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Hardly Strictly returns to San Francisco’s Golden Gate Park Sept. 29–Oct. 1 with a 73-artist lineup that spans bluegrass, country, folk, R&B and more.\u003c/p>\n\u003cp>The fourth and final phase of the \u003ca href=\"https://www.hardlystrictlybluegrass.com/schedule/\">festival lineup\u003c/a> was announced today. Highlights include multifaceted singer and author Valerie June, legendary singer-songwriter Emmylou Harris, rock ‘n’ roll pianist Neal Francis, alt-rockers Chuck Prophet & the Mission Express, a City Lights poetry showcase with Tongo Eisen-Martin, Kim Addonizio and Evan Kennedy, veteran soul singer Bettye LaVette and much more.\u003c/p>\n\u003cp>There’s no RSVP requirement for this year’s Hardly Strictly, but concert-goers must go through four designated entrances: JFK Drive and Transverse Drive, Fulton Street and 30th Avenue, JFK Drive and 36th Avenue and South Polo Field. 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","status":"publish","parent":0,"modified":1705005039,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":259},"headData":{"title":"Full Lineup Announced for Hardly Strictly, Golden Gate Park's Free Music Festival | KQED","description":"What to bring, who to see and how to get into the beloved annual event. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Full Lineup Announced for Hardly Strictly, Golden Gate Park's Free Music Festival","datePublished":"2023-09-12T19:33:55.000Z","dateModified":"2024-01-11T20:30:39.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13934630/hardly-strictly-bluegrass-san-francisco-2023","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>With today’s concert prices and Ticketmaster fees, a free festival that’s been going strong for more than two decades is truly a gift. Hardly Strictly returns to San Francisco’s Golden Gate Park Sept. 29–Oct. 1 with a 73-artist lineup that spans bluegrass, country, folk, R&B and more.\u003c/p>\n\u003cp>The fourth and final phase of the \u003ca href=\"https://www.hardlystrictlybluegrass.com/schedule/\">festival lineup\u003c/a> was announced today. Highlights include multifaceted singer and author Valerie June, legendary singer-songwriter Emmylou Harris, rock ‘n’ roll pianist Neal Francis, alt-rockers Chuck Prophet & the Mission Express, a City Lights poetry showcase with Tongo Eisen-Martin, Kim Addonizio and Evan Kennedy, veteran soul singer Bettye LaVette and much more.\u003c/p>\n\u003cp>There’s no RSVP requirement for this year’s Hardly Strictly, but concert-goers must go through four designated entrances: JFK Drive and Transverse Drive, Fulton Street and 30th Avenue, JFK Drive and 36th Avenue and South Polo Field. 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But if you’re inclined to do a little wandering between the festival’s four stages, one of the prime pleasures of the festival comes from checking out unfamiliar artists, whether a rising star or a veteran performer trying out a new combo.\u003c/p>\n\u003cp>In many ways Hardly Strictly is more than a festival. It’s a musical weather system that sweeps over the region, and not just because of the satellite programming presented as part of \u003ca href=\"https://www.hardlystrictlybluegrass.com/out-of-the-park/\">Hardly Strictly Out of the Park\u003c/a>. A spot on the HSBG roster often serves as the centerpiece for a wider West Coast run, providing strong tailwinds for the fall music season. Here are 10 acts well worth a listen.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=N5cET-ipUcQ\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/satya/\">Satya\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 2-2:30pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>At 22, Oakland-reared, New Orleans-based Satya is a neo-soul singer/songwriter with boundless promise. Her relaxed phrasing and becalmed delivery hints at the deep currents flowing through her music, which slows the passage of time with ripples of self-revelation. Her name means “truth” in Sanskrit, but Satya offers hints and clues rather than a road map, inviting listeners along as she finds her way.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=sHbl6zhO3wo\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/joy-oladokun/\">Joy Oladokun\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 3:55-4:45pm\u003cbr>\nTowers of Gold Stage\u003c/strong>\u003c/p>\n\u003cp>A first-generation Nigerian-American singer/songwriter, Joy Oladokun creates music from her perspective as a queer Black woman who’s absorbed the forthright stance of artists like Tracy Chapman and Joan Armatrading. Raised in Arizona and now based in Los Angeles, she’s staked an early claim as one of the decade’s artists to watch with two albums that brim with confidence, vulnerability, and righteous melodic invention: 2020’s \u003cem>in defense of my own happiness (the beginnings)\u003c/em> and 2021’s \u003cem>in defense of my own happiness\u003c/em>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zvie5df0SP8\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/charley-crockett/\">Charley Crockett\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 5:45-7pm\u003c/strong>\u003cbr>\n\u003cstrong>Towers of Gold Stage\u003c/strong>\u003c/p>\n\u003cp>Often cast as polar idioms, country music and the blues share deep roots that the best country artists manifest clearly. With his telegraphic storytelling and dry humor, Charley Crockett embodies the blues aesthetic that hard times are best endured by turning tribulation into a communal exorcism. He’s a dauntingly prolific artist who’s released a diverse array of material on 11 albums since 2015, including a simmering new project, \u003cem>The Man from Waco\u003c/em>, that feels like an homage to Johnny Cash.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=JygS9kX-kak\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/cedric-watson/\">Cedric Watson\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Banjo Stage\u003cbr>\nSaturday 11-11:45am\u003c/strong>\u003c/p>\n\u003cp>Fiddler, singer, accordionist and songwriter Cedric Watson is a leading force in the revival of Creole and Acadian roots music, drawing on centuries-old songs spread by the French and Spanish empires and rhythms brought to the Caribbean by enslaved West Africans. Part of what makes Watson such a dynamic artist is that he’s both a deep scholar and a prolific songwriter who carries traditional forms into the 21\u003csup>st\u003c/sup> century, mixing and melding influences as he sees fit. He also performs at the festival afterparty \u003ca href=\"https://www.ashkenaz.com/events-backend/cedric-watson-a-hardly-strictly-bluegrass-afterparty\">Oct. 1 at Ashkenaz\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=oEtoiqy0VGo\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/aj-lee-and-blue-summit/\">AJ Lee & Blue Summit\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Saturday 1:30-2:10pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>A product of the Bay Area’s verdant bluegrass music scene, guitarist, mandolinist and vocalist AJ Lee was still in her mid-teens when she started performing with Blue Summit in 2015. Now a road-seasoned act, the band released an impressive second album last year with \u003cem>I’ll Come Back\u003c/em>, featuring Sullivan Tuttle and Scott Gates on steel string guitars, fiddler Jan Purat and bassist Chad Bowen. Bluegrass is still a major source of inspiration for the group, but their sound now draws on a wider constellation of acoustic idioms, fitting comfortably under the Americana umbrella while avoiding many of the attendant clichés.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cEyYlyRr2_U\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/waxahatchee/\">Waxahatchee\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Saturday 3:55-4:55pm\u003cbr>\nBanjo Stage\u003c/strong>\u003c/p>\n\u003cp>Named after a creek that runs close to her childhood home in Alabama, Katie Crutchfield’s solo project Waxahatchee has become a major outlet for her songwriting in recent years. She’s released a series of trenchant, critically acclaimed albums over the past decade, but 2020’s \u003cem>Saint Cloud\u003c/em> found her in particularly harrowing territory, a sojourn inspired by her determination to attain sobriety. Crutchfield returns to the Bay Area next month with Plains, her project with Jess Williamson, playing \u003ca href=\"https://folkyeah.com/#/plains-katie-crutchfield-jess-williamson-sonoma-1024\">Sonoma\u003c/a> and \u003ca href=\"https://www.axs.com/events/442689/plains-featuring-katie-crutchfield-from-waxahatchee-and-jess-williamso-tickets\">San Francisco\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=U89BGcn_AOs\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/arooj-aftab/\">Arooj Aftab\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 12:30-1:15pm\u003cbr>\nRooster Stage\u003c/strong>\u003c/p>\n\u003cp>Born in Saudi Arabia to parents from Pakistan, Grammy Award-winning vocalist Arooj Aftab applies her training in Hindustani classical music to a sumptuous array of settings for Urdu poetry. A brilliant improviser who’s collaborated with leading jazz musicians like pianist Vijay Iyer, she’s crafted her own mesmerizing sound, drawing on love-besotted ghazals and minimalist patterns.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=GC5UBAoa6nw\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/danielle-ponder/\">Danielle Ponder\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 1:20-2pm\u003cbr>\nPorch Stage\u003c/strong>\u003c/p>\n\u003cp>Since leaving her job as a public defender in upstate New York, powerhouse vocalist Danielle Ponder has emerged as a clarion artist whose songs tackle knotty territory without compromising melodic force. Steeped in gospel and inspired by blues, rock and hip-hop, she sings with sanctified authority and hard-knock knowledge gleaned from personal experience. Before Hardly Strictly she also headlines \u003ca href=\"https://moesalley.com/event-details/12402625/-folkyeah-presents-danielle-ponder-with-special-guests/\">Sept. 29 at Moe’s Alley\u003c/a> in Santa Cruz and opens for Marcus Mumford \u003ca href=\"https://concerts.livenation.com/marcus-mumford-san-francisco-california-10-01-2022/event/1C005D0AF94E4173?_ga=2.239581635.1978444917.1663717476-386014478.1663717475\">Sept. 30 at the Fillmore\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4EWY6W5jkSs\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/dashawn-hickman/\">DaShawn Hickman with Charlie Hunter\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 1:25-2pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>A master of the Sacred Steel tradition, DaShawn Hickman was a founding member of The Allen Boys, a group that took the rollicking music powering Pentecostal Holiness services in North Carolina out of the church and on the road. Teaming up with Charlie Hunter, the jazz-meets-funk guitarist who contributed to influential albums by D’Angelo and A Tribe Called Quest, Hickman recorded the stellar album \u003cem>Drums, Roots & Steel\u003c/em> for Little Village Foundation, a project that ushers the Sacred Steel sound into celebratory secular settings. A Berkeley native based in North Carolina, Hunter is also in town with SuperBlue, his hip-hop-inflected collaboration with jazz vocalist Kurt Elling, playing Menlo Park’s \u003ca href=\"https://guildtheatre.com/events/superblue-kurt-elling-ft-charlie-hunter-9-27-22/\">Guild Theater Sept. 27\u003c/a> and \u003ca href=\"https://secure.thefreight.org/11472/kurt-elling-charlie-hunter\">Freight & Salvage Sept. 30\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7RzaRh6E6bY\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/the-whitmore-sisters/\">The Whitmore Sisters\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 4:55-5:40pm\u003cbr>\nPorch Stage\u003c/strong>\u003c/p>\n\u003cp>Eleanor Whitmore has long been known for her work with her husband Chris Masterson in The Mastersons, but after being grounded by the pandemic she teamed up with her younger sister Bonnie to renew their musical relationship in the Whitmore Sisters. Collaborating on \u003cem>Ghost Stories\u003c/em> (Red House Records), they created an enthralling collection of songs that marry voluptuous arrangements to fever-pitch themes of love, death and loss.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Acts like Elvis Costello and Emmylou Harris get top billing at this year's festival, which takes place Sept. 30-Oct. 2. But good things come to those who wander—like the discovery of your new favorite up-and-coming artist. ","status":"publish","parent":0,"modified":1705006338,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":24,"wordCount":1224},"headData":{"title":"10 Lesser-Known Acts to Catch at Hardly Strictly Bluegrass | KQED","description":"Acts like Elvis Costello and Emmylou Harris get top billing at this year's festival, which takes place Sept. 30-Oct. 2. But good things come to those who wander—like the discovery of your new favorite up-and-coming artist. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"10 Lesser-Known Acts to Catch at Hardly Strictly Bluegrass","datePublished":"2022-09-26T16:00:03.000Z","dateModified":"2024-01-11T20:52:18.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13919405/10-lesser-known-acts-to-catch-at-hardly-strictly-bluegrass","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Returning to Golden Gate Park after a three-year pandemic-induced hiatus, the \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass Festival\u003c/a> brings a bevy of big names to San Francisco this weekend, Sept. 30-Oct. 2.\u003cbr>\n\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13916410","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>With acts on tap like Elvis Costello, Allison Russell, Bela Fleck and Emmylou Harris, Hardly Strictly has no shortage of artists who’ve earned their vaunted status as institutions. But if you’re inclined to do a little wandering between the festival’s four stages, one of the prime pleasures of the festival comes from checking out unfamiliar artists, whether a rising star or a veteran performer trying out a new combo.\u003c/p>\n\u003cp>In many ways Hardly Strictly is more than a festival. It’s a musical weather system that sweeps over the region, and not just because of the satellite programming presented as part of \u003ca href=\"https://www.hardlystrictlybluegrass.com/out-of-the-park/\">Hardly Strictly Out of the Park\u003c/a>. A spot on the HSBG roster often serves as the centerpiece for a wider West Coast run, providing strong tailwinds for the fall music season. Here are 10 acts well worth a listen.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/N5cET-ipUcQ'\n title='//www.youtube.com/embed/N5cET-ipUcQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/satya/\">Satya\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 2-2:30pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>At 22, Oakland-reared, New Orleans-based Satya is a neo-soul singer/songwriter with boundless promise. Her relaxed phrasing and becalmed delivery hints at the deep currents flowing through her music, which slows the passage of time with ripples of self-revelation. Her name means “truth” in Sanskrit, but Satya offers hints and clues rather than a road map, inviting listeners along as she finds her way.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sHbl6zhO3wo'\n title='//www.youtube.com/embed/sHbl6zhO3wo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/joy-oladokun/\">Joy Oladokun\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 3:55-4:45pm\u003cbr>\nTowers of Gold Stage\u003c/strong>\u003c/p>\n\u003cp>A first-generation Nigerian-American singer/songwriter, Joy Oladokun creates music from her perspective as a queer Black woman who’s absorbed the forthright stance of artists like Tracy Chapman and Joan Armatrading. Raised in Arizona and now based in Los Angeles, she’s staked an early claim as one of the decade’s artists to watch with two albums that brim with confidence, vulnerability, and righteous melodic invention: 2020’s \u003cem>in defense of my own happiness (the beginnings)\u003c/em> and 2021’s \u003cem>in defense of my own happiness\u003c/em>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zvie5df0SP8'\n title='//www.youtube.com/embed/zvie5df0SP8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/charley-crockett/\">Charley Crockett\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 5:45-7pm\u003c/strong>\u003cbr>\n\u003cstrong>Towers of Gold Stage\u003c/strong>\u003c/p>\n\u003cp>Often cast as polar idioms, country music and the blues share deep roots that the best country artists manifest clearly. With his telegraphic storytelling and dry humor, Charley Crockett embodies the blues aesthetic that hard times are best endured by turning tribulation into a communal exorcism. He’s a dauntingly prolific artist who’s released a diverse array of material on 11 albums since 2015, including a simmering new project, \u003cem>The Man from Waco\u003c/em>, that feels like an homage to Johnny Cash.