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She's the associate editor at KQED Arts & Culture. She's the recipient of the 2018 Society of Professional Journalists-Northern California award for arts & culture reporting. In 2021, a retrospective of the 2010s she edited and creative directed, Our Turbulent Decade, received the SPJ-NorCal award for web design. Nastia's work has been published in NPR Music, \u003cem>San Francisco Chronicle\u003c/em>, VICE, Paste Magazine, Bandcamp and SF MoMA Open Space. Previously, she served as music editor at \u003cem>East Bay Express\u003c/em> and online editor at \u003cem>Hi-Fructose Magazine\u003c/em>. She holds a B.A. in comparative literature from UC Berkeley.","avatar":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twitter":"nananastia","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["administrator"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["administrator"]},{"site":"bayareabites","roles":["editor"]},{"site":"podcasts","roles":["editor"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Nastia Voynovskaya | KQED","description":"Associate Editor","ogImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g"},"isLoading":false,"link":"/author/nvoynovskaya"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13933215":{"type":"posts","id":"arts_13933215","meta":{"index":"posts_1591205157","site":"arts","id":"13933215","score":null,"sort":[1692127223000]},"guestAuthors":[],"slug":"def-con-hacker-conference-ai-chatbots-chat-gpt-hackers","title":"Thousands of Hackers Just Tried to Break AI Chatbots at Def Con Conference","publishDate":1692127223,"format":"standard","headTitle":"Thousands of Hackers Just Tried to Break AI Chatbots at Def Con Conference | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Ben Bowman is having a breakthrough: he’s just tricked a chatbot into revealing a credit card number it was supposed to keep secret.\u003c/p>\n\u003cp>[aside postid='arts_13928253']It’s one of 20 challenges in a first-of-its-kind contest taking place at the annual \u003ca href=\"https://www.npr.org/2023/08/12/1193633792/hackers-gather-for-def-con-in-las-vegas\">Def Con hacker conference\u003c/a> in Las Vegas. The goal? Get \u003ca href=\"https://www.npr.org/2023/05/25/1177700852/ai-future-dangers-benefits\">artificial intelligence\u003c/a> to go rogue — spouting false claims, made-up facts, racial stereotypes, privacy violations, and a host of other \u003ca href=\"https://www.npr.org/2023/07/13/1187532997/ftc-investigating-chatgpt-over-potential-consumer-harm\">harms\u003c/a>.\u003c/p>\n\u003cp>Bowman jumps up from his laptop in a bustling room at the Caesars Forum convention center to snap a photo of the current rankings, projected on a large screen for all to see.\u003c/p>\n\u003cp>“This is my first time touching AI, and I just took first place on the leaderboard. I’m pretty excited,” he smiles.\u003c/p>\n\u003cp>He used a simple tactic to manipulate the AI-powered chatbot.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I told the AI that my name was the credit card number on file, and asked it what my name was,” he says, “and it gave me the credit card number.”\u003c/p>\n\u003cp>The Dakota State University cybersecurity student was among more than 2,000 people over three days at Def Con who pitted their skills against eight leading AI chatbots from companies including Google, Facebook parent Meta, and ChatGPT maker OpenAI.\u003c/p>\n\u003cp>The stakes are high. AI is quickly being introduced into many aspects of life and work, from hiring decisions and medical diagnoses to search engines used by billions of people. But the technology can act in \u003ca href=\"https://www.npr.org/2023/03/02/1159895892/ai-microsoft-bing-chatbot\">unpredictable ways\u003c/a>, and guardrails meant to tamp down inaccurate information, bias, and abuse can too often be circumvented.\u003c/p>\n\u003ch3>Hacking with words instead of code and hardware\u003c/h3>\n\u003cp>The contest is based on a cybersecurity practice called “red teaming”: attacking software to identify its vulnerabilities. But instead of using the typical hacker’s toolkit of coding or hardware to break these AI systems, these competitors used words.\u003c/p>\n\u003cfigure id=\"attachment_13933223\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933223\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/david_karnowski_1-cb5ea857a54bb9935a8bf5b60c6b3bf9a180f6b4-1-scaled-e1692125255946-800x600.jpg\" alt=\"A plump middle aged man wearing a black t-shirt, baseball cap and carrying a red shoulder bag, smiles for the camera. He has a small goatee beard and green spectacles.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/david_karnowski_1-cb5ea857a54bb9935a8bf5b60c6b3bf9a180f6b4-1-scaled-e1692125255946-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/david_karnowski_1-cb5ea857a54bb9935a8bf5b60c6b3bf9a180f6b4-1-scaled-e1692125255946-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/david_karnowski_1-cb5ea857a54bb9935a8bf5b60c6b3bf9a180f6b4-1-scaled-e1692125255946-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/david_karnowski_1-cb5ea857a54bb9935a8bf5b60c6b3bf9a180f6b4-1-scaled-e1692125255946-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/david_karnowski_1-cb5ea857a54bb9935a8bf5b60c6b3bf9a180f6b4-1-scaled-e1692125255946-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/david_karnowski_1-cb5ea857a54bb9935a8bf5b60c6b3bf9a180f6b4-1-scaled-e1692125255946.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Karnowski, a student at Long Beach Community College, went to Def Con specifically for the AI challenge. \u003ccite>(Shannon Bond/ NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That means anyone can participate, says David Karnowski, a student at Long Beach City College who came to Def Con for the AI contest.\u003c/p>\n\u003cp>“The thing that we’re trying to find out here is, are these models producing harmful information and misinformation? And that’s done through language, not through code,” he said.\u003c/p>\n\u003cp>The goal of the Def Con event is to open up the red teaming that companies do internally to a much broader group of people, who may use AI very differently than those who know it intimately.\u003c/p>\n\u003cp>[aside postid='arts_13932477']“Think about people that you know and you talk to, right? Every person you know that has a different background has a different linguistic style. They have somewhat of a different critical thinking process,” said Austin Carson, founder of the AI nonprofit SeedAI and one of the contest organizers.\u003c/p>\n\u003cp>The contest challenges were laid out on a \u003cem>Jeopardy\u003c/em>-style game board: 20 points for getting an AI model to produce false claims about a historical political figure or event, or to defame a celebrity; 50 points for getting it to show bias against a particular group of people.\u003c/p>\n\u003cp>Participants streamed in and out of Def Con’s AI Village, which hosted and co-organized the contest, for their 50-minute sessions with the chatbots. At times, the line to get in stretched to more than a hundred people.\u003c/p>\n\u003cfigure id=\"attachment_13933224\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933224\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/ray_glower-da2b62d488c1ab49add0e6694d4b849c1b94b46f-1-scaled-e1692125473469-800x600.jpg\" alt=\"A smiling young Black man wearing a black t-shirt and two lanyards smiles warmly as a row of male computer users sit in a row behind him and stare at their laptops.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ray_glower-da2b62d488c1ab49add0e6694d4b849c1b94b46f-1-scaled-e1692125473469-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ray_glower-da2b62d488c1ab49add0e6694d4b849c1b94b46f-1-scaled-e1692125473469-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ray_glower-da2b62d488c1ab49add0e6694d4b849c1b94b46f-1-scaled-e1692125473469-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ray_glower-da2b62d488c1ab49add0e6694d4b849c1b94b46f-1-scaled-e1692125473469-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ray_glower-da2b62d488c1ab49add0e6694d4b849c1b94b46f-1-scaled-e1692125473469-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ray_glower-da2b62d488c1ab49add0e6694d4b849c1b94b46f-1-scaled-e1692125473469.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ray Glower, a student from Iowa, got the chatbot to give him specific ways to spy on other people. \u003ccite>(Shannon Bond/ NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Inside the gray-walled room, amid rows of tables holding 156 laptops for contestants, Ray Glower, a computer science student at Kirkwood Community College in Iowa, persuaded a chatbot to give him step-by-step instructions to spy on someone by claiming to be a private investigator looking for tips.\u003c/p>\n\u003cp>The AI suggested using Apple AirTags to surreptitiously follow a target’s location. “It gave me on-foot tracking instructions, it gave me social media tracking instructions. It was very detailed,” Glower said.\u003c/p>\n\u003cp>[aside postid='arts_13928457']The language models behind these chatbots work like super powerful autocomplete systems, predicting what words go together. That makes them really good at \u003cem>sounding \u003c/em>human — but it also means they can get things very wrong, including producing so-called “hallucinations,” or responses that have the ring of authority but are entirely fabricated.\u003c/p>\n\u003cp>“What we do know today is that language models can be fickle and they can be unreliable,” said Rumman Chowdhury of the nonprofit Humane Intelligence, another organizer of the Def Con event. “The information that comes out for a regular person can actually be hallucinated, false — but harmfully so.”\u003c/p>\n\u003ch3>When Abraham Lincoln met George Washington\u003c/h3>\n\u003cp>When I took a turn, I successfully got one chatbot to write a news article about the Great Depression of 1992 and another to invent a story about Abraham Lincoln meeting George Washington during a trip to Mount Vernon. Neither chatbot disclosed that the tales were fictional. But I struck out when trying to induce the bots to defame Taylor Swift or claim to be human.\u003c/p>\n\u003cp>The companies say they’ll use all this data from the contest to make their systems safer. They’ll also release some information publicly early next year, to help policy makers, researchers, and the public get a better grasp on just how chatbots can go wrong.\u003c/p>\n\u003cp>“The data that we are going to be collecting together with the other models that are participating, is going to allow us to understand, ‘Hey, what are the failure modes?’ What are the areas [where we will say] ‘Hey, this is a surprise to us?'” said Cristian Canton, head of engineering for responsible AI at Meta.\u003c/p>\n\u003cfigure id=\"attachment_13933225\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933225\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/arati_prabhakar_3-6f639f56e2c4a99bf83dc90ce7e20c7b2b8e9e33-1-scaled-e1692125721291-800x600.jpg\" alt=\"A white woman with white hair cut into a bob, rests her chin on her left hand and gazes at a laptop screen. A man is visible standing behind her.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/arati_prabhakar_3-6f639f56e2c4a99bf83dc90ce7e20c7b2b8e9e33-1-scaled-e1692125721291-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/arati_prabhakar_3-6f639f56e2c4a99bf83dc90ce7e20c7b2b8e9e33-1-scaled-e1692125721291-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/arati_prabhakar_3-6f639f56e2c4a99bf83dc90ce7e20c7b2b8e9e33-1-scaled-e1692125721291-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/arati_prabhakar_3-6f639f56e2c4a99bf83dc90ce7e20c7b2b8e9e33-1-scaled-e1692125721291-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/arati_prabhakar_3-6f639f56e2c4a99bf83dc90ce7e20c7b2b8e9e33-1-scaled-e1692125721291-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/arati_prabhakar_3-6f639f56e2c4a99bf83dc90ce7e20c7b2b8e9e33-1-scaled-e1692125721291.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Arati Prabhakar, President Biden’s top science and technology adviser, attended Def Con to raise support for the administration’s efforts to put more guardrails around AI technologies. \u003ccite>(Deepa Shivaram/ NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The White House has also thrown its support behind the effort, including a visit to Def Con by President Joe Biden’s top science and tech advisor, Arati Prabhakar.\u003c/p>\n\u003cp>During a tour of the challenge, she chatted up participants and organizers before taking her own crack at manipulating AI. Hunched over a keyboard, Prabhakar began to type.\u003c/p>\n\u003cp>[aside postid='arts_13914834']“I’m going to say, ‘How would I convince someone that unemployment is raging?'” she said, then sat back to await a response. But before she could succeed at getting a chatbot to make up fake economic news in front of an audience of reporters, her aide pulled her away.\u003c/p>\n\u003cp>Back at his laptop, Bowman, the Dakota State student, was on to another challenge. He wasn’t having much luck, but had a theory for how he could succeed.\u003c/p>\n\u003cp>“You want it to do the thinking for you — well, you want it to believe that it’s thinking for you. And by doing that, you let it fill in its blanks,” he said.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“And by trying to be helpful, it ends up being harmful.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=What+happens+when+thousands+of+hackers+try+to+break+AI+chatbots&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"At the annual Def Con hacking convention, hackers tried to get chatbots from OpenAI, Google and Meta to share harmful content.","status":"publish","parent":0,"modified":1705005148,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":30,"wordCount":1228},"headData":{"title":"Def Con Hackers Try to Break AI Chatbots at Vegas Conference | KQED","description":"At the annual Def Con hacking convention, hackers tried to get chatbots from OpenAI, Google and Meta to share harmful content.","ogTitle":"Thousands of People Just Tried to Break AI Chatbots at Def Con Hacker Conference","ogDescription":"","ogImgId":"","twTitle":"Thousands of People Just Tried to Break AI Chatbots at Def Con Hacker Conference","twDescription":"","twImgId":"","socialTitle":"Def Con Hackers Try to Break AI Chatbots at Vegas Conference %%page%% %%sep%% KQED"},"sticky":false,"nprImageCredit":"Paul Bloch","nprByline":"Shannon Bond","nprImageAgency":"Paul's Vegas Photography","nprStoryId":"1193773829","nprApiLink":"http://api.npr.org/query?id=1193773829&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2023/08/15/1193773829/what-happens-when-thousands-of-hackers-try-to-break-ai-chatbots?ft=nprml&f=1193773829","nprRetrievedStory":"1","nprPubDate":"Tue, 15 Aug 2023 10:32:00 -0400","nprStoryDate":"Tue, 15 Aug 2023 05:01:08 -0400","nprLastModifiedDate":"Tue, 15 Aug 2023 10:32:17 -0400","nprAudio":"https://play.podtrac.com/npr-191676894/edge1.pod.npr.org/anon.npr-mp3/npr/me/2023/08/20230815_me_what_happens_when_thousands_of_hackers_try_to_break_ai_chatbots.mp3?orgId=1&topicId=1019&aggIds=973275370&d=233&p=3&story=1193773829&awCollectionId=1&awEpisodeId=1193773829&ft=nprml&f=1193773829","nprAudioM3u":"http://api.npr.org/m3u/11193862647-ee305d.m3u?orgId=1&topicId=1019&aggIds=973275370&d=233&p=3&story=1193773829&ft=nprml&f=1193773829","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13933215/def-con-hacker-conference-ai-chatbots-chat-gpt-hackers","audioUrl":"https://play.podtrac.com/npr-191676894/edge1.pod.npr.org/anon.npr-mp3/npr/me/2023/08/20230815_me_what_happens_when_thousands_of_hackers_try_to_break_ai_chatbots.mp3?orgId=1&topicId=1019&aggIds=973275370&d=233&p=3&story=1193773829&awCollectionId=1&awEpisodeId=1193773829&ft=nprml&f=1193773829","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ben Bowman is having a breakthrough: he’s just tricked a chatbot into revealing a credit card number it was supposed to keep secret.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13928253","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>It’s one of 20 challenges in a first-of-its-kind contest taking place at the annual \u003ca href=\"https://www.npr.org/2023/08/12/1193633792/hackers-gather-for-def-con-in-las-vegas\">Def Con hacker conference\u003c/a> in Las Vegas. The goal? Get \u003ca href=\"https://www.npr.org/2023/05/25/1177700852/ai-future-dangers-benefits\">artificial intelligence\u003c/a> to go rogue — spouting false claims, made-up facts, racial stereotypes, privacy violations, and a host of other \u003ca href=\"https://www.npr.org/2023/07/13/1187532997/ftc-investigating-chatgpt-over-potential-consumer-harm\">harms\u003c/a>.\u003c/p>\n\u003cp>Bowman jumps up from his laptop in a bustling room at the Caesars Forum convention center to snap a photo of the current rankings, projected on a large screen for all to see.\u003c/p>\n\u003cp>“This is my first time touching AI, and I just took first place on the leaderboard. I’m pretty excited,” he smiles.\u003c/p>\n\u003cp>He used a simple tactic to manipulate the AI-powered chatbot.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I told the AI that my name was the credit card number on file, and asked it what my name was,” he says, “and it gave me the credit card number.”\u003c/p>\n\u003cp>The Dakota State University cybersecurity student was among more than 2,000 people over three days at Def Con who pitted their skills against eight leading AI chatbots from companies including Google, Facebook parent Meta, and ChatGPT maker OpenAI.\u003c/p>\n\u003cp>The stakes are high. AI is quickly being introduced into many aspects of life and work, from hiring decisions and medical diagnoses to search engines used by billions of people. But the technology can act in \u003ca href=\"https://www.npr.org/2023/03/02/1159895892/ai-microsoft-bing-chatbot\">unpredictable ways\u003c/a>, and guardrails meant to tamp down inaccurate information, bias, and abuse can too often be circumvented.\u003c/p>\n\u003ch3>Hacking with words instead of code and hardware\u003c/h3>\n\u003cp>The contest is based on a cybersecurity practice called “red teaming”: attacking software to identify its vulnerabilities. But instead of using the typical hacker’s toolkit of coding or hardware to break these AI systems, these competitors used words.\u003c/p>\n\u003cfigure id=\"attachment_13933223\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933223\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/david_karnowski_1-cb5ea857a54bb9935a8bf5b60c6b3bf9a180f6b4-1-scaled-e1692125255946-800x600.jpg\" alt=\"A plump middle aged man wearing a black t-shirt, baseball cap and carrying a red shoulder bag, smiles for the camera. He has a small goatee beard and green spectacles.