Here’s What Bay Area Rappers Are Eating (According to Their Lyrics)
HBK Gang Defined Bay Area Rap During the Social Media Boom
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He is a graduate of June Jordan’s Poetry for the People program at UC Berkeley and a former Lawrence Ferlinghetti Fellow at the University of San Francisco. He writes about sports, food, art, music, education, and culture while repping the Bay on \u003ca href=\"https://twitter.com/alan_chazaro\">Twitter\u003c/a> and \u003ca href=\"https://www.instagram.com/alan_chazaro/?hl=en\">Instagram\u003c/a> at @alan_chazaro.","avatar":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twitter":"alan_chazaro","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]}],"headData":{"title":"Alan Chazaro | KQED","description":"Food Writer and Reporter","ogImgSrc":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/achazaro"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13955802":{"type":"posts","id":"arts_13955802","meta":{"index":"posts_1591205157","site":"arts","id":"13955802","score":null,"sort":[1713390752000]},"guestAuthors":[],"slug":"bay-area-rappers-food-lyrics-illustrations-e-40-larry-june","title":"Here’s What Bay Area Rappers Are Eating (According to Their Lyrics)","publishDate":1713390752,"format":"standard","headTitle":"Here’s What Bay Area Rappers Are Eating (According to Their Lyrics) | KQED","labelTerm":{},"content":"\u003cp>[dropcap]W[/dropcap]hen conveying what it means to really be from the Bay Area, I often return to this simple yet revelatory \u003ca href=\"https://www.kqed.org/arts/tag/mac-dre\">Mac Dre\u003c/a> lyric: “In the Bay Area, we dance a little different.”\u003c/p>\n\u003cp>Whether it’s in our music, political activism or technological contributions, there’s a certain out-of-box forwardness that tends to manifest from Bay Area minds — and a pride in how we approach everything with a savvy sprinkling of game, hustlership and top-tier ideation.\u003c/p>\n\u003cp>The same can be said for the Bay Area’s food scene, which ranks among the nation’s best and most imaginative. From sourdough bread to the eternal Mission-style burrito, the Bay’s foodmakers have often been ahead of the curve, helping to revolutionize menus nationwide with their fresh farm-to-table approach. To borrow from the great Mac, one could say that in the Bay Area, we \u003ci>eat\u003c/i> a little different.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13907726,arts_13934248']\u003c/span>It’s no surprise, then, that in the history of local rap, food has always been a strong reference point — a metaphorical kitchen for creative exchange. An endless platter of well-seasoned slang. For decades, our rappers have delivered punchlines involving sauce, lasagna and \u003ca href=\"https://www.youtube.com/watch?v=XMah0rX6pGU\">lumpia\u003c/a>; dropped verses that generously reference \u003ca href=\"https://www.youtube.com/watch?v=lkBJR5L2nas\">desserts and bakeries\u003c/a>; and supplied entire songs about stacking bread, cheese and lettuce as lucrative sandwiches.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfchronicle.com/food/restaurants/article/bay-area-rap-shrimp-crab-17915372.php\">Food-loving Bay Area rappers\u003c/a> have always been bold when it comes to transmorphing culinary items and kitchen utensils into slang that others then appropriate and even misuse (see: “\u003ca href=\"https://www.kqed.org/arts/13908052/food-doesnt-slap\">food doesn’t slap\u003c/a>”). Shock G once talked about getting busy in a Burger King bathroom and declared, “I like my oatmeal lumpy.” On “Dreganomics,” Mac Dre himself asked, “What’s spaghetti without the sauce?” We’ve got Suga T (sweet) and Spice 1 (hot). Berner founded \u003ca href=\"https://www.instagram.com/cookiessf/?hl=en\">Cookies\u003c/a>. And just a few weeks ago, \u003ca href=\"https://www.kqed.org/arts/13900085/stunnaman02-and-the-big-steppin-energy-in-the-room\">Stunnaman02\u003c/a> dropped a whole series of viral videos centered on his latest single. His focus? \u003ca href=\"https://www.tiktok.com/@jayworrld/video/7340701934355254574\">Eating a salad\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There’s a unifying ethos in Bay Area food and rap: \u003ca href=\"https://www.youtube.com/watch?v=E6GU3PmttyI\">Everybody eats\u003c/a>. So here’s a brief ode to some of our region’s most skilled vocabulary chefs and the tasteful ways they’ve reimagined the ingredients of language that are possible in a kitchen — and the recording studio.\u003c/p>\n\u003cfigure id=\"attachment_13956090\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956090\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1.jpg\" alt=\"Illustration of the rapper E-40 in sunglasses and a beige apron, holding a glass of red wine. In front of him are a burrito and a grilled cheese sandwich.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">E-40 might be the most prolific inventor of food-related slang words in the English language. He’s a head chef in the Bay Area’s rap kingdom. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>E-40: Green eggs, hams, candy yams, Spam, cheese, peanut butter and jam on “\u003ca href=\"https://www.youtube.com/watch?v=etIBcRriUJY\">The Slap\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Digital scale, green eggs and hams / Yams, candy yams, Spam, damn! / Loaded, my cheese, peanut butter and jam / Sammich, mannish, me and my Hispanics / Vanish, talkin’ in codes like we from different planets.”\u003c/em>\u003c/p>\n\u003cp>Though it may sound like gibberish to the uninitiated, rest assured that \u003ca href=\"https://firstwefeast.com/eat/2013/12/food-rap-decoded-with-e-40-video\">99.99% of anything 40 Water vocalizes has a cleverly associative meaning\u003c/a>. For anyone who has listened to one of the more than 25 studio albums from Vallejo’s kingpin, you’ve surely heard him mention food — perhaps in a variety of languages (some real, some ingeniously invented). In addition to the smorgasbord he notes above in “The Slap,” he has pioneered rhymes across generations that give new meanings to Gouda, feta, mozzarella, lettuce, bread, sausage, salami, paninis, spaghetti, tacos and enchiladas — ad infinitum. Unsurprisingly, \u003ca href=\"https://www.kqed.org/arts/13907726/e-40-goon-with-the-spoon-bay-area-rappers-food-entrepreneurs-hustle\">Mr. Fonzarelli is an actual purveyor of foods and beverages\u003c/a>, with a line of products that includes malt liquor, ice cream and burritos; he even co-owns \u003ca href=\"https://www.instagram.com/thelumpiacompany/\">The Lumpia Company\u003c/a>. There’s no one with a bigger million-dollar mouthpiece who can distribute as much word candy (“S-L-A-N-G”) quite as flavorfully as the Goon With The Spoon himself.\u003c/p>\n\u003ch2>Andre Nickatina: TOGO’s #41 sandwich with the hot peppers on “\u003ca href=\"https://www.youtube.com/watch?v=_FU1XdPE6lM\">Fa Show\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Baby don’t act dumb, I’m number 41, high stepper / TOGO’s sandwich with the hot peppers / At 90 degrees I might freeze, so when it’s hot I sport leather.”\u003c/em>\u003c/p>\n\u003cp>Fillmore’s finest, and among \u003ca href=\"https://www.passionweiss.com/2016/11/17/andre-nickatina/\">the most criminally underrated San Francisco rappers in history\u003c/a>, Andre Nickatina has always had a penchant for the spicy, the flavorful, the extemporaneously saucy. From rapping about eating Cap’n Crunch around drug dealers to sarcastically handing out Baskin Robbins dollars to his enemies, Nicky Nicotine (formerly known as Dre Dog) raps about food as casually as any rapper would ever dare. Unlike many of today’s international rap personalities, who seem to only eat at \u003ca href=\"https://www.reddit.com/r/OutOfTheLoop/comments/6frbt9/why_are_rappers_obsessed_with_nobu_sushi/\">high-priced sushi conglomerates\u003c/a>, Nickatina is a Bay Area real one, electing to stay fed at a regional sandwich chain from San Jose. The enigmatic “number 41” on the \u003ca href=\"https://www.togos.com/menu/?gad_source=1&gclid=CjwKCAjwoPOwBhAeEiwAJuXRh69gJ2fS8J9qmnAKJEnCmI5720psTxEmhEmkgFAemWoe3auyNuuxExoCTm0QAvD_BwE\">Togo’s menu\u003c/a> has since been discontinued, but a spokesperson for the restaurant IDed it as a sirloin steak and mushroom sandwich that was introduced as a seasonal special back in 2002 — the same year “Fa Show” was released. There is no doubt it must’ve been fire, given its endorsement by a legend who knows how to professionally “\u003ca href=\"https://www.youtube.com/watch?v=o8TXpoi-goE\">Break Bread\u003c/a>.”\u003c/p>\n\u003cfigure id=\"attachment_13956088\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956088\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1.jpg\" alt=\"Illustration of the rapper Kamaiyah eating from a plate of chicken alfredo tucked under her arm. Next to her is a bottle of champagne.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kamaiyah’s album covers often feature food, Hennessey and champagne — a reflection of the rapper’s saucy, bossy lifestyle. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kamaiyah: Champagne and chicken on “\u003ca href=\"https://www.youtube.com/watch?v=Yls2dMJ63tM\">Whatever Whenever\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Just drink champagne with all my chicken meals.”\u003c/em>\u003c/p>\n\u003cp>It’s fitting that East Oakland’s Kamaiyah — who cooked up the searingly hot single “How Does It Feel” on her transcendent debut, \u003ci>A Good Night in the Ghetto\u003c/i> — continued to double down on aspirational living and good eating with her sophomore release, \u003ci>Got It Made\u003c/i>. As always, the bodacious trapper rhymes over a synth-laced, floaty-spaceship soundscape while bragging about her California riches — and cuisine. The music video for “Whatever Whenever” features Kamaiyah roaming the untainted grounds of a Napa Valley-esque chateau. Her album covers over the years have also featured bags of potato chips, Hennessy and double-fisted bottles of champagne. It’s always bottoms up when Kamaiyah is on the track.