Here’s What Bay Area Rappers Are Eating (According to Their Lyrics)
D-Ray’s Photo Archive is West Coast Hip-Hop Gold
Here’s Your 49ers Anthem for the Super Bowl Run: ‘Do It For the Bay’
You Never Thought That Hip-Hop Could Take It This Far
E-40 Discusses New Album, His Cookbook With Snoop, and Being Underrated
E-40 Gets the Key to the City of Vallejo and a Street Named in His Honor
'E-40 Way' To Be Unveiled in Vallejo as City Honors Famed Rapper
Señor Sisig Is Hosting This Filipino Rapper’s ‘Very Good Food Tour’ in Oakland
Hyphy Kids Got Trauma Pt. 2, ‘We Dance Different’
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From sourdough bread to the eternal Mission-style burrito, the Bay’s foodmakers have often been ahead of the curve, helping to revolutionize menus nationwide with their fresh farm-to-table approach. To borrow from the great Mac, one could say that in the Bay Area, we \u003ci>eat\u003c/i> a little different.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13907726,arts_13934248']\u003c/span>It’s no surprise, then, that in the history of local rap, food has always been a strong reference point — a metaphorical kitchen for creative exchange. An endless platter of well-seasoned slang. For decades, our rappers have delivered punchlines involving sauce, lasagna and \u003ca href=\"https://www.youtube.com/watch?v=XMah0rX6pGU\">lumpia\u003c/a>; dropped verses that generously reference \u003ca href=\"https://www.youtube.com/watch?v=lkBJR5L2nas\">desserts and bakeries\u003c/a>; and supplied entire songs about stacking bread, cheese and lettuce as lucrative sandwiches.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfchronicle.com/food/restaurants/article/bay-area-rap-shrimp-crab-17915372.php\">Food-loving Bay Area rappers\u003c/a> have always been bold when it comes to transmorphing culinary items and kitchen utensils into slang that others then appropriate and even misuse (see: “\u003ca href=\"https://www.kqed.org/arts/13908052/food-doesnt-slap\">food doesn’t slap\u003c/a>”). Shock G once talked about getting busy in a Burger King bathroom and declared, “I like my oatmeal lumpy.” On “Dreganomics,” Mac Dre himself asked, “What’s spaghetti without the sauce?” We’ve got Suga T (sweet) and Spice 1 (hot). Berner founded \u003ca href=\"https://www.instagram.com/cookiessf/?hl=en\">Cookies\u003c/a>. And just a few weeks ago, \u003ca href=\"https://www.kqed.org/arts/13900085/stunnaman02-and-the-big-steppin-energy-in-the-room\">Stunnaman02\u003c/a> dropped a whole series of viral videos centered on his latest single. His focus? \u003ca href=\"https://www.tiktok.com/@jayworrld/video/7340701934355254574\">Eating a salad\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There’s a unifying ethos in Bay Area food and rap: \u003ca href=\"https://www.youtube.com/watch?v=E6GU3PmttyI\">Everybody eats\u003c/a>. So here’s a brief ode to some of our region’s most skilled vocabulary chefs and the tasteful ways they’ve reimagined the ingredients of language that are possible in a kitchen — and the recording studio.\u003c/p>\n\u003cfigure id=\"attachment_13956090\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956090\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1.jpg\" alt=\"Illustration of the rapper E-40 in sunglasses and a beige apron, holding a glass of red wine. In front of him are a burrito and a grilled cheese sandwich.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">E-40 might be the most prolific inventor of food-related slang words in the English language. He’s a head chef in the Bay Area’s rap kingdom. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>E-40: Green eggs, hams, candy yams, Spam, cheese, peanut butter and jam on “\u003ca href=\"https://www.youtube.com/watch?v=etIBcRriUJY\">The Slap\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Digital scale, green eggs and hams / Yams, candy yams, Spam, damn! / Loaded, my cheese, peanut butter and jam / Sammich, mannish, me and my Hispanics / Vanish, talkin’ in codes like we from different planets.”\u003c/em>\u003c/p>\n\u003cp>Though it may sound like gibberish to the uninitiated, rest assured that \u003ca href=\"https://firstwefeast.com/eat/2013/12/food-rap-decoded-with-e-40-video\">99.99% of anything 40 Water vocalizes has a cleverly associative meaning\u003c/a>. For anyone who has listened to one of the more than 25 studio albums from Vallejo’s kingpin, you’ve surely heard him mention food — perhaps in a variety of languages (some real, some ingeniously invented). In addition to the smorgasbord he notes above in “The Slap,” he has pioneered rhymes across generations that give new meanings to Gouda, feta, mozzarella, lettuce, bread, sausage, salami, paninis, spaghetti, tacos and enchiladas — ad infinitum. Unsurprisingly, \u003ca href=\"https://www.kqed.org/arts/13907726/e-40-goon-with-the-spoon-bay-area-rappers-food-entrepreneurs-hustle\">Mr. Fonzarelli is an actual purveyor of foods and beverages\u003c/a>, with a line of products that includes malt liquor, ice cream and burritos; he even co-owns \u003ca href=\"https://www.instagram.com/thelumpiacompany/\">The Lumpia Company\u003c/a>. There’s no one with a bigger million-dollar mouthpiece who can distribute as much word candy (“S-L-A-N-G”) quite as flavorfully as the Goon With The Spoon himself.\u003c/p>\n\u003ch2>Andre Nickatina: TOGO’s #41 sandwich with the hot peppers on “\u003ca href=\"https://www.youtube.com/watch?v=_FU1XdPE6lM\">Fa Show\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Baby don’t act dumb, I’m number 41, high stepper / TOGO’s sandwich with the hot peppers / At 90 degrees I might freeze, so when it’s hot I sport leather.”\u003c/em>\u003c/p>\n\u003cp>Fillmore’s finest, and among \u003ca href=\"https://www.passionweiss.com/2016/11/17/andre-nickatina/\">the most criminally underrated San Francisco rappers in history\u003c/a>, Andre Nickatina has always had a penchant for the spicy, the flavorful, the extemporaneously saucy. From rapping about eating Cap’n Crunch around drug dealers to sarcastically handing out Baskin Robbins dollars to his enemies, Nicky Nicotine (formerly known as Dre Dog) raps about food as casually as any rapper would ever dare. Unlike many of today’s international rap personalities, who seem to only eat at \u003ca href=\"https://www.reddit.com/r/OutOfTheLoop/comments/6frbt9/why_are_rappers_obsessed_with_nobu_sushi/\">high-priced sushi conglomerates\u003c/a>, Nickatina is a Bay Area real one, electing to stay fed at a regional sandwich chain from San Jose. The enigmatic “number 41” on the \u003ca href=\"https://www.togos.com/menu/?gad_source=1&gclid=CjwKCAjwoPOwBhAeEiwAJuXRh69gJ2fS8J9qmnAKJEnCmI5720psTxEmhEmkgFAemWoe3auyNuuxExoCTm0QAvD_BwE\">Togo’s menu\u003c/a> has since been discontinued, but a spokesperson for the restaurant IDed it as a sirloin steak and mushroom sandwich that was introduced as a seasonal special back in 2002 — the same year “Fa Show” was released. There is no doubt it must’ve been fire, given its endorsement by a legend who knows how to professionally “\u003ca href=\"https://www.youtube.com/watch?v=o8TXpoi-goE\">Break Bread\u003c/a>.”\u003c/p>\n\u003cfigure id=\"attachment_13956088\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956088\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1.jpg\" alt=\"Illustration of the rapper Kamaiyah eating from a plate of chicken alfredo tucked under her arm. Next to her is a bottle of champagne.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kamaiyah’s album covers often feature food, Hennessey and champagne — a reflection of the rapper’s saucy, bossy lifestyle. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kamaiyah: Champagne and chicken on “\u003ca href=\"https://www.youtube.com/watch?v=Yls2dMJ63tM\">Whatever Whenever\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Just drink champagne with all my chicken meals.”\u003c/em>\u003c/p>\n\u003cp>It’s fitting that East Oakland’s Kamaiyah — who cooked up the searingly hot single “How Does It Feel” on her transcendent debut, \u003ci>A Good Night in the Ghetto\u003c/i> — continued to double down on aspirational living and good eating with her sophomore release, \u003ci>Got It Made\u003c/i>. As always, the bodacious trapper rhymes over a synth-laced, floaty-spaceship soundscape while bragging about her California riches — and cuisine. The music video for “Whatever Whenever” features Kamaiyah roaming the untainted grounds of a Napa Valley-esque chateau. Her album covers over the years have also featured bags of potato chips, Hennessy and double-fisted bottles of champagne. It’s always bottoms up when Kamaiyah is on the track.\u003c/p>\n\u003ch2>Too $hort: Macaroni, steak and collard greens on “\u003ca href=\"https://www.youtube.com/watch?v=Ru5B8cFskaw\">All My B*tches Are Gone\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Eat some shit up / macaroni, steak, collard greens, or whatever the fuck.”\u003c/em>\u003c/p>\n\u003cp>With over 35 years of classic albums like \u003ci>Cocktails\u003c/i> and \u003ci>Gettin’ It\u003c/i>, there’s no doubt that Short Dogg knows how to feed his multi-generational fanbase. He doesn’t shy away from straightforward lyrics — or having a large appetite for nefarious activities — and he has continued to make seasoned slaps for precisely 225,000 hours and counting (“get a calculator, do the math”). This OG’s plate of choice includes classic soul food staples served with a slab of steak. As the veteran unmistakably outlines on “This How We Eat”: “We make money, we eat, we feed.”\u003c/p>\n\u003cfigure id=\"attachment_13956087\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956087\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1.jpg\" alt=\"Illustration of the rapper Larry June in an SF Giants cap, holding a crab cracker in one hand and a fork in the other. In front of him is a whole lobster on a plate.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Besides establishing himself as the healthiest rapper in Bay Area lore, Larry June is also known for sporting vintage muscle cars and cracking lobsters in Sausalito as part of his luxurious lifestyle. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Larry June: Crab legs on “\u003ca href=\"https://www.youtube.com/watch?v=luIhlZBrJos\">Lifetime Income\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“This not my girlfriend, we just eatin’ crab legs.”\u003c/em>\u003c/p>\n\u003cp>If you know Larry June, then you know he’s all about smoothies, green teas, organic juices and oranges (yee hee!). But just as buttery are his numerously silky references to luxury meals and late-night outings with a seemingly endless rotation of women friends. Without question, the Hunters Point rapper has one of the healthiest appetites of anyone around a microphone, regularly dropping rhymes about his organic sustenance. Since Uncle Larry makes a living off his out-of-pocket food references, he merits an honorable mention for dropping other absolute bangers like “I might write a motherfuckin’ smoothie book or somethin’ … Sell this shit for thirty dollars” and “Watermelon juice riding bikes with my latest chick / I don’t do the clubs that often, I got a check to get.” It’s fitting that \u003ca href=\"https://uproxx.com/music/larry-june-interview-san-francisco/\">he also co-owns Honeybear Boba in the Dogpatch\u003c/a>.\u003c/p>\n\u003ch2>Iamsu!: Chicken strips and Moscato on “\u003ca href=\"https://www.youtube.com/watch?v=lQcxMU3uvLg\">Don’t Stop\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Keep it real I don’t brag though… / Chicken strips, no escargot / [sippin’] on the Moscato.”\u003c/em>\u003c/p>\n\u003cp>To be fair, this lyric is from a young, mixtape-era Iamsu! and might not reflect the current palate of the multi-platinum rapper and producer from Richmond. (In fact, that’s probably true of every rapper on this list, so take these lyrics with a grain of salt.) But when I first heard this song in my 20s, it’s a line that did — and still does — resonate for its unglamorized celebration of living on a low-budget microwaveable diet while maintaining a glimmer of high-life ambition. Personally, I’d take chicken strips over escargot nine out of ten times. And, from the sound of it, so would Suzy 6 Speed.\u003c/p>\n\u003cfigure id=\"attachment_13956086\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956086\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1.jpg\" alt=\"The rapper P-Lo wiggles his fingers in delight over a plate of chicken wings sitting on a bed of dollar bills.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo often raps about his love of chicken (chicken adobo, fried chicken, chicken wings), and his favorite food-related slang word is also “chicken” (as a stand in for “money”). \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>P-Lo: Chicken wings in the strip club on “\u003ca href=\"https://www.youtube.com/watch?v=h-ajtPhAQ1U\">Going To Work\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“In the strip club eating chicken wings.”\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13938479']\u003c/span>There may not be another rapper on this list with as much love for chicken wings as Pinole’s P-Lo. For starters, the lyricist and producer launched a transnational food tour, teaming up with Filipino restaurants around the U.S. and Canada to deliver collaborative one-off dishes, including \u003ca href=\"https://www.kqed.org/arts/13935891/p-lo-senor-sisig-filipino-food-tour-oakland\">his own spicy sinigang wings at Señor Sisig in Oakland\u003c/a>. If that’s not enough, he has popped up on popular social media channels like \u003ca href=\"https://www.instagram.com/bayareafoodz/?hl=en\">Bay Area Foodz\u003c/a> as \u003ca href=\"https://www.youtube.com/watch?v=lJYkVcpM6E0\">he searches for the best wings around the Yay\u003c/a>. His songs are even featured on \u003ca href=\"https://www.instagram.com/reel/CwyzdhfrNCE/\">national commercials for Wingstop\u003c/a>. For P-Lo, it’s always time to bring back the bass — and taste.\u003cb>\u003ci>\u003c/i>\u003c/b>\u003c/p>\n\u003ch2>Guap (formerly Guapdad 4000): Chicken adobo on “\u003ca href=\"https://www.youtube.com/watch?v=1DaovaJgytE\">Chicken Adobo\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“How I fell in love with you it was beautiful / Like chicken adobo how you fill me up.”\u003c/em>\u003c/p>\n\u003cp>For the Black Filipino American rapper from West Oakland, \u003ca href=\"https://www.kqed.org/arts/13905208/a-new-generation-of-filipino-hip-hop-builds-on-a-deep-bay-area-legacy\">food has always played a central role in his upbringing\u003c/a>. The anime-loving, Marvel comics fan grew up in a Filipino household eating champorado, and his songs have never shied away from references to his dual cultures. In what might be his most well-known song, Guap equates romantic satiation to filling up on a bowl of chicken adobo. His love of food goes beyond the booth — he recently spoke out on \u003ca href=\"https://www.kqed.org/arts/13950363/keith-lee-tiktok-oakland-sf-bay-area-struggles\">the recent Keith Lee fiasco\u003c/a>, and he also put together\u003ca href=\"https://trippin.world/guide/oaklands-top-food-joints-with-rapper-guapdad-4000\"> a map of his favorite places to eat around The Town\u003c/a>.\u003c/p>\n\u003ch2>Cellski: Canadian bacon, hash browns and cheddar cheese on “\u003ca href=\"https://www.youtube.com/watch?v=o6wFRZOd7n8\">Chedda\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Gotta get the cheddar, fuck the [federals].”\u003c/em>\u003c/p>\n\u003cp>As most food mentions in Bay Area rap goes, Cellski’s mention of this quintessentially North American breakfast combo isn’t exactly a homage to the real ingredients, as much as it is a reference to his hustling. His 1998 \u003ca href=\"https://www.discogs.com/release/841568-Cellski-Canadian-Bacon-Hash-Browns/image/SW1hZ2U6NDg3ODMxNzk=\">album cover\u003c/a> for \u003ci>Canadian Bacon & Hash Browns \u003c/i>features a cartoon depiction of the rapper getting pulled over and arrested by a Canadian mountie, with an open trunk revealing pounds of medicinal herbs. Nonetheless, there’s a good chance that the veteran San Francisco spitter actually does like to carry Canadian bacon, hash browns and cheddar around — \u003ca href=\"https://www.kqed.org/arts/13922141/cellskis-big-mafi-burgers-come-with-a-side-of-sf-rap-history\">he’s a part-time foodie who runs his own burger pop-up, after all\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13956089\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956089\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1.jpg\" alt=\"Illustration of the rapper Dru Down in gold sunglasses and a black trench coat, holding an ice cream cone in one hand and an ice cream sundae on the table in front of him.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In a famous 1996 beef, Dru Down and the Luniz accused New Orleans rapper Master P (who started his musical career in the Bay Area) for stealing their concept of the “Ice Cream Man” — slang for a narcotics dealer. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Dru Down: Ice cream on “\u003ca href=\"https://www.youtube.com/watch?v=3uNv2qAje-Q\">Ice Cream Man\u003c/a>” (with the Luniz)\u003c/h2>\n\u003cp>\u003cem>“Get your ice cream, ice cream / Not Ice-T, not Ice Cube, ice cream.”\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Not intended for children, the classic 1993 anthem off Dru Down’s \u003ci>Fools From The Street \u003c/i>paints a startling picture of addiction and illicit drug distribution around Oakland in the wake of Richard Nixon and Ronald Reagan’s War on Drugs. Despite its unapologetic content, “Ice Cream Man” went on to establish an indisputably popular food motif in national rap music: ice cream as a stand-in for drug dealing. Since the production includes an audio sampling of an ice cream truck’s inimitable tune, listening to it evokes a sense of nostalgia for the frozen treat — and for \u003ca href=\"https://www.kqed.org/bayareahiphop\">golden-era Bay Area hip-hop\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"A brief look at some of the Bay Area’s most notoriously hungry rappers — and the foods they’ve lyricized about.","status":"publish","parent":0,"modified":1713412777,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":28,"wordCount":2211},"headData":{"title":"Bay Area Rappers and Food Lyrics | KQED","description":"A brief look at some of the Bay Area’s most notoriously hungry rappers — and the foods they’ve lyricized about.","ogTitle":"Here’s What Bay Area Rappers Are Eating (According to Their Lyrics)","ogDescription":"","ogImgId":"","twTitle":"Here’s What Bay Area Rappers Are Eating (According to Their Lyrics)","twDescription":"","twImgId":"","socialTitle":"Bay Area Rappers and Food Lyrics %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Here’s What Bay Area Rappers Are Eating (According to Their Lyrics)","datePublished":"2024-04-17T21:52:32.000Z","dateModified":"2024-04-18T03:59:37.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Food","sourceUrl":"https://www.kqed.org/food","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955802/bay-area-rappers-food-lyrics-illustrations-e-40-larry-june","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">W\u003c/span>\u003c/p>\u003cp>hen conveying what it means to really be from the Bay Area, I often return to this simple yet revelatory \u003ca href=\"https://www.kqed.org/arts/tag/mac-dre\">Mac Dre\u003c/a> lyric: “In the Bay Area, we dance a little different.”\u003c/p>\n\u003cp>Whether it’s in our music, political activism or technological contributions, there’s a certain out-of-box forwardness that tends to manifest from Bay Area minds — and a pride in how we approach everything with a savvy sprinkling of game, hustlership and top-tier ideation.\u003c/p>\n\u003cp>The same can be said for the Bay Area’s food scene, which ranks among the nation’s best and most imaginative. From sourdough bread to the eternal Mission-style burrito, the Bay’s foodmakers have often been ahead of the curve, helping to revolutionize menus nationwide with their fresh farm-to-table approach. To borrow from the great Mac, one could say that in the Bay Area, we \u003ci>eat\u003c/i> a little different.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13907726,arts_13934248","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>It’s no surprise, then, that in the history of local rap, food has always been a strong reference point — a metaphorical kitchen for creative exchange. An endless platter of well-seasoned slang. For decades, our rappers have delivered punchlines involving sauce, lasagna and \u003ca href=\"https://www.youtube.com/watch?v=XMah0rX6pGU\">lumpia\u003c/a>; dropped verses that generously reference \u003ca href=\"https://www.youtube.com/watch?v=lkBJR5L2nas\">desserts and bakeries\u003c/a>; and supplied entire songs about stacking bread, cheese and lettuce as lucrative sandwiches.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfchronicle.com/food/restaurants/article/bay-area-rap-shrimp-crab-17915372.php\">Food-loving Bay Area rappers\u003c/a> have always been bold when it comes to transmorphing culinary items and kitchen utensils into slang that others then appropriate and even misuse (see: “\u003ca href=\"https://www.kqed.org/arts/13908052/food-doesnt-slap\">food doesn’t slap\u003c/a>”). Shock G once talked about getting busy in a Burger King bathroom and declared, “I like my oatmeal lumpy.” On “Dreganomics,” Mac Dre himself asked, “What’s spaghetti without the sauce?” We’ve got Suga T (sweet) and Spice 1 (hot). Berner founded \u003ca href=\"https://www.instagram.com/cookiessf/?hl=en\">Cookies\u003c/a>. And just a few weeks ago, \u003ca href=\"https://www.kqed.org/arts/13900085/stunnaman02-and-the-big-steppin-energy-in-the-room\">Stunnaman02\u003c/a> dropped a whole series of viral videos centered on his latest single. His focus? \u003ca href=\"https://www.tiktok.com/@jayworrld/video/7340701934355254574\">Eating a salad\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There’s a unifying ethos in Bay Area food and rap: \u003ca href=\"https://www.youtube.com/watch?v=E6GU3PmttyI\">Everybody eats\u003c/a>. So here’s a brief ode to some of our region’s most skilled vocabulary chefs and the tasteful ways they’ve reimagined the ingredients of language that are possible in a kitchen — and the recording studio.\u003c/p>\n\u003cfigure id=\"attachment_13956090\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956090\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1.jpg\" alt=\"Illustration of the rapper E-40 in sunglasses and a beige apron, holding a glass of red wine. In front of him are a burrito and a grilled cheese sandwich.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/E40-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">E-40 might be the most prolific inventor of food-related slang words in the English language. He’s a head chef in the Bay Area’s rap kingdom. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>E-40: Green eggs, hams, candy yams, Spam, cheese, peanut butter and jam on “\u003ca href=\"https://www.youtube.com/watch?v=etIBcRriUJY\">The Slap\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Digital scale, green eggs and hams / Yams, candy yams, Spam, damn! / Loaded, my cheese, peanut butter and jam / Sammich, mannish, me and my Hispanics / Vanish, talkin’ in codes like we from different planets.”\u003c/em>\u003c/p>\n\u003cp>Though it may sound like gibberish to the uninitiated, rest assured that \u003ca href=\"https://firstwefeast.com/eat/2013/12/food-rap-decoded-with-e-40-video\">99.99% of anything 40 Water vocalizes has a cleverly associative meaning\u003c/a>. For anyone who has listened to one of the more than 25 studio albums from Vallejo’s kingpin, you’ve surely heard him mention food — perhaps in a variety of languages (some real, some ingeniously invented). In addition to the smorgasbord he notes above in “The Slap,” he has pioneered rhymes across generations that give new meanings to Gouda, feta, mozzarella, lettuce, bread, sausage, salami, paninis, spaghetti, tacos and enchiladas — ad infinitum. Unsurprisingly, \u003ca href=\"https://www.kqed.org/arts/13907726/e-40-goon-with-the-spoon-bay-area-rappers-food-entrepreneurs-hustle\">Mr. Fonzarelli is an actual purveyor of foods and beverages\u003c/a>, with a line of products that includes malt liquor, ice cream and burritos; he even co-owns \u003ca href=\"https://www.instagram.com/thelumpiacompany/\">The Lumpia Company\u003c/a>. There’s no one with a bigger million-dollar mouthpiece who can distribute as much word candy (“S-L-A-N-G”) quite as flavorfully as the Goon With The Spoon himself.\u003c/p>\n\u003ch2>Andre Nickatina: TOGO’s #41 sandwich with the hot peppers on “\u003ca href=\"https://www.youtube.com/watch?v=_FU1XdPE6lM\">Fa Show\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Baby don’t act dumb, I’m number 41, high stepper / TOGO’s sandwich with the hot peppers / At 90 degrees I might freeze, so when it’s hot I sport leather.”\u003c/em>\u003c/p>\n\u003cp>Fillmore’s finest, and among \u003ca href=\"https://www.passionweiss.com/2016/11/17/andre-nickatina/\">the most criminally underrated San Francisco rappers in history\u003c/a>, Andre Nickatina has always had a penchant for the spicy, the flavorful, the extemporaneously saucy. From rapping about eating Cap’n Crunch around drug dealers to sarcastically handing out Baskin Robbins dollars to his enemies, Nicky Nicotine (formerly known as Dre Dog) raps about food as casually as any rapper would ever dare. Unlike many of today’s international rap personalities, who seem to only eat at \u003ca href=\"https://www.reddit.com/r/OutOfTheLoop/comments/6frbt9/why_are_rappers_obsessed_with_nobu_sushi/\">high-priced sushi conglomerates\u003c/a>, Nickatina is a Bay Area real one, electing to stay fed at a regional sandwich chain from San Jose. The enigmatic “number 41” on the \u003ca href=\"https://www.togos.com/menu/?gad_source=1&gclid=CjwKCAjwoPOwBhAeEiwAJuXRh69gJ2fS8J9qmnAKJEnCmI5720psTxEmhEmkgFAemWoe3auyNuuxExoCTm0QAvD_BwE\">Togo’s menu\u003c/a> has since been discontinued, but a spokesperson for the restaurant IDed it as a sirloin steak and mushroom sandwich that was introduced as a seasonal special back in 2002 — the same year “Fa Show” was released. There is no doubt it must’ve been fire, given its endorsement by a legend who knows how to professionally “\u003ca href=\"https://www.youtube.com/watch?v=o8TXpoi-goE\">Break Bread\u003c/a>.”\u003c/p>\n\u003cfigure id=\"attachment_13956088\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956088\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1.jpg\" alt=\"Illustration of the rapper Kamaiyah eating from a plate of chicken alfredo tucked under her arm. Next to her is a bottle of champagne.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/KAMAIYAH-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kamaiyah’s album covers often feature food, Hennessey and champagne — a reflection of the rapper’s saucy, bossy lifestyle. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kamaiyah: Champagne and chicken on “\u003ca href=\"https://www.youtube.com/watch?v=Yls2dMJ63tM\">Whatever Whenever\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Just drink champagne with all my chicken meals.”\u003c/em>\u003c/p>\n\u003cp>It’s fitting that East Oakland’s Kamaiyah — who cooked up the searingly hot single “How Does It Feel” on her transcendent debut, \u003ci>A Good Night in the Ghetto\u003c/i> — continued to double down on aspirational living and good eating with her sophomore release, \u003ci>Got It Made\u003c/i>. As always, the bodacious trapper rhymes over a synth-laced, floaty-spaceship soundscape while bragging about her California riches — and cuisine. The music video for “Whatever Whenever” features Kamaiyah roaming the untainted grounds of a Napa Valley-esque chateau. Her album covers over the years have also featured bags of potato chips, Hennessy and double-fisted bottles of champagne. It’s always bottoms up when Kamaiyah is on the track.\u003c/p>\n\u003ch2>Too $hort: Macaroni, steak and collard greens on “\u003ca href=\"https://www.youtube.com/watch?v=Ru5B8cFskaw\">All My B*tches Are Gone\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Eat some shit up / macaroni, steak, collard greens, or whatever the fuck.”\u003c/em>\u003c/p>\n\u003cp>With over 35 years of classic albums like \u003ci>Cocktails\u003c/i> and \u003ci>Gettin’ It\u003c/i>, there’s no doubt that Short Dogg knows how to feed his multi-generational fanbase. He doesn’t shy away from straightforward lyrics — or having a large appetite for nefarious activities — and he has continued to make seasoned slaps for precisely 225,000 hours and counting (“get a calculator, do the math”). This OG’s plate of choice includes classic soul food staples served with a slab of steak. As the veteran unmistakably outlines on “This How We Eat”: “We make money, we eat, we feed.”\u003c/p>\n\u003cfigure id=\"attachment_13956087\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956087\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1.jpg\" alt=\"Illustration of the rapper Larry June in an SF Giants cap, holding a crab cracker in one hand and a fork in the other. In front of him is a whole lobster on a plate.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/LARRY-JUNE-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Besides establishing himself as the healthiest rapper in Bay Area lore, Larry June is also known for sporting vintage muscle cars and cracking lobsters in Sausalito as part of his luxurious lifestyle. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Larry June: Crab legs on “\u003ca href=\"https://www.youtube.com/watch?v=luIhlZBrJos\">Lifetime Income\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“This not my girlfriend, we just eatin’ crab legs.”\u003c/em>\u003c/p>\n\u003cp>If you know Larry June, then you know he’s all about smoothies, green teas, organic juices and oranges (yee hee!). But just as buttery are his numerously silky references to luxury meals and late-night outings with a seemingly endless rotation of women friends. Without question, the Hunters Point rapper has one of the healthiest appetites of anyone around a microphone, regularly dropping rhymes about his organic sustenance. Since Uncle Larry makes a living off his out-of-pocket food references, he merits an honorable mention for dropping other absolute bangers like “I might write a motherfuckin’ smoothie book or somethin’ … Sell this shit for thirty dollars” and “Watermelon juice riding bikes with my latest chick / I don’t do the clubs that often, I got a check to get.” It’s fitting that \u003ca href=\"https://uproxx.com/music/larry-june-interview-san-francisco/\">he also co-owns Honeybear Boba in the Dogpatch\u003c/a>.\u003c/p>\n\u003ch2>Iamsu!: Chicken strips and Moscato on “\u003ca href=\"https://www.youtube.com/watch?v=lQcxMU3uvLg\">Don’t Stop\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Keep it real I don’t brag though… / Chicken strips, no escargot / [sippin’] on the Moscato.”\u003c/em>\u003c/p>\n\u003cp>To be fair, this lyric is from a young, mixtape-era Iamsu! and might not reflect the current palate of the multi-platinum rapper and producer from Richmond. (In fact, that’s probably true of every rapper on this list, so take these lyrics with a grain of salt.) But when I first heard this song in my 20s, it’s a line that did — and still does — resonate for its unglamorized celebration of living on a low-budget microwaveable diet while maintaining a glimmer of high-life ambition. Personally, I’d take chicken strips over escargot nine out of ten times. And, from the sound of it, so would Suzy 6 Speed.\u003c/p>\n\u003cfigure id=\"attachment_13956086\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956086\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1.jpg\" alt=\"The rapper P-Lo wiggles his fingers in delight over a plate of chicken wings sitting on a bed of dollar bills.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/PLO-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo often raps about his love of chicken (chicken adobo, fried chicken, chicken wings), and his favorite food-related slang word is also “chicken” (as a stand in for “money”). \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>P-Lo: Chicken wings in the strip club on “\u003ca href=\"https://www.youtube.com/watch?v=h-ajtPhAQ1U\">Going To Work\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“In the strip club eating chicken wings.”\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13938479","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>There may not be another rapper on this list with as much love for chicken wings as Pinole’s P-Lo. For starters, the lyricist and producer launched a transnational food tour, teaming up with Filipino restaurants around the U.S. and Canada to deliver collaborative one-off dishes, including \u003ca href=\"https://www.kqed.org/arts/13935891/p-lo-senor-sisig-filipino-food-tour-oakland\">his own spicy sinigang wings at Señor Sisig in Oakland\u003c/a>. If that’s not enough, he has popped up on popular social media channels like \u003ca href=\"https://www.instagram.com/bayareafoodz/?hl=en\">Bay Area Foodz\u003c/a> as \u003ca href=\"https://www.youtube.com/watch?v=lJYkVcpM6E0\">he searches for the best wings around the Yay\u003c/a>. His songs are even featured on \u003ca href=\"https://www.instagram.com/reel/CwyzdhfrNCE/\">national commercials for Wingstop\u003c/a>. For P-Lo, it’s always time to bring back the bass — and taste.\u003cb>\u003ci>\u003c/i>\u003c/b>\u003c/p>\n\u003ch2>Guap (formerly Guapdad 4000): Chicken adobo on “\u003ca href=\"https://www.youtube.com/watch?v=1DaovaJgytE\">Chicken Adobo\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“How I fell in love with you it was beautiful / Like chicken adobo how you fill me up.”