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srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-scaled.jpg 1708w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-800x1199.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-1020x1529.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-768x1151.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-1025x1536.jpg 1025w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-1366x2048.jpg 1366w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-1920x2878.jpg 1920w\" sizes=\"(max-width: 1708px) 100vw, 1708px\">\u003cfigcaption class=\"wp-caption-text\">Trina Robbins, the first woman to draw Wonder Woman and an underground force for women in comics, died in San Francisco on Wednesday. \u003ccite>(Liz Hafalia/ The San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Trina Robbins, the groundbreaking San Francisco comic book artist, writer, editor and feminist, died on Wednesday at the age of 85. Robbins is primarily remembered for establishing — and popularizing — feminist comic books, raising women’s voices and for being the first woman to ever draw Wonder Woman comics.\u003c/p>\n\u003cp>The comic book world was quick to share its grief and reverence for Robbins and her work.\u003c/p>\n\u003cp>“You showed me what it looks like to lift up others,” Bay Area cartoonist \u003ca href=\"https://www.instagram.com/marinaomiart/\">MariNaomi\u003c/a> wrote \u003ca href=\"https://www.facebook.com/marinaomi/posts/pfbid0jaoBGfzSATry1CH3MUn9v3KS3xyG6QEJKAuYXaiQAggXpZmvipcAjfEEi7aQstU2l\">on Facebook\u003c/a>, “how easy it is to do, and how much that small gesture can mean to a young artist. It can change their life.”\u003c/p>\n\u003cp>“She proved over and over that you didn’t have to be ‘one of the boys’ to make comics,” wrote the Canadian graphic novelist \u003ca href=\"https://www.facebook.com/miriam.libicki/posts/pfbid0XuhDt8dkGtGG5LHdT9R8gisXwFCTyLWP8ZRJhJQ7uVfpR4znQurJ8qcYAmKThuP7l\">Miriam Libicki\u003c/a>. “She made highly influential superhero and underground comics, she wasn’t afraid to be a reviled feminist ball-buster, and she did it all unapologetically as a fashion-loving femme.”\u003c/p>\n\u003cfigure id=\"attachment_13955835\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955835\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Trina-Robbins-2016-Emma-Silvers-1.jpg\" alt=\"A senior white woman sits on a blanket-covered couch smiling.\" width=\"600\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Trina-Robbins-2016-Emma-Silvers-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Trina-Robbins-2016-Emma-Silvers-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Trina-Robbins-2016-Emma-Silvers-1-768x576.jpg 768w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Trina Robbins at her San Francisco home near Duboce Triangle in 2016. \u003ccite>(Emma Silvers)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When Robbins first arrived in San Francisco from New York in 1970, she faced an underground comics scene that was thriving but still very much a boys’ club. Feeling shut out and lacking in collaborators, Robbins gathered together every female cartoonist she could find. Together, they made \u003cem>It Ain’t Me, Babe\u003c/em>, the first collection of comics created entirely by women. Printed by San Francisco underground comics publisher \u003ca href=\"https://lastgasp.com/\">Last Gasp\u003c/a>, it was a swift hit, selling 40,000 copies in three printings. It was also a game-changer for comic book artistry in the Bay and beyond.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Within two years, \u003cem>It Ain’t Me, Babe\u003c/em> had grown into a serialized collection called \u003cem>Wimmen’s Comix\u003c/em>. (Robbins’ contributions to the first issue included “\u003ca href=\"https://worldqueerstory.wordpress.com/tag/sandy-comes-out/\">Sandy Comes Out\u003c/a>,” featuring the first openly lesbian character in comics.) The uncompromising publication was edited by 10 different women over 17 issues, and would go on to run for 20 years. In 2016, every issue of \u003cem>Wimmen’s Comix\u003c/em> was immortalized in a two-volume book published by Fantagraphics. At the time, \u003ca href=\"https://www.kqed.org/pop/22085/sex-drugs-and-equal-pay-wimmens-comix-get-their-due\">Robbins discussed her early motivations\u003c/a> with KQED Arts.\u003c/p>\n\u003cp>“In the early ’70s, many of the guys’ comics were very misogynistic,” Robbins said. “When I would criticize [their comics] depicting rape as funny, they’d say ‘Oh, you just don’t have a sense of humor.’ So much of our [inspiration] was just saying, ‘Women have to have a voice.’ We have to be able to speak out if we want things to improve.”\u003c/p>\n\u003cfigure id=\"attachment_13955832\" class=\"wp-caption aligncenter\" style=\"max-width: 1440px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955832\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/teenage-abortion-1440x1299-1.jpg\" alt=\"A full page illustration of a worried girl and a man standing nearby. It's titled "A Teenage Abortion."\" width=\"1440\" height=\"1299\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/teenage-abortion-1440x1299-1.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/teenage-abortion-1440x1299-1-800x722.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/teenage-abortion-1440x1299-1-1020x920.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/teenage-abortion-1440x1299-1-160x144.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/teenage-abortion-1440x1299-1-768x693.jpg 768w\" sizes=\"(max-width: 1440px) 100vw, 1440px\">\u003cfigcaption class=\"wp-caption-text\">‘Wimmen’s Comix’ depicted women’s issues in unapologetic terms. \u003ccite>(Emma Silvers)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In her work, Robbins also illuminated forgotten female comic book artists who had inspired her growing up, including \u003ca href=\"//www.amazon.com/Gladys-Parker-Comics-Passion-Fashion/dp/1613451814/ref=sr_1_4\">Gladys Parker\u003c/a>, \u003ca href=\"https://www.amazon.com/Lily-Ren%C3%A9e-Escape-Artist-Holocaust/dp/0761381147/ref=sr_1_5m\">Lily Renée\u003c/a> and \u003ca href=\"https://www.amazon.com/Nell-Brinkley-Woman-Early-Century/dp/0786411511/ref=sr_1_25\">Nell Brinkley\u003c/a>, bringing them to life in a series of graphic novels. Robbins also penned \u003ca href=\"https://www.parigibooks.com/pages/books/23594/trina-robbins/a-century-of-women-cartoonists\">\u003cem>A Century of Women Cartoonists\u003c/em>\u003c/a>, \u003ca href=\"https://www.goodreads.com/en/book/show/136566\">\u003cem>The Great Women Cartoonists\u003c/em>\u003c/a> and \u003cem>\u003ca href=\"https://archive.org/details/fromgirlstogrrrl0000robb\">From Girls to Grrrlz: A History of [Female] Comics From Teens to Zines\u003c/a>. \u003c/em>Her 2017 memoir, \u003ca href=\"https://www.fantagraphics.com/products/last-girl-standing\">\u003cem>Last Girl Standing\u003c/em>\u003c/a>, featured a 1966 photograph of Robbins on the cover, surrounded by friends backstage at a Donovan concert in Los Angeles. At the time, before the ascent of her comics, she worked as a fashion designer and boutique owner.\u003c/p>\n\u003cp>In the ’80s, Robbins created unabashedly feminine series like \u003ca href=\"https://www.indyplanet.com/california-girls\">\u003cem>California Girls \u003c/em>\u003c/a>and \u003cem>\u003ca href=\"https://www.cbr.com/misty-young-girl-comic-marvel/\">Meet Misty\u003c/a>, \u003c/em>which was published by Marvel’s Star Comics imprint. In 1985, her work on \u003cem>Wonder Woman\u003c/em> began, immortalized with \u003cem>The Legend of Wonder Woman\u003c/em> series.\u003c/p>\n\u003cp>In the ’90s, Robbins published \u003cem>Choices\u003c/em>, a \u003ca href=\"https://www.amazon.com/Choices-pro-choice-anthology-National-Organization/dp/B0028GAGHQ\">comics anthology for the National Organization of Women\u003c/a> that raised money for pro-choice causes. She also cofounded Friends of Lulu — an organization that, for almost two decades, elevated women’s voices in the comic book industry.\u003c/p>\n\u003cp>In 2013, Robbins was inducted into the Will Eisner Hall of Fame at San Diego Comic-Con.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Decades of love for this art and this community. There is no replacement for her,” \u003ca href=\"https://www.facebook.com/gail.simone.90/posts/pfbid032RF5TWBDHVHtKsXjQnTnRviy7ERTeGWNicFXfwFfZXiTdtj7ansNqCUQ6LANRxC4l\">Gail Simone wrote\u003c/a> in Robbins’ honor. “We are blessed with her books, her art, and her guidance, and those all will live on.”\u003c/p>\n\n","blocks":[],"excerpt":"Robbins popularized feminist comic books and became the first woman to draw Wonder Woman comics.","status":"publish","parent":0,"modified":1712878423,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":765},"headData":{"title":"Obituary: Trina Robbins, Groundbreaking Feminist Cartoonist | KQED","description":"Robbins popularized feminist comic books and became the first woman to draw Wonder Woman comics.","ogTitle":"Trina Robbins, Feminist Cartoonist and ‘Wimmen’s Comix’ Founder, Dies at 85","ogDescription":"","ogImgId":"","twTitle":"Trina Robbins, Feminist Cartoonist and ‘Wimmen’s Comix’ Founder, Dies at 85","twDescription":"","twImgId":"","socialTitle":"Obituary: Trina Robbins, Groundbreaking Feminist Cartoonist %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Trina Robbins, Feminist Cartoonist and ‘Wimmen’s Comix’ Founder, Dies at 85","datePublished":"2024-04-11T22:10:47.000Z","dateModified":"2024-04-11T23:33:43.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955821/trina-robbins-feminist-cartoonist-dies-at-85","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13955828\" class=\"wp-caption aligncenter\" style=\"max-width: 1708px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955828\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-scaled.jpg\" alt=\"A senior white woman smiling as she holds up a comic book titled 'It Aint Me Babe.’\" width=\"1708\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-scaled.jpg 1708w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-800x1199.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-1020x1529.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-768x1151.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-1025x1536.jpg 1025w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-1366x2048.jpg 1366w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1321644250-1920x2878.jpg 1920w\" sizes=\"(max-width: 1708px) 100vw, 1708px\">\u003cfigcaption class=\"wp-caption-text\">Trina Robbins, the first woman to draw Wonder Woman and an underground force for women in comics, died in San Francisco on Wednesday. \u003ccite>(Liz Hafalia/ The San Francisco Chronicle via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Trina Robbins, the groundbreaking San Francisco comic book artist, writer, editor and feminist, died on Wednesday at the age of 85. Robbins is primarily remembered for establishing — and popularizing — feminist comic books, raising women’s voices and for being the first woman to ever draw Wonder Woman comics.\u003c/p>\n\u003cp>The comic book world was quick to share its grief and reverence for Robbins and her work.\u003c/p>\n\u003cp>“You showed me what it looks like to lift up others,” Bay Area cartoonist \u003ca href=\"https://www.instagram.com/marinaomiart/\">MariNaomi\u003c/a> wrote \u003ca href=\"https://www.facebook.com/marinaomi/posts/pfbid0jaoBGfzSATry1CH3MUn9v3KS3xyG6QEJKAuYXaiQAggXpZmvipcAjfEEi7aQstU2l\">on Facebook\u003c/a>, “how easy it is to do, and how much that small gesture can mean to a young artist. It can change their life.”\u003c/p>\n\u003cp>“She proved over and over that you didn’t have to be ‘one of the boys’ to make comics,” wrote the Canadian graphic novelist \u003ca href=\"https://www.facebook.com/miriam.libicki/posts/pfbid0XuhDt8dkGtGG5LHdT9R8gisXwFCTyLWP8ZRJhJQ7uVfpR4znQurJ8qcYAmKThuP7l\">Miriam Libicki\u003c/a>. “She made highly influential superhero and underground comics, she wasn’t afraid to be a reviled feminist ball-buster, and she did it all unapologetically as a fashion-loving femme.”\u003c/p>\n\u003cfigure id=\"attachment_13955835\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955835\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Trina-Robbins-2016-Emma-Silvers-1.jpg\" alt=\"A senior white woman sits on a blanket-covered couch smiling.\" width=\"600\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Trina-Robbins-2016-Emma-Silvers-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Trina-Robbins-2016-Emma-Silvers-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Trina-Robbins-2016-Emma-Silvers-1-768x576.jpg 768w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Trina Robbins at her San Francisco home near Duboce Triangle in 2016. \u003ccite>(Emma Silvers)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When Robbins first arrived in San Francisco from New York in 1970, she faced an underground comics scene that was thriving but still very much a boys’ club. Feeling shut out and lacking in collaborators, Robbins gathered together every female cartoonist she could find. Together, they made \u003cem>It Ain’t Me, Babe\u003c/em>, the first collection of comics created entirely by women. Printed by San Francisco underground comics publisher \u003ca href=\"https://lastgasp.com/\">Last Gasp\u003c/a>, it was a swift hit, selling 40,000 copies in three printings. It was also a game-changer for comic book artistry in the Bay and beyond.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Within two years, \u003cem>It Ain’t Me, Babe\u003c/em> had grown into a serialized collection called \u003cem>Wimmen’s Comix\u003c/em>. (Robbins’ contributions to the first issue included “\u003ca href=\"https://worldqueerstory.wordpress.com/tag/sandy-comes-out/\">Sandy Comes Out\u003c/a>,” featuring the first openly lesbian character in comics.) The uncompromising publication was edited by 10 different women over 17 issues, and would go on to run for 20 years. In 2016, every issue of \u003cem>Wimmen’s Comix\u003c/em> was immortalized in a two-volume book published by Fantagraphics. At the time, \u003ca href=\"https://www.kqed.org/pop/22085/sex-drugs-and-equal-pay-wimmens-comix-get-their-due\">Robbins discussed her early motivations\u003c/a> with KQED Arts.\u003c/p>\n\u003cp>“In the early ’70s, many of the guys’ comics were very misogynistic,” Robbins said. “When I would criticize [their comics] depicting rape as funny, they’d say ‘Oh, you just don’t have a sense of humor.’ So much of our [inspiration] was just saying, ‘Women have to have a voice.’ We have to be able to speak out if we want things to improve.”\u003c/p>\n\u003cfigure id=\"attachment_13955832\" class=\"wp-caption aligncenter\" style=\"max-width: 1440px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955832\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/teenage-abortion-1440x1299-1.jpg\" alt=\"A full page illustration of a worried girl and a man standing nearby. It's titled "A Teenage Abortion."\" width=\"1440\" height=\"1299\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/teenage-abortion-1440x1299-1.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/teenage-abortion-1440x1299-1-800x722.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/teenage-abortion-1440x1299-1-1020x920.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/teenage-abortion-1440x1299-1-160x144.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/teenage-abortion-1440x1299-1-768x693.jpg 768w\" sizes=\"(max-width: 1440px) 100vw, 1440px\">\u003cfigcaption class=\"wp-caption-text\">‘Wimmen’s Comix’ depicted women’s issues in unapologetic terms. \u003ccite>(Emma Silvers)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In her work, Robbins also illuminated forgotten female comic book artists who had inspired her growing up, including \u003ca href=\"//www.amazon.com/Gladys-Parker-Comics-Passion-Fashion/dp/1613451814/ref=sr_1_4\">Gladys Parker\u003c/a>, \u003ca href=\"https://www.amazon.com/Lily-Ren%C3%A9e-Escape-Artist-Holocaust/dp/0761381147/ref=sr_1_5m\">Lily Renée\u003c/a> and \u003ca href=\"https://www.amazon.com/Nell-Brinkley-Woman-Early-Century/dp/0786411511/ref=sr_1_25\">Nell Brinkley\u003c/a>, bringing them to life in a series of graphic novels. Robbins also penned \u003ca href=\"https://www.parigibooks.com/pages/books/23594/trina-robbins/a-century-of-women-cartoonists\">\u003cem>A Century of Women Cartoonists\u003c/em>\u003c/a>, \u003ca href=\"https://www.goodreads.com/en/book/show/136566\">\u003cem>The Great Women Cartoonists\u003c/em>\u003c/a> and \u003cem>\u003ca href=\"https://archive.org/details/fromgirlstogrrrl0000robb\">From Girls to Grrrlz: A History of [Female] Comics From Teens to Zines\u003c/a>. \u003c/em>Her 2017 memoir, \u003ca href=\"https://www.fantagraphics.com/products/last-girl-standing\">\u003cem>Last Girl Standing\u003c/em>\u003c/a>, featured a 1966 photograph of Robbins on the cover, surrounded by friends backstage at a Donovan concert in Los Angeles. At the time, before the ascent of her comics, she worked as a fashion designer and boutique owner.\u003c/p>\n\u003cp>In the ’80s, Robbins created unabashedly feminine series like \u003ca href=\"https://www.indyplanet.com/california-girls\">\u003cem>California Girls \u003c/em>\u003c/a>and \u003cem>\u003ca href=\"https://www.cbr.com/misty-young-girl-comic-marvel/\">Meet Misty\u003c/a>, \u003c/em>which was published by Marvel’s Star Comics imprint. In 1985, her work on \u003cem>Wonder Woman\u003c/em> began, immortalized with \u003cem>The Legend of Wonder Woman\u003c/em> series.\u003c/p>\n\u003cp>In the ’90s, Robbins published \u003cem>Choices\u003c/em>, a \u003ca href=\"https://www.amazon.com/Choices-pro-choice-anthology-National-Organization/dp/B0028GAGHQ\">comics anthology for the National Organization of Women\u003c/a> that raised money for pro-choice causes. She also cofounded Friends of Lulu — an organization that, for almost two decades, elevated women’s voices in the comic book industry.\u003c/p>\n\u003cp>In 2013, Robbins was inducted into the Will Eisner Hall of Fame at San Diego Comic-Con.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Decades of love for this art and this community. There is no replacement for her,” \u003ca href=\"https://www.facebook.com/gail.simone.90/posts/pfbid032RF5TWBDHVHtKsXjQnTnRviy7ERTeGWNicFXfwFfZXiTdtj7ansNqCUQ6LANRxC4l\">Gail Simone wrote\u003c/a> in Robbins’ honor. “We are blessed with her books, her art, and her guidance, and those all will live on.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955821/trina-robbins-feminist-cartoonist-dies-at-85","authors":["11242"],"categories":["arts_1","arts_11615","arts_75","arts_1564"],"tags":["arts_7584","arts_1942","arts_10278","arts_1962","arts_21789"],"featImg":"arts_13955849","label":"arts"},"arts_13937951":{"type":"posts","id":"arts_13937951","meta":{"index":"posts_1591205157","site":"arts","id":"13937951","score":null,"sort":[1699909487000]},"guestAuthors":[],"slug":"so-late-in-the-day-stories-of-women-and-men-claire-keegan-book-review","title":"‘Stories of Women and Men’ Explores What Goes Wrong Between Them","publishDate":1699909487,"format":"aside","headTitle":"‘Stories of Women and Men’ Explores What Goes Wrong Between Them | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cfigure id=\"attachment_13937952\" class=\"wp-caption aligncenter\" style=\"max-width: 1456px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13937952\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28.jpg\" alt=\"a painting of a rail, river and long stretch of tightly packed buildings overlooking the water. \" width=\"1456\" height=\"2116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28.jpg 1456w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28-800x1163.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28-1020x1482.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28-160x233.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28-768x1116.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28-1057x1536.jpg 1057w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28-1409x2048.jpg 1409w\" sizes=\"(max-width: 1456px) 100vw, 1456px\">\u003cfigcaption class=\"wp-caption-text\">‘So Late in the Day,’ by Claire Keegan. \u003ccite>(Grove Atlantic)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Claire Keegan’s newly published short story collection, \u003cem>So Late in the Day\u003c/em>, contains three tales that testify to the screwed up relations between women and men. To give you a hint about Keegan’s views on who’s to blame for that situation, be aware that when the title story was published in France earlier this year, it was called, “Misogynie.”\u003c/p>\n\u003cp>[aside postid='arts_13937655']In that story, a Dublin office worker named Cathal is feeling the minutes drag by on a Friday afternoon. Something about the situation soon begins to seem “off.” Cathal’s boss comes over and urges him to “call it a day”; Cathal absentmindedly neglects to save the budget file he’s been working on. He refrains from checking his messages on the bus ride home, because, as we’re told, he: “found he wasn’t ready — then wondered if anyone ever was ready for what was difficult or painful.” Cathal eventually returns to his empty house and thinks about his fiancée who’s moved out.\u003c/p>\n\u003cp>On first reading we think: poor guy, he’s numb because he’s been dumped; on rereading — and Keegan is the kind of writer whose spare, slippery work you want to reread — maybe we think differently. Keegan’s sentences shape shift the second time ’round, twisting themselves into a more emotionally complicated story. For instance, here’s her brief description of how Cathal’s bus ride home ends:\u003c/p>\n\u003cblockquote>\u003cp>[A]t the stop for Jack White’s Inn, a young woman came down the aisle and sat in the vacated seat across from him. He sat breathing in her scent until it occurred to him that there must be thousands if not hundreds of thousands of women who smelled the same.\u003c/p>\u003c/blockquote>\n\u003cp>Perhaps Cathal is clumsily trying to console himself; perhaps, though, the French were onto something in entitling this story, “Misogynie.”