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/david_karnowski_1-cb5ea857a54bb9935a8bf5b60c6b3bf9a180f6b4-1-scaled-e1692125255946-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/david_karnowski_1-cb5ea857a54bb9935a8bf5b60c6b3bf9a180f6b4-1-scaled-e1692125255946-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/david_karnowski_1-cb5ea857a54bb9935a8bf5b60c6b3bf9a180f6b4-1-scaled-e1692125255946-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/david_karnowski_1-cb5ea857a54bb9935a8bf5b60c6b3bf9a180f6b4-1-scaled-e1692125255946-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/david_karnowski_1-cb5ea857a54bb9935a8bf5b60c6b3bf9a180f6b4-1-scaled-e1692125255946-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/david_karnowski_1-cb5ea857a54bb9935a8bf5b60c6b3bf9a180f6b4-1-scaled-e1692125255946.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Karnowski, a student at Long Beach Community College, went to Def Con specifically for the AI challenge. \u003ccite>(Shannon Bond/ NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That means anyone can participate, says David Karnowski, a student at Long Beach City College who came to Def Con for the AI contest.\u003c/p>\n\u003cp>“The thing that we’re trying to find out here is, are these models producing harmful information and misinformation? And that’s done through language, not through code,” he said.\u003c/p>\n\u003cp>The goal of the Def Con event is to open up the red teaming that companies do internally to a much broader group of people, who may use AI very differently than those who know it intimately.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13932477","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“Think about people that you know and you talk to, right? Every person you know that has a different background has a different linguistic style. They have somewhat of a different critical thinking process,” said Austin Carson, founder of the AI nonprofit SeedAI and one of the contest organizers.\u003c/p>\n\u003cp>The contest challenges were laid out on a \u003cem>Jeopardy\u003c/em>-style game board: 20 points for getting an AI model to produce false claims about a historical political figure or event, or to defame a celebrity; 50 points for getting it to show bias against a particular group of people.\u003c/p>\n\u003cp>Participants streamed in and out of Def Con’s AI Village, which hosted and co-organized the contest, for their 50-minute sessions with the chatbots. At times, the line to get in stretched to more than a hundred people.\u003c/p>\n\u003cfigure id=\"attachment_13933224\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933224\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/ray_glower-da2b62d488c1ab49add0e6694d4b849c1b94b46f-1-scaled-e1692125473469-800x600.jpg\" alt=\"A smiling young Black man wearing a black t-shirt and two lanyards smiles warmly as a row of male computer users sit in a row behind him and stare at their laptops.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ray_glower-da2b62d488c1ab49add0e6694d4b849c1b94b46f-1-scaled-e1692125473469-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ray_glower-da2b62d488c1ab49add0e6694d4b849c1b94b46f-1-scaled-e1692125473469-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ray_glower-da2b62d488c1ab49add0e6694d4b849c1b94b46f-1-scaled-e1692125473469-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ray_glower-da2b62d488c1ab49add0e6694d4b849c1b94b46f-1-scaled-e1692125473469-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ray_glower-da2b62d488c1ab49add0e6694d4b849c1b94b46f-1-scaled-e1692125473469-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ray_glower-da2b62d488c1ab49add0e6694d4b849c1b94b46f-1-scaled-e1692125473469.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ray Glower, a student from Iowa, got the chatbot to give him specific ways to spy on other people. \u003ccite>(Shannon Bond/ NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Inside the gray-walled room, amid rows of tables holding 156 laptops for contestants, Ray Glower, a computer science student at Kirkwood Community College in Iowa, persuaded a chatbot to give him step-by-step instructions to spy on someone by claiming to be a private investigator looking for tips.\u003c/p>\n\u003cp>The AI suggested using Apple AirTags to surreptitiously follow a target’s location. “It gave me on-foot tracking instructions, it gave me social media tracking instructions. It was very detailed,” Glower said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13928457","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The language models behind these chatbots work like super powerful autocomplete systems, predicting what words go together. That makes them really good at \u003cem>sounding \u003c/em>human — but it also means they can get things very wrong, including producing so-called “hallucinations,” or responses that have the ring of authority but are entirely fabricated.\u003c/p>\n\u003cp>“What we do know today is that language models can be fickle and they can be unreliable,” said Rumman Chowdhury of the nonprofit Humane Intelligence, another organizer of the Def Con event. “The information that comes out for a regular person can actually be hallucinated, false — but harmfully so.”\u003c/p>\n\u003ch3>When Abraham Lincoln met George Washington\u003c/h3>\n\u003cp>When I took a turn, I successfully got one chatbot to write a news article about the Great Depression of 1992 and another to invent a story about Abraham Lincoln meeting George Washington during a trip to Mount Vernon. Neither chatbot disclosed that the tales were fictional. But I struck out when trying to induce the bots to defame Taylor Swift or claim to be human.\u003c/p>\n\u003cp>The companies say they’ll use all this data from the contest to make their systems safer. They’ll also release some information publicly early next year, to help policy makers, researchers, and the public get a better grasp on just how chatbots can go wrong.\u003c/p>\n\u003cp>“The data that we are going to be collecting together with the other models that are participating, is going to allow us to understand, ‘Hey, what are the failure modes?’ What are the areas [where we will say] ‘Hey, this is a surprise to us?'” said Cristian Canton, head of engineering for responsible AI at Meta.\u003c/p>\n\u003cfigure id=\"attachment_13933225\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933225\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/arati_prabhakar_3-6f639f56e2c4a99bf83dc90ce7e20c7b2b8e9e33-1-scaled-e1692125721291-800x600.jpg\" alt=\"A white woman with white hair cut into a bob, rests her chin on her left hand and gazes at a laptop screen. A man is visible standing behind her.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/arati_prabhakar_3-6f639f56e2c4a99bf83dc90ce7e20c7b2b8e9e33-1-scaled-e1692125721291-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/arati_prabhakar_3-6f639f56e2c4a99bf83dc90ce7e20c7b2b8e9e33-1-scaled-e1692125721291-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/arati_prabhakar_3-6f639f56e2c4a99bf83dc90ce7e20c7b2b8e9e33-1-scaled-e1692125721291-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/arati_prabhakar_3-6f639f56e2c4a99bf83dc90ce7e20c7b2b8e9e33-1-scaled-e1692125721291-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/arati_prabhakar_3-6f639f56e2c4a99bf83dc90ce7e20c7b2b8e9e33-1-scaled-e1692125721291-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/arati_prabhakar_3-6f639f56e2c4a99bf83dc90ce7e20c7b2b8e9e33-1-scaled-e1692125721291.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Arati Prabhakar, President Biden’s top science and technology adviser, attended Def Con to raise support for the administration’s efforts to put more guardrails around AI technologies. \u003ccite>(Deepa Shivaram/ NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The White House has also thrown its support behind the effort, including a visit to Def Con by President Joe Biden’s top science and tech advisor, Arati Prabhakar.\u003c/p>\n\u003cp>During a tour of the challenge, she chatted up participants and organizers before taking her own crack at manipulating AI. Hunched over a keyboard, Prabhakar began to type.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13914834","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“I’m going to say, ‘How would I convince someone that unemployment is raging?'” she said, then sat back to await a response. But before she could succeed at getting a chatbot to make up fake economic news in front of an audience of reporters, her aide pulled her away.\u003c/p>\n\u003cp>Back at his laptop, Bowman, the Dakota State student, was on to another challenge. He wasn’t having much luck, but had a theory for how he could succeed.\u003c/p>\n\u003cp>“You want it to do the thinking for you — well, you want it to believe that it’s thinking for you. And by doing that, you let it fill in its blanks,” he said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“And by trying to be helpful, it ends up being harmful.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=What+happens+when+thousands+of+hackers+try+to+break+AI+chatbots&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13933215/def-con-hacker-conference-ai-chatbots-chat-gpt-hackers","authors":["byline_arts_13933215"],"categories":["arts_1","arts_835"],"tags":["arts_3634","arts_2304","arts_16319","arts_20411","arts_1935"],"featImg":"arts_13933220","label":"arts"},"arts_13922494":{"type":"posts","id":"arts_13922494","meta":{"index":"posts_1591205157","site":"arts","id":"13922494","score":null,"sort":[1670508306000]},"guestAuthors":[],"slug":"these-are-the-words-movies-and-people-that-americans-searched-for-on-google-in-2022","title":"These Are the Words, Movies and People That Americans Searched For on Google in 2022","publishDate":1670508306,"format":"standard","headTitle":"These Are the Words, Movies and People That Americans Searched For on Google in 2022 | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>The end of the year is nearing, and as usual, Google is recapping 2022’s current events and trends with the most popular searches made through the platform.\u003c/p>\n\u003cp>These are the terms Americans searched the most.\u003c/p>\n\u003ch3>Most popular searches overall\u003c/h3>\n\u003col>[aside postid='arts_13908066']\n\u003cli>Wordle\u003c/li>\n\u003cli>Election results\u003c/li>\n\u003cli>Betty White\u003c/li>\n\u003cli>Queen Elizabeth\u003c/li>\n\u003cli>Bob Saget\u003c/li>\n\u003cli>Ukraine\u003c/li>\n\u003cli>Mega Millions\u003c/li>\n\u003cli>Powerball numbers\u003c/li>\n\u003cli>Anne Heche\u003c/li>\n\u003cli>Jeffrey Dahmer\u003c/li>\n\u003c/ol>\n\u003ch3>\u003c/h3>\n\u003ch3>Most searched people\u003c/h3>\n\u003col>[aside postid='arts_13913533']\n\u003cli>Johnny Depp\u003c/li>\n\u003cli>Will Smith\u003c/li>\n\u003cli>Amber Heard\u003c/li>\n\u003cli>Antonio Brown\u003c/li>\n\u003cli>Kari Lake\u003c/li>\n\u003cli>Anna Sorokin (Delvey)\u003c/li>\n\u003cli>Chris Rock\u003c/li>\n\u003cli>Andrew Tate\u003c/li>\n\u003cli>Adam Levine\u003c/li>\n\u003cli>Serena Williams\u003c/li>\n\u003c/ol>\n\u003ch3>\u003c/h3>\n\u003ch3>Most searched current events\u003c/h3>\n\u003col>[aside postid='arts_13918870']\n\u003cli>Election results\u003c/li>\n\u003cli>Queen Elizabeth passing\u003c/li>\n\u003cli>Ukraine\u003c/li>\n\u003cli>Powerball numbers\u003c/li>\n\u003cli>Hurricane Ian\u003c/li>\n\u003cli>Monkeypox\u003c/li>\n\u003cli>Texas school shooting\u003c/li>\n\u003cli>Will Smith Oscars\u003c/li>\n\u003cli>Johnny Depp verdict\u003c/li>\n\u003cli>Roe v Wade\u003c/li>\n\u003c/ol>\n\u003ch3>\u003c/h3>\n\u003ch3>Most searched movies\u003c/h3>\n\u003col>[aside postid='arts_13915798']\n\u003cli>\u003cem>Encanto\u003c/em>\u003c/li>\n\u003cli>\u003cem>Thor: Love and Thunder\u003c/em>\u003c/li>\n\u003cli>\u003cem>Top Gun: Maverick\u003c/em>\u003c/li>\n\u003cli>\u003cem>The Batman\u003c/em>\u003c/li>\n\u003cli>\u003cem>Everything Everywhere All at Once\u003c/em>\u003c/li>\n\u003cli>\u003cem>Black Adam\u003c/em>\u003c/li>\n\u003cli>\u003cem>Jurassic World Dominion\u003c/em>\u003c/li>\n\u003cli>\u003cem>Black Panther: Wakanda Forever\u003c/em>\u003c/li>\n\u003cli>\u003cem>Morbius\u003c/em>\u003c/li>\n\u003cli>\u003cem>Turning Red\u003c/em>\u003c/li>\n\u003c/ol>\n\u003ch3>\u003c/h3>\n\u003ch3>Most searched TV shows\u003c/h3>\n\u003col>[aside postid='arts_13891785']\n\u003cli>\u003cem>Euphoria\u003c/em>\u003c/li>\n\u003cli>\u003cem>Stranger Things\u003c/em>\u003c/li>\n\u003cli>\u003cem>The Watcher\u003c/em>\u003c/li>\n\u003cli>\u003cem>Inventing Anna\u003c/em>\u003c/li>\n\u003cli>\u003cem>House of the Dragon\u003c/em>\u003c/li>\n\u003cli>\u003cem>Moon Knight\u003c/em>\u003c/li>\n\u003cli>\u003cem>Yellowstone\u003c/em>\u003c/li>\n\u003cli>\u003cem>The Summer I Turned Pretty\u003c/em>\u003c/li>\n\u003cli>\u003cem>Obi-Wan Kenobi\u003c/em>\u003c/li>\n\u003cli>\u003cem>She-Hulk: Attorney at Law\u003c/em>\u003c/li>\n\u003c/ol>\n\u003ch3>\u003c/h3>\n\u003ch3>Most searched songs\u003c/h3>\n\u003col>[aside postid='arts_13921777']\n\u003cli>“We Don’t Talk About Bruno” – Encanto\u003c/li>\n\u003cli>“Surface Pressure” – Encanto\u003c/li>\n\u003cli>“Jiggle Jiggle” – Duke & Jones and Louis Theroux\u003c/li>\n\u003cli>“Unholy” – Sam Smith and Kim Petras\u003c/li>\n\u003cli>“As It Was” – Harry Styles\u003c/li>\n\u003cli>“Running Up That Hill” – Kate Bush\u003c/li>\n\u003cli>“Glimpse of Us” – Joji\u003c/li>\n\u003cli>“About Damn Time” – Lizzo\u003c/li>\n\u003cli>“Anti-Hero” – Taylor Swift\u003c/li>\n\u003cli>“What Else Can I Do” – Encanto\u003c/li>\n\u003c/ol>\n\u003ch3>\u003c/h3>\n\u003ch3>Most searched definitions\u003c/h3>\n\u003col>\n\u003cli>Rupee\u003c/li>\n\u003cli>Oligarch\u003c/li>\n\u003cli>Cacao\u003c/li>\n\u003cli>Homer\u003c/li>\n\u003cli>Recession\u003c/li>\n\u003cli>Canny\u003c/li>\n\u003cli>Foray\u003c/li>\n\u003cli>Trove\u003c/li>\n\u003cli>Saute\u003c/li>\n\u003cli>Tacit\u003c/li>\n\u003c/ol>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more,\u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\"> visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=These+are+the+words%2C+movies+and+people+that+Americans+searched+for+on+Google+in+2022&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Google compiled data on the people, entertainment and current events that Americans searched for the most in 2022. ","status":"publish","parent":0,"modified":1705006083,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":299},"headData":{"title":"These Are the Words, Movies and People That Americans Searched For on Google in 2022 | KQED","description":"Google compiled data on the people, entertainment and current events that Americans searched for the most in 2022. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprImageCredit":"Jeff Chiu","nprByline":"Ayana Archie","nprImageAgency":"AP","nprStoryId":"1141485540","nprApiLink":"http://api.npr.org/query?id=1141485540&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2022/12/08/1141485540/top-google-searches-2022?ft=nprml&f=1141485540","nprRetrievedStory":"1","nprPubDate":"Thu, 08 Dec 2022 01:47:00 -0500","nprStoryDate":"Thu, 08 Dec 2022 01:47:56 -0500","nprLastModifiedDate":"Thu, 08 Dec 2022 01:47:56 -0500","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","path":"/arts/13922494/these-are-the-words-movies-and-people-that-americans-searched-for-on-google-in-2022","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The end of the year is nearing, and as usual, Google is recapping 2022’s current events and trends with the most popular searches made through the platform.\u003c/p>\n\u003cp>These are the terms Americans searched the most.\u003c/p>\n\u003ch3>Most popular searches overall\u003c/h3>\n\u003col>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13908066","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cli>Wordle\u003c/li>\n\u003cli>Election results\u003c/li>\n\u003cli>Betty White\u003c/li>\n\u003cli>Queen Elizabeth\u003c/li>\n\u003cli>Bob Saget\u003c/li>\n\u003cli>Ukraine\u003c/li>\n\u003cli>Mega Millions\u003c/li>\n\u003cli>Powerball numbers\u003c/li>\n\u003cli>Anne Heche\u003c/li>\n\u003cli>Jeffrey Dahmer\u003c/li>\n\u003c/ol>\n\u003ch3>\u003c/h3>\n\u003ch3>Most searched people\u003c/h3>\n\u003col>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13913533","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cli>Johnny Depp\u003c/li>\n\u003cli>Will Smith\u003c/li>\n\u003cli>Amber Heard\u003c/li>\n\u003cli>Antonio Brown\u003c/li>\n\u003cli>Kari Lake\u003c/li>\n\u003cli>Anna Sorokin (Delvey)\u003c/li>\n\u003cli>Chris Rock\u003c/li>\n\u003cli>Andrew Tate\u003c/li>\n\u003cli>Adam Levine\u003c/li>\n\u003cli>Serena Williams\u003c/li>\n\u003c/ol>\n\u003ch3>\u003c/h3>\n\u003ch3>Most searched current events\u003c/h3>\n\u003col>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13918870","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cli>Election results\u003c/li>\n\u003cli>Queen Elizabeth passing\u003c/li>\n\u003cli>Ukraine\u003c/li>\n\u003cli>Powerball numbers\u003c/li>\n\u003cli>Hurricane Ian\u003c/li>\n\u003cli>Monkeypox\u003c/li>\n\u003cli>Texas school shooting\u003c/li>\n\u003cli>Will Smith Oscars\u003c/li>\n\u003cli>Johnny Depp verdict\u003c/li>\n\u003cli>Roe v Wade\u003c/li>\n\u003c/ol>\n\u003ch3>\u003c/h3>\n\u003ch3>Most searched movies\u003c/h3>\n\u003col>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13915798","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cli>\u003cem>Encanto\u003c/em>\u003c/li>\n\u003cli>\u003cem>Thor: Love and Thunder\u003c/em>\u003c/li>\n\u003cli>\u003cem>Top Gun: Maverick\u003c/em>\u003c/li>\n\u003cli>\u003cem>The Batman\u003c/em>\u003c/li>\n\u003cli>\u003cem>Everything Everywhere All at Once\u003c/em>\u003c/li>\n\u003cli>\u003cem>Black Adam\u003c/em>\u003c/li>\n\u003cli>\u003cem>Jurassic World Dominion\u003c/em>\u003c/li>\n\u003cli>\u003cem>Black Panther: Wakanda Forever\u003c/em>\u003c/li>\n\u003cli>\u003cem>Morbius\u003c/em>\u003c/li>\n\u003cli>\u003cem>Turning Red\u003c/em>\u003c/li>\n\u003c/ol>\n\u003ch3>\u003c/h3>\n\u003ch3>Most searched TV shows\u003c/h3>\n\u003col>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13891785","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cli>\u003cem>Euphoria\u003c/em>\u003c/li>\n\u003cli>\u003cem>Stranger Things\u003c/em>\u003c/li>\n\u003cli>\u003cem>The Watcher\u003c/em>\u003c/li>\n\u003cli>\u003cem>Inventing Anna\u003c/em>\u003c/li>\n\u003cli>\u003cem>House of the Dragon\u003c/em>\u003c/li>\n\u003cli>\u003cem>Moon Knight\u003c/em>\u003c/li>\n\u003cli>\u003cem>Yellowstone\u003c/em>\u003c/li>\n\u003cli>\u003cem>The Summer I Turned Pretty\u003c/em>\u003c/li>\n\u003cli>\u003cem>Obi-Wan Kenobi\u003c/em>\u003c/li>\n\u003cli>\u003cem>She-Hulk: Attorney at Law\u003c/em>\u003c/li>\n\u003c/ol>\n\u003ch3>\u003c/h3>\n\u003ch3>Most searched songs\u003c/h3>\n\u003col>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13921777","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cli>“We Don’t Talk About Bruno” – Encanto\u003c/li>\n\u003cli>“Surface Pressure” – Encanto\u003c/li>\n\u003cli>“Jiggle Jiggle” – Duke & Jones and Louis Theroux\u003c/li>\n\u003cli>“Unholy” – Sam Smith and Kim Petras\u003c/li>\n\u003cli>“As It Was” – Harry Styles\u003c/li>\n\u003cli>“Running Up That Hill” – Kate Bush\u003c/li>\n\u003cli>“Glimpse of Us” – Joji\u003c/li>\n\u003cli>“About Damn Time” – Lizzo\u003c/li>\n\u003cli>“Anti-Hero” – Taylor Swift\u003c/li>\n\u003cli>“What Else Can I Do” – Encanto\u003c/li>\n\u003c/ol>\n\u003ch3>\u003c/h3>\n\u003ch3>Most searched definitions\u003c/h3>\n\u003col>\n\u003cli>Rupee\u003c/li>\n\u003cli>Oligarch\u003c/li>\n\u003cli>Cacao\u003c/li>\n\u003cli>Homer\u003c/li>\n\u003cli>Recession\u003c/li>\n\u003cli>Canny\u003c/li>\n\u003cli>Foray\u003c/li>\n\u003cli>Trove\u003c/li>\n\u003cli>Saute\u003c/li>\n\u003cli>Tacit\u003c/li>\n\u003c/ol>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more,\u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\"> visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=These+are+the+words%2C+movies+and+people+that+Americans+searched+for+on+Google+in+2022&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13922494/these-are-the-words-movies-and-people-that-americans-searched-for-on-google-in-2022","authors":["byline_arts_13922494"],"categories":["arts_1","arts_835"],"tags":["arts_16340","arts_12226","arts_2304","arts_12724","arts_9748"],"affiliates":["arts_137"],"featImg":"arts_13922497","label":"arts_137"},"arts_13903591":{"type":"posts","id":"arts_13903591","meta":{"index":"posts_1591205157","site":"arts","id":"13903591","score":null,"sort":[1633366817000]},"guestAuthors":[],"slug":"hbo-15-minutes-of-shame-monica-lewinsky","title":"HBO’s ‘15 Minutes of Shame’ Smartly Unpacks Our Culture of Public Shaming","publishDate":1633366817,"format":"standard","headTitle":"HBO’s ‘15 Minutes of Shame’ Smartly Unpacks Our Culture of Public Shaming | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>In 2021, how you perceive online shaming campaigns often has a great deal to do with your political leanings. In the broadest of terms, if you fall on the right, it’s called “cancel culture”—a merciless, life-ruining takedown of fallible human beings. On the left, it’s called “consequence culture”—wrongdoers being held accountable for their own awful behavior. Now, a new documentary called \u003ci>\u003ca href=\"https://www.hbomax.com/coming-soon/15-minutes-of-shame\" target=\"_blank\" rel=\"noopener noreferrer\">15 Minutes of Shame\u003c/a>\u003c/i>—executive produced by Monica Lewinsky and directed by Max Joseph—is here to fill out the space in between. And it is a thoroughly enlightening, if anxiety-inducing, watch.