SF’s Hardest-Partying Gallery Turns 30, Shows No Signs of Slowing Down
At Gallery Wendi Norris, a Magical Encounter With Remedios Varo’s Work
Your Guide to the Bay Area's Best Art Exhibitions This Summer
At the Mission Art and Comic Expo, ‘Hella Chicano Artists’ Rep a Local Scene
A Fond Farewell to Ratio 3, Closing After 20 Years in San Francisco
Herb Greene’s Photography Offers Much More Than Music Icons
At ICA SF, ‘Resting Our Eyes’ Affirms Black Women’s Right to Leisure
House of Seiko’s Inaugural Show Revels in Subtlety and Process
Migrant Women Will March With Flags of Resilience in SF’s Chinese New Year Parade
window.__IS_SSR__=true
window.__INITIAL_STATE__={"attachmentsReducer":{"audio_0":{"type":"attachments","id":"audio_0","imgSizes":{"kqedFullSize":{"file":"https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"}}},"audio_1":{"type":"attachments","id":"audio_1","imgSizes":{"kqedFullSize":{"file":"https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"}}},"audio_2":{"type":"attachments","id":"audio_2","imgSizes":{"kqedFullSize":{"file":"https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"}}},"audio_3":{"type":"attachments","id":"audio_3","imgSizes":{"kqedFullSize":{"file":"https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"}}},"audio_4":{"type":"attachments","id":"audio_4","imgSizes":{"kqedFullSize":{"file":"https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"}}},"placeholder":{"type":"attachments","id":"placeholder","imgSizes":{"thumbnail":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-160x96.jpg","width":160,"height":96,"mimeType":"image/jpeg"},"medium":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-800x478.jpg","width":800,"height":478,"mimeType":"image/jpeg"},"large":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-1020x610.jpg","width":1020,"height":610,"mimeType":"image/jpeg"},"fd-lrg":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-1920x1148.jpg","width":1920,"height":1148,"mimeType":"image/jpeg"},"fd-med":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-1180x705.jpg","width":1180,"height":705,"mimeType":"image/jpeg"},"fd-sm":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-960x574.jpg","width":960,"height":574,"mimeType":"image/jpeg"},"post-thumbnail":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-672x372.jpg","width":672,"height":372,"mimeType":"image/jpeg"},"twentyfourteen-full-width":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-1038x576.jpg","width":1038,"height":576,"mimeType":"image/jpeg"},"xxsmall":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-240x143.jpg","width":240,"height":143,"mimeType":"image/jpeg"},"xsmall":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-375x224.jpg","width":375,"height":224,"mimeType":"image/jpeg"},"small":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-520x311.jpg","width":520,"height":311,"mimeType":"image/jpeg"},"xlarge":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-1180x705.jpg","width":1180,"height":705,"mimeType":"image/jpeg"},"full-width":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-1920x1148.jpg","width":1920,"height":1148,"mimeType":"image/jpeg"},"guest-author-32":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-32x32.jpg","width":32,"height":32,"mimeType":"image/jpeg"},"guest-author-50":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-50x50.jpg","width":50,"height":50,"mimeType":"image/jpeg"},"guest-author-64":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-64x64.jpg","width":64,"height":64,"mimeType":"image/jpeg"},"guest-author-96":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-96x96.jpg","width":96,"height":96,"mimeType":"image/jpeg"},"guest-author-128":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-128x128.jpg","width":128,"height":128,"mimeType":"image/jpeg"},"detail":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-150x150.jpg","width":150,"height":150,"mimeType":"image/jpeg"},"kqedFullSize":{"file":"https://ww2.kqed.org/wp-content/uploads/sites/10/2018/01/GettyImages-896326950-e1514998105161.jpg","width":1920,"height":1148}}},"arts_13936486":{"type":"attachments","id":"arts_13936486","meta":{"index":"attachments_1591205162","site":"arts","id":"13936486","found":true},"title":"(L) 111 Minna co-owner David Scott Mabry curated the gallery's 30th anniversary exhibition, (R) A typical 111 Minna opening party.","publishDate":1697483467,"status":"inherit","parent":13936275,"modified":1697513567,"caption":"(L) 111 Minna co-owner David Scott Mabry curated the gallery's 30th anniversary exhibition, (R) A typical 111 Minna opening party.","credit":"Courtesy of 111 Minna/ Instagram @111minnagallery","altTag":"Two photos side by side. The one on the right shows a large gallery space full of people mingling. The one on the left shows a smiling Black man with bald head and grey beard, holding up three fingers on both hands. Art hangs on the wall behind him.","description":null,"imgSizes":{"medium":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/10/111-Minna-featured-scaled-e1697483800269-800x495.jpg","width":800,"height":495,"mimeType":"image/jpeg"},"large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/10/111-Minna-featured-scaled-e1697483800269-1020x631.jpg","width":1020,"height":631,"mimeType":"image/jpeg"},"thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/10/111-Minna-featured-scaled-e1697483800269-160x99.jpg","width":160,"height":99,"mimeType":"image/jpeg"},"medium_large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/10/111-Minna-featured-scaled-e1697483800269-768x475.jpg","width":768,"height":475,"mimeType":"image/jpeg"},"1536x1536":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/10/111-Minna-featured-scaled-e1697483800269-1536x950.jpg","width":1536,"height":950,"mimeType":"image/jpeg"},"2048x2048":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/10/111-Minna-featured-2048x1267.jpg","width":2048,"height":1267,"mimeType":"image/jpeg"},"post-thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/10/111-Minna-featured-scaled-e1697483800269-672x372.jpg","width":672,"height":372,"mimeType":"image/jpeg"},"twentyfourteen-full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/10/111-Minna-featured-scaled-e1697483800269-1038x576.jpg","width":1038,"height":576,"mimeType":"image/jpeg"},"full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/10/111-Minna-featured-1920x1188.jpg","width":1920,"height":1188,"mimeType":"image/jpeg"},"kqedFullSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/10/111-Minna-featured-scaled-e1697483800269.jpg","width":1920,"height":1188}},"fetchFailed":false,"isLoading":false},"arts_13930847":{"type":"attachments","id":"arts_13930847","meta":{"index":"attachments_1591205162","site":"arts","id":"13930847","found":true},"title":"GWN_5-10-23_001_COVER","publishDate":1687540075,"status":"inherit","parent":13930840,"modified":1687540178,"caption":"Installation view of 'Remedios Varo: Encuentros,' at Gallery Wendi Norris with 'Ruptura,' 1955 at right.","credit":"Photo by Glen Cheriton, Impart Photography","altTag":"Four paintings hung on white walls, one in foreground, all depicting surreal scenes","description":null,"imgSizes":{"medium":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GWN_5-10-23_001_COVER-800x450.jpg","width":800,"height":450,"mimeType":"image/jpeg"},"large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GWN_5-10-23_001_COVER-1020x574.jpg","width":1020,"height":574,"mimeType":"image/jpeg"},"thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GWN_5-10-23_001_COVER-160x90.jpg","width":160,"height":90,"mimeType":"image/jpeg"},"medium_large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GWN_5-10-23_001_COVER-768x432.jpg","width":768,"height":432,"mimeType":"image/jpeg"},"1536x1536":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GWN_5-10-23_001_COVER-1536x864.jpg","width":1536,"height":864,"mimeType":"image/jpeg"},"post-thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GWN_5-10-23_001_COVER-672x372.jpg","width":672,"height":372,"mimeType":"image/jpeg"},"twentyfourteen-full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GWN_5-10-23_001_COVER-1038x576.jpg","width":1038,"height":576,"mimeType":"image/jpeg"},"kqedFullSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GWN_5-10-23_001_COVER.jpg","width":1920,"height":1080}},"fetchFailed":false,"isLoading":false},"arts_13929092":{"type":"attachments","id":"arts_13929092","meta":{"index":"attachments_1591205162","site":"arts","id":"13929092","found":true},"title":"YolandaLopez_SJMA","publishDate":1683909327,"status":"inherit","parent":13929082,"modified":1683909432,"caption":"Yolanda López, 'Runner: On My Own!' from the series '¿A Dónde Vas, Chicana? Getting through College,' 1977; Oil and acrylic on paper, 60 x 106 inches.","credit":"Courtesy of the Yolanda López Legacy Trust","altTag":"Painting of young woman in running outfit striding forward with coastal landscape behind her","description":null,"imgSizes":{"medium":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/YolandaLopez_SJMA-800x466.jpg","width":800,"height":466,"mimeType":"image/jpeg"},"large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/YolandaLopez_SJMA-1020x594.jpg","width":1020,"height":594,"mimeType":"image/jpeg"},"thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/YolandaLopez_SJMA-160x93.jpg","width":160,"height":93,"mimeType":"image/jpeg"},"medium_large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/YolandaLopez_SJMA-768x448.jpg","width":768,"height":448,"mimeType":"image/jpeg"},"1536x1536":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/YolandaLopez_SJMA-1536x895.jpg","width":1536,"height":895,"mimeType":"image/jpeg"},"post-thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/YolandaLopez_SJMA-672x372.jpg","width":672,"height":372,"mimeType":"image/jpeg"},"twentyfourteen-full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/YolandaLopez_SJMA-1038x576.jpg","width":1038,"height":576,"mimeType":"image/jpeg"},"kqedFullSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/YolandaLopez_SJMA.jpg","width":1920,"height":1119}},"fetchFailed":false,"isLoading":false},"arts_13928574":{"type":"attachments","id":"arts_13928574","meta":{"index":"attachments_1591205162","site":"arts","id":"13928574","found":true},"title":"MACE Exhibitors - Abby Rocha Illustration","publishDate":1683066981,"status":"inherit","parent":13928562,"modified":1683067347,"caption":"Illustrator Abby Rocha is one of nearly 50 exhibitors at this year’s Mission Art and Comic Expo.","credit":"Courtesy MACE","altTag":"Woman in black ballcap and black rimmed glasses looks up from table of illustrations and printed materials","description":null,"imgSizes":{"medium":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/MACE-Exhibitors-Abby-Rocha-Illustration-800x532.jpg","width":800,"height":532,"mimeType":"image/jpeg"},"large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/MACE-Exhibitors-Abby-Rocha-Illustration-1020x678.jpg","width":1020,"height":678,"mimeType":"image/jpeg"},"thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/MACE-Exhibitors-Abby-Rocha-Illustration-160x106.jpg","width":160,"height":106,"mimeType":"image/jpeg"},"medium_large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/MACE-Exhibitors-Abby-Rocha-Illustration-768x511.jpg","width":768,"height":511,"mimeType":"image/jpeg"},"post-thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/MACE-Exhibitors-Abby-Rocha-Illustration-672x372.jpg","width":672,"height":372,"mimeType":"image/jpeg"},"twentyfourteen-full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/MACE-Exhibitors-Abby-Rocha-Illustration-1038x576.jpg","width":1038,"height":576,"mimeType":"image/jpeg"},"kqedFullSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/05/MACE-Exhibitors-Abby-Rocha-Illustration.jpg","width":1080,"height":718}},"fetchFailed":false,"isLoading":false},"arts_13925945":{"type":"attachments","id":"arts_13925945","meta":{"index":"attachments_1591205162","site":"arts","id":"13925945","found":true},"title":"R3-Closing-02_COVER","publishDate":1678242255,"status":"inherit","parent":13925929,"modified":1678242308,"caption":"The front door of Ratio 3's current space on Mission Street, which is closed as of March 4, 2023.","credit":"Courtesy Ratio 3","altTag":"Black gate in front of black storefront with white lettering \"Ratio 3\"","description":null,"imgSizes":{"medium":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/03/R3-Closing-02_COVER-800x450.jpg","width":800,"height":450,"mimeType":"image/jpeg"},"large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/03/R3-Closing-02_COVER-1020x574.jpg","width":1020,"height":574,"mimeType":"image/jpeg"},"thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/03/R3-Closing-02_COVER-160x90.jpg","width":160,"height":90,"mimeType":"image/jpeg"},"medium_large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/03/R3-Closing-02_COVER-768x432.jpg","width":768,"height":432,"mimeType":"image/jpeg"},"1536x1536":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/03/R3-Closing-02_COVER-1536x864.jpg","width":1536,"height":864,"mimeType":"image/jpeg"},"post-thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/03/R3-Closing-02_COVER-672x372.jpg","width":672,"height":372,"mimeType":"image/jpeg"},"twentyfourteen-full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/03/R3-Closing-02_COVER-1038x576.jpg","width":1038,"height":576,"mimeType":"image/jpeg"},"kqedFullSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/03/R3-Closing-02_COVER.jpg","width":1920,"height":1080}},"fetchFailed":false,"isLoading":false},"arts_13925410":{"type":"attachments","id":"arts_13925410","meta":{"index":"attachments_1591205162","site":"arts","id":"13925410","found":true},"title":"Janis Joplin, as photographed by Herb Greene at his 66 Baker St. apartment in the Haight.","publishDate":1677114572,"status":"inherit","parent":13925408,"modified":1677115377,"caption":"Janis Joplin, as photographed by Herb Greene at his 66 Baker St. apartment in the Haight.","credit":"Herb Greene/ Courtesy of the Haight Street Art Center","altTag":"A laughing woman with long brown hair stands before a white wall that's covered in scribbles and messages. She is wearing a simple tank, beaded necklaces and a winter coat that's falling from her shoulders.","description":null,"imgSizes":{"medium":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Janis-Joplin-by-Herb-Greene_1920-800x554.jpg","width":800,"height":554,"mimeType":"image/jpeg"},"large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Janis-Joplin-by-Herb-Greene_1920-1020x706.jpg","width":1020,"height":706,"mimeType":"image/jpeg"},"thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Janis-Joplin-by-Herb-Greene_1920-160x111.jpg","width":160,"height":111,"mimeType":"image/jpeg"},"medium_large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Janis-Joplin-by-Herb-Greene_1920-768x532.jpg","width":768,"height":532,"mimeType":"image/jpeg"},"1536x1536":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Janis-Joplin-by-Herb-Greene_1920-1536x1063.jpg","width":1536,"height":1063,"mimeType":"image/jpeg"},"post-thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Janis-Joplin-by-Herb-Greene_1920-672x372.jpg","width":672,"height":372,"mimeType":"image/jpeg"},"twentyfourteen-full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Janis-Joplin-by-Herb-Greene_1920-1038x576.jpg","width":1038,"height":576,"mimeType":"image/jpeg"},"kqedFullSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Janis-Joplin-by-Herb-Greene_1920.jpg","width":1657,"height":1147}},"fetchFailed":false,"isLoading":false},"arts_13925447":{"type":"attachments","id":"arts_13925447","meta":{"index":"attachments_1591205162","site":"arts","id":"13925447","found":true},"title":"Adana Tillman_Wild Things","publishDate":1677187334,"status":"inherit","parent":13925416,"modified":1677187428,"caption":"Adana Tillman’s ‘Wild Thoughts,’ 2020. Appliqued fabric on hand dyed textiles with hand embroidery and beading.","credit":"Courtesy of the artist","altTag":"in a textile work, a Black woman in colorful clothing rests sitting on the ground and smiling against a blue backdrop","description":null,"imgSizes":{"medium":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Adana-Tillman_Wild-Things-800x469.jpg","width":800,"height":469,"mimeType":"image/jpeg"},"large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Adana-Tillman_Wild-Things-1020x598.jpg","width":1020,"height":598,"mimeType":"image/jpeg"},"thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Adana-Tillman_Wild-Things-160x94.jpg","width":160,"height":94,"mimeType":"image/jpeg"},"medium_large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Adana-Tillman_Wild-Things-768x450.jpg","width":768,"height":450,"mimeType":"image/jpeg"},"1536x1536":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Adana-Tillman_Wild-Things-1536x900.jpg","width":1536,"height":900,"mimeType":"image/jpeg"},"2048x2048":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Adana-Tillman_Wild-Things-2048x1200.jpg","width":2048,"height":1200,"mimeType":"image/jpeg"},"post-thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Adana-Tillman_Wild-Things-672x372.jpg","width":672,"height":372,"mimeType":"image/jpeg"},"twentyfourteen-full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Adana-Tillman_Wild-Things-1038x576.jpg","width":1038,"height":576,"mimeType":"image/jpeg"},"full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Adana-Tillman_Wild-Things-1920x1125.jpg","width":1920,"height":1125,"mimeType":"image/jpeg"},"kqedFullSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Adana-Tillman_Wild-Things-scaled.jpg","width":2560,"height":1500}},"fetchFailed":false,"isLoading":false},"arts_13924667":{"type":"attachments","id":"arts_13924667","meta":{"index":"attachments_1591205162","site":"arts","id":"13924667","found":true},"title":"House_of_Seiko_Cardinal_Index_Install_hires32_COVER","publishDate":1675378366,"status":"inherit","parent":13924661,"modified":1675378438,"caption":"House of Seiko opened on 22nd Street on Jan. 14 with its inaugural show, 'Cardinal Index.'","credit":"Courtesy of House of Seiko","altTag":"Red bright storefront with white wall gallery inside, sign above door reads 'watch & jewelery repair'","description":null,"imgSizes":{"medium":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires32_COVER-800x533.jpg","width":800,"height":533,"mimeType":"image/jpeg"},"large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires32_COVER-1020x680.jpg","width":1020,"height":680,"mimeType":"image/jpeg"},"thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires32_COVER-160x107.jpg","width":160,"height":107,"mimeType":"image/jpeg"},"medium_large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires32_COVER-768x512.jpg","width":768,"height":512,"mimeType":"image/jpeg"},"1536x1536":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires32_COVER-1536x1024.jpg","width":1536,"height":1024,"mimeType":"image/jpeg"},"post-thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires32_COVER-672x372.jpg","width":672,"height":372,"mimeType":"image/jpeg"},"twentyfourteen-full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires32_COVER-1038x576.jpg","width":1038,"height":576,"mimeType":"image/jpeg"},"kqedFullSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires32_COVER.jpg","width":1920,"height":1280}},"fetchFailed":false,"isLoading":false},"arts_13924503":{"type":"attachments","id":"arts_13924503","meta":{"index":"attachments_1591205162","site":"arts","id":"13924503","found":true},"title":"image3","publishDate":1675190951,"status":"inherit","parent":13924500,"modified":1675191177,"caption":"‘How I Keep Looking Up’ members practice marching with their flags in preparation for the Chinese New Year Parade in San Francisco’s Chinatown.","credit":"Kristie Song","altTag":"Women in blue vests and pink sashes hold multicolored flags on mosaic-covered steps","description":null,"imgSizes":{"medium":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/01/image3-800x574.jpg","width":800,"height":574,"mimeType":"image/jpeg"},"large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/01/image3-1020x731.jpg","width":1020,"height":731,"mimeType":"image/jpeg"},"thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/01/image3-160x115.jpg","width":160,"height":115,"mimeType":"image/jpeg"},"medium_large":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/01/image3-768x551.jpg","width":768,"height":551,"mimeType":"image/jpeg"},"1536x1536":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/01/image3-1536x1101.jpg","width":1536,"height":1101,"mimeType":"image/jpeg"},"post-thumbnail":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/01/image3-672x372.jpg","width":672,"height":372,"mimeType":"image/jpeg"},"twentyfourteen-full-width":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/01/image3-1038x576.jpg","width":1038,"height":576,"mimeType":"image/jpeg"},"kqedFullSize":{"file":"https://ww2.kqed.org/app/uploads/sites/2/2023/01/image3.jpg","width":1604,"height":1150}},"fetchFailed":false,"isLoading":false}},"audioPlayerReducer":{"postId":"stream_live"},"authorsReducer":{"shotchkiss":{"type":"authors","id":"61","meta":{"index":"authors_1591205172","id":"61","found":true},"name":"Sarah Hotchkiss","firstName":"Sarah","lastName":"Hotchkiss","slug":"shotchkiss","email":"shotchkiss@kqed.org","display_author_email":true,"staff_mastheads":["arts"],"title":"Senior Associate Editor","bio":"Sarah Hotchkiss is a San Francisco \u003ca href=\"http://www.sarahhotchkiss.com\">artist\u003c/a> and arts writer. In 2019, she received the Dorothea & Leo Rabkin Foundation grant for visual art journalism and in 2020 she received a Society of Professional Journalists, Northern California award for excellence in arts and culture reporting.","avatar":"https://secure.gravatar.com/avatar/ca38c7f54590856cd4947d26274f8a90?s=600&d=blank&r=g","twitter":"sahotchkiss","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"","roles":["editor"]},{"site":"arts","roles":["Contributor","administrator"]},{"site":"artschool","roles":["administrator"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["administrator"]},{"site":"bayareabites","roles":["editor"]},{"site":"spark","roles":["editor"]},{"site":"checkplease","roles":["editor"]}],"headData":{"title":"Sarah Hotchkiss | KQED","description":"Senior Associate Editor","ogImgSrc":"https://secure.gravatar.com/avatar/ca38c7f54590856cd4947d26274f8a90?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/ca38c7f54590856cd4947d26274f8a90?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/shotchkiss"},"ralexandra":{"type":"authors","id":"11242","meta":{"index":"authors_1591205172","id":"11242","found":true},"name":"Rae Alexandra","firstName":"Rae","lastName":"Alexandra","slug":"ralexandra","email":"ralexandra@kqed.org","display_author_email":false,"staff_mastheads":["arts"],"title":"Staff Writer","bio":"Rae Alexandra is Staff Writer for KQED Arts & Culture, and the creator/author of the \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\">Rebel Girls From Bay Area History\u003c/a> and \u003ca href=\"https://www.kqed.org/bizarrebayarea\">Bizarre Bay Area\u003c/a> series. Born and raised in Wales, she started her career in London, as a music journalist for uproarious rock ’n’ roll magazine, \u003cem>\u003ca href=\"https://www.kerrang.com/features/an-oral-history-of-alternative-tentacles-40-years-of-keeping-punk-alive/\">Kerrang!\u003c/a>\u003c/em>. In America, she got her start at alt-weeklies including \u003ca href=\"https://archives.sfweekly.com/sanfrancisco/ArticleArchives?author=2127078&excludeCategoryType=Blog\">\u003cem>SF Weekly\u003c/em>\u003c/a> and the \u003ca href=\"https://www.villagevoice.com/author/raealexandra/\">\u003cem>Village Voice\u003c/em>\u003c/a>, and freelanced for a great many other publications. Her undying love for San Francisco has, more recently, turned her into \u003ca href=\"https://www.kqed.org/arts/tag/bayareahistory/\">a history nerd\u003c/a>. In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture.","avatar":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twitter":"raemondjjjj","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Rae Alexandra | KQED","description":"Staff Writer","ogImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ralexandra"},"aproehl":{"type":"authors","id":"11296","meta":{"index":"authors_1591205172","id":"11296","found":true},"name":"Ariana Proehl","firstName":"Ariana","lastName":"Proehl","slug":"aproehl","email":"aproehl@KQED.org","display_author_email":true,"staff_mastheads":["news"],"title":"Culture Reporter, KQED","bio":"Ariana Proehl is a Culture Reporter and Host.","avatar":"https://secure.gravatar.com/avatar/c96b24567eb5bb3a4f8bb295ed53e232?s=600&d=blank&r=g","twitter":"ArianaProehl","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["author"]},{"site":"news","roles":["editor"]},{"site":"education","roles":["editor"]},{"site":"forum","roles":["administrator"]}],"headData":{"title":"Ariana Proehl | KQED","description":"Culture Reporter, KQED","ogImgSrc":"https://secure.gravatar.com/avatar/c96b24567eb5bb3a4f8bb295ed53e232?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/c96b24567eb5bb3a4f8bb295ed53e232?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/aproehl"},"twalsh":{"type":"authors","id":"11696","meta":{"index":"authors_1591205172","id":"11696","found":true},"name":"Theadora Walsh","firstName":"Theadora","lastName":"Walsh","slug":"twalsh","email":"theadora.walsh@gmail.com","display_author_email":false,"staff_mastheads":[],"title":"KQED Contributor","bio":"Theadora Walsh is a writer and digital artist. She has contributed criticism to Art Papers, SFMOMA's Open Space, BOMB, Hyperallergic, and elsewhere.","avatar":"https://secure.gravatar.com/avatar/f933ebf68ddf31c7a828c5671bd7af03?s=600&d=blank&r=g","twitter":"theadora_tm","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["contributor"]}],"headData":{"title":"Theadora Walsh | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/f933ebf68ddf31c7a828c5671bd7af03?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/f933ebf68ddf31c7a828c5671bd7af03?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/twalsh"},"ksong":{"type":"authors","id":"11813","meta":{"index":"authors_1591205172","id":"11813","found":true},"name":"Kristie Song","firstName":"Kristie","lastName":"Song","slug":"ksong","email":"ksong@kqed.org","display_author_email":false,"staff_mastheads":[],"title":"Editorial Intern ","bio":"Kristie Song is an Arts & Culture Intern at KQED. She is currently a graduate student at UC Berkeley, where she studies audio and multimedia journalism. Previously, she covered the local community for Oakland North, produced episodes for The Science of Happiness, and served as news director for KUCI, UC Irvine’s radio station. Outside of reporting, she likes drawing comics, listening to angsty rock, and practicing the guitar.","avatar":"https://secure.gravatar.com/avatar/c1149e78c3c44f92d4945a8ab0711af6?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]}],"headData":{"title":"Kristie Song | KQED","description":"Editorial Intern ","ogImgSrc":"https://secure.gravatar.com/avatar/c1149e78c3c44f92d4945a8ab0711af6?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/c1149e78c3c44f92d4945a8ab0711af6?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ksong"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13936275":{"type":"posts","id":"arts_13936275","meta":{"index":"posts_1591205157","site":"arts","id":"13936275","score":null,"sort":[1697485070000]},"guestAuthors":[],"slug":"111-minna-30th-anniversary-show-review-jeremy-fish-alec-huxley-sam-flores-interview","title":"SF’s Hardest-Partying Gallery Turns 30, Shows No Signs of Slowing Down","publishDate":1697485070,"format":"standard","headTitle":"SF’s Hardest-Partying Gallery Turns 30, Shows No Signs of Slowing Down | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>The first time I set foot in 111 Minna was the first time I realized there were galleries that catered to delinquents. That night in downtown San Francisco 21 years ago, the venue was packed wall-to-wall with skaters, bike messengers, punks, hip-hoppers and graffiti crews. Huddled outside in the alley were small groups of twenty-somethings, smoking weed and brown-bagging tall cans. It was the very first time I’d ever been in a gallery where I felt at home, where I actually had fun, and where I responded with visceral enthusiasm to the art. Like so many other people I met that night, I have been going back to 111 Minna ever since.\u003c/p>\n\u003cp>[aside postid='arts_13923399']Against a lot of odds, 111 Minna is turning 30 this month and, in honor of the anniversary, a new group exhibit is on display at the spacious, two-bar gallery. The new show reflects exactly the kind of work that Minna has always embraced: Art that appreciates and elevates street culture, and art that reflects San Francisco’s diverse array of underground communities. Appropriately, the collection features works by many of the artists who have faithfully shown — and grown their audiences — at Minna over the years: \u003ca href=\"https://sillypinkbunnies.com/\">Jeremy Fish\u003c/a>, \u003ca href=\"https://samflores.com/\">Sam Flores\u003c/a>, \u003ca href=\"https://www.artbyladymags.com/\">Lady Mags\u003c/a>, \u003ca href=\"https://www.mikegiant.com/\">Mike Giant\u003c/a>, \u003ca href=\"https://alechuxley.com/\">Alec Huxley\u003c/a>, \u003ca href=\"http://www.alynnpaint.com/\">Amandalynn\u003c/a>, \u003ca href=\"https://www.winstonsmith.com/\">Winston Smith\u003c/a>, \u003ca href=\"https://henrylewistattoo.com/\">Henry Lewis\u003c/a>,\u003ca href=\"https://www.kqed.org/arts/13923399/honoring-dave-schubert-san-franciscos-wildest-street-photographer\"> Dave Schubert\u003c/a> and many more.\u003c/p>\n\u003cfigure id=\"attachment_13936490\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13936490\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/jeremy-giant-scaled.jpg\" alt=\"(L) White artwork on a black background featuring a cocktail with a man's face on it, backed by a pencil and paintbrush crossed behind it. There is a drawing hand coming out of the top of the glass with wings spread out either side. Atop the hand is a hat with a fish face emerging from the top of it. A banner at the bottom of the painting says '111 Minna.' (R) A black and white diagram of a black skateboard featuring a skull and a rose.\" width=\"2560\" height=\"1584\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-1020x631.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-768x475.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-1536x951.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-2048x1267.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-1920x1188.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">(L) A Jeremy Fish piece designed to celebrate 111 Minna’s 30th anniversary, (R) A skateboard diagram drawn by Mike Giant at the gallery 13 years ago. \u003ccite>(Courtesy of 111 Minna/ Rae Alexandra)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Michelle Delaney, Minna’s events manager, has been working at the gallery since starting as a bartender in 2000. She thinks the trust that Minna’s roster of regular artists places in the gallery is rooted in the principles laid out by its founder, Eiming Jung. Delaney says that Jung — an artist and UC Berkeley graduate who opened Minna in 1993 — succeeded early because he “never tried to hold on to artists and represent them. All he tried to do was support them and lift them up [and] give them the freedom to fly. He wanted them to be able to be successful.”\u003c/p>\n\u003cp>Delaney says the “original culture” set by Jung — who departed 111 Minna five years ago to live in Cambodia — “is what still makes this place strong.” She points to the fact that a great many of Minna’s patrons, many of whom first heard about the place by word of mouth, have been hanging around the venue for years now.\u003c/p>\n\u003cfigure id=\"attachment_13936497\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13936497\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/featured-FINAL-scaled.jpg\" alt=\"Four photos arranged in a square. They show (1) a man with his pants around his ankles standing in a doorway, showing off a speedo while a friend gestures wildly next to him. (2) A white man with a grey beard stands in a busy gallery with a shorter Asian man at his side. They both look very happy. (3) Three men in very colorful jackets lined up against a wall, as if they're being arrested. (4) A heavily tattooed white woman sits and paints, smiling for the camera.\" width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-2048x2048.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-1920x1920.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">(Top, L): Artists Nate Geare and Carlile Ralph Browne horsing around in the 111 Minna doorway, (R) Artists Jeremy Fish and Kim Cogan at 111 Minna’s 30th anniversary opening. (Bottom, L): Artists at one of 111 Minna’s ‘Sketch Tuesday’ events line up to show off their hand-painted jackets, (R) Artist Denise T. Pinto hard at work in the gallery. \u003ccite>(Courtesy of 111 Minna/ Instagram @111minnagallery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This was always a place for people to find their community and their friends and their home,” Delaney explains. “It was always a place for all of us weirdos to find each other. We still live by the inclusivity that Eiming encouraged. We want to celebrate \u003cem>all\u003c/em> of the artists too — musicians, poets, dancers, comedians. Having a gathering place for all of these alternative communities is amazing.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postid='arts_13923317']Delaney is not exaggerating. The first night I went to 111 Minna, I was only there because the art opening doubled as a hip-hop show. In the years since, the venue has held a plethora of live music during exhibits, warrior dance classes during happy hour and even \u003ca href=\"https://www.instagram.com/p/B9SuKXGnyUo/\">yoga classes during lunch\u003c/a> — some of which were taught by Delaney herself.\u003c/p>\n\u003cp>“With all of the dance parties we’ve had here and all of the fun we’ve had,” Delaney notes, “it’s amazing to me that people always protect the art. Regardless of what’s going on in here, the art never gets hurt. People are totally respectful. The art has been really cared for by everyone who comes here because people feel like [111 Minna is] their home — because it is.”\u003c/p>\n\u003cfigure id=\"attachment_13936391\" class=\"wp-caption aligncenter\" style=\"max-width: 2210px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13936391\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley.png\" alt=\"A panoramic realistic painting of a downtown San Francisco alleyway. A small child dressed as an astronaut stands across the street from a building with red doors.\" width=\"2210\" height=\"1248\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley.png 2210w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley-800x452.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley-1020x576.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley-768x434.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley-1536x867.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley-2048x1157.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley-1920x1084.png 1920w\" sizes=\"(max-width: 2210px) 100vw, 2210px\">\u003cfigcaption class=\"wp-caption-text\">The setting for ‘Past Life Experience’ by Alec Huxley is the alley outside 111 Minna and the gallery’s signature red doors. \u003ccite>(Courtesy of 111 Minna)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Staying open for three decades is an especially extraordinary feat for a gallery that, in its earliest days, was looked down upon by other art spaces for being too hedonistic, too much of a wildcard and, frankly, too lowbrow. Pre-pandemic, Minna served as a popular coffee spot for surrounding office workers, but the cafe has not reopened post-shutdown because of the dwindling foot traffic downtown. These days, the reason 111 Minna is still able to put on events with a more underground flavor is because it’s also willing to host one-off corporate gatherings and parties.\u003c/p>\n\u003cp>Delaney is thrilled that 111 Minna hasn’t just managed to survive all of this time, but to thrive too.\u003c/p>\n\u003cp>“I would like 111 Minna to go on forever,” she says. “San Francisco needs these staples, these jewels, these beacons of community. They’re the reason people come to San Francisco in the first place. I want to be buried here.” Delaney pauses then smiles. “We drank a lot, we partied hard, but we loved life and we made it through.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>111 Minna’s ‘\u003ca href=\"https://111minnagallery.com/product-category/exhibit/30-year-anniversary/\">30 Anniversary Show\u003c/a>,’ curated by \u003ca href=\"https://www.mutualart.com/Artist/David-Scott-Mabry/D3D9D2FB681B23E7\">David Scott Mabry\u003c/a>, is on display through Jan. 12, 2024.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"An anniversary show at 111 Minna highlights the space’s vibrant history, with work from Jeremy Fish, Amandalynn and more.","status":"publish","parent":0,"modified":1705003231,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":974},"headData":{"title":"Jeremy Fish and Mike Giant Contribute to 111 Minna Anniversary | KQED","description":"An anniversary show at 111 Minna highlights the space’s vibrant history, with work from Jeremy Fish, Amandalynn and more.","ogTitle":"SF’s Hardest-Partying Gallery Turns 30, Shows No Signs of Slowing Down","ogDescription":"","ogImgId":"","twTitle":"SF’s Hardest-Partying Gallery Turns 30, Shows No Signs of Slowing Down","twDescription":"","twImgId":"","socialTitle":"Jeremy Fish and Mike Giant Contribute to 111 Minna Anniversary%%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13936275/111-minna-30th-anniversary-show-review-jeremy-fish-alec-huxley-sam-flores-interview","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The first time I set foot in 111 Minna was the first time I realized there were galleries that catered to delinquents. That night in downtown San Francisco 21 years ago, the venue was packed wall-to-wall with skaters, bike messengers, punks, hip-hoppers and graffiti crews. Huddled outside in the alley were small groups of twenty-somethings, smoking weed and brown-bagging tall cans. It was the very first time I’d ever been in a gallery where I felt at home, where I actually had fun, and where I responded with visceral enthusiasm to the art. Like so many other people I met that night, I have been going back to 111 Minna ever since.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13923399","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Against a lot of odds, 111 Minna is turning 30 this month and, in honor of the anniversary, a new group exhibit is on display at the spacious, two-bar gallery. The new show reflects exactly the kind of work that Minna has always embraced: Art that appreciates and elevates street culture, and art that reflects San Francisco’s diverse array of underground communities. Appropriately, the collection features works by many of the artists who have faithfully shown — and grown their audiences — at Minna over the years: \u003ca href=\"https://sillypinkbunnies.com/\">Jeremy Fish\u003c/a>, \u003ca href=\"https://samflores.com/\">Sam Flores\u003c/a>, \u003ca href=\"https://www.artbyladymags.com/\">Lady Mags\u003c/a>, \u003ca href=\"https://www.mikegiant.com/\">Mike Giant\u003c/a>, \u003ca href=\"https://alechuxley.com/\">Alec Huxley\u003c/a>, \u003ca href=\"http://www.alynnpaint.com/\">Amandalynn\u003c/a>, \u003ca href=\"https://www.winstonsmith.com/\">Winston Smith\u003c/a>, \u003ca href=\"https://henrylewistattoo.com/\">Henry Lewis\u003c/a>,\u003ca href=\"https://www.kqed.org/arts/13923399/honoring-dave-schubert-san-franciscos-wildest-street-photographer\"> Dave Schubert\u003c/a> and many more.\u003c/p>\n\u003cfigure id=\"attachment_13936490\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13936490\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/jeremy-giant-scaled.jpg\" alt=\"(L) White artwork on a black background featuring a cocktail with a man's face on it, backed by a pencil and paintbrush crossed behind it. There is a drawing hand coming out of the top of the glass with wings spread out either side. Atop the hand is a hat with a fish face emerging from the top of it. A banner at the bottom of the painting says '111 Minna.' (R) A black and white diagram of a black skateboard featuring a skull and a rose.\" width=\"2560\" height=\"1584\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-1020x631.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-768x475.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-1536x951.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-2048x1267.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/jeremy-giant-1920x1188.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">(L) A Jeremy Fish piece designed to celebrate 111 Minna’s 30th anniversary, (R) A skateboard diagram drawn by Mike Giant at the gallery 13 years ago. \u003ccite>(Courtesy of 111 Minna/ Rae Alexandra)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Michelle Delaney, Minna’s events manager, has been working at the gallery since starting as a bartender in 2000. She thinks the trust that Minna’s roster of regular artists places in the gallery is rooted in the principles laid out by its founder, Eiming Jung. Delaney says that Jung — an artist and UC Berkeley graduate who opened Minna in 1993 — succeeded early because he “never tried to hold on to artists and represent them. All he tried to do was support them and lift them up [and] give them the freedom to fly. He wanted them to be able to be successful.”\u003c/p>\n\u003cp>Delaney says the “original culture” set by Jung — who departed 111 Minna five years ago to live in Cambodia — “is what still makes this place strong.” She points to the fact that a great many of Minna’s patrons, many of whom first heard about the place by word of mouth, have been hanging around the venue for years now.\u003c/p>\n\u003cfigure id=\"attachment_13936497\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13936497\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/featured-FINAL-scaled.jpg\" alt=\"Four photos arranged in a square. They show (1) a man with his pants around his ankles standing in a doorway, showing off a speedo while a friend gestures wildly next to him. (2) A white man with a grey beard stands in a busy gallery with a shorter Asian man at his side. They both look very happy. (3) Three men in very colorful jackets lined up against a wall, as if they're being arrested. (4) A heavily tattooed white woman sits and paints, smiling for the camera.\" width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-2048x2048.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/featured-FINAL-1920x1920.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">(Top, L): Artists Nate Geare and Carlile Ralph Browne horsing around in the 111 Minna doorway, (R) Artists Jeremy Fish and Kim Cogan at 111 Minna’s 30th anniversary opening. (Bottom, L): Artists at one of 111 Minna’s ‘Sketch Tuesday’ events line up to show off their hand-painted jackets, (R) Artist Denise T. Pinto hard at work in the gallery. \u003ccite>(Courtesy of 111 Minna/ Instagram @111minnagallery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This was always a place for people to find their community and their friends and their home,” Delaney explains. “It was always a place for all of us weirdos to find each other. We still live by the inclusivity that Eiming encouraged. We want to celebrate \u003cem>all\u003c/em> of the artists too — musicians, poets, dancers, comedians. Having a gathering place for all of these alternative communities is amazing.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13923317","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Delaney is not exaggerating. The first night I went to 111 Minna, I was only there because the art opening doubled as a hip-hop show. In the years since, the venue has held a plethora of live music during exhibits, warrior dance classes during happy hour and even \u003ca href=\"https://www.instagram.com/p/B9SuKXGnyUo/\">yoga classes during lunch\u003c/a> — some of which were taught by Delaney herself.\u003c/p>\n\u003cp>“With all of the dance parties we’ve had here and all of the fun we’ve had,” Delaney notes, “it’s amazing to me that people always protect the art. Regardless of what’s going on in here, the art never gets hurt. People are totally respectful. The art has been really cared for by everyone who comes here because people feel like [111 Minna is] their home — because it is.”\u003c/p>\n\u003cfigure id=\"attachment_13936391\" class=\"wp-caption aligncenter\" style=\"max-width: 2210px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13936391\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley.png\" alt=\"A panoramic realistic painting of a downtown San Francisco alleyway. A small child dressed as an astronaut stands across the street from a building with red doors.\" width=\"2210\" height=\"1248\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley.png 2210w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley-800x452.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley-1020x576.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley-768x434.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley-1536x867.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley-2048x1157.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Past-Life-Experience-Alec-Huxley-1920x1084.png 1920w\" sizes=\"(max-width: 2210px) 100vw, 2210px\">\u003cfigcaption class=\"wp-caption-text\">The setting for ‘Past Life Experience’ by Alec Huxley is the alley outside 111 Minna and the gallery’s signature red doors. \u003ccite>(Courtesy of 111 Minna)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Staying open for three decades is an especially extraordinary feat for a gallery that, in its earliest days, was looked down upon by other art spaces for being too hedonistic, too much of a wildcard and, frankly, too lowbrow. Pre-pandemic, Minna served as a popular coffee spot for surrounding office workers, but the cafe has not reopened post-shutdown because of the dwindling foot traffic downtown. These days, the reason 111 Minna is still able to put on events with a more underground flavor is because it’s also willing to host one-off corporate gatherings and parties.