\u003c/p>\n\u003cp>[aside postid='arts_13937277']It’s evident from the arrangement of this collection that Keegan’s nuanced, suggestive style is one she’s achieved over the years. The three short stories in \u003cem>So Late in the Day\u003c/em> appear in reverse chronological order, so that the last story, “Antarctica,” is the oldest, first published in 1999. It’s far from an obvious tale, but there’s a definite foreboding “woman-in-peril” vibe going on throughout “Antarctica.” In contrast, the central story of this collection, called, “The Long and Painful Death,” which was originally published in 2007, is a pensive masterpiece about male anger toward successful women and the female impulse to placate that anger.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Our unnamed heroine, a writer, has been awarded a precious two-week’s residency at the isolated Heinrich Böll house on Achill Island, a real place on Ireland’s west coast. She arrives at the house, exhausted, and falls asleep on the couch. Keegan writes that: “When she woke, she felt the tail end of a dream — a feeling, like silk — disappearing; …”\u003c/p>\n\u003cp>The house phone starts ringing and the writer, reluctantly, answers it. A man, who identifies himself as a professor of German literature, says he’s standing right outside and that he’s gotten permission to tour the house.\u003c/p>\n\u003cp>Our writer, like many women, needs more work on her personal boundaries: She puts off this unwanted visitor ’till evening; but she’s not strong enough to refuse him altogether. After she puts the phone down, we’re told that:\u003c/p>\n\u003cp>“What had begun as a fine day was still a fine day, but had changed; now that she had fixed a time, the day in some way was obliged to proceed in the direction of the German’s coming.”\u003c/p>\n\u003cp>[aside postid='arts_13937144']She spends valuable writing time making a cake for her guest, who, when he arrives, turns out to be a man with “a healthy face and angry blue eyes.” He mentions something about how:\u003c/p>\n\u003cp>“Many people want to come here. … Many, many applications.” ”\u003c/p>\n\u003cp>“I am lucky, I know,” [murmurs our writer.]\u003c/p>\n\u003cp>The professor is that tiresome kind of guest who “could neither create conversation nor respond nor be content to have none.” That is, until he reveals himself to be a raging green-eyed monster of an academic.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This story is the only one of the three that has what I’d consider to be a happy ending. But, maybe upon rereading I’ll find still another tone lurking in Keegan’s magnificently simple, resonant sentences.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Claire+Keegan%27s+%27stories+of+women+and+men%27+explore+what+goes+wrong+between+them&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"Claire Keegan’s ‘So Late in the Day’ is a nuanced, suggestive book containing three pensive masterpieces.","status":"publish","parent":0,"modified":1705003106,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":828},"headData":{"title":"‘Stories of Women and Men’ Explores What Goes Wrong Between Them | KQED","description":"Claire Keegan’s ‘So Late in the Day’ is a nuanced, suggestive book containing three pensive masterpieces.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"‘Stories of Women and Men’ Explores What Goes Wrong Between Them","datePublished":"2023-11-13T21:04:47.000Z","dateModified":"2024-01-11T19:58:26.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Maureen Corrigan","nprImageAgency":"Grove Atlantic","nprStoryId":"1211203685","nprApiLink":"http://api.npr.org/query?id=1211203685&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2023/11/13/1211203685/claire-keegan-so-late-in-the-day-review?ft=nprml&f=1211203685","nprRetrievedStory":"1","nprPubDate":"Mon, 13 Nov 2023 14:14:00 -0500","nprStoryDate":"Mon, 13 Nov 2023 12:12:47 -0500","nprLastModifiedDate":"Mon, 13 Nov 2023 14:14:17 -0500","nprAudio":"https://play.podtrac.com/npr-1069977606/ondemand.npr.org/anon.npr-mp3/npr/fa/2023/11/20231113_fa_fbdc589b-f730-45fd-8f4a-be599cdcb7fd.mp3?orgId=427869011&topicId=1034&d=443&p=13&story=1211203685&ft=nprml&f=1211203685","nprAudioM3u":"http://api.npr.org/m3u/11212700936-154d50.m3u?orgId=427869011&topicId=1034&d=443&p=13&story=1211203685&ft=nprml&f=1211203685","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13937951/so-late-in-the-day-stories-of-women-and-men-claire-keegan-book-review","audioUrl":"https://play.podtrac.com/npr-1069977606/ondemand.npr.org/anon.npr-mp3/npr/fa/2023/11/20231113_fa_fbdc589b-f730-45fd-8f4a-be599cdcb7fd.mp3?orgId=427869011&topicId=1034&d=443&p=13&story=1211203685&ft=nprml&f=1211203685","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13937952\" class=\"wp-caption aligncenter\" style=\"max-width: 1456px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13937952\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28.jpg\" alt=\"a painting of a rail, river and long stretch of tightly packed buildings overlooking the water. \" width=\"1456\" height=\"2116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28.jpg 1456w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28-800x1163.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28-1020x1482.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28-160x233.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28-768x1116.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28-1057x1536.jpg 1057w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/thumbnail_solatedayintheday_hc-1_custom-8355d94497480f86404f46dbe16db70488602f28-1409x2048.jpg 1409w\" sizes=\"(max-width: 1456px) 100vw, 1456px\">\u003cfigcaption class=\"wp-caption-text\">‘So Late in the Day,’ by Claire Keegan. \u003ccite>(Grove Atlantic)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Claire Keegan’s newly published short story collection, \u003cem>So Late in the Day\u003c/em>, contains three tales that testify to the screwed up relations between women and men. To give you a hint about Keegan’s views on who’s to blame for that situation, be aware that when the title story was published in France earlier this year, it was called, “Misogynie.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13937655","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In that story, a Dublin office worker named Cathal is feeling the minutes drag by on a Friday afternoon. Something about the situation soon begins to seem “off.” Cathal’s boss comes over and urges him to “call it a day”; Cathal absentmindedly neglects to save the budget file he’s been working on. He refrains from checking his messages on the bus ride home, because, as we’re told, he: “found he wasn’t ready — then wondered if anyone ever was ready for what was difficult or painful.” Cathal eventually returns to his empty house and thinks about his fiancée who’s moved out.\u003c/p>\n\u003cp>On first reading we think: poor guy, he’s numb because he’s been dumped; on rereading — and Keegan is the kind of writer whose spare, slippery work you want to reread — maybe we think differently. Keegan’s sentences shape shift the second time ’round, twisting themselves into a more emotionally complicated story. For instance, here’s her brief description of how Cathal’s bus ride home ends:\u003c/p>\n\u003cblockquote>\u003cp>[A]t the stop for Jack White’s Inn, a young woman came down the aisle and sat in the vacated seat across from him. He sat breathing in her scent until it occurred to him that there must be thousands if not hundreds of thousands of women who smelled the same.\u003c/p>\u003c/blockquote>\n\u003cp>Perhaps Cathal is clumsily trying to console himself; perhaps, though, the French were onto something in entitling this story, “Misogynie.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13937277","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>It’s evident from the arrangement of this collection that Keegan’s nuanced, suggestive style is one she’s achieved over the years. The three short stories in \u003cem>So Late in the Day\u003c/em> appear in reverse chronological order, so that the last story, “Antarctica,” is the oldest, first published in 1999. It’s far from an obvious tale, but there’s a definite foreboding “woman-in-peril” vibe going on throughout “Antarctica.” In contrast, the central story of this collection, called, “The Long and Painful Death,” which was originally published in 2007, is a pensive masterpiece about male anger toward successful women and the female impulse to placate that anger.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Our unnamed heroine, a writer, has been awarded a precious two-week’s residency at the isolated Heinrich Böll house on Achill Island, a real place on Ireland’s west coast. She arrives at the house, exhausted, and falls asleep on the couch. Keegan writes that: “When she woke, she felt the tail end of a dream — a feeling, like silk — disappearing; …”\u003c/p>\n\u003cp>The house phone starts ringing and the writer, reluctantly, answers it. A man, who identifies himself as a professor of German literature, says he’s standing right outside and that he’s gotten permission to tour the house.\u003c/p>\n\u003cp>Our writer, like many women, needs more work on her personal boundaries: She puts off this unwanted visitor ’till evening; but she’s not strong enough to refuse him altogether. After she puts the phone down, we’re told that:\u003c/p>\n\u003cp>“What had begun as a fine day was still a fine day, but had changed; now that she had fixed a time, the day in some way was obliged to proceed in the direction of the German’s coming.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13937144","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>She spends valuable writing time making a cake for her guest, who, when he arrives, turns out to be a man with “a healthy face and angry blue eyes.” He mentions something about how:\u003c/p>\n\u003cp>“Many people want to come here. … Many, many applications.” ”\u003c/p>\n\u003cp>“I am lucky, I know,” [murmurs our writer.]\u003c/p>\n\u003cp>The professor is that tiresome kind of guest who “could neither create conversation nor respond nor be content to have none.” That is, until he reveals himself to be a raging green-eyed monster of an academic.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This story is the only one of the three that has what I’d consider to be a happy ending. But, maybe upon rereading I’ll find still another tone lurking in Keegan’s magnificently simple, resonant sentences.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Claire+Keegan%27s+%27stories+of+women+and+men%27+explore+what+goes+wrong+between+them&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13937951/so-late-in-the-day-stories-of-women-and-men-claire-keegan-book-review","authors":["byline_arts_13937951"],"programs":["arts_140"],"categories":["arts_1","arts_73"],"tags":["arts_1962","arts_5221","arts_585"],"affiliates":["arts_137"],"featImg":"arts_13937954","label":"arts_140"},"arts_13932259":{"type":"posts","id":"arts_13932259","meta":{"index":"posts_1591205157","site":"arts","id":"13932259","score":null,"sort":[1690582496000]},"guestAuthors":[],"slug":"beanie-babies-movie-zach-galifianakis-elizabeth-banks-sarah-snook-90s-toys","title":"‘The Beanie Bubble,’ with Zach Galifianakis, Plunges Into a Plush ‘90s Toy Craze","publishDate":1690582496,"format":"standard","headTitle":"‘The Beanie Bubble,’ with Zach Galifianakis, Plunges Into a Plush ‘90s Toy Craze | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Who knew so many movie ideas could be found while rummaging through your attic?\u003c/p>\n\u003cp>This year we’ve had movies on Tetris ( \u003cem>Tetris\u003c/em>), Nike ( \u003cem>Air\u003c/em> ), Blackberry (\u003cem>Blackberry\u003c/em>) and Cheetos (\u003ca href=\"https://www.kqed.org/arts/13930224/flamin-hot-cheetos-origin-story-movie-eva-longoria-richard-montanez\">\u003cem>Flamin’ Hot\u003c/em>\u003c/a>). The latest is \u003cem>The Beanie Bubble\u003c/em>, a comic drama about the Beanie Baby craze of the 1990s.\u003c/p>\n\u003cp>[aside postid='arts_13931753']We once debated the ethics of product placement in movies — now the product IS the movie. It may not say entirely wonderful things about our capitalistic society that we’re pumping out big-screen movies and streaming-service content that exalts the stories behind snacks, sneaks and stuffies.\u003c/p>\n\u003cp>\u003cem>The Beanie Bubble\u003c/em>, which lands on Apple TV+ Friday, may be part of a ‘20s trend but its interest is unpacking a late-20th century phenomenon and some of the women exploited along the way. Zach Galifianakis plays Ty Warner, the chief executive of Ty Inc., the maker of the stuffed animals that — thanks to a few ingenious innovations and lucky twists of fate — became, as one character says in the film, “little plush lotto tickets.”\u003c/p>\n\u003cp>With a softer, under-stuffed design, limited editions to drive up demand and the help of the then-nascent online second-hand market of eBay, Beanie fever took hold before, a few years later, dissipating as fast as it began. “We didn’t set out to make America lose its mind, but that’s what happened,” says Warner’s business partner Robbie (Elizabeth Banks).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=KV32siOI9mU\u003c/p>\n\u003cp>The backdrop is full of Clinton-era kitsch. But \u003cem>The Beanie Bubble\u003c/em> — a first feature by a pair of people with first-hand experience with the early days of the internet: Kristin Gore, daughter of Al, and Damion Kulash, lead singer of the band OK Go — is most concerned with a triptych of stories about the women who helped foster the Beanie craze but whose contributions were co-opted by Warner.\u003c/p>\n\u003cp>[aside postid='arts_13930224']They unfold in parallel storylines. There’s Banks’ Robbie, a friend and Ty Inc. co-founder who finds herself pushed out once success arrives. There’s Sheila (Sarah Snook), a single mother of two who’s initially won over by Warner’s charisma and playfulness with her children, only to eventually discover a warped, immature side to him. And there’s Maya (Geraldine Viswanathan), a young Ty Inc. hire who presciently leads the company’s lucrative dive into the internet yet is kept on an hourly wage.\u003c/p>\n\u003cp>The script, by Gore, comes from Zac Bissonnette’s 2015 book, \u003cem>The Great Beanie Bubble: Mass Delusion and the Dark Side of Cute\u003c/em>. (Warner was convicted of tax evasion in 2013.) In mixing up the Beanie Baby timeline to play out each storyline simultaneously, \u003cem>The Beanie Bubble\u003c/em> needlessly complicates itself. But it also makes a compelling reflection of history repeating itself.\u003c/p>\n\u003cp>Robbie, Sheila and Maya all follow the same arc: Initial infatuation followed by the harsher onset of reality. It’s the same story for the Beanie craze, and, as the film notes in a montage, countless other bubbles that have come and gone. America, it’s said in the film, is “the land of comebacks and second chances.” Here, that means an excuse for betray one woman after another.\u003c/p>\n\u003cfigure id=\"attachment_13932264\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13932264\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/Screen-Shot-2023-07-28-at-3.16.40-PM-800x515.png\" alt=\"An attractive woman with chin-length red hair walks through a doorway in a dark hall. She looks concerned.\" width=\"800\" height=\"515\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-28-at-3.16.40-PM-800x515.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-28-at-3.16.40-PM-1020x656.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-28-at-3.16.40-PM-160x103.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-28-at-3.16.40-PM-768x494.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-28-at-3.16.40-PM.png 1340w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sarah Snook — best known for her work in ‘Succession’ — plays a single mother of two in Apple TV+’s ‘The Beanie Bubble.’ \u003ccite>(Apple via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While those historical corollaries are neat enough, it also makes \u003cem>The Beanie Bubble\u003c/em>, well, kind of repetitive. Gore and Kulash’s film is far from the first to follow such ups and downs. Outside of some easy irony given the cuddliness of the product at hand, there may not be enough that makes this iteration of such a familiar cycle especially interesting.\u003c/p>\n\u003cp>What keeps \u003cem>The Beanie Bubble\u003c/em> from bursting, though, is the likability of its central performers. Banks, Snook and especially Viswanathan are all terrific comic actors who individually capture the exasperations of women fed up with an egotistical adolescent executive. And Galifianakis gives perhaps the best non-\u003cem>Between Two Ferns\u003c/em> performance of his career. His Warner is a man whose charm, and face lifts, steadily peel away. In Galifianakis’ long line of man-children, he’s the biggest baby of them all.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Beanie Bubble’ is streaming on Apple TV+ now.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Elizabeth Banks, Sarah Snook and Geraldine Viswanathan shine in the story of the bizarre Beanie Babies trend.","status":"publish","parent":0,"modified":1705005217,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":756},"headData":{"title":"‘The Beanie Bubble’: A Surprisingly Feminist Take on a ’90s Craze | KQED","description":"Elizabeth Banks, Sarah Snook and Geraldine Viswanathan shine in the story of the bizarre Beanie Babies trend.","ogTitle":"‘The Beanie Bubble,’ with Zach Galifianakis, Plunges Into a Plush ‘90s Toy Craze","ogDescription":"","ogImgId":"","twTitle":"‘The Beanie Bubble,’ with Zach Galifianakis, Plunges Into a Plush ‘90s Toy Craze","twDescription":"","twImgId":"","socialTitle":"‘The Beanie Bubble’: A Surprisingly Feminist Take on a ’90s Craze %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"‘The Beanie Bubble,’ with Zach Galifianakis, Plunges Into a Plush ‘90s Toy Craze","datePublished":"2023-07-28T22:14:56.000Z","dateModified":"2024-01-11T20:33:37.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"WpOldSlug":"the-beanie-bubble-with-zach-galifianakis-plunges-into-a-plush-90s-toy-craze","nprByline":"Jake Coyle, Associated Press","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13932259/beanie-babies-movie-zach-galifianakis-elizabeth-banks-sarah-snook-90s-toys","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Who knew so many movie ideas could be found while rummaging through your attic?\u003c/p>\n\u003cp>This year we’ve had movies on Tetris ( \u003cem>Tetris\u003c/em>), Nike ( \u003cem>Air\u003c/em> ), Blackberry (\u003cem>Blackberry\u003c/em>) and Cheetos (\u003ca href=\"https://www.kqed.org/arts/13930224/flamin-hot-cheetos-origin-story-movie-eva-longoria-richard-montanez\">\u003cem>Flamin’ Hot\u003c/em>\u003c/a>). The latest is \u003cem>The Beanie Bubble\u003c/em>, a comic drama about the Beanie Baby craze of the 1990s.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13931753","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>We once debated the ethics of product placement in movies — now the product IS the movie. It may not say entirely wonderful things about our capitalistic society that we’re pumping out big-screen movies and streaming-service content that exalts the stories behind snacks, sneaks and stuffies.\u003c/p>\n\u003cp>\u003cem>The Beanie Bubble\u003c/em>, which lands on Apple TV+ Friday, may be part of a ‘20s trend but its interest is unpacking a late-20th century phenomenon and some of the women exploited along the way. Zach Galifianakis plays Ty Warner, the chief executive of Ty Inc., the maker of the stuffed animals that — thanks to a few ingenious innovations and lucky twists of fate — became, as one character says in the film, “little plush lotto tickets.”\u003c/p>\n\u003cp>With a softer, under-stuffed design, limited editions to drive up demand and the help of the then-nascent online second-hand market of eBay, Beanie fever took hold before, a few years later, dissipating as fast as it began. “We didn’t set out to make America lose its mind, but that’s what happened,” says Warner’s business partner Robbie (Elizabeth Banks).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/KV32siOI9mU'\n title='//www.youtube.com/embed/KV32siOI9mU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The backdrop is full of Clinton-era kitsch. But \u003cem>The Beanie Bubble\u003c/em> — a first feature by a pair of people with first-hand experience with the early days of the internet: Kristin Gore, daughter of Al, and Damion Kulash, lead singer of the band OK Go — is most concerned with a triptych of stories about the women who helped foster the Beanie craze but whose contributions were co-opted by Warner.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13930224","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>They unfold in parallel storylines. There’s Banks’ Robbie, a friend and Ty Inc. co-founder who finds herself pushed out once success arrives. There’s Sheila (Sarah Snook), a single mother of two who’s initially won over by Warner’s charisma and playfulness with her children, only to eventually discover a warped, immature side to him. And there’s Maya (Geraldine Viswanathan), a young Ty Inc. hire who presciently leads the company’s lucrative dive into the internet yet is kept on an hourly wage.\u003c/p>\n\u003cp>The script, by Gore, comes from Zac Bissonnette’s 2015 book, \u003cem>The Great Beanie Bubble: Mass Delusion and the Dark Side of Cute\u003c/em>. (Warner was convicted of tax evasion in 2013.) In mixing up the Beanie Baby timeline to play out each storyline simultaneously, \u003cem>The Beanie Bubble\u003c/em> needlessly complicates itself. But it also makes a compelling reflection of history repeating itself.\u003c/p>\n\u003cp>Robbie, Sheila and Maya all follow the same arc: Initial infatuation followed by the harsher onset of reality. It’s the same story for the Beanie craze, and, as the film notes in a montage, countless other bubbles that have come and gone. America, it’s said in the film, is “the land of comebacks and second chances.” Here, that means an excuse for betray one woman after another.