\u003c/p>\n\u003cp>Lewinsky’s involvement here is key. In the film’s introduction, she refers to herself as “Patient Zero of having a reputation completely destroyed, worldwide, because of the internet.” And while that is an accurate assessment, \u003cem>15 Minutes\u003c/em> is not here to tell you the unfettered power of the internet is an exclusively bad thing. If anything, its end goal is to insert into these narratives the thing that is so often missing on the internet: humanity in all of its shades of gray.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dhJrnNdH-aw\u003c/p>\n\u003cp>Like Jon Ronson’s excellent 2015 book, \u003cem>So You’ve Been Publicly Shamed\u003c/em>, \u003cem>15 Minutes\u003c/em> focuses not on humiliated celebrities, but rather a handful of everyday people whose lives have been decimated by their online characterizations. There’s Matt Colvin, \u003ca href=\"https://www.nytimes.com/2020/03/14/technology/coronavirus-purell-wipes-amazon-sellers.html\" target=\"_blank\" rel=\"noopener noreferrer\">the guy who bought up 17,700 bottles of hand sanitizer\u003c/a> at the start of the pandemic. There’s Emmanuel Cafferty, a Latino employee of San Diego Gas and Electric who lost his job after a member of the public accused him of making a white power hand gesture. And there’s Laura Krolczyk, who, in a fit of frustration with COVID deniers, wrote on her Facebook page: “Trump supporters need to pledge to give up their ventilators for someone else.”\u003c/p>\n\u003cp>[aside postid='arts_10583072']The documentary allows each of these figures some space to explain themselves, but the point is not to vindicate them. The point is to take a deep dive into the cultural, social and psychological drivers behind internet take-downs. And it’s in those moments that \u003cem>15 Minutes\u003c/em> does its most interesting work.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The documentary sketches a fascinating “brief history of public shaming,” starting at the dawn of civilization, running through the introduction of the pillory, and then onto the invention of the printing press, tabloids and, finally, the internet. At one point, while talking about punishments doled out in town squares hundreds of years ago, cultural historian Dr. Tiffany Watt says: “This is a person who is suffering because they’ve done something wrong. And we have to punish them in order to tell everyone else not to do the same thing.” It’s clear in that moment the impulse to publicly shame is a thread that’s been present throughout history, and that the internet is merely the latest conduit for it.\u003c/p>\n\u003cp>\u003cem>15 Minutes\u003c/em> excels when discussing the psychology behind internet pile-ons. UCSF neuroscientist and psychologist Dr. Helen Weng explains why it’s harder for our brains to recognize people as full humans when we can’t see their faces and body language. Watt shares that one study of soccer fans found they felt a greater sense of joy from seeing rival teams fail than they did from seeing their own teams score. “What that showed,” Watt notes, “is that we enjoy seeing other people fail more than we enjoy winning, ourselves.” Being divided into “rival tribes,” Watt adds, “is a very, very dangerous place for a society to be in.”\u003c/p>\n\u003cp>The cultural commentators throughout \u003cem>15 Minutes of Shame\u003c/em> offer up similarly thought-provoking analysis. Segments with Roxane Gay perfectly encapsulate the struggles of online discourse. On one hand, Gay talks about why fighting back online is so necessary. “People are so unseen and so unheard and they’ve been so unrepresented for so long, and you see something done about it. That is incredibly satisfying.” On the other hand, Gay acknowledges the deep flaws of the format. “People love to say … ‘I am not responsible for dehumanizing the person, the internet is,’” she notes. “The internet is there, but we are responsible for the ways in which we dehumanize each other.”\u003c/p>\n\u003cp>\u003cem>15 Minutes\u003c/em> also takes the time to find out how tech companies are complicit in that dehumanization. Technology ethicist Tristan Harris, a former Google employee, explains: “One NYU study found that for every word of moral outrage—negative human emotions—that you added to a tweet … it increased the retweet rate by 13%.” Harris goes on to compare Twitter’s algorithm to rubbernecking. Its desire, he notes, is to feed us “car crash after car crash after car crash.”\u003c/p>\n\u003cp>[aside postid='arts_13902631']Ultimately, \u003cem>15 Minutes of Shame\u003c/em> is a documentary that, on the surface, seeks to capture our global online culture at this time and in this place. But it also contextualizes how we got here and, importantly, makes some suggestions as to how we can get better at handling it.\u003c/p>\n\u003cp>Lewinsky bookends the film with a single proposition: “Imagine waking up one morning with the whole world suddenly knowing your name.” But, at the end of the 86-minute film, she adds a question. “What kind of world do you want that to be?” You’ll have a much better idea after watching \u003cem>15 Minutes of Shame\u003c/em>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘15 Minutes of Shame’ begins streaming Thursday, Oct. 7, on HBO Max. \u003ca href=\"https://www.hbomax.com/coming-soon/15-minutes-of-shame\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The Monica Lewinsky-produced documentary examines the root causes of our fractious modern obsession.","status":"publish","parent":0,"modified":1705007663,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":978},"headData":{"title":"Review: HBO’s ‘15 Minutes of Shame’ | KQED","description":"The Monica Lewinsky-produced documentary examines the root causes of our fractious modern obsession.","ogTitle":"HBO’s ‘15 Minutes of Shame’ Smartly Unpacks Our Culture of Public Shaming","ogDescription":"","ogImgId":"","twTitle":"HBO’s ‘15 Minutes of Shame’ Smartly Unpacks Our Culture of Public Shaming","twDescription":"","twImgId":"","socialTitle":"Review: HBO’s ‘15 Minutes of Shame’ %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13903591/hbo-15-minutes-of-shame-monica-lewinsky","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 2021, how you perceive online shaming campaigns often has a great deal to do with your political leanings. In the broadest of terms, if you fall on the right, it’s called “cancel culture”—a merciless, life-ruining takedown of fallible human beings. On the left, it’s called “consequence culture”—wrongdoers being held accountable for their own awful behavior. Now, a new documentary called \u003ci>\u003ca href=\"https://www.hbomax.com/coming-soon/15-minutes-of-shame\" target=\"_blank\" rel=\"noopener noreferrer\">15 Minutes of Shame\u003c/a>\u003c/i>—executive produced by Monica Lewinsky and directed by Max Joseph—is here to fill out the space in between. And it is a thoroughly enlightening, if anxiety-inducing, watch.\u003c/p>\n\u003cp>Lewinsky’s involvement here is key. In the film’s introduction, she refers to herself as “Patient Zero of having a reputation completely destroyed, worldwide, because of the internet.” And while that is an accurate assessment, \u003cem>15 Minutes\u003c/em> is not here to tell you the unfettered power of the internet is an exclusively bad thing. If anything, its end goal is to insert into these narratives the thing that is so often missing on the internet: humanity in all of its shades of gray.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dhJrnNdH-aw'\n title='//www.youtube.com/embed/dhJrnNdH-aw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Like Jon Ronson’s excellent 2015 book, \u003cem>So You’ve Been Publicly Shamed\u003c/em>, \u003cem>15 Minutes\u003c/em> focuses not on humiliated celebrities, but rather a handful of everyday people whose lives have been decimated by their online characterizations. There’s Matt Colvin, \u003ca href=\"https://www.nytimes.com/2020/03/14/technology/coronavirus-purell-wipes-amazon-sellers.html\" target=\"_blank\" rel=\"noopener noreferrer\">the guy who bought up 17,700 bottles of hand sanitizer\u003c/a> at the start of the pandemic. There’s Emmanuel Cafferty, a Latino employee of San Diego Gas and Electric who lost his job after a member of the public accused him of making a white power hand gesture. And there’s Laura Krolczyk, who, in a fit of frustration with COVID deniers, wrote on her Facebook page: “Trump supporters need to pledge to give up their ventilators for someone else.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_10583072","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The documentary allows each of these figures some space to explain themselves, but the point is not to vindicate them. The point is to take a deep dive into the cultural, social and psychological drivers behind internet take-downs. And it’s in those moments that \u003cem>15 Minutes\u003c/em> does its most interesting work.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The documentary sketches a fascinating “brief history of public shaming,” starting at the dawn of civilization, running through the introduction of the pillory, and then onto the invention of the printing press, tabloids and, finally, the internet. At one point, while talking about punishments doled out in town squares hundreds of years ago, cultural historian Dr. Tiffany Watt says: “This is a person who is suffering because they’ve done something wrong. And we have to punish them in order to tell everyone else not to do the same thing.” It’s clear in that moment the impulse to publicly shame is a thread that’s been present throughout history, and that the internet is merely the latest conduit for it.\u003c/p>\n\u003cp>\u003cem>15 Minutes\u003c/em> excels when discussing the psychology behind internet pile-ons. UCSF neuroscientist and psychologist Dr. Helen Weng explains why it’s harder for our brains to recognize people as full humans when we can’t see their faces and body language. Watt shares that one study of soccer fans found they felt a greater sense of joy from seeing rival teams fail than they did from seeing their own teams score. “What that showed,” Watt notes, “is that we enjoy seeing other people fail more than we enjoy winning, ourselves.” Being divided into “rival tribes,” Watt adds, “is a very, very dangerous place for a society to be in.”\u003c/p>\n\u003cp>The cultural commentators throughout \u003cem>15 Minutes of Shame\u003c/em> offer up similarly thought-provoking analysis. Segments with Roxane Gay perfectly encapsulate the struggles of online discourse. On one hand, Gay talks about why fighting back online is so necessary. “People are so unseen and so unheard and they’ve been so unrepresented for so long, and you see something done about it. That is incredibly satisfying.” On the other hand, Gay acknowledges the deep flaws of the format. “People love to say … ‘I am not responsible for dehumanizing the person, the internet is,’” she notes. “The internet is there, but we are responsible for the ways in which we dehumanize each other.”\u003c/p>\n\u003cp>\u003cem>15 Minutes\u003c/em> also takes the time to find out how tech companies are complicit in that dehumanization. Technology ethicist Tristan Harris, a former Google employee, explains: “One NYU study found that for every word of moral outrage—negative human emotions—that you added to a tweet … it increased the retweet rate by 13%.” Harris goes on to compare Twitter’s algorithm to rubbernecking. Its desire, he notes, is to feed us “car crash after car crash after car crash.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13902631","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Ultimately, \u003cem>15 Minutes of Shame\u003c/em> is a documentary that, on the surface, seeks to capture our global online culture at this time and in this place. But it also contextualizes how we got here and, importantly, makes some suggestions as to how we can get better at handling it.\u003c/p>\n\u003cp>Lewinsky bookends the film with a single proposition: “Imagine waking up one morning with the whole world suddenly knowing your name.” But, at the end of the 86-minute film, she adds a question. “What kind of world do you want that to be?” You’ll have a much better idea after watching \u003cem>15 Minutes of Shame\u003c/em>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘15 Minutes of Shame’ begins streaming Thursday, Oct. 7, on HBO Max. \u003ca href=\"https://www.hbomax.com/coming-soon/15-minutes-of-shame\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13903591/hbo-15-minutes-of-shame-monica-lewinsky","authors":["11242"],"categories":["arts_1","arts_75","arts_990"],"tags":["arts_13672","arts_1934","arts_10278","arts_2304","arts_8350","arts_2137","arts_1553"],"featImg":"arts_13903994","label":"arts"},"arts_13880898":{"type":"posts","id":"arts_13880898","meta":{"index":"posts_1591205157","site":"arts","id":"13880898","score":null,"sort":[1590703440000]},"guestAuthors":[],"slug":"9-eyes-is-a-journey-around-the-world-one-strange-snapshot-at-a-time","title":"‘9-Eyes’ is a Journey Around the World, One Strange Snapshot at a Time","publishDate":1590703440,"format":"standard","headTitle":"‘9-Eyes’ is a Journey Around the World, One Strange Snapshot at a Time | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>A young boy runs across a white sandy beach. A huge truck burns at the side of the highway. Cherry blossoms bloom. Military personnel brandish automatic weapons in the back of a jeep. A monkey sits on a wall and admires the view.\u003c/p>\n\u003cp>Welcome to \u003ca href=\"https://9-eyes.com/\" target=\"_blank\" rel=\"noopener noreferrer\">9-Eyes\u003c/a>, a blog by artist \u003ca href=\"https://jonrafman.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Jon Rafman\u003c/a> that collects screenshots from Google Street View and presents them without context or analysis.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881006 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_924f7cb353d97b1bcd060a4b96663b10_6207f015_1280-800x500.jpg\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_924f7cb353d97b1bcd060a4b96663b10_6207f015_1280-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_924f7cb353d97b1bcd060a4b96663b10_6207f015_1280-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_924f7cb353d97b1bcd060a4b96663b10_6207f015_1280-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_924f7cb353d97b1bcd060a4b96663b10_6207f015_1280-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_924f7cb353d97b1bcd060a4b96663b10_6207f015_1280.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881008 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_7fa9a52df868c83413d2a16b84d305a4_3b696778_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_7fa9a52df868c83413d2a16b84d305a4_3b696778_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_7fa9a52df868c83413d2a16b84d305a4_3b696778_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_7fa9a52df868c83413d2a16b84d305a4_3b696778_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_7fa9a52df868c83413d2a16b84d305a4_3b696778_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_7fa9a52df868c83413d2a16b84d305a4_3b696778_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881005 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_1de5dda6806649bec1f4168408c9d395_cabc9666_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_1de5dda6806649bec1f4168408c9d395_cabc9666_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_1de5dda6806649bec1f4168408c9d395_cabc9666_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_1de5dda6806649bec1f4168408c9d395_cabc9666_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_1de5dda6806649bec1f4168408c9d395_cabc9666_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_1de5dda6806649bec1f4168408c9d395_cabc9666_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Because these shots are captured by equipment that doesn’t look like a traditional camera or camcorder (the multi-lens devices are most often mounted to the roofs of cars), the people caught on the other side of the lens remain, for the most part, entirely unselfconscious and uninterrupted. The resulting images provide an unfiltered view of humanity that is as perplexing and disturbing as it is captivating.