Unspeakably Stinky: A Corpse Flower is Blooming at SF’s Conservatory of Flowers
Relive the Beastie Boys’ Legendary Tibetan Freedom Concert in SF
10 Lesser-Known Acts to Catch at Hardly Strictly Bluegrass
Elvis Costello, Steve Earle, Alison Brown and More to Play Hardly Strictly Bluegrass 2022
How the Infamous Gum Girls Scandalized 1894 San Francisco
The Best 1-Minute Song About Keeping JFK Drive Car-Free You'll Ever Hear
This Juneteenth, Sculptures Honoring African Ancestors Arrive in Golden Gate Park
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The lineup also includes Swedish punks \u003ca href=\"https://www.vboysstockholm.com/\">Viagra Boys\u003c/a> and Australian industrial rockers \u003ca href=\"https://www.vowwsband.com/\">VOWWS\u003c/a>. The concert is expected to be the only West Coast date for System of a Down in 2024 outside of this month’s \u003ca href=\"https://www.sicknewworldfest.com/\">Sick New World\u003c/a> festival in Las Vegas.\u003c/p>\n\u003cp>Presented by Another Planet Entertainment, which also produces Outside Lands, the single-stage concert will take place on the weekend following Outside Lands. The concert’s proximity to Outside Lands means it will utilize much of the infrastructure from the weekend before, not unlike the country music-oriented Stagecoach festival, which takes place in Indio on the weekend following Coachella, or Napa’s Latin-music themed Festival La Onda, which this year follows the BottleRock music festival.\u003c/p>\n\u003cp>\u003ca href=\"https://goldengateparkconcerts.com/\">Tickets for the festival\u003c/a> are priced at $169 for general admission and $399 for VIP tickets plus fees. VIP guests will get expedited entry and have access to a closer views of the stage, lounges and upgraded bathrooms. Tickets officially go on sale on April 12, but \u003ca href=\"https://www.ticketmaster.com/event/1C006084BF4C4CF8?camefrom=CFC_ANOTHERPLANET_GGPCWEB&brand=anotherplanet\">Another Planet’s presale\u003c/a> starts on April 11 at 10 a.m. using the presale code \u003cstrong>golden\u003c/strong>.\u003c/p>\n\u003cp>[aside postID='news_11960570']Deftones and VOWWS last appeared in San Francisco together at a sold-out show at Bill Graham Civic Auditorium in April 2022 — a concert that was twice delayed by the COVID pandemic. Though Sacramento heroes Deftones are well-versed in playing for huge crowds at European festivals like Rock Am Ring and Reading/Leeds, this will be their biggest Bay Area concert to date.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The concert is the first to be produced under Another Planet’s newly formed Golden Gate Park Concerts banner. In September of 2023, \u003ca href=\"https://www.kqed.org/news/11960570/sfs-golden-gate-park-may-soon-host-new-concert-series-from-producers-of-outside-lands\">San Francisco’s Board of Supervisors approved additional concerts in Golden Gate Park\u003c/a>, with the stipulation that Another Planet produce three free concerts at the Civic Center, Union Square and the Embarcadero. The city also granted Another Planet exclusive rights to producing ticketed concerts in Golden Gate Park.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are excited to be bringing such an iconic lineup to the city,” Allen Scott, Another Planet’s president of concerts and festivals, said in a statement. “We are expecting fans from not just the Bay Area but from across the US and internationally.”\u003c/p>\n\n","blocks":[],"excerpt":"The one-day concert gets underway in Golden Gate Park's Polo Fields on Aug. 17, 2024.","status":"publish","parent":0,"modified":1712692603,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":444},"headData":{"title":"Ticket Alert: System of a Down, Deftones Concert Presale Code in SF | KQED","description":"How to score tickets before the general onsale for System of a Down and Deftones in San Francisco's Golden Gate Park.","ogTitle":"System of a Down, Deftones to Headline San Francisco Concert After Outside Lands","ogDescription":"","ogImgId":"","twTitle":"System of a Down, Deftones to Headline San Francisco Concert After Outside Lands","twDescription":"","twImgId":"","socialTitle":"Ticket Alert: System of a Down, Deftones Concert Presale Code in SF %%page%% %%sep%% KQED","socialDescription":"How to score tickets before the general onsale for System of a Down and Deftones in San Francisco's Golden Gate Park."},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955656/deftones-system-of-a-down-tickets-presale-code-san-francisco-golden-gate-outside-lands","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Deftones, System of a Down and The Mars Volta will play in San Francisco’s Golden Gate Park this August, inaugurating a new annual event on the same site as the Outside Lands music festival.\u003c/p>\n\u003cp>The one-day concert will take place in Golden Gate Park’s Polo Fields on Aug. 17, 2024 for an audience of up to 65,000 people. The lineup also includes Swedish punks \u003ca href=\"https://www.vboysstockholm.com/\">Viagra Boys\u003c/a> and Australian industrial rockers \u003ca href=\"https://www.vowwsband.com/\">VOWWS\u003c/a>. The concert is expected to be the only West Coast date for System of a Down in 2024 outside of this month’s \u003ca href=\"https://www.sicknewworldfest.com/\">Sick New World\u003c/a> festival in Las Vegas.\u003c/p>\n\u003cp>Presented by Another Planet Entertainment, which also produces Outside Lands, the single-stage concert will take place on the weekend following Outside Lands. The concert’s proximity to Outside Lands means it will utilize much of the infrastructure from the weekend before, not unlike the country music-oriented Stagecoach festival, which takes place in Indio on the weekend following Coachella, or Napa’s Latin-music themed Festival La Onda, which this year follows the BottleRock music festival.\u003c/p>\n\u003cp>\u003ca href=\"https://goldengateparkconcerts.com/\">Tickets for the festival\u003c/a> are priced at $169 for general admission and $399 for VIP tickets plus fees. VIP guests will get expedited entry and have access to a closer views of the stage, lounges and upgraded bathrooms. Tickets officially go on sale on April 12, but \u003ca href=\"https://www.ticketmaster.com/event/1C006084BF4C4CF8?camefrom=CFC_ANOTHERPLANET_GGPCWEB&brand=anotherplanet\">Another Planet’s presale\u003c/a> starts on April 11 at 10 a.m. using the presale code \u003cstrong>golden\u003c/strong>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11960570","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Deftones and VOWWS last appeared in San Francisco together at a sold-out show at Bill Graham Civic Auditorium in April 2022 — a concert that was twice delayed by the COVID pandemic. Though Sacramento heroes Deftones are well-versed in playing for huge crowds at European festivals like Rock Am Ring and Reading/Leeds, this will be their biggest Bay Area concert to date.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The concert is the first to be produced under Another Planet’s newly formed Golden Gate Park Concerts banner. In September of 2023, \u003ca href=\"https://www.kqed.org/news/11960570/sfs-golden-gate-park-may-soon-host-new-concert-series-from-producers-of-outside-lands\">San Francisco’s Board of Supervisors approved additional concerts in Golden Gate Park\u003c/a>, with the stipulation that Another Planet produce three free concerts at the Civic Center, Union Square and the Embarcadero. The city also granted Another Planet exclusive rights to producing ticketed concerts in Golden Gate Park.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are excited to be bringing such an iconic lineup to the city,” Allen Scott, Another Planet’s president of concerts and festivals, said in a statement. “We are expecting fans from not just the Bay Area but from across the US and internationally.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955656/deftones-system-of-a-down-tickets-presale-code-san-francisco-golden-gate-outside-lands","authors":["11242"],"programs":["arts_140"],"categories":["arts_1","arts_11615","arts_69","arts_75"],"tags":["arts_2427","arts_994","arts_1694","arts_905","arts_585","arts_700"],"featImg":"arts_13955665","label":"arts_140"},"arts_13933038":{"type":"posts","id":"arts_13933038","meta":{"index":"posts_1591205157","site":"arts","id":"13933038","score":null,"sort":[1692027599000]},"guestAuthors":[],"slug":"outside-lands-kendrick-lamar-hip-hop","title":"Kendrick Lamar, Janelle Monáe, Megan Thee Stallion Light Up Outside Lands","publishDate":1692027599,"format":"standard","headTitle":"Kendrick Lamar, Janelle Monáe, Megan Thee Stallion Light Up Outside Lands | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cem>This story has been updated. It was first published on Aug. 12, 2023. \u003c/em>\u003c/p>\n\u003cp>It turns out Kendrick Lamar only needs a microphone to show why he’s a titan of rap.\u003c/p>\n\u003cp>At \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> Friday night, Lamar took the stage bathed in blue light and immediately got down to business, delivering a crisp, refined set that underscored his stature as a poet. Even as the crowd, tens of thousands of fans deep, went wild for hits like “Swimming Pools” off 2012’s \u003ci>good kid, m.A.A.D. city\u003c/i> and “DNA” from 2017’s \u003ci>DAMN.\u003c/i>, Lamar’s minimalist stage setup underscored the emotional depth of his words: ancestral curses, internal conflicts, specters of trauma that linger even in moments of triumph.\u003c/p>\n\u003cfigure id=\"attachment_13933060\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933060\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar headlines Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>His group of male dancers, dressed in eerily identical outfits, moved in unison, following Lamar around the stage like the physical embodiment of his embattled subconscious. Meanwhile, paintings by \u003ca href=\"https://www.newyorker.com/magazine/2018/07/30/henry-taylors-promiscuous-painting\">Henry Taylor\u003c/a> hung as backdrops, its subjects making uncomfortably direct eye contact with the crowd. Even as the audience happily sang out “what’s the yams?” during “King Kunta” or jumped and chanted “Ya! Ya! Ya!” during “m.A.A.d. City,” Lamar never let the audience float into escapism for too long.\u003c/p>\n\u003cp>Though his set fell on the 50th anniversary of hip-hop culture, he didn’t stop to acknowledge the occasion, and didn’t bring out surprise guests. But he didn’t need to — this night was about his power of bringing together the collective through excavations of his most intimate pain. \u003cem>\u003cspan style=\"font-weight: 400\">—Nastia Voynovskaya\u003c/span>\u003c/em>\u003c/p>\n\u003ch2>More Outside Lands highlights\u003c/h2>\n\u003cfigure id=\"attachment_13933112\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933112\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Megan Thee Stallion\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At Outside Lands Sunday, the hotties were at the ready, chanting “Megan! Megan!” and clutching their friends in anticipation. Then, to the chorus of “Her,” she appeared with a cascade of waist-length red hair framing her silhouette and prepared to set the mic ablaze.\u003c/p>\n\u003cp>Megan Thee Stallion’s set was pure energy. She rapped sex-positive anthems like “Freak Nasty” and “Captain Hook” with precision while performing complicated choreography for almost an hour nonstop. She twerked a dozen different ways, showing off her world-famous knee strength. A high-energy crew of male and female dancers dressed in baby pink surrounded her as she shimmered in a glittery pink corset. (It started to break halfway through the show because of how hard she was going.)\u003c/p>\n\u003cp>Not only is Megan Thee Stallion an icon of female sexual empowerment, she’s a beacon for those who’ve risen above obstacles. Appearing to briefly address the hardships she endured after surviving a shooting at the hands of Tory Lanez, she told the audience, “Being a hottie is not easy. … Fuck all my haters, none of that shit you was doing or sayin’ broke me.” Tens of thousands of dedicated fans gave her detractors the middle finger as she rapped “What’s New.” But she seemed ready to put that pain behind her. After signing a few audience members’ graduation caps, Megan’s fun-loving mood was contagious as she triumphantly closed out the evening with one of her biggest hits, “Savage.” \u003ci>—Nastia Voynovskaya\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933128\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933128\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Tobe Nwigwe performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Tobe Nwigwe\u003c/b>\u003c/p>\n\u003cp>Tobe Nwigwe’s Sunday evening set made it clear: the man moves with intention. As if performing inside an art installation, he sang and rapped soulfully beneath a chorus of gospel singers, with tulle-draped dancers twirling delicately around him. Everything, from the set to the outfits, was mint green. Nwigwe’s uber-talented ensemble included his wife Fat Nwigwe, who rapped during a fiery crescendo as she and Tobe held hands with their two young daughters, both of whom got to say an adorable “bye!” into the microphone. He ended the night with the cheeky “Try Jesus”: “Try Jesus / not me / ’cause I throw hands.” \u003ci>—Nastia Voynovskaya\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933117\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933117\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Per Sia strikes a pose at Outside Land’s new open-air dance club Dolores’ on on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Dolores’\u003c/b>\u003cbr>\nA new and welcome addition to Outside Lands, the queer nightlife stage Dolores’ was lit throughout the weekend. The “open-air” dance club was a nonstop party that spotlighted Bay Area party collectives Fake and Gay and Hard French, as well as Oasis, the best drag venue in the City. Swinging by Dolores’ on the way to the Land’s End stage offered a quick dance break to house beats and hyperpop Britney Spears remixes, or a chance to see top-tier drag talent like Nikki Jizz, the star and curator of the all-Black drag show \u003cem>Reparations\u003c/em>. With so many people traveling to Outside Lands from out of town and out of state, Dolores’ gave San Francisco’s queer and trans performers the extra spotlight they deserve. Let’s hope it becomes a permanent fixture. \u003ci>—Nastia Voynovskaya\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933090\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933090\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Zack Fox performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Zack Fox\u003c/strong>\u003c/p>\n\u003cp>On Saturday, Zack Fox had his audience cackling before he rapped a single bar — or crowd surfed before 3 p.m. Repping Waffle House on a camo long-sleeve, the rapper and \u003ci>Abbott Elementary\u003c/i> actor delivered as many laughs as he did beats. The crowd rapped along to every witty verse from his 2019 track “The Bean Kicked In,” which unsubtly references his attraction to Michelle Obama. And they already had the words memorized to his single “dummy,” which debuted the day before his Outside Lands performance. Fox’s set had the energy of a stand-up comedy show, and he closed it with “Jesus Is the One (I Got Depression).” \u003cem>—Olivia Cruz Mayeda\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13933073\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933073\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Invisibl Skratch Piklz perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Invisibl Skratch Piklz\u003c/strong>\u003c/p>\n\u003cp>Bay Area Filipino DJ legends QBert and D-Styles reaffirmed for the nth time on Saturday why they’re world champions of turntablism. Joined by San Francisco DJ and producer Dan the Automator, the hoodie and puffer-clad trio gave a sonically delicious set that included their rendition of “To Catch a Thief” by Lovage, one of Dan the Automator’s collaborations from a long list of projects that also includes Gorillaz and Deltron 3030.\u003c/p>\n\u003cp>Sliding smoothly from beat to beat, the DJs started off with ease, expertly cranking up the lifeforce of the audience with every epic break. Once the beat reached the pace of a sprinter’s pulse, their scratches — ranging from high whistles to deep bellows that could’ve come from the earth herself — animated the dense crowd again and again. QBert and D-Styles bodyrocked in unison, giving each other appreciative nods and smiles as they have been for decades. \u003ci>—Olivia Cruz Mayeda\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933076\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933076\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Maggie Rogers performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Maggie Rogers\u003c/strong>\u003c/p>\n\u003cp>Striding and strutting through “Fallingwater” and her cover of “I Wanna Dance with Somebody,” Maggie Rogers worked the stage like a runway, her buoyant energy beaming through the onslaught of heavy fog that became light rain on Saturday evening. Her performance felt punk rock, folksy or indie pop at any given moment, and was as multidimensional as her fit: sunshine yellow leggings, a black leather mini skirt and bright pink eyeshadow.