Zendaya Donates $100,000 to Bay Area Theater Company
No Immigrants, No Spice: An Oakland Fundraiser Celebrates the Diversity of Barbecue
Artist From Berkeley Wins $1 Million for ‘Healing Project,’ Focused on Incarceration
Artists Hit by Rains and Flooding Look to Emergency Relief Funds
San Francisco Dance Company FACT/SF Pays Artists to Apply
Oakland’s Cultural Affairs Manager Roberto Bedoya Wins 2021 Berresford Prize
Yerba Buena Center for the Arts Announces 'YBCA 10' Program
Southern Exposure Opens Second Round of Emergency Relief Funds to SF Artists
Five Artists and Curators Receive Inaugural California Black Voices Project Grants
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href=\"https://www.kqed.org/arts/13952684/dune-part-two-sustains-the-dystopian-dream-of-part-one\">\u003cem>Dune\u003c/em>\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13907939/hbos-euphoria-is-more-than-a-parents-worst-nightmare-its-a-creative-triumph\">\u003cem>Euphoria\u003c/em> \u003c/a>facilitated a $100,000 grant to the theater’s \u003ca href=\"https://calshakes.org/support/\">North Star Fund\u003c/a> via the Women Donors Network (WDN).\u003c/p>\n\u003cp>“We hope that our funding supports your work and helps further your strategic vision, wherever funds are most needed,” said WDN’s President and CEO Leena Barakat in a statement.\u003c/p>\n\u003cp>The North Star Fund is dedicated toward launching a development program for young acting talent, improving sound and lighting at the Bruns Amphitheater in Orinda, and upgrading Cal Shakes’ cafe facilities. The fund will also finance the theater’s \u003ca href=\"https://calshakes.org/calshakes50_pr/\">50th anniversary production of \u003c/a>\u003cem>\u003ca href=\"https://calshakes.org/calshakes50_pr/\">As You Like It\u003c/a>,\u003c/em> set to be directed by Elizabeth Carter.\u003c/p>\n\u003cp>“To me, \u003cem>As You Like It\u003c/em> is ultimately about the freedom to uncover ourselves,” Carter said when the play was announced, “being loved for our true selves, and that the least of us is the most of us.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postid='pop_95643']Zendaya, 27, has been closely linked to Cal Shakes since her childhood. Her mother, elementary school teacher Claire Stoermer, worked as the house manager for 12 summers. Zendaya often accompanied her mom to the theater, helping out by selling raffle tickets and handing out programs.\u003c/p>\n\u003cp>The actress began taking classes at Cal Shakes at the age of 8, encouraged by her mom. Within six years, Zendaya began starring in the Disney Channel series, \u003cem>Shake it Up\u003c/em>. In 2020, she became the youngest actor to ever win an Emmy Award for her work on \u003cem>Euphoria\u003c/em>.\u003c/p>\n\u003cp>The $100,000 donation follows a pattern of Zendaya representing her hometown of Oakland and supporting its community programs. Last year, with boyfriend Tom Holland, she \u003ca href=\"https://datebook.sfchronicle.com/movies-tv/zendaya-and-boyfriend-tom-holland-made-a-secret-trip-to-her-oakland-school\">visited her alma mater Oakland School for the Arts\u003c/a> to talk with students. In 2018, she \u003ca href=\"https://www.essence.com/celebrity/zendaya-google-computer-science-roses-oakland/\">helped fund a grant supporting computer science curriculum\u003c/a> at Oakland’s Roses In Concerete Community School.\u003c/p>\n\u003cp>Zendaya remains a regular visitor to the Cal Shakes’ theater in Orinda, and was made aware of its post-pandemic challenges in conversations with Executive Director Clive Worsley and others at Cal Shakes.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are deeply grateful to Zendaya and the WDN for their partnership,” Worsley said in a statement. “This gift helps keep Cal Shakes going strong.”\u003c/p>\n\n","blocks":[],"excerpt":"The Oakland-born star gives back to Cal Shakes, where she began acting lessons at the age of 8.","status":"publish","parent":0,"modified":1708727375,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":416},"headData":{"title":"Zendaya Donates $100,000 to Bay Area Theater Company | KQED","description":"The Oakland-born star gives back to Cal Shakes, where she began acting lessons at the age of 8.","ogTitle":"Zendaya Donates $100,000 to Bay Area Theater Company","ogDescription":"","ogImgId":"","twTitle":"Zendaya Donates $100,000 to Bay Area Theater Company","twDescription":"","twImgId":"","socialTitle":"Zendaya Donates $100,000 to Bay Area Theater Company %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13952927/zendaya-cal-shakes-north-star-fund-donation","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Star actress \u003ca href=\"https://www.kqed.org/arts/tag/zendaya\">Zendaya\u003c/a> has made a large donation to the California Shakespeare Theater (Cal Shakes) that’s expected to have a major impact on the company’s upcoming 50th anniversary season.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13891785","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003ca href=\"https://www.kqed.org/pop/95643/how-oaklands-zendaya-became-the-most-woke-disney-star-ever\">The Oakland-born star\u003c/a> of \u003ca href=\"https://www.kqed.org/arts/13952684/dune-part-two-sustains-the-dystopian-dream-of-part-one\">\u003cem>Dune\u003c/em>\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13907939/hbos-euphoria-is-more-than-a-parents-worst-nightmare-its-a-creative-triumph\">\u003cem>Euphoria\u003c/em> \u003c/a>facilitated a $100,000 grant to the theater’s \u003ca href=\"https://calshakes.org/support/\">North Star Fund\u003c/a> via the Women Donors Network (WDN).\u003c/p>\n\u003cp>“We hope that our funding supports your work and helps further your strategic vision, wherever funds are most needed,” said WDN’s President and CEO Leena Barakat in a statement.\u003c/p>\n\u003cp>The North Star Fund is dedicated toward launching a development program for young acting talent, improving sound and lighting at the Bruns Amphitheater in Orinda, and upgrading Cal Shakes’ cafe facilities. The fund will also finance the theater’s \u003ca href=\"https://calshakes.org/calshakes50_pr/\">50th anniversary production of \u003c/a>\u003cem>\u003ca href=\"https://calshakes.org/calshakes50_pr/\">As You Like It\u003c/a>,\u003c/em> set to be directed by Elizabeth Carter.\u003c/p>\n\u003cp>“To me, \u003cem>As You Like It\u003c/em> is ultimately about the freedom to uncover ourselves,” Carter said when the play was announced, “being loved for our true selves, and that the least of us is the most of us.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"pop_95643","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Zendaya, 27, has been closely linked to Cal Shakes since her childhood. Her mother, elementary school teacher Claire Stoermer, worked as the house manager for 12 summers. Zendaya often accompanied her mom to the theater, helping out by selling raffle tickets and handing out programs.\u003c/p>\n\u003cp>The actress began taking classes at Cal Shakes at the age of 8, encouraged by her mom. Within six years, Zendaya began starring in the Disney Channel series, \u003cem>Shake it Up\u003c/em>. In 2020, she became the youngest actor to ever win an Emmy Award for her work on \u003cem>Euphoria\u003c/em>.\u003c/p>\n\u003cp>The $100,000 donation follows a pattern of Zendaya representing her hometown of Oakland and supporting its community programs. Last year, with boyfriend Tom Holland, she \u003ca href=\"https://datebook.sfchronicle.com/movies-tv/zendaya-and-boyfriend-tom-holland-made-a-secret-trip-to-her-oakland-school\">visited her alma mater Oakland School for the Arts\u003c/a> to talk with students. In 2018, she \u003ca href=\"https://www.essence.com/celebrity/zendaya-google-computer-science-roses-oakland/\">helped fund a grant supporting computer science curriculum\u003c/a> at Oakland’s Roses In Concerete Community School.\u003c/p>\n\u003cp>Zendaya remains a regular visitor to the Cal Shakes’ theater in Orinda, and was made aware of its post-pandemic challenges in conversations with Executive Director Clive Worsley and others at Cal Shakes.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are deeply grateful to Zendaya and the WDN for their partnership,” Worsley said in a statement. “This gift helps keep Cal Shakes going strong.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13952927/zendaya-cal-shakes-north-star-fund-donation","authors":["11242"],"categories":["arts_1","arts_11615","arts_235","arts_75","arts_967"],"tags":["arts_1890","arts_10278","arts_3590","arts_21972","arts_21968"],"featImg":"arts_13952930","label":"arts"},"arts_13928792":{"type":"posts","id":"arts_13928792","meta":{"index":"posts_1591205157","site":"arts","id":"13928792","score":null,"sort":[1683578558000]},"guestAuthors":[],"slug":"no-immigrants-no-spice-barbecue-yakitori-kebab-lechon-oakland","title":"No Immigrants, No Spice: An Oakland Fundraiser Celebrates the Diversity of Barbecue","publishDate":1683578558,"format":"standard","headTitle":"No Immigrants, No Spice: An Oakland Fundraiser Celebrates the Diversity of Barbecue | KQED","labelTerm":{},"content":"\u003cp>A wafting scent of familiar food can transport someone back home faster than Dorothy’s red slippers. If I smell chicken \u003ca href=\"https://en.wikipedia.org/wiki/Chicken_inasal\">inasal\u003c/a>, a form of barbecue from my island province of Iloilo, all those memories come flooding back.\u003c/p>\n\u003cp>For immigrants like me, food is one of the ways to preserve cultural traditions and keep that connection to home alive. Whether we immigrated at will or under duress, our paths led us to America for want of building a life better than what we had. And part of what made this country the promised land was that it was this physical melting pot of cultures — all made possible, and more flavorful, by immigrants.\u003cspan style=\"font-weight: 400\">[aside postID='arts_13915306,arts_13915312,arts_13928085']\u003c/span>\u003c/p>\n\u003cp>That’s the idea behind the second annual \u003ca href=\"https://www.eventbrite.com/e/bbq-without-borders-2023-tickets-593388891147\">BBQ Without Borders\u003c/a>, a food-based fundraiser that brings the community together to celebrate immigration through dance, music, art and, of course, barbecue.\u003c/p>\n\u003cp>Did someone say lechon, kebab and yakitori?\u003c/p>\n\u003cp>The event — which will take place on May 13 at the Oakland Museum — is the brainchild of \u003ca href=\"https://noimmigrantsnospice.org/\">No Immigrants No Spice\u003c/a>, an Oakland-based nonprofit that supports immigrant food entrepreneurs and celebrates the diversity and joy that they bring to this country.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Food is our common denominator and serves as a profound vehicle to inspire curiosity about another culture. We can learn so much about each other through the foods we eat if we do so mindfully,” says founder Vibha Gupta, an ER physician, mother and first-generation Indian American who lives in the East Bay.\u003c/p>\n\u003cfigure id=\"attachment_13928808\" class=\"wp-caption alignleft\" style=\"max-width: 1707px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13928808\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/yakitori_Laura-Kaur-scaled.jpg\" alt=\"A chef holds yakitori skewers over a Japanese charcoal grill.\" width=\"1707\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/yakitori_Laura-Kaur-scaled.jpg 1707w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/yakitori_Laura-Kaur-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/yakitori_Laura-Kaur-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/yakitori_Laura-Kaur-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/yakitori_Laura-Kaur-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/yakitori_Laura-Kaur-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/yakitori_Laura-Kaur-1365x2048.jpg 1365w\" sizes=\"(max-width: 1707px) 100vw, 1707px\">\u003cfigcaption class=\"wp-caption-text\">Tadayuki Furui of San Francisco’s Family Cafe (now closed) carefully grills traditional Japanese yakitori skewers. \u003ccite>(Lara Kaur)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gupta created the nonprofit as a response to the rise of racism and xenophobia during the Trump presidency. Laughing, she credits \u003ca href=\"https://www.youtube.com/watch?v=BOt5SmHf2aE\">one of Trevor Noah’s stand-up routines\u003c/a> — in which he says people who hate immigrants shouldn’t be allowed to eat their food — as her inspiration. Think \u003ca href=\"https://www.thedailybeast.com/obsessed/aggretsuko-is-one-of-netflixs-best-shows-heres-the-proof\">Aggretsuko rage-screaming\u003c/a> about her boss’ abuses, but in a more humanitarian way.\u003c/p>\n\u003cp>For Gupta, nothing is more American than barbecue, a culinary tradition that has always encompassed a wide range of different cultures. After all, the word barbecue itself comes from the Arawak word “\u003ca href=\"https://www.kqed.org/arts/13915646/barbacoa-mejia-richmond-flea-market\">barbacoa,\u003c/a>” which refers to the wooden structure that the \u003ca href=\"https://www.smithsonianmag.com/travel/what-became-of-the-taino-73824867/#:~:text=Their%20world%2C%20which%20had%20its,on%20the%20island%20of%20Hispaniola\">Taino-Arawak people of the Caribbean\u003c/a> used for cooking meat many centuries ago. What most Americans think of as barbecue today is an evolution of indigenous traditions, techniques brought over to the U.S. by enslaved Africans and, more recently, a host of different immigrant influences.\u003c/p>\n\u003cp>What better way to celebrate American diversity, then, than through the unifying lens of barbecue?\u003c/p>\n\u003cp>This year’s edition of BBQ Without Borders will celebrate immigrant food traditions with roots in Cuba, India and Japan, as chefs Lilly Duran of \u003ca href=\"https://www.kqed.org/arts/13925774/new-west-oakland-farmers-market-healthy-foods-harvindar-singh\">Oakland’s Clandestina Cocina\u003c/a>, Ron Dumra of Hayward’s \u003ca href=\"https://wahjeewah.live/\">Wah Jee Wah\u003c/a> and Tadayuki Furui of \u003ca href=\"https://www.sfchronicle.com/food/restaurants/article/S-F-s-charming-Family-Cafe-one-of-the-city-s-16764614.php\">Family Cafe North Beach\u003c/a> (now closed) will each showcase their own form of barbecue.\u003c/p>\n\u003cfigure id=\"attachment_13928823\" class=\"wp-caption alignright\" style=\"max-width: 1707px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13928823\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-scaled.jpg\" alt=\"Indian kebabs on a wooden board, with a plate of chutneys on the side.