\u003c/p>\n\u003ch2>Too $hort: Macaroni, steak and collard greens on “\u003ca href=\"https://www.youtube.com/watch?v=Ru5B8cFskaw\">All My B*tches Are Gone\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Eat some shit up / macaroni, steak, collard greens, or whatever the fuck.”\u003c/em>\u003c/p>\n\u003cp>With over 35 years of classic albums like \u003ci>Cocktails\u003c/i> and \u003ci>Gettin’ It\u003c/i>, there’s no doubt that Short Dogg knows how to feed his multi-generational fanbase. He doesn’t shy away from straightforward lyrics — or having a large appetite for nefarious activities — and he has continued to make seasoned slaps for precisely 225,000 hours and counting (“get a calculator, do the math”). This OG’s plate of choice includes classic soul food staples served with a slab of steak. As the veteran unmistakably outlines on “This How We Eat”: “We make money, we eat, we feed.”\u003c/p>\n\u003cfigure id=\"attachment_13956087\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956087\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1.jpg\" alt=\"Illustration of the rapper Larry June in an SF Giants cap, holding a crab cracker in one hand and a fork in the other. In front of him is a whole lobster on a plate.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Besides establishing himself as the healthiest rapper in Bay Area lore, Larry June is also known for sporting vintage muscle cars and cracking lobsters in Sausalito as part of his luxurious lifestyle. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Larry June: Crab legs on “\u003ca href=\"https://www.youtube.com/watch?v=luIhlZBrJos\">Lifetime Income\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“This not my girlfriend, we just eatin’ crab legs.”\u003c/em>\u003c/p>\n\u003cp>If you know Larry June, then you know he’s all about smoothies, green teas, organic juices and oranges (yee hee!). But just as buttery are his numerously silky references to luxury meals and late-night outings with a seemingly endless rotation of women friends. Without question, the Hunters Point rapper has one of the healthiest appetites of anyone around a microphone, regularly dropping rhymes about his organic sustenance. Since Uncle Larry makes a living off his out-of-pocket food references, he merits an honorable mention for dropping other absolute bangers like “I might write a motherfuckin’ smoothie book or somethin’ … Sell this shit for thirty dollars” and “Watermelon juice riding bikes with my latest chick / I don’t do the clubs that often, I got a check to get.” It’s fitting that \u003ca href=\"https://uproxx.com/music/larry-june-interview-san-francisco/\">he also co-owns Honeybear Boba in the Dogpatch\u003c/a>.\u003c/p>\n\u003ch2>Iamsu!: Chicken strips and Moscato on “\u003ca href=\"https://www.youtube.com/watch?v=lQcxMU3uvLg\">Don’t Stop\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Keep it real I don’t brag though… / Chicken strips, no escargot / [sippin’] on the Moscato.”\u003c/em>\u003c/p>\n\u003cp>To be fair, this lyric is from a young, mixtape-era Iamsu! and might not reflect the current palate of the multi-platinum rapper and producer from Richmond. (In fact, that’s probably true of every rapper on this list, so take these lyrics with a grain of salt.) But when I first heard this song in my 20s, it’s a line that did — and still does — resonate for its unglamorized celebration of living on a low-budget microwaveable diet while maintaining a glimmer of high-life ambition. Personally, I’d take chicken strips over escargot nine out of ten times. And, from the sound of it, so would Suzy 6 Speed.\u003c/p>\n\u003cfigure id=\"attachment_13956086\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956086\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1.jpg\" alt=\"The rapper P-Lo wiggles his fingers in delight over a plate of chicken wings sitting on a bed of dollar bills.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo often raps about his love of chicken (chicken adobo, fried chicken, chicken wings), and his favorite food-related slang word is also “chicken” (as a stand in for “money”). \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>P-Lo: Chicken wings in the strip club on “\u003ca href=\"https://www.youtube.com/watch?v=h-ajtPhAQ1U\">Going To Work\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“In the strip club eating chicken wings.”\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13938479']\u003c/span>There may not be another rapper on this list with as much love for chicken wings as Pinole’s P-Lo. For starters, the lyricist and producer launched a transnational food tour, teaming up with Filipino restaurants around the U.S. and Canada to deliver collaborative one-off dishes, including \u003ca href=\"https://www.kqed.org/arts/13935891/p-lo-senor-sisig-filipino-food-tour-oakland\">his own spicy sinigang wings at Señor Sisig in Oakland\u003c/a>. If that’s not enough, he has popped up on popular social media channels like \u003ca href=\"https://www.instagram.com/bayareafoodz/?hl=en\">Bay Area Foodz\u003c/a> as \u003ca href=\"https://www.youtube.com/watch?v=lJYkVcpM6E0\">he searches for the best wings around the Yay\u003c/a>. His songs are even featured on \u003ca href=\"https://www.instagram.com/reel/CwyzdhfrNCE/\">national commercials for Wingstop\u003c/a>. For P-Lo, it’s always time to bring back the bass — and taste.\u003cb>\u003ci>\u003c/i>\u003c/b>\u003c/p>\n\u003ch2>Guap (formerly Guapdad 4000): Chicken adobo on “\u003ca href=\"https://www.youtube.com/watch?v=1DaovaJgytE\">Chicken Adobo\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“How I fell in love with you it was beautiful / Like chicken adobo how you fill me up.”\u003c/em>\u003c/p>\n\u003cp>For the Black Filipino American rapper from West Oakland, \u003ca href=\"https://www.kqed.org/arts/13905208/a-new-generation-of-filipino-hip-hop-builds-on-a-deep-bay-area-legacy\">food has always played a central role in his upbringing\u003c/a>. The anime-loving, Marvel comics fan grew up in a Filipino household eating champorado, and his songs have never shied away from references to his dual cultures. In what might be his most well-known song, Guap equates romantic satiation to filling up on a bowl of chicken adobo. His love of food goes beyond the booth — he recently spoke out on \u003ca href=\"https://www.kqed.org/arts/13950363/keith-lee-tiktok-oakland-sf-bay-area-struggles\">the recent Keith Lee fiasco\u003c/a>, and he also put together\u003ca href=\"https://trippin.world/guide/oaklands-top-food-joints-with-rapper-guapdad-4000\"> a map of his favorite places to eat around The Town\u003c/a>.\u003c/p>\n\u003ch2>Cellski: Canadian bacon, hash browns and cheddar cheese on “\u003ca href=\"https://www.youtube.com/watch?v=o6wFRZOd7n8\">Chedda\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Gotta get the cheddar, fuck the [federals].”\u003c/em>\u003c/p>\n\u003cp>As most food mentions in Bay Area rap goes, Cellski’s mention of this quintessentially North American breakfast combo isn’t exactly a homage to the real ingredients, as much as it is a reference to his hustling. His 1998 \u003ca href=\"https://www.discogs.com/release/841568-Cellski-Canadian-Bacon-Hash-Browns/image/SW1hZ2U6NDg3ODMxNzk=\">album cover\u003c/a> for \u003ci>Canadian Bacon & Hash Browns \u003c/i>features a cartoon depiction of the rapper getting pulled over and arrested by a Canadian mountie, with an open trunk revealing pounds of medicinal herbs. Nonetheless, there’s a good chance that the veteran San Francisco spitter actually does like to carry Canadian bacon, hash browns and cheddar around — \u003ca href=\"https://www.kqed.org/arts/13922141/cellskis-big-mafi-burgers-come-with-a-side-of-sf-rap-history\">he’s a part-time foodie who runs his own burger pop-up, after all\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13956089\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956089\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1.jpg\" alt=\"Illustration of the rapper Dru Down in gold sunglasses and a black trench coat, holding an ice cream cone in one hand and an ice cream sundae on the table in front of him.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In a famous 1996 beef, Dru Down and the Luniz accused New Orleans rapper Master P (who started his musical career in the Bay Area) for stealing their concept of the “Ice Cream Man” — slang for a narcotics dealer. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Dru Down: Ice cream on “\u003ca href=\"https://www.youtube.com/watch?v=3uNv2qAje-Q\">Ice Cream Man\u003c/a>” (with the Luniz)\u003c/h2>\n\u003cp>\u003cem>“Get your ice cream, ice cream / Not Ice-T, not Ice Cube, ice cream.”\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Not intended for children, the classic 1993 anthem off Dru Down’s \u003ci>Fools From The Street \u003c/i>paints a startling picture of addiction and illicit drug distribution around Oakland in the wake of Richard Nixon and Ronald Reagan’s War on Drugs. Despite its unapologetic content, “Ice Cream Man” went on to establish an indisputably popular food motif in national rap music: ice cream as a stand-in for drug dealing. Since the production includes an audio sampling of an ice cream truck’s inimitable tune, listening to it evokes a sense of nostalgia for the frozen treat — and for \u003ca href=\"https://www.kqed.org/bayareahiphop\">golden-era Bay Area hip-hop\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"A brief look at some of the Bay Area’s most notoriously hungry rappers — and the foods they’ve lyricized about.","status":"publish","parent":0,"modified":1713412777,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":28,"wordCount":2211},"headData":{"title":"Bay Area Rappers and Food Lyrics | KQED","description":"A brief look at some of the Bay Area’s most notoriously hungry rappers — and the foods they’ve lyricized about.","ogTitle":"Here’s What Bay Area Rappers Are Eating (According to Their Lyrics)","ogDescription":"","ogImgId":"","twTitle":"Here’s What Bay Area Rappers Are Eating (According to Their Lyrics)","twDescription":"","twImgId":"","socialTitle":"Bay Area Rappers and Food Lyrics %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Here’s What Bay Area Rappers Are Eating (According to Their Lyrics)","datePublished":"2024-04-17T21:52:32.000Z","dateModified":"2024-04-18T03:59:37.