\u003c/p>\n\u003cp>Delaney is thrilled that 111 Minna hasn’t just managed to survive all of this time, but to thrive too.\u003c/p>\n\u003cp>“I would like 111 Minna to go on forever,” she says. “San Francisco needs these staples, these jewels, these beacons of community. They’re the reason people come to San Francisco in the first place. I want to be buried here.” Delaney pauses then smiles. “We drank a lot, we partied hard, but we loved life and we made it through.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>111 Minna’s ‘\u003ca href=\"https://111minnagallery.com/product-category/exhibit/30-year-anniversary/\">30 Anniversary Show\u003c/a>,’ curated by \u003ca href=\"https://www.mutualart.com/Artist/David-Scott-Mabry/D3D9D2FB681B23E7\">David Scott Mabry\u003c/a>, is on display through Jan. 12, 2024.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13936275/111-minna-30th-anniversary-show-review-jeremy-fish-alec-huxley-sam-flores-interview","authors":["11242"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_11615"],"tags":["arts_10278","arts_3649","arts_585"],"featImg":"arts_13936486","label":"arts_140"},"arts_13930840":{"type":"posts","id":"arts_13930840","meta":{"index":"posts_1591205157","site":"arts","id":"13930840","score":null,"sort":[1687543809000]},"guestAuthors":[],"slug":"remedios-varo-gallery-wendi-norris-encuentros-review","title":"At Gallery Wendi Norris, a Magical Encounter With Remedios Varo’s Work","publishDate":1687543809,"format":"standard","headTitle":"At Gallery Wendi Norris, a Magical Encounter With Remedios Varo’s Work | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>There are benefits to opening a gallery within the vicinity of other galleries. The galleries at 49 Geary, their tenancy waxing and waning over the years, continues to provide multiple shows for the price of one elevator ride. But there is also novelty in a standalone space, tucked into an unexpected neighborhood alongside delights like the still-stunning Transamerica Pyramid.\u003c/p>\n\u003cp>Gallery Wendi Norris, once located near the downtown museums, then in a series of \u003ca href=\"https://www.kqed.org/arts/13852335/gallery-wendi-norris-yamini-nayar-if-stone-could-give\">roving project spaces\u003c/a>, has again rooted itself to a white-walled storefront — this time in the company of high-end boutiques and \u003ca href=\"https://stoutbooks.com/\">William Stout Architectural Books\u003c/a>. But with the current show, the Jackson Street setting is just the appetizer. In \u003ci>\u003ca href=\"https://www.gallerywendinorris.com/exhibitions-collection/remedios-varo\">Encuentro\u003c/a>\u003c/i>, a tight collection of paintings by the Spanish-born artist \u003ca href=\"https://www.nytimes.com/2021/09/24/obituaries/remedios-varo-overlooked.html\">Remedios Varo\u003c/a>, we get a once-in-a-lifetime meal.\u003c/p>\n\u003cp>Inside the gallery, Varo’s amber-toned oil paintings line the walls like pages from a forgotten storybook. Elemental beings — a watery figure encountering a possible doppelgänger, a bruja with a flame-red mane — are sentries and guides. In many pieces, delicate figures look out from the canvas mournfully, their wide eyes narrowing to pointed chins, papers and leaves swirling around them. A cloaked figure in \u003ci>Ruptura\u003c/i> (1955) glances up and to the right, their back turned to windows of identical observers. It’s a moment of departure, a shirking of responsibility, a defiant rebuttal to expected conformity.\u003c/p>\n\u003cfigure id=\"attachment_13930848\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13930848\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/RV0076-Encuentro_Bruja_1920.jpg\" alt=\"Two images: one at left of figure in watery blue cloak opening box to reveal matching eyes; one at right depicting a figure made up of frothy white waves with long red hair\" width=\"1920\" height=\"1422\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0076-Encuentro_Bruja_1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0076-Encuentro_Bruja_1920-800x593.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0076-Encuentro_Bruja_1920-1020x755.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0076-Encuentro_Bruja_1920-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0076-Encuentro_Bruja_1920-768x569.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0076-Encuentro_Bruja_1920-1536x1138.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">L: Remedios Varo, ‘Encuentro,’ 1959, Oil on canvas; R: ‘Bruja que va al Sabath,’ 1957, Mixed media on paper. \u003ccite>(Courtesy of Gallery Wendi Norris)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>By the time she painted this piece, Varo had settled in Mexico after fleeing World War II; she would live there until her death in 1963. All the work in \u003ci>Encuentro\u003c/i> comes from this period of her life — a fruitful, increasingly successful one marked by friendships with fellow exiled artists like \u003ca href=\"https://www.moma.org/artists/6916\">Kati Horna\u003c/a> and \u003ca href=\"https://www.gallerywendinorris.com/artists-collection/leonora-carrington\">Leonora Carrington\u003c/a>. Varo and Carrington, in particular, saw each other nearly every day, sharing their ideas and research (including the study of alchemy).\u003c/p>\n\u003cp>While many of the scenes Varo carefully painted — in thin, crosshatching lines of oil — have a mystical, otherworldly element, they are grounded by her inspired renderings of textures. \u003ci>Ruptura\u003c/i> is bounded in by high brushy hedges. In \u003ci>Banqueros en acción\u003c/i> (1962), black-suited bankers fly through a cityscape made of speckled — almost moldy — walls. The contrast between these more abstract moments and her precise renderings of humanoid creatures heightens the tension of each scene: which world do they inhabit? Can we psychically access this place?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>All of Varo’s paintings — even the most innocuous, like the dreamy study \u003ci>Estudio para trasmundo\u003c/i> (c. 1955) — seem to depict a reality just past the border of our own. Animals bear tiny human faces, trees become vaulted cathedral ceilings and toy boats journey to the underworld. This realm, however moody, rarely appears dangerous. Instead, we are invited to take our time, be curious and filled with wonder. The entire show is delightfully witchy.\u003c/p>\n\u003cfigure id=\"attachment_13930849\" class=\"wp-caption aligncenter\" style=\"max-width: 1827px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13930849\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-scaled.jpg\" alt=\"Painting of apples swirling above a table covered with a twisted tablecloth, vaulted ceiling above\" width=\"1827\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-scaled.jpg 1827w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-800x1121.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-1020x1429.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-160x224.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-768x1076.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-1096x1536.jpg 1096w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-1462x2048.jpg 1462w\" sizes=\"(max-width: 1827px) 100vw, 1827px\">\u003cfigcaption class=\"wp-caption-text\">Remedios Varo, ‘Naturaleza muerta resucitando,’ 1963; Oil on canvas. \u003ccite>(Courtesy of Gallery Wendi Norris)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Back in our present-day reality, outside of Varo’s entrancing brushstrokes, I write with some urgency. Usually, the 384 pieces of artwork she created during her lifetime are scattered around the world, in a mix of museum and private collections. \u003ci>Encuentro\u003c/i>, a rare gathering, opened in May with 11 works spanning 1947–1963, but the complicated (and exciting) process of museum acquisition has whittled the exhibition down to just nine. One or two additional pieces may leave for similar reasons before the show’s July 15 closing.\u003c/p>\n\u003cp>The last painting Varo finished before her untimely death at age 54 is the show’s largest: \u003ci>Naturaleza muerta resucitando\u003c/i> (1963), a swirling scene of fruit as cosmos, levitating in their own Milky Way above the twisted cloth of a set table. Without the sorcerer visible, we are left to assume it is Varo herself spinning these items aloft, the paint brush her wand. And so let it be a summoning, while there are still so many worlds to get lost within.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘\u003ca href=\"https://www.gallerywendinorris.com/exhibitions-collection/remedios-varo\">Remedios Varo: Encuentros\u003c/a>’ is on view at Gallery Wendi Norris (436 Jackson St.) through July 15.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"A rare gathering of paintings by the Spanish-born artist casts a spell through surreal scenes and detailed brushwork.","status":"publish","parent":0,"modified":1705005347,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":725},"headData":{"title":"Remedios Varo at Gallery Wendi Norris: A Magical Encounter | KQED","description":"A rare gathering of paintings by the Spanish-born artist casts a spell through surreal scenes and detailed brushwork.","ogTitle":"At Gallery Wendi Norris, a Magical Encounter With Remedios Varo’s Work","ogDescription":"","ogImgId":"","twTitle":"At Gallery Wendi Norris, a Magical Encounter With Remedios Varo’s Work","twDescription":"","twImgId":"","socialTitle":"Remedios Varo at Gallery Wendi Norris: A Magical Encounter %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13930840/remedios-varo-gallery-wendi-norris-encuentros-review","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>There are benefits to opening a gallery within the vicinity of other galleries. The galleries at 49 Geary, their tenancy waxing and waning over the years, continues to provide multiple shows for the price of one elevator ride. But there is also novelty in a standalone space, tucked into an unexpected neighborhood alongside delights like the still-stunning Transamerica Pyramid.\u003c/p>\n\u003cp>Gallery Wendi Norris, once located near the downtown museums, then in a series of \u003ca href=\"https://www.kqed.org/arts/13852335/gallery-wendi-norris-yamini-nayar-if-stone-could-give\">roving project spaces\u003c/a>, has again rooted itself to a white-walled storefront — this time in the company of high-end boutiques and \u003ca href=\"https://stoutbooks.com/\">William Stout Architectural Books\u003c/a>. But with the current show, the Jackson Street setting is just the appetizer. In \u003ci>\u003ca href=\"https://www.gallerywendinorris.com/exhibitions-collection/remedios-varo\">Encuentro\u003c/a>\u003c/i>, a tight collection of paintings by the Spanish-born artist \u003ca href=\"https://www.nytimes.com/2021/09/24/obituaries/remedios-varo-overlooked.html\">Remedios Varo\u003c/a>, we get a once-in-a-lifetime meal.\u003c/p>\n\u003cp>Inside the gallery, Varo’s amber-toned oil paintings line the walls like pages from a forgotten storybook. Elemental beings — a watery figure encountering a possible doppelgänger, a bruja with a flame-red mane — are sentries and guides. In many pieces, delicate figures look out from the canvas mournfully, their wide eyes narrowing to pointed chins, papers and leaves swirling around them. A cloaked figure in \u003ci>Ruptura\u003c/i> (1955) glances up and to the right, their back turned to windows of identical observers. It’s a moment of departure, a shirking of responsibility, a defiant rebuttal to expected conformity.\u003c/p>\n\u003cfigure id=\"attachment_13930848\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13930848\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/RV0076-Encuentro_Bruja_1920.jpg\" alt=\"Two images: one at left of figure in watery blue cloak opening box to reveal matching eyes; one at right depicting a figure made up of frothy white waves with long red hair\" width=\"1920\" height=\"1422\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0076-Encuentro_Bruja_1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0076-Encuentro_Bruja_1920-800x593.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0076-Encuentro_Bruja_1920-1020x755.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0076-Encuentro_Bruja_1920-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0076-Encuentro_Bruja_1920-768x569.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0076-Encuentro_Bruja_1920-1536x1138.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">L: Remedios Varo, ‘Encuentro,’ 1959, Oil on canvas; R: ‘Bruja que va al Sabath,’ 1957, Mixed media on paper. \u003ccite>(Courtesy of Gallery Wendi Norris)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>By the time she painted this piece, Varo had settled in Mexico after fleeing World War II; she would live there until her death in 1963. All the work in \u003ci>Encuentro\u003c/i> comes from this period of her life — a fruitful, increasingly successful one marked by friendships with fellow exiled artists like \u003ca href=\"https://www.moma.org/artists/6916\">Kati Horna\u003c/a> and \u003ca href=\"https://www.gallerywendinorris.com/artists-collection/leonora-carrington\">Leonora Carrington\u003c/a>. Varo and Carrington, in particular, saw each other nearly every day, sharing their ideas and research (including the study of alchemy).\u003c/p>\n\u003cp>While many of the scenes Varo carefully painted — in thin, crosshatching lines of oil — have a mystical, otherworldly element, they are grounded by her inspired renderings of textures. \u003ci>Ruptura\u003c/i> is bounded in by high brushy hedges. In \u003ci>Banqueros en acción\u003c/i> (1962), black-suited bankers fly through a cityscape made of speckled — almost moldy — walls. The contrast between these more abstract moments and her precise renderings of humanoid creatures heightens the tension of each scene: which world do they inhabit? Can we psychically access this place?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>All of Varo’s paintings — even the most innocuous, like the dreamy study \u003ci>Estudio para trasmundo\u003c/i> (c. 1955) — seem to depict a reality just past the border of our own. Animals bear tiny human faces, trees become vaulted cathedral ceilings and toy boats journey to the underworld. This realm, however moody, rarely appears dangerous. Instead, we are invited to take our time, be curious and filled with wonder. The entire show is delightfully witchy.\u003c/p>\n\u003cfigure id=\"attachment_13930849\" class=\"wp-caption aligncenter\" style=\"max-width: 1827px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13930849\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-scaled.jpg\" alt=\"Painting of apples swirling above a table covered with a twisted tablecloth, vaulted ceiling above\" width=\"1827\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-scaled.jpg 1827w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-800x1121.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-1020x1429.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-160x224.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-768x1076.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-1096x1536.jpg 1096w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RV0080-Naturaleza-muerta-resucitando_1920-1462x2048.jpg 1462w\" sizes=\"(max-width: 1827px) 100vw, 1827px\">\u003cfigcaption class=\"wp-caption-text\">Remedios Varo, ‘Naturaleza muerta resucitando,’ 1963; Oil on canvas. \u003ccite>(Courtesy of Gallery Wendi Norris)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Back in our present-day reality, outside of Varo’s entrancing brushstrokes, I write with some urgency. Usually, the 384 pieces of artwork she created during her lifetime are scattered around the world, in a mix of museum and private collections. \u003ci>Encuentro\u003c/i>, a rare gathering, opened in May with 11 works spanning 1947–1963, but the complicated (and exciting) process of museum acquisition has whittled the exhibition down to just nine. One or two additional pieces may leave for similar reasons before the show’s July 15 closing.\u003c/p>\n\u003cp>The last painting Varo finished before her untimely death at age 54 is the show’s largest: \u003ci>Naturaleza muerta resucitando\u003c/i> (1963), a swirling scene of fruit as cosmos, levitating in their own Milky Way above the twisted cloth of a set table. Without the sorcerer visible, we are left to assume it is Varo herself spinning these items aloft, the paint brush her wand. And so let it be a summoning, while there are still so many worlds to get lost within.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘\u003ca href=\"https://www.gallerywendinorris.com/exhibitions-collection/remedios-varo\">Remedios Varo: Encuentros\u003c/a>’ is on view at Gallery Wendi Norris (436 Jackson St.) through July 15.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13930840/remedios-varo-gallery-wendi-norris-encuentros-review","authors":["61"],"programs":["arts_140"],"categories":["arts_1","arts_70"],"tags":["arts_3649","arts_2636","arts_769","arts_585"],"featImg":"arts_13930847","label":"arts_140"},"arts_13929082":{"type":"posts","id":"arts_13929082","meta":{"index":"posts_1591205157","site":"arts","id":"13929082","score":null,"sort":[1684771227000]},"guestAuthors":[],"slug":"visual-art-summer-guide-2023-sf-bay-area","title":"Your Guide to the Bay Area's Best Art Exhibitions This Summer","publishDate":1684771227,"format":"aside","headTitle":"Your Guide to the Bay Area’s Best Art Exhibitions This Summer | KQED","labelTerm":{},"content":"\u003cp>\u003cem>\u003cstrong>Be sure to check out our full \u003ca href=\"https://www.kqed.org/summerguide2023\">2023 Summer Arts Guide to live music, movies, art, theater, festivals and more\u003c/a> in the Bay Area.\u003c/strong> \u003c/em>\u003c/p>\n\u003cp>This summer, all cross the Bay Area, our exhibition spaces are presenting work both hyper-local and international in scope. There are vibrant retrospectives, natural soundscapes and off-the-beaten-path project spaces to explore in June, July and August. The result: shows that testify to the artistic talent in our own backyards, as well as the power of art to psychically transport us. Happy art viewing! \u003c/p>\n\u003cfigure id=\"attachment_13929089\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/OMCABrightness_1920.jpg\" alt=\"Colorful abstract painting filled with small repeated circles\" width=\"1920\" height=\"1250\" class=\"size-full wp-image-13929089\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/OMCABrightness_1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/OMCABrightness_1920-800x521.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/OMCABrightness_1920-1020x664.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/OMCABrightness_1920-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/OMCABrightness_1920-768x500.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/OMCABrightness_1920-1536x1000.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Marilyn Wong, ‘Untitled,’ 2022. \u003ccite>(Courtesy of the artist and Creativity Explored)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://museumca.org/on-view/into-the-brightness/\">Into the Brightness: Artists from Creativity Explored, Creative Growth & NIAD\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>Oakland Museum of California\u003cbr>\nMay 19, 2023–Jan. 21, 2024\u003c/i>\u003c/p>\n\u003cp>The Bay Area is blessed with not just one but three incredible institutions that work with artists with developmental disabilities, and the visual art that comes out of \u003ca href=\"https://www.creativityexplored.org/\">Creativity Explored\u003c/a>, \u003ca href=\"https://creativegrowth.org/\">Creative Growth\u003c/a> and \u003ca href=\"https://niadart.org/\">NIAD\u003c/a> can take any number of forms, including sculpture, painting, video and wearable art. The pandemic \u003ca href=\"https://www.kqed.org/arts/13878722/take-home-kits-virtual-studio-time-a-lifeline-for-artists-with-disabilities\">hit these collaborative communities hard\u003c/a>, when shelter-in-place required administrators and instructors to get extraordinarily creative to keep their artists in touch and well stocked with supplies. In the aftermath of that effort, it’s only fitting to celebrate all three organizations and their talented artists in OMCA’s largest gallery.\u003c/p>\n\u003cfigure id=\"attachment_13929090\" class=\"wp-caption aligncenter\" style=\"max-width: 1660px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/UntitledSession9651_Cherry.jpg\" alt=\"Colorful large painting with multiple figures mounted inside a metal futuristic freestanding frame\" width=\"1660\" height=\"1145\" class=\"size-full wp-image-13929090\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/UntitledSession9651_Cherry.jpg 1660w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/UntitledSession9651_Cherry-800x552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/UntitledSession9651_Cherry-1020x704.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/UntitledSession9651_Cherry-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/UntitledSession9651_Cherry-768x530.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/UntitledSession9651_Cherry-1536x1059.jpg 1536w\" sizes=\"(max-width: 1660px) 100vw, 1660px\">\u003cfigcaption class=\"wp-caption-text\">An example of Caitlyn Cherry’s previous work. \u003ccite>(Courtesy of the Wattis and The Hole)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Caitlin Cherry, ‘\u003ca href=\"https://wattis.org/our-program/on-view/caitlin-cherry\">The Regolith Was Boiling\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>CCA Wattis Institute for Contemporary Art, San Francisco\u003cbr>\nJune 1–July 29, 2023\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s not often that we get to see paintings at the Wattis. Curated by former director Anthony Huberman, this solo show from the Mérida-based artist \u003ca href=\"https://www.instagram.com/the_underboobcommons/?hl=en\">Caitlin Cherry\u003c/a> will respond to the space with large-scale oil paintings and digital prints in an installation imagined as a single mural. Having multiple parts cohere into a whole befits Cherry’s painting style, which draws from image databases across the internet for pics of porn stars, Instagram models, drag queens, rappers and celebrities. In the artist’s hands, composite scenes are rendered in electric, solarized hues and Black femme figures are overlaid with psychedelic ripples of color. Expect maximalism, creative methods of display and a welcome retinal onslaught.\u003c/p>\n\u003cfigure id=\"attachment_13929096\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GreatAnimalOrchestra_1920.jpg\" alt=\"Dark room with seated audience looking at wide corner of blue data-like lines on video screen\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13929096\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GreatAnimalOrchestra_1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GreatAnimalOrchestra_1920-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GreatAnimalOrchestra_1920-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GreatAnimalOrchestra_1920-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GreatAnimalOrchestra_1920-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GreatAnimalOrchestra_1920-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">View of the exhibition ‘The Great Animal Orchestra’ at Fondation Cartier pour l’art contemporain, Paris, 2016.\u003cbr> \u003ccite>(© Bernie Krause / © UVA; Image © Luc Boegly)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.exploratorium.edu/TGAO\">The Great Animal Orchestra\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>The Exploratorium (Pier 15, San Francisco)\u003cbr>\nJune 10–Oct. 15, 2023\u003c/i>\u003c/p>\n\u003cp>Sonoma County resident Bernie Krause has been collecting the sounds of the natural world for over 50 years, recording across North America, Latin America and sub-Saharan Africa, even dipping his microphone into the world’s oceans. In 2016, Fondation Cartier introduced Krause to United Visual Artists, a London-based collective, to create a video installation that kinetically depicts the sounds of seven different marine and terrestrial habitats. Howls, chirps, songs and clicks each tell a story of a vastly different place on this planet — a mesmerizing collective chorus that is sadly, and ever more rapidly, losing its members. \u003c/p>\n\u003cfigure id=\"attachment_13929091\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Memorial-portraits-of-actors-Nakamura-Utaemon-IV-Ichikawa-Danjuro-VIII-and-Bando-Shuka-II-1854_1920.jpg\" alt=\"Triptych of dynamic scene of various people in robes struggling against each other\" width=\"1920\" height=\"923\" class=\"size-full wp-image-13929091\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Memorial-portraits-of-actors-Nakamura-Utaemon-IV-Ichikawa-Danjuro-VIII-and-Bando-Shuka-II-1854_1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Memorial-portraits-of-actors-Nakamura-Utaemon-IV-Ichikawa-Danjuro-VIII-and-Bando-Shuka-II-1854_1920-800x385.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Memorial-portraits-of-actors-Nakamura-Utaemon-IV-Ichikawa-Danjuro-VIII-and-Bando-Shuka-II-1854_1920-1020x490.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Memorial-portraits-of-actors-Nakamura-Utaemon-IV-Ichikawa-Danjuro-VIII-and-Bando-Shuka-II-1854_1920-160x77.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Memorial-portraits-of-actors-Nakamura-Utaemon-IV-Ichikawa-Danjuro-VIII-and-Bando-Shuka-II-1854_1920-768x369.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Memorial-portraits-of-actors-Nakamura-Utaemon-IV-Ichikawa-Danjuro-VIII-and-Bando-Shuka-II-1854_1920-1536x738.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">‘Memorial portraits of actors Nakamura Utaemon IV, Ichikawa Danjuro VIII, and Bando Shuka II,’ 1854; Woodblock print, 14 3/4 x 30 1/2 inches. \u003ccite>(© 2023 Museum of Fine Arts, Boston)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://about.asianart.org/press/hell-arts-of-asian-underworlds/\">Hell: Arts of Asian Underworlds\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>Asian Art Museum, San Francisco\u003cbr>\nJune 16–Sept. 23, 2023\u003c/i>\u003c/p>\n\u003cp>You know you’re in for something special when an exhibition bears the tagline “800 Years of Torment.” This show gathers artworks from Buddhist, Hindu and Jain traditions created over nine centuries. In these elaborate and grotesque visions of the afterlife, humans hang over open flames, demons torture men and mice cower before despotic cats. (I knew it!) I predict it’ll be tough to drag people away from the twisted worlds depicted in these pieces, a real \u003ci>Where’s Waldo\u003c/i> in the underworld, if you will — so it’s a good thing this show stays up all summer. \u003c/p>\n\u003cfigure id=\"attachment_13929104\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Gordon-Parks-Untitled-Harlem-New-York-1963.jpg\" alt='Color photograph of back of Black boy leaning against a barricade that reads \"DO NOT CROSS\"' width=\"1500\" height=\"1019\" class=\"size-full wp-image-13929104\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Gordon-Parks-Untitled-Harlem-New-York-1963.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Gordon-Parks-Untitled-Harlem-New-York-1963-800x543.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Gordon-Parks-Untitled-Harlem-New-York-1963-1020x693.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Gordon-Parks-Untitled-Harlem-New-York-1963-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Gordon-Parks-Untitled-Harlem-New-York-1963-768x522.jpg 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Gordon Parks, ‘Untitled, Harlem, New York,’ 1963; Archival pigment print. \u003ccite>(McEvoy Family Collection; Courtesy of and copyright The Gordon Parks Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.mcevoyarts.org/exhibition/what-are-words-worth/\">What are words worth?\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>McEvoy Foundation for the Arts, San Francisco\u003cbr>\nJune 16–Sept. 2, 2023\u003c/i>\u003c/p>\n\u003cp>Curated around ideas of language, journalism, literature and typography, this exhibition will be the final show for the McEvoy Foundation for the Arts, the Dogpatch nonprofit arts space that opened in 2017 and announced it’d be closing earlier this year. Since that first show, the MFA has put on nearly 100 exhibitions, film programs and events, including an incredible \u003ca href=\"https://www.kqed.org/arts/13888324/frederick-douglass-lessons-resound-in-the-contemporary-moment\">Isaac Julien installation\u003c/a>, a \u003ca href=\"https://www.kqed.org/arts/13828542/dilexi-series-kqed-1969-mcevoy-foundation-for-the-arts\">program of experimental films\u003c/a> once shown on KQED, and a memorable screening of Jafar Panahi’s \u003ci>\u003ca href=\"https://www.mcevoyarts.org/event/the-mirror/\">The Mirror\u003c/a>\u003c/i> at the Roxie. There will be much more to say once this show puts its own words on the wall, but don’t miss a chance to say goodbye to a program that has created space for so many art experiences in its brief time.\u003c/p>\n\u003cfigure id=\"attachment_13929092\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/YolandaLopez_SJMA.jpg\" alt=\"Painting of young woman in running outfit striding forward with coastal landscape behind her\" width=\"1920\" height=\"1119\" class=\"size-full wp-image-13929092\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/YolandaLopez_SJMA.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/YolandaLopez_SJMA-800x466.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/YolandaLopez_SJMA-1020x594.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/YolandaLopez_SJMA-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/YolandaLopez_SJMA-768x448.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/YolandaLopez_SJMA-1536x895.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Yolanda López, ‘Runner: On My Own!’ from the series ‘¿A Dónde Vas, Chicana? Getting through College,’ 1977; Oil and acrylic on paper, 60 x 106 inches. \u003ccite>(Courtesy of the Yolanda López Legacy Trust)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://sjmusart.org/exhibition/yolanda-lopez-portrait-artist\">Yolanda López: Portrait of the Artist\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>San José Museum of Art\u003cbr>\nJuly 7–Oct. 29, 2023\u003c/i>\u003c/p>\n\u003cp>Just a month and a half after Yolanda López \u003ca href=\"https://www.kqed.org/arts/13903264/yolanda-lopez-remembrance-chicanx-art\">died in 2021\u003c/a>, the Museum of Contemporary Art, San Diego opened her first solo museum exhibition. Even though the Bay Area artist, activist and cultural worker was long ignored by the institutional art world, her work in oil pastel, paint, charcoal, collage and photography became Chicana feminist symbols and potent images of the Chicano civil rights movement. This SJMA show is a homecoming of sorts, bringing 50 of López’s iconic works together with material that speaks to the Bay Area’s impact on her life and career — and, in turn, her influence on the generations of artists in her orbit. \u003c/p>\n\u003cfigure id=\"attachment_13929131\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/ChromeComp_1920.jpg\" alt=\"Composite of three images: a green bike sculpture, a complex painting with an animorph figure at center; a pink-lit disco ball over fake roses on a cushion\" width=\"1920\" height=\"780\" class=\"size-full wp-image-13929131\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/ChromeComp_1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/ChromeComp_1920-800x325.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/ChromeComp_1920-1020x414.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/ChromeComp_1920-160x65.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/ChromeComp_1920-768x312.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/ChromeComp_1920-1536x624.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">L to R: rafa esparza, ‘Corpo RanfLA: Terra Cruiser,’ 2022; Mario Ayala, ‘Reunion,’ 2021; Guadalupe Rosales, detail of ‘Drafting on a Memory (a dedication to Gypsy Rose),’ 2022. \u003ccite>(L to R: Courtesy the artist, photo by Fabian Guerrero; © Mario Ayala, courtesy the artist; Courtesy the artist, photo by Chad Redmon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.sfmoma.org/exhibition/sitting-on-chrome-mario-ayala-rafa-esparza-and-guadalupe-rosales/\">Sitting on Chrome: Mario Ayala, rafa esparza, and Guadalupe Rosales\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>San Francisco Museum of Modern Art\u003cbr>\nAug. 5, 2023–Feb. 19, 2024\u003c/i>\u003c/p>\n\u003cp>While SFMOMA’s \u003ca href=\"https://www.sfmoma.org/free-admission-to-floor-2-galleries/\">free entry\u003c/a> to its second floor galleries ends May 29 (with the close of the \u003ca href=\"https://www.kqed.org/arts/13923804/2022-seca-art-award-exhibition-sfmoma-review\">SECA Award show\u003c/a>), the museum just announced a “\u003ca href=\"https://www.sfmoma.org/membership/working-artist-membership/\">Working Artist Membership\u003c/a>” that makes the cost of admission a little less staggering for artists planning to make multiple visits over the course of a year. And here’s a very good reason to do just that: a collaborative exhibition from Los Angeles-based artists \u003ca href=\"https://www.davidkordanskygallery.com/artist/mario-ayala\">Mario Ayala\u003c/a>, \u003ca href=\"https://www.instagram.com/elrafaesparza/?hl=en\">rafa esparza\u003c/a> and \u003ca href=\"https://www.veteranasandrucas.com/\">Guadalupe Rosales\u003c/a>. In a series of installations that include murals, paintings, sculptures, photographs, archival materials and sound, Ayala, esparza and Rosales use the visual language of lowriders to talk about cultural resistance and visibility in sparkling, pinstriped, sensational style.\u003c/p>\n\u003cfigure id=\"attachment_13929125\" class=\"wp-caption aligncenter\" style=\"max-width: 544px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Fred-Marque-DeWitt_Safe-Black-Space.jpg\" alt='A black circle with white text on concrete floor that reads \"SAFE BLACK SPACE\"' width=\"544\" height=\"725\" class=\"size-full wp-image-13929125\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fred-Marque-DeWitt_Safe-Black-Space.jpg 544w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fred-Marque-DeWitt_Safe-Black-Space-160x213.jpg 160w\" sizes=\"(max-width: 544px) 100vw, 544px\">\u003cfigcaption class=\"wp-caption-text\">A vinyl floor sticker by Fred Marque DeWitt. \u003ccite>(Courtesy the artist and Berkeley Art Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Rabbit Hole’\u003c/h2>\n\u003cp>\u003ci>\u003ca href=\"https://www.berkeleyartcenter.org/\">Berkeley Art Center\u003c/a>\u003cbr>\nAug. 12–Sept. 23, 2023\u003c/i> \u003c/p>\n\u003cp>This group show curated by Adrianne Ramsey looks at the changes we’ve experienced when it comes to our understanding of space, especially after the shelter-in-place mandate eradicated the group gatherings that so often give us our strongest sense of community and self. Working across a variety of mediums, artists Danielle Luz Belanger, Fred Marquee DeWitt, Mark Harris, Courtney Desiree Morris, Arleene Correa Valencia and Connie Zheng will negotiate the yurt-like Berkeley Art Center — a strange and lovely space unto itself — to depict their own experiences of falling, like Alice, through the rabbit hole from “before” to now.\u003c/p>\n\u003cfigure id=\"attachment_13929094\" class=\"wp-caption aligncenter\" style=\"max-width: 799px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/PersonalSpace.jpg\" alt=\"Terra cotta roofed one-story building with big window and tile facade\" width=\"799\" height=\"600\" class=\"size-full wp-image-13929094\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/PersonalSpace.jpg 799w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/PersonalSpace-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/PersonalSpace-768x577.jpg 768w\" sizes=\"(max-width: 799px) 100vw, 799px\">\u003cfigcaption class=\"wp-caption-text\">The forthcoming Vallejo project space dubbed Personal Space, expected to open this summer. \u003ccite>(Lisa Rybovich Crallé)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A great time to visit new spaces\u003c/h2>\n\u003cp>While \u003ca href=\"https://www.kqed.org/arts/13925929/ratio-3-san-francisco-gallery-closing-after-20-years\">gallery closures\u003c/a> can be cause for hand-wringing, the Bay Area is full of people who simply cannot stop creating community-minded artistic projects. This summer, make it a priority to visit some of these more off-the-wall efforts.\u003c/p>\n\u003cp>For example: Why not swing through the Mission for a show at \u003cb>\u003ca href=\"https://inconcertsf.com/\">In Concert\u003c/a>\u003c/b>, nestled within Cushion Works (an active cushion factory) and alongside \u003ca href=\"https://www.cushionworks.info/\">\u003cb>Cushion Works\u003c/b>\u003c/a> (an alternative exhibition space)? \u003c/p>\n\u003cp>[aside postID='arts_13924661']Just a few blocks south, you can catch up on \u003cb>\u003ca href=\"https://houseofseiko.info/\">House of Seiko\u003c/a>\u003c/b>’s fishbowl-like space and have a nice chat with co-founder Cole Solinger. \u003c/p>\n\u003cp>In the Richmond District, be sure to carve out time to visit \u003cb>\u003ca href=\"https://staircase.place/\">Staircase\u003c/a>\u003c/b>, an apartment hallway turned graceful exhibition venue. \u003c/p>\n\u003cp>Before you leave San Francisco, drop by \u003cb>\u003ca href=\"http://lamofeta.xyz/\">La Mofeta\u003c/a>\u003c/b>, open all the time because it’s a 4-by-4-inch post sticking up out of a garage in Diamond Heights. \u003c/p>\n\u003cp>Later this summer — July, she says, maybe August — artist Lisa Rybovich Crallé will open \u003cb>\u003ca href=\"https://www.instagram.com/personal_________space/\">Personal Space\u003c/a>\u003c/b>, a storefront project space in Vallejo.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>And last but not least, sign yourself up for the mailing list of \u003cb>\u003ca href=\"https://www.instagram.com/pointingrespectfully/\">Pointing Respectfully\u003c/a>\u003c/b>, sporadic, joy walks in local nature organized by Zoë Taleporos and Elizabeth Nicula.\u003c/p>\n\n","blocks":[],"excerpt":"This summer’s shows testify to the talent in our own backyards, as well as art’s ability to physically transport us.","status":"publish","parent":0,"modified":1705005474,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":27,"wordCount":1623},"headData":{"title":"Your Guide to the Bay Area's Best Art Exhibitions This Summer | KQED","description":"This summer’s shows testify to the talent in our own backyards, as well as art’s ability to physically transport us.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"source":"Hot Summer Guide 2023","sourceUrl":"/summerguide2023","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13929082/visual-art-summer-guide-2023-sf-bay-area","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Be sure to check out our full \u003ca href=\"https://www.kqed.org/summerguide2023\">2023 Summer Arts Guide to live music, movies, art, theater, festivals and more\u003c/a> in the Bay Area.\u003c/strong> \u003c/em>\u003c/p>\n\u003cp>This summer, all cross the Bay Area, our exhibition spaces are presenting work both hyper-local and international in scope. There are vibrant retrospectives, natural soundscapes and off-the-beaten-path project spaces to explore in June, July and August. The result: shows that testify to the artistic talent in our own backyards, as well as the power of art to psychically transport us. Happy art viewing! \u003c/p>\n\u003cfigure id=\"attachment_13929089\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/OMCABrightness_1920.jpg\" alt=\"Colorful abstract painting filled with small repeated circles\" width=\"1920\" height=\"1250\" class=\"size-full wp-image-13929089\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/OMCABrightness_1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/OMCABrightness_1920-800x521.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/OMCABrightness_1920-1020x664.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/OMCABrightness_1920-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/OMCABrightness_1920-768x500.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/OMCABrightness_1920-1536x1000.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Marilyn Wong, ‘Untitled,’ 2022. \u003ccite>(Courtesy of the artist and Creativity Explored)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://museumca.org/on-view/into-the-brightness/\">Into the Brightness: Artists from Creativity Explored, Creative Growth & NIAD\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>Oakland Museum of California\u003cbr>\nMay 19, 2023–Jan. 21, 2024\u003c/i>\u003c/p>\n\u003cp>The Bay Area is blessed with not just one but three incredible institutions that work with artists with developmental disabilities, and the visual art that comes out of \u003ca href=\"https://www.creativityexplored.org/\">Creativity Explored\u003c/a>, \u003ca href=\"https://creativegrowth.org/\">Creative Growth\u003c/a> and \u003ca href=\"https://niadart.org/\">NIAD\u003c/a> can take any number of forms, including sculpture, painting, video and wearable art. The pandemic \u003ca href=\"https://www.kqed.org/arts/13878722/take-home-kits-virtual-studio-time-a-lifeline-for-artists-with-disabilities\">hit these collaborative communities hard\u003c/a>, when shelter-in-place required administrators and instructors to get extraordinarily creative to keep their artists in touch and well stocked with supplies. In the aftermath of that effort, it’s only fitting to celebrate all three organizations and their talented artists in OMCA’s largest gallery.\u003c/p>\n\u003cfigure id=\"attachment_13929090\" class=\"wp-caption aligncenter\" style=\"max-width: 1660px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/UntitledSession9651_Cherry.jpg\" alt=\"Colorful large painting with multiple figures mounted inside a metal futuristic freestanding frame\" width=\"1660\" height=\"1145\" class=\"size-full wp-image-13929090\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/UntitledSession9651_Cherry.jpg 1660w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/UntitledSession9651_Cherry-800x552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/UntitledSession9651_Cherry-1020x704.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/UntitledSession9651_Cherry-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/UntitledSession9651_Cherry-768x530.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/UntitledSession9651_Cherry-1536x1059.jpg 1536w\" sizes=\"(max-width: 1660px) 100vw, 1660px\">\u003cfigcaption class=\"wp-caption-text\">An example of Caitlyn Cherry’s previous work. \u003ccite>(Courtesy of the Wattis and The Hole)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Caitlin Cherry, ‘\u003ca href=\"https://wattis.org/our-program/on-view/caitlin-cherry\">The Regolith Was Boiling\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>CCA Wattis Institute for Contemporary Art, San Francisco\u003cbr>\nJune 1–July 29, 2023\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s not often that we get to see paintings at the Wattis. Curated by former director Anthony Huberman, this solo show from the Mérida-based artist \u003ca href=\"https://www.instagram.com/the_underboobcommons/?hl=en\">Caitlin Cherry\u003c/a> will respond to the space with large-scale oil paintings and digital prints in an installation imagined as a single mural. Having multiple parts cohere into a whole befits Cherry’s painting style, which draws from image databases across the internet for pics of porn stars, Instagram models, drag queens, rappers and celebrities. In the artist’s hands, composite scenes are rendered in electric, solarized hues and Black femme figures are overlaid with psychedelic ripples of color. Expect maximalism, creative methods of display and a welcome retinal onslaught.\u003c/p>\n\u003cfigure id=\"attachment_13929096\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GreatAnimalOrchestra_1920.jpg\" alt=\"Dark room with seated audience looking at wide corner of blue data-like lines on video screen\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13929096\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GreatAnimalOrchestra_1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GreatAnimalOrchestra_1920-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GreatAnimalOrchestra_1920-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GreatAnimalOrchestra_1920-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GreatAnimalOrchestra_1920-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GreatAnimalOrchestra_1920-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">View of the exhibition ‘The Great Animal Orchestra’ at Fondation Cartier pour l’art contemporain, Paris, 2016.\u003cbr> \u003ccite>(© Bernie Krause / © UVA; Image © Luc Boegly)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.exploratorium.edu/TGAO\">The Great Animal Orchestra\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>The Exploratorium (Pier 15, San Francisco)\u003cbr>\nJune 10–Oct. 15, 2023\u003c/i>\u003c/p>\n\u003cp>Sonoma County resident Bernie Krause has been collecting the sounds of the natural world for over 50 years, recording across North America, Latin America and sub-Saharan Africa, even dipping his microphone into the world’s oceans. In 2016, Fondation Cartier introduced Krause to United Visual Artists, a London-based collective, to create a video installation that kinetically depicts the sounds of seven different marine and terrestrial habitats. Howls, chirps, songs and clicks each tell a story of a vastly different place on this planet — a mesmerizing collective chorus that is sadly, and ever more rapidly, losing its members. \u003c/p>\n\u003cfigure id=\"attachment_13929091\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Memorial-portraits-of-actors-Nakamura-Utaemon-IV-Ichikawa-Danjuro-VIII-and-Bando-Shuka-II-1854_1920.jpg\" alt=\"Triptych of dynamic scene of various people in robes struggling against each other\" width=\"1920\" height=\"923\" class=\"size-full wp-image-13929091\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Memorial-portraits-of-actors-Nakamura-Utaemon-IV-Ichikawa-Danjuro-VIII-and-Bando-Shuka-II-1854_1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Memorial-portraits-of-actors-Nakamura-Utaemon-IV-Ichikawa-Danjuro-VIII-and-Bando-Shuka-II-1854_1920-800x385.