Stinky Tofu Is the Unlikely Star of a New Children’s Book
San Francisco Author Wants Black Girls to See Themselves in ‘The Mermaid Princesses’
Robert Liu-Trujillo on Creating Books For ‘Kids Like Me’
As 'The Velveteen Rabbit' Turns 100, its Message Continues to Resonate
Book Bans Won't Stop These Authors From Telling the Stories of Trans Youth
Books Can Help Kids Learn About What Happened on 9/11. Here Are Some Good Ones
'The Lorax' Warned Us 50 Years Ago, But We Didn't Listen
Camping is an Adventure for All Americans in 'Fatima's Great Outdoors'
Beverly Cleary, Creator Of Ramona Quimby, Dies At 104
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Prior to KQED, he was an editor at Eater SF, \u003cem>San Francisco \u003c/em>magazine, and the \u003cem>East Bay Express\u003c/em>, and his work has also appeared in TASTE, the \u003cem>San Francisco Chronicle\u003c/em>, and the \u003cem>Best Food Writing\u003c/em> anthology. 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And in real life, I’ve wheedled friends, family members and random Taipei night market strangers into at least giving the dish a fair shake.\u003c/p>\n\u003cp>What I never expected, though, was for stinky tofu to be the subject — and the unlikely hero — of a children’s book published here in the United States.\u003c/p>\n\u003cp>But that’s precisely what East Bay author Ying Chang Compestine has created with \u003ca href=\"https://www.penguinrandomhouse.com/books/710497/ra-pu-zel-and-the-stinky-tofu-by-ying-chang-compestine-illustrated-by-crystal-kung/\">\u003ci>Ra Pu Zel and the Stinky Tofu\u003c/i>\u003c/a>, her new riff on the classic Rapunzel fairy tale.\u003c/p>\n\u003cfigure id=\"attachment_13940137\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13940137\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover.jpg\" alt=\"Cover of the children's book 'Ra Pu Zel and the Stinky Tofu' shows a princess with a long, black braid surrounded by many bowls of Chinese food.\" width=\"2000\" height=\"1995\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover-800x798.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover-1020x1017.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover-768x766.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover-1536x1532.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover-1920x1915.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Compestine’s book is a retelling of ‘Rapunzel.’ \u003ccite>(Courtesy of Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Compestine is no stranger to writing about Chinese food: She’s a seasoned cookbook author who used to be a food editor for Martha Stewart’s \u003ci>Whole Living\u003c/i>, and her more recent pivot to writing \u003ca href=\"https://www.yingc.com/picture-books.html\">stories for children\u003c/a> has been almost entirely food-centric\u003ci>.\u003c/i> And fried stinky tofu, specifically, was one of Compestine’s favorite childhood treats, sold by street vendors throughout her hometown of Wuhan, China.\u003c/p>\n\u003cp>Compestine explains that when she was growing up in Wuhan during the Cultural Revolution in the late ’60s and early ’70s, the Communist Party had banned all Western books, including fairy tales like “Rapunzel.” But Compestine and her friends would read the stories in secret, then regale each other with their own retellings. She remembers especially loving Rapunzel’s dress: “We all had to wear Mao’s uniform,” she recalls. “I never had colorful clothes or long hair.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>What Compestine found boring, however, even as a young girl, was the standard storyline about a princess falling for a handsome prince. In the “Rapunzel” stories that she improvised as a child, the prince was only ever able to win over his beloved through her belly, with a steady supply of candy and snacks — including, of course, stinky tofu, which remains a popular local delicacy in Wuhan.\u003c/p>\n\u003cp>“Food was on my mind at the time,” Compestine says. “I was hungry.”\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13937806,arts_13924997,arts_13897272']\u003c/span>In many ways, then, \u003ci>Ra Pu Zel and the Stinky Tofu\u003c/i> is just a more fully realized version of those early retellings, brought to vivid life through Pixar character designer \u003ca href=\"https://www.instagram.com/crystaleatsyourbrain/?hl=en\">Crystal Kung\u003c/a>’s delightfully expressive, watercolor-like illustrations. In Compestine’s version of “Rapunzel,” Pu Zel, the princess heroine, isn’t kidnapped by an evil witch. Instead, she locks \u003ci>herself\u003c/i> in the high tower because it’s the only place where she isn’t burdened by the demands and expectations of the imperial court — and where she’s free to cook and eat what she likes.\u003c/p>\n\u003cp>As for the young street vendor who (spoiler alert) finally entices the spunky princess to come down again? Let’s just say that it’s a refreshing change from most portrayals of stinky tofu here in the West, where the pungent dish is still largely relegated to some category of extreme eating — something so gross and funky that only the most adventurous eaters would dare to give it a try.\u003c/p>\n\u003cp>But for Taiwanese Americans like myself, in particular, the night market staple is a point of national pride and, more simply, just a delicious everyday food. I often talk about what a radicalizing moment it was for me when a surprisingly \u003ca href=\"https://www.youtube.com/watch?v=XjGZg4gHOJw\">weak-sauce Andrew Zimmern\u003c/a> was so disgusted by stinky tofu on \u003ci>Bizarre Foods\u003c/i> that he couldn’t swallow a single bite.\u003c/p>\n\u003cp>What I love, then, about \u003ci>Ra Pu Zel and the Stinky Tofu \u003c/i>is how little Compestine dwells on the strangeness or stinkiness of the dish. “It smells like a sweaty ox!” exclaims one old man. But within the span of a few sentences, Pu Zel is admiring how delicious and “irresistible” the tofu is.\u003c/p>\n\u003cfigure id=\"attachment_13940138\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13940138\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223.jpg\" alt=\"A spread from a picture book shows a young chef cooking a big pot of stinky tofu, as birds and squirrels flee from the dish's strong odor.\" width=\"2000\" height=\"1000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223-800x400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223-1020x510.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223-160x80.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223-768x384.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223-1536x768.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223-1920x960.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In the end, a delicious pot of stinky tofu is what saves the day. \u003ccite>(Courtesy of Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ultimately, Compestine says her goal wasn’t necessarily to convince every child who reads the book to eat stinky tofu. She finished the book during the pandemic, right around the time when Wuhan was receiving so much \u003ca href=\"https://www.latimes.com/california/story/2021-03-20/hundreds-gather-in-san-francisco-for-rally-against-anti-asian-attacks-racism\">negative publicity\u003c/a> — and when there was a wave of anti-Asian sentiment here in the U.S. “Through my book, I want people to understand my hometown,” she says. “And I wanted to portray a very strong female character. I wanted to change the perception that Asians are weak.”\u003c/p>\n\u003cp>And if readers feel inspired to eat a big plate of tofu after they finish the book? There’s a (non-stinky) recipe in the back.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.penguinrandomhouse.com/books/710497/ra-pu-zel-and-the-stinky-tofu-by-ying-chang-compestine-illustrated-by-crystal-kung/\">Ra Pu Zel and the Stinky Tofu\u003c/a> is available where books are sold. Compestine and Kung, the illustrator, will appear at Hicklebee’s (1378 Lincoln Ave., San José) on Saturday, Jan. 13, for storytime and a drawing demonstration.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"An East Bay author offers a delicious new spin on ‘Rapunzel.’","status":"publish","parent":0,"modified":1705002919,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":879},"headData":{"title":"Stinky Tofu Is the Unlikely Star of a New Children’s Book | KQED","description":"An East Bay author offers a delicious new spin on ‘Rapunzel.’","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Stinky Tofu Is the Unlikely Star of a New Children’s Book","datePublished":"2024-01-08T19:25:58.000Z","dateModified":"2024-01-11T19:55:19.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Food","sourceUrl":"https://www.kqed.org/food","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13940133/stinky-tofu-childrens-book-ra-pu-zel","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In my years as the Bay Area’s most dedicated stinky tofu evangelist, I have preached the pungent virtues of fermented bean curd to anyone who would listen — in blog posts and glossy magazine features, on obscure internet \u003ca href=\"https://www.kqed.org/arts/13910817/chowhound-shutting-down-rip\">discussion forums\u003c/a> and \u003ca href=\"https://www.kqed.org/forum/2010101893028/all-you-can-eat-funky-foods-we-arent-supposed-to-love-but-do\">live public radio\u003c/a>. And in real life, I’ve wheedled friends, family members and random Taipei night market strangers into at least giving the dish a fair shake.\u003c/p>\n\u003cp>What I never expected, though, was for stinky tofu to be the subject — and the unlikely hero — of a children’s book published here in the United States.\u003c/p>\n\u003cp>But that’s precisely what East Bay author Ying Chang Compestine has created with \u003ca href=\"https://www.penguinrandomhouse.com/books/710497/ra-pu-zel-and-the-stinky-tofu-by-ying-chang-compestine-illustrated-by-crystal-kung/\">\u003ci>Ra Pu Zel and the Stinky Tofu\u003c/i>\u003c/a>, her new riff on the classic Rapunzel fairy tale.\u003c/p>\n\u003cfigure id=\"attachment_13940137\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13940137\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover.jpg\" alt=\"Cover of the children's book 'Ra Pu Zel and the Stinky Tofu' shows a princess with a long, black braid surrounded by many bowls of Chinese food.\" width=\"2000\" height=\"1995\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover-800x798.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover-1020x1017.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover-768x766.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover-1536x1532.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/ra-pu-zel-cover-1920x1915.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Compestine’s book is a retelling of ‘Rapunzel.’ \u003ccite>(Courtesy of Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Compestine is no stranger to writing about Chinese food: She’s a seasoned cookbook author who used to be a food editor for Martha Stewart’s \u003ci>Whole Living\u003c/i>, and her more recent pivot to writing \u003ca href=\"https://www.yingc.com/picture-books.html\">stories for children\u003c/a> has been almost entirely food-centric\u003ci>.\u003c/i> And fried stinky tofu, specifically, was one of Compestine’s favorite childhood treats, sold by street vendors throughout her hometown of Wuhan, China.