety.com/2019/biz/news/travis-scott-colin-kaepernick-super-bowl-1203109159/\" target=\"_blank\" rel=\"noopener\">talk Travis Scott out\u003c/a> of appearing at the halftime show, the rapper’s Roc Nation company has just signed on to be the NFL’s “live music entertainment strategist.” Moving forward, not only will Jay-Z co-produce the Super Bowl Halftime Show, he’ll also advise the NFL on musicians to be featured in the football season’s televised promos.\u003c/p>\n\u003cp>NFL Commissioner Roger Goodell has been careful to emphasize that this does not mean Jay-Z will be performing for them any time soon. “He was very quick to say that he does not want this to be about him performing,” \u003ca href=\"https://www.washingtonpost.com/sports/2019/08/13/nfl-is-partnering-with-jay-z-entertainment-social-justice-initiatives/\" target=\"_blank\" rel=\"noopener\">Goodell told the \u003cem>Washington Post\u003c/em>\u003c/a>, “that it was broader than that. It quickly went beyond that.” Goodell also noted that Jay-Z will also be involved in shaping programs at the NFL’s social justice organization, \u003ca href=\"https://operations.nfl.com/football-ops/economic-social-impact/inspire-change/\">Inspire Change\u003c/a>.\u003c/p>\n\u003cp>Jay-Z told the \u003cem>Washington Post\u003c/em> that while he had some Kaepernick-related hesitations before making the deal, “You can either go home, you can pack your bag and sit in the house, or you can choose to take it head-on. And that’s pretty much how we operate at Roc Nation. We seek to identify things that we want to be a part of and things that we believe that we can add value to, and we step in and we come with these ideas. And to their credit, the NFL agreed to these ideas.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>News of Jay-Z’s flip-flop regarding the NFL has been viewed with widespread cynicism on social media:\u003c/p>\n\u003cp>https://twitter.com/Kembo_Slice/status/1161336248071524353\u003c/p>\n\u003cp>https://twitter.com/MrErnestOwens/status/1161392218193592320\u003c/p>\n\u003cp>https://twitter.com/Hunitproof/status/1161360060313997312\u003c/p>\n\u003cp>https://twitter.com/BrianKnockin/status/1161339331467829250\u003c/p>\n\u003cp>Though some supporters are viewing the new partnership as positive progress:\u003c/p>\n\u003cp>https://twitter.com/jorgexluis__/status/1161355178739720193\u003c/p>\n\u003cp>https://twitter.com/AlecJRock/status/1161327794363744257\u003c/p>\n\u003cp>For his part, Jay-Z is sticking with the narrative that this business deal was intended to promote progress within the NFL. “We think at the end of the day,” he told the \u003cem>Washington Post\u003c/em>, “a lot of people will benefit from the NFL’s platform and the things that we brought to the table. We think it could help a lot of people.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Whether it helps or hurts Jay-Z’s credibility in the long run remains to be seen.\u003c/p>\n\n","blocks":[],"excerpt":"Despite criticizing the NFL and discouraging artists from performing at the Super Bowl, Jay-Z is now in partnership with the National Football League.","status":"publish","parent":0,"modified":1705022331,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":560},"headData":{"title":"Fans Feeling Cynical After Jay-Z Flip-Flops on the NFL | KQED","description":"Despite criticizing the NFL and discouraging artists from performing at the Super Bowl, Jay-Z is now in partnership with the National Football League.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13863975/fans-feeling-cynical-after-jay-z-flip-flops-on-the-nfl","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Just about the only thing that united America during 2019’s Super Bowl Halftime Show was the collective yawn it prompted.\u003c/p>\n\u003cp>After Rihanna and Pink, in solidarity with Colin Kaepernick, both turned down the chance to headline, the nation got stuck with a Maroon 5/Travis Scott/Big Boi snooze-fest—all of whom were \u003ca href=\"https://twitter.com/nessnitty/status/1085552587552837632?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1085552587552837632&ref_url=https%3A%2F%2Fvariety.com%2F2019%2Fbiz%2Fnews%2Ftravis-scott-colin-kaepernick-super-bowl-1203109159%2F\" target=\"_blank\" rel=\"noopener\">criticized\u003c/a> for taking part. Maroon 5 apparently \u003ca href=\"https://variety.com/2018/music/news/maroon-5-super-bowl-halftime-show-1203089706/\">struggled to find anyone\u003c/a> willing to fill the guest spots, with reports that Nicki Minaj, Usher, Cardi B, Mary J. Blige, Lauryn Hill and Andre 3000 all said no.