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Memorial-portraits-of-actors-Nakamura-Utaemon-IV-Ichikawa-Danjuro-VIII-and-Bando-Shuka-II-1854_1920-1020x490.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Memorial-portraits-of-actors-Nakamura-Utaemon-IV-Ichikawa-Danjuro-VIII-and-Bando-Shuka-II-1854_1920-160x77.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Memorial-portraits-of-actors-Nakamura-Utaemon-IV-Ichikawa-Danjuro-VIII-and-Bando-Shuka-II-1854_1920-768x369.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Memorial-portraits-of-actors-Nakamura-Utaemon-IV-Ichikawa-Danjuro-VIII-and-Bando-Shuka-II-1854_1920-1536x738.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">‘Memorial portraits of actors Nakamura Utaemon IV, Ichikawa Danjuro VIII, and Bando Shuka II,’ 1854; Woodblock print, 14 3/4 x 30 1/2 inches. \u003ccite>(© 2023 Museum of Fine Arts, Boston)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://about.asianart.org/press/hell-arts-of-asian-underworlds/\">Hell: Arts of Asian Underworlds\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>Asian Art Museum, San Francisco\u003cbr>\nJune 16–Sept. 23, 2023\u003c/i>\u003c/p>\n\u003cp>You know you’re in for something special when an exhibition bears the tagline “800 Years of Torment.” This show gathers artworks from Buddhist, Hindu and Jain traditions created over nine centuries. In these elaborate and grotesque visions of the afterlife, humans hang over open flames, demons torture men and mice cower before despotic cats. (I knew it!) I predict it’ll be tough to drag people away from the twisted worlds depicted in these pieces, a real \u003ci>Where’s Waldo\u003c/i> in the underworld, if you will — so it’s a good thing this show stays up all summer. \u003c/p>\n\u003cfigure id=\"attachment_13929104\" class=\"wp-caption aligncenter\" style=\"max-width: 1500px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Gordon-Parks-Untitled-Harlem-New-York-1963.jpg\" alt='Color photograph of back of Black boy leaning against a barricade that reads \"DO NOT CROSS\"' width=\"1500\" height=\"1019\" class=\"size-full wp-image-13929104\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Gordon-Parks-Untitled-Harlem-New-York-1963.jpg 1500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Gordon-Parks-Untitled-Harlem-New-York-1963-800x543.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Gordon-Parks-Untitled-Harlem-New-York-1963-1020x693.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Gordon-Parks-Untitled-Harlem-New-York-1963-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Gordon-Parks-Untitled-Harlem-New-York-1963-768x522.jpg 768w\" sizes=\"(max-width: 1500px) 100vw, 1500px\">\u003cfigcaption class=\"wp-caption-text\">Gordon Parks, ‘Untitled, Harlem, New York,’ 1963; Archival pigment print. \u003ccite>(McEvoy Family Collection; Courtesy of and copyright The Gordon Parks Foundation)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.mcevoyarts.org/exhibition/what-are-words-worth/\">What are words worth?\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>McEvoy Foundation for the Arts, San Francisco\u003cbr>\nJune 16–Sept. 2, 2023\u003c/i>\u003c/p>\n\u003cp>Curated around ideas of language, journalism, literature and typography, this exhibition will be the final show for the McEvoy Foundation for the Arts, the Dogpatch nonprofit arts space that opened in 2017 and announced it’d be closing earlier this year. Since that first show, the MFA has put on nearly 100 exhibitions, film programs and events, including an incredible \u003ca href=\"https://www.kqed.org/arts/13888324/frederick-douglass-lessons-resound-in-the-contemporary-moment\">Isaac Julien installation\u003c/a>, a \u003ca href=\"https://www.kqed.org/arts/13828542/dilexi-series-kqed-1969-mcevoy-foundation-for-the-arts\">program of experimental films\u003c/a> once shown on KQED, and a memorable screening of Jafar Panahi’s \u003ci>\u003ca href=\"https://www.mcevoyarts.org/event/the-mirror/\">The Mirror\u003c/a>\u003c/i> at the Roxie. There will be much more to say once this show puts its own words on the wall, but don’t miss a chance to say goodbye to a program that has created space for so many art experiences in its brief time.\u003c/p>\n\u003cfigure id=\"attachment_13929092\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/YolandaLopez_SJMA.jpg\" alt=\"Painting of young woman in running outfit striding forward with coastal landscape behind her\" width=\"1920\" height=\"1119\" class=\"size-full wp-image-13929092\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/YolandaLopez_SJMA.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/YolandaLopez_SJMA-800x466.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/YolandaLopez_SJMA-1020x594.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/YolandaLopez_SJMA-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/YolandaLopez_SJMA-768x448.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/YolandaLopez_SJMA-1536x895.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Yolanda López, ‘Runner: On My Own!’ from the series ‘¿A Dónde Vas, Chicana? Getting through College,’ 1977; Oil and acrylic on paper, 60 x 106 inches. \u003ccite>(Courtesy of the Yolanda López Legacy Trust)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://sjmusart.org/exhibition/yolanda-lopez-portrait-artist\">Yolanda López: Portrait of the Artist\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>San José Museum of Art\u003cbr>\nJuly 7–Oct. 29, 2023\u003c/i>\u003c/p>\n\u003cp>Just a month and a half after Yolanda López \u003ca href=\"https://www.kqed.org/arts/13903264/yolanda-lopez-remembrance-chicanx-art\">died in 2021\u003c/a>, the Museum of Contemporary Art, San Diego opened her first solo museum exhibition. Even though the Bay Area artist, activist and cultural worker was long ignored by the institutional art world, her work in oil pastel, paint, charcoal, collage and photography became Chicana feminist symbols and potent images of the Chicano civil rights movement. This SJMA show is a homecoming of sorts, bringing 50 of López’s iconic works together with material that speaks to the Bay Area’s impact on her life and career — and, in turn, her influence on the generations of artists in her orbit. \u003c/p>\n\u003cfigure id=\"attachment_13929131\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/ChromeComp_1920.jpg\" alt=\"Composite of three images: a green bike sculpture, a complex painting with an animorph figure at center; a pink-lit disco ball over fake roses on a cushion\" width=\"1920\" height=\"780\" class=\"size-full wp-image-13929131\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/ChromeComp_1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/ChromeComp_1920-800x325.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/ChromeComp_1920-1020x414.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/ChromeComp_1920-160x65.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/ChromeComp_1920-768x312.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/ChromeComp_1920-1536x624.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">L to R: rafa esparza, ‘Corpo RanfLA: Terra Cruiser,’ 2022; Mario Ayala, ‘Reunion,’ 2021; Guadalupe Rosales, detail of ‘Drafting on a Memory (a dedication to Gypsy Rose),’ 2022. \u003ccite>(L to R: Courtesy the artist, photo by Fabian Guerrero; © Mario Ayala, courtesy the artist; Courtesy the artist, photo by Chad Redmon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.sfmoma.org/exhibition/sitting-on-chrome-mario-ayala-rafa-esparza-and-guadalupe-rosales/\">Sitting on Chrome: Mario Ayala, rafa esparza, and Guadalupe Rosales\u003c/a>’\u003c/h2>\n\u003cp>\u003ci>San Francisco Museum of Modern Art\u003cbr>\nAug. 5, 2023–Feb. 19, 2024\u003c/i>\u003c/p>\n\u003cp>While SFMOMA’s \u003ca href=\"https://www.sfmoma.org/free-admission-to-floor-2-galleries/\">free entry\u003c/a> to its second floor galleries ends May 29 (with the close of the \u003ca href=\"https://www.kqed.org/arts/13923804/2022-seca-art-award-exhibition-sfmoma-review\">SECA Award show\u003c/a>), the museum just announced a “\u003ca href=\"https://www.sfmoma.org/membership/working-artist-membership/\">Working Artist Membership\u003c/a>” that makes the cost of admission a little less staggering for artists planning to make multiple visits over the course of a year. And here’s a very good reason to do just that: a collaborative exhibition from Los Angeles-based artists \u003ca href=\"https://www.davidkordanskygallery.com/artist/mario-ayala\">Mario Ayala\u003c/a>, \u003ca href=\"https://www.instagram.com/elrafaesparza/?hl=en\">rafa esparza\u003c/a> and \u003ca href=\"https://www.veteranasandrucas.com/\">Guadalupe Rosales\u003c/a>. In a series of installations that include murals, paintings, sculptures, photographs, archival materials and sound, Ayala, esparza and Rosales use the visual language of lowriders to talk about cultural resistance and visibility in sparkling, pinstriped, sensational style.\u003c/p>\n\u003cfigure id=\"attachment_13929125\" class=\"wp-caption aligncenter\" style=\"max-width: 544px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Fred-Marque-DeWitt_Safe-Black-Space.jpg\" alt='A black circle with white text on concrete floor that reads \"SAFE BLACK SPACE\"' width=\"544\" height=\"725\" class=\"size-full wp-image-13929125\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fred-Marque-DeWitt_Safe-Black-Space.jpg 544w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fred-Marque-DeWitt_Safe-Black-Space-160x213.jpg 160w\" sizes=\"(max-width: 544px) 100vw, 544px\">\u003cfigcaption class=\"wp-caption-text\">A vinyl floor sticker by Fred Marque DeWitt. \u003ccite>(Courtesy the artist and Berkeley Art Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘Rabbit Hole’\u003c/h2>\n\u003cp>\u003ci>\u003ca href=\"https://www.berkeleyartcenter.org/\">Berkeley Art Center\u003c/a>\u003cbr>\nAug. 12–Sept. 23, 2023\u003c/i> \u003c/p>\n\u003cp>This group show curated by Adrianne Ramsey looks at the changes we’ve experienced when it comes to our understanding of space, especially after the shelter-in-place mandate eradicated the group gatherings that so often give us our strongest sense of community and self. Working across a variety of mediums, artists Danielle Luz Belanger, Fred Marquee DeWitt, Mark Harris, Courtney Desiree Morris, Arleene Correa Valencia and Connie Zheng will negotiate the yurt-like Berkeley Art Center — a strange and lovely space unto itself — to depict their own experiences of falling, like Alice, through the rabbit hole from “before” to now.\u003c/p>\n\u003cfigure id=\"attachment_13929094\" class=\"wp-caption aligncenter\" style=\"max-width: 799px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/PersonalSpace.jpg\" alt=\"Terra cotta roofed one-story building with big window and tile facade\" width=\"799\" height=\"600\" class=\"size-full wp-image-13929094\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/PersonalSpace.jpg 799w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/PersonalSpace-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/PersonalSpace-768x577.jpg 768w\" sizes=\"(max-width: 799px) 100vw, 799px\">\u003cfigcaption class=\"wp-caption-text\">The forthcoming Vallejo project space dubbed Personal Space, expected to open this summer. \u003ccite>(Lisa Rybovich Crallé)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A great time to visit new spaces\u003c/h2>\n\u003cp>While \u003ca href=\"https://www.kqed.org/arts/13925929/ratio-3-san-francisco-gallery-closing-after-20-years\">gallery closures\u003c/a> can be cause for hand-wringing, the Bay Area is full of people who simply cannot stop creating community-minded artistic projects. This summer, make it a priority to visit some of these more off-the-wall efforts.\u003c/p>\n\u003cp>For example: Why not swing through the Mission for a show at \u003cb>\u003ca href=\"https://inconcertsf.com/\">In Concert\u003c/a>\u003c/b>, nestled within Cushion Works (an active cushion factory) and alongside \u003ca href=\"https://www.cushionworks.info/\">\u003cb>Cushion Works\u003c/b>\u003c/a> (an alternative exhibition space)? \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13924661","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Just a few blocks south, you can catch up on \u003cb>\u003ca href=\"https://houseofseiko.info/\">House of Seiko\u003c/a>\u003c/b>’s fishbowl-like space and have a nice chat with co-founder Cole Solinger. \u003c/p>\n\u003cp>In the Richmond District, be sure to carve out time to visit \u003cb>\u003ca href=\"https://staircase.place/\">Staircase\u003c/a>\u003c/b>, an apartment hallway turned graceful exhibition venue. \u003c/p>\n\u003cp>Before you leave San Francisco, drop by \u003cb>\u003ca href=\"http://lamofeta.xyz/\">La Mofeta\u003c/a>\u003c/b>, open all the time because it’s a 4-by-4-inch post sticking up out of a garage in Diamond Heights. \u003c/p>\n\u003cp>Later this summer — July, she says, maybe August — artist Lisa Rybovich Crallé will open \u003cb>\u003ca href=\"https://www.instagram.com/personal_________space/\">Personal Space\u003c/a>\u003c/b>, a storefront project space in Vallejo.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And last but not least, sign yourself up for the mailing list of \u003cb>\u003ca href=\"https://www.instagram.com/pointingrespectfully/\">Pointing Respectfully\u003c/a>\u003c/b>, sporadic, joy walks in local nature organized by Zoë Taleporos and Elizabeth Nicula.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13929082/visual-art-summer-guide-2023-sf-bay-area","authors":["61"],"programs":["arts_140"],"categories":["arts_1","arts_235","arts_70"],"tags":["arts_2250","arts_10342","arts_2483","arts_10278","arts_3649","arts_1006","arts_6376","arts_2755","arts_1187","arts_1381","arts_20565","arts_585"],"featImg":"arts_13929092","label":"source_arts_13929082"},"arts_13928562":{"type":"posts","id":"arts_13928562","meta":{"index":"posts_1591205157","site":"arts","id":"13928562","score":null,"sort":[1683068394000]},"guestAuthors":[],"slug":"mission-art-and-comic-expo-chicano-latinx-artists","title":"At the Mission Art and Comic Expo, ‘Hella Chicano Artists’ Rep a Local Scene","publishDate":1683068394,"format":"standard","headTitle":"At the Mission Art and Comic Expo, ‘Hella Chicano Artists’ Rep a Local Scene | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Growing up in Sonoma County during the 1990s, Oakland artist \u003ca href=\"https://www.instagram.com/sodapaints/\">Alex Sodari\u003c/a> often saved up to buy Dark Horse comics at the grocery store and make the trek down to San Francisco for comic conventions. “I really would not be an artist if it weren’t for comic books,” says Sodari, who went on to study illustration at California College of the Arts. But as they moved from enthusiast to creator, they noticed a lack of Latinx and Chicano artists in the mainstream comics scene. \u003c/p>\n\u003cp>“Who are the comics artists that are Latino that are even out there?” says Sodari. “You can count them on one hand, and then it’s like ‘take it or leave it,’ you know? If you don’t like the \u003ca href=\"https://www.fantagraphics.com/collections/love-and-rockets\">Hernandez brothers\u003c/a>, then who else do you really have to read?” \u003c/p>\n\u003cp>Yearning to reconnect with his Mexican heritage and empower local queer and BIPOC zine and comics creators, Sodari founded the \u003ca href=\"https://www.instagram.com/missionartandcomicexpo/\">Mission Art and Comic Expo\u003c/a> (MACE) in 2019 alongside friend and fellow illustrator Anthony James Harmer. On May 7, MACE returns with a lineup of nearly 50 confirmed exhibiting artists at the \u003ca href=\"https://missionculturalcenter.org/\">Mission Cultural Center for Latino Arts\u003c/a>. \u003c/p>\n\u003cfigure id=\"attachment_13928575\" class=\"wp-caption aligncenter\" style=\"max-width: 1638px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/MACE-2019-Alex-Sodari-left-Anthony-Harmer-right.jpg\" alt=\"Smiling person with long dark hair, bolo tie in front of table of zines and buttons, two people in background\" width=\"1638\" height=\"1638\" class=\"size-full wp-image-13928575\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2019-Alex-Sodari-left-Anthony-Harmer-right.jpg 1638w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2019-Alex-Sodari-left-Anthony-Harmer-right-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2019-Alex-Sodari-left-Anthony-Harmer-right-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2019-Alex-Sodari-left-Anthony-Harmer-right-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2019-Alex-Sodari-left-Anthony-Harmer-right-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2019-Alex-Sodari-left-Anthony-Harmer-right-1536x1536.jpg 1536w\" sizes=\"(max-width: 1638px) 100vw, 1638px\">\u003cfigcaption class=\"wp-caption-text\">MACE co-founders Alex Sodari (center) and Anthony James Harmer (right) at the 2019 event. \u003ccite>(Courtesy MACE)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A newer addition to the Bay Area indie comics sphere, MACE is inspired by longstanding events like SF Zine Fest and the East Bay Alternative Book and Zine Fest, which have drawn in hungry crowds of art lovers since their respective foundings in 2001 and 2010. When developing MACE, Sodari wanted to create an event that retained the DIY, punk spirit of these zine fests while also highlighting Latinx and Chicano artists in the Mission who may be struggling to put their art into the world and sustain their creative endeavors.\u003c/p>\n\u003cp>“At this point where gentrification is really hitting the Mission hard, [with] a lot of artists having to move out of San Francisco [and] being displaced, we felt like we need to do the event to show that artists still reside in the Mission, and that this is still a place for Chicano art to flourish, despite the economic challenges,” says Sodari. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>At the first expo, the exhibition hall bustled with the excited chatter of artists and attendees discussing their love for comics. People jumped from table to table, leaving with handfuls of new zines and artwork. Older local Mission residents wandered in, curious, as they discovered pieces that held remnants of a shared home and language. This sense of intergenerational nostalgia and understanding formed a pillar for the expo as it continues to close gaps between community members of different ages and backgrounds. \u003c/p>\n\u003cfigure id=\"attachment_13928576\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-scaled.jpg\" alt=\"Table covered in zines and prints in front of wall with artwork and event name\" width=\"2560\" height=\"1920\" class=\"size-full wp-image-13928576\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A display at the 2021 Mission Art and Comic Expo. \u003ccite>(Alex Sodari)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“A big part of doing [the expo] in the Mission and at Mission Cultural Center is being able to engage with the greater Chicano community. If you saw who attended our first event, it was really all ages — people bringing their kids and then also older folks,” says Sodari. “I feel like that was really big for those groups in particular, because they were able to see like, ‘Okay, cool, the young people are still expressing themselves and taking pride in their identity.’” \u003c/p>\n\u003cp>As an organizer, Sodari feels hopeful for the future as MACE continues to expand. Aside from the event, they aim to create a database of Bay Area Latinx and Chicano artists and operate as a distro, purchasing and distributing works from diverse, underrepresented creators. \u003c/p>\n\u003cp>For Sodari, it’s not so much about building a foundation of artists — the foundation has always been there. Instead, they are focusing on uncovering the talent that already exists, and encouraging others to finally recognize it. \u003c/p>\n\u003cp>“The Mission holds it down. The community is still out here and showing up and doing stuff, and we want to be a part of that,” says Sodari. “I want to people to see like, ‘Oh, yeah, there’s hella Chicano artists out there, you just don’t see them.’” \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The Mission Art and Comic Expo takes place at the Mission Cultural Center for Latino Arts (2868 Mission St.) on Sunday, May 7, 12–6 p.m. Admission is free. More information \u003ca href=\"https://www.instagram.com/missionartandcomicexpo/\">here\u003c/a>.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"The May 7 event, founded in 2019, returns to the Mission Cultural Center with nearly 50 local exhibitors.","status":"publish","parent":0,"modified":1705005551,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":738},"headData":{"title":"Mission Art and Comic Expo Returns with ‘Hella Chicano Artists’ | KQED","description":"The May 7 event, founded in 2019, returns to the Mission Cultural Center with nearly 50 local exhibitors.","ogTitle":"At the Mission Art and Comic Expo, ‘Hella Chicano Artists’ Rep a Local Scene","ogDescription":"","ogImgId":"","twTitle":"At the Mission Art and Comic Expo, ‘Hella Chicano Artists’ Rep a Local Scene","twDescription":"","twImgId":"","socialTitle":"Mission Art and Comic Expo Returns with ‘Hella Chicano Artists’ %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13928562/mission-art-and-comic-expo-chicano-latinx-artists","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Growing up in Sonoma County during the 1990s, Oakland artist \u003ca href=\"https://www.instagram.com/sodapaints/\">Alex Sodari\u003c/a> often saved up to buy Dark Horse comics at the grocery store and make the trek down to San Francisco for comic conventions. “I really would not be an artist if it weren’t for comic books,” says Sodari, who went on to study illustration at California College of the Arts. But as they moved from enthusiast to creator, they noticed a lack of Latinx and Chicano artists in the mainstream comics scene. \u003c/p>\n\u003cp>“Who are the comics artists that are Latino that are even out there?” says Sodari. “You can count them on one hand, and then it’s like ‘take it or leave it,’ you know? If you don’t like the \u003ca href=\"https://www.fantagraphics.com/collections/love-and-rockets\">Hernandez brothers\u003c/a>, then who else do you really have to read?” \u003c/p>\n\u003cp>Yearning to reconnect with his Mexican heritage and empower local queer and BIPOC zine and comics creators, Sodari founded the \u003ca href=\"https://www.instagram.com/missionartandcomicexpo/\">Mission Art and Comic Expo\u003c/a> (MACE) in 2019 alongside friend and fellow illustrator Anthony James Harmer. On May 7, MACE returns with a lineup of nearly 50 confirmed exhibiting artists at the \u003ca href=\"https://missionculturalcenter.org/\">Mission Cultural Center for Latino Arts\u003c/a>. \u003c/p>\n\u003cfigure id=\"attachment_13928575\" class=\"wp-caption aligncenter\" style=\"max-width: 1638px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/MACE-2019-Alex-Sodari-left-Anthony-Harmer-right.jpg\" alt=\"Smiling person with long dark hair, bolo tie in front of table of zines and buttons, two people in background\" width=\"1638\" height=\"1638\" class=\"size-full wp-image-13928575\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2019-Alex-Sodari-left-Anthony-Harmer-right.jpg 1638w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2019-Alex-Sodari-left-Anthony-Harmer-right-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2019-Alex-Sodari-left-Anthony-Harmer-right-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2019-Alex-Sodari-left-Anthony-Harmer-right-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2019-Alex-Sodari-left-Anthony-Harmer-right-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2019-Alex-Sodari-left-Anthony-Harmer-right-1536x1536.jpg 1536w\" sizes=\"(max-width: 1638px) 100vw, 1638px\">\u003cfigcaption class=\"wp-caption-text\">MACE co-founders Alex Sodari (center) and Anthony James Harmer (right) at the 2019 event. \u003ccite>(Courtesy MACE)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A newer addition to the Bay Area indie comics sphere, MACE is inspired by longstanding events like SF Zine Fest and the East Bay Alternative Book and Zine Fest, which have drawn in hungry crowds of art lovers since their respective foundings in 2001 and 2010. When developing MACE, Sodari wanted to create an event that retained the DIY, punk spirit of these zine fests while also highlighting Latinx and Chicano artists in the Mission who may be struggling to put their art into the world and sustain their creative endeavors.\u003c/p>\n\u003cp>“At this point where gentrification is really hitting the Mission hard, [with] a lot of artists having to move out of San Francisco [and] being displaced, we felt like we need to do the event to show that artists still reside in the Mission, and that this is still a place for Chicano art to flourish, despite the economic challenges,” says Sodari. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At the first expo, the exhibition hall bustled with the excited chatter of artists and attendees discussing their love for comics. People jumped from table to table, leaving with handfuls of new zines and artwork. Older local Mission residents wandered in, curious, as they discovered pieces that held remnants of a shared home and language. This sense of intergenerational nostalgia and understanding formed a pillar for the expo as it continues to close gaps between community members of different ages and backgrounds. \u003c/p>\n\u003cfigure id=\"attachment_13928576\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-scaled.jpg\" alt=\"Table covered in zines and prints in front of wall with artwork and event name\" width=\"2560\" height=\"1920\" class=\"size-full wp-image-13928576\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/MACE-2021-three-Alex-Sodari-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A display at the 2021 Mission Art and Comic Expo. \u003ccite>(Alex Sodari)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“A big part of doing [the expo] in the Mission and at Mission Cultural Center is being able to engage with the greater Chicano community. If you saw who attended our first event, it was really all ages — people bringing their kids and then also older folks,” says Sodari. “I feel like that was really big for those groups in particular, because they were able to see like, ‘Okay, cool, the young people are still expressing themselves and taking pride in their identity.’” \u003c/p>\n\u003cp>As an organizer, Sodari feels hopeful for the future as MACE continues to expand. Aside from the event, they aim to create a database of Bay Area Latinx and Chicano artists and operate as a distro, purchasing and distributing works from diverse, underrepresented creators. \u003c/p>\n\u003cp>For Sodari, it’s not so much about building a foundation of artists — the foundation has always been there. Instead, they are focusing on uncovering the talent that already exists, and encouraging others to finally recognize it. \u003c/p>\n\u003cp>“The Mission holds it down. The community is still out here and showing up and doing stuff, and we want to be a part of that,” says Sodari. “I want to people to see like, ‘Oh, yeah, there’s hella Chicano artists out there, you just don’t see them.’” \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The Mission Art and Comic Expo takes place at the Mission Cultural Center for Latino Arts (2868 Mission St.) on Sunday, May 7, 12–6 p.m. Admission is free. More information \u003ca href=\"https://www.instagram.com/missionartandcomicexpo/\">here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13928562/mission-art-and-comic-expo-chicano-latinx-artists","authors":["11813"],"programs":["arts_140"],"categories":["arts_1","arts_73","arts_70"],"tags":["arts_9111","arts_1942","arts_10278","arts_3649","arts_585"],"featImg":"arts_13928574","label":"arts_140"},"arts_13925929":{"type":"posts","id":"arts_13925929","meta":{"index":"posts_1591205157","site":"arts","id":"13925929","score":null,"sort":[1678294853000]},"guestAuthors":[],"slug":"ratio-3-san-francisco-gallery-closing-after-20-years","title":"A Fond Farewell to Ratio 3, Closing After 20 Years in San Francisco","publishDate":1678294853,"format":"standard","headTitle":"A Fond Farewell to Ratio 3, Closing After 20 Years in San Francisco | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>On March 7, the Mission District gallery \u003ca href=\"https://www.ratio3.org/\">Ratio 3\u003c/a> announced its permanent closure. “The time has come for us to close the gallery and explore other creative endeavors,” read the Tuesday email announcement. In an interview, gallery founder Chris Perez said future plans for the gallery’s space at 24th and Mission will be revealed in the coming months.\u003c/p>\n\u003cp>Ratio 3 represented artists such as Barry McGee, Takeshi Murata and Ryan McGinley, as well as the estate of Margaret Kilgallen. The gallery has shown over 182 artists in its 20 years of exhibitions, and has been central to various Bay Area visual art scenes.\u003c/p>\n\u003cp>When Ratio 3 opened in 2003, it was in a room in Perez’s apartment at Guerrero and 21st Street. The first show was \u003ca href=\"https://www.ratio3.org/exhibitions/mark-shetabi-the-anxious-journey/installation\">an installation by Mark Shetabi\u003c/a>, who built a hallway and small room inside of the 11-by-13-foot room Perez, his roommate, and his boyfriend had dedicated to the gallery. Through a peephole, at the end of the hallway, you could see two oil paintings. They sold the piece to a local collector. Perez says he thought, “Huh? I guess we can keep doing this!”\u003c/p>\n\u003cfigure id=\"attachment_13925947\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13925947\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/RMcGinley-Installation-LifeAdjustmentCenter-11_1200.jpg\" alt=\"Wood floored gallery with large framed photographs on white walls\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RMcGinley-Installation-LifeAdjustmentCenter-11_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RMcGinley-Installation-LifeAdjustmentCenter-11_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RMcGinley-Installation-LifeAdjustmentCenter-11_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RMcGinley-Installation-LifeAdjustmentCenter-11_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RMcGinley-Installation-LifeAdjustmentCenter-11_1200-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">An installation view of Ryan McGinley’s show ‘Life Adjustment Center’ at Ratio 3’s Stevenson Street location in 2010. \u003ccite>(Courtesy of Ratio 3)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Early possibilities\u003c/h2>\n\u003cp>After graduating from California College of the Arts, Perez worked as a curatorial assistant to Larry Rinder at the Whitney Museum in New York. It was there that he met Barry McGee, who traveled to install Margaret Killgallen’s work in the 2002 Whitney Biennial.\u003c/p>\n\u003cp>Perez also met Ryan McGinley during his New York years. “One day, I was walking in Chelsea and saw the old Printed Matter bookstore,” Perez remembers. “I walked in and saw this little Ryan McGinley book published by \u003ci>Index Magazine\u003c/i> and I thought, this is really interesting.” He emailed the publisher for the artist’s contact and made plans with McGinley to do a studio visit. With pen and notepad in hand, he climbed through Dan Colen’s room to sit on McGinley’s bed; the artist pulled boxes of photographs out from under Perez’s perch.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Since then, Ratio 3 has put on five solo exhibitions of McGinley’s work, each one marking a specific moment in both the artist’s career and Bay Area art history. The haunting pop band Girls, fronted by Christopher Owens, played \u003ca href=\"https://www.ratio3.org/exhibitions/ryan-mcginley-life-adjustment-center/installation\">McGinley’s second opening\u003c/a> in a quintessential late-2000s scene. The gallery was so crowded that Perez and his team pulled the speakers out to the street for the assembled crowd. It was raining, lightly.\u003c/p>\n\u003cp>“Everyone was so young,” Perez remembers, “the possibilities in life seemed endless.”\u003c/p>\n\u003cfigure id=\"attachment_13925944\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13925944\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/kiki01_1200.jpg\" alt=\"Wood floored gallery with eclectic mix of wall work, sculpture and video\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/kiki01_1200.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/kiki01_1200-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/kiki01_1200-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/kiki01_1200-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/kiki01_1200-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/kiki01_1200-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Installation view of ‘Kiki: The Proof is in the Pudding’ at Ratio 3’s Stevenson Street location in 2008. \u003ccite>(Courtesy of Ratio 3)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Carrying on vital work\u003c/h2>\n\u003cp>By this time, the gallery had moved from the apartment to its second home on Stevenson Street, an orphaned half-block between Valencia and a freeway off-ramp. Kiki Gallery, the ephemeral and unmatchable curatorial project of Rick Jacobsen, which closed in 1995, had been just a block away from the new spot. In 2008, Chris worked with the artist Colter Jacobsen and writer \u003ca href=\"https://www.kqed.org/arts/13859939/remembering-kevin-killian-poet-playwright-and-artist-who-gave-us-courage\">Kevin Killian\u003c/a> to curate a show honoring Kiki’s legacy and Rick Jacobsen’s work. It opened on Pride weekend.[aside postID='arts_13883032']\u003c/p>\n\u003cp>“It was one of those shows that you kind of knew was important,” Perez says, “Not just for the art, but for the people.” In the press release for \u003ci>\u003ca href=\"https://www.ratio3.org/exhibitions/kiki-the-proof-is-in-the-pudding/installation\">Kiki Gallery: The Proof is in the Pudding\u003c/a>\u003c/i>, it says that Kiki, as a noncommercial space, was a key player in the “nascent Mission School movement, giving it a homocore dimension and a political edge.” Ratio 3 has, in many ways, carried on this vital work.\u003c/p>\n\u003cp>Over the years Ratio 3 has opened a number of shows during Pride weekend. Last year, they stayed open late to inaugurate a retrospective of the feminist filmmaker and photographer Barbara Hammer that rivaled institutional presentations of the artist’s work. In 2015, they showed Hal Fischer’s \u003ci>Gay Semiotics\u003c/i>. It was the first time the work had been presented in San Francisco in over four decades.\u003c/p>\n\u003cfigure id=\"attachment_13925948\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13925948\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/Vanishing_Point-019_1200.jpg\" alt=\"Large gray photograph of white shapes and lines adhered directly to white gallery wall\" width=\"1200\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Vanishing_Point-019_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Vanishing_Point-019_1200-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Vanishing_Point-019_1200-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Vanishing_Point-019_1200-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Vanishing_Point-019_1200-768x576.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Installation view of Miriam Böhm’s ‘Detail IV,’ 2016 in the 2016 show ‘Vanishing Point.’ \u003ccite>(Courtesy of Ratio 3)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Attuned to space\u003c/h2>\n\u003cp>If the gallery has an aesthetic, it’s one of minimalism, clean lines, and pronounced experimentation with space. “It’s evolved, but essentially I like circles and squares,” Perez admits, recalling the early influence of Ellsworth Kelly’s \u003ci>Red Blue Green\u003c/i>.\u003c/p>\n\u003cp>[aside postID='arts_11430961']In the 2015 show \u003ci>\u003ca href=\"https://www.kqed.org/arts/11430961/minimal-lines-fill-maximum-space-in-ratio-3s-vanishing-point\">Vanishing Point\u003c/a>\u003c/i>, his curatorial proclivity reached an affecting apotheosis. It was a conceptually based group show made up of single works from Fred Sandback, Feliz Gonzalez-Torres and Sol LeWitt, and a selection of pieces from Miriam Böhm and Mitzi Pederson. The result was a meditation on space and mark-marking, both subtle and all-consuming. Looking through documentation of some of the gallery’s 122 shows, the gallery used to have a motto: “Ratio 3: Bringing vastness to the mind.”\u003c/p>\n\u003cp>Consistently, shows at Ratio 3 are attuned to space and to the labor of creating exhibitions. Perez, gallery director Theo Elliott and other staffers transform the gallery to suit each show, taking pride in a willingness to tear down walls, design exhibitions, build screening rooms, carpet the gallery — whatever needs to happen for the work to feel right. “I’m a curator at heart,” Perez says, “I love creating installations.”\u003c/p>\n\u003cfigure id=\"attachment_13925943\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13925943\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/ASiegel-Installation-Winter-Ratio_3-020_1200.jpg\" alt=\"Darkened gallery with musicians, projected image and person in sound booth with mic\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/ASiegel-Installation-Winter-Ratio_3-020_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/ASiegel-Installation-Winter-Ratio_3-020_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/ASiegel-Installation-Winter-Ratio_3-020_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/ASiegel-Installation-Winter-Ratio_3-020_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/ASiegel-Installation-Winter-Ratio_3-020_1200-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A performance of Amie Siegel’s ‘Winter’ in the exhibition ‘High Noon’ in 2019. \u003ccite>(Courtesy of Ratio 3)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Always located in the Mission, from Guerrero, to Stevenson, to its third and final location at 24th and Mission, Ratio 3 has been a touchstone for numerous periods of artmaking, scenes, friendships and movements in the cacophonous neighborhood.\u003c/p>\n\u003cp>In the beginning of the pandemic, the gallery’s registrar and artist liaison, Haegen Crosby, curated a show of Bay Area painters, \u003ci>\u003ca href=\"https://www.ratio3.org/exhibitions/bell-weather-picture-garden/works\">The Bell Weather Picture Garden\u003c/a>\u003c/i>. He worked primarily with younger, less-established artists to share a fecund, percolating creativity with the city. One got the sense of a new and emerging scene.\u003c/p>\n\u003cp>“I have a lot of love for San Francisco,” Perez says, resolutely, not goaded into bitterness about the myriad ways the city’s changed, “It’s been an advantage to not have the financial pressure of a bigger city, and to be able to take time. The gallery’s roster, the space it has cultivated, and the community fostered grew slowly, organically, and over the course of years.”\u003c/p>\n\u003cfigure id=\"attachment_13925946\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13925946\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/R3DMS004_1200.jpg\" alt=\"Square abstract paitning with blocks of green and red color on light gray background\" width=\"1200\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/R3DMS004_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/R3DMS004_1200-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/R3DMS004_1200-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/R3DMS004_1200-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/R3DMS004_1200-768x768.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Daisy May Sheff’s painting ‘Faint, Faint is My Track,’ 2021, included in the 2021 group show ‘Bell Weather Picture Garden.’ \u003ccite>(Courtesy of Ratio 3)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In many ways Ratio 3 has been an access point for contemporary art in the Bay Area, consistently putting on shows with art historical significance and institutional levels of presentation. This almost reads like an obituary. Forgive that. It’s just that it is sad Ratio 3 will no longer be a space to visit in San Francisco.\u003c/p>\n\u003cp>Saturday, March 4, was Ratio 3’s last day. They held a closing event for the artist \u003ca href=\"https://www.ratio3.org/exhibitions/james-sterling-pitt-ways/overview\">James Sterling Pitt’s show of ceramics\u003c/a>, a concert by musicians Danny Paul Grody and Rich Douthit, who gave the space ambient, attentive harmonies. The \u003ca href=\"https://www.instagram.com/p/CpYUpThyMiy/?\">Instagram announcement for the event\u003c/a> ended coquettishly, “Thank you San Francisco!”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>When asked how he felt in those final hours, Perez said it was like waking from a long beautiful dream: “Art affords you that. It can go in any direction and it can go in any way. I’m lucky to have shared this dream. Now I’m rubbing my eyes, and I have to go pee.”\u003c/p>\n\n","blocks":[],"excerpt":"The Mission District gallery announced its permanent closure on March 7; it has shown over 182 artists. ","status":"publish","parent":0,"modified":1705005769,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":1391},"headData":{"title":"San Francisco Gallery Ratio 3 Is Closing After 20 Years | KQED","description":"The Mission District gallery announced its permanent closure on March 7; it has shown over 182 artists. ","ogTitle":"A Fond Farewell to Ratio 3, Closing After 20 Years in San Francisco","ogDescription":"","ogImgId":"","twTitle":"A Fond Farewell to Ratio 3, Closing After 20 Years in San Francisco","twDescription":"","twImgId":"","socialTitle":"San Francisco Gallery Ratio 3 Is Closing After 20 Years %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13925929/ratio-3-san-francisco-gallery-closing-after-20-years","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>On March 7, the Mission District gallery \u003ca href=\"https://www.ratio3.org/\">Ratio 3\u003c/a> announced its permanent closure. “The time has come for us to close the gallery and explore other creative endeavors,” read the Tuesday email announcement. In an interview, gallery founder Chris Perez said future plans for the gallery’s space at 24th and Mission will be revealed in the coming months.\u003c/p>\n\u003cp>Ratio 3 represented artists such as Barry McGee, Takeshi Murata and Ryan McGinley, as well as the estate of Margaret Kilgallen. The gallery has shown over 182 artists in its 20 years of exhibitions, and has been central to various Bay Area visual art scenes.\u003c/p>\n\u003cp>When Ratio 3 opened in 2003, it was in a room in Perez’s apartment at Guerrero and 21st Street. The first show was \u003ca href=\"https://www.ratio3.org/exhibitions/mark-shetabi-the-anxious-journey/installation\">an installation by Mark Shetabi\u003c/a>, who built a hallway and small room inside of the 11-by-13-foot room Perez, his roommate, and his boyfriend had dedicated to the gallery. Through a peephole, at the end of the hallway, you could see two oil paintings. They sold the piece to a local collector. Perez says he thought, “Huh? I guess we can keep doing this!”\u003c/p>\n\u003cfigure id=\"attachment_13925947\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13925947\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/RMcGinley-Installation-LifeAdjustmentCenter-11_1200.jpg\" alt=\"Wood floored gallery with large framed photographs on white walls\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RMcGinley-Installation-LifeAdjustmentCenter-11_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RMcGinley-Installation-LifeAdjustmentCenter-11_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RMcGinley-Installation-LifeAdjustmentCenter-11_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RMcGinley-Installation-LifeAdjustmentCenter-11_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/RMcGinley-Installation-LifeAdjustmentCenter-11_1200-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">An installation view of Ryan McGinley’s show ‘Life Adjustment Center’ at Ratio 3’s Stevenson Street location in 2010. \u003ccite>(Courtesy of Ratio 3)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Early possibilities\u003c/h2>\n\u003cp>After graduating from California College of the Arts, Perez worked as a curatorial assistant to Larry Rinder at the Whitney Museum in New York. It was there that he met Barry McGee, who traveled to install Margaret Killgallen’s work in the 2002 Whitney Biennial.\u003c/p>\n\u003cp>Perez also met Ryan McGinley during his New York years. “One day, I was walking in Chelsea and saw the old Printed Matter bookstore,” Perez remembers. “I walked in and saw this little Ryan McGinley book published by \u003ci>Index Magazine\u003c/i> and I thought, this is really interesting.” He emailed the publisher for the artist’s contact and made plans with McGinley to do a studio visit. With pen and notepad in hand, he climbed through Dan Colen’s room to sit on McGinley’s bed; the artist pulled boxes of photographs out from under Perez’s perch.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Since then, Ratio 3 has put on five solo exhibitions of McGinley’s work, each one marking a specific moment in both the artist’s career and Bay Area art history. The haunting pop band Girls, fronted by Christopher Owens, played \u003ca href=\"https://www.ratio3.org/exhibitions/ryan-mcginley-life-adjustment-center/installation\">McGinley’s second opening\u003c/a> in a quintessential late-2000s scene. The gallery was so crowded that Perez and his team pulled the speakers out to the street for the assembled crowd. It was raining, lightly.