\u003c/em>\u003c/p>\n\u003cp>For the Black Filipino American rapper from West Oakland, \u003ca href=\"https://www.kqed.org/arts/13905208/a-new-generation-of-filipino-hip-hop-builds-on-a-deep-bay-area-legacy\">food has always played a central role in his upbringing\u003c/a>. The anime-loving, Marvel comics fan grew up in a Filipino household eating champorado, and his songs have never shied away from references to his dual cultures. In what might be his most well-known song, Guap equates romantic satiation to filling up on a bowl of chicken adobo. His love of food goes beyond the booth — he recently spoke out on \u003ca href=\"https://www.kqed.org/arts/13950363/keith-lee-tiktok-oakland-sf-bay-area-struggles\">the recent Keith Lee fiasco\u003c/a>, and he also put together\u003ca href=\"https://trippin.world/guide/oaklands-top-food-joints-with-rapper-guapdad-4000\"> a map of his favorite places to eat around The Town\u003c/a>.\u003c/p>\n\u003ch2>Cellski: Canadian bacon, hash browns and cheddar cheese on “\u003ca href=\"https://www.youtube.com/watch?v=o6wFRZOd7n8\">Chedda\u003c/a>”\u003c/h2>\n\u003cp>\u003cem>“Gotta get the cheddar, fuck the [federals].”\u003c/em>\u003c/p>\n\u003cp>As most food mentions in Bay Area rap goes, Cellski’s mention of this quintessentially North American breakfast combo isn’t exactly a homage to the real ingredients, as much as it is a reference to his hustling. His 1998 \u003ca href=\"https://www.discogs.com/release/841568-Cellski-Canadian-Bacon-Hash-Browns/image/SW1hZ2U6NDg3ODMxNzk=\">album cover\u003c/a> for \u003ci>Canadian Bacon & Hash Browns \u003c/i>features a cartoon depiction of the rapper getting pulled over and arrested by a Canadian mountie, with an open trunk revealing pounds of medicinal herbs. Nonetheless, there’s a good chance that the veteran San Francisco spitter actually does like to carry Canadian bacon, hash browns and cheddar around — \u003ca href=\"https://www.kqed.org/arts/13922141/cellskis-big-mafi-burgers-come-with-a-side-of-sf-rap-history\">he’s a part-time foodie who runs his own burger pop-up, after all\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13956089\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956089\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1.jpg\" alt=\"Illustration of the rapper Dru Down in gold sunglasses and a black trench coat, holding an ice cream cone in one hand and an ice cream sundae on the table in front of him.\" width=\"2000\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/DRU-DOWN-Color-1-1920x1920.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In a famous 1996 beef, Dru Down and the Luniz accused New Orleans rapper Master P (who started his musical career in the Bay Area) for stealing their concept of the “Ice Cream Man” — slang for a narcotics dealer. \u003ccite>(Torre / @torre.pentel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Dru Down: Ice cream on “\u003ca href=\"https://www.youtube.com/watch?v=3uNv2qAje-Q\">Ice Cream Man\u003c/a>” (with the Luniz)\u003c/h2>\n\u003cp>\u003cem>“Get your ice cream, ice cream / Not Ice-T, not Ice Cube, ice cream.”\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Not intended for children, the classic 1993 anthem off Dru Down’s \u003ci>Fools From The Street \u003c/i>paints a startling picture of addiction and illicit drug distribution around Oakland in the wake of Richard Nixon and Ronald Reagan’s War on Drugs. Despite its unapologetic content, “Ice Cream Man” went on to establish an indisputably popular food motif in national rap music: ice cream as a stand-in for drug dealing. Since the production includes an audio sampling of an ice cream truck’s inimitable tune, listening to it evokes a sense of nostalgia for the frozen treat — and for \u003ca href=\"https://www.kqed.org/bayareahiphop\">golden-era Bay Area hip-hop\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955802/bay-area-rappers-food-lyrics-illustrations-e-40-larry-june","authors":["11748"],"categories":["arts_1","arts_12276","arts_69"],"tags":["arts_21883","arts_5397","arts_1601","arts_10278","arts_1297","arts_3771","arts_831","arts_21738","arts_1558","arts_9337","arts_1143","arts_1803","arts_1146","arts_19942","arts_19347","arts_3478","arts_3800"],"featImg":"arts_13956152","label":"source_arts_13955802"},"arts_13951122":{"type":"posts","id":"arts_13951122","meta":{"index":"posts_1591205157","site":"arts","id":"13951122","score":null,"sort":[1706725201000]},"guestAuthors":[],"slug":"d-ray-bay-area-hip-hop-photographer","title":"D-Ray’s Photo Archive is West Coast Hip-Hop Gold","publishDate":1706725201,"format":"standard","headTitle":"D-Ray’s Photo Archive is West Coast Hip-Hop Gold | KQED","labelTerm":{},"content":"\u003cp>\u003cem>\u003cstrong>Editor’s note\u003c/strong>: This story is part of \u003c/em>\u003ca href=\"https://www.kqed.org/bayareahiphop\">That’s My Word\u003c/a>\u003cem>, KQED’s story series on \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop\u003c/a> history.\u003c/em>\u003c/p>\n\u003cp>D-Ray’s photographs are full of bright, lively images of MCs you know by just one name. Kendrick. Jeezy. Even nicknames: Weezy. Anytime she and Drake cross paths, they take selfies.\u003c/p>\n\u003cp>The late Nipsey Hussle not only knew \u003ca href=\"https://www.instagram.com/isawdray/\" target=\"_blank\" rel=\"noopener\">D-Ray\u003c/a>, he would request that she be present at his Bay Area events. She served as official photographer for the late great Mac Dre’s \u003ca href=\"https://www.kqed.org/arts/13930686/thizz-entertainment-dj-mix-mac-dre-vallejo-rap-hyphy\">Thizz Nation\u003c/a> label. And her work documenting Bay Area hip-hop culture has been featured in many documentaries and print media, including \u003ca href=\"https://issuu.com/ozonemag\" target=\"_blank\" rel=\"noopener\">\u003cem>Ozone\u003c/em>\u003c/a> magazine, where she worked as West Coast editor, and \u003cem>\u003ca href=\"https://issuu.com/mrshowcase2022\">Showcase\u003c/a>\u003c/em> magazine.\u003c/p>\n\u003cfigure id=\"attachment_13931800\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13931800\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Hus-Jack.jpg\" alt=\"A man in a durag and football jersey holds his arms spread, with friends in the background\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Hus-Jack.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Hus-Jack-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Hus-Jack-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Hus-Jack-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Hus-Jack-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Hus-Jack-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Jacka, who D-Ray photographed abundantly. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This week, a special corner of D-Ray’s extensive archive — her images of the iconic late Pittsburg rapper The Jacka — go on public display. They’ll be surrounded by drawings, recordings, and other forms of art at \u003ca href=\"https://www.tickettailor.com/events/dreammoviellc/1101191\">The Jacka Art Experience\u003c/a>, running Jan. 31–Feb. 3 at The Loom in Oakland. [aside postid='arts_13951091']\u003c/p>\n\u003cp>D-Ray’s photography documented the life of not only the artist known as The Jacka, but the human being, Shaheed Akbar, who was murdered on Feb. 2, 2015. D-Ray was there for his vibrant life as well as his memorial. She was also present for E-40 and Keak da Sneak’s “Tell Me When To Go” video shoot, Mistah F.A.B.’s rise to fame, turf dance battles at Youth Uprising and many other flashpoints of Bay Area culture.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And to think, this West Coast cultural historian could’ve been a cake decorator.\u003c/p>\n\u003cp>“I used to take pictures of my cakes,” D-Ray tells me during a phone call, emphasizing the amount of energy she put into perfecting each pastry. “I spent all the time doing this and these people are going to eat my fucking cake?!” D-Ray says, recalling her frustration. “That’s how I started taking pictures.”\u003c/p>\n\u003cfigure id=\"attachment_13935137\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935137\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-scaled.jpg\" alt=\"(L–R) Keak da Sneak and E-40 on the set of the music video for 'Tell Me When To Go' in 2006.\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">(L–R) Keak da Sneak and E-40 on the set of the music video for ‘Tell Me When To Go’ in 2006. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Growing up in Hayward, D-Ray was first introduced to the camera by her grandfather. She worked a few gigs, from cake decorator to doing fashion and retail, and a stint as manager at the Picture People photo studio in Alameda’s South Shore Shopping Center. She eventually came back to decorating cakes, until her husband, hip-hop manager \u003ca href=\"https://www.youtube.com/watch?v=8pCb3Inh-TA\">Gary Archer\u003c/a>, asked her a profound question: “How many angles of that cake are you going to take pictures of?’” [aside postID='arts_13932030']\u003c/p>\n\u003cp>Gary, who bought D-Ray a camera at the turn of the millennium so the couple could document their family, began working in partnership with D-Ray — she took photos of the artists he managed, like Mistah F.A.B. He also introduced her to the late \u003ca href=\"https://www.instagram.com/isawdray/p/CFCy3Xlst1c/?img_index=1\" target=\"_blank\" rel=\"noopener\">Frank Herrera\u003c/a>, head of \u003cem>Showcase\u003c/em> magazine, the first publication to feature D-Ray’s work on the front cover.\u003c/p>\n\u003cfigure id=\"attachment_13935138\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935138\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-scaled.jpg\" alt=\"A scraper bike on the set of E-40's music video 'Tell Me When to Go' in 2006.\" width=\"2560\" height=\"1700\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-1020x677.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-1536x1020.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-2048x1360.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-1920x1275.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">On the set of E-40’s music video ‘Tell Me When to Go’ in 2006. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Before her photography career took off, D-Ray tells me, she used to go through a process of decorating cakes: making one, not liking its appearance, scraping it off and then redecorating it. “In photography you can’t do that,” she tells me. “You come home, you’re looking at a set of pictures and you’re like, ‘I could’ve did that better.'”\u003c/p>\n\u003cp>[aside postID='arts_13934874']So she learned how to do it well the first time.\u003c/p>\n\u003cp>Now, after more than two decades documenting the culture, she reflects on her work with pride. “I really have a thing about telling the story through my photos about our culture,” she says, “and I feel like I’ve captured \u003cem>everything\u003c/em> through the years, and did it the best way possible, you know?”\u003c/p>\n\u003cp>Below is just a small sample of D-Ray’s photos, some never before seen, and her comments about each, edited for length and clarity.\u003c/p>\n\u003chr>\n\u003cfigure id=\"attachment_13951134\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13951134\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-800x530.png\" alt=\"Legendary late Pittsburg rapper, The Jacka, cracking jokes with Oakland community pillar and lyrical monster, Mistah F.A.B. at Moses Music in East Oakland.\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-800x530.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-1020x676.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-768x509.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-1536x1018.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-2048x1357.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-1920x1272.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Legendary late Pittsburg rapper, The Jacka, cracking jokes with Oakland community pillar and lyrical monster Mistah F.A.B. at Moses Music in East Oakland in 2004. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>D-Ray:\u003c/b> So this was me just looking around the room and seeing these two knuckleheads laugh. You know what I mean? Just seeing them crack jokes there. They’re probably just roasting each other like no tomorrow. If you see Jacka, you can almost hear him laughing.\u003c/p>\n\u003cp>This picture right here shows Stan and Jack’s relationship. A lot of people might not realize that F.A.B. and Jack are actually close, you know, like friendship-wise, more than just music. But this right here, this is Ramadan. So Jack was definitely fasting that day, and they were probably cracking a joke on how he wanted to eat or something, you know?\u003c/p>\n\u003cfigure id=\"attachment_13951129\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13951129\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-800x529.png\" alt=\"Host Sway Calloway and East Oakland MC Keak Da Sneak chop it up while filming an episode of the show 'My Block' for MTV.\" width=\"800\" height=\"529\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-800x529.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-1020x675.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-768x508.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-1536x1016.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-2048x1354.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-1920x1270.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Host Sway Calloway and East Oakland’s Keak Da Sneak chop it up while filming an episode of the show ‘My Block’ for MTV in 2006. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>D-Ray:\u003c/strong> This is at Keak’s house in the 70s in East Oakland, during \u003ca href=\"https://www.youtube.com/watch?v=jGoUezD5CxE\" target=\"_blank\" rel=\"noopener\">MTV’s \u003cem>My Block\u003c/em>\u003c/a>. History was being made and I decided to document it. To see them both sitting on a porch in East Oakland, it meant a lot to me. When Sway came to the Town it brought a lot of people out; it showed the love.\u003c/p>\n\u003cfigure id=\"attachment_13951128\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13951128\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/3-800x1064.png\" alt=\"Fillmore raised MC, San Francisco rap star Messy Marv poses for a photo.\" width=\"800\" height=\"1064\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/3-800x1064.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/3-1020x1357.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/3-160x213.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/3-768x1022.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/3.png 1108w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco rap star Messy Marv poses for a photo. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>D-Ray:\u003c/strong> So \u003ca href=\"https://www.youtube.com/watch?v=KPhMR8X5NHk\" target=\"_blank\" rel=\"noopener\">Messy (Marv)\u003c/a> got the cover of \u003cem>Showcase\u003c/em> magazine; that was actually shot behind Showcase’s office in San Leandro, off East 14th. It’s my very first cover shot. Frank Herrera was like, “D-Ray, you think you can do it?” I was like, “Hell yeah.” Mind you, this was film. You couldn’t see what you were taking pictures of.\u003c/p>\n\u003cp>This shot ended up in \u003cem>The Source\u003c/em> magazine, \u003cem>XXL\u003c/em>, this is what got me exposure in the world. Messy Marv welcomed me into the world. Also, Kilo Curt, Mac Dre and Miami The Most showed up to go talk to Gary and Frank because they were working Mac Dre’s record at the time. They saw me doing Messy Marv’s photoshoot, and that’s what got me adopted into Thizz — because Dre was like, “Oh, we need a female photographer.”\u003c/p>\n\u003cfigure id=\"attachment_13951131\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13951131\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-800x536.png\" alt=\"A candid shot of one of the many dance battles held at Youth Uprising in deep East Oakland, circa 2006.\" width=\"800\" height=\"536\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-800x536.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-1020x683.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-160x107.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-768x514.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-1536x1029.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-2048x1371.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-1920x1286.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A candid shot of one of the many dance battles held at Youth Uprising in deep East Oakland, circa 2006. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>D-Ray:\u003c/strong> We used to have dance battles at Youth Uprising, it was a safe haven. Kids from East Oakland, their parents, folks who weren’t a part of the youth center would come, it was something to do on a Friday night. Those kids, look at them, those kids in the middle row are the only kids that probably go to Youth Uprising. Those other kids are family and friends.\u003c/p>\n\u003cfigure id=\"attachment_13951132\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13951132\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-800x529.png\" alt='The ambassador of the Bay, E-40, sitting on his scraper watching Oakland going wild while on the set of the video for the hit song \"Tell Me When To Go\".' width=\"800\" height=\"529\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-800x529.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-1020x674.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-768x508.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-1536x1015.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-2048x1354.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-1920x1269.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The ambassador of the Bay, E-40, sitting on his scraper watching Oakland going wild on the set of the video for the hit song ‘Tell Me When To Go.’ \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>D-Ray:\u003c/strong> It’s showing East Oakland and both sides of Vallejo. Do you know what I’m talking about? Because I am the official Thizz photographer, and I still have a relationship with people like 40.\u003c/p>\n\u003cp>I saw it, I took it. I saw the T go up, and it automatically happens. I’ve just got to keep it real. As soon as the T goes up, it just happens. It’s just the way my mental is trained.\u003c/p>\n\u003cfigure id=\"attachment_13951133\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13951133\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-800x534.png\" alt=\"Well-known rapper and proud representative of Pittsburg's El Pueblo Projects, The Husalah, posing for a photo while sitting in a cherry red drop top car.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-800x534.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-1020x681.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-160x107.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-768x512.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-1536x1025.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-2048x1367.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-1920x1281.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Well-known rapper and proud representative of Pittsburg’s El Pueblo Projects, Husalah. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>D-Ray:\u003c/b> I spent like two weeks with \u003ca href=\"https://www.instagram.com/golasoaso/\" target=\"_blank\" rel=\"noopener\">Husalah\u003c/a> before he turned himself in, and we wanted to get all of his stages, like all of his looks. I mean, he changed his clothes multiple times. We went to the projects, we did all types of stuff, just to make sure he had content while he was in prison.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=YCLlU-8HsNE\" target=\"_blank\" rel=\"noopener\">When he was in prison\u003c/a>, I made sure that he was still kept alive. Like, I had good pictures of him. I had press packets. I had whatever we needed. It was a sad situation. I’ll never forget it was like those two weeks.\u003c/p>\n\u003cfigure id=\"attachment_13951130\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13951130\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-800x528.png\" alt=\"The late MC, The Jacka, and well-known turf dancer, Ice Cold 3000, pose for a photo at Youth Uprising.\" width=\"800\" height=\"528\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-800x528.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-1020x674.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-768x507.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-1536x1014.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-2048x1352.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-1920x1268.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Jacka and turf dancer Ice Cold 3000 pose for a photo at Youth Uprising. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>D-Ray:\u003c/strong> This is at Youth Uprising (YU). The Jacka would show up anytime I asked Jack to show up.\u003c/p>\n\u003cp>I have a thing with YU, those are all my kids. I don’t know him as “\u003ca href=\"https://www.instagram.com/icecold3000/\" target=\"_blank\" rel=\"noopener\">Ice Cold,\u003c/a>” I know him as Gary. You get what I’m saying? Today, knowing his name is Ice Cold, I’ve had to get used to it.\u003c/p>\n\u003cp>I have a bunch of kids at YU, and I just felt like I had to make sure (Gary) had a picture with my brother and he had that kind of love that my brother could pass off to him… And I just remember, because they were all excited to see Jack there.\u003c/p>\n\u003cp>Jack would get me in trouble tho, because he would come through smelling like OH MY GOD. Olis Simmons (the former head of YU) would say, “D-Ray, take him outside and spray him down before he comes in here.” I’d be like, “Why Jack, why?” But then, you couldn’t hold that against him. The kids would love him because he’d come in and he’d be himself. Jack would inspire those kids, and bring shirts and talk to them. I think that’s what gave Gary — Ice Cold — so much hope. He makes me very proud. Ice Cold makes me very, very, very proud. To see him glowing in this picture like he is, that’s why I pulled this picture.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-11687704\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>The Jacka Art Experience runs Wednesday–Saturday, Jan. 31–Feb. 3, at the Loom in Oakland. \u003ca href=\"https://www.tickettailor.com/events/dreammoviellc/1101191\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Jacka. Nipsey. FAB. 40. Drake. Keak. Wayne. You name 'em, they've probably been photographed by D-Ray.","status":"publish","parent":0,"modified":1706727149,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":31,"wordCount":1783},"headData":{"title":"D-Ray’s Photo Archive is West Coast Hip-Hop Gold | KQED","description":"Jacka. Nipsey. FAB. 40. Drake. Keak. Wayne. You name 'em, they've probably been photographed by D-Ray.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"D-Ray’s Photo Archive is West Coast Hip-Hop Gold","datePublished":"2024-01-31T18:20:01.000Z","dateModified":"2024-01-31T18:52:29.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"That's My Word","sourceUrl":"https://www.kqed.org/bayareahiphop","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13951122/d-ray-bay-area-hip-hop-photographer","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Editor’s note\u003c/strong>: This story is part of \u003c/em>\u003ca href=\"https://www.kqed.org/bayareahiphop\">That’s My Word\u003c/a>\u003cem>, KQED’s story series on \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop\u003c/a> history.\u003c/em>\u003c/p>\n\u003cp>D-Ray’s photographs are full of bright, lively images of MCs you know by just one name. Kendrick. Jeezy. Even nicknames: Weezy. Anytime she and Drake cross paths, they take selfies.\u003c/p>\n\u003cp>The late Nipsey Hussle not only knew \u003ca href=\"https://www.instagram.com/isawdray/\" target=\"_blank\" rel=\"noopener\">D-Ray\u003c/a>, he would request that she be present at his Bay Area events. She served as official photographer for the late great Mac Dre’s \u003ca href=\"https://www.kqed.org/arts/13930686/thizz-entertainment-dj-mix-mac-dre-vallejo-rap-hyphy\">Thizz Nation\u003c/a> label. And her work documenting Bay Area hip-hop culture has been featured in many documentaries and print media, including \u003ca href=\"https://issuu.com/ozonemag\" target=\"_blank\" rel=\"noopener\">\u003cem>Ozone\u003c/em>\u003c/a> magazine, where she worked as West Coast editor, and \u003cem>\u003ca href=\"https://issuu.com/mrshowcase2022\">Showcase\u003c/a>\u003c/em> magazine.\u003c/p>\n\u003cfigure id=\"attachment_13931800\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13931800\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Hus-Jack.jpg\" alt=\"A man in a durag and football jersey holds his arms spread, with friends in the background\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Hus-Jack.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Hus-Jack-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Hus-Jack-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Hus-Jack-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Hus-Jack-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Hus-Jack-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Jacka, who D-Ray photographed abundantly. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This week, a special corner of D-Ray’s extensive archive — her images of the iconic late Pittsburg rapper The Jacka — go on public display. They’ll be surrounded by drawings, recordings, and other forms of art at \u003ca href=\"https://www.tickettailor.com/events/dreammoviellc/1101191\">The Jacka Art Experience\u003c/a>, running Jan. 31–Feb. 3 at The Loom in Oakland. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13951091","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>D-Ray’s photography documented the life of not only the artist known as The Jacka, but the human being, Shaheed Akbar, who was murdered on Feb. 2, 2015. D-Ray was there for his vibrant life as well as his memorial. She was also present for E-40 and Keak da Sneak’s “Tell Me When To Go” video shoot, Mistah F.A.B.’s rise to fame, turf dance battles at Youth Uprising and many other flashpoints of Bay Area culture.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And to think, this West Coast cultural historian could’ve been a cake decorator.\u003c/p>\n\u003cp>“I used to take pictures of my cakes,” D-Ray tells me during a phone call, emphasizing the amount of energy she put into perfecting each pastry. “I spent all the time doing this and these people are going to eat my fucking cake?!” D-Ray says, recalling her frustration. “That’s how I started taking pictures.”\u003c/p>\n\u003cfigure id=\"attachment_13935137\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935137\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-scaled.jpg\" alt=\"(L–R) Keak da Sneak and E-40 on the set of the music video for 'Tell Me When To Go' in 2006.\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/e-40_video_photo_s_by_dray_keak_da_sneak___e-40-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">(L–R) Keak da Sneak and E-40 on the set of the music video for ‘Tell Me When To Go’ in 2006. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Growing up in Hayward, D-Ray was first introduced to the camera by her grandfather. She worked a few gigs, from cake decorator to doing fashion and retail, and a stint as manager at the Picture People photo studio in Alameda’s South Shore Shopping Center. She eventually came back to decorating cakes, until her husband, hip-hop manager \u003ca href=\"https://www.youtube.com/watch?v=8pCb3Inh-TA\">Gary Archer\u003c/a>, asked her a profound question: “How many angles of that cake are you going to take pictures of?’” \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13932030","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Gary, who bought D-Ray a camera at the turn of the millennium so the couple could document their family, began working in partnership with D-Ray — she took photos of the artists he managed, like Mistah F.A.B. He also introduced her to the late \u003ca href=\"https://www.instagram.com/isawdray/p/CFCy3Xlst1c/?img_index=1\" target=\"_blank\" rel=\"noopener\">Frank Herrera\u003c/a>, head of \u003cem>Showcase\u003c/em> magazine, the first publication to feature D-Ray’s work on the front cover.\u003c/p>\n\u003cfigure id=\"attachment_13935138\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13935138\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-scaled.jpg\" alt=\"A scraper bike on the set of E-40's music video 'Tell Me When to Go' in 2006.\" width=\"2560\" height=\"1700\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-1020x677.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-1536x1020.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-2048x1360.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/FabVideoShoot.Scraper.Dray_-1920x1275.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">On the set of E-40’s music video ‘Tell Me When to Go’ in 2006. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Before her photography career took off, D-Ray tells me, she used to go through a process of decorating cakes: making one, not liking its appearance, scraping it off and then redecorating it. “In photography you can’t do that,” she tells me. “You come home, you’re looking at a set of pictures and you’re like, ‘I could’ve did that better.'”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13934874","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>So she learned how to do it well the first time.\u003c/p>\n\u003cp>Now, after more than two decades documenting the culture, she reflects on her work with pride. “I really have a thing about telling the story through my photos about our culture,” she says, “and I feel like I’ve captured \u003cem>everything\u003c/em> through the years, and did it the best way possible, you know?”\u003c/p>\n\u003cp>Below is just a small sample of D-Ray’s photos, some never before seen, and her comments about each, edited for length and clarity.\u003c/p>\n\u003chr>\n\u003cfigure id=\"attachment_13951134\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13951134\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-800x530.png\" alt=\"Legendary late Pittsburg rapper, The Jacka, cracking jokes with Oakland community pillar and lyrical monster, Mistah F.A.B. at Moses Music in East Oakland.\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-800x530.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-1020x676.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-768x509.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-1536x1018.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-2048x1357.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9-1920x1272.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Legendary late Pittsburg rapper, The Jacka, cracking jokes with Oakland community pillar and lyrical monster Mistah F.A.B. at Moses Music in East Oakland in 2004. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>D-Ray:\u003c/b> So this was me just looking around the room and seeing these two knuckleheads laugh. You know what I mean? Just seeing them crack jokes there. They’re probably just roasting each other like no tomorrow. If you see Jacka, you can almost hear him laughing.\u003c/p>\n\u003cp>This picture right here shows Stan and Jack’s relationship. A lot of people might not realize that F.A.B. and Jack are actually close, you know, like friendship-wise, more than just music. But this right here, this is Ramadan. So Jack was definitely fasting that day, and they were probably cracking a joke on how he wanted to eat or something, you know?\u003c/p>\n\u003cfigure id=\"attachment_13951129\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13951129\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-800x529.png\" alt=\"Host Sway Calloway and East Oakland MC Keak Da Sneak chop it up while filming an episode of the show 'My Block' for MTV.\" width=\"800\" height=\"529\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-800x529.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-1020x675.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-768x508.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-1536x1016.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-2048x1354.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/4-1920x1270.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Host Sway Calloway and East Oakland’s Keak Da Sneak chop it up while filming an episode of the show ‘My Block’ for MTV in 2006. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>D-Ray:\u003c/strong> This is at Keak’s house in the 70s in East Oakland, during \u003ca href=\"https://www.youtube.com/watch?v=jGoUezD5CxE\" target=\"_blank\" rel=\"noopener\">MTV’s \u003cem>My Block\u003c/em>\u003c/a>. History was being made and I decided to document it. To see them both sitting on a porch in East Oakland, it meant a lot to me. When Sway came to the Town it brought a lot of people out; it showed the love.\u003c/p>\n\u003cfigure id=\"attachment_13951128\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13951128\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/3-800x1064.png\" alt=\"Fillmore raised MC, San Francisco rap star Messy Marv poses for a photo.\" width=\"800\" height=\"1064\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/3-800x1064.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/3-1020x1357.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/3-160x213.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/3-768x1022.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/3.png 1108w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco rap star Messy Marv poses for a photo. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>D-Ray:\u003c/strong> So \u003ca href=\"https://www.youtube.com/watch?v=KPhMR8X5NHk\" target=\"_blank\" rel=\"noopener\">Messy (Marv)\u003c/a> got the cover of \u003cem>Showcase\u003c/em> magazine; that was actually shot behind Showcase’s office in San Leandro, off East 14th. It’s my very first cover shot. Frank Herrera was like, “D-Ray, you think you can do it?” I was like, “Hell yeah.” Mind you, this was film. You couldn’t see what you were taking pictures of.