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JygS9kX-kak'\n title='//www.youtube.com/embed/JygS9kX-kak'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/cedric-watson/\">Cedric Watson\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Banjo Stage\u003cbr>\nSaturday 11-11:45am\u003c/strong>\u003c/p>\n\u003cp>Fiddler, singer, accordionist and songwriter Cedric Watson is a leading force in the revival of Creole and Acadian roots music, drawing on centuries-old songs spread by the French and Spanish empires and rhythms brought to the Caribbean by enslaved West Africans. Part of what makes Watson such a dynamic artist is that he’s both a deep scholar and a prolific songwriter who carries traditional forms into the 21\u003csup>st\u003c/sup> century, mixing and melding influences as he sees fit. He also performs at the festival afterparty \u003ca href=\"https://www.ashkenaz.com/events-backend/cedric-watson-a-hardly-strictly-bluegrass-afterparty\">Oct. 1 at Ashkenaz\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oEtoiqy0VGo'\n title='//www.youtube.com/embed/oEtoiqy0VGo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/aj-lee-and-blue-summit/\">AJ Lee & Blue Summit\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Saturday 1:30-2:10pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>A product of the Bay Area’s verdant bluegrass music scene, guitarist, mandolinist and vocalist AJ Lee was still in her mid-teens when she started performing with Blue Summit in 2015. Now a road-seasoned act, the band released an impressive second album last year with \u003cem>I’ll Come Back\u003c/em>, featuring Sullivan Tuttle and Scott Gates on steel string guitars, fiddler Jan Purat and bassist Chad Bowen. Bluegrass is still a major source of inspiration for the group, but their sound now draws on a wider constellation of acoustic idioms, fitting comfortably under the Americana umbrella while avoiding many of the attendant clichés.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cEyYlyRr2_U'\n title='//www.youtube.com/embed/cEyYlyRr2_U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/waxahatchee/\">Waxahatchee\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Saturday 3:55-4:55pm\u003cbr>\nBanjo Stage\u003c/strong>\u003c/p>\n\u003cp>Named after a creek that runs close to her childhood home in Alabama, Katie Crutchfield’s solo project Waxahatchee has become a major outlet for her songwriting in recent years. She’s released a series of trenchant, critically acclaimed albums over the past decade, but 2020’s \u003cem>Saint Cloud\u003c/em> found her in particularly harrowing territory, a sojourn inspired by her determination to attain sobriety. Crutchfield returns to the Bay Area next month with Plains, her project with Jess Williamson, playing \u003ca href=\"https://folkyeah.com/#/plains-katie-crutchfield-jess-williamson-sonoma-1024\">Sonoma\u003c/a> and \u003ca href=\"https://www.axs.com/events/442689/plains-featuring-katie-crutchfield-from-waxahatchee-and-jess-williamso-tickets\">San Francisco\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/U89BGcn_AOs'\n title='//www.youtube.com/embed/U89BGcn_AOs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/arooj-aftab/\">Arooj Aftab\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 12:30-1:15pm\u003cbr>\nRooster Stage\u003c/strong>\u003c/p>\n\u003cp>Born in Saudi Arabia to parents from Pakistan, Grammy Award-winning vocalist Arooj Aftab applies her training in Hindustani classical music to a sumptuous array of settings for Urdu poetry. A brilliant improviser who’s collaborated with leading jazz musicians like pianist Vijay Iyer, she’s crafted her own mesmerizing sound, drawing on love-besotted ghazals and minimalist patterns.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GC5UBAoa6nw'\n title='//www.youtube.com/embed/GC5UBAoa6nw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/danielle-ponder/\">Danielle Ponder\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 1:20-2pm\u003cbr>\nPorch Stage\u003c/strong>\u003c/p>\n\u003cp>Since leaving her job as a public defender in upstate New York, powerhouse vocalist Danielle Ponder has emerged as a clarion artist whose songs tackle knotty territory without compromising melodic force. Steeped in gospel and inspired by blues, rock and hip-hop, she sings with sanctified authority and hard-knock knowledge gleaned from personal experience. Before Hardly Strictly she also headlines \u003ca href=\"https://moesalley.com/event-details/12402625/-folkyeah-presents-danielle-ponder-with-special-guests/\">Sept. 29 at Moe’s Alley\u003c/a> in Santa Cruz and opens for Marcus Mumford \u003ca href=\"https://concerts.livenation.com/marcus-mumford-san-francisco-california-10-01-2022/event/1C005D0AF94E4173?_ga=2.239581635.1978444917.1663717476-386014478.1663717475\">Sept. 30 at the Fillmore\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4EWY6W5jkSs'\n title='//www.youtube.com/embed/4EWY6W5jkSs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/dashawn-hickman/\">DaShawn Hickman with Charlie Hunter\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 1:25-2pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>A master of the Sacred Steel tradition, DaShawn Hickman was a founding member of The Allen Boys, a group that took the rollicking music powering Pentecostal Holiness services in North Carolina out of the church and on the road. Teaming up with Charlie Hunter, the jazz-meets-funk guitarist who contributed to influential albums by D’Angelo and A Tribe Called Quest, Hickman recorded the stellar album \u003cem>Drums, Roots & Steel\u003c/em> for Little Village Foundation, a project that ushers the Sacred Steel sound into celebratory secular settings. A Berkeley native based in North Carolina, Hunter is also in town with SuperBlue, his hip-hop-inflected collaboration with jazz vocalist Kurt Elling, playing Menlo Park’s \u003ca href=\"https://guildtheatre.com/events/superblue-kurt-elling-ft-charlie-hunter-9-27-22/\">Guild Theater Sept. 27\u003c/a> and \u003ca href=\"https://secure.thefreight.org/11472/kurt-elling-charlie-hunter\">Freight & Salvage Sept. 30\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7RzaRh6E6bY'\n title='//www.youtube.com/embed/7RzaRh6E6bY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/the-whitmore-sisters/\">The Whitmore Sisters\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 4:55-5:40pm\u003cbr>\nPorch Stage\u003c/strong>\u003c/p>\n\u003cp>Eleanor Whitmore has long been known for her work with her husband Chris Masterson in The Mastersons, but after being grounded by the pandemic she teamed up with her younger sister Bonnie to renew their musical relationship in the Whitmore Sisters. Collaborating on \u003cem>Ghost Stories\u003c/em> (Red House Records), they created an enthralling collection of songs that marry voluptuous arrangements to fever-pitch themes of love, death and loss.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13919405/10-lesser-known-acts-to-catch-at-hardly-strictly-bluegrass","authors":["86"],"categories":["arts_1","arts_69"],"tags":["arts_10278","arts_2427","arts_2688","arts_18123","arts_1720","arts_1694","arts_1334"],"featImg":"arts_13919493","label":"arts"},"arts_13916410":{"type":"posts","id":"arts_13916410","meta":{"index":"posts_1591205157","site":"arts","id":"13916410","score":null,"sort":[1662570019000]},"guestAuthors":[],"slug":"hardly-strictly-bluegrass-to-return-in-person-to-golden-gate-park-in-2022","title":"Elvis Costello, Steve Earle, Alison Brown and More to Play Hardly Strictly Bluegrass 2022","publishDate":1662570019,"format":"standard","headTitle":"Elvis Costello, Steve Earle, Alison Brown and More to Play Hardly Strictly Bluegrass 2022 | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cstrong>Update, Sept. 7, 2022: \u003c/strong>A new round of artists has been announced as part of the lineup for this year’s Hardly Strictly Bluegrass festival, set to take place Sept. 30 through Oct. 2. Acts include Elvis Costello, Steve Earle & the Dukes, The Travelin’ McCourys, Bob Schneider, Moonalice, Cymande, Arooj Aftab, Cedric Watson, Alison Brown and Jim Lauderdale.\u003c/p>\n\u003cp>Steve Earle is scheduled to host a tribute to longtime festival regulars who have died over the past few years, like John Prine, Justin Townes Earle and Nancy Bechtle.\u003c/p>\n\u003cp>And Elvis Costello has added a night show: “Elvis Sings Hunter-Garcia,” a tribute to the Grateful Dead’s Robert Hunter and Jerry Garcia, is set for Sept. 30 at the Great American Music Hall, with two shows at 7 and 10pm. The evening is a benefit for the nonprofit Prader-Willi Homes of California, which funds residential facilities for people with developmental disabilities. \u003ca href=\"https://gamh.com/shows-elvis-costello-sings-hunter-garcia/\">Tickets and more info here\u003c/a>.\u003c/p>\n\u003cp>Organizers say the full festival lineup will be announced Sept. 13. Check out the lineup (so far) on the \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">HSB website here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Update, Aug. 10, 2022: \u003c/strong>Festival organizers have rolled out a second installment of the lineup for this year’s Hardly Strictly Bluegrass, and it’s a good one, with a strong local showing. Artists added to the slate include festival veteran Emmylou Harris, Talking Heads’ Jerry Harrison & Adrian Belew performing songs from “Remain In Light,” Sacramento’s Tré Burt, San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13817300/the-10-best-bay-area-albums-of-2017-meklit-when-the-people-move-the-music-moves-too\">Meklit\u003c/a>, Petaluma-born \u003ca href=\"https://www.kqed.org/arts/13838086/the-brothers-comatoses-trade-deal-with-china-bluegrass\">the Brothers Comatose\u003c/a>, Seratones, the Tallest Man On Earth, \u003ca href=\"https://www.npr.org/sections/now-playing/2022/02/22/1082325550/jake-blount-the-man-was-burning\">Jake Blount\u003c/a>, Sarah Shook & the Disarmers and Antibalas.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Playing Hardly Strictly for the first time ever this year feels a bit like coming home,” Tré Burt told organizers. “I used to sneak in and play for as long as I could on the footpaths before eventually being kicked out by security back in the day, so it feels great to actually be invited onto the stage!”\u003c/p>\n\u003cp>Expect at least one or two more lineup announcements in the coming weeks, teased on the \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\">festival’s website here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Update, July 27, 2022:\u003c/strong> Hardly Strictly Bluegrass organizers have released \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\">an initial lineup\u003c/a> for this year’s festival. Artists slated to perform include Marcus Mumford, Allison Russell, Las Cafeteras, Lucius, Galactic, AJ Lee & Blue Summit, Joy Oladokun, Charley Crockett, Buddy Miller and Dashawn Hickman. Further lineup announcements are expected in the coming weeks, teased \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\" target=\"_blank\" rel=\"noopener noreferrer\">via song medleys on the festival’s website\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Original story, July 21, 2022:\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass, the free music festival, \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">is scheduled to return in-person\u003c/a> to Golden Gate Park this year for the first time since 2019. The festival will run Sept. 30 through Oct. 2.\u003c/p>\n\u003cp>The lineup of performers at this year’s Hardly Strictly festival has yet to be announced, with organizers planning to roll out artist announcements—via hint-filled song medleys—beginning July 26.\u003c/p>\n\u003cp>The all-ages festival was founded in 2001 by the late venture capitalist and bluegrass fan Warren Hellman, and has become a beginning-of-fall \u003ca href=\"https://www.kqed.org/arts/13810342/where-have-all-the-warren-hellmans-gone\" target=\"_blank\" rel=\"noopener noreferrer\">tradition for a generation of San Franciscans\u003c/a> ever since. In pre-pandemic years, the fest reliably drew more than half a million people to Golden Gate Park for performances by folk and bluegrass icons like Emmylou Harris, John Prine, Steve Earle and Mavis Staples.\u003c/p>\n\u003cp>[aside postID='arts_13810342']The 2020 and 2021 Hardly Strictly festivals were held virtually online due to COVID, with livestreams of performances by the likes of Bonnie Raitt, Boz Scaggs, Chuck Prophet, Fantastic Negrito and Rainbow Girls.\u003c/p>\n\u003cp>Still funded by the Hellman Foundation more than a decade after its founder’s death, the festival remains free to attendees, and has never taken on corporate sponsors, making it a cherished anomaly in the current music festival landscape.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.hardlystrictlybluegrass.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Visit the festival’s website\u003c/a> for more information and lineup announcements beginning next week.\u003c/p>\n\n","blocks":[],"excerpt":"After two years of livestreamed events, the free music festival will return to Golden Gate Park Sept. 30 through Oct. 2.","status":"publish","parent":0,"modified":1705006409,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":663},"headData":{"title":"Elvis Costello, Steve Earle, Alison Brown and More to Play Hardly Strictly Bluegrass 2022 | KQED","description":"After two years of livestreamed events, the free music festival will return to Golden Gate Park Sept. 30 through Oct. 2.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Elvis Costello, Steve Earle, Alison Brown and More to Play Hardly Strictly Bluegrass 2022","datePublished":"2022-09-07T17:00:19.000Z","dateModified":"2024-01-11T20:53:29.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13916410/hardly-strictly-bluegrass-to-return-in-person-to-golden-gate-park-in-2022","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Update, Sept. 7, 2022: \u003c/strong>A new round of artists has been announced as part of the lineup for this year’s Hardly Strictly Bluegrass festival, set to take place Sept. 30 through Oct. 2. Acts include Elvis Costello, Steve Earle & the Dukes, The Travelin’ McCourys, Bob Schneider, Moonalice, Cymande, Arooj Aftab, Cedric Watson, Alison Brown and Jim Lauderdale.\u003c/p>\n\u003cp>Steve Earle is scheduled to host a tribute to longtime festival regulars who have died over the past few years, like John Prine, Justin Townes Earle and Nancy Bechtle.\u003c/p>\n\u003cp>And Elvis Costello has added a night show: “Elvis Sings Hunter-Garcia,” a tribute to the Grateful Dead’s Robert Hunter and Jerry Garcia, is set for Sept. 30 at the Great American Music Hall, with two shows at 7 and 10pm. The evening is a benefit for the nonprofit Prader-Willi Homes of California, which funds residential facilities for people with developmental disabilities. \u003ca href=\"https://gamh.com/shows-elvis-costello-sings-hunter-garcia/\">Tickets and more info here\u003c/a>.\u003c/p>\n\u003cp>Organizers say the full festival lineup will be announced Sept. 13. Check out the lineup (so far) on the \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">HSB website here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Update, Aug. 10, 2022: \u003c/strong>Festival organizers have rolled out a second installment of the lineup for this year’s Hardly Strictly Bluegrass, and it’s a good one, with a strong local showing. Artists added to the slate include festival veteran Emmylou Harris, Talking Heads’ Jerry Harrison & Adrian Belew performing songs from “Remain In Light,” Sacramento’s Tré Burt, San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13817300/the-10-best-bay-area-albums-of-2017-meklit-when-the-people-move-the-music-moves-too\">Meklit\u003c/a>, Petaluma-born \u003ca href=\"https://www.kqed.org/arts/13838086/the-brothers-comatoses-trade-deal-with-china-bluegrass\">the Brothers Comatose\u003c/a>, Seratones, the Tallest Man On Earth, \u003ca href=\"https://www.npr.org/sections/now-playing/2022/02/22/1082325550/jake-blount-the-man-was-burning\">Jake Blount\u003c/a>, Sarah Shook & the Disarmers and Antibalas.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Playing Hardly Strictly for the first time ever this year feels a bit like coming home,” Tré Burt told organizers. “I used to sneak in and play for as long as I could on the footpaths before eventually being kicked out by security back in the day, so it feels great to actually be invited onto the stage!”\u003c/p>\n\u003cp>Expect at least one or two more lineup announcements in the coming weeks, teased on the \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\">festival’s website here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Update, July 27, 2022:\u003c/strong> Hardly Strictly Bluegrass organizers have released \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\">an initial lineup\u003c/a> for this year’s festival. Artists slated to perform include Marcus Mumford, Allison Russell, Las Cafeteras, Lucius, Galactic, AJ Lee & Blue Summit, Joy Oladokun, Charley Crockett, Buddy Miller and Dashawn Hickman. Further lineup announcements are expected in the coming weeks, teased \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\" target=\"_blank\" rel=\"noopener noreferrer\">via song medleys on the festival’s website\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Original story, July 21, 2022:\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass, the free music festival, \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">is scheduled to return in-person\u003c/a> to Golden Gate Park this year for the first time since 2019. The festival will run Sept. 30 through Oct. 2.\u003c/p>\n\u003cp>The lineup of performers at this year’s Hardly Strictly festival has yet to be announced, with organizers planning to roll out artist announcements—via hint-filled song medleys—beginning July 26.\u003c/p>\n\u003cp>The all-ages festival was founded in 2001 by the late venture capitalist and bluegrass fan Warren Hellman, and has become a beginning-of-fall \u003ca href=\"https://www.kqed.org/arts/13810342/where-have-all-the-warren-hellmans-gone\" target=\"_blank\" rel=\"noopener noreferrer\">tradition for a generation of San Franciscans\u003c/a> ever since. In pre-pandemic years, the fest reliably drew more than half a million people to Golden Gate Park for performances by folk and bluegrass icons like Emmylou Harris, John Prine, Steve Earle and Mavis Staples.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13810342","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The 2020 and 2021 Hardly Strictly festivals were held virtually online due to COVID, with livestreams of performances by the likes of Bonnie Raitt, Boz Scaggs, Chuck Prophet, Fantastic Negrito and Rainbow Girls.