\u003c/p>\n\u003cp>After Rogers asked, “Is anybody out there in love right now?” to a frankly pitiful crowd response — you alright there, San Francisco? — she got everyone deeper in their feels with her 2021 hit “Love You for a Long Time.” Her performance of “Alaska” isolated her impassioned vocals for its first few verses, breaking from the recorded song and amplifying the chorus of festival goers hundreds of rows deep. “That song makes me feel like a goddamn pop star,” Rogers said. \u003ci>—Olivia Cruz Mayeda\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933045\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933045\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Janelle Monáe\u003c/b>\u003c/p>\n\u003cp>With their latest album, Janelle Monáe has dubbed this summer \u003ci>The Age of Pleasure\u003c/i>, and onstage Friday at Outside Lands, a pansexual pool party unfolded between giant beach balls as Monáe luxuriated in each sensual lyric of “Lipstick Lover” and “Water Slide.” Monáe and their dancers donned matching bodysuits and swim caps, while the horn section performed with towels wrapped around their waists. Despite the gimmicks, it was really Monáe’s strong, resounding vocals that impressed the most. During a warm moment of appreciation, they reflected to the audience: “To be Black, to be queer, to be nonbinary and have family like you is a blessing.” \u003cem>\u003cspan style=\"font-weight: 400\">—Nastia Voynovskaya\u003c/span>\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13933047\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933047\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Cuco performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Cuco\u003c/b>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Washed-out psychedelia, cumbia and lovers rock swirled during Cuco’s Friday afternoon set as the singer slowly revealed his multi-instrumentalist status. Two trumpet solos, a guitar solo and lots of tinkering on his Yamaha synth showed him in a playful and inspired mood. At the end of the set, he confessed, “Last time I was out here I was dealing with a lot of substance abuse issues, and now I’m here a year sober.” The audience met him with warm, encouraging applause. \u003cem>\u003cspan style=\"font-weight: 400\">—Nastia Voynovskaya\u003c/span>\u003c/em>\u003c/p>\n\u003ch2>More photos from Outside Lands:\u003c/h2>\n\u003cfigure id=\"attachment_13933044\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933044\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933058\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933058\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar headlines Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933056\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933056\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Willow performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933041\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933041\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">La Doña at the Lands End VIP viewing area on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933051\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933051\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">J.I.D performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933042\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933042\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933049\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933049\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alex G performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933061\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933061\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933059\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933059\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar headlines Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933043\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933043\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933054\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933054\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Willow performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933053\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933053\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">J.I.D performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933050\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933050\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933093\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933093\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933078\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933078\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Maggie Rogers performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933066\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933066\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adore Delano at Outside Land’s new open-air dance club Dolores’ during the Oasis Princess dance party. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933098\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933098\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adore Delano performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933086\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933086\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tito Soto performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933083\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933083\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">No Vacation perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933084\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933084\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">No Vacation perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933080\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933080\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Manila Grey perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933069\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933069\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Foo Fighters headline Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933068\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933068\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Foo Fighters headline Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933091\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933091\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933108\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933108\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933105\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933105\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Lil Yachty performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933115\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933115\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">ODESZA headline Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933118\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933118\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Poolside performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933110\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933110\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933130\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933130\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees dance at the Hard French QUICHE party on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933124\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933124\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933123\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933123\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n","blocks":[],"excerpt":"The 2023 festival in San Francisco debuted a new queer nightlife stage alongside its big-name headliners. ","status":"publish","parent":0,"modified":1705005154,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":26,"wordCount":2168},"headData":{"title":"Review: Megan Thee Stallion, Kendrick Lamar at Outside Lands 2023 | KQED","description":"The 2023 festival in San Francisco debuted a new queer nightlife stage alongside its big-name headliners. ","ogTitle":"Kendrick Lamar, Janelle Monáe, Megan Thee Stallion Light Up Outside Lands","ogDescription":"","ogImgId":"","twTitle":"Kendrick Lamar, Janelle Monáe, Megan Thee Stallion Light Up Outside Lands","twDescription":"","twImgId":"","socialTitle":"Review: Megan Thee Stallion, Kendrick Lamar at Outside Lands 2023 %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13933038/outside-lands-kendrick-lamar-hip-hop","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This story has been updated. It was first published on Aug. 12, 2023. \u003c/em>\u003c/p>\n\u003cp>It turns out Kendrick Lamar only needs a microphone to show why he’s a titan of rap.\u003c/p>\n\u003cp>At \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> Friday night, Lamar took the stage bathed in blue light and immediately got down to business, delivering a crisp, refined set that underscored his stature as a poet. Even as the crowd, tens of thousands of fans deep, went wild for hits like “Swimming Pools” off 2012’s \u003ci>good kid, m.A.A.D. city\u003c/i> and “DNA” from 2017’s \u003ci>DAMN.\u003c/i>, Lamar’s minimalist stage setup underscored the emotional depth of his words: ancestral curses, internal conflicts, specters of trauma that linger even in moments of triumph.\u003c/p>\n\u003cfigure id=\"attachment_13933060\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933060\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar headlines Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>His group of male dancers, dressed in eerily identical outfits, moved in unison, following Lamar around the stage like the physical embodiment of his embattled subconscious. Meanwhile, paintings by \u003ca href=\"https://www.newyorker.com/magazine/2018/07/30/henry-taylors-promiscuous-painting\">Henry Taylor\u003c/a> hung as backdrops, its subjects making uncomfortably direct eye contact with the crowd. Even as the audience happily sang out “what’s the yams?” during “King Kunta” or jumped and chanted “Ya! Ya! Ya!” during “m.A.A.d. City,” Lamar never let the audience float into escapism for too long.\u003c/p>\n\u003cp>Though his set fell on the 50th anniversary of hip-hop culture, he didn’t stop to acknowledge the occasion, and didn’t bring out surprise guests. But he didn’t need to — this night was about his power of bringing together the collective through excavations of his most intimate pain. \u003cem>\u003cspan style=\"font-weight: 400\">—Nastia Voynovskaya\u003c/span>\u003c/em>\u003c/p>\n\u003ch2>More Outside Lands highlights\u003c/h2>\n\u003cfigure id=\"attachment_13933112\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933112\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.009-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Megan Thee Stallion\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At Outside Lands Sunday, the hotties were at the ready, chanting “Megan! Megan!” and clutching their friends in anticipation. Then, to the chorus of “Her,” she appeared with a cascade of waist-length red hair framing her silhouette and prepared to set the mic ablaze.\u003c/p>\n\u003cp>Megan Thee Stallion’s set was pure energy. She rapped sex-positive anthems like “Freak Nasty” and “Captain Hook” with precision while performing complicated choreography for almost an hour nonstop. She twerked a dozen different ways, showing off her world-famous knee strength. A high-energy crew of male and female dancers dressed in baby pink surrounded her as she shimmered in a glittery pink corset. (It started to break halfway through the show because of how hard she was going.)\u003c/p>\n\u003cp>Not only is Megan Thee Stallion an icon of female sexual empowerment, she’s a beacon for those who’ve risen above obstacles. Appearing to briefly address the hardships she endured after surviving a shooting at the hands of Tory Lanez, she told the audience, “Being a hottie is not easy. … Fuck all my haters, none of that shit you was doing or sayin’ broke me.” Tens of thousands of dedicated fans gave her detractors the middle finger as she rapped “What’s New.” But she seemed ready to put that pain behind her. After signing a few audience members’ graduation caps, Megan’s fun-loving mood was contagious as she triumphantly closed out the evening with one of her biggest hits, “Savage.” \u003ci>—Nastia Voynovskaya\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933128\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933128\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tobe-Nwigwe-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Tobe Nwigwe performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Tobe Nwigwe\u003c/b>\u003c/p>\n\u003cp>Tobe Nwigwe’s Sunday evening set made it clear: the man moves with intention. As if performing inside an art installation, he sang and rapped soulfully beneath a chorus of gospel singers, with tulle-draped dancers twirling delicately around him. Everything, from the set to the outfits, was mint green. Nwigwe’s uber-talented ensemble included his wife Fat Nwigwe, who rapped during a fiery crescendo as she and Tobe held hands with their two young daughters, both of whom got to say an adorable “bye!” into the microphone. He ended the night with the cheeky “Try Jesus”: “Try Jesus / not me / ’cause I throw hands.” \u003ci>—Nastia Voynovskaya\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933117\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933117\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Per-Sia-strikes-a-pose-at-Outside-Lands-new-open-air-dance-club-Dolores-on-on-Sunday-Aug.-13-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Per Sia strikes a pose at Outside Land’s new open-air dance club Dolores’ on on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Dolores’\u003c/b>\u003cbr>\nA new and welcome addition to Outside Lands, the queer nightlife stage Dolores’ was lit throughout the weekend. The “open-air” dance club was a nonstop party that spotlighted Bay Area party collectives Fake and Gay and Hard French, as well as Oasis, the best drag venue in the City. Swinging by Dolores’ on the way to the Land’s End stage offered a quick dance break to house beats and hyperpop Britney Spears remixes, or a chance to see top-tier drag talent like Nikki Jizz, the star and curator of the all-Black drag show \u003cem>Reparations\u003c/em>. With so many people traveling to Outside Lands from out of town and out of state, Dolores’ gave San Francisco’s queer and trans performers the extra spotlight they deserve. Let’s hope it becomes a permanent fixture. \u003ci>—Nastia Voynovskaya\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933090\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933090\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Zack-Fox-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-004.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Zack Fox performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Zack Fox\u003c/strong>\u003c/p>\n\u003cp>On Saturday, Zack Fox had his audience cackling before he rapped a single bar — or crowd surfed before 3 p.m. Repping Waffle House on a camo long-sleeve, the rapper and \u003ci>Abbott Elementary\u003c/i> actor delivered as many laughs as he did beats. The crowd rapped along to every witty verse from his 2019 track “The Bean Kicked In,” which unsubtly references his attraction to Michelle Obama. And they already had the words memorized to his single “dummy,” which debuted the day before his Outside Lands performance. Fox’s set had the energy of a stand-up comedy show, and he closed it with “Jesus Is the One (I Got Depression).” \u003cem>—Olivia Cruz Mayeda\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13933073\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933073\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Invisibl-Skratch-Piklz-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.005.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Invisibl Skratch Piklz perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Invisibl Skratch Piklz\u003c/strong>\u003c/p>\n\u003cp>Bay Area Filipino DJ legends QBert and D-Styles reaffirmed for the nth time on Saturday why they’re world champions of turntablism. Joined by San Francisco DJ and producer Dan the Automator, the hoodie and puffer-clad trio gave a sonically delicious set that included their rendition of “To Catch a Thief” by Lovage, one of Dan the Automator’s collaborations from a long list of projects that also includes Gorillaz and Deltron 3030.\u003c/p>\n\u003cp>Sliding smoothly from beat to beat, the DJs started off with ease, expertly cranking up the lifeforce of the audience with every epic break. Once the beat reached the pace of a sprinter’s pulse, their scratches — ranging from high whistles to deep bellows that could’ve come from the earth herself — animated the dense crowd again and again. QBert and D-Styles bodyrocked in unison, giving each other appreciative nods and smiles as they have been for decades. \u003ci>—Olivia Cruz Mayeda\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933076\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933076\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Maggie Rogers performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Maggie Rogers\u003c/strong>\u003c/p>\n\u003cp>Striding and strutting through “Fallingwater” and her cover of “I Wanna Dance with Somebody,” Maggie Rogers worked the stage like a runway, her buoyant energy beaming through the onslaught of heavy fog that became light rain on Saturday evening. Her performance felt punk rock, folksy or indie pop at any given moment, and was as multidimensional as her fit: sunshine yellow leggings, a black leather mini skirt and bright pink eyeshadow.