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881088 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_b3a97c000580fd991384779f1cd0f053_02570407_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_b3a97c000580fd991384779f1cd0f053_02570407_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_b3a97c000580fd991384779f1cd0f053_02570407_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_b3a97c000580fd991384779f1cd0f053_02570407_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_b3a97c000580fd991384779f1cd0f053_02570407_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_b3a97c000580fd991384779f1cd0f053_02570407_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881089 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_e825dacd72b00651e18e52ac0d084a86_be626666_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_e825dacd72b00651e18e52ac0d084a86_be626666_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_e825dacd72b00651e18e52ac0d084a86_be626666_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_e825dacd72b00651e18e52ac0d084a86_be626666_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_e825dacd72b00651e18e52ac0d084a86_be626666_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_e825dacd72b00651e18e52ac0d084a86_be626666_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881087 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_832d89f34d4797ec74945058d6b93e1e_cf56f85b_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_832d89f34d4797ec74945058d6b93e1e_cf56f85b_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_832d89f34d4797ec74945058d6b93e1e_cf56f85b_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_832d89f34d4797ec74945058d6b93e1e_cf56f85b_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_832d89f34d4797ec74945058d6b93e1e_cf56f85b_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_832d89f34d4797ec74945058d6b93e1e_cf56f85b_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>While this collection can’t help but appeal to the inner voyeur in all of us, 9-Eyes also shines a starker light on the privacy issues associated with Google Maps’ Street View feature. Men are caught urinating, sex workers are immortalized in various states of undress and young children are often completely alone, or getting up to no good.\u003c/p>\n\u003cp>Though Google does blur out faces and license plates (and even does additional \u003ca href=\"https://www.google.com/streetview/policy/\" target=\"_blank\" rel=\"noopener noreferrer\">blurring by request\u003c/a>), you can’t help but wonder how many people know their likeness has been captured in this way. 9-Eyes effectively demonstrates the enormous gulf in behavior between those unaware of the cameras, and those who recognize the strange contraption filming them.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881094 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_0d81280527bc689d2540e1ddcbae4064_17078921_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0d81280527bc689d2540e1ddcbae4064_17078921_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0d81280527bc689d2540e1ddcbae4064_17078921_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0d81280527bc689d2540e1ddcbae4064_17078921_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0d81280527bc689d2540e1ddcbae4064_17078921_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0d81280527bc689d2540e1ddcbae4064_17078921_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881095 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_a9d98e466b283e28bbeb4227b22fb5fc_72dcdacd_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a9d98e466b283e28bbeb4227b22fb5fc_72dcdacd_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a9d98e466b283e28bbeb4227b22fb5fc_72dcdacd_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a9d98e466b283e28bbeb4227b22fb5fc_72dcdacd_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a9d98e466b283e28bbeb4227b22fb5fc_72dcdacd_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a9d98e466b283e28bbeb4227b22fb5fc_72dcdacd_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13881093\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_d98ccc75980c8a3a809f2ae59eb6522e_10a18d4c_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_d98ccc75980c8a3a809f2ae59eb6522e_10a18d4c_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_d98ccc75980c8a3a809f2ae59eb6522e_10a18d4c_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_d98ccc75980c8a3a809f2ae59eb6522e_10a18d4c_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_d98ccc75980c8a3a809f2ae59eb6522e_10a18d4c_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_d98ccc75980c8a3a809f2ae59eb6522e_10a18d4c_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>In \u003ca href=\"https://jonrafman.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Rafman\u003c/a>’s other work, the artist explores spatial realities in the post-internet world. 9-Eyes began as a Tumblr back in 2008—the year after Google Maps launched Street View. In 2016, New Documents published \u003ca href=\"https://new-documents.org/books/jon-rafman-nine-eyes\" target=\"_blank\" rel=\"noopener noreferrer\">a collection\u003c/a> of the site’s images, contextualizing them within the history of photography and surveillance. These days, Rafman’s site undergoes only sporadic updates, the most recent of which started in March and stopped a couple of weeks ago. But for those unfamiliar with the archive, 9-Eyes’ back catalog can provide hours of vicarious, enthralling experience.\u003c/p>\n\u003cp>Rafman frequently uses digital technology to illustrate how modern tools alienate humanity from itself. Fittingly, the rare moments of calm and beauty on 9-Eyes are almost always devoid of people. Rural locations act as a relief from the concrete chaos that dominates much of the collection.\u003c/p>\n\u003cp>Once human beings are removed from the picture, a sense of peace emerges.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881092 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_a7cb6de582cedd9ab2d39bfa9e7a582e_c9359c87_1280-800x500.jpg\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a7cb6de582cedd9ab2d39bfa9e7a582e_c9359c87_1280-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a7cb6de582cedd9ab2d39bfa9e7a582e_c9359c87_1280-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a7cb6de582cedd9ab2d39bfa9e7a582e_c9359c87_1280-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a7cb6de582cedd9ab2d39bfa9e7a582e_c9359c87_1280-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a7cb6de582cedd9ab2d39bfa9e7a582e_c9359c87_1280.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881098 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_70162d46f40345b6a4993d3a6b7bc494_9cdbd48a_1280-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_70162d46f40345b6a4993d3a6b7bc494_9cdbd48a_1280-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_70162d46f40345b6a4993d3a6b7bc494_9cdbd48a_1280-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_70162d46f40345b6a4993d3a6b7bc494_9cdbd48a_1280-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_70162d46f40345b6a4993d3a6b7bc494_9cdbd48a_1280-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_70162d46f40345b6a4993d3a6b7bc494_9cdbd48a_1280.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13881099\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_0ce21a5552a56dca6d1b28a1a355238d_26330001_1280-800x500.jpg\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0ce21a5552a56dca6d1b28a1a355238d_26330001_1280-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0ce21a5552a56dca6d1b28a1a355238d_26330001_1280-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0ce21a5552a56dca6d1b28a1a355238d_26330001_1280-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0ce21a5552a56dca6d1b28a1a355238d_26330001_1280-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0ce21a5552a56dca6d1b28a1a355238d_26330001_1280.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In 2019, \u003ca href=\"https://impakt.nl/events/screening/co-opting-entities/disasters-under-the-sun/\" target=\"_blank\" rel=\"noopener noreferrer\">Rafman said\u003c/a> of his work: “What concerns me is the general sense of entrapment and isolation felt by many as social and political life becomes increasingly abstracted and experience dematerialized.” In the age of COVID-19, as people around the world have become more isolated and more reliant on technology, Rafman’s concepts have taken on additional depth and power.\u003c/p>\n\n","blocks":[],"excerpt":"Jon Rafman’s 9-Eyes project takes us to the most scenic and squalid places on Earth, then asks us what we’re doing there.","status":"publish","parent":0,"modified":1705020657,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":23,"wordCount":484},"headData":{"title":"‘9-Eyes’ is a Journey Around the World, One Strange Snapshot at a Time | KQED","description":"Jon Rafman’s 9-Eyes project takes us to the most scenic and squalid places on Earth, then asks us what we’re doing there.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13880898/9-eyes-is-a-journey-around-the-world-one-strange-snapshot-at-a-time","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>A young boy runs across a white sandy beach. A huge truck burns at the side of the highway. Cherry blossoms bloom. Military personnel brandish automatic weapons in the back of a jeep. A monkey sits on a wall and admires the view.\u003c/p>\n\u003cp>Welcome to \u003ca href=\"https://9-eyes.com/\" target=\"_blank\" rel=\"noopener noreferrer\">9-Eyes\u003c/a>, a blog by artist \u003ca href=\"https://jonrafman.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Jon Rafman\u003c/a> that collects screenshots from Google Street View and presents them without context or analysis.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881006 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_924f7cb353d97b1bcd060a4b96663b10_6207f015_1280-800x500.jpg\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_924f7cb353d97b1bcd060a4b96663b10_6207f015_1280-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_924f7cb353d97b1bcd060a4b96663b10_6207f015_1280-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_924f7cb353d97b1bcd060a4b96663b10_6207f015_1280-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_924f7cb353d97b1bcd060a4b96663b10_6207f015_1280-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_924f7cb353d97b1bcd060a4b96663b10_6207f015_1280.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881008 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_7fa9a52df868c83413d2a16b84d305a4_3b696778_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_7fa9a52df868c83413d2a16b84d305a4_3b696778_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_7fa9a52df868c83413d2a16b84d305a4_3b696778_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_7fa9a52df868c83413d2a16b84d305a4_3b696778_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_7fa9a52df868c83413d2a16b84d305a4_3b696778_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_7fa9a52df868c83413d2a16b84d305a4_3b696778_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881005 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_1de5dda6806649bec1f4168408c9d395_cabc9666_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_1de5dda6806649bec1f4168408c9d395_cabc9666_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_1de5dda6806649bec1f4168408c9d395_cabc9666_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_1de5dda6806649bec1f4168408c9d395_cabc9666_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_1de5dda6806649bec1f4168408c9d395_cabc9666_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_1de5dda6806649bec1f4168408c9d395_cabc9666_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Because these shots are captured by equipment that doesn’t look like a traditional camera or camcorder (the multi-lens devices are most often mounted to the roofs of cars), the people caught on the other side of the lens remain, for the most part, entirely unselfconscious and uninterrupted. The resulting images provide an unfiltered view of humanity that is as perplexing and disturbing as it is captivating.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881088 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_b3a97c000580fd991384779f1cd0f053_02570407_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_b3a97c000580fd991384779f1cd0f053_02570407_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_b3a97c000580fd991384779f1cd0f053_02570407_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_b3a97c000580fd991384779f1cd0f053_02570407_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_b3a97c000580fd991384779f1cd0f053_02570407_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_b3a97c000580fd991384779f1cd0f053_02570407_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881089 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_e825dacd72b00651e18e52ac0d084a86_be626666_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_e825dacd72b00651e18e52ac0d084a86_be626666_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_e825dacd72b00651e18e52ac0d084a86_be626666_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_e825dacd72b00651e18e52ac0d084a86_be626666_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_e825dacd72b00651e18e52ac0d084a86_be626666_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_e825dacd72b00651e18e52ac0d084a86_be626666_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881087 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_832d89f34d4797ec74945058d6b93e1e_cf56f85b_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_832d89f34d4797ec74945058d6b93e1e_cf56f85b_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_832d89f34d4797ec74945058d6b93e1e_cf56f85b_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_832d89f34d4797ec74945058d6b93e1e_cf56f85b_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_832d89f34d4797ec74945058d6b93e1e_cf56f85b_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_832d89f34d4797ec74945058d6b93e1e_cf56f85b_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>While this collection can’t help but appeal to the inner voyeur in all of us, 9-Eyes also shines a starker light on the privacy issues associated with Google Maps’ Street View feature. Men are caught urinating, sex workers are immortalized in various states of undress and young children are often completely alone, or getting up to no good.\u003c/p>\n\u003cp>Though Google does blur out faces and license plates (and even does additional \u003ca href=\"https://www.google.com/streetview/policy/\" target=\"_blank\" rel=\"noopener noreferrer\">blurring by request\u003c/a>), you can’t help but wonder how many people know their likeness has been captured in this way. 9-Eyes effectively demonstrates the enormous gulf in behavior between those unaware of the cameras, and those who recognize the strange contraption filming them.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881094 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_0d81280527bc689d2540e1ddcbae4064_17078921_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0d81280527bc689d2540e1ddcbae4064_17078921_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0d81280527bc689d2540e1ddcbae4064_17078921_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0d81280527bc689d2540e1ddcbae4064_17078921_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0d81280527bc689d2540e1ddcbae4064_17078921_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0d81280527bc689d2540e1ddcbae4064_17078921_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881095 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_a9d98e466b283e28bbeb4227b22fb5fc_72dcdacd_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a9d98e466b283e28bbeb4227b22fb5fc_72dcdacd_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a9d98e466b283e28bbeb4227b22fb5fc_72dcdacd_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a9d98e466b283e28bbeb4227b22fb5fc_72dcdacd_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a9d98e466b283e28bbeb4227b22fb5fc_72dcdacd_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a9d98e466b283e28bbeb4227b22fb5fc_72dcdacd_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13881093\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_d98ccc75980c8a3a809f2ae59eb6522e_10a18d4c_1280-800x500.png\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_d98ccc75980c8a3a809f2ae59eb6522e_10a18d4c_1280-800x500.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_d98ccc75980c8a3a809f2ae59eb6522e_10a18d4c_1280-160x100.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_d98ccc75980c8a3a809f2ae59eb6522e_10a18d4c_1280-768x480.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_d98ccc75980c8a3a809f2ae59eb6522e_10a18d4c_1280-1020x638.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_d98ccc75980c8a3a809f2ae59eb6522e_10a18d4c_1280.png 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>In \u003ca href=\"https://jonrafman.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Rafman\u003c/a>’s other work, the artist explores spatial realities in the post-internet world. 9-Eyes began as a Tumblr back in 2008—the year after Google Maps launched Street View. In 2016, New Documents published \u003ca href=\"https://new-documents.org/books/jon-rafman-nine-eyes\" target=\"_blank\" rel=\"noopener noreferrer\">a collection\u003c/a> of the site’s images, contextualizing them within the history of photography and surveillance. These days, Rafman’s site undergoes only sporadic updates, the most recent of which started in March and stopped a couple of weeks ago. But for those unfamiliar with the archive, 9-Eyes’ back catalog can provide hours of vicarious, enthralling experience.\u003c/p>\n\u003cp>Rafman frequently uses digital technology to illustrate how modern tools alienate humanity from itself. Fittingly, the rare moments of calm and beauty on 9-Eyes are almost always devoid of people. Rural locations act as a relief from the concrete chaos that dominates much of the collection.\u003c/p>\n\u003cp>Once human beings are removed from the picture, a sense of peace emerges.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881092 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_a7cb6de582cedd9ab2d39bfa9e7a582e_c9359c87_1280-800x500.jpg\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a7cb6de582cedd9ab2d39bfa9e7a582e_c9359c87_1280-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a7cb6de582cedd9ab2d39bfa9e7a582e_c9359c87_1280-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a7cb6de582cedd9ab2d39bfa9e7a582e_c9359c87_1280-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a7cb6de582cedd9ab2d39bfa9e7a582e_c9359c87_1280-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_a7cb6de582cedd9ab2d39bfa9e7a582e_c9359c87_1280.