\u003c/p>\n\u003cp>Still funded by the Hellman Foundation more than a decade after its founder’s death, the festival remains free to attendees, and has never taken on corporate sponsors, making it a cherished anomaly in the current music festival landscape.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.hardlystrictlybluegrass.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Visit the festival’s website\u003c/a> for more information and lineup announcements beginning next week.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13916410/hardly-strictly-bluegrass-to-return-in-person-to-golden-gate-park-in-2022","authors":["7237"],"categories":["arts_1","arts_69","arts_235"],"tags":["arts_8746","arts_2427","arts_2688","arts_18123","arts_1694","arts_585"],"featImg":"arts_13918807","label":"arts"},"arts_13916390":{"type":"posts","id":"arts_13916390","meta":{"index":"posts_1591205157","site":"arts","id":"13916390","score":null,"sort":[1661888225000]},"guestAuthors":[],"slug":"fall-guide-free-events-bay-area-2022","title":"Fun on a Budget: 8 Free Fall Events in the Bay Area","publishDate":1661888225,"format":"standard","headTitle":"Fun on a Budget: 8 Free Fall Events in the Bay Area | KQED","labelTerm":{},"content":"\u003cp>\u003ca href=\"https://www.kqed.org/fallarts2022\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>\u003cstrong>Find more of KQED’s picks for the best Fall 2022 events here\u003c/strong>\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Gas prices. Sky-high inflation. The Millennial inability to stop buying lattes and avocado toast. (\u003cem>I kid!\u003c/em>)\u003c/p>\n\u003cp>The year 2022 has been rough on wallets across the country, and our wallets also happen to be sitting (half-empty) in one of its most expensive regions. (San Francisco, Oakland and San Jose all made the list of top-10 most expensive American cities.)\u003c/p>\n\u003cp>What does that mean? It means we all need as much free stuff as possible. And luckily for us, there are a lot of great events coming up that won’t cost you a dime to attend. Movies, art, dance, live music, parties, theater—we’ve got you covered. Bay Area rents may break the bank, but there’s a wealth of fun things to do that won’t.\u003c/p>\n\u003cdiv class=\"mceTemp\">\u003c/div>\n\u003cfigure id=\"attachment_13917591\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917591\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-12.31.28-PM-800x530.png\" alt=\"A Black dancer in open black shirt and tight black shorts, lays on a wooden platform, arms outstretched dramatically, with one leg kicked upwards and pointed out. Crowds watch on from the sidelines.\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-12.31.28-PM-800x530.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-12.31.28-PM-1020x675.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-12.31.28-PM-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-12.31.28-PM-768x508.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-12.31.28-PM-1536x1017.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-12.31.28-PM.png 1592w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A performer strikes a pose at 2021’s Open To All Ball at Lake Merritt Amphitheater. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.facebook.com/events/1198327271019474/\" target=\"_blank\" rel=\"noopener noreferrer\">Hella Hyphy Ball\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Lake Merritt Amphitheater, Oakland\u003c/em>\u003cbr>\n\u003cem>Sept. 10, 1pm–7pm\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The follow-up to 2021’s dazzling \u003ca href=\"https://www.kqed.org/arts/13902915/photos-lgbtq-oakland-shows-out-at-the-open-to-all-vogue-ball\" target=\"_blank\" rel=\"noopener noreferrer\">Open to All Ball\u003c/a> is set to transform the shores of Lake Merritt once more into ballroom bliss. This year’s ball carries the same ethos as the last one: everyone—and they do mean absolutely everyone—is welcome. The 2022 theme, however, is brand new, and hella Oakland: hyphy. That will influence every category in this year’s contests, from performance soundtracks to the all-important runway fashions.\u003c/p>\n\u003cp>As usual, there are big prizes to be won, including $1,000 cash awards for categories including Realness, Face and Runway, and a $4,000 prize for the Tag Team performance. This year’s grand finale promises to be next-level thanks to the caveat that teams must include at least one hyphy move in their presentation. So … serve and turf?\u003c/p>\n\u003cfigure id=\"attachment_13917640\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917640\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-2.29.48-PM-1-800x517.png\" alt=\"A Black woman in black and white striped dress, sits on a stool with her feet up, laughing as she holds an acoustic guitar on her lap.\" width=\"800\" height=\"517\">\u003cfigcaption class=\"wp-caption-text\">Meklit, an Ethiopia-born, Bay Area-dwelling singer, blends African and American blues, jazz and folk sounds with a constantly surprising level of grace and magnetism. And she’s on the Hardly Strictly lineup this year. \u003ccite>(NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Hardly Strictly Bluegrass\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Golden Gate Park, San Francisco\u003c/em>\u003cbr>\n\u003cem>Sept. 30-Oct. 2\u003c/em>\u003c/p>\n\u003cp>After a two-year absence from Golden Gate Park, Hardly Strictly is set for a triumphant return this October with a lineup that offers something for nearly every mood and taste.\u003c/p>\n\u003cp>Festival veterans like Emmylou Harris (in her 22nd HSB appearance!) and Buddy Miller (in his 17th!) will be present, accounted for and offering warm fuzzy feelings to fend off the fog. Marcus Mumford and Talking Heads’ Jerry Harrison and Adrian Belew check the mainstream-appeal boxes. And local flavor comes in the form of Tré Burt (Sacramento), Meklit (San Francisco), Brothers Comatose (North Bay) and A.J. Lee and Blue Summit (South Bay).\u003c/p>\n\u003cp>But as usual, HSB will also be serving up fantastic artists from around the country. So far, this year’s must-not-miss list includes: the heart-wrenching but always uplifting Allison Russell, the retro-soul stylings of Lucius and the bluegrass-rooted Afrofuturism of Jake Blount. In a lineup that has long been proud to stray beyond the confines of traditional bluegrass, Blount is a one-man example of why it’s so exciting to do just that.\u003c/p>\n\u003cfigure id=\"attachment_13917608\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917608\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-3.08.11-PM-800x542.png\" alt=\"A father and son walk hand-in-hand towards a group of parents and children playing with bubbles. Behind them, various stalls can be seen lining the street.\" width=\"800\" height=\"542\">\u003cfigcaption class=\"wp-caption-text\">Noise Pop’s 20th Street Block Party will take place on Valencia St. this year. \u003ccite>(Instagram/ @noisepop)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"http://www.20thstreetblockparty.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Noise Pop’s 20th Street Block Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Valencia Street between 18th and 21st Streets, San Francisco\u003c/em>\u003cbr>\n\u003cem>Oct. 15, 12pm-6pm\u003c/em>\u003c/p>\n\u003cp>This family-friendly free-for-all will take over three whole blocks of Valencia Street to bring live music, food, local arts and crafts, and a whole lot of fun, to the Mission. The location may be slightly different in 2022, but the vibe will remain the same as the prior eight years: a love letter to the diversity and creativity of the Mission District.\u003c/p>\n\u003cp>Proceeds collected at this year’s community gathering will assist two great nonprofits in continuing their work in the neighborhood. \u003ca href=\"https://826valencia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">826 Valencia\u003c/a> (a.k.a. the Pirate Supply Store) will use all donations to further their mission of making sure under-resourced kids get a tutoring boost so they can become great writers. And \u003ca href=\"https://lacocinasf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">La Cocina\u003c/a> will keep working toward equity in business ownership, providing mentorship and affordable kitchen space to female and BIPOC entrepreneurs.\u003c/p>\n\u003cfigure id=\"attachment_13917609\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917609\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-3.37.26-PM-800x486.png\" alt=\"Three South Asian women sitting in a row laughing.\" width=\"800\" height=\"486\">\u003cfigcaption class=\"wp-caption-text\">Attendees taking in a show at Cupertino’s Diwali: Festival of Lights. \u003ccite>(Cupertino Chamber of Commerce)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.facebook.com/bayareadiwalifestival\" target=\"_blank\" rel=\"noopener noreferrer\">Diwali Festival of Lights\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Memorial Park, Cupertino\u003c/em>\u003cbr>\n\u003cem>Oct. 8, 11am-6pm\u003c/em>\u003c/p>\n\u003cp>Sure, this festival is happening a full 15 days before Diwali’s five-day celebration even starts, but it’s never too soon to get excited about light triumphing over darkness.\u003c/p>\n\u003cp>Beyond honoring the holiday itself, Cupertino’s Festival of Lights is a celebration of all things Desi. The plethora of colorful dance displays—a journey through classical \u003ca href=\"https://en.wikipedia.org/wiki/Bharatanatyam\" target=\"_blank\" rel=\"noopener noreferrer\">Bharatanatyam\u003c/a> to modern \u003ca href=\"https://en.wikipedia.org/wiki/Bhangra_(dance)#Bhangra_today\" target=\"_blank\" rel=\"noopener noreferrer\">Bhangra\u003c/a>—are worth the journey alone. But the spicy and aromatic street food on hand also satisfies rumbling stomachs, the stalls have plenty to keep dedicated shoppers busy and the \u003ca href=\"https://en.wikipedia.org/wiki/Rangoli\" target=\"_blank\" rel=\"noopener noreferrer\">Rangoli\u003c/a> art displays are just mesmerizing. Plus, there’s even a Kids Zone that usually includes some pretty ridiculous physical challenges. (If you’ve ever wanted to stick your child in a giant hamster ball, this is the place to do it.)\u003c/p>\n\u003cp>To cap it all, there’s even free parking. Just head to De Anza College’s A and B lots.\u003c/p>\n\u003cfigure id=\"attachment_13917731\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917731\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-2.07.55-PM-800x601.png\" alt=\"A grid of 12 squares showing different styles of paintings and crafts.\" width=\"800\" height=\"601\">\u003cfigcaption class=\"wp-caption-text\">A tiny portion of the artists showing at San Francisco Open Studios. \u003ccite>(Courtesy of SFOS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.artspan.org/sfos-schedule\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco\u003c/a> / \u003ca href=\"https://eastbayopenstudios.com/\" target=\"_blank\" rel=\"noopener noreferrer\">East Bay Open Studios\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Locations TBD. (Check \u003ca href=\"https://www.artspan.org/visit-sf-open-studios/navigating-sfos\" target=\"_blank\" rel=\"noopener noreferrer\">SFOS\u003c/a> and \u003ca href=\"https://eastbayopenstudios.com/2022-event-schedule/\" target=\"_blank\" rel=\"noopener noreferrer\">EBOS\u003c/a> websites for directories.)\u003c/em>\u003cbr>\n\u003cem>San Francisco: Oct. 23-Nov. 13\u003cbr>\nEast Bay: Nov. 5-13\u003c/em>\u003c/p>\n\u003cp>Whether you approach them as casual neighborhood strolls or regimented exercises complete with maps and schedules, the Open Studios events on both sides of the Bay are worthy of your attention. Taking place across four weekends in San Francisco and two in the East Bay, Open Studios is a chance to get to know the artists in your area, support them and see some truly great work. (There’s usually a surprising amount of free cookies involved too…)\u003c/p>\n\u003cp>Wandering between home studios, artist collective spaces, back yards and garages doesn’t just feel like a treasure hunt—it also offers a glimpse into how Bay Area artists live and survive. It’s inspiring to witness not just the eclectic array of talent on display, but the resourcefulness of many of our local creators. And if you can’t make it out to meet them in person, the SFOS website offers \u003ca href=\"https://www.artspan.org/vast\" target=\"_blank\" rel=\"noopener noreferrer\">virtual tours of selected artists’ studios\u003c/a>.\u003c/p>\n\u003cp>While the Open Studios events themselves are free, don’t expect to come home empty-handed.\u003c/p>\n\u003cfigure id=\"attachment_13917656\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917656\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-7.58.18-PM-800x557.png\" alt=\"A woman in her twenties with black hair, wearing midriff-baring punky clothes, throws her arms above her head and sticks her tongue out in a rebellious gesture.\" width=\"800\" height=\"557\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-7.58.18-PM-800x557.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-7.58.18-PM-1020x710.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-7.58.18-PM-160x111.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-7.58.18-PM-768x535.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-7.58.18-PM-1536x1070.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-7.58.18-PM.png 1700w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Livia Gomes Demarchi as Beatrice in San Francisco Shakespeare Festival’s 40th Anniversary production of ‘Much Ado About Nothing.’ \u003ccite>(Jay Yamada)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sfshakes.org/?fbclid=IwAR3OD5c8Cx3CbwJ02gSUOBcfQYf8GDYCLFp5fKvmK-wulGkee84ucXcZF_c\" target=\"_blank\" rel=\"noopener noreferrer\">Shakespeare in the Park\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Jerry Garcia Amphitheater, MacLaren Park, San Francisco\u003c/em>\u003cbr>\n\u003cem>Sept. 3-11, 2pm\u003c/em>\u003c/p>\n\u003cp>\u003cem>Much Ado About Nothing\u003c/em> can be quite the challenging prospect for modern audiences—particularly the women watching. After all, it’s difficult to glean much enjoyment from watching female characters getting treated terribly by the men in their midst for 160 minutes, only to have everything wrapped up in a neat little bow in the end.\u003c/p>\n\u003cp>This year’s production by the San Francisco Shakespeare Festival however, promises to be a more palatable take on a dated classic. With a distinctly ’90s aesthetic, a run time of just 90 minutes (no intermission) and modernized versions of familiar characters, this \u003cem>Much Ado\u003c/em> promises something a little different from more traditional productions. Think: Beatrice in lip-liner and a dog collar, a grunge rendition of “Sigh No More” and Benedick out participating in protest marches. No, really.\u003c/p>\n\u003cp>If you missed this \u003cem>Much Ado About Nothing\u003c/em> in Cupertino and Redwood City and can’t make it to McLaren Park either, don’t worry. A version of the production will be made \u003ca href=\"https://www.youtube.com/watch?v=cB1obsLLZe8\" target=\"_blank\" rel=\"noopener noreferrer\">available online\u003c/a> at a later date, complete with closed captions.\u003c/p>\n\u003cfigure id=\"attachment_13917732\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917732\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-2.12.16-PM-800x520.png\" alt=\"Dancers - three female, one male - wearing traditional Mexican clothes smile as they perform on a small stage.\" width=\"800\" height=\"520\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-2.12.16-PM-800x520.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-2.12.16-PM-1020x663.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-2.12.16-PM-160x104.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-2.12.16-PM-768x499.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-2.12.16-PM.png 1458w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dancers performing the Jarabe Tapatío at the Solano Avenue Stroll. \u003ccite>(Courtesy of Solano Avenue Stroll)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.solanoavenueassn.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Solano Avenue Stroll\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Solano Avenue, Albany and Berkeley\u003c/em>\u003cbr>\n\u003cem>Sept. 11, 10am-5pm\u003c/em>\u003c/p>\n\u003cp>Finally! The Stroll is back after a two-year absence, and it promises to be just as huge as it always was. It will still occupy an entire, fully pedestrianized mile of Solano Avenue in a colorful celebration of both Albany and Berkeley that starts with an opening ceremony and mini-parade. The day-long celebration fills the street with music, dancing and scores of local businesses, artists and makers selling their wares—including, of course, enough food booths to feed the thousands of people who usually attend.\u003c/p>\n\u003cp>Because of its scale, the Solano Avenue Stroll can be a little overwhelming at peak times, but it’s worth getting there early so you can take your time with it all. A free shuttle from North Berkeley BART will get you there without parking hassles.\u003c/p>\n\u003cfigure id=\"attachment_13917733\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917733\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-4.53.09-PM-800x512.png\" alt=\"Many people gather on the slanted lawn in front of a large screen surrounded on all sides with trees.\" width=\"800\" height=\"512\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-4.53.09-PM-800x512.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-4.53.09-PM-1020x653.