\u003c/p>\n\u003cp>“Everyone was so young,” Perez remembers, “the possibilities in life seemed endless.”\u003c/p>\n\u003cfigure id=\"attachment_13925944\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13925944\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/kiki01_1200.jpg\" alt=\"Wood floored gallery with eclectic mix of wall work, sculpture and video\" width=\"1920\" height=\"1440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/kiki01_1200.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/kiki01_1200-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/kiki01_1200-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/kiki01_1200-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/kiki01_1200-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/kiki01_1200-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Installation view of ‘Kiki: The Proof is in the Pudding’ at Ratio 3’s Stevenson Street location in 2008. \u003ccite>(Courtesy of Ratio 3)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Carrying on vital work\u003c/h2>\n\u003cp>By this time, the gallery had moved from the apartment to its second home on Stevenson Street, an orphaned half-block between Valencia and a freeway off-ramp. Kiki Gallery, the ephemeral and unmatchable curatorial project of Rick Jacobsen, which closed in 1995, had been just a block away from the new spot. In 2008, Chris worked with the artist Colter Jacobsen and writer \u003ca href=\"https://www.kqed.org/arts/13859939/remembering-kevin-killian-poet-playwright-and-artist-who-gave-us-courage\">Kevin Killian\u003c/a> to curate a show honoring Kiki’s legacy and Rick Jacobsen’s work. It opened on Pride weekend.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13883032","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It was one of those shows that you kind of knew was important,” Perez says, “Not just for the art, but for the people.” In the press release for \u003ci>\u003ca href=\"https://www.ratio3.org/exhibitions/kiki-the-proof-is-in-the-pudding/installation\">Kiki Gallery: The Proof is in the Pudding\u003c/a>\u003c/i>, it says that Kiki, as a noncommercial space, was a key player in the “nascent Mission School movement, giving it a homocore dimension and a political edge.” Ratio 3 has, in many ways, carried on this vital work.\u003c/p>\n\u003cp>Over the years Ratio 3 has opened a number of shows during Pride weekend. Last year, they stayed open late to inaugurate a retrospective of the feminist filmmaker and photographer Barbara Hammer that rivaled institutional presentations of the artist’s work. In 2015, they showed Hal Fischer’s \u003ci>Gay Semiotics\u003c/i>. It was the first time the work had been presented in San Francisco in over four decades.\u003c/p>\n\u003cfigure id=\"attachment_13925948\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13925948\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/Vanishing_Point-019_1200.jpg\" alt=\"Large gray photograph of white shapes and lines adhered directly to white gallery wall\" width=\"1200\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Vanishing_Point-019_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Vanishing_Point-019_1200-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Vanishing_Point-019_1200-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Vanishing_Point-019_1200-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Vanishing_Point-019_1200-768x576.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Installation view of Miriam Böhm’s ‘Detail IV,’ 2016 in the 2016 show ‘Vanishing Point.’ \u003ccite>(Courtesy of Ratio 3)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Attuned to space\u003c/h2>\n\u003cp>If the gallery has an aesthetic, it’s one of minimalism, clean lines, and pronounced experimentation with space. “It’s evolved, but essentially I like circles and squares,” Perez admits, recalling the early influence of Ellsworth Kelly’s \u003ci>Red Blue Green\u003c/i>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_11430961","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In the 2015 show \u003ci>\u003ca href=\"https://www.kqed.org/arts/11430961/minimal-lines-fill-maximum-space-in-ratio-3s-vanishing-point\">Vanishing Point\u003c/a>\u003c/i>, his curatorial proclivity reached an affecting apotheosis. It was a conceptually based group show made up of single works from Fred Sandback, Feliz Gonzalez-Torres and Sol LeWitt, and a selection of pieces from Miriam Böhm and Mitzi Pederson. The result was a meditation on space and mark-marking, both subtle and all-consuming. Looking through documentation of some of the gallery’s 122 shows, the gallery used to have a motto: “Ratio 3: Bringing vastness to the mind.”\u003c/p>\n\u003cp>Consistently, shows at Ratio 3 are attuned to space and to the labor of creating exhibitions. Perez, gallery director Theo Elliott and other staffers transform the gallery to suit each show, taking pride in a willingness to tear down walls, design exhibitions, build screening rooms, carpet the gallery — whatever needs to happen for the work to feel right. “I’m a curator at heart,” Perez says, “I love creating installations.”\u003c/p>\n\u003cfigure id=\"attachment_13925943\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13925943\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/ASiegel-Installation-Winter-Ratio_3-020_1200.jpg\" alt=\"Darkened gallery with musicians, projected image and person in sound booth with mic\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/ASiegel-Installation-Winter-Ratio_3-020_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/ASiegel-Installation-Winter-Ratio_3-020_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/ASiegel-Installation-Winter-Ratio_3-020_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/ASiegel-Installation-Winter-Ratio_3-020_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/ASiegel-Installation-Winter-Ratio_3-020_1200-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A performance of Amie Siegel’s ‘Winter’ in the exhibition ‘High Noon’ in 2019. \u003ccite>(Courtesy of Ratio 3)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Always located in the Mission, from Guerrero, to Stevenson, to its third and final location at 24th and Mission, Ratio 3 has been a touchstone for numerous periods of artmaking, scenes, friendships and movements in the cacophonous neighborhood.\u003c/p>\n\u003cp>In the beginning of the pandemic, the gallery’s registrar and artist liaison, Haegen Crosby, curated a show of Bay Area painters, \u003ci>\u003ca href=\"https://www.ratio3.org/exhibitions/bell-weather-picture-garden/works\">The Bell Weather Picture Garden\u003c/a>\u003c/i>. He worked primarily with younger, less-established artists to share a fecund, percolating creativity with the city. One got the sense of a new and emerging scene.\u003c/p>\n\u003cp>“I have a lot of love for San Francisco,” Perez says, resolutely, not goaded into bitterness about the myriad ways the city’s changed, “It’s been an advantage to not have the financial pressure of a bigger city, and to be able to take time. The gallery’s roster, the space it has cultivated, and the community fostered grew slowly, organically, and over the course of years.”\u003c/p>\n\u003cfigure id=\"attachment_13925946\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13925946\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/R3DMS004_1200.jpg\" alt=\"Square abstract paitning with blocks of green and red color on light gray background\" width=\"1200\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/R3DMS004_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/R3DMS004_1200-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/R3DMS004_1200-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/R3DMS004_1200-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/R3DMS004_1200-768x768.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Daisy May Sheff’s painting ‘Faint, Faint is My Track,’ 2021, included in the 2021 group show ‘Bell Weather Picture Garden.’ \u003ccite>(Courtesy of Ratio 3)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In many ways Ratio 3 has been an access point for contemporary art in the Bay Area, consistently putting on shows with art historical significance and institutional levels of presentation. This almost reads like an obituary. Forgive that. It’s just that it is sad Ratio 3 will no longer be a space to visit in San Francisco.\u003c/p>\n\u003cp>Saturday, March 4, was Ratio 3’s last day. They held a closing event for the artist \u003ca href=\"https://www.ratio3.org/exhibitions/james-sterling-pitt-ways/overview\">James Sterling Pitt’s show of ceramics\u003c/a>, a concert by musicians Danny Paul Grody and Rich Douthit, who gave the space ambient, attentive harmonies. The \u003ca href=\"https://www.instagram.com/p/CpYUpThyMiy/?\">Instagram announcement for the event\u003c/a> ended coquettishly, “Thank you San Francisco!”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When asked how he felt in those final hours, Perez said it was like waking from a long beautiful dream: “Art affords you that. It can go in any direction and it can go in any way. I’m lucky to have shared this dream. Now I’m rubbing my eyes, and I have to go pee.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13925929/ratio-3-san-francisco-gallery-closing-after-20-years","authors":["11696"],"categories":["arts_1","arts_70"],"tags":["arts_10278","arts_3649","arts_901"],"featImg":"arts_13925945","label":"arts"},"arts_13925408":{"type":"posts","id":"arts_13925408","meta":{"index":"posts_1591205157","site":"arts","id":"13925408","score":null,"sort":[1677531052000]},"guestAuthors":[],"slug":"herb-greene-haight-ashbury-experience-photography-review","title":"Herb Greene’s Photography Offers Much More Than Music Icons","publishDate":1677531052,"format":"standard","headTitle":"Herb Greene’s Photography Offers Much More Than Music Icons | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>I couldn’t give a tiny rat’s ass about the Grateful Dead. There. I said it. Ordinarily, I’d shy away from announcing such a thing publicly, at the risk of awakening an army of pitchfork-wielding Deadheads. (Not the most measured of fanbases.) However, it would be wrong not to mention it before I start talking about a new exhibit of photography by Herb Greene given that Herb Greene is primarily remembered for his Grateful Dead portraits.\u003c/p>\n\u003cp>If you are indeed a Deadhead, or someone who is still reveling in a musical moment that existed over half a century ago, you don’t need me to explain the selling points of \u003cem>The Haight-Ashbury Experience and the Pursuit of Happiness: The Photography of Herb Greene\u003c/em>. You will go for the perfectly lovely photographs of the Grateful Dead, their former outfit The Warlocks and Janis Joplin. You might also go for the expertly composed portraits of Jefferson Airplane, Led Zeppelin, The Jeff Beck Group and The Charlatans.\u003c/p>\n\u003cfigure id=\"attachment_13925411\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925411\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Grace-Slick-by-Herb-Greene_1920-1-800x800.jpg\" alt=\"A pretty young woman kneels on a green and purple couch, twisting her head up towards the camera.\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Grace-Slick-by-Herb-Greene_1920-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Grace-Slick-by-Herb-Greene_1920-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Grace-Slick-by-Herb-Greene_1920-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Grace-Slick-by-Herb-Greene_1920-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Grace-Slick-by-Herb-Greene_1920-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Grace-Slick-by-Herb-Greene_1920-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Grace Slick in her Jefferson Airplane heyday. \u003ccite>(Herb Greene/ Courtesy of the Haight Street Art Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If you are under the age of 60 or wondering why on God’s green earth San Francisco needs \u003ca href=\"https://www.kqed.org/arts/13039627/de-young-summer-of-love-50th-anniversary\">yet another exhibition glorifying the Summer of Love\u003c/a>, I have some news that might pleasantly surprise you.\u003c/p>\n\u003cp>[aside postid='arts_13039627']First and foremost, in addition to his rock photography, Greene also made a habit of immortalizing the street life in the Haight when it was just another San Francisco neighborhood. He photographed the small businesses, local children, families and elderly residents already there when the hippie invasion first began.\u003c/p>\n\u003cp>These images present the neighborhood before it was a tie-dye-soaked tourist attraction and, crucially, capture the exact moment the first wave of disaffected youth arrived and changed the area forever. Though there is an entire wall of this kind of street photography at \u003cem>The Photography of Herb Greene\u003c/em>, I found myself wishing they inhabited the whole space.\u003c/p>\n\u003cfigure id=\"attachment_13925638\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925638\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/H1_Ohio_to_SF-Haight07-1-800x808.jpeg\" alt=\"A flute-playing hippie and a bohemian friend, both male, walk along a tree lined street. Behind them a man in a suit and hat walks under a sign that reads 'Sher Real Estate INCOME TAX.’\" width=\"800\" height=\"808\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/H1_Ohio_to_SF-Haight07-1-800x808.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/H1_Ohio_to_SF-Haight07-1-160x162.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/H1_Ohio_to_SF-Haight07-1-768x775.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/H1_Ohio_to_SF-Haight07-1.jpeg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Income tax with a side of street flautist. Haight Street in the ’60s. \u003ccite>(Herb Greene/ Courtesy of Haight Street Art Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This exhibit also deserves kudos for painting a picture of the bohemian community of kids who were hanging around the Haight at the time. Yes, there are the requisite shots here of naked young people dancing and children clutching flowers at The Human Be-In. But Greene’s photographs also introduce us to the hitchhikers, street musicians and young optimists who migrated to San Francisco in the late 1960s and reveled in the new freedoms it offered. I am indefatigable when it comes to looking at subculture-immersed young people, no matter what era they’re from, and Greene’s photos more than do the Summer of Love kids justice.\u003c/p>\n\u003cfigure id=\"attachment_13925639\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925639\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/82548-4-800x822.jpeg\" alt=\"Three teenagers, two females wearing embroidered shawls and long dresses and one young man wearing slacks and a jacket stand on a street corner huddled together. The word ASHBURY is carved into the sidewalk.\" width=\"800\" height=\"822\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/82548-4-800x822.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/82548-4-160x164.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/82548-4-768x789.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/82548-4.jpeg 961w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Three teens hanging in the Haight, 1960s. \u003ccite>(Herb Greene/ Courtesy of Haight Street Art Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of Greene’s favorite places to photograph these young people was in front of the distinctive hieroglyph-covered wall in his studio, where he also shot famous musicians. \u003cem>The Photography of Herb Greene\u003c/em> condenses many of these portraits down onto a single collage board of images. The format hammers home that the hieroglyph wall itself was a great leveler. Famous or not, Greene treated all of his subjects the same in front of it — they became individual characters, each as important as the last.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postID='arts_13920973']Viewed as a collection now, it also reflects the monoculture of that scene. Though Greene himself was Chicano, every single person featured in the wall collage appears to be white.\u003c/p>\n\u003cp>That lack of diversity runs through much of Greene’s 1960s photography, a reflection of the Bay Area rock ’n’ roll scene of the time. (A portrait of Taj Mahal and his dog offers a particularly beautiful exception.) As such, Greene’s 1970s-era portraits of Sly and the Family Stone and the Pointer Sisters reflect how the mainstream music world began to open up once the Summer of Love ended. These images, shot in color, inject some vibrancy into \u003cem>The Photography of Herb Greene\u003c/em>. The original photo that Sly Stone used for the cover of 1975’s \u003ca href=\"https://www.discogs.com/release/1071382-Sly-Stone-High-On-You\" target=\"_blank\" rel=\"noopener\">\u003cem>High on You\u003c/em>\u003c/a> is a genuine joy to behold in real life.\u003c/p>\n\u003cfigure id=\"attachment_13925643\" class=\"wp-caption aligncenter\" style=\"max-width: 496px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13925643\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Taj-Majal.jpg\" alt=\"A Black man with cornrows sits in a wooden chair wearing a tie-dye shirt and slacks. He is leaning forward as if in conversation. At his side is a shaggy white dog.\" width=\"496\" height=\"492\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Taj-Majal.jpg 496w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Taj-Majal-160x159.jpg 160w\" sizes=\"(max-width: 496px) 100vw, 496px\">\u003cfigcaption class=\"wp-caption-text\">Taj Majal and his dog. \u003ccite>(Herb Greene/ Courtesy of Haight Street Art Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Greene also documented the artists (including Rick Griffin, Stanley Mouse, Victor Moscoso and Alton Kelley), writers (like Neal Cassady), concert promoters (Bill Graham and Chet Helms) and roadies who helped turn what was going on in the Haight into a national moment. Their inclusion here offers a glimpse behind the scenes — and an essential reminder that the bands didn’t do it all on their own.\u003c/p>\n\u003cp>\u003cem>The Photography of Herb Greene\u003c/em>, then, is about much more than the musicians still eulogized on Haight Street today. It’s about the larger community that made the scene what it was. It’s about how music changes and evolves over time. And it’s about a neighborhood of regular people who inadvertently got caught up in a movement. \u003ci>That’s\u003c/i> worth giving a rat’s ass about, even if you don’t care for the Grateful Dead.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Haight-Ashbury Experience and the Pursuit of Happiness: The Photography of Herb Greene’ is on view at the Haight Street Art Center (215 Haight St.) through May 29, 2023. \u003ca href=\"https://haightstreetart.org/pages/the-haight-ashbury-experience-and-the-pursuit-of-happiness-the-photography-of-herb-greene\">Exhibition details here\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"A new Haight Street Art Center exhibit captures the neighborhood as it transitioned into the stuff of legend. ","status":"publish","parent":0,"modified":1705005799,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":923},"headData":{"title":"Herb Greene’s Haight-Ashbury Photographs: More Than Musicians | KQED","description":"A new Haight Street Art Center exhibit captures the neighborhood as it transitioned into the stuff of legend. ","ogTitle":"Herb Greene’s Photography Offers Much More Than Music Legends","ogDescription":"","ogImgId":"","twTitle":"Herb Greene’s Photography Offers Much More Than Music Legends","twDescription":"","twImgId":"","socialTitle":"Herb Greene’s Haight-Ashbury Photographs: More Than Musicians %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13925408/herb-greene-haight-ashbury-experience-photography-review","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>I couldn’t give a tiny rat’s ass about the Grateful Dead. There. I said it. Ordinarily, I’d shy away from announcing such a thing publicly, at the risk of awakening an army of pitchfork-wielding Deadheads. (Not the most measured of fanbases.) However, it would be wrong not to mention it before I start talking about a new exhibit of photography by Herb Greene given that Herb Greene is primarily remembered for his Grateful Dead portraits.\u003c/p>\n\u003cp>If you are indeed a Deadhead, or someone who is still reveling in a musical moment that existed over half a century ago, you don’t need me to explain the selling points of \u003cem>The Haight-Ashbury Experience and the Pursuit of Happiness: The Photography of Herb Greene\u003c/em>. You will go for the perfectly lovely photographs of the Grateful Dead, their former outfit The Warlocks and Janis Joplin. You might also go for the expertly composed portraits of Jefferson Airplane, Led Zeppelin, The Jeff Beck Group and The Charlatans.\u003c/p>\n\u003cfigure id=\"attachment_13925411\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925411\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Grace-Slick-by-Herb-Greene_1920-1-800x800.jpg\" alt=\"A pretty young woman kneels on a green and purple couch, twisting her head up towards the camera.\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Grace-Slick-by-Herb-Greene_1920-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Grace-Slick-by-Herb-Greene_1920-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Grace-Slick-by-Herb-Greene_1920-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Grace-Slick-by-Herb-Greene_1920-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Grace-Slick-by-Herb-Greene_1920-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Grace-Slick-by-Herb-Greene_1920-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Grace Slick in her Jefferson Airplane heyday. \u003ccite>(Herb Greene/ Courtesy of the Haight Street Art Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>If you are under the age of 60 or wondering why on God’s green earth San Francisco needs \u003ca href=\"https://www.kqed.org/arts/13039627/de-young-summer-of-love-50th-anniversary\">yet another exhibition glorifying the Summer of Love\u003c/a>, I have some news that might pleasantly surprise you.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13039627","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>First and foremost, in addition to his rock photography, Greene also made a habit of immortalizing the street life in the Haight when it was just another San Francisco neighborhood. He photographed the small businesses, local children, families and elderly residents already there when the hippie invasion first began.\u003c/p>\n\u003cp>These images present the neighborhood before it was a tie-dye-soaked tourist attraction and, crucially, capture the exact moment the first wave of disaffected youth arrived and changed the area forever. Though there is an entire wall of this kind of street photography at \u003cem>The Photography of Herb Greene\u003c/em>, I found myself wishing they inhabited the whole space.\u003c/p>\n\u003cfigure id=\"attachment_13925638\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925638\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/H1_Ohio_to_SF-Haight07-1-800x808.jpeg\" alt=\"A flute-playing hippie and a bohemian friend, both male, walk along a tree lined street. Behind them a man in a suit and hat walks under a sign that reads 'Sher Real Estate INCOME TAX.’\" width=\"800\" height=\"808\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/H1_Ohio_to_SF-Haight07-1-800x808.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/H1_Ohio_to_SF-Haight07-1-160x162.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/H1_Ohio_to_SF-Haight07-1-768x775.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/H1_Ohio_to_SF-Haight07-1.jpeg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Income tax with a side of street flautist. Haight Street in the ’60s. \u003ccite>(Herb Greene/ Courtesy of Haight Street Art Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This exhibit also deserves kudos for painting a picture of the bohemian community of kids who were hanging around the Haight at the time. Yes, there are the requisite shots here of naked young people dancing and children clutching flowers at The Human Be-In. But Greene’s photographs also introduce us to the hitchhikers, street musicians and young optimists who migrated to San Francisco in the late 1960s and reveled in the new freedoms it offered. I am indefatigable when it comes to looking at subculture-immersed young people, no matter what era they’re from, and Greene’s photos more than do the Summer of Love kids justice.\u003c/p>\n\u003cfigure id=\"attachment_13925639\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925639\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/82548-4-800x822.jpeg\" alt=\"Three teenagers, two females wearing embroidered shawls and long dresses and one young man wearing slacks and a jacket stand on a street corner huddled together. The word ASHBURY is carved into the sidewalk.\" width=\"800\" height=\"822\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/82548-4-800x822.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/82548-4-160x164.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/82548-4-768x789.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/82548-4.jpeg 961w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Three teens hanging in the Haight, 1960s. \u003ccite>(Herb Greene/ Courtesy of Haight Street Art Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of Greene’s favorite places to photograph these young people was in front of the distinctive hieroglyph-covered wall in his studio, where he also shot famous musicians. \u003cem>The Photography of Herb Greene\u003c/em> condenses many of these portraits down onto a single collage board of images. The format hammers home that the hieroglyph wall itself was a great leveler. Famous or not, Greene treated all of his subjects the same in front of it — they became individual characters, each as important as the last.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13920973","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Viewed as a collection now, it also reflects the monoculture of that scene. Though Greene himself was Chicano, every single person featured in the wall collage appears to be white.\u003c/p>\n\u003cp>That lack of diversity runs through much of Greene’s 1960s photography, a reflection of the Bay Area rock ’n’ roll scene of the time. (A portrait of Taj Mahal and his dog offers a particularly beautiful exception.) As such, Greene’s 1970s-era portraits of Sly and the Family Stone and the Pointer Sisters reflect how the mainstream music world began to open up once the Summer of Love ended. These images, shot in color, inject some vibrancy into \u003cem>The Photography of Herb Greene\u003c/em>. The original photo that Sly Stone used for the cover of 1975’s \u003ca href=\"https://www.discogs.com/release/1071382-Sly-Stone-High-On-You\" target=\"_blank\" rel=\"noopener\">\u003cem>High on You\u003c/em>\u003c/a> is a genuine joy to behold in real life.\u003c/p>\n\u003cfigure id=\"attachment_13925643\" class=\"wp-caption aligncenter\" style=\"max-width: 496px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13925643\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Taj-Majal.jpg\" alt=\"A Black man with cornrows sits in a wooden chair wearing a tie-dye shirt and slacks. He is leaning forward as if in conversation. At his side is a shaggy white dog.\" width=\"496\" height=\"492\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Taj-Majal.jpg 496w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Taj-Majal-160x159.jpg 160w\" sizes=\"(max-width: 496px) 100vw, 496px\">\u003cfigcaption class=\"wp-caption-text\">Taj Majal and his dog. \u003ccite>(Herb Greene/ Courtesy of Haight Street Art Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Greene also documented the artists (including Rick Griffin, Stanley Mouse, Victor Moscoso and Alton Kelley), writers (like Neal Cassady), concert promoters (Bill Graham and Chet Helms) and roadies who helped turn what was going on in the Haight into a national moment. Their inclusion here offers a glimpse behind the scenes — and an essential reminder that the bands didn’t do it all on their own.\u003c/p>\n\u003cp>\u003cem>The Photography of Herb Greene\u003c/em>, then, is about much more than the musicians still eulogized on Haight Street today. It’s about the larger community that made the scene what it was. It’s about how music changes and evolves over time. And it’s about a neighborhood of regular people who inadvertently got caught up in a movement. \u003ci>That’s\u003c/i> worth giving a rat’s ass about, even if you don’t care for the Grateful Dead.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Haight-Ashbury Experience and the Pursuit of Happiness: The Photography of Herb Greene’ is on view at the Haight Street Art Center (215 Haight St.) through May 29, 2023. \u003ca href=\"https://haightstreetart.org/pages/the-haight-ashbury-experience-and-the-pursuit-of-happiness-the-photography-of-herb-greene\">Exhibition details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13925408/herb-greene-haight-ashbury-experience-photography-review","authors":["11242"],"programs":["arts_140"],"categories":["arts_1","arts_7862","arts_11615"],"tags":["arts_5426","arts_10278","arts_3649","arts_1845","arts_1846","arts_6387","arts_822","arts_905","arts_1761","arts_585"],"featImg":"arts_13925410","label":"arts_140"},"arts_13925416":{"type":"posts","id":"arts_13925416","meta":{"index":"posts_1591205157","site":"arts","id":"13925416","score":null,"sort":[1677190377000]},"guestAuthors":[],"slug":"resting-our-eyes-ica-sf-review-black-women-leisure","title":"At ICA SF, ‘Resting Our Eyes’ Affirms Black Women’s Right to Leisure","publishDate":1677190377,"format":"standard","headTitle":"At ICA SF, ‘Resting Our Eyes’ Affirms Black Women’s Right to Leisure | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>The late Toni Morrison once \u003ca href=\"https://twitter.com/ARRAYNow/status/1111382762492039168?s=20\">reflected on her work\u003c/a> as a Nobel Prize-winning Black woman author who wrote about Black people by saying: “I stood at the border, stood at the edge, and claimed it as central and let the rest of the world move over to where I was.”\u003c/p>\n\u003cp>That sentiment rang true for me when I visited \u003ca href=\"https://www.icasf.org/exhibitions/3-resting-our-eyes\">\u003ci>Resting Our Eyes\u003c/i>\u003c/a>, an exhibition that curators Tahirah Rasheed and Autumn Breon created to celebrate Black women “through the lens of leisure and physical adornment.” It’s on view at the new \u003ca href=\"https://www.icasf.org/about\">Institute for Contemporary Art\u003c/a> in San Francisco through June 25.\u003c/p>\n\u003cp>In this space, I was the center. My style. My attitude. My adornment. Resting \u003ci>our\u003c/i> eyes meant resting \u003ci>my\u003c/i> eyes. And the rest of the exhibition’s viewers — none of whom, at the time I visited, were Black women — metaphorically moved over to where \u003ci>I\u003c/i> was.\u003c/p>\n\u003cfigure id=\"attachment_13925449\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925449\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-800x584.jpg\" alt=\"\" width=\"800\" height=\"584\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-800x584.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-1020x745.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-768x561.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-1536x1122.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White.jpg 1800w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Oakland-based artist Sadie Barnette’s ‘Easy in the Den,’ 2019. Archival pigment print, photography of found film with overlaid rhinestone. \u003ccite>(Courtesy of the artist and Jessica Silverman, San Francisco)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>To be clear, this exhibition is for everybody to experience, enjoy and reflect on, not just Black women. But one doesn’t have to look very hard to see all the reasons this exhibition was conceived to center the Black woman’s peace of mind, body and soul. As young girls, we’re \u003ca href=\"https://www.ted.com/talks/monique_w_morris_why_black_girls_are_targeted_for_punishment_at_school_and_how_to_change_that?language=en\">targeted for punishment\u003c/a> at school. We experience \u003ca href=\"https://iwpr.org/iwpr-issues/race-ethnicity-gender-and-economy/violence-against-black-women-many-types-far-reaching-effects/\">higher rates of intimate partner violence\u003c/a> than any other racial group. Our \u003ca href=\"https://www.today.com/health/implicit-bias-medicine-how-it-hurts-black-women-t187866\">physical pain is dismissed\u003c/a> or overlooked in the health care system. And we navigate a whole lot of micro- and macro-aggressions \u003ca href=\"https://hbr.org/2022/05/why-many-women-of-color-dont-want-to-return-to-the-office\">at work\u003c/a>.\u003c/p>\n\u003cp>In their curators’ statement, Rasheed, a Cal alum, and Breon, a Stanford graduate, reference \u003ca href=\"https://www.facebook.com/Thenapministry/photos/so-in-1918-white-folks-got-together-to-create-an-ordinance-for-black-women-to-wo/2766939353549262/?paipv=0&eav=AfZctv5r112s91ldhHymeSJt1NUpCDsa-AHhBUIqfQY1gE3q2GSWeDFQRhAchz2Pdjc&_rdr\">a 1918 ordinance\u003c/a> in Greenville, South Carolina that “jailed or fined Black women if they could not prove ‘regular and useful employment.’”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So, yeah — the idea of Black women getting to just \u003ci>be?\u003c/i> Getting to \u003ci>rest?\u003c/i> It’s radical.\u003c/p>\n\u003cfigure id=\"attachment_13925452\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925452\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-800x734.jpg\" alt=\"a neon sculpture with a red outline of hands and the words 'care is the antidote to violence' in purple\" width=\"800\" height=\"734\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-800x734.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-1020x936.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-160x147.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-768x705.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-1536x1410.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-2048x1880.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-1920x1762.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ja’Tovia Gary’s ‘Citational Ethics (Saidiya Hartman, 2017),’ 2020. Neon, glass, wire and metal. \u003ccite>(Courtesy of Collection of Bob Rennie; Vancouver, Canada)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A radical spirit is what fueled Rasheed and Breon, who turned to the words of the \u003ca href=\"https://www.thenation.com/article/society/combahee-river-collective-oral-history/\">Combahee River Collective\u003c/a> when imagining the exhibition. The collective was a Black feminist lesbian socialist organization, active in the mid- to late-70s, that published the influential \u003ca href=\"https://americanstudies.yale.edu/sites/default/files/files/Keyword%20Coalition_Readings.pdf\">Combahee River Collective Statement\u003c/a>. Their statement introduced the concept of “identity politics” as necessary in the fight for liberation, writing, “we believe that the most profound and potentially most radical politics come directly out of our own identity…”[aside label=\"Related Stories\" postID=\"arts_13889089,arts_13920320\"]\u003c/p>\n\u003cp>Put more plainly: When Black women are free, society benefits.\u003c/p>\n\u003cp>Inspired by this philosophy, Breon \u003ca href=\"https://www.harpersbazaar.com/culture/art-books-music/a42789004/resting-our-eyes-ica-art-interview/\">told \u003cem>Harper’s Bazaar\u003c/em>\u003c/a> that she and Rasheed “kept on coming back to the idea of ‘What is the aesthetic of a free Black woman?’”\u003c/p>\n\u003cp>Their answer to that question is in the new and existing works on display from 20 Black artists — including four from the Bay Area – who span generations and mediums, including mixed media, photography, painting, video, textile and sculpture.\u003c/p>\n\u003cp>I reflected on my time with a few of these works below.\u003c/p>\n\u003ch2>Mickalene Thomas, ‘Love’s Been Good to Me Too #2’\u003c/h2>\n\u003cfigure id=\"attachment_13925455\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925455\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires-800x1047.jpg\" alt=\"a textile work shows a Black woman dressed in colorful clothes sitting against colorful cushions\" width=\"800\" height=\"1047\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires-800x1047.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires-1020x1334.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires-160x209.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires-768x1005.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires-1174x1536.jpg 1174w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires-1565x2048.jpg 1565w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires.jpg 1875w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mickalene Thomas’ ‘Love’s Been Good To Me #2,’ 2010. Rhinestones, acrylic and enamel on wood panel. \u003ccite>(Courtesy of Collection of Jeffrey N. Dauber and Marc A. Levin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Brooklyn-based Mickalene Thomas, one of my favorite visual artists, is an iconic voice when it comes to showcasing Black women in repose. The Black woman subject in \u003ci>Love’s Been Good to Me Too #2\u003c/i> is towering in size and bold in her bejeweled presentation. With her confident pose, glittering eyeshadow and colorful resort wear, I couldn’t help but hear “Take Up Space Sis” (from the official, Rasheed-curated \u003ca href=\"https://open.spotify.com/playlist/2YAHHv2AXWF0yugSvd4vcx?si=0S5O5b9ZR5Wc8Uv8SEjBdw&nd=1\">\u003cem>Resting Our Eyes\u003c/em> Spotify playlist\u003c/a>) playing in my mind: “I hype me up, I gas me up / Take up space sis, got more room with this.”\u003c/p>\n\u003ch2>Lava Thomas, ‘Clouds of Joy’\u003c/h2>\n\u003cfigure id=\"attachment_13925456\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/CloudsofJoy-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925456\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/CloudsofJoy-800x587.jpg\" alt=\"a textile work shows different sizes and shades of blue circles on a white background\" width=\"800\" height=\"587\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/CloudsofJoy-800x587.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/CloudsofJoy-1020x749.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/CloudsofJoy-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/CloudsofJoy-768x564.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/CloudsofJoy-1536x1127.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/CloudsofJoy-2048x1503.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/CloudsofJoy-1920x1409.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Lava Thomas’ ‘Clouds of Joy,’ 2021. Tambourines, leather, suede, acrylic mirror, blue acrylic discs and ribbon. \u003ccite>(Courtesy of the artist and Rena Bransten Gallery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I stood in front of \u003cem>Clouds of Joy\u003c/em>, by Berkeley’s Lava Thomas, for a time. I took in the piece as a whole, as well as my own blue-tinted reflection in the mirrored surfaces (I must say, it’s a flattering hue). Reading in the exhibition guide that \u003ci>Clouds of Joy\u003c/i> is part of Thomas’ “ongoing project that recalls Civil Rights Era protest songs in the African American music tradition” deepened my experience of it.\u003c/p>\n\u003ch2>Traci Bartlow, ‘Girl Boss’\u003c/h2>\n\u003cfigure id=\"attachment_13925457\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925457\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-800x1208.jpg\" alt=\"a color photograph shows a young Black woman in green pants and a dark shirt and sneakers sitting on the street looking at the camera\" width=\"800\" height=\"1208\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-800x1208.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-1020x1540.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-160x242.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-768x1159.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-1018x1536.jpg 1018w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-1357x2048.jpg 1357w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-1920x2898.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-scaled.jpg 1696w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Traci Bartlow’s ‘Girl Boss,’ 1996. Photograph. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When I saw the aptly titled \u003ci>Girl Boss\u003c/i>, a photograph taken in 1996 by Oakland-born Traci Bartlow, the young woman’s resolute pose and stare grabbed me. So unbothered. I immediately thought of the words of Zora Neale Hurston: “I love myself when I am laughing … and then again when I’m looking mean and impressive.”\u003c/p>\n\u003ch2>Lauren Halsey, ‘Untitled’\u003c/h2>\n\u003cfigure id=\"attachment_13925467\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/LHA-21-042-hr_1200.jpg\" alt=\"\" width=\"1200\" height=\"1680\" class=\"size-full wp-image-13925467\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/LHA-21-042-hr_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/LHA-21-042-hr_1200-800x1120.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/LHA-21-042-hr_1200-1020x1428.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/LHA-21-042-hr_1200-160x224.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/LHA-21-042-hr_1200-768x1075.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/LHA-21-042-hr_1200-1097x1536.jpg 1097w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Lauren Halsey, ‘Untitled,’ 2021. Synthetic hair on wood, 110 x 56 x 8 inches. \u003ccite>(Photo by Allen Chen; Courtesy of David Kordansky Gallery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of the last pieces I observed, this work — created with synthetic hair bundles — was literally a soft place to land. I’ve been in a space of personally expanding the colors that I wear, from clothes to jewelry to hair, in a way that feels more daring to me, yet more authentic to my true self. This piece felt like another affirmation to lean into the freedom of expression I’ve been feeling. It’s one of many freedoms that was once \u003ca href=\"https://www.vice.com/en/article/j5abvx/black-womens-hair-illegal-tignon-laws-new-orleans-louisiana\">denied to Black women\u003c/a>, as Rasheed and Breon drive home in their curators’ statement.\u003c/p>\n\u003cp>Ironically, I’ve written all this while tired and not having experienced the most restful sleep the last few weeks (deadlines, oh so many deadlines). But among the many affirmations Rasheed and Breon’s exhibition left me with was this: Just like art is a practice, so is rest. It’s a radical and necessary one, in fact. (Let the \u003ca href=\"https://thenapministry.com/\">Nap Ministry\u003c/a> say “Amen!”)\u003c/p>\n\u003cp>Now if you’ll excuse me while I rest my eyes.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>‘Resting Our Eyes,’ curated by Tahirah Rasheed and Autumn Breon, is on view at the Institute of Contemporary Art San Francisco through June 25. \u003ca href=\"https://www.icasf.org/exhibitions/3-resting-our-eyes\">www.\u003c/a>\u003ca href=\"https://www.icasf.org/exhibitions/3-resting-our-eyes\">Details here\u003c/a>.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"Curators Tahirah Rasheed and Autumn Breon aimed to center the Black woman’s peace of mind, body and soul.","status":"publish","parent":0,"modified":1705005811,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":1158},"headData":{"title":"‘Resting Our Eyes’ at ICA SF: Black Women’s Right to Leisure | KQED","description":"Curators Tahirah Rasheed and Autumn Breon aimed to center the Black woman’s peace of mind, body and soul.","ogTitle":"At ICA SF, ‘Resting Our Eyes’ Affirms Black Women’s Right to Leisure","ogDescription":"","ogImgId":"","twTitle":"At ICA SF, ‘Resting Our Eyes’ Affirms Black Women’s Right to Leisure","twDescription":"","twImgId":"","socialTitle":"‘Resting Our Eyes’ at ICA SF: Black Women’s Right to Leisure %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13925416/resting-our-eyes-ica-sf-review-black-women-leisure","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The late Toni Morrison once \u003ca href=\"https://twitter.com/ARRAYNow/status/1111382762492039168?s=20\">reflected on her work\u003c/a> as a Nobel Prize-winning Black woman author who wrote about Black people by saying: “I stood at the border, stood at the edge, and claimed it as central and let the rest of the world move over to where I was.”\u003c/p>\n\u003cp>That sentiment rang true for me when I visited \u003ca href=\"https://www.icasf.org/exhibitions/3-resting-our-eyes\">\u003ci>Resting Our Eyes\u003c/i>\u003c/a>, an exhibition that curators Tahirah Rasheed and Autumn Breon created to celebrate Black women “through the lens of leisure and physical adornment.” It’s on view at the new \u003ca href=\"https://www.icasf.org/about\">Institute for Contemporary Art\u003c/a> in San Francisco through June 25.\u003c/p>\n\u003cp>In this space, I was the center. My style. My attitude. My adornment. Resting \u003ci>our\u003c/i> eyes meant resting \u003ci>my\u003c/i> eyes. And the rest of the exhibition’s viewers — none of whom, at the time I visited, were Black women — metaphorically moved over to where \u003ci>I\u003c/i> was.\u003c/p>\n\u003cfigure id=\"attachment_13925449\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925449\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-800x584.jpg\" alt=\"\" width=\"800\" height=\"584\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-800x584.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-1020x745.