\u003c/p>\n\u003cp>Probably fearing a similar outcome in 2020, the NFL has taken the bold step of collaborating with one of its fiercest critics: Jay-Z. Despite spitting \u003cem>“I said no to the Super Bowl, you need me, I don’t need you”\u003c/em> on last year’s \u003ca href=\"https://www.youtube.com/watch?v=kbMqWXnpXcA\">“APESHIT,”\u003c/a> and also reportedly trying to \u003ca href=\"https://variety.com/2019/biz/news/travis-scott-colin-kaepernick-super-bowl-1203109159/\" target=\"_blank\" rel=\"noopener\">talk Travis Scott out\u003c/a> of appearing at the halftime show, the rapper’s Roc Nation company has just signed on to be the NFL’s “live music entertainment strategist.” Moving forward, not only will Jay-Z co-produce the Super Bowl Halftime Show, he’ll also advise the NFL on musicians to be featured in the football season’s televised promos.\u003c/p>\n\u003cp>NFL Commissioner Roger Goodell has been careful to emphasize that this does not mean Jay-Z will be performing for them any time soon. “He was very quick to say that he does not want this to be about him performing,” \u003ca href=\"https://www.washingtonpost.com/sports/2019/08/13/nfl-is-partnering-with-jay-z-entertainment-social-justice-initiatives/\" target=\"_blank\" rel=\"noopener\">Goodell told the \u003cem>Washington Post\u003c/em>\u003c/a>, “that it was broader than that. It quickly went beyond that.” Goodell also noted that Jay-Z will also be involved in shaping programs at the NFL’s social justice organization, \u003ca href=\"https://operations.nfl.com/football-ops/economic-social-impact/inspire-change/\">Inspire Change\u003c/a>.\u003c/p>\n\u003cp>Jay-Z told the \u003cem>Washington Post\u003c/em> that while he had some Kaepernick-related hesitations before making the deal, “You can either go home, you can pack your bag and sit in the house, or you can choose to take it head-on. And that’s pretty much how we operate at Roc Nation. We seek to identify things that we want to be a part of and things that we believe that we can add value to, and we step in and we come with these ideas. And to their credit, the NFL agreed to these ideas.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>News of Jay-Z’s flip-flop regarding the NFL has been viewed with widespread cynicism on social media:\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1161336248071524353"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1161392218193592320"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1161360060313997312"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1161339331467829250"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Though some supporters are viewing the new partnership as positive progress:\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1161355178739720193"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1161327794363744257"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>For his part, Jay-Z is sticking with the narrative that this business deal was intended to promote progress within the NFL. “We think at the end of the day,” he told the \u003cem>Washington Post\u003c/em>, “a lot of people will benefit from the NFL’s platform and the things that we brought to the table. We think it could help a lot of people.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Whether it helps or hurts Jay-Z’s credibility in the long run remains to be seen.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13863975/fans-feeling-cynical-after-jay-z-flip-flops-on-the-nfl","authors":["11242"],"categories":["arts_69","arts_235","arts_75"],"tags":["arts_2558","arts_8273","arts_3070","arts_2565","arts_5265","arts_4506","arts_3842"],"featImg":"arts_13863996","label":"arts"},"arts_13853320":{"type":"posts","id":"arts_13853320","meta":{"index":"posts_1591205157","site":"arts","id":"13853320","score":null,"sort":[1553101733000]},"guestAuthors":[],"slug":"sylvester-super-fly-and-la-bamba-added-to-national-recording-registry","title":"Sylvester, 'Super Fly,' and 'La Bamba' Added To National Recording Registry","publishDate":1553101733,"format":"standard","headTitle":"Sylvester, ‘Super Fly,’ and ‘La Bamba’ Added To National Recording Registry | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>As it has annually for 17 years, the Library of Congress picked out a wide-ranging set of recordings — songs, albums, speeches, monologues, field recordings and some very old phonograph cylinders — to add to the National Recording Registry, bringing the total number of works within it to 525.\u003c/p>\n\u003cp>“The National Recording Registry honors the music that enriches our souls, the voices that tell our stories and the sounds that mirror our lives,” said Librarian of Congress Carla Hayden, who in 2016 \u003ca href=\"https://www.npr.org/2016/09/14/493965815/first-woman-and-african-american-sworn-in-as-librarian-of-congress\">became the first woman and the first African-American\u003c/a> to lead the Library.\u003c/p>\n\u003cp>The most modern of this year’s 25 selections is \u003cem>The Blueprint\u003c/em>, Jay-Z’s 2001 album that solidified the now-mogul’s place in history and boosted the rise of Kanye West, who produced several of its songs. In 2002, Grandmaster Flash and The Furious Five’s epochal single “The Message” became the first hip-hop recording included in the Registry, as part of its inaugural list. Since then, works from hip-hop luminaries Public Enemy, 2Pac, The Sugarhill Gang, N.W.A and Run-D.M.C. have been included in its catalog.