Your Best Bets for Jazz and Classical in the Bay Area This Fall
Protest, Isolation and Revolution in Wynton Marsalis' 'The Democracy! Suite'
On the Air: Cy and Ariana's Do List Picks for Jan. 26, 2018
What's Old is New Again with Ladysmith Black Mambazo
On the Air: Cy and A-lan's Do List Picks for Nov. 3, 2017
The Santa Rosa Symphony Turns to Healing and Transformation
On the Air: Cy and Tomas' Do List Picks for Oct. 24, 2017
A Conductor Plays Politics and Leads a Great Orchestra
How to Help Fire Survivors Through Art
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11","imgSizes":{"thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-160x90.jpg","width":160,"height":90,"mimeType":"image/jpeg"},"medium":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-800x450.jpg","width":800,"height":450,"mimeType":"image/jpeg"},"medium_large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-768x432.jpg","width":768,"height":432,"mimeType":"image/jpeg"},"large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-1020x574.jpg","width":1020,"height":574,"mimeType":"image/jpeg"},"fd-lrg":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-1920x1080.jpg","width":1920,"height":1080,"mimeType":"image/jpeg"},"fd-med":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-1180x664.jpg","width":1180,"height":664,"mimeType":"image/jpeg"},"fd-sm":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-960x540.jpg","width":960,"height":540,"mimeType":"image/jpeg"},"post-thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-672x372.jpg","width":672,"height":372,"mimeType":"image/jpeg"},"twentyfourteen-full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-1038x576.jpg","width":1038,"height":576,"mimeType":"image/jpeg"},"xxsmall":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-240x135.jpg","width":240,"height":135,"mimeType":"image/jpeg"},"xsmall":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-375x211.jpg","width":375,"height":211,"mimeType":"image/jpeg"},"small":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-520x293.jpg","width":520,"height":293,"mimeType":"image/jpeg"},"xlarge":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-1180x664.jpg","width":1180,"height":664,"mimeType":"image/jpeg"},"full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-1920x1080.jpg","width":1920,"height":1080,"mimeType":"image/jpeg"},"guest-author-32":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-32x32.jpg","width":32,"height":32,"mimeType":"image/jpeg"},"guest-author-50":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-50x50.jpg","width":50,"height":50,"mimeType":"image/jpeg"},"guest-author-64":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-64x64.jpg","width":64,"height":64,"mimeType":"image/jpeg"},"guest-author-96":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-96x96.jpg","width":96,"height":96,"mimeType":"image/jpeg"},"guest-author-128":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-that-will-be-auctioned-at-a-fundraiser-at-the-gallery-Nov.-11-e1508966581184-128x128.jpg","width":128,"height":128,"mimeType":"image/jpeg"},"detail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2017/10/Agent-Inks-Curt-Barnickel-holding-a-painting-th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He loves live performance, especially great theater, jazz, roots music, anything by Mahler. Cy has an MJ from UC Berkeley's School of Journalism, and got his BA from Hampshire College. His work has been recognized by the Society for Professional Journalists with their Sigma Delta Chi Award for Public Service in Journalism. When he can, Cy likes to swim in Tomales Bay, run with his dog in the East Bay Hills, and hike the Sierra.","avatar":"https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["Contributor","subscriber"]},{"site":"news","roles":["author"]},{"site":"bayareabites","roles":["contributor"]}],"headData":{"title":"Cy Musiker | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/cmusiker"},"gmeline":{"type":"authors","id":"185","meta":{"index":"authors_1591205172","id":"185","found":true},"name":"Gabe Meline","firstName":"Gabe","lastName":"Meline","slug":"gmeline","email":"gmeline@kqed.org","display_author_email":false,"staff_mastheads":["arts"],"title":"Senior Editor, KQED Arts & Culture","bio":"Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife, his daughter, and a 1964 Volvo in his hometown of Santa Rosa, CA.","avatar":"https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g","twitter":"gmeline","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"","roles":["editor"]},{"site":"arts","roles":["administrator"]},{"site":"artschool","roles":["editor"]},{"site":"news","roles":["author"]},{"site":"pop","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"food","roles":["editor"]},{"site":"liveblog","roles":["editor"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Gabe Meline | KQED","description":"Senior Editor, KQED Arts & Culture","ogImgSrc":"https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/80e9715844c5fc3f07edac5b08973b76?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/gmeline"},"sgetachew":{"type":"authors","id":"11734","meta":{"index":"authors_1591205172","id":"11734","found":true},"name":"Samuel Getachew","firstName":"Samuel","lastName":"Getachew","slug":"sgetachew","email":"sgetachew@kqed.org","display_author_email":false,"staff_mastheads":[],"title":"KQED Contributor","bio":"\u003cspan style=\"font-weight: 400;\">Samuel Getachew is an 18-year-old poet and writer from Oakland, California. He is the 2019 Oakland Youth Poet Laureate, a 2020 Finalist for National Youth Poet Laureate, and a 4-time YoungArts Winner. His writing has been published in Teen Vogue, the New York Times, the Washington Post, and more. He will attend Yale University in the fall of 2021.\u003c/span>","avatar":"https://secure.gravatar.com/avatar/ebad3dcf2295975cfe77698fa670a089?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["subscriber"]}],"headData":{"title":"Samuel Getachew | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/ebad3dcf2295975cfe77698fa670a089?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/ebad3dcf2295975cfe77698fa670a089?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/sgetachew"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13918575":{"type":"posts","id":"arts_13918575","meta":{"index":"posts_1591205157","site":"arts","id":"13918575","score":null,"sort":[1662134408000]},"guestAuthors":[],"slug":"jazz-classical-bay-area-concerts-performances-best-fall-2022","title":"Your Best Bets for Jazz and Classical in the Bay Area This Fall","publishDate":1662134408,"format":"standard","headTitle":"Your Best Bets for Jazz and Classical in the Bay Area This Fall | KQED","labelTerm":{},"content":"\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/fallarts2022\">\u003cem>Find more of KQED’s picks for the best Fall 2022 events here.\u003c/em>\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>The leaves turn, the days shorten and, each fall, performing arts groups ready their new seasons. While my colleague Nastia Voynovskaya brings you \u003ca href=\"https://www.kqed.org/arts/13917837/fall-arts-2022-concerts-clubs\" rel=\"noopener noreferrer\" target=\"_blank\">the top concerts, festivals and nightclub dates this fall\u003c/a>, here are KQED’s picks for the grown-and-seasoned lovers of jazz and classical. \u003c/p>\n\u003cfigure id=\"attachment_13918615\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/antonycleopatra.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918615\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/antonycleopatra-800x532.jpg\" alt=\"a woman in an orange dress and a man in a green robe embrace against a black backdrop on stage\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/antonycleopatra-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/antonycleopatra-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/antonycleopatra-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/antonycleopatra-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/antonycleopatra.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Amina Edris as Cleopatra and Gerald Finley as Antony in a rehearsal still from SF Opera’s ‘Antony and Cleopatra.’ \u003ccite>(Cory Weaver/San Francisco Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.sfopera.com/operas/antony-and-cleopatra/\">Antony and Cleopatra\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Sept. 10–Oct. 5\u003cbr>\nWar Memorial Opera House, San Francisco\u003c/em>\u003c/p>\n\u003cp>The last time John Adams premiered an opera at the War Memorial Opera House, he dug back into California history for \u003cem>Girls of the Golden West\u003c/em>, a gold-rush story that KQED Arts & Culture’s Nastia Voynovskaya called “\u003ca href=\"https://www.kqed.org/arts/13815647/girls-of-the-golden-west-is-nothing-like-your-high-school-history-book\" rel=\"noopener noreferrer\" target=\"_blank\">a timely dialogue about our state history that helps us better understand the present\u003c/a>.” This time around, Adams travels back even further, to one of the world’s most famous love stories, as composer and librettist. Any new work by Adams is cause for celebration, and under the direction of Elkhanah Pulitzer, \u003cem>Antony and Cleopatra\u003c/em> stars Gerald Finley and Amina Edris in the title roles.\u003c/p>\n\u003cfigure id=\"attachment_13918636\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/billy-cobham-copy-800x533.jpg\" alt=\"a Black man in a Converse All-Stars t-shirt stands on front of a drum set\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13918636\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/billy-cobham-copy-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/billy-cobham-copy-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/billy-cobham-copy-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/billy-cobham-copy-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/billy-cobham-copy-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/billy-cobham-copy-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/billy-cobham-copy.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billy Cobham celebrates his second album, Crosswinds, at Yoshi’s in September. \u003ccite>(Yoshi's)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://yoshis.com/events/buy-tickets/billy-cobham-1/detail\" rel=\"noopener noreferrer\" target=\"_blank\">Billy Cobham’s Crosswinds Project\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 20–21\u003cbr>\nYoshi’s, Oakland\u003c/em>\u003c/p>\n\u003cp>The venerable Oakland jazz club Yoshi’s has a sampladelic fall coming up. Bob James, who has been sampled so many times in hip-hop songs that he’s devoted \u003ca href=\"https://www.youtube.com/watch?v=1NI5Nl4XvXM\" rel=\"noopener noreferrer\" target=\"_blank\">a whole YouTube reaction series\u003c/a> to them, hits the Yoshi’s stage Oct. 23. But drummers will rejoice at the booking of Billy Cobham, who plays Yoshi’s Sept. 20–21. Of course, here in the Bay Area, we know Cobham’s “\u003ca href=\"https://youtu.be/e3E9vx5vVck?t=258\" rel=\"noopener noreferrer\" target=\"_blank\">Heather\u003c/a>” as the sample source for one of our bona fide anthems: “\u003ca href=\"https://www.youtube.com/watch?v=fXJc2NYwHjw\" rel=\"noopener noreferrer\" target=\"_blank\">93 Til Infinity\u003c/a>.” It’s serendipity, then, that he brings to Oakland his Crossroads Project, a group formed to celebrate \u003cem>Crossroads\u003c/em>, the album containing “Heather”—and the inadvertent seed of a Bay Area hip-hop hit.\u003c/p>\n\u003cfigure id=\"attachment_13918637\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/s10_web_natesmithkinfolkimmanuelwilkins_hero-800x338.jpg\" alt=\"a man at the drums and a man playing saxophone, in diptych\" width=\"800\" height=\"338\" class=\"size-medium wp-image-13918637\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/s10_web_natesmithkinfolkimmanuelwilkins_hero-800x338.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/s10_web_natesmithkinfolkimmanuelwilkins_hero-1020x430.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/s10_web_natesmithkinfolkimmanuelwilkins_hero-160x68.