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Food","sourceUrl":"https://www.kqed.org/food","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955802/bay-area-rappers-food-lyrics-illustrations-e-40-larry-june","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">W\u003c/span>\u003c/p>\u003cp>hen conveying what it means to really be from the Bay Area, I often return to this simple yet revelatory \u003ca href=\"https://www.kqed.org/arts/tag/mac-dre\">Mac Dre\u003c/a> lyric: “In the Bay Area, we dance a little different.”\u003c/p>\n\u003cp>Whether it’s in our music, political activism or technological contributions, there’s a certain out-of-box forwardness that tends to manifest from Bay Area minds — and a pride in how we approach everything with a savvy sprinkling of game, hustlership and top-tier ideation.\u003c/p>\n\u003cp>The same can be said for the Bay Area’s food scene, which ranks among the nation’s best and most imaginative. From sourdough bread to the eternal Mission-style burrito, the Bay’s foodmakers have often been ahead of the curve, helping to revolutionize menus nationwide with their fresh farm-to-table approach. To borrow from the great Mac, one could say that in the Bay Area, we \u003ci>eat\u003c/i> a little different.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13907726,arts_13934248","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>It’s no surprise, then, that in the history of local rap, food has always been a strong reference point — a metaphorical kitchen for creative exchange. An endless platter of well-seasoned slang. For decades, our rappers have delivered punchlines involving sauce, lasagna and \u003ca href=\"https://www.youtube.com/watch?v=XMah0rX6pGU\">lumpia\u003c/a>; dropped verses that generously reference \u003ca href=\"https://www.youtube.com/watch?v=lkBJR5L2nas\">desserts and bakeries\u003c/a>; and supplied entire songs about stacking bread, cheese and lettuce as lucrative sandwiches.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfchronicle.com/food/restaurants/article/bay-area-rap-shrimp-crab-17915372.php\">Food-loving Bay Area rappers\u003c/a> have always been bold when it comes to transmorphing culinary items and kitchen utensils into slang that others then appropriate and even misuse (see: “\u003ca href=\"https://www.kqed.org/arts/13908052/food-doesnt-slap\">food doesn’t slap\u003c/a>”). Shock G once talked about getting busy in a Burger King bathroom and declared, “I like my oatmeal lumpy.” On “Dreganomics,” Mac Dre himself asked, “What’s spaghetti without the sauce?” We’ve got Suga T (sweet) and Spice 1 (hot). Berner founded \u003ca href=\"https://www.instagram.com/cookiessf/?hl=en\">Cookies\u003c/a>. And just a few weeks ago, \u003ca href=\"https://www.kqed.org/arts/13900085/stunnaman02-and-the-big-steppin-energy-in-the-room\">Stunnaman02\u003c/a> dropped a whole series of viral videos centered on his latest single. His focus? \u003ca href=\"https://www.tiktok.com/@jayworrld/video/7340701934355254574\">Eating a salad\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There’s a unifying ethos in Bay Area food and rap: \u003ca href=\"https://www.youtube.com/watch?v=E6GU3PmttyI\">Everybody eats\u003c/a>. So here’s a brief ode to some of our region’s most skilled vocabulary chefs and the tasteful ways they’ve reimagined the ingredients of language that are possible in a kitchen — and the recording studio.\u003c/p>\n\u003cfigure id=\"attachment_13956090\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956090\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1.jpg\" alt=\"Illustration of the rapper E-40 in sunglasses and a beige apron, holding a glass of red wine. In front of him are a burrito and a grilled cheese sandwich.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">E-40 might be the most prolific inventor of food-related slang words in the English language. He’s a head chef in the Bay Area’s rap kingdom. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>E-40: Green eggs, hams, candy yams, Spam, cheese, peanut butter and jam on “\u003ca href=\"https://www.youtube.com/watch?v=etIBcRriUJY\">The Slap\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Digital scale, green eggs and hams / Yams, candy yams, Spam, damn! / Loaded, my cheese, peanut butter and jam / Sammich, mannish, me and my Hispanics / Vanish, talkin’ in codes like we from different planets.”\u003c/em>\u003c/p>\n\u003cp>Though it may sound like gibberish to the uninitiated, rest assured that \u003ca href=\"https://firstwefeast.com/eat/2013/12/food-rap-decoded-with-e-40-video\">99.99% of anything 40 Water vocalizes has a cleverly associative meaning\u003c/a>. For anyone who has listened to one of the more than 25 studio albums from Vallejo’s kingpin, you’ve surely heard him mention food — perhaps in a variety of languages (some real, some ingeniously invented). In addition to the smorgasbord he notes above in “The Slap,” he has pioneered rhymes across generations that give new meanings to Gouda, feta, mozzarella, lettuce, bread, sausage, salami, paninis, spaghetti, tacos and enchiladas — ad infinitum. Unsurprisingly, \u003ca href=\"https://www.kqed.org/arts/13907726/e-40-goon-with-the-spoon-bay-area-rappers-food-entrepreneurs-hustle\">Mr. Fonzarelli is an actual purveyor of foods and beverages\u003c/a>, with a line of products that includes malt liquor, ice cream and burritos; he even co-owns \u003ca href=\"https://www.instagram.com/thelumpiacompany/\">The Lumpia Company\u003c/a>. There’s no one with a bigger million-dollar mouthpiece who can distribute as much word candy (“S-L-A-N-G”) quite as flavorfully as the Goon With The Spoon himself.\u003c/p>\n\u003ch2>Andre Nickatina: TOGO’s #41 sandwich with the hot peppers on “\u003ca href=\"https://www.youtube.com/watch?v=_FU1XdPE6lM\">Fa Show\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Baby don’t act dumb, I’m number 41, high stepper / TOGO’s sandwich with the hot peppers / At 90 degrees I might freeze, so when it’s hot I sport leather.”\u003c/em>\u003c/p>\n\u003cp>Fillmore’s finest, and among \u003ca href=\"https://www.passionweiss.com/2016/11/17/andre-nickatina/\">the most criminally underrated San Francisco rappers in history\u003c/a>, Andre Nickatina has always had a penchant for the spicy, the flavorful, the extemporaneously saucy. From rapping about eating Cap’n Crunch around drug dealers to sarcastically handing out Baskin Robbins dollars to his enemies, Nicky Nicotine (formerly known as Dre Dog) raps about food as casually as any rapper would ever dare. Unlike many of today’s international rap personalities, who seem to only eat at \u003ca href=\"https://www.reddit.com/r/OutOfTheLoop/comments/6frbt9/why_are_rappers_obsessed_with_nobu_sushi/\">high-priced sushi conglomerates\u003c/a>, Nickatina is a Bay Area real one, electing to stay fed at a regional sandwich chain from San Jose. The enigmatic “number 41” on the \u003ca href=\"https://www.togos.com/menu/?gad_source=1&gclid=CjwKCAjwoPOwBhAeEiwAJuXRh69gJ2fS8J9qmnAKJEnCmI5720psTxEmhEmkgFAemWoe3auyNuuxExoCTm0QAvD_BwE\">Togo’s menu\u003c/a> has since been discontinued, but a spokesperson for the restaurant IDed it as a sirloin steak and mushroom sandwich that was introduced as a seasonal special back in 2002 — the same year “Fa Show” was released. There is no doubt it must’ve been fire, given its endorsement by a legend who knows how to professionally “\u003ca href=\"https://www.youtube.com/watch?v=o8TXpoi-goE\">Break Bread\u003c/a>.”\u003c/p>\n\u003cfigure id=\"attachment_13956088\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956088\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1.jpg\" alt=\"Illustration of the rapper Kamaiyah eating from a plate of chicken alfredo tucked under her arm. Next to her is a bottle of champagne.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kamaiyah’s album covers often feature food, Hennessey and champagne — a reflection of the rapper’s saucy, bossy lifestyle. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kamaiyah: Champagne and chicken on “\u003ca href=\"https://www.youtube.com/watch?v=Yls2dMJ63tM\">Whatever Whenever\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Just drink champagne with all my chicken meals.”\u003c/em>\u003c/p>\n\u003cp>It’s fitting that East Oakland’s Kamaiyah — who cooked up the searingly hot single “How Does It Feel” on her transcendent debut, \u003ci>A Good Night in the Ghetto\u003c/i> — continued to double down on aspirational living and good eating with her sophomore release, \u003ci>Got It Made\u003c/i>. As always, the bodacious trapper rhymes over a synth-laced, floaty-spaceship soundscape while bragging about her California riches — and cuisine. The music video for “Whatever Whenever” features Kamaiyah roaming the untainted grounds of a Napa Valley-esque chateau. Her album covers over the years have also featured bags of potato chips, Hennessy and double-fisted bottles of champagne. It’s always bottoms up when Kamaiyah is on the track.\u003c/p>\n\u003ch2>Too $hort: Macaroni, steak and collard greens on “\u003ca href=\"https://www.youtube.com/watch?v=Ru5B8cFskaw\">All My B*tches Are Gone\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Eat some shit up / macaroni, steak, collard greens, or whatever the fuck.”\u003c/em>\u003c/p>\n\u003cp>With over 35 years of classic albums like \u003ci>Cocktails\u003c/i> and \u003ci>Gettin’ It\u003c/i>, there’s no doubt that Short Dogg knows how to feed his multi-generational fanbase. He doesn’t shy away from straightforward lyrics — or having a large appetite for nefarious activities — and he has continued to make seasoned slaps for precisely 225,000 hours and counting (“get a calculator, do the math”). This OG’s plate of choice includes classic soul food staples served with a slab of steak. As the veteran unmistakably outlines on “This How We Eat”: “We make money, we eat, we feed.”