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-4.53.09-PM-160x102.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-4.53.09-PM-768x492.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-4.53.09-PM-1536x984.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-4.53.09-PM.png 1568w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sundown Cinema at Jerry Garcia Amphitheater at McLaren Park. \u003ccite>(Instagram/ @dothebay)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://secure.sfparksalliance.org/event/sundown-cinema-member-seating-sister-act-2/e405348\" target=\"_blank\" rel=\"noopener noreferrer\">Sundown Cinema\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Alamo Square, Crane Cove, Jerry Garcia Amphitheater, San Francisco\u003c/em>\u003cbr>\n\u003cem>Sept. 9-Oct.21, 5pm\u003c/em>\u003c/p>\n\u003cp>The Bay Area is awash with unique little movie theaters; we are truly blessed in this regard. But for a few weeks every fall, big screens pop up around San Francisco that give even our cutest theaters a run for their money. (If you’ve ever watched a movie in Alamo Square Park with the sun setting behind the Painted Ladies, you already know what’s up.)\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>This rest of this season’s Sundown Cinema will feature \u003cem>Raiders of the Lost Ark\u003c/em> at Alamo Square (Sept. 9), \u003cem>Shang Chi & The Legend of the Ten Rings\u003c/em> at Crane Cove (Sept. 30) and \u003cem>Addams Family Values\u003c/em> at the Jerry Garcia Amphitheater (Oct. 21). Perfect for family picnics, date night and people who love wearing their Patagonias to chilly park excursions.\u003c/p>\n\n","blocks":[],"excerpt":"Who needs free movies, art, dance, live music, parties and theater? All of us, that's who.","status":"publish","parent":0,"modified":1705006437,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":34,"wordCount":1708},"headData":{"title":"Fun on a Budget: 8 Free Fall Events in the Bay Area | KQED","description":"Who needs free movies, art, dance, live music, parties and theater? All of us, that's who.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Fun on a Budget: 8 Free Fall Events in the Bay Area","datePublished":"2022-08-30T19:37:05.000Z","dateModified":"2024-01-11T20:53:57.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Fall Arts Guide 2022","sourceUrl":"https://www.kqed.org/fallarts2022","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13916390/fall-guide-free-events-bay-area-2022","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/fallarts2022\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>\u003cstrong>Find more of KQED’s picks for the best Fall 2022 events here\u003c/strong>\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Gas prices. Sky-high inflation. The Millennial inability to stop buying lattes and avocado toast. (\u003cem>I kid!\u003c/em>)\u003c/p>\n\u003cp>The year 2022 has been rough on wallets across the country, and our wallets also happen to be sitting (half-empty) in one of its most expensive regions. (San Francisco, Oakland and San Jose all made the list of top-10 most expensive American cities.)\u003c/p>\n\u003cp>What does that mean? It means we all need as much free stuff as possible. And luckily for us, there are a lot of great events coming up that won’t cost you a dime to attend. Movies, art, dance, live music, parties, theater—we’ve got you covered. Bay Area rents may break the bank, but there’s a wealth of fun things to do that won’t.\u003c/p>\n\u003cdiv class=\"mceTemp\">\u003c/div>\n\u003cfigure id=\"attachment_13917591\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917591\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-12.31.28-PM-800x530.png\" alt=\"A Black dancer in open black shirt and tight black shorts, lays on a wooden platform, arms outstretched dramatically, with one leg kicked upwards and pointed out. Crowds watch on from the sidelines.\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-12.31.28-PM-800x530.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-12.31.28-PM-1020x675.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-12.31.28-PM-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-12.31.28-PM-768x508.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-12.31.28-PM-1536x1017.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-12.31.28-PM.png 1592w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A performer strikes a pose at 2021’s Open To All Ball at Lake Merritt Amphitheater. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.facebook.com/events/1198327271019474/\" target=\"_blank\" rel=\"noopener noreferrer\">Hella Hyphy Ball\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Lake Merritt Amphitheater, Oakland\u003c/em>\u003cbr>\n\u003cem>Sept. 10, 1pm–7pm\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The follow-up to 2021’s dazzling \u003ca href=\"https://www.kqed.org/arts/13902915/photos-lgbtq-oakland-shows-out-at-the-open-to-all-vogue-ball\" target=\"_blank\" rel=\"noopener noreferrer\">Open to All Ball\u003c/a> is set to transform the shores of Lake Merritt once more into ballroom bliss. This year’s ball carries the same ethos as the last one: everyone—and they do mean absolutely everyone—is welcome. The 2022 theme, however, is brand new, and hella Oakland: hyphy. That will influence every category in this year’s contests, from performance soundtracks to the all-important runway fashions.\u003c/p>\n\u003cp>As usual, there are big prizes to be won, including $1,000 cash awards for categories including Realness, Face and Runway, and a $4,000 prize for the Tag Team performance. This year’s grand finale promises to be next-level thanks to the caveat that teams must include at least one hyphy move in their presentation. So … serve and turf?\u003c/p>\n\u003cfigure id=\"attachment_13917640\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917640\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-2.29.48-PM-1-800x517.png\" alt=\"A Black woman in black and white striped dress, sits on a stool with her feet up, laughing as she holds an acoustic guitar on her lap.\" width=\"800\" height=\"517\">\u003cfigcaption class=\"wp-caption-text\">Meklit, an Ethiopia-born, Bay Area-dwelling singer, blends African and American blues, jazz and folk sounds with a constantly surprising level of grace and magnetism. And she’s on the Hardly Strictly lineup this year. \u003ccite>(NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Hardly Strictly Bluegrass\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Golden Gate Park, San Francisco\u003c/em>\u003cbr>\n\u003cem>Sept. 30-Oct. 2\u003c/em>\u003c/p>\n\u003cp>After a two-year absence from Golden Gate Park, Hardly Strictly is set for a triumphant return this October with a lineup that offers something for nearly every mood and taste.\u003c/p>\n\u003cp>Festival veterans like Emmylou Harris (in her 22nd HSB appearance!) and Buddy Miller (in his 17th!) will be present, accounted for and offering warm fuzzy feelings to fend off the fog. Marcus Mumford and Talking Heads’ Jerry Harrison and Adrian Belew check the mainstream-appeal boxes. And local flavor comes in the form of Tré Burt (Sacramento), Meklit (San Francisco), Brothers Comatose (North Bay) and A.J. Lee and Blue Summit (South Bay).\u003c/p>\n\u003cp>But as usual, HSB will also be serving up fantastic artists from around the country. So far, this year’s must-not-miss list includes: the heart-wrenching but always uplifting Allison Russell, the retro-soul stylings of Lucius and the bluegrass-rooted Afrofuturism of Jake Blount. In a lineup that has long been proud to stray beyond the confines of traditional bluegrass, Blount is a one-man example of why it’s so exciting to do just that.\u003c/p>\n\u003cfigure id=\"attachment_13917608\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917608\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-3.08.11-PM-800x542.png\" alt=\"A father and son walk hand-in-hand towards a group of parents and children playing with bubbles. Behind them, various stalls can be seen lining the street.\" width=\"800\" height=\"542\">\u003cfigcaption class=\"wp-caption-text\">Noise Pop’s 20th Street Block Party will take place on Valencia St. this year. \u003ccite>(Instagram/ @noisepop)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"http://www.20thstreetblockparty.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Noise Pop’s 20th Street Block Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Valencia Street between 18th and 21st Streets, San Francisco\u003c/em>\u003cbr>\n\u003cem>Oct. 15, 12pm-6pm\u003c/em>\u003c/p>\n\u003cp>This family-friendly free-for-all will take over three whole blocks of Valencia Street to bring live music, food, local arts and crafts, and a whole lot of fun, to the Mission. The location may be slightly different in 2022, but the vibe will remain the same as the prior eight years: a love letter to the diversity and creativity of the Mission District.\u003c/p>\n\u003cp>Proceeds collected at this year’s community gathering will assist two great nonprofits in continuing their work in the neighborhood. \u003ca href=\"https://826valencia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">826 Valencia\u003c/a> (a.k.a. the Pirate Supply Store) will use all donations to further their mission of making sure under-resourced kids get a tutoring boost so they can become great writers. And \u003ca href=\"https://lacocinasf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">La Cocina\u003c/a> will keep working toward equity in business ownership, providing mentorship and affordable kitchen space to female and BIPOC entrepreneurs.\u003c/p>\n\u003cfigure id=\"attachment_13917609\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917609\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-12-at-3.37.26-PM-800x486.png\" alt=\"Three South Asian women sitting in a row laughing.\" width=\"800\" height=\"486\">\u003cfigcaption class=\"wp-caption-text\">Attendees taking in a show at Cupertino’s Diwali: Festival of Lights. \u003ccite>(Cupertino Chamber of Commerce)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.facebook.com/bayareadiwalifestival\" target=\"_blank\" rel=\"noopener noreferrer\">Diwali Festival of Lights\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Memorial Park, Cupertino\u003c/em>\u003cbr>\n\u003cem>Oct. 8, 11am-6pm\u003c/em>\u003c/p>\n\u003cp>Sure, this festival is happening a full 15 days before Diwali’s five-day celebration even starts, but it’s never too soon to get excited about light triumphing over darkness.\u003c/p>\n\u003cp>Beyond honoring the holiday itself, Cupertino’s Festival of Lights is a celebration of all things Desi. The plethora of colorful dance displays—a journey through classical \u003ca href=\"https://en.wikipedia.org/wiki/Bharatanatyam\" target=\"_blank\" rel=\"noopener noreferrer\">Bharatanatyam\u003c/a> to modern \u003ca href=\"https://en.wikipedia.org/wiki/Bhangra_(dance)#Bhangra_today\" target=\"_blank\" rel=\"noopener noreferrer\">Bhangra\u003c/a>—are worth the journey alone. But the spicy and aromatic street food on hand also satisfies rumbling stomachs, the stalls have plenty to keep dedicated shoppers busy and the \u003ca href=\"https://en.wikipedia.org/wiki/Rangoli\" target=\"_blank\" rel=\"noopener noreferrer\">Rangoli\u003c/a> art displays are just mesmerizing. Plus, there’s even a Kids Zone that usually includes some pretty ridiculous physical challenges. (If you’ve ever wanted to stick your child in a giant hamster ball, this is the place to do it.)\u003c/p>\n\u003cp>To cap it all, there’s even free parking. Just head to De Anza College’s A and B lots.\u003c/p>\n\u003cfigure id=\"attachment_13917731\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917731\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-2.07.55-PM-800x601.png\" alt=\"A grid of 12 squares showing different styles of paintings and crafts.\" width=\"800\" height=\"601\">\u003cfigcaption class=\"wp-caption-text\">A tiny portion of the artists showing at San Francisco Open Studios. \u003ccite>(Courtesy of SFOS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.artspan.org/sfos-schedule\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco\u003c/a> / \u003ca href=\"https://eastbayopenstudios.com/\" target=\"_blank\" rel=\"noopener noreferrer\">East Bay Open Studios\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Locations TBD. (Check \u003ca href=\"https://www.artspan.org/visit-sf-open-studios/navigating-sfos\" target=\"_blank\" rel=\"noopener noreferrer\">SFOS\u003c/a> and \u003ca href=\"https://eastbayopenstudios.com/2022-event-schedule/\" target=\"_blank\" rel=\"noopener noreferrer\">EBOS\u003c/a> websites for directories.)\u003c/em>\u003cbr>\n\u003cem>San Francisco: Oct. 23-Nov. 13\u003cbr>\nEast Bay: Nov. 5-13\u003c/em>\u003c/p>\n\u003cp>Whether you approach them as casual neighborhood strolls or regimented exercises complete with maps and schedules, the Open Studios events on both sides of the Bay are worthy of your attention. Taking place across four weekends in San Francisco and two in the East Bay, Open Studios is a chance to get to know the artists in your area, support them and see some truly great work. (There’s usually a surprising amount of free cookies involved too…)\u003c/p>\n\u003cp>Wandering between home studios, artist collective spaces, back yards and garages doesn’t just feel like a treasure hunt—it also offers a glimpse into how Bay Area artists live and survive. It’s inspiring to witness not just the eclectic array of talent on display, but the resourcefulness of many of our local creators. And if you can’t make it out to meet them in person, the SFOS website offers \u003ca href=\"https://www.artspan.org/vast\" target=\"_blank\" rel=\"noopener noreferrer\">virtual tours of selected artists’ studios\u003c/a>.\u003c/p>\n\u003cp>While the Open Studios events themselves are free, don’t expect to come home empty-handed.\u003c/p>\n\u003cfigure id=\"attachment_13917656\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917656\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-7.58.18-PM-800x557.png\" alt=\"A woman in her twenties with black hair, wearing midriff-baring punky clothes, throws her arms above her head and sticks her tongue out in a rebellious gesture.\" width=\"800\" height=\"557\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-7.58.18-PM-800x557.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-7.58.18-PM-1020x710.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-7.58.18-PM-160x111.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-7.58.18-PM-768x535.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-7.58.18-PM-1536x1070.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-15-at-7.58.18-PM.png 1700w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Livia Gomes Demarchi as Beatrice in San Francisco Shakespeare Festival’s 40th Anniversary production of ‘Much Ado About Nothing.’ \u003ccite>(Jay Yamada)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sfshakes.org/?fbclid=IwAR3OD5c8Cx3CbwJ02gSUOBcfQYf8GDYCLFp5fKvmK-wulGkee84ucXcZF_c\" target=\"_blank\" rel=\"noopener noreferrer\">Shakespeare in the Park\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Jerry Garcia Amphitheater, MacLaren Park, San Francisco\u003c/em>\u003cbr>\n\u003cem>Sept. 3-11, 2pm\u003c/em>\u003c/p>\n\u003cp>\u003cem>Much Ado About Nothing\u003c/em> can be quite the challenging prospect for modern audiences—particularly the women watching. After all, it’s difficult to glean much enjoyment from watching female characters getting treated terribly by the men in their midst for 160 minutes, only to have everything wrapped up in a neat little bow in the end.\u003c/p>\n\u003cp>This year’s production by the San Francisco Shakespeare Festival however, promises to be a more palatable take on a dated classic. With a distinctly ’90s aesthetic, a run time of just 90 minutes (no intermission) and modernized versions of familiar characters, this \u003cem>Much Ado\u003c/em> promises something a little different from more traditional productions. Think: Beatrice in lip-liner and a dog collar, a grunge rendition of “Sigh No More” and Benedick out participating in protest marches. No, really.\u003c/p>\n\u003cp>If you missed this \u003cem>Much Ado About Nothing\u003c/em> in Cupertino and Redwood City and can’t make it to McLaren Park either, don’t worry. A version of the production will be made \u003ca href=\"https://www.youtube.com/watch?v=cB1obsLLZe8\" target=\"_blank\" rel=\"noopener noreferrer\">available online\u003c/a> at a later date, complete with closed captions.\u003c/p>\n\u003cfigure id=\"attachment_13917732\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917732\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-2.12.16-PM-800x520.png\" alt=\"Dancers - three female, one male - wearing traditional Mexican clothes smile as they perform on a small stage.\" width=\"800\" height=\"520\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-2.12.16-PM-800x520.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-2.12.16-PM-1020x663.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-2.12.16-PM-160x104.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-2.12.16-PM-768x499.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-2.12.16-PM.png 1458w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dancers performing the Jarabe Tapatío at the Solano Avenue Stroll. \u003ccite>(Courtesy of Solano Avenue Stroll)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.solanoavenueassn.