\u003c/p>\n\u003cfigure id=\"attachment_13932264\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13932264\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/Screen-Shot-2023-07-28-at-3.16.40-PM-800x515.png\" alt=\"An attractive woman with chin-length red hair walks through a doorway in a dark hall. She looks concerned.\" width=\"800\" height=\"515\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-28-at-3.16.40-PM-800x515.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-28-at-3.16.40-PM-1020x656.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-28-at-3.16.40-PM-160x103.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-28-at-3.16.40-PM-768x494.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-28-at-3.16.40-PM.png 1340w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sarah Snook — best known for her work in ‘Succession’ — plays a single mother of two in Apple TV+’s ‘The Beanie Bubble.’ \u003ccite>(Apple via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While those historical corollaries are neat enough, it also makes \u003cem>The Beanie Bubble\u003c/em>, well, kind of repetitive. Gore and Kulash’s film is far from the first to follow such ups and downs. Outside of some easy irony given the cuddliness of the product at hand, there may not be enough that makes this iteration of such a familiar cycle especially interesting.\u003c/p>\n\u003cp>What keeps \u003cem>The Beanie Bubble\u003c/em> from bursting, though, is the likability of its central performers. Banks, Snook and especially Viswanathan are all terrific comic actors who individually capture the exasperations of women fed up with an egotistical adolescent executive. And Galifianakis gives perhaps the best non-\u003cem>Between Two Ferns\u003c/em> performance of his career. His Warner is a man whose charm, and face lifts, steadily peel away. In Galifianakis’ long line of man-children, he’s the biggest baby of them all.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Beanie Bubble’ is streaming on Apple TV+ now.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13932259/beanie-babies-movie-zach-galifianakis-elizabeth-banks-sarah-snook-90s-toys","authors":["byline_arts_13932259"],"programs":["arts_140"],"categories":["arts_1","arts_74","arts_75"],"tags":["arts_8054","arts_9222","arts_2526","arts_19804","arts_1962","arts_585","arts_12859","arts_8764"],"featImg":"arts_13932260","label":"arts_140"},"arts_13931718":{"type":"posts","id":"arts_13931718","meta":{"index":"posts_1591205157","site":"arts","id":"13931718","score":null,"sort":[1689620393000]},"guestAuthors":[],"slug":"endometriosis-a-painful-often-overlooked-disease-gets-attention-in-a-new-film","title":"Endometriosis, a Painful, Often Overlooked Disease, Gets Attention in a New Film","publishDate":1689620393,"format":"aside","headTitle":"Endometriosis, a Painful, Often Overlooked Disease, Gets Attention in a New Film | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cfigure id=\"attachment_13931719\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13931719\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/btb_art_textless-smaller_custom-b72ea6874476aaf1327e6e9927a71f415da2d204-scaled-e1689619816625-800x750.jpg\" alt=\"The sweat drenched torso of a woman is viewed in close up, with seven lesions visible around the belly button. Each is circled and numbered.\" width=\"800\" height=\"750\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/btb_art_textless-smaller_custom-b72ea6874476aaf1327e6e9927a71f415da2d204-scaled-e1689619816625-800x750.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/btb_art_textless-smaller_custom-b72ea6874476aaf1327e6e9927a71f415da2d204-scaled-e1689619816625-1020x956.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/btb_art_textless-smaller_custom-b72ea6874476aaf1327e6e9927a71f415da2d204-scaled-e1689619816625-160x150.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/btb_art_textless-smaller_custom-b72ea6874476aaf1327e6e9927a71f415da2d204-scaled-e1689619816625-768x720.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/btb_art_textless-smaller_custom-b72ea6874476aaf1327e6e9927a71f415da2d204-scaled-e1689619816625-1536x1440.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/btb_art_textless-smaller_custom-b72ea6874476aaf1327e6e9927a71f415da2d204-scaled-e1689619816625.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Below the Belt’ is a documentary about endometriosis. \u003ccite>(‘Below the Belt’)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jenneh Rishe, a registered nurse, is not the type to let a health mystery go unsolved.\u003c/p>\n\u003cp>At age 30 and living in Los Angeles, she was determined to suss out the cause of the abdominal pain that sent her to the ER seven times in two years, as well as other symptoms like shortness of breath. She’d seen specialists including OB/GYNs pulmonologists and cardiologists. But the tests always came back normal.\u003c/p>\n\u003cp>[aside postid='arts_13914530']“I thought maybe I’m dying or I have some kind of rare disease. But then I go online and find millions of women are going through exactly what I’m going through,” Rishe explained.\u003c/p>\n\u003cp>She shared the story in the first few minutes of \u003cem>Below the Belt: The Last Health Taboo,\u003c/em> a \u003ca href=\"https://www.belowthebelt.film/\">new documentary\u003c/a> that follows four people on a years-long search for effective treatment for endometriosis.\u003c/p>\n\u003cp>This chronic inflammatory disease, which often causes severe pain during menstruation, is often poorly understood. People with endometriosis have tissue similar to that found in the uterine lining growing outside of the uterus, sometimes on the ovaries, fallopian tubes, bowel or other organs.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In addition to sometimes debilitating menstrual pain, it can cause heavy bleeding and infertility. In one international study, \u003ca href=\"https://pubmed.ncbi.nlm.nih.gov/21718982/\">women lost an average of 10.8 hours per week of work\u003c/a> due to endometriosis symptoms.\u003c/p>\n\u003cp>“Even though endometriosis feels like a strange, foreign word and unfriendly to most people who’ve never heard of it, the fact of the matter is that it affects everyone,” said the film’s director Shannon Cohn, in an interview with NPR. “Either you have it or you love someone who has it.”\u003c/p>\n\u003cp>The disease affects an estimated 1 in 10 women of reproductive age according to the American College of Obstetricians and Gynecologists. Cohn says ignorance around the disease — both in the public and among medical professionals — is the result of historic undervaluing and underfunding of women’s health care.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Z39-b4v6L1U\u003c/p>\n\u003cp>\u003cem>Below the Belt\u003c/em> aired on PBS last month is \u003ca href=\"https://www.pbs.org/show/below-belt-last-health-taboo/\">available to stream for free at PBS.org\u003c/a> and on the PBS streaming service until July 10, 2023.\u003c/p>\n\u003cp>Here are seven big takeaways from watching the film and speaking with Cohn.\u003c/p>\n\u003ch3>1. Endometriosis isn’t ‘just bad periods’\u003c/h3>\n\u003cp>“My first symptoms were actually GI symptoms,” says Cohn, who began experiencing symptoms at the age of 16. “I ran the whole gamut of why do I have stomach aches all the time? And that’s actually quite common that a lot of people with endometriosis first present with GI symptoms instead of painful periods,” says Cohn.\u003c/p>\n\u003cp>Other common symptoms include migraines, painful intercourse, chronic fatigue, abdominal swelling, and pelvic pain throughout the cycle.\u003c/p>\n\u003cp>The wide variety of symptoms can make it hard to diagnose — a doctor must perform surgery to make a definitive diagnosis. It typically takes a patient anywhere from\u003ca href=\"https://pubmed.ncbi.nlm.nih.gov/30625295/\"> four to 10 years from first experiencing symptoms\u003c/a> to receive an accurate diagnosis.\u003c/p>\n\u003ch3>2. Commonly prescribed meds often do little to help\u003c/h3>\n\u003cp>If a patient shows up at their OB/GYN’s office complaining of painful menstruation or other problems that appear or worsen during their period, the doctor typically prescribes medication to suppress the hormonal cycle — often a hormonal contraceptive such as a birth control pill. These medications mitigate symptoms by allowing the patient to have a lighter period, or stop the cycle entirely.\u003c/p>\n\u003cp>[aside postid='arts_13930824']It’s important to understand that if a patient has endometriosis, hormonal medications don’t actually treat the disease, says Iris Orbuch, an endometriosis specialist who appears in the film. “We’re using the same medicines that have been around for about 30 years. They don’t make endometriosis go away, they don’t melt endometriosis,” Orbuch said in the film. “But the side effects are probably worse than the benefits that the women are receiving from the medicine.”\u003c/p>\n\u003cp>Patients interviewed for the film describe side effects including brittle teeth, hot flashes, depression and “PMS on steroids, on crack, on cocaine, and every possible stimulant.”\u003c/p>\n\u003ch3>3. A hysterectomy won’t cure endometriosis. Neither will pregnancy\u003c/h3>\n\u003cfigure id=\"attachment_13931723\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13931723\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/brian-laura-hospital0_custom-438703e6f039925555c99e8d9a3a961a643298a5-800x521.jpg\" alt=\"A young woman wearing glasses lies in a hospital bed, visibly in pain, while an older man strokes her hair and kisses her forehead.\" width=\"800\" height=\"521\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/brian-laura-hospital0_custom-438703e6f039925555c99e8d9a3a961a643298a5-800x521.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/brian-laura-hospital0_custom-438703e6f039925555c99e8d9a3a961a643298a5-1020x664.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/brian-laura-hospital0_custom-438703e6f039925555c99e8d9a3a961a643298a5-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/brian-laura-hospital0_custom-438703e6f039925555c99e8d9a3a961a643298a5-768x500.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/brian-laura-hospital0_custom-438703e6f039925555c99e8d9a3a961a643298a5-1536x1000.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/brian-laura-hospital0_custom-438703e6f039925555c99e8d9a3a961a643298a5.jpg 1656w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A still from ‘Below the Belt’ shows Laura Cone of Saskatchewan, Canada with her father. She had four ablation surgeries with general OB/GYNs, but her condition kept deteriorating until she found a surgeon who did excision surgery. \u003ccite>(‘Below the Belt’)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Over 100,000 hysterectomies are performed every year for the disease and … most are unnecessary,” says \u003ca href=\"https://centerforendo.com/introduction-to-the-staff\">Heather Guidone\u003c/a>, surgical program director at the Center for Endometriosis Care in Atlanta, Ga. Another common myth is that if a person with endometriosis gets pregnant, their symptoms won’t return after their cycle resumes.\u003c/p>\n\u003cp>Guidone says the idea that both these false notions are based on an outdated theory that says if you stop periods, the disease goes away. A study of endometriosis patients who had hysterectomies and took painkillers \u003ca href=\"https://obgyn.onlinelibrary.wiley.com/doi/full/10.1111/1471-0528.16469\">showed no reduction in the amount of opioid and non-opioid painkillers\u003c/a> prescribed in the three years after surgery.\u003c/p>\n\u003cp>Why? One theory about the origin of endometriosis is that it’s the result of retrograde menstruation — meaning that during menstruation, some of the shed uterine lining travels through the fallopian tubes and implants in places where it shouldn’t be. People who ascribe to this theory think hysterectomy would help but still is not a cure.\u003c/p>\n\u003cp>But other surgeons like \u003ca href=\"https://endopaedia.info/redwine.html\">David Redwine\u003c/a>, who also appears in the film, point to evidence that endometriosis tissue actually appears during embryonic development. And so removing the uterus wouldn’t affect that tissue that’s been there since birth.\u003c/p>\n\u003cp>A hysterectomy is, however, the definitive treatment for adenomyosis — a disease where tissue from the uterine lining invades the muscle wall of the uterus. Adenomyosis also causes painful menstruation and infertility, and \u003ca href=\"https://nancysnookendo.com/hysterectomy-and-endometriosis/\">many patients have both conditions\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=m28VUzDyaSs\u003c/p>\n\u003ch3>4. Endometriosis is responsible for up to 50% of infertility,\u003c/h3>\n\u003cp>Another of the film’s subjects is \u003ca href=\"https://www.kyung.com/\">Kyung Jeon-Miranda\u003c/a>, a Brooklyn-based artist whose paintings, featured in \u003cem>Below the Belt,\u003c/em> reflect her struggles with fertility and longing for motherhood. Jeon says she was told in her early twenties that she’d never be able to conceive. But at 39, she and her husband are trying for a baby.\u003c/p>\n\u003cp>\u003ca href=\"https://www.reproductivefacts.org/news-and-publications/fact-sheets-and-infographics/endometriosis-does-it-cause-infertility/\">Endometriosis can negatively impact fertility in several ways\u003c/a> including distorting the anatomy of the pelvis, causing scarring on the fallopian tubes and ovaries, changing the hormonal environment, and altering the functioning of the immune system. Surgery to remove endometriosis and fertility treatments may increase the likelihood of a successful pregnancy.\u003c/p>\n\u003ch3>5. Most surgeons are doing endometriosis surgery wrong\u003c/h3>\n\u003cp>\u003cem>Below the Belt\u003c/em> subject Laura Cone, 28, of Saskatchewan, Canada, had four surgeries with general OB/GYNs. But her condition kept deteriorating, impacting her ability to drive and run her business. Laura’s doctors had performed ablation — where an instrument is used to incinerate visible endometriosis tissue.\u003c/p>\n\u003cp>While ablation is the most common type of endometriosis surgery, it misses tissue hidden from the naked eye. Like Cone, many patients return for repeat ablations after their symptoms resume.\u003c/p>\n\u003cp>[aside postid='arts_13912974']“I use the analogy, if you have cancer and you have a tumor, do you want someone who’s not a specialist to burn off the surface of that tumor, or do you want a specialist to go in and cut it out?” the film’s director Cohn says.\u003c/p>\n\u003cp>The gold standard method of surgery is excision, where a surgeon removes endometriosis lesions and often adjacent tissue. Studies show a \u003ca href=\"https://pubmed.ncbi.nlm.nih.gov/28456617/\">greater reduction in symptoms\u003c/a> after excision compared with ablation, and fewer patients come back for repeat surgeries.\u003c/p>\n\u003cp>While many OB/GYNs who see patients for routine care perform ablation, excision surgery is done by surgeons with specialized training. And many of these specialists do not accept health insurance.\u003c/p>\n\u003cp>As the film explains, the medical billing codes for the two types of surgery are the same — even though ablation is typically performed in under an hour, while excision can take four hours or more. “You have a whole staff who are depending on you to pay their salaries and you have to pay the light bill,” says Ted Anderson, past president of ACOG, in the film. “There are a lot of economic pressures as well as do-the-right-thing-pressures.”\u003c/p>\n\u003cp>In the film, Cone’s father says he took out a second mortgage to raise the $25,000 needed to pay for his daughter’s excision surgery in the U.S.\u003c/p>\n\u003cp>There are surgeons qualified to do excision at teaching hospitals, Cohn points out, who do accept health insurance.\u003c/p>\n\u003ch3>6. To get proper care, patients need to take their health into their own hands.\u003c/h3>\n\u003cp>Both Laura Cone and Jenneh Rishe learned about excision surgery from other patients on the internet. Facebook groups like \u003ca href=\"https://www.facebook.com/groups/289078084538377\">Endometropolis \u003c/a>and \u003ca href=\"https://www.facebook.com/groups/418136991574617\">Nancy’s Nook\u003c/a> provide forums for patients to ask questions, compare experiences, recommend doctors, and even share surgery photos. Endometriosis specialists and nurses often answer questions in these groups as well. TikTok videos about endometriosis\u003ca href=\"https://www.newsweek.com/below-belt-endometriosis-movie-documentary-director-interview-1710510\"> have over 1 billion views\u003c/a>.\u003c/p>\n\u003cp>[aside postid='news_11951879']“When you’re not getting the answers that you need and, and want from a health care provider, you’re going to go somewhere else,” says Cohn. “Of course there’s misinformation everywhere and that includes online … But you can do some digging and try to put the pieces together and learn from other people who have been in your position,” she says.\u003c/p>\n\u003cp>Cohn also encourages patients to ask pointed questions in their doctors’ appointments, especially when considering surgery. She recommends asking the surgeon if they do excision, and how frequently they perform endometriosis surgery; as well as talking to other patients who have had surgeries performed by the specialist you’re working with.\u003c/p>\n\u003cp>In general, the earlier a patient receives excision surgery, the less they will suffer, because the symptoms tend to get worse over the female reproductive years. Endometriosis patients may find relief for their symptoms by many means, including \u003ca href=\"https://health.clevelandclinic.org/endometriosis-diet/\">changes to diet\u003c/a> and exercise, and receiving\u003ca href=\"https://www.sideeffectspublicmedia.org/personal-health/2013-12-29/can-abdominal-massage-help-painful-menstruation\"> massage\u003c/a> and \u003ca href=\"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5659600/\">acupuncture\u003c/a>. But experts say only excision surgery can halt progression of the disease.\u003c/p>\n\u003ch3>7. A bipartisan effort is working to secure more funding for endometriosis research.\u003c/h3>\n\u003cp>Emily Hatch, the youngest of the film’s subjects, is a high school senior from Massachusetts whose endometriosis threatens her ability to attend college. In one scene, Emily’s mother is on the phone with then Utah Senator Orrin Hatch — Emily’s grandfather. He says he wants to help.\u003c/p>\n\u003cp>Emily Hatch and her mother along with Project Endo, the organization behind \u003cem>Below the Belt,\u003c/em> worked with Senators Hatch and Sen. Elizabeth Warren to get \u003ca href=\"https://www.projectendo.org/research-funding\">$9.2 million in funding from the Department of Defense allocated for endometriosis research\u003c/a> in 2018. After Hatch’s retirement in 2019, Sen. Mitt Romney has worked alongside Warren to press for funding from the National Institutes of Health.\u003c/p>\n\u003cp>[aside postid='arts_13931543']This March, Warren and Romney \u003ca href=\"https://thehill.com/blogs/in-the-know/3881454-senate-screening-of-below-the-belt-spotlights-fight-against-endometriosis/\">hosted a screening of the documentary\u003c/a> before the Senate. Hillary Clinton is one of the film’s executive producers.\u003c/p>\n\u003cp>Cohn says more research funding is sorely needed to address the disease’s many unknowns. “I hope that we can do things like trying to find … what is actually causing endometriosis. Because until we find that out, it’s hard to really find ways to treat it. I hope that we can find a non-invasive diagnostic tool, so that women don’t have to go years and years without understanding what is going on in their body. I hope that research can yield non-hormonal treatment options,” Cohn says.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Andrea Muraskin is a podcast producer and writer living in Boston. She writes the NPR Health newsletter, and is the host and creator of the podcast\u003c/em>\u003ca href=\"https://www.andreamuraskin.com/lady-parts-podcast\">\u003cem> LADYPARTS: Taking a Wide View on Women’s Health\u003c/em>\u003c/a>\u003cem>. \u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Endometriosis%2C+a+painful+and+often+overlooked+disease%2C+gets+attention+in+a+new+film&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"‘Below the Belt’ highlights patients' stories and the push for new research dollars for this poorly understood disease.","status":"publish","parent":0,"modified":1705005266,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":42,"wordCount":2074},"headData":{"title":"’Below the Belt’ Documentary Highlights Pain of Endometriosis | KQED","description":"‘Below the Belt’ highlights patients' stories and the push for new research dollars for this poorly understood disease.","ogTitle":"Endometriosis, a Painful, Often Overlooked Disease, Gets Attention in a New Film","ogDescription":"","ogImgId":"","twTitle":"Endometriosis, a Painful, Often Overlooked Disease, Gets Attention in a New Film","twDescription":"","twImgId":"","socialTitle":"’Below the Belt’ Documentary Highlights Pain of Endometriosis %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Endometriosis, a Painful, Often Overlooked Disease, Gets Attention in a New Film","datePublished":"2023-07-17T18:59:53.000Z","dateModified":"2024-01-11T20:34:26.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Andrea Muraskin","nprImageAgency":"Below the Belt","nprStoryId":"1186533247","nprApiLink":"http://api.npr.org/query?id=1186533247&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/sections/health-shots/2023/07/16/1186533247/endometriosis-a-painful-and-often-overlooked-disease-gets-attention-in-a-new-fil?ft=nprml&f=1186533247","nprRetrievedStory":"1","nprPubDate":"Mon, 17 Jul 2023 08:05:00 -0400","nprStoryDate":"Sun, 16 Jul 2023 06:00:21 -0400","nprLastModifiedDate":"Mon, 17 Jul 2023 08:05:06 -0400","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13931718/endometriosis-a-painful-often-overlooked-disease-gets-attention-in-a-new-film","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13931719\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13931719\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/btb_art_textless-smaller_custom-b72ea6874476aaf1327e6e9927a71f415da2d204-scaled-e1689619816625-800x750.jpg\" alt=\"The sweat drenched torso of a woman is viewed in close up, with seven lesions visible around the belly button. Each is circled and numbered.