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/s10_web_natesmithkinfolkimmanuelwilkins_hero-768x324.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/s10_web_natesmithkinfolkimmanuelwilkins_hero-1536x648.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/s10_web_natesmithkinfolkimmanuelwilkins_hero.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nate Smith (left) and Immanuel Wilkins (right) come to SFJAZZ as part of the ‘Traditions in Transition’ series. \u003ccite>(SFJAZZ)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sfjazz.org/tickets/productions/nate-smith-immanuel-wilkins/\">Nate Smith + Kinfolk / Immanuel Wilkins Quartet\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 22\u003cbr>\nSFJAZZ Miner Auditorium, San Francisco\u003c/em>\u003c/p>\n\u003cp>With SFJAZZ’s upcoming ‘\u003ca href=\"https://www.sfjazz.org/calendar/?month=9.2022&event-type=3&series=50850\" rel=\"noopener noreferrer\" target=\"_blank\">Traditions in Transition\u003c/a>’ series, no jazz fan should miss out on the chance to see Joshua Redman, Christian McBride, Brad Mehldau and Brian Blade (Sept. 23), Julian Lage (Sept. 24) or Orquesta Akokan (Sept. 25). But I’m gonna give it up for the new breed here with drummer Nate Smith and alto saxophonist Immanuel Wilkins. Wilkins’ latest album for Blue Note, \u003cem>The 7th Hand\u003c/em>, is a rich entry to the modern spiritual jazz canon, and Grammy-nominated Smith is a dazzling player in a live setting.\u003c/p>\n\u003cfigure id=\"attachment_13918589\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Lubomyr-melnyk_DSC08011.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918589\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Lubomyr-melnyk_DSC08011.jpg\" alt=\"a black and white photo of a man sitting at a piano\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Lubomyr-melnyk_DSC08011.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Lubomyr-melnyk_DSC08011-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Lubomyr-melnyk_DSC08011-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Lubomyr Melnyk at the Aarhus Festival in Denmark, 2018. Melnyk performs at The Lab in San Francisco Sept. 23. \u003ccite>(Hreinn Gudlaugsson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.thelab.org/projects/2022/9/23/lubomyr-melnyk\">Lubomyr Melnyk\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 23\u003cbr>\nThe Lab, San Francisco\u003c/em>\u003c/p>\n\u003cp>Ukrainian composer Lubomyr Melnyk is getting a little more notice this year, and it’s overdue: his prolific output of experimental minimalism stretches back to the 1970s. Unlike other minimalists like Philip Glass or Steve Reich, Malnyk veers into the eerie, the noisy, the tense. What’s probably now his best-known work, “\u003ca href=\"https://www.youtube.com/watch?v=1z5gu2hhpAk\" rel=\"noopener noreferrer\" target=\"_blank\">Pockets of Light\u003c/a>,” features the vocals of multi-instrumentalist Peter Broderick, and he’s even performed \u003ca href=\"https://www.youtube.com/watch?v=SWc1MZoQvqQ\" rel=\"noopener noreferrer\" target=\"_blank\">a set for Boiler Room\u003c/a>, the well-known DJ series. In the intimate upstairs confines of The Lab, a treasured arts space in the Mission District, his trance-like music should be especially resonant.\u003c/p>\n\u003cfigure id=\"attachment_13918638\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Gregory_Porter_Kongsberg_Jazzfestival_2018_191917-800x626.jpg\" alt=\"a Black man sings, wearing a white suit and bowtie\" width=\"800\" height=\"626\" class=\"size-medium wp-image-13918638\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Gregory_Porter_Kongsberg_Jazzfestival_2018_191917-800x626.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Gregory_Porter_Kongsberg_Jazzfestival_2018_191917-160x125.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Gregory_Porter_Kongsberg_Jazzfestival_2018_191917-768x601.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Gregory_Porter_Kongsberg_Jazzfestival_2018_191917.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gregory Porter at the Kongsberg Jazzfestival in Norway in 2018. Porter performs at this year’s Monterey Jazz Festival. \u003ccite>(Tore Sætre / Wikimedia)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://montereyjazzfestival.org/\">Monterey Jazz Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 23–Sept. 25\u003c/em>\u003cbr>\n\u003cem>Monterey County Fairgrounds\u003c/em>\u003c/p>\n\u003cp>The Monterey Jazz Festival is technically outside of the Bay Area, but it’s a bona fide institution. In its 65th year this September, the festival is still in semi-scaled-back mode, with fewer stages and performers. But the heavy hitters are still on the bill: Ravi Coltrane, Gregory Porter, Chucho Valdés, Joshua Redman’s classic \u003cem>Moodswings\u003c/em> quartet, Gerald Clayton, Julian Lage and many others. Always worth the drive, the festival’s setting is serene and the music top-notch.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cfigure id=\"attachment_13849055\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13849055\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu-800x450.jpg\" alt=\"Esa-Pekka Salonen conducts the San Francisco Symphony on Jan. 18.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Esa-Pekka Salonen conducts the San Francisco Symphony in 2019. \u003ccite>(Brandon Patoc/San Francisco Symphony)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2022-23/Salonen-Conducts-Mahler-2\">Salonen Conducts Mahler\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 29–Oct. 2\u003cbr>\nDavies Symphony Hall, San Francisco\u003c/em>\u003c/p>\n\u003cp>Those who know the San Francisco Symphony might be looking at this program and thinking, “Hey, who does the new guy think he is, anyway?” That’s because Music Director Emeritus Michael Tilson Thomas all but synonymized himself with Mahler in his 25 years with the symphony, performing and recording \u003ca href=\"https://michaeltilsonthomas.com/2004/10/05/the-mahler-project-complete-cd-box-set/\" rel=\"noopener noreferrer\" target=\"_blank\">an award-winning cycle of Mahler’s symphonies\u003c/a>. But here in San Francisco, Esa-Pekka Salonen has been pulling off a remarkable Joe Montana-to-Steve Young-esque transition. With Salonen frequently equalling (and, in his willingness to take risks, outpacing) his predecessor, it’s thrilling to imagine what he’ll do with Mahler’s second.\u003c/p>\n\u003cfigure id=\"attachment_13918647\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Awadin-800x500.jpg\" alt=\"A Black man leans against a grand piano\" width=\"800\" height=\"500\" class=\"size-medium wp-image-13918647\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Awadin-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Awadin-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Awadin-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Awadin-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Awadin.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Awadagin Pratt plays Mozart with the Santa Rosa Symphony this October. \u003ccite>(Cramer/Marder Artists)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.srsymphony.org/EventDetail/232\">Awadagin Pratt with the Santa Rosa Symphony\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Oct. 1–3\u003cbr>\nGreen Music Center, Rohnert Park\u003c/em>\u003c/p>\n\u003cp>Since his appointment in 2018, Santa Rosa Symphony Music Director \u003ca href=\"https://www.pressdemocrat.com/article/lifestyle/get-to-know-francesco-lecce-chong-music-director-of-the-santa-rosa-symphon/\" rel=\"noopener noreferrer\" target=\"_blank\">Francesco Lecce-Chong\u003c/a> has been an absolute delight on the podium: he explains pieces, he makes jokes; he even once hired an actor to dress up in disguise and wander through the audience. (Long story.) Energetic, affable and serious about using his talent for good, he’s also pushing classical music in all the right directions. This season’s kickoff is a good example, by performing new work (\u003cem>Me he perdido\u003c/em>, by Angélica Negrón) as well as inviting a Black pianist as the program’s guest soloist (Awadagin Pratt, playing Mozart’s Piano Concerto No. 23). In the exquisite main hall of the Green Music Center, this is a program not to miss.\u003c/p>\n\u003cfigure id=\"attachment_11565818\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/05/Herbst-Theatre-Exterior_sm-e1462839627428-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-medium wp-image-11565818\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Herbst-Theatre-Exterior_sm-e1462839627428-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Herbst-Theatre-Exterior_sm-e1462839627428-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Herbst-Theatre-Exterior_sm-e1462839627428-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Herbst-Theatre-Exterior_sm-e1462839627428-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Herbst-Theatre-Exterior_sm-e1462839627428-1920x1279.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Herbst-Theatre-Exterior_sm-e1462839627428-960x639.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">SF Music Day takes place inside the War Memorial Veterans Building, across from City Hall.\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://intermusicsf.org/sf-music-day/\" rel=\"noopener noreferrer\" target=\"_blank\">SF Music Day\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Oct. 9\u003cbr>\nWar Memorial Veterans Building, San Francisco\u003c/em>\u003c/p>\n\u003cp>You simply cannot go wrong with a day of free music experienced by wandering around a historic building. That’s what SF Music Day offers the Bay Area each year at the Herbst Theatre and various surrounding spaces inside the War Memorial Veterans Building, across from City Hall. From noon to 7pm, visitors can drop in on classical, jazz, blues, Greek, chamber music, brass music and experimental sets from 27 different groups. It’s perfect for bringing kids or visitors from out of town.\u003c/p>\n\u003cfigure id=\"attachment_13918645\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/YING_FANG.cred-Dario-Acosta-800x533.jpg\" alt=\"A CHinese woman in a red dress, backlit through a window\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13918645\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/YING_FANG.cred-Dario-Acosta-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/YING_FANG.cred-Dario-Acosta-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/YING_FANG.cred-Dario-Acosta-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/YING_FANG.cred-Dario-Acosta-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/YING_FANG.cred-Dario-Acosta-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/YING_FANG.cred-Dario-Acosta.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ying Fang performs in recital on Nov. 6 in Berkeley. \u003ccite>(Dario Acosta)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://calperformances.org/events/2022-23/recital/ying-fang-soprano-ken-noda-piano/\" rel=\"noopener noreferrer\" target=\"_blank\">Ying Fang\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Nov. 6\u003cbr>\nHertz Hall, Berkeley\u003c/em>\u003c/p>\n\u003cp>The Chinese-born soprano Ying Fang has had a busy past few years, having appeared on stage as Susanna in \u003cem>The Marriage of Figaro\u003c/em>, Pamina in \u003cem>The Magic Flute\u003c/em>, and Ännchen in \u003cem>Der Freischütz\u003c/em>. Add to that her appearances in Mahler’s symphonies No. 2 and 8 at the Mahler Festival in Leipzig, and it’s clear that a rising star is on her way to Berkeley. At Hertz Hall, her much-anticipated recital includes songs by Mahler, Richard Strauss, Schubert, Schumann and others, with piano accompaniment by Ken Noda.\u003c/p>\n\u003cfigure id=\"attachment_13918621\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Keyon7.