\" width=\"1707\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-scaled.jpg 1707w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-1365x2048.jpg 1365w\" sizes=\"(max-width: 1707px) 100vw, 1707px\">\u003cfigcaption class=\"wp-caption-text\">Wah Jee Wah chef Ron Dumra shows off a selection of his Indian-style tikka kebabs. \u003ccite>(Lara Kaur)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Duran’s menu, for instance, will feature Cuban-style whole roast pig (lechon) and grilled fish. Dumra will serve his grilled Punjabi chicken tikka kebab. And Furui will offer a selection of yakitori skewers, including grilled chicken thigh, tsukune (meatball) and rice balls. All of the chefs will offer at least one vegetarian entrée, and, to top it all off, Third Culture Bakery will provide dessert.\u003c/p>\n\u003cp>The three featured chefs will also serve as the inspiration for an immersive “sanctuaries” exhibit that will be set up outdoors in the Oakland Museum’s garden. Each interactive structure will show how the chefs “cultivate home.” For instance, Duran’s sacred space is an exploration of the Cuban family home. Furui’s part of the exhibit will show how he finds solace and inspiration in his sewing and woodwork studio. For Dumra, a combination of his mother’s kitchen and his father’s Indian-style grills epitomizes the meaning of home. Each sanctuary space will feature personal found objects, important mementos and photographs that provide a deeper dive into who the chefs are and what immigration has meant for them.\u003c/p>\n\u003cp>In addition to the delicious barbecue and heartwarming cultural celebration, BBQ Without Borders also supports a good cause. The event is a fundraising partnership with Fruitvale’s \u003ca href=\"https://unitycouncil.org/\">Unity Council\u003c/a> to raise funds to support Bay Area front-line workers, especially those whose documentation status has put them in a vulnerable position during the pandemic. This Resilience Fund supports those folks via unrestricted $500 micro-grants.\u003c/p>\n\u003cp>As Gupta puts it, “This event is a way to inspire folks through their palates — to enjoy the food but also hopefully find a deeper connection to the immigrants who contribute in innumerable and invisible ways to the social fabric of this country.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>BBQ Without Borders 2023 will take place at the Oakland Museum (1000 Oak St., Oakland) on Sat., May 13, from 5 to 9 p.m. Tickets are $32–$125 and can be purchased via \u003c/i>\u003ca href=\"https://www.eventbrite.com/e/bbq-without-borders-2023-tickets-593388891147\">\u003ci>Eventbrite\u003c/i>\u003c/a>\u003ci>.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"Bay Area immigrant chefs stoke the embers of home with lechon, yakitori and tikka kebab.","status":"publish","parent":0,"modified":1705005529,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":873},"headData":{"title":"No Immigrants, No Spice: An Oakland Fundraiser Celebrates the Diversity of Barbecue | KQED","description":"Bay Area immigrant chefs stoke the embers of home with lechon, yakitori and tikka kebab.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"source":"Food","sourceUrl":"/food/","sticky":false,"nprByline":"Yana Gilbuena","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13928792/no-immigrants-no-spice-barbecue-yakitori-kebab-lechon-oakland","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>A wafting scent of familiar food can transport someone back home faster than Dorothy’s red slippers. If I smell chicken \u003ca href=\"https://en.wikipedia.org/wiki/Chicken_inasal\">inasal\u003c/a>, a form of barbecue from my island province of Iloilo, all those memories come flooding back.\u003c/p>\n\u003cp>For immigrants like me, food is one of the ways to preserve cultural traditions and keep that connection to home alive. Whether we immigrated at will or under duress, our paths led us to America for want of building a life better than what we had. And part of what made this country the promised land was that it was this physical melting pot of cultures — all made possible, and more flavorful, by immigrants.\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13915306,arts_13915312,arts_13928085","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>That’s the idea behind the second annual \u003ca href=\"https://www.eventbrite.com/e/bbq-without-borders-2023-tickets-593388891147\">BBQ Without Borders\u003c/a>, a food-based fundraiser that brings the community together to celebrate immigration through dance, music, art and, of course, barbecue.\u003c/p>\n\u003cp>Did someone say lechon, kebab and yakitori?\u003c/p>\n\u003cp>The event — which will take place on May 13 at the Oakland Museum — is the brainchild of \u003ca href=\"https://noimmigrantsnospice.org/\">No Immigrants No Spice\u003c/a>, an Oakland-based nonprofit that supports immigrant food entrepreneurs and celebrates the diversity and joy that they bring to this country.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Food is our common denominator and serves as a profound vehicle to inspire curiosity about another culture. We can learn so much about each other through the foods we eat if we do so mindfully,” says founder Vibha Gupta, an ER physician, mother and first-generation Indian American who lives in the East Bay.\u003c/p>\n\u003cfigure id=\"attachment_13928808\" class=\"wp-caption alignleft\" style=\"max-width: 1707px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13928808\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/yakitori_Laura-Kaur-scaled.jpg\" alt=\"A chef holds yakitori skewers over a Japanese charcoal grill.\" width=\"1707\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/yakitori_Laura-Kaur-scaled.jpg 1707w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/yakitori_Laura-Kaur-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/yakitori_Laura-Kaur-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/yakitori_Laura-Kaur-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/yakitori_Laura-Kaur-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/yakitori_Laura-Kaur-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/yakitori_Laura-Kaur-1365x2048.jpg 1365w\" sizes=\"(max-width: 1707px) 100vw, 1707px\">\u003cfigcaption class=\"wp-caption-text\">Tadayuki Furui of San Francisco’s Family Cafe (now closed) carefully grills traditional Japanese yakitori skewers. \u003ccite>(Lara Kaur)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gupta created the nonprofit as a response to the rise of racism and xenophobia during the Trump presidency. Laughing, she credits \u003ca href=\"https://www.youtube.com/watch?v=BOt5SmHf2aE\">one of Trevor Noah’s stand-up routines\u003c/a> — in which he says people who hate immigrants shouldn’t be allowed to eat their food — as her inspiration. Think \u003ca href=\"https://www.thedailybeast.com/obsessed/aggretsuko-is-one-of-netflixs-best-shows-heres-the-proof\">Aggretsuko rage-screaming\u003c/a> about her boss’ abuses, but in a more humanitarian way.\u003c/p>\n\u003cp>For Gupta, nothing is more American than barbecue, a culinary tradition that has always encompassed a wide range of different cultures. After all, the word barbecue itself comes from the Arawak word “\u003ca href=\"https://www.kqed.org/arts/13915646/barbacoa-mejia-richmond-flea-market\">barbacoa,\u003c/a>” which refers to the wooden structure that the \u003ca href=\"https://www.smithsonianmag.com/travel/what-became-of-the-taino-73824867/#:~:text=Their%20world%2C%20which%20had%20its,on%20the%20island%20of%20Hispaniola\">Taino-Arawak people of the Caribbean\u003c/a> used for cooking meat many centuries ago. What most Americans think of as barbecue today is an evolution of indigenous traditions, techniques brought over to the U.S. by enslaved Africans and, more recently, a host of different immigrant influences.\u003c/p>\n\u003cp>What better way to celebrate American diversity, then, than through the unifying lens of barbecue?\u003c/p>\n\u003cp>This year’s edition of BBQ Without Borders will celebrate immigrant food traditions with roots in Cuba, India and Japan, as chefs Lilly Duran of \u003ca href=\"https://www.kqed.org/arts/13925774/new-west-oakland-farmers-market-healthy-foods-harvindar-singh\">Oakland’s Clandestina Cocina\u003c/a>, Ron Dumra of Hayward’s \u003ca href=\"https://wahjeewah.live/\">Wah Jee Wah\u003c/a> and Tadayuki Furui of \u003ca href=\"https://www.sfchronicle.com/food/restaurants/article/S-F-s-charming-Family-Cafe-one-of-the-city-s-16764614.php\">Family Cafe North Beach\u003c/a> (now closed) will each showcase their own form of barbecue.\u003c/p>\n\u003cfigure id=\"attachment_13928823\" class=\"wp-caption alignright\" style=\"max-width: 1707px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13928823\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-scaled.jpg\" alt=\"Indian kebabs on a wooden board, with a plate of chutneys on the side.\" width=\"1707\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-scaled.jpg 1707w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/wah-jee-wah_lara-kaur-1365x2048.jpg 1365w\" sizes=\"(max-width: 1707px) 100vw, 1707px\">\u003cfigcaption class=\"wp-caption-text\">Wah Jee Wah chef Ron Dumra shows off a selection of his Indian-style tikka kebabs. \u003ccite>(Lara Kaur)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Duran’s menu, for instance, will feature Cuban-style whole roast pig (lechon) and grilled fish. Dumra will serve his grilled Punjabi chicken tikka kebab. And Furui will offer a selection of yakitori skewers, including grilled chicken thigh, tsukune (meatball) and rice balls. All of the chefs will offer at least one vegetarian entrée, and, to top it all off, Third Culture Bakery will provide dessert.\u003c/p>\n\u003cp>The three featured chefs will also serve as the inspiration for an immersive “sanctuaries” exhibit that will be set up outdoors in the Oakland Museum’s garden. Each interactive structure will show how the chefs “cultivate home.” For instance, Duran’s sacred space is an exploration of the Cuban family home. Furui’s part of the exhibit will show how he finds solace and inspiration in his sewing and woodwork studio. For Dumra, a combination of his mother’s kitchen and his father’s Indian-style grills epitomizes the meaning of home. Each sanctuary space will feature personal found objects, important mementos and photographs that provide a deeper dive into who the chefs are and what immigration has meant for them.\u003c/p>\n\u003cp>In addition to the delicious barbecue and heartwarming cultural celebration, BBQ Without Borders also supports a good cause. The event is a fundraising partnership with Fruitvale’s \u003ca href=\"https://unitycouncil.org/\">Unity Council\u003c/a> to raise funds to support Bay Area front-line workers, especially those whose documentation status has put them in a vulnerable position during the pandemic. This Resilience Fund supports those folks via unrestricted $500 micro-grants.\u003c/p>\n\u003cp>As Gupta puts it, “This event is a way to inspire folks through their palates — to enjoy the food but also hopefully find a deeper connection to the immigrants who contribute in innumerable and invisible ways to the social fabric of this country.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>BBQ Without Borders 2023 will take place at the Oakland Museum (1000 Oak St., Oakland) on Sat., May 13, from 5 to 9 p.m. Tickets are $32–$125 and can be purchased via \u003c/i>\u003ca href=\"https://www.eventbrite.com/e/bbq-without-borders-2023-tickets-593388891147\">\u003ci>Eventbrite\u003c/i>\u003c/a>\u003ci>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13928792/no-immigrants-no-spice-barbecue-yakitori-kebab-lechon-oakland","authors":["byline_arts_13928792"],"programs":["arts_140"],"categories":["arts_1","arts_12276"],"tags":["arts_13831","arts_17546","arts_10278","arts_3590","arts_16105","arts_3648","arts_585"],"featImg":"arts_13928807","label":"source_arts_13928792"},"arts_13925000":{"type":"posts","id":"arts_13925000","meta":{"index":"posts_1591205157","site":"arts","id":"13925000","score":null,"sort":[1676058303000]},"guestAuthors":[],"slug":"artist-from-berkeley-wins-1-million-for-healing-project-focused-on-incarceration","title":"Artist From Berkeley Wins $1 Million for ‘Healing Project,’ Focused on Incarceration","publishDate":1676058303,"format":"standard","headTitle":"Artist From Berkeley Wins $1 Million for ‘Healing Project,’ Focused on Incarceration | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>There’s a multidisciplinary artist who is so remarkable that although he is just 31 years old, he’s just been awarded a rare $1 million grant from the Andrew W. Mellon Foundation to fund his work: \u003ca href=\"https://www.samorapinderhughes.com/\">Samora Pinderhughes.\u003c/a>\u003c/p>\n\u003cp>Pinderhughes does many things. He’s a vocalist, pianist, composer and filmmaker. He’s also very much an activist against mass incarceration. For the past eight years, he’s been working on something called \u003ca href=\"https://www.samorapinderhughes.com/healingproject/\">The Healing Project\u003c/a>. As the name suggests, it’s about healing and leaving yourself emotionally open — to your own feelings, to the experiences of others, to generosity. That openness to vulnerability is also clear in Pinderhughes’ sweet, warm voice and in his wide vision for his work.\u003c/p>\n\u003cp>[aside postid='arts_13924661']He was inspired by the plays of one of his mentors, the playwright and actress \u003ca href=\"https://www.npr.org/2015/12/07/458742076/anna-deavere-smith-wants-playgoers-to-do-what-they-can-to-counter-violence\">Anna Deavere Smith\u003c/a>, who often bases her work on documentary interviews she’s conducted; she asked him if he was interested in exploring something similar. It led Pinderhughes — originally from the Bay Area, and now based in New York City — on a journey to conduct conversations with people across the U.S. about incarceration and structural violence.\u003c/p>\n\u003cp>Pinderhughes has always been involved in activism: his parents are professors and community activists. “It was very natural for me to start creating things that had a message,” he observes.\u003c/p>\n\u003cp>He later attended Juilliard as a jazz student. “I was there for piano performance,” he says. “I think off the top it was probably not the right place for me — but I just didn’t know that at the time that composing was a job! I wasn’t like, ‘Oh, OK, I could be like my own artist and make my own work.’ I found amazing teachers there — Frank Kimbrough, Kendall Briggs and \u003ca href=\"https://www.npr.org/2023/01/16/1149021094/nea-jazz-master-kenny-barron-shines-playing-solo-on-the-source\">Kenny Barron\u003c/a> in particular — who allowed me to be myself.” At the same time, he says, he felt he was surrounded by fellow students who were more interested in being the strongest possible technical players.