\" width=\"800\" height=\"750\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/btb_art_textless-smaller_custom-b72ea6874476aaf1327e6e9927a71f415da2d204-scaled-e1689619816625-800x750.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/btb_art_textless-smaller_custom-b72ea6874476aaf1327e6e9927a71f415da2d204-scaled-e1689619816625-1020x956.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/btb_art_textless-smaller_custom-b72ea6874476aaf1327e6e9927a71f415da2d204-scaled-e1689619816625-160x150.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/btb_art_textless-smaller_custom-b72ea6874476aaf1327e6e9927a71f415da2d204-scaled-e1689619816625-768x720.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/btb_art_textless-smaller_custom-b72ea6874476aaf1327e6e9927a71f415da2d204-scaled-e1689619816625-1536x1440.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/btb_art_textless-smaller_custom-b72ea6874476aaf1327e6e9927a71f415da2d204-scaled-e1689619816625.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Below the Belt’ is a documentary about endometriosis. \u003ccite>(‘Below the Belt’)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jenneh Rishe, a registered nurse, is not the type to let a health mystery go unsolved.\u003c/p>\n\u003cp>At age 30 and living in Los Angeles, she was determined to suss out the cause of the abdominal pain that sent her to the ER seven times in two years, as well as other symptoms like shortness of breath. She’d seen specialists including OB/GYNs pulmonologists and cardiologists. But the tests always came back normal.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13914530","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“I thought maybe I’m dying or I have some kind of rare disease. But then I go online and find millions of women are going through exactly what I’m going through,” Rishe explained.\u003c/p>\n\u003cp>She shared the story in the first few minutes of \u003cem>Below the Belt: The Last Health Taboo,\u003c/em> a \u003ca href=\"https://www.belowthebelt.film/\">new documentary\u003c/a> that follows four people on a years-long search for effective treatment for endometriosis.\u003c/p>\n\u003cp>This chronic inflammatory disease, which often causes severe pain during menstruation, is often poorly understood. People with endometriosis have tissue similar to that found in the uterine lining growing outside of the uterus, sometimes on the ovaries, fallopian tubes, bowel or other organs.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In addition to sometimes debilitating menstrual pain, it can cause heavy bleeding and infertility. In one international study, \u003ca href=\"https://pubmed.ncbi.nlm.nih.gov/21718982/\">women lost an average of 10.8 hours per week of work\u003c/a> due to endometriosis symptoms.\u003c/p>\n\u003cp>“Even though endometriosis feels like a strange, foreign word and unfriendly to most people who’ve never heard of it, the fact of the matter is that it affects everyone,” said the film’s director Shannon Cohn, in an interview with NPR. “Either you have it or you love someone who has it.”\u003c/p>\n\u003cp>The disease affects an estimated 1 in 10 women of reproductive age according to the American College of Obstetricians and Gynecologists. Cohn says ignorance around the disease — both in the public and among medical professionals — is the result of historic undervaluing and underfunding of women’s health care.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Z39-b4v6L1U'\n title='//www.youtube.com/embed/Z39-b4v6L1U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Below the Belt\u003c/em> aired on PBS last month is \u003ca href=\"https://www.pbs.org/show/below-belt-last-health-taboo/\">available to stream for free at PBS.org\u003c/a> and on the PBS streaming service until July 10, 2023.\u003c/p>\n\u003cp>Here are seven big takeaways from watching the film and speaking with Cohn.\u003c/p>\n\u003ch3>1. Endometriosis isn’t ‘just bad periods’\u003c/h3>\n\u003cp>“My first symptoms were actually GI symptoms,” says Cohn, who began experiencing symptoms at the age of 16. “I ran the whole gamut of why do I have stomach aches all the time? And that’s actually quite common that a lot of people with endometriosis first present with GI symptoms instead of painful periods,” says Cohn.\u003c/p>\n\u003cp>Other common symptoms include migraines, painful intercourse, chronic fatigue, abdominal swelling, and pelvic pain throughout the cycle.\u003c/p>\n\u003cp>The wide variety of symptoms can make it hard to diagnose — a doctor must perform surgery to make a definitive diagnosis. It typically takes a patient anywhere from\u003ca href=\"https://pubmed.ncbi.nlm.nih.gov/30625295/\"> four to 10 years from first experiencing symptoms\u003c/a> to receive an accurate diagnosis.\u003c/p>\n\u003ch3>2. Commonly prescribed meds often do little to help\u003c/h3>\n\u003cp>If a patient shows up at their OB/GYN’s office complaining of painful menstruation or other problems that appear or worsen during their period, the doctor typically prescribes medication to suppress the hormonal cycle — often a hormonal contraceptive such as a birth control pill. These medications mitigate symptoms by allowing the patient to have a lighter period, or stop the cycle entirely.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13930824","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>It’s important to understand that if a patient has endometriosis, hormonal medications don’t actually treat the disease, says Iris Orbuch, an endometriosis specialist who appears in the film. “We’re using the same medicines that have been around for about 30 years. They don’t make endometriosis go away, they don’t melt endometriosis,” Orbuch said in the film. “But the side effects are probably worse than the benefits that the women are receiving from the medicine.”\u003c/p>\n\u003cp>Patients interviewed for the film describe side effects including brittle teeth, hot flashes, depression and “PMS on steroids, on crack, on cocaine, and every possible stimulant.”\u003c/p>\n\u003ch3>3. A hysterectomy won’t cure endometriosis. Neither will pregnancy\u003c/h3>\n\u003cfigure id=\"attachment_13931723\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13931723\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/brian-laura-hospital0_custom-438703e6f039925555c99e8d9a3a961a643298a5-800x521.jpg\" alt=\"A young woman wearing glasses lies in a hospital bed, visibly in pain, while an older man strokes her hair and kisses her forehead.\" width=\"800\" height=\"521\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/brian-laura-hospital0_custom-438703e6f039925555c99e8d9a3a961a643298a5-800x521.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/brian-laura-hospital0_custom-438703e6f039925555c99e8d9a3a961a643298a5-1020x664.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/brian-laura-hospital0_custom-438703e6f039925555c99e8d9a3a961a643298a5-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/brian-laura-hospital0_custom-438703e6f039925555c99e8d9a3a961a643298a5-768x500.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/brian-laura-hospital0_custom-438703e6f039925555c99e8d9a3a961a643298a5-1536x1000.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/brian-laura-hospital0_custom-438703e6f039925555c99e8d9a3a961a643298a5.jpg 1656w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A still from ‘Below the Belt’ shows Laura Cone of Saskatchewan, Canada with her father. She had four ablation surgeries with general OB/GYNs, but her condition kept deteriorating until she found a surgeon who did excision surgery. \u003ccite>(‘Below the Belt’)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Over 100,000 hysterectomies are performed every year for the disease and … most are unnecessary,” says \u003ca href=\"https://centerforendo.com/introduction-to-the-staff\">Heather Guidone\u003c/a>, surgical program director at the Center for Endometriosis Care in Atlanta, Ga. Another common myth is that if a person with endometriosis gets pregnant, their symptoms won’t return after their cycle resumes.\u003c/p>\n\u003cp>Guidone says the idea that both these false notions are based on an outdated theory that says if you stop periods, the disease goes away. A study of endometriosis patients who had hysterectomies and took painkillers \u003ca href=\"https://obgyn.onlinelibrary.wiley.com/doi/full/10.1111/1471-0528.16469\">showed no reduction in the amount of opioid and non-opioid painkillers\u003c/a> prescribed in the three years after surgery.\u003c/p>\n\u003cp>Why? One theory about the origin of endometriosis is that it’s the result of retrograde menstruation — meaning that during menstruation, some of the shed uterine lining travels through the fallopian tubes and implants in places where it shouldn’t be. People who ascribe to this theory think hysterectomy would help but still is not a cure.\u003c/p>\n\u003cp>But other surgeons like \u003ca href=\"https://endopaedia.info/redwine.html\">David Redwine\u003c/a>, who also appears in the film, point to evidence that endometriosis tissue actually appears during embryonic development. And so removing the uterus wouldn’t affect that tissue that’s been there since birth.\u003c/p>\n\u003cp>A hysterectomy is, however, the definitive treatment for adenomyosis — a disease where tissue from the uterine lining invades the muscle wall of the uterus. Adenomyosis also causes painful menstruation and infertility, and \u003ca href=\"https://nancysnookendo.com/hysterectomy-and-endometriosis/\">many patients have both conditions\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/m28VUzDyaSs'\n title='//www.youtube.com/embed/m28VUzDyaSs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch3>4. Endometriosis is responsible for up to 50% of infertility,\u003c/h3>\n\u003cp>Another of the film’s subjects is \u003ca href=\"https://www.kyung.com/\">Kyung Jeon-Miranda\u003c/a>, a Brooklyn-based artist whose paintings, featured in \u003cem>Below the Belt,\u003c/em> reflect her struggles with fertility and longing for motherhood. Jeon says she was told in her early twenties that she’d never be able to conceive. But at 39, she and her husband are trying for a baby.\u003c/p>\n\u003cp>\u003ca href=\"https://www.reproductivefacts.org/news-and-publications/fact-sheets-and-infographics/endometriosis-does-it-cause-infertility/\">Endometriosis can negatively impact fertility in several ways\u003c/a> including distorting the anatomy of the pelvis, causing scarring on the fallopian tubes and ovaries, changing the hormonal environment, and altering the functioning of the immune system. Surgery to remove endometriosis and fertility treatments may increase the likelihood of a successful pregnancy.\u003c/p>\n\u003ch3>5. Most surgeons are doing endometriosis surgery wrong\u003c/h3>\n\u003cp>\u003cem>Below the Belt\u003c/em> subject Laura Cone, 28, of Saskatchewan, Canada, had four surgeries with general OB/GYNs. But her condition kept deteriorating, impacting her ability to drive and run her business. Laura’s doctors had performed ablation — where an instrument is used to incinerate visible endometriosis tissue.\u003c/p>\n\u003cp>While ablation is the most common type of endometriosis surgery, it misses tissue hidden from the naked eye. Like Cone, many patients return for repeat ablations after their symptoms resume.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13912974","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“I use the analogy, if you have cancer and you have a tumor, do you want someone who’s not a specialist to burn off the surface of that tumor, or do you want a specialist to go in and cut it out?” the film’s director Cohn says.\u003c/p>\n\u003cp>The gold standard method of surgery is excision, where a surgeon removes endometriosis lesions and often adjacent tissue. Studies show a \u003ca href=\"https://pubmed.ncbi.nlm.nih.gov/28456617/\">greater reduction in symptoms\u003c/a> after excision compared with ablation, and fewer patients come back for repeat surgeries.\u003c/p>\n\u003cp>While many OB/GYNs who see patients for routine care perform ablation, excision surgery is done by surgeons with specialized training. And many of these specialists do not accept health insurance.\u003c/p>\n\u003cp>As the film explains, the medical billing codes for the two types of surgery are the same — even though ablation is typically performed in under an hour, while excision can take four hours or more. “You have a whole staff who are depending on you to pay their salaries and you have to pay the light bill,” says Ted Anderson, past president of ACOG, in the film. “There are a lot of economic pressures as well as do-the-right-thing-pressures.”\u003c/p>\n\u003cp>In the film, Cone’s father says he took out a second mortgage to raise the $25,000 needed to pay for his daughter’s excision surgery in the U.S.\u003c/p>\n\u003cp>There are surgeons qualified to do excision at teaching hospitals, Cohn points out, who do accept health insurance.\u003c/p>\n\u003ch3>6. To get proper care, patients need to take their health into their own hands.\u003c/h3>\n\u003cp>Both Laura Cone and Jenneh Rishe learned about excision surgery from other patients on the internet. Facebook groups like \u003ca href=\"https://www.facebook.com/groups/289078084538377\">Endometropolis \u003c/a>and \u003ca href=\"https://www.facebook.com/groups/418136991574617\">Nancy’s Nook\u003c/a> provide forums for patients to ask questions, compare experiences, recommend doctors, and even share surgery photos. Endometriosis specialists and nurses often answer questions in these groups as well. TikTok videos about endometriosis\u003ca href=\"https://www.newsweek.com/below-belt-endometriosis-movie-documentary-director-interview-1710510\"> have over 1 billion views\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11951879","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“When you’re not getting the answers that you need and, and want from a health care provider, you’re going to go somewhere else,” says Cohn. “Of course there’s misinformation everywhere and that includes online … But you can do some digging and try to put the pieces together and learn from other people who have been in your position,” she says.\u003c/p>\n\u003cp>Cohn also encourages patients to ask pointed questions in their doctors’ appointments, especially when considering surgery. She recommends asking the surgeon if they do excision, and how frequently they perform endometriosis surgery; as well as talking to other patients who have had surgeries performed by the specialist you’re working with.\u003c/p>\n\u003cp>In general, the earlier a patient receives excision surgery, the less they will suffer, because the symptoms tend to get worse over the female reproductive years. Endometriosis patients may find relief for their symptoms by many means, including \u003ca href=\"https://health.clevelandclinic.org/endometriosis-diet/\">changes to diet\u003c/a> and exercise, and receiving\u003ca href=\"https://www.sideeffectspublicmedia.org/personal-health/2013-12-29/can-abdominal-massage-help-painful-menstruation\"> massage\u003c/a> and \u003ca href=\"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5659600/\">acupuncture\u003c/a>. But experts say only excision surgery can halt progression of the disease.\u003c/p>\n\u003ch3>7. A bipartisan effort is working to secure more funding for endometriosis research.\u003c/h3>\n\u003cp>Emily Hatch, the youngest of the film’s subjects, is a high school senior from Massachusetts whose endometriosis threatens her ability to attend college. In one scene, Emily’s mother is on the phone with then Utah Senator Orrin Hatch — Emily’s grandfather. He says he wants to help.\u003c/p>\n\u003cp>Emily Hatch and her mother along with Project Endo, the organization behind \u003cem>Below the Belt,\u003c/em> worked with Senators Hatch and Sen. Elizabeth Warren to get \u003ca href=\"https://www.projectendo.org/research-funding\">$9.2 million in funding from the Department of Defense allocated for endometriosis research\u003c/a> in 2018. After Hatch’s retirement in 2019, Sen. Mitt Romney has worked alongside Warren to press for funding from the National Institutes of Health.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13931543","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>This March, Warren and Romney \u003ca href=\"https://thehill.com/blogs/in-the-know/3881454-senate-screening-of-below-the-belt-spotlights-fight-against-endometriosis/\">hosted a screening of the documentary\u003c/a> before the Senate. Hillary Clinton is one of the film’s executive producers.\u003c/p>\n\u003cp>Cohn says more research funding is sorely needed to address the disease’s many unknowns. “I hope that we can do things like trying to find … what is actually causing endometriosis. Because until we find that out, it’s hard to really find ways to treat it. I hope that we can find a non-invasive diagnostic tool, so that women don’t have to go years and years without understanding what is going on in their body. I hope that research can yield non-hormonal treatment options,” Cohn says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Andrea Muraskin is a podcast producer and writer living in Boston. She writes the NPR Health newsletter, and is the host and creator of the podcast\u003c/em>\u003ca href=\"https://www.andreamuraskin.com/lady-parts-podcast\">\u003cem> LADYPARTS: Taking a Wide View on Women’s Health\u003c/em>\u003c/a>\u003cem>. \u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Endometriosis%2C+a+painful+and+often+overlooked+disease%2C+gets+attention+in+a+new+film&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13931718/endometriosis-a-painful-often-overlooked-disease-gets-attention-in-a-new-film","authors":["byline_arts_13931718"],"categories":["arts_1","arts_74"],"tags":["arts_7570","arts_1934","arts_1962","arts_9598","arts_4565","arts_5826","arts_973","arts_9325"],"affiliates":["arts_137"],"featImg":"arts_13931719","label":"arts_137"},"arts_13931108":{"type":"posts","id":"arts_13931108","meta":{"index":"posts_1591205157","site":"arts","id":"13931108","score":null,"sort":[1688569380000]},"guestAuthors":[],"slug":"whats-pimpin-madlines-coco-peila-ryannicole-dregs-one-ian-kelly","title":"Watch: 'What's Pimpin'?' Dives Into Masculinity, Dating with Dregs One, Ian Kelly","publishDate":1688569380,"format":"video","headTitle":"Watch: ‘What’s Pimpin’?’ Dives Into Masculinity, Dating with Dregs One, Ian Kelly | KQED","labelTerm":{},"content":"\u003cp>\u003cb>\u003ci>Editor’s note:\u003c/i>\u003c/b>\u003ci> This story is part of\u003c/i>\u003ca href=\"http://kqed.org/bayareahiphop\"> That’s My Word\u003c/a>\u003ci>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop history\u003c/a>, with new content dropping all throughout 2023. [aside postid='arts_13930886,arts_13931295,arts_13930867']\u003c/i>\u003c/p>\n\u003cp>Growing up in Oakland and San Francisco respectively, hip-hop artists \u003ca href=\"https://www.instagram.com/firstnameian/?hl=en\">Ian Kelly\u003c/a> and \u003ca href=\"https://www.instagram.com/dregs_one/?hl=en\">Dregs One\u003c/a> witnessed their peers enter the sex trade to make a living — a reality reflected in, and sometimes glamorized by, music and pop culture.\u003c/p>\n\u003cp>In a candid discussion with hosts \u003ca href=\"https://www.instagram.com/mad.lines/\">Maddy Clifford\u003c/a>, \u003ca href=\"https://www.msryannicole.com/\">RyanNicole\u003c/a> and \u003ca href=\"https://www.cocopeila.com/\">Coco Peila\u003c/a>, Dregs and Kelly share how growing up around pimping impacted their views of masculinity and relationships, and shaped the messages they now share in their music.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13930886/madlines-coco-peila-ryannicole-whats-pimpin-vodcast-1\">Catch up on episode one here\u003c/a> and stay tuned for the final episode of this three-part series dropping on July 12. \u003cem>— Nastia Voynovskaya, lead producer\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-11687704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_-800x60.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>If you or anyone you know is experiencing sexual violence, you can get free, confidential help at the RAINN hotline at 800-656-4673 or via chat at online.rainn.org. The National Human Trafficking Hotline is available at 1-888-373-7888 or via text message at 233733.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The two hip-hop artists get into how growing up around pimping impacted their views on relationships.","status":"publish","parent":0,"modified":1705005314,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":197},"headData":{"title":"What's Pimpin'? Dregs One, Ian Kelly on Bay Area Dating, Pimp Culture | KQED","description":"The two hip-hop artists get into how growing up around pimping impacted their views on relationships.","ogTitle":"Watch: 'What's Pimpin'?' Dives Into Masculinity and Dating with Dregs One, Ian Kelly","ogDescription":"","ogImgId":"arts_13931140","twTitle":"Watch: 'What's Pimpin'?' Dives Into Masculinity and Dating with Dregs One, Ian Kelly","twDescription":"","twImgId":"arts_13931140","socialTitle":"What's Pimpin'? Dregs One, Ian Kelly on Bay Area Dating, Pimp Culture%%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Watch: 'What's Pimpin'?' Dives Into Masculinity, Dating with Dregs One, Ian Kelly","datePublished":"2023-07-05T15:03:00.000Z","dateModified":"2024-01-11T20:35:14.