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-768x561.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-1536x1122.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White.jpg 1800w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Oakland-based artist Sadie Barnette’s ‘Easy in the Den,’ 2019. Archival pigment print, photography of found film with overlaid rhinestone. \u003ccite>(Courtesy of the artist and Jessica Silverman, San Francisco)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>To be clear, this exhibition is for everybody to experience, enjoy and reflect on, not just Black women. But one doesn’t have to look very hard to see all the reasons this exhibition was conceived to center the Black woman’s peace of mind, body and soul. As young girls, we’re \u003ca href=\"https://www.ted.com/talks/monique_w_morris_why_black_girls_are_targeted_for_punishment_at_school_and_how_to_change_that?language=en\">targeted for punishment\u003c/a> at school. We experience \u003ca href=\"https://iwpr.org/iwpr-issues/race-ethnicity-gender-and-economy/violence-against-black-women-many-types-far-reaching-effects/\">higher rates of intimate partner violence\u003c/a> than any other racial group. Our \u003ca href=\"https://www.today.com/health/implicit-bias-medicine-how-it-hurts-black-women-t187866\">physical pain is dismissed\u003c/a> or overlooked in the health care system. And we navigate a whole lot of micro- and macro-aggressions \u003ca href=\"https://hbr.org/2022/05/why-many-women-of-color-dont-want-to-return-to-the-office\">at work\u003c/a>.\u003c/p>\n\u003cp>In their curators’ statement, Rasheed, a Cal alum, and Breon, a Stanford graduate, reference \u003ca href=\"https://www.facebook.com/Thenapministry/photos/so-in-1918-white-folks-got-together-to-create-an-ordinance-for-black-women-to-wo/2766939353549262/?paipv=0&eav=AfZctv5r112s91ldhHymeSJt1NUpCDsa-AHhBUIqfQY1gE3q2GSWeDFQRhAchz2Pdjc&_rdr\">a 1918 ordinance\u003c/a> in Greenville, South Carolina that “jailed or fined Black women if they could not prove ‘regular and useful employment.’”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So, yeah — the idea of Black women getting to just \u003ci>be?\u003c/i> Getting to \u003ci>rest?\u003c/i> It’s radical.\u003c/p>\n\u003cfigure id=\"attachment_13925452\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925452\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-800x734.jpg\" alt=\"a neon sculpture with a red outline of hands and the words 'care is the antidote to violence' in purple\" width=\"800\" height=\"734\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-800x734.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-1020x936.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-160x147.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-768x705.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-1536x1410.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-2048x1880.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/GaryJ_Citational-Ethics_HR_Paula-Cooper-cropped-1920x1762.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ja’Tovia Gary’s ‘Citational Ethics (Saidiya Hartman, 2017),’ 2020. Neon, glass, wire and metal. \u003ccite>(Courtesy of Collection of Bob Rennie; Vancouver, Canada)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A radical spirit is what fueled Rasheed and Breon, who turned to the words of the \u003ca href=\"https://www.thenation.com/article/society/combahee-river-collective-oral-history/\">Combahee River Collective\u003c/a> when imagining the exhibition. The collective was a Black feminist lesbian socialist organization, active in the mid- to late-70s, that published the influential \u003ca href=\"https://americanstudies.yale.edu/sites/default/files/files/Keyword%20Coalition_Readings.pdf\">Combahee River Collective Statement\u003c/a>. Their statement introduced the concept of “identity politics” as necessary in the fight for liberation, writing, “we believe that the most profound and potentially most radical politics come directly out of our own identity…”\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Related Stories ","postid":"arts_13889089,arts_13920320"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Put more plainly: When Black women are free, society benefits.\u003c/p>\n\u003cp>Inspired by this philosophy, Breon \u003ca href=\"https://www.harpersbazaar.com/culture/art-books-music/a42789004/resting-our-eyes-ica-art-interview/\">told \u003cem>Harper’s Bazaar\u003c/em>\u003c/a> that she and Rasheed “kept on coming back to the idea of ‘What is the aesthetic of a free Black woman?’”\u003c/p>\n\u003cp>Their answer to that question is in the new and existing works on display from 20 Black artists — including four from the Bay Area – who span generations and mediums, including mixed media, photography, painting, video, textile and sculpture.\u003c/p>\n\u003cp>I reflected on my time with a few of these works below.\u003c/p>\n\u003ch2>Mickalene Thomas, ‘Love’s Been Good to Me Too #2’\u003c/h2>\n\u003cfigure id=\"attachment_13925455\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925455\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires-800x1047.jpg\" alt=\"a textile work shows a Black woman dressed in colorful clothes sitting against colorful cushions\" width=\"800\" height=\"1047\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires-800x1047.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires-1020x1334.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires-160x209.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires-768x1005.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires-1174x1536.jpg 1174w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires-1565x2048.jpg 1565w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Thomas_LovesBeenGood2_hires.jpg 1875w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mickalene Thomas’ ‘Love’s Been Good To Me #2,’ 2010. Rhinestones, acrylic and enamel on wood panel. \u003ccite>(Courtesy of Collection of Jeffrey N. Dauber and Marc A. Levin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Brooklyn-based Mickalene Thomas, one of my favorite visual artists, is an iconic voice when it comes to showcasing Black women in repose. The Black woman subject in \u003ci>Love’s Been Good to Me Too #2\u003c/i> is towering in size and bold in her bejeweled presentation. With her confident pose, glittering eyeshadow and colorful resort wear, I couldn’t help but hear “Take Up Space Sis” (from the official, Rasheed-curated \u003ca href=\"https://open.spotify.com/playlist/2YAHHv2AXWF0yugSvd4vcx?si=0S5O5b9ZR5Wc8Uv8SEjBdw&nd=1\">\u003cem>Resting Our Eyes\u003c/em> Spotify playlist\u003c/a>) playing in my mind: “I hype me up, I gas me up / Take up space sis, got more room with this.”\u003c/p>\n\u003ch2>Lava Thomas, ‘Clouds of Joy’\u003c/h2>\n\u003cfigure id=\"attachment_13925456\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/CloudsofJoy-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925456\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/CloudsofJoy-800x587.jpg\" alt=\"a textile work shows different sizes and shades of blue circles on a white background\" width=\"800\" height=\"587\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/CloudsofJoy-800x587.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/CloudsofJoy-1020x749.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/CloudsofJoy-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/CloudsofJoy-768x564.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/CloudsofJoy-1536x1127.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/CloudsofJoy-2048x1503.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/CloudsofJoy-1920x1409.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Lava Thomas’ ‘Clouds of Joy,’ 2021. Tambourines, leather, suede, acrylic mirror, blue acrylic discs and ribbon. \u003ccite>(Courtesy of the artist and Rena Bransten Gallery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I stood in front of \u003cem>Clouds of Joy\u003c/em>, by Berkeley’s Lava Thomas, for a time. I took in the piece as a whole, as well as my own blue-tinted reflection in the mirrored surfaces (I must say, it’s a flattering hue). Reading in the exhibition guide that \u003ci>Clouds of Joy\u003c/i> is part of Thomas’ “ongoing project that recalls Civil Rights Era protest songs in the African American music tradition” deepened my experience of it.\u003c/p>\n\u003ch2>Traci Bartlow, ‘Girl Boss’\u003c/h2>\n\u003cfigure id=\"attachment_13925457\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925457\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-800x1208.jpg\" alt=\"a color photograph shows a young Black woman in green pants and a dark shirt and sneakers sitting on the street looking at the camera\" width=\"800\" height=\"1208\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-800x1208.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-1020x1540.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-160x242.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-768x1159.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-1018x1536.jpg 1018w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-1357x2048.jpg 1357w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-1920x2898.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/Copy-of-Girl-Boss-9-8-scaled.jpg 1696w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Traci Bartlow’s ‘Girl Boss,’ 1996. Photograph. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When I saw the aptly titled \u003ci>Girl Boss\u003c/i>, a photograph taken in 1996 by Oakland-born Traci Bartlow, the young woman’s resolute pose and stare grabbed me. So unbothered. I immediately thought of the words of Zora Neale Hurston: “I love myself when I am laughing … and then again when I’m looking mean and impressive.”\u003c/p>\n\u003ch2>Lauren Halsey, ‘Untitled’\u003c/h2>\n\u003cfigure id=\"attachment_13925467\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/LHA-21-042-hr_1200.jpg\" alt=\"\" width=\"1200\" height=\"1680\" class=\"size-full wp-image-13925467\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/LHA-21-042-hr_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/LHA-21-042-hr_1200-800x1120.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/LHA-21-042-hr_1200-1020x1428.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/LHA-21-042-hr_1200-160x224.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/LHA-21-042-hr_1200-768x1075.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/LHA-21-042-hr_1200-1097x1536.jpg 1097w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Lauren Halsey, ‘Untitled,’ 2021. Synthetic hair on wood, 110 x 56 x 8 inches. \u003ccite>(Photo by Allen Chen; Courtesy of David Kordansky Gallery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of the last pieces I observed, this work — created with synthetic hair bundles — was literally a soft place to land. I’ve been in a space of personally expanding the colors that I wear, from clothes to jewelry to hair, in a way that feels more daring to me, yet more authentic to my true self. This piece felt like another affirmation to lean into the freedom of expression I’ve been feeling. It’s one of many freedoms that was once \u003ca href=\"https://www.vice.com/en/article/j5abvx/black-womens-hair-illegal-tignon-laws-new-orleans-louisiana\">denied to Black women\u003c/a>, as Rasheed and Breon drive home in their curators’ statement.\u003c/p>\n\u003cp>Ironically, I’ve written all this while tired and not having experienced the most restful sleep the last few weeks (deadlines, oh so many deadlines). But among the many affirmations Rasheed and Breon’s exhibition left me with was this: Just like art is a practice, so is rest. It’s a radical and necessary one, in fact. (Let the \u003ca href=\"https://thenapministry.com/\">Nap Ministry\u003c/a> say “Amen!”)\u003c/p>\n\u003cp>Now if you’ll excuse me while I rest my eyes.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>‘Resting Our Eyes,’ curated by Tahirah Rasheed and Autumn Breon, is on view at the Institute of Contemporary Art San Francisco through June 25. \u003ca href=\"https://www.icasf.org/exhibitions/3-resting-our-eyes\">www.\u003c/a>\u003ca href=\"https://www.icasf.org/exhibitions/3-resting-our-eyes\">Details here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13925416/resting-our-eyes-ica-sf-review-black-women-leisure","authors":["11296"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_70"],"tags":["arts_10342","arts_3649","arts_5206","arts_585","arts_6713"],"featImg":"arts_13925447","label":"arts_140"},"arts_13924661":{"type":"posts","id":"arts_13924661","meta":{"index":"posts_1591205157","site":"arts","id":"13924661","score":null,"sort":[1675385412000]},"guestAuthors":[],"slug":"house-of-seiko-cardinal-index-new-mission-gallery","title":"House of Seiko’s Inaugural Show Revels in Subtlety and Process","publishDate":1675385412,"format":"standard","headTitle":"House of Seiko’s Inaugural Show Revels in Subtlety and Process | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>It’s easy to point to the losses in the Bay Area visual arts scene. But for as many closings as we’ve experienced, there have been — and hopefully always will be — inaugural shows, expansions and anniversaries to celebrate. When \u003ca href=\"https://www.instagram.com/delaplanesf/\">Delaplane\u003c/a>, a narrow space on San Francisco’s 14th Street, closed up shop in March 2022, its final group show was exultant, with crowds spilling onto the sidewalk and street.\u003c/p>\n\u003cp>It makes sense that a similarly enthusiastic mass of people gathered for the grand opening of \u003ca href=\"https://houseofseiko.info/\">House of Seiko\u003c/a> on Jan. 14, a new gallery run by one half of Delaplane, Cole Solinger, and Nicolas Torres of neighboring \u003ca href=\"https://www.buddythebar.com/\">Buddy Bar\u003c/a>. When the Bay Area art scene wants to, it can really show up.\u003c/p>\n\u003cp>The 22nd Street space (a former watch and “jewelery” repair shop, or so says the remaining sign), opened with \u003ci>Cardinal Index\u003c/i>, a group show of eight works by eight artists. In that mix of sculpture, installation and works on paper, we get a statement of purpose for the brand new gallery: a gentle invitation to look closer, and to enjoy work that comes from a group of artists with Bay Area ties.\u003c/p>\n\u003cfigure id=\"attachment_13924664\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13924664\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires6_1200.jpg\" alt=\"Small pile of ziploc backs with clipped newspaper inside\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires6_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires6_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires6_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires6_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires6_1200-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Colter Jacobsen, ‘it’s 8’s all the way down (Uncle Steve’s morning meditation),’ 2021. \u003ccite>(Courtesy of House of Seiko)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>None of the work here overwhelms, befitting the small scale of the gallery space. Colter Jacobson’s contribution to the show is a tidy pile of Ziploc bags in one corner. In each: a collection of carefully cut-out ‘8’s from newspapers and magazines, clipped by Jacobsen’s Uncle Steve and mailed to the artist.\u003c/p>\n\u003cp>Other pieces nearly blend into their surroundings: Syd Yocom’s untitled chandelier sculpture is covered in slug-like embellishments of beeswax and brass, and hangs unobtrusively from the gallery ceiling between fluorescent tubes. And Marisa Takal’s delicate collage on a cardboard box, a kind of concrete poem made up of the words “sky,” “tree” and “ground,” is easy to miss in the gallery’s large, street-facing window.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The show revels in subtlety and process; wild textures are the one extravagance. In Davina Semo’s \u003ci>Terrain\u003c/i>, a wall-mounted relief of aluminum, its surface resembles a rectangle of rough bark or a moisture-starved slab of clay. Something like an asterisk symbol punctures the organic forms — a mark of annotation or omission on this vertical, cryptic landscape.\u003c/p>\n\u003cfigure id=\"attachment_13924666\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13924666\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires27_1200.jpg\" alt=\"Interior view of white walled gallery with floor and wall work under fluorescent lights\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires27_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires27_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires27_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires27_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires27_1200-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Installation view of ‘Cardinal Index’ with work by Ishan Clemenco, Rumi Koshino, Kennedy Morgan, Syd Yocom and Colter Jacobsen. \u003ccite>(Courtesy of House of Seiko)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In two small works on paper by Kennedy Morgan and Rumi Koshino, the material indulgence is all about different approaches to colored pencil: delicate or dense in each artist’s respective hands. Morgan’s \u003ci>The Ladder\u003c/i> (a nice compliment to Yocom’s twisty light fixture) shows entwined vines with feathery red and blue blossoms at their ends. Like a careful botanic study of an alien species, there is something otherworldly about Morgan’s drawing, mounted under an appropriately sci-fi sheet of plastic.\u003c/p>\n\u003cp>The restrained presentation of \u003ci>Cardinal Index\u003c/i> lends all the work a suggestion of possible expansion. Those ‘8’s could scatter across the floor. The organic growth implied in Yocom and Morgan’s work could wend its way across the white walls and through the metal security gate. An installation by Ishan Clemenco that uses chalk line dust, exposed sheet film and a wooden ruler (among many other materials) is all about marks and measurements — a series of precise moments charted in a highly personal way.\u003c/p>\n\u003cp>If this gallery used to be a temporary home for broken timepieces, it makes sense that the work we see here represents a pause within a larger, longer conversation. The most tangible representation of this idea comes from Sam Shoemaker’s \u003ci>Vessel #XI\u003c/i>, a ceramic and reishi mushroom sculpture made by allowing the reishi to grow for several months, responding to slight changes in its environment in its own “mushroom language.”\u003c/p>\n\u003cp>In House of Seiko’s window, this arrested collaboration between an artist and a fungus is a delightful sign of all the experimentation to come.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘Cardinal Index’ is on view at House of Seiko (3109 22nd St., San Francisco) through Feb. 25. \u003ca href=\"https://houseofseiko.info/\">Details here\u003c/a>.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"The brand-new gallery opened its first show of artists with Bay Area ties to a crowd of enthusiastic supporters.","status":"publish","parent":0,"modified":1705005885,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":752},"headData":{"title":"‘Cardinal Index’ Review: House of Seiko’s Lovely Inaugural Show | KQED","description":"The brand-new gallery opened its first show of artists with Bay Area ties to a crowd of enthusiastic supporters.","ogTitle":"House of Seiko’s Inaugural Show Revels in Subtlety and Process","ogDescription":"","ogImgId":"","twTitle":"House of Seiko’s Inaugural Show Revels in Subtlety and Process","twDescription":"","twImgId":"","socialTitle":"‘Cardinal Index’ Review: House of Seiko’s Lovely Inaugural Show %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13924661/house-of-seiko-cardinal-index-new-mission-gallery","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s easy to point to the losses in the Bay Area visual arts scene. But for as many closings as we’ve experienced, there have been — and hopefully always will be — inaugural shows, expansions and anniversaries to celebrate. When \u003ca href=\"https://www.instagram.com/delaplanesf/\">Delaplane\u003c/a>, a narrow space on San Francisco’s 14th Street, closed up shop in March 2022, its final group show was exultant, with crowds spilling onto the sidewalk and street.\u003c/p>\n\u003cp>It makes sense that a similarly enthusiastic mass of people gathered for the grand opening of \u003ca href=\"https://houseofseiko.info/\">House of Seiko\u003c/a> on Jan. 14, a new gallery run by one half of Delaplane, Cole Solinger, and Nicolas Torres of neighboring \u003ca href=\"https://www.buddythebar.com/\">Buddy Bar\u003c/a>. When the Bay Area art scene wants to, it can really show up.\u003c/p>\n\u003cp>The 22nd Street space (a former watch and “jewelery” repair shop, or so says the remaining sign), opened with \u003ci>Cardinal Index\u003c/i>, a group show of eight works by eight artists. In that mix of sculpture, installation and works on paper, we get a statement of purpose for the brand new gallery: a gentle invitation to look closer, and to enjoy work that comes from a group of artists with Bay Area ties.\u003c/p>\n\u003cfigure id=\"attachment_13924664\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13924664\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires6_1200.jpg\" alt=\"Small pile of ziploc backs with clipped newspaper inside\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires6_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires6_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires6_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires6_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires6_1200-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Colter Jacobsen, ‘it’s 8’s all the way down (Uncle Steve’s morning meditation),’ 2021. \u003ccite>(Courtesy of House of Seiko)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>None of the work here overwhelms, befitting the small scale of the gallery space. Colter Jacobson’s contribution to the show is a tidy pile of Ziploc bags in one corner. In each: a collection of carefully cut-out ‘8’s from newspapers and magazines, clipped by Jacobsen’s Uncle Steve and mailed to the artist.\u003c/p>\n\u003cp>Other pieces nearly blend into their surroundings: Syd Yocom’s untitled chandelier sculpture is covered in slug-like embellishments of beeswax and brass, and hangs unobtrusively from the gallery ceiling between fluorescent tubes. And Marisa Takal’s delicate collage on a cardboard box, a kind of concrete poem made up of the words “sky,” “tree” and “ground,” is easy to miss in the gallery’s large, street-facing window.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The show revels in subtlety and process; wild textures are the one extravagance. In Davina Semo’s \u003ci>Terrain\u003c/i>, a wall-mounted relief of aluminum, its surface resembles a rectangle of rough bark or a moisture-starved slab of clay. Something like an asterisk symbol punctures the organic forms — a mark of annotation or omission on this vertical, cryptic landscape.\u003c/p>\n\u003cfigure id=\"attachment_13924666\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13924666\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires27_1200.jpg\" alt=\"Interior view of white walled gallery with floor and wall work under fluorescent lights\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires27_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires27_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires27_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires27_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/House_of_Seiko_Cardinal_Index_Install_hires27_1200-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Installation view of ‘Cardinal Index’ with work by Ishan Clemenco, Rumi Koshino, Kennedy Morgan, Syd Yocom and Colter Jacobsen. \u003ccite>(Courtesy of House of Seiko)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In two small works on paper by Kennedy Morgan and Rumi Koshino, the material indulgence is all about different approaches to colored pencil: delicate or dense in each artist’s respective hands. Morgan’s \u003ci>The Ladder\u003c/i> (a nice compliment to Yocom’s twisty light fixture) shows entwined vines with feathery red and blue blossoms at their ends. Like a careful botanic study of an alien species, there is something otherworldly about Morgan’s drawing, mounted under an appropriately sci-fi sheet of plastic.\u003c/p>\n\u003cp>The restrained presentation of \u003ci>Cardinal Index\u003c/i> lends all the work a suggestion of possible expansion. Those ‘8’s could scatter across the floor. The organic growth implied in Yocom and Morgan’s work could wend its way across the white walls and through the metal security gate. An installation by Ishan Clemenco that uses chalk line dust, exposed sheet film and a wooden ruler (among many other materials) is all about marks and measurements — a series of precise moments charted in a highly personal way.\u003c/p>\n\u003cp>If this gallery used to be a temporary home for broken timepieces, it makes sense that the work we see here represents a pause within a larger, longer conversation. The most tangible representation of this idea comes from Sam Shoemaker’s \u003ci>Vessel #XI\u003c/i>, a ceramic and reishi mushroom sculpture made by allowing the reishi to grow for several months, responding to slight changes in its environment in its own “mushroom language.”\u003c/p>\n\u003cp>In House of Seiko’s window, this arrested collaboration between an artist and a fungus is a delightful sign of all the experimentation to come.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘Cardinal Index’ is on view at House of Seiko (3109 22nd St., San Francisco) through Feb. 25. \u003ca href=\"https://houseofseiko.info/\">Details here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13924661/house-of-seiko-cardinal-index-new-mission-gallery","authors":["61"],"programs":["arts_140"],"categories":["arts_1","arts_70"],"tags":["arts_10278","arts_3649","arts_769","arts_585"],"featImg":"arts_13924667","label":"arts_140"},"arts_13924500":{"type":"posts","id":"arts_13924500","meta":{"index":"posts_1591205157","site":"arts","id":"13924500","score":null,"sort":[1675203065000]},"guestAuthors":[],"slug":"christine-wong-yap-migrant-women-flags-chinese-new-year-parade","title":"Migrant Women Will March With Flags of Resilience in SF’s Chinese New Year Parade","publishDate":1675203065,"format":"standard","headTitle":"Migrant Women Will March With Flags of Resilience in SF’s Chinese New Year Parade | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>In preparation for her latest endeavor, Bay Area artist \u003ca href=\"https://christinewongyap.com/\">Christine Wong Yap\u003c/a> had to brush up on her self-described “terrible” Spanish. She knew she was about to embark upon something ambitious: a trilingual community-based project that would push her to engage with strangers about the difficult subjects of mental health and migration. Over a year of extensive planning led to Yap’s \u003cem>\u003ca href=\"https://www.cccsf.us/how-i-keep-looking-up\">How I Keep Looking Up\u003c/a>\u003c/em>, a public art action that centers 16 Chinese and Latinx migrant women’s resounding stories of struggle and hope.\u003c/p>\n\u003cp>For the past three months, Yap led workshops at \u003ca href=\"https://www.41ross.org/\">41 Ross\u003c/a> and the \u003ca href=\"https://missionculturalcenter.org/\">Mission Cultural Center for Latino Arts\u003c/a>, where the women learned phrases from each other’s languages, shared meaningful anecdotes and designed flags that focus on their resilience. Many based their illustrations on comforting symbols like butterflies, birds and flowers to represent what they treasure most: their families, communities and personal journeys.\u003c/p>\n\u003cfigure id=\"attachment_13924501\" class=\"wp-caption aligncenter\" style=\"max-width: 1742px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13924501\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/01/image1.jpg\" alt=\"View of Portsmouth Square pedestrian bridge with line of flag holders extending down stairs and across bridge\" width=\"1742\" height=\"1308\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image1.jpg 1742w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image1-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image1-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image1-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image1-1536x1153.jpg 1536w\" sizes=\"(max-width: 1742px) 100vw, 1742px\">\u003cfigcaption class=\"wp-caption-text\">‘How I Keep Looking Up’ members display their flags at a rehearsal. \u003ccite>(Kristie Song)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Participant Lupita Iraheta imagined herself as a boat, providing solace for those in search of safety, home and stability — a search that, at one point, burdened her deeply. Iraheta and her fellow designers will proudly carry their flags at the \u003ca href=\"https://chineseparade.com/\">San Francisco Chinatown Chinese New Year Parade\u003c/a> on Saturday, Feb. 4.\u003c/p>\n\u003cp>From the beginning, the women were eager to connect with one another despite their language barriers. “I think there’s an assumption that people who live in neighborhoods which are considered ethnic enclaves are not interested in building bridges with people in other neighborhoods,” says Yap. But the group readily interacted with one another — in an environment that fostered cross-cultural dialogue, vulnerability and open communication, their stories poured out. “I think when people can see that other people are learning from their experiences, it can be very powerful,” Yap continues.\u003c/p>\n\u003cfigure id=\"attachment_13924502\" class=\"wp-caption aligncenter\" style=\"max-width: 1764px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13924502\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/01/image2.jpg\" alt=\"Women in blue vests and pink sashes stretch their arms in a carpeted indoor space\" width=\"1764\" height=\"1165\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image2.jpg 1764w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image2-800x528.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image2-1020x674.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image2-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image2-768x507.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image2-1536x1014.jpg 1536w\" sizes=\"(max-width: 1764px) 100vw, 1764px\">\u003cfigcaption class=\"wp-caption-text\">‘How I Keep Looking Up’ designers stretch at their parade rehearsal. \u003ccite>(Kristie Song)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One week before their big parade debut, the group met for rehearsal at the Chinese Culture Center. Dressed in their performance costumes — iridescent blue vests adorned with shimmering flowers — they huddled close, sipping from paper cups as they awaited choreography instructions. Shortly after, \u003cem>How I Keep Looking Up\u003c/em> team members Andreína Maldonado and Stephan Xie lead the women through a series of marches and moves, translating instructions into Spanish and Cantonese, respectively.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Bright mariachi songs bounced against the walls and the room broke into laughter as they marched and danced in place, playfully chiding one another for missed steps and mistakes. It is this infectious sense of joy that will propel them forward in the cold. As the women walked in neat rows and earnest unison, they never failed to look after their neighbors — reminding each other in small ways that the bonds they’ve created here are lasting and affirming. Despite an initial lack of understanding, they’ve seen one another. On Feb. 4, they will march together, keeping each other’s stories safe.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘How I Keep Looking Up’ designers will debut their flags at the \u003ca href=\"https://chineseparade.com/\">Chinese New Year Parade\u003c/a> in San Francisco’s Chinatown on Feb. 4. Afterwards, the flags will be exhibited at the Chinese Culture Center of San Francisco Feb. 7–April 1. More information \u003ca href=\"https://www.cccsf.us/how-i-keep-looking-up\">here\u003c/a>.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"Over three months of workshops led by artist Christine Wong Yap, Chinese and Latinx women shared their stories of migration.","status":"publish","parent":0,"modified":1705005915,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":571},"headData":{"title":"Women Carry Flags of Resilience in Chinese New Year Parade | KQED","description":"Over three months of workshops led by artist Christine Wong Yap, Chinese and Latinx women shared their stories of migration.","ogTitle":"Migrant Women Will March With Flags of Resilience in SF’s Chinese New Year Parade","ogDescription":"","ogImgId":"","twTitle":"Migrant Women Will March With Flags of Resilience in SF’s Chinese New Year Parade","twDescription":"","twImgId":"","socialTitle":"Women Carry Flags of Resilience in Chinese New Year Parade %%page%% %%sep%% KQED"},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13924500/christine-wong-yap-migrant-women-flags-chinese-new-year-parade","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In preparation for her latest endeavor, Bay Area artist \u003ca href=\"https://christinewongyap.com/\">Christine Wong Yap\u003c/a> had to brush up on her self-described “terrible” Spanish. She knew she was about to embark upon something ambitious: a trilingual community-based project that would push her to engage with strangers about the difficult subjects of mental health and migration. Over a year of extensive planning led to Yap’s \u003cem>\u003ca href=\"https://www.cccsf.us/how-i-keep-looking-up\">How I Keep Looking Up\u003c/a>\u003c/em>, a public art action that centers 16 Chinese and Latinx migrant women’s resounding stories of struggle and hope.\u003c/p>\n\u003cp>For the past three months, Yap led workshops at \u003ca href=\"https://www.41ross.org/\">41 Ross\u003c/a> and the \u003ca href=\"https://missionculturalcenter.org/\">Mission Cultural Center for Latino Arts\u003c/a>, where the women learned phrases from each other’s languages, shared meaningful anecdotes and designed flags that focus on their resilience. Many based their illustrations on comforting symbols like butterflies, birds and flowers to represent what they treasure most: their families, communities and personal journeys.\u003c/p>\n\u003cfigure id=\"attachment_13924501\" class=\"wp-caption aligncenter\" style=\"max-width: 1742px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13924501\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/01/image1.jpg\" alt=\"View of Portsmouth Square pedestrian bridge with line of flag holders extending down stairs and across bridge\" width=\"1742\" height=\"1308\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image1.jpg 1742w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image1-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image1-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image1-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image1-1536x1153.jpg 1536w\" sizes=\"(max-width: 1742px) 100vw, 1742px\">\u003cfigcaption class=\"wp-caption-text\">‘How I Keep Looking Up’ members display their flags at a rehearsal. \u003ccite>(Kristie Song)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Participant Lupita Iraheta imagined herself as a boat, providing solace for those in search of safety, home and stability — a search that, at one point, burdened her deeply. Iraheta and her fellow designers will proudly carry their flags at the \u003ca href=\"https://chineseparade.com/\">San Francisco Chinatown Chinese New Year Parade\u003c/a> on Saturday, Feb. 4.\u003c/p>\n\u003cp>From the beginning, the women were eager to connect with one another despite their language barriers. “I think there’s an assumption that people who live in neighborhoods which are considered ethnic enclaves are not interested in building bridges with people in other neighborhoods,” says Yap. But the group readily interacted with one another — in an environment that fostered cross-cultural dialogue, vulnerability and open communication, their stories poured out. “I think when people can see that other people are learning from their experiences, it can be very powerful,” Yap continues.\u003c/p>\n\u003cfigure id=\"attachment_13924502\" class=\"wp-caption aligncenter\" style=\"max-width: 1764px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13924502\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/01/image2.jpg\" alt=\"Women in blue vests and pink sashes stretch their arms in a carpeted indoor space\" width=\"1764\" height=\"1165\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image2.jpg 1764w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image2-800x528.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image2-1020x674.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image2-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image2-768x507.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/01/image2-1536x1014.jpg 1536w\" sizes=\"(max-width: 1764px) 100vw, 1764px\">\u003cfigcaption class=\"wp-caption-text\">‘How I Keep Looking Up’ designers stretch at their parade rehearsal. \u003ccite>(Kristie Song)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One week before their big parade debut, the group met for rehearsal at the Chinese Culture Center. Dressed in their performance costumes — iridescent blue vests adorned with shimmering flowers — they huddled close, sipping from paper cups as they awaited choreography instructions. Shortly after, \u003cem>How I Keep Looking Up\u003c/em> team members Andreína Maldonado and Stephan Xie lead the women through a series of marches and moves, translating instructions into Spanish and Cantonese, respectively.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bright mariachi songs bounced against the walls and the room broke into laughter as they marched and danced in place, playfully chiding one another for missed steps and mistakes. It is this infectious sense of joy that will propel them forward in the cold. As the women walked in neat rows and earnest unison, they never failed to look after their neighbors — reminding each other in small ways that the bonds they’ve created here are lasting and affirming. Despite an initial lack of understanding, they’ve seen one another. On Feb. 4, they will march together, keeping each other’s stories safe.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘How I Keep Looking Up’ designers will debut their flags at the \u003ca href=\"https://chineseparade.com/\">Chinese New Year Parade\u003c/a> in San Francisco’s Chinatown on Feb. 4. Afterwards, the flags will be exhibited at the Chinese Culture Center of San Francisco Feb. 7–April 1. More information \u003ca href=\"https://www.cccsf.us/how-i-keep-looking-up\">here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13924500/christine-wong-yap-migrant-women-flags-chinese-new-year-parade","authors":["11813"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_1003","arts_70"],"tags":["arts_2654","arts_3835","arts_13165","arts_10278","arts_3649","arts_585"],"featImg":"arts_13924503","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2023/08/possible-5gxfizEbKOJ-pbF5ASgxrs_.1400x1400.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/10/ATC_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0018_AmericanSuburb_iTunesTile_01.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0017_BayCurious_iTunesTile_01.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/BBC_1400.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/12/CodeSwitchLifeKit_StationGraphics_300x300EmailGraphic.png","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2019/07/commonwealthclub.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2022/02/Consider-This_3000_V3-copy-scaled-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://ww2.kqed.org/app/uploads/2022/06/forum-logo-900x900tile-1.gif","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png","officialWebsiteLink":"http://freakonomics.com/","airtime":"SUN 1am-2am, SAT 3pm-4pm","meta":{"site":"radio","source":"WNYC"},"link":"/radio/program/freakonomics-radio","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519","tuneIn":"https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/","rss":"https://feeds.feedburner.com/freakonomicsradio"}},"fresh-air":{"id":"fresh-air","title":"Fresh Air","info":"Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.","airtime":"MON-FRI 7pm-8pm","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/FreshAir_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/fresh-air/","meta":{"site":"radio","source":"npr"},"link":"/radio/program/fresh-air","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/Fresh-Air-p17/","rss":"https://feeds.npr.org/381444908/podcast.xml"}},"here-and-now":{"id":"here-and-now","title":"Here & Now","info":"A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.","airtime":"MON-THU 11am-12pm","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/HereNow_1400.jpg","officialWebsiteLink":"http://www.wbur.org/hereandnow","meta":{"site":"news","source":"npr"},"link":"/radio/program/here-and-now","subsdcribe":{"apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661","tuneIn":"https://tunein.com/radio/Here--Now-p211/","rss":"https://feeds.npr.org/510051/podcast.xml"}},"how-i-built-this":{"id":"how-i-built-this","title":"How I Built This with Guy Raz","info":"Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png","officialWebsiteLink":"https://www.npr.org/podcasts/510313/how-i-built-this","airtime":"SUN 7:30pm-8pm","meta":{"site":"news","source":"npr"},"link":"/radio/program/how-i-built-this","subscribe":{"npr":"https://rpb3r.app.goo.gl/3zxy","apple":"https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2","tuneIn":"https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/","rss":"https://feeds.npr.org/510313/podcast.xml"}},"inside-europe":{"id":"inside-europe","title":"Inside Europe","info":"Inside Europe, a one-hour weekly news magazine hosted by Helen Seeney and Keith Walker, explores the topical issues shaping the continent. No other part of the globe has experienced such dynamic political and social change in recent years.","airtime":"SAT 3am-4am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/insideEurope.jpg","meta":{"site":"news","source":"Deutsche Welle"},"link":"/radio/program/inside-europe","subscribe":{"apple":"https://itunes.apple.com/us/podcast/inside-europe/id80106806?mt=2","tuneIn":"https://tunein.com/radio/Inside-Europe-p731/","rss":"https://partner.dw.com/xml/podcast_inside-europe"}},"latino-usa":{"id":"latino-usa","title":"Latino USA","airtime":"MON 1am-2am, SUN 6pm-7pm","info":"Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg","officialWebsiteLink":"http://latinousa.