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ICUoG54pIW0\u003c/p>\n\u003cp>“Meanwhile,” he adds, “I was very concerned with what was happening in the world, and how to say something about that through the music, and how to collaborate with different disciplines. I wanted to make things with the actors and make things with the string players. I was a little bit lost in the sauce there.”\u003c/p>\n\u003cp>One particular inflection point sparked Pinderhughes into using his music to address racial violence directly. “I think what really happened was \u003ca href=\"https://www.npr.org/sections/codeswitch/2016/08/11/489494015/the-butterfly-effects-of-ferguson\">the Ferguson uprising\u003c/a> and Mike Brown’s murder, it just really charged something,” he observes. Ultimately, that led to the creation of Pinderhughes’ ambitious 2016 work \u003ca href=\"https://www.npr.org/2017/01/19/510578539/radical-imagination-jazz-and-social-justice\">\u003cem>The Transformations Suite\u003c/em>\u003c/a>, which melded jazz, spoken-word poetry and visuals into a plea for social justice.\u003c/p>\n\u003cp>In its current form, The Healing Project is also made up of many elements, including music, films and visual art. It’s meant to be performed and experienced in many different ways and in different places. Pinderhughes, who is of mixed-race and Black ancestry, says that there is one central question at its core.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=iFppyjwHcd4\u003c/p>\n\u003cp>“That ended up being the question of healing from structural violence,” he says. “By structural violence, I mean just basically any type of trauma that could come from violences that are created by the society. So that could be imprisonment, that could be police brutality. It could even just be something like poverty and just like the circumstances of one’s upbringing and environment. It brought me on a journey of talking to hundreds of people around the country about their experiences and their ideas, most importantly, about healing and what they’ve been through, how they’ve come through it.”\u003c/p>\n\u003cp>Those hundreds of conversations included people who are currently incarcerated; many of them contributed their own art to the project. Pinderhughes worked with a constellation of professional artists and musicians to make meditations on those conversations, including the album \u003cem>Grief\u003c/em>. Other parts of the project include live performances and a visual art exhibition on display last year at San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13911226/samora-pinderhughes-ybca-the-healing-project\">Yerba Buena Center for the Arts\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=WFIjSW8HqMI\u003c/p>\n\u003cp>“I didn’t really want to limit it,” Pinderhughes says. “So I basically did everything that each person asked me to do. If they wanted to send me pieces that they had drawn through the mail if they were incarcerated, those go up in the exhibition. If they wanted to talk about the realities and experiences of loss and grieving, we would make a film about that. If they wanted to talk about the process of healing from long periods of incarceration, we’re going to make a composition about that.”\u003c/p>\n\u003cp>[aside postid='arts_13924934']The expansiveness of The Healing Project — part creative vessel, part catalyst for activism and part new collaborative model — is so dynamic that it attracted the attention of the Mellon Foundation. \u003ca href=\"https://mellon.org/about/staff/emil-kang/\">Emil Kang\u003c/a> directs its arts and culture program. He was blown away by Pinderhughes’ vision.\u003c/p>\n\u003cp>“I started asking him about his own artistic practice and he started to in some ways bifurcate his work: to talk about his music over here, his lived experience over here and his commitment to abolition work over there. And how he longed for the day of a time when he could actually bring all of this together.”\u003c/p>\n\u003cp>“To be frank,” Kang continues, “I was saddened by what he was saying to me, but yet I understood exactly what he was saying — that the ecosystem that we have now, especially in the performing arts, still exists in a transactional way, where an artist just puts out their work and hopes people get it somehow. At the Mellon Foundation, as we are trying to push forward our own work and what the future of the performing arts looks like, we really do believe it’s in the guise of contemporary performance — in a way that allows artists to be able to show the totality of their humanity in their work, and not just the virtuosity of their skill.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=aa9FmZN3NLg\u003c/p>\n\u003cp>It is extremely rare for a single performer to get a million dollars from a grant; that’s about the same sum as a Nobel Prize. That money is going to allow The Healing Project to be manifested into even more forms, Pinderhughes says. He also avers that this is very much a collaborative effort: “Everybody that was a part of the project had a stake in the project, so everybody that has ever been a part of this project co-owns this project with me. Everybody that has been a part of the project has just as much say over what is in it as I do.”\u003c/p>\n\u003cp>“I’m really honored and humbled to receive this opportunity to just take this project into the stratosphere,” Pinderhughes continues. “It’s only the beginning, really, of what we have planned. I am an artist and I believe deeply in the power of art, but I also want to materially create change in the lives of the people that are a part of it and also in the communities that it wants to serve.”\u003c/p>\n\u003cp>[aside postid='arts_13924571']For example, Pinderhughes plans to make a printed book version of The Healing Project, because so many participants are incarcerated. They’re not able to access the collaboration otherwise.\u003c/p>\n\u003cp>When he asked participants what they would need to create a space for their healing, spiritually or materially, some interviewees said that they needed things as basic as access to healthy food and jobs — which, for those formerly incarcerated, can be very hard to secure.\u003c/p>\n\u003cp>“We’re also starting an initiative called The Healing Project Transformative Impact Fund,” Pinderhughes notes, “where we’re going to be using the project as a container to actually start to support the dreams and hopes and projects of the actual people who participated in the project — folks particularly who are formerly and currently incarcerated.”\u003c/p>\n\u003cp>At the same time, he says, “We’re going to continue to do that art, that narrative work, we’re going to make the book, we’re going to make more albums, we’re going to make more exhibitions, we’re going to make more films.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=agCTXovPYp8\u003c/p>\n\u003cp>In the meantime, he hopes that the music of The Healing Project, and the power of its art, helps both creators and audiences chart their own paths to healing. He recalls a man coming up to him after a recent performance.\u003c/p>\n\u003cp>“He was like, I feel like you should make a shirt that says, ‘I make grown men cry,’ ” Pinderhughes recounts. “And I was like, ‘That’s not a bad idea.’ So now, just kind of jokingly, that’s the tagline of what the energy is.”\u003c/p>\n\u003cp>Friday evening, Pinderhughes and some of his musical collaborators will be performing \u003ca href=\"https://www.carnegiehall.org/calendar/2023/02/10/samora-pinderhughes-and-friends-0900pm\">a concert version\u003c/a> of The Healing Project at New York’s Zankel Hall at Carnegie Hall. Almost inevitably, people will cry. And that’s a big part of healing.\u003c/p>\n\u003cp>\u003cem>Edited by: \u003c/em>\u003ca href=\"https://www.npr.org/people/3850482/neda-ulaby\">\u003cem>Neda Ulaby\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003cem>Produced by: \u003c/em>\u003ca href=\"https://www.npr.org/people/182335974/anastasia-tsioulcas\">\u003cem>Anastasia Tsioulcas\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003cem>Audio story produced by: \u003c/em>\u003ca href=\"https://www.npr.org/people/766798576/isabella-gomez-sarmiento\">\u003cem>Isabella Gomez Sarmiento\u003c/em>\u003c/a>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Audio story edited by: Neda Ulaby\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=An+artist%27s+%27Healing+Project%2C%27+focused+on+incarceration+and+violence%2C+wins+%241+million&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"Multidisciplinary artist Samora Pinderhughes has been exploring mass incarceration for the last eight years.","status":"publish","parent":0,"modified":1705005856,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":29,"wordCount":1643},"headData":{"title":"Samora Pinderhughes’ ‘Healing Project’ Wins $1 Million Grant | KQED","description":"Multidisciplinary artist Samora Pinderhughes has been exploring mass incarceration for the last eight years.","ogTitle":"Artist From Berkeley Wins $1 Million for ‘Healing Project,’ Focused on Incarceration","ogDescription":"","ogImgId":"","twTitle":"Artist From Berkeley Wins $1 Million for ‘Healing Project,’ Focused on Incarceration","twDescription":"","twImgId":"","socialTitle":"Samora Pinderhughes’ ‘Healing Project’ Wins $1 Million Grant%%page%% %%sep%% KQED"},"sticky":false,"nprImageCredit":"Ray Neutron","nprByline":"Anastasia Tsioulcas","nprImageAgency":"Courtesy of the artist","nprStoryId":"1155783321","nprApiLink":"http://api.npr.org/query?id=1155783321&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2023/02/10/1155783321/an-artists-healing-project-focused-on-incarceration-and-violence-wins-1-million?ft=nprml&f=1155783321","nprRetrievedStory":"1","nprPubDate":"Fri, 10 Feb 2023 08:04:00 -0500","nprStoryDate":"Fri, 10 Feb 2023 05:01:20 -0500","nprLastModifiedDate":"Fri, 10 Feb 2023 05:01:20 -0500","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/me/2023/02/20230210_me_an_artists_healing_project_focused_on_incarceration_and_violence_wins_1_million.mp3?orgId=1&topicId=1008&d=325&p=3&story=1155783321&ft=nprml&f=1155783321","nprAudioM3u":"http://api.npr.org/m3u/11155927125-16d893.m3u?orgId=1&topicId=1008&d=325&p=3&story=1155783321&ft=nprml&f=1155783321","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13925000/artist-from-berkeley-wins-1-million-for-healing-project-focused-on-incarceration","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/me/2023/02/20230210_me_an_artists_healing_project_focused_on_incarceration_and_violence_wins_1_million.mp3?orgId=1&topicId=1008&d=325&p=3&story=1155783321&ft=nprml&f=1155783321","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>There’s a multidisciplinary artist who is so remarkable that although he is just 31 years old, he’s just been awarded a rare $1 million grant from the Andrew W. Mellon Foundation to fund his work: \u003ca href=\"https://www.samorapinderhughes.com/\">Samora Pinderhughes.\u003c/a>\u003c/p>\n\u003cp>Pinderhughes does many things. He’s a vocalist, pianist, composer and filmmaker. He’s also very much an activist against mass incarceration. For the past eight years, he’s been working on something called \u003ca href=\"https://www.samorapinderhughes.com/healingproject/\">The Healing Project\u003c/a>. As the name suggests, it’s about healing and leaving yourself emotionally open — to your own feelings, to the experiences of others, to generosity. That openness to vulnerability is also clear in Pinderhughes’ sweet, warm voice and in his wide vision for his work.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13924661","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>He was inspired by the plays of one of his mentors, the playwright and actress \u003ca href=\"https://www.npr.org/2015/12/07/458742076/anna-deavere-smith-wants-playgoers-to-do-what-they-can-to-counter-violence\">Anna Deavere Smith\u003c/a>, who often bases her work on documentary interviews she’s conducted; she asked him if he was interested in exploring something similar. It led Pinderhughes — originally from the Bay Area, and now based in New York City — on a journey to conduct conversations with people across the U.S. about incarceration and structural violence.\u003c/p>\n\u003cp>Pinderhughes has always been involved in activism: his parents are professors and community activists. “It was very natural for me to start creating things that had a message,” he observes.\u003c/p>\n\u003cp>He later attended Juilliard as a jazz student. “I was there for piano performance,” he says. “I think off the top it was probably not the right place for me — but I just didn’t know that at the time that composing was a job! I wasn’t like, ‘Oh, OK, I could be like my own artist and make my own work.’ I found amazing teachers there — Frank Kimbrough, Kendall Briggs and \u003ca href=\"https://www.npr.org/2023/01/16/1149021094/nea-jazz-master-kenny-barron-shines-playing-solo-on-the-source\">Kenny Barron\u003c/a> in particular — who allowed me to be myself.” At the same time, he says, he felt he was surrounded by fellow students who were more interested in being the strongest possible technical players.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ICUoG54pIW0'\n title='//www.youtube.com/embed/ICUoG54pIW0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“Meanwhile,” he adds, “I was very concerned with what was happening in the world, and how to say something about that through the music, and how to collaborate with different disciplines. I wanted to make things with the actors and make things with the string players. I was a little bit lost in the sauce there.”\u003c/p>\n\u003cp>One particular inflection point sparked Pinderhughes into using his music to address racial violence directly. “I think what really happened was \u003ca href=\"https://www.npr.org/sections/codeswitch/2016/08/11/489494015/the-butterfly-effects-of-ferguson\">the Ferguson uprising\u003c/a> and Mike Brown’s murder, it just really charged something,” he observes. Ultimately, that led to the creation of Pinderhughes’ ambitious 2016 work \u003ca href=\"https://www.npr.org/2017/01/19/510578539/radical-imagination-jazz-and-social-justice\">\u003cem>The Transformations Suite\u003c/em>\u003c/a>, which melded jazz, spoken-word poetry and visuals into a plea for social justice.\u003c/p>\n\u003cp>In its current form, The Healing Project is also made up of many elements, including music, films and visual art. It’s meant to be performed and experienced in many different ways and in different places. Pinderhughes, who is of mixed-race and Black ancestry, says that there is one central question at its core.