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"videoEmbed":"https://youtu.be/ORp7VKY483I","source":"That's My Word","sourceUrl":"https://www.kqed.org/bayareahiphop","sticky":false,"nprByline":"KQED Arts & Culture","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"Yes","articleAge":"0","path":"/arts/13931108/whats-pimpin-madlines-coco-peila-ryannicole-dregs-one-ian-kelly","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>\u003ci>Editor’s note:\u003c/i>\u003c/b>\u003ci> This story is part of\u003c/i>\u003ca href=\"http://kqed.org/bayareahiphop\"> That’s My Word\u003c/a>\u003ci>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop history\u003c/a>, with new content dropping all throughout 2023. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13930886,arts_13931295,arts_13930867","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/i>\u003c/p>\n\u003cp>Growing up in Oakland and San Francisco respectively, hip-hop artists \u003ca href=\"https://www.instagram.com/firstnameian/?hl=en\">Ian Kelly\u003c/a> and \u003ca href=\"https://www.instagram.com/dregs_one/?hl=en\">Dregs One\u003c/a> witnessed their peers enter the sex trade to make a living — a reality reflected in, and sometimes glamorized by, music and pop culture.\u003c/p>\n\u003cp>In a candid discussion with hosts \u003ca href=\"https://www.instagram.com/mad.lines/\">Maddy Clifford\u003c/a>, \u003ca href=\"https://www.msryannicole.com/\">RyanNicole\u003c/a> and \u003ca href=\"https://www.cocopeila.com/\">Coco Peila\u003c/a>, Dregs and Kelly share how growing up around pimping impacted their views of masculinity and relationships, and shaped the messages they now share in their music.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13930886/madlines-coco-peila-ryannicole-whats-pimpin-vodcast-1\">Catch up on episode one here\u003c/a> and stay tuned for the final episode of this three-part series dropping on July 12. \u003cem>— Nastia Voynovskaya, lead producer\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-11687704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_-800x60.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>If you or anyone you know is experiencing sexual violence, you can get free, confidential help at the RAINN hotline at 800-656-4673 or via chat at online.rainn.org. The National Human Trafficking Hotline is available at 1-888-373-7888 or via text message at 233733.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13931108/whats-pimpin-madlines-coco-peila-ryannicole-dregs-one-ian-kelly","authors":["byline_arts_13931108"],"categories":["arts_1","arts_2303"],"tags":["arts_8505","arts_21002","arts_20980","arts_10342","arts_10278","arts_1962","arts_831","arts_6129","arts_18801","arts_4740","arts_17020","arts_19579","arts_19347","arts_4494","arts_20984"],"featImg":"arts_13931113","label":"source_arts_13931108"},"arts_13930867":{"type":"posts","id":"arts_13930867","meta":{"index":"posts_1591205157","site":"arts","id":"13930867","score":null,"sort":[1687964431000]},"guestAuthors":[],"slug":"whats-pimpin-culture-hip-hop-rap-sexism-misogynoir-black-women","title":"It’s Time to Unpack Pimp Culture in Bay Area Hip-Hop","publishDate":1687964431,"format":"aside","headTitle":"It’s Time to Unpack Pimp Culture in Bay Area Hip-Hop | KQED","labelTerm":{},"content":"\u003cfigure id=\"attachment_13930933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930933\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/pimp-culture-essay-800x450.png\" alt=\"A yellow-and-blue collage features cultural figures that represent Black feminism and pimp culture, two themes explored in our new vodcast, 'What's Pimpin'?'\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-1020x574.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-1536x864.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">In our new vodcast ‘What’s Pimpin’?,’ hosts Maddy Clifford, Coco Peila and RyanNicole dissect why Oakland came to be known as “the land of pimps and Panthers.” Clockwise from left: Maya Angelou; Too Short; Dru Down; Frank Ward and Max Julien in ‘The Mack;’ and women of the Black Panther Party. \u003ccite>(Michael Ochs Archives/Getty Images; Jive Records/Dangerous Music; C-Note Records; New Line Cinema; Pirkle Jones and Ruth-Marion Baruch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>\u003ci>Editor’s note:\u003c/i>\u003c/b>\u003ci> This story is part of\u003c/i>\u003ca href=\"http://kqed.org/bayareahiphop\"> That’s My Word\u003c/a>\u003ci>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop history\u003c/a>, with new content dropping all throughout 2023. \u003c/i>\u003c/p>\n\u003cp>I’m a teaching artist standing before 20 teenage boys, mostly Black and brown. They’re inquisitive at the moment, which means I have just minutes to grab their attention before they zone out. Oh, and by the way, they’re incarcerated in the high-security unit at San Francisco Juvenile Hall.\u003c/p>\n\u003cp>“So feminism is…”\u003c/p>\n\u003cp>I trail off. The white, male teacher assigned to leading discussions for Women’s History Month eyes me. I’m nervous he’ll interrupt again, launching into a mansplanation about why the unit should care about the girls in their community.\u003c/p>\n\u003cp>“I know it’s sometimes hard for y’all to understand feminism because y’all go through so much,” I continue.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s true. Most of them sleep on concrete beds each night. They’re at a pivotal age, a time when they’re in desperate need of positive direction. Unfortunately, they’re locked up instead. And they’re inundated with notions of toxic masculinity.\u003c/p>\n\u003cp>It doesn’t help that most of the rap music they love reinforces the idea that women are objects. Sometimes they waste sharp wits cooking up ways to exploit young women in their lives. I remember one boy telling me: “I can’t wait to have a wife so she can pay for all my shit.” I guess that Mac Dre line — “\u003ca href=\"https://www.youtube.com/watch?v=6vE6oUc0t4o\">I treat my bitch like an ATM card\u003c/a>” — already got to him.\u003c/p>\n\u003cp>To combat this messaging, I handpick rap bars for our creative writing lessons. 2pac’s “\u003ca href=\"https://youtu.be/Mb1ZvUDvLDY\">Dear Mama\u003c/a>” is essentially an epistolary poem, and “\u003ca href=\"https://youtu.be/vYJCT8EqbtU\">Birds Eye View\u003c/a>” by Zion I is a great example of personification. But how am I supposed to compete with the allure of patriarchy?\u003c/p>\n\u003cp>I clear my throat and keep talking.\u003c/p>\n\u003cp>“Y’all probably heard about the #MeToo movement, right? Well, I met \u003ca href=\"https://www.taranaburke.com/\">Tarana Burke\u003c/a>. She’s the founder of the movement. She told me #MeToo isn’t a women’s movement, it’s a survivors’ movement.”\u003c/p>\n\u003cp>To my delight, some of my students nod. Furrowed brows begin to soften, and empathy permeates the room. It makes sense. Almost \u003ca href=\"https://kidsimprisoned.news21.com/foster-care-kids-juvenile-justice-system/\">60% of incarcerated youth\u003c/a> have been through the foster care system. And, according to one Johns Hopkins University study, foster youth are \u003ca href=\"https://www.focusforhealth.org/sex-abuse-and-the-foster-care-system/\">four times as likely to experience sexual abuse\u003c/a> as their peers. I wasn’t merely standing in front of a group of teenage boys. I was standing with fellow survivors. [aside postid='arts_13930886' hero='https://ww2.kqed.org/app/uploads/sites/2/2023/06/Whats-Pimpin-Episode-1-Wordpress-Thumbnail.jpg']\u003c/p>\n\u003cp>For decades, hip-hop has empowered and given voice to countless young people like my students. And now, the culture has grown up. In light of its 50th anniversary, isn’t it time we seriously examine hip-hop’s contradictions? If Bay Area hip-hop is “\u003ca href=\"https://www.kqed.org/arts/13923938/thats-my-word-intro\">the product of pimps and hustlers just as much as activists and intellectuals\u003c/a>,” how do we uplift its innovative potential while holding space to look at all the ways it falls short?\u003c/p>\n\u003cp>Throughout my decade-plus of experience as an educator, MC and community organizer, I’ve seen firsthand how hip-hop’s glorification of pimp culture harms people of all genders. Pimping obviously predates hip-hop. But that doesn’t mean we should normalize antiquated ideas about gender, or push played-out power dynamics. We can sugarcoat the truth, but at its root, pimp culture is about exploitation. Ignoring this reality risks harming some of the most marginalized people in the Bay Area. I’m talking about poor folks, and about Black, brown and Indigenous women, in addition to LGBTQ people. I promise you, they’re already paying the ultimate price.\u003c/p>\n\u003cp>In my poetry classes in juve, the poem “Still I Rise” by Maya Angelou was a favorite, especially among incarcerated girls. Something about rising “like dust” against all odds resonated with them. Still I Rise is also the name of a recent creative collaboration among myself and the Bay Area-rooted rappers \u003ca href=\"https://www.kqed.org/arts/13890558/with-labor-ryannicole-uplifts-black-womens-invisible-work\">RyanNicole\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13915289/hip-hop-songs-lyrics-abortion\">Coco Peila\u003c/a>. Together we’ve created a three-part video podcast, \u003ca href=\"https://www.kqed.org/arts/13930886/madlines-coco-peila-ryannicole-whats-pimpin-vodcast-1\">\u003ci>What’s Pimpin’?\u003c/i>\u003c/a> A new episode drops each Wednesday on \u003ca href=\"https://www.youtube.com/channel/UCS7Oxr5knNkZ8SlryFZnq0g\">KQED Arts & Culture’s YouTube channel\u003c/a> June 28–July 12, and our EP of the same title is coming soon. The project examines pimp culture, with a particular focus on misogynoir. Our goal: having tough conversations and cultivating solutions.\u003c/p>\n\u003cp>[pullquote size=\"large\" citation=\"Maddy Clifford, artist and co-host of 'What's Pimpin'?'\"]We want to separate hip-hop culture from pimp culture, which mirrors the exploitation and domination of colonialism, slavery and racial capitalism.[/pullquote]\u003c/p>\n\u003cp>Despite its flaws, Bay Area hip-hop is incredibly creative and full of liberatory potential. I saw this as a young rapper growing up in Seattle, when I had Andre Nickatina’s “\u003ca href=\"https://youtu.be/Ad4Bx8QCKSU\">Jungle\u003c/a>” on repeat. There was something wildly unique about his sound. He was nerdy — referencing \u003ci>Alice in Wonderland\u003c/i> and \u003ci>Star Wars\u003c/i> in his rhymes — yet dangerous. I could relate. Other Bay Area rappers shared my desire to use the music for revolutionary change. I sang along to Mystic’s “\u003ca href=\"https://youtu.be/GoK01XY52Uc\">The Life\u003c/a>” because it captured my passion to alleviate suffering. Bay Area hip-hop influenced my decision to move to Oakland in my early 20s, over a decade ago. It’s as multifaceted as the streets where it originates. [aside postid='arts_13931108' hero='https://ww2.kqed.org/app/uploads/sites/2/2023/07/Episode-2-Youtube-Thumbnail.jpg']\u003c/p>\n\u003cp>The conversations we’re having in \u003ci>What’s Pimpin’?\u003c/i> are challenging because critiquing Bay Area hip-hop can feel like airing out dirty laundry. The Bay Area often gets overlooked in the music industry despite its outsized influence. Since the \u003ca href=\"https://slate.com/podcasts/slow-burn/s3/biggie-and-tupac/e4/c-delores-tucker-against-hip-hop\">gangsta rap moral panic\u003c/a> of the early ’90s, white \u003ca href=\"https://apnews.com/article/a249c215c523dbd528710412cb91b193\">politicians\u003c/a>, pundits and other outsiders have bolstered their careers by vilifying hip-hop. And our racist criminal justice system has used \u003ca href=\"https://www.nbcnews.com/news/us-news/black-rappers-call-double-standard-using-hip-hop-lyrics-evidence-rappe-rcna65529\">rap lyrics to put people behind bars\u003c/a>. Fans are rightfully protective.\u003c/p>\n\u003cp>But as hip-hop artists who believe in gender equality, we want to push the culture forward. We want to separate hip-hop culture from pimp culture, which mirrors the exploitation and domination of colonialism, slavery and racial capitalism — it didn’t start in 1973 with the movie \u003ci>The Mack\u003c/i> and didn’t end the day Too Short got a \u003ca href=\"https://www.kqed.org/arts/13922548/too-short-way-oakland-street-renamed\">street named after him\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13930868\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930868\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/SIR-artists-2-800x533.jpg\" alt=\"Three young Black female MCs pose together wearing black. A shadow falls over their faces.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">RyanNicole, Coco Peila and Maddy Clifford are Still I Rise. \u003ccite>(DIFF WORKS LLC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rapping about pimping is profitable, but behind the glamorous image are real-world statistics about how Black women and girls are particularly vulnerable to exploitation and violence. A 2011 study tracking a two-year period showed that \u003ca href=\"https://rights4girls.org/wp-content/uploads/2019/05/Racial-Disparties-FactSheet-_Jan-2021.pdf\">94% of U.S. sex-trafficking victims were female\u003c/a>. Of those victims, 40% were Black and 24% were Latinx. Meanwhile, buyers are overwhelmingly white men.\u003c/p>\n\u003cp>Protecting Black women and girls is particularly difficult because they’re less likely to be reported missing. According to a \u003ca href=\"https://www.oaklandca.gov/news/2023/council-unanimously-votes-in-favor-of-councilmember-reids-resolution-supporting-the-establishment-of-a-statewide-ebony-alert-to-help-locate-missing-black-women-and-girls\">May statement from Oakland City Councilmember Treva Reid\u003c/a>, of the 1,500 missing-persons cases in Oakland this year, 400 of them are Black women. The stakes couldn’t be higher.\u003c/p>\n\u003cp>I’m a firm believer in the kind of love that Assata Shakur describes as “contraband in hell.” She says it’s as powerful as “an acid that eats away bars.” If we love our Bay Area community, then we can’t expect to actualize that love without having some uncomfortable conversations. My love for the men in my community motivates me to hold them accountable instead of coddling harmful behavior. My love has inspired me to spend almost a decade uplifting youth trapped in jail cells. My love isn’t about censorship — it’s about owning up to what’s being said. [aside postid='arts_13931295' hero='https://ww2.kqed.org/app/uploads/sites/2/2023/07/Whats-Pimpin-Episode-3-Wordpress-Thumbnail.jpg']\u003c/p>\n\u003cp>But I can’t love alone. I need men to step up and question their own conditioning. Our project \u003ca href=\"https://www.kqed.org/arts/13930886/madlines-coco-peila-ryannicole-whats-pimpin-vodcast-1\">\u003ci>What’s Pimpin’?\u003c/i>\u003c/a> isn’t the first to ask an age-old question about exploitation, coercion and control. I can only hope it won’t be the last.\u003c/p>\n\u003ch2>Resources\u003c/h2>\n\u003cp>The \u003ca href=\"https://humantraffickinghotline.org/en\">National Human Trafficking Hotline\u003c/a> is available at 1-888-373-7888 or via text message at 233733.\u003c/p>\n\u003cp>\u003ca href=\"https://bayareaworkerssupport.org/\">Bay Area Worker Support\u003c/a> offers mutual aid, social support and resources to people working in the sex trade.\u003c/p>\n\u003cp>\u003ca href=\"https://www.loveneverfailsus.com/\">Love Never Fails\u003c/a> provides housing and support to human-trafficking survivors.\u003c/p>\n\u003cp>\u003ca href=\"https://www.npr.org/podcasts/510357/louder-than-a-riot\">\u003cem>Louder Than a Riot\u003c/em>\u003c/a>, an NPR Podcast, examines misogynoir and homophobia in hip-hop.\u003c/p>\n\u003cp>\u003ca href=\"https://misssey.org/\">MISSSEY\u003c/a> works to prevent girls and gender-expansive youth from being sexually exploited, and supports survivors.\u003c/p>\n\u003cp>\u003ca href=\"https://www.rainn.org/\">RAINN\u003c/a> offers free, confidential help for survivors of sexual violence at 800-656-4673 or via chat at \u003ca href=\"http://online.rainn.org\">online.rainn.org\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://rights4girls.org/\">Rights4Girls\u003c/a> offers numerous educational resources about sex trafficking.\u003c/p>\n\u003cp>The \u003ca href=\"https://southbayendtrafficking.org/\">South Bay Coalition to End Human Trafficking\u003c/a> provides resources to survivors in Santa Clara and San Benito counties.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ca href=\"https://www.shademovement.org/about-us\">Survivors Healing, Advising and Dedicated to Empowerment (SHADE)\u003c/a> offers support groups, crisis response, peer counseling and more to human-trafficking survivors.\u003c/p>\n\n","blocks":[],"excerpt":"'We can sugarcoat the truth, but at the root, pimp culture is about exploitation,' writes Maddy Clifford. ","status":"publish","parent":0,"modified":1705005337,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":33,"wordCount":1704},"headData":{"title":"Unpacking Pimp Culture in Bay Area Hip-Hop | KQED","description":"'We can sugarcoat the truth, but at the root, pimp culture is about exploitation,' writes Maddy Clifford. ","ogTitle":"It's Time to Unpack Pimp Culture in Bay Area Hip-Hop","ogDescription":"","ogImgId":"arts_13930933","twTitle":"It's Time to Unpack Pimp Culture in Bay Area Hip-Hop","twDescription":"","twImgId":"arts_13930933","socialTitle":"Unpacking Pimp Culture in Bay Area Hip-Hop %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"It’s Time to Unpack Pimp Culture in Bay Area Hip-Hop","datePublished":"2023-06-28T15:00:31.000Z","dateModified":"2024-01-11T20:35:37.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"That's My Word","sourceUrl":"https://www.kqed.org/bayareahiphop","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13930867/whats-pimpin-culture-hip-hop-rap-sexism-misogynoir-black-women","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13930933\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930933\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/pimp-culture-essay-800x450.png\" alt=\"A yellow-and-blue collage features cultural figures that represent Black feminism and pimp culture, two themes explored in our new vodcast, 'What's Pimpin'?'\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-1020x574.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay-1536x864.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/pimp-culture-essay.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">In our new vodcast ‘What’s Pimpin’?,’ hosts Maddy Clifford, Coco Peila and RyanNicole dissect why Oakland came to be known as “the land of pimps and Panthers.” Clockwise from left: Maya Angelou; Too Short; Dru Down; Frank Ward and Max Julien in ‘The Mack;’ and women of the Black Panther Party. \u003ccite>(Michael Ochs Archives/Getty Images; Jive Records/Dangerous Music; C-Note Records; New Line Cinema; Pirkle Jones and Ruth-Marion Baruch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>\u003ci>Editor’s note:\u003c/i>\u003c/b>\u003ci> This story is part of\u003c/i>\u003ca href=\"http://kqed.org/bayareahiphop\"> That’s My Word\u003c/a>\u003ci>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop history\u003c/a>, with new content dropping all throughout 2023. \u003c/i>\u003c/p>\n\u003cp>I’m a teaching artist standing before 20 teenage boys, mostly Black and brown. They’re inquisitive at the moment, which means I have just minutes to grab their attention before they zone out. Oh, and by the way, they’re incarcerated in the high-security unit at San Francisco Juvenile Hall.\u003c/p>\n\u003cp>“So feminism is…”\u003c/p>\n\u003cp>I trail off. The white, male teacher assigned to leading discussions for Women’s History Month eyes me. I’m nervous he’ll interrupt again, launching into a mansplanation about why the unit should care about the girls in their community.\u003c/p>\n\u003cp>“I know it’s sometimes hard for y’all to understand feminism because y’all go through so much,” I continue.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s true. Most of them sleep on concrete beds each night. They’re at a pivotal age, a time when they’re in desperate need of positive direction. Unfortunately, they’re locked up instead. And they’re inundated with notions of toxic masculinity.\u003c/p>\n\u003cp>It doesn’t help that most of the rap music they love reinforces the idea that women are objects. Sometimes they waste sharp wits cooking up ways to exploit young women in their lives. I remember one boy telling me: “I can’t wait to have a wife so she can pay for all my shit.” I guess that Mac Dre line — “\u003ca href=\"https://www.youtube.com/watch?v=6vE6oUc0t4o\">I treat my bitch like an ATM card\u003c/a>” — already got to him.\u003c/p>\n\u003cp>To combat this messaging, I handpick rap bars for our creative writing lessons. 2pac’s “\u003ca href=\"https://youtu.be/Mb1ZvUDvLDY\">Dear Mama\u003c/a>” is essentially an epistolary poem, and “\u003ca href=\"https://youtu.be/vYJCT8EqbtU\">Birds Eye View\u003c/a>” by Zion I is a great example of personification. But how am I supposed to compete with the allure of patriarchy?\u003c/p>\n\u003cp>I clear my throat and keep talking.\u003c/p>\n\u003cp>“Y’all probably heard about the #MeToo movement, right? Well, I met \u003ca href=\"https://www.taranaburke.com/\">Tarana Burke\u003c/a>. She’s the founder of the movement. She told me #MeToo isn’t a women’s movement, it’s a survivors’ movement.”\u003c/p>\n\u003cp>To my delight, some of my students nod. Furrowed brows begin to soften, and empathy permeates the room. It makes sense. Almost \u003ca href=\"https://kidsimprisoned.news21.com/foster-care-kids-juvenile-justice-system/\">60% of incarcerated youth\u003c/a> have been through the foster care system. And, according to one Johns Hopkins University study, foster youth are \u003ca href=\"https://www.focusforhealth.org/sex-abuse-and-the-foster-care-system/\">four times as likely to experience sexual abuse\u003c/a> as their peers. I wasn’t merely standing in front of a group of teenage boys. I was standing with fellow survivors. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13930886","hero":"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Whats-Pimpin-Episode-1-Wordpress-Thumbnail.jpg","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For decades, hip-hop has empowered and given voice to countless young people like my students. And now, the culture has grown up. In light of its 50th anniversary, isn’t it time we seriously examine hip-hop’s contradictions? If Bay Area hip-hop is “\u003ca href=\"https://www.kqed.org/arts/13923938/thats-my-word-intro\">the product of pimps and hustlers just as much as activists and intellectuals\u003c/a>,” how do we uplift its innovative potential while holding space to look at all the ways it falls short?