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Solano Avenue Stroll\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Solano Avenue, Albany and Berkeley\u003c/em>\u003cbr>\n\u003cem>Sept. 11, 10am-5pm\u003c/em>\u003c/p>\n\u003cp>Finally! The Stroll is back after a two-year absence, and it promises to be just as huge as it always was. It will still occupy an entire, fully pedestrianized mile of Solano Avenue in a colorful celebration of both Albany and Berkeley that starts with an opening ceremony and mini-parade. The day-long celebration fills the street with music, dancing and scores of local businesses, artists and makers selling their wares—including, of course, enough food booths to feed the thousands of people who usually attend.\u003c/p>\n\u003cp>Because of its scale, the Solano Avenue Stroll can be a little overwhelming at peak times, but it’s worth getting there early so you can take your time with it all. A free shuttle from North Berkeley BART will get you there without parking hassles.\u003c/p>\n\u003cfigure id=\"attachment_13917733\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917733\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-4.53.09-PM-800x512.png\" alt=\"Many people gather on the slanted lawn in front of a large screen surrounded on all sides with trees.\" width=\"800\" height=\"512\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-4.53.09-PM-800x512.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-4.53.09-PM-1020x653.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-4.53.09-PM-160x102.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-4.53.09-PM-768x492.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-4.53.09-PM-1536x984.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-16-at-4.53.09-PM.png 1568w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sundown Cinema at Jerry Garcia Amphitheater at McLaren Park. \u003ccite>(Instagram/ @dothebay)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://secure.sfparksalliance.org/event/sundown-cinema-member-seating-sister-act-2/e405348\" target=\"_blank\" rel=\"noopener noreferrer\">Sundown Cinema\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Alamo Square, Crane Cove, Jerry Garcia Amphitheater, San Francisco\u003c/em>\u003cbr>\n\u003cem>Sept. 9-Oct.21, 5pm\u003c/em>\u003c/p>\n\u003cp>The Bay Area is awash with unique little movie theaters; we are truly blessed in this regard. But for a few weeks every fall, big screens pop up around San Francisco that give even our cutest theaters a run for their money. (If you’ve ever watched a movie in Alamo Square Park with the sun setting behind the Painted Ladies, you already know what’s up.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This rest of this season’s Sundown Cinema will feature \u003cem>Raiders of the Lost Ark\u003c/em> at Alamo Square (Sept. 9), \u003cem>Shang Chi & The Legend of the Ten Rings\u003c/em> at Crane Cove (Sept. 30) and \u003cem>Addams Family Values\u003c/em> at the Jerry Garcia Amphitheater (Oct. 21). Perfect for family picnics, date night and people who love wearing their Patagonias to chilly park excursions.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13916390/fall-guide-free-events-bay-area-2022","authors":["11242"],"categories":["arts_1","arts_966","arts_76","arts_11615","arts_74","arts_69","arts_967"],"tags":["arts_18294","arts_18457","arts_10278","arts_2688","arts_1143","arts_8501","arts_585"],"featImg":"arts_13902885","label":"source_arts_13916390"},"arts_13903769":{"type":"posts","id":"arts_13903769","meta":{"index":"posts_1591205157","site":"arts","id":"13903769","score":null,"sort":[1632506302000]},"guestAuthors":[],"slug":"hardly-strictly-announces-1m-for-musicians-cultural-preservation","title":"Hardly Strictly Announces $1M for Musicians, Cultural Preservation","publishDate":1632506302,"format":"standard","headTitle":"Hardly Strictly Announces $1M for Musicians, Cultural Preservation | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>The economy may have reopened, but musicians and cultural institutions are still struggling from 18 months of COVID-19 shutdowns and the lingering presence of the delta variant. The latter is the reason why Hardly Strictly Bluegrass decided to host its Oct. 1–3 festival online this year, with a lineup that stars Mavis Staples, Ani DiFranco, \u003ca href=\"https://www.kqed.org/arts/13817300/the-10-best-bay-area-albums-of-2017-meklit-when-the-people-move-the-music-moves-too\" target=\"_blank\" rel=\"noopener noreferrer\">Meklit\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13887363/ambrose-akinmusire-soundtracks-black-resistance-from-oakland-to-the-world\" target=\"_blank\" rel=\"noopener noreferrer\">Ambrose Akinmusire\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13894963/pass-the-aux-new-tracks-from-caleborate-bachelor-miko-marks-ruby-mountain-and-more\" target=\"_blank\" rel=\"noopener noreferrer\">Bachelor\u003c/a>.\u003c/p>\n\u003cp>Today, in its ongoing efforts to give back to the musicians and venues that keep roots music going, Hardly Strictly announced a new round of philanthropic funding. The foundation behind the festival will disburse $1 million among three groups: the \u003ca href=\"https://www.sweetrelief.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Sweet Relief Musicians Fund\u003c/a>, which has been distributing emergency funding to artists and workers during the pandemic; East Bay Permanent Real Estate Cooperative’s \u003ca href=\"https://ebprec.org/esthers\" target=\"_blank\" rel=\"noopener noreferrer\">Esther’s Orbit Room Cultural Revival Project\u003c/a>, which seeks to restore the historic West Oakland blues venue; and the Tenderloin Museum’s “Sounds of the Tenderloin” project.\u003c/p>\n\u003cp>With Hardly Strictly’s funding, Sweet Relief will be able to provide hundreds of grants to musicians and music workers. Residents of the Bay Area and New Orleans are eligible to apply for \u003ca href=\"https://www.sweetrelief.org/covid-19-fund.html\" target=\"_blank\" rel=\"noopener noreferrer\">up to $1,000 in assistance\u003c/a> with rent, bills, medication and other life essentials. The organization suggests submitting by Oct. 31.\u003c/p>\n\u003cp>The Esther’s Orbit Room grant will help fund East Bay Permanent Real Estate Cooperative’s efforts to revitalize the renowned venue into a performance space with a cafe and artist housing. And the grant for the Tenderloin Museum’s “Sounds of the Tenderloin” will book small-scale live performances throughout the San Francisco neighborhood, which once had thriving jazz, swing, rock and folk scenes.\u003c/p>\n\u003cp>This latest philanthropic effort follows \u003ca href=\"https://www.kqed.org/arts/13887609/hardly-strictly-gives-over-3-million-to-out-of-work-musicians-venues\" target=\"_blank\" rel=\"noopener noreferrer\">Hardly Strictly’s $3 million dollar investment\u003c/a> in local music venues and artist relief efforts in 2020.\u003c/p>\n\u003cp>The Hardly Strictly Bluegrass festival on Oct. 1–3 will be \u003ca href=\"https://www.hardlystrictlybluegrass.com/\" target=\"_blank\" rel=\"noopener noreferrer\">available for streaming on the festival’s website\u003c/a>, \u003ca href=\"https://facebook.com/hardlystrictlybluegrass/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> and \u003ca href=\"https://youtube.com/user/hsbfest\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a> pages, as well as on Xfinity.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Ahead of its Oct. 1-3 online festival, the roots music organization is once again giving back. ","status":"publish","parent":0,"modified":1705007697,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":339},"headData":{"title":"Hardly Strictly Announces $1M for Musicians, Cultural Preservation | KQED","description":"Ahead of its Oct. 1-3 online festival, the roots music organization is once again giving back. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Hardly Strictly Announces $1M for Musicians, Cultural Preservation","datePublished":"2021-09-24T17:58:22.000Z","dateModified":"2024-01-11T21:14:57.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13903769/hardly-strictly-announces-1m-for-musicians-cultural-preservation","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The economy may have reopened, but musicians and cultural institutions are still struggling from 18 months of COVID-19 shutdowns and the lingering presence of the delta variant. The latter is the reason why Hardly Strictly Bluegrass decided to host its Oct. 1–3 festival online this year, with a lineup that stars Mavis Staples, Ani DiFranco, \u003ca href=\"https://www.kqed.org/arts/13817300/the-10-best-bay-area-albums-of-2017-meklit-when-the-people-move-the-music-moves-too\" target=\"_blank\" rel=\"noopener noreferrer\">Meklit\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13887363/ambrose-akinmusire-soundtracks-black-resistance-from-oakland-to-the-world\" target=\"_blank\" rel=\"noopener noreferrer\">Ambrose Akinmusire\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13894963/pass-the-aux-new-tracks-from-caleborate-bachelor-miko-marks-ruby-mountain-and-more\" target=\"_blank\" rel=\"noopener noreferrer\">Bachelor\u003c/a>.\u003c/p>\n\u003cp>Today, in its ongoing efforts to give back to the musicians and venues that keep roots music going, Hardly Strictly announced a new round of philanthropic funding. The foundation behind the festival will disburse $1 million among three groups: the \u003ca href=\"https://www.sweetrelief.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Sweet Relief Musicians Fund\u003c/a>, which has been distributing emergency funding to artists and workers during the pandemic; East Bay Permanent Real Estate Cooperative’s \u003ca href=\"https://ebprec.org/esthers\" target=\"_blank\" rel=\"noopener noreferrer\">Esther’s Orbit Room Cultural Revival Project\u003c/a>, which seeks to restore the historic West Oakland blues venue; and the Tenderloin Museum’s “Sounds of the Tenderloin” project.\u003c/p>\n\u003cp>With Hardly Strictly’s funding, Sweet Relief will be able to provide hundreds of grants to musicians and music workers. Residents of the Bay Area and New Orleans are eligible to apply for \u003ca href=\"https://www.sweetrelief.org/covid-19-fund.html\" target=\"_blank\" rel=\"noopener noreferrer\">up to $1,000 in assistance\u003c/a> with rent, bills, medication and other life essentials. The organization suggests submitting by Oct. 31.\u003c/p>\n\u003cp>The Esther’s Orbit Room grant will help fund East Bay Permanent Real Estate Cooperative’s efforts to revitalize the renowned venue into a performance space with a cafe and artist housing. And the grant for the Tenderloin Museum’s “Sounds of the Tenderloin” will book small-scale live performances throughout the San Francisco neighborhood, which once had thriving jazz, swing, rock and folk scenes.\u003c/p>\n\u003cp>This latest philanthropic effort follows \u003ca href=\"https://www.kqed.org/arts/13887609/hardly-strictly-gives-over-3-million-to-out-of-work-musicians-venues\" target=\"_blank\" rel=\"noopener noreferrer\">Hardly Strictly’s $3 million dollar investment\u003c/a> in local music venues and artist relief efforts in 2020.\u003c/p>\n\u003cp>The Hardly Strictly Bluegrass festival on Oct. 1–3 will be \u003ca href=\"https://www.hardlystrictlybluegrass.com/\" target=\"_blank\" rel=\"noopener noreferrer\">available for streaming on the festival’s website\u003c/a>, \u003ca href=\"https://facebook.com/hardlystrictlybluegrass/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a> and \u003ca href=\"https://youtube.com/user/hsbfest\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a> pages, as well as on Xfinity.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13903769/hardly-strictly-announces-1m-for-musicians-cultural-preservation","authors":["11387"],"categories":["arts_1","arts_69"],"tags":["arts_11014","arts_10278","arts_2688"],"featImg":"arts_13903773","label":"arts"},"arts_13887609":{"type":"posts","id":"arts_13887609","meta":{"index":"posts_1591205157","site":"arts","id":"13887609","score":null,"sort":[1602114144000]},"guestAuthors":[],"slug":"hardly-strictly-gives-over-3-million-to-out-of-work-musicians-venues","title":"Hardly Strictly Gives Over $3 Million to Out-of-Work Musicians, Venues","publishDate":1602114144,"format":"standard","headTitle":"Hardly Strictly Gives Over $3 Million to Out-of-Work Musicians, Venues | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Founded by philanthropist F. Warren Hellman, \u003ca href=\"https://www.hardlystrictlybluegrass.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Hardly Strictly Bluegrass\u003c/a> has always brimmed with a spirit of generosity. For the last 20 years, the festival has brought a weekend of free music to Golden Gate Park, delighting fans and giving opportunities to dozens of local blues, rock and folk artists.\u003c/p>\n\u003cp>Hardly Strictly organizers have been incredibly giving during the pandemic, which has forced artists to cobble together a living without live shows and caused venues to teeter on the edge of closing permanently. (In fact, \u003ca href=\"https://www.kqed.org/coronavirusliveupdates/arts/13880741/oakland-venues-stork-club-spirithaus-shutter-due-to-pandemic\" target=\"_blank\" rel=\"noopener noreferrer\">some have\u003c/a> already.) In addition to their $1 million donation to the \u003ca href=\"https://www.artistrelief.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Artist Relief\u003c/a> fund, last weekend’s Let the Music Play On livestream—which took place instead of the IRL festival this year—raised $500,000 for the grant program, which gives out $5,000 to artists who’ve lost work during COVID-19 shutdowns. The current Artist Relief \u003ca href=\"https://www.artistrelief.org/apply\" target=\"_blank\" rel=\"noopener noreferrer\">application\u003c/a> cycle is open through Oct. 21. [aside postid='arts_13887215']\u003c/p>\n\u003cp>Hardly Strictly also announced that its own COVID-19 relief fund has given out $1.6 in funding. $600,000 of that amount went to individual musicians facing financial struggles, and $1 million went to Bay Area venues. Those include Ashkenaz, the Back Room, Bottom of the Hill, the Chapel, El Rio, Eli’s Mile High Club, Felton Music Hall, Geoffrey’s Inner Circle, the Ivy Room, the Lost Church, Mystic Theatre, the Monkey House, La Peña, Red Poppy Art House and the Starry Plough.\u003c/p>\n\u003cp>$25,000 also went to the \u003ca href=\"https://www.sweetrelief.org/rex-roadie-fund.html\" target=\"_blank\" rel=\"noopener noreferrer\">Sweet Relief Rex Roadie Fund\u003c/a>, which offers financial aid to crew members who work behind the scenes at concerts.\u003c/p>\n\u003cp>It’s crucial help for the music community at a time when the next COVID-19 relief package stalls in Congress, and the \u003ca href=\"https://www.kqed.org/arts/13883952/three-congressional-bills-could-help-save-independent-music-venues\" target=\"_blank\" rel=\"noopener noreferrer\">Save Our Stages Act\u003c/a> hangs in limbo.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The bluegrass-and-more festival has helped over a dozen concert halls and hundreds of musicians. ","status":"publish","parent":0,"modified":1705020016,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":305},"headData":{"title":"Hardly Strictly Gives Over $3 Million to Out-of-Work Musicians, Venues | KQED","description":"The bluegrass-and-more festival has helped over a dozen concert halls and hundreds of musicians. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Hardly Strictly Gives Over $3 Million to Out-of-Work Musicians, Venues","datePublished":"2020-10-07T23:42:24.000Z","dateModified":"2024-01-12T00:40:16.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13887609/hardly-strictly-gives-over-3-million-to-out-of-work-musicians-venues","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Founded by philanthropist F. Warren Hellman, \u003ca href=\"https://www.hardlystrictlybluegrass.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Hardly Strictly Bluegrass\u003c/a> has always brimmed with a spirit of generosity. For the last 20 years, the festival has brought a weekend of free music to Golden Gate Park, delighting fans and giving opportunities to dozens of local blues, rock and folk artists.\u003c/p>\n\u003cp>Hardly Strictly organizers have been incredibly giving during the pandemic, which has forced artists to cobble together a living without live shows and caused venues to teeter on the edge of closing permanently. (In fact, \u003ca href=\"https://www.kqed.org/coronavirusliveupdates/arts/13880741/oakland-venues-stork-club-spirithaus-shutter-due-to-pandemic\" target=\"_blank\" rel=\"noopener noreferrer\">some have\u003c/a> already.) In addition to their $1 million donation to the \u003ca href=\"https://www.artistrelief.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Artist Relief\u003c/a> fund, last weekend’s Let the Music Play On livestream—which took place instead of the IRL festival this year—raised $500,000 for the grant program, which gives out $5,000 to artists who’ve lost work during COVID-19 shutdowns. The current Artist Relief \u003ca href=\"https://www.artistrelief.org/apply\" target=\"_blank\" rel=\"noopener noreferrer\">application\u003c/a> cycle is open through Oct. 21. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13887215","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hardly Strictly also announced that its own COVID-19 relief fund has given out $1.6 in funding. $600,000 of that amount went to individual musicians facing financial struggles, and $1 million went to Bay Area venues. Those include Ashkenaz, the Back Room, Bottom of the Hill, the Chapel, El Rio, Eli’s Mile High Club, Felton Music Hall, Geoffrey’s Inner Circle, the Ivy Room, the Lost Church, Mystic Theatre, the Monkey House, La Peña, Red Poppy Art House and the Starry Plough.\u003c/p>\n\u003cp>$25,000 also went to the \u003ca href=\"https://www.sweetrelief.org/rex-roadie-fund.html\" target=\"_blank\" rel=\"noopener noreferrer\">Sweet Relief Rex Roadie Fund\u003c/a>, which offers financial aid to crew members who work behind the scenes at concerts.