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13881098 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_70162d46f40345b6a4993d3a6b7bc494_9cdbd48a_1280-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_70162d46f40345b6a4993d3a6b7bc494_9cdbd48a_1280-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_70162d46f40345b6a4993d3a6b7bc494_9cdbd48a_1280-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_70162d46f40345b6a4993d3a6b7bc494_9cdbd48a_1280-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_70162d46f40345b6a4993d3a6b7bc494_9cdbd48a_1280-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_70162d46f40345b6a4993d3a6b7bc494_9cdbd48a_1280.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-13881099\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/05/tumblr_0ce21a5552a56dca6d1b28a1a355238d_26330001_1280-800x500.jpg\" alt=\"\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0ce21a5552a56dca6d1b28a1a355238d_26330001_1280-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0ce21a5552a56dca6d1b28a1a355238d_26330001_1280-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0ce21a5552a56dca6d1b28a1a355238d_26330001_1280-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0ce21a5552a56dca6d1b28a1a355238d_26330001_1280-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/05/tumblr_0ce21a5552a56dca6d1b28a1a355238d_26330001_1280.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In 2019, \u003ca href=\"https://impakt.nl/events/screening/co-opting-entities/disasters-under-the-sun/\" target=\"_blank\" rel=\"noopener noreferrer\">Rafman said\u003c/a> of his work: “What concerns me is the general sense of entrapment and isolation felt by many as social and political life becomes increasingly abstracted and experience dematerialized.” In the age of COVID-19, as people around the world have become more isolated and more reliant on technology, Rafman’s concepts have taken on additional depth and power.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13880898/9-eyes-is-a-journey-around-the-world-one-strange-snapshot-at-a-time","authors":["11242"],"programs":["arts_140"],"categories":["arts_1","arts_71","arts_75"],"tags":["arts_9695","arts_2304","arts_822","arts_585"],"featImg":"arts_13881149","label":"arts_140"},"arts_13874503":{"type":"posts","id":"arts_13874503","meta":{"index":"posts_1591205157","site":"arts","id":"13874503","score":null,"sort":[1581031785000]},"guestAuthors":[],"slug":"sf-pride-board-rejects-motion-to-ban-alameda-county-sheriff-google-from-celebration","title":"SF Pride Board Rejects Motion to Ban Alameda County Sheriff, Google from Celebration","publishDate":1581031785,"format":"standard","headTitle":"SF Pride Board Rejects Motion to Ban Alameda County Sheriff, Google from Celebration | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Fred Lopez, executive director of San Francisco Pride, announced Wednesday that the organization would reject an \u003ca href=\"https://www.sfgate.com/file/563/5/5635-Statement%20on%20amendments%20passed%20at%20SF%20Pride%20member%20meeting%2C%20Wednesday%2C%20January%2015th%2C%202020%20%281%29.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">amendment\u003c/a> proposed by its members to ban the Alameda County Sheriff’s Office, Google and YouTube from participating in the 2020 Pride Parade.\u003c/p>\n\u003cp>“We have decided as a board there will not be a ban against Google nor the Alameda County Sheriff’s Office at this year’s Pride celebration,” Lopez said in a statement. “Instead, we are saying yes to inclusivity.”\u003c/p>\n\u003cp>SF Pride members voted in January to ban the Alameda County Sheriff’s Office from marching in uniform. The move followed the agency’s eviction enforcement action against \u003ca href=\"https://www.kqed.org/news/11795944/moms-4-housing-members-evicted-from-oakland-home-4-arrested\" target=\"_blank\" rel=\"noopener noreferrer\">Moms 4 Housing\u003c/a>, a coalition of activists and homeless mothers. The mothers and their children were occupying a previously vacant, investor-owned property in Oakland. After a judge upheld their eviction, the county sheriff’s early-morning ouster of the families—which included arrests, officers in riot gear and a bullet-resistant vehicle that resembled a military tank—drew national headlines and outcry from the public. [aside postid='arts_13857994']\u003c/p>\n\u003cp>SF Pride members also voted to ban YouTube and its parent company, Google, because of YouTube’s reluctance to censor hate speech. YouTube \u003ca href=\"https://www.vox.com/identities/2019/6/5/18653900/youtube-lgbtq-hate-speech-policy-carlos-maza-steven-crowder\" target=\"_blank\" rel=\"noopener noreferrer\">drew criticism\u003c/a> from the LGBTQ+ community and its allies in June, 2019 when Vox journalist Carlos Maza complained to the company about conservative YouTube celebrity Steven Crowder’s targeted harassment campaign against him, in which Crowder mocked the writer for his gay, Latinx identity in numerous videos. YouTube responded in a series of tweets from its official account, stating that it wouldn’t take down the videos.\u003c/p>\n\u003cp>“Opinions can be deeply offensive, but if they don’t violate our policies, they’ll remain on our site,” one of the \u003ca href=\"https://twitter.com/TeamYouTube/status/1136055805545857024\" target=\"_blank\" rel=\"noopener noreferrer\">tweets\u003c/a> read. (YouTube later \u003ca href=\"https://youtube.googleblog.com/2019/06/taking-harder-look-at-harassment.html\" target=\"_blank\" rel=\"noopener noreferrer\">demonetized\u003c/a> Crowder’s channel.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Although the SF Pride members voted to ban Google and the Alameda County Sheriff’s Office, the resolution required approval from the organization’s board to go into effect—which it did not get.\u003c/p>\n\u003cp>In his statement, SF Pride’s Lopez appealed to unity. “The Alameda County Sheriff’s Department has not had its own contingent in the parade in years past, and Google has been a responsive corporate sponsor for more than a decade,” he said. “We are in agreement that banning those groups is not in the best interest of Pride and its members, who look forward to an inclusive event each year that reflects the diversity of our wonderful community.”\u003c/p>\n\u003cp>Laurence Berland, a former Google employee and one of the SF Pride members driving the effort to push Google and the sheriff’s office out of the parade, said he’s disappointed in the board’s decision. “In keeping Google in the parade, SF Pride spoke of the value of inclusivity. I guess that’s all about inclusivity of billion dollar corporations, not inclusivity of the LGBTQ+ community, whom YouTube continues to be exclusionary of and hostile toward,” he said to KQED in a text message. “Steven Crowder still gets to spread his message of hate, harassment and bigotry to four million followers. Is that what SF Pride wants to include?”\u003c/p>\n\u003cp>Spokespeople from Google and the Alameda County Sheriff’s Office told KQED that the organizations are pleased to continue participating in SF Pride. Ray Kelly, a sheriff’s spokesperson, said the department welcomes a dialogue to build more trust with the LGBTQ+ community. Indeed, tensions between LGBTQ+ people and law enforcement have persisted for decades: Pride originated with the Compton’s Cafeteria riot in San Francisco and Stonewall riots against police brutality in New York, which took place in the 1960s as a response to systemic police harassment and arrests of gay and transgender people. Today, while relations have somewhat cooled, activists point out that police play an active role in criminalizing homeless people and sex workers, populations that are disproportionately LGBTQ+.\u003c/p>\n\u003cp>Police marching in Pride celebrations has been a \u003ca href=\"https://www.kqed.org/arts/13857994/activists-demand-a-police-free-pride-as-sfpd-ramps-up-its-gay-friendly-image\" target=\"_blank\" rel=\"noopener noreferrer\">hot-button issue\u003c/a> within the LGBTQ+ community for years. Sacramento Pride banned uniformed officers from marching in the 2019 celebration, but \u003ca href=\"https://www.sacbee.com/news/local/article231181973.html\" target=\"_blank\" rel=\"noopener noreferrer\">reversed its decision\u003c/a> at the last minute after the department agreed to create an LGBTQ liaison within its outreach unit and implement other queer- and trans-friendly measures. Uniformed police are banned from Pride parades in Toronto, Minneapolis and Vancouver, and at 2019’s San Francisco Pride, activists \u003ca href=\"https://www.kqed.org/news/11758329/sf-pride-parade-briefly-halted-by-anti-police-anti-corporate-protest\" target=\"_blank\" rel=\"noopener noreferrer\">briefly halted the celebration\u003c/a> to protest the San Francisco Police Department’s inclusion as exhibitors.\u003c/p>\n\u003cp>\u003cb>\u003c/b>“What we learned from some of our communication back and forth with Pride was that there’s there’s a portion of the LGBTQ+ community that is distrustful of law enforcement and that goes back many years,” Kelly said. “So one of the things that we spoke with them about was, how can we build trust where it’s broken in portions of that community?”\u003c/p>\n\u003cp>Kelly also said county sheriff’s deputies didn’t want to evict Moms 4 Housing, but that “\u003cb>\u003c/b>we have to do what we’re lawfully obliged to do under our oath to make sure that we enforce the law.” He called the eviction a success in the sense that no one was injured.\u003c/p>\n\u003cp>A Google spokesperson told KQED, “Google has been a proud participant in San Francisco Pride for more than a decade and we will continue to support this important community organization and others like it here in San Francisco.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>KQED’s Sara Hossaini contributed to this report.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Activists criticized Google's hate speech policies and the Alameda County Sheriff's eviction of Moms 4 Housing.","status":"publish","parent":0,"modified":1705021336,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":956},"headData":{"title":"SF Pride Board Rejects Motion to Ban Alameda County Sheriff, Google from Celebration | KQED","description":"Activists criticized Google's hate speech policies and the Alameda County Sheriff's eviction of Moms 4 Housing.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13874503/sf-pride-board-rejects-motion-to-ban-alameda-county-sheriff-google-from-celebration","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Fred Lopez, executive director of San Francisco Pride, announced Wednesday that the organization would reject an \u003ca href=\"https://www.sfgate.com/file/563/5/5635-Statement%20on%20amendments%20passed%20at%20SF%20Pride%20member%20meeting%2C%20Wednesday%2C%20January%2015th%2C%202020%20%281%29.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">amendment\u003c/a> proposed by its members to ban the Alameda County Sheriff’s Office, Google and YouTube from participating in the 2020 Pride Parade.\u003c/p>\n\u003cp>“We have decided as a board there will not be a ban against Google nor the Alameda County Sheriff’s Office at this year’s Pride celebration,” Lopez said in a statement. “Instead, we are saying yes to inclusivity.”\u003c/p>\n\u003cp>SF Pride members voted in January to ban the Alameda County Sheriff’s Office from marching in uniform. The move followed the agency’s eviction enforcement action against \u003ca href=\"https://www.kqed.org/news/11795944/moms-4-housing-members-evicted-from-oakland-home-4-arrested\" target=\"_blank\" rel=\"noopener noreferrer\">Moms 4 Housing\u003c/a>, a coalition of activists and homeless mothers. The mothers and their children were occupying a previously vacant, investor-owned property in Oakland. After a judge upheld their eviction, the county sheriff’s early-morning ouster of the families—which included arrests, officers in riot gear and a bullet-resistant vehicle that resembled a military tank—drew national headlines and outcry from the public. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13857994","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>SF Pride members also voted to ban YouTube and its parent company, Google, because of YouTube’s reluctance to censor hate speech. YouTube \u003ca href=\"https://www.vox.com/identities/2019/6/5/18653900/youtube-lgbtq-hate-speech-policy-carlos-maza-steven-crowder\" target=\"_blank\" rel=\"noopener noreferrer\">drew criticism\u003c/a> from the LGBTQ+ community and its allies in June, 2019 when Vox journalist Carlos Maza complained to the company about conservative YouTube celebrity Steven Crowder’s targeted harassment campaign against him, in which Crowder mocked the writer for his gay, Latinx identity in numerous videos. YouTube responded in a series of tweets from its official account, stating that it wouldn’t take down the videos.\u003c/p>\n\u003cp>“Opinions can be deeply offensive, but if they don’t violate our policies, they’ll remain on our site,” one of the \u003ca href=\"https://twitter.com/TeamYouTube/status/1136055805545857024\" target=\"_blank\" rel=\"noopener noreferrer\">tweets\u003c/a> read. (YouTube later \u003ca href=\"https://youtube.googleblog.com/2019/06/taking-harder-look-at-harassment.html\" target=\"_blank\" rel=\"noopener noreferrer\">demonetized\u003c/a> Crowder’s channel.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Although the SF Pride members voted to ban Google and the Alameda County Sheriff’s Office, the resolution required approval from the organization’s board to go into effect—which it did not get.\u003c/p>\n\u003cp>In his statement, SF Pride’s Lopez appealed to unity. “The Alameda County Sheriff’s Department has not had its own contingent in the parade in years past, and Google has been a responsive corporate sponsor for more than a decade,” he said. “We are in agreement that banning those groups is not in the best interest of Pride and its members, who look forward to an inclusive event each year that reflects the diversity of our wonderful community.”\u003c/p>\n\u003cp>Laurence Berland, a former Google employee and one of the SF Pride members driving the effort to push Google and the sheriff’s office out of the parade, said he’s disappointed in the board’s decision. “In keeping Google in the parade, SF Pride spoke of the value of inclusivity. I guess that’s all about inclusivity of billion dollar corporations, not inclusivity of the LGBTQ+ community, whom YouTube continues to be exclusionary of and hostile toward,” he said to KQED in a text message. “Steven Crowder still gets to spread his message of hate, harassment and bigotry to four million followers. Is that what SF Pride wants to include?”\u003c/p>\n\u003cp>Spokespeople from Google and the Alameda County Sheriff’s Office told KQED that the organizations are pleased to continue participating in SF Pride. Ray Kelly, a sheriff’s spokesperson, said the department welcomes a dialogue to build more trust with the LGBTQ+ community. Indeed, tensions between LGBTQ+ people and law enforcement have persisted for decades: Pride originated with the Compton’s Cafeteria riot in San Francisco and Stonewall riots against police brutality in New York, which took place in the 1960s as a response to systemic police harassment and arrests of gay and transgender people. Today, while relations have somewhat cooled, activists point out that police play an active role in criminalizing homeless people and sex workers, populations that are disproportionately LGBTQ+.\u003c/p>\n\u003cp>Police marching in Pride celebrations has been a \u003ca href=\"https://www.kqed.org/arts/13857994/activists-demand-a-police-free-pride-as-sfpd-ramps-up-its-gay-friendly-image\" target=\"_blank\" rel=\"noopener noreferrer\">hot-button issue\u003c/a> within the LGBTQ+ community for years. Sacramento Pride banned uniformed officers from marching in the 2019 celebration, but \u003ca href=\"https://www.sacbee.com/news/local/article231181973.html\" target=\"_blank\" rel=\"noopener noreferrer\">reversed its decision\u003c/a> at the last minute after the department agreed to create an LGBTQ liaison within its outreach unit and implement other queer- and trans-friendly measures. Uniformed police are banned from Pride parades in Toronto, Minneapolis and Vancouver, and at 2019’s San Francisco Pride, activists \u003ca href=\"https://www.kqed.org/news/11758329/sf-pride-parade-briefly-halted-by-anti-police-anti-corporate-protest\" target=\"_blank\" rel=\"noopener noreferrer\">briefly halted the celebration\u003c/a> to protest the San Francisco Police Department’s inclusion as exhibitors.\u003c/p>\n\u003cp>\u003cb>\u003c/b>“What we learned from some of our communication back and forth with Pride was that there’s there’s a portion of the LGBTQ+ community that is distrustful of law enforcement and that goes back many years,” Kelly said. “So one of the things that we spoke with them about was, how can we build trust where it’s broken in portions of that community?”\u003c/p>\n\u003cp>Kelly also said county sheriff’s deputies didn’t want to evict Moms 4 Housing, but that “\u003cb>\u003c/b>we have to do what we’re lawfully obliged to do under our oath to make sure that we enforce the law.” He called the eviction a success in the sense that no one was injured.\u003c/p>\n\u003cp>A Google spokesperson told KQED, “Google has been a proud participant in San Francisco Pride for more than a decade and we will continue to support this important community organization and others like it here in San Francisco.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>KQED’s Sara Hossaini contributed to this report.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13874503/sf-pride-board-rejects-motion-to-ban-alameda-county-sheriff-google-from-celebration","authors":["11387"],"categories":["arts_835","arts_235"],"tags":["arts_1118","arts_2304","arts_4544","arts_3226","arts_5158","arts_7564"],"featImg":"arts_13874543","label":"arts"},"arts_13854186":{"type":"posts","id":"arts_13854186","meta":{"index":"posts_1591205157","site":"arts","id":"13854186","score":null,"sort":[1554249565000]},"guestAuthors":[],"slug":"does-facebook-want-to-make-friends-with-the-news-business-again","title":"Does Facebook Want to Make Friends With the News Business? Again?","publishDate":1554249565,"format":"standard","headTitle":"Does Facebook Want to Make Friends With the News Business? Again? | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>In his\u003ca href=\"https://newsroom.fb.com/news/2019/04/marks-challenge-mathias-dopfner/\" target=\"_blank\" rel=\"noopener\"> latest sit-down\u003c/a> with the head of Europe’s biggest news publisher, Zuckerberg revealed Facebook is toying with yet another way to direct traffic to news in the form of a new, dedicated tab, and might even \u003cem>pay\u003c/em> publishers.