\u003c/p>\n\u003cp>This shot ended up in \u003cem>The Source\u003c/em> magazine, \u003cem>XXL\u003c/em>, this is what got me exposure in the world. Messy Marv welcomed me into the world. Also, Kilo Curt, Mac Dre and Miami The Most showed up to go talk to Gary and Frank because they were working Mac Dre’s record at the time. They saw me doing Messy Marv’s photoshoot, and that’s what got me adopted into Thizz — because Dre was like, “Oh, we need a female photographer.”\u003c/p>\n\u003cfigure id=\"attachment_13951131\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13951131\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-800x536.png\" alt=\"A candid shot of one of the many dance battles held at Youth Uprising in deep East Oakland, circa 2006.\" width=\"800\" height=\"536\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-800x536.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-1020x683.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-160x107.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-768x514.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-1536x1029.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-2048x1371.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/6-1920x1286.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A candid shot of one of the many dance battles held at Youth Uprising in deep East Oakland, circa 2006. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>D-Ray:\u003c/strong> We used to have dance battles at Youth Uprising, it was a safe haven. Kids from East Oakland, their parents, folks who weren’t a part of the youth center would come, it was something to do on a Friday night. Those kids, look at them, those kids in the middle row are the only kids that probably go to Youth Uprising. Those other kids are family and friends.\u003c/p>\n\u003cfigure id=\"attachment_13951132\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13951132\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-800x529.png\" alt='The ambassador of the Bay, E-40, sitting on his scraper watching Oakland going wild while on the set of the video for the hit song \"Tell Me When To Go\".' width=\"800\" height=\"529\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-800x529.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-1020x674.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-768x508.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-1536x1015.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-2048x1354.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/7-1920x1269.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The ambassador of the Bay, E-40, sitting on his scraper watching Oakland going wild on the set of the video for the hit song ‘Tell Me When To Go.’ \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>D-Ray:\u003c/strong> It’s showing East Oakland and both sides of Vallejo. Do you know what I’m talking about? Because I am the official Thizz photographer, and I still have a relationship with people like 40.\u003c/p>\n\u003cp>I saw it, I took it. I saw the T go up, and it automatically happens. I’ve just got to keep it real. As soon as the T goes up, it just happens. It’s just the way my mental is trained.\u003c/p>\n\u003cfigure id=\"attachment_13951133\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13951133\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-800x534.png\" alt=\"Well-known rapper and proud representative of Pittsburg's El Pueblo Projects, The Husalah, posing for a photo while sitting in a cherry red drop top car.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-800x534.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-1020x681.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-160x107.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-768x512.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-1536x1025.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-2048x1367.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/8-1920x1281.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Well-known rapper and proud representative of Pittsburg’s El Pueblo Projects, Husalah. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>D-Ray:\u003c/b> I spent like two weeks with \u003ca href=\"https://www.instagram.com/golasoaso/\" target=\"_blank\" rel=\"noopener\">Husalah\u003c/a> before he turned himself in, and we wanted to get all of his stages, like all of his looks. I mean, he changed his clothes multiple times. We went to the projects, we did all types of stuff, just to make sure he had content while he was in prison.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=YCLlU-8HsNE\" target=\"_blank\" rel=\"noopener\">When he was in prison\u003c/a>, I made sure that he was still kept alive. Like, I had good pictures of him. I had press packets. I had whatever we needed. It was a sad situation. I’ll never forget it was like those two weeks.\u003c/p>\n\u003cfigure id=\"attachment_13951130\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13951130\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-800x528.png\" alt=\"The late MC, The Jacka, and well-known turf dancer, Ice Cold 3000, pose for a photo at Youth Uprising.\" width=\"800\" height=\"528\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-800x528.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-1020x674.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-768x507.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-1536x1014.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-2048x1352.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/5-1920x1268.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Jacka and turf dancer Ice Cold 3000 pose for a photo at Youth Uprising. \u003ccite>(D-Ray)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>D-Ray:\u003c/strong> This is at Youth Uprising (YU). The Jacka would show up anytime I asked Jack to show up.\u003c/p>\n\u003cp>I have a thing with YU, those are all my kids. I don’t know him as “\u003ca href=\"https://www.instagram.com/icecold3000/\" target=\"_blank\" rel=\"noopener\">Ice Cold,\u003c/a>” I know him as Gary. You get what I’m saying? Today, knowing his name is Ice Cold, I’ve had to get used to it.\u003c/p>\n\u003cp>I have a bunch of kids at YU, and I just felt like I had to make sure (Gary) had a picture with my brother and he had that kind of love that my brother could pass off to him… And I just remember, because they were all excited to see Jack there.\u003c/p>\n\u003cp>Jack would get me in trouble tho, because he would come through smelling like OH MY GOD. Olis Simmons (the former head of YU) would say, “D-Ray, take him outside and spray him down before he comes in here.” I’d be like, “Why Jack, why?” But then, you couldn’t hold that against him. The kids would love him because he’d come in and he’d be himself. Jack would inspire those kids, and bring shirts and talk to them. I think that’s what gave Gary — Ice Cold — so much hope. He makes me very proud. Ice Cold makes me very, very, very proud. To see him glowing in this picture like he is, that’s why I pulled this picture.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-11687704\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>The Jacka Art Experience runs Wednesday–Saturday, Jan. 31–Feb. 3, at the Loom in Oakland. \u003ca href=\"https://www.tickettailor.com/events/dreammoviellc/1101191\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13951122/d-ray-bay-area-hip-hop-photographer","authors":["11491"],"categories":["arts_1","arts_69","arts_70"],"tags":["arts_8505","arts_19561","arts_1601","arts_10278","arts_831","arts_6975","arts_2173","arts_1768","arts_822","arts_21904","arts_21896","arts_19347"],"featImg":"arts_13951202","label":"source_arts_13951122"},"arts_13950697":{"type":"posts","id":"arts_13950697","meta":{"index":"posts_1591205157","site":"arts","id":"13950697","score":null,"sort":[1705950872000]},"guestAuthors":[],"slug":"49ers-nfl-playoffs-superbowl-p-lo-saweetie-do-it-for-the-bay","title":"Here’s Your 49ers Anthem for the Super Bowl Run: ‘Do It For the Bay’","publishDate":1705950872,"format":"standard","headTitle":"Here’s Your 49ers Anthem for the Super Bowl Run: ‘Do It For the Bay’ | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Time to update your tailgate playlist — when the 49ers host the Lions in the NFC Championship this Sunday, there’ll be a new Niners anthem in town.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/saweetie\">Saweetie\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/tag/p-lo\">P-Lo\u003c/a> have dropped “Do It For the Bay,” just in time for Brock Purdy to (hopefully) drive the team (12-5) to their first \u003ca href=\"https://www.kqed.org/news/tag/super-bowl\">Super Bowl\u003c/a> in five years.\u003c/p>\n\u003cp>Watch the video below:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=G93n5PhriDs\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Saweetie, who was born in Santa Clara, said in a statement, “I love that we were able to collaborate and make something that’s so Bay-triotic, as P-Lo would say.”\u003c/p>\n\u003cp>[aside postID='arts_13936776']The song and video were made with the support of the 49ers, who in recent years have inspired impromptu tailgate concerts by Bay Area rappers like \u003ca href=\"https://www.instagram.com/p/CsxPE1wL-2k/\">San Quinn\u003c/a>, \u003ca href=\"https://www.instagram.com/blackc/reel/CyMb4OQvMWh/\">RBL Posse\u003c/a> and \u003ca href=\"https://www.instagram.com/p/C2WaxEbR37g/?hl=en\">J. Diggs\u003c/a> outside Levi’s Stadium. Close listeners will recognize elements of the beat previously used in two Bay Area rap hits: Lil Blood’s “\u003ca href=\"https://www.youtube.com/watch?v=gaBiU9yYQLs\">3rd World\u003c/a>” and Lil B’s “\u003ca href=\"https://www.youtube.com/watch?v=Q_ihX_Pv_3M\">Bitch Mob\u003c/a>.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And yes, that’s \u003ca href=\"https://www.kqed.org/arts/tag/e-40\">E-40\u003c/a> in the video at the one-minute mark. “Word to uncle 40, you know it’s \u003cspan style=\"font-weight: 400\">‘\u003c/span>Bang Bang,\u003cspan style=\"font-weight: 400\">’\u003c/span>” P-Lo raps in homage, while E-40’s “\u003ca href=\"https://www.youtube.com/watch?v=_RL11jGdDD8\">Niner Gang\u003c/a>” — not to be forgotten — is interpolated for the song’s intro and outro.\u003c/p>\n\n","blocks":[],"excerpt":"Saweetie and P-Lo’s ‘Do It for the Bay’ drops just in time for the NFL playoffs. ","status":"publish","parent":0,"modified":1705952431,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":246},"headData":{"title":"Here’s Your 49ers Anthem for the Super Bowl Run: ‘Do It For the Bay’ | KQED","description":"Saweetie and P-Lo’s ‘Do It for the Bay’ drops just in time for the NFL playoffs. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Here’s Your 49ers Anthem for the Super Bowl Run: ‘Do It For the Bay’","datePublished":"2024-01-22T19:14:32.000Z","dateModified":"2024-01-22T19:40:31.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13950697/49ers-nfl-playoffs-superbowl-p-lo-saweetie-do-it-for-the-bay","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Time to update your tailgate playlist — when the 49ers host the Lions in the NFC Championship this Sunday, there’ll be a new Niners anthem in town.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/saweetie\">Saweetie\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/tag/p-lo\">P-Lo\u003c/a> have dropped “Do It For the Bay,” just in time for Brock Purdy to (hopefully) drive the team (12-5) to their first \u003ca href=\"https://www.kqed.org/news/tag/super-bowl\">Super Bowl\u003c/a> in five years.\u003c/p>\n\u003cp>Watch the video below:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/G93n5PhriDs'\n title='//www.youtube.com/embed/G93n5PhriDs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Saweetie, who was born in Santa Clara, said in a statement, “I love that we were able to collaborate and make something that’s so Bay-triotic, as P-Lo would say.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13936776","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The song and video were made with the support of the 49ers, who in recent years have inspired impromptu tailgate concerts by Bay Area rappers like \u003ca href=\"https://www.instagram.com/p/CsxPE1wL-2k/\">San Quinn\u003c/a>, \u003ca href=\"https://www.instagram.com/blackc/reel/CyMb4OQvMWh/\">RBL Posse\u003c/a> and \u003ca href=\"https://www.instagram.com/p/C2WaxEbR37g/?hl=en\">J. Diggs\u003c/a> outside Levi’s Stadium. Close listeners will recognize elements of the beat previously used in two Bay Area rap hits: Lil Blood’s “\u003ca href=\"https://www.youtube.com/watch?v=gaBiU9yYQLs\">3rd World\u003c/a>” and Lil B’s “\u003ca href=\"https://www.youtube.com/watch?v=Q_ihX_Pv_3M\">Bitch Mob\u003c/a>.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And yes, that’s \u003ca href=\"https://www.kqed.org/arts/tag/e-40\">E-40\u003c/a> in the video at the one-minute mark. “Word to uncle 40, you know it’s \u003cspan style=\"font-weight: 400\">‘\u003c/span>Bang Bang,\u003cspan style=\"font-weight: 400\">’\u003c/span>” P-Lo raps in homage, while E-40’s “\u003ca href=\"https://www.youtube.com/watch?v=_RL11jGdDD8\">Niner Gang\u003c/a>” — not to be forgotten — is interpolated for the song’s intro and outro.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13950697/49ers-nfl-playoffs-superbowl-p-lo-saweetie-do-it-for-the-bay","authors":["185"],"categories":["arts_1","arts_835","arts_235","arts_13238"],"tags":["arts_1601","arts_10278","arts_8273","arts_2565","arts_1803","arts_4355","arts_14114","arts_8682"],"featImg":"arts_13950702","label":"arts"},"arts_13939056":{"type":"posts","id":"arts_13939056","meta":{"index":"posts_1591205157","site":"arts","id":"13939056","score":null,"sort":[1702051219000]},"guestAuthors":[],"slug":"the-maturation-of-your-favorite-artists-and-a-look-back-at-hip-hop-50","title":"You Never Thought That Hip-Hop Could Take It This Far","publishDate":1702051219,"format":"standard","headTitle":"You Never Thought That Hip-Hop Could Take It This Far | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">“W\u003c/span>hat drew me into hip-hop,” said Tariq Trotter, widely known as Black Thought of the legendary Roots crew, “was that it was, you know, spoken in a language that, you know, people who were 30, 40, 50 years old didn’t understand.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">Trotter was \u003ca href=\"https://www.npr.org/2023/11/07/1211025998/tariq-trotter-black-thought-the-roots-questlove-upcycled-self\">in conversation with NPR’s Tonya Mosely\u003c/a> as the two discussed Trotter’s new memoir, \u003cem>The Upcycled Self\u003c/em>. The book charts his path both as an artist and an individual; it includes heavy details about his life, including the murders of both his parents, as well a fire he set in his house at the age of six. Trotter, now 52, is clear about his personal maturation process, and how the culture of hip-hop has grown as well.\u003c/p>\n\u003cp>Trotter appreciates the many subgenres within hip-hop, even if he doesn’t understand them; and that’s because he’s not supposed to. The popular sound of today, drill music, isn’t made for people his age. Trotter, who will be \u003ca href=\"https://www.cityboxoffice.com/ordertickets.asp?p=13941\">in discussion with Jelani Cobb at San Francisco’s City Arts & Lectures\u003c/a> on Saturday, Feb. 24, concluded his point by telling Mosely, “We’ve become our parents and grandparents at this point, you know?”\u003c/p>\n\u003cfigure id=\"attachment_13939084\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13939084\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Andre.3000.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Andre.3000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Andre.3000-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Andre.3000-768x1152.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Andre 3000 attends the GQ Men of the Year Party 2023 VIP dinner at Chateau Marmont on Nov. 16, 2023 in Los Angeles. \u003ccite>(Emma McIntyre/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the celebration of what’s widely regarded as hip-hop’s 50th anniversary year comes to an end, I’m waiting for someone to make one of those montages that plays at the end of a movie. You know, where they show a sepia-colored portrait of each prominent character, overlaid with a couple lines about what eventually came of their lives.\u003c/p>\n\u003cp>When the cheesy music starts, the first image could be of OutKast, the famed Atlanta duo who showed the world that you can rhyme about Cadillacs and spaceships in the same breath. André 3000, who made his mark at the 1995 Source Awards (“\u003ca href=\"https://www.youtube.com/watch?v=jyxaYc9F48Y\">the south got something to say\u003c/a>”), is now a world-traveling flutist who dropped a full-length jazz album. Meanwhile, his former partner in rhyme, Big Boi, a renowned lyricist and actor who played the role of a dope dealer named Marcus in the hit movie \u003cem>ATL\u003c/em>, has become \u003ca href=\"https://www.revolt.tv/article/2022-09-29/213913/big-boi-trends-as-stunned-fans-marvel-over-his-owl-collection/\">an owler\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Members of the collective that birthed OutKast, the Dungeon Family, have also gone on to \u003ca href=\"https://www.youtube.com/watch?v=-N4jf6rtyuw\">notable\u003c/a> \u003ca href=\"https://beats-rhymes-lists.com/facts/future-originally-member-atlanta-dungeon-family/\">things\u003c/a>. Just a few years after a \u003ca href=\"https://www.npr.org/sections/therecord/2018/03/26/596988606/killer-mike-apologizes-for-interview-with-nra-claims-it-was-misused\">controversial interview with the NRA\u003c/a>, and forming an odd-couple partnership with Senator Bernie Sanders during his 2020 presidential run, lyricist Killer Mike dropped Michael, one of the most critically acclaimed albums of the year. Even at the big age of 48, folks can still rap.\u003c/p>\n\u003cfigure id=\"attachment_13828022\" class=\"wp-caption aligncenter\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13828022\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411.jpg\" alt=\"\" width=\"2048\" height=\"1152\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-520x293.jpg 520w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">Killer Mike performing in Atlanta in 2017. \u003ccite>(David A. Smith/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Speaking of old heads from Atlanta who can still gas a track: Ludacris has entered the chat. In addition to co-starring in the Christmas film \u003cem>\u003ca href=\"https://www.imdb.com/title/tt5608166/\">Dashing Through The Snow\u003c/a>\u003c/em>, creating a charming children’s show called \u003cem>\u003ca href=\"https://www.karmasworld.com/p/1\">Karma’s World\u003c/a>\u003c/em>, and doing \u003ca href=\"https://www.youtube.com/watch?v=c3WaUZhvjK4\">commercials for State Farm Insurance\u003c/a>, at age 46 Luda is reportedly \u003ca href=\"https://people.com/ludacris-to-release-new-music-2024-after-taking-step-back-8405825\">working on an album\u003c/a> for 2024. (\u003ca href=\"https://www.instagram.com/reel/CoL-fnvAlAq/?utm_source=ig_web_copy_link\">He still has bars\u003c/a>.)\u003c/p>\n\u003cp>But not everyone is doing well with maturation. Again in Atlanta, rapper T.I.’s life has become a bit of a walking reality show. Despite his large vocabulary and investment in \u003ca href=\"https://www.wsbtv.com/news/local/atlanta/atlanta-rapper-ti-celebrates-opening-his-first-affordable-housing-development/5IYPKMYWTJB33KHSZX3VK6XHN4/\">real estate properties\u003c/a>, T.I., who at the age of 43 recently announced an impending double album and subsequent \u003ca href=\"https://allrapnews.com/news/t-i-to-retire-from-rap-with-final-double-album-featuring-nba-youngboy/\">retirement from rap\u003c/a>, has been the butt of jokes about \u003ca href=\"https://globalnews.ca/news/6214889/ti-daughter-hymen-controversy/\">family issues\u003c/a>. Most recently, the King of the South had to deal with a \u003ca href=\"https://theshaderoom.com/settin-things-straight-t-i-addresses-viral-scuffle-with-son-king-harris/\">recorded altercation with his son\u003c/a>.\u003c/p>\n\u003cp>[aside postID='arts_13923938']Speaking of hip-hop icons and domestic disputes: Diddy.\u003c/p>\n\u003cp>After changing his name again, this time to “Brother Love,” and dropping an album titled \u003cem>The Love Album: Off the Grid\u003c/em>, it’s become extremely apparent that 54 year-old Diddy, real name Sean Combs, is the polar opposite of love. Just days after being \u003ca href=\"https://www.npr.org/2023/11/17/1213684443/lawsuit-accuses-sean-diddy-combs-of-trafficking-sexual-assault-and-abuse\">sued by musician and former girlfriend Cassie\u003c/a> for trafficking, rape, assault and more, Combs settled the case out of court, expeditiously. A few days later, Combs, who recently stepped down as Chairman of Revolt TV, was served with additional lawsuits from different women who alleged similar crimes. \u003cem>More money, more problems\u003c/em>.\u003c/p>\n\u003cp>On the topic of people involved in the mid-’90s East Coast / West Coast beef and the law: \u003ca href=\"https://www.npr.org/2023/09/29/1202716171/tupac-shakur-killing-duane-davis-indicted\">Duane “Keffe D” Davis\u003c/a> is now in prison for charges related to the murder of Tupac Shakur after his arrest earlier this fall. Just a few months later, in an unrelated but relevant story, \u003ca href=\"https://www.kqed.org/arts/13937563/tupac-shakur-way-oakland-street-renaming\">Tupac Shakur’s name was immortalized\u003c/a> during a street naming ceremony in \u003ca href=\"https://www.youtube.com/watch?v=yCYT3T3UBdw\">the city he got his game from\u003c/a>, Oakland.\u003c/p>\n\u003cfigure id=\"attachment_13937625\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13937625\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231103-TupakShakurWay-27-BL-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231103-TupakShakurWay-27-BL-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231103-TupakShakurWay-27-BL-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231103-TupakShakurWay-27-BL-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231103-TupakShakurWay-27-BL-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231103-TupakShakurWay-27-BL-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231103-TupakShakurWay-27-BL-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The sign for ‘Tupac Shakur Way’ is unveiled during a renaming ceremony in Oakland, Calif., on Nov. 3, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Late last year, the City of Oakland also unveiled \u003ca href=\"https://www.kqed.org/arts/13922616/too-short-way-street-sign-unveiled-oakland\">a street sign recognizing 57 year-old Too Short’s contributions\u003c/a> to the culture in front of his alma mater, Fremont High School. Additionally, while dropping an album, releasing a cookbook, and selling enough liquor to sink a ship, 56 year-old entrepreneur \u003ca href=\"https://www.kqed.org/arts/13936776/e-40-gets-the-key-to-the-city-of-vallejo-and-a-street-named-in-his-honor\">E-40 got a part of Magazine Street in Vallejo named in his honor\u003c/a>.\u003c/p>\n\u003cp>Staying in the Bay, the Hieroglyphics crew’s Souls of Mischief, who three decades ago famously predicted that they’d be chillin’ until the clock strikes infinity, are doing a lot more than just chillin’. They initially set out to do 93 shows this year to celebrate the 30th anniversary of their song “93 ’Til Infinity.” As of today, they’ve done 117 shows across multiple continents, and they’ve also \u003ca href=\"https://www.kqed.org/arts/13932471/souls-of-mischief-freestyle-93-til-infinity\">recorded new verses over the “93 ’Til Infinity” instrumental\u003c/a>.\u003c/p>\n\u003cp>Another member of \u003ca href=\"https://www.npr.org/sections/therecord/2013/04/17/177326079/this-was-1993-20-years-ago-i-heard-the-perfect-rap-song\">the class of ’93\u003c/a> from Oakland, 52 year-old Boots Riley, has been on a run. His 2023 TV series about a giant Black man from East Oakland, \u003cem>I’m A Virgo\u003c/em>, has been nominated for multiple awards. Behind the scenes, Boots has continued to point out injustices in our society, with a focus on the predatory nature of capitalism.\u003c/p>\n\u003cfigure id=\"attachment_13933475\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933475\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED.jpg\" alt=\"A person in a very tall hat speaks in to a set of microphones at a podium in an outdoor setting.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Boots Riley speaks at the 2023 Writers Guild Of America Strike: Rally And March at Pan Pacific Park on June 21, 2023 in Los Angeles. \u003ccite>(Momodu Mansaray/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the subject of early ’90s West Coast MCs who once used their music to give the middle finger to Uncle Sam before turning to film, there’s Ice Cube. The good news is that Cube, the 54 year-old founder of the Big3 basketball league, is still making music and movies, just as he did three decades ago. The bad news? \u003ca href=\"https://www.vibe.com/news/entertainment/ice-cube-tucker-carlson-interview-many-fans-disappointed-1234775390/\">He’s also giving tours of the hood to conservative white folks\u003c/a>. Then again, that’s kind of what mainstream “gangsta rappers” have always done, right?\u003c/p>\n\u003cp>Politics hasn’t always been the most welcoming arena for hip-hop artists, but just this past week, 53 year-old \u003ca href=\"https://www.npr.org/2023/12/04/1215901880/queen-latifah-billy-crystal-and-others-celebrated-at-kennedy-center-honors\">Queen Latifah\u003c/a> received praise from President Joe Biden as she became the first female rap artist to receive the prestigious Kennedy Center Honor.\u003c/p>\n\u003cp>While we’re awarding artists who’ve done the work and then some, let’s talk about the ever-influential \u003ca href=\"https://www.rockhall.com/inductees/missy-elliott?gad_source=1&gclid=Cj0KCQiAsburBhCIARIsAExmsu7TtF4zNeILr0texP3h8TsAue-XEitgt7gIgGsbddEAcVvheVatO24aAokcEALw_wcB\">Missy Elliott\u003c/a>, who at the age of 52 was inducted into the Rock & Roll Hall of Fame this year. (68 year-old DJ Kool Herc, a founding father of hip-hop, joined her as a 2023 inductee.)\u003c/p>\n\u003cfigure id=\"attachment_13915629\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13915629\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-scaled.jpg\" alt=\"A close-up of a Black woman's face with colorful eyeliner, as she sings into a microphone\" width=\"2560\" height=\"1725\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-768x518.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-1536x1035.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-2048x1380.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-1920x1294.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Lauryn Hill has written about feeling pressured to choose between her career and motherhood. \u003ccite>(Paul Hawthorne/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Despite the revelation that Fugees member \u003ca href=\"https://www.npr.org/2023/04/26/1172368058/former-fugees-musician-pras-michel-found-guilty-of-10-criminal-charges\">Pras was once a federal agent\u003c/a>, that didn’t stop 48 year-old Lauryn Hill and the crew from reuniting for a few shows around the country, \u003ca href=\"https://www.sfchronicle.com/entertainment/article/lauryn-hill-oakland-concert-18467645.php\">including one last month in Oakland\u003c/a>.\u003c/p>\n\u003cp>There are veteran artists doing completely unforeseen things, like \u003ca href=\"https://www.xxlmag.com/redman-licensed-skydiver/\">Redman (age 53) becoming a licensed skydiver\u003c/a> or \u003ca href=\"https://www.complex.com/music/a/jaelaniturnerwilliams/twista-raps-overnight-celebrity-over-gun-shots\">Twista (age 50) teaching firearm safety and rapping to the sound of bullets flying\u003c/a> at a shooting range. And then there are artists continuing what they’ve been doing, just at a higher level. Method Man is a certified actor who still periodically drops a verse here and there, and at the age of 52 \u003ca href=\"https://www.menshealth.com/health/a44665280/method-man-hip-hop-50-interview/\">moonlights as a sex symbol\u003c/a>. Lil Kim, who at 49 has her own claim as a sex symbol, just \u003ca href=\"https://www.porchlightbooks.com/product/queen-bee_4--lil-kim\">penned a memoir\u003c/a> that’s set to release next year. Texas OG Bun B, a 50 year-old who \u003ca href=\"https://www.youtube.com/watch?v=UMCSP5yNLQk\">knows his way around the kitchen\u003c/a>, has opened a restaurant called \u003ca href=\"https://www.houstonpublicmedia.org/articles/arts-culture/food/2023/06/07/453856/bun-bs-trill-burgers-launches-first-brick-and-mortar-location-in-houston/\">Trill Burgers\u003c/a>. The ever-fashionable megaproducer Pharrell, who doesn’t age despite government records showing he’s 50, is now \u003ca href=\"https://www.nytimes.com/2023/06/18/style/louis-vuitton-menswear-pharrell-williams-louis-vuittons.html\">designing for Louis Vuitton\u003c/a>. And 53 year-old MC Lyte, whose voice dropped rock-heavy flows when hip-hop was in its nascent form and has since gone on to host award shows, is now using her voice to talk to the \u003ca href=\"https://afrotech.com/mc-lyte-supporting-black-girls-in-tech/\">next generation of Black girls interested in coding\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13932398\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13932398\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Rakim performs at Blue Note Jazz Festival on Sunday, July 30, 2023. \u003ccite>(Eric Arnold)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Let’s take a second to pause, and acknowledge the many hip-hop artists who’ve died at a young age due to poor health. And follow that by celebrating and supporting the legends who are living, like \u003ca href=\"https://www.vibe.com/gallery/paid-in-full-foundations-inaugural-hip-hop-grandmaster-awards-rakim-nas-1234814725/\">Scarface (53) and Rakim (55)\u003c/a>, who both recently received healthcare benefits and financial support from the Paid in Full Foundation. Health concerns for our aging icons are also part of the reason folks’ ears perked up when 52 year-old Snoop Dogg posted on social media that he’s “done with smoke.” And, because he’s Snoop, we weren’t surprised when the news turned out to be a commercial for \u003ca href=\"https://people.com/snoop-dogg-not-giving-up-weed-announces-collaboration-with-smokeless-fire-pit-brand-8404736\">a smoke-free fire pit\u003c/a>.\u003c/p>\n\u003cp>[aside postID='arts_13934874']In this 50th year of hip-hop, we’re grateful to see the resolution of feuds between artists. \u003ca href=\"https://www.vibe.com/news/entertainment/camron-mase-sign-talk-show-deal-1234782595/\">Ma$e (48) and Cam’ron (47) reunited\u003c/a> and created “It Is What It Is,” a talk show that’s full of laughs and insight on current events. North Carolina’s hip-hop duo Little Brother recently released a documentary film, \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=H_LQmpx5l-E\">May the Lord Watch: The Little Brother Story\u003c/a>\u003c/em>, highlighting their friendship’s trajectory. And on the more romantic side of reunions, Nelly and Ashanti got back together, and are expecting their first child.\u003c/p>\n\u003cp>That’s a good segue to the news that at the age of 48, the first woman to go platinum as a rap artist, Da Brat, \u003ca href=\"https://www.ajc.com/life/radiotvtalk-blog/da-brat-amazed-and-grateful-for-baby-son-at-age-48/QLNVH4K4I5FWRLJ6FDTNEQAMVU/\">just gave birth to a baby boy\u003c/a>.\u003c/p>\n\u003cp>You never thought that hip-hop would take it this far.\u003c/p>\n\u003cfigure id=\"attachment_13939085\" class=\"wp-caption aligncenter\" style=\"max-width: 1400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13939085\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Juvenile.TinyDesk.jpg\" alt=\"\" width=\"1400\" height=\"787\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Juvenile.TinyDesk.jpg 1400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Juvenile.TinyDesk-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Juvenile.TinyDesk-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Juvenile.TinyDesk-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Juvenile.TinyDesk-768x432.jpg 768w\" sizes=\"(max-width: 1400px) 100vw, 1400px\">\u003cfigcaption class=\"wp-caption-text\">Juvenile performs with Mannie Fresh and an all-star band at the NPR offices in a Tiny Desk Concert. \u003ccite>(Catie Dull/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Neither could we have imagined that at the age 45, Trina, Ms. “\u003ca href=\"https://www.youtube.com/watch?v=BvsPwwphxrg\">Whoop-whoop, pull over, that ass is too fat\u003c/a>,” would be performing at the offices of National Public Radio. Nor \u003ca href=\"https://www.youtube.com/watch?v=kes2P4IC2bQ\">Mr. Back That Azz Up\u003c/a>, a.k.a. Juvenile (48), for that matter. But yes, both happened this year.\u003c/p>\n\u003cp>A half-century since hip-hop started and there are many reasons to rejoice, despite some of the unsavory news. As fans, we’re appreciative that the catalogs of Young Jeezy and De La Soul are now on streaming sites. And we’re equally appreciative that there’s new music from the likes of J.Cole, Lil Wayne and Nas, who at age 50, has dropped multiple award-winning albums in the past five years and had a resurrection unlike anyone else in the game—with the possible exception of Black Thought.\u003c/p>\n\u003cp>When Tariq Trotter isn’t rocking as a part of the house band for \u003cem>Late Night with Jimmy Fallon\u003c/em>, he’s writing off-Broadway plays and acting in films. But don’t think for a second he can’t spit a \u003ca href=\"https://www.youtube.com/watch?v=prmQgSpV3fA\">scorching freestyle\u003c/a>, too. He’s dropped verses on projects with younger rappers that show he hasn’t lost a step. And he’s put out a few highly acclaimed projects over the past couple years — arguably some of his best work — with music that speaks to middle-aged hip-hop heads.