\u003c/p>\n\u003cp>After Rogers asked, “Is anybody out there in love right now?” to a frankly pitiful crowd response — you alright there, San Francisco? — she got everyone deeper in their feels with her 2021 hit “Love You for a Long Time.” Her performance of “Alaska” isolated her impassioned vocals for its first few verses, breaking from the recorded song and amplifying the chorus of festival goers hundreds of rows deep. “That song makes me feel like a goddamn pop star,” Rogers said. \u003ci>—Olivia Cruz Mayeda\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13933045\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933045\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Janelle Monáe\u003c/b>\u003c/p>\n\u003cp>With their latest album, Janelle Monáe has dubbed this summer \u003ci>The Age of Pleasure\u003c/i>, and onstage Friday at Outside Lands, a pansexual pool party unfolded between giant beach balls as Monáe luxuriated in each sensual lyric of “Lipstick Lover” and “Water Slide.” Monáe and their dancers donned matching bodysuits and swim caps, while the horn section performed with towels wrapped around their waists. Despite the gimmicks, it was really Monáe’s strong, resounding vocals that impressed the most. During a warm moment of appreciation, they reflected to the audience: “To be Black, to be queer, to be nonbinary and have family like you is a blessing.” \u003cem>\u003cspan style=\"font-weight: 400\">—Nastia Voynovskaya\u003c/span>\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13933047\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933047\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Cuco-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Cuco performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Cuco\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Washed-out psychedelia, cumbia and lovers rock swirled during Cuco’s Friday afternoon set as the singer slowly revealed his multi-instrumentalist status. Two trumpet solos, a guitar solo and lots of tinkering on his Yamaha synth showed him in a playful and inspired mood. At the end of the set, he confessed, “Last time I was out here I was dealing with a lot of substance abuse issues, and now I’m here a year sober.” The audience met him with warm, encouraging applause. \u003cem>\u003cspan style=\"font-weight: 400\">—Nastia Voynovskaya\u003c/span>\u003c/em>\u003c/p>\n\u003ch2>More photos from Outside Lands:\u003c/h2>\n\u003cfigure id=\"attachment_13933044\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933044\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-005-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933058\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933058\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar headlines Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933056\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933056\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Willow performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933041\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933041\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/La-Dona-at-the-Lands-End-VIP-viewing-area-on-Friday-Aug.-11-2023.-001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">La Doña at the Lands End VIP viewing area on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933051\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933051\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">J.I.D performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933042\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933042\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-008-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933049\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933049\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Alex-G-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alex G performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933061\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933061\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Friday-Aug.-11-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933059\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933059\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Kendrick-Lamar-headlines-Outside-Lands-on-Friday-Aug.-11-2023.-003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar headlines Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933043\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933043\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-006-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933054\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933054\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Willow-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Willow performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933053\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933053\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/J.I.D-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">J.I.D performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933050\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933050\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Janelle-Monae-performs-at-Outside-Lands-on-Friday-Aug.-11-2023.--1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe performs at Outside Lands on Friday, Aug. 11, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933093\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933093\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-003.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Crowd at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933078\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933078\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Maggie-Rogers-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.004.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Maggie Rogers performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933066\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933066\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-at-Outside-Lands-new-open-air-dance-club-Dolores-during-the-Oasis-Princess-dance-party.-002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adore Delano at Outside Land’s new open-air dance club Dolores’ during the Oasis Princess dance party. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933098\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933098\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Adore-Delano-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.003.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Adore Delano performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933086\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933086\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Tito-Soto-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.-001.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tito Soto performs at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933083\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933083\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.001.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">No Vacation perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933084\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933084\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/No-Vacation-performs-at-Outside-Lands-on-Saturday-Aug.-12-2023.002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">No Vacation perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933080\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933080\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Manila-Grey-perform-at-Outside-Lands-on-Saturday-Aug.-12-2023.-002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Manila Grey perform at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933069\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933069\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-002.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Foo Fighters headline Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933068\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933068\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Foo-Fighters-headline-Outside-Lands-on-Saturday-Aug.-12-2023.-001.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Foo Fighters headline Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933091\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13933091\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-Crowd-at-Outside-Lands-on-Saturday-Aug.-12-2023.-005.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Saturday, Aug. 12, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933108\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933108\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933105\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933105\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Lil-Yachty-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Lil Yachty performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933115\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933115\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/ODESZA-headline-Outside-Lands-on-Sunday-Aug.-13-2023.004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">ODESZA headline Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933118\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933118\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Poolside-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.-001-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Poolside performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933110\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933110\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Megan-Thee-Stallion-performs-at-Outside-Lands-on-Sunday-Aug.-13-2023.006-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933130\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933130\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/Festival-attendees-dance-at-the-Hard-French-QUICHE-party-on-Sunday-Aug.-13-2023.-003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Festival attendees dance at the Hard French QUICHE party on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933124\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933124\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-003-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13933123\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933123\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/The-crowd-at-Outside-Lands-on-Sunday-Aug.-13-2023.-002-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at Outside Lands on Sunday, Aug. 13, 2023. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13933038/outside-lands-kendrick-lamar-hip-hop","authors":["11387","11872"],"categories":["arts_1","arts_69","arts_235"],"tags":["arts_10342","arts_10278","arts_2427","arts_831","arts_4001","arts_1774","arts_1739","arts_769"],"featImg":"arts_13933112","label":"arts"},"arts_13931251":{"type":"posts","id":"arts_13931251","meta":{"index":"posts_1591205157","site":"arts","id":"13931251","score":null,"sort":[1688684356000]},"guestAuthors":[],"slug":"corpse-flower-san-francisco-conservatory-of-flowers-golden-gate-park","title":"Unspeakably Stinky: A Corpse Flower is Blooming at SF’s Conservatory of Flowers","publishDate":1688684356,"format":"standard","headTitle":"Unspeakably Stinky: A Corpse Flower is Blooming at SF’s Conservatory of Flowers | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>The Titan Arum, or corpse flower, has become a rockstar in the plant world for its unpredictable displays, and more notoriously, its putrid stench of rotting flesh.\u003c/p>\n\u003cp>\u003cstrong>What is it? \u003c/strong>The very large flowering plant is related to the calla lily, and in fact looks like a supersized and more macabre version, with a large central spike surrounded by a frilly maroon skirt of a leaf.\u003c/p>\n\u003cul>\n\u003cli>The Titan Arum is native only to the Indonesian island of Sumatra, but has become even more difficult to see in the wild due to habitat loss. In the last few decades, advances in technology and horticultural knowledge have allowed botanical gardens to cultivate the corpse flower more widely.\u003c/li>\n\u003cli>If you’re not familiar with why the flower has its distinctive name — when the corpse flower unfurls, tiny male and female flowers at the base of its large central spike emit a putrid odor, akin to rotting meat and stinky laundry.\u003c/li>\n\u003cli>Titan Arums have a fairly long and unpredictable flowering cycle, and they can take up to a decade before they flower for the first time. Even mature plants can go years between blooms. Essentially, they work on their own schedules — which is part of the excitement for viewers.\u003c/li>\n\u003c/ul>\n\u003cp>https://www.instagram.com/p/CuSUe7tvCS3/\u003c/p>\n\u003cp>\u003cstrong>What’s the big deal? \u003c/strong>Right now, two corpse flowers are blooming in California.\u003c/p>\n\u003cul>\n\u003cli>One is at San Francisco’s Conservatory of Flowers, while the other is at the San Diego Botanic Gardens.\u003c/li>\n\u003cli>The Conservatory’s corpse flower is named Scarlet, and last bloomed in 2019. She began blooming again earlier this week, and is \u003ca href=\"https://conservatoryofflowers.org/corpse-flower-2023/\">still standing tall\u003c/a> for her many visitors in San Francisco’s Golden Gate Park.\u003c/li>\n\u003cli>San Diego’s flower du jour last bloomed in 2021, and is already \u003ca href=\"https://sdbg.org/explore-our-plants/whats-in-bloom/corpse-plant/#live-stream\">noticeably more shriveled \u003c/a>than the peak event earlier this week. That’s because corpse flower blooms are brief, shining, stinky moments in time, typically lasting just a couple days.\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>What are people saying? \u003c/strong>Ari Novy, president and CEO at the San Diego Botanic Garden, spoke to NPR’s Daniel Estrin about witnessing the symphony of stench in real time.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>His own description of the corpse flower’s perfume:\u003c/p>\n\u003cblockquote>\u003cp>The way I describe it is it smells like if you took your teenager’s dirty laundry and you put it in a big black garbage bag, and then you added in some hamburger meat, maybe some fish, a little garlic and some parmesan cheese. And you left that by the side of the road on a very hot desert day for about 24 hours. And then you came back to it. That’s not even exaggerating. That is really what the smell was.\u003c/p>\u003c/blockquote>\n\u003cp>On why the corpse flower has evolved to smell this rank:\u003c/p>\n\u003cblockquote>\u003cp>There are insects out there that really like the smell of rotting flesh or other fetid or rotting odors. And those insects can pollinate plants. There are several plants that utilize this strategy of using rotting flesh odors that humans find repulsive to attract a bunch of insects who actually love that smell.\u003c/p>\u003c/blockquote>\n\u003cp>On the public reaction to the bloom:\u003c/p>\n\u003cblockquote>\u003cp>This is like the rock star plant of the plant world. It’s kind of like a panda if you were in a zoo. It’s amazing, people come from all over the place. We had one bloom about 18 months ago and a guy saw it on the webcam in Texas and immediately got in his car so that he could make it for the blooming. And he drove day and night and got to San Diego 14 hours later. This plant really brings out people, and for a smell that’s so putrid and disgusting for human beings, somehow we’re still pretty attracted to it.\u003c/p>\u003c/blockquote>\n\u003chr>\n\u003cp>\u003cstrong>Want the full scoop on this stink? Hit the play button at the top of the page.\u003c/strong>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cbr>\nSo, what now?\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>If you’re local to either establishment and want to catch the tail end of the bloom, you better head out quickly; the flowers will continue to droop from here on out.\u003c/li>\n\u003cli>And if you were hoping to catch that signature stench, Novy says better luck next time: “At this point in the blooming cycle, it’s done with its formal flowering. The flowers have done their work and so it doesn’t have that much of a smell. There’s some residual, but the real pungent punch typically comes in the evening, early morning on the first and second nights of flowering.”\u003c/li>\n\u003c/ul>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more,\u003ca href=\"https://www.npr.org\"> visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Unspeakably+stinky+and+unpredictable%3A+two+corpse+flowers+are+blooming+in+the+U.S.