\u003c/p>\n\u003cp>Nina Simone’s lament “Mississippi Goddam,” released in 1964 \u003ca href=\"https://www.npr.org/2019/01/08/683021559/nina-simone-to-be-young-gifted-and-black-american-anthem\">in response\u003c/a> to the murder of civil rights activist Medgar Evers by a Klansman and the bombing of a church in Birmingham, Ala. that killed four young girls, was also added to the rolls. (Simone would later say some of her songs from the civil rights era had \u003ca href=\"https://books.google.com/books?id=C7EDAAAAMBAJ&pg=PA54&dq=%22mississippi+goddam%22&hl=en&sa=X&ei=o_kDT6rhKIivgweo5_GfAg&ved=0CDAQ6AEwAA#v=onepage&q=%22mississippi%20goddam%22&f=false\">hurt her career\u003c/a>).\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Nina Simone - Mississippi Goddam (Live in Netherlands)\" width=\"500\" height=\"375\" src=\"https://www.youtube.com/embed/ghhaREDM3X8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Richie Valens’ “La Bamba,” the Chicano rock pioneer’s \u003ca href=\"https://www.npr.org/2000/07/15/1079558/npr-100-la-bamba\">adaptation\u003c/a> of a Mexican folk song, made the young Valens’ legacy just before he died in a plane crash at the age of 17. (A biopic of the same title \u003ca href=\"https://www.loc.gov/item/prn-17-178/\">was named\u003c/a> to the National Film Registry in 2017). The song “continues to be a hallmark in American music and an influence on all Latino music that followed,” says Louie Pérez, whose band Los Lobos famously covered the song in the 1980s, in a statement issued by the Library of Congress.\u003c/p>\n\u003cp>Two heavily grooved, disco-era classics from 1978 also made the list — Earth, Wind & Fire’s song “September” (the date celebrated in the song, for what it’s worth, \u003ca href=\"https://www.npr.org/2014/09/19/349621429/the-song-that-never-ends-why-earth-wind-fires-september-sustains\">has no meaning beyond its satisfying sound\u003c/a>) and Sylvester’s “\u003ca href=\"https://www.npr.org/2018/10/08/651794925/sylvester-you-make-me-feel-mighty-real-american-anthem-disco-celebration\">You Make Me Feel (Mighty Real)\u003c/a>.” Another album intrinsic to that decade’s sound, Curtis Mayfield’s soundtrack album for \u003cem>Super Fly\u003c/em>, was added as well.\u003c/p>\n\u003cp>\u003ca href=\"http://youtu.be/bDWSemTCV40\">http://youtu.be/bDWSemTCV40\u003c/a>\u003c/p>\n\u003cp>Non-musical entries include Robert F. Kennedy’s April 4, 1968 speech, given in response to the assassination of Dr. Martin Luther King, Jr.; the monologues of Ruth Draper, whose theatrical performances brought her, by request, to \u003ca href=\"https://www.britannica.com/biography/Ruth-Draper\">Windsor Castle\u003c/a> to perform; the comedy-history album \u003cem>Stan Freberg Presents the United States of America, Vol. 1: The Early Years \u003c/em>from 1961; and documentation of 23 tribal languages of Native Americans from the Northwest of the country.\u003c/p>\n\u003cp>The Registry has added recordings every year \u003ca href=\"https://www.loc.gov/programs/national-recording-preservation-board/recording-registry/complete-national-recording-registry-listing/\">since 2002\u003c/a> as part of the National Recording Preservation Act, which \u003ca href=\"https://www.congress.gov/bill/106th-congress/house-bill/4846\">passed\u003c/a> in 2000 and called for the establishment of the National Recording Registry and the use of the National Audio-Visual Conservation Center in Culpeper, Va., to “ensure proper storage of preserved sound recordings” — a resource that should be appreciated by all those who have \u003ca href=\"https://www.npr.org/2019/03/18/704458168/myspace-says-it-lost-years-of-user-uploaded-music\">reportedly lost\u003c/a> the music they uploaded to MySpace.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Full list of recordings added:\u003c/em>\u003c/p>\n\u003cul>\n\u003cli style=\"list-style-type: none\">\n\u003cul>\n\u003cli>Yiddish Cylinders from the Standard Phonograph Company of New York and the Thomas Lambert Company (c. 1901-1905)\u003c/li>\n\u003cli>“Memphis Blues,” Victor Military Band (1914)\u003c/li>\n\u003cli>Melville Jacobs Collection of Native Americans of the American Northwest (1929-1939)\u003c/li>\n\u003cli>“Minnie the Moocher,” Cab Calloway (1931)\u003c/li>\n\u003cli>Bach Six Cello Suites, Pablo Casals (c. 1939)\u003c/li>\n\u003cli>“They Look Like Men of War,” Deep River Boys (1941)\u003c/li>\n\u003cli>\u003cem>Gunsmoke\u003c/em> episode: “The Cabin” (Dec. 27, 1952)\u003c/li>\n\u003cli>Various monologues, Ruth Draper (1954-1956)\u003c/li>\n\u003cli>“La Bamba,” Ritchie Valens (1958)\u003c/li>\n\u003cli>“Long Black Veil,” Lefty Frizzell (1959)\u003c/li>\n\u003cli>\u003cem>Stan Freberg Presents