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/latino-usa","subscribe":{"npr":"https://rpb3r.app.goo.gl/xtTd","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/Latino-USA-p621/","rss":"https://feeds.npr.org/510016/podcast.xml"}},"live-from-here-highlights":{"id":"live-from-here-highlights","title":"Live from Here Highlights","info":"Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.","airtime":"SAT 6pm-8pm, SUN 11am-1pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/liveFromHere.png","officialWebsiteLink":"https://www.livefromhere.org/","meta":{"site":"arts","source":"american public media"},"link":"/radio/program/live-from-here-highlights","subscribe":{"apple":"https://itunes.apple.com/us/podcast/id1167173941","tuneIn":"https://tunein.com/radio/Live-from-Here-Highlights-p921744/","rss":"https://feeds.publicradio.org/public_feeds/a-prairie-home-companion-highlights/rss/rss"}},"marketplace":{"id":"marketplace","title":"Marketplace","info":"Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.","airtime":"MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/Marketplace_1400.jpg","officialWebsiteLink":"https://www.marketplace.org/","meta":{"site":"news","source":"American Public Media"},"link":"/radio/program/marketplace","subscribe":{"apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/APM-Marketplace-p88/","rss":"https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"}},"mindshift":{"id":"mindshift","title":"MindShift","tagline":"A podcast about the future of learning and how we raise our kids","info":"The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2022/02/mindshift2021-tile-3000x3000-1-scaled-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/ME_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/01/OOW_Tile_Final.png","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us","airtime":"SUN 2pm-3pm, MON 12am-1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png","officialWebsiteLink":"https://www.wnycstudios.org/shows/otm","meta":{"site":"news","source":"wnyc"},"link":"/radio/program/on-the-media","subscribe":{"apple":"https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2","tuneIn":"https://tunein.com/radio/On-the-Media-p69/","rss":"http://feeds.wnyc.org/onthemedia"}},"our-body-politic":{"id":"our-body-politic","title":"Our Body Politic","info":"Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.","airtime":"SAT 6pm-7pm, SUN 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/sites/77/2020/10/Our-Body-Politic_1600.jpg","officialWebsiteLink":"https://our-body-politic.simplecast.com/","meta":{"site":"news","source":"kcrw"},"link":"/radio/program/our-body-politic","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/our-body-politic/id1533069868","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw","spotify":"https://open.spotify.com/show/4ApAiLT1kV153TttWAmqmc","rss":"https://feeds.simplecast.com/_xaPhs1s","tuneIn":"https://tunein.com/podcasts/News--Politics-Podcasts/Our-Body-Politic-p1369211/"}},"pbs-newshour":{"id":"pbs-newshour","title":"PBS NewsHour","info":"Analysis, background reports and updates from the PBS NewsHour putting today's news in context.","airtime":"MON-FRI 3pm-4pm","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/PBS_1400.jpg","officialWebsiteLink":"https://www.pbs.org/newshour/","meta":{"site":"news","source":"pbs"},"link":"/radio/program/pbs-newshour","subscribe":{"apple":"https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2","tuneIn":"https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/","rss":"https://www.pbs.org/newshour/feeds/rss/podcasts/show"}},"perspectives":{"id":"perspectives","title":"Perspectives","tagline":"KQED's series of of daily listener commentaries since 1991","info":"KQED's series of of daily listener commentaries since 1991.","imageSrc":"https://ww2.kqed.org/perspectives/wp-content/uploads/sites/44/powerpress/1440_0010_Perspectives_iTunesTile_01.jpg","officialWebsiteLink":"/perspectives/","meta":{"site":"radio","source":"kqed","order":"15"},"link":"/perspectives","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/id73801135","npr":"https://www.npr.org/podcasts/432309616/perspectives","rss":"https://ww2.kqed.org/perspectives/category/perspectives/feed/","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"}},"planet-money":{"id":"planet-money","title":"Planet Money","info":"The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.","airtime":"SUN 3pm-4pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg","officialWebsiteLink":"https://www.npr.org/sections/money/","meta":{"site":"news","source":"npr"},"link":"/radio/program/planet-money","subscribe":{"npr":"https://rpb3r.app.goo.gl/M4f5","apple":"https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2","tuneIn":"https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/","rss":"https://feeds.npr.org/510289/podcast.xml"}},"politicalbreakdown":{"id":"politicalbreakdown","title":"Political Breakdown","tagline":"Politics from a personal perspective","info":"Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.","airtime":"THU 6:30pm-7pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/01/PB24_Final-scaled.jpg","imageAlt":"KQED Political Breakdown","officialWebsiteLink":"/podcasts/politicalbreakdown","meta":{"site":"radio","source":"kqed","order":"11"},"link":"/podcasts/politicalbreakdown","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx","npr":"https://www.npr.org/podcasts/572155894/political-breakdown","stitcher":"https://www.stitcher.com/podcast/kqed/political-breakdown","spotify":"https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN","rss":"https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"}},"pri-the-world":{"id":"pri-the-world","title":"PRI's The World: Latest Edition","info":"Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.","airtime":"MON-FRI 2pm-3pm","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/TheWorld_1400.jpg","officialWebsiteLink":"https://www.pri.org/programs/the-world","meta":{"site":"news","source":"PRI"},"link":"/radio/program/pri-the-world","subscribe":{"apple":"https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2","tuneIn":"https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/","rss":"http://feeds.feedburner.com/pri/theworld"}},"radiolab":{"id":"radiolab","title":"Radiolab","info":"A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.","airtime":"SUN 12am-1am, SAT 2pm-3pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png","officialWebsiteLink":"https://www.wnycstudios.org/shows/radiolab/","meta":{"site":"science","source":"WNYC"},"link":"/radio/program/radiolab","subscribe":{"apple":"https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2","tuneIn":"https://tunein.com/radio/RadioLab-p68032/","rss":"https://feeds.wnyc.org/radiolab"}},"reveal":{"id":"reveal","title":"Reveal","info":"Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.","airtime":"SAT 4pm-5pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png","officialWebsiteLink":"https://www.revealnews.org/episodes/","meta":{"site":"news","source":"npr"},"link":"/radio/program/reveal","subscribe":{"apple":"https://itunes.apple.com/us/podcast/reveal/id886009669","tuneIn":"https://tunein.com/radio/Reveal-p679597/","rss":"http://feeds.revealradio.org/revealpodcast"}},"says-you":{"id":"says-you","title":"Says You!","info":"Public radio's game show of bluff and bluster, words and whimsy. The warmest, wittiest cocktail party - it's spirited and civil, brainy and boisterous, peppered with musical interludes. Fast paced and playful, it's the most fun you can have with language without getting your mouth washed out with soap. Our motto: It's not important to know the answers, it's important to like the answers!","airtime":"SUN 4pm-5pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/saysYou.jpg","officialWebsiteLink":"http://www.saysyouradio.com/","meta":{"site":"comedy","source":"Pipit and Finch"},"link":"/radio/program/says-you","subscribe":{"apple":"https://itunes.apple.com/us/podcast/says-you!/id1050199826","tuneIn":"https://tunein.com/radio/Says-You-p480/","rss":"https://saysyou.libsyn.com/rss"}},"science-friday":{"id":"science-friday","title":"Science Friday","info":"Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.","airtime":"FRI 11am-1pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/scienceFriday.jpg","officialWebsiteLink":"https://www.wnycstudios.org/shows/science-friday","meta":{"site":"news","source":"npr"},"link":"/radio/program/science-friday","subscribe":{"apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/Science-Friday-p394/","rss":"http://feeds.wnyc.org/science-friday"}},"science-podcast":{"id":"science-podcast","title":"KQED Science News","tagline":"From the lab, to your ears","info":"KQED Science explores science and environment news, trends, and events from the Bay Area and beyond.","imageSrc":"https://ww2.kqed.org/science/wp-content/uploads/sites/35/powerpress/1440_0006_SciNews_iTunesTile_01.jpg","officialWebsiteLink":"https://ww2.kqed.org/science/category/science-podcast/","meta":{"site":"science","source":"kqed","order":"17"},"link":"/science/category/science-podcast","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqed-science-news/id214663465","google":"https://podcasts.google.com/feed/aHR0cDovL2Jsb2dzLmtxZWQub3JnL3NjaWVuY2UvZmVlZC8","stitcher":"https://www.stitcher.com/podcast/kqed-science-news","rss":"https://ww2.kqed.org/science/category/science-podcast/feed/podcast"}},"selected-shorts":{"id":"selected-shorts","title":"Selected Shorts","info":"Spellbinding short stories by established and emerging writers take on a new life when they are performed by stars of the stage and screen.","airtime":"SAT 8pm-9pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/selectedShorts.jpg","officialWebsiteLink":"https://www.pri.org/programs/selected-shorts","meta":{"site":"arts","source":"pri"},"link":"/radio/program/selected-shorts","subscribe":{"apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=253191824&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/Selected-Shorts-p31792/","rss":"https://feeds.megaphone.fm/selectedshorts"}},"snap-judgment":{"id":"snap-judgment","title":"Snap Judgment","info":"Snap Judgment (Storytelling, with a BEAT) mixes real stories with killer beats to produce cinematic, dramatic, kick-ass radio. Snap’s raw, musical brand of storytelling dares listeners to see the world through the eyes of another. WNYC studios is the producer of leading podcasts including Radiolab, Freakonomics Radio, Note To Self, Here’s The Thing With Alec Baldwin, and more.","airtime":"SAT 1pm-2pm, 9pm-10pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/snapJudgement.jpg","officialWebsiteLink":"https://snapjudgment.org","meta":{"site":"arts","source":"WNYC"},"link":"/radio/program/snap-judgment","subscribe":{"apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=283657561&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/Snap-Judgment-p243817/","rss":"https://feeds.feedburner.com/snapjudgment-wnyc"}},"soldout":{"id":"soldout","title":"SOLD OUT: Rethinking Housing in America","tagline":"A new future for housing","info":"Sold Out: Rethinking Housing in America","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2023/10/Final-Tile-Design.png","imageAlt":"KQED Sold Out: Rethinking Housing in America","officialWebsiteLink":"/podcasts/soldout","meta":{"site":"news","source":"kqed","order":3},"link":"/podcasts/soldout","subscribe":{"npr":"https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing","apple":"https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937","rss":"https://feeds.megaphone.fm/soldout","spotify":"https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X","stitcher":"https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america","tunein":"https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vc29sZG91dA"}},"ted-radio-hour":{"id":"ted-radio-hour","title":"TED Radio Hour","info":"The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.","airtime":"SUN 3pm-4pm, SAT 10pm-11pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg","officialWebsiteLink":"https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22","meta":{"site":"news","source":"npr"},"link":"/radio/program/ted-radio-hour","subscribe":{"npr":"https://rpb3r.app.goo.gl/8vsS","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/TED-Radio-Hour-p418021/","rss":"https://feeds.npr.org/510298/podcast.xml"}},"tech-nation":{"id":"tech-nation","title":"Tech Nation Radio Podcast","info":"Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.","airtime":"FRI 10pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/techNation.jpg","officialWebsiteLink":"http://technation.podomatic.com/","meta":{"site":"science","source":"Tech Nation Media"},"link":"/radio/program/tech-nation","subscribe":{"rss":"https://technation.podomatic.com/rss2.xml"}},"thebay":{"id":"thebay","title":"The Bay","tagline":"Local news to keep you rooted","info":"Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2022/02/1440_0002_TheBay_iTunesTile_01.jpg","imageAlt":"\"KQED The Bay","officialWebsiteLink":"/podcasts/thebay","meta":{"site":"radio","source":"kqed","order":"6"},"link":"/podcasts/thebay","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/the-bay/id1350043452","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM4MjU5Nzg2MzI3","npr":"https://www.npr.org/podcasts/586725995/the-bay","stitcher":"https://www.stitcher.com/podcast/kqed/the-bay","spotify":"https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ","rss":"https://feeds.megaphone.fm/KQINC8259786327"}},"californiareport":{"id":"californiareport","title":"The California Report","tagline":"California, day by day","info":"KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/sites/77/2020/12/TCR-scaled.jpg","imageAlt":"KQED The California Report","officialWebsiteLink":"/californiareport","meta":{"site":"news","source":"kqed","order":"9"},"link":"/californiareport","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1MDAyODE4NTgz","npr":"https://www.npr.org/podcasts/432285393/the-california-report","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838","rss":"https://ww2.kqed.org/news/tag/tcram/feed/podcast"}},"californiareportmagazine":{"id":"californiareportmagazine","title":"The California Report Magazine","tagline":"Your state, your stories","info":"Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.","airtime":"FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/sites/77/2020/12/TCRmag-scaled.jpg","officialWebsiteLink":"/californiareportmagazine","meta":{"site":"news","source":"kqed","order":"10"},"link":"/californiareportmagazine","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz","npr":"https://www.npr.org/podcasts/564733126/the-california-report-magazine","stitcher":"https://www.stitcher.com/podcast/kqed/the-california-report-magazine","rss":"https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"}},"theleap":{"id":"theleap","title":"The Leap","tagline":"What if you closed your eyes, and jumped?","info":"Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0000_TheLeap_iTunestile_01.jpg","imageAlt":"KQED The Leap","officialWebsiteLink":"/podcasts/theleap","meta":{"site":"news","source":"kqed","order":"14"},"link":"/podcasts/theleap","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/the-leap/id1046668171","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM0NTcwODQ2MjY2","npr":"https://www.npr.org/podcasts/447248267/the-leap","stitcher":"https://www.stitcher.com/podcast/kqed/the-leap","spotify":"https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U","rss":"https://ww2.kqed.org/news/programs/the-leap/feed/podcast"}},"masters-of-scale":{"id":"masters-of-scale","title":"Masters of Scale","info":"Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.","airtime":"Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2019/06/mastersofscale.jpeg","officialWebsiteLink":"https://mastersofscale.com/","meta":{"site":"radio","source":"WaitWhat"},"link":"/radio/program/masters-of-scale","subscribe":{"apple":"http://mastersofscale.app.link/","rss":"https://rss.art19.com/masters-of-scale"}},"the-moth-radio-hour":{"id":"the-moth-radio-hour","title":"The Moth Radio Hour","info":"Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.","airtime":"SAT 8pm-9pm and SUN 11am-12pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg","officialWebsiteLink":"https://themoth.org/","meta":{"site":"arts","source":"prx"},"link":"/radio/program/the-moth-radio-hour","subscribe":{"apple":"https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2","tuneIn":"https://tunein.com/radio/The-Moth-p273888/","rss":"http://feeds.themoth.org/themothpodcast"}},"the-new-yorker-radio-hour":{"id":"the-new-yorker-radio-hour","title":"The New Yorker Radio Hour","info":"The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.","airtime":"SAT 10am-11am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theNewYorker.png","officialWebsiteLink":"https://www.wnycstudios.org/shows/tnyradiohour","meta":{"site":"arts","source":"WNYC"},"link":"/radio/program/the-new-yorker-radio-hour","subscribe":{"apple":"https://itunes.apple.com/us/podcast/id1050430296","tuneIn":"https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/","rss":"https://feeds.feedburner.com/newyorkerradiohour"}},"the-takeaway":{"id":"the-takeaway","title":"The Takeaway","info":"The Takeaway is produced in partnership with its national audience. It delivers perspective and analysis to help us better understand the day’s news. Be a part of the American conversation on-air and online.","airtime":"MON-THU 12pm-1pm","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/TheTakeaway_1400.jpg","officialWebsiteLink":"https://www.wnycstudios.org/shows/takeaway","meta":{"site":"news","source":"WNYC"},"link":"/radio/program/the-takeaway","subscribe":{"apple":"https://itunes.apple.com/us/podcast/the-takeaway/id363143310?mt=2","tuneIn":"http://tunein.com/radio/The-Takeaway-p150731/","rss":"https://feeds.feedburner.com/takeawaypodcast"}},"this-american-life":{"id":"this-american-life","title":"This American Life","info":"This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.","airtime":"SAT 12pm-1pm, 7pm-8pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png","officialWebsiteLink":"https://www.thisamericanlife.org/","meta":{"site":"news","source":"wbez"},"link":"/radio/program/this-american-life","subscribe":{"apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory","rss":"https://www.thisamericanlife.org/podcast/rss.xml"}},"truthbetold":{"id":"truthbetold","title":"Truth Be Told","tagline":"Advice by and for people of color","info":"We’re the friend you call after a long day, the one who gets it. Through wisdom from some of the greatest thinkers of our time, host Tonya Mosley explores what it means to grow and thrive as a Black person in America, while discovering new ways of being that serve as a portal to more love, more healing, and more joy.","airtime":"","imageSrc":"https://ww2.kqed.org/app/uploads/sites/10/2020/08/TBT_2020tile_3000x3000-scaled.jpg","imageAlt":"KQED Truth Be Told with Tonya Mosley","officialWebsiteLink":"https://www.kqed.ord/podcasts/truthbetold","meta":{"site":"news","source":"npr","order":"12"},"link":"/podcasts/truthbetold","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/truth-be-told/id1462216572","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS90cnV0aC1iZS10b2xkLXBvZGNhc3QvZmVlZA","npr":"https://www.npr.org/podcasts/719210818/truth-be-told","stitcher":"https://www.stitcher.com/s?fid=398170&refid=stpr","spotify":"https://open.spotify.com/show/587DhwTBxke6uvfwDfaV5N"}},"wait-wait-dont-tell-me":{"id":"wait-wait-dont-tell-me","title":"Wait Wait... Don't Tell Me!","info":"Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.","airtime":"SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/waitWait.jpg","officialWebsiteLink":"https://www.npr.org/programs/wait-wait-dont-tell-me/","meta":{"site":"news","source":"npr"},"link":"/radio/program/wait-wait-dont-tell-me","subscribe":{"npr":"https://rpb3r.app.goo.gl/Xogv","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/","rss":"https://feeds.npr.org/344098539/podcast.xml"}},"washington-week":{"id":"washington-week","title":"Washington Week","info":"For 50 years, Washington Week has been the most intelligent and up to date conversation about the most important news stories of the week. Washington Week is the longest-running news and public affairs program on PBS and features journalists -- not pundits -- lending insight and perspective to the week's important news stories.","airtime":"SAT 1:30am-2am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/washington-week.jpg","officialWebsiteLink":"http://www.pbs.org/weta/washingtonweek/","meta":{"site":"news","source":"pbs"},"link":"/radio/program/washington-week","subscribe":{"apple":"https://itunes.apple.com/us/podcast/washington-week-audio-pbs/id83324702?mt=2","tuneIn":"https://tunein.com/podcasts/Current-Affairs/Washington-Week-p693/","rss":"http://feeds.pbs.org/pbs/weta/washingtonweek-audio"}},"weekend-edition-saturday":{"id":"weekend-edition-saturday","title":"Weekend Edition Saturday","info":"Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.","airtime":"SAT 5am-10am","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/WE_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/weekend-edition-saturday/","meta":{"site":"news","source":"npr"},"link":"/radio/program/weekend-edition-saturday"},"weekend-edition-sunday":{"id":"weekend-edition-sunday","title":"Weekend Edition Sunday","info":"Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.","airtime":"SUN 5am-10am","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/WE_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/weekend-edition-sunday/","meta":{"site":"news","source":"npr"},"link":"/radio/program/weekend-edition-sunday"},"world-affairs":{"id":"world-affairs","title":"World Affairs","info":"The world as we knew it is undergoing a rapid transformation…so what's next? Welcome to WorldAffairs, your guide to a changing world. We give you the context you need to navigate across borders and ideologies. Through sound-rich stories and in-depth interviews, we break down what it means to be a global citizen on a hot, crowded planet. Our hosts, Ray Suarez, Teresa Cotsirilos and Philip Yun help you make sense of an uncertain world, one story at a time.","airtime":"MON 10pm, TUE 1am, SAT 3am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/09/worldaffairs-podcastlogo2021-scaled.jpg","officialWebsiteLink":"https://www.worldaffairs.org/","meta":{"site":"news","source":"World Affairs"},"link":"/radio/program/world-affairs","subscribe":{"apple":"https://itunes.apple.com/us/podcast/world-affairs/id101215657?mt=2","tuneIn":"https://tunein.com/radio/WorldAffairs-p1665/","rss":"https://worldaffairs.libsyn.com/rss"}},"on-shifting-ground":{"id":"on-shifting-ground","title":"On Shifting Ground with Ray Suarez","info":"Geopolitical turmoil. A warming planet. Authoritarians on the rise. We live in a chaotic world that’s rapidly shifting around us. “On Shifting Ground with Ray Suarez” explores international fault lines and how they impact us all. Each week, NPR veteran Ray Suarez hosts conversations with journalists, leaders and policy experts to help us read between the headlines – and give us hope for human resilience.","airtime":"MON 10pm, TUE 1am, SAT 3am","imageSrc":"https://ww2.kqed.org/app/uploads/2022/12/onshiftingground-600x600-1.png","officialWebsiteLink":"https://worldaffairs.org/radio-podcast/","meta":{"site":"news","source":"On Shifting Ground"},"link":"/radio/program/on-shifting-ground","subscribe":{"apple":"https://podcasts.apple.com/ie/podcast/on-shifting-ground/id101215657","rss":"https://feeds.libsyn.com/36668/rss"}},"hidden-brain":{"id":"hidden-brain","title":"Hidden Brain","info":"Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg","officialWebsiteLink":"https://www.npr.org/series/423302056/hidden-brain","airtime":"SUN 7pm-8pm","meta":{"site":"news","source":"NPR"},"link":"/radio/program/hidden-brain","subscribe":{"apple":"https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2","tuneIn":"https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/","rss":"https://feeds.npr.org/510308/podcast.xml"}},"city-arts":{"id":"city-arts","title":"City Arts & Lectures","info":"A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg","officialWebsiteLink":"https://www.cityarts.net/","airtime":"SUN 1pm-2pm, TUE 10pm, WED 1am","meta":{"site":"news","source":"City Arts & Lectures"},"link":"https://www.cityarts.net","subscribe":{"tuneIn":"https://tunein.com/radio/City-Arts-and-Lectures-p692/","rss":"https://www.cityarts.net/feed/"}},"white-lies":{"id":"white-lies","title":"White Lies","info":"In 1965, Rev. James Reeb was murdered in Selma, Alabama. Three men were tried and acquitted, but no one was ever held to account. Fifty years later, two journalists from Alabama return to the city where it happened, expose the lies that kept the murder from being solved and uncover a story about guilt and memory that says as much about America today as it does about the past.","imageSrc":"https://media.npr.org/assets/img/2019/04/16/white-lies_final_sq-b1391789cfa7562bf3a4cd0c9cdae27fc4fa01b9.jpg?s=800","officialWebsiteLink":"https://www.npr.org/podcasts/510343/white-lies","meta":{"site":"news","source":"npr"},"link":"/radio/program/white-lies","subscribe":{"npr":"https://rpb3r.app.goo.gl/whitelies","apple":"https://podcasts.apple.com/podcast/id1462650519?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM0My9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/12yZ2j8vxqhc0QZyRES3ft?si=LfWYEK6URA63hueKVxRLAw","rss":"https://feeds.npr.org/510343/podcast.xml"}},"rightnowish":{"id":"rightnowish","title":"Rightnowish","tagline":"Art is where you find it","info":"Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2022/02/Rightnowish_tile2021.jpg","imageAlt":"KQED Rightnowish with Pendarvis Harshaw","officialWebsiteLink":"/podcasts/rightnowish","meta":{"site":"arts","source":"kqed","order":"5"},"link":"/podcasts/rightnowish","subscribe":{"npr":"https://www.npr.org/podcasts/721590300/rightnowish","rss":"https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast","apple":"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648","stitcher":"https://www.stitcher.com/podcast/kqed/rightnowish","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4","spotify":"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"}},"jerrybrown":{"id":"jerrybrown","title":"The Political Mind of Jerry Brown","tagline":"Lessons from a lifetime in politics","info":"The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ","imageSrc":"https://ww2.kqed.org/app/uploads/sites/10/powerpress/jerrybrownpodcast.jpg","imageAlt":"KQED The Political Mind of Jerry Brown","officialWebsiteLink":"/podcasts/jerrybrown","meta":{"site":"news","source":"kqed","order":"16"},"link":"/podcasts/jerrybrown","subscribe":{"npr":"https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown","apple":"https://itunes.apple.com/us/podcast/id1492194549","rss":"https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/","tuneIn":"http://tun.in/pjGcK","stitcher":"https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown","spotify":"https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9zZXJpZXMvamVycnlicm93bi9mZWVkL3BvZGNhc3Qv"}},"the-splendid-table":{"id":"the-splendid-table","title":"The Splendid Table","info":"\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/08/splendidtable-logo.jpeg","officialWebsiteLink":"https://www.splendidtable.org/","airtime":"SUN 10-11 pm","meta":{"site":"radio","source":"npr"},"link":"/radio/program/the-splendid-table"}},"racesReducer":{"5921":{"id":"5921","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 7","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":158422,"precinctsReportPercentage":98.97,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:48 PM","source":"AP","candidates":[{"candidateName":"Doris Matsui","candidateIncumbent":true,"candidateParty":"D","voteCount":89456,"isWinner":true},{"candidateName":"Tom Silva","candidateIncumbent":false,"candidateParty":"R","voteCount":48920,"isWinner":true},{"candidateName":"David Mandel","candidateIncumbent":false,"candidateParty":"D","voteCount":20046,"isWinner":false}],"winnerDateTime":"2024-03-09T01:00:38.194Z"},"5922":{"id":"5922","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 8","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":0,"uncontested":true,"precinctsReportPercentage":0,"eevp":0,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Rudy Recile","candidateIncumbent":false,"candidateParty":"R","voteCount":0,"isWinner":true},{"candidateName":"John Garamendi","candidateIncumbent":true,"candidateParty":"D","voteCount":0,"isWinner":true}],"winnerDateTime":"2024-03-06T04:00:30.000Z"},"5924":{"id":"5924","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 10","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":185034,"precinctsReportPercentage":99.07,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:48 PM","source":"AP","candidates":[{"candidateName":"Mark DeSaulnier","candidateIncumbent":true,"candidateParty":"D","voteCount":121265,"isWinner":true},{"candidateName":"Katherine Piccinini","candidateIncumbent":false,"candidateParty":"R","voteCount":34883,"isWinner":true},{"candidateName":"Nolan Chen","candidateIncumbent":false,"candidateParty":"R","voteCount":19459,"isWinner":false},{"candidateName":"Joe Sweeney","candidateIncumbent":false,"candidateParty":"NPP","voteCount":7606,"isWinner":false},{"candidateName":"Mohamed Elsherbini","candidateIncumbent":false,"candidateParty":"NPP","voteCount":1821,"isWinner":false}],"winnerDateTime":"2024-03-09T01:02:32.415Z"},"5926":{"id":"5926","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 12","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":153801,"precinctsReportPercentage":98.88,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 20, 2024","timeUpdated":"4:41 PM","source":"AP","candidates":[{"candidateName":"Lateefah Simon","candidateIncumbent":false,"candidateParty":"D","voteCount":85905,"isWinner":true},{"candidateName":"Jennifer Tran","candidateIncumbent":false,"candidateParty":"D","voteCount":22964,"isWinner":true},{"candidateName":"Tony Daysog","candidateIncumbent":false,"candidateParty":"D","voteCount":17197,"isWinner":false},{"candidateName":"Stephen Slauson","candidateIncumbent":false,"candidateParty":"R","voteCount":9699,"isWinner":false},{"candidateName":"Glenn Kaplan","candidateIncumbent":false,"candidateParty":"D","voteCount":6785,"isWinner":false},{"candidateName":"Eric Wilson","candidateIncumbent":false,"candidateParty":"D","voteCount":4243,"isWinner":false},{"candidateName":"Abdur Sikder","candidateIncumbent":false,"candidateParty":"D","voteCount":2847,"isWinner":false},{"candidateName":"Ned Nuerge","candidateIncumbent":false,"candidateParty":"R","voteCount":2532,"isWinner":false},{"candidateName":"Andre Todd","candidateIncumbent":false,"candidateParty":"D","voteCount":1629,"isWinner":false}],"winnerDateTime":"2024-03-16T00:22:36.062Z"},"5928":{"id":"5928","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 14","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":125831,"precinctsReportPercentage":99.14,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 20, 2024","timeUpdated":"4:41 PM","source":"AP","candidates":[{"candidateName":"Eric Swalwell","candidateIncumbent":true,"candidateParty":"D","voteCount":83989,"isWinner":true},{"candidateName":"Vin Kruttiventi","candidateIncumbent":false,"candidateParty":"R","voteCount":22106,"isWinner":true},{"candidateName":"Alison Hayden","candidateIncumbent":false,"candidateParty":"R","voteCount":11928,"isWinner":false},{"candidateName":"Luis Reynoso","candidateIncumbent":false,"candidateParty":"R","voteCount":7808,"isWinner":false}],"winnerDateTime":"2024-03-12T00:51:36.366Z"},"5930":{"id":"5930","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 16","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":181938,"precinctsReportPercentage":98.91,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Sam Liccardo","candidateIncumbent":false,"candidateParty":"D","voteCount":38455,"isWinner":true},{"candidateName":"Joe Simitian","candidateIncumbent":false,"candidateParty":"D","voteCount":30222,"isWinner":false},{"candidateName":"Evan Low","candidateIncumbent":false,"candidateParty":"D","voteCount":30218,"isWinner":false},{"candidateName":"Peter Ohtaki","candidateIncumbent":false,"candidateParty":"R","voteCount":23249,"isWinner":false},{"candidateName":"Peter Dixon","candidateIncumbent":false,"candidateParty":"D","voteCount":14656,"isWinner":false},{"candidateName":"Rishi Kumar","candidateIncumbent":false,"candidateParty":"D","voteCount":12355,"isWinner":false},{"candidateName":"Karl Ryan","candidateIncumbent":false,"candidateParty":"R","voteCount":11541,"isWinner":false},{"candidateName":"Julie Lythcott-Haims","candidateIncumbent":false,"candidateParty":"D","voteCount":11374,"isWinner":false},{"candidateName":"Ahmed Mostafa","candidateIncumbent":false,"candidateParty":"D","voteCount":5800,"isWinner":false},{"candidateName":"Greg Tanaka","candidateIncumbent":false,"candidateParty":"D","voteCount":2418,"isWinner":false},{"candidateName":"Joby Bernstein","candidateIncumbent":false,"candidateParty":"D","voteCount":1650,"isWinner":false}],"winnerDateTime":"2024-03-12T00:32:05.002Z"},"5931":{"id":"5931","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 17","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":117534,"precinctsReportPercentage":98.92,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Ro Khanna","candidateIncumbent":true,"candidateParty":"D","voteCount":73941,"isWinner":true},{"candidateName":"Anita Chen","candidateIncumbent":false,"candidateParty":"R","voteCount":31539,"isWinner":true},{"candidateName":"Ritesh Tandon","candidateIncumbent":false,"candidateParty":"D","voteCount":5728,"isWinner":false},{"candidateName":"Mario Ramirez","candidateIncumbent":false,"candidateParty":"D","voteCount":4491,"isWinner":false},{"candidateName":"Joe Dehn","candidateIncumbent":false,"candidateParty":"Lib","voteCount":1835,"isWinner":false}],"winnerDateTime":"2024-03-08T01:50:53.956Z"},"5932":{"id":"5932","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 18","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":96302,"precinctsReportPercentage":98.93,"eevp":98.83,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 25, 2024","timeUpdated":"5:47 AM","source":"AP","candidates":[{"candidateName":"Zoe Lofgren","candidateIncumbent":true,"candidateParty":"D","voteCount":49323,"isWinner":true},{"candidateName":"Peter Hernandez","candidateIncumbent":false,"candidateParty":"R","voteCount":31622,"isWinner":true},{"candidateName":"Charlene Nijmeh","candidateIncumbent":false,"candidateParty":"D","voteCount":10614,"isWinner":false},{"candidateName":"Lawrence Milan","candidateIncumbent":false,"candidateParty":"D","voteCount":2712,"isWinner":false},{"candidateName":"Luele Kifle","candidateIncumbent":false,"candidateParty":"D","voteCount":2031,"isWinner":false}],"winnerDateTime":"2024-03-12T00:26:02.706Z"},"5963":{"id":"5963","type":"apRace","location":"State of California","raceName":"State House, District 2","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":139085,"precinctsReportPercentage":98.62,"eevp":98.6,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Michael Greer","candidateIncumbent":false,"candidateParty":"R","voteCount":38079,"isWinner":true},{"candidateName":"Chris Rogers","candidateIncumbent":false,"candidateParty":"D","voteCount":27126,"isWinner":true},{"candidateName":"Rusty Hicks","candidateIncumbent":false,"candidateParty":"D","voteCount":25615,"isWinner":false},{"candidateName":"Ariel Kelley","candidateIncumbent":false,"candidateParty":"D","voteCount":19483,"isWinner":false},{"candidateName":"Frankie Myers","candidateIncumbent":false,"candidateParty":"D","voteCount":17694,"isWinner":false},{"candidateName":"Ted Williams","candidateIncumbent":false,"candidateParty":"D","voteCount":9550,"isWinner":false},{"candidateName":"Cynthia Click","candidateIncumbent":false,"candidateParty":"D","voteCount":1538,"isWinner":false}],"winnerDateTime":"2024-03-22T21:38:36.711Z"},"5972":{"id":"5972","type":"apRace","location":"State of California","raceName":"State House, District 11","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":99775,"precinctsReportPercentage":99,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:48 PM","source":"AP","candidates":[{"candidateName":"Lori Wilson","candidateIncumbent":true,"candidateParty":"D","voteCount":50085,"isWinner":true},{"candidateName":"Dave Ennis","candidateIncumbent":false,"candidateParty":"R","voteCount":26074,"isWinner":true},{"candidateName":"Wanda Wallis","candidateIncumbent":false,"candidateParty":"R","voteCount":14638,"isWinner":false},{"candidateName":"Jeffrey Flack","candidateIncumbent":false,"candidateParty":"D","voteCount":8978,"isWinner":false}],"winnerDateTime":"2024-03-08T02:01:24.524Z"},"5973":{"id":"5973","type":"apRace","location":"State of California","raceName":"State House, District 12","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":143532,"precinctsReportPercentage":99.19,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:38 PM","source":"AP","candidates":[{"candidateName":"Damon Connolly","candidateIncumbent":true,"candidateParty":"D","voteCount":111275,"isWinner":true},{"candidateName":"Andy Podshadley","candidateIncumbent":false,"candidateParty":"R","voteCount":17240,"isWinner":true},{"candidateName":"Eryn Cervantes","candidateIncumbent":false,"candidateParty":"R","voteCount":15017,"isWinner":false}],"winnerDateTime":"2024-03-21T00:25:32.262Z"},"5975":{"id":"5975","type":"apRace","location":"State of California","raceName":"State House, District 14","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":106997,"precinctsReportPercentage":99.06,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:48 PM","source":"AP","candidates":[{"candidateName":"Buffy Wicks","candidateIncumbent":true,"candidateParty":"D","voteCount":78678,"isWinner":true},{"candidateName":"Margot Smith","candidateIncumbent":false,"candidateParty":"D","voteCount":18251,"isWinner":true},{"candidateName":"Utkarsh Jain","candidateIncumbent":false,"candidateParty":"R","voteCount":10068,"isWinner":false}],"winnerDateTime":"2024-03-15T01:30:34.539Z"},"5976":{"id":"5976","type":"apRace","location":"State of California","raceName":"State House, District 15","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":97144,"precinctsReportPercentage":98.98,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:48 PM","source":"AP","candidates":[{"candidateName":"Sonia Ledo","candidateIncumbent":false,"candidateParty":"R","voteCount":30946,"isWinner":true},{"candidateName":"Anamarie Farias","candidateIncumbent":false,"candidateParty":"D","voteCount":29512,"isWinner":true},{"candidateName":"Monica Wilson","candidateIncumbent":false,"candidateParty":"D","voteCount":24775,"isWinner":false},{"candidateName":"Karen Mitchoff","candidateIncumbent":false,"candidateParty":"D","voteCount":11911,"isWinner":false}],"winnerDateTime":"2024-03-14T00:19:38.858Z"},"5977":{"id":"5977","type":"apRace","location":"State of California","raceName":"State House, District 16","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":0,"uncontested":true,"precinctsReportPercentage":0,"eevp":0,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Joseph Rubay","candidateIncumbent":false,"candidateParty":"R","voteCount":0,"isWinner":true},{"candidateName":"Rebecca Bauer-Kahan","candidateIncumbent":true,"candidateParty":"D","voteCount":0,"isWinner":true}],"winnerDateTime":"2024-03-06T04:00:30.000Z"},"5978":{"id":"5978","type":"apRace","location":"State of California","raceName":"State House, District 17","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":111003,"precinctsReportPercentage":98.99,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"8:25 AM","source":"AP","candidates":[{"candidateName":"Matt Haney","candidateIncumbent":true,"candidateParty":"D","voteCount":90915,"isWinner":true},{"candidateName":"Manuel Noris-Barrera","candidateIncumbent":false,"candidateParty":"R","voteCount":13843,"isWinner":true},{"candidateName":"Otto Duke","candidateIncumbent":false,"candidateParty":"D","voteCount":6245,"isWinner":false}],"winnerDateTime":"2024-03-12T00:36:19.697Z"},"5979":{"id":"5979","type":"apRace","location":"State of California","raceName":"State House, District 18","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":86008,"precinctsReportPercentage":99.1,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 20, 2024","timeUpdated":"4:41 PM","source":"AP","candidates":[{"candidateName":"Mia Bonta","candidateIncumbent":true,"candidateParty":"D","voteCount":73040,"isWinner":true},{"candidateName":"Andre Sandford","candidateIncumbent":false,"candidateParty":"AIP","voteCount":4575,"isWinner":false},{"candidateName":"Mindy Pechenuk","candidateIncumbent":false,"candidateParty":"R","voteCount":4389,"isWinner":false},{"candidateName":"Cheyenne Kenney","candidateIncumbent":false,"candidateParty":"R","voteCount":4004,"isWinner":false}],"winnerDateTime":"2024-03-06T08:03:23.729Z"},"5980":{"id":"5980","type":"apRace","location":"State of California","raceName":"State House, District 19","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":113959,"precinctsReportPercentage":98.8,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Catherine Stefani","candidateIncumbent":false,"candidateParty":"D","voteCount":64960,"isWinner":true},{"candidateName":"David Lee","candidateIncumbent":false,"candidateParty":"D","voteCount":33035,"isWinner":true},{"candidateName":"Nadia Flamenco","candidateIncumbent":false,"candidateParty":"R","voteCount":8335,"isWinner":false},{"candidateName":"Arjun Sodhani","candidateIncumbent":false,"candidateParty":"R","voteCount":7629,"isWinner":false}],"winnerDateTime":"2024-03-11T23:50:23.109Z"},"5981":{"id":"5981","type":"apRace","location":"State of California","raceName":"State House, District 20","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":0,"uncontested":true,"precinctsReportPercentage":0,"eevp":0,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 20, 2024","timeUpdated":"4:36 PM","source":"AP","candidates":[{"candidateName":"Liz Ortega","candidateIncumbent":true,"candidateParty":"D","voteCount":0,"isWinner":true}],"winnerDateTime":"2024-03-06T04:00:30.000Z"},"5982":{"id":"5982","type":"apRace","location":"State of California","raceName":"State House, District 21","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":0,"uncontested":true,"precinctsReportPercentage":0,"eevp":0,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Mark Gilham","candidateIncumbent":false,"candidateParty":"R","voteCount":0,"isWinner":true},{"candidateName":"Diane Papan","candidateIncumbent":true,"candidateParty":"D","voteCount":0,"isWinner":true}],"winnerDateTime":"2024-03-06T04:00:30.000Z"},"5984":{"id":"5984","type":"apRace","location":"State of California","raceName":"State House, District 23","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":116963,"precinctsReportPercentage":98.91,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Marc Berman","candidateIncumbent":true,"candidateParty":"D","voteCount":67106,"isWinner":true},{"candidateName":"Lydia Kou","candidateIncumbent":false,"candidateParty":"D","voteCount":23699,"isWinner":true},{"candidateName":"Gus Mattammal","candidateIncumbent":false,"candidateParty":"R","voteCount":13277,"isWinner":false},{"candidateName":"Allan Marson","candidateIncumbent":false,"candidateParty":"R","voteCount":12881,"isWinner":false}],"winnerDateTime":"2024-03-12T01:13:06.280Z"},"5987":{"id":"5987","type":"apRace","location":"State of California","raceName":"State House, District 26","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":72753,"precinctsReportPercentage":99.19,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Patrick Ahrens","candidateIncumbent":false,"candidateParty":"D","voteCount":25036,"isWinner":true},{"candidateName":"Tara Sreekrishnan","candidateIncumbent":false,"candidateParty":"D","voteCount":19600,"isWinner":true},{"candidateName":"Sophie Song","candidateIncumbent":false,"candidateParty":"R","voteCount":15954,"isWinner":false},{"candidateName":"Omar Din","candidateIncumbent":false,"candidateParty":"D","voteCount":8772,"isWinner":false},{"candidateName":"Bob Goodwyn","candidateIncumbent":false,"candidateParty":"Lib","voteCount":2170,"isWinner":false},{"candidateName":"Ashish Garg","candidateIncumbent":false,"candidateParty":"NPP","voteCount":1221,"isWinner":false}],"winnerDateTime":"2024-03-13T21:06:29.070Z"},"5989":{"id":"5989","type":"apRace","location":"State of California","raceName":"State House, District 28","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":0,"uncontested":true,"precinctsReportPercentage":0,"eevp":0,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"5:10 PM","source":"AP","candidates":[{"candidateName":"Gail Pellerin","candidateIncumbent":true,"candidateParty":"D","voteCount":0,"isWinner":true},{"candidateName":"Liz Lawler","candidateIncumbent":false,"candidateParty":"R","voteCount":0,"isWinner":true}],"winnerDateTime":"2024-03-06T04:00:30.000Z"},"6010":{"id":"6010","type":"apRace","location":"State of California","raceName":"State House, District 49","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":0,"uncontested":true,"precinctsReportPercentage":0,"eevp":0,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:36 PM","source":"AP","candidates":[{"candidateName":"Mike Fong","candidateIncumbent":true,"candidateParty":"D","voteCount":0,"isWinner":true},{"candidateName":"Long Liu","candidateIncumbent":false,"candidateParty":"R","voteCount":0,"isWinner":true}],"winnerDateTime":"2024-03-06T04:00:30.000Z"},"6018":{"id":"6018","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 2","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":229348,"precinctsReportPercentage":99.05,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:38 PM","source":"AP","candidates":[{"candidateName":"Jared Huffman","candidateIncumbent":true,"candidateParty":"D","voteCount":169005,"isWinner":true},{"candidateName":"Chris Coulombe","candidateIncumbent":false,"candidateParty":"R","voteCount":37372,"isWinner":true},{"candidateName":"Tief Gibbs","candidateIncumbent":false,"candidateParty":"R","voteCount":18437,"isWinner":false},{"candidateName":"Jolian Kangas","candidateIncumbent":false,"candidateParty":"NPP","voteCount":3166,"isWinner":false},{"candidateName":"Jason Brisendine","candidateIncumbent":false,"candidateParty":"NPP","voteCount":1368,"isWinner":false}],"winnerDateTime":"2024-03-12T00:46:10.103Z"},"6020":{"id":"6020","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 4","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":187640,"precinctsReportPercentage":96.32,"eevp":96.36,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Mike Thompson","candidateIncumbent":true,"candidateParty":"D","voteCount":118147,"isWinner":true},{"candidateName":"John Munn","candidateIncumbent":false,"candidateParty":"R","voteCount":56232,"isWinner":true},{"candidateName":"Andrew Engdahl","candidateIncumbent":false,"candidateParty":"D","voteCount":11202,"isWinner":false},{"candidateName":"Niket Patwardhan","candidateIncumbent":false,"candidateParty":"NPP","voteCount":2059,"isWinner":false}],"winnerDateTime":"2024-03-07T00:30:57.980Z"},"6025":{"id":"6025","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 9","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":121271,"precinctsReportPercentage":99.17,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"5:10 PM","source":"AP","candidates":[{"candidateName":"Josh Harder","candidateIncumbent":true,"candidateParty":"D","voteCount":60396,"isWinner":true},{"candidateName":"Kevin Lincoln","candidateIncumbent":false,"candidateParty":"R","voteCount":36346,"isWinner":true},{"candidateName":"John McBride","candidateIncumbent":false,"candidateParty":"R","voteCount":15525,"isWinner":false},{"candidateName":"Khalid Jafri","candidateIncumbent":false,"candidateParty":"R","voteCount":9004,"isWinner":false}],"winnerDateTime":"2024-03-12T00:49:44.113Z"},"6031":{"id":"6031","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 15","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":0,"uncontested":true,"precinctsReportPercentage":0,"eevp":0,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Anna Kramer","candidateIncumbent":false,"candidateParty":"R","voteCount":0,"isWinner":true},{"candidateName":"Kevin Mullin","candidateIncumbent":true,"candidateParty":"D","voteCount":0,"isWinner":true}],"winnerDateTime":"2024-03-06T04:00:30.000Z"},"6035":{"id":"6035","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 19","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":203670,"precinctsReportPercentage":99.11,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 25, 2024","timeUpdated":"5:47 AM","source":"AP","candidates":[{"candidateName":"Jimmy Panetta","candidateIncumbent":true,"candidateParty":"D","voteCount":132540,"isWinner":true},{"candidateName":"Jason Anderson","candidateIncumbent":false,"candidateParty":"R","voteCount":58120,"isWinner":true},{"candidateName":"Sean Dougherty","candidateIncumbent":false,"candidateParty":"Grn","voteCount":13010,"isWinner":false}],"winnerDateTime":"2024-03-07T00:23:46.779Z"},"6066":{"id":"6066","type":"apRace","location":"State of California","raceName":"State House, District 3","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":0,"uncontested":true,"precinctsReportPercentage":0,"eevp":0,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"5:10 