&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"The Titan Arum has become a rockstar in the plant world for its unpredictable displays and putrid stench of rotting flesh.","status":"publish","parent":0,"modified":1705005307,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":780},"headData":{"title":"The Conservatory of Flowers’ Corpse Plant is Blooming in SF | KQED","description":"The Titan Arum has become a rockstar in the plant world for its unpredictable displays and putrid stench of rotting flesh.","ogTitle":"Unspeakably Stinky: A Corpse Flower is Blooming at SF’s Conservatory of Flowers","ogDescription":"","ogImgId":"","twTitle":"Unspeakably Stinky: A Corpse Flower is Blooming at SF’s Conservatory of Flowers","twDescription":"","twImgId":"","socialTitle":"The Conservatory of Flowers’ Corpse Plant is Blooming in SF%%page%% %%sep%% KQED"},"sticky":false,"nprImageCredit":"Laurie Dieffembacq","nprByline":"Manuela López Restrepo","nprImageAgency":"BELGA/AFP via Getty Images","nprStoryId":"1186289347","nprApiLink":"http://api.npr.org/query?id=1186289347&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2023/07/06/1186289347/corpse-flower-bloom-california-where-to-see-livestream-san-diego-francisco?ft=nprml&f=1186289347","nprRetrievedStory":"1","nprPubDate":"Thu, 06 Jul 2023 17:36:00 -0400","nprStoryDate":"Thu, 06 Jul 2023 17:36:57 -0400","nprLastModifiedDate":"Thu, 06 Jul 2023 17:36:57 -0400","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/atc/2023/07/20230706_atc_rare_corpse_flower_bloom_unleashes_putrid_smell_in_san_diego.mp3?orgId=1&topicId=1146&aggIds=1146155318&d=261&story=1186289347&ft=nprml&f=1186289347","nprAudioM3u":"http://api.npr.org/m3u/11186293383-9bc37b.m3u?orgId=1&topicId=1146&aggIds=1146155318&d=261&story=1186289347&ft=nprml&f=1186289347","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13931251/corpse-flower-san-francisco-conservatory-of-flowers-golden-gate-park","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/atc/2023/07/20230706_atc_rare_corpse_flower_bloom_unleashes_putrid_smell_in_san_diego.mp3?orgId=1&topicId=1146&aggIds=1146155318&d=261&story=1186289347&ft=nprml&f=1186289347","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Titan Arum, or corpse flower, has become a rockstar in the plant world for its unpredictable displays, and more notoriously, its putrid stench of rotting flesh.\u003c/p>\n\u003cp>\u003cstrong>What is it? \u003c/strong>The very large flowering plant is related to the calla lily, and in fact looks like a supersized and more macabre version, with a large central spike surrounded by a frilly maroon skirt of a leaf.\u003c/p>\n\u003cul>\n\u003cli>The Titan Arum is native only to the Indonesian island of Sumatra, but has become even more difficult to see in the wild due to habitat loss. In the last few decades, advances in technology and horticultural knowledge have allowed botanical gardens to cultivate the corpse flower more widely.\u003c/li>\n\u003cli>If you’re not familiar with why the flower has its distinctive name — when the corpse flower unfurls, tiny male and female flowers at the base of its large central spike emit a putrid odor, akin to rotting meat and stinky laundry.\u003c/li>\n\u003cli>Titan Arums have a fairly long and unpredictable flowering cycle, and they can take up to a decade before they flower for the first time. Even mature plants can go years between blooms. Essentially, they work on their own schedules — which is part of the excitement for viewers.\u003c/li>\n\u003c/ul>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"CuSUe7tvCS3"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>What’s the big deal? \u003c/strong>Right now, two corpse flowers are blooming in California.\u003c/p>\n\u003cul>\n\u003cli>One is at San Francisco’s Conservatory of Flowers, while the other is at the San Diego Botanic Gardens.\u003c/li>\n\u003cli>The Conservatory’s corpse flower is named Scarlet, and last bloomed in 2019. She began blooming again earlier this week, and is \u003ca href=\"https://conservatoryofflowers.org/corpse-flower-2023/\">still standing tall\u003c/a> for her many visitors in San Francisco’s Golden Gate Park.\u003c/li>\n\u003cli>San Diego’s flower du jour last bloomed in 2021, and is already \u003ca href=\"https://sdbg.org/explore-our-plants/whats-in-bloom/corpse-plant/#live-stream\">noticeably more shriveled \u003c/a>than the peak event earlier this week. That’s because corpse flower blooms are brief, shining, stinky moments in time, typically lasting just a couple days.\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>What are people saying? \u003c/strong>Ari Novy, president and CEO at the San Diego Botanic Garden, spoke to NPR’s Daniel Estrin about witnessing the symphony of stench in real time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>His own description of the corpse flower’s perfume:\u003c/p>\n\u003cblockquote>\u003cp>The way I describe it is it smells like if you took your teenager’s dirty laundry and you put it in a big black garbage bag, and then you added in some hamburger meat, maybe some fish, a little garlic and some parmesan cheese. And you left that by the side of the road on a very hot desert day for about 24 hours. And then you came back to it. That’s not even exaggerating. That is really what the smell was.\u003c/p>\u003c/blockquote>\n\u003cp>On why the corpse flower has evolved to smell this rank:\u003c/p>\n\u003cblockquote>\u003cp>There are insects out there that really like the smell of rotting flesh or other fetid or rotting odors. And those insects can pollinate plants. There are several plants that utilize this strategy of using rotting flesh odors that humans find repulsive to attract a bunch of insects who actually love that smell.\u003c/p>\u003c/blockquote>\n\u003cp>On the public reaction to the bloom:\u003c/p>\n\u003cblockquote>\u003cp>This is like the rock star plant of the plant world. It’s kind of like a panda if you were in a zoo. It’s amazing, people come from all over the place. We had one bloom about 18 months ago and a guy saw it on the webcam in Texas and immediately got in his car so that he could make it for the blooming. And he drove day and night and got to San Diego 14 hours later. This plant really brings out people, and for a smell that’s so putrid and disgusting for human beings, somehow we’re still pretty attracted to it.\u003c/p>\u003c/blockquote>\n\u003chr>\n\u003cp>\u003cstrong>Want the full scoop on this stink? Hit the play button at the top of the page.\u003c/strong>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cbr>\nSo, what now?\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>If you’re local to either establishment and want to catch the tail end of the bloom, you better head out quickly; the flowers will continue to droop from here on out.\u003c/li>\n\u003cli>And if you were hoping to catch that signature stench, Novy says better luck next time: “At this point in the blooming cycle, it’s done with its formal flowering. The flowers have done their work and so it doesn’t have that much of a smell. There’s some residual, but the real pungent punch typically comes in the evening, early morning on the first and second nights of flowering.”\u003c/li>\n\u003c/ul>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more,\u003ca href=\"https://www.npr.org\"> visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Unspeakably+stinky+and+unpredictable%3A+two+corpse+flowers+are+blooming+in+the+U.S.&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13931251/corpse-flower-san-francisco-conservatory-of-flowers-golden-gate-park","authors":["byline_arts_13931251"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_11615","arts_235"],"tags":["arts_18478","arts_21079","arts_2427","arts_16441","arts_9155","arts_1146","arts_585"],"featImg":"arts_13931252","label":"arts_140"},"arts_13924943":{"type":"posts","id":"arts_13924943","meta":{"index":"posts_1591205157","site":"arts","id":"13924943","score":null,"sort":[1676995258000]},"guestAuthors":[],"slug":"beastie-boys-free-tibet-concert-film-noise-pop","title":"Relive the Beastie Boys’ Legendary Tibetan Freedom Concert in SF","publishDate":1676995258,"format":"standard","headTitle":"Relive the Beastie Boys’ Legendary Tibetan Freedom Concert in SF | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003cstrong>Update, Feb. 26, 2023: Noise Pop’s scheduled screening of\u003cem> Free Tibet\u003c/em> at The Cut Outdoor Cinema has been postponed until June 15, 2023, due to poor weather conditions.\u003c/strong>\u003c/p>\n\u003cp>Back in 1996, Beastie Boys’ Adam “MCA” Yauch was going through a spiritual awakening. He had recently converted to Buddhism after years of studying the religion and Tibetan culture. Yauch had attended lessons by the Dalai Lama and spent time with the monk \u003ca href=\"https://www.nytimes.com/2018/12/07/obituaries/palden-gyatso-dead.html\">Palden Gyatso\u003c/a>, who had survived torture and imprisonment in Chinese camps for 33 years.\u003c/p>\n\u003cp>As Yauch embraced Tibetan ideologies, he felt compelled to do something to help the people of the region who had been living under Chinese occupation since 1949.\u003c/p>\n\u003cp>[aside postid='arts_13921900']“There’s really only a couple of years left that Tibetan culture is gonna survive unless something starts changing,” Yauch told \u003cem>Inside Edition\u003c/em> at the time. “At the rate that their culture is being destroyed, there’s very little time left. I think we all have a responsibility because it’s part of our world. To ignore it is to contribute to it.”\u003c/p>\n\u003cp>What Yauch came up with to assist the Tibetan people was the biggest benefit concert since 1985’s transatlantic Live Aid event. The two-day Tibetan Freedom concert in Golden Gate Park’s Polo Field ended up attracting more than 100,000 fans and raising $800,000.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s no surprise that the lineup featured a lot of the biggest alternative acts of the day. On Saturday, June 15, 1996, Beastie Boys, the Smashing Pumpkins, Foo Fighters, A Tribe Called Quest, Pavement, Cibo Matto, Biz Markie, Richie Havens and John Lee Hooker all performed. The following day, Red Hot Chili Peppers, Rage Against the Machine, Sonic Youth, Beck, Björk, Yoko Ono, De La Soul, Fugees, Buddy Guy and Skatalites hit the stage.\u003c/p>\n\u003cfigure id=\"attachment_13924959\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13924959\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/GettyImages-540554464-scaled-e1675993053690-800x540.jpg\" alt=\"A fresh-faced woman with dirty blond hair sits calmly next to a man with a shaved head wearing a buttoned up shirt. She is wearing a puffy white winter coat.\" width=\"800\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-540554464-scaled-e1675993053690-800x540.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-540554464-scaled-e1675993053690-1020x689.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-540554464-scaled-e1675993053690-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-540554464-scaled-e1675993053690-768x519.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-540554464-scaled-e1675993053690-1536x1038.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-540554464-scaled-e1675993053690.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Björk and Adam ’MCA‘ Yauch hang out backstage at the Tibetan Freedom Concert, San Francisco, June 1996. \u003ccite>(Tim Mosenfelder/CORBIS/Corbis via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The shows were a huge deal at the time, and two years later resulted in a concert documentary directed by Sarah Pirozek titled \u003cem>Free Tibet\u003c/em>. The movie is a mashup of live sets, crowd footage and interviews, plus historical context about the occupation of Tibet. It’s far from a perfect film — at the time, \u003ca href=\"https://archive.nytimes.com/www.nytimes.com/library/film/091198tibet-film-review.html\">one \u003cem>New York Times\u003c/em> review\u003c/a> despaired at the “well-meaning musicians who … display a woeful lack of eloquence and coherence when given the opportunity on film to rally support.”\u003c/p>\n\u003cp>But the film does preserve footage from a significant day in San Francisco music history. It is peak-’90s viewing — the music, the fashion, the pre-cellphone mosh pits, the slackerdom. (“I care, you know,” one kid says, “but short attention span.”) Though several sets from the weekend are available to watch now on YouTube — \u003ca href=\"https://www.youtube.com/watch?v=fefr8RLwxeU&t=854s\">Rage Against the Machine\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=0kPweqWXyDw&t=806s\">Björk\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=kXf9F_UpCbE\">Smashing Pumpkins\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=-ffrdwAz_z8\">Pavement\u003c/a> — the quality of those is decidedly grainy.\u003c/p>\n\u003cp>[aside postid='arts_13925249']The \u003cem>Free Tibet\u003c/em> documentary has been lost to time in a lot of ways — there is no trailer online, and it’s not available to stream anywhere. Unless you’re willing to invest in a DVD or VHS purchase, it’s likely you’ll never see it. That is, unless you head to The Cut Outdoor Cinema on Feb. 26.\u003c/p>\n\u003cp>\u003cem>Free Tibet\u003c/em> is screening as part of this year’s \u003ca href=\"https://www.kqed.org/arts/13925249/noise-pop-2023-guide-5-must-see-bay-area-artists\" target=\"_blank\" rel=\"noopener\">Noise Pop\u003c/a> festival, and marks the movie’s 25th anniversary. The screening will also feature a Q&A with Deyden Tethong of the \u003ca href=\"https://en.wikipedia.org/wiki/Milarepa_Fund\">Milarepa Fund\u003c/a> — the nonprofit co-founded by Yauch to raise funds and awareness for the Tibetan cause — and Stacy Horne, the Noise Pop producer who helped plan the original Tibetan Freedom concerts with Yauch.\u003c/p>\n\u003cp>Sure, the movie doesn’t know if it wants to be a concert film or a rallying cry. But in many ways, that reflects the Tibetan Freedom concert itself — and much of the 1990s musical landscape.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://thecutoutdoorcinema.com/events/free-tibet-1998\" rel=\"noopener\">Free Tibet\u003c/a>\u003cem> is showing at The Cut Outdoor Cinema (250 Main St., San Francisco) on Thursday, June. 15 at 7:30 p.m. \u003ca href=\"https://thecutoutdoorcinema.com/events/free-tibet-1998\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The ’Free Tibet’ concert film — featuring Björk, De La Soul and more — is screening this week for its 25th anniversary.","status":"publish","parent":0,"modified":1705005825,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":724},"headData":{"title":"Noise Pop: Watch ‘Free Tibet’ at The Cut Outdoor Cinema | KQED","description":"The ’Free Tibet’ concert film — featuring Björk, De La Soul and more — is screening this week for its 25th anniversary.","ogTitle":"25 Years On, Relive the Beastie Boys’ Legendary Tibetan Freedom Concert","ogDescription":"","ogImgId":"","twTitle":"25 Years On, Relive the Beastie Boys’ Legendary Tibetan Freedom Concert","twDescription":"","twImgId":"","socialTitle":"Noise Pop: Watch ‘Free Tibet’ at The Cut Outdoor Cinema%%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13924943/beastie-boys-free-tibet-concert-film-noise-pop","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Update, Feb. 26, 2023: Noise Pop’s scheduled screening of\u003cem> Free Tibet\u003c/em> at The Cut Outdoor Cinema has been postponed until June 15, 2023, due to poor weather conditions.\u003c/strong>\u003c/p>\n\u003cp>Back in 1996, Beastie Boys’ Adam “MCA” Yauch was going through a spiritual awakening. He had recently converted to Buddhism after years of studying the religion and Tibetan culture. Yauch had attended lessons by the Dalai Lama and spent time with the monk \u003ca href=\"https://www.nytimes.com/2018/12/07/obituaries/palden-gyatso-dead.html\">Palden Gyatso\u003c/a>, who had survived torture and imprisonment in Chinese camps for 33 years.\u003c/p>\n\u003cp>As Yauch embraced Tibetan ideologies, he felt compelled to do something to help the people of the region who had been living under Chinese occupation since 1949.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13921900","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“There’s really only a couple of years left that Tibetan culture is gonna survive unless something starts changing,” Yauch told \u003cem>Inside Edition\u003c/em> at the time. “At the rate that their culture is being destroyed, there’s very little time left. I think we all have a responsibility because it’s part of our world. To ignore it is to contribute to it.”\u003c/p>\n\u003cp>What Yauch came up with to assist the Tibetan people was the biggest benefit concert since 1985’s transatlantic Live Aid event. The two-day Tibetan Freedom concert in Golden Gate Park’s Polo Field ended up attracting more than 100,000 fans and raising $800,000.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s no surprise that the lineup featured a lot of the biggest alternative acts of the day. On Saturday, June 15, 1996, Beastie Boys, the Smashing Pumpkins, Foo Fighters, A Tribe Called Quest, Pavement, Cibo Matto, Biz Markie, Richie Havens and John Lee Hooker all performed. The following day, Red Hot Chili Peppers, Rage Against the Machine, Sonic Youth, Beck, Björk, Yoko Ono, De La Soul, Fugees, Buddy Guy and Skatalites hit the stage.\u003c/p>\n\u003cfigure id=\"attachment_13924959\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13924959\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/GettyImages-540554464-scaled-e1675993053690-800x540.jpg\" alt=\"A fresh-faced woman with dirty blond hair sits calmly next to a man with a shaved head wearing a buttoned up shirt. She is wearing a puffy white winter coat.\" width=\"800\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-540554464-scaled-e1675993053690-800x540.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-540554464-scaled-e1675993053690-1020x689.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-540554464-scaled-e1675993053690-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-540554464-scaled-e1675993053690-768x519.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-540554464-scaled-e1675993053690-1536x1038.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GettyImages-540554464-scaled-e1675993053690.