\u003c/p>\n\u003cp>Compestine explains that when she was growing up in Wuhan during the Cultural Revolution in the late ’60s and early ’70s, the Communist Party had banned all Western books, including fairy tales like “Rapunzel.” But Compestine and her friends would read the stories in secret, then regale each other with their own retellings. She remembers especially loving Rapunzel’s dress: “We all had to wear Mao’s uniform,” she recalls. “I never had colorful clothes or long hair.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>What Compestine found boring, however, even as a young girl, was the standard storyline about a princess falling for a handsome prince. In the “Rapunzel” stories that she improvised as a child, the prince was only ever able to win over his beloved through her belly, with a steady supply of candy and snacks — including, of course, stinky tofu, which remains a popular local delicacy in Wuhan.\u003c/p>\n\u003cp>“Food was on my mind at the time,” Compestine says. “I was hungry.”\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13937806,arts_13924997,arts_13897272","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>In many ways, then, \u003ci>Ra Pu Zel and the Stinky Tofu\u003c/i> is just a more fully realized version of those early retellings, brought to vivid life through Pixar character designer \u003ca href=\"https://www.instagram.com/crystaleatsyourbrain/?hl=en\">Crystal Kung\u003c/a>’s delightfully expressive, watercolor-like illustrations. In Compestine’s version of “Rapunzel,” Pu Zel, the princess heroine, isn’t kidnapped by an evil witch. Instead, she locks \u003ci>herself\u003c/i> in the high tower because it’s the only place where she isn’t burdened by the demands and expectations of the imperial court — and where she’s free to cook and eat what she likes.\u003c/p>\n\u003cp>As for the young street vendor who (spoiler alert) finally entices the spunky princess to come down again? Let’s just say that it’s a refreshing change from most portrayals of stinky tofu here in the West, where the pungent dish is still largely relegated to some category of extreme eating — something so gross and funky that only the most adventurous eaters would dare to give it a try.\u003c/p>\n\u003cp>But for Taiwanese Americans like myself, in particular, the night market staple is a point of national pride and, more simply, just a delicious everyday food. I often talk about what a radicalizing moment it was for me when a surprisingly \u003ca href=\"https://www.youtube.com/watch?v=XjGZg4gHOJw\">weak-sauce Andrew Zimmern\u003c/a> was so disgusted by stinky tofu on \u003ci>Bizarre Foods\u003c/i> that he couldn’t swallow a single bite.\u003c/p>\n\u003cp>What I love, then, about \u003ci>Ra Pu Zel and the Stinky Tofu \u003c/i>is how little Compestine dwells on the strangeness or stinkiness of the dish. “It smells like a sweaty ox!” exclaims one old man. But within the span of a few sentences, Pu Zel is admiring how delicious and “irresistible” the tofu is.\u003c/p>\n\u003cfigure id=\"attachment_13940138\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13940138\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223.jpg\" alt=\"A spread from a picture book shows a young chef cooking a big pot of stinky tofu, as birds and squirrels flee from the dish's strong odor.\" width=\"2000\" height=\"1000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223-800x400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223-1020x510.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223-160x80.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223-768x384.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223-1536x768.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/9780593533055_Interior_Image_5_495223-1920x960.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">In the end, a delicious pot of stinky tofu is what saves the day. \u003ccite>(Courtesy of Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ultimately, Compestine says her goal wasn’t necessarily to convince every child who reads the book to eat stinky tofu. She finished the book during the pandemic, right around the time when Wuhan was receiving so much \u003ca href=\"https://www.latimes.com/california/story/2021-03-20/hundreds-gather-in-san-francisco-for-rally-against-anti-asian-attacks-racism\">negative publicity\u003c/a> — and when there was a wave of anti-Asian sentiment here in the U.S. “Through my book, I want people to understand my hometown,” she says. “And I wanted to portray a very strong female character. I wanted to change the perception that Asians are weak.”\u003c/p>\n\u003cp>And if readers feel inspired to eat a big plate of tofu after they finish the book? There’s a (non-stinky) recipe in the back.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.penguinrandomhouse.com/books/710497/ra-pu-zel-and-the-stinky-tofu-by-ying-chang-compestine-illustrated-by-crystal-kung/\">Ra Pu Zel and the Stinky Tofu\u003c/a> is available where books are sold. Compestine and Kung, the illustrator, will appear at Hicklebee’s (1378 Lincoln Ave., San José) on Saturday, Jan. 13, for storytime and a drawing demonstration.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13940133/stinky-tofu-childrens-book-ra-pu-zel","authors":["11743"],"programs":["arts_140"],"categories":["arts_1","arts_73","arts_12276"],"tags":["arts_4672","arts_7446","arts_1683","arts_21727","arts_10278","arts_1297","arts_15151","arts_585"],"featImg":"arts_13940135","label":"source_arts_13940133"},"arts_13926336":{"type":"posts","id":"arts_13926336","meta":{"index":"posts_1591205157","site":"arts","id":"13926336","score":null,"sort":[1679513287000]},"guestAuthors":[],"slug":"the-mermaid-princesses-kids-book-maya-cameron-gordon-mirelle-ortega","title":"San Francisco Author Wants Black Girls to See Themselves in ‘The Mermaid Princesses’","publishDate":1679513287,"format":"standard","headTitle":"San Francisco Author Wants Black Girls to See Themselves in ‘The Mermaid Princesses’ | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Five years ago, Maya Cameron-Gordon was working as a mindfulness and expressive arts teacher at the \u003ca href=\"https://mindfullifeproject.org/\">Mindful Life Project\u003c/a> in Richmond. One day, she shared with her class her desire to write children’s books. When one of the kids asked why, she asked the class to conduct an experiment.\u003c/p>\n\u003cp>[aside postid='arts_13918019']“I had them all close their eyes,” Cameron-Gordon tells KQED Arts. “Then I asked them to imagine a princess. When I asked the girls what the princesses looked like, they all described the same character — fair-skinned with long, flowing blonde hair and a pretty dress. They literally all described the same thing. This was a group of all Black and Latina students. It broke my heart.”\u003c/p>\n\u003cp>Cameron-Gordon had long had an idea for a children’s book inspired by her own daughter, Amira Sanaa Gordon, and Amira’s love of mermaids. But it took that experience in class to make it happen: As soon as Cameron-Gordon got home that day, she put pen to paper and started writing the story, and \u003cem>The Mermaid Princesses \u003c/em>was born. Cameron-Gordon initially self-published the book, but it was picked up by HarperCollins and will be released nationwide this month.\u003c/p>\n\u003cfigure id=\"attachment_13926682\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13926682\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/Screen-Shot-2022-11-30-at-11.32.33-AM-800x1158.png\" alt=\"An attractive Black woman with long braids stands in a garden, smiling for the camera. She is wearing a long-sleeved white top and delicate gold earrings and necklace.\" width=\"800\" height=\"1158\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2022-11-30-at-11.32.33-AM-800x1158.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2022-11-30-at-11.32.33-AM-1020x1476.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2022-11-30-at-11.32.33-AM-160x232.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2022-11-30-at-11.32.33-AM-768x1111.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2022-11-30-at-11.32.33-AM.png 1056w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Author Maya Cameron-Gordon was born and raised in San Francisco and is based in Oakland. \u003ccite>(Courtesy of Lakeela Smith)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the center of the story are three mermaid sisters, all vying to one day become queen. Anaya is kind and compassionate. Shante is strong and brave. Kianna is wise and studious. When a big challenge arises, the trio must learn to work as a team and use their individual strengths to overcome their problems together.\u003c/p>\n\u003cp>Illustrator \u003ca href=\"https://www.mirelleortega.com/\">Mirell\u003c/a>\u003ca href=\"https://www.mirelleortega.com/\">e\u003c/a>\u003ca href=\"https://www.mirelleortega.com/\"> Ortega,\u003c/a> an award-winning Mexican artist living in LA, brings the sisters to life. When Cameron-Gordon first saw Ortega’s artwork, she knew she’d found the right collaborator for her project.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I love that she’s another woman of color doing for her people what I’m trying to do for mine,” Cameron-Gordon explains. “We had really great chemistry working together. I sent her photos of hairstyles, jewelry, African face paint designs, along with other characters and illustrations I loved. Other illustrators would have had a problem with this, but Mirelle was open.”\u003c/p>\n\u003cfigure id=\"attachment_13926681\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13926681\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/Screen-Shot-2023-03-21-at-5.28.29-PM-800x840.png\" alt=\"A children's book illustration of a Black woman wearing gold armbands, necklaces, earrings and elaborate headdress.\" width=\"800\" height=\"840\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-21-at-5.28.29-PM-800x840.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-21-at-5.28.29-PM-1020x1071.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-21-at-5.28.29-PM-160x168.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-21-at-5.28.29-PM-768x807.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-21-at-5.28.29-PM-1462x1536.png 1462w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-21-at-5.28.29-PM.png 1664w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The mermaid princesses’ very regal mom, the queen. \u003ccite>(HarperCollins/ Illustration by Mirelle Ortega)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cameron-Gordon knew from the start that she wanted the sisters to showcase Black beauty. She and Ortega made a conscious decision to give the three main characters different hair textures and skin tones. They also made sure that the mermaids all wore regal gold accessories.\u003c/p>\n\u003cp>[aside postid='arts_13894928']“That for me is symbolic,” Cameron-Gordon explains. “It represents strength, beauty and pride. I wanted little Black and brown girls to read this book and feel proud of who they are without directly being told to do so. I want Black and brown girls to love their skin tones and embrace their hair textures. At the same time, I was intentional about not having the emphasis be on their looks. I highlight the protagonists’ other qualities — strength, courage, kindness and intellect.”