\u003c/p>\n\u003cp>Throughout my decade-plus of experience as an educator, MC and community organizer, I’ve seen firsthand how hip-hop’s glorification of pimp culture harms people of all genders. Pimping obviously predates hip-hop. But that doesn’t mean we should normalize antiquated ideas about gender, or push played-out power dynamics. We can sugarcoat the truth, but at its root, pimp culture is about exploitation. Ignoring this reality risks harming some of the most marginalized people in the Bay Area. I’m talking about poor folks, and about Black, brown and Indigenous women, in addition to LGBTQ people. I promise you, they’re already paying the ultimate price.\u003c/p>\n\u003cp>In my poetry classes in juve, the poem “Still I Rise” by Maya Angelou was a favorite, especially among incarcerated girls. Something about rising “like dust” against all odds resonated with them. Still I Rise is also the name of a recent creative collaboration among myself and the Bay Area-rooted rappers \u003ca href=\"https://www.kqed.org/arts/13890558/with-labor-ryannicole-uplifts-black-womens-invisible-work\">RyanNicole\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13915289/hip-hop-songs-lyrics-abortion\">Coco Peila\u003c/a>. Together we’ve created a three-part video podcast, \u003ca href=\"https://www.kqed.org/arts/13930886/madlines-coco-peila-ryannicole-whats-pimpin-vodcast-1\">\u003ci>What’s Pimpin’?\u003c/i>\u003c/a> A new episode drops each Wednesday on \u003ca href=\"https://www.youtube.com/channel/UCS7Oxr5knNkZ8SlryFZnq0g\">KQED Arts & Culture’s YouTube channel\u003c/a> June 28–July 12, and our EP of the same title is coming soon. The project examines pimp culture, with a particular focus on misogynoir. Our goal: having tough conversations and cultivating solutions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"We want to separate hip-hop culture from pimp culture, which mirrors the exploitation and domination of colonialism, slavery and racial capitalism.","name":"pullquote","attributes":{"named":{"size":"large","citation":"Maddy Clifford, artist and co-host of 'What's Pimpin'?'","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Despite its flaws, Bay Area hip-hop is incredibly creative and full of liberatory potential. I saw this as a young rapper growing up in Seattle, when I had Andre Nickatina’s “\u003ca href=\"https://youtu.be/Ad4Bx8QCKSU\">Jungle\u003c/a>” on repeat. There was something wildly unique about his sound. He was nerdy — referencing \u003ci>Alice in Wonderland\u003c/i> and \u003ci>Star Wars\u003c/i> in his rhymes — yet dangerous. I could relate. Other Bay Area rappers shared my desire to use the music for revolutionary change. I sang along to Mystic’s “\u003ca href=\"https://youtu.be/GoK01XY52Uc\">The Life\u003c/a>” because it captured my passion to alleviate suffering. Bay Area hip-hop influenced my decision to move to Oakland in my early 20s, over a decade ago. It’s as multifaceted as the streets where it originates. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13931108","hero":"https://ww2.kqed.org/app/uploads/sites/2/2023/07/Episode-2-Youtube-Thumbnail.jpg","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The conversations we’re having in \u003ci>What’s Pimpin’?\u003c/i> are challenging because critiquing Bay Area hip-hop can feel like airing out dirty laundry. The Bay Area often gets overlooked in the music industry despite its outsized influence. Since the \u003ca href=\"https://slate.com/podcasts/slow-burn/s3/biggie-and-tupac/e4/c-delores-tucker-against-hip-hop\">gangsta rap moral panic\u003c/a> of the early ’90s, white \u003ca href=\"https://apnews.com/article/a249c215c523dbd528710412cb91b193\">politicians\u003c/a>, pundits and other outsiders have bolstered their careers by vilifying hip-hop. And our racist criminal justice system has used \u003ca href=\"https://www.nbcnews.com/news/us-news/black-rappers-call-double-standard-using-hip-hop-lyrics-evidence-rappe-rcna65529\">rap lyrics to put people behind bars\u003c/a>. Fans are rightfully protective.\u003c/p>\n\u003cp>But as hip-hop artists who believe in gender equality, we want to push the culture forward. We want to separate hip-hop culture from pimp culture, which mirrors the exploitation and domination of colonialism, slavery and racial capitalism — it didn’t start in 1973 with the movie \u003ci>The Mack\u003c/i> and didn’t end the day Too Short got a \u003ca href=\"https://www.kqed.org/arts/13922548/too-short-way-oakland-street-renamed\">street named after him\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13930868\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930868\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/SIR-artists-2-800x533.jpg\" alt=\"Three young Black female MCs pose together wearing black. A shadow falls over their faces.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/SIR-artists-2.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">RyanNicole, Coco Peila and Maddy Clifford are Still I Rise. \u003ccite>(DIFF WORKS LLC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rapping about pimping is profitable, but behind the glamorous image are real-world statistics about how Black women and girls are particularly vulnerable to exploitation and violence. A 2011 study tracking a two-year period showed that \u003ca href=\"https://rights4girls.org/wp-content/uploads/2019/05/Racial-Disparties-FactSheet-_Jan-2021.pdf\">94% of U.S. sex-trafficking victims were female\u003c/a>. Of those victims, 40% were Black and 24% were Latinx. Meanwhile, buyers are overwhelmingly white men.\u003c/p>\n\u003cp>Protecting Black women and girls is particularly difficult because they’re less likely to be reported missing. According to a \u003ca href=\"https://www.oaklandca.gov/news/2023/council-unanimously-votes-in-favor-of-councilmember-reids-resolution-supporting-the-establishment-of-a-statewide-ebony-alert-to-help-locate-missing-black-women-and-girls\">May statement from Oakland City Councilmember Treva Reid\u003c/a>, of the 1,500 missing-persons cases in Oakland this year, 400 of them are Black women. The stakes couldn’t be higher.\u003c/p>\n\u003cp>I’m a firm believer in the kind of love that Assata Shakur describes as “contraband in hell.” She says it’s as powerful as “an acid that eats away bars.” If we love our Bay Area community, then we can’t expect to actualize that love without having some uncomfortable conversations. My love for the men in my community motivates me to hold them accountable instead of coddling harmful behavior. My love has inspired me to spend almost a decade uplifting youth trapped in jail cells. My love isn’t about censorship — it’s about owning up to what’s being said. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13931295","hero":"https://ww2.kqed.org/app/uploads/sites/2/2023/07/Whats-Pimpin-Episode-3-Wordpress-Thumbnail.jpg","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But I can’t love alone. I need men to step up and question their own conditioning. Our project \u003ca href=\"https://www.kqed.org/arts/13930886/madlines-coco-peila-ryannicole-whats-pimpin-vodcast-1\">\u003ci>What’s Pimpin’?\u003c/i>\u003c/a> isn’t the first to ask an age-old question about exploitation, coercion and control. I can only hope it won’t be the last.\u003c/p>\n\u003ch2>Resources\u003c/h2>\n\u003cp>The \u003ca href=\"https://humantraffickinghotline.org/en\">National Human Trafficking Hotline\u003c/a> is available at 1-888-373-7888 or via text message at 233733.\u003c/p>\n\u003cp>\u003ca href=\"https://bayareaworkerssupport.org/\">Bay Area Worker Support\u003c/a> offers mutual aid, social support and resources to people working in the sex trade.\u003c/p>\n\u003cp>\u003ca href=\"https://www.loveneverfailsus.com/\">Love Never Fails\u003c/a> provides housing and support to human-trafficking survivors.\u003c/p>\n\u003cp>\u003ca href=\"https://www.npr.org/podcasts/510357/louder-than-a-riot\">\u003cem>Louder Than a Riot\u003c/em>\u003c/a>, an NPR Podcast, examines misogynoir and homophobia in hip-hop.\u003c/p>\n\u003cp>\u003ca href=\"https://misssey.org/\">MISSSEY\u003c/a> works to prevent girls and gender-expansive youth from being sexually exploited, and supports survivors.\u003c/p>\n\u003cp>\u003ca href=\"https://www.rainn.org/\">RAINN\u003c/a> offers free, confidential help for survivors of sexual violence at 800-656-4673 or via chat at \u003ca href=\"http://online.rainn.org\">online.rainn.org\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://rights4girls.org/\">Rights4Girls\u003c/a> offers numerous educational resources about sex trafficking.\u003c/p>\n\u003cp>The \u003ca href=\"https://southbayendtrafficking.org/\">South Bay Coalition to End Human Trafficking\u003c/a> provides resources to survivors in Santa Clara and San Benito counties.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.shademovement.org/about-us\">Survivors Healing, Advising and Dedicated to Empowerment (SHADE)\u003c/a> offers support groups, crisis response, peer counseling and more to human-trafficking survivors.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13930867/whats-pimpin-culture-hip-hop-rap-sexism-misogynoir-black-women","authors":["11725"],"categories":["arts_1","arts_2303"],"tags":["arts_16989","arts_14452","arts_21002","arts_20980","arts_10278","arts_1962","arts_831","arts_10135","arts_17020","arts_1143","arts_974","arts_10325","arts_19347","arts_20984"],"featImg":"arts_13930929","label":"source_arts_13930867"},"arts_13929289":{"type":"posts","id":"arts_13929289","meta":{"index":"posts_1591205157","site":"arts","id":"13929289","score":null,"sort":[1685541624000]},"guestAuthors":[],"slug":"march-fong-eu-politician-pay-toilets-sledgehammer-secretary-of-state","title":"The Politician Who Took a Sledgehammer to Patriarchal Norms","publishDate":1685541624,"format":"standard","headTitle":"The Politician Who Took a Sledgehammer to Patriarchal Norms | KQED","labelTerm":{"term":8978,"site":"arts"},"content":"\u003cp>[dropcap]I[/dropcap]n 1973, March Fong Eu stood before an audience at Foothill College in Los Altos and made a searing speech, titled \u003ca href=\"https://www.kqed.org/news/11639158/march-fong-eu-the-self-sufficient-woman\">\u003cem>The Self-Sufficient Woman\u003c/em>\u003c/a>. In it, she directed her gaze squarely at the patriarchy and despaired at the state of gender equality in America.\u003c/p>\n\u003cp>“Maybe if some men had to bear and rear unwanted babies themselves, they would understand better our resentment of laws relating to our reproductive systems,” she said. “Maybe if some men let their wives involuntarily control their income, they would understand better our resentment of present discriminatory statutes directed toward women as a class. And maybe if some men were raped, and, in pursuit of justice, they found that they had to reveal humiliating information about their past lives, maybe then they would understand the anger of women who feel they are doubly wronged by rapists and the laws concerning rape.”\u003c/p>\n\u003cp>[aside postid='news_11639158']Evidently, Fong Eu was not one to mince words. She was not one to be trifled with. The first generation daughter of Chinese immigrants spent her entire life working to smash down the barriers that women faced at every turn. And Fong Eu was successful in that pursuit at every stage of her career.\u003c/p>\n\u003cp>First, she graduated from UC Berkeley. Then came a Master’s from Mills. Finally, she earned her Ph.D at Stanford. In her first profession as a dental hygienist, Fong Eu became the first woman and first Asian American to chair UCSF’s Department of Dental Hygiene. Then, starting in 1956, Fong Eu served three terms on the Alameda County Board of Education, serving as its president between 1961 and ’62. After that came the big one: In 1966, she won a place on the California State Assembly — with a margin of more than a million votes. Representing Oakland and Castro Valley, Fong Eu was one of only two women serving on the 118-person assembly at the time.\u003c/p>\n\u003cp>“There is no argument to the opinion that this nation could benefit greatly by increased participation by women in decision-making positions,” she later said. “We do bring to bear unique experiences and insights, unlike our male counterparts.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[dropcap]I[/dropcap]n 1969, Fong Eu demonstrated that point when she went to war against pay toilets in public buildings. At the time, men’s urinals were free to use, but stalls cost a dime to access. It was an early example of what we now refer to as the “\u003ca href=\"https://www.investopedia.com/pink-tax-5095458\">pink tax\u003c/a>” — the extra money women are forced to pay for products and services. Fong Eu campaigned fervently for a statewide ban on the bathroom fee, using a combination of tenacity and humor.\u003c/p>\n\u003cp>The campaign culminated in a stunt on the steps of Sacramento’s Capitol building, during which Fong Eu smashed a padlocked toilet with a sledgehammer. She flung the sledgehammer with such gusto, assembled journalists were forced to duck out of the way. The speech she made that day was unabashedly filled with toilet humor too, much to the amusement of the press. (“The movement is on!” she declared with a cheeky smile. “The pressure is mounting!”)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ek5ExFpHYMs\u003c/p>\n\u003cp>Toilets weren’t the only thing that got smashed when Fong Eu was an assemblywoman. On one occasion, one of her colleagues had promised to nominate her good friend Willie Brown for speaker, then failed to do so on the day. Fong Eu was so aghast, she physically reacted.\u003c/p>\n\u003cp>“March Fong Eu stood up and took her handbag and started whacking the guy on his head without saying a word!” Brown relayed to KPIX in 2018. “She didn’t tell me she was going to do it! Nobody understood that she had that potential.”\u003c/p>\n\u003cp>[aside postid='arts_13911567']In the end, it took five years after Fong Eu’s toilet stunt for then-Governor Ronald Reagan to sign legislation banning pay toilets. It is unlikely to have happened at all without Fong Eu loudly bringing the issue to the state’s attention. She used that fact in her 1974 campaign to become Secretary of State. Fong Eu would go on to win, with a record 3.4 million votes. (Four years later, she was so popular, that number had swelled to 4 million.) Fong Eu was the first woman to hold the position and the first Chinese-American elected to a constitutional office in California.\u003c/p>\n\u003cp>Fong Eu’s fortitude was tested in 1986 when an axe-wielding burglar broke into her home and brutally beat her. She survived by handing over several hundred dollars, but was left with enough cuts and bruises to warrant a hospital stay. Her deputy, Anthony L. Miller. told the press at the time, “She’s a real scrapper and survivor. She feels very lucky to be alive.”\u003c/p>\n\u003cp>Miller, incidentally, was an openly gay man that Fong Eu hired as Chief Deputy Secretary of State in 1980, saying she didn’t want the support of anyone who might have a problem with Miller’s sexuality. “Things are much different today,” Miller said in 2018, “because of people like March Fong Eu who led the way to tolerance, and acceptance and non-discrimination.”\u003c/p>\n\u003cp>[dropcap]F[/dropcap]ong Eu held onto the position of Secretary of State for almost two decades and, in that time, transformed voting access for Californians. She introduced voter registration by mail, absentee ballots for anyone who requested them (no reason needed), candidate statements on ballot pamphlets and internet reporting of election results.\u003c/p>\n\u003cp>[aside postid='arts_13897608']While in office, Fong Eu pushed for the various divisions of the secretary of state’s office to be consolidated under one roof. The resulting \u003ca href=\"https://www.dgs.ca.gov/RESD/Resources/List-of-DGS-Managed-Office-Buildings/Page-Content/List-of-DGS-Office-Buildings/Sacramento-Region/Secretary-of-State-Archives\">downtown Sacramento building\u003c/a> has been named after her since 2019. Fong Eu was also an ardent supporter of the California State Archives — appropriate, given that the archive currently houses \u003ca href=\"https://oac.cdlib.org/findaid/ark:/13030/c80g3sft/entire_text/\">72 boxes\u003c/a> of materials related to her.\u003c/p>\n\u003cp>In 1994, President Bill Clinton named Fong Eu as U.S. Ambassador to Micronesia. She served for two years before resigning to assist in the Clinton-Gore election campaign. Though she never held a prominent office again, Fong Eu never stopped working or pushing for what she felt was right. In the ’90s, she spoke out against prejudice towards Asian-Americans. After the debacle of the 2000 Bush v. Gore election angered her, \u003ca href=\"https://www.sfgate.com/politics/article/Florida-Made-Her-Mad-At-79-March-Fong-Eu-wants-2942518.php\">Fong Eu took an axe to a punchcard voting machine\u003c/a> at a Sacramento news conference.\u003c/p>\n\u003cp>March Fong Eu died in 2017 at the age of 95. Her casket was draped in an American flag and her funeral at Oakland’s Chapel of the Chimes was attended by colleagues and admirers from up and down California. The impact she made is almost impossible to measure — both on the careers of the female politicians coming up behind her and on the everyday lives of regular women statewide.\u003c/p>\n\u003cp>Perhaps Fong Eu said it best herself, during a 1979 interview with the \u003cem>New York Times\u003c/em>: “Not too bad for a lady born behind a Chinese laundry.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>To learn about other Rebel Girls from Bay Area History, visit the \u003ca href=\"https://www.kqed.org/rebelgirls\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls homepage\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"March Fong Eu was the first Chinese American to serve in the California state assembly. She fought tirelessly for women.","status":"publish","parent":0,"modified":1705092410,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":1232},"headData":{"title":"March Fong Eu: Unflinching Women's Rights Champion | KQED","description":"March Fong Eu was the first Chinese American to serve in the California state assembly. She fought tirelessly for women.","ogTitle":"The Politician Who Took a Sledgehammer to Patriarchal Norms","ogDescription":"","ogImgId":"","twTitle":"The Politician Who Took a Sledgehammer to Patriarchal Norms","twDescription":"","twImgId":"","socialTitle":"March Fong Eu: Unflinching Women's Rights Champion%%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Politician Who Took a Sledgehammer to Patriarchal Norms","datePublished":"2023-05-31T14:00:24.000Z","dateModified":"2024-01-12T20:46:50.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/7874d2a9-134b-4132-995b-b0380140bdc3/audio.mp3","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13929289/march-fong-eu-politician-pay-toilets-sledgehammer-secretary-of-state","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">I\u003c/span>\u003c/p>\u003cp>n 1973, March Fong Eu stood before an audience at Foothill College in Los Altos and made a searing speech, titled \u003ca href=\"https://www.kqed.org/news/11639158/march-fong-eu-the-self-sufficient-woman\">\u003cem>The Self-Sufficient Woman\u003c/em>\u003c/a>. In it, she directed her gaze squarely at the patriarchy and despaired at the state of gender equality in America.\u003c/p>\n\u003cp>“Maybe if some men had to bear and rear unwanted babies themselves, they would understand better our resentment of laws relating to our reproductive systems,” she said. “Maybe if some men let their wives involuntarily control their income, they would understand better our resentment of present discriminatory statutes directed toward women as a class. And maybe if some men were raped, and, in pursuit of justice, they found that they had to reveal humiliating information about their past lives, maybe then they would understand the anger of women who feel they are doubly wronged by rapists and the laws concerning rape.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11639158","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Evidently, Fong Eu was not one to mince words. She was not one to be trifled with. The first generation daughter of Chinese immigrants spent her entire life working to smash down the barriers that women faced at every turn. And Fong Eu was successful in that pursuit at every stage of her career.\u003c/p>\n\u003cp>First, she graduated from UC Berkeley. Then came a Master’s from Mills. Finally, she earned her Ph.D at Stanford. In her first profession as a dental hygienist, Fong Eu became the first woman and first Asian American to chair UCSF’s Department of Dental Hygiene. Then, starting in 1956, Fong Eu served three terms on the Alameda County Board of Education, serving as its president between 1961 and ’62. After that came the big one: In 1966, she won a place on the California State Assembly — with a margin of more than a million votes. Representing Oakland and Castro Valley, Fong Eu was one of only two women serving on the 118-person assembly at the time.\u003c/p>\n\u003cp>“There is no argument to the opinion that this nation could benefit greatly by increased participation by women in decision-making positions,” she later said. “We do bring to bear unique experiences and insights, unlike our male counterparts.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">I\u003c/span>\u003c/p>\u003cp>n 1969, Fong Eu demonstrated that point when she went to war against pay toilets in public buildings. At the time, men’s urinals were free to use, but stalls cost a dime to access. It was an early example of what we now refer to as the “\u003ca href=\"https://www.investopedia.com/pink-tax-5095458\">pink tax\u003c/a>” — the extra money women are forced to pay for products and services. Fong Eu campaigned fervently for a statewide ban on the bathroom fee, using a combination of tenacity and humor.