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Björk and Adam ’MCA‘ Yauch hang out backstage at the Tibetan Freedom Concert, San Francisco, June 1996. \u003ccite>(Tim Mosenfelder/CORBIS/Corbis via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The shows were a huge deal at the time, and two years later resulted in a concert documentary directed by Sarah Pirozek titled \u003cem>Free Tibet\u003c/em>. The movie is a mashup of live sets, crowd footage and interviews, plus historical context about the occupation of Tibet. It’s far from a perfect film — at the time, \u003ca href=\"https://archive.nytimes.com/www.nytimes.com/library/film/091198tibet-film-review.html\">one \u003cem>New York Times\u003c/em> review\u003c/a> despaired at the “well-meaning musicians who … display a woeful lack of eloquence and coherence when given the opportunity on film to rally support.”\u003c/p>\n\u003cp>But the film does preserve footage from a significant day in San Francisco music history. It is peak-’90s viewing — the music, the fashion, the pre-cellphone mosh pits, the slackerdom. (“I care, you know,” one kid says, “but short attention span.”) Though several sets from the weekend are available to watch now on YouTube — \u003ca href=\"https://www.youtube.com/watch?v=fefr8RLwxeU&t=854s\">Rage Against the Machine\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=0kPweqWXyDw&t=806s\">Björk\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=kXf9F_UpCbE\">Smashing Pumpkins\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=-ffrdwAz_z8\">Pavement\u003c/a> — the quality of those is decidedly grainy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13925249","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The \u003cem>Free Tibet\u003c/em> documentary has been lost to time in a lot of ways — there is no trailer online, and it’s not available to stream anywhere. Unless you’re willing to invest in a DVD or VHS purchase, it’s likely you’ll never see it. That is, unless you head to The Cut Outdoor Cinema on Feb. 26.\u003c/p>\n\u003cp>\u003cem>Free Tibet\u003c/em> is screening as part of this year’s \u003ca href=\"https://www.kqed.org/arts/13925249/noise-pop-2023-guide-5-must-see-bay-area-artists\" target=\"_blank\" rel=\"noopener\">Noise Pop\u003c/a> festival, and marks the movie’s 25th anniversary. The screening will also feature a Q&A with Deyden Tethong of the \u003ca href=\"https://en.wikipedia.org/wiki/Milarepa_Fund\">Milarepa Fund\u003c/a> — the nonprofit co-founded by Yauch to raise funds and awareness for the Tibetan cause — and Stacy Horne, the Noise Pop producer who helped plan the original Tibetan Freedom concerts with Yauch.\u003c/p>\n\u003cp>Sure, the movie doesn’t know if it wants to be a concert film or a rallying cry. But in many ways, that reflects the Tibetan Freedom concert itself — and much of the 1990s musical landscape.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://thecutoutdoorcinema.com/events/free-tibet-1998\" rel=\"noopener\">Free Tibet\u003c/a>\u003cem> is showing at The Cut Outdoor Cinema (250 Main St., San Francisco) on Thursday, June. 15 at 7:30 p.m. \u003ca href=\"https://thecutoutdoorcinema.com/events/free-tibet-1998\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13924943/beastie-boys-free-tibet-concert-film-noise-pop","authors":["11242"],"programs":["arts_140"],"categories":["arts_1","arts_7862","arts_11615","arts_74","arts_69","arts_75"],"tags":["arts_5665","arts_10278","arts_2427","arts_585"],"featImg":"arts_13924956","label":"arts_140"},"arts_13919405":{"type":"posts","id":"arts_13919405","meta":{"index":"posts_1591205157","site":"arts","id":"13919405","score":null,"sort":[1664208003000]},"guestAuthors":[],"slug":"10-lesser-known-acts-to-catch-at-hardly-strictly-bluegrass","title":"10 Lesser-Known Acts to Catch at Hardly Strictly Bluegrass","publishDate":1664208003,"format":"standard","headTitle":"10 Lesser-Known Acts to Catch at Hardly Strictly Bluegrass | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Returning to Golden Gate Park after a three-year pandemic-induced hiatus, the \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass Festival\u003c/a> brings a bevy of big names to San Francisco this weekend, Sept. 30-Oct. 2.\u003cbr>\n[aside postID=\"arts_13916410\"]With acts on tap like Elvis Costello, Allison Russell, Bela Fleck and Emmylou Harris, Hardly Strictly has no shortage of artists who’ve earned their vaunted status as institutions. But if you’re inclined to do a little wandering between the festival’s four stages, one of the prime pleasures of the festival comes from checking out unfamiliar artists, whether a rising star or a veteran performer trying out a new combo.\u003c/p>\n\u003cp>In many ways Hardly Strictly is more than a festival. It’s a musical weather system that sweeps over the region, and not just because of the satellite programming presented as part of \u003ca href=\"https://www.hardlystrictlybluegrass.com/out-of-the-park/\">Hardly Strictly Out of the Park\u003c/a>. A spot on the HSBG roster often serves as the centerpiece for a wider West Coast run, providing strong tailwinds for the fall music season. Here are 10 acts well worth a listen.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=N5cET-ipUcQ\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/satya/\">Satya\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 2-2:30pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>At 22, Oakland-reared, New Orleans-based Satya is a neo-soul singer/songwriter with boundless promise. Her relaxed phrasing and becalmed delivery hints at the deep currents flowing through her music, which slows the passage of time with ripples of self-revelation. Her name means “truth” in Sanskrit, but Satya offers hints and clues rather than a road map, inviting listeners along as she finds her way.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=sHbl6zhO3wo\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/joy-oladokun/\">Joy Oladokun\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 3:55-4:45pm\u003cbr>\nTowers of Gold Stage\u003c/strong>\u003c/p>\n\u003cp>A first-generation Nigerian-American singer/songwriter, Joy Oladokun creates music from her perspective as a queer Black woman who’s absorbed the forthright stance of artists like Tracy Chapman and Joan Armatrading. Raised in Arizona and now based in Los Angeles, she’s staked an early claim as one of the decade’s artists to watch with two albums that brim with confidence, vulnerability, and righteous melodic invention: 2020’s \u003cem>in defense of my own happiness (the beginnings)\u003c/em> and 2021’s \u003cem>in defense of my own happiness\u003c/em>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zvie5df0SP8\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/charley-crockett/\">Charley Crockett\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 5:45-7pm\u003c/strong>\u003cbr>\n\u003cstrong>Towers of Gold Stage\u003c/strong>\u003c/p>\n\u003cp>Often cast as polar idioms, country music and the blues share deep roots that the best country artists manifest clearly. With his telegraphic storytelling and dry humor, Charley Crockett embodies the blues aesthetic that hard times are best endured by turning tribulation into a communal exorcism. He’s a dauntingly prolific artist who’s released a diverse array of material on 11 albums since 2015, including a simmering new project, \u003cem>The Man from Waco\u003c/em>, that feels like an homage to Johnny Cash.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=JygS9kX-kak\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/cedric-watson/\">Cedric Watson\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Banjo Stage\u003cbr>\nSaturday 11-11:45am\u003c/strong>\u003c/p>\n\u003cp>Fiddler, singer, accordionist and songwriter Cedric Watson is a leading force in the revival of Creole and Acadian roots music, drawing on centuries-old songs spread by the French and Spanish empires and rhythms brought to the Caribbean by enslaved West Africans. Part of what makes Watson such a dynamic artist is that he’s both a deep scholar and a prolific songwriter who carries traditional forms into the 21\u003csup>st\u003c/sup> century, mixing and melding influences as he sees fit. He also performs at the festival afterparty \u003ca href=\"https://www.ashkenaz.com/events-backend/cedric-watson-a-hardly-strictly-bluegrass-afterparty\">Oct. 1 at Ashkenaz\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=oEtoiqy0VGo\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/aj-lee-and-blue-summit/\">AJ Lee & Blue Summit\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Saturday 1:30-2:10pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>A product of the Bay Area’s verdant bluegrass music scene, guitarist, mandolinist and vocalist AJ Lee was still in her mid-teens when she started performing with Blue Summit in 2015. Now a road-seasoned act, the band released an impressive second album last year with \u003cem>I’ll Come Back\u003c/em>, featuring Sullivan Tuttle and Scott Gates on steel string guitars, fiddler Jan Purat and bassist Chad Bowen. Bluegrass is still a major source of inspiration for the group, but their sound now draws on a wider constellation of acoustic idioms, fitting comfortably under the Americana umbrella while avoiding many of the attendant clichés.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cEyYlyRr2_U\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/waxahatchee/\">Waxahatchee\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Saturday 3:55-4:55pm\u003cbr>\nBanjo Stage\u003c/strong>\u003c/p>\n\u003cp>Named after a creek that runs close to her childhood home in Alabama, Katie Crutchfield’s solo project Waxahatchee has become a major outlet for her songwriting in recent years. She’s released a series of trenchant, critically acclaimed albums over the past decade, but 2020’s \u003cem>Saint Cloud\u003c/em> found her in particularly harrowing territory, a sojourn inspired by her determination to attain sobriety. Crutchfield returns to the Bay Area next month with Plains, her project with Jess Williamson, playing \u003ca href=\"https://folkyeah.com/#/plains-katie-crutchfield-jess-williamson-sonoma-1024\">Sonoma\u003c/a> and \u003ca href=\"https://www.axs.com/events/442689/plains-featuring-katie-crutchfield-from-waxahatchee-and-jess-williamso-tickets\">San Francisco\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=U89BGcn_AOs\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/arooj-aftab/\">Arooj Aftab\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 12:30-1:15pm\u003cbr>\nRooster Stage\u003c/strong>\u003c/p>\n\u003cp>Born in Saudi Arabia to parents from Pakistan, Grammy Award-winning vocalist Arooj Aftab applies her training in Hindustani classical music to a sumptuous array of settings for Urdu poetry. A brilliant improviser who’s collaborated with leading jazz musicians like pianist Vijay Iyer, she’s crafted her own mesmerizing sound, drawing on love-besotted ghazals and minimalist patterns.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=GC5UBAoa6nw\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/danielle-ponder/\">Danielle Ponder\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 1:20-2pm\u003cbr>\nPorch Stage\u003c/strong>\u003c/p>\n\u003cp>Since leaving her job as a public defender in upstate New York, powerhouse vocalist Danielle Ponder has emerged as a clarion artist whose songs tackle knotty territory without compromising melodic force. Steeped in gospel and inspired by blues, rock and hip-hop, she sings with sanctified authority and hard-knock knowledge gleaned from personal experience. Before Hardly Strictly she also headlines \u003ca href=\"https://moesalley.com/event-details/12402625/-folkyeah-presents-danielle-ponder-with-special-guests/\">Sept. 29 at Moe’s Alley\u003c/a> in Santa Cruz and opens for Marcus Mumford \u003ca href=\"https://concerts.livenation.com/marcus-mumford-san-francisco-california-10-01-2022/event/1C005D0AF94E4173?_ga=2.239581635.1978444917.1663717476-386014478.1663717475\">Sept. 30 at the Fillmore\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4EWY6W5jkSs\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/dashawn-hickman/\">DaShawn Hickman with Charlie Hunter\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 1:25-2pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>A master of the Sacred Steel tradition, DaShawn Hickman was a founding member of The Allen Boys, a group that took the rollicking music powering Pentecostal Holiness services in North Carolina out of the church and on the road. Teaming up with Charlie Hunter, the jazz-meets-funk guitarist who contributed to influential albums by D’Angelo and A Tribe Called Quest, Hickman recorded the stellar album \u003cem>Drums, Roots & Steel\u003c/em> for Little Village Foundation, a project that ushers the Sacred Steel sound into celebratory secular settings. A Berkeley native based in North Carolina, Hunter is also in town with SuperBlue, his hip-hop-inflected collaboration with jazz vocalist Kurt Elling, playing Menlo Park’s \u003ca href=\"https://guildtheatre.com/events/superblue-kurt-elling-ft-charlie-hunter-9-27-22/\">Guild Theater Sept. 27\u003c/a> and \u003ca href=\"https://secure.thefreight.org/11472/kurt-elling-charlie-hunter\">Freight & Salvage Sept. 30\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7RzaRh6E6bY\u003c/p>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/the-whitmore-sisters/\">The Whitmore Sisters\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 4:55-5:40pm\u003cbr>\nPorch Stage\u003c/strong>\u003c/p>\n\u003cp>Eleanor Whitmore has long been known for her work with her husband Chris Masterson in The Mastersons, but after being grounded by the pandemic she teamed up with her younger sister Bonnie to renew their musical relationship in the Whitmore Sisters. Collaborating on \u003cem>Ghost Stories\u003c/em> (Red House Records), they created an enthralling collection of songs that marry voluptuous arrangements to fever-pitch themes of love, death and loss.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Acts like Elvis Costello and Emmylou Harris get top billing at this year's festival, which takes place Sept. 30-Oct. 2. But good things come to those who wander—like the discovery of your new favorite up-and-coming artist. ","status":"publish","parent":0,"modified":1705006338,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":24,"wordCount":1224},"headData":{"title":"10 Lesser-Known Acts to Catch at Hardly Strictly Bluegrass | KQED","description":"Acts like Elvis Costello and Emmylou Harris get top billing at this year's festival, which takes place Sept. 30-Oct. 2. But good things come to those who wander—like the discovery of your new favorite up-and-coming artist. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13919405/10-lesser-known-acts-to-catch-at-hardly-strictly-bluegrass","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Returning to Golden Gate Park after a three-year pandemic-induced hiatus, the \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass Festival\u003c/a> brings a bevy of big names to San Francisco this weekend, Sept. 30-Oct. 2.\u003cbr>\n\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13916410","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>With acts on tap like Elvis Costello, Allison Russell, Bela Fleck and Emmylou Harris, Hardly Strictly has no shortage of artists who’ve earned their vaunted status as institutions. But if you’re inclined to do a little wandering between the festival’s four stages, one of the prime pleasures of the festival comes from checking out unfamiliar artists, whether a rising star or a veteran performer trying out a new combo.\u003c/p>\n\u003cp>In many ways Hardly Strictly is more than a festival. It’s a musical weather system that sweeps over the region, and not just because of the satellite programming presented as part of \u003ca href=\"https://www.hardlystrictlybluegrass.com/out-of-the-park/\">Hardly Strictly Out of the Park\u003c/a>. A spot on the HSBG roster often serves as the centerpiece for a wider West Coast run, providing strong tailwinds for the fall music season. Here are 10 acts well worth a listen.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/N5cET-ipUcQ'\n title='//www.youtube.com/embed/N5cET-ipUcQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/satya/\">Satya\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 2-2:30pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>At 22, Oakland-reared, New Orleans-based Satya is a neo-soul singer/songwriter with boundless promise. Her relaxed phrasing and becalmed delivery hints at the deep currents flowing through her music, which slows the passage of time with ripples of self-revelation. Her name means “truth” in Sanskrit, but Satya offers hints and clues rather than a road map, inviting listeners along as she finds her way.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sHbl6zhO3wo'\n title='//www.youtube.com/embed/sHbl6zhO3wo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/joy-oladokun/\">Joy Oladokun\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 3:55-4:45pm\u003cbr>\nTowers of Gold Stage\u003c/strong>\u003c/p>\n\u003cp>A first-generation Nigerian-American singer/songwriter, Joy Oladokun creates music from her perspective as a queer Black woman who’s absorbed the forthright stance of artists like Tracy Chapman and Joan Armatrading. Raised in Arizona and now based in Los Angeles, she’s staked an early claim as one of the decade’s artists to watch with two albums that brim with confidence, vulnerability, and righteous melodic invention: 2020’s \u003cem>in defense of my own happiness (the beginnings)\u003c/em> and 2021’s \u003cem>in defense of my own happiness\u003c/em>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zvie5df0SP8'\n title='//www.youtube.com/embed/zvie5df0SP8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/charley-crockett/\">Charley Crockett\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Friday 5:45-7pm\u003c/strong>\u003cbr>\n\u003cstrong>Towers of Gold Stage\u003c/strong>\u003c/p>\n\u003cp>Often cast as polar idioms, country music and the blues share deep roots that the best country artists manifest clearly. With his telegraphic storytelling and dry humor, Charley Crockett embodies the blues aesthetic that hard times are best endured by turning tribulation into a communal exorcism. He’s a dauntingly prolific artist who’s released a diverse array of material on 11 albums since 2015, including a simmering new project, \u003cem>The Man from Waco\u003c/em>, that feels like an homage to Johnny Cash.