PM","source":"AP","candidates":[{"candidateName":"Jamie Gallagher","candidateIncumbent":true,"candidateParty":"R","voteCount":0,"isWinner":true},{"candidateName":"Aaron Draper","candidateIncumbent":false,"candidateParty":"D","voteCount":0,"isWinner":true}],"winnerDateTime":"2024-03-06T04:00:30.000Z"},"6067":{"id":"6067","type":"apRace","location":"State of California","raceName":"State House, District 4","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":0,"uncontested":true,"precinctsReportPercentage":0,"eevp":0,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Cecilia Aguiar-Curry","candidateIncumbent":true,"candidateParty":"D","voteCount":0,"isWinner":true}],"winnerDateTime":"2024-03-06T04:00:30.000Z"},"6087":{"id":"6087","type":"apRace","location":"State of California","raceName":"State House, District 24","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":66643,"precinctsReportPercentage":99.19,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Alex Lee","candidateIncumbent":true,"candidateParty":"D","voteCount":45544,"isWinner":true},{"candidateName":"Bob Brunton","candidateIncumbent":false,"candidateParty":"R","voteCount":14951,"isWinner":true},{"candidateName":"Marti Souza","candidateIncumbent":false,"candidateParty":"R","voteCount":6148,"isWinner":false}],"winnerDateTime":"2024-03-14T23:23:49.770Z"},"6088":{"id":"6088","type":"apRace","location":"State of California","raceName":"State House, District 25","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":69560,"precinctsReportPercentage":99.31,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Ash Kalra","candidateIncumbent":true,"candidateParty":"D","voteCount":35821,"isWinner":true},{"candidateName":"Ted Stroll","candidateIncumbent":false,"candidateParty":"R","voteCount":18255,"isWinner":true},{"candidateName":"Lan Ngo","candidateIncumbent":false,"candidateParty":"D","voteCount":15484,"isWinner":false}],"winnerDateTime":"2024-03-14T02:40:57.200Z"},"6092":{"id":"6092","type":"apRace","location":"State of California","raceName":"State House, District 29","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":0,"uncontested":true,"precinctsReportPercentage":0,"eevp":0,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 25, 2024","timeUpdated":"5:47 AM","source":"AP","candidates":[{"candidateName":"Robert Rivas","candidateIncumbent":true,"candidateParty":"D","voteCount":0,"isWinner":true},{"candidateName":"J.W. Paine","candidateIncumbent":false,"candidateParty":"R","voteCount":0,"isWinner":true}],"winnerDateTime":"2024-03-06T04:00:30.000Z"},"6223":{"id":"6223","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 46","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":0,"uncontested":true,"precinctsReportPercentage":0,"eevp":0,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"5:16 PM","source":"AP","candidates":[{"candidateName":"Lou Correa","candidateIncumbent":true,"candidateParty":"D","voteCount":0,"isWinner":true},{"candidateName":"David Pan","candidateIncumbent":false,"candidateParty":"R","voteCount":0,"isWinner":true}],"winnerDateTime":"2024-03-06T04:00:30.000Z"},"6530":{"id":"6530","type":"apRace","location":"State of California","raceName":"State Senate, District 3","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":222193,"precinctsReportPercentage":98.99,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:48 PM","source":"AP","candidates":[{"candidateName":"Thom Bogue","candidateIncumbent":false,"candidateParty":"R","voteCount":61776,"isWinner":true},{"candidateName":"Christopher Cabaldon","candidateIncumbent":false,"candidateParty":"D","voteCount":59041,"isWinner":true},{"candidateName":"Rozzana Verder-Aliga","candidateIncumbent":false,"candidateParty":"D","voteCount":45546,"isWinner":false},{"candidateName":"Jackie Elward","candidateIncumbent":false,"candidateParty":"D","voteCount":41127,"isWinner":false},{"candidateName":"Jimih Jones","candidateIncumbent":false,"candidateParty":"R","voteCount":14703,"isWinner":false}],"winnerDateTime":"2024-03-15T01:24:31.539Z"},"6531":{"id":"6531","type":"apRace","location":"State of California","raceName":"State Senate, District 5","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":171623,"precinctsReportPercentage":99.09,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"5:10 PM","source":"AP","candidates":[{"candidateName":"Jim Shoemaker","candidateIncumbent":false,"candidateParty":"R","voteCount":74935,"isWinner":true},{"candidateName":"Jerry McNerney","candidateIncumbent":false,"candidateParty":"D","voteCount":57040,"isWinner":true},{"candidateName":"Carlos Villapudua","candidateIncumbent":false,"candidateParty":"D","voteCount":39648,"isWinner":false}],"winnerDateTime":"2024-03-13T20:07:46.382Z"},"6532":{"id":"6532","type":"apRace","location":"State of California","raceName":"State Senate, District 7","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":192446,"precinctsReportPercentage":98.72,"eevp":98.78,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:48 PM","source":"AP","candidates":[{"candidateName":"Jesse Arreguín","candidateIncumbent":false,"candidateParty":"D","voteCount":61837,"isWinner":true},{"candidateName":"Jovanka Beckles","candidateIncumbent":false,"candidateParty":"D","voteCount":34025,"isWinner":true},{"candidateName":"Dan Kalb","candidateIncumbent":false,"candidateParty":"D","voteCount":28842,"isWinner":false},{"candidateName":"Kathryn Lybarger","candidateIncumbent":false,"candidateParty":"D","voteCount":28041,"isWinner":false},{"candidateName":"Sandre Swanson","candidateIncumbent":false,"candidateParty":"D","voteCount":22862,"isWinner":false},{"candidateName":"Jeanne Solnordal","candidateIncumbent":false,"candidateParty":"R","voteCount":16839,"isWinner":false}],"winnerDateTime":"2024-03-16T00:58:11.533Z"},"6533":{"id":"6533","type":"apRace","location":"State of California","raceName":"State Senate, District 9","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":0,"uncontested":true,"precinctsReportPercentage":0,"eevp":0,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Tim Grayson","candidateIncumbent":false,"candidateParty":"D","voteCount":0,"isWinner":true},{"candidateName":"Marisol Rubio","candidateIncumbent":false,"candidateParty":"D","voteCount":0,"isWinner":true}],"winnerDateTime":"2024-03-06T04:00:30.000Z"},"6534":{"id":"6534","type":"apRace","location":"State of California","raceName":"State Senate, District 11","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":228260,"precinctsReportPercentage":99.09,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Scott Wiener","candidateIncumbent":true,"candidateParty":"D","voteCount":166592,"isWinner":true},{"candidateName":"Yvette Corkrean","candidateIncumbent":false,"candidateParty":"R","voteCount":34438,"isWinner":true},{"candidateName":"Cynthia Cravens","candidateIncumbent":false,"candidateParty":"D","voteCount":18513,"isWinner":false},{"candidateName":"Jing Xiong","candidateIncumbent":false,"candidateParty":"NPP","voteCount":8717,"isWinner":false}],"winnerDateTime":"2024-03-12T02:01:51.597Z"},"6535":{"id":"6535","type":"apRace","location":"State of California","raceName":"State Senate, District 13","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":227191,"precinctsReportPercentage":98.88,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Josh Becker","candidateIncumbent":true,"candidateParty":"D","voteCount":167127,"isWinner":true},{"candidateName":"Alexander Glew","candidateIncumbent":false,"candidateParty":"R","voteCount":42788,"isWinner":true},{"candidateName":"Christina Laskowski","candidateIncumbent":false,"candidateParty":"R","voteCount":17276,"isWinner":false}],"winnerDateTime":"2024-03-12T01:56:24.964Z"},"6536":{"id":"6536","type":"apRace","location":"State of California","raceName":"State Senate, District 15","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":180231,"precinctsReportPercentage":98.81,"eevp":98.95,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"4:20 PM","source":"AP","candidates":[{"candidateName":"Dave Cortese","candidateIncumbent":true,"candidateParty":"D","voteCount":124440,"isWinner":true},{"candidateName":"Robert Howell","candidateIncumbent":false,"candidateParty":"R","voteCount":34173,"isWinner":true},{"candidateName":"Tony Loaiza","candidateIncumbent":false,"candidateParty":"R","voteCount":21618,"isWinner":false}],"winnerDateTime":"2024-03-13T01:15:45.365Z"},"6548":{"id":"6548","type":"apRace","location":"State of California","raceName":"State Senate, District 39","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":0,"uncontested":true,"precinctsReportPercentage":0,"eevp":0,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 20, 2024","timeUpdated":"4:55 PM","source":"AP","candidates":[{"candidateName":"Akilah Weber","candidateIncumbent":false,"candidateParty":"D","voteCount":0,"isWinner":true},{"candidateName":"Bob Divine","candidateIncumbent":false,"candidateParty":"R","voteCount":0,"isWinner":true}],"winnerDateTime":"2024-03-06T04:00:30.000Z"},"6611":{"id":"6611","type":"apRace","location":"State of California","raceName":"U.S. House of Representatives, District 11","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":188732,"precinctsReportPercentage":98.89,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 22, 2024","timeUpdated":"8:25 AM","source":"AP","candidates":[{"candidateName":"Nancy Pelosi","candidateIncumbent":true,"candidateParty":"D","voteCount":138285,"isWinner":true},{"candidateName":"Bruce Lou","candidateIncumbent":false,"candidateParty":"R","voteCount":16285,"isWinner":true},{"candidateName":"Marjorie Mikels","candidateIncumbent":false,"candidateParty":"D","voteCount":9363,"isWinner":false},{"candidateName":"Bianca Von Krieg","candidateIncumbent":false,"candidateParty":"D","voteCount":7634,"isWinner":false},{"candidateName":"Jason Zeng","candidateIncumbent":false,"candidateParty":"R","voteCount":6607,"isWinner":false},{"candidateName":"Jason Boyce","candidateIncumbent":false,"candidateParty":"D","voteCount":4325,"isWinner":false},{"candidateName":"Larry Nichelson","candidateIncumbent":false,"candidateParty":"R","voteCount":3482,"isWinner":false},{"candidateName":"Eve Del Castello","candidateIncumbent":false,"candidateParty":"R","voteCount":2751,"isWinner":false}],"winnerDateTime":"2024-03-12T00:31:55.445Z"},"8589":{"id":"8589","type":"apRace","location":"State of California","raceName":"U.S. Senate, Class I","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":7276537,"precinctsReportPercentage":99,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 25, 2024","timeUpdated":"5:47 AM","source":"AP","candidates":[{"candidateName":"Adam Schiff","candidateIncumbent":false,"candidateParty":"D","voteCount":2299507,"isWinner":true},{"candidateName":"Steve Garvey","candidateIncumbent":false,"candidateParty":"R","voteCount":2292414,"isWinner":true},{"candidateName":"Katie Porter","candidateIncumbent":false,"candidateParty":"D","voteCount":1115606,"isWinner":false},{"candidateName":"Barbara Lee","candidateIncumbent":false,"candidateParty":"D","voteCount":714408,"isWinner":false},{"candidateName":"Eric Early","candidateIncumbent":false,"candidateParty":"R","voteCount":240723,"isWinner":false},{"candidateName":"James Bradley","candidateIncumbent":false,"candidateParty":"R","voteCount":98180,"isWinner":false},{"candidateName":"Christina Pascucci","candidateIncumbent":false,"candidateParty":"D","voteCount":61755,"isWinner":false},{"candidateName":"Sharleta Bassett","candidateIncumbent":false,"candidateParty":"R","voteCount":54422,"isWinner":false},{"candidateName":"Sarah Liew","candidateIncumbent":false,"candidateParty":"R","voteCount":38483,"isWinner":false},{"candidateName":"Laura Garza ","candidateIncumbent":false,"candidateParty":"NPP","voteCount":34320,"isWinner":false},{"candidateName":"Jonathan Reiss","candidateIncumbent":false,"candidateParty":"R","voteCount":34283,"isWinner":false},{"candidateName":"Sepi Gilani","candidateIncumbent":false,"candidateParty":"D","voteCount":34056,"isWinner":false},{"candidateName":"Gail Lightfoot","candidateIncumbent":false,"candidateParty":"Lib","voteCount":33046,"isWinner":false},{"candidateName":"Denice Gary-Pandol","candidateIncumbent":false,"candidateParty":"R","voteCount":25494,"isWinner":false},{"candidateName":"James Macauley","candidateIncumbent":false,"candidateParty":"R","voteCount":23168,"isWinner":false},{"candidateName":"Harmesh Kumar","candidateIncumbent":false,"candidateParty":"D","voteCount":21522,"isWinner":false},{"candidateName":"David Peterson","candidateIncumbent":false,"candidateParty":"D","voteCount":21076,"isWinner":false},{"candidateName":"Douglas Pierce","candidateIncumbent":false,"candidateParty":"D","voteCount":19371,"isWinner":false},{"candidateName":"Major Singh","candidateIncumbent":false,"candidateParty":"NPP","voteCount":16965,"isWinner":false},{"candidateName":"John Rose","candidateIncumbent":false,"candidateParty":"D","voteCount":14577,"isWinner":false},{"candidateName":"Perry Pound","candidateIncumbent":false,"candidateParty":"D","voteCount":14134,"isWinner":false},{"candidateName":"Raji Rab","candidateIncumbent":false,"candidateParty":"D","voteCount":13558,"isWinner":false},{"candidateName":"Mark Ruzon","candidateIncumbent":false,"candidateParty":"NPP","voteCount":13429,"isWinner":false},{"candidateName":"Forrest Jones","candidateIncumbent":false,"candidateParty":"AIP","voteCount":13027,"isWinner":false},{"candidateName":"Stefan Simchowitz","candidateIncumbent":false,"candidateParty":"R","voteCount":12717,"isWinner":false},{"candidateName":"Martin Veprauskas","candidateIncumbent":false,"candidateParty":"R","voteCount":9714,"isWinner":false},{"candidateName":"Don Grundmann","candidateIncumbent":false,"candidateParty":"NPP","voteCount":6582,"isWinner":false}],"winnerDateTime":"2024-03-06T05:01:46.589Z"},"8686":{"id":"8686","type":"apRace","location":"State of California","raceName":"President,","raceDescription":"Top candidate wins seat.","raceType":"top1","totalVotes":3589127,"precinctsReportPercentage":99,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 25, 2024","timeUpdated":"5:48 AM","source":"AP","candidates":[{"candidateName":"Joe Biden","candidateIncumbent":true,"candidateParty":"D","voteCount":3200188,"isWinner":true},{"candidateName":"Marianne Williamson","candidateIncumbent":false,"candidateParty":"D","voteCount":145690,"isWinner":false},{"candidateName":"Dean Phillips","candidateIncumbent":false,"candidateParty":"D","voteCount":99981,"isWinner":false},{"candidateName":"Armando Perez-Serrato","candidateIncumbent":false,"candidateParty":"D","voteCount":42925,"isWinner":false},{"candidateName":"Gabriel Cornejo","candidateIncumbent":false,"candidateParty":"D","voteCount":41261,"isWinner":false},{"candidateName":"President Boddie","candidateIncumbent":false,"candidateParty":"D","voteCount":25373,"isWinner":false},{"candidateName":"Stephen Lyons","candidateIncumbent":false,"candidateParty":"D","voteCount":21008,"isWinner":false},{"candidateName":"Eban Cambridge","candidateIncumbent":false,"candidateParty":"D","voteCount":12701,"isWinner":false}],"winnerDateTime":"2024-03-06T04:12:27.559Z"},"8688":{"id":"8688","type":"apRace","location":"State of California","raceName":"President,","raceDescription":"Top candidate wins seat.","raceType":"top1","totalVotes":2466569,"precinctsReportPercentage":99,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 25, 2024","timeUpdated":"5:47 AM","source":"AP","candidates":[{"candidateName":"Donald Trump","candidateIncumbent":false,"candidateParty":"R","voteCount":1953947,"isWinner":true},{"candidateName":"Nikki Haley","candidateIncumbent":false,"candidateParty":"R","voteCount":430792,"isWinner":false},{"candidateName":"Ron DeSantis","candidateIncumbent":false,"candidateParty":"R","voteCount":35581,"isWinner":false},{"candidateName":"Chris Christie","candidateIncumbent":false,"candidateParty":"R","voteCount":20164,"isWinner":false},{"candidateName":"Vivek Ramaswamy","candidateIncumbent":false,"candidateParty":"R","voteCount":11069,"isWinner":false},{"candidateName":"Rachel Swift","candidateIncumbent":false,"candidateParty":"R","voteCount":4231,"isWinner":false},{"candidateName":"David Stuckenberg","candidateIncumbent":false,"candidateParty":"R","voteCount":3895,"isWinner":false},{"candidateName":"Ryan Binkley","candidateIncumbent":false,"candidateParty":"R","voteCount":3563,"isWinner":false},{"candidateName":"Asa Hutchinson","candidateIncumbent":false,"candidateParty":"R","voteCount":3327,"isWinner":false}],"winnerDateTime":"2024-03-06T04:13:19.766Z"},"81993":{"id":"81993","type":"apRace","location":"State of California","raceName":"U.S. Senate, Class I Unexpired Term","raceDescription":"Top candidate wins seat.","raceType":"top2","totalVotes":7358837,"precinctsReportPercentage":99,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 25, 2024","timeUpdated":"5:47 AM","source":"AP","candidates":[{"candidateName":"Steve Garvey","candidateIncumbent":false,"candidateParty":"R","voteCount":2444940,"isWinner":true},{"candidateName":"Adam Schiff","candidateIncumbent":false,"candidateParty":"D","voteCount":2155146,"isWinner":true},{"candidateName":"Katie Porter","candidateIncumbent":false,"candidateParty":"D","voteCount":1269194,"isWinner":false},{"candidateName":"Barbara Lee","candidateIncumbent":false,"candidateParty":"D","voteCount":863278,"isWinner":false},{"candidateName":"Eric Early","candidateIncumbent":false,"candidateParty":"R","voteCount":448788,"isWinner":false},{"candidateName":"Christina Pascucci","candidateIncumbent":false,"candidateParty":"D","voteCount":109421,"isWinner":false},{"candidateName":"Sepi Gilani","candidateIncumbent":false,"candidateParty":"D","voteCount":68070,"isWinner":false}],"winnerDateTime":"2024-03-06T04:31:08.186Z"},"82014":{"id":"82014","type":"apRace","location":"State of California","raceName":"Proposition, 1 - Behavioral Health Services Program","raceDescription":"Top candidate wins seat.","raceType":"top1","totalVotes":7221972,"precinctsReportPercentage":99,"eevp":99,"tabulationStatus":"Tabulation Paused","dateUpdated":"March 25, 2024","timeUpdated":"5:47 AM","source":"AP","candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":null,"voteCount":3624998,"isWinner":true},{"candidateName":"No","candidateIncumbent":false,"candidateParty":null,"voteCount":3596974,"isWinner":false}],"winnerDateTime":"2024-03-21T00:11:06.265Z"},"timeLoaded":"March 28, 2024 1:50 AM","nationalRacesLoaded":true,"localRacesLoaded":true,"overrides":[{"id":"5921","raceName":"U.S. House of Representatives, District 7","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5922","raceName":"U.S. House of Representatives, District 8","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5924","raceName":"U.S. House of Representatives, District 10","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5926","raceName":"U.S. House of Representatives, District 12","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":"https://www.kqed.org/elections/results/alameda/congress-12th-district"},{"id":"5928","raceName":"U.S. House of Representatives, District 14","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5930","raceName":"U.S. House of Representatives, District 16","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":"https://www.kqed.org/elections/results/california/congress-16th-district"},{"id":"5931","raceName":"U.S. House of Representatives, District 17","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5932","raceName":"U.S. House of Representatives, District 18","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5963","raceName":"State Assembly, District 2","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5972","raceName":"State Assembly, District 11","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5973","raceName":"State Assembly, District 12","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5975","raceName":"State Assembly, District 14","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5976","raceName":"State Assembly, District 15","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":"https://www.kqed.org/elections/results/contracosta/state-assembly"},{"id":"5977","raceName":"State Assembly, District 16","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5978","raceName":"State Assembly, District 17","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5979","raceName":"State Assembly, District 18","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5980","raceName":"State Assembly, District 19","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5981","raceName":"State Assembly, District 20","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5982","raceName":"State Assembly, District 21","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"5984","raceName":"State Assembly, District 23","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":"https://www.kqed.org/elections/results/california/state-assembly-23rd-district"},{"id":"5987","raceName":"State Assembly, District 26","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":"https://www.kqed.org/elections/results/santaclara/state-assembly-26th-district"},{"id":"5989","raceName":"State Assembly, District 28","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6010","raceName":"State Assembly, District 4","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6018","raceName":"U.S. House of Representatives, District 2","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6020","raceName":"U.S. House of Representatives, District 4","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6025","raceName":"U.S. House of Representatives, District 9","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6031","raceName":"U.S. House of Representatives, District 15","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6035","raceName":"U.S. House of Representatives, District 19","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6067","raceName":"State Assembly, District 4","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6087","raceName":"State Assembly, District 24","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6088","raceName":"State Assembly, District 25","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6092","raceName":"State Assembly, District 29","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6223","raceName":"U.S. House of Representatives, District 4","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6530","raceName":"State Senate, District 3","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":"https://www.kqed.org/elections/results/california/state-senate-3rd-district"},{"id":"6531","raceName":"State Senate, District 5","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6532","raceName":"State Senate, District 7","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":"https://www.kqed.org/elections/results/california/state-senate-7th-district"},{"id":"6533","raceName":"State Senate, District 9","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6534","raceName":"State Senate, District 11","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6535","raceName":"State Senate, District 13","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6536","raceName":"State Senate, District 15","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"6611","raceName":"U.S. House of Representatives, District 11","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":""},{"id":"8589","raceName":"U.S. Senate (Full Term)","raceDescription":"Top two candidates advance to general election.","raceReadTheStory":"https://www.kqed.org/elections/results/california/senator"},{"id":"8686","raceName":"California Democratic Presidential Primary","raceDescription":"Candidates are competing for 496 delegates.","raceReadTheStory":"https://www.kqed.org/elections/results/president/democrat"},{"id":"8688","raceName":"California Republican Presidential Primary","raceDescription":"Candidates are competing for 169 delegates.","raceReadTheStory":"https://kqed.org/elections/results/president/republican"},{"id":"81993","raceName":"U.S. Senate (Partial/Unexpired Term)","raceDescription":"Top two candidates advance to general election."},{"id":"82014","raceName":"Proposition 1","raceDescription":"Bond and mental health reforms. Passes with majority vote.","raceReadTheStory":"https://www.kqed.org/elections/results/california/proposition-1"}],"AlamedaJudge5":{"id":"AlamedaJudge5","type":"localRace","location":"Alameda","raceName":"Superior Court Judge, Office 5","raceDescription":"Top candidate wins seat.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":200323,"candidates":[{"candidateName":"Terry Wiley","candidateIncumbent":true,"candidateParty":"","voteCount":200323}]},"AlamedaJudge12":{"id":"AlamedaJudge12","type":"localRace","location":"Alameda","raceName":"Superior Court Judge, Office 12","raceDescription":"Top candidate wins seat.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":240510,"candidates":[{"candidateName":"Mark Fickes","candidateIncumbent":false,"candidateParty":"","voteCount":132830},{"candidateName":"Michael P. Johnson","candidateIncumbent":false,"candidateParty":"","voteCount":107680}]},"AlamedaBoard2":{"id":"AlamedaBoard2","type":"localRace","location":"Alameda","raceName":"Board of Education, Trustee Area 2","raceDescription":"Top candidate wins seat.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":33526,"candidates":[{"candidateName":"John Lewis","candidateIncumbent":false,"candidateParty":"","voteCount":6928},{"candidateName":"Angela Normand","candidateIncumbent":true,"candidateParty":"","voteCount":26598}]},"AlamedaBoard5":{"id":"AlamedaBoard5","type":"localRace","location":"Alameda","raceName":"Board of Education, Trustee Area 5","raceDescription":"Top candidate wins seat.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":26032,"candidates":[{"candidateName":"Guadalupe \"Lupe\" Angulo","candidateIncumbent":false,"candidateParty":"","voteCount":7508},{"candidateName":"Janevette Cole","candidateIncumbent":true,"candidateParty":"","voteCount":13313},{"candidateName":"Joe Orlando Ramos","candidateIncumbent":false,"candidateParty":"","voteCount":5211}]},"AlamedaBoard6":{"id":"AlamedaBoard6","type":"localRace","location":"Alameda","raceName":"Board of Education, Trustee Area 6","raceDescription":"Top candidate wins seat.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":30807,"candidates":[{"candidateName":"John Guerrero","candidateIncumbent":false,"candidateParty":"","voteCount":9964},{"candidateName":"Eileen McDonald","candidateIncumbent":true,"candidateParty":"","voteCount":20843}]},"AlamedaSup1":{"id":"AlamedaSup1","type":"localRace","location":"Alameda","raceName":"Board of Supervisors, District 1","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":40987,"candidates":[{"candidateName":"David Haubert","candidateIncumbent":true,"candidateParty":"","voteCount":40987}]},"AlamedaSup2":{"id":"AlamedaSup2","type":"localRace","location":"Alameda","raceName":"Board of Supervisors, District 2","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top2","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":30978,"candidates":[{"candidateName":"Elisa Márquez","candidateIncumbent":true,"candidateParty":"","voteCount":30978}]},"AlamedaSup4":{"id":"AlamedaSup4","type":"localRace","location":"Alameda","raceName":"Board of Supervisors, District 4","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"https://www.kqed.org/elections/results/alameda/supervisor-4th-district","raceType":"top2","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":56948,"candidates":[{"candidateName":"Jennifer Esteen","candidateIncumbent":false,"candidateParty":"","voteCount":22371},{"candidateName":"Nate Miley","candidateIncumbent":true,"candidateParty":"","voteCount":34577}]},"AlamedaSup5":{"id":"AlamedaSup5","type":"localRace","location":"Alameda","raceName":"Board of Supervisors, District 5","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"https://www.kqed.org/elections/results/alameda/supervisor-5th-district","raceType":"top2","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":80942,"candidates":[{"candidateName":"Ben Bartlett","candidateIncumbent":false,"candidateParty":"","voteCount":13499},{"candidateName":"Nikki Fortunato Bas","candidateIncumbent":false,"candidateParty":"","voteCount":27555},{"candidateName":"John J. Bauters","candidateIncumbent":false,"candidateParty":"","voteCount":16763},{"candidateName":"Ken Berrick","candidateIncumbent":false,"candidateParty":"","voteCount":7508},{"candidateName":"Omar Farmer","candidateIncumbent":false,"candidateParty":"","voteCount":1238},{"candidateName":"Gregory Hodge","candidateIncumbent":false,"candidateParty":"","voteCount":3417},{"candidateName":"Chris Moore","candidateIncumbent":false,"candidateParty":"","voteCount":7412},{"candidateName":"Gerald Pechenuk","candidateIncumbent":false,"candidateParty":"","voteCount":305},{"candidateName":"Lorrel Plimier","candidateIncumbent":false,"candidateParty":"","voteCount":3245}]},"AlamedaBoard7":{"id":"AlamedaBoard7","type":"localRace","location":"Alameda","raceName":"Flood Control & Water Conservation District Director, Zone 7, Full Term","raceDescription":"Top three candidates win seat.","raceReadTheStory":"","raceType":"top3","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":134216,"candidates":[{"candidateName":"Alan Burnham","candidateIncumbent":false,"candidateParty":"","voteCount":15710},{"candidateName":"Sandy Figuers","candidateIncumbent":false,"candidateParty":"","voteCount":22435},{"candidateName":"Laurene K. Green","candidateIncumbent":false,"candidateParty":"","voteCount":30310},{"candidateName":"Kathy Narum","candidateIncumbent":true,"candidateParty":"","voteCount":23815},{"candidateName":"Seema Badar","candidateIncumbent":false,"candidateParty":"","voteCount":7456},{"candidateName":"Catherine Brown","candidateIncumbent":false,"candidateParty":"","voteCount":34490}]},"AlamedaAuditor":{"id":"AlamedaAuditor","type":"localRace","location":"Alameda","raceName":"Oakland Auditor","raceDescription":"Top candidate wins seat.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":59132,"candidates":[{"candidateName":"Michael Houston","candidateIncumbent":true,"candidateParty":"","voteCount":59132}]},"AlamedaMeasureA":{"id":"AlamedaMeasureA","type":"localRace","location":"Alameda","raceName":"Measure A","raceDescription":"Alameda County. Civil service. Passes with majority vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":281953,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":167675},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":114278}]},"AlamedaMeasureB":{"id":"AlamedaMeasureB","type":"localRace","location":"Alameda","raceName":"Measure B","raceDescription":"Alameda County. Recall rules. Passes with majority vote.","raceReadTheStory":"https://www.kqed.org/elections/results/alameda/measure-b","raceType":"yesNo","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":282299,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":181965},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":100334}]},"AlamedaMeasureD":{"id":"AlamedaMeasureD","type":"localRace","location":"Alameda","raceName":"Measure D","raceDescription":"Oakland. Appropriations limit. Passes with majority vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":79681,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":59767},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":19914}]},"AlamedaMeasureE":{"id":"AlamedaMeasureE","type":"localRace","location":"Alameda","raceName":"Measure E","raceDescription":"Alameda Unified School District. Parcel tax. Passes with 2/3 vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":22648,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":17246},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":5402}]},"AlamedaMeasureF":{"id":"AlamedaMeasureF","type":"localRace","location":"Alameda","raceName":"Measure F","raceDescription":"Piedmont. Parcel tax. Passes with 2/3 vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":4848,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":3670},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":1178}]},"AlamedaMeasureG":{"id":"AlamedaMeasureG","type":"localRace","location":"Alameda","raceName":"Measure G","raceDescription":"Albany Unified School District. Parcel tax. Passes with 2/3 vote. ","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":5886,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":4640},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":1246}]},"AlamedaMeasureH":{"id":"AlamedaMeasureH","type":"localRace","location":"Alameda","raceName":"Measure H","raceDescription":"Berkeley Unified School District. Parcel tax. Passes with 2/3 vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":33290,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":29379},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":3911}]},"AlamedaMeasureI":{"id":"AlamedaMeasureI","type":"localRace","location":"Alameda","raceName":"Measure I","raceDescription":"Hayward Unified School District. School bond. Passes with 55% vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":21895,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":14122},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":7773}]},"AlamedaMeasureJ":{"id":"AlamedaMeasureJ","type":"localRace","location":"Alameda","raceName":"Measure J","raceDescription":"San Leandro Unified School District. School bond. Passes with 55% vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:04 PM","dateUpdated":"March 20, 2024","totalVotes":12321,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":7773},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":4548}]},"CCD2":{"id":"CCD2","type":"localRace","location":"Contra Costa","raceName":"Board of Supervisors, District 2","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:47 PM","dateUpdated":"March 22, 2024","totalVotes":45753,"candidates":[{"candidateName":"Candace Andersen","candidateIncumbent":true,"candidateParty":"","voteCount":45753}]},"CCD3":{"id":"CCD3","type":"localRace","location":"Contra Costa","raceName":"Board of Supervisors, District 3","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"6:47 PM","dateUpdated":"March 22, 2024","totalVotes":25114,"candidates":[{"candidateName":"Diane Burgis","candidateIncumbent":true,"candidateParty":"","voteCount":25114}]},"CCD5":{"id":"CCD5","type":"localRace","location":"Contra Costa","raceName":"Board of Supervisors, District 5","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"https://www.kqed.org/elections/results/contracosta/supervisor-5th-district","raceType":"top2","timeUpdated":"6:47 PM","dateUpdated":"March 22, 2024","totalVotes":37018,"candidates":[{"candidateName":"Mike Barbanica","candidateIncumbent":false,"candidateParty":"","voteCount":14330},{"candidateName":"Jelani Killings","candidateIncumbent":false,"candidateParty":"","voteCount":5674},{"candidateName":"Shanelle Scales-Preston","candidateIncumbent":false,"candidateParty":"","voteCount":12986},{"candidateName":"Iztaccuauhtli Hector Gonzalez","candidateIncumbent":false,"candidateParty":"","voteCount":4028}]},"CCMeasureA":{"id":"CCMeasureA","type":"localRace","location":"Contra Costa","raceName":"Measure A","raceDescription":"Martinez. Appoint City Clerk. Passes with a majority vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:47 PM","dateUpdated":"March 22, 2024","totalVotes":11509,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":7552},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":3957}]},"CCMeasureB":{"id":"CCMeasureB","type":"localRace","location":"Contra Costa","raceName":"Measure B","raceDescription":"Antioch Unified School District. School bond. Passes with 55% vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:47 PM","dateUpdated":"March 22, 2024","totalVotes":17961,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":10394},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":7567}]},"CCMeasureC":{"id":"CCMeasureC","type":"localRace","location":"Contra Costa","raceName":"Measure C","raceDescription":"Martinez Unified School District. Parcel tax. Passes with 2/3 vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:47 PM","dateUpdated":"March 22, 2024","totalVotes":9225,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":6914},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":2311}]},"CCMeasureD":{"id":"CCMeasureD","type":"localRace","location":"Contra Costa","raceName":"Measure D","raceDescription":"Moraga School District. School bond. Passes with 55% vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:47 PM","dateUpdated":"March 22, 2024","totalVotes":6006,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":4051},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":1955}]},"MarinD2":{"id":"MarinD2","type":"localRace","location":"Marin","raceName":"Board of Supervisors, District 2","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"https://www.kqed.org/elections/results/marin/supervisor-2nd-district","raceType":"top2","timeUpdated":"6:54 PM","dateUpdated":"March 27, 2024","totalVotes":18466,"candidates":[{"candidateName":"Brian Colbert","candidateIncumbent":false,"candidateParty":"","voteCount":7971},{"candidateName":"Heather McPhail Sridharan","candidateIncumbent":false,"candidateParty":"","voteCount":4851},{"candidateName":"Ryan O'Neil","candidateIncumbent":false,"candidateParty":"","voteCount":2647},{"candidateName":"Gabe Paulson","candidateIncumbent":false,"candidateParty":"","voteCount":2997}]},"MarinD3":{"id":"MarinD3","type":"localRace","location":"Marin","raceName":"Board of Supervisors, District 3","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"6:54 PM","dateUpdated":"March 27, 2024","totalVotes":13274,"candidates":[{"candidateName":"Stephanie Moulton-Peters","candidateIncumbent":true,"candidateParty":"","voteCount":13274}]},"MarinD4":{"id":"MarinD4","type":"localRace","location":"Marin","raceName":"Board of Supervisors, District 4","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"6:54 PM","dateUpdated":"March 27, 2024","totalVotes":12986,"candidates":[{"candidateName":"Dennis Rodoni","candidateIncumbent":true,"candidateParty":"","voteCount":10086},{"candidateName":"Francis Drouillard","candidateIncumbent":false,"candidateParty":"","voteCount":2900}]},"MarinLarkspurCC":{"id":"MarinLarkspurCC","type":"localRace","location":"Marin","raceName":"Larkspur City Council (Short Term)","raceDescription":"Top candidate wins seat.","raceReadTheStory":"","raceType":"top1","timeUpdated":"6:54 PM","dateUpdated":"March 27, 2024","totalVotes":4176,"candidates":[{"candidateName":"Stephanie Andre","candidateIncumbent":false,"candidateParty":"","voteCount":2514},{"candidateName":"Claire Paquette","candidateIncumbent":false,"candidateParty":"","voteCount":1008},{"candidateName":"Lana Scott","candidateIncumbent":false,"candidateParty":"","voteCount":654}]},"MarinRossCouncil":{"id":"MarinRossCouncil","type":"localRace","location":"Marin","raceName":"Ross Town Council","raceDescription":"Top three candidates win seat.","raceReadTheStory":"","raceType":"top3","timeUpdated":"6:54 PM","dateUpdated":"March 27, 2024","totalVotes":1740,"candidates":[{"candidateName":"Charles William \"Bill\" Kircher, Jr.","candidateIncumbent":false,"candidateParty":"","voteCount":536},{"candidateName":"Mathew Salter","candidateIncumbent":false,"candidateParty":"","voteCount":502},{"candidateName":"Shadi Aboukhater","candidateIncumbent":false,"candidateParty":"","voteCount":187},{"candidateName":"Teri Dowling","candidateIncumbent":false,"candidateParty":"","voteCount":515}]},"MarinMeasureA":{"id":"MarinMeasureA","type":"localRace","location":"Marin","raceName":"Measure A","raceDescription":"Tamalpais Union High School District. School bond. Passes with 55% vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:54 PM","dateUpdated":"March 27, 2024","totalVotes":45345,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":24376},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":20969}]},"MarinMeasureB":{"id":"MarinMeasureB","type":"localRace","location":"Marin","raceName":"Measure B","raceDescription":"Petaluma Joint Union High School District. Parcel tax. Passes with 2/3 vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:54 PM","dateUpdated":"March 27, 2024","totalVotes":132,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":62},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":70}]},"MarinMeasureC":{"id":"MarinMeasureC","type":"localRace","location":"Marin","raceName":"Measure C","raceDescription":"Belvedere. Appropriation limit. Passes with majority vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:54 PM","dateUpdated":"March 27, 2024","totalVotes":870,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":679},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":191}]},"MarinMeasureD":{"id":"MarinMeasureD","type":"localRace","location":"Marin","raceName":"Measure D","raceDescription":"Larkspur. Rent stabilization. Passes with majority vote.","raceReadTheStory":"https://www.kqed.org/elections/results/marin/measure-d","raceType":"yesNo","timeUpdated":"6:54 PM","dateUpdated":"March 27, 2024","totalVotes":4955,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":2573},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":2382}]},"MarinMeasureE":{"id":"MarinMeasureE","type":"localRace","location":"Marin","raceName":"Measure E","raceDescription":"Ross. Special tax. Passes with 2/3 vote.","raceReadTheStory":"https://www.kqed.org/elections/results/marin/measure-e","raceType":"yesNo","timeUpdated":"6:54 PM","dateUpdated":"March 27, 2024","totalVotes":874,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":683},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":191}]},"MarinMeasureF":{"id":"MarinMeasureF","type":"localRace","location":"Marin","raceName":"Measure F","raceDescription":"San Anselmo. Flood Control and Water Conservation District. Passes with majority vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:54 PM","dateUpdated":"March 27, 2024","totalVotes":5193,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":3083},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":2110}]},"MarinMeasureG":{"id":"MarinMeasureG","type":"localRace","location":"Marin","raceName":"Measure G","raceDescription":"Bel Marin Keys Community Services District. Special tax. Passes with 2/3 vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:54 PM","dateUpdated":"March 27, 2024","totalVotes":830,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":661},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":169}]},"MarinMeasureH":{"id":"MarinMeasureH","type":"localRace","location":"Marin","raceName":"Measure H","raceDescription":"Marinwood Community Services District. Appropriations limit, fire protection. Passes with a majority vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:54 PM","dateUpdated":"March 27, 2024","totalVotes":1738,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":1369},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":369}]},"MarinMeasureI":{"id":"MarinMeasureI","type":"localRace","location":"Marin","raceName":"Measure I","raceDescription":"Marinwood Community Services District. Appropriations limit, parks. Passes with a majority vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:54 PM","dateUpdated":"March 27, 2024","totalVotes":1735,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":1336},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":399}]},"NapaD2":{"id":"NapaD2","type":"localRace","location":"Napa","raceName":"Board of Supervisors, District 2","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"6:51 PM","dateUpdated":"March 26, 2024","totalVotes":8351,"candidates":[{"candidateName":"Liz Alessio","candidateIncumbent":false,"candidateParty":"","voteCount":6340},{"candidateName":"Doris Gentry","candidateIncumbent":false,"candidateParty":"","voteCount":2011}]},"NapaD4":{"id":"NapaD4","type":"localRace","location":"Napa","raceName":"Board of Supervisors, District 4","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"https://www.kqed.org/elections/results/napa/supervisor-4th-district","raceType":"top1","timeUpdated":"6:51 PM","dateUpdated":"March 26, 2024","totalVotes":7306,"candidates":[{"candidateName":"Amber Manfree","candidateIncumbent":false,"candidateParty":"","voteCount":3913},{"candidateName":"Pete Mott","candidateIncumbent":false,"candidateParty":"","voteCount":3393}]},"NapaD5":{"id":"NapaD5","type":"localRace","location":"Napa","raceName":"Board of Supervisors, District 5","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"https://www.kqed.org/elections/results/napa/supervisor-5th-district","raceType":"top1","timeUpdated":"6:51 PM","dateUpdated":"March 26, 2024","totalVotes":5269,"candidates":[{"candidateName":"Mariam Aboudamous","candidateIncumbent":false,"candidateParty":"","voteCount":2336},{"candidateName":"Belia Ramos","candidateIncumbent":true,"candidateParty":"","voteCount":2933}]},"NapaMeasureD":{"id":"NapaMeasureD","type":"localRace","location":"Napa","raceName":"Measure D","raceDescription":"Howell Mountain Elementary School District. School bond. Passes with 55% vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:51 PM","dateUpdated":"March 26, 2024","totalVotes":741,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":367},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":374}]},"NapaMeasureU":{"id":"NapaMeasureU","type":"localRace","location":"Napa","raceName":"Measure U","raceDescription":"Lake Berryessa Resort Improvement District. Appropriations limit. Passes with majority vote. ","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:51 PM","dateUpdated":"March 26, 2024","totalVotes":86,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":63},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":23}]},"NapaMeasureU1":{"id":"NapaMeasureU1","type":"localRace","location":"Napa","raceName":"Measure U","raceDescription":"Yountville. Appropriations limit. Passes with majority vote. ","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:51 PM","dateUpdated":"March 26, 2024","totalVotes":925,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":793},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":132}]},"SFJudge1":{"id":"SFJudge1","type":"localRace","location":"San Francisco","raceName":"Superior Court Judge, Seat 1","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"https://www.kqed.org/elections/results/sanfrancisco/superior-court-seat-1","raceType":"top1","timeUpdated":"6:50 PM","dateUpdated":"March 21, 