\u003c/p>\n\u003cp>It’s crucial help for the music community at a time when the next COVID-19 relief package stalls in Congress, and the \u003ca href=\"https://www.kqed.org/arts/13883952/three-congressional-bills-could-help-save-independent-music-venues\" target=\"_blank\" rel=\"noopener noreferrer\">Save Our Stages Act\u003c/a> hangs in limbo.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13887609/hardly-strictly-gives-over-3-million-to-out-of-work-musicians-venues","authors":["11387"],"categories":["arts_1","arts_235"],"tags":["arts_10126","arts_10127","arts_10278","arts_2688"],"featImg":"arts_13887621","label":"arts"},"arts_13862135":{"type":"posts","id":"arts_13862135","meta":{"index":"posts_1591205157","site":"arts","id":"13862135","score":null,"sort":[1564082308000]},"guestAuthors":[],"slug":"hardly-strictly-lineup-2019-iron-wine-and-calexico-margo-price-dakhabrakha-more","title":"Hardly Strictly 2019: Everything You Need to Know","publishDate":1564082308,"format":"standard","headTitle":"Hardly Strictly 2019: Everything You Need to Know | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003cstrong>By Nastia Voynovskaya\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Update, Sept. 3: \u003c/strong>\u003c/em>Hardly Strictly announced \u003ca href=\"http://www.hardlystrictlybluegrass.com/2019/updates/\" target=\"_blank\" rel=\"noopener\">new safety precautions\u003c/a> for this year’s festival in light of recent mass shootings that have \u003ca href=\"https://www.kqed.org/arts/13863343/music-festival-safety-mass-shootings\" target=\"_blank\" rel=\"noopener\">left festival-goers afraid\u003c/a> to attend large events. In contrast to previous years’ come-as-you-please vibe, there are now four official entrances on JFK and Transverse Drives, 30th Avenue and Fulton Street, JFK Drive and 36th Avenue and South Polo Field (here’s a \u003ca href=\"http://www.hardlystrictlybluegrass.com/2019/wp-content/themes/hsb/HSB19_map_entrances.pdf\" target=\"_blank\" rel=\"noopener\">map\u003c/a>).\u003c/p>\n\u003cp>The festival will also be fenced off, unlike in previous years, and gates open at 9am. Clear bags are required (you can find these at major retailers like Target, Amazon and Staples; many fast-fashion brands also carry clear purses). Coolers aren’t allowed anymore, and blankets and short-backed chairs will be subject to search.\u003c/p>\n\u003cp>“As the world changes, Hardly Strictly Bluegrass feels the need to respond, prioritizing safety over convenience,” festival organizers wrote in a statement. “We understand that these changes will make our event differ from years past, but are hopeful that our long-time fans will embrace these new rules and enjoy the performances as they always have.”\u003c/p>\n\u003cp>Organizers also announced the \u003ca href=\"http://www.hardlystrictlybluegrass.com/2019/artists/\" target=\"_blank\" rel=\"noopener\">complete lineup\u003c/a>, which features surrealist R&B band Tank and the Bangas; indie rockers New Pornographers; Portland psych-folk rockers Y La Bamba; Oakland blues revivalist and Grammy winner Fantastic Negrito; Kronos Quartet performing the works of Pete Seeger with Brian Carpenter, Lee Knight, Meklit, Aoife O’Donovan and the San Francisco Girls Chorus; Summer-of-Love blues-rockers Hot Tuna; and San Francisco indie rock singer-songwriter Chuck Prophet.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Update, Aug. 8: \u003c/strong>\u003c/em>Led Zeppelin front man Robert Plant is the latest addition to Hardly Strictly’s 2019 lineup, as well as the celebrated all-woman mariachi band Flor de Toloache. The festival now also includes Country Music Hall of Famer Emmylou Harris, indie rockers Kurt Vile & the Violators, folk duo Mandolin Orange, Oakland roots rock band Whiskerman, folk singer-songwriter Mary Gauthier, funk band Pimps of Joytime, folk band the Wild Reeds and up-and-coming country singer Yola.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Update, Aug. 1: \u003c/strong>\u003c/em>Hardly Strictly announced ten new acts on its lineup today. The festival now features traditional bluegrass band Dry Branch Fire Squad; country star Tanya Tucker; bluesy singer-songwriter Daniel Norgren; singer-songwriter Buddy Miller with fiddlers Dirk Powell and Stuart Duncan; charmingly plainspoken singer-songwriter John Craigie; Bay Area bluegrass band Hot Buttered Rum; Tuareg guitarist Mdou Moctar; roots rockers Black Joe Lewis & the Honeybears; bluegrass mandolinist Sierra Hull and up-and-coming Americana singer-songwriter Nikki Lane. Listen to a medley of phase two of the lineup \u003ca href=\"http://www.hardlystrictlybluegrass.com/2019/headline/hsb19-medley-2/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>July 25:\u003c/strong>\u003c/em> Last year’s \u003ca href=\"http://www.hardlystrictlybluegrass.com/2019/headline/hsb19-medley-1/\" target=\"_blank\" rel=\"noopener\">Hardly Strictly\u003c/a> marked a turning point for the more-than-just-bluegrass music festival, with new curator Chris Porter replacing longtime booker Dawn Holliday, who co-founded the free weekend-long concert in 2001 with Warren Hellman.\u003c/p>\n\u003cp>The festival returns to Golden Gate Park for its 18th edition on Oct. 4–6, with the first part of its lineup announced today. If fans were worried about a drastic change in the acts booked for the festival, they needn’t be: this year’s artists are a mix of familiar faces and sounds.\u003c/p>\n\u003cp>Hardly Strictly mainstay Steve Earle is back, along with acoustic Americana duo Milk Carton Kids and a joint performance from indie-folk band Iron & Wine and Southwestern rockers Calexico, who recently released a collaborative album.\u003c/p>\n\u003cp>Ukrainian band DakhaBrakha, whose vocal-driven music melds Eastern European folk melodies and sun-drenched psych rock, will also perform, as well as Texas roots country crooner Hayes Carll, blues guitarist and singer Jackie Greene, twangy rock band Meat Puppets, Grammy-nominated R&B, blues and Americana star Bettye LaVette (whose career is undergoing a \u003ca href=\"https://www.rollingstone.com/music/music-features/bettye-lavette-things-have-changed-tour-soul-survivor-703016/\" target=\"_blank\" rel=\"noopener\">renaissance\u003c/a>), up-and-coming Nashville country star Margo Price, and UK folk-rock band the Waterboys. (Listen to Hardly Strictly’s medley of all the artists \u003ca href=\"http://www.hardlystrictlybluegrass.com/2019/headline/hsb19-medley-1/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.)\u003c/p>\n\u003cp>https://youtu.be/m0cme4CSrck\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Hardly Strictly organizers also unveiled the schedule of “Out of the Park” concerts, taking place the week of the festival in venues all over the Bay Area. Hayes Carll performs at Sweetwater Music Hall in Mill Valley on Oct. 5; the same day, Meat Puppets hit the Ivy Room in Albany. On Oct. 6, Calexico and Iron & Wine play at the Mountain Winery in Saratoga. On Oct. 8-9, DakhaBrakha performs at Freight & Salvage in Berkeley. And the Waterboys play San Francisco’s Fillmore on Oct. 11.\u003c/p>\n\n","blocks":[],"excerpt":"The country, bluegrass and folk festival comes to Golden Gate Park Oct. 4-6.","status":"publish","parent":0,"modified":1705022486,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":765},"headData":{"title":"Hardly Strictly 2019: Everything You Need to Know | KQED","description":"The country, bluegrass and folk festival comes to Golden Gate Park Oct. 4-6.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Hardly Strictly 2019: Everything You Need to Know","datePublished":"2019-07-25T19:18:28.000Z","dateModified":"2024-01-12T01:21:26.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"event","featuredImageType":"standard","eventPrice":"Free","startTime":1570172400,"endTime":1570345200,"startTimeString":"Oct. 4–6, 2019","venueName":"Golden Gate Park","eventLink":"http://www.hardlystrictlybluegrass.com","path":"/arts/13862135/hardly-strictly-lineup-2019-iron-wine-and-calexico-margo-price-dakhabrakha-more","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By Nastia Voynovskaya\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Update, Sept. 3: \u003c/strong>\u003c/em>Hardly Strictly announced \u003ca href=\"http://www.hardlystrictlybluegrass.com/2019/updates/\" target=\"_blank\" rel=\"noopener\">new safety precautions\u003c/a> for this year’s festival in light of recent mass shootings that have \u003ca href=\"https://www.kqed.org/arts/13863343/music-festival-safety-mass-shootings\" target=\"_blank\" rel=\"noopener\">left festival-goers afraid\u003c/a> to attend large events. In contrast to previous years’ come-as-you-please vibe, there are now four official entrances on JFK and Transverse Drives, 30th Avenue and Fulton Street, JFK Drive and 36th Avenue and South Polo Field (here’s a \u003ca href=\"http://www.hardlystrictlybluegrass.com/2019/wp-content/themes/hsb/HSB19_map_entrances.pdf\" target=\"_blank\" rel=\"noopener\">map\u003c/a>).\u003c/p>\n\u003cp>The festival will also be fenced off, unlike in previous years, and gates open at 9am. Clear bags are required (you can find these at major retailers like Target, Amazon and Staples; many fast-fashion brands also carry clear purses). Coolers aren’t allowed anymore, and blankets and short-backed chairs will be subject to search.\u003c/p>\n\u003cp>“As the world changes, Hardly Strictly Bluegrass feels the need to respond, prioritizing safety over convenience,” festival organizers wrote in a statement. “We understand that these changes will make our event differ from years past, but are hopeful that our long-time fans will embrace these new rules and enjoy the performances as they always have.”\u003c/p>\n\u003cp>Organizers also announced the \u003ca href=\"http://www.hardlystrictlybluegrass.com/2019/artists/\" target=\"_blank\" rel=\"noopener\">complete lineup\u003c/a>, which features surrealist R&B band Tank and the Bangas; indie rockers New Pornographers; Portland psych-folk rockers Y La Bamba; Oakland blues revivalist and Grammy winner Fantastic Negrito; Kronos Quartet performing the works of Pete Seeger with Brian Carpenter, Lee Knight, Meklit, Aoife O’Donovan and the San Francisco Girls Chorus; Summer-of-Love blues-rockers Hot Tuna; and San Francisco indie rock singer-songwriter Chuck Prophet.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Update, Aug. 8: \u003c/strong>\u003c/em>Led Zeppelin front man Robert Plant is the latest addition to Hardly Strictly’s 2019 lineup, as well as the celebrated all-woman mariachi band Flor de Toloache. The festival now also includes Country Music Hall of Famer Emmylou Harris, indie rockers Kurt Vile & the Violators, folk duo Mandolin Orange, Oakland roots rock band Whiskerman, folk singer-songwriter Mary Gauthier, funk band Pimps of Joytime, folk band the Wild Reeds and up-and-coming country singer Yola.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Update, Aug. 1: \u003c/strong>\u003c/em>Hardly Strictly announced ten new acts on its lineup today. The festival now features traditional bluegrass band Dry Branch Fire Squad; country star Tanya Tucker; bluesy singer-songwriter Daniel Norgren; singer-songwriter Buddy Miller with fiddlers Dirk Powell and Stuart Duncan; charmingly plainspoken singer-songwriter John Craigie; Bay Area bluegrass band Hot Buttered Rum; Tuareg guitarist Mdou Moctar; roots rockers Black Joe Lewis & the Honeybears; bluegrass mandolinist Sierra Hull and up-and-coming Americana singer-songwriter Nikki Lane. Listen to a medley of phase two of the lineup \u003ca href=\"http://www.hardlystrictlybluegrass.com/2019/headline/hsb19-medley-2/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>July 25:\u003c/strong>\u003c/em> Last year’s \u003ca href=\"http://www.hardlystrictlybluegrass.com/2019/headline/hsb19-medley-1/\" target=\"_blank\" rel=\"noopener\">Hardly Strictly\u003c/a> marked a turning point for the more-than-just-bluegrass music festival, with new curator Chris Porter replacing longtime booker Dawn Holliday, who co-founded the free weekend-long concert in 2001 with Warren Hellman.\u003c/p>\n\u003cp>The festival returns to Golden Gate Park for its 18th edition on Oct. 4–6, with the first part of its lineup announced today. If fans were worried about a drastic change in the acts booked for the festival, they needn’t be: this year’s artists are a mix of familiar faces and sounds.\u003c/p>\n\u003cp>Hardly Strictly mainstay Steve Earle is back, along with acoustic Americana duo Milk Carton Kids and a joint performance from indie-folk band Iron & Wine and Southwestern rockers Calexico, who recently released a collaborative album.\u003c/p>\n\u003cp>Ukrainian band DakhaBrakha, whose vocal-driven music melds Eastern European folk melodies and sun-drenched psych rock, will also perform, as well as Texas roots country crooner Hayes Carll, blues guitarist and singer Jackie Greene, twangy rock band Meat Puppets, Grammy-nominated R&B, blues and Americana star Bettye LaVette (whose career is undergoing a \u003ca href=\"https://www.rollingstone.com/music/music-features/bettye-lavette-things-have-changed-tour-soul-survivor-703016/\" target=\"_blank\" rel=\"noopener\">renaissance\u003c/a>), up-and-coming Nashville country star Margo Price, and UK folk-rock band the Waterboys. (Listen to Hardly Strictly’s medley of all the artists \u003ca href=\"http://www.hardlystrictlybluegrass.com/2019/headline/hsb19-medley-1/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/m0cme4CSrck'\n title='//www.youtube.com/embed/m0cme4CSrck'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>Hardly Strictly organizers also unveiled the schedule of “Out of the Park” concerts, taking place the week of the festival in venues all over the Bay Area. Hayes Carll performs at Sweetwater Music Hall in Mill Valley on Oct. 5; the same day, Meat Puppets hit the Ivy Room in Albany. On Oct. 6, Calexico and Iron & Wine play at the Mountain Winery in Saratoga. On Oct. 8-9, DakhaBrakha performs at Freight & Salvage in Berkeley. And the Waterboys play San Francisco’s Fillmore on Oct. 11.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13862135/hardly-strictly-lineup-2019-iron-wine-and-calexico-margo-price-dakhabrakha-more","authors":["11387"],"programs":["arts_140"],"categories":["arts_69"],"tags":["arts_2688"],"featImg":"arts_13865612","label":"arts_140"},"arts_13842139":{"type":"posts","id":"arts_13842139","meta":{"index":"posts_1591205157","site":"arts","id":"13842139","score":null,"sort":[1538700936000]},"guestAuthors":[],"slug":"five-under-the-radar-acts-not-to-miss-at-hardly-strictly-this-weekend","title":"Five Under-the-Radar Acts Not to Miss at Hardly Strictly This Weekend","publishDate":1538700936,"format":"standard","headTitle":"Five Under-the-Radar Acts Not to Miss at Hardly Strictly This Weekend | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>This year’s \u003ca href=\"http://www.hardlystrictlybluegrass.com/2018/schedule/\" target=\"_blank\" rel=\"noopener\">Hardly Strictly Bluegrass Festival\u003c/a>, the free, annual San Francisco bluegrass-and-more festival, boasts well-known artists like Wilco’s Jeff Tweedy, LGBTQ trailblazer Ani DiFranco, Chicano rockers Los Lobos and soul revivalist Booker T. Jones and the Stax Revue.\u003c/p>\n\u003cp>[contextly_sidebar id=”83VME3IQ0Brfry6QMerXBGkykrlaD89e”]\u003c/p>\n\u003cp>But what about the nearly 80 other artists slated to perform at Golden Gate Park this weekend, Oct. 5–7, on the festival’s six stages? Below, we’ve rounded up five lesser-known acts not to miss.\u003c/p>\n\u003cp>https://youtu.be/dV8O_gCJVz4\u003c/p>\n\u003ch2>Vetiver\u003c/h2>\n\u003cp>\u003cstrong>Oct. 7, 11am. Rooster Stage. \u003c/strong>\u003cbr>\nSan Francisco’s Andy Cabic performs as Vetiver with a rotating cast of collaborators, but what remains constant is his ability to infinitely re-imagine folk and Americana guitar stylings in ways that feel dewy and fresh. The band’s last album, 2015’s \u003cem>Complete Strangers\u003c/em>, is a bit like walking through a cool redwood forest and catching glimpses of sunshine through the trees; Cabic’s dexterous guitar playing buoys the mellow mood.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://youtu.be/7-6s8obkaGY\u003c/p>\n\u003ch2>Raise Your Voice\u003c/h2>\n\u003cp>\u003cstrong>Oct. 7, 3:10pm. Bandwagon Stage. \u003c/strong>\u003cbr>\nThe outspoken students from Marjory Stoneman High School in Parkland, Florida have been pivotal to the national conversation around gun violence. Several of them, including Andrea Peña and Sawyer Garrity, have collaborated with the California nonprofit record label Little Village for an album called \u003cem>Raise Your Voice\u003c/em>, which features Parkland students and youth from around the country singing about issues that matter to them. Madison Yearsley (Seneca Falls, NY), Tyler Jenkins (New Haven, CT), Tyler Suarez (Bridgeport, CT), Ashlyn Flamer and Christopher Doleman (Phenix City, AL), Amalia Fleming (Morro Bay, CA), Ben Soto (Salt Lake City, UT) and Said Dahir (Salt Lake City, UT) are performing at Hardly Strictly.\u003c/p>\n\u003cp>https://youtu.be/K5L1fDK_7Xo\u003c/p>\n\u003ch2>Mavis Staples\u003c/h2>\n\u003cp>\u003cstrong>Oct. 5, 4:15pm. Banjo Stage.\u003c/strong>\u003cbr>\nAmid the many folk, country and Americana acts at Hardly Strictly, Mavis Staples is a stalwart of America’s gospel, blues and soul traditions, and, boy, has she had a storied career. Staples started out with her family’s band the Staple Singers in 1950, and later signed as a solo artist to the influential Stax Records. Not only did Prince collaborate with her on two of her albums, \u003cem>Time Waits for No One\u003c/em> and \u003cem>The Voice\u003c/em>, but she’s also been sampled by artists like Ice Cube and Salt n Pepa. On her latest album, \u003cem>If All I Was Was Black\u003c/em>, Staples sings about the rise of modern-day white supremacy from the point of view of someone who lived in—and toured through—the U.S. during segregation.\u003c/p>\n\u003cp>https://youtu.be/GVqA4agxtLM\u003c/p>\n\u003ch2>Robert Finley\u003c/h2>\n\u003cp>\u003cstrong>Oct. 7, 2:10pm. Tower of Gold Stage.