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918621\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Keyon7-800x533.jpg\" alt=\"a Black man in a suit jacket plays the trumpet in a dimly lit club\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Keyon7-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Keyon7-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Keyon7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Keyon7-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Keyon7.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Keyon Harrold performs Nov. 18 at the Black Cat in San Francisco. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://blackcatsf.com/event/keyon-harrold-2022-11-18/\">Keyon Harrold\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Nov. 17–19\u003cbr>\nBlack Cat, San Francisco\u003c/em>\u003c/p>\n\u003cp>Born and raised in Ferguson, Missouri, Keyon Harrold is no stranger to jazz’s long tradition of incorporating themes of Black equality and racial justice into his music. He’s also no stranger to sharing the stage with stars like Beyoncé, Rihanna and Jay-Z, or hearing his music used in movies like the Miles Davis biopic \u003cem>Miles Ahead\u003c/em>. Last seen around these parts \u003ca href=\"https://www.youtube.com/watch?v=MIlBU0FtKr8\" rel=\"noopener noreferrer\" target=\"_blank\">playing with the rapper Pharoahe Monch\u003c/a> at the Blue Note Jazz Festival in Napa, the trumpeter returns for a small-club basement gig at the uber-hip Tenderloin outpost the Black Cat.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>Correction: A previous version of this article stated that Santa Rosa Symphony Music Director Francesco Lecce-Chong had once dressed in disguise and roamed through the audience. The man was an actor that Lecce-Chong had hired, not Lecce-Chong himself. \u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Legendary saxophonists, thrilling new works, classic festivals and a world premiere at SF Opera—there's a full slate of options this fall.","status":"publish","parent":0,"modified":1705006418,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":25,"wordCount":1465},"headData":{"title":"Your Best Bets for Jazz and Classical in the Bay Area This Fall | KQED","description":"Legendary saxophonists, thrilling new works, classic festivals and a world premiere at SF Opera—there's a full slate of options this fall.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Your Best Bets for Jazz and Classical in the Bay Area This Fall","datePublished":"2022-09-02T16:00:08.000Z","dateModified":"2024-01-11T20:53:38.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Fall Arts Guide 2022","sourceUrl":"https://www.kqed.org/fallarts2022","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13918575/jazz-classical-bay-area-concerts-performances-best-fall-2022","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/fallarts2022\">\u003cem>Find more of KQED’s picks for the best Fall 2022 events here.\u003c/em>\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>The leaves turn, the days shorten and, each fall, performing arts groups ready their new seasons. While my colleague Nastia Voynovskaya brings you \u003ca href=\"https://www.kqed.org/arts/13917837/fall-arts-2022-concerts-clubs\" rel=\"noopener noreferrer\" target=\"_blank\">the top concerts, festivals and nightclub dates this fall\u003c/a>, here are KQED’s picks for the grown-and-seasoned lovers of jazz and classical. \u003c/p>\n\u003cfigure id=\"attachment_13918615\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/antonycleopatra.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918615\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/antonycleopatra-800x532.jpg\" alt=\"a woman in an orange dress and a man in a green robe embrace against a black backdrop on stage\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/antonycleopatra-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/antonycleopatra-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/antonycleopatra-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/antonycleopatra-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/antonycleopatra.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Amina Edris as Cleopatra and Gerald Finley as Antony in a rehearsal still from SF Opera’s ‘Antony and Cleopatra.’ \u003ccite>(Cory Weaver/San Francisco Opera)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.sfopera.com/operas/antony-and-cleopatra/\">Antony and Cleopatra\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Sept. 10–Oct. 5\u003cbr>\nWar Memorial Opera House, San Francisco\u003c/em>\u003c/p>\n\u003cp>The last time John Adams premiered an opera at the War Memorial Opera House, he dug back into California history for \u003cem>Girls of the Golden West\u003c/em>, a gold-rush story that KQED Arts & Culture’s Nastia Voynovskaya called “\u003ca href=\"https://www.kqed.org/arts/13815647/girls-of-the-golden-west-is-nothing-like-your-high-school-history-book\" rel=\"noopener noreferrer\" target=\"_blank\">a timely dialogue about our state history that helps us better understand the present\u003c/a>.” This time around, Adams travels back even further, to one of the world’s most famous love stories, as composer and librettist. Any new work by Adams is cause for celebration, and under the direction of Elkhanah Pulitzer, \u003cem>Antony and Cleopatra\u003c/em> stars Gerald Finley and Amina Edris in the title roles.\u003c/p>\n\u003cfigure id=\"attachment_13918636\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/billy-cobham-copy-800x533.jpg\" alt=\"a Black man in a Converse All-Stars t-shirt stands on front of a drum set\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13918636\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/billy-cobham-copy-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/billy-cobham-copy-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/billy-cobham-copy-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/billy-cobham-copy-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/billy-cobham-copy-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/billy-cobham-copy-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/billy-cobham-copy.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billy Cobham celebrates his second album, Crosswinds, at Yoshi’s in September. \u003ccite>(Yoshi's)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://yoshis.com/events/buy-tickets/billy-cobham-1/detail\" rel=\"noopener noreferrer\" target=\"_blank\">Billy Cobham’s Crosswinds Project\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 20–21\u003cbr>\nYoshi’s, Oakland\u003c/em>\u003c/p>\n\u003cp>The venerable Oakland jazz club Yoshi’s has a sampladelic fall coming up. Bob James, who has been sampled so many times in hip-hop songs that he’s devoted \u003ca href=\"https://www.youtube.com/watch?v=1NI5Nl4XvXM\" rel=\"noopener noreferrer\" target=\"_blank\">a whole YouTube reaction series\u003c/a> to them, hits the Yoshi’s stage Oct. 23. But drummers will rejoice at the booking of Billy Cobham, who plays Yoshi’s Sept. 20–21. Of course, here in the Bay Area, we know Cobham’s “\u003ca href=\"https://youtu.be/e3E9vx5vVck?t=258\" rel=\"noopener noreferrer\" target=\"_blank\">Heather\u003c/a>” as the sample source for one of our bona fide anthems: “\u003ca href=\"https://www.youtube.com/watch?v=fXJc2NYwHjw\" rel=\"noopener noreferrer\" target=\"_blank\">93 Til Infinity\u003c/a>.” It’s serendipity, then, that he brings to Oakland his Crossroads Project, a group formed to celebrate \u003cem>Crossroads\u003c/em>, the album containing “Heather”—and the inadvertent seed of a Bay Area hip-hop hit.\u003c/p>\n\u003cfigure id=\"attachment_13918637\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/s10_web_natesmithkinfolkimmanuelwilkins_hero-800x338.jpg\" alt=\"a man at the drums and a man playing saxophone, in diptych\" width=\"800\" height=\"338\" class=\"size-medium wp-image-13918637\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/s10_web_natesmithkinfolkimmanuelwilkins_hero-800x338.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/s10_web_natesmithkinfolkimmanuelwilkins_hero-1020x430.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/s10_web_natesmithkinfolkimmanuelwilkins_hero-160x68.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/s10_web_natesmithkinfolkimmanuelwilkins_hero-768x324.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/s10_web_natesmithkinfolkimmanuelwilkins_hero-1536x648.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/s10_web_natesmithkinfolkimmanuelwilkins_hero.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nate Smith (left) and Immanuel Wilkins (right) come to SFJAZZ as part of the ‘Traditions in Transition’ series. \u003ccite>(SFJAZZ)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sfjazz.org/tickets/productions/nate-smith-immanuel-wilkins/\">Nate Smith + Kinfolk / Immanuel Wilkins Quartet\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 22\u003cbr>\nSFJAZZ Miner Auditorium, San Francisco\u003c/em>\u003c/p>\n\u003cp>With SFJAZZ’s upcoming ‘\u003ca href=\"https://www.sfjazz.org/calendar/?month=9.2022&event-type=3&series=50850\" rel=\"noopener noreferrer\" target=\"_blank\">Traditions in Transition\u003c/a>’ series, no jazz fan should miss out on the chance to see Joshua Redman, Christian McBride, Brad Mehldau and Brian Blade (Sept. 23), Julian Lage (Sept. 24) or Orquesta Akokan (Sept. 25). But I’m gonna give it up for the new breed here with drummer Nate Smith and alto saxophonist Immanuel Wilkins. Wilkins’ latest album for Blue Note, \u003cem>The 7th Hand\u003c/em>, is a rich entry to the modern spiritual jazz canon, and Grammy-nominated Smith is a dazzling player in a live setting.\u003c/p>\n\u003cfigure id=\"attachment_13918589\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Lubomyr-melnyk_DSC08011.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13918589\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Lubomyr-melnyk_DSC08011.jpg\" alt=\"a black and white photo of a man sitting at a piano\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Lubomyr-melnyk_DSC08011.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Lubomyr-melnyk_DSC08011-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Lubomyr-melnyk_DSC08011-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Lubomyr Melnyk at the Aarhus Festival in Denmark, 2018. Melnyk performs at The Lab in San Francisco Sept. 23. \u003ccite>(Hreinn Gudlaugsson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.thelab.org/projects/2022/9/23/lubomyr-melnyk\">Lubomyr Melnyk\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 23\u003cbr>\nThe Lab, San Francisco\u003c/em>\u003c/p>\n\u003cp>Ukrainian composer Lubomyr Melnyk is getting a little more notice this year, and it’s overdue: his prolific output of experimental minimalism stretches back to the 1970s. Unlike other minimalists like Philip Glass or Steve Reich, Malnyk veers into the eerie, the noisy, the tense. What’s probably now his best-known work, “\u003ca href=\"https://www.youtube.com/watch?v=1z5gu2hhpAk\" rel=\"noopener noreferrer\" target=\"_blank\">Pockets of Light\u003c/a>,” features the vocals of multi-instrumentalist Peter Broderick, and he’s even performed \u003ca href=\"https://www.youtube.com/watch?v=SWc1MZoQvqQ\" rel=\"noopener noreferrer\" target=\"_blank\">a set for Boiler Room\u003c/a>, the well-known DJ series. In the intimate upstairs confines of The Lab, a treasured arts space in the Mission District, his trance-like music should be especially resonant.\u003c/p>\n\u003cfigure id=\"attachment_13918638\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Gregory_Porter_Kongsberg_Jazzfestival_2018_191917-800x626.jpg\" alt=\"a Black man sings, wearing a white suit and bowtie\" width=\"800\" height=\"626\" class=\"size-medium wp-image-13918638\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Gregory_Porter_Kongsberg_Jazzfestival_2018_191917-800x626.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Gregory_Porter_Kongsberg_Jazzfestival_2018_191917-160x125.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Gregory_Porter_Kongsberg_Jazzfestival_2018_191917-768x601.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Gregory_Porter_Kongsberg_Jazzfestival_2018_191917.