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JygS9kX-kak'\n title='//www.youtube.com/embed/JygS9kX-kak'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/cedric-watson/\">Cedric Watson\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Banjo Stage\u003cbr>\nSaturday 11-11:45am\u003c/strong>\u003c/p>\n\u003cp>Fiddler, singer, accordionist and songwriter Cedric Watson is a leading force in the revival of Creole and Acadian roots music, drawing on centuries-old songs spread by the French and Spanish empires and rhythms brought to the Caribbean by enslaved West Africans. Part of what makes Watson such a dynamic artist is that he’s both a deep scholar and a prolific songwriter who carries traditional forms into the 21\u003csup>st\u003c/sup> century, mixing and melding influences as he sees fit. He also performs at the festival afterparty \u003ca href=\"https://www.ashkenaz.com/events-backend/cedric-watson-a-hardly-strictly-bluegrass-afterparty\">Oct. 1 at Ashkenaz\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oEtoiqy0VGo'\n title='//www.youtube.com/embed/oEtoiqy0VGo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/aj-lee-and-blue-summit/\">AJ Lee & Blue Summit\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Saturday 1:30-2:10pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>A product of the Bay Area’s verdant bluegrass music scene, guitarist, mandolinist and vocalist AJ Lee was still in her mid-teens when she started performing with Blue Summit in 2015. Now a road-seasoned act, the band released an impressive second album last year with \u003cem>I’ll Come Back\u003c/em>, featuring Sullivan Tuttle and Scott Gates on steel string guitars, fiddler Jan Purat and bassist Chad Bowen. Bluegrass is still a major source of inspiration for the group, but their sound now draws on a wider constellation of acoustic idioms, fitting comfortably under the Americana umbrella while avoiding many of the attendant clichés.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cEyYlyRr2_U'\n title='//www.youtube.com/embed/cEyYlyRr2_U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/waxahatchee/\">Waxahatchee\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Saturday 3:55-4:55pm\u003cbr>\nBanjo Stage\u003c/strong>\u003c/p>\n\u003cp>Named after a creek that runs close to her childhood home in Alabama, Katie Crutchfield’s solo project Waxahatchee has become a major outlet for her songwriting in recent years. She’s released a series of trenchant, critically acclaimed albums over the past decade, but 2020’s \u003cem>Saint Cloud\u003c/em> found her in particularly harrowing territory, a sojourn inspired by her determination to attain sobriety. Crutchfield returns to the Bay Area next month with Plains, her project with Jess Williamson, playing \u003ca href=\"https://folkyeah.com/#/plains-katie-crutchfield-jess-williamson-sonoma-1024\">Sonoma\u003c/a> and \u003ca href=\"https://www.axs.com/events/442689/plains-featuring-katie-crutchfield-from-waxahatchee-and-jess-williamso-tickets\">San Francisco\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/U89BGcn_AOs'\n title='//www.youtube.com/embed/U89BGcn_AOs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/arooj-aftab/\">Arooj Aftab\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 12:30-1:15pm\u003cbr>\nRooster Stage\u003c/strong>\u003c/p>\n\u003cp>Born in Saudi Arabia to parents from Pakistan, Grammy Award-winning vocalist Arooj Aftab applies her training in Hindustani classical music to a sumptuous array of settings for Urdu poetry. A brilliant improviser who’s collaborated with leading jazz musicians like pianist Vijay Iyer, she’s crafted her own mesmerizing sound, drawing on love-besotted ghazals and minimalist patterns.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GC5UBAoa6nw'\n title='//www.youtube.com/embed/GC5UBAoa6nw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/danielle-ponder/\">Danielle Ponder\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 1:20-2pm\u003cbr>\nPorch Stage\u003c/strong>\u003c/p>\n\u003cp>Since leaving her job as a public defender in upstate New York, powerhouse vocalist Danielle Ponder has emerged as a clarion artist whose songs tackle knotty territory without compromising melodic force. Steeped in gospel and inspired by blues, rock and hip-hop, she sings with sanctified authority and hard-knock knowledge gleaned from personal experience. Before Hardly Strictly she also headlines \u003ca href=\"https://moesalley.com/event-details/12402625/-folkyeah-presents-danielle-ponder-with-special-guests/\">Sept. 29 at Moe’s Alley\u003c/a> in Santa Cruz and opens for Marcus Mumford \u003ca href=\"https://concerts.livenation.com/marcus-mumford-san-francisco-california-10-01-2022/event/1C005D0AF94E4173?_ga=2.239581635.1978444917.1663717476-386014478.1663717475\">Sept. 30 at the Fillmore\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4EWY6W5jkSs'\n title='//www.youtube.com/embed/4EWY6W5jkSs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/dashawn-hickman/\">DaShawn Hickman with Charlie Hunter\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 1:25-2pm\u003cbr>\nBandwagon Stage\u003c/strong>\u003c/p>\n\u003cp>A master of the Sacred Steel tradition, DaShawn Hickman was a founding member of The Allen Boys, a group that took the rollicking music powering Pentecostal Holiness services in North Carolina out of the church and on the road. Teaming up with Charlie Hunter, the jazz-meets-funk guitarist who contributed to influential albums by D’Angelo and A Tribe Called Quest, Hickman recorded the stellar album \u003cem>Drums, Roots & Steel\u003c/em> for Little Village Foundation, a project that ushers the Sacred Steel sound into celebratory secular settings. A Berkeley native based in North Carolina, Hunter is also in town with SuperBlue, his hip-hop-inflected collaboration with jazz vocalist Kurt Elling, playing Menlo Park’s \u003ca href=\"https://guildtheatre.com/events/superblue-kurt-elling-ft-charlie-hunter-9-27-22/\">Guild Theater Sept. 27\u003c/a> and \u003ca href=\"https://secure.thefreight.org/11472/kurt-elling-charlie-hunter\">Freight & Salvage Sept. 30\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7RzaRh6E6bY'\n title='//www.youtube.com/embed/7RzaRh6E6bY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/artist/the-whitmore-sisters/\">The Whitmore Sisters\u003c/a>\u003c/h2>\n\u003cp>\u003cstrong>Sunday 4:55-5:40pm\u003cbr>\nPorch Stage\u003c/strong>\u003c/p>\n\u003cp>Eleanor Whitmore has long been known for her work with her husband Chris Masterson in The Mastersons, but after being grounded by the pandemic she teamed up with her younger sister Bonnie to renew their musical relationship in the Whitmore Sisters. Collaborating on \u003cem>Ghost Stories\u003c/em> (Red House Records), they created an enthralling collection of songs that marry voluptuous arrangements to fever-pitch themes of love, death and loss.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13919405/10-lesser-known-acts-to-catch-at-hardly-strictly-bluegrass","authors":["86"],"categories":["arts_1","arts_69"],"tags":["arts_10278","arts_2427","arts_2688","arts_18123","arts_1720","arts_1694","arts_1334"],"featImg":"arts_13919493","label":"arts"},"arts_13916410":{"type":"posts","id":"arts_13916410","meta":{"index":"posts_1591205157","site":"arts","id":"13916410","score":null,"sort":[1662570019000]},"guestAuthors":[],"slug":"hardly-strictly-bluegrass-to-return-in-person-to-golden-gate-park-in-2022","title":"Elvis Costello, Steve Earle, Alison Brown and More to Play Hardly Strictly Bluegrass 2022","publishDate":1662570019,"format":"standard","headTitle":"Elvis Costello, Steve Earle, Alison Brown and More to Play Hardly Strictly Bluegrass 2022 | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cstrong>Update, Sept. 7, 2022: \u003c/strong>A new round of artists has been announced as part of the lineup for this year’s Hardly Strictly Bluegrass festival, set to take place Sept. 30 through Oct. 2. Acts include Elvis Costello, Steve Earle & the Dukes, The Travelin’ McCourys, Bob Schneider, Moonalice, Cymande, Arooj Aftab, Cedric Watson, Alison Brown and Jim Lauderdale.\u003c/p>\n\u003cp>Steve Earle is scheduled to host a tribute to longtime festival regulars who have died over the past few years, like John Prine, Justin Townes Earle and Nancy Bechtle.\u003c/p>\n\u003cp>And Elvis Costello has added a night show: “Elvis Sings Hunter-Garcia,” a tribute to the Grateful Dead’s Robert Hunter and Jerry Garcia, is set for Sept. 30 at the Great American Music Hall, with two shows at 7 and 10pm. The evening is a benefit for the nonprofit Prader-Willi Homes of California, which funds residential facilities for people with developmental disabilities. \u003ca href=\"https://gamh.com/shows-elvis-costello-sings-hunter-garcia/\">Tickets and more info here\u003c/a>.\u003c/p>\n\u003cp>Organizers say the full festival lineup will be announced Sept. 13. Check out the lineup (so far) on the \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">HSB website here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Update, Aug. 10, 2022: \u003c/strong>Festival organizers have rolled out a second installment of the lineup for this year’s Hardly Strictly Bluegrass, and it’s a good one, with a strong local showing. Artists added to the slate include festival veteran Emmylou Harris, Talking Heads’ Jerry Harrison & Adrian Belew performing songs from “Remain In Light,” Sacramento’s Tré Burt, San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13817300/the-10-best-bay-area-albums-of-2017-meklit-when-the-people-move-the-music-moves-too\">Meklit\u003c/a>, Petaluma-born \u003ca href=\"https://www.kqed.org/arts/13838086/the-brothers-comatoses-trade-deal-with-china-bluegrass\">the Brothers Comatose\u003c/a>, Seratones, the Tallest Man On Earth, \u003ca href=\"https://www.npr.org/sections/now-playing/2022/02/22/1082325550/jake-blount-the-man-was-burning\">Jake Blount\u003c/a>, Sarah Shook & the Disarmers and Antibalas.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Playing Hardly Strictly for the first time ever this year feels a bit like coming home,” Tré Burt told organizers. “I used to sneak in and play for as long as I could on the footpaths before eventually being kicked out by security back in the day, so it feels great to actually be invited onto the stage!”\u003c/p>\n\u003cp>Expect at least one or two more lineup announcements in the coming weeks, teased on the \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\">festival’s website here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Update, July 27, 2022:\u003c/strong> Hardly Strictly Bluegrass organizers have released \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\">an initial lineup\u003c/a> for this year’s festival. Artists slated to perform include Marcus Mumford, Allison Russell, Las Cafeteras, Lucius, Galactic, AJ Lee & Blue Summit, Joy Oladokun, Charley Crockett, Buddy Miller and Dashawn Hickman. Further lineup announcements are expected in the coming weeks, teased \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\" target=\"_blank\" rel=\"noopener noreferrer\">via song medleys on the festival’s website\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Original story, July 21, 2022:\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass, the free music festival, \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">is scheduled to return in-person\u003c/a> to Golden Gate Park this year for the first time since 2019. The festival will run Sept. 30 through Oct. 2.\u003c/p>\n\u003cp>The lineup of performers at this year’s Hardly Strictly festival has yet to be announced, with organizers planning to roll out artist announcements—via hint-filled song medleys—beginning July 26.\u003c/p>\n\u003cp>The all-ages festival was founded in 2001 by the late venture capitalist and bluegrass fan Warren Hellman, and has become a beginning-of-fall \u003ca href=\"https://www.kqed.org/arts/13810342/where-have-all-the-warren-hellmans-gone\" target=\"_blank\" rel=\"noopener noreferrer\">tradition for a generation of San Franciscans\u003c/a> ever since. In pre-pandemic years, the fest reliably drew more than half a million people to Golden Gate Park for performances by folk and bluegrass icons like Emmylou Harris, John Prine, Steve Earle and Mavis Staples.\u003c/p>\n\u003cp>[aside postID='arts_13810342']The 2020 and 2021 Hardly Strictly festivals were held virtually online due to COVID, with livestreams of performances by the likes of Bonnie Raitt, Boz Scaggs, Chuck Prophet, Fantastic Negrito and Rainbow Girls.\u003c/p>\n\u003cp>Still funded by the Hellman Foundation more than a decade after its founder’s death, the festival remains free to attendees, and has never taken on corporate sponsors, making it a cherished anomaly in the current music festival landscape.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.hardlystrictlybluegrass.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Visit the festival’s website\u003c/a> for more information and lineup announcements beginning next week.\u003c/p>\n\n","blocks":[],"excerpt":"After two years of livestreamed events, the free music festival will return to Golden Gate Park Sept. 30 through Oct. 2.","status":"publish","parent":0,"modified":1705006409,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":663},"headData":{"title":"Elvis Costello, Steve Earle, Alison Brown and More to Play Hardly Strictly Bluegrass 2022 | KQED","description":"After two years of livestreamed events, the free music festival will return to Golden Gate Park Sept. 30 through Oct. 2.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13916410/hardly-strictly-bluegrass-to-return-in-person-to-golden-gate-park-in-2022","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Update, Sept. 7, 2022: \u003c/strong>A new round of artists has been announced as part of the lineup for this year’s Hardly Strictly Bluegrass festival, set to take place Sept. 30 through Oct. 2. Acts include Elvis Costello, Steve Earle & the Dukes, The Travelin’ McCourys, Bob Schneider, Moonalice, Cymande, Arooj Aftab, Cedric Watson, Alison Brown and Jim Lauderdale.\u003c/p>\n\u003cp>Steve Earle is scheduled to host a tribute to longtime festival regulars who have died over the past few years, like John Prine, Justin Townes Earle and Nancy Bechtle.\u003c/p>\n\u003cp>And Elvis Costello has added a night show: “Elvis Sings Hunter-Garcia,” a tribute to the Grateful Dead’s Robert Hunter and Jerry Garcia, is set for Sept. 30 at the Great American Music Hall, with two shows at 7 and 10pm. The evening is a benefit for the nonprofit Prader-Willi Homes of California, which funds residential facilities for people with developmental disabilities. \u003ca href=\"https://gamh.com/shows-elvis-costello-sings-hunter-garcia/\">Tickets and more info here\u003c/a>.\u003c/p>\n\u003cp>Organizers say the full festival lineup will be announced Sept. 13. Check out the lineup (so far) on the \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">HSB website here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Update, Aug. 10, 2022: \u003c/strong>Festival organizers have rolled out a second installment of the lineup for this year’s Hardly Strictly Bluegrass, and it’s a good one, with a strong local showing. Artists added to the slate include festival veteran Emmylou Harris, Talking Heads’ Jerry Harrison & Adrian Belew performing songs from “Remain In Light,” Sacramento’s Tré Burt, San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13817300/the-10-best-bay-area-albums-of-2017-meklit-when-the-people-move-the-music-moves-too\">Meklit\u003c/a>, Petaluma-born \u003ca href=\"https://www.kqed.org/arts/13838086/the-brothers-comatoses-trade-deal-with-china-bluegrass\">the Brothers Comatose\u003c/a>, Seratones, the Tallest Man On Earth, \u003ca href=\"https://www.npr.org/sections/now-playing/2022/02/22/1082325550/jake-blount-the-man-was-burning\">Jake Blount\u003c/a>, Sarah Shook & the Disarmers and Antibalas.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Playing Hardly Strictly for the first time ever this year feels a bit like coming home,” Tré Burt told organizers. “I used to sneak in and play for as long as I could on the footpaths before eventually being kicked out by security back in the day, so it feels great to actually be invited onto the stage!”\u003c/p>\n\u003cp>Expect at least one or two more lineup announcements in the coming weeks, teased on the \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\">festival’s website here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Update, July 27, 2022:\u003c/strong> Hardly Strictly Bluegrass organizers have released \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\">an initial lineup\u003c/a> for this year’s festival. Artists slated to perform include Marcus Mumford, Allison Russell, Las Cafeteras, Lucius, Galactic, AJ Lee & Blue Summit, Joy Oladokun, Charley Crockett, Buddy Miller and Dashawn Hickman. Further lineup announcements are expected in the coming weeks, teased \u003ca href=\"https://www.hardlystrictlybluegrass.com/headline/hsb22-artist-medley-1/\" target=\"_blank\" rel=\"noopener noreferrer\">via song medleys on the festival’s website\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Original story, July 21, 2022:\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass, the free music festival, \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">is scheduled to return in-person\u003c/a> to Golden Gate Park this year for the first time since 2019. The festival will run Sept. 30 through Oct. 2.