\u003c/p>\n\u003cp>The story also carries elements of African spirituality throughout. Mermaid myths have been part of African culture for thousands of years. The most famous, \u003ca href=\"https://en.wikipedia.org/wiki/Mami_Wata\">Mami Wata\u003c/a>, is said to bring luck and blessings to those who treat her with respect — but she is dangerous to those who try and harm her. Cameron-Gordon included a page of fun facts in the book about both Mami Wata and the African mermaid goddess \u003ca href=\"https://www.newyorklatinculture.com/yemaya-mother-orisha-of-the-sea/#:~:text=Yemay%C3%A1%20is%20the%20Yoruba%20orisha,a%20powerful%20influence%20on%20women.\">Yemaya\u003c/a>. Most exciting of all, however, is a character she created named Asheeka, a powerful sorceress who uses cowrie shells to predict the future.\u003c/p>\n\u003cp>“It’s one of the oldest known spiritual practices in the world,” Cameron-Gordon explains. “Originated by the Yoruba people of West Africa, cowrie shell divination is used to connect to the wisdom of ancestors and deities. Magic was so important for me to include in this story. I believe fantasy and adventure are most kids’ favorite genres, yet African Americans are almost nonexistent in them.”\u003c/p>\n\u003cfigure id=\"attachment_13926683\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13926683\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/Screen-Shot-2023-03-20-at-8.53.38-AM-800x785.png\" alt=\"A children's book illustration depicts a sorceress using shells to predict the future. Hovering over her head are images of two dolphins and an octopus. \" width=\"800\" height=\"785\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-20-at-8.53.38-AM-800x785.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-20-at-8.53.38-AM-1020x1001.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-20-at-8.53.38-AM-160x157.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-20-at-8.53.38-AM-768x754.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-20-at-8.53.38-AM-1536x1507.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-20-at-8.53.38-AM.png 1818w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Asheeka, the most powerful sorceress in the sea. \u003ccite>(HarperCollins/ Illustration by Mirelle Ortega)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The conversation about representation is personal for Cameron-Gordon: In the course of creating \u003cem>The Mermaid Princesses, \u003c/em>the author realized that she was healing her own childhood wounds.\u003c/p>\n\u003cp>[aside postid='arts_13926136']“I was born in 1990 and media taught girls that the most important thing for us to be was pretty,” Cameron-Gordon says. “It also taught me that in order to be pretty I needed to be skinny, white, with blue eyes and blonde hair. I remember crying in the mirror because I did not like what I saw. I can’t even begin to describe how much I healed through the process of writing this book.\u003c/p>\n\u003cp>“Literature is one of the first places a child looks to find role models — the people they want to be like,” Cameron-Gordon continues. “I can’t stress enough how important it is for children to see darker complexioned characters in books.”\u003c/p>\n\u003cp>It turns out Cameron-Gordon was hardly alone in thinking it was well past time for kids to see a Black mermaid: When she started writing \u003cem>The Mermaid Princesses\u003c/em>, she had no way of knowing that her book would end up getting released just two months before Disney’s live action version of \u003cem>The Little Mermaid\u003c/em>. The movie, starring Halle Bailey as Ariel, caused a stir on social media with its first trailer in 2022, as Black families around the country filmed their daughters reacting to the sight of Ariel. The heartwarming clips quickly went viral.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=GsSJLK3WW54\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Cameron-Gordon has already seen little girls react to her book in a similar way.\u003c/p>\n\u003cp>“When I self-published my book, parents sent me videos of their children seeing \u003cem>The Mermaid Princesses\u003c/em> for the first time, and it was the most touching thing,” she says. “I had two different parents share with me that their kids saw my characters on their parent’s Instagram and grabbed the phone and said: ‘Mommy, she looks like me!’”\u003c/p>\n\u003cp>Cameron-Gordon can’t help but feel the close timing of \u003cem>The Mermaid Princesses\u003c/em> and \u003cem>The Little Mermaid\u003c/em> is serendipitous.\u003c/p>\n\u003cp>“I will always remember the night I found out that Disney was casting a Black girl for the role of Ariel,” the author says. “My godmother called me and when she told me the news, I screamed. I am so grateful and just so happy for our little Black and brown girls.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>‘The Mermaid Princesses’ by Maya Cameron-Gordon, illustrated by Mirelle Ortega, is out on March 28 via HarperCollins. \u003ca href=\"https://www.harpercollins.com/products/the-mermaid-princesses-maya-cameron-gordon?variant=40565833433122\">Details here\u003c/a>. Cameron-Gordon will be appearing at Book Passage in Corte Madera on Saturday, April 15. \u003ca href=\"https://www.bookpassage.com/event/special-event-kids-maya-cameron-gordon-mermaid-princesses-corte-madera-store\">Event details here\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Maya Cameron-Gordon wrote the book for her daughter. Now she wants it to inspire Black and brown girls everywhere.","status":"publish","parent":0,"modified":1705005714,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":1195},"headData":{"title":"Author Interview: Maya Cameron-Gordon on ‘Mermaid Princesses’ | KQED","description":"Maya Cameron-Gordon wrote the book for her daughter. Now she wants it to inspire Black and brown girls everywhere.","ogTitle":"San Francisco Author Wants Black Girls to See Themselves in ‘The Mermaid Princesses’","ogDescription":"","ogImgId":"","twTitle":"San Francisco Author Wants Black Girls to See Themselves in ‘The Mermaid Princesses’","twDescription":"","twImgId":"","socialTitle":"Author Interview: Maya Cameron-Gordon on ‘Mermaid Princesses’ %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"San Francisco Author Wants Black Girls to See Themselves in ‘The Mermaid Princesses’","datePublished":"2023-03-22T19:28:07.000Z","dateModified":"2024-01-11T20:41:54.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13926336/the-mermaid-princesses-kids-book-maya-cameron-gordon-mirelle-ortega","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Five years ago, Maya Cameron-Gordon was working as a mindfulness and expressive arts teacher at the \u003ca href=\"https://mindfullifeproject.org/\">Mindful Life Project\u003c/a> in Richmond. One day, she shared with her class her desire to write children’s books. When one of the kids asked why, she asked the class to conduct an experiment.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13918019","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“I had them all close their eyes,” Cameron-Gordon tells KQED Arts. “Then I asked them to imagine a princess. When I asked the girls what the princesses looked like, they all described the same character — fair-skinned with long, flowing blonde hair and a pretty dress. They literally all described the same thing. This was a group of all Black and Latina students. It broke my heart.”\u003c/p>\n\u003cp>Cameron-Gordon had long had an idea for a children’s book inspired by her own daughter, Amira Sanaa Gordon, and Amira’s love of mermaids. But it took that experience in class to make it happen: As soon as Cameron-Gordon got home that day, she put pen to paper and started writing the story, and \u003cem>The Mermaid Princesses \u003c/em>was born. Cameron-Gordon initially self-published the book, but it was picked up by HarperCollins and will be released nationwide this month.\u003c/p>\n\u003cfigure id=\"attachment_13926682\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13926682\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/Screen-Shot-2022-11-30-at-11.32.33-AM-800x1158.png\" alt=\"An attractive Black woman with long braids stands in a garden, smiling for the camera. She is wearing a long-sleeved white top and delicate gold earrings and necklace.\" width=\"800\" height=\"1158\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2022-11-30-at-11.32.33-AM-800x1158.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2022-11-30-at-11.32.33-AM-1020x1476.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2022-11-30-at-11.32.33-AM-160x232.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2022-11-30-at-11.32.33-AM-768x1111.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2022-11-30-at-11.32.33-AM.png 1056w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Author Maya Cameron-Gordon was born and raised in San Francisco and is based in Oakland. \u003ccite>(Courtesy of Lakeela Smith)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the center of the story are three mermaid sisters, all vying to one day become queen. Anaya is kind and compassionate. Shante is strong and brave. Kianna is wise and studious. When a big challenge arises, the trio must learn to work as a team and use their individual strengths to overcome their problems together.\u003c/p>\n\u003cp>Illustrator \u003ca href=\"https://www.mirelleortega.com/\">Mirell\u003c/a>\u003ca href=\"https://www.mirelleortega.com/\">e\u003c/a>\u003ca href=\"https://www.mirelleortega.com/\"> Ortega,\u003c/a> an award-winning Mexican artist living in LA, brings the sisters to life. When Cameron-Gordon first saw Ortega’s artwork, she knew she’d found the right collaborator for her project.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I love that she’s another woman of color doing for her people what I’m trying to do for mine,” Cameron-Gordon explains. “We had really great chemistry working together. I sent her photos of hairstyles, jewelry, African face paint designs, along with other characters and illustrations I loved. Other illustrators would have had a problem with this, but Mirelle was open.”\u003c/p>\n\u003cfigure id=\"attachment_13926681\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13926681\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/Screen-Shot-2023-03-21-at-5.28.29-PM-800x840.png\" alt=\"A children's book illustration of a Black woman wearing gold armbands, necklaces, earrings and elaborate headdress.\" width=\"800\" height=\"840\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-21-at-5.28.29-PM-800x840.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-21-at-5.28.29-PM-1020x1071.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-21-at-5.28.29-PM-160x168.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-21-at-5.28.29-PM-768x807.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-21-at-5.28.29-PM-1462x1536.png 1462w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-21-at-5.28.29-PM.png 1664w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The mermaid princesses’ very regal mom, the queen. \u003ccite>(HarperCollins/ Illustration by Mirelle Ortega)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cameron-Gordon knew from the start that she wanted the sisters to showcase Black beauty. She and Ortega made a conscious decision to give the three main characters different hair textures and skin tones. They also made sure that the mermaids all wore regal gold accessories.