\u003c/p>\n\u003cfigure id=\"attachment_13956087\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956087\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1.jpg\" alt=\"Illustration of the rapper Larry June in an SF Giants cap, holding a crab cracker in one hand and a fork in the other. In front of him is a whole lobster on a plate.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Besides establishing himself as the healthiest rapper in Bay Area lore, Larry June is also known for sporting vintage muscle cars and cracking lobsters in Sausalito as part of his luxurious lifestyle. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Larry June: Crab legs on “\u003ca href=\"https://www.youtube.com/watch?v=luIhlZBrJos\">Lifetime Income\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“This not my girlfriend, we just eatin’ crab legs.”\u003c/em>\u003c/p>\n\u003cp>If you know Larry June, then you know he’s all about smoothies, green teas, organic juices and oranges (yee hee!). But just as buttery are his numerously silky references to luxury meals and late-night outings with a seemingly endless rotation of women friends. Without question, the Hunters Point rapper has one of the healthiest appetites of anyone around a microphone, regularly dropping rhymes about his organic sustenance. Since Uncle Larry makes a living off his out-of-pocket food references, he merits an honorable mention for dropping other absolute bangers like “I might write a motherfuckin’ smoothie book or somethin’ … Sell this shit for thirty dollars” and “Watermelon juice riding bikes with my latest chick / I don’t do the clubs that often, I got a check to get.” It’s fitting that \u003ca href=\"https://uproxx.com/music/larry-june-interview-san-francisco/\">he also co-owns Honeybear Boba in the Dogpatch\u003c/a>.\u003c/p>\n\u003ch2>Iamsu!: Chicken strips and Moscato on “\u003ca href=\"https://www.youtube.com/watch?v=lQcxMU3uvLg\">Don’t Stop\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Keep it real I don’t brag though… / Chicken strips, no escargot / [sippin’] on the Moscato.”\u003c/em>\u003c/p>\n\u003cp>To be fair, this lyric is from a young, mixtape-era Iamsu! and might not reflect the current palate of the multi-platinum rapper and producer from Richmond. (In fact, that’s probably true of every rapper on this list, so take these lyrics with a grain of salt.) But when I first heard this song in my 20s, it’s a line that did — and still does — resonate for its unglamorized celebration of living on a low-budget microwaveable diet while maintaining a glimmer of high-life ambition. Personally, I’d take chicken strips over escargot nine out of ten times. And, from the sound of it, so would Suzy 6 Speed.\u003c/p>\n\u003cfigure id=\"attachment_13956086\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956086\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1.jpg\" alt=\"The rapper P-Lo wiggles his fingers in delight over a plate of chicken wings sitting on a bed of dollar bills.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo often raps about his love of chicken (chicken adobo, fried chicken, chicken wings), and his favorite food-related slang word is also “chicken” (as a stand in for “money”). \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>P-Lo: Chicken wings in the strip club on “\u003ca href=\"https://www.youtube.com/watch?v=h-ajtPhAQ1U\">Going To Work\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“In the strip club eating chicken wings.”\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13938479","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>There may not be another rapper on this list with as much love for chicken wings as Pinole’s P-Lo. For starters, the lyricist and producer launched a transnational food tour, teaming up with Filipino restaurants around the U.S. and Canada to deliver collaborative one-off dishes, including \u003ca href=\"https://www.kqed.org/arts/13935891/p-lo-senor-sisig-filipino-food-tour-oakland\">his own spicy sinigang wings at Señor Sisig in Oakland\u003c/a>. If that’s not enough, he has popped up on popular social media channels like \u003ca href=\"https://www.instagram.com/bayareafoodz/?hl=en\">Bay Area Foodz\u003c/a> as \u003ca href=\"https://www.youtube.com/watch?v=lJYkVcpM6E0\">he searches for the best wings around the Yay\u003c/a>. His songs are even featured on \u003ca href=\"https://www.instagram.com/reel/CwyzdhfrNCE/\">national commercials for Wingstop\u003c/a>. For P-Lo, it’s always time to bring back the bass — and taste.\u003cb>\u003ci>\u003c/i>\u003c/b>\u003c/p>\n\u003ch2>Guap (formerly Guapdad 4000): Chicken adobo on “\u003ca href=\"https://www.youtube.com/watch?v=1DaovaJgytE\">Chicken Adobo\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“How I fell in love with you it was beautiful / Like chicken adobo how you fill me up.”\u003c/em>\u003c/p>\n\u003cp>For the Black Filipino American rapper from West Oakland, \u003ca href=\"https://www.kqed.org/arts/13905208/a-new-generation-of-filipino-hip-hop-builds-on-a-deep-bay-area-legacy\">food has always played a central role in his upbringing\u003c/a>. The anime-loving, Marvel comics fan grew up in a Filipino household eating champorado, and his songs have never shied away from references to his dual cultures. In what might be his most well-known song, Guap equates romantic satiation to filling up on a bowl of chicken adobo. His love of food goes beyond the booth — he recently spoke out on \u003ca href=\"https://www.kqed.org/arts/13950363/keith-lee-tiktok-oakland-sf-bay-area-struggles\">the recent Keith Lee fiasco\u003c/a>, and he also put together\u003ca href=\"https://trippin.world/guide/oaklands-top-food-joints-with-rapper-guapdad-4000\"> a map of his favorite places to eat around The Town\u003c/a>.\u003c/p>\n\u003ch2>Cellski: Canadian bacon, hash browns and cheddar cheese on “\u003ca href=\"https://www.youtube.com/watch?v=o6wFRZOd7n8\">Chedda\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Gotta get the cheddar, fuck the [federals].”\u003c/em>\u003c/p>\n\u003cp>As most food mentions in Bay Area rap goes, Cellski’s mention of this quintessentially North American breakfast combo isn’t exactly a homage to the real ingredients, as much as it is a reference to his hustling. His 1998 \u003ca href=\"https://www.discogs.com/release/841568-Cellski-Canadian-Bacon-Hash-Browns/image/SW1hZ2U6NDg3ODMxNzk=\">album cover\u003c/a> for \u003ci>Canadian Bacon & Hash Browns \u003c/i>features a cartoon depiction of the rapper getting pulled over and arrested by a Canadian mountie, with an open trunk revealing pounds of medicinal herbs. Nonetheless, there’s a good chance that the veteran San Francisco spitter actually does like to carry Canadian bacon, hash browns and cheddar around — \u003ca href=\"https://www.kqed.org/arts/13922141/cellskis-big-mafi-burgers-come-with-a-side-of-sf-rap-history\">he’s a part-time foodie who runs his own burger pop-up, after all\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13956089\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956089\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1.jpg\" alt=\"Illustration of the rapper Dru Down in gold sunglasses and a black trench coat, holding an ice cream cone in one hand and an ice cream sundae on the table in front of him.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In a famous 1996 beef, Dru Down and the Luniz accused New Orleans rapper Master P (who started his musical career in the Bay Area) for stealing their concept of the “Ice Cream Man” — slang for a narcotics dealer. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Dru Down: Ice cream on “\u003ca href=\"https://www.youtube.com/watch?v=3uNv2qAje-Q\">Ice Cream Man\u003c/a>” (with the Luniz)\u003c/h2>\n\u003cp>\u003cem>“Get your ice cream, ice cream / Not Ice-T, not Ice Cube, ice cream.”\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Not intended for children, the classic 1993 anthem off Dru Down’s \u003ci>Fools From The Street \u003c/i>paints a startling picture of addiction and illicit drug distribution around Oakland in the wake of Richard Nixon and Ronald Reagan’s War on Drugs. Despite its unapologetic content, “Ice Cream Man” went on to establish an indisputably popular food motif in national rap music: ice cream as a stand-in for drug dealing. Since the production includes an audio sampling of an ice cream truck’s inimitable tune, listening to it evokes a sense of nostalgia for the frozen treat — and for \u003ca href=\"https://www.kqed.org/bayareahiphop\">golden-era Bay Area hip-hop\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955802/bay-area-rappers-food-lyrics-illustrations-e-40-larry-june","authors":["11748"],"categories":["arts_1","arts_12276","arts_69"],"tags":["arts_21883","arts_5397","arts_1601","arts_10278","arts_1297","arts_3771","arts_831","arts_21738","arts_1558","arts_9337","arts_1143","arts_1803","arts_1146","arts_19942","arts_19347","arts_3478","arts_3800"],"featImg":"arts_13956152","label":"source_arts_13955802"},"arts_13938026":{"type":"posts","id":"arts_13938026","meta":{"index":"posts_1591205157","site":"arts","id":"13938026","score":null,"sort":[1700071180000]},"guestAuthors":[],"slug":"hbk-gang-iamsu-jay-anthony-p-lo-sage-gemini","title":"HBK Gang Defined Bay Area Rap During the Social Media Boom","publishDate":1700071180,"format":"aside","headTitle":"HBK Gang Defined Bay Area Rap During the Social Media Boom | KQED","labelTerm":{},"content":"\u003cfigure id=\"attachment_13938031\" class=\"wp-caption aligncenter\" style=\"max-width: 962px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938031\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/HBKGang.16x9.jpg\" alt=\"A large crew of rappers and producers poses in an alleyway.\" width=\"962\" height=\"541\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBKGang.16x9.jpg 962w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBKGang.16x9-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBKGang.16x9-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBKGang.16x9-768x432.jpg 768w\" sizes=\"(max-width: 962px) 100vw, 962px\">\u003cfigcaption class=\"wp-caption-text\">HBK Gang reigned the Bay Area rap scene in the 2010s, and took their party anthems to the mainstream. \u003ccite>(Arturo Torres)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Editor’s note: This story is part of \u003c/em>\u003ca href=\"https://www.kqed.org/bayareahiphop\">That’s My Word\u003c/a>\u003cem>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop\u003c/a> history.