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iFppyjwHcd4'\n title='//www.youtube.com/embed/iFppyjwHcd4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“That ended up being the question of healing from structural violence,” he says. “By structural violence, I mean just basically any type of trauma that could come from violences that are created by the society. So that could be imprisonment, that could be police brutality. It could even just be something like poverty and just like the circumstances of one’s upbringing and environment. It brought me on a journey of talking to hundreds of people around the country about their experiences and their ideas, most importantly, about healing and what they’ve been through, how they’ve come through it.”\u003c/p>\n\u003cp>Those hundreds of conversations included people who are currently incarcerated; many of them contributed their own art to the project. Pinderhughes worked with a constellation of professional artists and musicians to make meditations on those conversations, including the album \u003cem>Grief\u003c/em>. Other parts of the project include live performances and a visual art exhibition on display last year at San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13911226/samora-pinderhughes-ybca-the-healing-project\">Yerba Buena Center for the Arts\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WFIjSW8HqMI'\n title='//www.youtube.com/embed/WFIjSW8HqMI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“I didn’t really want to limit it,” Pinderhughes says. “So I basically did everything that each person asked me to do. If they wanted to send me pieces that they had drawn through the mail if they were incarcerated, those go up in the exhibition. If they wanted to talk about the realities and experiences of loss and grieving, we would make a film about that. If they wanted to talk about the process of healing from long periods of incarceration, we’re going to make a composition about that.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13924934","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The expansiveness of The Healing Project — part creative vessel, part catalyst for activism and part new collaborative model — is so dynamic that it attracted the attention of the Mellon Foundation. \u003ca href=\"https://mellon.org/about/staff/emil-kang/\">Emil Kang\u003c/a> directs its arts and culture program. He was blown away by Pinderhughes’ vision.\u003c/p>\n\u003cp>“I started asking him about his own artistic practice and he started to in some ways bifurcate his work: to talk about his music over here, his lived experience over here and his commitment to abolition work over there. And how he longed for the day of a time when he could actually bring all of this together.”\u003c/p>\n\u003cp>“To be frank,” Kang continues, “I was saddened by what he was saying to me, but yet I understood exactly what he was saying — that the ecosystem that we have now, especially in the performing arts, still exists in a transactional way, where an artist just puts out their work and hopes people get it somehow. At the Mellon Foundation, as we are trying to push forward our own work and what the future of the performing arts looks like, we really do believe it’s in the guise of contemporary performance — in a way that allows artists to be able to show the totality of their humanity in their work, and not just the virtuosity of their skill.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/aa9FmZN3NLg'\n title='//www.youtube.com/embed/aa9FmZN3NLg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It is extremely rare for a single performer to get a million dollars from a grant; that’s about the same sum as a Nobel Prize. That money is going to allow The Healing Project to be manifested into even more forms, Pinderhughes says. He also avers that this is very much a collaborative effort: “Everybody that was a part of the project had a stake in the project, so everybody that has ever been a part of this project co-owns this project with me. Everybody that has been a part of the project has just as much say over what is in it as I do.”\u003c/p>\n\u003cp>“I’m really honored and humbled to receive this opportunity to just take this project into the stratosphere,” Pinderhughes continues. “It’s only the beginning, really, of what we have planned. I am an artist and I believe deeply in the power of art, but I also want to materially create change in the lives of the people that are a part of it and also in the communities that it wants to serve.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13924571","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>For example, Pinderhughes plans to make a printed book version of The Healing Project, because so many participants are incarcerated. They’re not able to access the collaboration otherwise.\u003c/p>\n\u003cp>When he asked participants what they would need to create a space for their healing, spiritually or materially, some interviewees said that they needed things as basic as access to healthy food and jobs — which, for those formerly incarcerated, can be very hard to secure.\u003c/p>\n\u003cp>“We’re also starting an initiative called The Healing Project Transformative Impact Fund,” Pinderhughes notes, “where we’re going to be using the project as a container to actually start to support the dreams and hopes and projects of the actual people who participated in the project — folks particularly who are formerly and currently incarcerated.”\u003c/p>\n\u003cp>At the same time, he says, “We’re going to continue to do that art, that narrative work, we’re going to make the book, we’re going to make more albums, we’re going to make more exhibitions, we’re going to make more films.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/agCTXovPYp8'\n title='//www.youtube.com/embed/agCTXovPYp8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In the meantime, he hopes that the music of The Healing Project, and the power of its art, helps both creators and audiences chart their own paths to healing. He recalls a man coming up to him after a recent performance.\u003c/p>\n\u003cp>“He was like, I feel like you should make a shirt that says, ‘I make grown men cry,’ ” Pinderhughes recounts. “And I was like, ‘That’s not a bad idea.’ So now, just kind of jokingly, that’s the tagline of what the energy is.”\u003c/p>\n\u003cp>Friday evening, Pinderhughes and some of his musical collaborators will be performing \u003ca href=\"https://www.carnegiehall.org/calendar/2023/02/10/samora-pinderhughes-and-friends-0900pm\">a concert version\u003c/a> of The Healing Project at New York’s Zankel Hall at Carnegie Hall. Almost inevitably, people will cry. And that’s a big part of healing.\u003c/p>\n\u003cp>\u003cem>Edited by: \u003c/em>\u003ca href=\"https://www.npr.org/people/3850482/neda-ulaby\">\u003cem>Neda Ulaby\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003cem>Produced by: \u003c/em>\u003ca href=\"https://www.npr.org/people/182335974/anastasia-tsioulcas\">\u003cem>Anastasia Tsioulcas\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003cem>Audio story produced by: \u003c/em>\u003ca href=\"https://www.npr.org/people/766798576/isabella-gomez-sarmiento\">\u003cem>Isabella Gomez Sarmiento\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Audio story edited by: Neda Ulaby\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=An+artist%27s+%27Healing+Project%2C%27+focused+on+incarceration+and+violence%2C+wins+%241+million&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13925000/artist-from-berkeley-wins-1-million-for-healing-project-focused-on-incarceration","authors":["byline_arts_13925000"],"categories":["arts_1","arts_835"],"tags":["arts_3590","arts_2838","arts_1420","arts_14679"],"affiliates":["arts_137"],"featImg":"arts_13925001","label":"arts_137"},"arts_13923633":{"type":"posts","id":"arts_13923633","meta":{"index":"posts_1591205157","site":"arts","id":"13923633","score":null,"sort":[1673547851000]},"guestAuthors":[],"slug":"bay-area-artists-losses-rains-flooding-emergency-relief-funds","title":"Artists Hit by Rains and Flooding Look to Emergency Relief Funds","publishDate":1673547851,"format":"standard","headTitle":"Artists Hit by Rains and Flooding Look to Emergency Relief Funds | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cstrong>Jump to: \u003ca href=\"#emergencyfunds\">A list of emergency relief funds for artists and venues\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>When the first wave of storms hit the Bay Area on Dec. 31, Avi Ehrlich, owner of the indie comics shop \u003ca href=\"https://www.silversprocket.net/\">Silver Sprocket\u003c/a>, believed a minor ceiling leak was the worst of it.\u003c/p>\n\u003cp>“We thought that was a big problem and we took like two hours to deal with that,” says Ehrlich. “And then we went downstairs into the basement and we’re like ‘Oh, holy shit.’”\u003c/p>\n\u003cp>Silver Sprocket’s entire Valencia Street basement was flooded, ruining some of the shop’s inventory and putting the rest of it at risk. In a video Ehrlich posted to Twitter Dec. 31, water freely pours down a basement wall. Neighbors and friends rallied to help move boxes of books to higher ground, but Ehrlich says even now there is still water coming into the basement; permanent fixes won’t be possible until it stops raining.\u003c/p>\n\u003cp>https://twitter.com/ssbcpunk/status/1609323186201718786?s=20&t=f6g79UntH-tAUyQcFKVi6w\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Meanwhile, mold is forming where the murky rainwater once pooled. “We definitely lost a significant amount of inventory,” says Ehrlich, who threw their back out in the scramble. And sales are less than half of what they would normally be, but the shop is hesitant to do any marketing because half its space has been given over to storage; finding items is a struggle.\u003c/p>\n\u003cp>“We don’t want to leave our customers waiting for weeks to get the comics that they ordered,” Ehrlich says. “Our customers are extremely kind and patient, but there’s limits to it.”\u003c/p>\n\u003cp>Silver Sprocket is hardly the only arts venue affected by leaks and flooding — though the full extent of damaged artwork and spaces may only come to light when the storms die down, as forecasted, after Jan. 19. Artists in the Islais Creek Studios lost work on Dec. 31, as reported by the \u003ci>\u003ca href=\"https://datebook.sfchronicle.com/art-exhibits/san-francisco-artists-space-floods-during-winter-storms-with-losses-ill-never-get-back\">San Francisco Chronicle\u003c/a>\u003c/i>, and spaces like New Conservatory Theater, Z Below and Oakland’s Lower Grand Radio are all \u003ca href=\"https://datebook.sfchronicle.com/theater/there-was-a-moat-underground-s-f-venues-bail-out-from-one-flood-prepare-for-next\">dealing with the aftermath of invasive waters\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13923645\" class=\"wp-caption aligncenter\" style=\"max-width: 1620px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13923645\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/01/D33F726A-B2FF-46DC-A9DF-E92AD28A9EA9.jpg\" alt=\"Two people in rain gear with sticks stand in ankle-deep water on city street corner\" width=\"1620\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/D33F726A-B2FF-46DC-A9DF-E92AD28A9EA9.jpg 1620w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/D33F726A-B2FF-46DC-A9DF-E92AD28A9EA9-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/D33F726A-B2FF-46DC-A9DF-E92AD28A9EA9-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/D33F726A-B2FF-46DC-A9DF-E92AD28A9EA9-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/D33F726A-B2FF-46DC-A9DF-E92AD28A9EA9-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/D33F726A-B2FF-46DC-A9DF-E92AD28A9EA9-1536x1024.jpg 1536w\" sizes=\"(max-width: 1620px) 100vw, 1620px\">\u003cfigcaption class=\"wp-caption-text\">Two Mission District residents work to open a clogged drain on Mission and 21st Streets in San Francisco on Jan. 10, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the storms continue to wreak havoc across the Bay Area, only one local arts funder has emerged to offer dedicated grants to affected artists. On Jan. 6, the Minnesota Street Project Foundation (the nonprofit arm of the gallery, studio and art storage complex) launched \u003ca href=\"https://minnesotastreetproject.org/artistreliefgrants\">an emergency relief grant\u003c/a> to provide immediate assistance to visual artists impacted by the rains and flooding.\u003c/p>\n\u003cp>“We went basically from idea stage to launch within about 72 hours,” says Rachel Sample, director of the foundation. “Then applications opened and within 24 hours we had over 30 applications.” Seeded with an initial amount of $20,000, the relief fund is offering grants of up to $1,000 to cover expenses related to restoration, storage and temporary studio space.\u003c/p>\n\u003cp>The fund has already contacted its first round of grantees, and hoped to distribute funds starting Jan. 11. Sample says they welcome more applications (they’ve received about 70 already), but they are also seeking additional funding. “We’re trying our very best to roll with the immediacy, but are also hoping that we will have some folks join us,” she says. “The more that we have, the more of these applications we can service.”\u003c/p>\n\u003cp>One of those initial applicants was Alex Shen, \u003ca href=\"https://www.lowergrandradio.com/\">Lower Grand Radio\u003c/a>’s founder and station manager, whose studio partner, Jeff Chung of \u003ca href=\"https://www.unityzines.com/\">Unity Press\u003c/a>, discovered the flooding at their storefront on Dec. 31. “Jeff called me while I was at work like twice in a row and I was like, ‘Uh oh, something’s up,’” Shen remembers. When Chung arrived at 4124 Broadway Ave., Shen says, water came out the front doors “like a lake.”\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@lowergrandradio/video/7184197149981314350\" data-video-id=\"7184197149981314350\">\n\u003csection>\u003ca title=\"@lowergrandradio\" href=\"https://www.tiktok.com/@lowergrandradio?refer=embed\" target=\"_blank\" rel=\"noopener noreferrer\">@lowergrandradio\u003c/a> Nature rules all !! \u003ca title=\"rajn\" href=\"https://www.tiktok.com/tag/rajn?refer=embed\" target=\"_blank\" rel=\"noopener noreferrer\">#rajn\u003c/a> \u003ca title=\"bayarea\" href=\"https://www.tiktok.com/tag/bayarea?refer=embed\" target=\"_blank\" rel=\"noopener noreferrer\">#bayarea\u003c/a> \u003ca title=\"gonnabeok\" href=\"https://www.tiktok.com/tag/gonnabeok?refer=embed\" target=\"_blank\" rel=\"noopener noreferrer\">#gonnabeok\u003c/a> \u003ca title=\"♬ Digital Bath - Deftones\" href=\"https://www.tiktok.com/music/Digital-Bath-6903936808690649090?refer=embed\" target=\"_blank\" rel=\"noopener noreferrer\">♬ Digital Bath – Deftones\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>“It had basically just been free flowing from a clogged drain in the backyard,” Shen says. “Luckily, nothing majorly structurally was damaged other than a lot of printing paper and some outlets and extension cords in our radio studio.” He estimates between Unity and the station, they suffered around $500–$1,000 worth of damage.