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13894928","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“That for me is symbolic,” Cameron-Gordon explains. “It represents strength, beauty and pride. I wanted little Black and brown girls to read this book and feel proud of who they are without directly being told to do so. I want Black and brown girls to love their skin tones and embrace their hair textures. At the same time, I was intentional about not having the emphasis be on their looks. I highlight the protagonists’ other qualities — strength, courage, kindness and intellect.”\u003c/p>\n\u003cp>The story also carries elements of African spirituality throughout. Mermaid myths have been part of African culture for thousands of years. The most famous, \u003ca href=\"https://en.wikipedia.org/wiki/Mami_Wata\">Mami Wata\u003c/a>, is said to bring luck and blessings to those who treat her with respect — but she is dangerous to those who try and harm her. Cameron-Gordon included a page of fun facts in the book about both Mami Wata and the African mermaid goddess \u003ca href=\"https://www.newyorklatinculture.com/yemaya-mother-orisha-of-the-sea/#:~:text=Yemay%C3%A1%20is%20the%20Yoruba%20orisha,a%20powerful%20influence%20on%20women.\">Yemaya\u003c/a>. Most exciting of all, however, is a character she created named Asheeka, a powerful sorceress who uses cowrie shells to predict the future.\u003c/p>\n\u003cp>“It’s one of the oldest known spiritual practices in the world,” Cameron-Gordon explains. “Originated by the Yoruba people of West Africa, cowrie shell divination is used to connect to the wisdom of ancestors and deities. Magic was so important for me to include in this story. I believe fantasy and adventure are most kids’ favorite genres, yet African Americans are almost nonexistent in them.”\u003c/p>\n\u003cfigure id=\"attachment_13926683\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13926683\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/03/Screen-Shot-2023-03-20-at-8.53.38-AM-800x785.png\" alt=\"A children's book illustration depicts a sorceress using shells to predict the future. Hovering over her head are images of two dolphins and an octopus. \" width=\"800\" height=\"785\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-20-at-8.53.38-AM-800x785.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-20-at-8.53.38-AM-1020x1001.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-20-at-8.53.38-AM-160x157.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-20-at-8.53.38-AM-768x754.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-20-at-8.53.38-AM-1536x1507.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/03/Screen-Shot-2023-03-20-at-8.53.38-AM.png 1818w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Asheeka, the most powerful sorceress in the sea. \u003ccite>(HarperCollins/ Illustration by Mirelle Ortega)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The conversation about representation is personal for Cameron-Gordon: In the course of creating \u003cem>The Mermaid Princesses, \u003c/em>the author realized that she was healing her own childhood wounds.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13926136","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“I was born in 1990 and media taught girls that the most important thing for us to be was pretty,” Cameron-Gordon says. “It also taught me that in order to be pretty I needed to be skinny, white, with blue eyes and blonde hair. I remember crying in the mirror because I did not like what I saw. I can’t even begin to describe how much I healed through the process of writing this book.\u003c/p>\n\u003cp>“Literature is one of the first places a child looks to find role models — the people they want to be like,” Cameron-Gordon continues. “I can’t stress enough how important it is for children to see darker complexioned characters in books.”\u003c/p>\n\u003cp>It turns out Cameron-Gordon was hardly alone in thinking it was well past time for kids to see a Black mermaid: When she started writing \u003cem>The Mermaid Princesses\u003c/em>, she had no way of knowing that her book would end up getting released just two months before Disney’s live action version of \u003cem>The Little Mermaid\u003c/em>. The movie, starring Halle Bailey as Ariel, caused a stir on social media with its first trailer in 2022, as Black families around the country filmed their daughters reacting to the sight of Ariel. The heartwarming clips quickly went viral.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GsSJLK3WW54'\n title='//www.youtube.com/embed/GsSJLK3WW54'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> \u003c/p>\n\u003cp>Cameron-Gordon has already seen little girls react to her book in a similar way.\u003c/p>\n\u003cp>“When I self-published my book, parents sent me videos of their children seeing \u003cem>The Mermaid Princesses\u003c/em> for the first time, and it was the most touching thing,” she says. “I had two different parents share with me that their kids saw my characters on their parent’s Instagram and grabbed the phone and said: ‘Mommy, she looks like me!’”\u003c/p>\n\u003cp>Cameron-Gordon can’t help but feel the close timing of \u003cem>The Mermaid Princesses\u003c/em> and \u003cem>The Little Mermaid\u003c/em> is serendipitous.\u003c/p>\n\u003cp>“I will always remember the night I found out that Disney was casting a Black girl for the role of Ariel,” the author says. “My godmother called me and when she told me the news, I screamed. I am so grateful and just so happy for our little Black and brown girls.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Mermaid Princesses’ by Maya Cameron-Gordon, illustrated by Mirelle Ortega, is out on March 28 via HarperCollins. \u003ca href=\"https://www.harpercollins.com/products/the-mermaid-princesses-maya-cameron-gordon?variant=40565833433122\">Details here\u003c/a>. Cameron-Gordon will be appearing at Book Passage in Corte Madera on Saturday, April 15. \u003ca href=\"https://www.bookpassage.com/event/special-event-kids-maya-cameron-gordon-mermaid-princesses-corte-madera-store\">Event details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13926336/the-mermaid-princesses-kids-book-maya-cameron-gordon-mirelle-ortega","authors":["11242"],"categories":["arts_1","arts_73","arts_11615"],"tags":["arts_1683","arts_10278","arts_930","arts_10527","arts_19864","arts_585"],"featImg":"arts_13926679","label":"arts"},"arts_13918019":{"type":"posts","id":"arts_13918019","meta":{"index":"posts_1591205157","site":"arts","id":"13918019","score":null,"sort":[1661508012000]},"guestAuthors":[],"slug":"robert-liu-trujillo-on-creating-books-for-kids-like-me","title":"Robert Liu-Trujillo on Creating Books For ‘Kids Like Me’","publishDate":1661508012,"format":"audio","headTitle":"Robert Liu-Trujillo on Creating Books For ‘Kids Like Me’ | KQED","labelTerm":{"term":8720,"site":"arts"},"content":"\u003cp>\u003cem>\u003cstrong>Hey Rightnowish listeners, you can help shape the future of the podcast! \u003cb data-stringify-type=\"bold\">\u003ci data-stringify-type=\"italic\">Just \u003c/i>\u003c/b>\u003cb data-stringify-type=\"bold\">\u003ci data-stringify-type=\"italic\">\u003ca class=\"c-link\" href=\"https://survey.alchemer.com/s3/6838454/2e522245cbb6\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://survey.alchemer.com/s3/6838454/2e522245cbb6\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\">fill out a short survey\u003c/a>\u003c/i>\u003c/b>\u003cb data-stringify-type=\"bold\">\u003ci data-stringify-type=\"italic\">.\u003c/i>\u003c/b>\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC5493643587&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Growing up, \u003ca href=\"https://www.instagram.com/robert_tres/\" target=\"_blank\" rel=\"noopener noreferrer\">Robert Liu-Trujillo\u003c/a> didn’t see himself represented in the books he read. So after he became a dad, he wanted to make sure his son would have stories to relate to. Liu-Trujillo set forth on a path to fill the void. And in doing so, he’s contributed to the effort to raise youth of color with culturally relevant and socially conscious kids books.\u003c/p>\n\u003cp>Initially an illustrator, he became a children’s book author and has now \u003ca href=\"http://work.robdontstop.com/books/\" target=\"_blank\" rel=\"noopener noreferrer\">published eight bilingual books,\u003c/a> and has contributed to numerous other works.\u003c/p>\n\u003cp>Liu-Trujillo uses watercolors to create everyday scenes that are both bright and earthy. His characters are from cultures and communities that have been historically overlooked in the American early childhood literature circles. In making books that are more reflective of kid’s like his own, his books are written in English and Spanish.\u003c/p>\n\u003cfigure id=\"attachment_13918136\" class=\"wp-caption aligncenter\" style=\"max-width: 1224px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13918136 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Furqan-Spread-3.jpg\" alt=\"An excerpt from Robert Liu-Trujillo's Furqan's book First Flat Top\" width=\"1224\" height=\"792\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Furqan-Spread-3.jpg 1224w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Furqan-Spread-3-800x518.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Furqan-Spread-3-1020x660.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Furqan-Spread-3-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Furqan-Spread-3-768x497.jpg 768w\" sizes=\"(max-width: 1224px) 100vw, 1224px\">\u003cfigcaption class=\"wp-caption-text\">An excerpt from Robert Liu-Trujillo’s book, Furqan’s First Flat Top \u003ccite>(Robert Liu-Trujillo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Liu-Trujillo, who grew up in the East Bay, isn’t alone in this push to diversify “kid lit.” He’s a part of a collective of authors and creators, many of whom participate in the \u003ca href=\"https://www.facebook.com/socialjusticebookfair/\" target=\"_blank\" rel=\"noopener noreferrer\">Social Justice Children’s Book Holiday Fair\u003c/a> in the Bay Area.\u003c/p>\n\u003cp>He sees his work, and the work of his peers, as an essential effort to combat larger issues like low literacy rates, discrimination, and low self esteem.\u003c/p>\n\u003cp>With the \u003ca href=\"https://ccbc.education.wisc.edu/literature-resources/ccbc-diversity-statistics/books-by-and-or-about-poc-2018/\" target=\"_blank\" rel=\"noopener noreferrer\">historical evidence\u003c/a> that people of color aren’t proportionately represented in children’s books, and the ongoing fight to ban certain books that address race and LGBTQ+ identity in places like \u003ca href=\"https://www.npr.org/2022/08/18/1117708153/bible-anne-frank-books-banned-texas-school-district\" target=\"_blank\" rel=\"noopener noreferrer\">Texas\u003c/a> and \u003ca href=\"https://www.npr.org/2022/08/22/1118787106/florida-book-law-dictionary-donation\" target=\"_blank\" rel=\"noopener noreferrer\">Florida\u003c/a>, it’s extremely clear why his work is important right now.\u003c/p>\n\u003cp>This week we talk to Robert Liu-Trujillo about his craft, and how his work is creating a future where more young people see themselves represented.\u003c/p>\n\u003cfigure id=\"attachment_13918079\" class=\"wp-caption aligncenter\" style=\"max-width: 1280px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13918079 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/download-3.jpg\" alt=\"An illustration of a classroom setting with a young brown girl talking to two adults. \" width=\"1280\" height=\"826\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/download-3.jpg 1280w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/download-3-800x516.