the United States of America, Vol. 1: The Early Years\u003c/em>, Stan Freberg (1961)\u003c/li>\n\u003cli>\u003cem>GO\u003c/em>, Dexter Gordon (1962)\u003c/li>\n\u003cli>\u003cem>War Requiem\u003c/em>, Benjamin Britten (1963)\u003c/li>\n\u003cli>“Mississippi Goddam,” Nina Simone (1964)\u003c/li>\n\u003cli>“Soul Man,” Sam & Dave (1967)\u003c/li>\n\u003cli>\u003cem>Hair\u003c/em> (original Broadway cast album) (1968)\u003c/li>\n\u003cli>Speech on the death of Dr. Martin Luther King, Jr., Robert F. Kennedy (April 4, 1968)\u003c/li>\n\u003cli>“Sweet Caroline,” Neil Diamond (1969)\u003c/li>\n\u003cli>\u003cem>Super Fly\u003c/em>, Curtis Mayfield (1972)\u003c/li>\n\u003cli>\u003cem>Ola Belle Reed\u003c/em>, Ola Belle Reed (1973)\u003c/li>\n\u003cli>“September,” Earth, Wind & Fire (1978)\u003c/li>\n\u003cli>“You Make Me Feel (Mighty Real),” Sylvester (1978)\u003c/li>\n\u003cli>\u003cem>She’s So Unusual\u003c/em>, Cyndi Lauper (1983)\u003c/li>\n\u003cli>\u003cem>Schoolhouse Rock!: The Box Set\u003c/em> (1998)\u003c/li>\n\u003cli>\u003cem>The Blueprint\u003c/em>, Jay-Z (2001)\u003c/li>\n\u003c/ul>\n\u003c/li>\n\u003c/ul>\n\u003chr>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Jay-Z%2C+%27Super+Fly%2C%27+%27La+Bamba%27+Added+To+National+Recording+Registry&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n","blocks":[],"excerpt":"As it has annually since 2002, the Library of Congress announced a wide variety of recordings it has selected as culturally significant and worthy of preservation.","status":"publish","parent":0,"modified":1705026457,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":815},"headData":{"title":"Sylvester, 'Super Fly,' and 'La Bamba' Added To National Recording Registry | KQED","description":"As it has annually since 2002, the Library of Congress announced a wide variety of recordings it has selected as culturally significant and worthy of preservation.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprImageCredit":"John D. Kisch/Separate Cinema Ar","nprByline":"Andrew Flanagan","nprImageAgency":"Getty Images","nprStoryId":"705072849","nprApiLink":"http://api.npr.org/query?id=705072849&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2019/03/20/705072849/jay-z-super-fly-la-bamba-added-to-national-recording-registry?ft=nprml&f=705072849","nprRetrievedStory":"1","nprPubDate":"Wed, 20 Mar 2019 11:51:00 -0400","nprStoryDate":"Wed, 20 Mar 2019 11:14:54 -0400","nprLastModifiedDate":"Wed, 20 Mar 2019 11:51:54 -0400","path":"/arts/13853320/sylvester-super-fly-and-la-bamba-added-to-national-recording-registry","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>As it has annually for 17 years, the Library of Congress picked out a wide-ranging set of recordings — songs, albums, speeches, monologues, field recordings and some very old phonograph cylinders — to add to the National Recording Registry, bringing the total number of works within it to 525.\u003c/p>\n\u003cp>“The National Recording Registry honors the music that enriches our souls, the voices that tell our stories and the sounds that mirror our lives,” said Librarian of Congress Carla Hayden, who in 2016 \u003ca href=\"https://www.npr.org/2016/09/14/493965815/first-woman-and-african-american-sworn-in-as-librarian-of-congress\">became the first woman and the first African-American\u003c/a> to lead the Library.\u003c/p>\n\u003cp>The most modern of this year’s 25 selections is \u003cem>The Blueprint\u003c/em>, Jay-Z’s 2001 album that solidified the now-mogul’s place in history and boosted the rise of Kanye West, who produced several of its songs. In 2002, Grandmaster Flash and The Furious Five’s epochal single “The Message” became the first hip-hop recording included in the Registry, as part of its inaugural list. Since then, works from hip-hop luminaries Public Enemy, 2Pac, The Sugarhill Gang, N.W.A and Run-D.M.C. have been included in its catalog.\u003c/p>\n\u003cp>Nina Simone’s lament “Mississippi Goddam,” released in 1964 \u003ca href=\"https://www.npr.org/2019/01/08/683021559/nina-simone-to-be-young-gifted-and-black-american-anthem\">in response\u003c/a> to the murder of civil rights activist Medgar Evers by a Klansman and the bombing of a church in Birmingham, Ala. that killed four young girls, was also added to the rolls. (Simone would later say some of her songs from the civil rights era had \u003ca href=\"https://books.google.com/books?id=C7EDAAAAMBAJ&pg=PA54&dq=%22mississippi+goddam%22&hl=en&sa=X&ei=o_kDT6rhKIivgweo5_GfAg&ved=0CDAQ6AEwAA#v=onepage&q=%22mississippi%20goddam%22&f=false\">hurt her career\u003c/a>).