\u003c/em>\u003c/p>\n\u003cp>In the early 2010s, we watched viral videos on Vine, not TikTok, and Instagram and Twitter were brand new. DatPiff hosted the latest rap mixtapes, and Spotify was just a European start-up. Most people still had CD players in their cars, and “aux cord” wasn’t yet part of mainstream vocabulary.\u003c/p>\n\u003cp>Locally, the hyphy movement had fizzled, leaving a disjointed and uninspired vacuum in its wake. But soon, that would all change.\u003c/p>\n\u003cp>At the dawn of this social media boom, a group of high school and college friends came together as a collective that defined the next decade of Bay Area rap culture. That crew? \u003ca href=\"https://www.hbkgangmusic.com/\">HBK\u003c/a>, or Heartbreak Gang.\u003c/p>\n\u003cp>“We wanted to create our own identity,” says \u003ca href=\"https://www.hbkiamsu.com/\">IAMSU!\u003c/a>, one of HBK’s co-founders. “We felt like it was a new time in the Bay.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The eclectic crew included rappers, producers and singers: P-Lo, Sage the Gemini, Kehlani, Jay Ant, Kool John, Skipper, CJ, Azure, Dave Steezy, Kuya, Chief and an ever-expanding spectrum of collaborators — over 20 artists at HBK’s peak. The squad built on the \u003ca href=\"https://www.kqed.org/arts/13934874/hyphy-kids-got-trauma\">hyphy movement’s momentum\u003c/a>, and turned its chaotic energy into glossy, sleek party music that appealed to suburban internet addicts and city-dwelling hustlers alike. They sold out major venues like the Warfield; collaborated with streetwear brands; toured with Wiz Khalifa; and made hits — like Sage the Gemini’s “Gas Pedal” — that continue to slap on today’s dance floors.\u003c/p>\n\u003cp>“I really associate HBK in my memory with early internet culture, around the time the Warriors were starting to win more and housing prices were really starting to skyrocket,” says HBK’s former touring manager, Tim House, who’s worked with Bay Area rap veterans like Hieroglyphics and Zion I. “Even though it was only a decade ago, the scene feels wildly different today.”\u003c/p>\n\u003cp>During a surging \u003ca href=\"https://www.kqed.org/ourturbulentdecade\">digital decade\u003c/a>, HBK flooded stages and phone screens, all while propelling the Bay Area forward. Their imprint on the culture has remained ever since.\u003c/p>\n\u003cp>https://youtu.be/X8LUd51IuiA?si=ukxJ4ej0YxiUQuDl\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>HBK’s East Bay origins\u003c/h2>\n\u003cp>HBK initially came together in the mid-2000s, when most of the members were high school students in Richmond and Pinole. IAMSU! was doing numbers on MySpace as a member of \u003ca href=\"https://www.eastbaytimes.com/2010/06/29/meet-the-bay-areas-top-10-young-rappers/\">the Go-Gettaz\u003c/a>, and Jay Anthony (then known as Jay Ant) was part of \u003ca href=\"https://diligentz.bandcamp.com/album/fresh-impression-2-uh-we-made-some-more-music\">Diligentz\u003c/a>, a group active in \u003ca href=\"https://www.youtube.com/watch?v=uzAlkff2PSM\">the teenage, alternative “punk-rock” rap scene\u003c/a> that included Berkeley’s The Pack.\u003c/p>\n\u003cp>It wasn’t long before the friends — IAMSU!, P-Lo, Kuya Beats, Jay Ant and Chief — started meeting up after class to make music at Chief’s house as The Invasion. Eventually, a friend’s older brother hooked them up with access to a professional studio, and their producer group became the core of HBK, which officially formed in 2007.\u003c/p>\n\u003cfigure id=\"attachment_13938033\" class=\"wp-caption aligncenter\" style=\"max-width: 1242px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938033\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/HBK2.jpg\" alt=\"A photo from 10 years ago of a young crew of rappers and producers.\" width=\"1242\" height=\"824\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK2.jpg 1242w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK2-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK2-1020x677.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK2-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK2-768x510.jpg 768w\" sizes=\"(max-width: 1242px) 100vw, 1242px\">\u003cfigcaption class=\"wp-caption-text\">Rossi, Sage the Gemini, IAMSU!, Skipper, P-Lo, Kool John (left to right) formed the early core of HBK Gang. \u003ccite>(Daghe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“My first beats were industry-sounding. Scott Storch, Dr. Dre. That kind of stuff,” IAMSU! admits. “I had to get educated on what the Bay sound truly was. It was all organic ’cause it’s our home, so I soaked the game up and took it on one from there.”\u003c/p>\n\u003cp>For HBK, The Pack was a foundational influence. “I started with Young L type beats,” IAMSU! says. “Then we made our own sound from that.” (Jay Anthony doubled down by saying the crew followed “a \u003ca href=\"https://eastbayexpress.com/communing-with-the-based-god-2-1/\">Based God lineage\u003c/a>.”)\u003c/p>\n\u003cp>HBK members eventually went on to collaborate with Wiz Khalifa, Yo Gotti, B.o.B and Ty Dolla $ign. But the crew’s first taste of mainstream success was LoveRance’s 2011 hit “Up!,” which includes a featured verse and production by IAMSU! Its hypnotic, minimalist beat and lyrics about late-night mischief defined HBK’s trademark style: quick, two-chord progressions, repetitive loops, heavy bass and rich synth — all at around 100 beats per minute.\u003c/p>\n\u003cp>With the help of nascent social media platforms, the song exploded from a regional hit into a national radio single, and wrangled an official, Interscope-released remix featuring 50 Cent.\u003c/p>\n\u003cp>https://youtu.be/q93F03BhbXg?si=nPoIh1hALLHPBMNn\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>“This is the pre-streaming era, a weird time — I didn’t know how it would all change, but I knew the consumption of music was changing,” says Chioke “Stretch” McCoy, who managed HBK in their early days along with Will Bronson and David Ali.\u003c/p>\n\u003cp>While illegal downloads posed a problem for record labels, IAMSU! says HBK parlayed them to gain more fans. “LimeLinx and MediaFire was going crazy at the time,” IAMSU! says. “We had over a million downloads on there. That’s how LoveRance got his record deal [with Interscope]. That connected us with 50, Chris Brown, Jeezy, T.I. It was all up from there.”\u003c/p>\n\u003cp>The crew also embraced Vine and early Twitter in a time when it wasn’t the norm. “HBK was ahead of the digital age,” says Stretch, who previously worked with other influential Northern California artists, including Mac Dre, Mistah F.A.B. and Erk tha Jerk.\u003c/p>\n\u003cp>[pullquote size='large' citation='IAMSU!']‘We wanted to create our own identity. We felt like it was a new time in the Bay.’[/pullquote]\u003c/p>\n\u003cp>Another key to HBK’s success was how they softened the Bay Area’s signature hyphy sound into positive music with mainstream appeal. Underneath its joyful expressions, hyphy reflected the trauma and chaos of gun violence and street activities in the mid-2000s. And as it became more commercialized, drug-induced partying became its biggest selling point. HBK capitalized on that upbeat energy with their money-chasing, swirling tie-dye attitude. [aside postid='forum_2010101895012']\u003c/p>\n\u003cp>“No one really dies or gets robbed in an HBK record,” says House. “They make feel-good music.”\u003c/p>\n\u003cp>Jay Anthony considers HBK’s early work a “reset” for the Bay Area. “At the tail end of ’06, people were getting mugged at parties,” he says. “There was no smiling. Baggy Girbaud [jeans]. The Jacka is on. You will get punched in here. But we were about fun — popular shit. We’re from Richmond so it could go different ways, but just know we’re just trying to have a good time.”\u003c/p>\n\u003ch2>‘My click finna blow up’\u003c/h2>\n\u003cp>After “Up!,” HBK only gained speed. IAMSU! was incredibly prolific, releasing a godly amount of free mixtapes from 2011 to 2013: \u003cem>Young California\u003c/em>, \u003cem>KILT\u003c/em>, \u003cem>Stoopid\u003c/em>, \u003cem>Million Dollar Afro\u003c/em>, \u003cem>Suzy 6 Speed\u003c/em> — the list kept growing.\u003c/p>\n\u003cp>HBK earned crucial support from Bay Area veterans like E-40, Too $hort and J. Stalin. In 2012, IAMSU! scored another hit feature on E-40’s “Function” alongside Compton’s YG and Problem. The track was a show of California unity, and Su gassed on his verse in a moment when the Bay seemed to lack any established young talent.\u003c/p>\n\u003cp>https://youtu.be/DsDyZNIkO6Q?si=3mweJ6FWth6s2jx7\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>The following year, in 2013, HBK struck gold again with Sage the Gemini’s napalm-hot singles “Red Nose” and “Gas Pedal” (featuring IAMSU!), both of which dominated the Billboard Hot 100 for over 20 weeks. P-Lo, who emerged as a solo artist with his \u003cem>MBMGC\u003c/em> mixtapes, further proved himself as one of the crew’s most sought-after producers with Yo Gotti’s hit “\u003ca href=\"https://youtu.be/8HYXw1vADFQ?si=Kp0yJDN3hdrANxT9\">Act Right\u003c/a>.”\u003c/p>\n\u003cp>At the same time, HBK’s standout vocalist \u003ca href=\"https://www.kqed.org/arts/tag/kehlani\">Kehlani\u003c/a> single-handedly broke the internet with their debut mixtape \u003cem>Cloud 19\u003c/em> in 2014, the same year IAMSU! released his Warner Brothers-backed debut studio album, \u003cem>Sincerely Yours\u003c/em> — which included a few of the Bay’s most anthemic releases during that era, and was one of the last CDs I ever purchased at a Best Buy.\u003c/p>\n\u003cp>And though he wasn’t an official member, HBK collaborator G-Eazy benefited from the cresting tide on his way to major-label stardom. But arguably no one better represented HBK’s internet apotheosis more than IAMSU!