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/download-3-1020x658.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/download-3-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/download-3-768x496.jpg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\">\u003cfigcaption class=\"wp-caption-text\">Image from Robert Liu-Trujillo’s book, Alejandria Fights Back!\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Below are some lightly edited excerpts of the episode with Robert Liu-Trujillo. \u003c/strong>\u003c/p>\n\u003cp>\u003cem>Pen: \u003cspan style=\"font-weight: 400\">When you made the decision to be a children’s author, you were taking in a lot of books. What were some of those foundational titles?\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/em>\u003c/p>\n\u003cp>Robert:\u003cspan style=\"font-weight: 400\"> There was a lot of visuals that spoke to me. \u003c/span>\u003ca href=\"https://www.kadirnelson.com/\">\u003cspan style=\"font-weight: 400\">Kadir Nelson\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> is \u003c/span>\u003cspan style=\"font-weight: 400\">an incredible oil painter, and he does things that are very realistic and things that are kind of exaggerated. H\u003c/span>\u003cspan style=\"font-weight: 400\">e had stories that a lot of times were about Black history, sometimes about historical figures or times in slavery, but were very imaginative stories as well. \u003c/span>\u003cspan style=\"font-weight: 400\">I don’t think I could ever paint like him, but it inspired me to want to catch \u003c/span>\u003cspan style=\"font-weight: 400\">someone’s eye the way it caught my eye.\u003c/span>\u003c/p>\n\u003cp>\u003cem>Pen: On the writing side of things, Robert says that he got his inspiration to write stories for his drawings after reading the work of a legendary science fiction author. \u003c/em>\u003c/p>\n\u003cp>Robert:\u003cspan style=\"font-weight: 400\"> Octavia Butler. When I was a kid, my mom was reading her, and she was like, You should check her out. And I was like, ‘Whatever, Mom.’ \u003c/span>\u003cspan style=\"font-weight: 400\">And I just for whatever reason, as a kid, I just wasn’t trying to hear it. And then as she started to get more popular, this is maybe around the mid 2000s, I was like, ‘Let me go back and read this.’ I was just blown away! \u003c/span>\u003c/p>\n\u003cp>\u003cem>Pen: Your latest book,\u003ca href=\"http://www.thelovecurriculum.com/we-are-yogasomos-yoga\"> We Are Yoga, Somos Yoga\u003c/a>. What was the process in creating that one? \u003c/em>\u003c/p>\n\u003cp>Robert: \u003cspan style=\"font-weight: 400\">Jill Guerra is a mindfulness and yoga teacher. She got an idea for doing a book where she basically explains what the poses are because a lot of people are with it and they’re like, “Yeah, this is dope! I can’t wait for my kid to do that.” And other kids are like, “Is this the devil?” \u003c/span>\u003cspan style=\"font-weight: 400\">It’s not only for parents but for educators to kind of share. ‘This is what the name of the pose is, this is what you do.’ It’s in English and Spanish. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13918141\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13918141 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Unico_spread-scaled.jpg\" alt=\"A pair of hands place a princess crown on a young boy.\" width=\"2560\" height=\"1546\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-800x483.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-1020x616.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-160x97.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-768x464.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-1536x928.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-2048x1237.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-1920x1159.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Illustration from One of A Kind Like Me/Unico Como written by Laurin Mayeno. \u003ccite>(Robert Liu-Trujillo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Pen\u003cspan style=\"font-weight: 400\">: As of late, I’m seeing a lot of calls for activism. And some of that activism is surface level and some of it is deeply rooted in community. How do you use suss out a good book about activism for children?\u003c/span>\u003c/em>\u003c/p>\n\u003cp>Robert: I think the great place to draw the line for children is to show them not just beliefs, but action. Who are we bringing the fight to and why? And so I love when kids’ books can kind of throw that in there and and not hit you over the head with it. Again, we’re not trying to like make kids be professors when they’re children. It should be something they read and enjoy. But it should also challenge them and their parents.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Growing up, Robert Liu-Trujillo didn't see himself in the books he read. Today, he's creating children's stories that center the life experiences of people of color. ","status":"publish","parent":0,"modified":1705006452,"stats":{"hasAudio":true,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":929},"headData":{"title":"Robert Liu-Trujillo on Creating Books For ‘Kids Like Me’ | KQED","description":"Growing up, Robert Liu-Trujillo didn't see himself in the books he read. Today, he's creating children's stories that center the life experiences of people of color. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Robert Liu-Trujillo on Creating Books For ‘Kids Like Me’","datePublished":"2022-08-26T10:00:12.000Z","dateModified":"2024-01-11T20:54:12.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/KQINC5493643587.mp3?updated=1661483065","sticky":false,"subhead":"A little literature, a lot of culture. ","excludeFromSiteSearch":"Include","path":"/arts/13918019/robert-liu-trujillo-on-creating-books-for-kids-like-me","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Hey Rightnowish listeners, you can help shape the future of the podcast! \u003cb data-stringify-type=\"bold\">\u003ci data-stringify-type=\"italic\">Just \u003c/i>\u003c/b>\u003cb data-stringify-type=\"bold\">\u003ci data-stringify-type=\"italic\">\u003ca class=\"c-link\" href=\"https://survey.alchemer.com/s3/6838454/2e522245cbb6\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://survey.alchemer.com/s3/6838454/2e522245cbb6\" data-sk=\"tooltip_parent\" data-remove-tab-index=\"true\">fill out a short survey\u003c/a>\u003c/i>\u003c/b>\u003cb data-stringify-type=\"bold\">\u003ci data-stringify-type=\"italic\">.\u003c/i>\u003c/b>\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC5493643587&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Growing up, \u003ca href=\"https://www.instagram.com/robert_tres/\" target=\"_blank\" rel=\"noopener noreferrer\">Robert Liu-Trujillo\u003c/a> didn’t see himself represented in the books he read. So after he became a dad, he wanted to make sure his son would have stories to relate to. Liu-Trujillo set forth on a path to fill the void. And in doing so, he’s contributed to the effort to raise youth of color with culturally relevant and socially conscious kids books.\u003c/p>\n\u003cp>Initially an illustrator, he became a children’s book author and has now \u003ca href=\"http://work.robdontstop.com/books/\" target=\"_blank\" rel=\"noopener noreferrer\">published eight bilingual books,\u003c/a> and has contributed to numerous other works.\u003c/p>\n\u003cp>Liu-Trujillo uses watercolors to create everyday scenes that are both bright and earthy. His characters are from cultures and communities that have been historically overlooked in the American early childhood literature circles. In making books that are more reflective of kid’s like his own, his books are written in English and Spanish.\u003c/p>\n\u003cfigure id=\"attachment_13918136\" class=\"wp-caption aligncenter\" style=\"max-width: 1224px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13918136 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Furqan-Spread-3.jpg\" alt=\"An excerpt from Robert Liu-Trujillo's Furqan's book First Flat Top\" width=\"1224\" height=\"792\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Furqan-Spread-3.jpg 1224w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Furqan-Spread-3-800x518.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Furqan-Spread-3-1020x660.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Furqan-Spread-3-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Furqan-Spread-3-768x497.jpg 768w\" sizes=\"(max-width: 1224px) 100vw, 1224px\">\u003cfigcaption class=\"wp-caption-text\">An excerpt from Robert Liu-Trujillo’s book, Furqan’s First Flat Top \u003ccite>(Robert Liu-Trujillo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Liu-Trujillo, who grew up in the East Bay, isn’t alone in this push to diversify “kid lit.” He’s a part of a collective of authors and creators, many of whom participate in the \u003ca href=\"https://www.facebook.com/socialjusticebookfair/\" target=\"_blank\" rel=\"noopener noreferrer\">Social Justice Children’s Book Holiday Fair\u003c/a> in the Bay Area.\u003c/p>\n\u003cp>He sees his work, and the work of his peers, as an essential effort to combat larger issues like low literacy rates, discrimination, and low self esteem.\u003c/p>\n\u003cp>With the \u003ca href=\"https://ccbc.education.wisc.edu/literature-resources/ccbc-diversity-statistics/books-by-and-or-about-poc-2018/\" target=\"_blank\" rel=\"noopener noreferrer\">historical evidence\u003c/a> that people of color aren’t proportionately represented in children’s books, and the ongoing fight to ban certain books that address race and LGBTQ+ identity in places like \u003ca href=\"https://www.npr.org/2022/08/18/1117708153/bible-anne-frank-books-banned-texas-school-district\" target=\"_blank\" rel=\"noopener noreferrer\">Texas\u003c/a> and \u003ca href=\"https://www.npr.org/2022/08/22/1118787106/florida-book-law-dictionary-donation\" target=\"_blank\" rel=\"noopener noreferrer\">Florida\u003c/a>, it’s extremely clear why his work is important right now.\u003c/p>\n\u003cp>This week we talk to Robert Liu-Trujillo about his craft, and how his work is creating a future where more young people see themselves represented.\u003c/p>\n\u003cfigure id=\"attachment_13918079\" class=\"wp-caption aligncenter\" style=\"max-width: 1280px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13918079 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/download-3.jpg\" alt=\"An illustration of a classroom setting with a young brown girl talking to two adults. \" width=\"1280\" height=\"826\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/download-3.jpg 1280w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/download-3-800x516.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/download-3-1020x658.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/download-3-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/download-3-768x496.jpg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\">\u003cfigcaption class=\"wp-caption-text\">Image from Robert Liu-Trujillo’s book, Alejandria Fights Back!\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Below are some lightly edited excerpts of the episode with Robert Liu-Trujillo. \u003c/strong>\u003c/p>\n\u003cp>\u003cem>Pen: \u003cspan style=\"font-weight: 400\">When you made the decision to be a children’s author, you were taking in a lot of books. What were some of those foundational titles?