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gregory Porter at the Kongsberg Jazzfestival in Norway in 2018. Porter performs at this year’s Monterey Jazz Festival. \u003ccite>(Tore Sætre / Wikimedia)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://montereyjazzfestival.org/\">Monterey Jazz Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 23–Sept. 25\u003c/em>\u003cbr>\n\u003cem>Monterey County Fairgrounds\u003c/em>\u003c/p>\n\u003cp>The Monterey Jazz Festival is technically outside of the Bay Area, but it’s a bona fide institution. In its 65th year this September, the festival is still in semi-scaled-back mode, with fewer stages and performers. But the heavy hitters are still on the bill: Ravi Coltrane, Gregory Porter, Chucho Valdés, Joshua Redman’s classic \u003cem>Moodswings\u003c/em> quartet, Gerald Clayton, Julian Lage and many others. Always worth the drive, the festival’s setting is serene and the music top-notch.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cfigure id=\"attachment_13849055\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13849055\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu-800x450.jpg\" alt=\"Esa-Pekka Salonen conducts the San Francisco Symphony on Jan. 18.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/EsaPekkaSalonenSymphonyDebu.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Esa-Pekka Salonen conducts the San Francisco Symphony in 2019. \u003ccite>(Brandon Patoc/San Francisco Symphony)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2022-23/Salonen-Conducts-Mahler-2\">Salonen Conducts Mahler\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 29–Oct. 2\u003cbr>\nDavies Symphony Hall, San Francisco\u003c/em>\u003c/p>\n\u003cp>Those who know the San Francisco Symphony might be looking at this program and thinking, “Hey, who does the new guy think he is, anyway?” That’s because Music Director Emeritus Michael Tilson Thomas all but synonymized himself with Mahler in his 25 years with the symphony, performing and recording \u003ca href=\"https://michaeltilsonthomas.com/2004/10/05/the-mahler-project-complete-cd-box-set/\" rel=\"noopener noreferrer\" target=\"_blank\">an award-winning cycle of Mahler’s symphonies\u003c/a>. But here in San Francisco, Esa-Pekka Salonen has been pulling off a remarkable Joe Montana-to-Steve Young-esque transition. With Salonen frequently equalling (and, in his willingness to take risks, outpacing) his predecessor, it’s thrilling to imagine what he’ll do with Mahler’s second.\u003c/p>\n\u003cfigure id=\"attachment_13918647\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Awadin-800x500.jpg\" alt=\"A Black man leans against a grand piano\" width=\"800\" height=\"500\" class=\"size-medium wp-image-13918647\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Awadin-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Awadin-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Awadin-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Awadin-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Awadin.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Awadagin Pratt plays Mozart with the Santa Rosa Symphony this October. \u003ccite>(Cramer/Marder Artists)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.srsymphony.org/EventDetail/232\">Awadagin Pratt with the Santa Rosa Symphony\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Oct. 1–3\u003cbr>\nGreen Music Center, Rohnert Park\u003c/em>\u003c/p>\n\u003cp>Since his appointment in 2018, Santa Rosa Symphony Music Director \u003ca href=\"https://www.pressdemocrat.com/article/lifestyle/get-to-know-francesco-lecce-chong-music-director-of-the-santa-rosa-symphon/\" rel=\"noopener noreferrer\" target=\"_blank\">Francesco Lecce-Chong\u003c/a> has been an absolute delight on the podium: he explains pieces, he makes jokes; he even once hired an actor to dress up in disguise and wander through the audience. (Long story.) Energetic, affable and serious about using his talent for good, he’s also pushing classical music in all the right directions. This season’s kickoff is a good example, by performing new work (\u003cem>Me he perdido\u003c/em>, by Angélica Negrón) as well as inviting a Black pianist as the program’s guest soloist (Awadagin Pratt, playing Mozart’s Piano Concerto No. 23). In the exquisite main hall of the Green Music Center, this is a program not to miss.\u003c/p>\n\u003cfigure id=\"attachment_11565818\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/05/Herbst-Theatre-Exterior_sm-e1462839627428-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-medium wp-image-11565818\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Herbst-Theatre-Exterior_sm-e1462839627428-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Herbst-Theatre-Exterior_sm-e1462839627428-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Herbst-Theatre-Exterior_sm-e1462839627428-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Herbst-Theatre-Exterior_sm-e1462839627428-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Herbst-Theatre-Exterior_sm-e1462839627428-1920x1279.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Herbst-Theatre-Exterior_sm-e1462839627428-960x639.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">SF Music Day takes place inside the War Memorial Veterans Building, across from City Hall.\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://intermusicsf.org/sf-music-day/\" rel=\"noopener noreferrer\" target=\"_blank\">SF Music Day\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Oct. 9\u003cbr>\nWar Memorial Veterans Building, San Francisco\u003c/em>\u003c/p>\n\u003cp>You simply cannot go wrong with a day of free music experienced by wandering around a historic building. That’s what SF Music Day offers the Bay Area each year at the Herbst Theatre and various surrounding spaces inside the War Memorial Veterans Building, across from City Hall. From noon to 7pm, visitors can drop in on classical, jazz, blues, Greek, chamber music, brass music and experimental sets from 27 different groups. It’s perfect for bringing kids or visitors from out of town.\u003c/p>\n\u003cfigure id=\"attachment_13918645\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/YING_FANG.cred-Dario-Acosta-800x533.jpg\" alt=\"A CHinese woman in a red dress, backlit through a window\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13918645\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/YING_FANG.cred-Dario-Acosta-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/YING_FANG.cred-Dario-Acosta-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/YING_FANG.cred-Dario-Acosta-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/YING_FANG.cred-Dario-Acosta-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/YING_FANG.cred-Dario-Acosta-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/YING_FANG.cred-Dario-Acosta.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ying Fang performs in recital on Nov. 6 in Berkeley. \u003ccite>(Dario Acosta)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://calperformances.org/events/2022-23/recital/ying-fang-soprano-ken-noda-piano/\" rel=\"noopener noreferrer\" target=\"_blank\">Ying Fang\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Nov. 6\u003cbr>\nHertz Hall, Berkeley\u003c/em>\u003c/p>\n\u003cp>The Chinese-born soprano Ying Fang has had a busy past few years, having appeared on stage as Susanna in \u003cem>The Marriage of Figaro\u003c/em>, Pamina in \u003cem>The Magic Flute\u003c/em>, and Ännchen in \u003cem>Der Freischütz\u003c/em>. Add to that her appearances in Mahler’s symphonies No. 2 and 8 at the Mahler Festival in Leipzig, and it’s clear that a rising star is on her way to Berkeley. At Hertz Hall, her much-anticipated recital includes songs by Mahler, Richard Strauss, Schubert, Schumann and others, with piano accompaniment by Ken Noda.\u003c/p>\n\u003cfigure id=\"attachment_13918621\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Keyon7.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918621\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Keyon7-800x533.jpg\" alt=\"a Black man in a suit jacket plays the trumpet in a dimly lit club\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Keyon7-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Keyon7-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Keyon7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Keyon7-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Keyon7.jpg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Keyon Harrold performs Nov. 18 at the Black Cat in San Francisco. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://blackcatsf.com/event/keyon-harrold-2022-11-18/\">Keyon Harrold\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Nov. 17–19\u003cbr>\nBlack Cat, San Francisco\u003c/em>\u003c/p>\n\u003cp>Born and raised in Ferguson, Missouri, Keyon Harrold is no stranger to jazz’s long tradition of incorporating themes of Black equality and racial justice into his music. He’s also no stranger to sharing the stage with stars like Beyoncé, Rihanna and Jay-Z, or hearing his music used in movies like the Miles Davis biopic \u003cem>Miles Ahead\u003c/em>. Last seen around these parts \u003ca href=\"https://www.youtube.com/watch?v=MIlBU0FtKr8\" rel=\"noopener noreferrer\" target=\"_blank\">playing with the rapper Pharoahe Monch\u003c/a> at the Blue Note Jazz Festival in Napa, the trumpeter returns for a small-club basement gig at the uber-hip Tenderloin outpost the Black Cat.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>Correction: A previous version of this article stated that Santa Rosa Symphony Music Director Francesco Lecce-Chong had once dressed in disguise and roamed through the audience. The man was an actor that Lecce-Chong had hired, not Lecce-Chong himself. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13918575/jazz-classical-bay-area-concerts-performances-best-fall-2022","authors":["185"],"categories":["arts_1","arts_69"],"tags":["arts_10589","arts_4058","arts_18294","arts_18457","arts_10278","arts_2520","arts_1420","arts_6387","arts_1367","arts_2048","arts_4109","arts_585","arts_4107"],"featImg":"arts_13918643","label":"source_arts_13918575"},"arts_13891932":{"type":"posts","id":"arts_13891932","meta":{"index":"posts_1591205157","site":"arts","id":"13891932","score":null,"sort":[1611858639000]},"guestAuthors":[],"slug":"protest-isolation-and-revolution-in-wynton-marsalis-the-democracy-suite","title":"Protest, Isolation and Revolution in Wynton Marsalis' 'The Democracy! Suite'","publishDate":1611858639,"format":"standard","headTitle":"Protest, Isolation and Revolution in Wynton Marsalis’ ‘The Democracy! Suite’ | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>While the pandemic has closed music venues throughout the country, it hasn’t stopped the creation and composition of new music. On Saturday, Jan. 30, the Green Music Center presents Pulitzer Prize-winning trumpeter and composer Wynton Marsalis’s \u003cem>The Democracy! Suite\u003c/em>, a composition written during the COVID-19 pandemic and performed by the Jazz at Lincoln Center Orchestra Septet. \u003c/p>\n\u003cp>Filmed in New York City’s Frederick P. Rose Hall in September of last year, the musicians were able to gather safely according to city guidelines and record a concert to “tour” virtually at performing arts centers across the United States. In addition to Marsalis, the septet features Elliot Mason on trombone, Ted Nash on alto saxophone and flute, Walter Blanding on tenor and soprano saxophones, Dan Nimmer on piano, Carlos Henriquez on bass, and Obed Calvaire on drums. \u003c/p>\n\u003cp>Over its 45 minutes, \u003cem>The Democracy! Suite\u003c/em> reflects and responds to contemporary sociopolitical and economic issues, and ruminates on the potential of collective efforts to create a better future. With directly referential titles like “Sloganize, Patronize, Realize, Revolutionize (Black Lives Matters)” as well as more introspective ones, Marsalis explores the isolation brought by COVID, as well as themes of grief, loss, reflection, protest, and more. \u003c/p>\n\u003cp>“Jazz music is the perfect metaphor for democracy,” Marsalis said in announcing the suite. “The question that confronts us right now as a nation is, ‘Do we want to find a better way?’” Much of Marsalis’s past work has also been inspired by social and political issues, including the Grammy Award-winning \u003cem>Black Codes (From the Underground)\u003c/em> in 1985 and the Pulitzer Prize-winning \u003cem>Blood on the Fields\u003c/em> in 1996.