\u003c/strong>\u003cbr>\nIn early 1970s, Robert Finley joined the U.S. Army as a helicopter technician; when the Vietnam War came to a close, he ended up a guitar player entertaining troops on military bases across the U.S. and Europe with the army band. When he returned to his Louisiana hometown after his service, Finley devoted himself to his career as a carpenter and treated his music as a hobby. That is, until Dan Auerbach of the Black Keys discovered him at age 63 and signed him to his label, Easy Eye Sound. Finley’s sweet falsetto and retro-modern gospel and soul sound has earned him a new, intergenerational fan base far beyond the confines of his small, southern hometown.\u003c/p>\n\u003cp>https://youtu.be/2xUXKu8hWlU\u003c/p>\n\u003ch2>Evolfo\u003c/h2>\n\u003cp>\u003c/p>\n\u003cp>Oct. 6, 5pm. Porch Stage.\u003cbr>\nBrooklyn six-piece Evolfo call themselves “garage soul” and “acid cowboys,” and both are accurate descriptors for their Summer of Love-steeped psychedelic jam band sound. Channeling the blues-rock influence of the Rolling Stones and the Doors, their danceable rhythms are swathed in layers of gauzy fuzz.\u003c/p>\n\n","blocks":[],"excerpt":"The free bluegrass festival takes place this weekend, Oct. 5–7, in Golden Gate Park. ","status":"publish","parent":0,"modified":1705027173,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":650},"headData":{"title":"Five Under-the-Radar Acts Not to Miss at Hardly Strictly This Weekend | KQED","description":"The free bluegrass festival takes place this weekend, Oct. 5–7, in Golden Gate Park. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Five Under-the-Radar Acts Not to Miss at Hardly Strictly This Weekend","datePublished":"2018-10-05T00:55:36.000Z","dateModified":"2024-01-12T02:39:33.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13842139/five-under-the-radar-acts-not-to-miss-at-hardly-strictly-this-weekend","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This year’s \u003ca href=\"http://www.hardlystrictlybluegrass.com/2018/schedule/\" target=\"_blank\" rel=\"noopener\">Hardly Strictly Bluegrass Festival\u003c/a>, the free, annual San Francisco bluegrass-and-more festival, boasts well-known artists like Wilco’s Jeff Tweedy, LGBTQ trailblazer Ani DiFranco, Chicano rockers Los Lobos and soul revivalist Booker T. Jones and the Stax Revue.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>But what about the nearly 80 other artists slated to perform at Golden Gate Park this weekend, Oct. 5–7, on the festival’s six stages? Below, we’ve rounded up five lesser-known acts not to miss.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dV8O_gCJVz4'\n title='//www.youtube.com/embed/dV8O_gCJVz4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>Vetiver\u003c/h2>\n\u003cp>\u003cstrong>Oct. 7, 11am. Rooster Stage. \u003c/strong>\u003cbr>\nSan Francisco’s Andy Cabic performs as Vetiver with a rotating cast of collaborators, but what remains constant is his ability to infinitely re-imagine folk and Americana guitar stylings in ways that feel dewy and fresh. The band’s last album, 2015’s \u003cem>Complete Strangers\u003c/em>, is a bit like walking through a cool redwood forest and catching glimpses of sunshine through the trees; Cabic’s dexterous guitar playing buoys the mellow mood.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7-6s8obkaGY'\n title='//www.youtube.com/embed/7-6s8obkaGY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>Raise Your Voice\u003c/h2>\n\u003cp>\u003cstrong>Oct. 7, 3:10pm. Bandwagon Stage. \u003c/strong>\u003cbr>\nThe outspoken students from Marjory Stoneman High School in Parkland, Florida have been pivotal to the national conversation around gun violence. Several of them, including Andrea Peña and Sawyer Garrity, have collaborated with the California nonprofit record label Little Village for an album called \u003cem>Raise Your Voice\u003c/em>, which features Parkland students and youth from around the country singing about issues that matter to them. Madison Yearsley (Seneca Falls, NY), Tyler Jenkins (New Haven, CT), Tyler Suarez (Bridgeport, CT), Ashlyn Flamer and Christopher Doleman (Phenix City, AL), Amalia Fleming (Morro Bay, CA), Ben Soto (Salt Lake City, UT) and Said Dahir (Salt Lake City, UT) are performing at Hardly Strictly.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/K5L1fDK_7Xo'\n title='//www.youtube.com/embed/K5L1fDK_7Xo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>Mavis Staples\u003c/h2>\n\u003cp>\u003cstrong>Oct. 5, 4:15pm. Banjo Stage.\u003c/strong>\u003cbr>\nAmid the many folk, country and Americana acts at Hardly Strictly, Mavis Staples is a stalwart of America’s gospel, blues and soul traditions, and, boy, has she had a storied career. Staples started out with her family’s band the Staple Singers in 1950, and later signed as a solo artist to the influential Stax Records. Not only did Prince collaborate with her on two of her albums, \u003cem>Time Waits for No One\u003c/em> and \u003cem>The Voice\u003c/em>, but she’s also been sampled by artists like Ice Cube and Salt n Pepa. On her latest album, \u003cem>If All I Was Was Black\u003c/em>, Staples sings about the rise of modern-day white supremacy from the point of view of someone who lived in—and toured through—the U.S. during segregation.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GVqA4agxtLM'\n title='//www.youtube.com/embed/GVqA4agxtLM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>Robert Finley\u003c/h2>\n\u003cp>\u003cstrong>Oct. 7, 2:10pm. Tower of Gold Stage.\u003c/strong>\u003cbr>\nIn early 1970s, Robert Finley joined the U.S. Army as a helicopter technician; when the Vietnam War came to a close, he ended up a guitar player entertaining troops on military bases across the U.S. and Europe with the army band. When he returned to his Louisiana hometown after his service, Finley devoted himself to his career as a carpenter and treated his music as a hobby. That is, until Dan Auerbach of the Black Keys discovered him at age 63 and signed him to his label, Easy Eye Sound. Finley’s sweet falsetto and retro-modern gospel and soul sound has earned him a new, intergenerational fan base far beyond the confines of his small, southern hometown.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/2xUXKu8hWlU'\n title='//www.youtube.com/embed/2xUXKu8hWlU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>Evolfo\u003c/h2>\n\u003cp>\u003c/p>\n\u003cp>Oct. 6, 5pm. Porch Stage.\u003cbr>\nBrooklyn six-piece Evolfo call themselves “garage soul” and “acid cowboys,” and both are accurate descriptors for their Summer of Love-steeped psychedelic jam band sound. Channeling the blues-rock influence of the Rolling Stones and the Doors, their danceable rhythms are swathed in layers of gauzy fuzz.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13842139/five-under-the-radar-acts-not-to-miss-at-hardly-strictly-this-weekend","authors":["11387"],"programs":["arts_140"],"categories":["arts_69"],"tags":["arts_2688","arts_596"],"featImg":"arts_10902418","label":"arts_140"},"arts_13839804":{"type":"posts","id":"arts_13839804","meta":{"index":"posts_1591205157","site":"arts","id":"13839804","score":null,"sort":[1535580892000]},"guestAuthors":[],"slug":"11-must-see-fall-concerts-beyonce-giorgio-moroder-blood-orange-and-more","title":"11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More","publishDate":1535580892,"format":"image","headTitle":"11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>This fall, the Bay Area concert calendar is packed with music festivals, tours from all-time greats and club appearances from notable up-and-comers. Whether you’re nostalgic for hyphy, craving a rave or need a soul-cleansing night of protest anthems, we’ve got you covered with our selective list of shows not to miss this season. Stay tuned for our jazz and classical preview later this week.\u003c/p>\n\u003ch2>September\u003c/h2>\n\u003cfigure id=\"attachment_13839943\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839943\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg\" alt=\"E-40 performs at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E-40 performs at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Kevin Winter/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/rolling-loud\" target=\"_blank\" rel=\"noopener\">Rolling Loud\u003c/a>\u003cbr>\nSept. 15–16, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Rolling Loud, the traveling rap festival, comes to the Bay Area for the second year in a row, bringing a solid mix of local and national talent to Oakland’s Oracle Arena. This festival is all about street and party rap, booking underground favorites alongside established major label signees. E-40, Kamaiyah, Mozzy, Noni Blanco, ALLBLACK and Saweetie are just a few of the artists representing Northern California, while Wiz Khalifa and Travis Scott headline. Gucci Mane, one of the architects of modern-day trap music, also appears, alongside next-generation trap artists like Lil Uzi Vert and Playboy Carti.\u003c/p>\n\u003cfigure id=\"attachment_13839941\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839941\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg\" alt=\"Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \" width=\"800\" height=\"457\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-768x439.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1020x583.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1200x686.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1180x674.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-960x549.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-240x137.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-375x214.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-520x297.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://thefoxoakland.com/events/blood-orange-2\" target=\"_blank\" rel=\"noopener\">\u003cb>Blood Orange\u003c/b>\u003c/a>\u003cbr>\n\u003cstrong>Sept. 20, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Devonté Hynes originally gained attention as a producer for indie-pop favorites Solange and Sky Ferreira before rising to major acclaim as a solo artist. As Blood Orange, his soulful tracks, with ’80s power-ballad drums and funky bass lines, stem from the lineages of Prince and Sade. Blood Orange brings a decisively melancholy overtone to his compositions; his latest album,\u003cem> Negro Swan\u003c/em>, is a highly personal project that deals with coming to terms with being different. He’s also a Bay Area favorite. When he opened for Grace Jones at the Greek Theater in 2016, he paid homage to Terrence McCrary, a.k.a TMACK, an artist and well-loved member of the creative community who was killed in a shooting.\u003c/p>\n\u003cfigure id=\"attachment_13829933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829933\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg\" alt=\"Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1200x674.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1180x663.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison. \u003ccite>(Lance Dawes/Courtesy of Los Tigres del Norte)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.sapcenter.com/events/detail/lostigresdelnorteandalejandrofernandez\" target=\"_blank\" rel=\"noopener\">Los Tigres del Norte and Alejandro Fernández\u003c/a>\u003cbr>\nSept. 21, SAP Center, San Jose.\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Los Tigres del Norte are practically synonymous with Mexican norteño music. Led by three brothers originally from Mexico, the band was founded in San Jose, where they perform in September with Mexican singer Alexandro Fernández, son of the great balladeer Vicente Fernández. With several generations of fans, Los Tigres have leveraged their fame to make powerful political statements. Most recently, they performed at Folsom State Prison in an act of solidarity with incarcerated people; prior to that, their song “Paisano a Paisano” told the stories of undocumented farm workers who toil in the fields as their bosses reap the riches.\u003c/p>\n\u003cfigure id=\"attachment_13839939\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839939\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg\" alt=\"Lil B performs at the 2015 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil B performs at the 2015 Coachella Valley Music & Arts Festival. \u003ccite>(Frazer Harrison/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/210090923180784/\" target=\"_blank\" rel=\"noopener\">DMP Music Festival\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Sept. 23, SoMa StrEat Food Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Nostalgic for the hyphy movement? DMP Music Festival, a new event in its first year, is the place to go stupid. The Pack, Lil B’s rap group responsible for songs like “Vans” and “Booty Bounce Boppa,” reunites for this event. Joining them on the bill is Vallejo rap prodigy Nef the Pharaoh, along with D-Lo, the North Oakland rapper whose 2009 song “No Hoe” still puts dance floors in a frenzy nearly 10 years later. Stunna shades and tall tees not required.\u003c/p>\n\u003cfigure id=\"attachment_10136103\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10136103 size-large\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/186799878_custom-49bd38fa52b87ae2afc5980791481eaa9028d70a-1440x1014.jpg\" alt=\"Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013.\" width=\"640\" height=\"451\">\u003cfigcaption class=\"wp-caption-text\">Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013. \u003ccite>(Gabriel Olsen/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://mezzaninesf.com/events/giorgio-moroder/\" target=\"_blank\" rel=\"noopener\">Giorgio Moroder\u003c/a>\u003cbr>\nSept. 28, Mezzanine, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Giorgio Moroder is the reason why half of the music on the radio sounds the way it does. Known as the father of disco and grandfather of house, the Italian producer helped popularize the synthesizer as a staple instrument of popular music, working with Donna Summer, Blondie, David Bowie, Daft Punk and many more. At 78 years old, he’s still touring and creating, and is considered the oldest DJ in the world. A true living legend.\u003c/p>\n\u003cp>\u003cb>\u003ca href=\"http://www.levisstadium.com/event/2018-09-29-otr-ll/\" target=\"_blank\" rel=\"noopener\">Beyoncé and Jay Z\u003c/a>\u003cbr>\n\u003cb>Sept. 29, Levi’s Stadium, Santa Clara.\u003c/b>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13829594\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829594\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg\" alt=\"Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California. \u003ccite>(Larry Busacca/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jay Z may have spat some bars about financial literacy recently, but Beyoncé is the true star of her and her husband’s On the Run II tour. As we saw with her Coachella performance, her live show is a larger-than-life, dazzling showcase that celebrates black family, femininity, love, creativity and resistance. Beyoncé and Jay Z’s latest album, \u003cem>Everything is Love\u003c/em>, which they released as The Carters, is a jubilant victory lap that celebrates America’s first family of pop.\u003c/p>\n\u003ch2>October\u003c/h2>\n\u003cfigure id=\"attachment_13839867\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839867\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg\" alt=\"Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana. \u003ccite>( Rick Diamond/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.hardlystrictlybluegrass.com/2018/\" target=\"_blank\" rel=\"noopener\">Hardly Strictly Bluegrass\u003c/a>\u003cbr>\nOct. 5–7, Golden Gate Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass has become a San Francisco tradition over the past 18 years, and best of all, it’s free. The fest books mostly bluegrass, folk and country acts, but there are also usually surprises from other genres (past years have featured MC Hammer and Big Freedia). The 2018 lineup includes over 80 acts on six stages; notable artists to look out for include singer-songwriter Ani DiFranco, Chicano rockers Los Lobos, Graham Nash of Crosby, Stills, Nash & Young and lots more.\u003c/p>\n\u003cfigure id=\"attachment_13832404\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832404\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg\" alt=\"Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.treasureislandfestival.com/\" target=\"_blank\" rel=\"noopener\">Treasure Island Music Festival\u003c/a>\u003cbr>\nOct. 13–14, Middle Harbor Shoreline Park, Oakland.\u003c/strong>\u003c/p>\n\u003cp>After skipping a year in 2017, Treasure Island is back—this time across the bay in West Oakland’s Middle Harbor Shoreline Park. Headliners this year include “L$D” rapper A$AP Rocky and psych rockers Tame Impala. Pusha T, who recently made a comeback on Kanye West’s G.O.O.D. Music after his infamous beef with Drake, will also be there, as well as Courtney Barnett and Soccer Mommy, two of the most interesting indie rock singer-songwriters to come out in years.\u003c/p>\n\u003ch2>November\u003c/h2>\n\u003cfigure id=\"attachment_13013074\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13013074\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg\" alt=\"Joan Baez performs onstage at the ASCAP Centennial Awards in 2014.