\u003c/p>\n\u003cp>“We were just some kids from the Rich putting music out. I spammed my mixtapes all over the internet and people just started playing it until it reached other cities,” he says. “People in Louisiana and Boston were hitting me up. I was like, ‘Huh?’ The music spread hella quick.”\u003c/p>\n\u003cp>https://youtu.be/RSsw5yv2Ry4?si=bbfIvjGeH_53BQAV\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>But the internet wasn’t the only way HBK took their music beyond the Bay. “Importantly, they hit the road too, and didn’t just sit at the home,” says Stretch.\u003c/p>\n\u003cp>In 2014, IAMSU! and Sage the Gemini went on tour with Wiz Khalifa, whose Under the Influence of Music Tour featured rappers representing almost every major market — Jeezy and Rich Homie Quan from Atlanta, Tyga from LA, Mack Wilds from New York and \u003cem>Gangsta Grillz\u003c/em> mixtape impresario DJ Drama.\u003c/p>\n\u003cp>HBK’s palpable hype attracted young fans from everywhere to experience it in person. “It was a wave,” IAMSU! recalls, reminiscing about his performances at The FADER Fort during South by Southwest in Austin.\u003c/p>\n\u003cp>As sneakerhead and hypebeast culture grew in the 2010s, HBK worked hard to align their party music with streetwear brands to increase their radius. HBK Day, a massively popular free concert in 2015, featured exclusive merch drops from popular Bay Area brands like True SF, and was sponsored by Pink Dolphin. Taking a cue from veteran Oakland rap crew \u003ca href=\"https://www.kqed.org/arts/tag/hieroglyphics\">Hieroglyphics\u003c/a> and their iconic three-eyed logo, HBK looked to the previous generation for how to create a community offline. [aside postid='arts_10489213']\u003c/p>\n\u003cp>“They have an iconic logo. They have longevity. Their merch game is on lock,” IAMSU! says of Hiero. “They wasn’t all ice and chains. They were more about the craft. I respect that a whole lot. And more so than just their music, it was about their process and business strategy in branding. They’re a tribe. That’s how we wanted to mob.”\u003c/p>\n\u003cp>HBK’s pixelated, broken heart design and Kool John’s $HMOPLIFE smiley face became emblems for a generation of internet-age, hip-hop-loving hippies and skaters. Along with brands like HUF and Diamond Supply Co., their merch could be seen at house parties, on BART trains and in bike mobs all over the Bay throughout the 2010s.\u003c/p>\n\u003cfigure id=\"attachment_13938034\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938034\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/HBK5.jpg\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK5.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK5-160x107.jpg 160w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">IAMSU! at a meet and greet. \u003ccite>(Daghe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“People at my high school who were big fans like me would deadass ditch class and go to HBK’s pop-ups,” says \u003ca href=\"https://shotsbysydney.com/\">Sydney Welch\u003c/a>, a music photographer from Fremont. “Seeing that impact on the whole culture here, their interactions with fans. Their style and sense of family really made a big difference in our lives.”\u003c/p>\n\u003cp>“HBK changed my perspective on life and made me feel I could be myself fully,” says \u003ca href=\"https://www.kqed.org/arts/13908844/rightnowish-big-love-seriespage\">Oopz All Berriez\u003c/a>, a local entrepreneur in the cannabis industry who considers himself a mascot for $HMOPLIFE. “They influenced me to think outside the box and be different. They are the modern-day Wu-Tang of the West.”\u003c/p>\n\u003ch2>HBK’s lasting influence\u003c/h2>\n\u003cp>Like many large crews from the era — A$AP Mob and Odd Future included — HBK members eventually went on to focus on their solo careers, and collective efforts tapered off.\u003c/p>\n\u003cp>Still, if you scan the culture in the Bay Area and beyond, HBK’s impact remains, and most of the members are currently active. Kehlani has nearly 16 million followers on Instagram, a Grey Goose sponsorship and two Grammy nominations. P-Lo keeps dropping \u003ca href=\"https://www.youtube.com/watch?v=9ZQ5F8myiW0\">singles\u003c/a> and his own Wingstop commercial, all while wrapping up an international food tour. Sage the Gemini is \u003ca href=\"https://www.google.com/search?q=sage+the+gemini+sacramento&oq=sage+the+gemini+sacrm&gs_lcrp=EgZjaHJvbWUqCQgBECEYChigATIGCAAQRRg5MgkIARAhGAoYoAEyCQgCECEYChigATIJCAMQIRgKGKAB0gEINzQ4NmowajmoAgCwAgA&sourceid=chrome&ie=UTF-8&ibp=htl;events&rciv=evn&sa=X&ved=2ahUKEwizwqX4y8SCAxUfNEQIHd8tA0QQ5bwDegQITRAB#fpstate=tldetail&htidocid=L2F1dGhvcml0eS9ob3Jpem9uL2NsdXN0ZXJlZF9ldmVudC8yMDIzLTEyLTA5fDE4MTczMzY3OTM2NjgxODEyNzk%3D&htivrt=events&mid=/g/11v4m1mklm\">performing in arenas\u003c/a>. Jay Anthony is steadily evolving his sound in LA. And IAMSU! — who is releasing his latest mixtape, \u003cem>1-833-HBK-GANG,\u003c/em> this week — gathered a handful of members for a reunion \u003ca href=\"https://www.kqed.org/arts/13932209/bay-area-hip-hop-beneath-the-rollercoasters\">IAMSUMMER\u003c/a> concert in August.\u003c/p>\n\u003cfigure id=\"attachment_13938035\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938035\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/HBK3.jpg\" alt=\"\" width=\"900\" height=\"597\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK3.jpg 900w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK3-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK3-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK3-768x509.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003cfigcaption class=\"wp-caption-text\">IAMSU! and Kendrick Lamar. \u003ccite>(Daghe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When HBK came together, during the early days of smartphones, social media’s potential felt limitless and democratic — before big tech became increasingly associated with gentrification and disinformation. Emerging artists could circumvent record labels, forge grassroots brands with direct access to consumers and relish in the limitless exchange of free files.\u003c/p>\n\u003cp>But the same tools that propelled HBK’s rise have undercut artists’ ability to \u003ca href=\"https://www.kqed.org/forum/2010101893314/how-musicians-are-navigating-streaming-algorithms-ai-and-automation\">make a living off recorded music\u003c/a>, and, some argue, have made the culture more homogeneous. “Today when a trend goes viral online and everyone starts doing it, it feels like everyone is doing the same thing at the same time,” IAMSU! laments. “But we definitely wanted to keep the Bay Area vibe alive back then.” [aside postid='arts_13932887']\u003c/p>\n\u003cp>With \u003ca href=\"https://pitchfork.com/thepitch/regional-rap-classics-are-slowly-disappearing-from-the-internet/\">regional rap classics slowly fading from the internet\u003c/a>, I’ve been popping in my old HBK CDs to remember what the Bay sounded like a decade ago. Nowadays, listening to their throwback hits instantly transports me high above the Bay Bridge to a simpler time, when a few East Bay kids on the internet could show you how to float and glide through it all. For many of us, it represents a golden era unto itself.\u003c/p>\n\u003cp>“Some of us moved away, some of us have kids now, girlfriends, all that. It’s life,” says IAMSU! “It was a completely different era. It feels like a different lifetime. It was a beautiful time though, I ain’t gon’ lie.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-11687704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"A decade ago, a young crew capitalized on new platforms and took their Bay Area party anthems to the mainstream.","status":"publish","parent":0,"modified":1705003097,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":44,"wordCount":2396},"headData":{"title":"HBK Gang Defined Bay Area Rap During the Social Media Boom | KQED","description":"A decade ago, a young crew capitalized on new platforms and took their Bay Area party anthems to the mainstream.","ogTitle":"","ogDescription":"","ogImgId":"arts_13938031","twTitle":"","twDescription":"","twImgId":"arts_13938031","schema":{"@context":"http://schema.org","@type":"Article","headline":"HBK Gang Defined Bay Area Rap During the Social Media Boom","datePublished":"2023-11-15T17:59:40.000Z","dateModified":"2024-01-11T19:58:17.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"That's My Word","sourceUrl":"http://kqed.org/bayareahiphop","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13938026/hbk-gang-iamsu-jay-anthony-p-lo-sage-gemini","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13938031\" class=\"wp-caption aligncenter\" style=\"max-width: 962px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938031\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/HBKGang.16x9.jpg\" alt=\"A large crew of rappers and producers poses in an alleyway.\" width=\"962\" height=\"541\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBKGang.16x9.jpg 962w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBKGang.16x9-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBKGang.16x9-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBKGang.16x9-768x432.jpg 768w\" sizes=\"(max-width: 962px) 100vw, 962px\">\u003cfigcaption class=\"wp-caption-text\">HBK Gang reigned the Bay Area rap scene in the 2010s, and took their party anthems to the mainstream. \u003ccite>(Arturo Torres)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Editor’s note: This story is part of \u003c/em>\u003ca href=\"https://www.kqed.org/bayareahiphop\">That’s My Word\u003c/a>\u003cem>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop\u003c/a> history.\u003c/em>\u003c/p>\n\u003cp>In the early 2010s, we watched viral videos on Vine, not TikTok, and Instagram and Twitter were brand new. DatPiff hosted the latest rap mixtapes, and Spotify was just a European start-up. Most people still had CD players in their cars, and “aux cord” wasn’t yet part of mainstream vocabulary.\u003c/p>\n\u003cp>Locally, the hyphy movement had fizzled, leaving a disjointed and uninspired vacuum in its wake. But soon, that would all change.