\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Nina Simone - Mississippi Goddam (Live in Netherlands)\" width=\"500\" height=\"375\" src=\"https://www.youtube.com/embed/ghhaREDM3X8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Richie Valens’ “La Bamba,” the Chicano rock pioneer’s \u003ca href=\"https://www.npr.org/2000/07/15/1079558/npr-100-la-bamba\">adaptation\u003c/a> of a Mexican folk song, made the young Valens’ legacy just before he died in a plane crash at the age of 17. (A biopic of the same title \u003ca href=\"https://www.loc.gov/item/prn-17-178/\">was named\u003c/a> to the National Film Registry in 2017). The song “continues to be a hallmark in American music and an influence on all Latino music that followed,” says Louie Pérez, whose band Los Lobos famously covered the song in the 1980s, in a statement issued by the Library of Congress.\u003c/p>\n\u003cp>Two heavily grooved, disco-era classics from 1978 also made the list — Earth, Wind & Fire’s song “September” (the date celebrated in the song, for what it’s worth, \u003ca href=\"https://www.npr.org/2014/09/19/349621429/the-song-that-never-ends-why-earth-wind-fires-september-sustains\">has no meaning beyond its satisfying sound\u003c/a>) and Sylvester’s “\u003ca href=\"https://www.npr.org/2018/10/08/651794925/sylvester-you-make-me-feel-mighty-real-american-anthem-disco-celebration\">You Make Me Feel (Mighty Real)\u003c/a>.” Another album intrinsic to that decade’s sound, Curtis Mayfield’s soundtrack album for \u003cem>Super Fly\u003c/em>, was added as well.\u003c/p>\n\u003cp>\u003ca href=\"http://youtu.be/bDWSemTCV40\">http://youtu.be/bDWSemTCV40\u003c/a>\u003c/p>\n\u003cp>Non-musical entries include Robert F. Kennedy’s April 4, 1968 speech, given in response to the assassination of Dr. Martin Luther King, Jr.; the monologues of Ruth Draper, whose theatrical performances brought her, by request, to \u003ca href=\"https://www.britannica.com/biography/Ruth-Draper\">Windsor Castle\u003c/a> to perform; the comedy-history album \u003cem>Stan Freberg Presents the United States of America, Vol. 1: The Early Years \u003c/em>from 1961; and documentation of 23 tribal languages of Native Americans from the Northwest of the country.\u003c/p>\n\u003cp>The Registry has added recordings every year \u003ca href=\"https://www.loc.gov/programs/national-recording-preservation-board/recording-registry/complete-national-recording-registry-listing/\">since 2002\u003c/a> as part of the National Recording Preservation Act, which \u003ca href=\"https://www.congress.gov/bill/106th-congress/house-bill/4846\">passed\u003c/a> in 2000 and called for the establishment of the National Recording Registry and the use of the National Audio-Visual Conservation Center in Culpeper, Va., to “ensure proper storage of preserved sound recordings” — a resource that should be appreciated by all those who have \u003ca href=\"https://www.npr.org/2019/03/18/704458168/myspace-says-it-lost-years-of-user-uploaded-music\">reportedly lost\u003c/a> the music they uploaded to MySpace.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Full list of recordings added:\u003c/em>\u003c/p>\n\u003cul>\n\u003cli style=\"list-style-type: none\">\n\u003cul>\n\u003cli>Yiddish Cylinders from the Standard Phonograph Company of New York and the Thomas Lambert Company (c. 1901-1905)\u003c/li>\n\u003cli>“Memphis Blues,” Victor Military Band (1914)\u003c/li>\n\u003cli>Melville Jacobs Collection of Native Americans of the American Northwest (1929-1939)\u003c/li>\n\u003cli>“Minnie the Moocher,” Cab Calloway (1931)\u003c/li>\n\u003cli>Bach Six Cello Suites, Pablo Casals (c. 1939)\u003c/li>\n\u003cli>“They Look Like Men of War,” Deep River Boys (1941)\u003c/li>\n\u003cli>\u003cem>Gunsmoke\u003c/em> episode: “The Cabin” (Dec. 27, 1952)\u003c/li>\n\u003cli>Various monologues, Ruth Draper (1954-1956)\u003c/li>\n\u003cli>“La Bamba,” Ritchie Valens (1958)\u003c/li>\n\u003cli>“Long Black Veil,” Lefty Frizzell (1959)\u003c/li>\n\u003cli>\u003cem>Stan Freberg Presents the United States of America, Vol. 1: The Early Years\u003c/em>, Stan Freberg (1961)\u003c/li>\n\u003cli>\u003cem>GO\u003c/em>, Dexter Gordon (1962)\u003c/li>\n\u003cli>\u003cem>War Requiem\u003c/em>, Benjamin Britten (1963)\u003c/li>\n\u003cli>“Mississippi Goddam,” Nina Simone (1964)\u003c/li>\n\u003cli>“Soul Man,” Sam & Dave (1967)\u003c/li>\n\u003cli>\u003cem>Hair\u003c/em> (original Broadway cast album) (1968)\u003c/li>\n\u003cli>Speech on the death of Dr. Martin Luther King, Jr., Robert F. Kennedy (April 4, 1968)\u003c/li>\n\u003cli>“Sweet Caroline,” Neil Diamond (1969)\u003c/li>\n\u003cli>\u003cem>Super Fly\u003c/em>, Curtis Mayfield (1972)\u003c/li>\n\u003cli>\u003cem>Ola Belle Reed\u003c/em>, Ola Belle Reed (1973)\u003c/li>\n\u003cli>“September,” Earth, Wind & Fire (1978)\u003c/li>\n\u003cli>“You Make Me Feel (Mighty Real),” Sylvester (1978)\u003c/li>\n\u003cli>\u003cem>She’s So Unusual\u003c/em>, Cyndi Lauper (1983)\u003c/li>\n\u003cli>\u003cem>Schoolhouse Rock!: The Box Set\u003c/em> (1998)\u003c/li>\n\u003cli>\u003cem>The Blueprint\u003c/em>, Jay-Z (2001)\u003c/li>\n\u003c/ul>\n\u003c/li>\n\u003c/ul>\n\u003chr>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Jay-Z%2C+%27Super+Fly%2C%27+%27La+Bamba%27+Added+To+National+Recording+Registry&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13853320/sylvester-super-fly-and-la-bamba-added-to-national-recording-registry","authors":["byline_arts_13853320"],"categories":["arts_69","arts_235","arts_75"],"tags":["arts_3070","arts_3226","arts_2154"],"affiliates":["arts_137"],"featImg":"arts_13853321","label":"arts_137"},"arts_13835211":{"type":"posts","id":"arts_13835211","meta":{"index":"posts_1591205157","site":"arts","id":"13835211","score":null,"sort":[1529190061000]},"guestAuthors":[],"slug":"beyonce-drops-surprise-album-everything-is-love-with-jay-z","title":"Beyoncé Drops Surprise Album, 'Everything is Love,' with Jay-Z","publishDate":1529190061,"format":"standard","headTitle":"Beyoncé Drops Surprise Album, ‘Everything is Love,’ with Jay-Z | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Beyoncé released a joint album with Jay-Z on Saturday, titled \u003cem>Everything is Love\u003c/em> and credited to “The Carters.” In addition to the album, the couple released a bonus single “SALUD” and a video for album track “APESHIT,” filmed at the Louvre in Paris. \u003c/p>\n\u003cfigure id=\"attachment_13835217\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/everything.jpg\" alt=\"'Everything is Love' album cover.\" width=\"640\" height=\"640\" class=\"size-full wp-image-13835217\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-150x150.jpg 150w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">‘Everything is Love’ album cover.\u003c/figcaption>\u003c/figure>\n\u003cp>Rumors of a collaborative album have swirled for months, especially after the couple announced a joint tour together. The release of \u003cem>Everything is Love\u003c/em> comes at the end of that tour’s leg in England; an announcement was broadcast at Beyoncé and Jay-Z’s London show. \u003c/p>\n\u003cp>https://twitter.com/deborahh_v/status/1008109092802646019\u003c/p>\n\u003cp>The album features Migos, Pharrell and others, including a guest appearance by Blue Ivy Carter, shouting out her new siblings. The album finds Jay-Z dissing the NFL and the Grammys, and a swipe at Spotify. (Notably, the album comes in the middle of Kanye West’s \u003ca href=\"https://www.spin.com/2018/05/kanye-tweets-tracklists-good-music-albums/\" rel=\"noopener\" target=\"_blank\">blitz of weekly albums\u003c/a> from his associated artists.)\u003c/p>\n\u003cp>\u003cdel datetime=\"2018-06-18T16:23:11+00:00\">At post time, the album is only available on Tidal\u003c/del>. UPDATE: It’s \u003ca href=\"https://twitter.com/nprmusic/status/1008666725661986816\" rel=\"noopener\" target=\"_blank\">now on Spotify\u003c/a>. Beyoncé and Jay-Z are on the On The Run Tour II through the fall, which hits the Bay Area in September.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Know where you was when that digital popped? A new nine-song album from Beyoncé and Jay-Z just dropped.","status":"publish","parent":0,"modified":1705027630,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":212},"headData":{"title":"Beyoncé Drops Surprise Album, 'Everything is Love,' with Jay-Z | KQED","description":"Know where you was when that digital popped? A new nine-song album from Beyoncé and Jay-Z just dropped.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13835211/beyonce-drops-surprise-album-everything-is-love-with-jay-z","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Beyoncé released a joint album with Jay-Z on Saturday, titled \u003cem>Everything is Love\u003c/em> and credited to “The Carters.” In addition to the album, the couple released a bonus single “SALUD” and a video for album track “APESHIT,” filmed at the Louvre in Paris. \u003c/p>\n\u003cfigure id=\"attachment_13835217\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/everything.jpg\" alt=\"'Everything is Love' album cover.\" width=\"640\" height=\"640\" class=\"size-full wp-image-13835217\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/everything-150x150.jpg 150w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">‘Everything is Love’ album cover.\u003c/figcaption>\u003c/figure>\n\u003cp>Rumors of a collaborative album have swirled for months, especially after the couple announced a joint tour together. The release of \u003cem>Everything is Love\u003c/em> comes at the end of that tour’s leg in England; an announcement was broadcast at Beyoncé and Jay-Z’s London show. \u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1008109092802646019"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The album features Migos, Pharrell and others, including a guest appearance by Blue Ivy Carter, shouting out her new siblings. The album finds Jay-Z dissing the NFL and the Grammys, and a swipe at Spotify. (Notably, the album comes in the middle of Kanye West’s \u003ca href=\"https://www.spin.com/2018/05/kanye-tweets-tracklists-good-music-albums/\" rel=\"noopener\" target=\"_blank\">blitz of weekly albums\u003c/a> from his associated artists.)