\u003c/p>\n\u003cp>The recording of the concert is available for 48 hours after the link is emailed to ticket buyers on Jan. 30. Tickets are $10. \u003ca href=\"https://gmc.sonoma.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Presented by the Green Music Center, Marsalis' song cycle asks: 'Do we want to find a better way?'","status":"publish","parent":0,"modified":1705019572,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":317},"headData":{"title":"Protest, Isolation and Revolution in Wynton Marsalis' 'The Democracy! Suite' | KQED","description":"Presented by the Green Music Center, Marsalis' song cycle asks: 'Do we want to find a better way?'","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Protest, Isolation and Revolution in Wynton Marsalis' 'The Democracy! Suite'","datePublished":"2021-01-28T18:30:39.000Z","dateModified":"2024-01-12T00:32:52.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13891932/protest-isolation-and-revolution-in-wynton-marsalis-the-democracy-suite","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>While the pandemic has closed music venues throughout the country, it hasn’t stopped the creation and composition of new music. On Saturday, Jan. 30, the Green Music Center presents Pulitzer Prize-winning trumpeter and composer Wynton Marsalis’s \u003cem>The Democracy! Suite\u003c/em>, a composition written during the COVID-19 pandemic and performed by the Jazz at Lincoln Center Orchestra Septet. \u003c/p>\n\u003cp>Filmed in New York City’s Frederick P. Rose Hall in September of last year, the musicians were able to gather safely according to city guidelines and record a concert to “tour” virtually at performing arts centers across the United States. In addition to Marsalis, the septet features Elliot Mason on trombone, Ted Nash on alto saxophone and flute, Walter Blanding on tenor and soprano saxophones, Dan Nimmer on piano, Carlos Henriquez on bass, and Obed Calvaire on drums. \u003c/p>\n\u003cp>Over its 45 minutes, \u003cem>The Democracy! Suite\u003c/em> reflects and responds to contemporary sociopolitical and economic issues, and ruminates on the potential of collective efforts to create a better future. With directly referential titles like “Sloganize, Patronize, Realize, Revolutionize (Black Lives Matters)” as well as more introspective ones, Marsalis explores the isolation brought by COVID, as well as themes of grief, loss, reflection, protest, and more. \u003c/p>\n\u003cp>“Jazz music is the perfect metaphor for democracy,” Marsalis said in announcing the suite. “The question that confronts us right now as a nation is, ‘Do we want to find a better way?’” Much of Marsalis’s past work has also been inspired by social and political issues, including the Grammy Award-winning \u003cem>Black Codes (From the Underground)\u003c/em> in 1985 and the Pulitzer Prize-winning \u003cem>Blood on the Fields\u003c/em> in 1996.\u003c/p>\n\u003cp>The recording of the concert is available for 48 hours after the link is emailed to ticket buyers on Jan. 30. Tickets are $10. \u003ca href=\"https://gmc.sonoma.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13891932/protest-isolation-and-revolution-in-wynton-marsalis-the-democracy-suite","authors":["11734"],"programs":["arts_140"],"categories":["arts_69"],"tags":["arts_2520","arts_1420","arts_5826"],"featImg":"arts_13891934","label":"arts_140"},"arts_13819982":{"type":"posts","id":"arts_13819982","meta":{"index":"posts_1591205157","site":"arts","id":"13819982","score":null,"sort":[1516848614000]},"guestAuthors":[],"slug":"on-the-air-cy-and-arianas-do-list-picks-for-jan-26-2018","title":"On the Air: Cy and Ariana's Do List Picks for Jan. 26, 2018","publishDate":1516848614,"format":"audio","headTitle":"On the Air: Cy and Ariana’s Do List Picks for Jan. 26, 2018 | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>KQED Youth Media Manager Ariana Proehl is back as co-host to bring some hipness to the Do List this week. The real challenge was pruning down the list! I can’t remember a late January with more enticing shows to choose from. Enjoy.\u003c/p>\n\u003cp>\u003cstrong>Jan 26–31:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/01/24/whats-old-is-new-again-with-ladysmith-black-mambazo/\" target=\"_blank\" rel=\"noopener\">Ladysmith Black Mambazo high-kicks its way back to the Bay Area\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 4–March 3:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/01/24/at-the-intersection-of-art-and-vinyl/\" target=\"_blank\" rel=\"noopener\">The Fraenkel Gallery hangs a show of artful record album covers — and it’s free\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 26 and Feb. 3 and 4: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/01/24/circa-il-ritorno/\" target=\"_blank\" rel=\"noopener\">Circa melds daring circus, opera, and dance to tell a story about a refugee’s search for home\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 2–3\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2018/01/24/dance-and-theater-join-in-a-healing-ritual/\" target=\"_blank\" rel=\"noopener\">The next episode of a dance and theater series about sex trafficking and displacement in Oakland\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Jan. 25–Feb 18 and March 7–April 1: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/01/24/a-skeleton-crew-battles-for-a-future-in-a-detroit-auto-plant/\" target=\"_blank\" rel=\"noopener\">A skeleton crew tries to save their hopes for a future as Detroit’s last auto plant faces a shutdown\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 2–3: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/01/24/stew-develops-a-show-based-on-the-ideas-of-james-baldwin/\" target=\"_blank\" rel=\"noopener\">Stew invokes the ideas and memory of writer James Baldwin in a musical tribute\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Feb. 6–7: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/01/24/new-sounds-with-a-powerhouse-brittany-howard-at-the-mic/\" target=\"_blank\" rel=\"noopener\">Super folk-rock trio Bermuda Triangle make gorgeous harmonies seem effortless\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13819995\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13819995\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-800x495.jpg\" alt=\"The Do List's Cy and Ariana check out the 'Art and Vinyl' show at the Freaenkel Gallery\" width=\"800\" height=\"495\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-768x475.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-1020x631.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-1920x1188.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-1180x730.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-960x594.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-240x148.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-375x232.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-520x322.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Do List’s Cy and Ariana check out the ‘Art and Vinyl’ show at the Freaenkel Gallery. \u003ccite>(Photo: Rebecca Robertson/Fraenkel Gallery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n","blocks":[],"excerpt":"KQED's Cy Musiker and Do List co-host Ariana Proehl talk record album art, a play about auto workers, Brittany Howard's new band and more.","status":"publish","parent":0,"modified":1705028697,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":223},"headData":{"title":"On the Air: Cy and Ariana's Do List Picks for Jan. 26, 2018 | KQED","description":"KQED's Cy Musiker and Do List co-host Ariana Proehl talk record album art, a play about auto workers, Brittany Howard's new band and more.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"On the Air: Cy and Ariana's Do List Picks for Jan. 26, 2018","datePublished":"2018-01-25T02:50:14.000Z","dateModified":"2024-01-12T03:04:57.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio/thedolist/2018/02/TDL20180126.mp3","sticky":false,"path":"/arts/13819982/on-the-air-cy-and-arianas-do-list-picks-for-jan-26-2018","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>KQED Youth Media Manager Ariana Proehl is back as co-host to bring some hipness to the Do List this week. The real challenge was pruning down the list! I can’t remember a late January with more enticing shows to choose from. Enjoy.\u003c/p>\n\u003cp>\u003cstrong>Jan 26–31:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/01/24/whats-old-is-new-again-with-ladysmith-black-mambazo/\" target=\"_blank\" rel=\"noopener\">Ladysmith Black Mambazo high-kicks its way back to the Bay Area\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 4–March 3:\u003c/strong> \u003ca href=\"https://ww2.kqed.org/arts/2018/01/24/at-the-intersection-of-art-and-vinyl/\" target=\"_blank\" rel=\"noopener\">The Fraenkel Gallery hangs a show of artful record album covers — and it’s free\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 26 and Feb. 3 and 4: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/01/24/circa-il-ritorno/\" target=\"_blank\" rel=\"noopener\">Circa melds daring circus, opera, and dance to tell a story about a refugee’s search for home\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 2–3\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2018/01/24/dance-and-theater-join-in-a-healing-ritual/\" target=\"_blank\" rel=\"noopener\">The next episode of a dance and theater series about sex trafficking and displacement in Oakland\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Jan. 25–Feb 18 and March 7–April 1: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/01/24/a-skeleton-crew-battles-for-a-future-in-a-detroit-auto-plant/\" target=\"_blank\" rel=\"noopener\">A skeleton crew tries to save their hopes for a future as Detroit’s last auto plant faces a shutdown\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Feb. 2–3: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/01/24/stew-develops-a-show-based-on-the-ideas-of-james-baldwin/\" target=\"_blank\" rel=\"noopener\">Stew invokes the ideas and memory of writer James Baldwin in a musical tribute\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Feb. 6–7: \u003c/strong>\u003ca href=\"https://ww2.kqed.org/arts/2018/01/24/new-sounds-with-a-powerhouse-brittany-howard-at-the-mic/\" target=\"_blank\" rel=\"noopener\">Super folk-rock trio Bermuda Triangle make gorgeous harmonies seem effortless\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13819995\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13819995\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-800x495.jpg\" alt=\"The Do List's Cy and Ariana check out the 'Art and Vinyl' show at the Freaenkel Gallery\" width=\"800\" height=\"495\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-768x475.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-1020x631.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-1920x1188.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-1180x730.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-960x594.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-240x148.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-375x232.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery-520x322.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/The-Do-Lists-Cy-and-Ariana-check-out-the-Art-and-Vinyl-show-at-the-Freaenkel-Gallery.