\u003c/p>\n\u003cfigure id=\"attachment_13840236\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13840236\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9583.jpg\" alt=\"Black Thought plays Hiero Day in Oakland on Monday, September 3, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9583.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9583-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9583-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9583-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9583-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9583-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Black Thought plays Hiero Day in Oakland on Monday, September 3, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During his interview with NPR, Black Thought talked about maturing, and that he feels more comfortable sharing more intimate details of his life. “As artists, there’s a dance, there’s a negotiation that takes place,” Trotter told Mosely. “But it’s the sort of thing that I was holding on to for the right moment — you know what I mean? For when it made the most sense. And that’s right now.”\u003c/p>\n\u003cp>And that right there is all the more reason to appreciate the aging process.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Black Thought appears in discussion with Jelani Cobb on Saturday, Feb. 24, at the Sydney Goldstein Theatre in San Francisco as part of City Arts & Lectures. \u003ca href=\"https://www.cityboxoffice.com/ordertickets.asp?p=13941\">Details and ticket info here\u003c/a>. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Hip-Hop at 50 and the maturation of your favorite artists.","status":"publish","parent":0,"modified":1708620742,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":32,"wordCount":2251},"headData":{"title":"You Never Thought That Hip-Hop Could Take It This Far | KQED","description":"Hip-Hop at 50 and the maturation of your favorite artists.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"You Never Thought That Hip-Hop Could Take It This Far","datePublished":"2023-12-08T16:00:19.000Z","dateModified":"2024-02-22T16:52:22.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13939056/the-maturation-of-your-favorite-artists-and-a-look-back-at-hip-hop-50","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">“W\u003c/span>hat drew me into hip-hop,” said Tariq Trotter, widely known as Black Thought of the legendary Roots crew, “was that it was, you know, spoken in a language that, you know, people who were 30, 40, 50 years old didn’t understand.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">Trotter was \u003ca href=\"https://www.npr.org/2023/11/07/1211025998/tariq-trotter-black-thought-the-roots-questlove-upcycled-self\">in conversation with NPR’s Tonya Mosely\u003c/a> as the two discussed Trotter’s new memoir, \u003cem>The Upcycled Self\u003c/em>. The book charts his path both as an artist and an individual; it includes heavy details about his life, including the murders of both his parents, as well a fire he set in his house at the age of six. Trotter, now 52, is clear about his personal maturation process, and how the culture of hip-hop has grown as well.\u003c/p>\n\u003cp>Trotter appreciates the many subgenres within hip-hop, even if he doesn’t understand them; and that’s because he’s not supposed to. The popular sound of today, drill music, isn’t made for people his age. Trotter, who will be \u003ca href=\"https://www.cityboxoffice.com/ordertickets.asp?p=13941\">in discussion with Jelani Cobb at San Francisco’s City Arts & Lectures\u003c/a> on Saturday, Feb. 24, concluded his point by telling Mosely, “We’ve become our parents and grandparents at this point, you know?”\u003c/p>\n\u003cfigure id=\"attachment_13939084\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13939084\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Andre.3000.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Andre.3000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Andre.3000-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Andre.3000-768x1152.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Andre 3000 attends the GQ Men of the Year Party 2023 VIP dinner at Chateau Marmont on Nov. 16, 2023 in Los Angeles. \u003ccite>(Emma McIntyre/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As the celebration of what’s widely regarded as hip-hop’s 50th anniversary year comes to an end, I’m waiting for someone to make one of those montages that plays at the end of a movie. You know, where they show a sepia-colored portrait of each prominent character, overlaid with a couple lines about what eventually came of their lives.\u003c/p>\n\u003cp>When the cheesy music starts, the first image could be of OutKast, the famed Atlanta duo who showed the world that you can rhyme about Cadillacs and spaceships in the same breath. André 3000, who made his mark at the 1995 Source Awards (“\u003ca href=\"https://www.youtube.com/watch?v=jyxaYc9F48Y\">the south got something to say\u003c/a>”), is now a world-traveling flutist who dropped a full-length jazz album. Meanwhile, his former partner in rhyme, Big Boi, a renowned lyricist and actor who played the role of a dope dealer named Marcus in the hit movie \u003cem>ATL\u003c/em>, has become \u003ca href=\"https://www.revolt.tv/article/2022-09-29/213913/big-boi-trends-as-stunned-fans-marvel-over-his-owl-collection/\">an owler\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Members of the collective that birthed OutKast, the Dungeon Family, have also gone on to \u003ca href=\"https://www.youtube.com/watch?v=-N4jf6rtyuw\">notable\u003c/a> \u003ca href=\"https://beats-rhymes-lists.com/facts/future-originally-member-atlanta-dungeon-family/\">things\u003c/a>. Just a few years after a \u003ca href=\"https://www.npr.org/sections/therecord/2018/03/26/596988606/killer-mike-apologizes-for-interview-with-nra-claims-it-was-misused\">controversial interview with the NRA\u003c/a>, and forming an odd-couple partnership with Senator Bernie Sanders during his 2020 presidential run, lyricist Killer Mike dropped Michael, one of the most critically acclaimed albums of the year. Even at the big age of 48, folks can still rap.\u003c/p>\n\u003cfigure id=\"attachment_13828022\" class=\"wp-caption aligncenter\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13828022\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411.jpg\" alt=\"\" width=\"2048\" height=\"1152\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/gettyimages-632359900_wide-75cfc86b44dfbaea982eba0457af104c57871411-520x293.jpg 520w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">Killer Mike performing in Atlanta in 2017. \u003ccite>(David A. Smith/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Speaking of old heads from Atlanta who can still gas a track: Ludacris has entered the chat. In addition to co-starring in the Christmas film \u003cem>\u003ca href=\"https://www.imdb.com/title/tt5608166/\">Dashing Through The Snow\u003c/a>\u003c/em>, creating a charming children’s show called \u003cem>\u003ca href=\"https://www.karmasworld.com/p/1\">Karma’s World\u003c/a>\u003c/em>, and doing \u003ca href=\"https://www.youtube.com/watch?v=c3WaUZhvjK4\">commercials for State Farm Insurance\u003c/a>, at age 46 Luda is reportedly \u003ca href=\"https://people.com/ludacris-to-release-new-music-2024-after-taking-step-back-8405825\">working on an album\u003c/a> for 2024. (\u003ca href=\"https://www.instagram.com/reel/CoL-fnvAlAq/?utm_source=ig_web_copy_link\">He still has bars\u003c/a>.)\u003c/p>\n\u003cp>But not everyone is doing well with maturation. Again in Atlanta, rapper T.I.’s life has become a bit of a walking reality show. Despite his large vocabulary and investment in \u003ca href=\"https://www.wsbtv.com/news/local/atlanta/atlanta-rapper-ti-celebrates-opening-his-first-affordable-housing-development/5IYPKMYWTJB33KHSZX3VK6XHN4/\">real estate properties\u003c/a>, T.I., who at the age of 43 recently announced an impending double album and subsequent \u003ca href=\"https://allrapnews.com/news/t-i-to-retire-from-rap-with-final-double-album-featuring-nba-youngboy/\">retirement from rap\u003c/a>, has been the butt of jokes about \u003ca href=\"https://globalnews.ca/news/6214889/ti-daughter-hymen-controversy/\">family issues\u003c/a>. Most recently, the King of the South had to deal with a \u003ca href=\"https://theshaderoom.com/settin-things-straight-t-i-addresses-viral-scuffle-with-son-king-harris/\">recorded altercation with his son\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13923938","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Speaking of hip-hop icons and domestic disputes: Diddy.\u003c/p>\n\u003cp>After changing his name again, this time to “Brother Love,” and dropping an album titled \u003cem>The Love Album: Off the Grid\u003c/em>, it’s become extremely apparent that 54 year-old Diddy, real name Sean Combs, is the polar opposite of love. Just days after being \u003ca href=\"https://www.npr.org/2023/11/17/1213684443/lawsuit-accuses-sean-diddy-combs-of-trafficking-sexual-assault-and-abuse\">sued by musician and former girlfriend Cassie\u003c/a> for trafficking, rape, assault and more, Combs settled the case out of court, expeditiously. A few days later, Combs, who recently stepped down as Chairman of Revolt TV, was served with additional lawsuits from different women who alleged similar crimes. \u003cem>More money, more problems\u003c/em>.\u003c/p>\n\u003cp>On the topic of people involved in the mid-’90s East Coast / West Coast beef and the law: \u003ca href=\"https://www.npr.org/2023/09/29/1202716171/tupac-shakur-killing-duane-davis-indicted\">Duane “Keffe D” Davis\u003c/a> is now in prison for charges related to the murder of Tupac Shakur after his arrest earlier this fall. Just a few months later, in an unrelated but relevant story, \u003ca href=\"https://www.kqed.org/arts/13937563/tupac-shakur-way-oakland-street-renaming\">Tupac Shakur’s name was immortalized\u003c/a> during a street naming ceremony in \u003ca href=\"https://www.youtube.com/watch?v=yCYT3T3UBdw\">the city he got his game from\u003c/a>, Oakland.\u003c/p>\n\u003cfigure id=\"attachment_13937625\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13937625\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231103-TupakShakurWay-27-BL-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231103-TupakShakurWay-27-BL-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231103-TupakShakurWay-27-BL-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231103-TupakShakurWay-27-BL-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231103-TupakShakurWay-27-BL-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231103-TupakShakurWay-27-BL-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/231103-TupakShakurWay-27-BL-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The sign for ‘Tupac Shakur Way’ is unveiled during a renaming ceremony in Oakland, Calif., on Nov. 3, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Late last year, the City of Oakland also unveiled \u003ca href=\"https://www.kqed.org/arts/13922616/too-short-way-street-sign-unveiled-oakland\">a street sign recognizing 57 year-old Too Short’s contributions\u003c/a> to the culture in front of his alma mater, Fremont High School. Additionally, while dropping an album, releasing a cookbook, and selling enough liquor to sink a ship, 56 year-old entrepreneur \u003ca href=\"https://www.kqed.org/arts/13936776/e-40-gets-the-key-to-the-city-of-vallejo-and-a-street-named-in-his-honor\">E-40 got a part of Magazine Street in Vallejo named in his honor\u003c/a>.\u003c/p>\n\u003cp>Staying in the Bay, the Hieroglyphics crew’s Souls of Mischief, who three decades ago famously predicted that they’d be chillin’ until the clock strikes infinity, are doing a lot more than just chillin’. They initially set out to do 93 shows this year to celebrate the 30th anniversary of their song “93 ’Til Infinity.” As of today, they’ve done 117 shows across multiple continents, and they’ve also \u003ca href=\"https://www.kqed.org/arts/13932471/souls-of-mischief-freestyle-93-til-infinity\">recorded new verses over the “93 ’Til Infinity” instrumental\u003c/a>.\u003c/p>\n\u003cp>Another member of \u003ca href=\"https://www.npr.org/sections/therecord/2013/04/17/177326079/this-was-1993-20-years-ago-i-heard-the-perfect-rap-song\">the class of ’93\u003c/a> from Oakland, 52 year-old Boots Riley, has been on a run. His 2023 TV series about a giant Black man from East Oakland, \u003cem>I’m A Virgo\u003c/em>, has been nominated for multiple awards. Behind the scenes, Boots has continued to point out injustices in our society, with a focus on the predatory nature of capitalism.\u003c/p>\n\u003cfigure id=\"attachment_13933475\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13933475\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED.jpg\" alt=\"A person in a very tall hat speaks in to a set of microphones at a podium in an outdoor setting.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/08/230818-BOOTS-RILEY-Getty-MM-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Boots Riley speaks at the 2023 Writers Guild Of America Strike: Rally And March at Pan Pacific Park on June 21, 2023 in Los Angeles. \u003ccite>(Momodu Mansaray/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On the subject of early ’90s West Coast MCs who once used their music to give the middle finger to Uncle Sam before turning to film, there’s Ice Cube. The good news is that Cube, the 54 year-old founder of the Big3 basketball league, is still making music and movies, just as he did three decades ago. The bad news? \u003ca href=\"https://www.vibe.com/news/entertainment/ice-cube-tucker-carlson-interview-many-fans-disappointed-1234775390/\">He’s also giving tours of the hood to conservative white folks\u003c/a>. Then again, that’s kind of what mainstream “gangsta rappers” have always done, right?\u003c/p>\n\u003cp>Politics hasn’t always been the most welcoming arena for hip-hop artists, but just this past week, 53 year-old \u003ca href=\"https://www.npr.org/2023/12/04/1215901880/queen-latifah-billy-crystal-and-others-celebrated-at-kennedy-center-honors\">Queen Latifah\u003c/a> received praise from President Joe Biden as she became the first female rap artist to receive the prestigious Kennedy Center Honor.\u003c/p>\n\u003cp>While we’re awarding artists who’ve done the work and then some, let’s talk about the ever-influential \u003ca href=\"https://www.rockhall.com/inductees/missy-elliott?gad_source=1&gclid=Cj0KCQiAsburBhCIARIsAExmsu7TtF4zNeILr0texP3h8TsAue-XEitgt7gIgGsbddEAcVvheVatO24aAokcEALw_wcB\">Missy Elliott\u003c/a>, who at the age of 52 was inducted into the Rock & Roll Hall of Fame this year. (68 year-old DJ Kool Herc, a founding father of hip-hop, joined her as a 2023 inductee.)\u003c/p>\n\u003cfigure id=\"attachment_13915629\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13915629\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-scaled.jpg\" alt=\"A close-up of a Black woman's face with colorful eyeliner, as she sings into a microphone\" width=\"2560\" height=\"1725\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-800x539.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-1020x687.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-768x518.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-1536x1035.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-2048x1380.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/GettyImages-57095278-1920x1294.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Lauryn Hill has written about feeling pressured to choose between her career and motherhood. \u003ccite>(Paul Hawthorne/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Despite the revelation that Fugees member \u003ca href=\"https://www.npr.org/2023/04/26/1172368058/former-fugees-musician-pras-michel-found-guilty-of-10-criminal-charges\">Pras was once a federal agent\u003c/a>, that didn’t stop 48 year-old Lauryn Hill and the crew from reuniting for a few shows around the country, \u003ca href=\"https://www.sfchronicle.com/entertainment/article/lauryn-hill-oakland-concert-18467645.php\">including one last month in Oakland\u003c/a>.\u003c/p>\n\u003cp>There are veteran artists doing completely unforeseen things, like \u003ca href=\"https://www.xxlmag.com/redman-licensed-skydiver/\">Redman (age 53) becoming a licensed skydiver\u003c/a> or \u003ca href=\"https://www.complex.com/music/a/jaelaniturnerwilliams/twista-raps-overnight-celebrity-over-gun-shots\">Twista (age 50) teaching firearm safety and rapping to the sound of bullets flying\u003c/a> at a shooting range. And then there are artists continuing what they’ve been doing, just at a higher level. Method Man is a certified actor who still periodically drops a verse here and there, and at the age of 52 \u003ca href=\"https://www.menshealth.com/health/a44665280/method-man-hip-hop-50-interview/\">moonlights as a sex symbol\u003c/a>. Lil Kim, who at 49 has her own claim as a sex symbol, just \u003ca href=\"https://www.porchlightbooks.com/product/queen-bee_4--lil-kim\">penned a memoir\u003c/a> that’s set to release next year. Texas OG Bun B, a 50 year-old who \u003ca href=\"https://www.youtube.com/watch?v=UMCSP5yNLQk\">knows his way around the kitchen\u003c/a>, has opened a restaurant called \u003ca href=\"https://www.houstonpublicmedia.org/articles/arts-culture/food/2023/06/07/453856/bun-bs-trill-burgers-launches-first-brick-and-mortar-location-in-houston/\">Trill Burgers\u003c/a>. The ever-fashionable megaproducer Pharrell, who doesn’t age despite government records showing he’s 50, is now \u003ca href=\"https://www.nytimes.com/2023/06/18/style/louis-vuitton-menswear-pharrell-williams-louis-vuittons.html\">designing for Louis Vuitton\u003c/a>. And 53 year-old MC Lyte, whose voice dropped rock-heavy flows when hip-hop was in its nascent form and has since gone on to host award shows, is now using her voice to talk to the \u003ca href=\"https://afrotech.com/mc-lyte-supporting-black-girls-in-tech/\">next generation of Black girls interested in coding\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13932398\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13932398\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Rakim-2-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Rakim performs at Blue Note Jazz Festival on Sunday, July 30, 2023. \u003ccite>(Eric Arnold)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Let’s take a second to pause, and acknowledge the many hip-hop artists who’ve died at a young age due to poor health. And follow that by celebrating and supporting the legends who are living, like \u003ca href=\"https://www.vibe.com/gallery/paid-in-full-foundations-inaugural-hip-hop-grandmaster-awards-rakim-nas-1234814725/\">Scarface (53) and Rakim (55)\u003c/a>, who both recently received healthcare benefits and financial support from the Paid in Full Foundation. Health concerns for our aging icons are also part of the reason folks’ ears perked up when 52 year-old Snoop Dogg posted on social media that he’s “done with smoke.” And, because he’s Snoop, we weren’t surprised when the news turned out to be a commercial for \u003ca href=\"https://people.com/snoop-dogg-not-giving-up-weed-announces-collaboration-with-smokeless-fire-pit-brand-8404736\">a smoke-free fire pit\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13934874","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In this 50th year of hip-hop, we’re grateful to see the resolution of feuds between artists. \u003ca href=\"https://www.vibe.com/news/entertainment/camron-mase-sign-talk-show-deal-1234782595/\">Ma$e (48) and Cam’ron (47) reunited\u003c/a> and created “It Is What It Is,” a talk show that’s full of laughs and insight on current events. North Carolina’s hip-hop duo Little Brother recently released a documentary film, \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=H_LQmpx5l-E\">May the Lord Watch: The Little Brother Story\u003c/a>\u003c/em>, highlighting their friendship’s trajectory. And on the more romantic side of reunions, Nelly and Ashanti got back together, and are expecting their first child.\u003c/p>\n\u003cp>That’s a good segue to the news that at the age of 48, the first woman to go platinum as a rap artist, Da Brat, \u003ca href=\"https://www.ajc.com/life/radiotvtalk-blog/da-brat-amazed-and-grateful-for-baby-son-at-age-48/QLNVH4K4I5FWRLJ6FDTNEQAMVU/\">just gave birth to a baby boy\u003c/a>.\u003c/p>\n\u003cp>You never thought that hip-hop would take it this far.\u003c/p>\n\u003cfigure id=\"attachment_13939085\" class=\"wp-caption aligncenter\" style=\"max-width: 1400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13939085\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Juvenile.TinyDesk.jpg\" alt=\"\" width=\"1400\" height=\"787\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Juvenile.TinyDesk.jpg 1400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Juvenile.TinyDesk-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Juvenile.TinyDesk-1020x573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Juvenile.TinyDesk-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/Juvenile.TinyDesk-768x432.jpg 768w\" sizes=\"(max-width: 1400px) 100vw, 1400px\">\u003cfigcaption class=\"wp-caption-text\">Juvenile performs with Mannie Fresh and an all-star band at the NPR offices in a Tiny Desk Concert. \u003ccite>(Catie Dull/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Neither could we have imagined that at the age 45, Trina, Ms. “\u003ca href=\"https://www.youtube.com/watch?v=BvsPwwphxrg\">Whoop-whoop, pull over, that ass is too fat\u003c/a>,” would be performing at the offices of National Public Radio. Nor \u003ca href=\"https://www.youtube.com/watch?v=kes2P4IC2bQ\">Mr. Back That Azz Up\u003c/a>, a.k.a. Juvenile (48), for that matter. But yes, both happened this year.\u003c/p>\n\u003cp>A half-century since hip-hop started and there are many reasons to rejoice, despite some of the unsavory news. As fans, we’re appreciative that the catalogs of Young Jeezy and De La Soul are now on streaming sites. And we’re equally appreciative that there’s new music from the likes of J.Cole, Lil Wayne and Nas, who at age 50, has dropped multiple award-winning albums in the past five years and had a resurrection unlike anyone else in the game—with the possible exception of Black Thought.\u003c/p>\n\u003cp>When Tariq Trotter isn’t rocking as a part of the house band for \u003cem>Late Night with Jimmy Fallon\u003c/em>, he’s writing off-Broadway plays and acting in films. But don’t think for a second he can’t spit a \u003ca href=\"https://www.youtube.com/watch?v=prmQgSpV3fA\">scorching freestyle\u003c/a>, too. He’s dropped verses on projects with younger rappers that show he hasn’t lost a step. And he’s put out a few highly acclaimed projects over the past couple years — arguably some of his best work — with music that speaks to middle-aged hip-hop heads.\u003c/p>\n\u003cfigure id=\"attachment_13840236\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13840236\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9583.jpg\" alt=\"Black Thought plays Hiero Day in Oakland on Monday, September 3, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9583.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9583-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9583-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9583-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9583-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9583-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Black Thought plays Hiero Day in Oakland on Monday, September 3, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During his interview with NPR, Black Thought talked about maturing, and that he feels more comfortable sharing more intimate details of his life. “As artists, there’s a dance, there’s a negotiation that takes place,” Trotter told Mosely. “But it’s the sort of thing that I was holding on to for the right moment — you know what I mean? For when it made the most sense. And that’s right now.”\u003c/p>\n\u003cp>And that right there is all the more reason to appreciate the aging process.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Black Thought appears in discussion with Jelani Cobb on Saturday, Feb. 24, at the Sydney Goldstein Theatre in San Francisco as part of City Arts & Lectures. \u003ca href=\"https://www.cityboxoffice.com/ordertickets.asp?p=13941\">Details and ticket info here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13939056/the-maturation-of-your-favorite-artists-and-a-look-back-at-hip-hop-50","authors":["11491"],"categories":["arts_1","arts_2303","arts_835","arts_69"],"tags":["arts_11374","arts_1998","arts_1601","arts_10278","arts_2284","arts_831","arts_1143","arts_21785","arts_3478","arts_4269","arts_3800"],"featImg":"arts_13329186","label":"arts"},"arts_13938193":{"type":"posts","id":"arts_13938193","meta":{"index":"posts_1591205157","site":"arts","id":"13938193","score":null,"sort":[1700246469000]},"guestAuthors":[],"slug":"e-40-goon-with-the-spoon-rule-of-thumb-cookbook-new-album","title":"E-40 Discusses New Album, His Cookbook With Snoop, and Being Underrated","publishDate":1700246469,"format":"standard","headTitle":"E-40 Discusses New Album, His Cookbook With Snoop, and Being Underrated | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.kqed.org/arts/13936776/e-40-gets-the-key-to-the-city-of-vallejo-and-a-street-named-in-his-honor\">E-40\u003c/a> built a three decade-plus career on the foundations of an unorthodox rap flow, schooling listeners with life lessons through his streetwise perspective.\u003c/p>\n\u003cp>With a heavy dose of Bay Area slang, E-40 created a lane for his unique hip-hop vernacular that has made him one of the genre’s most revered artists. As a savvy businessman, he’s leveraged his connections in the rap world to the wine, ice cream and food brand industries, including a Filipino food business inside Oracle Park in San Francisco.\u003c/p>\n\u003cp>[aside postid='arts_13927874']Now at 56, there’s no slowing down for E-40, who released his 27th studio album \u003cem>Rule of Thumb: Rule 1\u003c/em> on Friday. His new project comes more than 30 years after his debut, \u003cem>Federal\u003c/em>.\u003c/p>\n\u003cp>The new album — which features NBA YoungBoy, Too Short, Larry June, Gucci Mane, B.G. and E-40’s son Droop-E — is the first installment of the \u003cem>Rule of Thumb\u003c/em> album series. He plans to release the sequel album early next year.\u003c/p>\n\u003cp>In a recent interview, E-40 spoke with The Associated Press about being an underrated legend, his unorthodox rap style and the new cookbook called \u003cem>Snoop Dogg Presents: Goon With the Spoon\u003c/em>, which released earlier this week.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Answers have been edited for brevity and clarity.\u003c/p>\n\u003cp>\u003cstrong>Jonathan Landrum, Jr:\u003c/strong> \u003cstrong>What’s the meaning behind your album title?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>E-40:\u003c/strong> I feel like \u003cem>Rule of Thumb\u003c/em> is just common sense. It’s certain rules and regulations that you must just know off top. It doesn’t take a rocket scientist. You don’t have to have a quarter of a brain to comprehend that. I’m teaching life lessons. Giving it to them straight, not fake and not fabricating things. It’s a lot of lightweight storytelling and a lot of life lessons, consequences and repercussions. I mix it up like a gumbo pot. I’m multi-dimensional. I don’t do just one style of rap. My beats aren’t always the same. I’m everywhere like air.\u003c/p>\n\u003cfigure id=\"attachment_13938195\" class=\"wp-caption aligncenter\" style=\"max-width: 1050px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938195\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/rule-of-thumb.jpg\" alt=\"An album cover depicting rapper E-40 in miniature. He is sitting on a scroll next to handcuffs, a key and a quill. A courthouse and scales are visible behind him.\" width=\"1050\" height=\"1050\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/rule-of-thumb.jpg 1050w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/rule-of-thumb-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/rule-of-thumb-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/rule-of-thumb-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/rule-of-thumb-768x768.jpg 768w\" sizes=\"(max-width: 1050px) 100vw, 1050px\">\u003cfigcaption class=\"wp-caption-text\">The cover of ‘Rule of Thumb: Rule 1.’ \u003ccite>(Heavy on the Grind)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Where does your unorthodox rap style and wisdom come from?\u003c/strong>\u003c/p>\n\u003cp>Being chipped from a different cliff, being carved from a different clay, and made from a different fabric. I’m wired different than most. I’m from an era of morals and respect, and we follow guidelines. That’s always been me… I always told stories. I talked about the repercussions and the consequences. If you go do this, you do know that little 30-second decision that you made could cost you 30 years in prison or you might be buried 6 feet deep. I always talked about the consequences if you go do something. I speak the real.\u003c/p>\n\u003cp>\u003cstrong>You’re highly respected within hip-hop, but how does the feeling of being underrated bother you?\u003c/strong>\u003c/p>\n\u003cp>My life is beautiful. I’m very successful. I’m financially set. I’m financially good. I’m still accumulating bread. I’m still breaking boundaries. But anything that’s different is always going to be questionable. There will never be a rapper like E-40, whether you like me or not. You just got to give it to me. I got my own thing. I’ve been successful for 36 years with music since 1988. Let that soak in. I’ve got to be doing something right. Can’t just be no damn luck. I come from the ground up. All your favorite independent CEOs, they respect me because I was first. I laid the foundation for independent music.\u003c/p>\n\u003cp>Do I still feel underrated? Yes, I do. But I know what comes with the package. They like people that’s in the pocket and never go outside the box. That’s not me.\u003c/p>\n\u003cp>\u003cstrong>You have a new cookbook. When did your passion for cooking start?\u003c/strong>\u003c/p>\n\u003cp>I’m the oldest of four. Moms would work two or three jobs. My mom and dad divorced when I was 8 years old. I had a lot of responsibilities being the oldest, so I cooked. We all knew how to cook. We taught ourselves how to cook. I worked at a restaurant when I was a teenager. There was a Caucasian man that I love dearly to this day. His name is Lewis. He taught me how to cook escargot, orange roughy with almonds with lemon butter sauce with white wine. He taught me how to do London Broil and chicken cordon bleu.\u003c/p>\n\u003cfigure id=\"attachment_13938194\" class=\"wp-caption aligncenter\" style=\"max-width: 1294px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938194\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/71ip4o90vZL._SL1500_.jpg\" alt=\"A book cover featuring two Black men. One is wearing an apron and chef's hat and holding up a large meat sandwich. The other is wearing a bucket hat, Death Row Records shirt and white spectacles.\" width=\"1294\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71ip4o90vZL._SL1500_.jpg 1294w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71ip4o90vZL._SL1500_-800x927.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71ip4o90vZL._SL1500_-1020x1182.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71ip4o90vZL._SL1500_-160x185.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71ip4o90vZL._SL1500_-768x890.jpg 768w\" sizes=\"(max-width: 1294px) 100vw, 1294px\">\u003cfigcaption class=\"wp-caption-text\">‘Snoop Dogg Presents: Goon With the Spoon’ by Snoop Dogg and Earl ‘E-40’ Stevens. \u003ccite>(Chronicle Books)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>How did you and Snoop connect on this cookbook?\u003c/strong>\u003c/p>\n\u003cp>Snoop, that’s my guy. He cooks as well. He was like, “Earl, my book was very successful. I sold over a million copies. It’s a bestseller. Let me present it.”\u003c/p>\n\u003cp>I was like “Snoop, I rock with you. You’re legendary. You’re a good friend of mine. I’ve been knowing you for over 30-plus years. We’re family. Thank you. Let’s do it.”\u003c/p>\n\u003cp>When you put your pride to the side, bigger things happen. He’s got some recipes in there. I got some recipes in there. He’s got adult beverages. I have adult beverages. It only makes sense. We both co-pack. We do the whole thing. Teamwork makes the dream work. It’s enough money out there for all of us.\u003c/p>\n\u003cp>\u003cstrong>You’ve met with Vice President Kamala Harris at the White House, received an honorary doctorate from Grambling State University and had a street named after you in your hometown of Vallejo, California. How has hip-hop impacted your life?\u003c/strong>\u003c/p>\n\u003cp>Shout out to DJ Kool Herc, Grandmaster Flash and the Furious Five, Run-DMC. Those dudes really paved the way for people like myself to diversify our portfolios and find other ways to make financial gain on a legitimate note. This beats the streets. You can make more money here than you could ever in the streets.\u003c/p>\n\u003cp>\u003cstrong>Will you ever release a book with your slang terms?\u003c/strong>\u003c/p>\n\u003cp>If I do the book of slang, it’s going to hurt people’s feelings. Because they think that their favorite rapper made the words up, and it came from me. Or if it didn’t come from me, I got it from the soil — the trenches where most rappers that are from the urban community get their (expletive) from.\u003c/p>\n\u003cp>I’ve been around for more than a half a century. I know all this. I’ve got receipts to back it up. One day, I want to sit down and go word-for-word of all the words I’ve coined. I want to go to the year, the song, everything. I want to ask “Who said it before me?” If they try to lie about it, I’ve got receipts. I was the first rapper screaming “Tycoon.” That’s one of many. “Slappin.” “Choppers.” I’ve got so many of them. Just for that, I’m going to do a book of slang. The real way in 2024 style.