\u003c/p>\n\u003cp>“If it had happened for another hour or something, it could have been a lot worse,” he says. Friends and fans posted Lower Grand’s Venmo accounts on videos of the flooding, eliciting mutual aid that helped Shen deal with immediate damage control.\u003c/p>\n\u003cp>For businesses like Silver Sprocket, the long term financial effects of the storms are still unknown. Right now, it’s frustrating to be unable to move forward. “Our crew is amazing,” Ehrlich says, “but morale is definitely taking a hit of us just feeling like we’re not able to do our jobs.”\u003c/p>\n\u003cp>As the Bay Area looks forward to drying out and taking stock, the storms have clearly disrupted an already fragile ecosystem. Sample says about a third of the people who’ve applied for emergency grants have upcoming exhibitions. “There are businesses that have been interrupted,” she says. “The galleries that [artists] are showing with have been interrupted. The museums that they’re showing with have been interrupted. And so the ripple of the investment in this relief fund could be quite large.”\u003c/p>\n\u003cp>After all, she emphasizes, “The point of this fund is to empty it.”\u003c/p>\n\u003chr>\n\u003cp>\u003ci>\u003ca id=\"emergencyfunds\">\u003c/a>If you’re a Bay Area artist or venue that has experienced losses due to the storms, KQED has put together a list of emergency relief funds below. We will continue to add to this as opportunities emerge. \u003c/i>\u003c/p>\n\u003cp>\u003ci>Nastia Voynovskaya contributed to this reporting.\u003c/i>\u003c/p>\n\u003ch2>Discipline Non-Specific\u003c/h2>\n\u003cp>\u003ca href=\"https://www.thehavenfdn.org/application/\">The Haven Foundation \u003c/a>\u003cbr>\nThis emergency grant for freelancers (founded by Stephen King!) seeks to aid “persons connected with the artistic or entertainment industries,” including authors, actors, singers, dancers, directors, producers, choreographers, musicians, artists and screenwriters. The current application window closes March 24, 2023.\u003c/p>\n\u003ch2>For Visual Artists\u003c/h2>\n\u003cp>\u003ca href=\"https://minnesotastreetproject.org/artistreliefgrants\">Minnesota Street Project Foundation Artist Emergency Relief Grants\u003c/a>\u003cbr>\nThis emergency fund will provide grants of up to $1,000 to visual artists who suffered losses due to the Bay Area’s record-breaking rainfall and floods. Applications are being accepted on a rolling basis.\u003c/p>\n\u003cp>\u003ca href=\"https://www.gottliebfoundation.org/emergency-grant\">The Adolph and Esther Gottlieb Emergency Grant \u003c/a>\u003cbr>\nThis grant provides financial assistance to painters, printmakers and sculptors (with a minimum of 10 years of “mature” artmaking) who have experienced “an unforeseen, catastrophic incident” and do not have the resources to deal with the situation. Flooding is a specific emergency mentioned in the grant guidelines. The maximum amount that can be awarded is $15,000; a typical award is $5,000.\u003c/p>\n\u003cp>\u003ca href=\"https://pkf.org/our-grants/#pollock-krasner-foundation-grant\">The Pollock-Krasner Foundation \u003c/a>\u003cbr>\nWhile this is not an emergency grant, per se, the foundation looks at both artistic merit and financial need when making decisions. The awards are limited to painters, sculptors and artists who work on paper (including printmakers). Grant amounts can range up to $30,000.\u003c/p>\n\u003cp>\u003ca href=\"https://cerfplus.org/get-relief/apply-for-help/craft-emergency-relief-fund/\">CERF+ Emergency Assistance \u003c/a>\u003cbr>\nCERF+ provides emergency grants of $3,000 to artists working in a craft discipline (including clay, glass, textiles, wood and metal) and folk/traditional artists who have experienced a “recent, career-threatening emergency,” which includes a natural disaster.\u003c/p>\n\u003cp>\u003ca href=\"https://www.foundationforcontemporaryarts.org/grants/emergency-grants/\">Foundation for Contemporary Arts\u003c/a>\u003cbr>\nIf you’re a visual or performing artist whose progress on an upcoming project was suddenly derailed by a natural disaster, this emergency grant distributed in amounts from $500 to $3,000 can help bring the work to completion.\u003c/p>\n\u003ch2>For Writers and Authors\u003c/h2>\n\u003cp>\u003ca href=\"https://www.carnegiefundforauthors.org/\">Carnegie Fund for Authors\u003c/a>\u003cbr>\nAmerican authors with at least one full-length work of fiction or nonfiction can apply for emergency grants with documentation of demonstrated need. Fires, floods and hurricanes are all expressly mentioned. In 2020, awards ranged from $500 to $3,000.\u003c/p>\n\u003cp>\u003ca href=\"https://pen.org/us-writers-aid-initiative/\">PEN America U.S. Writers’ Aid Initiative\u003c/a>\u003cbr>\nThis grant for fiction and nonfiction authors, poets, playwrights, screenwriters, translators and journalists facing a short-term emergency situation. The initiative gives out awards of $1,000–$3,500. The next deadline is April 1, 2023.\u003c/p>\n\u003cp>\u003ca href=\"https://www.asja.org/what-we-do/weaf/\">ASJA’s Writers Emergency Assistance Fund\u003c/a>\u003cbr>\nThis fund provides grants to professional nonfiction freelance writers who are unable to work “because of illness, disability, natural disaster or extraordinary professional crisis.” The fund distributes grants of up to $3,500.\u003c/p>\n\u003ch2>For Musicians and Performers\u003c/h2>\n\u003cp>\u003ca href=\"https://www.musicares.org/get-help\">MusiCares Emergency Financial Assistance\u003c/a>\u003cbr>\nMusicians and music industry professionals experiencing unexpected financial hardships can apply to the Recording Academy’s MusiCares program. To be eligible, you must have a documented history as an industry professional for at least five years, or have contributed to six commercially released recordings or videos. MusiCares can fund basic living expenses like rent, utilities, car payments and insurance premiums.\u003c/p>\n\u003cp>\u003ca href=\"https://entertainmentcommunity.org/am-i-eligible-help\">Entertainment Assistance Program\u003c/a>\u003cbr>\nEntertainment professionals with documented financial need and a track record of specific performing arts and entertainment earnings can apply for this grant to cover immediate basic living expenses such as housing, food, utility bills or health care.\u003c/p>\n\u003ch2>For Venues\u003c/h2>\n\u003cp>\u003ca href=\"https://performingartsreadiness.org/\">Performing Arts Readiness\u003c/a>\u003cbr>\nThe pandemic (and the recent flooding of local underground venues) has made it clear that performing arts venues are especially vulnerable during hard times. This site gathers a rich collection of disaster preparedness documents, case studies and loss calculators to help venues withstand emergencies and recover more quickly.\u003c/p>\n\u003cp>\u003ca href=\"https://www.dplan.org/\">dPlan|ArtsReady\u003c/a>\u003cbr>\nThis online emergency preparedness and response tool helps arts and cultural organizations of any size minimize the risks of disaster and their own losses.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ca href=\"https://www.ncaper.org/_files/ugd/4d06be_fc5a673509d54465af09440b487b0e2b.pdf\">The NCAPER Field Guide\u003c/a>\u003cbr>\nThis guide, published by the National Coalition for Arts’ Preparedness and Emergency Response, was created to “help demystify” the labyrinthine systems of federal disaster relief for the arts and culture sector.\u003c/p>\n\n","blocks":[],"excerpt":"As the arts community takes stock of the damage, here's a list of resources for visual artists, musicians, writers and more. ","status":"publish","parent":0,"modified":1705005982,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":35,"wordCount":1676},"headData":{"title":"Emergency Grants for Artists Affected by Bay Area Storms | KQED","description":"As the arts community takes stock of the damage, here's a list of resources for visual artists, musicians, writers and more. ","ogTitle":"Artists Hit by Rains and Flooding Look to Emergency Relief Funds","ogDescription":"","ogImgId":"","twTitle":"Artists Hit by Rains and Flooding Look to Emergency Relief Funds","twDescription":"","twImgId":"","socialTitle":"Emergency Grants for Artists Affected by Bay Area Storms %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13923633/bay-area-artists-losses-rains-flooding-emergency-relief-funds","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Jump to: \u003ca href=\"#emergencyfunds\">A list of emergency relief funds for artists and venues\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>When the first wave of storms hit the Bay Area on Dec. 31, Avi Ehrlich, owner of the indie comics shop \u003ca href=\"https://www.silversprocket.net/\">Silver Sprocket\u003c/a>, believed a minor ceiling leak was the worst of it.\u003c/p>\n\u003cp>“We thought that was a big problem and we took like two hours to deal with that,” says Ehrlich. “And then we went downstairs into the basement and we’re like ‘Oh, holy shit.’”\u003c/p>\n\u003cp>Silver Sprocket’s entire Valencia Street basement was flooded, ruining some of the shop’s inventory and putting the rest of it at risk. In a video Ehrlich posted to Twitter Dec. 31, water freely pours down a basement wall. Neighbors and friends rallied to help move boxes of books to higher ground, but Ehrlich says even now there is still water coming into the basement; permanent fixes won’t be possible until it stops raining.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1609323186201718786"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Meanwhile, mold is forming where the murky rainwater once pooled. “We definitely lost a significant amount of inventory,” says Ehrlich, who threw their back out in the scramble. And sales are less than half of what they would normally be, but the shop is hesitant to do any marketing because half its space has been given over to storage; finding items is a struggle.\u003c/p>\n\u003cp>“We don’t want to leave our customers waiting for weeks to get the comics that they ordered,” Ehrlich says. “Our customers are extremely kind and patient, but there’s limits to it.”\u003c/p>\n\u003cp>Silver Sprocket is hardly the only arts venue affected by leaks and flooding — though the full extent of damaged artwork and spaces may only come to light when the storms die down, as forecasted, after Jan. 19. Artists in the Islais Creek Studios lost work on Dec. 31, as reported by the \u003ci>\u003ca href=\"https://datebook.sfchronicle.com/art-exhibits/san-francisco-artists-space-floods-during-winter-storms-with-losses-ill-never-get-back\">San Francisco Chronicle\u003c/a>\u003c/i>, and spaces like New Conservatory Theater, Z Below and Oakland’s Lower Grand Radio are all \u003ca href=\"https://datebook.sfchronicle.com/theater/there-was-a-moat-underground-s-f-venues-bail-out-from-one-flood-prepare-for-next\">dealing with the aftermath of invasive waters\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13923645\" class=\"wp-caption aligncenter\" style=\"max-width: 1620px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13923645\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/01/D33F726A-B2FF-46DC-A9DF-E92AD28A9EA9.jpg\" alt=\"Two people in rain gear with sticks stand in ankle-deep water on city street corner\" width=\"1620\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/D33F726A-B2FF-46DC-A9DF-E92AD28A9EA9.jpg 1620w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/D33F726A-B2FF-46DC-A9DF-E92AD28A9EA9-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/D33F726A-B2FF-46DC-A9DF-E92AD28A9EA9-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/D33F726A-B2FF-46DC-A9DF-E92AD28A9EA9-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/D33F726A-B2FF-46DC-A9DF-E92AD28A9EA9-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/D33F726A-B2FF-46DC-A9DF-E92AD28A9EA9-1536x1024.jpg 1536w\" sizes=\"(max-width: 1620px) 100vw, 1620px\">\u003cfigcaption class=\"wp-caption-text\">Two Mission District residents work to open a clogged drain on Mission and 21st Streets in San Francisco on Jan. 10, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the storms continue to wreak havoc across the Bay Area, only one local arts funder has emerged to offer dedicated grants to affected artists. On Jan. 6, the Minnesota Street Project Foundation (the nonprofit arm of the gallery, studio and art storage complex) launched \u003ca href=\"https://minnesotastreetproject.org/artistreliefgrants\">an emergency relief grant\u003c/a> to provide immediate assistance to visual artists impacted by the rains and flooding.\u003c/p>\n\u003cp>“We went basically from idea stage to launch within about 72 hours,” says Rachel Sample, director of the foundation. “Then applications opened and within 24 hours we had over 30 applications.” Seeded with an initial amount of $20,000, the relief fund is offering grants of up to $1,000 to cover expenses related to restoration, storage and temporary studio space.\u003c/p>\n\u003cp>The fund has already contacted its first round of grantees, and hoped to distribute funds starting Jan. 11. Sample says they welcome more applications (they’ve received about 70 already), but they are also seeking additional funding. “We’re trying our very best to roll with the immediacy, but are also hoping that we will have some folks join us,” she says. “The more that we have, the more of these applications we can service.”\u003c/p>\n\u003cp>One of those initial applicants was Alex Shen, \u003ca href=\"https://www.lowergrandradio.com/\">Lower Grand Radio\u003c/a>’s founder and station manager, whose studio partner, Jeff Chung of \u003ca href=\"https://www.unityzines.com/\">Unity Press\u003c/a>, discovered the flooding at their storefront on Dec. 31. “Jeff called me while I was at work like twice in a row and I was like, ‘Uh oh, something’s up,’” Shen remembers. When Chung arrived at 4124 Broadway Ave., Shen says, water came out the front doors “like a lake.”\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@lowergrandradio/video/7184197149981314350\" data-video-id=\"7184197149981314350\">\n\u003csection>\u003ca title=\"@lowergrandradio\" href=\"https://www.tiktok.com/@lowergrandradio?refer=embed\" target=\"_blank\" rel=\"noopener noreferrer\">@lowergrandradio\u003c/a> Nature rules all !! \u003ca title=\"rajn\" href=\"https://www.tiktok.com/tag/rajn?refer=embed\" target=\"_blank\" rel=\"noopener noreferrer\">#rajn\u003c/a> \u003ca title=\"bayarea\" href=\"https://www.tiktok.com/tag/bayarea?refer=embed\" target=\"_blank\" rel=\"noopener noreferrer\">#bayarea\u003c/a> \u003ca title=\"gonnabeok\" href=\"https://www.tiktok.com/tag/gonnabeok?refer=embed\" target=\"_blank\" rel=\"noopener noreferrer\">#gonnabeok\u003c/a> \u003ca title=\"♬ Digital Bath - Deftones\" href=\"https://www.tiktok.com/music/Digital-Bath-6903936808690649090?refer=embed\" target=\"_blank\" rel=\"noopener noreferrer\">♬ Digital Bath – Deftones\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"tiktok","attributes":{"named":{"label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It had basically just been free flowing from a clogged drain in the backyard,” Shen says. “Luckily, nothing majorly structurally was damaged other than a lot of printing paper and some outlets and extension cords in our radio studio.” He estimates between Unity and the station, they suffered around $500–$1,000 worth of damage.