\u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/em>\u003c/p>\n\u003cp>Robert:\u003cspan style=\"font-weight: 400\"> There was a lot of visuals that spoke to me. \u003c/span>\u003ca href=\"https://www.kadirnelson.com/\">\u003cspan style=\"font-weight: 400\">Kadir Nelson\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> is \u003c/span>\u003cspan style=\"font-weight: 400\">an incredible oil painter, and he does things that are very realistic and things that are kind of exaggerated. H\u003c/span>\u003cspan style=\"font-weight: 400\">e had stories that a lot of times were about Black history, sometimes about historical figures or times in slavery, but were very imaginative stories as well. \u003c/span>\u003cspan style=\"font-weight: 400\">I don’t think I could ever paint like him, but it inspired me to want to catch \u003c/span>\u003cspan style=\"font-weight: 400\">someone’s eye the way it caught my eye.\u003c/span>\u003c/p>\n\u003cp>\u003cem>Pen: On the writing side of things, Robert says that he got his inspiration to write stories for his drawings after reading the work of a legendary science fiction author. \u003c/em>\u003c/p>\n\u003cp>Robert:\u003cspan style=\"font-weight: 400\"> Octavia Butler. When I was a kid, my mom was reading her, and she was like, You should check her out. And I was like, ‘Whatever, Mom.’ \u003c/span>\u003cspan style=\"font-weight: 400\">And I just for whatever reason, as a kid, I just wasn’t trying to hear it. And then as she started to get more popular, this is maybe around the mid 2000s, I was like, ‘Let me go back and read this.’ I was just blown away! \u003c/span>\u003c/p>\n\u003cp>\u003cem>Pen: Your latest book,\u003ca href=\"http://www.thelovecurriculum.com/we-are-yogasomos-yoga\"> We Are Yoga, Somos Yoga\u003c/a>. What was the process in creating that one? \u003c/em>\u003c/p>\n\u003cp>Robert: \u003cspan style=\"font-weight: 400\">Jill Guerra is a mindfulness and yoga teacher. She got an idea for doing a book where she basically explains what the poses are because a lot of people are with it and they’re like, “Yeah, this is dope! I can’t wait for my kid to do that.” And other kids are like, “Is this the devil?” \u003c/span>\u003cspan style=\"font-weight: 400\">It’s not only for parents but for educators to kind of share. ‘This is what the name of the pose is, this is what you do.’ It’s in English and Spanish. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13918141\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13918141 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Unico_spread-scaled.jpg\" alt=\"A pair of hands place a princess crown on a young boy.\" width=\"2560\" height=\"1546\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-800x483.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-1020x616.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-160x97.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-768x464.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-1536x928.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-2048x1237.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Unico_spread-1920x1159.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Illustration from One of A Kind Like Me/Unico Como written by Laurin Mayeno. \u003ccite>(Robert Liu-Trujillo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Pen\u003cspan style=\"font-weight: 400\">: As of late, I’m seeing a lot of calls for activism. And some of that activism is surface level and some of it is deeply rooted in community. How do you use suss out a good book about activism for children?\u003c/span>\u003c/em>\u003c/p>\n\u003cp>Robert: I think the great place to draw the line for children is to show them not just beliefs, but action. Who are we bringing the fight to and why? And so I love when kids’ books can kind of throw that in there and and not hit you over the head with it. Again, we’re not trying to like make kids be professors when they’re children. It should be something they read and enjoy. But it should also challenge them and their parents.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13918019/robert-liu-trujillo-on-creating-books-for-kids-like-me","authors":["11491","11528"],"programs":["arts_8720"],"categories":["arts_1","arts_73","arts_835","arts_21759"],"tags":["arts_1683","arts_1118"],"featImg":"arts_13918140","label":"arts_8720"},"arts_13911910":{"type":"posts","id":"arts_13911910","meta":{"index":"posts_1591205157","site":"arts","id":"13911910","score":null,"sort":[1649877620000]},"guestAuthors":[],"slug":"as-the-velveteen-rabbit-turns-100-its-message-continues-to-resonate","title":"As 'The Velveteen Rabbit' Turns 100, its Message Continues to Resonate","publishDate":1649877620,"format":"standard","headTitle":"As ‘The Velveteen Rabbit’ Turns 100, its Message Continues to Resonate | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>What does it mean to be Real?\u003c/p>\n\u003cp>It’s a big question for a children’s book. The main character in \u003cem>The Velveteen Rabbit,\u003c/em> first published in 1922, is a simple toy “stuffed with sawdust” and ears “lined with pink sateen.”\u003c/p>\n\u003cp>He feels inadequate next to the fancier, mechanical toys who are “full of modern ideas, and pretended they were real.”\u003c/p>\n\u003cp>So the Rabbit asks the Skin Horse, the oldest and wisest of the toys, “What is REAL?”\u003c/p>\n\u003cblockquote>\u003cp>“Real isn’t how you are made,” said the Skin Horse.\u003c/p>\n\u003cp>“It’s a thing that happens to you. When a child loves you for a long, long time,\u003c/p>\n\u003cp>Not just to play with, but REALLY loves you, then you become real.”\u003c/p>\n\u003cp>“Does it hurt?” asked the Rabbit.\u003c/p>\n\u003cp>“Sometimes,” said the Skin Horse, for he was always truthful.\u003c/p>\u003c/blockquote>\n\u003cp>In the age of 24/7 social media, hot takes and so-called Real Housewives, a story about authenticity might seem out of place. Yet Margery Williams Bianco’s rabbit tale still resonates. Excerpts are read at weddings. There have been numerous print, screen and theater adaptations. The story has never gone out of print.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Caldecott Medalist Erin Stead, who illustrated a new, anniversary edition, believes\u003cem> The Velveteen Rabbit\u003c/em> endures because it appeals to both children and grownups.\u003c/p>\n\u003cp>The notion of “what’s \u003cem>real\u003c/em>,” says Stead, “carries with you for the rest of your life, with all of the relationships you have, all of the friendships that you’ll make and all the times people aren’t necessarily kind to you. There’s a lot of insecurities. There’s a lot of figuring out how you belong. It’s hard to shake a story that’s that honest.”\u003c/p>\n\u003cfigure id=\"attachment_13911913\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13911913\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/margerywilliamspicture_custom-0dfd6f38ea76d9e8df157bd3b51905b908b5938d-800x1032.jpg\" alt=\"A sepia-toned photograph of a serious looking woman with sharp features, resting her chin in her hand.\" width=\"800\" height=\"1032\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/margerywilliamspicture_custom-0dfd6f38ea76d9e8df157bd3b51905b908b5938d-800x1032.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/margerywilliamspicture_custom-0dfd6f38ea76d9e8df157bd3b51905b908b5938d-1020x1316.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/margerywilliamspicture_custom-0dfd6f38ea76d9e8df157bd3b51905b908b5938d-160x206.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/margerywilliamspicture_custom-0dfd6f38ea76d9e8df157bd3b51905b908b5938d-768x991.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/margerywilliamspicture_custom-0dfd6f38ea76d9e8df157bd3b51905b908b5938d-1191x1536.jpg 1191w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/margerywilliamspicture_custom-0dfd6f38ea76d9e8df157bd3b51905b908b5938d.jpg 1483w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Margery Williams, as seen in ‘Writings and Criticism: A Book for Margery Bianco,’ published in ‘The Horn Book,’ 1951. \u003ccite>(The Horn Book © Copyright Library Journals, LLC a wholly owned subsidiary of Media Source Inc.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Margery Williams was born in London in 1881. She was very close to her father who was a barrister and a classical scholar. Williams \u003ca href=\"https://archive.org/details/juniorbookofaut000kuni/page/34/mode/2up?q=Margery+Williams&view=theater\" target=\"_blank\" rel=\"noopener noreferrer\">wrote\u003c/a> that he “believed children should be taught to read early and then have no regular teaching until they were 10.” Her favorite book was \u003cem>Wood’s Natural History\u003c/em> which she found in his library. “I knew every reptile, bird and beast in those volumes long before I knew my multiplication table,” she recalled.\u003c/p>\n\u003cp>When Williams was 7 years old, her father died suddenly.\u003c/p>\n\u003cp>Throughout her life, Williams understood what it meant to be \u003cem>real\u003c/em>, says her grandson, Mike Bianco. “She understood that all of these trappings of prestige and material possessions that we associate with being happy and what will endear us to others really fall short,” he says, “because it’s only when we allow ourselves to both give and receive unconditional love that we really become truly contented.”\u003c/p>\n\u003cp>[aside postid='arts_13901163']Psychotherapist Toni Raiten-D’Antonio was so inspired by the “hidden wisdom” in \u003cem>The Velveteen Rabbit\u003c/em> that she wrote \u003ca href=\"https://www.amazon.com/gp/product/0757302114/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i0\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Velveteen Principles: A Guide To Becoming Real\u003c/em>\u003c/a> and then followed it up with a similar book aimed at women. She believes Williams’ story is just as relevant today as it was 100 years ago. “I get women in my practice daily who compare themselves to a Kardashian or to an influencer, and they hate themselves,” she says. “They get surgeries to look like these people.”\u003c/p>\n\u003cp>Raiten-D’Antonio praises the story for both defining what being “real” feels like but also for telling readers the journey there “takes a long time.”\u003c/p>\n\u003cp>“What I was seeing in my practice was that these people had become squashed by their unreality, their lack of self-acceptance and lack of self-awareness.” In today’s culture, “The whole idea of being a real person, an authentic person, takes a lot of guts,” she says.\u003c/p>\n\u003cp>\u003ca href=\"https://archive.org/details/juniorbookofaut000kuni/page/34/mode/2up?q=Margery+Williams&view=theater\" target=\"_blank\" rel=\"noopener noreferrer\">Margery Williams once wrote\u003c/a> that her most famous story came about as she was reminiscing about her childhood.\u003c/p>\n\u003cp>“By thinking about toys and remembering toys, they suddenly became very much alive—Poor Cecco and all the family toys that had been so much a part of our lives; toys I had loved as a little girl—my almost forgotten Tubby who was the rabbit, and old Dobbin the Skin Horse (who belonged to my brother, and) the toys my children had loved,” she wrote.