\u003c/p>\n\u003cp>At the dawn of this social media boom, a group of high school and college friends came together as a collective that defined the next decade of Bay Area rap culture. That crew? \u003ca href=\"https://www.hbkgangmusic.com/\">HBK\u003c/a>, or Heartbreak Gang.\u003c/p>\n\u003cp>“We wanted to create our own identity,” says \u003ca href=\"https://www.hbkiamsu.com/\">IAMSU!\u003c/a>, one of HBK’s co-founders. “We felt like it was a new time in the Bay.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The eclectic crew included rappers, producers and singers: P-Lo, Sage the Gemini, Kehlani, Jay Ant, Kool John, Skipper, CJ, Azure, Dave Steezy, Kuya, Chief and an ever-expanding spectrum of collaborators — over 20 artists at HBK’s peak. The squad built on the \u003ca href=\"https://www.kqed.org/arts/13934874/hyphy-kids-got-trauma\">hyphy movement’s momentum\u003c/a>, and turned its chaotic energy into glossy, sleek party music that appealed to suburban internet addicts and city-dwelling hustlers alike. They sold out major venues like the Warfield; collaborated with streetwear brands; toured with Wiz Khalifa; and made hits — like Sage the Gemini’s “Gas Pedal” — that continue to slap on today’s dance floors.\u003c/p>\n\u003cp>“I really associate HBK in my memory with early internet culture, around the time the Warriors were starting to win more and housing prices were really starting to skyrocket,” says HBK’s former touring manager, Tim House, who’s worked with Bay Area rap veterans like Hieroglyphics and Zion I. “Even though it was only a decade ago, the scene feels wildly different today.”\u003c/p>\n\u003cp>During a surging \u003ca href=\"https://www.kqed.org/ourturbulentdecade\">digital decade\u003c/a>, HBK flooded stages and phone screens, all while propelling the Bay Area forward. Their imprint on the culture has remained ever since.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/X8LUd51IuiA'\n title='//www.youtube.com/embed/X8LUd51IuiA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> \u003c/p>\n\u003ch2>HBK’s East Bay origins\u003c/h2>\n\u003cp>HBK initially came together in the mid-2000s, when most of the members were high school students in Richmond and Pinole. IAMSU! was doing numbers on MySpace as a member of \u003ca href=\"https://www.eastbaytimes.com/2010/06/29/meet-the-bay-areas-top-10-young-rappers/\">the Go-Gettaz\u003c/a>, and Jay Anthony (then known as Jay Ant) was part of \u003ca href=\"https://diligentz.bandcamp.com/album/fresh-impression-2-uh-we-made-some-more-music\">Diligentz\u003c/a>, a group active in \u003ca href=\"https://www.youtube.com/watch?v=uzAlkff2PSM\">the teenage, alternative “punk-rock” rap scene\u003c/a> that included Berkeley’s The Pack.\u003c/p>\n\u003cp>It wasn’t long before the friends — IAMSU!, P-Lo, Kuya Beats, Jay Ant and Chief — started meeting up after class to make music at Chief’s house as The Invasion. Eventually, a friend’s older brother hooked them up with access to a professional studio, and their producer group became the core of HBK, which officially formed in 2007.\u003c/p>\n\u003cfigure id=\"attachment_13938033\" class=\"wp-caption aligncenter\" style=\"max-width: 1242px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938033\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/HBK2.jpg\" alt=\"A photo from 10 years ago of a young crew of rappers and producers.\" width=\"1242\" height=\"824\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK2.jpg 1242w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK2-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK2-1020x677.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK2-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK2-768x510.jpg 768w\" sizes=\"(max-width: 1242px) 100vw, 1242px\">\u003cfigcaption class=\"wp-caption-text\">Rossi, Sage the Gemini, IAMSU!, Skipper, P-Lo, Kool John (left to right) formed the early core of HBK Gang. \u003ccite>(Daghe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“My first beats were industry-sounding. Scott Storch, Dr. Dre. That kind of stuff,” IAMSU! admits. “I had to get educated on what the Bay sound truly was. It was all organic ’cause it’s our home, so I soaked the game up and took it on one from there.”\u003c/p>\n\u003cp>For HBK, The Pack was a foundational influence. “I started with Young L type beats,” IAMSU! says. “Then we made our own sound from that.” (Jay Anthony doubled down by saying the crew followed “a \u003ca href=\"https://eastbayexpress.com/communing-with-the-based-god-2-1/\">Based God lineage\u003c/a>.”)\u003c/p>\n\u003cp>HBK members eventually went on to collaborate with Wiz Khalifa, Yo Gotti, B.o.B and Ty Dolla $ign. But the crew’s first taste of mainstream success was LoveRance’s 2011 hit “Up!,” which includes a featured verse and production by IAMSU! Its hypnotic, minimalist beat and lyrics about late-night mischief defined HBK’s trademark style: quick, two-chord progressions, repetitive loops, heavy bass and rich synth — all at around 100 beats per minute.\u003c/p>\n\u003cp>With the help of nascent social media platforms, the song exploded from a regional hit into a national radio single, and wrangled an official, Interscope-released remix featuring 50 Cent.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/q93F03BhbXg'\n title='//www.youtube.com/embed/q93F03BhbXg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> \u003c/p>\n\u003cp>“This is the pre-streaming era, a weird time — I didn’t know how it would all change, but I knew the consumption of music was changing,” says Chioke “Stretch” McCoy, who managed HBK in their early days along with Will Bronson and David Ali.\u003c/p>\n\u003cp>While illegal downloads posed a problem for record labels, IAMSU! says HBK parlayed them to gain more fans. “LimeLinx and MediaFire was going crazy at the time,” IAMSU! says. “We had over a million downloads on there. That’s how LoveRance got his record deal [with Interscope]. That connected us with 50, Chris Brown, Jeezy, T.I. It was all up from there.”\u003c/p>\n\u003cp>The crew also embraced Vine and early Twitter in a time when it wasn’t the norm. “HBK was ahead of the digital age,” says Stretch, who previously worked with other influential Northern California artists, including Mac Dre, Mistah F.A.B. and Erk tha Jerk.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘We wanted to create our own identity. We felt like it was a new time in the Bay.’","name":"pullquote","attributes":{"named":{"size":"large","citation":"IAMSU!","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Another key to HBK’s success was how they softened the Bay Area’s signature hyphy sound into positive music with mainstream appeal. Underneath its joyful expressions, hyphy reflected the trauma and chaos of gun violence and street activities in the mid-2000s. And as it became more commercialized, drug-induced partying became its biggest selling point. HBK capitalized on that upbeat energy with their money-chasing, swirling tie-dye attitude. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"forum_2010101895012","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“No one really dies or gets robbed in an HBK record,” says House. “They make feel-good music.”\u003c/p>\n\u003cp>Jay Anthony considers HBK’s early work a “reset” for the Bay Area. “At the tail end of ’06, people were getting mugged at parties,” he says. “There was no smiling. Baggy Girbaud [jeans]. The Jacka is on. You will get punched in here. But we were about fun — popular shit. We’re from Richmond so it could go different ways, but just know we’re just trying to have a good time.”\u003c/p>\n\u003ch2>‘My click finna blow up’\u003c/h2>\n\u003cp>After “Up!,” HBK only gained speed. IAMSU! was incredibly prolific, releasing a godly amount of free mixtapes from 2011 to 2013: \u003cem>Young California\u003c/em>, \u003cem>KILT\u003c/em>, \u003cem>Stoopid\u003c/em>, \u003cem>Million Dollar Afro\u003c/em>, \u003cem>Suzy 6 Speed\u003c/em> — the list kept growing.\u003c/p>\n\u003cp>HBK earned crucial support from Bay Area veterans like E-40, Too $hort and J. Stalin. In 2012, IAMSU! scored another hit feature on E-40’s “Function” alongside Compton’s YG and Problem. The track was a show of California unity, and Su gassed on his verse in a moment when the Bay seemed to lack any established young talent.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/DsDyZNIkO6Q'\n title='//www.youtube.com/embed/DsDyZNIkO6Q'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> \u003c/p>\n\u003cp>The following year, in 2013, HBK struck gold again with Sage the Gemini’s napalm-hot singles “Red Nose” and “Gas Pedal” (featuring IAMSU!), both of which dominated the Billboard Hot 100 for over 20 weeks. P-Lo, who emerged as a solo artist with his \u003cem>MBMGC\u003c/em> mixtapes, further proved himself as one of the crew’s most sought-after producers with Yo Gotti’s hit “\u003ca href=\"https://youtu.be/8HYXw1vADFQ?si=Kp0yJDN3hdrANxT9\">Act Right\u003c/a>.”\u003c/p>\n\u003cp>At the same time, HBK’s standout vocalist \u003ca href=\"https://www.kqed.org/arts/tag/kehlani\">Kehlani\u003c/a> single-handedly broke the internet with their debut mixtape \u003cem>Cloud 19\u003c/em> in 2014, the same year IAMSU! released his Warner Brothers-backed debut studio album, \u003cem>Sincerely Yours\u003c/em> — which included a few of the Bay’s most anthemic releases during that era, and was one of the last CDs I ever purchased at a Best Buy.\u003c/p>\n\u003cp>And though he wasn’t an official member, HBK collaborator G-Eazy benefited from the cresting tide on his way to major-label stardom. But arguably no one better represented HBK’s internet apotheosis more than IAMSU!\u003c/p>\n\u003cp>“We were just some kids from the Rich putting music out. I spammed my mixtapes all over the internet and people just started playing it until it reached other cities,” he says. “People in Louisiana and Boston were hitting me up. I was like, ‘Huh?’ The music spread hella quick.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RSsw5yv2Ry4'\n title='//www.youtube.com/embed/RSsw5yv2Ry4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> \u003c/p>\n\u003cp>But the internet wasn’t the only way HBK took their music beyond the Bay. “Importantly, they hit the road too, and didn’t just sit at the home,” says Stretch.