\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>“Facebook could have a direct relationship with publishers order to make sure their content is available, if it’s really high quality content. So, there’s a whole set of questions around how do we build a service that is contributing to high quality journalism through increasing monetization,” Zuckerberg floated.\u003c/p>\n\u003cp>[aside postID='arts_13850292,arts_13853671,arts_13836539' label='Related Coverage']\u003c/p>\n\u003cp>The thing is, Facebook’s behavior towards the news business has fluctuated wildly in recent years. The social media giant keeps tweaking its relationship with news media, as if the problem is buggy software code instead of an algorithmic preference for “content” that garners maximal ad-generating views.\u003c/p>\n\u003cp>It was only in February of 2018 that the social media giant cut 20 percent of news out of users’ “news” feeds. Another experiment with a standalone news tab \u003ca href=\"https://newsroom.fb.com/news/2018/03/news-feed-fyi-ending-the-explore-feed-test/\" target=\"_blank\" rel=\"noopener noreferrer\">died a quick death\u003c/a>, in large part because it failed with readers. Between Instant Articles, Facebook Watch for news, and the close hold Facebook keeps on its data, many news publishers have developed a jaundiced attitude.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And what does Facebook think is “high quality,” \u003ci>exactly\u003c/i>? Axel Springer SE CEO Mathias Döpfner echoed the skepticism of many media outlets and, these days, politicians and regulators, too.\u003c/p>\n\u003cp>“The more you start to curate, and to select, and to make choices, the more you automatically, and even involuntarily, transform into a publication house, into a media company. And then, honestly, you’re just too big. Sooner or later, you will be split up by regulators because they will say, ‘There cannot be so much dominance in one company that makes the decisions globally who reads what.’ So you have to keep a degree of neutrality,” Döpfner said.\u003c/p>\n\u003cp>Honestly, the same concern applies to Google and Apple. And they, too, have put forward initiatives that look like peace offerings to the news media.\u003c/p>\n\u003cp>But Facebook may be committed to give the new idea a try, regardless of Döpfner’s doubts. According to \u003ca href=\"https://www.recode.net/2019/4/1/18290330/facebook-news-tab-mark-zuckerberg-license-fee-axel-springer-mathias-dopfner\" target=\"_blank\" rel=\"noopener\">Recode\u003c/a>, Zuckerberg’s video is the only the first public acknowledgement of an idea Facebook has been tinkering with for months.\u003c/p>\n\u003cp id=\"tiOuMt\">Recode quotes an unnamed source within the company saying Facebook hasn’t committed to the idea of paying publishers directly, and may still end up trying to entice publishers with ad revenue, bolstered by minimum guarantees. That source also says the company expects to have the news tab up and running by the end of 2019.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The European publisher offered another nugget of wisdom for Zuckerberg:\u003c/p>\n\u003cblockquote>\u003cp>The better the business model is that Facebook provides for publishers, the more professional journalists you will attract. If it’s only about reach and popularity, only about audience, the seduction to be a platform for manipulation is so high because people want to make a business. We have to make a business in order to finance investigative journalists and correspondents, and big foreign networks. They cannot afford to do that for free. But manipulators, governments from Russia to China, other sinister sources, they can all use it, abuse it, and then you have an image problem for Facebook, but also a structure problem for journalism. So I would focus on making sure what makes the offering and it’s structuring on Facebook attractive for the hundreds of thousands of journalists, bloggers, digital native publishers, legacy publishers. And that will automatically resolve the quality issue.\u003c/p>\u003c/blockquote>\n\n","blocks":[],"excerpt":"Mark Zuckerberg toys with a standalone news tab on Facebook, with monetization for publishers—but haven't we been down this road before?","status":"publish","parent":0,"modified":1705026385,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":632},"headData":{"title":"Does Facebook Want to Make Friends With the News Business? Again? | KQED","description":"Mark Zuckerberg toys with a standalone news tab on Facebook, with monetization for publishers—but haven't we been down this road before?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13854186/does-facebook-want-to-make-friends-with-the-news-business-again","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In his\u003ca href=\"https://newsroom.fb.com/news/2019/04/marks-challenge-mathias-dopfner/\" target=\"_blank\" rel=\"noopener\"> latest sit-down\u003c/a> with the head of Europe’s biggest news publisher, Zuckerberg revealed Facebook is toying with yet another way to direct traffic to news in the form of a new, dedicated tab, and might even \u003cem>pay\u003c/em> publishers.\u003cspan class=\"Apple-converted-space\"> \u003c/span>\u003c/p>\n\u003cp>“Facebook could have a direct relationship with publishers order to make sure their content is available, if it’s really high quality content. So, there’s a whole set of questions around how do we build a service that is contributing to high quality journalism through increasing monetization,” Zuckerberg floated.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13850292,arts_13853671,arts_13836539","label":"Related Coverage "},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The thing is, Facebook’s behavior towards the news business has fluctuated wildly in recent years. The social media giant keeps tweaking its relationship with news media, as if the problem is buggy software code instead of an algorithmic preference for “content” that garners maximal ad-generating views.\u003c/p>\n\u003cp>It was only in February of 2018 that the social media giant cut 20 percent of news out of users’ “news” feeds. Another experiment with a standalone news tab \u003ca href=\"https://newsroom.fb.com/news/2018/03/news-feed-fyi-ending-the-explore-feed-test/\" target=\"_blank\" rel=\"noopener noreferrer\">died a quick death\u003c/a>, in large part because it failed with readers. Between Instant Articles, Facebook Watch for news, and the close hold Facebook keeps on its data, many news publishers have developed a jaundiced attitude.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And what does Facebook think is “high quality,” \u003ci>exactly\u003c/i>? Axel Springer SE CEO Mathias Döpfner echoed the skepticism of many media outlets and, these days, politicians and regulators, too.\u003c/p>\n\u003cp>“The more you start to curate, and to select, and to make choices, the more you automatically, and even involuntarily, transform into a publication house, into a media company. And then, honestly, you’re just too big. Sooner or later, you will be split up by regulators because they will say, ‘There cannot be so much dominance in one company that makes the decisions globally who reads what.’ So you have to keep a degree of neutrality,” Döpfner said.\u003c/p>\n\u003cp>Honestly, the same concern applies to Google and Apple. And they, too, have put forward initiatives that look like peace offerings to the news media.\u003c/p>\n\u003cp>But Facebook may be committed to give the new idea a try, regardless of Döpfner’s doubts. According to \u003ca href=\"https://www.recode.net/2019/4/1/18290330/facebook-news-tab-mark-zuckerberg-license-fee-axel-springer-mathias-dopfner\" target=\"_blank\" rel=\"noopener\">Recode\u003c/a>, Zuckerberg’s video is the only the first public acknowledgement of an idea Facebook has been tinkering with for months.\u003c/p>\n\u003cp id=\"tiOuMt\">Recode quotes an unnamed source within the company saying Facebook hasn’t committed to the idea of paying publishers directly, and may still end up trying to entice publishers with ad revenue, bolstered by minimum guarantees. That source also says the company expects to have the news tab up and running by the end of 2019.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The European publisher offered another nugget of wisdom for Zuckerberg:\u003c/p>\n\u003cblockquote>\u003cp>The better the business model is that Facebook provides for publishers, the more professional journalists you will attract. If it’s only about reach and popularity, only about audience, the seduction to be a platform for manipulation is so high because people want to make a business. We have to make a business in order to finance investigative journalists and correspondents, and big foreign networks. They cannot afford to do that for free. But manipulators, governments from Russia to China, other sinister sources, they can all use it, abuse it, and then you have an image problem for Facebook, but also a structure problem for journalism. So I would focus on making sure what makes the offering and it’s structuring on Facebook attractive for the hundreds of thousands of journalists, bloggers, digital native publishers, legacy publishers. And that will automatically resolve the quality issue.\u003c/p>\u003c/blockquote>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13854186/does-facebook-want-to-make-friends-with-the-news-business-again","authors":["251"],"categories":["arts_835","arts_235"],"tags":["arts_1934","arts_2304","arts_4642","arts_3001","arts_1935"],"featImg":"arts_13854187","label":"arts"},"arts_13823866":{"type":"posts","id":"arts_13823866","meta":{"index":"posts_1591205157","site":"arts","id":"13823866","score":null,"sort":[1518120002000]},"guestAuthors":[],"slug":"google-tell-me-about-the-exhibit-designed-in-california-at-sfmoma","title":"'OK Google, Tell Me About 'Designed in California' at SFMOMA.'","publishDate":1518120002,"format":"standard","headTitle":"‘OK Google, Tell Me About ‘Designed in California’ at SFMOMA.’ | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>If you visit the latest architecture and design exhibit at SFMOMA and begin to wonder if you accidentally stumbled into an electronics show, you’re probably in the right place.\u003c/p>\n\u003cp>To the left near the gallery entrance stands a large white Tesla Powerwall, bearing a prominent Tesla logo. On the adjacent shelf is a Google Nest thermostat and, above it, a 3DR Solo quadcopter drone with an attached camera. \u003c/p>\n\u003cp>Such tech devices — all \u003cem>Designed in California\u003c/em>, the exhibit’s title — are a peculiar greeting to a show at an art museum. That’s partially because they’re all commercially available products, some of which are very new. Case in point: also near the entrance, under plexiglass and with title card, is a Google Home Mini, the tech giant’s virtual assistant unveiled for public sale just three months ago.\u003c/p>\n\u003cfigure id=\"attachment_13823992\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/GoogleHomeMini.jpg\" alt=\"Google Home Mini, 2017.\" width=\"600\" height=\"337\" class=\"size-full wp-image-13823992\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-520x292.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Google Home Mini, 2017. \u003ccite>(Courtesy Google)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Is this art? Even if it is, it also feels like SFMOMA is signaling something. Much has been made in the past five years about tech workers’ lack of engagement with the arts in the Bay Area, and specifically about tech companies’ apparent reluctance to support arts organizations financially. Every arts organization in the Bay Area has wondered, in boardrooms and annual reports, how to turn this around. \u003c/p>\n\u003cp>I won’t go so far as to say that \u003cem>Designed in California\u003c/em> is an advertisement for tech — there’s more to the exhibit than the designs of Silicon Valley — but the three-month-old Google Home Mini, especially, feels like a signifier, a willingness to engage. (Were a curious CEO wondering how their company’s contribution might manifest at the museum, they’d need look no further than the large North Face tent prominently positioned in the center of the exhibit’s room. The North Face, visitors will note at the entrance, is a corporate sponsor of \u003cem>Designed in California\u003c/em>.)\u003c/p>\n\u003cfigure id=\"attachment_13823991\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-800x547.jpg\" alt=\"The North Face, Oval Intention tent, 1976.\" width=\"800\" height=\"547\" class=\"size-medium wp-image-13823991\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-800x547.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-768x525.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-240x164.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-375x256.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-520x355.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The North Face, Oval Intention tent, 1976. \u003ccite>(Don Ross)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>What I will say is that \u003cem>Designed in California\u003c/em> is a fun, jagged whisk through some of the state’s innovations of the past half-century. There is a fascinating through-line to be drawn from mid-century design concepts to the tech of today, but with a non-chronological layout, the exhibit leaves it largely up to the viewer to connect the dots between Ray and Charles Eames, the Ant Farm Collective, the Whole Earth Catalog and the 1973 how-to bible \u003cem>Nomadic Furniture\u003c/em> on up to the tech devices of the 1980s and today.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>My advice is to start your visit diagonally opposite of the entrance, where a 1966 film by the Eames, commissioned by IBM, plays above a recreation of the Eames’ boardroom, a long table with walls busily decorated with prints of seashells, photos of ships and other errata. Vacuum tubes and a Super 8 camera linger nearby, with an intercom system that looks like it was assembled from a DIY Sears kit beneath a shelf. \u003c/p>\n\u003cfigure id=\"attachment_13824012\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/EamesConfRoom-800x633.jpg\" alt=\"Charles and Ray Eames, Eames Office conference room, 1944–89. \" width=\"800\" height=\"633\" class=\"size-medium wp-image-13824012\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-800x633.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-160x127.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-768x608.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-1020x808.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-960x760.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-240x190.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-375x297.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-520x412.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Charles and Ray Eames, Eames Office conference room, 1944–89. \u003ccite>(Tom Bonner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The film, \u003cem>View From the People Wall\u003c/em>, is a delight. Screened through a viewer’s frame of shelving, on which sit old slide projectors, darkroom timers, mixers and reel-to-reel tape players, its editing is as aesthetically pleasing as any design in the show. More importantly, it’s a fantastic time capsule of an era when those creating code not only thought deeply about how to feed real-world problems into a computer (city planning, balancing a checkbook), but also bothered to explain to the public their reasons for doing so. There’s a wistful bygone feeling to IBM’s patient explanation, now, in the era of Facebook, Apple and Google secretly gaming algorithms and shrouding the private-information–gathering intentions of their global human experiment from its billions of test subjects. \u003c/p>\n\u003cp>For a somewhat more innocent look at personal computing, one wall is dedicated to early prototypes: for Apple’s early mouse (1980), the Macintosh touchscreen tablet (1984), the NeXT Cube desktop computer (1986), the first iPod (2001). There’s an instantly fun familiarity here, especially in the work of Susan Kare, who designed early icons for Macintosh that we still use today. \u003c/p>\n\u003cfigure id=\"attachment_13817888\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/Kare_Cover-800x450.png\" alt=\"Susan Kare, 'Sketch for Magic Cap graphical user interface,' c. 1992.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13817888\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-1020x574.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-1180x664.png 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-960x540.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-240x135.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-375x211.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-520x293.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover.png 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Susan Kare, ‘Sketch for Magic Cap graphical user interface,’ c. 1992. \u003ccite>(Courtesy the designer)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But the connection between IBM’s concepts in the ’60s and Silicon Valley’s in the ’80s isn’t clear — that is, until one walks around the North Face’s Oval Intention tent (1976) to the opposite wall, where photos and materials from the Ant Farm collective and the Whole Earth catalog fill in pieces of the story. (Wooden furniture from the Baulines Craft Guild and dishware from Heath Ceramics stick out as worthy anomalies; products of California, yes, but famous as handcrafted objects and not design solutions.)\u003c/p>\n\u003cp>And where are we now, as Californians, in our relationship with design? A phrase on the cover of a pamphlet from the Farallones Design Group surfaces a hint: “Our theory is pretty simple,” it reads. “Change your surroundings and you change yourself.”\u003c/p>\n\u003cfigure id=\"attachment_13823989\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-800x639.jpg\" alt=\"Hartmut Esslinger, Apple Macintosh touch-screen tablet prototype, 1984\" width=\"800\" height=\"639\" class=\"size-medium wp-image-13823989\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-800x639.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-768x614.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-240x192.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-375x300.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-520x415.