\u003c/p>\n\u003cp>In the story, the Rabbit is elated when he finally hears the Boy refer to him as “real.” Writer Laurel Davis Huber, author of the novel \u003ca href=\"https://www.amazon.com/Velveteen-Daughter-Laurel-Davis-Huber/dp/1631521926\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Velveteen Daughter\u003c/em>\u003c/a>\u003cem>, \u003c/em>says Margery Williams’ story has particular meaning, “to people who maybe have an illness or just in general feel like an outsider for any reason whatsoever.”\u003c/p>\n\u003cfigure id=\"attachment_13911914\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13911914\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/kb_custom-9e1f176915aa96c1cdbd0ba5fa7b0086a1c79f8f.jpg\" alt=\"A smiling middle-aged woman sits in a wheelchair, as a teenage girl stands behind her, leaning on the wheelchair and smiling broadly.\" width=\"200\" height=\"291\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/kb_custom-9e1f176915aa96c1cdbd0ba5fa7b0086a1c79f8f.jpg 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/kb_custom-9e1f176915aa96c1cdbd0ba5fa7b0086a1c79f8f-160x233.jpg 160w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003cfigcaption class=\"wp-caption-text\">Kristy Barrett with her niece Kendall Barrett in 2017. \u003ccite>(Suzanne Barrett/Kristy Barrett)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kristy Barrett says she’s “always felt a little bit like a \u003cem>human\u003c/em> Velveteen Rabbit.”\u003c/p>\n\u003cp>Barrett was born prematurely. “They told my mom when I was being born not to get attached because I wasn’t going to live,” she says. Barrett has cerebral palsy. As she got older, she faced numerous health issues including rheumatic fever. Now 50, Barrett says \u003cem>The Velveteen Rabbit\u003c/em> is her favorite book.\u003c/p>\n\u003cp>She says the part that “grabbed me by the heart” is when the Skin Horse tells the Rabbit:\u003c/p>\n\u003cblockquote>\u003cp>“…by the time you are real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are real you can’t be ugly, except to people who don’t understand.”\u003c/p>\u003c/blockquote>\n\u003cp>“If you look at me, my body’s very twisted,” Barrett says, “so I kind of fit the ‘your joints get loose and you become very shabby.’ But most of the people who know me and love me, look at me and see the beauty even though my body’s always been twisted and different.”\u003c/p>\n\u003cp>In 1904, Margery Williams married Francesco Bianco, an Italian book dealer living in London. They had a daughter, Pamela Bianco, who was a child prodigy. Pamela’s story inspired Laurel Davis Huber to write \u003cem>The Velveteen Daughter\u003c/em>. As a little girl, Pamela’s art was shown in major galleries in Europe and the U.S. and written about in major publications. The early fame took a toll on Pamela. She was hospitalized for depression.\u003c/p>\n\u003cp>[aside postid='arts_13911374']Huber says some people find \u003cem>The Velveteen Rabbit\u003c/em>, “a little sentimental.” She disagrees. “What is sentiment? Sentiment is feeling. If we don’t feel, then we aren’t really human,” Huber says.\u003c/p>\n\u003cp>“It is true that some of the most beautiful stories ever written for children … have been sad stories,” Williams Bianco wrote in the literary magazine \u003ca href=\"https://www.google.com/books/edition/The_Bookman/Rg44AQAAIAAJ?hl=en&gbpv=1&dq=Our+Youngest+Critics+Margery+Williams&pg=PR16&printsec=frontcover\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Bookman\u003c/em>\u003c/a> in 1925. “But it is the sadness which is inseparable from life, which has to do with growth and change and impermanence, and with the very essence of beauty.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>She also wrote, “To engage children’s interest in anything you have to be keenly interested in that thing yourself.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=As+%27The+Velveteen+Rabbit%27+turns+100%2C+its+message+continues+to+resonate&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"In the age of 24/7 social media, a story about authenticity might seem out of place—but Margery Williams' tale endures.","status":"publish","parent":0,"modified":1705006976,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":32,"wordCount":1292},"headData":{"title":"As 'The Velveteen Rabbit' Turns 100, its Message Continues to Resonate | KQED","description":"In the age of 24/7 social media, a story about authenticity might seem out of place—but Margery Williams' tale endures.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"As 'The Velveteen Rabbit' Turns 100, its Message Continues to Resonate","datePublished":"2022-04-13T19:20:20.000Z","dateModified":"2024-01-11T21:02:56.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Elizabeth Blair","nprImageAgency":"Doubleday Books for Young Readers","nprStoryId":"1092065211","nprApiLink":"http://api.npr.org/query?id=1092065211&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2022/04/12/1092065211/as-the-velveteen-rabbit-turns-100-its-message-continues-to-resonate?ft=nprml&f=1092065211","nprRetrievedStory":"1","nprPubDate":"Tue, 12 Apr 2022 11:47:00 -0400","nprStoryDate":"Tue, 12 Apr 2022 05:14:16 -0400","nprLastModifiedDate":"Tue, 12 Apr 2022 05:14:16 -0400","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/me/2022/04/20220412_me_as_the_velveteen_rabbit_turns_100_its_message_continues_to_resonate.mp3?orgId=1&topicId=1161&d=295&p=3&story=1092065211&ft=nprml&f=1092065211","nprAudioM3u":"http://api.npr.org/m3u/11092251264-8e6ec5.m3u?orgId=1&topicId=1161&d=295&p=3&story=1092065211&ft=nprml&f=1092065211","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","path":"/arts/13911910/as-the-velveteen-rabbit-turns-100-its-message-continues-to-resonate","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/me/2022/04/20220412_me_as_the_velveteen_rabbit_turns_100_its_message_continues_to_resonate.mp3?orgId=1&topicId=1161&d=295&p=3&story=1092065211&ft=nprml&f=1092065211","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>What does it mean to be Real?\u003c/p>\n\u003cp>It’s a big question for a children’s book. The main character in \u003cem>The Velveteen Rabbit,\u003c/em> first published in 1922, is a simple toy “stuffed with sawdust” and ears “lined with pink sateen.”\u003c/p>\n\u003cp>He feels inadequate next to the fancier, mechanical toys who are “full of modern ideas, and pretended they were real.”\u003c/p>\n\u003cp>So the Rabbit asks the Skin Horse, the oldest and wisest of the toys, “What is REAL?”\u003c/p>\n\u003cblockquote>\u003cp>“Real isn’t how you are made,” said the Skin Horse.\u003c/p>\n\u003cp>“It’s a thing that happens to you. When a child loves you for a long, long time,\u003c/p>\n\u003cp>Not just to play with, but REALLY loves you, then you become real.”\u003c/p>\n\u003cp>“Does it hurt?” asked the Rabbit.\u003c/p>\n\u003cp>“Sometimes,” said the Skin Horse, for he was always truthful.\u003c/p>\u003c/blockquote>\n\u003cp>In the age of 24/7 social media, hot takes and so-called Real Housewives, a story about authenticity might seem out of place. Yet Margery Williams Bianco’s rabbit tale still resonates. Excerpts are read at weddings. There have been numerous print, screen and theater adaptations. The story has never gone out of print.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Caldecott Medalist Erin Stead, who illustrated a new, anniversary edition, believes\u003cem> The Velveteen Rabbit\u003c/em> endures because it appeals to both children and grownups.\u003c/p>\n\u003cp>The notion of “what’s \u003cem>real\u003c/em>,” says Stead, “carries with you for the rest of your life, with all of the relationships you have, all of the friendships that you’ll make and all the times people aren’t necessarily kind to you. There’s a lot of insecurities. There’s a lot of figuring out how you belong. It’s hard to shake a story that’s that honest.”\u003c/p>\n\u003cfigure id=\"attachment_13911913\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13911913\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/margerywilliamspicture_custom-0dfd6f38ea76d9e8df157bd3b51905b908b5938d-800x1032.jpg\" alt=\"A sepia-toned photograph of a serious looking woman with sharp features, resting her chin in her hand.\" width=\"800\" height=\"1032\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/margerywilliamspicture_custom-0dfd6f38ea76d9e8df157bd3b51905b908b5938d-800x1032.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/margerywilliamspicture_custom-0dfd6f38ea76d9e8df157bd3b51905b908b5938d-1020x1316.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/margerywilliamspicture_custom-0dfd6f38ea76d9e8df157bd3b51905b908b5938d-160x206.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/margerywilliamspicture_custom-0dfd6f38ea76d9e8df157bd3b51905b908b5938d-768x991.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/margerywilliamspicture_custom-0dfd6f38ea76d9e8df157bd3b51905b908b5938d-1191x1536.jpg 1191w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/margerywilliamspicture_custom-0dfd6f38ea76d9e8df157bd3b51905b908b5938d.jpg 1483w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Margery Williams, as seen in ‘Writings and Criticism: A Book for Margery Bianco,’ published in ‘The Horn Book,’ 1951. \u003ccite>(The Horn Book © Copyright Library Journals, LLC a wholly owned subsidiary of Media Source Inc.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Margery Williams was born in London in 1881. She was very close to her father who was a barrister and a classical scholar. Williams \u003ca href=\"https://archive.org/details/juniorbookofaut000kuni/page/34/mode/2up?q=Margery+Williams&view=theater\" target=\"_blank\" rel=\"noopener noreferrer\">wrote\u003c/a> that he “believed children should be taught to read early and then have no regular teaching until they were 10.” Her favorite book was \u003cem>Wood’s Natural History\u003c/em> which she found in his library. “I knew every reptile, bird and beast in those volumes long before I knew my multiplication table,” she recalled.\u003c/p>\n\u003cp>When Williams was 7 years old, her father died suddenly.\u003c/p>\n\u003cp>Throughout her life, Williams understood what it meant to be \u003cem>real\u003c/em>, says her grandson, Mike Bianco. “She understood that all of these trappings of prestige and material possessions that we associate with being happy and what will endear us to others really fall short,” he says, “because it’s only when we allow ourselves to both give and receive unconditional love that we really become truly contented.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13901163","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Psychotherapist Toni Raiten-D’Antonio was so inspired by the “hidden wisdom” in \u003cem>The Velveteen Rabbit\u003c/em> that she wrote \u003ca href=\"https://www.amazon.com/gp/product/0757302114/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i0\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Velveteen Principles: A Guide To Becoming Real\u003c/em>\u003c/a> and then followed it up with a similar book aimed at women. She believes Williams’ story is just as relevant today as it was 100 years ago. “I get women in my practice daily who compare themselves to a Kardashian or to an influencer, and they hate themselves,” she says. “They get surgeries to look like these people.”\u003c/p>\n\u003cp>Raiten-D’Antonio praises the story for both defining what being “real” feels like but also for telling readers the journey there “takes a long time.”