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>‘Rule of Thumb: Rule 1’ is out on Nov. 17, 2023. ‘Snoop Dogg Presents: Goon With the Spoon’ by Snoop Dogg and Earl ‘E-40’ Stevens (with Photos by Antonis Achilleos) is out now.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"‘I’m teaching life lessons,’ E-40 says. ‘Giving it to them straight, not fake and not fabricating things.’","status":"publish","parent":0,"modified":1705003085,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":28,"wordCount":1298},"headData":{"title":"E-40 Discusses New Album, His Cookbook With Snoop, and Being Underrated | KQED","description":"‘I’m teaching life lessons,’ E-40 says. ‘Giving it to them straight, not fake and not fabricating things.’","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"E-40 Discusses New Album, His Cookbook With Snoop, and Being Underrated","datePublished":"2023-11-17T18:41:09.000Z","dateModified":"2024-01-11T19:58:05.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Jonathan Landrum Jr, Associated Press","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13938193/e-40-goon-with-the-spoon-rule-of-thumb-cookbook-new-album","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.kqed.org/arts/13936776/e-40-gets-the-key-to-the-city-of-vallejo-and-a-street-named-in-his-honor\">E-40\u003c/a> built a three decade-plus career on the foundations of an unorthodox rap flow, schooling listeners with life lessons through his streetwise perspective.\u003c/p>\n\u003cp>With a heavy dose of Bay Area slang, E-40 created a lane for his unique hip-hop vernacular that has made him one of the genre’s most revered artists. As a savvy businessman, he’s leveraged his connections in the rap world to the wine, ice cream and food brand industries, including a Filipino food business inside Oracle Park in San Francisco.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13927874","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Now at 56, there’s no slowing down for E-40, who released his 27th studio album \u003cem>Rule of Thumb: Rule 1\u003c/em> on Friday. His new project comes more than 30 years after his debut, \u003cem>Federal\u003c/em>.\u003c/p>\n\u003cp>The new album — which features NBA YoungBoy, Too Short, Larry June, Gucci Mane, B.G. and E-40’s son Droop-E — is the first installment of the \u003cem>Rule of Thumb\u003c/em> album series. He plans to release the sequel album early next year.\u003c/p>\n\u003cp>In a recent interview, E-40 spoke with The Associated Press about being an underrated legend, his unorthodox rap style and the new cookbook called \u003cem>Snoop Dogg Presents: Goon With the Spoon\u003c/em>, which released earlier this week.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Answers have been edited for brevity and clarity.\u003c/p>\n\u003cp>\u003cstrong>Jonathan Landrum, Jr:\u003c/strong> \u003cstrong>What’s the meaning behind your album title?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>E-40:\u003c/strong> I feel like \u003cem>Rule of Thumb\u003c/em> is just common sense. It’s certain rules and regulations that you must just know off top. It doesn’t take a rocket scientist. You don’t have to have a quarter of a brain to comprehend that. I’m teaching life lessons. Giving it to them straight, not fake and not fabricating things. It’s a lot of lightweight storytelling and a lot of life lessons, consequences and repercussions. I mix it up like a gumbo pot. I’m multi-dimensional. I don’t do just one style of rap. My beats aren’t always the same. I’m everywhere like air.\u003c/p>\n\u003cfigure id=\"attachment_13938195\" class=\"wp-caption aligncenter\" style=\"max-width: 1050px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938195\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/rule-of-thumb.jpg\" alt=\"An album cover depicting rapper E-40 in miniature. He is sitting on a scroll next to handcuffs, a key and a quill. A courthouse and scales are visible behind him.\" width=\"1050\" height=\"1050\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/rule-of-thumb.jpg 1050w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/rule-of-thumb-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/rule-of-thumb-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/rule-of-thumb-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/rule-of-thumb-768x768.jpg 768w\" sizes=\"(max-width: 1050px) 100vw, 1050px\">\u003cfigcaption class=\"wp-caption-text\">The cover of ‘Rule of Thumb: Rule 1.’ \u003ccite>(Heavy on the Grind)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Where does your unorthodox rap style and wisdom come from?\u003c/strong>\u003c/p>\n\u003cp>Being chipped from a different cliff, being carved from a different clay, and made from a different fabric. I’m wired different than most. I’m from an era of morals and respect, and we follow guidelines. That’s always been me… I always told stories. I talked about the repercussions and the consequences. If you go do this, you do know that little 30-second decision that you made could cost you 30 years in prison or you might be buried 6 feet deep. I always talked about the consequences if you go do something. I speak the real.\u003c/p>\n\u003cp>\u003cstrong>You’re highly respected within hip-hop, but how does the feeling of being underrated bother you?\u003c/strong>\u003c/p>\n\u003cp>My life is beautiful. I’m very successful. I’m financially set. I’m financially good. I’m still accumulating bread. I’m still breaking boundaries. But anything that’s different is always going to be questionable. There will never be a rapper like E-40, whether you like me or not. You just got to give it to me. I got my own thing. I’ve been successful for 36 years with music since 1988. Let that soak in. I’ve got to be doing something right. Can’t just be no damn luck. I come from the ground up. All your favorite independent CEOs, they respect me because I was first. I laid the foundation for independent music.\u003c/p>\n\u003cp>Do I still feel underrated? Yes, I do. But I know what comes with the package. They like people that’s in the pocket and never go outside the box. That’s not me.\u003c/p>\n\u003cp>\u003cstrong>You have a new cookbook. When did your passion for cooking start?\u003c/strong>\u003c/p>\n\u003cp>I’m the oldest of four. Moms would work two or three jobs. My mom and dad divorced when I was 8 years old. I had a lot of responsibilities being the oldest, so I cooked. We all knew how to cook. We taught ourselves how to cook. I worked at a restaurant when I was a teenager. There was a Caucasian man that I love dearly to this day. His name is Lewis. He taught me how to cook escargot, orange roughy with almonds with lemon butter sauce with white wine. He taught me how to do London Broil and chicken cordon bleu.\u003c/p>\n\u003cfigure id=\"attachment_13938194\" class=\"wp-caption aligncenter\" style=\"max-width: 1294px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13938194\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/11/71ip4o90vZL._SL1500_.jpg\" alt=\"A book cover featuring two Black men. One is wearing an apron and chef's hat and holding up a large meat sandwich. The other is wearing a bucket hat, Death Row Records shirt and white spectacles.\" width=\"1294\" height=\"1500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71ip4o90vZL._SL1500_.jpg 1294w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71ip4o90vZL._SL1500_-800x927.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71ip4o90vZL._SL1500_-1020x1182.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71ip4o90vZL._SL1500_-160x185.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/11/71ip4o90vZL._SL1500_-768x890.jpg 768w\" sizes=\"(max-width: 1294px) 100vw, 1294px\">\u003cfigcaption class=\"wp-caption-text\">‘Snoop Dogg Presents: Goon With the Spoon’ by Snoop Dogg and Earl ‘E-40’ Stevens. \u003ccite>(Chronicle Books)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>How did you and Snoop connect on this cookbook?\u003c/strong>\u003c/p>\n\u003cp>Snoop, that’s my guy. He cooks as well. He was like, “Earl, my book was very successful. I sold over a million copies. It’s a bestseller. Let me present it.”\u003c/p>\n\u003cp>I was like “Snoop, I rock with you. You’re legendary. You’re a good friend of mine. I’ve been knowing you for over 30-plus years. We’re family. Thank you. Let’s do it.”\u003c/p>\n\u003cp>When you put your pride to the side, bigger things happen. He’s got some recipes in there. I got some recipes in there. He’s got adult beverages. I have adult beverages. It only makes sense. We both co-pack. We do the whole thing. Teamwork makes the dream work. It’s enough money out there for all of us.\u003c/p>\n\u003cp>\u003cstrong>You’ve met with Vice President Kamala Harris at the White House, received an honorary doctorate from Grambling State University and had a street named after you in your hometown of Vallejo, California. How has hip-hop impacted your life?\u003c/strong>\u003c/p>\n\u003cp>Shout out to DJ Kool Herc, Grandmaster Flash and the Furious Five, Run-DMC. Those dudes really paved the way for people like myself to diversify our portfolios and find other ways to make financial gain on a legitimate note. This beats the streets. You can make more money here than you could ever in the streets.\u003c/p>\n\u003cp>\u003cstrong>Will you ever release a book with your slang terms?\u003c/strong>\u003c/p>\n\u003cp>If I do the book of slang, it’s going to hurt people’s feelings. Because they think that their favorite rapper made the words up, and it came from me. Or if it didn’t come from me, I got it from the soil — the trenches where most rappers that are from the urban community get their (expletive) from.\u003c/p>\n\u003cp>I’ve been around for more than a half a century. I know all this. I’ve got receipts to back it up. One day, I want to sit down and go word-for-word of all the words I’ve coined. I want to go to the year, the song, everything. I want to ask “Who said it before me?” If they try to lie about it, I’ve got receipts. I was the first rapper screaming “Tycoon.” That’s one of many. “Slappin.” “Choppers.” I’ve got so many of them. Just for that, I’m going to do a book of slang. The real way in 2024 style.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Rule of Thumb: Rule 1’ is out on Nov. 17, 2023. ‘Snoop Dogg Presents: Goon With the Spoon’ by Snoop Dogg and Earl ‘E-40’ Stevens (with Photos by Antonis Achilleos) is out now.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13938193/e-40-goon-with-the-spoon-rule-of-thumb-cookbook-new-album","authors":["byline_arts_13938193"],"programs":["arts_140"],"categories":["arts_1","arts_73","arts_69","arts_75"],"tags":["arts_8505","arts_1601","arts_831","arts_585"],"featImg":"arts_13936795","label":"arts_140"},"arts_13936776":{"type":"posts","id":"arts_13936776","meta":{"index":"posts_1591205157","site":"arts","id":"13936776","score":null,"sort":[1697936103000]},"guestAuthors":[],"slug":"e-40-gets-the-key-to-the-city-of-vallejo-and-a-street-named-in-his-honor","title":"E-40 Gets the Key to the City of Vallejo and a Street Named in His Honor","publishDate":1697936103,"format":"standard","headTitle":"E-40 Gets the Key to the City of Vallejo and a Street Named in His Honor | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>On Saturday, Vallejo Mayor Robert McConnell handed the key to the city to one of its biggest musical icons: E-40.\u003c/p>\n\u003cp>“I didn’t even know anywhere else. I only knew 4 blocks. I was just a ghetto child. I never thought I’d be selling tapes out of the trunk of the car over at M&M liquor to having my \u003cem>own\u003c/em> liquor,” said Earl Stevens, aka E-40, at the ceremony on a stretch of Magazine Street that now bears the honorary street sign E-40 Way. It marks the neighborhood where he was raised and began his chart-topping career.\u003c/p>\n\u003cfigure id=\"attachment_13936795\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13936795 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/E-40-74-MV-KQED.jpg\" alt=\"Earl “E-40” Stevens greets community members after the honorary ceremony on Oct. 21, 2023 in Vallejo, Calif.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-74-MV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-74-MV-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-74-MV-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-74-MV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-74-MV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-74-MV-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-74-MV-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Earl ‘E-40’ Stevens greets community members after the honorary ceremony on Oct. 21, 2023 in Vallejo. \u003ccite>(Michaela Vatcheva for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You can see the type of talent this city has produced over many many decades,” said Mayor McConnell, addressing the crowd of hundreds that gathered for the ceremony. “Continuously when you move throughout the Bay Area and when you live in other cities, you meet people who say ‘I grew up and I lived in Vallejo,’ and they’re very proud of it.”\u003c/p>\n\u003cp>“So we want to acknowledge his success, and more importantly, we want to acknowledge his contributions to the city,” added McConnell.\u003c/p>\n\u003cfigure id=\"attachment_13936788\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13936788 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/E-40-8-MV-KQED.jpg\" alt=\"Vallejo High School cheerleaders perform at Earl “E-40” Stevens’ honorary ceremony on Oct. 21, 2023 in Vallejo, Calif.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-8-MV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-8-MV-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-8-MV-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-8-MV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-8-MV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-8-MV-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-8-MV-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Vallejo High School cheerleaders perform at Earl ‘E-40’ Stevens’ honorary ceremony, with E-40 (right) sitting beside Vallejo Mayor Robert McConnell on stage. \u003ccite>(Michaela Vatcheva for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Oakland-born hip-hop and hyphy artist Mistah F.A.B., master of ceremonies at the event, said E-40 was somebody he grew up idolizing as an artist and as a person.\u003c/p>\n\u003cp>“Today is about being here for somebody that has opened up doors, somebody that has pioneered and championed what it is like to be not only an artist, but to be an entrepreneur, to be a father, to be a friend, to be a family member, to be a great business man,” said Mistah F.A.B., who is also a community organizer, entrepreneur and activist. “I think that you guys are just as proud as we are and we’re happy. … This is a beautiful moment, man.”\u003c/p>\n\u003cfigure id=\"attachment_13936789\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13936789 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/E-40-25-MV-KQED.jpg\" alt=\"Earl “E-40” Stevens’s family members sit in the audience during the honorary ceremony on Oct. 21, 2023 in Vallejo, Calif.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-25-MV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-25-MV-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-25-MV-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-25-MV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-25-MV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-25-MV-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-25-MV-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Earl ‘E-40’ Stevens’s family members sit in the audience during the honorary ceremony. \u003ccite>(Michaela Vatcheva for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>E-40 is a name practically synonymous with \u003ca href=\"http://kqed.org/bayareahiphop\">Bay Area hip-hop\u003c/a>, and he’s enjoyed impressive career longevity rarely seen in rap. He got his start in the late ’80s as a member of The Click, a group that also featured his sister Suga-T, brother D-Shot and cousin B-Legit.\u003c/p>\n\u003cp>Along with peers like Too Short, E-40 set the standard for independent music distribution by selling tapes “out the trunk.” His label Sick Wid It Records later signed a distribution deal with Jive, and The Click’s second album, 1995’s \u003cem>Game Related\u003c/em>, peaked at No. 21.\u003c/p>\n\u003cfigure id=\"attachment_13936794\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13936794 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/E-40-70-MV-KQED.jpg\" alt=\"Earl “E-40” Stevens unveils the sign of the renamed Magazine St, aka E-40 Way, during the honorary ceremony on Oct. 21, 2023 in Vallejo, Calif.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-70-MV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-70-MV-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-70-MV-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-70-MV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-70-MV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-70-MV-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-70-MV-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Earl ‘E-40’ Stevens unveils the sign of the renamed Magazine St, aka E-40 Way, during the honorary ceremony. \u003ccite>(Michaela Vatcheva for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s a good opportunity for the kids that are coming up here, to build something positive for the children coming up in Vallejo,” said Vallejo resident Rosalyn Robinson. “I think it’s a monumental event, giving Vallejo that credit that’s well needed. E-40 has been in the game for four decades, and this celebration is way past.”\u003c/p>\n\u003cp>[aside postID=arts_13935408 hero='https://ww2.kqed.org/app/uploads/sites/2/2023/09/HKGT-part-2-web-image-1020x574.png']In 1993, E-40 launched his solo career with the album \u003cem>Federal\u003c/em> and continued collaborating with members of The Click on hits like 1995’s “Sprinkle Me” featuring Suga-T as his national profile grew. He’s credited with inventing and popularizing many Bay Area slang terms — such as “broccoli” for cannabis, “fasheezy” and “flamboastin’.”\u003c/p>\n\u003cp>E-40’s hit-making streak continued with the 2006 smash “Tell Me When To Go,” which came to define hyphy — the local, hard-partying rap subculture — for the rest of the country. His 2014 song “Choices” became a Golden State Warriors anthem that amped up the team during its championship games.\u003c/p>\n\u003cfigure id=\"attachment_13936792\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13936792 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/E-40-53-MV-KQED.jpg\" alt=\"Earl “E-40” Stevens’s son, Earl Stevens Jr. talks about his father’s legacy during the honorary ceremony on Oct. 21, 2023 in Vallejo, Calif.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-53-MV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-53-MV-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-53-MV-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-53-MV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-53-MV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-53-MV-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-53-MV-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Earl ‘E-40’ Stevens’s son, Earl Stevens Jr. talks about his father’s legacy during the honorary ceremony. \u003ccite>(Michaela Vatcheva for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Dennis Lastra, who grew up next-door to Stevens in his grandmother’s house, said despite all the success and the accomplishments, E-40 was always humble and always made sure to visit them whenever he was in Vallejo.\u003c/p>\n\u003cp>“I’m just so proud of him, man. Because like, just from day one, I seen her struggle as a single mother, and she raised her kids,” said Lastra of Earl Stevens’ mother, who raised him and his siblings as a single parent. “\u003cb>\u003c/b>I give all props to that man. … You feel that gratitude that he has. It’s just humbling to hear that from someone that has achieved so much. … And the hard way, it wasn’t the easy way.”\u003c/p>\n\u003cfigure id=\"attachment_13936791\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13936791 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/E-40-34-MV-KQED.jpg\" alt=\"E-40 Way seen on Oct. 21, 2023 in Vallejo, Calif.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-34-MV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-34-MV-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-34-MV-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-34-MV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-34-MV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-34-MV-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-34-MV-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">E-40 Way in Vallejo. \u003ccite>(Michaela Vatcheva for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In recent years, E-40 collaborated with younger Bay Area artists like P-Lo and national rap stars, including Snoop Dogg, T.I. and Ice Cube. While continuing to make music, he’s shifted his energy toward his philanthropy and liquor and food businesses. He has a forthcoming cookbook with Snoop Dogg, \u003cem>\u003ca href=\"https://www.chroniclebooks.com/products/untitled-snoop-cookbook-2\">Goon With the Spoon\u003c/a>\u003c/em>, out Nov. 14 via Chronicle Books.\u003c/p>\n\u003cfigure id=\"attachment_13936790\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13936790 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/E-40-33-MV-KQED.jpg\" alt=\"Earl “E-40” Stevens speaks during the honorary ceremony on Oct. 21, 2023 in Vallejo, Calif.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-33-MV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-33-MV-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-33-MV-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-33-MV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-33-MV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-33-MV-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-33-MV-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Earl ‘E-40’ Stevens speaks during the honorary ceremony. \u003ccite>(Michaela Vatcheva for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“E-40 is a trailblazer and he’s opened up many doors for young people to walk through,” said Rosalyn Robinson. “He’s very humble, always been humble. He’s always been loyal. And I think it’s important for the kids to see, and it’s important for events like this to keep happening.”\u003c/p>\n\u003cp>\u003cem>KQED’s Attila Pelit contributed to this story.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Vallejo's mayor unveiled E-40 Way on Magazine Street, honoring the neighborhood where the Bay Area rap legend was raised and began his chart-topping career.","status":"publish","parent":0,"modified":1705003199,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":1071},"headData":{"title":"E-40 Gets the Key to the City of Vallejo and a Street Named in His Honor | KQED","description":"Vallejo's mayor unveiled E-40 Way on Magazine Street, honoring the neighborhood where the Bay Area rap legend was raised and began his chart-topping career.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"E-40 Gets the Key to the City of Vallejo and a Street Named in His Honor","datePublished":"2023-10-22T00:55:03.000Z","dateModified":"2024-01-11T19:59:59.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-41c5-bcaf-aaef00f5a073/fc9fa481-8444-4a95-a438-b0a3010342c4/audio.mp3?download=true","sticky":false,"nprByline":"\u003ca>Nastia Voynovskaya\u003c/a>, \u003ca>Billy Cruz\u003c/a>","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13936776/e-40-gets-the-key-to-the-city-of-vallejo-and-a-street-named-in-his-honor","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Saturday, Vallejo Mayor Robert McConnell handed the key to the city to one of its biggest musical icons: E-40.\u003c/p>\n\u003cp>“I didn’t even know anywhere else. I only knew 4 blocks. I was just a ghetto child. I never thought I’d be selling tapes out of the trunk of the car over at M&M liquor to having my \u003cem>own\u003c/em> liquor,” said Earl Stevens, aka E-40, at the ceremony on a stretch of Magazine Street that now bears the honorary street sign E-40 Way. It marks the neighborhood where he was raised and began his chart-topping career.\u003c/p>\n\u003cfigure id=\"attachment_13936795\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13936795 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/E-40-74-MV-KQED.jpg\" alt=\"Earl “E-40” Stevens greets community members after the honorary ceremony on Oct. 21, 2023 in Vallejo, Calif.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-74-MV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-74-MV-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-74-MV-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-74-MV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-74-MV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-74-MV-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-74-MV-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Earl ‘E-40’ Stevens greets community members after the honorary ceremony on Oct. 21, 2023 in Vallejo. \u003ccite>(Michaela Vatcheva for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You can see the type of talent this city has produced over many many decades,” said Mayor McConnell, addressing the crowd of hundreds that gathered for the ceremony. “Continuously when you move throughout the Bay Area and when you live in other cities, you meet people who say ‘I grew up and I lived in Vallejo,’ and they’re very proud of it.”\u003c/p>\n\u003cp>“So we want to acknowledge his success, and more importantly, we want to acknowledge his contributions to the city,” added McConnell.\u003c/p>\n\u003cfigure id=\"attachment_13936788\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13936788 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/E-40-8-MV-KQED.jpg\" alt=\"Vallejo High School cheerleaders perform at Earl “E-40” Stevens’ honorary ceremony on Oct. 21, 2023 in Vallejo, Calif.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-8-MV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-8-MV-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-8-MV-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-8-MV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-8-MV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-8-MV-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-8-MV-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Vallejo High School cheerleaders perform at Earl ‘E-40’ Stevens’ honorary ceremony, with E-40 (right) sitting beside Vallejo Mayor Robert McConnell on stage. \u003ccite>(Michaela Vatcheva for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Oakland-born hip-hop and hyphy artist Mistah F.A.B., master of ceremonies at the event, said E-40 was somebody he grew up idolizing as an artist and as a person.\u003c/p>\n\u003cp>“Today is about being here for somebody that has opened up doors, somebody that has pioneered and championed what it is like to be not only an artist, but to be an entrepreneur, to be a father, to be a friend, to be a family member, to be a great business man,” said Mistah F.A.B., who is also a community organizer, entrepreneur and activist. “I think that you guys are just as proud as we are and we’re happy. … This is a beautiful moment, man.”\u003c/p>\n\u003cfigure id=\"attachment_13936789\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13936789 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/E-40-25-MV-KQED.jpg\" alt=\"Earl “E-40” Stevens’s family members sit in the audience during the honorary ceremony on Oct. 21, 2023 in Vallejo, Calif.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-25-MV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-25-MV-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-25-MV-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-25-MV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-25-MV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-25-MV-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-25-MV-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Earl ‘E-40’ Stevens’s family members sit in the audience during the honorary ceremony. \u003ccite>(Michaela Vatcheva for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>E-40 is a name practically synonymous with \u003ca href=\"http://kqed.org/bayareahiphop\">Bay Area hip-hop\u003c/a>, and he’s enjoyed impressive career longevity rarely seen in rap. He got his start in the late ’80s as a member of The Click, a group that also featured his sister Suga-T, brother D-Shot and cousin B-Legit.\u003c/p>\n\u003cp>Along with peers like Too Short, E-40 set the standard for independent music distribution by selling tapes “out the trunk.” His label Sick Wid It Records later signed a distribution deal with Jive, and The Click’s second album, 1995’s \u003cem>Game Related\u003c/em>, peaked at No. 21.\u003c/p>\n\u003cfigure id=\"attachment_13936794\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13936794 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/E-40-70-MV-KQED.jpg\" alt=\"Earl “E-40” Stevens unveils the sign of the renamed Magazine St, aka E-40 Way, during the honorary ceremony on Oct. 21, 2023 in Vallejo, Calif.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-70-MV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-70-MV-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-70-MV-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-70-MV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-70-MV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-70-MV-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-70-MV-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Earl ‘E-40’ Stevens unveils the sign of the renamed Magazine St, aka E-40 Way, during the honorary ceremony. \u003ccite>(Michaela Vatcheva for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s a good opportunity for the kids that are coming up here, to build something positive for the children coming up in Vallejo,” said Vallejo resident Rosalyn Robinson. “I think it’s a monumental event, giving Vallejo that credit that’s well needed. E-40 has been in the game for four decades, and this celebration is way past.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13935408","hero":"https://ww2.kqed.org/app/uploads/sites/2/2023/09/HKGT-part-2-web-image-1020x574.png","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In 1993, E-40 launched his solo career with the album \u003cem>Federal\u003c/em> and continued collaborating with members of The Click on hits like 1995’s “Sprinkle Me” featuring Suga-T as his national profile grew. He’s credited with inventing and popularizing many Bay Area slang terms — such as “broccoli” for cannabis, “fasheezy” and “flamboastin’.”\u003c/p>\n\u003cp>E-40’s hit-making streak continued with the 2006 smash “Tell Me When To Go,” which came to define hyphy — the local, hard-partying rap subculture — for the rest of the country. His 2014 song “Choices” became a Golden State Warriors anthem that amped up the team during its championship games.\u003c/p>\n\u003cfigure id=\"attachment_13936792\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13936792 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/E-40-53-MV-KQED.jpg\" alt=\"Earl “E-40” Stevens’s son, Earl Stevens Jr. talks about his father’s legacy during the honorary ceremony on Oct. 21, 2023 in Vallejo, Calif.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-53-MV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-53-MV-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-53-MV-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-53-MV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-53-MV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-53-MV-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-53-MV-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Earl ‘E-40’ Stevens’s son, Earl Stevens Jr. talks about his father’s legacy during the honorary ceremony. \u003ccite>(Michaela Vatcheva for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Dennis Lastra, who grew up next-door to Stevens in his grandmother’s house, said despite all the success and the accomplishments, E-40 was always humble and always made sure to visit them whenever he was in Vallejo.\u003c/p>\n\u003cp>“I’m just so proud of him, man. Because like, just from day one, I seen her struggle as a single mother, and she raised her kids,” said Lastra of Earl Stevens’ mother, who raised him and his siblings as a single parent. “\u003cb>\u003c/b>I give all props to that man. … You feel that gratitude that he has. It’s just humbling to hear that from someone that has achieved so much. … And the hard way, it wasn’t the easy way.”\u003c/p>\n\u003cfigure id=\"attachment_13936791\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13936791 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/E-40-34-MV-KQED.jpg\" alt=\"E-40 Way seen on Oct. 21, 2023 in Vallejo, Calif.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-34-MV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-34-MV-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-34-MV-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-34-MV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-34-MV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-34-MV-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-34-MV-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">E-40 Way in Vallejo. \u003ccite>(Michaela Vatcheva for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In recent years, E-40 collaborated with younger Bay Area artists like P-Lo and national rap stars, including Snoop Dogg, T.I. and Ice Cube. While continuing to make music, he’s shifted his energy toward his philanthropy and liquor and food businesses. He has a forthcoming cookbook with Snoop Dogg, \u003cem>\u003ca href=\"https://www.chroniclebooks.com/products/untitled-snoop-cookbook-2\">Goon With the Spoon\u003c/a>\u003c/em>, out Nov. 14 via Chronicle Books.