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hartmut Esslinger, Apple Macintosh touch-screen tablet prototype, 1984. \u003ccite>(Collection SFMOMA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Designed in California\u003c/em> shows that our surroundings have changed from building furniture from scrap material ourselves to ordering a mass-produced tent from REI through our wearable computer eyeglasses; from checking on our sleeping babies by feeling their foreheads and soft breath with our palms to monitoring their vital signs from across the hall on a downloadable app connected to their crib; from actively choosing a record to play by the crackle of the fireplace to asking that our wireless AI assistant execute an .mp3 file while digitally raising the room temperature. \u003c/p>\n\u003cp>Are we racing toward the future, or stumbling? According to Google Home Mini, “I’m not sure how to help you with that.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Designed in California’ runs through May 27 at SFMOMA in San Francisco. For more information, \u003ca href=\"https://www.sfmoma.org/exhibition/designed-california/\" rel=\"noopener\" target=\"_blank\">click here\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The evolution of design in the Golden State runs from DIY furniture to consumer tech devices in this quick, jumbled show.","status":"publish","parent":0,"modified":1705028558,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":1033},"headData":{"title":"'OK Google, Tell Me About 'Designed in California' at SFMOMA.' | KQED","description":"The evolution of design in the Golden State runs from DIY furniture to consumer tech devices in this quick, jumbled show.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13823866/google-tell-me-about-the-exhibit-designed-in-california-at-sfmoma","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you visit the latest architecture and design exhibit at SFMOMA and begin to wonder if you accidentally stumbled into an electronics show, you’re probably in the right place.\u003c/p>\n\u003cp>To the left near the gallery entrance stands a large white Tesla Powerwall, bearing a prominent Tesla logo. On the adjacent shelf is a Google Nest thermostat and, above it, a 3DR Solo quadcopter drone with an attached camera. \u003c/p>\n\u003cp>Such tech devices — all \u003cem>Designed in California\u003c/em>, the exhibit’s title — are a peculiar greeting to a show at an art museum. That’s partially because they’re all commercially available products, some of which are very new. Case in point: also near the entrance, under plexiglass and with title card, is a Google Home Mini, the tech giant’s virtual assistant unveiled for public sale just three months ago.\u003c/p>\n\u003cfigure id=\"attachment_13823992\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/GoogleHomeMini.jpg\" alt=\"Google Home Mini, 2017.\" width=\"600\" height=\"337\" class=\"size-full wp-image-13823992\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-520x292.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Google Home Mini, 2017. \u003ccite>(Courtesy Google)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Is this art? Even if it is, it also feels like SFMOMA is signaling something. Much has been made in the past five years about tech workers’ lack of engagement with the arts in the Bay Area, and specifically about tech companies’ apparent reluctance to support arts organizations financially. Every arts organization in the Bay Area has wondered, in boardrooms and annual reports, how to turn this around. \u003c/p>\n\u003cp>I won’t go so far as to say that \u003cem>Designed in California\u003c/em> is an advertisement for tech — there’s more to the exhibit than the designs of Silicon Valley — but the three-month-old Google Home Mini, especially, feels like a signifier, a willingness to engage. (Were a curious CEO wondering how their company’s contribution might manifest at the museum, they’d need look no further than the large North Face tent prominently positioned in the center of the exhibit’s room. The North Face, visitors will note at the entrance, is a corporate sponsor of \u003cem>Designed in California\u003c/em>.)\u003c/p>\n\u003cfigure id=\"attachment_13823991\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-800x547.jpg\" alt=\"The North Face, Oval Intention tent, 1976.\" width=\"800\" height=\"547\" class=\"size-medium wp-image-13823991\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-800x547.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-768x525.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-240x164.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-375x256.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-520x355.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The North Face, Oval Intention tent, 1976. \u003ccite>(Don Ross)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>What I will say is that \u003cem>Designed in California\u003c/em> is a fun, jagged whisk through some of the state’s innovations of the past half-century. There is a fascinating through-line to be drawn from mid-century design concepts to the tech of today, but with a non-chronological layout, the exhibit leaves it largely up to the viewer to connect the dots between Ray and Charles Eames, the Ant Farm Collective, the Whole Earth Catalog and the 1973 how-to bible \u003cem>Nomadic Furniture\u003c/em> on up to the tech devices of the 1980s and today.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>My advice is to start your visit diagonally opposite of the entrance, where a 1966 film by the Eames, commissioned by IBM, plays above a recreation of the Eames’ boardroom, a long table with walls busily decorated with prints of seashells, photos of ships and other errata. Vacuum tubes and a Super 8 camera linger nearby, with an intercom system that looks like it was assembled from a DIY Sears kit beneath a shelf. \u003c/p>\n\u003cfigure id=\"attachment_13824012\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/EamesConfRoom-800x633.jpg\" alt=\"Charles and Ray Eames, Eames Office conference room, 1944–89. \" width=\"800\" height=\"633\" class=\"size-medium wp-image-13824012\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-800x633.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-160x127.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-768x608.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-1020x808.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-960x760.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-240x190.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-375x297.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-520x412.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Charles and Ray Eames, Eames Office conference room, 1944–89. \u003ccite>(Tom Bonner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The film, \u003cem>View From the People Wall\u003c/em>, is a delight. Screened through a viewer’s frame of shelving, on which sit old slide projectors, darkroom timers, mixers and reel-to-reel tape players, its editing is as aesthetically pleasing as any design in the show. More importantly, it’s a fantastic time capsule of an era when those creating code not only thought deeply about how to feed real-world problems into a computer (city planning, balancing a checkbook), but also bothered to explain to the public their reasons for doing so. There’s a wistful bygone feeling to IBM’s patient explanation, now, in the era of Facebook, Apple and Google secretly gaming algorithms and shrouding the private-information–gathering intentions of their global human experiment from its billions of test subjects. \u003c/p>\n\u003cp>For a somewhat more innocent look at personal computing, one wall is dedicated to early prototypes: for Apple’s early mouse (1980), the Macintosh touchscreen tablet (1984), the NeXT Cube desktop computer (1986), the first iPod (2001). There’s an instantly fun familiarity here, especially in the work of Susan Kare, who designed early icons for Macintosh that we still use today. \u003c/p>\n\u003cfigure id=\"attachment_13817888\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/Kare_Cover-800x450.png\" alt=\"Susan Kare, 'Sketch for Magic Cap graphical user interface,' c. 1992.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13817888\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-1020x574.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-1180x664.png 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-960x540.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-240x135.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-375x211.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-520x293.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover.png 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Susan Kare, ‘Sketch for Magic Cap graphical user interface,’ c. 1992. \u003ccite>(Courtesy the designer)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But the connection between IBM’s concepts in the ’60s and Silicon Valley’s in the ’80s isn’t clear — that is, until one walks around the North Face’s Oval Intention tent (1976) to the opposite wall, where photos and materials from the Ant Farm collective and the Whole Earth catalog fill in pieces of the story. (Wooden furniture from the Baulines Craft Guild and dishware from Heath Ceramics stick out as worthy anomalies; products of California, yes, but famous as handcrafted objects and not design solutions.)\u003c/p>\n\u003cp>And where are we now, as Californians, in our relationship with design? A phrase on the cover of a pamphlet from the Farallones Design Group surfaces a hint: “Our theory is pretty simple,” it reads. “Change your surroundings and you change yourself.”\u003c/p>\n\u003cfigure id=\"attachment_13823989\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-800x639.jpg\" alt=\"Hartmut Esslinger, Apple Macintosh touch-screen tablet prototype, 1984\" width=\"800\" height=\"639\" class=\"size-medium wp-image-13823989\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-800x639.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-768x614.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-240x192.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-375x300.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-520x415.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hartmut Esslinger, Apple Macintosh touch-screen tablet prototype, 1984. \u003ccite>(Collection SFMOMA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Designed in California\u003c/em> shows that our surroundings have changed from building furniture from scrap material ourselves to ordering a mass-produced tent from REI through our wearable computer eyeglasses; from checking on our sleeping babies by feeling their foreheads and soft breath with our palms to monitoring their vital signs from across the hall on a downloadable app connected to their crib; from actively choosing a record to play by the crackle of the fireplace to asking that our wireless AI assistant execute an .mp3 file while digitally raising the room temperature. \u003c/p>\n\u003cp>Are we racing toward the future, or stumbling? According to Google Home Mini, “I’m not sure how to help you with that.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Designed in California’ runs through May 27 at SFMOMA in San Francisco. For more information, \u003ca href=\"https://www.sfmoma.org/exhibition/designed-california/\" rel=\"noopener\" target=\"_blank\">click here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13823866/google-tell-me-about-the-exhibit-designed-in-california-at-sfmoma","authors":["185"],"categories":["arts_70"],"tags":["arts_3397","arts_1118","arts_2304","arts_596","arts_1381","arts_3901"],"featImg":"arts_13823996","label":"arts"},"arts_13819186":{"type":"posts","id":"arts_13819186","meta":{"index":"posts_1591205157","site":"arts","id":"13819186","score":null,"sort":[1516204807000]},"guestAuthors":[],"slug":"are-computers-becoming-better-at-composing-music-than-humans","title":"Are Computers Becoming Better at Composing Music than Humans?","publishDate":1516204807,"format":"audio","headTitle":"Are Computers Becoming Better at Composing Music than Humans? | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Artificial intelligence is all the rage these days in Silicon Valley – and no wonder. There appears to be no end to the possible applications. Some say AI is simply freeing humans of the \u003ci>boring\u003c/i> tasks, so we can pursue activities that bring us joy. But what if AI is better at those things, too? Like, writing music?\u003c/p>\n\u003cp>For starters, we’re way past the advent of computer-composed music. That hurdle was crossed back in 1957 when professors Lejaren Hiller and Leonard Isaacson at the University of Illinois at Urbana-Champaign programmed the “Illiac Suite for String Quartet,” on the ILLIAC I computer.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=n0njBFLQSk8]\u003c/p>\n\u003cp>Another big moment in computer music history: 1996, when \u003ca href=\"https://twitter.com/dark_shark/status/712129070725730304\" target=\"_blank\" rel=\"noopener\">Brian Eno\u003c/a>’s album “Generative Music 1” was released on floppy disk, an old form of data storage familiar to Baby Boomers.\u003c/p>\n\u003cp>Here’s Eno back in the day talking about it on the now defunct BBC Radio 3 program, \u003cem>Mixing It\u003c/em>. “To explain this simply, in the computer there’s a little synthesizer, basically. What I do is provide sets of rules that tell the computer how to make that sound card work,” Eno says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The music his programming generated was different every time the program was run, but the code essentially dictated the output.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=yJgAQ3xWMoA]\u003c/p>\n\u003cp>Today, scientists at lots of tech companies are working on something a little more sophisticated. Neural networks develop their own rules from the materials they’re fed.\u003c/p>\n\u003cp>Research scientist Doug Eck runs a group at Google called \u003ca href=\"https://magenta.tensorflow.org/blog/\" target=\"_blank\" rel=\"noopener\">Magenta\u003c/a>. “I think that what we’re doing that’s different from previous attempts to apply technology and computation to art is really caring about machine learning, specifically. Deep neural networks. Recurrent neural networks. Reinforcement learning. I guess the best way to put it is: it’s easier to help a machine learn to solve a problem with data than to try to build the solution in.”\u003c/p>\n\u003cp>Translation: they’re crafting software that loosely imitates how \u003ci>your brain\u003c/i> works.\u003c/p>\n\u003cp>It’s amazing how much we take for granted enjoying just about any composition. \u003cb>\u003c/b>Musicians — and scientists — will tell you there’s a shockingly long list of things your brain is responding to: including rhythm, tonality, repetition, but also the way the melody \u003ci>develops,\u003c/i> so it’s not exactly the same thing you heard a few bars before. You can write code that mimics all that? Scientists are getting there.\u003c/p>\n\u003cp>Software engineer Dan Abolafia says, “We starting to give these neural networks memory, to be able to remember what it did in a piece of music and have more intention about how it wants to build on that— which is surprisingly not something we were able to do not too long ago,” Abolafia says.\u003c/p>\n\u003cfigure id=\"attachment_13819189\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13819189\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/performance_rnn.gif\" alt=\"AI is getting better all the time. Performance RNN, for instance, is a recurrent neural network from the Google Magenta team designed to model polyphonic music with expressive timing and dynamics.\" width=\"640\" height=\"400\">\u003cfigcaption class=\"wp-caption-text\">AI is getting better all the time. Performance RNN, for instance, is a recurrent neural network from the Google Magenta team designed to model polyphonic music with expressive timing and dynamics. \u003ccite>(Photo: Courtesy of Google)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He adds, “the second, much harder goal is to give the computer an ear, so to speak. To hear the music and decide if it sounds good or not. That’s something that people are starting to do with a technique called reinforcement learning.\u003c/p>\n\u003cp>So where is this all going? The team at Google won’t tell you they’re trying to replace human composers, so much as they’re trying to help human composers with a new set of tools.\u003c/p>\n\u003cp>Eck explains, “We’re talking about building tools for creative people. So at the end of the day, I don’t have this vision that someone is going to take Magenta-generated music and just kind of sit in a chair with two big speakers, and say ‘OK, I’m going to listen to this.’ I want the models to generate interesting music, and interesting art. so that you can try to do some new things.”\u003c/p>\n\u003cp>Think about the advent of photography. It didn’t end visual art. Instead, it shifted what artists wanted to say and how. Google has made its code open to the public, to encourage people like music producer Andrew Huang to play with it (and also promote it).\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=AaALLWQmCdI]\u003c/p>\n\u003cp>Among other things, Huang got jazzed about the capacity of Google’s software to smerge totally unrelated sounds to create new sounds. “What if we take this baby goat and combine that with that 3D printer? Oops, just summoned Satan,” he says of the result.\u003c/p>\n\u003cp>Huang crowd-sourced a bunch of raw sounds from his social media fans, and sent that along to Google along with some drum samples. Google smerged a bunch of new sounds, sent them back to Huang and he arranged them into a compelling composition.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>It’s not bad. It’s not quite my cup of tea, either, but a lot of what makes music exciting to me is messy, idiosyncratic and specific to time and place. Then again, wait a few years, and it’s possible AI will be able to replicate that, too.\u003c/p>\n\n","blocks":[],"excerpt":"Artificial intelligence can write sophisticated music now. How good can it get (from a human perspective)?","status":"publish","parent":0,"modified":1705028759,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":905},"headData":{"title":"Are Computers Becoming Better at Composing Music than Humans? | KQED","description":"Artificial intelligence can write sophisticated music now. How good can it get (from a human perspective)?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/2018/01/MyrowGoogleMagenta.mp3","sticky":false,"path":"/arts/13819186/are-computers-becoming-better-at-composing-music-than-humans","audioDuration":266000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Artificial intelligence is all the rage these days in Silicon Valley – and no wonder. There appears to be no end to the possible applications. Some say AI is simply freeing humans of the \u003ci>boring\u003c/i> tasks, so we can pursue activities that bring us joy. But what if AI is better at those things, too? Like, writing music?