\u003c/p>\n\u003cp>“If it had happened for another hour or something, it could have been a lot worse,” he says. Friends and fans posted Lower Grand’s Venmo accounts on videos of the flooding, eliciting mutual aid that helped Shen deal with immediate damage control.\u003c/p>\n\u003cp>For businesses like Silver Sprocket, the long term financial effects of the storms are still unknown. Right now, it’s frustrating to be unable to move forward. “Our crew is amazing,” Ehrlich says, “but morale is definitely taking a hit of us just feeling like we’re not able to do our jobs.”\u003c/p>\n\u003cp>As the Bay Area looks forward to drying out and taking stock, the storms have clearly disrupted an already fragile ecosystem. Sample says about a third of the people who’ve applied for emergency grants have upcoming exhibitions. “There are businesses that have been interrupted,” she says. “The galleries that [artists] are showing with have been interrupted. The museums that they’re showing with have been interrupted. And so the ripple of the investment in this relief fund could be quite large.”\u003c/p>\n\u003cp>After all, she emphasizes, “The point of this fund is to empty it.”\u003c/p>\n\u003chr>\n\u003cp>\u003ci>\u003ca id=\"emergencyfunds\">\u003c/a>If you’re a Bay Area artist or venue that has experienced losses due to the storms, KQED has put together a list of emergency relief funds below. We will continue to add to this as opportunities emerge. \u003c/i>\u003c/p>\n\u003cp>\u003ci>Nastia Voynovskaya contributed to this reporting.\u003c/i>\u003c/p>\n\u003ch2>Discipline Non-Specific\u003c/h2>\n\u003cp>\u003ca href=\"https://www.thehavenfdn.org/application/\">The Haven Foundation \u003c/a>\u003cbr>\nThis emergency grant for freelancers (founded by Stephen King!) seeks to aid “persons connected with the artistic or entertainment industries,” including authors, actors, singers, dancers, directors, producers, choreographers, musicians, artists and screenwriters. The current application window closes March 24, 2023.\u003c/p>\n\u003ch2>For Visual Artists\u003c/h2>\n\u003cp>\u003ca href=\"https://minnesotastreetproject.org/artistreliefgrants\">Minnesota Street Project Foundation Artist Emergency Relief Grants\u003c/a>\u003cbr>\nThis emergency fund will provide grants of up to $1,000 to visual artists who suffered losses due to the Bay Area’s record-breaking rainfall and floods. Applications are being accepted on a rolling basis.\u003c/p>\n\u003cp>\u003ca href=\"https://www.gottliebfoundation.org/emergency-grant\">The Adolph and Esther Gottlieb Emergency Grant \u003c/a>\u003cbr>\nThis grant provides financial assistance to painters, printmakers and sculptors (with a minimum of 10 years of “mature” artmaking) who have experienced “an unforeseen, catastrophic incident” and do not have the resources to deal with the situation. Flooding is a specific emergency mentioned in the grant guidelines. The maximum amount that can be awarded is $15,000; a typical award is $5,000.\u003c/p>\n\u003cp>\u003ca href=\"https://pkf.org/our-grants/#pollock-krasner-foundation-grant\">The Pollock-Krasner Foundation \u003c/a>\u003cbr>\nWhile this is not an emergency grant, per se, the foundation looks at both artistic merit and financial need when making decisions. The awards are limited to painters, sculptors and artists who work on paper (including printmakers). Grant amounts can range up to $30,000.\u003c/p>\n\u003cp>\u003ca href=\"https://cerfplus.org/get-relief/apply-for-help/craft-emergency-relief-fund/\">CERF+ Emergency Assistance \u003c/a>\u003cbr>\nCERF+ provides emergency grants of $3,000 to artists working in a craft discipline (including clay, glass, textiles, wood and metal) and folk/traditional artists who have experienced a “recent, career-threatening emergency,” which includes a natural disaster.\u003c/p>\n\u003cp>\u003ca href=\"https://www.foundationforcontemporaryarts.org/grants/emergency-grants/\">Foundation for Contemporary Arts\u003c/a>\u003cbr>\nIf you’re a visual or performing artist whose progress on an upcoming project was suddenly derailed by a natural disaster, this emergency grant distributed in amounts from $500 to $3,000 can help bring the work to completion.\u003c/p>\n\u003ch2>For Writers and Authors\u003c/h2>\n\u003cp>\u003ca href=\"https://www.carnegiefundforauthors.org/\">Carnegie Fund for Authors\u003c/a>\u003cbr>\nAmerican authors with at least one full-length work of fiction or nonfiction can apply for emergency grants with documentation of demonstrated need. Fires, floods and hurricanes are all expressly mentioned. In 2020, awards ranged from $500 to $3,000.\u003c/p>\n\u003cp>\u003ca href=\"https://pen.org/us-writers-aid-initiative/\">PEN America U.S. Writers’ Aid Initiative\u003c/a>\u003cbr>\nThis grant for fiction and nonfiction authors, poets, playwrights, screenwriters, translators and journalists facing a short-term emergency situation. The initiative gives out awards of $1,000–$3,500. The next deadline is April 1, 2023.\u003c/p>\n\u003cp>\u003ca href=\"https://www.asja.org/what-we-do/weaf/\">ASJA’s Writers Emergency Assistance Fund\u003c/a>\u003cbr>\nThis fund provides grants to professional nonfiction freelance writers who are unable to work “because of illness, disability, natural disaster or extraordinary professional crisis.” The fund distributes grants of up to $3,500.\u003c/p>\n\u003ch2>For Musicians and Performers\u003c/h2>\n\u003cp>\u003ca href=\"https://www.musicares.org/get-help\">MusiCares Emergency Financial Assistance\u003c/a>\u003cbr>\nMusicians and music industry professionals experiencing unexpected financial hardships can apply to the Recording Academy’s MusiCares program. To be eligible, you must have a documented history as an industry professional for at least five years, or have contributed to six commercially released recordings or videos. MusiCares can fund basic living expenses like rent, utilities, car payments and insurance premiums.\u003c/p>\n\u003cp>\u003ca href=\"https://entertainmentcommunity.org/am-i-eligible-help\">Entertainment Assistance Program\u003c/a>\u003cbr>\nEntertainment professionals with documented financial need and a track record of specific performing arts and entertainment earnings can apply for this grant to cover immediate basic living expenses such as housing, food, utility bills or health care.\u003c/p>\n\u003ch2>For Venues\u003c/h2>\n\u003cp>\u003ca href=\"https://performingartsreadiness.org/\">Performing Arts Readiness\u003c/a>\u003cbr>\nThe pandemic (and the recent flooding of local underground venues) has made it clear that performing arts venues are especially vulnerable during hard times. This site gathers a rich collection of disaster preparedness documents, case studies and loss calculators to help venues withstand emergencies and recover more quickly.\u003c/p>\n\u003cp>\u003ca href=\"https://www.dplan.org/\">dPlan|ArtsReady\u003c/a>\u003cbr>\nThis online emergency preparedness and response tool helps arts and cultural organizations of any size minimize the risks of disaster and their own losses.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.ncaper.org/_files/ugd/4d06be_fc5a673509d54465af09440b487b0e2b.pdf\">The NCAPER Field Guide\u003c/a>\u003cbr>\nThis guide, published by the National Coalition for Arts’ Preparedness and Emergency Response, was created to “help demystify” the labyrinthine systems of federal disaster relief for the arts and culture sector.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13923633/bay-area-artists-losses-rains-flooding-emergency-relief-funds","authors":["61"],"categories":["arts_1","arts_235"],"tags":["arts_11374","arts_10278","arts_3590","arts_17332","arts_905"],"featImg":"arts_13923643","label":"arts"},"arts_13920190":{"type":"posts","id":"arts_13920190","meta":{"index":"posts_1591205157","site":"arts","id":"13920190","score":null,"sort":[1665417218000]},"guestAuthors":[],"slug":"fact-sf-dance-grants","title":"San Francisco Dance Company FACT/SF Pays Artists to Apply","publishDate":1665417218,"format":"standard","headTitle":"San Francisco Dance Company FACT/SF Pays Artists to Apply | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>To any artist that’s ever applied for a grant or a residency, this process will be familiar:\u003c/p>\n\u003cp>Step 1: Spend hours of unpaid time applying\u003cbr>\nStep 2: Don’t hear back for weeks or longer\u003cbr>\nStep 3: Receive rejection with no feedback or dialogue\u003c/p>\n\u003cp>San Francisco dance company FACT/SF wants to change that. The organization has announced a new series of grants, scholarships and performance opportunities — and, best of all, they’ll pay artists $25 just to apply.\u003c/p>\n\u003cp>FACT/SF is selecting performing artists looking either to present and produce work or participate in a nine-day dance workshop immersion with company founder and choreographer Charles Slender-White.\u003c/p>\n\u003cp>“It’s pretty uncommon for a dance company to be running a program like this,” White told KQED in an email. “I’m pretty sure we’re the only (or one of the only) organizations in the country that actually pays people to apply.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>FACT/SF’s \u003ca href=\"https://factsf.org/fieldworkhistory\" target=\"_blank\" rel=\"noopener noreferrer\">Fieldwork\u003c/a> initiative provides material resources and presenting opportunities in seven different programs, including fiscal sponsorship and artist consultation. Since its inception in 2014, Fieldwork’s programs have supported over 50 choreographers, dancers and teachers.\u003c/p>\n\u003cfigure id=\"attachment_13920193\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13920193 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-scaled.jpg\" alt=\"Artist in pink tulle is dancing on stage in front of another performer who is watching them\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Caitlin Hicks & Eric Garcia in a work by Sharp & Fine, previous Fieldwork recipients \u003ccite>(Robbie Sweeny)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In FACT/SF’s characterization, artists don’t apply to the various opportunities, but “self-nominate” through an open-ended dialogue between nominees and FACT/SF’s curatorial panel, which consists of company members and Bay Area dancers. Part of the curation process is guided by the company’s goal in selecting at least 50% BIPOC and 50% LGBTQ+ artists.\u003c/p>\n\u003cp>White announced the new iteration of their Fieldwork programs in an \u003ca href=\"https://docs.google.com/document/d/1CO6DtNvLJCC8vcWp7_rRGsp7I4G5dHJ50ySTgA1HxM0/edit\" target=\"_blank\" rel=\"noopener noreferrer\">open letter\u003c/a> that details the resource tracks. Those include production support grants ($1,000 each), paid performance opportunities in the August 2023 FACT/SF Summer Dance Festival at ODC in San Francisco ($1,250 stipend), and scholarships to attend the FACT/SF August 2023 Summer Dance Lab at ODC.\u003c/p>\n\u003cp>Opportunities also include tech and dress rehearsals for the Summer Dance Festival and, for those looking to instruct workshops in the Summer Dance Lab, $100/hour to teach.\u003c/p>\n\u003cp>“As we recognize that applying for opportunities is real work, we offer a $25 honorarium to all artists who nominate themselves for one or more of our programs,” White wrote in the open letter.\u003c/p>\n\u003cp>“We know that this sum is small, but we hope that it signifies our respect for your work and time, and that this resource inversion of the application process might nudge the larger field towards less extractive and more ethical practices,” White added.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Self-nominations for FACT/SF’s 2023 Fieldwork opportunities are due by Oct. 31, 2022. Artists can \u003c/i>\u003ca href=\"https://factsf.org/fieldwork\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>learn more and apply here\u003c/i>\u003c/a>\u003ci>. \u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"FACT/SF announces new grants, scholarships and performance opportunities—and artists are paid to apply.","status":"publish","parent":0,"modified":1705006288,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":481},"headData":{"title":"San Francisco Dance Company FACT/SF Pays Artists to Apply | KQED","description":"FACT/SF announces new grants, scholarships and performance opportunities—and artists are paid to apply.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"WpOldSlug":"san-francisco-dance-company-fact-sf-pays-artists-to-apply","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13920190/fact-sf-dance-grants","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>To any artist that’s ever applied for a grant or a residency, this process will be familiar:\u003c/p>\n\u003cp>Step 1: Spend hours of unpaid time applying\u003cbr>\nStep 2: Don’t hear back for weeks or longer\u003cbr>\nStep 3: Receive rejection with no feedback or dialogue\u003c/p>\n\u003cp>San Francisco dance company FACT/SF wants to change that. The organization has announced a new series of grants, scholarships and performance opportunities — and, best of all, they’ll pay artists $25 just to apply.\u003c/p>\n\u003cp>FACT/SF is selecting performing artists looking either to present and produce work or participate in a nine-day dance workshop immersion with company founder and choreographer Charles Slender-White.\u003c/p>\n\u003cp>“It’s pretty uncommon for a dance company to be running a program like this,” White told KQED in an email. “I’m pretty sure we’re the only (or one of the only) organizations in the country that actually pays people to apply.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>FACT/SF’s \u003ca href=\"https://factsf.org/fieldworkhistory\" target=\"_blank\" rel=\"noopener noreferrer\">Fieldwork\u003c/a> initiative provides material resources and presenting opportunities in seven different programs, including fiscal sponsorship and artist consultation. Since its inception in 2014, Fieldwork’s programs have supported over 50 choreographers, dancers and teachers.