\u003c/p>\n\u003cp>\u003cdel datetime=\"2018-06-18T16:23:11+00:00\">At post time, the album is only available on Tidal\u003c/del>. UPDATE: It’s \u003ca href=\"https://twitter.com/nprmusic/status/1008666725661986816\" rel=\"noopener\" target=\"_blank\">now on Spotify\u003c/a>. Beyoncé and Jay-Z are on the On The Run Tour II through the fall, which hits the Bay Area in September.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13835211/beyonce-drops-surprise-album-everything-is-love-with-jay-z","authors":["185"],"categories":["arts_69","arts_235"],"tags":["arts_1686","arts_1118","arts_3070","arts_596"],"featImg":"arts_13835213","label":"arts"},"arts_13835188":{"type":"posts","id":"arts_13835188","meta":{"index":"posts_1591205157","site":"arts","id":"13835188","score":null,"sort":[1529170174000]},"guestAuthors":[],"slug":"jermaine-durpri-is-a-songwriters-hall-of-famer-and-we-have-the-playlist-to-prove-it","title":"Jermaine Durpri is a Songwriters Hall of Famer and We Have the Playlist to Prove It","publishDate":1529170174,"format":"standard","headTitle":"Jermaine Durpri is a Songwriters Hall of Famer and We Have the Playlist to Prove It | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>Jermaine Dupri is a hip-hop and R&B hitmaker. His songs have sold millions of copies, topped music charts throughout the 1990s and early 2000s and helped launch the careers of \u003ca href=\"https://www.npr.org/tags/180505108/kris-kross\" target=\"_blank\" rel=\"noopener\">Kriss Kross\u003c/a>, \u003ca href=\"https://www.npr.org/artists/15817733/usher\" target=\"_blank\" rel=\"noopener\">Usher\u003c/a>, \u003ca href=\"https://www.npr.org/artists/15324690/mariah-carey\" target=\"_blank\" rel=\"noopener\">Mariah Carey\u003c/a> and many others. Now, the 30-year music veteran has been inducted into \u003ca href=\"https://www.songhall.org/\">The Songwriters Hall of Fame\u003c/a>. Dupri is only the second hip-hop artist to be so honored. (\u003ca href=\"https://www.npr.org/artists/16318474/jay-z\" target=\"_blank\" rel=\"noopener\">Jay-Z\u003c/a> was \u003ca href=\"https://www.npr.org/sections/therecord/2017/02/22/516641140/jay-z-is-the-first-rapper-to-be-elected-to-songwriters-hall-of-fame\" target=\"_blank\" rel=\"noopener\">inducted\u003c/a> last year.) “To be mentioned in the same breath as people I admire means everything to me,” Dupri says, citing Motown Records founder Berry Gordy Jr. as source of inspiration.\u003c/p>\n\u003cp>According to Dupri, the key to writing a hit song is to focus on the hook as the driving force. That’s what he did when penning his first big record, Kriss Kross’s 1992 breakout single “Jump.” Dupri says he wrote the song in 30 minutes.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=010KyIQjkTk\u003c/p>\n\u003cp>“It’s a thing that happens where you start writing a song, it’s a burning feeling that you have to finish it. Once I had the first verse, you don’t want to hear the song incomplete,” he explains. “I’ve written other songs just as fast, but that was the first time I had that feeling.”\u003c/p>\n\u003cp>For Dupri, this Hall of Fame honor is special because it highlights a talent he feels he doesn’t get enough credit for. He remembers being at a pool in Mexico and watching a pool full of people sing Usher’s “You Make Me Wanna…” never realizing he wrote it.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=bQRzrnH6_HY\u003c/p>\n\u003cp>“Some people see Jermaine Dupri as a producer and they don’t really know what the songwriting skills are,” he says. “That’s why I’m so proud about this induction because it makes you pay attention to me writing songs and sitting down and thinking of these stories that people fall in love with.” \u003c/p>\n\u003cp>In honor of his induction, enjoy a NPR Music playlist of Jermaine Dupri’s hits from the ’90s until now. \u003c/p>\n\u003cp>\u003cem>Web editor Sidney Madden contributed to this story.\u003c/em> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed?uri=spotify%3Auser%3Anpr_music%3Aplaylist%3A2QL4gjl6kiepLkcSsPqq3B\" width=\"600\" height=\"480\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Jermaine+Durpri+Is+A+Songwriters+Hall+Of+Famer+And+We+Have+The+Playlist+To+Prove+It&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n","blocks":[],"excerpt":"Dupri is a hip-hop and R&B hitmaker. His songs have sold millions of copies and helped launch the careers of Usher, Mariah Carey and many others. Now, he's been inducted into The Songwriters Hall of Fame. ","status":"publish","parent":0,"modified":1705027631,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":395},"headData":{"title":"Jermaine Durpri is a Songwriters Hall of Famer and We Have the Playlist to Prove It | KQED","description":"Dupri is a hip-hop and R&B hitmaker. 