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Do List’s Cy and Ariana check out the ‘Art and Vinyl’ show at the Freaenkel Gallery. \u003ccite>(Photo: Rebecca Robertson/Fraenkel Gallery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13819982/on-the-air-cy-and-arianas-do-list-picks-for-jan-26-2018","authors":["32"],"programs":["arts_140"],"categories":["arts_835","arts_966","arts_69","arts_1003","arts_75","arts_967","arts_70"],"tags":["arts_3713","arts_2991","arts_1118","arts_3740","arts_3649","arts_2520","arts_1006","arts_3716","arts_3727","arts_2335","arts_596","arts_1072","arts_2323","arts_20228"],"featImg":"arts_13819896","label":"arts_140"},"arts_13819880":{"type":"posts","id":"arts_13819880","meta":{"index":"posts_1591205157","site":"arts","id":"13819880","score":null,"sort":[1516845504000]},"guestAuthors":[],"slug":"whats-old-is-new-again-with-ladysmith-black-mambazo","title":"What's Old is New Again with Ladysmith Black Mambazo","publishDate":1516845504,"format":"standard","headTitle":"What’s Old is New Again with Ladysmith Black Mambazo | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Ladysmith Black Mambazo became internationally famous after appearing on Paul Simon’s 1985 album \u003cem>Graceland\u003c/em>, but don’t take this nine-member South African male chorus for granted. They’re still making fresh, timely work, as in the 2016 song “Homeless.” “Strong wind destroy our home,” they sing, “many dead, tonight it could be you” — lyrics which could be heard to speak directly to victims of disasters around the Bay Area and the U.S. this past year.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FclwRECHoWc\u003c/p>\n\u003cp>The group snagged two Grammy nominations this year, one for a remake of their classic album \u003cem>Shaka Zulu\u003c/em>. Co-host Ariana Proehl notes a Ladysmith Black Mambazo appearance at the Sonoma County Fair was the first concert she attended as a kid, and their high kicks on stage have stuck with her. And there’s continuity for the band, even without any of the founding members. Some are sons of the group’s founder Joseph Shabala, who got the idea for their a capella sound from a series of dreams in which he heard traditional Zulu melodies. If only we all dreamed such beautiful music.\u003c/p>\n\u003cp>The group plays Jan. 26 at the Green Music Center; Jan. 27 and 28 at Freight and Salvage; Jan. 30 at Grass Valley Center for the Arts; and Jan. 31 at the Rio Theater in Santa Cruz. Details \u003ca href=\"http://www.mambazo.com/tour_dates/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Ladysmith Black Mambazo snags two Grammy nominations and keeps an old sound fresh.","status":"publish","parent":0,"modified":1705028703,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":243},"headData":{"title":"What's Old is New Again with Ladysmith Black Mambazo | KQED","description":"Ladysmith Black Mambazo snags two Grammy nominations and keeps an old sound fresh.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"What's Old is New Again with Ladysmith Black Mambazo","datePublished":"2018-01-25T01:58:24.000Z","dateModified":"2024-01-12T03:05:03.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13819880/whats-old-is-new-again-with-ladysmith-black-mambazo","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ladysmith Black Mambazo became internationally famous after appearing on Paul Simon’s 1985 album \u003cem>Graceland\u003c/em>, but don’t take this nine-member South African male chorus for granted. They’re still making fresh, timely work, as in the 2016 song “Homeless.” “Strong wind destroy our home,” they sing, “many dead, tonight it could be you” — lyrics which could be heard to speak directly to victims of disasters around the Bay Area and the U.S. this past year.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FclwRECHoWc'\n title='//www.youtube.com/embed/FclwRECHoWc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The group snagged two Grammy nominations this year, one for a remake of their classic album \u003cem>Shaka Zulu\u003c/em>. Co-host Ariana Proehl notes a Ladysmith Black Mambazo appearance at the Sonoma County Fair was the first concert she attended as a kid, and their high kicks on stage have stuck with her. And there’s continuity for the band, even without any of the founding members. Some are sons of the group’s founder Joseph Shabala, who got the idea for their a capella sound from a series of dreams in which he heard traditional Zulu melodies. If only we all dreamed such beautiful music.\u003c/p>\n\u003cp>The group plays Jan. 26 at the Green Music Center; Jan. 27 and 28 at Freight and Salvage; Jan. 30 at Grass Valley Center for the Arts; and Jan. 31 at the Rio Theater in Santa Cruz. Details \u003ca href=\"http://www.mambazo.com/tour_dates/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13819880/whats-old-is-new-again-with-ladysmith-black-mambazo","authors":["32"],"programs":["arts_140"],"categories":["arts_835","arts_69"],"tags":["arts_2520","arts_1420","arts_6387","arts_596","arts_3710","arts_20228"],"featImg":"arts_13819886","label":"arts_140"},"arts_13813336":{"type":"posts","id":"arts_13813336","meta":{"index":"posts_1591205157","site":"arts","id":"13813336","score":null,"sort":[1509586784000]},"guestAuthors":[],"slug":"on-the-air-cy-and-a-lans-do-list-picks-for-nov-3-2017","title":"On the Air: Cy and A-lan's Do List Picks for Nov. 3, 2017","publishDate":1509586784,"format":"audio","headTitle":"On the Air: Cy and A-lan’s Do List Picks for Nov. 3, 2017 | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>The recovery is just beginning for residents in Napa, Sonoma and Mendocino counties, and once again we’re highlighting ways to support the arts and raise funds for the North Bay. As my co-host A-lan Holt, a playwright and associate director at Stanford’s Institute for Diversity in the Arts, says, “We support you. We support you. We support you.”\u003c/p>\n\u003cp>On the Do List this week, we had fun, too, talking about a Day of the Dead opera at Brava in San Francisco, a jazz salute to Japanese American veterans at the Presidio, and two hot singers: Son Little and Lizzo.\u003c/p>\n\u003cp>\u003cstrong>Nov. 3: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXtx\" target=\"_blank\" rel=\"noopener\">An army of skeletons fights colonialism in a Day of the Dead opera\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 3:\u003c/strong> \u003ca href=\"http://www.jamcellarsballroom.com/event/tw-eventinfo/Fire+Relief+Fundraiser+%28unplugged%29%3ALeann+Rimes%2CZZ+Ward%2CAll+American+Rejects%2BMORE/7816595/\" target=\"_blank\" rel=\"noopener\">A Napa fundraiser for fire relief featuring LeAnn Rimes at the Margrit Mondavi Theater in the JaM Cellars Ballroom\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 4–6: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXun\" target=\"_blank\" rel=\"noopener\">The Santa Rosa Symphony explores the power of music to heal and transform, with free tickets for those who’ve lost their homes\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Nov. 8–12: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXtO\" target=\"_blank\" rel=\"noopener\">The Napa Film Festival goes on, also with free tickets for those who’ve lost their homes\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 11: \u003c/strong>\u003ca href=\"http://www.zspace.org/how-a-mountain-was-made\" target=\"_blank\" rel=\"noopener\">Theater company Word for Word presents a show for kids, \u003cem>How a Mountain Was Made\u003c/em>, a performance of California Indian tales written by Sonoma County resident and tribal leader Greg Sarris at Z Space in a benefit for North Bay fire relief\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 18:\u003c/strong> \u003ca href=\"https://www.facebook.com/events/2114999345402113/\" target=\"_blank\" rel=\"noopener\">The folks at BottleRock present \u003cem>For the Love of Sonoma: A Benefit Concert to Support the North Bay Fire Relief Efforts\u003c/em> featuring Counting Crows\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 4 and 11\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/11/01/a-salute-to-the-go-for-broke-regiment/\" target=\"_blank\" rel=\"noopener\">Anthony Brown’s Asian American Orchestra presents a salute to Japanese American vets\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 10–Dec. 16:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VXuK\" target=\"_blank\" rel=\"noopener\">A festival of ideas and performance in Oakland\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 8:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VXvf\" target=\"_blank\" rel=\"noopener\">Son Little communes with a gospel singer from the past\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 9:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VXvj\" target=\"_blank\" rel=\"noopener\">Lizzo, a voice for female empowerment, performs at the Fillmore\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"Cy Musiker and A-lan Holt feature benefits for North Bay fire relief, with a festival of big ideas, a jazz band, Tchaikovsky, and two hot new singers.","status":"publish","parent":0,"modified":1705029195,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":326},"headData":{"title":"On the Air: Cy and A-lan's Do List Picks for Nov. 3, 2017 | KQED","description":"Cy Musiker and A-lan Holt feature benefits for North Bay fire relief, with a festival of big ideas, a jazz band, Tchaikovsky, and two hot new singers.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"On the Air: Cy and A-lan's Do List Picks for Nov. 3, 2017","datePublished":"2017-11-02T01:39:44.000Z","dateModified":"2024-01-12T03:13:15.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio/thedolist/2017/11/TDL20171103PodcastVersion.mp3","sticky":false,"path":"/arts/13813336/on-the-air-cy-and-a-lans-do-list-picks-for-nov-3-2017","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The recovery is just beginning for residents in Napa, Sonoma and Mendocino counties, and once again we’re highlighting ways to support the arts and raise funds for the North Bay. As my co-host A-lan Holt, a playwright and associate director at Stanford’s Institute for Diversity in the Arts, says, “We support you. We support you. We support you.”\u003c/p>\n\u003cp>On the Do List this week, we had fun, too, talking about a Day of the Dead opera at Brava in San Francisco, a jazz salute to Japanese American veterans at the Presidio, and two hot singers: Son Little and Lizzo.\u003c/p>\n\u003cp>\u003cstrong>Nov. 3: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXtx\" target=\"_blank\" rel=\"noopener\">An army of skeletons fights colonialism in a Day of the Dead opera\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 3:\u003c/strong> \u003ca href=\"http://www.jamcellarsballroom.com/event/tw-eventinfo/Fire+Relief+Fundraiser+%28unplugged%29%3ALeann+Rimes%2CZZ+Ward%2CAll+American+Rejects%2BMORE/7816595/\" target=\"_blank\" rel=\"noopener\">A Napa fundraiser for fire relief featuring LeAnn Rimes at the Margrit Mondavi Theater in the JaM Cellars Ballroom\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 4–6: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXun\" target=\"_blank\" rel=\"noopener\">The Santa Rosa Symphony explores the power of music to heal and transform, with free tickets for those who’ve lost their homes\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Nov. 8–12: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXtO\" target=\"_blank\" rel=\"noopener\">The Napa Film Festival goes on, also with free tickets for those who’ve lost their homes\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 11: \u003c/strong>\u003ca href=\"http://www.zspace.org/how-a-mountain-was-made\" target=\"_blank\" rel=\"noopener\">Theater company Word for Word presents a show for kids, \u003cem>How a Mountain Was Made\u003c/em>, a performance of California Indian tales written by Sonoma County resident and tribal leader Greg Sarris at Z Space in a benefit for North Bay fire relief\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 18:\u003c/strong> \u003ca href=\"https://www.facebook.com/events/2114999345402113/\" target=\"_blank\" rel=\"noopener\">The folks at BottleRock present \u003cem>For the Love of Sonoma: A Benefit Concert to Support the North Bay Fire Relief Efforts\u003c/em> featuring Counting Crows\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 4 and 11\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/11/01/a-salute-to-the-go-for-broke-regiment/\" target=\"_blank\" rel=\"noopener\">Anthony