\u003c/p>\n\u003cp>The campaign culminated in a stunt on the steps of Sacramento’s Capitol building, during which Fong Eu smashed a padlocked toilet with a sledgehammer. She flung the sledgehammer with such gusto, assembled journalists were forced to duck out of the way. The speech she made that day was unabashedly filled with toilet humor too, much to the amusement of the press. (“The movement is on!” she declared with a cheeky smile. “The pressure is mounting!”)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ek5ExFpHYMs'\n title='//www.youtube.com/embed/ek5ExFpHYMs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Toilets weren’t the only thing that got smashed when Fong Eu was an assemblywoman. On one occasion, one of her colleagues had promised to nominate her good friend Willie Brown for speaker, then failed to do so on the day. Fong Eu was so aghast, she physically reacted.\u003c/p>\n\u003cp>“March Fong Eu stood up and took her handbag and started whacking the guy on his head without saying a word!” Brown relayed to KPIX in 2018. “She didn’t tell me she was going to do it! Nobody understood that she had that potential.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13911567","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In the end, it took five years after Fong Eu’s toilet stunt for then-Governor Ronald Reagan to sign legislation banning pay toilets. It is unlikely to have happened at all without Fong Eu loudly bringing the issue to the state’s attention. She used that fact in her 1974 campaign to become Secretary of State. Fong Eu would go on to win, with a record 3.4 million votes. (Four years later, she was so popular, that number had swelled to 4 million.) Fong Eu was the first woman to hold the position and the first Chinese-American elected to a constitutional office in California.\u003c/p>\n\u003cp>Fong Eu’s fortitude was tested in 1986 when an axe-wielding burglar broke into her home and brutally beat her. She survived by handing over several hundred dollars, but was left with enough cuts and bruises to warrant a hospital stay. Her deputy, Anthony L. Miller. told the press at the time, “She’s a real scrapper and survivor. She feels very lucky to be alive.”\u003c/p>\n\u003cp>Miller, incidentally, was an openly gay man that Fong Eu hired as Chief Deputy Secretary of State in 1980, saying she didn’t want the support of anyone who might have a problem with Miller’s sexuality. “Things are much different today,” Miller said in 2018, “because of people like March Fong Eu who led the way to tolerance, and acceptance and non-discrimination.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">F\u003c/span>\u003c/p>\u003cp>ong Eu held onto the position of Secretary of State for almost two decades and, in that time, transformed voting access for Californians. She introduced voter registration by mail, absentee ballots for anyone who requested them (no reason needed), candidate statements on ballot pamphlets and internet reporting of election results.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13897608","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>While in office, Fong Eu pushed for the various divisions of the secretary of state’s office to be consolidated under one roof. The resulting \u003ca href=\"https://www.dgs.ca.gov/RESD/Resources/List-of-DGS-Managed-Office-Buildings/Page-Content/List-of-DGS-Office-Buildings/Sacramento-Region/Secretary-of-State-Archives\">downtown Sacramento building\u003c/a> has been named after her since 2019. Fong Eu was also an ardent supporter of the California State Archives — appropriate, given that the archive currently houses \u003ca href=\"https://oac.cdlib.org/findaid/ark:/13030/c80g3sft/entire_text/\">72 boxes\u003c/a> of materials related to her.\u003c/p>\n\u003cp>In 1994, President Bill Clinton named Fong Eu as U.S. Ambassador to Micronesia. She served for two years before resigning to assist in the Clinton-Gore election campaign. Though she never held a prominent office again, Fong Eu never stopped working or pushing for what she felt was right. In the ’90s, she spoke out against prejudice towards Asian-Americans. After the debacle of the 2000 Bush v. Gore election angered her, \u003ca href=\"https://www.sfgate.com/politics/article/Florida-Made-Her-Mad-At-79-March-Fong-Eu-wants-2942518.php\">Fong Eu took an axe to a punchcard voting machine\u003c/a> at a Sacramento news conference.\u003c/p>\n\u003cp>March Fong Eu died in 2017 at the age of 95. Her casket was draped in an American flag and her funeral at Oakland’s Chapel of the Chimes was attended by colleagues and admirers from up and down California. The impact she made is almost impossible to measure — both on the careers of the female politicians coming up behind her and on the everyday lives of regular women statewide.\u003c/p>\n\u003cp>Perhaps Fong Eu said it best herself, during a 1979 interview with the \u003cem>New York Times\u003c/em>: “Not too bad for a lady born behind a Chinese laundry.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>To learn about other Rebel Girls from Bay Area History, visit the \u003ca href=\"https://www.kqed.org/rebelgirls\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls homepage\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13929289/march-fong-eu-politician-pay-toilets-sledgehammer-secretary-of-state","authors":["11242"],"programs":["arts_8978"],"categories":["arts_1","arts_7862","arts_11615"],"tags":["arts_11374","arts_10278","arts_1962","arts_5826","arts_21841","arts_5779"],"featImg":"arts_13929798","label":"arts_8978"},"arts_13925194":{"type":"posts","id":"arts_13925194","meta":{"index":"posts_1591205157","site":"arts","id":"13925194","score":null,"sort":[1676496746000]},"guestAuthors":[],"slug":"a-valentines-day-message-from-banksy-comments-on-violence-against-women","title":"A Valentine’s Day Message From Banksy Comments on Violence Against Women","publishDate":1676496746,"format":"standard","headTitle":"A Valentine’s Day Message From Banksy Comments on Violence Against Women | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>At first glance, she could be a prototypical 1950s housewife, wearing an apron over a smart gingham dress, complete with yellow cleaning gloves. But this is a Banksy artwork on the side of a building we’re talking about, and the woman is pushing a freezer door closed — and a man’s legs are jutting out the other end.\u003c/p>\n\u003cp>The woman is also hurt. She appears to be missing a tooth, and an eye is swollen shut. And that’s where the title comes in: “Valentine’s Day mascara,” according to a \u003ca href=\"https://www.instagram.com/p/Coom0LDsfJf/?hl=en\">post to Banksy’s Instagram account\u003c/a> on Tuesday.\u003c/p>\n\u003cp>[aside postid='arts_13898181']The most-liked reply to Banksy’s post reads: “Fighting violence used against women. Even on Valentines Day. Always!”\u003c/p>\n\u003cp>The artwork appeared in Margate, a city in southeastern England, becoming the latest locale for a graffiti installation by one of the world’s most famous living artists. It reportedly appeared on Monday; one day later, the local government removed the freezer that was a key part of the tableau, citing safety concerns.\u003c/p>\n\u003cp>But now the appliance “has been returned to its original position,” the \u003ca href=\"https://www.thanet.gov.uk/update-on-the-banksy-freezer/\">Thanet District Council said\u003c/a> on Wednesday, stating that the appliance “has now been made safe.” It did not provide details, saying only that work was done on the freezer “for health and safety reasons.”\u003c/p>\n\u003cfigure id=\"attachment_13925196\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925196\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/gettyimages-1247129667-3d2eff82887afb6ac0165bcc62a9e48bbf0ace78-scaled-e1676496507880-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gettyimages-1247129667-3d2eff82887afb6ac0165bcc62a9e48bbf0ace78-scaled-e1676496507880-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gettyimages-1247129667-3d2eff82887afb6ac0165bcc62a9e48bbf0ace78-scaled-e1676496507880-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gettyimages-1247129667-3d2eff82887afb6ac0165bcc62a9e48bbf0ace78-scaled-e1676496507880-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gettyimages-1247129667-3d2eff82887afb6ac0165bcc62a9e48bbf0ace78-scaled-e1676496507880-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gettyimages-1247129667-3d2eff82887afb6ac0165bcc62a9e48bbf0ace78-scaled-e1676496507880-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gettyimages-1247129667-3d2eff82887afb6ac0165bcc62a9e48bbf0ace78-scaled-e1676496507880.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Workers remove a chest freezer that was part of an artwork by street artist Banksy, along the side of a house. \u003ccite>(WILLIAM EDWARDS/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Banksy raises the important issue of domestic abuse in this artwork,” the council said. “We are in touch with the owner of the property to understand their intentions around the preservation of the piece and to secure the best possible outcome for the local community and victims of domestic abuse.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The work incorporates an actual freezer and a toppled chair, following Banksy’s tradition of mixing everyday items with paint and other media. As word of the artwork spread, people flocked to snap photos of themselves posing alongside the woman — resilient, triumphant and injured.\u003c/p>\n\u003cp>Then the freezer was taken away, leaving a void.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.thanet.gov.uk/council-confirms-situation-regarding-banksy-artwork-in-margate/\">Thanet District Council said\u003c/a> on Tuesday that while the graffiti art is a genuine Banksy, and it was on the wall of a privately owned property, the chest freezer was “removed by council operatives on the grounds of safety as it was on public land.”\u003c/p>\n\u003cp>The council said it had placed the freezer in storage, adding that it would be returned “once it has been made safe to the public.”\u003c/p>\n\u003cp>[aside postid='arts_13883386']Some local residents mocked the council for invoking the need to keep public spaces tidy as a rationale for taking the art work apart.\u003c/p>\n\u003cp>“The council saying it was removed for safety reason is a bit short sided, considering that there is a side road next to the Banksy with a pile of rubbish and wood full of nails,” resident Davide Restifo \u003ca href=\"https://theisleofthanetnews.com/2023/02/14/thanet-council-says-freezer-will-be-returned-to-site-of-banksy-art-work-in-margate/\">told \u003cem>The Isle of Thanet News\u003c/em>\u003c/a>, submitting a photo of unsightly debris to prove his point.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>If you or someone you know is experiencing domestic abuse, use a safe computer and \u003c/em>\u003ca href=\"https://www.thehotline.org/help/\">\u003cem>contact help\u003c/em>\u003c/a>\u003cem>. You can also visit a local shelter, or call 911 or the National Domestic Violence Hotline at 1-800-799-7233.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+Valentine%27s+Day+message+from+Banksy+comments+on+violence+against+women&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"The new work depicts an injured woman shutting a freezer door on a man’s body.","status":"publish","parent":0,"modified":1705005835,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":581},"headData":{"title":"A Valentine’s Day Message From Banksy Comments on Violence Against Women | KQED","description":"The new work depicts an injured woman shutting a freezer door on a man’s body.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"A Valentine’s Day Message From Banksy Comments on Violence Against Women","datePublished":"2023-02-15T21:32:26.000Z","dateModified":"2024-01-11T20:43:55.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprImageCredit":"William Edwards","nprByline":"Bill Chappell","nprImageAgency":"AFP via Getty Images","nprStoryId":"1156849741","nprApiLink":"http://api.npr.org/query?id=1156849741&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2023/02/14/1156849741/banksy-valentines-day-violence-woman?ft=nprml&f=1156849741","nprRetrievedStory":"1","nprPubDate":"Wed, 15 Feb 2023 12:58:00 -0500","nprStoryDate":"Tue, 14 Feb 2023 15:13:20 -0500","nprLastModifiedDate":"Wed, 15 Feb 2023 12:58:45 -0500","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13925194/a-valentines-day-message-from-banksy-comments-on-violence-against-women","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>At first glance, she could be a prototypical 1950s housewife, wearing an apron over a smart gingham dress, complete with yellow cleaning gloves. But this is a Banksy artwork on the side of a building we’re talking about, and the woman is pushing a freezer door closed — and a man’s legs are jutting out the other end.\u003c/p>\n\u003cp>The woman is also hurt. She appears to be missing a tooth, and an eye is swollen shut. And that’s where the title comes in: “Valentine’s Day mascara,” according to a \u003ca href=\"https://www.instagram.com/p/Coom0LDsfJf/?hl=en\">post to Banksy’s Instagram account\u003c/a> on Tuesday.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13898181","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The most-liked reply to Banksy’s post reads: “Fighting violence used against women. Even on Valentines Day. Always!”\u003c/p>\n\u003cp>The artwork appeared in Margate, a city in southeastern England, becoming the latest locale for a graffiti installation by one of the world’s most famous living artists. It reportedly appeared on Monday; one day later, the local government removed the freezer that was a key part of the tableau, citing safety concerns.\u003c/p>\n\u003cp>But now the appliance “has been returned to its original position,” the \u003ca href=\"https://www.thanet.gov.uk/update-on-the-banksy-freezer/\">Thanet District Council said\u003c/a> on Wednesday, stating that the appliance “has now been made safe.” It did not provide details, saying only that work was done on the freezer “for health and safety reasons.”\u003c/p>\n\u003cfigure id=\"attachment_13925196\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13925196\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/gettyimages-1247129667-3d2eff82887afb6ac0165bcc62a9e48bbf0ace78-scaled-e1676496507880-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gettyimages-1247129667-3d2eff82887afb6ac0165bcc62a9e48bbf0ace78-scaled-e1676496507880-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gettyimages-1247129667-3d2eff82887afb6ac0165bcc62a9e48bbf0ace78-scaled-e1676496507880-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gettyimages-1247129667-3d2eff82887afb6ac0165bcc62a9e48bbf0ace78-scaled-e1676496507880-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gettyimages-1247129667-3d2eff82887afb6ac0165bcc62a9e48bbf0ace78-scaled-e1676496507880-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gettyimages-1247129667-3d2eff82887afb6ac0165bcc62a9e48bbf0ace78-scaled-e1676496507880-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gettyimages-1247129667-3d2eff82887afb6ac0165bcc62a9e48bbf0ace78-scaled-e1676496507880.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Workers remove a chest freezer that was part of an artwork by street artist Banksy, along the side of a house. \u003ccite>(WILLIAM EDWARDS/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Banksy raises the important issue of domestic abuse in this artwork,” the council said. “We are in touch with the owner of the property to understand their intentions around the preservation of the piece and to secure the best possible outcome for the local community and victims of domestic abuse.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The work incorporates an actual freezer and a toppled chair, following Banksy’s tradition of mixing everyday items with paint and other media. As word of the artwork spread, people flocked to snap photos of themselves posing alongside the woman — resilient, triumphant and injured.\u003c/p>\n\u003cp>Then the freezer was taken away, leaving a void.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.thanet.gov.uk/council-confirms-situation-regarding-banksy-artwork-in-margate/\">Thanet District Council said\u003c/a> on Tuesday that while the graffiti art is a genuine Banksy, and it was on the wall of a privately owned property, the chest freezer was “removed by council operatives on the grounds of safety as it was on public land.”\u003c/p>\n\u003cp>The council said it had placed the freezer in storage, adding that it would be returned “once it has been made safe to the public.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13883386","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Some local residents mocked the council for invoking the need to keep public spaces tidy as a rationale for taking the art work apart.\u003c/p>\n\u003cp>“The council saying it was removed for safety reason is a bit short sided, considering that there is a side road next to the Banksy with a pile of rubbish and wood full of nails,” resident Davide Restifo \u003ca href=\"https://theisleofthanetnews.com/2023/02/14/thanet-council-says-freezer-will-be-returned-to-site-of-banksy-art-work-in-margate/\">told \u003cem>The Isle of Thanet News\u003c/em>\u003c/a>, submitting a photo of unsightly debris to prove his point.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>If you or someone you know is experiencing domestic abuse, use a safe computer and \u003c/em>\u003ca href=\"https://www.thehotline.org/help/\">\u003cem>contact help\u003c/em>\u003c/a>\u003cem>. You can also visit a local shelter, or call 911 or the National Domestic Violence Hotline at 1-800-799-7233.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+Valentine%27s+Day+message+from+Banksy+comments+on+violence+against+women&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13925194/a-valentines-day-message-from-banksy-comments-on-violence-against-women","authors":["byline_arts_13925194"],"categories":["arts_1","arts_75"],"tags":["arts_8811","arts_2455","arts_1962"],"affiliates":["arts_137"],"featImg":"arts_13925195","label":"arts_137"},"arts_13924870":{"type":"posts","id":"arts_13924870","meta":{"index":"posts_1591205157","site":"arts","id":"13924870","score":null,"sort":[1675972831000]},"guestAuthors":[],"slug":"leonardo-dicaprio-eden-polani-young-girlfriends-camila-morrone-victoria-lamas","title":"We Need to Talk About Leonardo DiCaprio","publishDate":1675972831,"format":"standard","headTitle":"We Need to Talk About Leonardo DiCaprio | KQED","labelTerm":{},"content":"\u003cp>Twitter raised a collective eyebrow earlier this week when photos emerged of 48-year-old \u003ca href=\"https://twitter.com/DrProudman/status/1622537376160423936\">Leonardo DiCaprio hanging out with a 19-year-old French model named Eden Polani.\u003c/a> No one was surprised, of course, but assumptions about what was happening quickly spread online.\u003c/p>\n\u003cp>[aside postid='arts_13923161']The age gap between DiCaprio and Polani is similar to the one between Pedro Pascal (47) and Bella Ramsey (19) from \u003cem>The Last of Us\u003c/em>, people pointed out. It’s also similar to the one between David Harbour (47) and Millie Bobby Brown (18) from \u003cem>Stranger Things\u003c/em>, others chimed in.\u003c/p>\n\u003cp>Wouldn’t we all be uncomfortable if either of these duos became couples? The short answer is, hell yes, we would. And not just because the women in question are still young enough to play underage people on television, or that those men play their guardians.\u003c/p>\n\u003cp>https://twitter.com/jodieegrace/status/1623032506164613126\u003c/p>\n\u003cp>On Wednesday, per TMZ, “a source close to DiCaprio” denied that he’s dating Polani. As if to prove this, TMZ noted that DiCaprio has also recently been linked with 23-year-old model \u003ca href=\"https://www.instagram.com/victoriaalamas/?hl=en\">Victoria Lamas\u003c/a> and has been \u003ca href=\"https://www.tmz.com/2023/01/03/leonardo-dicaprio-vacation-yacht-women-st-barts-caribbean-photos/\">photographed on a yacht with a group of young models\u003c/a>. It’s not terribly surprising that the public jumped to conclusions about DiCaprio and Polani, given how he’s been behaving for literally decades.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The world has known about DiCaprio’s dating preferences for a very, very long time — namely, that he appears interested almost exclusively in young models, and that he doesn’t date women past the age of 25. DiCaprio’s compulsion to date and then dump women under 25 has been the topic of too many jokes to list here, and it would be boring for me to do so — you’ve already heard them. We all have.\u003c/p>\n\u003cp>Someone on Reddit even made a handy graph in 2021:\u003c/p>\n\u003cfigure id=\"attachment_13924887\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13924887\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/TrustLittleBrotherReddit-800x800.png\" alt=\"A graph showing, on one line, Leonardo DiCaprio's age, and on another beneath it, the fluctuating ages of his girlfriends, none of whom are with him past 25.\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/TrustLittleBrotherReddit-800x800.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/TrustLittleBrotherReddit-1020x1020.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/TrustLittleBrotherReddit-160x160.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/TrustLittleBrotherReddit-768x768.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/TrustLittleBrotherReddit.png 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Stark, isn’t it? \u003ccite>(TrustLittleBrother on Reddit)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>What the graph doesn’t include are the many flings he had with models in the ‘90s (everyone was the same age, it’s fine) or, more recently, the end of DiCaprio’s relationship with Camila Morrone. The couple lasted four years and came to an end three months after the model turned — you’ve guessed it! — 25. Incidentally, DiCaprio and Nina Agdal broke up two months after her 25th birthday. He and Kelly Rohrbach split a month after she hit that milestone too. Bar Refaeli made it four months.