\u003c/p>\n\u003cp>In 2014, IAMSU! and Sage the Gemini went on tour with Wiz Khalifa, whose Under the Influence of Music Tour featured rappers representing almost every major market — Jeezy and Rich Homie Quan from Atlanta, Tyga from LA, Mack Wilds from New York and \u003cem>Gangsta Grillz\u003c/em> mixtape impresario DJ Drama.\u003c/p>\n\u003cp>HBK’s palpable hype attracted young fans from everywhere to experience it in person. “It was a wave,” IAMSU! recalls, reminiscing about his performances at The FADER Fort during South by Southwest in Austin.\u003c/p>\n\u003cp>As sneakerhead and hypebeast culture grew in the 2010s, HBK worked hard to align their party music with streetwear brands to increase their radius. HBK Day, a massively popular free concert in 2015, featured exclusive merch drops from popular Bay Area brands like True SF, and was sponsored by Pink Dolphin. Taking a cue from veteran Oakland rap crew \u003ca href=\"https://www.kqed.org/arts/tag/hieroglyphics\">Hieroglyphics\u003c/a> and their iconic three-eyed logo, HBK looked to the previous generation for how to create a community offline. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_10489213","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“They have an iconic logo. They have longevity. Their merch game is on lock,” IAMSU! says of Hiero. “They wasn’t all ice and chains. They were more about the craft. I respect that a whole lot. And more so than just their music, it was about their process and business strategy in branding. They’re a tribe. That’s how we wanted to mob.”\u003c/p>\n\u003cp>HBK’s pixelated, broken heart design and Kool John’s $HMOPLIFE smiley face became emblems for a generation of internet-age, hip-hop-loving hippies and skaters. Along with brands like HUF and Diamond Supply Co., their merch could be seen at house parties, on BART trains and in bike mobs all over the Bay throughout the 2010s.\u003c/p>\n\u003cfigure id=\"attachment_13938034\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938034\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/HBK5.jpg\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK5.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK5-160x107.jpg 160w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">IAMSU! at a meet and greet. \u003ccite>(Daghe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“People at my high school who were big fans like me would deadass ditch class and go to HBK’s pop-ups,” says \u003ca href=\"https://shotsbysydney.com/\">Sydney Welch\u003c/a>, a music photographer from Fremont. “Seeing that impact on the whole culture here, their interactions with fans. Their style and sense of family really made a big difference in our lives.”\u003c/p>\n\u003cp>“HBK changed my perspective on life and made me feel I could be myself fully,” says \u003ca href=\"https://www.kqed.org/arts/13908844/rightnowish-big-love-seriespage\">Oopz All Berriez\u003c/a>, a local entrepreneur in the cannabis industry who considers himself a mascot for $HMOPLIFE. “They influenced me to think outside the box and be different. They are the modern-day Wu-Tang of the West.”\u003c/p>\n\u003ch2>HBK’s lasting influence\u003c/h2>\n\u003cp>Like many large crews from the era — A$AP Mob and Odd Future included — HBK members eventually went on to focus on their solo careers, and collective efforts tapered off.\u003c/p>\n\u003cp>Still, if you scan the culture in the Bay Area and beyond, HBK’s impact remains, and most of the members are currently active. Kehlani has nearly 16 million followers on Instagram, a Grey Goose sponsorship and two Grammy nominations. P-Lo keeps dropping \u003ca href=\"https://www.youtube.com/watch?v=9ZQ5F8myiW0\">singles\u003c/a> and his own Wingstop commercial, all while wrapping up an international food tour. Sage the Gemini is \u003ca href=\"https://www.google.com/search?q=sage+the+gemini+sacramento&oq=sage+the+gemini+sacrm&gs_lcrp=EgZjaHJvbWUqCQgBECEYChigATIGCAAQRRg5MgkIARAhGAoYoAEyCQgCECEYChigATIJCAMQIRgKGKAB0gEINzQ4NmowajmoAgCwAgA&sourceid=chrome&ie=UTF-8&ibp=htl;events&rciv=evn&sa=X&ved=2ahUKEwizwqX4y8SCAxUfNEQIHd8tA0QQ5bwDegQITRAB#fpstate=tldetail&htidocid=L2F1dGhvcml0eS9ob3Jpem9uL2NsdXN0ZXJlZF9ldmVudC8yMDIzLTEyLTA5fDE4MTczMzY3OTM2NjgxODEyNzk%3D&htivrt=events&mid=/g/11v4m1mklm\">performing in arenas\u003c/a>. Jay Anthony is steadily evolving his sound in LA. And IAMSU! — who is releasing his latest mixtape, \u003cem>1-833-HBK-GANG,\u003c/em> this week — gathered a handful of members for a reunion \u003ca href=\"https://www.kqed.org/arts/13932209/bay-area-hip-hop-beneath-the-rollercoasters\">IAMSUMMER\u003c/a> concert in August.\u003c/p>\n\u003cfigure id=\"attachment_13938035\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938035\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/HBK3.jpg\" alt=\"\" width=\"900\" height=\"597\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK3.jpg 900w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK3-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK3-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/HBK3-768x509.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003cfigcaption class=\"wp-caption-text\">IAMSU! and Kendrick Lamar. \u003ccite>(Daghe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When HBK came together, during the early days of smartphones, social media’s potential felt limitless and democratic — before big tech became increasingly associated with gentrification and disinformation. Emerging artists could circumvent record labels, forge grassroots brands with direct access to consumers and relish in the limitless exchange of free files.\u003c/p>\n\u003cp>But the same tools that propelled HBK’s rise have undercut artists’ ability to \u003ca href=\"https://www.kqed.org/forum/2010101893314/how-musicians-are-navigating-streaming-algorithms-ai-and-automation\">make a living off recorded music\u003c/a>, and, some argue, have made the culture more homogeneous. “Today when a trend goes viral online and everyone starts doing it, it feels like everyone is doing the same thing at the same time,” IAMSU! laments. “But we definitely wanted to keep the Bay Area vibe alive back then.” \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13932887","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With \u003ca href=\"https://pitchfork.com/thepitch/regional-rap-classics-are-slowly-disappearing-from-the-internet/\">regional rap classics slowly fading from the internet\u003c/a>, I’ve been popping in my old HBK CDs to remember what the Bay sounded like a decade ago. Nowadays, listening to their throwback hits instantly transports me high above the Bay Bridge to a simpler time, when a few East Bay kids on the internet could show you how to float and glide through it all. For many of us, it represents a golden era unto itself.\u003c/p>\n\u003cp>“Some of us moved away, some of us have kids now, girlfriends, all that. It’s life,” says IAMSU! “It was a completely different era. It feels like a different lifetime. It was a beautiful time though, I ain’t gon’ lie.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-11687704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13938026/hbk-gang-iamsu-jay-anthony-p-lo-sage-gemini","authors":["11748"],"categories":["arts_1","arts_69","arts_21759"],"tags":["arts_8505","arts_10278","arts_20220","arts_21738","arts_1803","arts_19347"],"featImg":"arts_13938030","label":"source_arts_13938026"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. 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Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us","airtime":"SUN 2pm-3pm, MON 12am-1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png","officialWebsiteLink":"https://www.wnycstudios.org/shows/otm","meta":{"site":"news","source":"wnyc"},"link":"/radio/program/on-the-media","subscribe":{"apple":"https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2","tuneIn":"https://tunein.com/radio/On-the-Media-p69/","rss":"http://feeds.wnyc.org/onthemedia"}},"our-body-politic":{"id":"our-body-politic","title":"Our Body Politic","info":"Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.","airtime":"SAT 6pm-7pm, SUN 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://our-body-politic.simplecast.com/","meta":{"site":"news","source":"kcrw"},"link":"/radio/program/our-body-politic","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/our-body-politic/id1533069868","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw","spotify":"https://open.spotify.com/show/4ApAiLT1kV153TttWAmqmc","rss":"https://feeds.simplecast.com/_xaPhs1s","tuneIn":"https://tunein.com/podcasts/News--Politics-Podcasts/Our-Body-Politic-p1369211/"}},"pbs-newshour":{"id":"pbs-newshour","title":"PBS NewsHour","info":"Analysis, background reports and updates from the PBS NewsHour putting today's news in context.","airtime":"MON-FRI 3pm-4pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.pbs.org/newshour/","meta":{"site":"news","source":"pbs"},"link":"/radio/program/pbs-newshour","subscribe":{"apple":"https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2","tuneIn":"https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/","rss":"https://www.pbs.org/newshour/feeds/rss/podcasts/show"}},"perspectives":{"id":"perspectives","title":"Perspectives","tagline":"KQED's series of of daily listener commentaries since 1991","info":"KQED's series of of daily listener commentaries since 1991.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Perspectives-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/perspectives/","meta":{"site":"radio","source":"kqed","order":"15"},"link":"/perspectives","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/id73801135","npr":"https://www.npr.org/podcasts/432309616/perspectives","rss":"https://ww2.kqed.org/perspectives/category/perspectives/feed/","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"}},"planet-money":{"id":"planet-money","title":"Planet Money","info":"The economy explained. 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