Brown’s Asian American Orchestra presents a salute to Japanese American vets\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 10–Dec. 16:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VXuK\" target=\"_blank\" rel=\"noopener\">A festival of ideas and performance in Oakland\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 8:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VXvf\" target=\"_blank\" rel=\"noopener\">Son Little communes with a gospel singer from the past\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Nov. 9:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VXvj\" target=\"_blank\" rel=\"noopener\">Lizzo, a voice for female empowerment, performs at the Fillmore\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13813336/on-the-air-cy-and-a-lans-do-list-picks-for-nov-3-2017","authors":["32"],"programs":["arts_140"],"categories":["arts_835","arts_966","arts_74","arts_69","arts_967","arts_70"],"tags":["arts_2839","arts_1118","arts_977","arts_2520","arts_2968","arts_1694","arts_596","arts_2960","arts_626"],"featImg":"arts_13813337","label":"arts_140"},"arts_13813375":{"type":"posts","id":"arts_13813375","meta":{"index":"posts_1591205157","site":"arts","id":"13813375","score":null,"sort":[1509584980000]},"guestAuthors":[],"slug":"the-santa-rosa-symphony-turns-to-healing-and-transformation","title":"The Santa Rosa Symphony Turns to Healing and Transformation","publishDate":1509584980,"format":"standard","headTitle":"The Santa Rosa Symphony Turns to Healing and Transformation | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>The Santa Rosa Symphony historian Kayleen Asbo made a series of videos weeks ago about this season’s concerts, but her comments introducing the shows this weekend are more timely than ever. “This particular program,” she says on YouTube, “is one that explores the power of music to heal and transform. I like to call it the light in the darkness.” Mei Ann Chen conducts Shostakovich’s Festive Overture, a piece with the power to inspire new resolve to those in despair, after the North Bay fires, plus Tchaikovsky’s Piano Concerto No. 1 with soloist \u003ca href=\"http://arghamanyan.com/\" target=\"_blank\" rel=\"noopener\">Nareh Arghamanyan\u003c/a>. The Santa Rosa Symphony is dedicating its season to first responders and those who’ve lost homes in the fires, both groups of which qualify for free tickets for the remainder of the season. \u003ca href=\"http://srsymphony.org/EventDetail/98\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FeDNMALavf8\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"For the remainder of the season, first responders and those who lost their homes can receive free tickets to the Santa Rosa Symphony.","status":"publish","parent":0,"modified":1705029202,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":153},"headData":{"title":"The Santa Rosa Symphony Turns to Healing and Transformation | KQED","description":"For the remainder of the season, first responders and those who lost their homes can receive free tickets to the Santa Rosa Symphony.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Santa Rosa Symphony Turns to Healing and Transformation","datePublished":"2017-11-02T01:09:40.000Z","dateModified":"2024-01-12T03:13:22.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13813375/the-santa-rosa-symphony-turns-to-healing-and-transformation","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Santa Rosa Symphony historian Kayleen Asbo made a series of videos weeks ago about this season’s concerts, but her comments introducing the shows this weekend are more timely than ever. “This particular program,” she says on YouTube, “is one that explores the power of music to heal and transform. I like to call it the light in the darkness.” Mei Ann Chen conducts Shostakovich’s Festive Overture, a piece with the power to inspire new resolve to those in despair, after the North Bay fires, plus Tchaikovsky’s Piano Concerto No. 1 with soloist \u003ca href=\"http://arghamanyan.com/\" target=\"_blank\" rel=\"noopener\">Nareh Arghamanyan\u003c/a>. The Santa Rosa Symphony is dedicating its season to first responders and those who’ve lost homes in the fires, both groups of which qualify for free tickets for the remainder of the season. \u003ca href=\"http://srsymphony.org/EventDetail/98\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FeDNMALavf8'\n title='//www.youtube.com/embed/FeDNMALavf8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13813375/the-santa-rosa-symphony-turns-to-healing-and-transformation","authors":["32"],"programs":["arts_140"],"categories":["arts_69"],"tags":["arts_2520","arts_596","arts_2960","arts_626","arts_2726"],"featImg":"arts_13813382","label":"arts_140"},"arts_13812636":{"type":"posts","id":"arts_13812636","meta":{"index":"posts_1591205157","site":"arts","id":"13812636","score":null,"sort":[1508982719000]},"guestAuthors":[],"slug":"on-the-air-cy-and-tomas-do-list-picks-for-oct-24-2017","title":"On the Air: Cy and Tomas' Do List Picks for Oct. 24, 2017","publishDate":1508982719,"format":"audio","headTitle":"On the Air: Cy and Tomas’ Do List Picks for Oct. 24, 2017 | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>The fires in the North Bay may be contained, but life is hardly back to normal. On the Do List this week, Tomas Riley, former Executive Director for Counterpulse in San Francisco, joins me to talk about fundraisers for fire survivors and ways people can visit and support Sonoma and Napa County artists. Plus we discuss art and politics as the Mariinsky Orchestra barnstorms the Bay Area, a pair of dance festivals and a punk fest featuring women and trans bandleaders. We hope you like the show.\u003c/p>\n\u003cp>\u003cstrong>Oct. 28-Nov. 11:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXiw\" target=\"_blank\" rel=\"noopener\"> Wine Country fundraisers and arts events range from a pop-up sale of apparel by Johnny Cupcakes to an art auction to a music fest in Napa\u003c/a> \u003ca href=\"https://ww2.kqed.org/arts/2017/10/25/how-to-help-fire-survivors-through-art/\" target=\"_blank\" rel=\"noopener\">Valley\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 29-Nov. 4: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXiR\" target=\"_blank\" rel=\"noopener\">Valery Gergiev leads his Mariinsky Orchestra on a tour of Bay Area concert halls\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 28: \u003c/strong>\u003ca href=\"http://lil10.youthspeaks.org/\" target=\"_blank\" rel=\"noopener\">The Life is Living Fest celebrates community at Defremery (a.k.a. Little Bobby Hutton) Park\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Nov. 10-12:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VXiY\" target=\"_blank\" rel=\"noopener\">The Festival of Latin American Contemporary Choreographers features dance about current events and politics\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Nov. 2-5: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXjr\" target=\"_blank\" rel=\"noopener\">Jess Curtis makes dances that don’t have to be seen to be appreciated\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Nov. 2-6: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXjE\" target=\"_blank\" rel=\"noopener\">The West Coast Women’s Darkwave Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 28-29: \u003c/strong>\u003ca href=\"https://www.facebook.com/LaUltimaParadaSJ/\" target=\"_blank\" rel=\"noopener\">Join the family friendly fun at La Ultima Parada, a Day of the Dead celebration at the School of Arts and Culture in San Jose of Life on the Day of the Dead in San Jose\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Nov. 12:\u003c/strong>\u003ca href=\"https://www.brava.org/all-events/2017/11/12/diana-gameros-celebrates-her-new-album-arullo-with-a-cd-release-party-and-concert\" target=\"_blank\" rel=\"noopener\"> Diana Gameros celebrates the release of her album Arullo (Lullaby in English) at Brava For Women in the Arts in San Franciso\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13812638\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13812638\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-800x558.jpg\" alt=\"Tomas Riley and Cy Musiker of KQED\" width=\"800\" height=\"558\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-800x558.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-768x535.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-1020x711.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-1920x1339.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-1180x823.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-960x669.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-240x167.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-375x261.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-520x363.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tomas Riley and Cy Musiker of KQED \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"On the Do List this week, KQED's Cy Musiker and Tomas Riley talk about fundraisers for fire victims, a Russian orchestra, a pair of dance fests and more.","status":"publish","parent":0,"modified":1705029244,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":280},"headData":{"title":"On the Air: Cy and Tomas' Do List Picks for Oct. 24, 2017 | KQED","description":"On the Do List this week, KQED's Cy Musiker and Tomas Riley talk about fundraisers for fire victims, a Russian orchestra, a pair of dance fests and more.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"On the Air: Cy and Tomas' Do List Picks for Oct. 24, 2017","datePublished":"2017-10-26T01:51:59.000Z","dateModified":"2024-01-12T03:14:04.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio/thedolist/2017/10/TheDoListforOct24.mp3","sticky":false,"path":"/arts/13812636/on-the-air-cy-and-tomas-do-list-picks-for-oct-24-2017","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The fires in the North Bay may be contained, but life is hardly back to normal. On the Do List this week, Tomas Riley, former Executive Director for Counterpulse in San Francisco, joins me to talk about fundraisers for fire survivors and ways people can visit and support Sonoma and Napa County artists. Plus we discuss art and politics as the Mariinsky Orchestra barnstorms the Bay Area, a pair of dance festivals and a punk fest featuring women and trans bandleaders. We hope you like the show.\u003c/p>\n\u003cp>\u003cstrong>Oct. 28-Nov. 11:\u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXiw\" target=\"_blank\" rel=\"noopener\"> Wine Country fundraisers and arts events range from a pop-up sale of apparel by Johnny Cupcakes to an art auction to a music fest in Napa\u003c/a> \u003ca href=\"https://ww2.kqed.org/arts/2017/10/25/how-to-help-fire-survivors-through-art/\" target=\"_blank\" rel=\"noopener\">Valley\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 29-Nov. 4: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXiR\" target=\"_blank\" rel=\"noopener\">Valery Gergiev leads his Mariinsky Orchestra on a tour of Bay Area concert halls\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 28: \u003c/strong>\u003ca href=\"http://lil10.youthspeaks.org/\" target=\"_blank\" rel=\"noopener\">The Life is Living Fest celebrates community at Defremery (a.k.a. Little Bobby Hutton) Park\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Nov. 10-12:\u003c/strong> \u003ca href=\"https://wp.me/p4oi3Y-VXiY\" target=\"_blank\" rel=\"noopener\">The Festival of Latin American Contemporary Choreographers features dance about current events and politics\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Nov. 2-5: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXjr\" target=\"_blank\" rel=\"noopener\">Jess Curtis makes dances that don’t have to be seen to be appreciated\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Nov. 2-6: \u003c/strong>\u003ca href=\"https://wp.me/p4oi3Y-VXjE\" target=\"_blank\" rel=\"noopener\">The West Coast Women’s Darkwave Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Oct. 28-29: \u003c/strong>\u003ca href=\"https://www.facebook.com/LaUltimaParadaSJ/\" target=\"_blank\" rel=\"noopener\">Join the family friendly fun at La Ultima Parada, a Day of the Dead celebration at the School of Arts and Culture in San Jose of Life on the Day of the Dead in San Jose\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Nov. 12:\u003c/strong>\u003ca href=\"https://www.brava.org/all-events/2017/11/12/diana-gameros-celebrates-her-new-album-arullo-with-a-cd-release-party-and-concert\" target=\"_blank\" rel=\"noopener\"> Diana Gameros celebrates the release of her album Arullo (Lullaby in English) at Brava For Women in the Arts in San Franciso\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13812638\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13812638\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-800x558.jpg\" alt=\"Tomas Riley and Cy Musiker of KQED\" width=\"800\" height=\"558\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-800x558.