\u003c/p>\n\u003cfigure id=\"attachment_13920193\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13920193 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-scaled.jpg\" alt=\"Artist in pink tulle is dancing on stage in front of another performer who is watching them\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/Caitlin-Hicks-Eric-Garcia-in-work-by-Sharp-Fine-01-Photo-by-Robbie-Sweeny-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Caitlin Hicks & Eric Garcia in a work by Sharp & Fine, previous Fieldwork recipients \u003ccite>(Robbie Sweeny)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In FACT/SF’s characterization, artists don’t apply to the various opportunities, but “self-nominate” through an open-ended dialogue between nominees and FACT/SF’s curatorial panel, which consists of company members and Bay Area dancers. Part of the curation process is guided by the company’s goal in selecting at least 50% BIPOC and 50% LGBTQ+ artists.\u003c/p>\n\u003cp>White announced the new iteration of their Fieldwork programs in an \u003ca href=\"https://docs.google.com/document/d/1CO6DtNvLJCC8vcWp7_rRGsp7I4G5dHJ50ySTgA1HxM0/edit\" target=\"_blank\" rel=\"noopener noreferrer\">open letter\u003c/a> that details the resource tracks. Those include production support grants ($1,000 each), paid performance opportunities in the August 2023 FACT/SF Summer Dance Festival at ODC in San Francisco ($1,250 stipend), and scholarships to attend the FACT/SF August 2023 Summer Dance Lab at ODC.\u003c/p>\n\u003cp>Opportunities also include tech and dress rehearsals for the Summer Dance Festival and, for those looking to instruct workshops in the Summer Dance Lab, $100/hour to teach.\u003c/p>\n\u003cp>“As we recognize that applying for opportunities is real work, we offer a $25 honorarium to all artists who nominate themselves for one or more of our programs,” White wrote in the open letter.\u003c/p>\n\u003cp>“We know that this sum is small, but we hope that it signifies our respect for your work and time, and that this resource inversion of the application process might nudge the larger field towards less extractive and more ethical practices,” White added.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Self-nominations for FACT/SF’s 2023 Fieldwork opportunities are due by Oct. 31, 2022. Artists can \u003c/i>\u003ca href=\"https://factsf.org/fieldwork\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>learn more and apply here\u003c/i>\u003c/a>\u003ci>. \u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13920190/fact-sf-dance-grants","authors":["11771"],"categories":["arts_1","arts_966"],"tags":["arts_879","arts_3590","arts_1406"],"featImg":"arts_13920233","label":"arts"},"arts_13898486":{"type":"posts","id":"arts_13898486","meta":{"index":"posts_1591205157","site":"arts","id":"13898486","score":null,"sort":[1623247214000]},"guestAuthors":[],"slug":"oaklands-cultural-affairs-manager-roberto-bedoya-wins-2021-berresford-prize","title":"Oakland’s Cultural Affairs Manager Roberto Bedoya Wins 2021 Berresford Prize","publishDate":1623247214,"format":"standard","headTitle":"Oakland’s Cultural Affairs Manager Roberto Bedoya Wins 2021 Berresford Prize | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Roberto Bedoya, the city of Oakland’s cultural affairs manager, is one of two recipients of the 2021 Berresford Prize, an annual award administered by the national arts funding organization \u003ca href=\"https://www.unitedstatesartists.org/\" rel=\"noopener noreferrer\" target=\"_blank\">United States Artists\u003c/a>. Bedoya and Lulani Arquette, president and CEO of the \u003ca href=\"https://www.nativeartsandcultures.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Native Arts and Cultures Foundation\u003c/a>, based in Portland, Oregon, will each receive $25,000. The unrestricted prize, today’s announcement says, is given to cultural practitioners who have made significant contributions to the “advancement, wellbeing and care of artists in society.”\u003c/p>\n\u003cp>In a phone interview, Bedoya described himself as “humbled and thrilled,” saying that though he knew of the prize’s existence, receiving it was a complete surprise. Bedoya and Arquette were selected from a pool of about 50 nominees across the country; there is no application process for the award. \u003c/p>\n\u003cp>In the announcement, United States Artists noted that Bedoya and Arquette’s “visionary approaches engender cooperation, promote thoughtful civic engagement, and advocate for artists on a local and national level.”\u003c/p>\n\u003cp>The prize, named for United States Artists co-founder Susan V. Berresford, was created in 2019 to acknowledge those who labor mostly behind the scenes in the support of the arts such as administrators, curators and scholars: those creating the platforms and conditions that allow artists to successfully pursue their work. \u003c/p>\n\u003cp>Previous recipients include Kristy Edmunds, executive and artistic director of UCLA’s Center for the Art of Performance, and Linda Good Bryant, a social activist, gallerist, filmmaker and founder of Active Citizen Project and Project EATS. This is the first time the prize has recognized two people in the same year, which United States Artists says comes from “an ethos of abundance and sharing”—a way of acknowledging the challenges and financial strains facing the arts sector over the past year. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It’s thoughtful for a foundation supporting artists to think about what kind of support system they have,” Bedoya says of the Berresford Prize. Using a theater analogy to describe his own role, Bedoya says, “There’s nothing glamorous about being the stage manager or the house manager, but they’re incredibly important to the production.”\u003c/p>\n\u003cp>United States Artists is perhaps best known for their fellowships, which award individual artists and collaboratives unrestricted grants of $50,000 each year. To date, the fellowship program has distributed over $33 million to more than 700 artists. Earlier this year, they helped administer the Rainin Foundation’s new fellowship program, which awarded \u003ca href=\"https://www.kqed.org/arts/13894782/rainin-fellowship-awards-100000-grants-to-four-bay-area-artists\" rel=\"noopener noreferrer\" target=\"_blank\">unrestricted grants of $100,000\u003c/a> to four Bay Area artists and collaboratives.\u003c/p>\n\u003cp>[aside postID='arts_13827589']As Oakland’s cultural affairs manager, Bedoya unveiled a cultural plan titled “\u003ca href=\"https://cao-94612.s3.amazonaws.com/documents/Cultural-Plan-9.24-online.pdf\" rel=\"noopener noreferrer\" target=\"_blank\">Belonging in Oakland\u003c/a>” in the spring of 2018—the city’s first cultural plan in 30 years. Prior to this role, Bedoya was the executive director of the Tucson Pima Arts Council, where he developed an initiative called P.L.A.C.E (People, Land, Arts, Culture and Engagement), a project rooted in art-based civic engagement. From 1996 to 2001, he was executive director of the National Association of Artists’ Organizations, which supported artist-run alternative art spaces and initiatives. He is also a poet; Chax Press published his chapbook \u003ci>The Ballad of Cholo Dandy\u003c/i> in 2014.\u003c/p>\n\u003cp>Guiding all his work, he says, is the idea of empowering artists and communities. “The beauty of Oakland is that it’s alive—it really is. There’s so much going on,” he says. While the Bay Area’s largest and wealthiest arts institutions may be in San Francisco, Bedoya says, “Oakland has always been the home of social activists in the arts and individual artists.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“In my policy work over the years, it’s how do we validate the importance of arts and culture to build social networks that animate our lives—that’s my homework assignment,” he says. “It’s nice that someone gave me a grade and they liked it.”\u003c/p>\n\n","blocks":[],"excerpt":"The unrestricted award of $25,000 recognizes Bedoya's long career as an arts administrator and policy-maker. ","status":"publish","parent":0,"modified":1705008245,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":688},"headData":{"title":"Oakland’s Cultural Affairs Manager Roberto Bedoya Wins 2021 Berresford Prize | KQED","description":"The unrestricted award of $25,000 recognizes Bedoya's long career as an arts administrator and policy-maker. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13898486/oaklands-cultural-affairs-manager-roberto-bedoya-wins-2021-berresford-prize","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Roberto Bedoya, the city of Oakland’s cultural affairs manager, is one of two recipients of the 2021 Berresford Prize, an annual award administered by the national arts funding organization \u003ca href=\"https://www.unitedstatesartists.org/\" rel=\"noopener noreferrer\" target=\"_blank\">United States Artists\u003c/a>. Bedoya and Lulani Arquette, president and CEO of the \u003ca href=\"https://www.nativeartsandcultures.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Native Arts and Cultures Foundation\u003c/a>, based in Portland, Oregon, will each receive $25,000. The unrestricted prize, today’s announcement says, is given to cultural practitioners who have made significant contributions to the “advancement, wellbeing and care of artists in society.”\u003c/p>\n\u003cp>In a phone interview, Bedoya described himself as “humbled and thrilled,” saying that though he knew of the prize’s existence, receiving it was a complete surprise. Bedoya and Arquette were selected from a pool of about 50 nominees across the country; there is no application process for the award. \u003c/p>\n\u003cp>In the announcement, United States Artists noted that Bedoya and Arquette’s “visionary approaches engender cooperation, promote thoughtful civic engagement, and advocate for artists on a local and national level.”\u003c/p>\n\u003cp>The prize, named for United States Artists co-founder Susan V. Berresford, was created in 2019 to acknowledge those who labor mostly behind the scenes in the support of the arts such as administrators, curators and scholars: those creating the platforms and conditions that allow artists to successfully pursue their work. \u003c/p>\n\u003cp>Previous recipients include Kristy Edmunds, executive and artistic director of UCLA’s Center for the Art of Performance, and Linda Good Bryant, a social activist, gallerist, filmmaker and founder of Active Citizen Project and Project EATS. This is the first time the prize has recognized two people in the same year, which United States Artists says comes from “an ethos of abundance and sharing”—a way of acknowledging the challenges and financial strains facing the arts sector over the past year. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s thoughtful for a foundation supporting artists to think about what kind of support system they have,” Bedoya says of the Berresford Prize. Using a theater analogy to describe his own role, Bedoya says, “There’s nothing glamorous about being the stage manager or the house manager, but they’re incredibly important to the production.”\u003c/p>\n\u003cp>United States Artists is perhaps best known for their fellowships, which award individual artists and collaboratives unrestricted grants of $50,000 each year. To date, the fellowship program has distributed over $33 million to more than 700 artists. Earlier this year, they helped administer the Rainin Foundation’s new fellowship program, which awarded \u003ca href=\"https://www.kqed.org/arts/13894782/rainin-fellowship-awards-100000-grants-to-four-bay-area-artists\" rel=\"noopener noreferrer\" target=\"_blank\">unrestricted grants of $100,000\u003c/a> to four Bay Area artists and collaboratives.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13827589","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>As Oakland’s cultural affairs manager, Bedoya unveiled a cultural plan titled “\u003ca href=\"https://cao-94612.s3.amazonaws.com/documents/Cultural-Plan-9.24-online.pdf\" rel=\"noopener noreferrer\" target=\"_blank\">Belonging in Oakland\u003c/a>” in the spring of 2018—the city’s first cultural plan in 30 years. Prior to this role, Bedoya was the executive director of the Tucson Pima Arts Council, where he developed an initiative called P.L.A.C.E (People, Land, Arts, Culture and Engagement), a project rooted in art-based civic engagement. From 1996 to 2001, he was executive director of the National Association of Artists’ Organizations, which supported artist-run alternative art spaces and initiatives. He is also a poet; Chax Press published his chapbook \u003ci>The Ballad of Cholo Dandy\u003c/i> in 2014.\u003c/p>\n\u003cp>Guiding all his work, he says, is the idea of empowering artists and communities. “The beauty of Oakland is that it’s alive—it really is. There’s so much going on,” he says. While the Bay Area’s largest and wealthiest arts institutions may be in San Francisco, Bedoya says, “Oakland has always been the home of social activists in the arts and individual artists.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“In my policy work over the years, it’s how do we validate the importance of arts and culture to build social networks that animate our lives—that’s my homework assignment,” he says. “It’s nice that someone gave me a grade and they liked it.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13898486/oaklands-cultural-affairs-manager-roberto-bedoya-wins-2021-berresford-prize","authors":["61"],"categories":["arts_1","arts_835","arts_235","arts_967","arts_70"],"tags":["arts_10278","arts_3590","arts_1304","arts_1143","arts_5637"],"featImg":"arts_13898490","label":"arts"},"arts_13895904":{"type":"posts","id":"arts_13895904","meta":{"index":"posts_1591205157","site":"arts","id":"13895904","score":null,"sort":[1618598906000]},"guestAuthors":[],"slug":"yerba-buena-center-for-the-arts-announces-ybca-10-program","title":"Yerba Buena Center for the Arts Announces 'YBCA 10' Program","publishDate":1618598906,"format":"standard","headTitle":"Yerba Buena Center for the Arts Announces ‘YBCA 10’ Program | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>On Thursday, San Francisco’s Yerba Buena Center for the Arts announced the inaugural YBCA 10, a new artist cohort program that will invest half a million dollars into the work of 10 artists. Mostly from the Bay Area, the 10 artists will each be granted $50,000 and join YBCA for a one-year period to create new work of their choice focused on their communities’ health and well-being. \u003c/p>\n\u003cp>The recipients are Binta Ayofemi, Alex Bledsoe, Leticia Hernandez, My-Linh Le, Nikiko Masumoto, Ayodele Nzinga, Hasain Rasheed, Darryl Ratcliff, Dorothy Santos, and Deanna Van Buren. \u003c/p>\n\u003cp>As the artists develop prototypes of their work, the public will be able to view and give feedback online and on-site through YBCA’s Public Squares program, beginning in June 2021. This model is designed to facilitate natural interaction around the work of the cohort, with the intention of prioritizing public participation.