\u003c/p>\n\u003cp>The lineup of performers at this year’s Hardly Strictly festival has yet to be announced, with organizers planning to roll out artist announcements—via hint-filled song medleys—beginning July 26.\u003c/p>\n\u003cp>The all-ages festival was founded in 2001 by the late venture capitalist and bluegrass fan Warren Hellman, and has become a beginning-of-fall \u003ca href=\"https://www.kqed.org/arts/13810342/where-have-all-the-warren-hellmans-gone\" target=\"_blank\" rel=\"noopener noreferrer\">tradition for a generation of San Franciscans\u003c/a> ever since. In pre-pandemic years, the fest reliably drew more than half a million people to Golden Gate Park for performances by folk and bluegrass icons like Emmylou Harris, John Prine, Steve Earle and Mavis Staples.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13810342","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The 2020 and 2021 Hardly Strictly festivals were held virtually online due to COVID, with livestreams of performances by the likes of Bonnie Raitt, Boz Scaggs, Chuck Prophet, Fantastic Negrito and Rainbow Girls.\u003c/p>\n\u003cp>Still funded by the Hellman Foundation more than a decade after its founder’s death, the festival remains free to attendees, and has never taken on corporate sponsors, making it a cherished anomaly in the current music festival landscape.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.hardlystrictlybluegrass.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Visit the festival’s website\u003c/a> for more information and lineup announcements beginning next week.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13916410/hardly-strictly-bluegrass-to-return-in-person-to-golden-gate-park-in-2022","authors":["7237"],"categories":["arts_1","arts_69","arts_235"],"tags":["arts_8746","arts_2427","arts_2688","arts_18123","arts_1694","arts_585"],"featImg":"arts_13918807","label":"arts"},"arts_13912657":{"type":"posts","id":"arts_13912657","meta":{"index":"posts_1591205157","site":"arts","id":"13912657","score":null,"sort":[1651849236000]},"guestAuthors":[],"slug":"gum-girls-midwinter-fair-san-francisco-history-golden-gate-park","title":"How the Infamous Gum Girls Scandalized 1894 San Francisco","publishDate":1651849236,"format":"standard","headTitle":"How the Infamous Gum Girls Scandalized 1894 San Francisco | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>In 1894, Golden Gate Park’s Midwinter Fair was the talk of the town. Featuring fairground rides, museums, an ostrich farm and \u003ca href=\"https://www.kqed.org/arts/13909983/victorian-attractions-san-francisco-chutes-gravity-railroad-woodwards-gardens-bonet-tower-auditorium-skating\" target=\"_blank\" rel=\"noopener noreferrer\">the closest thing San Francisco ever got to an Eiffel Tower\u003c/a>, the fair was a raging success with over two million visitors. There was just one element of the five-month exposition, however, that got visitors flustered and flabbergasted: the Gum Girls.\u003c/p>\n\u003cp>Hired to peddle chewing gum to the fair’s male clientele, the Gum Girls wore matching outfits, traveled in pairs, and were in the habit of whistling “Two Little Girls in Blue” any time they made a sale. Which was often. Chewing gum had only recently been transformed from its chicle-based roots into something fun and fruity. (The first fruit-flavored gum, Kis-Me, hit markets in 1886; Wrigley introduced Juicy Fruit just one year before the fair.) The song, penned by Charles Graham in 1893, became a near-constant refrain at the fair—particularly on the Midway, where the Gum Girls did most of their business.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3M0-o7m4Uhg\u003c/p>\n\u003cp>As quaint as this all sounds, the Gum Girls were controversial figures from the very first day of the Midwinter Fair. For one, they flirted shamelessly with their male customers, largely motivated by the fact that they were working on commission. More scandalous still, they wore calf-length pleated skirts that exposed their ankles. That they also wore thick black stockings—meaning there was no bare flesh on display—did not quell the hullaballoo surrounding their revealing (by Victorian standards) attire.\u003c/p>\n\u003cp>[aside postid='arts_13894842']One \u003cem>San Francisco Examiner\u003c/em> reporter could barely conceal his ire while writing about the Gum Girls in April 1894. He did his best to denigrate the young women, implying they lacked grace and class.\u003c/p>\n\u003cblockquote>\u003cp>The prevailing type of gum girl ranges in age from 25 to 40. Most of them are stout, with faces creased from experience. None of them are refined, of course … They never wear gloves, but their hands are protected from the wind by quantities of rings. From their necks boxes of gum are strung by means of a strap. The boxes are always open and the gum girl is always patronizing her own wares. With wagging jaws and a stereotyped smile she gazes at each passer-by and invites almost every man to purchase.\u003c/p>\u003c/blockquote>\n\u003cp>The report continued disdainfully:\u003c/p>\n\u003cblockquote>\u003cp>Everybody calls the gum girls by their first names. To say ‘Mrs’ or ‘Miss’ would seem very inappropriate and if you don’t know their given names and say Mamie or Lizzie at a venture you are almost certain to strike it right. Old patrons ask the gum girls how their children or grandchildren are, and these attempts at wit invariably bring out a flood of choice slang.\u003c/p>\u003c/blockquote>\n\u003cfigure id=\"attachment_13912675\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912675\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/opensfhistory_wnp15.145-1-800x624.jpg\" alt=\"Two young women stand close together, the taller with her arm around the shorter. They wear matching uniforms of calve-length skirts, formal jackets, white shirts and ties, and petite caps.\" width=\"800\" height=\"624\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.145-1-800x624.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.145-1-160x125.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.145-1-768x599.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.145-1.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A pair of Gum Girls in front of the Walter Baker Cocoa Building. \u003ccite>(OpenSFHistory / wnp15.145)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Because the Gum Girls were routinely subjected to such disparagement, they found themselves on the receiving end of both verbal abuse and unwanted advances by men at the fair. (This was the primary reason they worked in pairs.) An incident on May 5, 1894, however, sent a loud and clear message to potential harassers all over the city.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Gum Girl Violet Eilids was conducting a transaction one day, when the male customer reached over her gum box and started to “toy familiarly” with her necktie. Most displeased by the violation of her personal space, Eilids responded by punching the letch square in the face.\u003c/p>\n\u003cp>The next day, the \u003cem>San Francisco Chronicle\u003c/em> reported:\u003c/p>\n\u003cblockquote>\u003cp>Miss Violet Eilids, a late addition to the rank and file of the gum brigade, knows how to handle her fists in a scientific manner … Doubling up her right, the girl planted a stiff, straight arm punch on the nose of her tormenter. He landed on his back among the [souvenir medal] machines, and now his nose is not as pretty as it used to be. The Gum Girl, who says she has taken boxing lessons from her brother, is now recognized as the champion of the brigade, which is thinking of taking an immediate course in the manly art as a means of self-protection.\u003c/p>\u003c/blockquote>\n\u003cfigure id=\"attachment_13912679\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912679\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/opensfhistory_wnp15.146-800x630.jpg\" alt=\"\" width=\"800\" height=\"630\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.146-800x630.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.146-160x126.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.146-768x605.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.146.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gum Girls’ headquarters in Golden Gate Park, during the 1894 Midwinter Fair. \u003ccite>(OpenSFHistory / wnp15.146)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[aside postid='arts_13902628']The incident added to the Gum Girls’ infamy, but these thoroughly modern women continued their mission to keep visitors chewing right up to the end of the fair. For some, their boldness paid off with subsequent modeling and acting jobs.\u003c/p>\n\u003cp>One Gum Girl named Marion Nolan—said by the \u003cem>San Francisco Examiner\u003c/em> to be “the prettiest of the lot”—won a competition to be the face and body of a marble statue by sculptor Rupert Schmid. Nolan went on to marry a millionaire from Mexico City, became a San Francisco socialite, but was tragically \u003ca href=\"https://cdnc.ucr.edu/?a=d&d=SFC19021021.2.9&e=-------en--20--1--txt-txIN--------\">gunned down by a stalker in 1902\u003c/a>. After Edward Marshuts had murdered Nolan in front of scores of witnesses on O’Farrell Street, he turned the gun on himself. Nolan’s likeness, however, lives on to this day in Schmid’s \u003ca href=\"http://collections.museumca.org/?q=collection-item/a53409\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>California Venus\u003c/i> statue\u003c/a>, on display at the Oakland Museum of California.\u003c/p>\n\u003cp>It would take 20 years after the Midwinter Fair for ankle-revealing skirts to hit the fashion mainstream. It also took that long for women who chewed gum in public to be seen as bold and independent, rather than simply unladylike. But for decades after they first strutted the paths of the Midwinter Fair, the Gum Girls’ reputations for being “bad girls” persisted by all who remembered them. Take, for example, this Dick Tracy newspaper cartoon from 1941.\u003c/p>\n\u003cfigure id=\"attachment_13912766\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912766\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-800x264.png\" alt=\"\" width=\"800\" height=\"264\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-800x264.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-1020x336.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-160x53.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-768x253.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-1536x506.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-2048x675.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-1920x633.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dick Tracy suspects a Gum Girl of criminal activity in a cartoon strip from Oct. 1941, published by the ‘Salt Lake Tribune.’\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>Today, it’s easier to see the Gum Girls for what they really were: women bucking expectations and making their own money on their own terms. Most of all? They were simply ahead of their time.\u003c/p>\n\n","blocks":[],"excerpt":"These Victorian women weren’t afraid to push boundaries and stand up for themselves. May we remember them fondly. ","status":"publish","parent":0,"modified":1705006886,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":1031},"headData":{"title":"How the Infamous Gum Girls Scandalized 1894 San Francisco | KQED","description":"These Victorian women weren’t afraid to push boundaries and stand up for themselves. May we remember them fondly. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/bf311c84-7a41-4184-9bad-aeed013076e1/audio.mp3","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13912657/gum-girls-midwinter-fair-san-francisco-history-golden-gate-park","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 1894, Golden Gate Park’s Midwinter Fair was the talk of the town. Featuring fairground rides, museums, an ostrich farm and \u003ca href=\"https://www.kqed.org/arts/13909983/victorian-attractions-san-francisco-chutes-gravity-railroad-woodwards-gardens-bonet-tower-auditorium-skating\" target=\"_blank\" rel=\"noopener noreferrer\">the closest thing San Francisco ever got to an Eiffel Tower\u003c/a>, the fair was a raging success with over two million visitors. There was just one element of the five-month exposition, however, that got visitors flustered and flabbergasted: the Gum Girls.\u003c/p>\n\u003cp>Hired to peddle chewing gum to the fair’s male clientele, the Gum Girls wore matching outfits, traveled in pairs, and were in the habit of whistling “Two Little Girls in Blue” any time they made a sale. Which was often. Chewing gum had only recently been transformed from its chicle-based roots into something fun and fruity. (The first fruit-flavored gum, Kis-Me, hit markets in 1886; Wrigley introduced Juicy Fruit just one year before the fair.) The song, penned by Charles Graham in 1893, became a near-constant refrain at the fair—particularly on the Midway, where the Gum Girls did most of their business.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3M0-o7m4Uhg'\n title='//www.youtube.com/embed/3M0-o7m4Uhg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As quaint as this all sounds, the Gum Girls were controversial figures from the very first day of the Midwinter Fair. For one, they flirted shamelessly with their male customers, largely motivated by the fact that they were working on commission. More scandalous still, they wore calf-length pleated skirts that exposed their ankles. That they also wore thick black stockings—meaning there was no bare flesh on display—did not quell the hullaballoo surrounding their revealing (by Victorian standards) attire.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13894842","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>One \u003cem>San Francisco Examiner\u003c/em> reporter could barely conceal his ire while writing about the Gum Girls in April 1894. He did his best to denigrate the young women, implying they lacked grace and class.\u003c/p>\n\u003cblockquote>\u003cp>The prevailing type of gum girl ranges in age from 25 to 40. Most of them are stout, with faces creased from experience. None of them are refined, of course … They never wear gloves, but their hands are protected from the wind by quantities of rings. From their necks boxes of gum are strung by means of a strap. The boxes are always open and the gum girl is always patronizing her own wares. With wagging jaws and a stereotyped smile she gazes at each passer-by and invites almost every man to purchase.\u003c/p>\u003c/blockquote>\n\u003cp>The report continued disdainfully:\u003c/p>\n\u003cblockquote>\u003cp>Everybody calls the gum girls by their first names. To say ‘Mrs’ or ‘Miss’ would seem very inappropriate and if you don’t know their given names and say Mamie or Lizzie at a venture you are almost certain to strike it right. Old patrons ask the gum girls how their children or grandchildren are, and these attempts at wit invariably bring out a flood of choice slang.\u003c/p>\u003c/blockquote>\n\u003cfigure id=\"attachment_13912675\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912675\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/opensfhistory_wnp15.145-1-800x624.jpg\" alt=\"Two young women stand close together, the taller with her arm around the shorter. They wear matching uniforms of calve-length skirts, formal jackets, white shirts and ties, and petite caps.\" width=\"800\" height=\"624\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.145-1-800x624.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.145-1-160x125.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.145-1-768x599.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.145-1.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A pair of Gum Girls in front of the Walter Baker Cocoa Building. \u003ccite>(OpenSFHistory / wnp15.145)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Because the Gum Girls were routinely subjected to such disparagement, they found themselves on the receiving end of both verbal abuse and unwanted advances by men at the fair. (This was the primary reason they worked in pairs.) An incident on May 5, 1894, however, sent a loud and clear message to potential harassers all over the city.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Gum Girl Violet Eilids was conducting a transaction one day, when the male customer reached over her gum box and started to “toy familiarly” with her necktie. Most displeased by the violation of her personal space, Eilids responded by punching the letch square in the face.\u003c/p>\n\u003cp>The next day, the \u003cem>San Francisco Chronicle\u003c/em> reported:\u003c/p>\n\u003cblockquote>\u003cp>Miss Violet Eilids, a late addition to the rank and file of the gum brigade, knows how to handle her fists in a scientific manner … Doubling up her right, the girl planted a stiff, straight arm punch on the nose of her tormenter. He landed on his back among the [souvenir medal] machines, and now his nose is not as pretty as it used to be. The Gum Girl, who says she has taken boxing lessons from her brother, is now recognized as the champion of the brigade, which is thinking of taking an immediate course in the manly art as a means of self-protection.