\u003c/p>\n\u003cfigure id=\"attachment_13936790\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13936790 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/10/E-40-33-MV-KQED.jpg\" alt=\"Earl “E-40” Stevens speaks during the honorary ceremony on Oct. 21, 2023 in Vallejo, Calif.\" width=\"2000\" height=\"1334\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-33-MV-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-33-MV-KQED-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-33-MV-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-33-MV-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-33-MV-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-33-MV-KQED-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/E-40-33-MV-KQED-1920x1281.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Earl ‘E-40’ Stevens speaks during the honorary ceremony. \u003ccite>(Michaela Vatcheva for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“E-40 is a trailblazer and he’s opened up many doors for young people to walk through,” said Rosalyn Robinson. “He’s very humble, always been humble. He’s always been loyal. And I think it’s important for the kids to see, and it’s important for events like this to keep happening.”\u003c/p>\n\u003cp>\u003cem>KQED’s Attila Pelit contributed to this story.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13936776/e-40-gets-the-key-to-the-city-of-vallejo-and-a-street-named-in-his-honor","authors":["byline_arts_13936776"],"categories":["arts_1","arts_69","arts_235"],"tags":["arts_1331","arts_8505","arts_1601","arts_10278","arts_10422","arts_16372","arts_831","arts_11439","arts_6975","arts_14988","arts_3478","arts_3800"],"featImg":"arts_13936796","label":"arts"},"arts_13932488":{"type":"posts","id":"arts_13932488","meta":{"index":"posts_1591205157","site":"arts","id":"13932488","score":null,"sort":[1697831410000]},"guestAuthors":[],"slug":"e-40-way-magazine-street-renamed-vallejo","title":"'E-40 Way' To Be Unveiled in Vallejo as City Honors Famed Rapper","publishDate":1697831410,"format":"standard","headTitle":"‘E-40 Way’ To Be Unveiled in Vallejo as City Honors Famed Rapper | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003cem>\u003cstrong>Update\u003c/strong>: The public unveiling of E-40 Way is scheduled for Saturday, Oct. 21, from 10 a.m. to noon, at the corner of Del Sur and Magazine Streets in Vallejo, just outside E-40’s childhood home. City leaders will read a proclamation and issue a key to the city for the sign unveiling ceremony. \u003c/em>\u003c/p>\n\u003cp>In 2015, Earl Stevens — better known around the soil as rapper E-40 — released “Magazine Street” on his album \u003cem>Poverty and Prosperity\u003c/em>. And as anyone who’s listened to the linguistic fabricator throughout his multi-decade career knows, it’s impossible to list the amount of times Magazine Street has been mentioned in his music.\u003c/p>\n\u003cp>So it’s only right that the city of Vallejo will dedicate nearly a mile of the major thoroughfare to the \u003ca href=\"https://www.kqed.org/arts/13907726/e-40-goon-with-the-spoon-bay-area-rappers-food-entrepreneurs-hustle\">entrepreneurial\u003c/a> rap mogul by renaming it “E-40 Way.” \u003c/p>\n\u003cp>[aside postID='arts_13927874']The decision was unanimous among Vallejo’s City Council members in July. Though the city will keep its Magazine Street signs, additional signage indicating “E-40 Way” will be added for a one-mile stretch in southern Vallejo, between Laurel St. and Old Glen Cove Road. It will run through Beverly Hills, the neighborhood where E-40 grew up with his mother and three siblings.\u003c/p>\n\u003cp>The decision comes 30 years after Stevens released \u003cem>Federal\u003c/em>, his first studio album, which documented life in “the V” and helped pioneer an entirety new subgenre of rapping about street life in Northern California. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Naming streets after influential rappers has of late become a rite of passage in the Bay Area, with \u003ca href=\"https://www.kqed.org/arts/13922616/too-short-way-street-sign-unveiled-oakland\">East Oakland recently honoring Todd “Too Short” Shaw with his own strip of pavement\u003c/a> along Foothill Boulevard and 2Pac posthumously receiving a “\u003ca href=\"https://www.kqed.org/arts/13929233/tupac-shakur-street-oakland-tupac-shakur-way\">Tupac Shakur Way\u003c/a>” commemoration on Oakland’s MacArthur Boulevard. The addition of “E-40 Way” only further cements the influential role rappers have played in our region’s cultural landscape.\u003c/p>\n\u003cp>[aside postID='arts_13907726']For a genre of music known for street credibility, Stevens has always garnered respected among his peers. He’s also an advocate known for his community work, philanthropy and mentorship of younger artists — factors presented before the vote took place at July city council meeting.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This article originally published on Aug. 1, 2023. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"A mile-long stretch of Magazine Street in Vallejo will be renamed 'E-40 Way' on Saturday, Oct. 21.","status":"publish","parent":0,"modified":1705003200,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":396},"headData":{"title":"'E-40 Way' To Be Unveiled in Vallejo as City Honors Famed Rapper | KQED","description":"A mile-long stretch of Magazine Street in Vallejo will be renamed 'E-40 Way' on Saturday, Oct. 21.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"'E-40 Way' To Be Unveiled in Vallejo as City Honors Famed Rapper","datePublished":"2023-10-20T19:50:10.000Z","dateModified":"2024-01-11T20:00:00.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13932488/e-40-way-magazine-street-renamed-vallejo","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Update\u003c/strong>: The public unveiling of E-40 Way is scheduled for Saturday, Oct. 21, from 10 a.m. to noon, at the corner of Del Sur and Magazine Streets in Vallejo, just outside E-40’s childhood home. City leaders will read a proclamation and issue a key to the city for the sign unveiling ceremony. \u003c/em>\u003c/p>\n\u003cp>In 2015, Earl Stevens — better known around the soil as rapper E-40 — released “Magazine Street” on his album \u003cem>Poverty and Prosperity\u003c/em>. And as anyone who’s listened to the linguistic fabricator throughout his multi-decade career knows, it’s impossible to list the amount of times Magazine Street has been mentioned in his music.\u003c/p>\n\u003cp>So it’s only right that the city of Vallejo will dedicate nearly a mile of the major thoroughfare to the \u003ca href=\"https://www.kqed.org/arts/13907726/e-40-goon-with-the-spoon-bay-area-rappers-food-entrepreneurs-hustle\">entrepreneurial\u003c/a> rap mogul by renaming it “E-40 Way.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13927874","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The decision was unanimous among Vallejo’s City Council members in July. Though the city will keep its Magazine Street signs, additional signage indicating “E-40 Way” will be added for a one-mile stretch in southern Vallejo, between Laurel St. and Old Glen Cove Road. It will run through Beverly Hills, the neighborhood where E-40 grew up with his mother and three siblings.\u003c/p>\n\u003cp>The decision comes 30 years after Stevens released \u003cem>Federal\u003c/em>, his first studio album, which documented life in “the V” and helped pioneer an entirety new subgenre of rapping about street life in Northern California. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Naming streets after influential rappers has of late become a rite of passage in the Bay Area, with \u003ca href=\"https://www.kqed.org/arts/13922616/too-short-way-street-sign-unveiled-oakland\">East Oakland recently honoring Todd “Too Short” Shaw with his own strip of pavement\u003c/a> along Foothill Boulevard and 2Pac posthumously receiving a “\u003ca href=\"https://www.kqed.org/arts/13929233/tupac-shakur-street-oakland-tupac-shakur-way\">Tupac Shakur Way\u003c/a>” commemoration on Oakland’s MacArthur Boulevard. The addition of “E-40 Way” only further cements the influential role rappers have played in our region’s cultural landscape.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13907726","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>For a genre of music known for street credibility, Stevens has always garnered respected among his peers. He’s also an advocate known for his community work, philanthropy and mentorship of younger artists — factors presented before the vote took place at July city council meeting.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This article originally published on Aug. 1, 2023. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13932488/e-40-way-magazine-street-renamed-vallejo","authors":["11748"],"categories":["arts_1","arts_69"],"tags":["arts_1601","arts_3800"],"featImg":"arts_13840958","label":"arts"},"arts_13935891":{"type":"posts","id":"arts_13935891","meta":{"index":"posts_1591205157","site":"arts","id":"13935891","score":null,"sort":[1697218467000]},"guestAuthors":[],"slug":"p-lo-senor-sisig-filipino-food-tour-oakland","title":"Señor Sisig Is Hosting This Filipino Rapper’s ‘Very Good Food Tour’ in Oakland","publishDate":1697218467,"format":"standard","headTitle":"Señor Sisig Is Hosting This Filipino Rapper’s ‘Very Good Food Tour’ in Oakland | KQED","labelTerm":{},"content":"\u003cp>\u003cspan style=\"font-weight: 400\">P-P-\u003ca href=\"https://www.kqed.org/arts/tag/p-lo\">P-Lo\u003c/a>, \u003c/span>\u003cspan style=\"font-weight: 400\">time to bring the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">taste\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> back\u003c/span>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Okay, that’s not an actual bar from a \u003c/span>\u003cspan style=\"font-weight: 400\">P-Lo\u003c/span>\u003cspan style=\"font-weight: 400\"> track. But it should be after the Filipino rapper and producer announced his own “Very Good Food Tour.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I’m pulling up around the country as we celebrate Filipino American History Month, and supporting small businesses,” P-Lo \u003c/span>\u003ca href=\"https://twitter.com/p_lo/status/1709035954156290326\">\u003cspan style=\"font-weight: 400\">tweeted out\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> at the start of October. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With eight stops around North America — including Los Angeles, New York and Toronto — the roving series will highlight Filipino eateries in each community while providing music and merch for a family-friendly affair. Each location will also include a meet-and-greet with the Fil Am artist, who \u003c/span>recently finished touring for his fourth studio album, \u003cem>STUNNA\u003c/em>, and \u003cspan style=\"font-weight: 400\">has always shown an affinity for \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=lJYkVcpM6E0\">\u003cspan style=\"font-weight: 400\">his favorite food destinations.\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">His latest culinary journey will begin in Southern California, where the rapper now resides. But his third stop will be \u003c/span>\u003ca href=\"https://www.instagram.com/senorsisig/?hl=en\">\u003cspan style=\"font-weight: 400\">Señor Sisig\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, at the regional Filipino chain’s splashy Oakland expansion that \u003c/span>\u003ca href=\"https://www.sfgate.com/food/article/senor-sisig-opens-oakland-cantina-17902448.php\">\u003cspan style=\"font-weight: 400\">opened earlier this year\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Señor Sisig might be the most popular Pinoy food brand in the Bay — it started out as a food truck in 2010 and was eventually \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=ErG-hLnDzSI\">\u003cspan style=\"font-weight: 400\">featured in a Mercedes-Benz commercial starring a hungry Klay Thompson.\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> So it makes an ideal partner for the star-powered P-Lo, who already has a history with the business: They released a limited edition \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=oP8EmxoREUc\">\u003cspan style=\"font-weight: 400\">P-Lo ‘Rito\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> (a California burrito with sweet longanisa, fried egg and habanero salsa) in 2021, and he \u003c/span>\u003ca href=\"https://www.instagram.com/p/Cr_O_ivO36E/\">\u003cspan style=\"font-weight: 400\">remixed his “Same Squad” song with a Señor Sisig theme\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> this past summer.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=oP8EmxoREUc\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“It’s all part of what we feel brings people together in this world — food and music,” says Evan Kidera, the CEO and co-founder of Señor Sisig. “We’re all born and raised in the Bay, we rep the Bay, it’s an alignment of what we do in building our brands that people in the Bay gravitate towards. So why not put those pillars together and shine that light for others to come and enjoy?”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The menu items featured throughout P-Lo’s tour will change depending on the venue. This Señor Sisig stop will be especially worthwhile since it’s the homegrown Pinole rapper’s only Bay Area destination. Just like any worthwhile collaboration (see: \u003c/span>\u003ca href=\"https://www.kqed.org/search?q=e-40&site=all\">\u003cspan style=\"font-weight: 400\">E-40\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and Alex Retodo’s \u003c/span>\u003ca href=\"https://www.instagram.com/thelumpiacompany/?hl=en\">\u003cspan style=\"font-weight: 400\">The Lumpia Company\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, which teamed up with Señor Sisig earlier this year to serve an Oakland-exclusive pork sisig lumpia), P-Lo will be adding his own sauce to Sisig’s recipe: sinigang wings with a spicy twist. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13863559\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863559\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/08/MG_6288-800x533.jpg\" alt=\"P-Lo at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6288.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6288-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6288-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">The event will also include a special cocktail and the premiere of a pre-recorded “\u003c/span>\u003ca href=\"https://www.kqed.org/arts/tag/tiny-desk-concert\">\u003cspan style=\"font-weight: 400\">Tiny Desk\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> style” video of P-Lo performing his hit songs in-store.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">P-Lo’s timing couldn’t be better. His “Very Good Food Tour” is part of a larger tsunami wave of \u003ca href=\"https://www.kqed.org/arts/tag/filipino-food\">Filipino American foodmakers\u003c/a> who have dominated the national food circuit with an array of \u003ca href=\"https://www.kqed.org/arts/13929263/ube-choco-taco-macs-by-icky-filipino-union-city\">ube-infused treats\u003c/a> and \u003ca href=\"https://www.youtube.com/shorts/ylmwBgb8_8U?app=desktop\">adobo-drenched dishes\u003c/a> lately.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13929263,arts_13932574,arts_13933283']“It’s pretty obvious that there’s a Filipino food influence everywhere now,” Kidera says. “When we first opened in 2010, there really wasn’t much else besides traditional, family-owned Filipino spots that were serving pinuneg\u003c/span> \u003cspan style=\"font-weight: 400\">[blood sausage]. I love those spots religiously, but you couldn’t just go out and get anything like Señor Sisig and other Filipino foods for younger generations and non-Filipinos. Thai, Japanese, Chinese — they’ve all had food movements and hit their popularity. But Filipino food wasn’t really one of those, and now we’re growing to get to that point.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It seems they’ve officially made it now. To be sure, whether you’re attending this particular function for Sisig’s eats or P-Lo’s beats, the Filipino food will be smacking and the Bay Area music will be slapping.\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.instagram.com/p_lo/?hl=en\">P-Lo’\u003c/a>s “Very Good Food Tour” will have its Bay Area stop at Señor Sisig (330 17th St., Oakland) on Sat., Oct. 21 from 4 to 7 p.m. The event is free to attend with \u003c/span>\u003c/i>\u003ca href=\"https://www.eventbrite.com/e/p-lo-presents-the-very-good-food-tour-oakland-tickets-727733880627\">\u003ci>\u003cspan style=\"font-weight: 400\">online RSVP\u003c/span>\u003c/i>\u003c/a>\u003ci>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"P-Lo’s Bay Area food event will feature music, cocktails and sinigang chicken wings.","status":"publish","parent":0,"modified":1705003237,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":777},"headData":{"title":"Señor Sisig Is Hosting P-Lo's Filipino Food Tour in Oakland | KQED","description":"P-Lo’s Bay Area food event will feature music, cocktails and sinigang chicken wings.","ogTitle":"Señor Sisig Is Hosting This Filipino Rapper’s ‘Very Good Food Tour’ in Oakland","ogDescription":"","ogImgId":"","twTitle":"Señor Sisig Is Hosting This Filipino Rapper’s ‘Very Good Food Tour’ in Oakland","twDescription":"","twImgId":"","socialTitle":"Señor Sisig Is Hosting P-Lo's Filipino Food Tour in Oakland %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Señor Sisig Is Hosting This Filipino Rapper’s ‘Very Good Food Tour’ in Oakland","datePublished":"2023-10-13T17:34:27.000Z","dateModified":"2024-01-11T20:00:37.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Food","sourceUrl":"https://www.kqed.org/food","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13935891/p-lo-senor-sisig-filipino-food-tour-oakland","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">P-P-\u003ca href=\"https://www.kqed.org/arts/tag/p-lo\">P-Lo\u003c/a>, \u003c/span>\u003cspan style=\"font-weight: 400\">time to bring the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">taste\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> back\u003c/span>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Okay, that’s not an actual bar from a \u003c/span>\u003cspan style=\"font-weight: 400\">P-Lo\u003c/span>\u003cspan style=\"font-weight: 400\"> track. But it should be after the Filipino rapper and producer announced his own “Very Good Food Tour.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I’m pulling up around the country as we celebrate Filipino American History Month, and supporting small businesses,” P-Lo \u003c/span>\u003ca href=\"https://twitter.com/p_lo/status/1709035954156290326\">\u003cspan style=\"font-weight: 400\">tweeted out\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> at the start of October. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With eight stops around North America — including Los Angeles, New York and Toronto — the roving series will highlight Filipino eateries in each community while providing music and merch for a family-friendly affair. Each location will also include a meet-and-greet with the Fil Am artist, who \u003c/span>recently finished touring for his fourth studio album, \u003cem>STUNNA\u003c/em>, and \u003cspan style=\"font-weight: 400\">has always shown an affinity for \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=lJYkVcpM6E0\">\u003cspan style=\"font-weight: 400\">his favorite food destinations.\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">His latest culinary journey will begin in Southern California, where the rapper now resides. But his third stop will be \u003c/span>\u003ca href=\"https://www.instagram.com/senorsisig/?hl=en\">\u003cspan style=\"font-weight: 400\">Señor Sisig\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, at the regional Filipino chain’s splashy Oakland expansion that \u003c/span>\u003ca href=\"https://www.sfgate.com/food/article/senor-sisig-opens-oakland-cantina-17902448.php\">\u003cspan style=\"font-weight: 400\">opened earlier this year\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Señor Sisig might be the most popular Pinoy food brand in the Bay — it started out as a food truck in 2010 and was eventually \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=ErG-hLnDzSI\">\u003cspan style=\"font-weight: 400\">featured in a Mercedes-Benz commercial starring a hungry Klay Thompson.\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> So it makes an ideal partner for the star-powered P-Lo, who already has a history with the business: They released a limited edition \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=oP8EmxoREUc\">\u003cspan style=\"font-weight: 400\">P-Lo ‘Rito\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> (a California burrito with sweet longanisa, fried egg and habanero salsa) in 2021, and he \u003c/span>\u003ca href=\"https://www.instagram.com/p/Cr_O_ivO36E/\">\u003cspan style=\"font-weight: 400\">remixed his “Same Squad” song with a Señor Sisig theme\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> this past summer.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oP8EmxoREUc'\n title='//www.youtube.com/embed/oP8EmxoREUc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“It’s all part of what we feel brings people together in this world — food and music,” says Evan Kidera, the CEO and co-founder of Señor Sisig. “We’re all born and raised in the Bay, we rep the Bay, it’s an alignment of what we do in building our brands that people in the Bay gravitate towards. So why not put those pillars together and shine that light for others to come and enjoy?”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The menu items featured throughout P-Lo’s tour will change depending on the venue. This Señor Sisig stop will be especially worthwhile since it’s the homegrown Pinole rapper’s only Bay Area destination. Just like any worthwhile collaboration (see: \u003c/span>\u003ca href=\"https://www.kqed.org/search?q=e-40&site=all\">\u003cspan style=\"font-weight: 400\">E-40\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and Alex Retodo’s \u003c/span>\u003ca href=\"https://www.instagram.com/thelumpiacompany/?hl=en\">\u003cspan style=\"font-weight: 400\">The Lumpia Company\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, which teamed up with Señor Sisig earlier this year to serve an Oakland-exclusive pork sisig lumpia), P-Lo will be adding his own sauce to Sisig’s recipe: sinigang wings with a spicy twist. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13863559\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13863559\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/08/MG_6288-800x533.jpg\" alt=\"P-Lo at Outside Lands music festival in San Francisco, Aug. 9, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6288.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6288-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/MG_6288-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">P-Lo at Outside Lands music festival in San Francisco, Aug. 9, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">The event will also include a special cocktail and the premiere of a pre-recorded “\u003c/span>\u003ca href=\"https://www.kqed.org/arts/tag/tiny-desk-concert\">\u003cspan style=\"font-weight: 400\">Tiny Desk\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> style” video of P-Lo performing his hit songs in-store.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">P-Lo’s timing couldn’t be better. His “Very Good Food Tour” is part of a larger tsunami wave of \u003ca href=\"https://www.kqed.org/arts/tag/filipino-food\">Filipino American foodmakers\u003c/a> who have dominated the national food circuit with an array of \u003ca href=\"https://www.kqed.org/arts/13929263/ube-choco-taco-macs-by-icky-filipino-union-city\">ube-infused treats\u003c/a> and \u003ca href=\"https://www.youtube.com/shorts/ylmwBgb8_8U?app=desktop\">adobo-drenched dishes\u003c/a> lately.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13929263,arts_13932574,arts_13933283","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“It’s pretty obvious that there’s a Filipino food influence everywhere now,” Kidera says. “When we first opened in 2010, there really wasn’t much else besides traditional, family-owned Filipino spots that were serving pinuneg\u003c/span> \u003cspan style=\"font-weight: 400\">[blood sausage]. I love those spots religiously, but you couldn’t just go out and get anything like Señor Sisig and other Filipino foods for younger generations and non-Filipinos. Thai, Japanese, Chinese — they’ve all had food movements and hit their popularity. But Filipino food wasn’t really one of those, and now we’re growing to get to that point.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It seems they’ve officially made it now. To be sure, whether you’re attending this particular function for Sisig’s eats or P-Lo’s beats, the Filipino food will be smacking and the Bay Area music will be slapping.\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">\u003ca href=\"https://www.instagram.com/p_lo/?hl=en\">P-Lo’\u003c/a>s “Very Good Food Tour” will have its Bay Area stop at Señor Sisig (330 17th St., Oakland) on Sat., Oct. 21 from 4 to 7 p.m. The event is free to attend with \u003c/span>\u003c/i>\u003ca href=\"https://www.eventbrite.com/e/p-lo-presents-the-very-good-food-tour-oakland-tickets-727733880627\">\u003ci>\u003cspan style=\"font-weight: 400\">online RSVP\u003c/span>\u003c/i>\u003c/a>\u003ci>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13935891/p-lo-senor-sisig-filipino-food-tour-oakland","authors":["11748"],"programs":["arts_140"],"categories":["arts_1","arts_12276"],"tags":["arts_1601","arts_2855","arts_14183","arts_1297","arts_16375","arts_1803","arts_585"],"featImg":"arts_13936382","label":"source_arts_13935891"},"arts_13935408":{"type":"posts","id":"arts_13935408","meta":{"index":"posts_1591205157","site":"arts","id":"13935408","score":null,"sort":[1695895252000]},"guestAuthors":[],"slug":"hyphy-kids-got-trauma-pt-2-we-dance-different","title":"Hyphy Kids Got Trauma Pt. 2, ‘We Dance Different’","publishDate":1695895252,"format":"audio","headTitle":"Hyphy Kids Got Trauma Pt. 2, ‘We Dance Different’ | KQED","labelTerm":{"term":8720,"site":"arts"},"content":"\u003cp>\u003ca href=\"#episode-transcript\">\u003cspan style=\"font-weight: 400\">\u003ci>View the full episode transcript.\u003c/i>\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the spring of 2006, I filmed and posted a video to Youth Radio’s YouTube page titled “\u003ca href=\"https://www.youtube.com/watch?v=zdst63FWSCs\">Stomper Go Dumb\u003c/a>.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The video shows the Oakland A’s mascot, a big plush elephant in a baseball jersey and hat, dancing to a song titled “Happy To Be Here,” off of E-40’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">My Ghetto Report Card\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> album. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">E-40 delivers lyrics that speak of surviving hard times and losing loved ones along the way. As the music plays, Stomper glides through the parking lot, dancing with the people, one with the letters “RIP” airbrushed on their shirt. A few folks hug each other and smile. This video clip, only a minute in length, is a window into a world where dance and jubilation meet mourning and sadness.\u003c/span>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title='Youth Radio: Stomper \"Go Dumb\"' width=\"500\" height=\"375\" src=\"https://www.youtube.com/embed/zdst63FWSCs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Before the “hyphy movement,” and even prior to having its own name, the style of dance now commonly known as turfin’ or\u003c/span>\u003ca href=\"https://www.kqed.org/arts/13932887/turf-dancing-oakland-street-dance\"> \u003cspan style=\"font-weight: 400\">turf dancing\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> provided an outlet for young folks in Oakland. They could party to their favorite music, have fun by physically telling stories, and express themselves while\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> taking up room on the floor\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Through appearances in big-time music videos and participation in dance battles at places like Deep East Oakland’s Youth Uprising Center, young folks not only got to show their moves — they were also able to honor their deceased loved ones.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In this episode, we talk to \u003ca href=\"https://www.instagram.com/turfinentertainment/?igshid=MzRlODBiNWFlZA%3D%3D\" target=\"_blank\" rel=\"noopener\">Jeriel Bey\u003c/a>, the person credited with coining the term “turfin’,” \u003ca href=\"https://www.instagram.com/jackyj510/\" target=\"_blank\" rel=\"noopener\">Jacky Johnson\u003c/a>, a founding Youth Uprising staff member, and \u003ca href=\"https://www.instagram.com/zeusdadunka/\" target=\"_blank\" rel=\"noopener\">Jesus El, \u003c/a>my longtime friend and a well-known turf dancer. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13935479\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13935479\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-800x623.jpg\" alt=\"Jeriel Bey teaches Turf Dancing classes at Berkeley High School in 2007.\" width=\"800\" height=\"623\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-800x623.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-1020x795.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-160x125.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-768x599.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-1536x1197.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-2048x1596.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-1920x1496.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jeriel Bey teaches turf dancing classes at Berkeley High School in 2007. \u003ccite>(Carlos Avila Gonzalez/San Francisco Chronicle/Getty Images )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC4775019711&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003cb>Pendarvis Harshaw, Host: \u003c/b>\u003cspan style=\"font-weight: 400\">Heads up, this podcast contains explicit language.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the spring of 2006, there was this video posted on Youtube titled “Stomper Go Dumb.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[chatter, shouting, and cheering from the Stomper Go Dumb video]\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The clip is less than a minute long, but it shows something that’s really important. It’s shot in a parking lot. It’s Stomper, the Oakland A’s mascot– a big gray plush elephant in white pants and a forest green and gold baseball jersey. And he’s out there giggin’ to an E-40 song. Ears flapping, feet sliding, arms waving, Stomper is in full party mode, and so are the folks around him. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Behind the camera is me. In the footage, Stomper gets close to the camera, daps me up, then he proceeds to glide across the pavement, pausing momentarily to act as if he’s ghostriding the whip, and then he thizz dances. Another guy in an airbrushed white-t stands next to him, giggin’ as well. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The guy’s shirt has the letters RIP boldly written next to an illegible name. And they’re all dancing to E-40’s “Happy to Be Here.” \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Happy to be Here by E-40 plays]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The track is off of 40’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">My Ghetto Report Card \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">album, one of the few slower tracks off of his landmark project, which is chock full of high energy party anthems. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But in that moment, as we’re posted in front of E-40’s album release party at Tower Records, it’s this song that plays as the A’s mascot is showing off his gigs. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">People are dancing and laughing, embracing each other and celebrating, despite having the letters RIP and their friends’ names written across their chest. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Happy to be Here by E-40 fades in]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">“Oooh; it’s gloomy out here, dark days ahead\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">God got my back but the devil he want my head”\u003c/span>\u003c/i>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">After I shot the video, I posted it to the YouTube page for Youth Radio, now known as YR Media. I was a baby reporter working with them at the time.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And with this video racking up half a million views, and hella people using this footage as GIFs on social media platforms, it was clear that I’d documented something significant. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Deeper than a dancing elephant, it was a window into the culture. I’m Pendarvis Harshaw, and this is Hyphy Kids Got Trauma. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">In that video of Stomper dancing to an E-40 song, the mascot does a few more dance moves, and then gives an extended embrace to a brotha with cornrows in a black leather jacket. The person inside the Stomper mascot outfit is saying what’s up to my right hand man, Jesus El, Zeus as we call him.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">He’s just a couple inches taller than me, born exactly three weeks before me, and we’re a lot alike. We’re socialites; neither of us can stay away from a party. Oakland proud, we both love the town and constantly get caught up in our own thoughts about how to save it – and the world, for that matter.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">While I chose to sit down and write for a living, Zeus chose to fly. A trained gymnast, for over a decade he worked for the NBA, majority of that time was with the Golden State Warriors as an acro-dunker. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[hip-hop music echoes inside of stadium with a cheering crowd]\u003c/span>\u003c/i>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">That means that at halftime of a game he’d come out with his crew – the Warriors’ Team Thunder dunk team – and run across the court, bounce off a trampoline, elevate higher than the rim, catch the ball mid-air, wink at the camera, and then dunk the ball before safely returning to earth. Outside of that, he’s also a well-known dancer from West Oakland. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> I got this photo in my text message today. What’s going on here?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El, guest: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh, man, that’s crazy. That’s a throwback. So this photo is of me dancing at Youth Uprising in a dance battle. Uh, and I look super young and skinny.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">We grew up in different parts of the Town, and met during a 7th grade summer program– cracking jokes on the back of the bus. And after twenty-plus years, we haven’t stopped cracking jokes since. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The jordans – are those the fake Jordans we got? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">I think those was the fake Jordans.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The fake Jordans.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yours was fakers than mine though.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Faker? How they– if they fake, they fake. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">If they fake they fake, but yours… your Jordan had buttcheeks. Remember that?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">He was facing the wrong way.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">He was facing the wrong way and he had the buttcheeks showing. Mine, I could at least, you know, well I was getting away with it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You just gotta pull the jeans down.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">I had to pull the jeans– yeah, I had to wear the big jeans over him.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003cb>\u003ci> \u003c/i>\u003c/b>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Back in ‘06 we were broke community college students taking classes at Laney in Oakland. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Zeus had dreams of becoming an NBA mascot, and was simultaneously developing his own acro-dunking team. I was focused on doing journalism, and had just got accepted to Howard University. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So while I was spending the year getting ready for college on the east coast and getting my journalism chops up, Zeus was building his own legacy, both in the Town and around the globe. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">I’ve been to China ten times, been to Italy, um, Rome, Japan, Dubai, Abu Dhabi, Mexico…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">He adds England, Budapest, and all of North America. He’s performed for Ripley’s Believe It or Not, holds a couple Guinness World Records, and in 2005 he performed in front of some of the biggest names in the business at the NBA All Star game in Denver, Colorado.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">I met Destiny’s Child. They like, room was right next door to ours. Jay-Z, Chris Tucker, we met so many different people…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Zeus got his start after being mentored by the late Sadiki Fuller, the guy who wore the Thunder mascot costume for the Golden State Warriors. And that’s how Zeus got to know other mascots– like Stomper. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But Zeus’ main inspiration came from superheroes in movies and television shows. In his own way, Zeus was a superhero when he was on the court. And just like any superhero, he’d be treated differently when he took the cape, or um, uniform off. He would leave the old Warriors arena in East Oakland and he’d transition, like Superman to Clark Kent. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El:\u003c/b>\u003cspan style=\"font-weight: 400\"> I had times where I’m having the day of my life. Like, I just did a new dunk, I’m the first person to do it. I do it in front of people. I make it. I’m feeling like on cloud nine…\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Jesus El:\u003c/b>\u003cspan style=\"font-weight: 400\"> …and then I get back, you know everybody leaving the BART, and uh people don’t have to notice me—I’m not tripping off of that. But then, you know, people clutching they purse or, you know, like, just trying to, like, stand away from me, you know what I mean. I’m like, bruh, you was just clapping for me.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El:\u003c/b>\u003cspan style=\"font-weight: 400\"> Just like that, you was just clapping for me, and now I’m just another nigga that may bring harm your way and that’s trauma within itself.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">There’s trauma in that duality of physically showing joy, and being celebrated and then getting hit with the weight of reality. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In order to escape it, Zeus would literally leave. He found solace in seeing the world. But despite the freedom he felt traveling back then, Zeus knew he had to keep his stories close to the chest because of how smirkish people can be. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">I remember just traveling like, I mean, soon as, aw man, soon as I touch that airplane: Oakland is in Oakland. I’m going global, I’m out. Right?\u003c/span> \u003cspan style=\"font-weight: 400\">And then when I come home, I have to pretend like I’m not that person.\u003c/span>\u003cb> \u003c/b>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You gotta dumb it down? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">I gotta dumb it down all the time. Because, one, people… people who speak too highly of themselves are typically the ones who end up shot first, right? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">They typically the ones that people target. It could be jealousy. It could be hate. It could be all kind of stuff. But people who… sometimes you got to just stay under the radar to survive. That’s how we survived this long.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> As confining as that might seem, it was kind of the code, still is. The Town is a place where you gotta stay low even as you come up. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But on the contrary, Zeus was getting his limelight on the hoop courts. And outside of that, he was cutting up on the dancefloor– that’s where he really escaped, specifically, through the art of turf dancing.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El:\u003c/b>\u003cspan style=\"font-weight: 400\"> Turf Dancing is an acronym called Taking Up Room on the Floor that was coined by Jeriel Bey. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So turf dancing, it’s a style of dance that derives from Oakland. And it’s storytelling and it’s certain moves that you do, but it’s storytelling. It’s waving, gliding, all of that but it’s a certain swag that comes with it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But before it was even called turfing, it was called hitting it or touching it or fucking wit it. Like, ‘fuck wit it bruh’, ya know what im saying? \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Jeriel Bey, raised between Oakland and LA, is a marketing minded brother who had turf dancing, lightweight, land on his doorstep.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey, guest: \u003c/b>\u003cspan style=\"font-weight: 400\">They know me as the godfather of turf dancing. I coined the phrase, a lot of people are like ‘you didn’t coin the phrase!’ But you know coining is something you use before anybody else use it. So I used it in both, in print and on my fliers, you know, my events, you know, just… I knew long ago just from having a lot of internships that, you know, you brand yourself, you know how to brand myself. So I definitely am known for that.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Jeriel was a party promoter, who was living in West Oakland and that’s where, two young dudes from the neighborhood, Demtrius Zeigler and Cory Johnson AKA Scooby, would hang around his house.\u003c/span>\u003cb> \u003c/b>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey:\u003c/b>\u003cspan style=\"font-weight: 400\"> Those are the two first kids I met and then those two kids brought every other kid around me. You know, these kids, like, 14, 15, with sawed off shotguns in their backpacks. Like, bad but good kids, they just needed some focus. And the only thing they all knew that they all knew how to do was dance. Guns, and money, drugs and all, they all was coming in front of the house, dancing with me. And so my thing was like, okay, I got to give back and give ’em something to do.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The dance sessions brought about dope moves, clean gigs and hyped reactions. The problem was: the dance they were doing didn’t really have a name. There were notable moves: the drop, the airwalk, the old school Brookfield. But the overall dance style was kinda just a part of Oakland culture. That’s how we moved. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And, at the same time, the terms folks were using to describe the dance style weren’t exactly marketable to the venues Jeriel was looking to work with. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey: \u003c/b>\u003cspan style=\"font-weight: 400\">I was like man, I can’t sell this as ‘fucking with it’ or ‘giggin’. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">So Jeriel started brainstorming, and during a conversation with one of his cousins, it all clicked. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey: \u003c/b>\u003cspan style=\"font-weight: 400\">Man, I got these youngstas in front of the house, you remember Demetrius and Scooby? They be ‘fuckin wit it’ and shit, you know, they all be dance differently: the East Oakland, the West Oakland, you know? They all dance different. Like I said, like different turfs and they all dance different…Man, how does turf dancing sound? He was like, ‘Oh, yeah, that’s it. That’s, that’s it right there!’ \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so that’s what it was. Everywhere the little homies was going, ‘What ya’ll doing?’ We turf dancing, we turf dancing. And that’s how it stuck. Even when I did community events in the City, I made sure they put it on the fliers, we turf dancing. We’re not “hyphy dancers,” hyphy was kind of like the energy, the spirit, the movement. But, you know, turfing is how we was able to separate ourselves from the energy, you know, we was turf dancing. We wasn’t hyphy dancing. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Turf dancing – a mixture of boogaloo, poplock, pantomime, and being player while moving on beat – was something different than just going 18 dummy like some might imagine when we’re talking “hyphy” dancing. I mean, that was a part of it, but it was deeper than just shaking yo’ dreads. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Echo of E-40 saying “Shake them dreads.”]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> It was a world of Bay Area storytelling through dance, complete with signature moves from certain neighborhoods. Hence the name “turf” dancing. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And people would dance everywhere, at the bus stop, the house party, The candy shop – which was this fake-teenager-club-function thing that didn’t serve alcohol but was somehow still full of faded teenagers. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We hit it at the sideshow, on a car, in a car. In the school hallway, acting as if you were a car. And, at your local community center, specifically this one called Youth Uprising. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When Youth Uprising opened in 2005, it was this sleek looking youth center located on 87th and MacArthur in East Oakland. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">A huge-freshly painted state of the art building with bright colors that stood in contrast to the surrounding apartment buildings and the adjacent school – Castlemont High School– an institution that had been under-resourced for years, and it showed. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Inside of Youth Uprising, the building was well-decorated with artwork and photos. They offered healthy meals to teenagers who came from the surrounding community, as well as employment and educational resources. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’d go up there and kick it in the music studios or attend discussions about the state of the community. And I’d also hit the dance battles they threw– turf dance battles. Here’s founding Youth Uprising staff member Jacky Johnson. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jacky Johnson, guest:\u003c/b>\u003cspan style=\"font-weight: 400\"> We stopped publicizing them after a while. We would just like announce the day of we were gonna do it because they would just get so like crazy. Like, our little amphitheater would just be packed. And we would see, like, young people running down the hill across MacArthur from, um, up the hill just run cutting through like, backyards to run over to the center.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Jacky is a longtime community advocate who works at the intersection of social justice and entertainment. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Back in the day, she got her start as a young adult on the staff of Youth Uprising. One of her tasks was to organize and promote the turf dance battle events. And through that, she saw how important dancing was to the culture. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jacky Johnson:\u003c/b>\u003cspan style=\"font-weight: 400\"> The crowd fueled the dancers. The dancers fueled the crowd. Like it was just this perfect mixture of just a showing of what, um, Oakland, of what the Bay Area’s energy is about. And I just think of that time, I always reflect on, you can’t, you know, I, I hope that young people or, you know, other generations, they’ll have their own moments like that, but that, to me, that just feels like a moment that couldn’t… couldn’t be duplicated.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The dance battles would be roughly once a month, and they’d garner all kinds of attention. Makes sense, we didn’t have much else to do. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A lot of this culture was born out of a void. There weren’t many places in Oakland where folks could congregate for large scale-hip-hop events, and it had been that way. Because of previous conflicts and altercations at shows, hip-hop concerts were constantly under threat of being banned or over-policed in Oakland. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A lot of artists and promoters would turn to the Bay Area suburbs and central valley to do hip-hop events. But Youth Uprising was one of the venues in Oakland working to connect young fans to the local stars. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jacky Johnson:\u003c/b>\u003cspan style=\"font-weight: 400\"> A lot of artists would stop through and perform, and I think they loved being able to connect with the young people and be a source of inspiration. And then the young people were excited because they never knew who was gonna stop by and what was gonna happen next.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, that was me, one of the young folks juiced to be at the center. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I initially started by catching the bus up there after hearing about it from friends. But when I got my car, this plum colored Chrysler Sebring with a functional sunroof and dysfunctional sound system, I was there. Well, until the transmission died, then I was back on the bus. But either way, I was fasho pulling up. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And I’d bounce out with the same camcorder I filmed Stomper going dumb with, show love to the security guards, and then, as a young journalist trying to get on, I’d find my way to interviewing folks like E-40, Mistah FAB, Vidal White, Too $hort, The Husalah, The Jacka and later, Oakland Mayor Ron Dellums. I have a few photos from back then, not much video. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When I look back at the few photos I have of myself from back then? Man, I was in it! \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Specifically this one photo of me sitting in the audience of a dance battle, wearing an oversized t-shirt, baggy jeans, and those knock off Jordans that Zeus roasted me about, while holding on to that camcorder. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yeah, I was in it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I was one of the many young folks who ascribed to a culture that was having its moment in the sun, despite the ever-present dark clouds. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Back in the day, Jeriel Bey taught classes at Youth Uprising. In addition to that, he choreographed dances for music videos and performances. He also threw dance events–including battles between cities. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Right before one event in Los Angeles, Demetrius Zigler, who used to hang out in front of Jeriel’s house, was killed. In response, Jeriel and his dance team, the Architeckz, danced in the battle in Demetrius’ honor. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey:\u003c/b>\u003cspan style=\"font-weight: 400\"> I remember us all having this sweater, his picture, like, you know, on the hoodies, which is synonymous with losing someone on the street. So we had him on our hoodies. We drove down to L.A.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Jeriel and his team won the battle, but they did so while mourning their friend. Full of mixed emotions, they made the drive back to Northern California.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey:\u003c/b>\u003cspan style=\"font-weight: 400\"> I’m tired, everybody is sleep in the van. I get a call, I think, from Jacky Johnson. She’s like, ‘Yeah, you know, E-40 heard about your guy being killed, and um and they want to put you on this video called, Tell Me When to Go.’\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Record scratch]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey: \u003c/b>\u003cspan style=\"font-weight: 400\">I said, the song I’d been hearing on the Radio? She goes ‘Yeah. They’re shooting in West Oakland right now.’ I’m like, damn, I live in West Oakland like we’re all by the train station. What? That’s three blocks away from me.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music] \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey:\u003c/b>\u003cspan style=\"font-weight: 400\"> Cool. I wake up everybody, I’m like a man we finna go shoot a video. ‘What video?’ Tell Me When to Go. ‘What?!’ We smash to West Oakland, we pull up to the house, we take a little hoe baths and shit, wash our faces and shit.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">They get to the set, and 40, Lil Jon and the production team are moving through scenes. The iconic opening of the video, with a circle of folks going dumb on the ground shaking their dreads? That’s not them. That’s another dance crew. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">After rushing to the set, rehearsing an impromptu routine and getting ready for their light, Jeriel and the Architeckz almost get skipped over. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey: \u003c/b>\u003cspan style=\"font-weight: 400\">And they was like ‘We gon’ give you one shot, let me see what y’all got.’ And then the rest is history. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The black and white footage from the video shows the group forming a semicircle, with the opening facing the camera. They dance aggressively, hittin’ signature turf dance moves as well as shaking their dreads. The majority of them are wearing the hoodies dedicated to Demetrius. Dancing in his honor, they left an impression on the filmmakers. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey:\u003c/b>\u003cspan style=\"font-weight: 400\"> We shot like three more times after that. And before the video came out, it was, ‘Oh, good job, Architects,’ oh, E-40, people loved us, ‘Oh, ‘Demetrius, rest in peace, Demetrius, aww community community,’ but as soon as that muthafucka hit MTV, it was like, ‘Man them niggas ain’t really from Oakland tho.’ It’s all the hate and then the bullshit came.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">People were congratulating them on the video set, but were critical once the video came out. Jeriel says that other artists, dancers and people from the Bay Area hip-hop community made comments about the fact that Jeriel is originally from LA, or that the Architeckz weren’t that tight. Jeriel was shocked.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s when I realized, like, yo, people can love you on the way up, but the envy is a muthafucka. Envy will get you killed out here when people feel like they deserve more than you and I experienced all that shit.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Jeriel says people were envious of the Architeckz success. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And, really it was misguided anger – a byproduct of the lack of resources. If there were more limelight, everyone could shine. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">But that video being on MTV, and the media attention that was focused on the hoods of the Bay Area during the Hyphy Movement came on the heels of years of media neglect. So folks were hungry, vying for an opening. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Some artists were over-promoting this hyphy thing. A few big media platforms, clothing lines, club promoters, even community centers were selling it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Here’s Zeus.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El:\u003c/b>\u003cspan style=\"font-weight: 400\"> Man, to be honest with you, I don’t think Youth Uprising would have been that impactful if it wasn’t for the dance culture, because a lot of people were showing up for the dance culture and staying for the resources, you know what I mean?\u003c/span> \u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Jacky saw it differently, and has the same sentiments as Zeus. After the dance battles, how do you connect folks with counseling, healthcare and other resources? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jacky Johnson:\u003c/b>\u003cspan style=\"font-weight: 400\"> We’re like, okay, well how do we move these young people into our programming? And that would sometimes be a challenge because I think sometimes we felt really- I felt for sure stressed out about like, okay, like are we doing enough if they’re coming here and they’re not going into a, you know, career and education program.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The whole situation made Jacky frustrated. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jacky Johnson: \u003c/b>\u003cspan style=\"font-weight: 400\">You have to hit these deliverables. It’s like, how do you, like, okay, you get this amount of money now go and transform somebody’s life as they’ve, yeah, experienced all this trauma and need all of the- these things, or the fact that we all are going through our own shit.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The Youth Uprising center has gone through its ups and downs, but it still stands today. And back when it first opened, even with all of the elements at play, the center was a beacon for kids like me and Zeus.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[crowd cheering]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Jesus El:\u003c/b>\u003cspan style=\"font-weight: 400\"> We on the bus, catching the 57 from West Oakland all the way to 88 and MacArthur, and this is when it was super turfed out. I’m talking about real hood, so we up there battling cats, Like around the stage it was like 300 people, like hanging over, just having hella fun tho. But you would have different people from different sides of the city come out and battle each other. And that’s how you earned your respect. Like with dancing, you earn your respect because you’re \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">way\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> somewhere in somebody else’s hood, and you could be battling they friend. But if you raw, they gon be like you raw bruh. Like I still know people to this day from me meeting them at Youth Uprising.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Those experiences. That community. Those intangibles. They don’t show up in a fiscal report. They show up in people’s memories. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I have mental pictures of audiences going wild after someone hit a backflip during a dance battle, fond memories of meeting a new crush after the conclusion of an event. And I even have one picture from that day that E-40 pulled up for a photo shoot. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jacky Johnson:\u003c/b>\u003cspan style=\"font-weight: 400\"> We really wanted to create a safe space from the violence, safe space from the police, um, where we kind of held it down and it was just this raw energy. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> Youth Uprising was one of the many nonprofits that both invested in, and benefited from the culture. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Its location, resources, and connections to big name-artists made it significant. But the youth programs, they were just a Band-Aid in the face of generations of neglected neighborhoods and people living in poverty. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The trauma that we inherited existed long before we did, and still, we found joy in the middle of all that. Some of the moments turned into photos, others are invisible memories that are stories waiting to be told. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And the stories – the way they were told, who told them and what stories were not told – well that’s another layer to the trauma. We’ll get into all of that in the next episode.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Seaside Stretch, guest: \u003c/b>\u003cspan style=\"font-weight: 400\">Just the term “hyphy,” was, it meant something completely different to what it was commercialized as. You know what I mean? It it wasn’t a good thing, you know what I’m saying? Like, they didn’t say like, Oh, them kids is hyphy, and that meant that they were just dancing around having a good time. No, that means that they were destructive and violent, you know? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">This is Hyphy kids Got Trauma. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Hosted by me, Pendarvis Harshaw\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Produced by Maya Cueva\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Edited by Chris Hambrick\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sound design and original music by\u003c/span>\u003cspan style=\"font-weight: 400\"> Trackademics\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With support from Eric Arnold, Jen Chien, Holly Kernan, Victoria Mauleon, Marisol Medina-Cadena, Gabe Meline, Xorje Olivares, Delency Parham, Cesar Saldaña, Sayre Quevedo, Katie Sprenger, Nastia Voynovskaya, and Ryce Stoughtenborough. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This project was produced with support from PRX and is made possible, in part, by a grant from the John S. and James L. Knight Foundation. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And this is a part of KQED’s That’s My Word project, a year-long exploration of Bay Area Hip-Hop history. Find more at \u003c/span>\u003ca href=\"https://bayareahiphop.com/\">\u003cspan style=\"font-weight: 400\">BayAreaHipHop.Com\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">RIP Demtrius Zigler, and so many more. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Until next time, peace. \u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]=\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Host Pendarvis Harshaw takes a look at Turfin' with Jeriel Bey, Jacky Johnson, and Jesus El.","status":"publish","parent":0,"modified":1705003312,"stats":{"hasAudio":true,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":164,"wordCount":5330},"headData":{"title":"Hyphy Kids Got Trauma Pt. 2, ‘We Dance Different’ | KQED","description":"In this episode, we talk to Jeriel Bey, the person credited with coining the term, "Turfin'," Jacky Johnson, a founding Youth Uprising staff member, and Jesus El, my longtime friend and a well-known turf dancer. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","socialDescription":"In this episode, we talk to Jeriel Bey, the person credited with coining the term, "Turfin'," Jacky Johnson, a founding Youth Uprising staff member, and Jesus El, my longtime friend and a well-known turf dancer. ","schema":{"@context":"http://schema.org","@type":"Article","headline":"Hyphy Kids Got Trauma Pt. 2, ‘We Dance Different’","datePublished":"2023-09-28T10:00:52.000Z","dateModified":"2024-01-11T20:01:52.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.podtrac.com/pts/redirect.mp3/chrt.fm/track/G6C7C3/traffic.megaphone.fm/KQINC4775019711.mp3?updated=1695860136","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13935408/hyphy-kids-got-trauma-pt-2-we-dance-different","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003cspan style=\"font-weight: 400\">\u003ci>View the full episode transcript.\u003c/i>\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the spring of 2006, I filmed and posted a video to Youth Radio’s YouTube page titled “\u003ca href=\"https://www.youtube.com/watch?v=zdst63FWSCs\">Stomper Go Dumb\u003c/a>.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The video shows the Oakland A’s mascot, a big plush elephant in a baseball jersey and hat, dancing to a song titled “Happy To Be Here,” off of E-40’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">My Ghetto Report Card\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> album. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">E-40 delivers lyrics that speak of surviving hard times and losing loved ones along the way. As the music plays, Stomper glides through the parking lot, dancing with the people, one with the letters “RIP” airbrushed on their shirt. A few folks hug each other and smile. This video clip, only a minute in length, is a window into a world where dance and jubilation meet mourning and sadness.\u003c/span>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title='Youth Radio: Stomper \"Go Dumb\"' width=\"500\" height=\"375\" src=\"https://www.youtube.com/embed/zdst63FWSCs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Before the “hyphy movement,” and even prior to having its own name, the style of dance now commonly known as turfin’ or\u003c/span>\u003ca href=\"https://www.kqed.org/arts/13932887/turf-dancing-oakland-street-dance\"> \u003cspan style=\"font-weight: 400\">turf dancing\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> provided an outlet for young folks in Oakland. They could party to their favorite music, have fun by physically telling stories, and express themselves while\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> taking up room on the floor\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Through appearances in big-time music videos and participation in dance battles at places like Deep East Oakland’s Youth Uprising Center, young folks not only got to show their moves — they were also able to honor their deceased loved ones.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In this episode, we talk to \u003ca href=\"https://www.instagram.com/turfinentertainment/?igshid=MzRlODBiNWFlZA%3D%3D\" target=\"_blank\" rel=\"noopener\">Jeriel Bey\u003c/a>, the person credited with coining the term “turfin’,” \u003ca href=\"https://www.instagram.com/jackyj510/\" target=\"_blank\" rel=\"noopener\">Jacky Johnson\u003c/a>, a founding Youth Uprising staff member, and \u003ca href=\"https://www.instagram.com/zeusdadunka/\" target=\"_blank\" rel=\"noopener\">Jesus El, \u003c/a>my longtime friend and a well-known turf dancer. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13935479\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13935479\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-800x623.jpg\" alt=\"Jeriel Bey teaches Turf Dancing classes at Berkeley High School in 2007.\" width=\"800\" height=\"623\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-800x623.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-1020x795.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-160x125.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-768x599.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-1536x1197.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-2048x1596.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/GettyImages-1408863565-scaled-1-1920x1496.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jeriel Bey teaches turf dancing classes at Berkeley High School in 2007. \u003ccite>(Carlos Avila Gonzalez/San Francisco Chronicle/Getty Images )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC4775019711&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003cb>Pendarvis Harshaw, Host: \u003c/b>\u003cspan style=\"font-weight: 400\">Heads up, this podcast contains explicit language.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In the spring of 2006, there was this video posted on Youtube titled “Stomper Go Dumb.