\u003c/p>\n\u003cp>For starters, we’re way past the advent of computer-composed music. That hurdle was crossed back in 1957 when professors Lejaren Hiller and Leonard Isaacson at the University of Illinois at Urbana-Champaign programmed the “Illiac Suite for String Quartet,” on the ILLIAC I computer.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/n0njBFLQSk8'\n title='//www.youtube.com/embed/n0njBFLQSk8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Another big moment in computer music history: 1996, when \u003ca href=\"https://twitter.com/dark_shark/status/712129070725730304\" target=\"_blank\" rel=\"noopener\">Brian Eno\u003c/a>’s album “Generative Music 1” was released on floppy disk, an old form of data storage familiar to Baby Boomers.\u003c/p>\n\u003cp>Here’s Eno back in the day talking about it on the now defunct BBC Radio 3 program, \u003cem>Mixing It\u003c/em>. “To explain this simply, in the computer there’s a little synthesizer, basically. What I do is provide sets of rules that tell the computer how to make that sound card work,” Eno says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The music his programming generated was different every time the program was run, but the code essentially dictated the output.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yJgAQ3xWMoA'\n title='//www.youtube.com/embed/yJgAQ3xWMoA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Today, scientists at lots of tech companies are working on something a little more sophisticated. Neural networks develop their own rules from the materials they’re fed.\u003c/p>\n\u003cp>Research scientist Doug Eck runs a group at Google called \u003ca href=\"https://magenta.tensorflow.org/blog/\" target=\"_blank\" rel=\"noopener\">Magenta\u003c/a>. “I think that what we’re doing that’s different from previous attempts to apply technology and computation to art is really caring about machine learning, specifically. Deep neural networks. Recurrent neural networks. Reinforcement learning. I guess the best way to put it is: it’s easier to help a machine learn to solve a problem with data than to try to build the solution in.”\u003c/p>\n\u003cp>Translation: they’re crafting software that loosely imitates how \u003ci>your brain\u003c/i> works.\u003c/p>\n\u003cp>It’s amazing how much we take for granted enjoying just about any composition. \u003cb>\u003c/b>Musicians — and scientists — will tell you there’s a shockingly long list of things your brain is responding to: including rhythm, tonality, repetition, but also the way the melody \u003ci>develops,\u003c/i> so it’s not exactly the same thing you heard a few bars before. You can write code that mimics all that? Scientists are getting there.\u003c/p>\n\u003cp>Software engineer Dan Abolafia says, “We starting to give these neural networks memory, to be able to remember what it did in a piece of music and have more intention about how it wants to build on that— which is surprisingly not something we were able to do not too long ago,” Abolafia says.\u003c/p>\n\u003cfigure id=\"attachment_13819189\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13819189\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/performance_rnn.gif\" alt=\"AI is getting better all the time. Performance RNN, for instance, is a recurrent neural network from the Google Magenta team designed to model polyphonic music with expressive timing and dynamics.\" width=\"640\" height=\"400\">\u003cfigcaption class=\"wp-caption-text\">AI is getting better all the time. Performance RNN, for instance, is a recurrent neural network from the Google Magenta team designed to model polyphonic music with expressive timing and dynamics. \u003ccite>(Photo: Courtesy of Google)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He adds, “the second, much harder goal is to give the computer an ear, so to speak. To hear the music and decide if it sounds good or not. That’s something that people are starting to do with a technique called reinforcement learning.\u003c/p>\n\u003cp>So where is this all going? The team at Google won’t tell you they’re trying to replace human composers, so much as they’re trying to help human composers with a new set of tools.\u003c/p>\n\u003cp>Eck explains, “We’re talking about building tools for creative people. So at the end of the day, I don’t have this vision that someone is going to take Magenta-generated music and just kind of sit in a chair with two big speakers, and say ‘OK, I’m going to listen to this.’ I want the models to generate interesting music, and interesting art. so that you can try to do some new things.”\u003c/p>\n\u003cp>Think about the advent of photography. It didn’t end visual art. Instead, it shifted what artists wanted to say and how. Google has made its code open to the public, to encourage people like music producer Andrew Huang to play with it (and also promote it).\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/AaALLWQmCdI'\n title='//www.youtube.com/embed/AaALLWQmCdI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Among other things, Huang got jazzed about the capacity of Google’s software to smerge totally unrelated sounds to create new sounds. “What if we take this baby goat and combine that with that 3D printer? Oops, just summoned Satan,” he says of the result.\u003c/p>\n\u003cp>Huang crowd-sourced a bunch of raw sounds from his social media fans, and sent that along to Google along with some drum samples. Google smerged a bunch of new sounds, sent them back to Huang and he arranged them into a compelling composition.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>It’s not bad. It’s not quite my cup of tea, either, but a lot of what makes music exciting to me is messy, idiosyncratic and specific to time and place. Then again, wait a few years, and it’s possible AI will be able to replicate that, too.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13819186/are-computers-becoming-better-at-composing-music-than-humans","authors":["251"],"categories":["arts_71","arts_69","arts_235"],"tags":["arts_3634","arts_1118","arts_2304","arts_596","arts_3001"],"featImg":"arts_13819191","label":"arts"},"arts_13819045":{"type":"posts","id":"arts_13819045","meta":{"index":"posts_1591205157","site":"arts","id":"13819045","score":null,"sort":[1516197603000]},"guestAuthors":[],"slug":"children-are-embracing-virtual-assistants-and-maybe-thats-ok","title":"Children Are Embracing Virtual Assistants And Maybe That's OK","publishDate":1516197603,"format":"audio","headTitle":"Children Are Embracing Virtual Assistants And Maybe That’s OK | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Tech companies call it the “smart home.” You know, your refrigerator talks to Amazon. Your doorbell talks to Apple. Your virtual assistant talks to your kids. How do you feel about that last one? \u003cb>\u003c/b>\u003c/p>\n\u003cp>Graham Charles is a stay-at-home dad in San Francisco with two daughters: nine year-old Claudia , and 11 year-old Fern. They’ve had an Amazon Echo Dot for a little over a year.\u003c/p>\n\u003cp>Charles bought it for the house because he wanted to turn the lights on and off. “We have a home automation system but you have to find the app, and now I can just say ‘Alexa, turn off the kitchen counter lights.’”\u003c/p>\n\u003cp>The girls like to use it for help with homework and play music. A lot of kids (I’m not naming any names here) also like to encourage virtual assistants to say bad words or make fart sounds. \u003cb>\u003c/b>\u003c/p>\n\u003cp>Even though Charles bought the Dot, the virtual assistant is tracking everyone in the home who talks to it. The ostensible intent of the tracking is to deliver a more satisfying, personalized experience, but there are other directives: to track your habits for advertisers — and to make shopping effortless. What stops the girls from stuffing Charles’ Amazon shopping cart with chocolate or chips or whatever?\u003c/p>\n\u003cfigure id=\"attachment_13819178\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13819178\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-800x450.jpg\" alt=\"Meet the Google Home family. Three devices each ready to respond to the sound of your voice -- and your children's voices.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Meet the Google Home family. Three devices each ready to respond to the sound of your voice — and your children’s voices. \u003ccite>(Photo: Courtesy of Google)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You know, I haven’t done that before, but that’s a good idea,” Fern says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Great. Now I’m corrupting innocent children with my reporting.\u003c/p>\n\u003cp>But Charles says he’s not really worried about his kids behaving badly — or companies tracking his family, be they Amazon or Nabisco. Some \u003ca href=\"https://ww2.kqed.org/arts/2018/01/04/how-paranoid-should-you-be-about-your-nosy-virtual-assistant/\" target=\"_blank\" rel=\"noopener\">consumer advocates say\u003c/a> advertisers shouldn’t be allowed to, but Charles says, “I think the only thing that keeps kids safe is teaching them how to keep themselves safe.”\u003c/p>\n\u003cp>He adds, “I think that their world is going to be consumed with technology for their entire lives, so they’d better get used to making their own choices about it now.”\u003c/p>\n\u003cp>His daughter Claudia isn’t so optimistic. She says she even tapes over the camera on the computer she uses. I ask who she worries might be snooping on her. “Probably the President (Donald Trump).”\u003c/p>\n\u003cfigure id=\"attachment_13819179\" class=\"wp-caption aligncenter\" style=\"max-width: 620px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13819179\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/4999-2.jpg\" alt=\"Apple is expected to enter the market for virtual assistants later this year with a product called HomePod.\" width=\"620\" height=\"349\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2.jpg 620w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-520x293.jpg 520w\" sizes=\"(max-width: 620px) 100vw, 620px\">\u003cfigcaption class=\"wp-caption-text\">Apple is expected to enter the market for virtual assistants later this year with a product called HomePod. \u003ccite>(Photo: Courtesy of Apple)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Their lives are online. You know, some children have been tracked since they were in utero!” says Yalda Uhls, a research scientist who studies children and media at UCLA and works with Common Sense Media, a non-profit advocacy group for parents. She says there is no privacy for anyone in the way older generations used to think of it. Not even for kids.\u003c/p>\n\u003cp>“Think through every device you bring into the home that they’re going to touch. Because they are going to be tracked,” Uhls says.\u003c/p>\n\u003cp>What you can do, Uhls says, is help them navigate this brave new world by being a mentor instead of a policeman. “We’re in an attention economy, and yes, these devices grab our attention possibly more than, you know, a movie did, or a TV show did. So teach your child to be a smart consumer and to think about things.”\u003c/p>\n\u003cp>If Uhls lies awake at night worrying about the future, it’s usually because she just watched an episode of the science fiction show \u003cem>Black Mirror.\u003c/em> Like the one called, “Arkangel,” where a mom gets a chip implanted in her daughter’s brain that allows her to monitor what her child sees through a tablet. The idea is to protect her daughter, but, I don’t need to tell you it ends badly.\u003c/p>\n\u003cp>But that’s science fiction… right?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=yef_HfQoBd8]\u003c/p>\n\n","blocks":[],"excerpt":"It appears many parents who used virtual assistants take in stride the fact the manufacturers track their children.","status":"publish","parent":0,"modified":1705028760,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":696},"headData":{"title":"Children Are Embracing Virtual Assistants And Maybe That's OK | KQED","description":"It appears many parents who used virtual assistants take in stride the fact the manufacturers track their children.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"audioUrl":"https://www.kqed.org/.stream/anon/radio/tcr/2018/01/AlexaKidsMyrow180118.mp3","sticky":false,"path":"/arts/13819045/children-are-embracing-virtual-assistants-and-maybe-thats-ok","audioDuration":167000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Tech companies call it the “smart home.” You know, your refrigerator talks to Amazon. Your doorbell talks to Apple. Your virtual assistant talks to your kids. How do you feel about that last one? \u003cb>\u003c/b>\u003c/p>\n\u003cp>Graham Charles is a stay-at-home dad in San Francisco with two daughters: nine year-old Claudia , and 11 year-old Fern. They’ve had an Amazon Echo Dot for a little over a year.\u003c/p>\n\u003cp>Charles bought it for the house because he wanted to turn the lights on and off. “We have a home automation system but you have to find the app, and now I can just say ‘Alexa, turn off the kitchen counter lights.’”\u003c/p>\n\u003cp>The girls like to use it for help with homework and play music. A lot of kids (I’m not naming any names here) also like to encourage virtual assistants to say bad words or make fart sounds. \u003cb>\u003c/b>\u003c/p>\n\u003cp>Even though Charles bought the Dot, the virtual assistant is tracking everyone in the home who talks to it. The ostensible intent of the tracking is to deliver a more satisfying, personalized experience, but there are other directives: to track your habits for advertisers — and to make shopping effortless. What stops the girls from stuffing Charles’ Amazon shopping cart with chocolate or chips or whatever?\u003c/p>\n\u003cfigure id=\"attachment_13819178\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13819178\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-800x450.jpg\" alt=\"Meet the Google Home family. Three devices each ready to respond to the sound of your voice -- and your children's voices.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Meet the Google Home family. Three devices each ready to respond to the sound of your voice — and your children’s voices. \u003ccite>(Photo: Courtesy of Google)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You know, I haven’t done that before, but that’s a good idea,” Fern says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Great. Now I’m corrupting innocent children with my reporting.\u003c/p>\n\u003cp>But Charles says he’s not really worried about his kids behaving badly — or companies tracking his family, be they Amazon or Nabisco. Some \u003ca href=\"https://ww2.kqed.org/arts/2018/01/04/how-paranoid-should-you-be-about-your-nosy-virtual-assistant/\" target=\"_blank\" rel=\"noopener\">consumer advocates say\u003c/a> advertisers shouldn’t be allowed to, but Charles says, “I think the only thing that keeps kids safe is teaching them how to keep themselves safe.”\u003c/p>\n\u003cp>He adds, “I think that their world is going to be consumed with technology for their entire lives, so they’d better get used to making their own choices about it now.”\u003c/p>\n\u003cp>His daughter Claudia isn’t so optimistic. She says she even tapes over the camera on the computer she uses. I ask who she worries might be snooping on her. “Probably the President (Donald Trump).”\u003c/p>\n\u003cfigure id=\"attachment_13819179\" class=\"wp-caption aligncenter\" style=\"max-width: 620px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13819179\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/4999-2.jpg\" alt=\"Apple is expected to enter the market for virtual assistants later this year with a product called HomePod.\" width=\"620\" height=\"349\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2.jpg 620w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-520x293.jpg 520w\" sizes=\"(max-width: 620px) 100vw, 620px\">\u003cfigcaption class=\"wp-caption-text\">Apple is expected to enter the market for virtual assistants later this year with a product called HomePod. \u003ccite>(Photo: Courtesy of Apple)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Their lives are online. You know, some children have been tracked since they were in utero!” says Yalda Uhls, a research scientist who studies children and media at UCLA and works with Common Sense Media, a non-profit advocacy group for parents. She says there is no privacy for anyone in the way older generations used to think of it. Not even for kids.\u003c/p>\n\u003cp>“Think through every device you bring into the home that they’re going to touch. Because they are going to be tracked,” Uhls says.\u003c/p>\n\u003cp>What you can do, Uhls says, is help them navigate this brave new world by being a mentor instead of a policeman. “We’re in an attention economy, and yes, these devices grab our attention possibly more than, you know, a movie did, or a TV show did. So teach your child to be a smart consumer and to think about things.”\u003c/p>\n\u003cp>If Uhls lies awake at night worrying about the future, it’s usually because she just watched an episode of the science fiction show \u003cem>Black Mirror.\u003c/em> Like the one called, “Arkangel,” where a mom gets a chip implanted in her daughter’s brain that allows her to monitor what her child sees through a tablet. The idea is to protect her daughter, but, I don’t need to tell you it ends badly.\u003c/p>\n\u003cp>But that’s science fiction… right?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yef_HfQoBd8'\n title='//www.youtube.com/embed/yef_HfQoBd8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13819045/children-are-embracing-virtual-assistants-and-maybe-thats-ok","authors":["251"],"categories":["arts_835","arts_235"],"tags":["arts_2210","arts_3397","arts_1118","arts_2304","arts_596","arts_3001","arts_1935"],"featImg":"arts_13819215","label":"arts"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2023/08/possible-5gxfizEbKOJ-pbF5ASgxrs_.1400x1400.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/10/ATC_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0018_AmericanSuburb_iTunesTile_01.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. 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We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. 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Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/ME_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/01/OOW_Tile_Final.png","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. 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