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-768x535.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-1020x711.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-1920x1339.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-1180x823.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-960x669.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-240x167.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-375x261.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/Tomas-and-Cyrus-10-24-e1508962762294-520x363.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tomas Riley and Cy Musiker of KQED \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13812636/on-the-air-cy-and-tomas-do-list-picks-for-oct-24-2017","authors":["32"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_966","arts_69","arts_235","arts_75","arts_70"],"tags":["arts_2435","arts_1118","arts_1297","arts_2520","arts_1006","arts_2267","arts_596","arts_626"],"featImg":"arts_13812637","label":"arts_140"},"arts_13812661":{"type":"posts","id":"arts_13812661","meta":{"index":"posts_1591205157","site":"arts","id":"13812661","score":null,"sort":[1508982147000]},"guestAuthors":[],"slug":"a-conductor-plays-politics-and-leads-a-great-orchestra","title":"A Conductor Plays Politics and Leads a Great Orchestra","publishDate":1508982147,"format":"standard","headTitle":"A Conductor Plays Politics and Leads a Great Orchestra | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Conductor Valery Gergiev leads the Mariinsky, his home orchestra, on a barnstorming tour of the Bay Area this month, playing Shostakovich and Prokofiev and other classics. It’s a big deal. Gergiev conducted Prokofiev’s opera \u003cem>War and Peace,\u003c/em> based on the Leo Tolstoy book, at San Francisco Opera in 1991, and the music remains vivid for me as one of the greatest performances I’ve ever seen.\u003c/p>\n\u003cp>The Mariinksy is one of the world’s outstanding orchestras. But in the past few years, I’ve wondered about Gergiev’s politics as he’s expressed vocal support for Vladimir Putin, despite the leader’s harsh crackdowns on dissent and LGBTQ rights. My co-host Tomas Riley notes he’s never believed in the notion that politics stops at the art house door, “but as with any good Russian novel,” Riley said, “the levels of intrigue get deep and expansive, and you don’t have to like every character.” \u003ca href=\"http://mariinsky.us/performances/mariinsky-orchestra-performance-schedule/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=pFih0b-VJec\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"A brilliant conductor and his orchestra barnstorms the Bay Area, hoping we don't fuss about his politics.","status":"publish","parent":0,"modified":1705029245,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":185},"headData":{"title":"A Conductor Plays Politics and Leads a Great Orchestra | KQED","description":"A brilliant conductor and his orchestra barnstorms the Bay Area, hoping we don't fuss about his politics.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"A Conductor Plays Politics and Leads a Great Orchestra","datePublished":"2017-10-26T01:42:27.000Z","dateModified":"2024-01-12T03:14:05.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13812661/a-conductor-plays-politics-and-leads-a-great-orchestra","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Conductor Valery Gergiev leads the Mariinsky, his home orchestra, on a barnstorming tour of the Bay Area this month, playing Shostakovich and Prokofiev and other classics. It’s a big deal. Gergiev conducted Prokofiev’s opera \u003cem>War and Peace,\u003c/em> based on the Leo Tolstoy book, at San Francisco Opera in 1991, and the music remains vivid for me as one of the greatest performances I’ve ever seen.\u003c/p>\n\u003cp>The Mariinksy is one of the world’s outstanding orchestras. But in the past few years, I’ve wondered about Gergiev’s politics as he’s expressed vocal support for Vladimir Putin, despite the leader’s harsh crackdowns on dissent and LGBTQ rights. My co-host Tomas Riley notes he’s never believed in the notion that politics stops at the art house door, “but as with any good Russian novel,” Riley said, “the levels of intrigue get deep and expansive, and you don’t have to like every character.” \u003ca href=\"http://mariinsky.us/performances/mariinsky-orchestra-performance-schedule/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pFih0b-VJec'\n title='//www.youtube.com/embed/pFih0b-VJec'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13812661/a-conductor-plays-politics-and-leads-a-great-orchestra","authors":["32"],"programs":["arts_140"],"categories":["arts_835","arts_69"],"tags":["arts_2435","arts_2520","arts_1006","arts_2267","arts_596","arts_2265","arts_626","arts_2880"],"featImg":"arts_13812662","label":"arts_140"},"arts_13812640":{"type":"posts","id":"arts_13812640","meta":{"index":"posts_1591205157","site":"arts","id":"13812640","score":null,"sort":[1508980980000]},"guestAuthors":[],"slug":"how-to-help-fire-survivors-through-art","title":"How to Help Fire Survivors Through Art","publishDate":1508980980,"format":"standard","headTitle":"How to Help Fire Survivors Through Art | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>The North Bay fires have inspired many artists to offer their help in the way of fundraisers, and inspired us to highlight the work of Sonoma and Napa County artists who may need support. As my co-host Tomas Riley said, “As much as artists create work for the joy of fulfilling a vision, the other piece to that cycle is for the work to be purchased.” Here’s a list of events benefiting the North Bay.\u003c/p>\n\u003cp>\u003cstrong>Oct. 28 and Nov. 11: \u003c/strong>\u003ca href=\"https://www.facebook.com/agentInkgallery/\" target=\"_blank\" rel=\"noopener\">Two\u003c/a> \u003ca href=\"https://www.facebook.com/agentInkgallery/\" target=\"_blank\" rel=\"noopener\">fundraisers at Agent Ink, a print gallery in Santa Rosa owned by Curt Barnickel\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct. 28-29: \u003c/strong>\u003ca href=\"http://sonomacountyarttrails.org\" target=\"_blank\" rel=\"noopener\">Sonoma County ArtTrails is a weekend of open studios\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct. 29:\u003c/strong> \u003ca href=\"https://www.facebook.com/pg/greenmusiccenter/posts/?ref=page_internal\" target=\"_blank\" rel=\"noopener\">Pianist Alexi Kenney performs at the Green Music Center, and donates his fee for the recital to Undocufund, which helps undocumented immigrants displaced by the fires\u003c/a>.\u003c/p>\n\u003cp>\u003cb>Oct. 29:\u003c/b> \u003ca href=\"https://www.florasprings.com/events/napa-valley-fire-relief-benefit-music-festival-room/\" target=\"_blank\" rel=\"noopener\">Flora Springs Winery hosts a music festival for Napa Valley Fire Relief with five bands, including Petaluma’s Miss Moonshine… one of whose members lost her house, another member lost his job\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Nov. 3:\u003c/strong> \u003ca href=\"https://www.facebook.com/events/133610447391438/?acontext=%7B%22source%22%3A5%2C%22page_id_source%22%3A71458621914%2C%22action_history%22%3A%5B%7B%22surface%22%3A%22page%22%2C%22mechanism%22%3A%22main_list%22%2C%22extra_data%22%3A%22%7B%5C%22page_id%5C%22%3A71458621914%2C%5C%22tour_id%5C%22%3Anull%7D%22%7D%5D%2C%22has_source%22%3Atrue%7D\" target=\"_blank\" rel=\"noopener\">The Community Music Center hosts a fundraiser for survivors of Hurricane Maria, the Mexico City earthquake, and the North Bay Fires\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=XMMTJ1-vj_Y\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"North Bay art fundraisers include a pop-up sale of apparel by Johnny Cupcakes, an art auction, a recital in Rohnert Park, and a music fest at Flora Springs.","status":"publish","parent":0,"modified":1705029250,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":215},"headData":{"title":"How to Help Fire Survivors Through Art | KQED","description":"North Bay art fundraisers include a pop-up sale of apparel by Johnny Cupcakes, an art auction, a recital in Rohnert Park, and a music fest at Flora Springs.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How to Help Fire Survivors Through Art","datePublished":"2017-10-26T01:23:00.000Z","dateModified":"2024-01-12T03:14:10.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13812640/how-to-help-fire-survivors-through-art","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The North Bay fires have inspired many artists to offer their help in the way of fundraisers, and inspired us to highlight the work of Sonoma and Napa County artists who may need support. As my co-host Tomas Riley said, “As much as artists create work for the joy of fulfilling a vision, the other piece to that cycle is for the work to be purchased.” Here’s a list of events benefiting the North Bay.\u003c/p>\n\u003cp>\u003cstrong>Oct. 28 and Nov. 11: \u003c/strong>\u003ca href=\"https://www.facebook.com/agentInkgallery/\" target=\"_blank\" rel=\"noopener\">Two\u003c/a> \u003ca href=\"https://www.facebook.com/agentInkgallery/\" target=\"_blank\" rel=\"noopener\">fundraisers at Agent Ink, a print gallery in Santa Rosa owned by Curt Barnickel\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct. 28-29: \u003c/strong>\u003ca href=\"http://sonomacountyarttrails.org\" target=\"_blank\" rel=\"noopener\">Sonoma County ArtTrails is a weekend of open studios\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Oct. 29:\u003c/strong> \u003ca href=\"https://www.facebook.com/pg/greenmusiccenter/posts/?ref=page_internal\" target=\"_blank\" rel=\"noopener\">Pianist Alexi Kenney performs at the Green Music Center, and donates his fee for the recital to Undocufund, which helps undocumented immigrants displaced by the fires\u003c/a>.\u003c/p>\n\u003cp>\u003cb>Oct. 29:\u003c/b> \u003ca href=\"https://www.florasprings.com/events/napa-valley-fire-relief-benefit-music-festival-room/\" target=\"_blank\" rel=\"noopener\">Flora Springs Winery hosts a music festival for Napa Valley Fire Relief with five bands, including Petaluma’s Miss Moonshine… one of whose members lost her house, another member lost his job\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Nov. 3:\u003c/strong> \u003ca href=\"https://www.facebook.com/events/133610447391438/?acontext=%7B%22source%22%3A5%2C%22page_id_source%22%3A71458621914%2C%22action_history%22%3A%5B%7B%22surface%22%3A%22page%22%2C%22mechanism%22%3A%22main_list%22%2C%22extra_data%22%3A%22%7B%5C%22page_id%5C%22%3A71458621914%2C%5C%22tour_id%5C%22%3Anull%7D%22%7D%5D%2C%22has_source%22%3Atrue%7D\" target=\"_blank\" rel=\"noopener\">The Community Music Center hosts a fundraiser for survivors of Hurricane Maria, the Mexico City earthquake, and the North Bay Fires\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/XMMTJ1-vj_Y'\n title='//www.youtube.com/embed/XMMTJ1-vj_Y'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13812640/how-to-help-fire-survivors-through-art","authors":["32"],"programs":["arts_140"],"categories":["arts_835","arts_69"],"tags":["arts_1297","arts_2520","arts_1006","arts_1773","arts_596","arts_626"],"featImg":"arts_13812656","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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