2024","totalVotes":202960,"candidates":[{"candidateName":"Michael Begert","candidateIncumbent":true,"candidateParty":"","voteCount":124943},{"candidateName":"Chip Zecher","candidateIncumbent":false,"candidateParty":"","voteCount":78017}]},"SFJudge13":{"id":"SFJudge13","type":"localRace","location":"San Francisco","raceName":"Superior Court Judge, Seat 13","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"https://www.kqed.org/elections/results/sanfrancisco/superior-court-seat-13","raceType":"top1","timeUpdated":"6:50 PM","dateUpdated":"March 21, 2024","totalVotes":202386,"candidates":[{"candidateName":"Jean Myungjin Roland","candidateIncumbent":false,"candidateParty":"","voteCount":90012},{"candidateName":"Patrick S. Thompson","candidateIncumbent":true,"candidateParty":"","voteCount":112374}]},"SFPropA":{"id":"SFPropA","type":"localRace","location":"San Francisco","raceName":"Proposition A","raceDescription":"Housing bond. Passes with 2/3 vote.","raceReadTheStory":"https://www.kqed.org/elections/results/sanfrancisco/proposition-a","raceType":"yesNo","timeUpdated":"6:50 PM","dateUpdated":"March 21, 2024","totalVotes":225187,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":158497},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":66690}]},"SFPropB":{"id":"SFPropB","type":"localRace","location":"San Francisco","raceName":"Proposition B","raceDescription":"Police staffing. Passes with majority vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:50 PM","dateUpdated":"March 21, 2024","totalVotes":222954,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":61580},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":161374}]},"SFPropC":{"id":"SFPropC","type":"localRace","location":"San Francisco","raceName":"Proposition C","raceDescription":"Transfer tax exemption. Passes with majority vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:50 PM","dateUpdated":"March 21, 2024","totalVotes":220349,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":116311},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":104038}]},"SFPropD":{"id":"SFPropD","type":"localRace","location":"San Francisco","raceName":"Proposition D","raceDescription":"Ethics laws. Passes with majority vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:50 PM","dateUpdated":"March 21, 2024","totalVotes":222615,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":198584},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":24031}]},"SFPropE":{"id":"SFPropE","type":"localRace","location":"San Francisco","raceName":"Proposition E","raceDescription":"Police policies. Passes with majority vote.","raceReadTheStory":"https://www.kqed.org/elections/results/sanfrancisco/proposition-e","raceType":"yesNo","timeUpdated":"6:50 PM","dateUpdated":"March 21, 2024","totalVotes":222817,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":120529},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":102288}]},"SFPropF":{"id":"SFPropF","type":"localRace","location":"San Francisco","raceName":"Proposition F","raceDescription":"Drug screening. Passes with majority vote.","raceReadTheStory":"https://www.kqed.org/elections/results/sanfrancisco/proposition-f","raceType":"yesNo","timeUpdated":"6:50 PM","dateUpdated":"March 21, 2024","totalVotes":224004,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":130214},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":93790}]},"SFPropG":{"id":"SFPropG","type":"localRace","location":"San Francisco","raceName":"Proposition G","raceDescription":"Eighth-grade algebra. Passes with majority vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:50 PM","dateUpdated":"March 21, 2024","totalVotes":222704,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":182066},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":40638}]},"SMJudge4":{"id":"SMJudge4","type":"localRace","location":"San Mateo","raceName":"Superior Court Judge, Office 4","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"6:50 PM","dateUpdated":"March 27, 2024","totalVotes":108848,"candidates":[{"candidateName":"Sarah Burdick","candidateIncumbent":false,"candidateParty":"","voteCount":108848}]},"SMD1":{"id":"SMD1","type":"localRace","location":"San Mateo","raceName":"Board of Supervisors, District 1","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"https://www.kqed.org/elections/results/sanmateo/supervisor-1st-district","raceType":"top1","timeUpdated":"6:50 PM","dateUpdated":"March 27, 2024","totalVotes":29629,"candidates":[{"candidateName":"Jackie Speier","candidateIncumbent":false,"candidateParty":"","voteCount":20341},{"candidateName":"Ann Schneider","candidateIncumbent":false,"candidateParty":"","voteCount":9288}]},"SMD4":{"id":"SMD4","type":"localRace","location":"San Mateo","raceName":"Board of Supervisors, District 4","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"https://www.kqed.org/elections/results/sanmateo/supervisor-4th-district","raceType":"top2","timeUpdated":"6:50 PM","dateUpdated":"March 27, 2024","totalVotes":22711,"candidates":[{"candidateName":"Antonio Lopez","candidateIncumbent":false,"candidateParty":"","voteCount":5725},{"candidateName":"Lisa Gauthier","candidateIncumbent":false,"candidateParty":"","voteCount":10354},{"candidateName":"Celeste Brevard","candidateIncumbent":false,"candidateParty":"","voteCount":1267},{"candidateName":"Paul Bocanegra","candidateIncumbent":false,"candidateParty":"","voteCount":1909},{"candidateName":"Maggie Cornejo","candidateIncumbent":false,"candidateParty":"","voteCount":3456}]},"SMD5":{"id":"SMD5","type":"localRace","location":"San Mateo","raceName":"Board of Supervisors, District 5","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"6:50 PM","dateUpdated":"March 27, 2024","totalVotes":19922,"candidates":[{"candidateName":"David Canepa","candidateIncumbent":true,"candidateParty":"","voteCount":19922}]},"SMMeasureB":{"id":"SMMeasureB","type":"localRace","location":"San Mateo","raceName":"Measure B","raceDescription":"County Service Area #1 (Highlands). Special tax. Passes with 2/3 vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:50 PM","dateUpdated":"March 27, 2024","totalVotes":1549,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":1360},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":189}]},"SMMeasureC":{"id":"SMMeasureC","type":"localRace","location":"San Mateo","raceName":"Measure C","raceDescription":"Jefferson Elementary School District. Parcel tax. Passes with 2/3 vote","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:50 PM","dateUpdated":"March 27, 2024","totalVotes":12226,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":8538},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":3688}]},"SMMeasureE":{"id":"SMMeasureE","type":"localRace","location":"San Mateo","raceName":"Measure E","raceDescription":"Woodside Elementary School District. School bond. Passes with 55% vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:50 PM","dateUpdated":"March 27, 2024","totalVotes":1390,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":909},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":481}]},"SMMeasureG":{"id":"SMMeasureG","type":"localRace","location":"San Mateo","raceName":"Measure G","raceDescription":"Pacifica School District. School bond. Passes with 55% vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:50 PM","dateUpdated":"March 27, 2024","totalVotes":11541,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":7064},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":4477}]},"SMMeasureH":{"id":"SMMeasureH","type":"localRace","location":"San Mateo","raceName":"Measure H","raceDescription":"San Carlos School District. School bond. Passes with 55% vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"6:50 PM","dateUpdated":"March 27, 2024","totalVotes":9935,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":6280},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":3655}]},"SCJudge5":{"id":"SCJudge5","type":"localRace","location":"Santa Clara","raceName":"Superior Court Judge, Office 5","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:05 PM","dateUpdated":"March 27, 2024","totalVotes":301837,"candidates":[{"candidateName":"Jay Boyarsky","candidateIncumbent":false,"candidateParty":"","voteCount":142488},{"candidateName":"Nicole M. Ford","candidateIncumbent":false,"candidateParty":"","voteCount":52125},{"candidateName":"Johnene Linda Stebbins","candidateIncumbent":false,"candidateParty":"","voteCount":107224}]},"SCD2":{"id":"SCD2","type":"localRace","location":"Santa Clara","raceName":"Board of Supervisors, District 2","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"https://www.kqed.org/elections/results/santaclara/supervisor-2nd-district","raceType":"top2","timeUpdated":"7:05 PM","dateUpdated":"March 27, 2024","totalVotes":44037,"candidates":[{"candidateName":"Corina Herrera-Loera","candidateIncumbent":false,"candidateParty":"","voteCount":10513},{"candidateName":"Jennifer Margaret Celaya","candidateIncumbent":false,"candidateParty":"","voteCount":2392},{"candidateName":"Madison Nguyen","candidateIncumbent":false,"candidateParty":"","voteCount":12789},{"candidateName":"Betty Duong","candidateIncumbent":false,"candidateParty":"","voteCount":14024},{"candidateName":"Nelson McElmurry","candidateIncumbent":false,"candidateParty":"","voteCount":4319}]},"SCD3":{"id":"SCD3","type":"localRace","location":"Santa Clara","raceName":"Board of Supervisors, District 3","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:05 PM","dateUpdated":"March 27, 2024","totalVotes":42531,"candidates":[{"candidateName":"Otto Lee","candidateIncumbent":true,"candidateParty":"","voteCount":42531}]},"SCD5":{"id":"SCD5","type":"localRace","location":"Santa Clara","raceName":"Board of Supervisors, District 5","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"https://www.kqed.org/elections/results/santaclara/supervisor-5th-district","raceType":"top2","timeUpdated":"7:05 PM","dateUpdated":"March 27, 2024","totalVotes":88675,"candidates":[{"candidateName":"Margaret Abe-Koga","candidateIncumbent":false,"candidateParty":"","voteCount":37157},{"candidateName":"Sally J. Lieber","candidateIncumbent":false,"candidateParty":"","voteCount":21958},{"candidateName":"Barry Chang","candidateIncumbent":false,"candidateParty":"","voteCount":6161},{"candidateName":"Peter C. Fung","candidateIncumbent":false,"candidateParty":"","voteCount":17883},{"candidateName":"Sandy Sans","candidateIncumbent":false,"candidateParty":"","voteCount":5516}]},"SCSJMayor":{"id":"SCSJMayor","type":"localRace","location":"Santa Clara","raceName":"San José Mayor","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:05 PM","dateUpdated":"March 27, 2024","totalVotes":167001,"candidates":[{"candidateName":"Matt Mahan","candidateIncumbent":true,"candidateParty":"","voteCount":144649},{"candidateName":"Tyrone Wade","candidateIncumbent":false,"candidateParty":"","voteCount":22352}]},"SCSJD2":{"id":"SCSJD2","type":"localRace","location":"Santa Clara","raceName":"San José City Council, District 2","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top2","timeUpdated":"7:05 PM","dateUpdated":"March 27, 2024","totalVotes":14126,"candidates":[{"candidateName":"Joe Lopez","candidateIncumbent":false,"candidateParty":"","voteCount":4947},{"candidateName":"Pamela Campos","candidateIncumbent":false,"candidateParty":"","voteCount":3435},{"candidateName":"Vanessa Sandoval","candidateIncumbent":false,"candidateParty":"","voteCount":2718},{"candidateName":"Babu Prasad","candidateIncumbent":false,"candidateParty":"","voteCount":3026}]},"SCSJD4":{"id":"SCSJD4","type":"localRace","location":"Santa Clara","raceName":"San José City Council, District 4","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:05 PM","dateUpdated":"March 27, 2024","totalVotes":14317,"candidates":[{"candidateName":"Kansen Chu","candidateIncumbent":false,"candidateParty":"","voteCount":5927},{"candidateName":"David Cohen","candidateIncumbent":true,"candidateParty":"","voteCount":8390}]},"SCSJD6":{"id":"SCSJD6","type":"localRace","location":"Santa Clara","raceName":"San José City Council, District 6","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top2","timeUpdated":"7:05 PM","dateUpdated":"March 27, 2024","totalVotes":25102,"candidates":[{"candidateName":"David Cohen","candidateIncumbent":false,"candidateParty":"","voteCount":9872},{"candidateName":"Alex Shoor","candidateIncumbent":false,"candidateParty":"","voteCount":3850},{"candidateName":"Angelo \"A.J.\" Pasciuti","candidateIncumbent":false,"candidateParty":"","voteCount":2688},{"candidateName":"Michael Mulcahy","candidateIncumbent":false,"candidateParty":"","voteCount":8692}]},"SCSJD8":{"id":"SCSJD8","type":"localRace","location":"Santa Clara","raceName":"San José City Council, District 8","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top2","timeUpdated":"7:05 PM","dateUpdated":"March 27, 2024","totalVotes":21452,"candidates":[{"candidateName":"Tam Truong","candidateIncumbent":false,"candidateParty":"","voteCount":6980},{"candidateName":"Domingo Candelas","candidateIncumbent":true,"candidateParty":"","voteCount":8463},{"candidateName":"Sukhdev Singh Bainiwal","candidateIncumbent":false,"candidateParty":"","voteCount":5509},{"candidateName":"Surinder Kaur Dhaliwal","candidateIncumbent":false,"candidateParty":"","voteCount":500}]},"SCSJD10":{"id":"SCSJD10","type":"localRace","location":"Santa Clara","raceName":"San José City Council, District 10","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top2","timeUpdated":"7:05 PM","dateUpdated":"March 27, 2024","totalVotes":22792,"candidates":[{"candidateName":"George Casey","candidateIncumbent":false,"candidateParty":"","voteCount":8801},{"candidateName":"Arjun Batra","candidateIncumbent":true,"candidateParty":"","voteCount":8351},{"candidateName":"Lenka Wright","candidateIncumbent":false,"candidateParty":"","voteCount":5640}]},"SCMeasureA":{"id":"SCMeasureA","type":"localRace","location":"Santa Clara","raceName":"Measure A","raceDescription":"Santa Clara. Appointed city clerk. Passes with majority vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:05 PM","dateUpdated":"March 27, 2024","totalVotes":20313,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":6579},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":13734}]},"SCMeasureB":{"id":"SCMeasureB","type":"localRace","location":"Santa Clara","raceName":"Measure B","raceDescription":"Santa Clara. Appointed police chief. Passes with majority vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:05 PM","dateUpdated":"March 27, 2024","totalVotes":20565,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":5679},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":14886}]},"SCMeasureC":{"id":"SCMeasureC","type":"localRace","location":"Santa Clara","raceName":"Measure C","raceDescription":"Sunnyvale School District. School bond. Passes with 55% vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:05 PM","dateUpdated":"March 27, 2024","totalVotes":14649,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":10256},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":4393}]},"SolanoD15":{"id":"SolanoD15","type":"localRace","location":"Solano","raceName":"Superior Court Judge, Department 15","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"","timeUpdated":"7:06 PM","dateUpdated":"March 26, 2024","totalVotes":81684,"candidates":[{"candidateName":"Mike Thompson","candidateIncumbent":false,"candidateParty":"","voteCount":36828},{"candidateName":"Bryan J. Kim","candidateIncumbent":false,"candidateParty":"","voteCount":44856}]},"SolanoD1":{"id":"SolanoD1","type":"localRace","location":"Solano","raceName":"Board of Supervisors, District 1","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"https://www.kqed.org/elections/results/solano/supervisor-1st-district","raceType":"","timeUpdated":"7:06 PM","dateUpdated":"March 26, 2024","totalVotes":13778,"candidates":[{"candidateName":"Michael Wilson","candidateIncumbent":false,"candidateParty":"","voteCount":6399},{"candidateName":"Cassandra James","candidateIncumbent":false,"candidateParty":"","voteCount":7379}]},"SolanoD2":{"id":"SolanoD2","type":"localRace","location":"Solano","raceName":"Board of Supervisors, District 2","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"","timeUpdated":"7:06 PM","dateUpdated":"March 26, 2024","totalVotes":19895,"candidates":[{"candidateName":"Monica Brown","candidateIncumbent":true,"candidateParty":"","voteCount":10947},{"candidateName":"Nora Dizon","candidateIncumbent":false,"candidateParty":"","voteCount":3134},{"candidateName":"Rochelle Sherlock","candidateIncumbent":false,"candidateParty":"","voteCount":5814}]},"SolanoD5":{"id":"SolanoD5","type":"localRace","location":"Solano","raceName":"Board of Supervisors, District 5","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"","timeUpdated":"7:06 PM","dateUpdated":"March 26, 2024","totalVotes":17881,"candidates":[{"candidateName":"Mitch Mashburn","candidateIncumbent":true,"candidateParty":"","voteCount":11203},{"candidateName":"Chadwick J. Ledoux","candidateIncumbent":false,"candidateParty":"","voteCount":6678}]},"SolanoEducation":{"id":"SolanoEducation","type":"localRace","location":"Solano","raceName":"Sacramento County Board of Education","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"","timeUpdated":"7:06 PM","dateUpdated":"March 26, 2024","totalVotes":3650,"candidates":[{"candidateName":"Heather Davis","candidateIncumbent":true,"candidateParty":"","voteCount":2960},{"candidateName":"Shazleen Khan","candidateIncumbent":false,"candidateParty":"","voteCount":690}]},"SolanoMeasureA":{"id":"SolanoMeasureA","type":"localRace","location":"Solano","raceName":"Measure A","raceDescription":"Benicia. Hotel tax. Passes with majority vote.","raceReadTheStory":"https://www.kqed.org/elections/results/solano/measure-a","raceType":"yesNo","timeUpdated":"7:06 PM","dateUpdated":"March 26, 2024","totalVotes":10133,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":7867},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":2266}]},"SolanoMeasureB":{"id":"SolanoMeasureB","type":"localRace","location":"Solano","raceName":"Measure B","raceDescription":"Benicia. Sales tax. Passes with majority vote.","raceReadTheStory":"https://www.kqed.org/elections/results/solano/measure-b","raceType":"yesNo","timeUpdated":"7:06 PM","dateUpdated":"March 26, 2024","totalVotes":10161,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":7335},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":2826}]},"SolanoMeasureC":{"id":"SolanoMeasureC","type":"localRace","location":"Solano","raceName":"Measure C","raceDescription":"Benicia Unified School District. School bond. Passes with 55% vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:06 PM","dateUpdated":"March 26, 2024","totalVotes":10109,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":6313},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":3796}]},"SolanoMeasureN":{"id":"SolanoMeasureN","type":"localRace","location":"Solano","raceName":"Measure N","raceDescription":"Davis Joint Unified School District. Parcel tax. Passes with 2/3 vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:06 PM","dateUpdated":"March 26, 2024","totalVotes":15,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":5},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":10}]},"SonomaJudge3":{"id":"SonomaJudge3","type":"localRace","location":"Sonoma","raceName":"Superior Court Judge, Office 3","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:01 PM","dateUpdated":"March 26, 2024","totalVotes":114898,"candidates":[{"candidateName":"Kristine M. Burk","candidateIncumbent":false,"candidateParty":"","voteCount":79204},{"candidateName":"Beki Berrey","candidateIncumbent":false,"candidateParty":"","voteCount":35694}]},"SonomaJudge4":{"id":"SonomaJudge4","type":"localRace","location":"Sonoma","raceName":"Superior Court Judge, Office 4","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:01 PM","dateUpdated":"March 26, 2024","totalVotes":86439,"candidates":[{"candidateName":"Paul J. Lozada","candidateIncumbent":false,"candidateParty":"","voteCount":86439}]},"SonomaJudge6":{"id":"SonomaJudge6","type":"localRace","location":"Sonoma","raceName":"Superior Court Judge, Office 6","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:01 PM","dateUpdated":"March 26, 2024","totalVotes":117473,"candidates":[{"candidateName":"Omar Figueroa","candidateIncumbent":false,"candidateParty":"","voteCount":42031},{"candidateName":"Kenneth English","candidateIncumbent":false,"candidateParty":"","voteCount":75442}]},"SonomaD1":{"id":"SonomaD1","type":"localRace","location":"Sonoma","raceName":"Board of Supervisors, District 1","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:01 PM","dateUpdated":"March 26, 2024","totalVotes":30228,"candidates":[{"candidateName":"Rebecca Hermosillo","candidateIncumbent":false,"candidateParty":"","voteCount":23876},{"candidateName":"Jonathan Mathieu","candidateIncumbent":false,"candidateParty":"","voteCount":6352}]},"SonomaD3":{"id":"SonomaD3","type":"localRace","location":"Sonoma","raceName":"Board of Supervisors, District 3","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"https://www.kqed.org/elections/results/sonoma/supervisor-3rd-district","raceType":"top1","timeUpdated":"7:01 PM","dateUpdated":"March 26, 2024","totalVotes":16202,"candidates":[{"candidateName":"Chris Coursey","candidateIncumbent":true,"candidateParty":"","voteCount":11286},{"candidateName":"Omar Medina","candidateIncumbent":false,"candidateParty":"","voteCount":4916}]},"SonomaD5":{"id":"SonomaD5","type":"localRace","location":"Sonoma","raceName":"Board of Supervisors, District 5","raceDescription":"Candidate with majority vote wins seat. If no candidate reaches majority, top two candidates advance to runoff in general election.","raceReadTheStory":"","raceType":"top1","timeUpdated":"7:01 PM","dateUpdated":"March 26, 2024","totalVotes":23282,"candidates":[{"candidateName":"Lynda Hopkins","candidateIncumbent":true,"candidateParty":"","voteCount":23282}]},"SonomaMeasureA":{"id":"SonomaMeasureA","type":"localRace","location":"Sonoma","raceName":"Measure A","raceDescription":"Cotati-Rohnert Park Unified School District. Parcel tax. Passes with 2/3 vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:01 PM","dateUpdated":"March 26, 2024","totalVotes":13654,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":10239},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":3415}]},"SonomaMeasureB":{"id":"SonomaMeasureB","type":"localRace","location":"Sonoma","raceName":"Measure B","raceDescription":"Petaluma Joint Union High School District. Parcel tax. Passes with 2/3 vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:01 PM","dateUpdated":"March 26, 2024","totalVotes":24764,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":15731},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":9033}]},"SonomaMeasureC":{"id":"SonomaMeasureC","type":"localRace","location":"Sonoma","raceName":"Measure C","raceDescription":"Fort Ross School District. School bond. Passes with 55% vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:01 PM","dateUpdated":"March 26, 2024","totalVotes":286,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":159},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":127}]},"SonomaMeasureD":{"id":"SonomaMeasureD","type":"localRace","location":"Sonoma","raceName":"Measure D","raceDescription":"Harmony Union School District. School bond. Passes with 55% vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:01 PM","dateUpdated":"March 26, 2024","totalVotes":1913,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":1083},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":830}]},"SonomaMeasureE":{"id":"SonomaMeasureE","type":"localRace","location":"Sonoma","raceName":"Measure E","raceDescription":"Petaluma City (Elementary) School District. Parcel tax. Passes with 2/3 vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:01 PM","dateUpdated":"March 26, 2024","totalVotes":11091,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":7602},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":3489}]},"SonomaMeasureG":{"id":"SonomaMeasureG","type":"localRace","location":"Sonoma","raceName":"Measure G","raceDescription":"Rincon Valley Union School District. School bond. Passes with 55% vote.","raceReadTheStory":"","raceType":"yesNo","timeUpdated":"7:01 PM","dateUpdated":"March 26, 2024","totalVotes":14511,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":8624},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":5887}]},"SonomaMeasureH":{"id":"SonomaMeasureH","type":"localRace","location":"Sonoma","raceName":"Measure H","raceDescription":"Sonoma County. Sales tax. Passes with majority vote.","raceReadTheStory":"https://www.kqed.org/elections/results/sonoma/measure-h","raceType":"yesNo","timeUpdated":"7:01 PM","dateUpdated":"March 26, 2024","totalVotes":144574,"candidates":[{"candidateName":"Yes","candidateIncumbent":false,"candidateParty":"","voteCount":89236},{"candidateName":"No","candidateIncumbent":false,"candidateParty":"","voteCount":55338}]}},"radioSchedulesReducer":{},"listsReducer":{"posts/arts?tag=galleries":{"isFetching":false,"latestQuery":{"from":0,"postsToRender":9},"tag":null,"vitalsOnly":true,"totalRequested":9,"isLoading":false,"isLoadingMore":true,"total":128,"items":["arts_13936275","arts_13930840","arts_13929082","arts_13928562","arts_13925929","arts_13925408","arts_13925416","arts_13924661","arts_13924500"]}},"recallGuideReducer":{"intros":{},"policy":{},"candidates":{}},"savedPostsReducer":{},"sessionReducer":{},"siteSettingsReducer":{},"subscriptionsReducer":{},"termsReducer":{"about":{"name":"About","type":"terms","id":"about","slug":"about","link":"/about","taxonomy":"site"},"arts":{"name":"Arts & Culture","grouping":["arts","pop","trulyca"],"description":"KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.","type":"terms","id":"arts","slug":"arts","link":"/arts","taxonomy":"site"},"artschool":{"name":"Art School","parent":"arts","type":"terms","id":"artschool","slug":"artschool","link":"/artschool","taxonomy":"site"},"bayareabites":{"name":"KQED food","grouping":["food","bayareabites","checkplease"],"parent":"food","type":"terms","id":"bayareabites","slug":"bayareabites","link":"/food","taxonomy":"site"},"bayareahiphop":{"name":"Bay Area Hiphop","type":"terms","id":"bayareahiphop","slug":"bayareahiphop","link":"/bayareahiphop","taxonomy":"site"},"campaign21":{"name":"Campaign 21","type":"terms","id":"campaign21","slug":"campaign21","link":"/campaign21","taxonomy":"site"},"checkplease":{"name":"KQED food","grouping":["food","bayareabites","checkplease"],"parent":"food","type":"terms","id":"checkplease","slug":"checkplease","link":"/food","taxonomy":"site"},"education":{"name":"Education","grouping":["education"],"type":"terms","id":"education","slug":"education","link":"/education","taxonomy":"site"},"elections":{"name":"Elections","type":"terms","id":"elections","slug":"elections","link":"/elections","taxonomy":"site"},"events":{"name":"Events","type":"terms","id":"events","slug":"events","link":"/events","taxonomy":"site"},"event":{"name":"Event","alias":"events","type":"terms","id":"event","slug":"event","link":"/event","taxonomy":"site"},"filmschoolshorts":{"name":"Film School Shorts","type":"terms","id":"filmschoolshorts","slug":"filmschoolshorts","link":"/filmschoolshorts","taxonomy":"site"},"food":{"name":"KQED food","grouping":["food","bayareabites","checkplease"],"type":"terms","id":"food","slug":"food","link":"/food","taxonomy":"site"},"forum":{"name":"Forum","relatedContentQuery":"posts/forum?","parent":"news","type":"terms","id":"forum","slug":"forum","link":"/forum","taxonomy":"site"},"futureofyou":{"name":"Future of You","grouping":["science","futureofyou"],"parent":"science","type":"terms","id":"futureofyou","slug":"futureofyou","link":"/futureofyou","taxonomy":"site"},"jpepinheart":{"name":"KQED food","relatedContentQuery":"trending/food,bayareabites,checkplease","parent":"food","type":"terms","id":"jpepinheart","slug":"jpepinheart","link":"/food","taxonomy":"site"},"liveblog":{"name":"Live Blog","type":"terms","id":"liveblog","slug":"liveblog","link":"/liveblog","taxonomy":"site"},"livetv":{"name":"Live TV","parent":"tv","type":"terms","id":"livetv","slug":"livetv","link":"/livetv","taxonomy":"site"},"lowdown":{"name":"The Lowdown","relatedContentQuery":"posts/lowdown?","parent":"news","type":"terms","id":"lowdown","slug":"lowdown","link":"/lowdown","taxonomy":"site"},"mindshift":{"name":"Mindshift","parent":"news","description":"MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.","type":"terms","id":"mindshift","slug":"mindshift","link":"/mindshift","taxonomy":"site"},"news":{"name":"News","grouping":["news","forum"],"type":"terms","id":"news","slug":"news","link":"/news","taxonomy":"site"},"perspectives":{"name":"Perspectives","parent":"radio","type":"terms","id":"perspectives","slug":"perspectives","link":"/perspectives","taxonomy":"site"},"podcasts":{"name":"Podcasts","type":"terms","id":"podcasts","slug":"podcasts","link":"/podcasts","taxonomy":"site"},"pop":{"name":"Pop","parent":"arts","type":"terms","id":"pop","slug":"pop","link":"/pop","taxonomy":"site"},"pressroom":{"name":"Pressroom","type":"terms","id":"pressroom","slug":"pressroom","link":"/pressroom","taxonomy":"site"},"quest":{"name":"Quest","parent":"science","type":"terms","id":"quest","slug":"quest","link":"/quest","taxonomy":"site"},"radio":{"name":"Radio","grouping":["forum","perspectives"],"description":"Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.","type":"terms","id":"radio","slug":"radio","link":"/radio","taxonomy":"site"},"root":{"name":"KQED","image":"https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png","imageWidth":1200,"imageHeight":630,"headData":{"title":"KQED | News, Radio, Podcasts, TV | Public Media for Northern California","description":"KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."},"type":"terms","id":"root","slug":"root","link":"/root","taxonomy":"site"},"science":{"name":"Science","grouping":["science","futureofyou"],"description":"KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.","type":"terms","id":"science","slug":"science","link":"/science","taxonomy":"site"},"stateofhealth":{"name":"State of Health","parent":"science","type":"terms","id":"stateofhealth","slug":"stateofhealth","link":"/stateofhealth","taxonomy":"site"},"support":{"name":"Support","type":"terms","id":"support","slug":"support","link":"/support","taxonomy":"site"},"thedolist":{"name":"The Do List","parent":"arts","type":"terms","id":"thedolist","slug":"thedolist","link":"/thedolist","taxonomy":"site"},"trulyca":{"name":"Truly CA","grouping":["arts","pop","trulyca"],"parent":"arts","type":"terms","id":"trulyca","slug":"trulyca","link":"/trulyca","taxonomy":"site"},"tv":{"name":"TV","type":"terms","id":"tv","slug":"tv","link":"/tv","taxonomy":"site"},"voterguide":{"name":"Voter Guide","parent":"elections","alias":"elections","type":"terms","id":"voterguide","slug":"voterguide","link":"/voterguide","taxonomy":"site"},"arts_3649":{"type":"terms","id":"arts_3649","meta":{"index":"terms_1591234321","site":"arts","id":"3649","found":true},"relationships":{},"included":{},"name":"galleries","slug":"galleries","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"galleries Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null,"imageData":{"ogImageSize":{"file":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","width":1200,"height":630},"twImageSize":{"file":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"},"twitterCard":"summary_large_image"}},"ttid":3661,"isLoading":false,"link":"/arts/tag/galleries"},"source_arts_13929082":{"type":"terms","id":"source_arts_13929082","meta":{"override":true},"name":"Hot Summer Guide 2023","link":"/summerguide2023","isLoading":false},"arts_140":{"type":"terms","id":"arts_140","meta":{"index":"terms_1591234321","site":"arts","id":"140","found":true},"relationships":{},"included":{},"name":"The Do List","slug":"the-do-list","taxonomy":"program","description":null,"featImg":"https://ww2.kqed.org/app/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png","headData":{"title":"The Do List Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":141,"isLoading":false,"link":"/arts/program/the-do-list"},"arts_1":{"type":"terms","id":"arts_1","meta":{"index":"terms_1591234321","site":"arts","id":"1","found":true},"relationships":{},"included":{},"name":"Arts","slug":"arts","taxonomy":"category","description":null,"featImg":null,"headData":{"title":"Arts Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":1,"isLoading":false,"link":"/arts/category/arts"},"arts_835":{"type":"terms","id":"arts_835","meta":{"index":"terms_1591234321","site":"arts","id":"835","found":true},"relationships":{},"included":{},"name":"Culture","slug":"culture","taxonomy":"category","description":null,"featImg":null,"headData":{"title":"Culture Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":853,"isLoading":false,"link":"/arts/category/culture"},"arts_11615":{"type":"terms","id":"arts_11615","meta":{"index":"terms_1591234321","site":"arts","id":"11615","found":true},"relationships":{},"included":{},"name":"Local","slug":"local","taxonomy":"category","description":null,"featImg":null,"headData":{"title":"Local Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":11627,"isLoading":false,"link":"/arts/category/local"},"arts_10278":{"type":"terms","id":"arts_10278","meta":{"index":"terms_1591234321","site":"arts","id":"10278","found":true},"relationships":{},"included":{},"name":"featured-arts","slug":"featured-arts","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"featured-arts Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":10290,"isLoading":false,"link":"/arts/tag/featured-arts"},"arts_585":{"type":"terms","id":"arts_585","meta":{"index":"terms_1591234321","site":"arts","id":"585","found":true},"relationships":{},"included":{},"name":"thedolist","slug":"thedolist","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"thedolist Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":590,"isLoading":false,"link":"/arts/tag/thedolist"},"arts_70":{"type":"terms","id":"arts_70","meta":{"index":"terms_1591234321","site":"arts","id":"70","found":true},"relationships":{},"included":{},"name":"Visual Arts","slug":"visualarts","taxonomy":"category","description":null,"featImg":null,"headData":{"title":"Visual Arts Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":71,"isLoading":false,"link":"/arts/category/visualarts"},"arts_2636":{"type":"terms","id":"arts_2636","meta":{"index":"terms_1591234321","site":"arts","id":"2636","found":true},"relationships":{},"included":{},"name":"painting","slug":"painting","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"painting Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":2648,"isLoading":false,"link":"/arts/tag/painting"},"arts_769":{"type":"terms","id":"arts_769","meta":{"index":"terms_1591234321","site":"arts","id":"769","found":true},"relationships":{},"included":{},"name":"review","slug":"review","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"review Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":787,"isLoading":false,"link":"/arts/tag/review"},"arts_235":{"type":"terms","id":"arts_235","meta":{"index":"terms_1591234321","site":"arts","id":"235","found":true},"relationships":{},"included":{},"name":"News","slug":"news","taxonomy":"category","description":null,"featImg":null,"headData":{"title":"News Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":236,"isLoading":false,"link":"/arts/category/news"},"arts_2250":{"type":"terms","id":"arts_2250","meta":{"index":"terms_1591234321","site":"arts","id":"2250","found":true},"relationships":{},"included":{},"name":"asian art museum","slug":"asian-art-museum","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"asian art museum Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":2262,"isLoading":false,"link":"/arts/tag/asian-art-museum"},"arts_10342":{"type":"terms","id":"arts_10342","meta":{"index":"terms_1591234321","site":"arts","id":"10342","found":true},"relationships":{},"included":{},"name":"editorspick","slug":"editorspick","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"editorspick Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":10354,"isLoading":false,"link":"/arts/tag/editorspick"},"arts_2483":{"type":"terms","id":"arts_2483","meta":{"index":"terms_1591234321","site":"arts","id":"2483","found":true},"relationships":{},"included":{},"name":"exploratorium","slug":"exploratorium","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"exploratorium Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":2495,"isLoading":false,"link":"/arts/tag/exploratorium"},"arts_1006":{"type":"terms","id":"arts_1006","meta":{"index":"terms_1591234321","site":"arts","id":"1006","found":true},"relationships":{},"included":{},"name":"guide","slug":"guide","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"guide Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":1023,"isLoading":false,"link":"/arts/tag/guide"},"arts_6376":{"type":"terms","id":"arts_6376","meta":{"index":"terms_1591234321","site":"arts","id":"6376","found":true},"relationships":{},"included":{},"name":"mcevoy foundation for the arts","slug":"mcevoy-foundation-for-the-arts","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"mcevoy foundation for the arts Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":6388,"isLoading":false,"link":"/arts/tag/mcevoy-foundation-for-the-arts"},"arts_2755":{"type":"terms","id":"arts_2755","meta":{"index":"terms_1591234321","site":"arts","id":"2755","found":true},"relationships":{},"included":{},"name":"Oakland Museum of California","slug":"oakland-museum-of-california","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"Oakland Museum of California Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":2767,"isLoading":false,"link":"/arts/tag/oakland-museum-of-california"},"arts_1187":{"type":"terms","id":"arts_1187","meta":{"index":"terms_1591234321","site":"arts","id":"1187","found":true},"relationships":{},"included":{},"name":"San Jose Museum of Art","slug":"san-jose-museum-of-art","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"San Jose Museum of Art Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":1199,"isLoading":false,"link":"/arts/tag/san-jose-museum-of-art"},"arts_1381":{"type":"terms","id":"arts_1381","meta":{"index":"terms_1591234321","site":"arts","id":"1381","found":true},"relationships":{},"included":{},"name":"SFMOMA","slug":"sfmoma","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"SFMOMA Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":1393,"isLoading":false,"link":"/arts/tag/sfmoma"},"arts_20565":{"type":"terms","id":"arts_20565","meta":{"index":"terms_1591234321","site":"arts","id":"20565","found":true},"relationships":{},"included":{},"name":"summerguide2023","slug":"summerguide2023","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"summerguide2023 Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":20577,"isLoading":false,"link":"/arts/tag/summerguide2023"},"arts_73":{"type":"terms","id":"arts_73","meta":{"index":"terms_1591234321","site":"arts","id":"73","found":true},"relationships":{},"included":{},"name":"Books","slug":"literature","taxonomy":"category","description":null,"featImg":null,"headData":{"title":"Books Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":74,"isLoading":false,"link":"/arts/category/literature"},"arts_9111":{"type":"terms","id":"arts_9111","meta":{"index":"terms_1591234321","site":"arts","id":"9111","found":true},"relationships":{},"included":{},"name":"chicano art","slug":"chicano-art","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"chicano art Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":9123,"isLoading":false,"link":"/arts/tag/chicano-art"},"arts_1942":{"type":"terms","id":"arts_1942","meta":{"index":"terms_1591234321","site":"arts","id":"1942","found":true},"relationships":{},"included":{},"name":"comics","slug":"comics","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"comics Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":1954,"isLoading":false,"link":"/arts/tag/comics"},"arts_901":{"type":"terms","id":"arts_901","meta":{"index":"terms_1591234321","site":"arts","id":"901","found":true},"relationships":{},"included":{},"name":"visual art","slug":"visual-art","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"visual art Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":919,"isLoading":false,"link":"/arts/tag/visual-art"},"arts_7862":{"type":"terms","id":"arts_7862","meta":{"index":"terms_1591234321","site":"arts","id":"7862","found":true},"relationships":{},"included":{},"name":"History","slug":"history","taxonomy":"category","description":null,"featImg":null,"headData":{"title":"History Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":7874,"isLoading":false,"link":"/arts/category/history"},"arts_5426":{"type":"terms","id":"arts_5426","meta":{"index":"terms_1591234321","site":"arts","id":"5426","found":true},"relationships":{},"included":{},"name":"1960s","slug":"1960s","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"1960s Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":5438,"isLoading":false,"link":"/arts/tag/1960s"},"arts_1845":{"type":"terms","id":"arts_1845","meta":{"index":"terms_1591234321","site":"arts","id":"1845","found":true},"relationships":{},"included":{},"name":"Grateful Dead","slug":"grateful-dead","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"Grateful Dead Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":1857,"isLoading":false,"link":"/arts/tag/grateful-dead"},"arts_1846":{"type":"terms","id":"arts_1846","meta":{"index":"terms_1591234321","site":"arts","id":"1846","found":true},"relationships":{},"included":{},"name":"Janis Joplin","slug":"janis-joplin","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"Janis Joplin Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":1858,"isLoading":false,"link":"/arts/tag/janis-joplin"},"arts_6387":{"type":"terms","id":"arts_6387","meta":{"index":"terms_1591234321","site":"arts","id":"6387","found":true},"relationships":{},"included":{},"name":"music venues","slug":"music-venues","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"music venues Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":6399,"isLoading":false,"link":"/arts/tag/music-venues"},"arts_822":{"type":"terms","id":"arts_822","meta":{"index":"terms_1591234321","site":"arts","id":"822","found":true},"relationships":{},"included":{},"name":"photography","slug":"photography","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"photography Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":840,"isLoading":false,"link":"/arts/tag/photography"},"arts_905":{"type":"terms","id":"arts_905","meta":{"index":"terms_1591234321","site":"arts","id":"905","found":true},"relationships":{},"included":{},"name":"rock","slug":"rock","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"rock Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":923,"isLoading":false,"link":"/arts/tag/rock"},"arts_1761":{"type":"terms","id":"arts_1761","meta":{"index":"terms_1591234321","site":"arts","id":"1761","found":true},"relationships":{},"included":{},"name":"summer of love","slug":"summer-of-love","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"summer of love Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":1773,"isLoading":false,"link":"/arts/tag/summer-of-love"},"arts_5206":{"type":"terms","id":"arts_5206","meta":{"index":"terms_1591234321","site":"arts","id":"5206","found":true},"relationships":{},"included":{},"name":"lava thomas","slug":"lava-thomas","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"lava thomas Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":5218,"isLoading":false,"link":"/arts/tag/lava-thomas"},"arts_6713":{"type":"terms","id":"arts_6713","meta":{"index":"terms_1591234321","site":"arts","id":"6713","found":true},"relationships":{},"included":{},"name":"toni morrison","slug":"toni-morrison","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"toni morrison Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":6725,"isLoading":false,"link":"/arts/tag/toni-morrison"},"arts_1003":{"type":"terms","id":"arts_1003","meta":{"index":"terms_1591234321","site":"arts","id":"1003","found":true},"relationships":{},"included":{},"name":"Performance Art","slug":"performance","taxonomy":"category","description":null,"featImg":null,"headData":{"title":"Performance Art Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":73,"isLoading":false,"link":"/arts/category/performance"},"arts_2654":{"type":"terms","id":"arts_2654","meta":{"index":"terms_1591234321","site":"arts","id":"2654","found":true},"relationships":{},"included":{},"name":"chinatown","slug":"chinatown","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"chinatown Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":2666,"isLoading":false,"link":"/arts/tag/chinatown"},"arts_3835":{"type":"terms","id":"arts_3835","meta":{"index":"terms_1591234321","site":"arts","id":"3835","found":true},"relationships":{},"included":{},"name":"chinese culture center","slug":"chinese-culture-center","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"chinese culture center Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":3847,"isLoading":false,"link":"/arts/tag/chinese-culture-center"},"arts_13165":{"type":"terms","id":"arts_13165","meta":{"index":"terms_1591234321","site":"arts","id":"13165","found":true},"relationships":{},"included":{},"name":"Chinese New Year","slug":"chinese-new-year","taxonomy":"tag","description":null,"featImg":null,"headData":{"title":"Chinese New Year Archives | KQED Arts","description":null,"ogTitle":null,"ogDescription":null,"ogImgId":null,"twTitle":null,"twDescription":null,"twImgId":null},"ttid":13177,"isLoading":false,"link":"/arts/tag/chinese-new-year"}},"userAgentReducer":{"userAgent":"claudebot","isBot":true},"userPermissionsReducer":{"wpLoggedIn":false},"localStorageReducer":{},"browserHistoryReducer":[],"eventsReducer":{},"fssReducer":{},"tvDailyScheduleReducer":{},"tvWeeklyScheduleReducer":{},"tvPrimetimeScheduleReducer":{},"tvMonthlyScheduleReducer":{},"userAccountReducer":{"routeTo":"","showDeleteConfirmModal":false,"user":{"userId":"","isFound":false,"firstName":"","lastName":"","phoneNumber":"","email":"","articles":[]}},"youthMediaReducer":{},"checkPleaseReducer":{"filterData":{},"restaurantData":[]},"location":{"pathname":"/arts/tag/galleries","previousPathname":"/"}}