\u003c/p>\n\u003cp>The 10 artists, each of which are also part of the annual YBCA 100 list, will be at the center of YBCA’s programming for the next year. With disciplines and mediums ranging from film, dance, photography, architecture, performance, to theatre and more, the intergenerational and interdisciplinary BIPOC cohort was chosen, YBCA CEO Deborah Cullinan says, “not only for their creative talent, but also for their ability and willingness to collaborate amongst themselves and with their communities.” \u003c/p>\n\u003cp>Learn more about the YBCA 10 artists on \u003ca href=\"https://ybca.org/ybca-10-artist-cohort/\" rel=\"noopener noreferrer\" target=\"_blank\">YBCA’s site\u003c/a>. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The 10 artists will each be granted $50,000 and join YBCA for a one-year period to create new work.","status":"publish","parent":0,"modified":1705019159,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":247},"headData":{"title":"Yerba Buena Center for the Arts Announces 'YBCA 10' Program | KQED","description":"The 10 artists will each be granted $50,000 and join YBCA for a one-year period to create new work.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13895904/yerba-buena-center-for-the-arts-announces-ybca-10-program","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Thursday, San Francisco’s Yerba Buena Center for the Arts announced the inaugural YBCA 10, a new artist cohort program that will invest half a million dollars into the work of 10 artists. Mostly from the Bay Area, the 10 artists will each be granted $50,000 and join YBCA for a one-year period to create new work of their choice focused on their communities’ health and well-being. \u003c/p>\n\u003cp>The recipients are Binta Ayofemi, Alex Bledsoe, Leticia Hernandez, My-Linh Le, Nikiko Masumoto, Ayodele Nzinga, Hasain Rasheed, Darryl Ratcliff, Dorothy Santos, and Deanna Van Buren. \u003c/p>\n\u003cp>As the artists develop prototypes of their work, the public will be able to view and give feedback online and on-site through YBCA’s Public Squares program, beginning in June 2021. This model is designed to facilitate natural interaction around the work of the cohort, with the intention of prioritizing public participation.\u003c/p>\n\u003cp>The 10 artists, each of which are also part of the annual YBCA 100 list, will be at the center of YBCA’s programming for the next year. With disciplines and mediums ranging from film, dance, photography, architecture, performance, to theatre and more, the intergenerational and interdisciplinary BIPOC cohort was chosen, YBCA CEO Deborah Cullinan says, “not only for their creative talent, but also for their ability and willingness to collaborate amongst themselves and with their communities.” \u003c/p>\n\u003cp>Learn more about the YBCA 10 artists on \u003ca href=\"https://ybca.org/ybca-10-artist-cohort/\" rel=\"noopener noreferrer\" target=\"_blank\">YBCA’s site\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13895904/yerba-buena-center-for-the-arts-announces-ybca-10-program","authors":["11734"],"categories":["arts_1"],"tags":["arts_3590","arts_1040"],"featImg":"arts_13895905","label":"arts"},"arts_13888420":{"type":"posts","id":"arts_13888420","meta":{"index":"posts_1591205157","site":"arts","id":"13888420","score":null,"sort":[1603837090000]},"guestAuthors":[],"slug":"southern-exposure-opens-second-round-of-emergency-relief-funds-to-sf-artists","title":"Southern Exposure Opens Second Round of Emergency Relief Funds to SF Artists","publishDate":1603837090,"format":"standard","headTitle":"Southern Exposure Opens Second Round of Emergency Relief Funds to SF Artists | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>While the San Francisco visual arts nonprofit Southern Exposure plans to remain closed to the public for the remainder of 2020 (with the exception of Nov. 3, when it will be a polling place!), that doesn’t mean it’s not still supporting the Bay Area arts community. Earlier this year, in partnership with the Andy Warhol Foundation for the Visual Arts, Southern Exposure reallocated its annual Alternative Exposure grant into emergency relief for Bay Area artists, distributing 60 grants of $1,000 each to visual and multidisciplinary artists.\u003c/p>\n\u003cp>[aside postID='arts_13876893']While the Bay Area is on the path to reopening, artists are still struggling within the pandemic—exhibitions and performances have been canceled and postponed, and many have lost the side gigs and day jobs that sustained their creative practices. \u003c/p>\n\u003cp>With support from San Francisco Grants for the Arts, Southern Exposure is now accepting applications for a second round of emergency relief funding. They will bestow 19 grants of $1,000 each to San Francisco-based artists (this includes those with a San Francisco studio, fiscal sponsorship from a San Francisco organization, or a university student at a San Francisco institution).\u003c/p>\n\u003cp>Priority will be given to artists who are Black, Indigenous, POC, elder, LGBTQ+, disabled, immunocompromised and immigrants. The funds may be used to cover any needed expenses related to lost income due to COVID-19. Applications are due by Nov. 9, \u003ca href=\"https://soex.org/alternative-exposure/how-apply-0\" rel=\"noopener noreferrer\" target=\"_blank\">details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The arts nonprofit will award 19 grants of $1,000 to visual and multidisciplinary artists who have lost income due to COVID-19.","status":"publish","parent":0,"modified":1705019928,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":241},"headData":{"title":"Southern Exposure Opens Second Round of Emergency Relief Funds to SF Artists | KQED","description":"The arts nonprofit will award 19 grants of $1,000 to visual and multidisciplinary artists who have lost income due to COVID-19.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13888420/southern-exposure-opens-second-round-of-emergency-relief-funds-to-sf-artists","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>While the San Francisco visual arts nonprofit Southern Exposure plans to remain closed to the public for the remainder of 2020 (with the exception of Nov. 3, when it will be a polling place!), that doesn’t mean it’s not still supporting the Bay Area arts community. Earlier this year, in partnership with the Andy Warhol Foundation for the Visual Arts, Southern Exposure reallocated its annual Alternative Exposure grant into emergency relief for Bay Area artists, distributing 60 grants of $1,000 each to visual and multidisciplinary artists.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13876893","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>While the Bay Area is on the path to reopening, artists are still struggling within the pandemic—exhibitions and performances have been canceled and postponed, and many have lost the side gigs and day jobs that sustained their creative practices. \u003c/p>\n\u003cp>With support from San Francisco Grants for the Arts, Southern Exposure is now accepting applications for a second round of emergency relief funding. They will bestow 19 grants of $1,000 each to San Francisco-based artists (this includes those with a San Francisco studio, fiscal sponsorship from a San Francisco organization, or a university student at a San Francisco institution).\u003c/p>\n\u003cp>Priority will be given to artists who are Black, Indigenous, POC, elder, LGBTQ+, disabled, immunocompromised and immigrants. The funds may be used to cover any needed expenses related to lost income due to COVID-19. Applications are due by Nov. 9, \u003ca href=\"https://soex.org/alternative-exposure/how-apply-0\" rel=\"noopener noreferrer\" target=\"_blank\">details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13888420/southern-exposure-opens-second-round-of-emergency-relief-funds-to-sf-artists","authors":["61"],"programs":["arts_140"],"categories":["arts_1"],"tags":["arts_10126","arts_3590","arts_2887","arts_585"],"featImg":"arts_13888441","label":"arts_140"},"arts_13888399":{"type":"posts","id":"arts_13888399","meta":{"index":"posts_1591205157","site":"arts","id":"13888399","score":null,"sort":[1603828615000]},"guestAuthors":[],"slug":"five-artists-and-curators-receive-inaugural-california-black-voices-project-grants","title":"Five Artists and Curators Receive Inaugural California Black Voices Project Grants","publishDate":1603828615,"format":"standard","headTitle":"Five Artists and Curators Receive Inaugural California Black Voices Project Grants | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>The Minnesota Street Project Foundation, the nonprofit arm of the Dogpatch arts complex, announced today the first recipients of its \u003ca href=\"https://minnesotastreetproject.org/california-black-voices-project\" rel=\"noopener noreferrer\" target=\"_blank\">California Black Voices Project\u003c/a> grant. Indira Allegra, Lizzetta LeFalle-Collins, Rashaad Newsome, Toni Scott and Leila Weefur will each receive $10,000 and space at the Minnesota Street Project galleries to showcase new works in 2021. A jury of local artists and arts professionals—Dewey Crumpler, Karen Jenkins-Johnson, Andrew McClintock and Lava Thomas—selected the recipients.\u003c/p>\n\u003cp>[aside postID='arts_13882705']Launched in direct response to systemic racism in the art world, the grant is currently funded by Deborah and Andy Rappaport, who seeded the California Black Voices Project and Grants for Arts Equity (funds for Bay Area institutions, inaugural recipients yet to be announced) with an initial $150,000.\u003c/p>\n\u003cp>Each awardee proposed a specific project in their application. \u003ca href=\"https://www.indiraallegra.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Allegra\u003c/a>, a multidisciplinary artist and writer, will explore memorial as a genre. Curator \u003ca href=\"https://www.instagram.com/lefalle25/\" rel=\"noopener noreferrer\" target=\"_blank\">LeFalle-Collins\u003c/a> will continue her practice considering Black artists’ work within broader art historical contexts, outside what she terms the “Black Box.” \u003ca href=\"http://rashaadnewsome.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Newsome\u003c/a> draws from advertising, the internet, Black and queer culture through a multimedia process of collage. \u003ca href=\"https://www.toniscott.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Scott\u003c/a> often centers her own complex heritage within the United States’ history of genocide and slavery—and their effect on contemporary systemic racism. And \u003ca href=\"http://www.leilaweefur.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Weefur\u003c/a> constructs video installations to convey a bodily understanding of Black narratives through those viewing conditions.\u003c/p>\n\u003cp>The exhibition portion of the grants will begin with a show of Allegra’s work next year; the show will also be featured on \u003ca href=\"https://minnesotastreetprojectadjacent.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Adjacent\u003c/a>, Minnesota Street Project’s new online platform for exhibitions, events and artist residencies (Allegra is their inaugural artist in residence).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The $10,000 grant funds new work and an exhibition in 2021.","status":"publish","parent":0,"modified":1705019930,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":285},"headData":{"title":"Five Artists and Curators Receive Inaugural California Black Voices Project Grants | KQED","description":"The $10,000 grant funds new work and an exhibition in 2021.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13888399/five-artists-and-curators-receive-inaugural-california-black-voices-project-grants","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Minnesota Street Project Foundation, the nonprofit arm of the Dogpatch arts complex, announced today the first recipients of its \u003ca href=\"https://minnesotastreetproject.org/california-black-voices-project\" rel=\"noopener noreferrer\" target=\"_blank\">California Black Voices Project\u003c/a> grant. Indira Allegra, Lizzetta LeFalle-Collins, Rashaad Newsome, Toni Scott and Leila Weefur will each receive $10,000 and space at the Minnesota Street Project galleries to showcase new works in 2021. A jury of local artists and arts professionals—Dewey Crumpler, Karen Jenkins-Johnson, Andrew McClintock and Lava Thomas—selected the recipients.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13882705","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Launched in direct response to systemic racism in the art world, the grant is currently funded by Deborah and Andy Rappaport, who seeded the California Black Voices Project and Grants for Arts Equity (funds for Bay Area institutions, inaugural recipients yet to be announced) with an initial $150,000.\u003c/p>\n\u003cp>Each awardee proposed a specific project in their application. \u003ca href=\"https://www.indiraallegra.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Allegra\u003c/a>, a multidisciplinary artist and writer, will explore memorial as a genre. Curator \u003ca href=\"https://www.instagram.com/lefalle25/\" rel=\"noopener noreferrer\" target=\"_blank\">LeFalle-Collins\u003c/a> will continue her practice considering Black artists’ work within broader art historical contexts, outside what she terms the “Black Box.” \u003ca href=\"http://rashaadnewsome.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Newsome\u003c/a> draws from advertising, the internet, Black and queer culture through a multimedia process of collage. \u003ca href=\"https://www.toniscott.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Scott\u003c/a> often centers her own complex heritage within the United States’ history of genocide and slavery—and their effect on contemporary systemic racism. And \u003ca href=\"http://www.leilaweefur.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Weefur\u003c/a> constructs video installations to convey a bodily understanding of Black narratives through those viewing conditions.\u003c/p>\n\u003cp>The exhibition portion of the grants will begin with a show of Allegra’s work next year; the show will also be featured on \u003ca href=\"https://minnesotastreetprojectadjacent.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Adjacent\u003c/a>, Minnesota Street Project’s new online platform for exhibitions, events and artist residencies (Allegra is their inaugural artist in residence).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13888399/five-artists-and-curators-receive-inaugural-california-black-voices-project-grants","authors":["61"],"categories":["arts_1","arts_70"],"tags":["arts_3649","arts_3590","arts_6746","arts_901"],"featImg":"arts_13888416","label":"arts"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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