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","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprImageCredit":"Gary Gershoff","nprByline":"Denise Guerra","nprImageAgency":"Getty Images ","nprStoryId":"620333918","nprApiLink":"http://api.npr.org/query?id=620333918&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2018/06/16/620333918/jermaine-durpri-is-a-songwriters-hall-of-famer-and-we-have-the-playlist-to-prove?ft=nprml&f=620333918","nprRetrievedStory":"1","nprPubDate":"Sat, 16 Jun 2018 08:18:00 -0400","nprStoryDate":"Sat, 16 Jun 2018 08:10:42 -0400","nprLastModifiedDate":"Sat, 16 Jun 2018 08:10:42 -0400","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/wesat/2018/06/20180616_wesat_jermaine_durpri_is_a_songwriters_hall_of_famer_and_we_have_the_playlist_to_prove_it.mp3?orgId=1&topicId=1105&d=315&p=7&story=620333918&ft=nprml&f=620333918","nprAudioM3u":"http://api.npr.org/m3u/1620611627-437c59.m3u?orgId=1&topicId=1105&d=315&p=7&story=620333918&ft=nprml&f=620333918","path":"/arts/13835188/jermaine-durpri-is-a-songwriters-hall-of-famer-and-we-have-the-playlist-to-prove-it","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/wesat/2018/06/20180616_wesat_jermaine_durpri_is_a_songwriters_hall_of_famer_and_we_have_the_playlist_to_prove_it.mp3?orgId=1&topicId=1105&d=315&p=7&story=620333918&ft=nprml&f=620333918","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Jermaine Dupri is a hip-hop and R&B hitmaker. His songs have sold millions of copies, topped music charts throughout the 1990s and early 2000s and helped launch the careers of \u003ca href=\"https://www.npr.org/tags/180505108/kris-kross\" target=\"_blank\" rel=\"noopener\">Kriss Kross\u003c/a>, \u003ca href=\"https://www.npr.org/artists/15817733/usher\" target=\"_blank\" rel=\"noopener\">Usher\u003c/a>, \u003ca href=\"https://www.npr.org/artists/15324690/mariah-carey\" target=\"_blank\" rel=\"noopener\">Mariah Carey\u003c/a> and many others. Now, the 30-year music veteran has been inducted into \u003ca href=\"https://www.songhall.org/\">The Songwriters Hall of Fame\u003c/a>. Dupri is only the second hip-hop artist to be so honored. (\u003ca href=\"https://www.npr.org/artists/16318474/jay-z\" target=\"_blank\" rel=\"noopener\">Jay-Z\u003c/a> was \u003ca href=\"https://www.npr.org/sections/therecord/2017/02/22/516641140/jay-z-is-the-first-rapper-to-be-elected-to-songwriters-hall-of-fame\" target=\"_blank\" rel=\"noopener\">inducted\u003c/a> last year.) “To be mentioned in the same breath as people I admire means everything to me,” Dupri says, citing Motown Records founder Berry Gordy Jr. as source of inspiration.\u003c/p>\n\u003cp>According to Dupri, the key to writing a hit song is to focus on the hook as the driving force. That’s what he did when penning his first big record, Kriss Kross’s 1992 breakout single “Jump.” Dupri says he wrote the song in 30 minutes.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/010KyIQjkTk'\n title='//www.youtube.com/embed/010KyIQjkTk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“It’s a thing that happens where you start writing a song, it’s a burning feeling that you have to finish it. Once I had the first verse, you don’t want to hear the song incomplete,” he explains. “I’ve written other songs just as fast, but that was the first time I had that feeling.”\u003c/p>\n\u003cp>For Dupri, this Hall of Fame honor is special because it highlights a talent he feels he doesn’t get enough credit for. He remembers being at a pool in Mexico and watching a pool full of people sing Usher’s “You Make Me Wanna…” never realizing he wrote it.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/bQRzrnH6_HY'\n title='//www.youtube.com/embed/bQRzrnH6_HY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“Some people see Jermaine Dupri as a producer and they don’t really know what the songwriting skills are,” he says. “That’s why I’m so proud about this induction because it makes you pay attention to me writing songs and sitting down and thinking of these stories that people fall in love with.” \u003c/p>\n\u003cp>In honor of his induction, enjoy a NPR Music playlist of Jermaine Dupri’s hits from the ’90s until now. \u003c/p>\n\u003cp>\u003cem>Web editor Sidney Madden contributed to this story.\u003c/em> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed?uri=spotify%3Auser%3Anpr_music%3Aplaylist%3A2QL4gjl6kiepLkcSsPqq3B\" width=\"600\" height=\"480\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Jermaine+Durpri+Is+A+Songwriters+Hall+Of+Famer+And+We+Have+The+Playlist+To+Prove+It&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13835188/jermaine-durpri-is-a-songwriters-hall-of-famer-and-we-have-the-playlist-to-prove-it","authors":["byline_arts_13835188"],"categories":["arts_69"],"tags":["arts_1118","arts_3070","arts_596"],"affiliates":["arts_137"],"featImg":"arts_13835189","label":"arts_137"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. 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Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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