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[chatter, shouting, and cheering from the Stomper Go Dumb video]\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The clip is less than a minute long, but it shows something that’s really important. It’s shot in a parking lot. It’s Stomper, the Oakland A’s mascot– a big gray plush elephant in white pants and a forest green and gold baseball jersey. And he’s out there giggin’ to an E-40 song. Ears flapping, feet sliding, arms waving, Stomper is in full party mode, and so are the folks around him. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Behind the camera is me. In the footage, Stomper gets close to the camera, daps me up, then he proceeds to glide across the pavement, pausing momentarily to act as if he’s ghostriding the whip, and then he thizz dances. Another guy in an airbrushed white-t stands next to him, giggin’ as well. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The guy’s shirt has the letters RIP boldly written next to an illegible name. And they’re all dancing to E-40’s “Happy to Be Here.” \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Happy to be Here by E-40 plays]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The track is off of 40’s \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">My Ghetto Report Card \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">album, one of the few slower tracks off of his landmark project, which is chock full of high energy party anthems. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But in that moment, as we’re posted in front of E-40’s album release party at Tower Records, it’s this song that plays as the A’s mascot is showing off his gigs. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">People are dancing and laughing, embracing each other and celebrating, despite having the letters RIP and their friends’ names written across their chest. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Happy to be Here by E-40 fades in]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">“Oooh; it’s gloomy out here, dark days ahead\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">God got my back but the devil he want my head”\u003c/span>\u003c/i>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">After I shot the video, I posted it to the YouTube page for Youth Radio, now known as YR Media. I was a baby reporter working with them at the time.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And with this video racking up half a million views, and hella people using this footage as GIFs on social media platforms, it was clear that I’d documented something significant. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Deeper than a dancing elephant, it was a window into the culture. I’m Pendarvis Harshaw, and this is Hyphy Kids Got Trauma. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">In that video of Stomper dancing to an E-40 song, the mascot does a few more dance moves, and then gives an extended embrace to a brotha with cornrows in a black leather jacket. The person inside the Stomper mascot outfit is saying what’s up to my right hand man, Jesus El, Zeus as we call him.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">He’s just a couple inches taller than me, born exactly three weeks before me, and we’re a lot alike. We’re socialites; neither of us can stay away from a party. Oakland proud, we both love the town and constantly get caught up in our own thoughts about how to save it – and the world, for that matter.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">While I chose to sit down and write for a living, Zeus chose to fly. A trained gymnast, for over a decade he worked for the NBA, majority of that time was with the Golden State Warriors as an acro-dunker. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[hip-hop music echoes inside of stadium with a cheering crowd]\u003c/span>\u003c/i>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">That means that at halftime of a game he’d come out with his crew – the Warriors’ Team Thunder dunk team – and run across the court, bounce off a trampoline, elevate higher than the rim, catch the ball mid-air, wink at the camera, and then dunk the ball before safely returning to earth. Outside of that, he’s also a well-known dancer from West Oakland. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> I got this photo in my text message today. What’s going on here?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El, guest: \u003c/b>\u003cspan style=\"font-weight: 400\">Oh, man, that’s crazy. That’s a throwback. So this photo is of me dancing at Youth Uprising in a dance battle. Uh, and I look super young and skinny.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">We grew up in different parts of the Town, and met during a 7th grade summer program– cracking jokes on the back of the bus. And after twenty-plus years, we haven’t stopped cracking jokes since. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The jordans – are those the fake Jordans we got? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">I think those was the fake Jordans.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The fake Jordans.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yours was fakers than mine though.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Faker? How they– if they fake, they fake. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">If they fake they fake, but yours… your Jordan had buttcheeks. Remember that?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">He was facing the wrong way.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">He was facing the wrong way and he had the buttcheeks showing. Mine, I could at least, you know, well I was getting away with it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You just gotta pull the jeans down.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">I had to pull the jeans– yeah, I had to wear the big jeans over him.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003cb>\u003ci> \u003c/i>\u003c/b>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Back in ‘06 we were broke community college students taking classes at Laney in Oakland. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Zeus had dreams of becoming an NBA mascot, and was simultaneously developing his own acro-dunking team. I was focused on doing journalism, and had just got accepted to Howard University. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So while I was spending the year getting ready for college on the east coast and getting my journalism chops up, Zeus was building his own legacy, both in the Town and around the globe. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">I’ve been to China ten times, been to Italy, um, Rome, Japan, Dubai, Abu Dhabi, Mexico…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">He adds England, Budapest, and all of North America. He’s performed for Ripley’s Believe It or Not, holds a couple Guinness World Records, and in 2005 he performed in front of some of the biggest names in the business at the NBA All Star game in Denver, Colorado.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">I met Destiny’s Child. They like, room was right next door to ours. Jay-Z, Chris Tucker, we met so many different people…\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Zeus got his start after being mentored by the late Sadiki Fuller, the guy who wore the Thunder mascot costume for the Golden State Warriors. And that’s how Zeus got to know other mascots– like Stomper. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But Zeus’ main inspiration came from superheroes in movies and television shows. In his own way, Zeus was a superhero when he was on the court. And just like any superhero, he’d be treated differently when he took the cape, or um, uniform off. He would leave the old Warriors arena in East Oakland and he’d transition, like Superman to Clark Kent. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El:\u003c/b>\u003cspan style=\"font-weight: 400\"> I had times where I’m having the day of my life. Like, I just did a new dunk, I’m the first person to do it. I do it in front of people. I make it. I’m feeling like on cloud nine…\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Jesus El:\u003c/b>\u003cspan style=\"font-weight: 400\"> …and then I get back, you know everybody leaving the BART, and uh people don’t have to notice me—I’m not tripping off of that. But then, you know, people clutching they purse or, you know, like, just trying to, like, stand away from me, you know what I mean. I’m like, bruh, you was just clapping for me.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yeah\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El:\u003c/b>\u003cspan style=\"font-weight: 400\"> Just like that, you was just clapping for me, and now I’m just another nigga that may bring harm your way and that’s trauma within itself.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">There’s trauma in that duality of physically showing joy, and being celebrated and then getting hit with the weight of reality. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In order to escape it, Zeus would literally leave. He found solace in seeing the world. But despite the freedom he felt traveling back then, Zeus knew he had to keep his stories close to the chest because of how smirkish people can be. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">I remember just traveling like, I mean, soon as, aw man, soon as I touch that airplane: Oakland is in Oakland. I’m going global, I’m out. Right?\u003c/span> \u003cspan style=\"font-weight: 400\">And then when I come home, I have to pretend like I’m not that person.\u003c/span>\u003cb> \u003c/b>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You gotta dumb it down? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El: \u003c/b>\u003cspan style=\"font-weight: 400\">I gotta dumb it down all the time. Because, one, people… people who speak too highly of themselves are typically the ones who end up shot first, right? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">They typically the ones that people target. It could be jealousy. It could be hate. It could be all kind of stuff. But people who… sometimes you got to just stay under the radar to survive. That’s how we survived this long.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> As confining as that might seem, it was kind of the code, still is. The Town is a place where you gotta stay low even as you come up. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But on the contrary, Zeus was getting his limelight on the hoop courts. And outside of that, he was cutting up on the dancefloor– that’s where he really escaped, specifically, through the art of turf dancing.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El:\u003c/b>\u003cspan style=\"font-weight: 400\"> Turf Dancing is an acronym called Taking Up Room on the Floor that was coined by Jeriel Bey. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So turf dancing, it’s a style of dance that derives from Oakland. And it’s storytelling and it’s certain moves that you do, but it’s storytelling. It’s waving, gliding, all of that but it’s a certain swag that comes with it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">But before it was even called turfing, it was called hitting it or touching it or fucking wit it. Like, ‘fuck wit it bruh’, ya know what im saying? \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Jeriel Bey, raised between Oakland and LA, is a marketing minded brother who had turf dancing, lightweight, land on his doorstep.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey, guest: \u003c/b>\u003cspan style=\"font-weight: 400\">They know me as the godfather of turf dancing. I coined the phrase, a lot of people are like ‘you didn’t coin the phrase!’ But you know coining is something you use before anybody else use it. So I used it in both, in print and on my fliers, you know, my events, you know, just… I knew long ago just from having a lot of internships that, you know, you brand yourself, you know how to brand myself. So I definitely am known for that.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Jeriel was a party promoter, who was living in West Oakland and that’s where, two young dudes from the neighborhood, Demtrius Zeigler and Cory Johnson AKA Scooby, would hang around his house.\u003c/span>\u003cb> \u003c/b>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey:\u003c/b>\u003cspan style=\"font-weight: 400\"> Those are the two first kids I met and then those two kids brought every other kid around me. You know, these kids, like, 14, 15, with sawed off shotguns in their backpacks. Like, bad but good kids, they just needed some focus. And the only thing they all knew that they all knew how to do was dance. Guns, and money, drugs and all, they all was coming in front of the house, dancing with me. And so my thing was like, okay, I got to give back and give ’em something to do.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The dance sessions brought about dope moves, clean gigs and hyped reactions. The problem was: the dance they were doing didn’t really have a name. There were notable moves: the drop, the airwalk, the old school Brookfield. But the overall dance style was kinda just a part of Oakland culture. That’s how we moved. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And, at the same time, the terms folks were using to describe the dance style weren’t exactly marketable to the venues Jeriel was looking to work with. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey: \u003c/b>\u003cspan style=\"font-weight: 400\">I was like man, I can’t sell this as ‘fucking with it’ or ‘giggin’. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">So Jeriel started brainstorming, and during a conversation with one of his cousins, it all clicked. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey: \u003c/b>\u003cspan style=\"font-weight: 400\">Man, I got these youngstas in front of the house, you remember Demetrius and Scooby? They be ‘fuckin wit it’ and shit, you know, they all be dance differently: the East Oakland, the West Oakland, you know? They all dance different. Like I said, like different turfs and they all dance different…Man, how does turf dancing sound? He was like, ‘Oh, yeah, that’s it. That’s, that’s it right there!’ \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so that’s what it was. Everywhere the little homies was going, ‘What ya’ll doing?’ We turf dancing, we turf dancing. And that’s how it stuck. Even when I did community events in the City, I made sure they put it on the fliers, we turf dancing. We’re not “hyphy dancers,” hyphy was kind of like the energy, the spirit, the movement. But, you know, turfing is how we was able to separate ourselves from the energy, you know, we was turf dancing. We wasn’t hyphy dancing. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Turf dancing – a mixture of boogaloo, poplock, pantomime, and being player while moving on beat – was something different than just going 18 dummy like some might imagine when we’re talking “hyphy” dancing. I mean, that was a part of it, but it was deeper than just shaking yo’ dreads. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Echo of E-40 saying “Shake them dreads.”]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> It was a world of Bay Area storytelling through dance, complete with signature moves from certain neighborhoods. Hence the name “turf” dancing. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And people would dance everywhere, at the bus stop, the house party, The candy shop – which was this fake-teenager-club-function thing that didn’t serve alcohol but was somehow still full of faded teenagers. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We hit it at the sideshow, on a car, in a car. In the school hallway, acting as if you were a car. And, at your local community center, specifically this one called Youth Uprising. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When Youth Uprising opened in 2005, it was this sleek looking youth center located on 87th and MacArthur in East Oakland. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">A huge-freshly painted state of the art building with bright colors that stood in contrast to the surrounding apartment buildings and the adjacent school – Castlemont High School– an institution that had been under-resourced for years, and it showed. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Inside of Youth Uprising, the building was well-decorated with artwork and photos. They offered healthy meals to teenagers who came from the surrounding community, as well as employment and educational resources. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’d go up there and kick it in the music studios or attend discussions about the state of the community. And I’d also hit the dance battles they threw– turf dance battles. Here’s founding Youth Uprising staff member Jacky Johnson. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jacky Johnson, guest:\u003c/b>\u003cspan style=\"font-weight: 400\"> We stopped publicizing them after a while. We would just like announce the day of we were gonna do it because they would just get so like crazy. Like, our little amphitheater would just be packed. And we would see, like, young people running down the hill across MacArthur from, um, up the hill just run cutting through like, backyards to run over to the center.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Jacky is a longtime community advocate who works at the intersection of social justice and entertainment. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Back in the day, she got her start as a young adult on the staff of Youth Uprising. One of her tasks was to organize and promote the turf dance battle events. And through that, she saw how important dancing was to the culture. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jacky Johnson:\u003c/b>\u003cspan style=\"font-weight: 400\"> The crowd fueled the dancers. The dancers fueled the crowd. Like it was just this perfect mixture of just a showing of what, um, Oakland, of what the Bay Area’s energy is about. And I just think of that time, I always reflect on, you can’t, you know, I, I hope that young people or, you know, other generations, they’ll have their own moments like that, but that, to me, that just feels like a moment that couldn’t… couldn’t be duplicated.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The dance battles would be roughly once a month, and they’d garner all kinds of attention. Makes sense, we didn’t have much else to do. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A lot of this culture was born out of a void. There weren’t many places in Oakland where folks could congregate for large scale-hip-hop events, and it had been that way. Because of previous conflicts and altercations at shows, hip-hop concerts were constantly under threat of being banned or over-policed in Oakland. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A lot of artists and promoters would turn to the Bay Area suburbs and central valley to do hip-hop events. But Youth Uprising was one of the venues in Oakland working to connect young fans to the local stars. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jacky Johnson:\u003c/b>\u003cspan style=\"font-weight: 400\"> A lot of artists would stop through and perform, and I think they loved being able to connect with the young people and be a source of inspiration. And then the young people were excited because they never knew who was gonna stop by and what was gonna happen next.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah, that was me, one of the young folks juiced to be at the center. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I initially started by catching the bus up there after hearing about it from friends. But when I got my car, this plum colored Chrysler Sebring with a functional sunroof and dysfunctional sound system, I was there. Well, until the transmission died, then I was back on the bus. But either way, I was fasho pulling up. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And I’d bounce out with the same camcorder I filmed Stomper going dumb with, show love to the security guards, and then, as a young journalist trying to get on, I’d find my way to interviewing folks like E-40, Mistah FAB, Vidal White, Too $hort, The Husalah, The Jacka and later, Oakland Mayor Ron Dellums. I have a few photos from back then, not much video. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When I look back at the few photos I have of myself from back then? Man, I was in it! \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Specifically this one photo of me sitting in the audience of a dance battle, wearing an oversized t-shirt, baggy jeans, and those knock off Jordans that Zeus roasted me about, while holding on to that camcorder. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yeah, I was in it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I was one of the many young folks who ascribed to a culture that was having its moment in the sun, despite the ever-present dark clouds. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Back in the day, Jeriel Bey taught classes at Youth Uprising. In addition to that, he choreographed dances for music videos and performances. He also threw dance events–including battles between cities. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Right before one event in Los Angeles, Demetrius Zigler, who used to hang out in front of Jeriel’s house, was killed. In response, Jeriel and his dance team, the Architeckz, danced in the battle in Demetrius’ honor. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey:\u003c/b>\u003cspan style=\"font-weight: 400\"> I remember us all having this sweater, his picture, like, you know, on the hoodies, which is synonymous with losing someone on the street. So we had him on our hoodies. We drove down to L.A.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Jeriel and his team won the battle, but they did so while mourning their friend. Full of mixed emotions, they made the drive back to Northern California.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey:\u003c/b>\u003cspan style=\"font-weight: 400\"> I’m tired, everybody is sleep in the van. I get a call, I think, from Jacky Johnson. She’s like, ‘Yeah, you know, E-40 heard about your guy being killed, and um and they want to put you on this video called, Tell Me When to Go.’\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Record scratch]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey: \u003c/b>\u003cspan style=\"font-weight: 400\">I said, the song I’d been hearing on the Radio? She goes ‘Yeah. They’re shooting in West Oakland right now.’ I’m like, damn, I live in West Oakland like we’re all by the train station. What? That’s three blocks away from me.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music] \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey:\u003c/b>\u003cspan style=\"font-weight: 400\"> Cool. I wake up everybody, I’m like a man we finna go shoot a video. ‘What video?’ Tell Me When to Go. ‘What?!’ We smash to West Oakland, we pull up to the house, we take a little hoe baths and shit, wash our faces and shit.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">They get to the set, and 40, Lil Jon and the production team are moving through scenes. The iconic opening of the video, with a circle of folks going dumb on the ground shaking their dreads? That’s not them. That’s another dance crew. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">After rushing to the set, rehearsing an impromptu routine and getting ready for their light, Jeriel and the Architeckz almost get skipped over. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey: \u003c/b>\u003cspan style=\"font-weight: 400\">And they was like ‘We gon’ give you one shot, let me see what y’all got.’ And then the rest is history. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The black and white footage from the video shows the group forming a semicircle, with the opening facing the camera. They dance aggressively, hittin’ signature turf dance moves as well as shaking their dreads. The majority of them are wearing the hoodies dedicated to Demetrius. Dancing in his honor, they left an impression on the filmmakers. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey:\u003c/b>\u003cspan style=\"font-weight: 400\"> We shot like three more times after that. And before the video came out, it was, ‘Oh, good job, Architects,’ oh, E-40, people loved us, ‘Oh, ‘Demetrius, rest in peace, Demetrius, aww community community,’ but as soon as that muthafucka hit MTV, it was like, ‘Man them niggas ain’t really from Oakland tho.’ It’s all the hate and then the bullshit came.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">People were congratulating them on the video set, but were critical once the video came out. Jeriel says that other artists, dancers and people from the Bay Area hip-hop community made comments about the fact that Jeriel is originally from LA, or that the Architeckz weren’t that tight. Jeriel was shocked.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jeriel Bey: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s when I realized, like, yo, people can love you on the way up, but the envy is a muthafucka. Envy will get you killed out here when people feel like they deserve more than you and I experienced all that shit.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Jeriel says people were envious of the Architeckz success. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And, really it was misguided anger – a byproduct of the lack of resources. If there were more limelight, everyone could shine. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">But that video being on MTV, and the media attention that was focused on the hoods of the Bay Area during the Hyphy Movement came on the heels of years of media neglect. So folks were hungry, vying for an opening. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Some artists were over-promoting this hyphy thing. A few big media platforms, clothing lines, club promoters, even community centers were selling it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Here’s Zeus.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Jesus El:\u003c/b>\u003cspan style=\"font-weight: 400\"> Man, to be honest with you, I don’t think Youth Uprising would have been that impactful if it wasn’t for the dance culture, because a lot of people were showing up for the dance culture and staying for the resources, you know what I mean?\u003c/span> \u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Jacky saw it differently, and has the same sentiments as Zeus. After the dance battles, how do you connect folks with counseling, healthcare and other resources? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jacky Johnson:\u003c/b>\u003cspan style=\"font-weight: 400\"> We’re like, okay, well how do we move these young people into our programming? And that would sometimes be a challenge because I think sometimes we felt really- I felt for sure stressed out about like, okay, like are we doing enough if they’re coming here and they’re not going into a, you know, career and education program.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The whole situation made Jacky frustrated. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jacky Johnson: \u003c/b>\u003cspan style=\"font-weight: 400\">You have to hit these deliverables. It’s like, how do you, like, okay, you get this amount of money now go and transform somebody’s life as they’ve, yeah, experienced all this trauma and need all of the- these things, or the fact that we all are going through our own shit.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The Youth Uprising center has gone through its ups and downs, but it still stands today. And back when it first opened, even with all of the elements at play, the center was a beacon for kids like me and Zeus.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[crowd cheering]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Jesus El:\u003c/b>\u003cspan style=\"font-weight: 400\"> We on the bus, catching the 57 from West Oakland all the way to 88 and MacArthur, and this is when it was super turfed out. I’m talking about real hood, so we up there battling cats, Like around the stage it was like 300 people, like hanging over, just having hella fun tho. But you would have different people from different sides of the city come out and battle each other. And that’s how you earned your respect. Like with dancing, you earn your respect because you’re \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">way\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> somewhere in somebody else’s hood, and you could be battling they friend. But if you raw, they gon be like you raw bruh. Like I still know people to this day from me meeting them at Youth Uprising.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">Those experiences. That community. Those intangibles. They don’t show up in a fiscal report. They show up in people’s memories. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I have mental pictures of audiences going wild after someone hit a backflip during a dance battle, fond memories of meeting a new crush after the conclusion of an event. And I even have one picture from that day that E-40 pulled up for a photo shoot. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Jacky Johnson:\u003c/b>\u003cspan style=\"font-weight: 400\"> We really wanted to create a safe space from the violence, safe space from the police, um, where we kind of held it down and it was just this raw energy. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> Youth Uprising was one of the many nonprofits that both invested in, and benefited from the culture. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Its location, resources, and connections to big name-artists made it significant. But the youth programs, they were just a Band-Aid in the face of generations of neglected neighborhoods and people living in poverty. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The trauma that we inherited existed long before we did, and still, we found joy in the middle of all that. Some of the moments turned into photos, others are invisible memories that are stories waiting to be told. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And the stories – the way they were told, who told them and what stories were not told – well that’s another layer to the trauma. We’ll get into all of that in the next episode.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Seaside Stretch, guest: \u003c/b>\u003cspan style=\"font-weight: 400\">Just the term “hyphy,” was, it meant something completely different to what it was commercialized as. You know what I mean? It it wasn’t a good thing, you know what I’m saying? Like, they didn’t say like, Oh, them kids is hyphy, and that meant that they were just dancing around having a good time. No, that means that they were destructive and violent, you know? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">This is Hyphy kids Got Trauma. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Hosted by me, Pendarvis Harshaw\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Produced by Maya Cueva\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Edited by Chris Hambrick\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sound design and original music by\u003c/span>\u003cspan style=\"font-weight: 400\"> Trackademics\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With support from Eric Arnold, Jen Chien, Holly Kernan, Victoria Mauleon, Marisol Medina-Cadena, Gabe Meline, Xorje Olivares, Delency Parham, Cesar Saldaña, Sayre Quevedo, Katie Sprenger, Nastia Voynovskaya, and Ryce Stoughtenborough. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This project was produced with support from PRX and is made possible, in part, by a grant from the John S. and James L. Knight Foundation. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And this is a part of KQED’s That’s My Word project, a year-long exploration of Bay Area Hip-Hop history. Find more at \u003c/span>\u003ca href=\"https://bayareahiphop.com/\">\u003cspan style=\"font-weight: 400\">BayAreaHipHop.Com\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">RIP Demtrius Zigler, and so many more. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Until next time, peace. \u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>=\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13935408/hyphy-kids-got-trauma-pt-2-we-dance-different","authors":["11491"],"programs":["arts_8720"],"categories":["arts_1","arts_966","arts_21759"],"tags":["arts_879","arts_1601","arts_6975","arts_21568","arts_21424","arts_1143","arts_19347"],"featImg":"arts_13935477","label":"arts_8720"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. 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Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Consider-This-Podcast-Tile-703x703-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png","officialWebsiteLink":"http://freakonomics.com/","airtime":"SUN 1am-2am, SAT 3pm-4pm","meta":{"site":"radio","source":"WNYC"},"link":"/radio/program/freakonomics-radio","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519","tuneIn":"https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/","rss":"https://feeds.feedburner.com/freakonomicsradio"}},"fresh-air":{"id":"fresh-air","title":"Fresh Air","info":"Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.","airtime":"MON-FRI 7pm-8pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/fresh-air/","meta":{"site":"radio","source":"npr"},"link":"/radio/program/fresh-air","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/Fresh-Air-p17/","rss":"https://feeds.npr.org/381444908/podcast.xml"}},"here-and-now":{"id":"here-and-now","title":"Here & Now","info":"A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. 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