\u003c/p>\u003c/blockquote>\n\u003cfigure id=\"attachment_13912679\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912679\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/opensfhistory_wnp15.146-800x630.jpg\" alt=\"\" width=\"800\" height=\"630\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.146-800x630.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.146-160x126.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.146-768x605.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/opensfhistory_wnp15.146.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gum Girls’ headquarters in Golden Gate Park, during the 1894 Midwinter Fair. \u003ccite>(OpenSFHistory / wnp15.146)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13902628","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The incident added to the Gum Girls’ infamy, but these thoroughly modern women continued their mission to keep visitors chewing right up to the end of the fair. For some, their boldness paid off with subsequent modeling and acting jobs.\u003c/p>\n\u003cp>One Gum Girl named Marion Nolan—said by the \u003cem>San Francisco Examiner\u003c/em> to be “the prettiest of the lot”—won a competition to be the face and body of a marble statue by sculptor Rupert Schmid. Nolan went on to marry a millionaire from Mexico City, became a San Francisco socialite, but was tragically \u003ca href=\"https://cdnc.ucr.edu/?a=d&d=SFC19021021.2.9&e=-------en--20--1--txt-txIN--------\">gunned down by a stalker in 1902\u003c/a>. After Edward Marshuts had murdered Nolan in front of scores of witnesses on O’Farrell Street, he turned the gun on himself. Nolan’s likeness, however, lives on to this day in Schmid’s \u003ca href=\"http://collections.museumca.org/?q=collection-item/a53409\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>California Venus\u003c/i> statue\u003c/a>, on display at the Oakland Museum of California.\u003c/p>\n\u003cp>It would take 20 years after the Midwinter Fair for ankle-revealing skirts to hit the fashion mainstream. It also took that long for women who chewed gum in public to be seen as bold and independent, rather than simply unladylike. But for decades after they first strutted the paths of the Midwinter Fair, the Gum Girls’ reputations for being “bad girls” persisted by all who remembered them. Take, for example, this Dick Tracy newspaper cartoon from 1941.\u003c/p>\n\u003cfigure id=\"attachment_13912766\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912766\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-800x264.png\" alt=\"\" width=\"800\" height=\"264\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-800x264.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-1020x336.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-160x53.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-768x253.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-1536x506.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-2048x675.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/Dick-Tracy-Salt-Lake-Tribune-Oct-26-1941-1920x633.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dick Tracy suspects a Gum Girl of criminal activity in a cartoon strip from Oct. 1941, published by the ‘Salt Lake Tribune.’\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>Today, it’s easier to see the Gum Girls for what they really were: women bucking expectations and making their own money on their own terms. Most of all? They were simply ahead of their time.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13912657/gum-girls-midwinter-fair-san-francisco-history-golden-gate-park","authors":["11242"],"categories":["arts_1","arts_7862","arts_11615"],"tags":["arts_6660","arts_2427"],"featImg":"arts_13912671","label":"arts"},"arts_13912499":{"type":"posts","id":"arts_13912499","meta":{"index":"posts_1591205157","site":"arts","id":"13912499","score":null,"sort":[1651013397000]},"guestAuthors":[],"slug":"song-jfk-drive-car-free-board-of-supervisors-sf","title":"The Best 1-Minute Song About Keeping JFK Drive Car-Free You'll Ever Hear","publishDate":1651013397,"format":"standard","headTitle":"The Best 1-Minute Song About Keeping JFK Drive Car-Free You’ll Ever Hear | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>During today’s Board of Supervisors meeting on whether or not to allow cars on John F. Kennedy Drive in Golden Gate Park, one of those wonderful, dammit-I-love-the-internet things happened: a San Francisco musician sang a song at the speaker’s podium. \u003c/p>\n\u003cp>https://twitter.com/CommunitySpace_/status/1519042375565279232\u003c/p>\n\u003cp>John Elliott premiered his brief, catchy song “on behalf of the dwindling community of musicians in San Francisco, and the 50% of San Franciscans who rent their homes and do not own a car,” finishing his triumphant coda just as the speaker’s allotted one-minute chime sounded. \u003c/p>\n\u003cp>(KQED readers may remember Elliott from his \u003ca href=\"https://www.kqed.org/arts/13906513/all-too-well-parody-jake-gyllenhaal-taylor-swift-john-elliott-san-francisco\" rel=\"noopener noreferrer\" target=\"_blank\">Taylor Swift/Jake Gyllenhaal parody, “All Too Well (Jake’s Version).”\u003c/a>)\u003c/p>\n\u003cp>JFK Drive, which became car-free during the pandemic, has been at the center of strong debate over its planned return to vehicular traffic. As least now we know how one District 1 resident feels—and his \u003ca href=\"https://twitter.com/CommunitySpace_/status/1519042375565279232\" rel=\"noopener noreferrer\" target=\"_blank\">short, simple anthem\u003c/a> for all who want to keep JFK Drive car-free.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Watch San Francisco musician John Elliott sing his song, “Car-Free,” at the Board of Supervisors meeting.","status":"publish","parent":0,"modified":1705006931,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":179},"headData":{"title":"The Best 1-Minute Song About Keeping JFK Drive Car-Free You'll Ever Hear | KQED","description":"Watch San Francisco musician John Elliott sing his song, “Car-Free,” at the Board of Supervisors meeting.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"WpOldSlug":"the-best-1-minute-song-about-keeping-jfk-drive-car-free-youll-ever-hear","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13912499/song-jfk-drive-car-free-board-of-supervisors-sf","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>During today’s Board of Supervisors meeting on whether or not to allow cars on John F. Kennedy Drive in Golden Gate Park, one of those wonderful, dammit-I-love-the-internet things happened: a San Francisco musician sang a song at the speaker’s podium. \u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1519042375565279232"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>John Elliott premiered his brief, catchy song “on behalf of the dwindling community of musicians in San Francisco, and the 50% of San Franciscans who rent their homes and do not own a car,” finishing his triumphant coda just as the speaker’s allotted one-minute chime sounded. \u003c/p>\n\u003cp>(KQED readers may remember Elliott from his \u003ca href=\"https://www.kqed.org/arts/13906513/all-too-well-parody-jake-gyllenhaal-taylor-swift-john-elliott-san-francisco\" rel=\"noopener noreferrer\" target=\"_blank\">Taylor Swift/Jake Gyllenhaal parody, “All Too Well (Jake’s Version).”\u003c/a>)\u003c/p>\n\u003cp>JFK Drive, which became car-free during the pandemic, has been at the center of strong debate over its planned return to vehicular traffic. As least now we know how one District 1 resident feels—and his \u003ca href=\"https://twitter.com/CommunitySpace_/status/1519042375565279232\" rel=\"noopener noreferrer\" target=\"_blank\">short, simple anthem\u003c/a> for all who want to keep JFK Drive car-free.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13912499/song-jfk-drive-car-free-board-of-supervisors-sf","authors":["185"],"categories":["arts_1","arts_11615","arts_69"],"tags":["arts_10278","arts_2415","arts_2427","arts_1146"],"featImg":"arts_13912504","label":"arts"},"arts_13896901":{"type":"posts","id":"arts_13896901","meta":{"index":"posts_1591205157","site":"arts","id":"13896901","score":null,"sort":[1620349764000]},"guestAuthors":[],"slug":"this-juneteenth-sculptures-honoring-african-ancestors-arrive-in-golden-gate-park","title":"This Juneteenth, Sculptures Honoring African Ancestors Arrive in Golden Gate Park","publishDate":1620349764,"format":"standard","headTitle":"This Juneteenth, Sculptures Honoring African Ancestors Arrive in Golden Gate Park | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>If everything goes as planned, come June 19, Oakland artist and \u003ca href=\"https://www.seeblackwomxn.com/\" rel=\"noopener noreferrer\" target=\"_blank\">See Black Womxn\u003c/a> co-founder \u003ca href=\"https://danakingart.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Dana King\u003c/a> will unveil a 350-piece art installation in Golden Gate Park’s Music Concourse. Sponsored by the Museum of the African Diaspora and the San Francisco African American Chamber of Commerce, \u003ci>\u003ca href=\"https://www.monumentalreckoning.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Monumental Reckoning\u003c/a>\u003c/i> will surround the site of the toppled Francis Scott Key statue, and remain in place for two years.\u003c/p>\n\u003cp>King is currently working to complete the installation for its Juneteenth unveiling, fashioning four-foot-tall sculptures from steel and vinyl that represent the 350 African ancestors who were abducted and forcibly taken to the United States as the country’s first enslaved people. \u003c/p>\n\u003cp>“I really see that people acknowledge the need for a piece that speaks truth to the story of African descendants and brings their memories out into the public,” King says.\u003c/p>\n\u003cp>[aside postID='news_11826151']The Key statue was removed from the park after \u003ca href=\"https://www.kqed.org/news/11826151/how-do-we-heal-toppling-the-myth-of-junipero-serra\" rel=\"noopener noreferrer\" target=\"_blank\">protesters pulled it down\u003c/a> last Juneteenth, along with statues of Father Junípero Serra and Ulysses S. Grant. In addition to penning the poem that became the national anthem, Key was a slaveholder who opposed abolition.\u003c/p>\n\u003cp>Along with King’s installation, the phrase “Lift Every Voice” will shine on top of the Spreckels Temple of Music. The phrase comes from James Weldon Johnson’s poem \u003cem>Lift Every Voice and Sing\u003c/em>, which has been known as “The Black National Anthem” for over a century. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Ben Davis, CEO of the nonprofit organization Illuminate, says the decision to use this phrase fell into place because it directly opposes Key’s legacy as the author of “The Star-Spangled Banner.”\u003c/p>\n\u003cp>“We found it interesting that we could be celebrating the Black national anthem at one end of the music concourse, while there was this vacated monument to the national anthem at the other end,” Davis reflects.\u003c/p>\n\u003cp>https://vimeo.com/533256187\u003c/p>\n\u003cp>The \u003ci>Monumental Reckoning\u003c/i> project has received support from a number of Black women leaders, including Mayor London Breed and former Black Panther member, Fredrika Newton. \u003c/p>\n\u003cp>King has relied on neighbors and other artists to help finish the hundreds of sculptures by June. She says she has to complete around 80 sculptures a week to stay on schedule. Illuminate launched a \u003ca href=\"https://charity.gofundme.com/o/en/campaign/monumental-reckoning\">GoFundMe\u003c/a> on May 1 to help fund the installation, aiming to raise $350,000.[aside postID='arts_13889089'] \u003c/p>\n\u003cp>“I’m actually a little overwhelmed at the approval and the ease of this process,” King says. “It reinforces my faith in humankind because I do believe that we are much better than we are. It really is proof of a shift, of a reckoning.” \u003c/p>\n\u003cp>The project will still need to be approved by San Francisco’s planning commission and the historical preservation committee early next month. It’s expected to be exhibited through June of 2023.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Art is an integral answer to the struggle, because if one aspect is missing, then it’s not a hundred percent,” King emphasizes. “We all have to work in the arenas that we do and continue to fight for equity and justice.”\u003c/p>\n\n","blocks":[],"excerpt":"Dana King’s ‘Monumental Reckoning’ will circle the site of the toppled Francis Scott Key statue.","status":"publish","parent":0,"modified":1705008411,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":537},"headData":{"title":"This Juneteenth, Sculptures Honoring African Ancestors Arrive in Golden Gate Park | KQED","description":"Dana King’s ‘Monumental Reckoning’ will circle the site of the toppled Francis Scott Key statue.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprByline":"Gabriella Frenes","templateType":"standard","featuredImageType":"standard","path":"/arts/13896901/this-juneteenth-sculptures-honoring-african-ancestors-arrive-in-golden-gate-park","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>If everything goes as planned, come June 19, Oakland artist and \u003ca href=\"https://www.seeblackwomxn.com/\" rel=\"noopener noreferrer\" target=\"_blank\">See Black Womxn\u003c/a> co-founder \u003ca href=\"https://danakingart.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Dana King\u003c/a> will unveil a 350-piece art installation in Golden Gate Park’s Music Concourse. Sponsored by the Museum of the African Diaspora and the San Francisco African American Chamber of Commerce, \u003ci>\u003ca href=\"https://www.monumentalreckoning.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Monumental Reckoning\u003c/a>\u003c/i> will surround the site of the toppled Francis Scott Key statue, and remain in place for two years.\u003c/p>\n\u003cp>King is currently working to complete the installation for its Juneteenth unveiling, fashioning four-foot-tall sculptures from steel and vinyl that represent the 350 African ancestors who were abducted and forcibly taken to the United States as the country’s first enslaved people. \u003c/p>\n\u003cp>“I really see that people acknowledge the need for a piece that speaks truth to the story of African descendants and brings their memories out into the public,” King says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11826151","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The Key statue was removed from the park after \u003ca href=\"https://www.kqed.org/news/11826151/how-do-we-heal-toppling-the-myth-of-junipero-serra\" rel=\"noopener noreferrer\" target=\"_blank\">protesters pulled it down\u003c/a> last Juneteenth, along with statues of Father Junípero Serra and Ulysses S. Grant. In addition to penning the poem that became the national anthem, Key was a slaveholder who opposed abolition.\u003c/p>\n\u003cp>Along with King’s installation, the phrase “Lift Every Voice” will shine on top of the Spreckels Temple of Music. The phrase comes from James Weldon Johnson’s poem \u003cem>Lift Every Voice and Sing\u003c/em>, which has been known as “The Black National Anthem” for over a century. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Ben Davis, CEO of the nonprofit organization Illuminate, says the decision to use this phrase fell into place because it directly opposes Key’s legacy as the author of “The Star-Spangled Banner.”\u003c/p>\n\u003cp>“We found it interesting that we could be celebrating the Black national anthem at one end of the music concourse, while there was this vacated monument to the national anthem at the other end,” Davis reflects.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"vimeoLink","attributes":{"named":{"vimeoId":"533256187"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The \u003ci>Monumental Reckoning\u003c/i> project has received support from a number of Black women leaders, including Mayor London Breed and former Black Panther member, Fredrika Newton. \u003c/p>\n\u003cp>King has relied on neighbors and other artists to help finish the hundreds of sculptures by June. She says she has to complete around 80 sculptures a week to stay on schedule. Illuminate launched a \u003ca href=\"https://charity.gofundme.com/o/en/campaign/monumental-reckoning\">GoFundMe\u003c/a> on May 1 to help fund the installation, aiming to raise $350,000.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13889089","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp> \u003c/p>\n\u003cp>“I’m actually a little overwhelmed at the approval and the ease of this process,” King says. “It reinforces my faith in humankind because I do believe that we are much better than we are. It really is proof of a shift, of a reckoning.” \u003c/p>\n\u003cp>The project will still need to be approved by San Francisco’s planning commission and the historical preservation committee early next month. It’s expected to be exhibited through June of 2023.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Art is an integral answer to the struggle, because if one aspect is missing, then it’s not a hundred percent,” King emphasizes. “We all have to work in the arenas that we do and continue to fight for equity and justice.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13896901/this-juneteenth-sculptures-honoring-african-ancestors-arrive-in-golden-gate-park","authors":["byline_arts_13896901"],"categories":["arts_1","arts_235"],"tags":["arts_10278","arts_10422","arts_2427","arts_7465","arts_2628","arts_901"],"featImg":"arts_13896916","label":"arts"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. 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And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. 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