\u003c/p>\n\u003cp>To be clear, age gaps, in and of themselves, aren’t the problem. We’re all going to fall in love with who we fall in love with, and sometimes that person just wasn’t born in the same era — love is love is love. When \u003ca href=\"https://www.kqed.org/arts/13869451/keanu-reeves-dennis-quaid-and-our-national-obsession-with-womens-age\">we pass judgement on younger women who date older men\u003c/a>, we often strip them of their agency and reduce them to trophies.\u003c/p>\n\u003cp>[aside postid='arts_13869451']But the issue with DiCaprio is not love with an age gap. The longer this all goes on, the less his situation looks even vaguely love-related. It looks like a pattern of swiftly replacing one model for the next once they hit a specific age milestone. Not all of them even make it that far — Blake Lively was 23 when the couple split (he was 36), Erin Heatherton was 22 (he was 37), Toni Garrn was 21 (he was 39).\u003c/p>\n\u003cp>From the outside, it would appear these young women are interchangeable to him — disposable, like cars he’s done driving or suits he’s sick of wearing. They are reduced to trophies by the very circumstance of getting involved with DiCaprio in the first place, because we all know they’ll be discarded before they have time to develop a single, solitary wrinkle. (\u003ca href=\"https://www.mirror.co.uk/3am/celebrity-news/leonardo-dicaprios-girlfriend-turned-25-27265735\">The end of his relationship with Morrone was widely predicted\u003c/a> when her 25th birthday rolled around.)\u003c/p>\n\u003cp>Even when we take into account that these relationships are clearly consensual, it’s still surprising that, throughout all of the post-#MeToo conversations about the negative effects of power imbalances in relationships and sexual situations, DiCaprio hasn’t really come up. If we now recognize that Monica Lewinsky was in a seriously vulnerable position during her affair with Bill Clinton, shouldn’t we also be thinking about the welfare of these women?\u003c/p>\n\u003cp>I’d argue that one of the reasons we haven’t is because these very young women are some of the most beautiful in the world. As such, there is an assumption that, since they could probably have anyone they wanted, if they end up choosing DiCaprio, he must be a good choice. The reality is, being exceptionally beautiful doesn’t make you worldly before your time, or necessarily equipped to deal with a man who is twice your age, world famous and who has been playing the same game with legions of women since before you were even born.\u003c/p>\n\u003cp>One of the reasons we’ve traditionally processed DiCaprio’s love life via jokes rather than actual judgment is because the actor has not broken any laws that we know of. That \u003ca href=\"https://www.cosmopolitan.com/entertainment/celebs/a30359722/leonardo-dicaprio-camila-morrone-relationship-timeline-age-gap/\">DiCaprio first met Camila Morrone when he was 35 and she was 12\u003c/a> doesn’t come up nearly as often as it should. (They were introduced by Morrone’s stepfather, Al Pacino.) That many of the women DiCaprio dates aren’t old enough to legally drink when he first meets them has also been under-discussed.\u003c/p>\n\u003cp>[aside postid='arts_13918217']Another major factor that’s been keeping DiCaprio off the hook is that he was a kid himself when he first came to prominence. His roles playing troubled teens in 1993’s \u003cem>What’s Eating Gilbert Grape?\u003c/em> and 1996’s \u003cem>Romeo & Juliet\u003c/em> are seared into the culture. He was just 22 when he made \u003cem>Titanic\u003c/em>. Because of this, even as he ages — dad bod and all — we still see a very young man when we look at him. If he looked more like Pedro Pascal or David Harbour, or if he’d only become famous in his thirties, we’d have noticed the depth of his dating life’s ick factor way sooner.\u003c/p>\n\u003cp>It’s also worth remembering that DiCaprio’s penchant for chasing young models wasn’t immediately obvious. In his younger years, he had two longterm relationships. The first was with Gisele Bundchen (six years his junior) for five years, and Bar Refaeli (10 years his junior) for five and a half. Perfectly normal dating behavior for a man in his twenties and thirties. Was it weird that the two women so closely resembled each other? A little. But it’s significantly stranger now that \u003cem>all\u003c/em> of the women who have followed Bunchen and Refaeli have also looked like Bundchen and Refaeli. (Morrone was a brunette — that’s the closest DiCaprio has come to broadening his field of vision.)\u003c/p>\n\u003cfigure id=\"attachment_13924888\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13924888\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/gis-and-bar-800x743.jpg\" alt=\"A photo of a white, fair-haired man in a suit embracing a tall slender woman with long blond hair, next to a photo of a different tall slender woman with long blond hair.\" width=\"800\" height=\"743\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gis-and-bar-800x743.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gis-and-bar-1020x947.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gis-and-bar-160x149.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gis-and-bar-768x713.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gis-and-bar-1536x1426.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gis-and-bar-2048x1901.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gis-and-bar-1920x1782.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(L) DiCaprio with Gisele Bundchen in 2005, (R) Bar Refaeli in 2007. \u003ccite>((L) Jeffrey Mayer/WireImage (R) FRANCOIS GUILLOT/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Despite his well-known status as a serial dater, DiCaprio has never been portrayed as unlucky in love. This is, of course, because he’s a man — no famous man, regardless of individual circumstances, is ever presented that way. But in DiCaprio’s case, there is also an assumption that he’s not really taking any of these women seriously in the first place. Collectively, we have accepted that this man is going to discard the young women he surrounds himself with, then quickly replace them.\u003c/p>\n\u003cp>It’s about time we start examining how much we want to continue to turn a blind eye, laugh at the jokes and move on. Because when we as a nation regularly laugh at women being treated as disposable objects, we’re normalizing it. And that keeps archetypes about rich men as playboys and beautiful women as playthings in the culture. Do we really want those grossly outdated constructs still hanging around in 2023?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>When it comes to DiCaprio, just because a behavior is technically legal doesn’t mean that something very disturbing isn’t going on in full view of the world. As \u003ca href=\"https://twitter.com/aaronhoyland/status/1622986572303044608\">one shrewd Twitter user noted this week\u003c/a>: “I really don’t think the threshold for acceptable behavior towards women should be, ‘But is it criminal?’”\u003c/p>\n\n","blocks":[],"excerpt":"Sources close to DiCaprio have denied he’s dating a 19-year-old model — but his relationship history speaks for itself.","status":"publish","parent":0,"modified":1705005866,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":1444},"headData":{"title":"Leonardo DiCaprio's Young Girlfriends Aren’t Funny Anymore | KQED","description":"Sources close to DiCaprio have denied he’s dating a 19-year-old model — but his relationship history speaks for itself.","ogTitle":"We Need to Talk About Leonardo DiCaprio","ogDescription":"","ogImgId":"","twTitle":"We Need to Talk About Leonardo DiCaprio","twDescription":"","twImgId":"","socialTitle":"Leonardo DiCaprio's Young Girlfriends Aren’t Funny Anymore %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"We Need to Talk About Leonardo DiCaprio","datePublished":"2023-02-09T20:00:31.000Z","dateModified":"2024-01-11T20:44:26.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Commentary","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13924870/leonardo-dicaprio-eden-polani-young-girlfriends-camila-morrone-victoria-lamas","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Twitter raised a collective eyebrow earlier this week when photos emerged of 48-year-old \u003ca href=\"https://twitter.com/DrProudman/status/1622537376160423936\">Leonardo DiCaprio hanging out with a 19-year-old French model named Eden Polani.\u003c/a> No one was surprised, of course, but assumptions about what was happening quickly spread online.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13923161","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The age gap between DiCaprio and Polani is similar to the one between Pedro Pascal (47) and Bella Ramsey (19) from \u003cem>The Last of Us\u003c/em>, people pointed out. It’s also similar to the one between David Harbour (47) and Millie Bobby Brown (18) from \u003cem>Stranger Things\u003c/em>, others chimed in.\u003c/p>\n\u003cp>Wouldn’t we all be uncomfortable if either of these duos became couples? The short answer is, hell yes, we would. And not just because the women in question are still young enough to play underage people on television, or that those men play their guardians.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1623032506164613126"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>On Wednesday, per TMZ, “a source close to DiCaprio” denied that he’s dating Polani. As if to prove this, TMZ noted that DiCaprio has also recently been linked with 23-year-old model \u003ca href=\"https://www.instagram.com/victoriaalamas/?hl=en\">Victoria Lamas\u003c/a> and has been \u003ca href=\"https://www.tmz.com/2023/01/03/leonardo-dicaprio-vacation-yacht-women-st-barts-caribbean-photos/\">photographed on a yacht with a group of young models\u003c/a>. It’s not terribly surprising that the public jumped to conclusions about DiCaprio and Polani, given how he’s been behaving for literally decades.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The world has known about DiCaprio’s dating preferences for a very, very long time — namely, that he appears interested almost exclusively in young models, and that he doesn’t date women past the age of 25. DiCaprio’s compulsion to date and then dump women under 25 has been the topic of too many jokes to list here, and it would be boring for me to do so — you’ve already heard them. We all have.\u003c/p>\n\u003cp>Someone on Reddit even made a handy graph in 2021:\u003c/p>\n\u003cfigure id=\"attachment_13924887\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13924887\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/TrustLittleBrotherReddit-800x800.png\" alt=\"A graph showing, on one line, Leonardo DiCaprio's age, and on another beneath it, the fluctuating ages of his girlfriends, none of whom are with him past 25.\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/TrustLittleBrotherReddit-800x800.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/TrustLittleBrotherReddit-1020x1020.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/TrustLittleBrotherReddit-160x160.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/TrustLittleBrotherReddit-768x768.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/TrustLittleBrotherReddit.png 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Stark, isn’t it? \u003ccite>(TrustLittleBrother on Reddit)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>What the graph doesn’t include are the many flings he had with models in the ‘90s (everyone was the same age, it’s fine) or, more recently, the end of DiCaprio’s relationship with Camila Morrone. The couple lasted four years and came to an end three months after the model turned — you’ve guessed it! — 25. Incidentally, DiCaprio and Nina Agdal broke up two months after her 25th birthday. He and Kelly Rohrbach split a month after she hit that milestone too. Bar Refaeli made it four months.\u003c/p>\n\u003cp>To be clear, age gaps, in and of themselves, aren’t the problem. We’re all going to fall in love with who we fall in love with, and sometimes that person just wasn’t born in the same era — love is love is love. When \u003ca href=\"https://www.kqed.org/arts/13869451/keanu-reeves-dennis-quaid-and-our-national-obsession-with-womens-age\">we pass judgement on younger women who date older men\u003c/a>, we often strip them of their agency and reduce them to trophies.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13869451","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>But the issue with DiCaprio is not love with an age gap. The longer this all goes on, the less his situation looks even vaguely love-related. It looks like a pattern of swiftly replacing one model for the next once they hit a specific age milestone. Not all of them even make it that far — Blake Lively was 23 when the couple split (he was 36), Erin Heatherton was 22 (he was 37), Toni Garrn was 21 (he was 39).\u003c/p>\n\u003cp>From the outside, it would appear these young women are interchangeable to him — disposable, like cars he’s done driving or suits he’s sick of wearing. They are reduced to trophies by the very circumstance of getting involved with DiCaprio in the first place, because we all know they’ll be discarded before they have time to develop a single, solitary wrinkle. (\u003ca href=\"https://www.mirror.co.uk/3am/celebrity-news/leonardo-dicaprios-girlfriend-turned-25-27265735\">The end of his relationship with Morrone was widely predicted\u003c/a> when her 25th birthday rolled around.)\u003c/p>\n\u003cp>Even when we take into account that these relationships are clearly consensual, it’s still surprising that, throughout all of the post-#MeToo conversations about the negative effects of power imbalances in relationships and sexual situations, DiCaprio hasn’t really come up. If we now recognize that Monica Lewinsky was in a seriously vulnerable position during her affair with Bill Clinton, shouldn’t we also be thinking about the welfare of these women?\u003c/p>\n\u003cp>I’d argue that one of the reasons we haven’t is because these very young women are some of the most beautiful in the world. As such, there is an assumption that, since they could probably have anyone they wanted, if they end up choosing DiCaprio, he must be a good choice. The reality is, being exceptionally beautiful doesn’t make you worldly before your time, or necessarily equipped to deal with a man who is twice your age, world famous and who has been playing the same game with legions of women since before you were even born.\u003c/p>\n\u003cp>One of the reasons we’ve traditionally processed DiCaprio’s love life via jokes rather than actual judgment is because the actor has not broken any laws that we know of. That \u003ca href=\"https://www.cosmopolitan.com/entertainment/celebs/a30359722/leonardo-dicaprio-camila-morrone-relationship-timeline-age-gap/\">DiCaprio first met Camila Morrone when he was 35 and she was 12\u003c/a> doesn’t come up nearly as often as it should. (They were introduced by Morrone’s stepfather, Al Pacino.) That many of the women DiCaprio dates aren’t old enough to legally drink when he first meets them has also been under-discussed.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13918217","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Another major factor that’s been keeping DiCaprio off the hook is that he was a kid himself when he first came to prominence. His roles playing troubled teens in 1993’s \u003cem>What’s Eating Gilbert Grape?\u003c/em> and 1996’s \u003cem>Romeo & Juliet\u003c/em> are seared into the culture. He was just 22 when he made \u003cem>Titanic\u003c/em>. Because of this, even as he ages — dad bod and all — we still see a very young man when we look at him. If he looked more like Pedro Pascal or David Harbour, or if he’d only become famous in his thirties, we’d have noticed the depth of his dating life’s ick factor way sooner.\u003c/p>\n\u003cp>It’s also worth remembering that DiCaprio’s penchant for chasing young models wasn’t immediately obvious. In his younger years, he had two longterm relationships. The first was with Gisele Bundchen (six years his junior) for five years, and Bar Refaeli (10 years his junior) for five and a half. Perfectly normal dating behavior for a man in his twenties and thirties. Was it weird that the two women so closely resembled each other? A little. But it’s significantly stranger now that \u003cem>all\u003c/em> of the women who have followed Bunchen and Refaeli have also looked like Bundchen and Refaeli. (Morrone was a brunette — that’s the closest DiCaprio has come to broadening his field of vision.)\u003c/p>\n\u003cfigure id=\"attachment_13924888\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13924888\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/02/gis-and-bar-800x743.jpg\" alt=\"A photo of a white, fair-haired man in a suit embracing a tall slender woman with long blond hair, next to a photo of a different tall slender woman with long blond hair.\" width=\"800\" height=\"743\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gis-and-bar-800x743.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gis-and-bar-1020x947.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gis-and-bar-160x149.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gis-and-bar-768x713.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gis-and-bar-1536x1426.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gis-and-bar-2048x1901.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/02/gis-and-bar-1920x1782.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(L) DiCaprio with Gisele Bundchen in 2005, (R) Bar Refaeli in 2007. \u003ccite>((L) Jeffrey Mayer/WireImage (R) FRANCOIS GUILLOT/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Despite his well-known status as a serial dater, DiCaprio has never been portrayed as unlucky in love. This is, of course, because he’s a man — no famous man, regardless of individual circumstances, is ever presented that way. But in DiCaprio’s case, there is also an assumption that he’s not really taking any of these women seriously in the first place. Collectively, we have accepted that this man is going to discard the young women he surrounds himself with, then quickly replace them.\u003c/p>\n\u003cp>It’s about time we start examining how much we want to continue to turn a blind eye, laugh at the jokes and move on. Because when we as a nation regularly laugh at women being treated as disposable objects, we’re normalizing it. And that keeps archetypes about rich men as playboys and beautiful women as playthings in the culture. Do we really want those grossly outdated constructs still hanging around in 2023?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When it comes to DiCaprio, just because a behavior is technically legal doesn’t mean that something very disturbing isn’t going on in full view of the world. As \u003ca href=\"https://twitter.com/aaronhoyland/status/1622986572303044608\">one shrewd Twitter user noted this week\u003c/a>: “I really don’t think the threshold for acceptable behavior towards women should be, ‘But is it criminal?’”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13924870/leonardo-dicaprio-eden-polani-young-girlfriends-camila-morrone-victoria-lamas","authors":["11242"],"categories":["arts_1","arts_2303","arts_74","arts_75"],"tags":["arts_10278","arts_1962","arts_2305","arts_7580"],"featImg":"arts_13924871","label":"source_arts_13924870"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. 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Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us","airtime":"SUN 2pm-3pm, MON 12am-1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png","officialWebsiteLink":"https://www.wnycstudios.org/shows/otm","meta":{"site":"news","source":"wnyc"},"link":"/radio/program/on-the-media","subscribe":{"apple":"https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2","tuneIn":"https://tunein.com/radio/On-the-Media-p69/","rss":"http://feeds.wnyc.org/onthemedia"}},"our-body-politic":{"id":"our-body-politic","title":"Our Body Politic","info":"Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.","airtime":"SAT 6pm-7pm, SUN 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://our-body-politic.simplecast.com/","meta":{"site":"news","source":"kcrw"},"link":"/radio/program/our-body-politic","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/our-body-politic/id1533069868","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw","spotify":"https://open.spotify.com/show/4ApAiLT1kV153TttWAmqmc","rss":"https://feeds.simplecast.com/_xaPhs1s","tuneIn":"https://tunein.com/podcasts/News--Politics-Podcasts/Our-Body-Politic-p1369211/"}},"pbs-newshour":{"id":"pbs-newshour","title":"PBS NewsHour","info":"Analysis, background reports and updates from the PBS NewsHour putting today's news in context.","airtime":"MON-FRI 3pm-4pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.pbs.org/newshour/","meta":{"site":"news","source":"pbs"},"link":"/radio/program/pbs-newshour","subscribe":{"apple":"https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2","tuneIn":"https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/","rss":"https://www.pbs.org/newshour/feeds/rss/podcasts/show"}},"perspectives":{"id":"perspectives","title":"Perspectives","tagline":"KQED's series of of daily listener commentaries since 1991","info":"KQED's series of of daily listener commentaries since 1991.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Perspectives-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/perspectives/","meta":{"site":"radio","source":"kqed","order":"15"},"link":"/perspectives","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/id73801135","npr":"https://www.npr.org/podcasts/432309616/perspectives","rss":"https://ww2.kqed.org/perspectives/category/perspectives/feed/","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"}},"planet-money":{"id":"planet-money","title":"Planet Money","info":"The economy explained. 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