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Joan Baez performs onstage at the ASCAP Centennial Awards in 2014. \u003ccite>(Brian Ach/Getty Images for ASCAP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.stubhub.com/joan-baez-tickets/performer/228/\" target=\"_blank\" rel=\"noopener\">Joan Baez\u003c/a>\u003cbr>\nNov. 11, Weill Hall, Ronhert Park\u003cbr>\nNov. 15, The Masonic, San Francisco\u003cbr>\nNov. 16–17, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Joan Baez—need I say more? The folk great and activist will be making her rounds through Northern California in November with four sold-out concerts. (At press time, tickets are still available on the secondary market starting in the $70 range.) Baez has used her voice to stand in solidarity with the civil rights, labor and anti-war movements and continues to give people hope in today’s political moment with classic songs like “We Shall Overcome.”\u003c/p>\n\u003cfigure id=\"attachment_13839946\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839946\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg\" alt=\"Bonobo at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bonobo at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Jason Kempin/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.themidwaysf.com/event/1750684-bonobo-dj-set-san-francisco/\" target=\"_blank\" rel=\"noopener\">Bonobo\u003c/a>\u003cbr>\nNov. 17, The Midway, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>The Midway, the spacious warehouse-turned-venue in San Francisco’s Dogpatch neighborhood, is an excellent place to rave. This November, it plays host to British producer Bonobo, who’s earned a cult following over the past 20 years for his eclectic house, EDM and ambient production, fusing jazz and world music elements into his danceable and surprising beats.\u003c/p>\n\u003cfigure id=\"attachment_13839947\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839947\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg\" alt=\"Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \u003ccite>(Steven Ferdman/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/fleetwood-mac-2\" target=\"_blank\" rel=\"noopener\">Fleetwood Mac\u003c/a>\u003cbr>\nNov. 25, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Fleetwood Mac’s “Dreams” unexpectedly shot to the top of Billboard’s rock chart this year on the strength of a viral meme that paired the 1977 track with a video of Alcorn State University’s dance troupe—a testament to Fleetwood Mac’s enduring, cross-cultural and intergenerational appeal. The band is back on tour and working on new material, so here’s a chance to watch them perform classics like “The Chain” and “Go Your Own Way” and witness frontwoman Stevie Nicks in all her bohemian goddess glory.\u003c/p>\n\n","blocks":[],"excerpt":" Whether you're nostalgic for the hyphy movement, craving a rave or need a soul-cleansing moment of singing along to protest anthems, we've got you covered. ","status":"publish","parent":0,"modified":1705027309,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":25,"wordCount":1464},"headData":{"title":"11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More | KQED","description":" Whether you're nostalgic for the hyphy movement, craving a rave or need a soul-cleansing moment of singing along to protest anthems, we've got you covered. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"11 Must-See Fall Concerts: Beyoncé, Giorgio Moroder, Blood Orange and More","datePublished":"2018-08-29T22:14:52.000Z","dateModified":"2024-01-12T02:41:49.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13839804/11-must-see-fall-concerts-beyonce-giorgio-moroder-blood-orange-and-more","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This fall, the Bay Area concert calendar is packed with music festivals, tours from all-time greats and club appearances from notable up-and-comers. Whether you’re nostalgic for hyphy, craving a rave or need a soul-cleansing night of protest anthems, we’ve got you covered with our selective list of shows not to miss this season. Stay tuned for our jazz and classical preview later this week.\u003c/p>\n\u003ch2>September\u003c/h2>\n\u003cfigure id=\"attachment_13839943\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839943\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg\" alt=\"E-40 performs at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484349659.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E-40 performs at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Kevin Winter/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/rolling-loud\" target=\"_blank\" rel=\"noopener\">Rolling Loud\u003c/a>\u003cbr>\nSept. 15–16, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Rolling Loud, the traveling rap festival, comes to the Bay Area for the second year in a row, bringing a solid mix of local and national talent to Oakland’s Oracle Arena. This festival is all about street and party rap, booking underground favorites alongside established major label signees. E-40, Kamaiyah, Mozzy, Noni Blanco, ALLBLACK and Saweetie are just a few of the artists representing Northern California, while Wiz Khalifa and Travis Scott headline. Gucci Mane, one of the architects of modern-day trap music, also appears, alongside next-generation trap artists like Lil Uzi Vert and Playboy Carti.\u003c/p>\n\u003cfigure id=\"attachment_13839941\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839941\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg\" alt=\"Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \" width=\"800\" height=\"457\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-800x457.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-768x439.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1020x583.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1200x686.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-1180x674.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-960x549.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-240x137.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-375x214.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-597566750-520x297.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dev Hynes aka Blood Orange performs at FYF Fest 2016 in Los Angeles. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://thefoxoakland.com/events/blood-orange-2\" target=\"_blank\" rel=\"noopener\">\u003cb>Blood Orange\u003c/b>\u003c/a>\u003cbr>\n\u003cstrong>Sept. 20, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Devonté Hynes originally gained attention as a producer for indie-pop favorites Solange and Sky Ferreira before rising to major acclaim as a solo artist. As Blood Orange, his soulful tracks, with ’80s power-ballad drums and funky bass lines, stem from the lineages of Prince and Sade. Blood Orange brings a decisively melancholy overtone to his compositions; his latest album,\u003cem> Negro Swan\u003c/em>, is a highly personal project that deals with coming to terms with being different. He’s also a Bay Area favorite. When he opened for Grace Jones at the Greek Theater in 2016, he paid homage to Terrence McCrary, a.k.a TMACK, an artist and well-loved member of the creative community who was killed in a shooting.\u003c/p>\n\u003cfigure id=\"attachment_13829933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829933\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg\" alt=\"Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1200x674.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-1180x663.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746-520x292.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/folsom-1_wide-02ac599b37ab10db7d7da273963b73cf4dc2e746.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hernán and Jorge Hernández from Los Tigres del Norte perform at Folsom State Prison. \u003ccite>(Lance Dawes/Courtesy of Los Tigres del Norte)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.sapcenter.com/events/detail/lostigresdelnorteandalejandrofernandez\" target=\"_blank\" rel=\"noopener\">Los Tigres del Norte and Alejandro Fernández\u003c/a>\u003cbr>\nSept. 21, SAP Center, San Jose.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Los Tigres del Norte are practically synonymous with Mexican norteño music. Led by three brothers originally from Mexico, the band was founded in San Jose, where they perform in September with Mexican singer Alexandro Fernández, son of the great balladeer Vicente Fernández. With several generations of fans, Los Tigres have leveraged their fame to make powerful political statements. Most recently, they performed at Folsom State Prison in an act of solidarity with incarcerated people; prior to that, their song “Paisano a Paisano” told the stories of undocumented farm workers who toil in the fields as their bosses reap the riches.\u003c/p>\n\u003cfigure id=\"attachment_13839939\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839939\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg\" alt=\"Lil B performs at the 2015 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-469249174-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil B performs at the 2015 Coachella Valley Music & Arts Festival. \u003ccite>(Frazer Harrison/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/210090923180784/\" target=\"_blank\" rel=\"noopener\">DMP Music Festival\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Sept. 23, SoMa StrEat Food Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Nostalgic for the hyphy movement? DMP Music Festival, a new event in its first year, is the place to go stupid. The Pack, Lil B’s rap group responsible for songs like “Vans” and “Booty Bounce Boppa,” reunites for this event. Joining them on the bill is Vallejo rap prodigy Nef the Pharaoh, along with D-Lo, the North Oakland rapper whose 2009 song “No Hoe” still puts dance floors in a frenzy nearly 10 years later. Stunna shades and tall tees not required.\u003c/p>\n\u003cfigure id=\"attachment_10136103\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10136103 size-large\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/186799878_custom-49bd38fa52b87ae2afc5980791481eaa9028d70a-1440x1014.jpg\" alt=\"Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013.\" width=\"640\" height=\"451\">\u003cfigcaption class=\"wp-caption-text\">Giorgio Moroder performs at HARD Day Of The Dead in Los Angeles in November 2013. \u003ccite>(Gabriel Olsen/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://mezzaninesf.com/events/giorgio-moroder/\" target=\"_blank\" rel=\"noopener\">Giorgio Moroder\u003c/a>\u003cbr>\nSept. 28, Mezzanine, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Giorgio Moroder is the reason why half of the music on the radio sounds the way it does. Known as the father of disco and grandfather of house, the Italian producer helped popularize the synthesizer as a staple instrument of popular music, working with Donna Summer, Blondie, David Bowie, Daft Punk and many more. At 78 years old, he’s still touring and creating, and is considered the oldest DJ in the world. A true living legend.\u003c/p>\n\u003cp>\u003cb>\u003ca href=\"http://www.levisstadium.com/event/2018-09-29-otr-ll/\" target=\"_blank\" rel=\"noopener\">Beyoncé and Jay Z\u003c/a>\u003cbr>\n\u003cb>Sept. 29, Levi’s Stadium, Santa Clara.\u003c/b>\u003c/b>\u003c/p>\n\u003cfigure id=\"attachment_13829594\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829594\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg\" alt=\"Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/GettyImages-946417964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Beyonce Knowles performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California. \u003ccite>(Larry Busacca/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jay Z may have spat some bars about financial literacy recently, but Beyoncé is the true star of her and her husband’s On the Run II tour. As we saw with her Coachella performance, her live show is a larger-than-life, dazzling showcase that celebrates black family, femininity, love, creativity and resistance. Beyoncé and Jay Z’s latest album, \u003cem>Everything is Love\u003c/em>, which they released as The Carters, is a jubilant victory lap that celebrates America’s first family of pop.\u003c/p>\n\u003ch2>October\u003c/h2>\n\u003cfigure id=\"attachment_13839867\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839867\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg\" alt=\"Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-143810746-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival on May 3, 2012 in New Orleans, Louisiana. \u003ccite>( Rick Diamond/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.hardlystrictlybluegrass.com/2018/\" target=\"_blank\" rel=\"noopener\">Hardly Strictly Bluegrass\u003c/a>\u003cbr>\nOct. 5–7, Golden Gate Park, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass has become a San Francisco tradition over the past 18 years, and best of all, it’s free. The fest books mostly bluegrass, folk and country acts, but there are also usually surprises from other genres (past years have featured MC Hammer and Big Freedia). The 2018 lineup includes over 80 acts on six stages; notable artists to look out for include singer-songwriter Ani DiFranco, Chicano rockers Los Lobos, Graham Nash of Crosby, Stills, Nash & Young and lots more.\u003c/p>\n\u003cfigure id=\"attachment_13832404\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13832404\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg\" alt=\"Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/tame-impala-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.treasureislandfestival.com/\" target=\"_blank\" rel=\"noopener\">Treasure Island Music Festival\u003c/a>\u003cbr>\nOct. 13–14, Middle Harbor Shoreline Park, Oakland.\u003c/strong>\u003c/p>\n\u003cp>After skipping a year in 2017, Treasure Island is back—this time across the bay in West Oakland’s Middle Harbor Shoreline Park. Headliners this year include “L$D” rapper A$AP Rocky and psych rockers Tame Impala. Pusha T, who recently made a comeback on Kanye West’s G.O.O.D. Music after his infamous beef with Drake, will also be there, as well as Courtney Barnett and Soccer Mommy, two of the most interesting indie rock singer-songwriters to come out in years.\u003c/p>\n\u003ch2>November\u003c/h2>\n\u003cfigure id=\"attachment_13013074\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13013074\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg\" alt=\"Joan Baez performs onstage at the ASCAP Centennial Awards in 2014.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Joan Baez performs onstage at the ASCAP Centennial Awards in 2014. \u003ccite>(Brian Ach/Getty Images for ASCAP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.stubhub.com/joan-baez-tickets/performer/228/\" target=\"_blank\" rel=\"noopener\">Joan Baez\u003c/a>\u003cbr>\nNov. 11, Weill Hall, Ronhert Park\u003cbr>\nNov. 15, The Masonic, San Francisco\u003cbr>\nNov. 16–17, Fox Theater, Oakland.\u003c/strong>\u003c/p>\n\u003cp>Joan Baez—need I say more? The folk great and activist will be making her rounds through Northern California in November with four sold-out concerts. (At press time, tickets are still available on the secondary market starting in the $70 range.) Baez has used her voice to stand in solidarity with the civil rights, labor and anti-war movements and continues to give people hope in today’s political moment with classic songs like “We Shall Overcome.”\u003c/p>\n\u003cfigure id=\"attachment_13839946\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839946\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg\" alt=\"Bonobo at the 2014 Coachella Valley Music & Arts Festival.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-484285045-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bonobo at the 2014 Coachella Valley Music & Arts Festival. \u003ccite>(Jason Kempin/Getty Images for Coachella)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.themidwaysf.com/event/1750684-bonobo-dj-set-san-francisco/\" target=\"_blank\" rel=\"noopener\">Bonobo\u003c/a>\u003cbr>\nNov. 17, The Midway, San Francisco.\u003c/strong>\u003c/p>\n\u003cp>The Midway, the spacious warehouse-turned-venue in San Francisco’s Dogpatch neighborhood, is an excellent place to rave. This November, it plays host to British producer Bonobo, who’s earned a cult following over the past 20 years for his eclectic house, EDM and ambient production, fusing jazz and world music elements into his danceable and surprising beats.\u003c/p>\n\u003cfigure id=\"attachment_13839947\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839947\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg\" alt=\"Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/GettyImages-910834964-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Christine McVie (L) and Stevie Nicks of Fleetwood Mac perform during MusiCares Person of the Year honoring Fleetwood Mac at Radio City Music Hall on January 26, 2018 in New York City. \u003ccite>(Steven Ferdman/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.oraclearena.com/events/detail/fleetwood-mac-2\" target=\"_blank\" rel=\"noopener\">Fleetwood Mac\u003c/a>\u003cbr>\nNov. 25, Oracle Arena, Oakland.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Fleetwood Mac’s “Dreams” unexpectedly shot to the top of Billboard’s rock chart this year on the strength of a viral meme that paired the 1977 track with a video of Alcorn State University’s dance troupe—a testament to Fleetwood Mac’s enduring, cross-cultural and intergenerational appeal. The band is back on tour and working on new material, so here’s a chance to watch them perform classics like “The Chain” and “Go Your Own Way” and witness frontwoman Stevie Nicks in all her bohemian goddess glory.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13839804/11-must-see-fall-concerts-beyonce-giorgio-moroder-blood-orange-and-more","authors":["11387"],"programs":["arts_140"],"categories":["arts_69"],"tags":["arts_1686","arts_5537","arts_1118","arts_2415","arts_1006","arts_2688","arts_2519","arts_596","arts_905","arts_2458","arts_4845"],"featImg":"arts_13839942","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. 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