\u003c/p>\n\u003cp>“What I was seeing in my practice was that these people had become squashed by their unreality, their lack of self-acceptance and lack of self-awareness.” In today’s culture, “The whole idea of being a real person, an authentic person, takes a lot of guts,” she says.\u003c/p>\n\u003cp>\u003ca href=\"https://archive.org/details/juniorbookofaut000kuni/page/34/mode/2up?q=Margery+Williams&view=theater\" target=\"_blank\" rel=\"noopener noreferrer\">Margery Williams once wrote\u003c/a> that her most famous story came about as she was reminiscing about her childhood.\u003c/p>\n\u003cp>“By thinking about toys and remembering toys, they suddenly became very much alive—Poor Cecco and all the family toys that had been so much a part of our lives; toys I had loved as a little girl—my almost forgotten Tubby who was the rabbit, and old Dobbin the Skin Horse (who belonged to my brother, and) the toys my children had loved,” she wrote.\u003c/p>\n\u003cp>In the story, the Rabbit is elated when he finally hears the Boy refer to him as “real.” Writer Laurel Davis Huber, author of the novel \u003ca href=\"https://www.amazon.com/Velveteen-Daughter-Laurel-Davis-Huber/dp/1631521926\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Velveteen Daughter\u003c/em>\u003c/a>\u003cem>, \u003c/em>says Margery Williams’ story has particular meaning, “to people who maybe have an illness or just in general feel like an outsider for any reason whatsoever.”\u003c/p>\n\u003cfigure id=\"attachment_13911914\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13911914\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/kb_custom-9e1f176915aa96c1cdbd0ba5fa7b0086a1c79f8f.jpg\" alt=\"A smiling middle-aged woman sits in a wheelchair, as a teenage girl stands behind her, leaning on the wheelchair and smiling broadly.\" width=\"200\" height=\"291\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/kb_custom-9e1f176915aa96c1cdbd0ba5fa7b0086a1c79f8f.jpg 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/kb_custom-9e1f176915aa96c1cdbd0ba5fa7b0086a1c79f8f-160x233.jpg 160w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003cfigcaption class=\"wp-caption-text\">Kristy Barrett with her niece Kendall Barrett in 2017. \u003ccite>(Suzanne Barrett/Kristy Barrett)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kristy Barrett says she’s “always felt a little bit like a \u003cem>human\u003c/em> Velveteen Rabbit.”\u003c/p>\n\u003cp>Barrett was born prematurely. “They told my mom when I was being born not to get attached because I wasn’t going to live,” she says. Barrett has cerebral palsy. As she got older, she faced numerous health issues including rheumatic fever. Now 50, Barrett says \u003cem>The Velveteen Rabbit\u003c/em> is her favorite book.\u003c/p>\n\u003cp>She says the part that “grabbed me by the heart” is when the Skin Horse tells the Rabbit:\u003c/p>\n\u003cblockquote>\u003cp>“…by the time you are real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are real you can’t be ugly, except to people who don’t understand.”\u003c/p>\u003c/blockquote>\n\u003cp>“If you look at me, my body’s very twisted,” Barrett says, “so I kind of fit the ‘your joints get loose and you become very shabby.’ But most of the people who know me and love me, look at me and see the beauty even though my body’s always been twisted and different.”\u003c/p>\n\u003cp>In 1904, Margery Williams married Francesco Bianco, an Italian book dealer living in London. They had a daughter, Pamela Bianco, who was a child prodigy. Pamela’s story inspired Laurel Davis Huber to write \u003cem>The Velveteen Daughter\u003c/em>. As a little girl, Pamela’s art was shown in major galleries in Europe and the U.S. and written about in major publications. The early fame took a toll on Pamela. She was hospitalized for depression.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13911374","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Huber says some people find \u003cem>The Velveteen Rabbit\u003c/em>, “a little sentimental.” She disagrees. “What is sentiment? Sentiment is feeling. If we don’t feel, then we aren’t really human,” Huber says.\u003c/p>\n\u003cp>“It is true that some of the most beautiful stories ever written for children … have been sad stories,” Williams Bianco wrote in the literary magazine \u003ca href=\"https://www.google.com/books/edition/The_Bookman/Rg44AQAAIAAJ?hl=en&gbpv=1&dq=Our+Youngest+Critics+Margery+Williams&pg=PR16&printsec=frontcover\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Bookman\u003c/em>\u003c/a> in 1925. “But it is the sadness which is inseparable from life, which has to do with growth and change and impermanence, and with the very essence of beauty.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She also wrote, “To engage children’s interest in anything you have to be keenly interested in that thing yourself.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=As+%27The+Velveteen+Rabbit%27+turns+100%2C+its+message+continues+to+resonate&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13911910/as-the-velveteen-rabbit-turns-100-its-message-continues-to-resonate","authors":["byline_arts_13911910"],"categories":["arts_1","arts_73"],"tags":["arts_1683","arts_930"],"affiliates":["arts_137"],"featImg":"arts_13911912","label":"arts_137"},"arts_13911374":{"type":"posts","id":"arts_13911374","meta":{"index":"posts_1591205157","site":"arts","id":"13911374","score":null,"sort":[1648761130000]},"guestAuthors":[],"slug":"book-bans-wont-stop-these-authors-from-telling-the-stories-of-trans-youth","title":"Book Bans Won't Stop These Authors From Telling the Stories of Trans Youth","publishDate":1648761130,"format":"aside","headTitle":"Book Bans Won’t Stop These Authors From Telling the Stories of Trans Youth | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cfigure id=\"attachment_13911378\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/books_custom-295758b7fa31d8cf652582140125197368a94b7e-s1600-c85-copy-800x275.jpg\" alt=\"Three colorful children's book covers depict bodies of different sizes, colors and genders.\" width=\"800\" height=\"275\" class=\"size-medium wp-image-13911378\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/books_custom-295758b7fa31d8cf652582140125197368a94b7e-s1600-c85-copy-800x275.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/books_custom-295758b7fa31d8cf652582140125197368a94b7e-s1600-c85-copy-1020x351.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/books_custom-295758b7fa31d8cf652582140125197368a94b7e-s1600-c85-copy-160x55.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/books_custom-295758b7fa31d8cf652582140125197368a94b7e-s1600-c85-copy-768x264.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/books_custom-295758b7fa31d8cf652582140125197368a94b7e-s1600-c85-copy-1536x528.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/books_custom-295758b7fa31d8cf652582140125197368a94b7e-s1600-c85-copy.jpg 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Bodies are Cool’ by Tyler Feder, ‘Téo’s Tutu’ by Maryann Jacob Macias, and ‘My Rainbow’ by Trinity Neal and DeShanna Neal. \u003ccite>(Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was just two weeks ago that DeShanna Neal found out that \u003cem>My Rainbow,\u003c/em> a book she wrote with their daughter Trinity and published in 2020, was being targeted for a ban.\u003c/p>\n\u003cp>The book tells the story of designing and creating the perfect rainbow wig for a young Trinity, who transitioned when she was 4. It was \u003ca href=\"https://www.npr.org/2021/10/28/1050013664/texas-lawmaker-matt-krause-launches-inquiry-into-850-books\">one of 850 books \u003c/a>that Texas lawmaker Matt Krause targeted in October 2021 — unbeknownst to Neal until recently.\u003c/p>\n\u003cp>Bans on books about race and LGBTQ+ identities are common. Last year, stories about Black American history and diversity were among the most banned or protested books in schools and libraries, according to the \u003ca href=\"https://www.ala.org/advocacy/bbooks/frequentlychallengedbooks/top10\">American Library Association\u003c/a>. And in 2020, \u003ca href=\"https://www.hrc.org/press-releases/human-rights-campaign-foundation-releases-list-of-lgbtq-affirming-books-in-the-wake-of-discriminatory-book-bans-across-the-country\">eight of the 10\u003c/a> most challenged books covered the LGBTQ+ community.\u003c/p>\n\u003cp>As Republican lawmakers continue to push forward with efforts to curb the rights of queer and trans youth \u003ca href=\"https://www.npr.org/2022/03/30/1089462508/teachers-fear-the-chilling-effect-of-floridas-so-called-dont-say-gay-law\">and limit discussion in schools\u003c/a>, authors who’ve written about gender expansive and trans identities say that type of storytelling is crucial.\u003c/p>\n\u003cp>Books about trans identities need space in the classroom, said Cheryl Greene, the Welcoming Schools Director for the Human Rights Campaign.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Trans and nonbinary kids and LGBTQ+ families exist,” she said. “And you know, not talking about them doesn’t make them go away. It just sends the message that they’re not accepted.”\u003c/p>\n\u003cp>Teachers and educators are tasked with ensuring that all families and students are valued and feel like they belong, Greene said. That’s something that books can do, she added.\u003c/p>\n\u003ch2>A rainbow wig for Trinity\u003c/h2>\n\u003cp>DeShanna Neal remembers staying up late into the night making a wig for a young Trinity. Trinity’s brother helped picked out the colors, but it was up to Neal — who had never before made a wig — to put it all together.\u003c/p>\n\u003cp>Neal tells NPR that Trinity felt her gender expression wasn’t valid because her hair was too short. But Trinity, who is autistic, hated the feeling of hair on the back of her neck. Neal also didn’t want to give Trinity straight hair because she is Black, they added.\u003c/p>\n\u003cp>“It was like, ‘How do I make these all come together?’ ” Neal remembers asking. “Because every part of her, every intersection of her — and I teach all my kids this — every part of us is why we are a masterpiece.”\u003c/p>\n\u003cfigure id=\"attachment_13911381\" class=\"wp-caption aligncenter\" style=\"max-width: 450px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/myrainbow-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13911381\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/myrainbow-1.jpg\" alt=\"A yellow children's book showing an African-American woman wearing a rainbow flower crown.\" width=\"450\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/myrainbow-1.jpg 450w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/myrainbow-1-160x160.jpg 160w\" sizes=\"(max-width: 450px) 100vw, 450px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">‘My Rainbow’ by Trinity Neal and DeShanna Neal. \u003ccite>(Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Neal says she still has the picture of a young Trinity, who is now 18, smiling and putting on the wig for the first time. Many remembered Trinity as “the girl with the rainbow hair,” Neal said.\u003c/p>\n\u003cp>But the young author doesn’t let the attention get to her head, Neal said of her daughter. When the activist duo is tagged in something, Trinity is excited, but then she goes back to playing Roblox, Neal said.\u003c/p>\n\u003cp>Meanwhile, Trinity’s younger sister, Hyperion, has shared the book with her classmates.\u003c/p>\n\u003cp>“Nothing’s cooler than saying, ‘Yeah, my big sister is an author,’ ” Neal said of Hyperion. ” ‘Don’t mind me, my big sister met Obama.’ ”\u003c/p>\n\u003ch2>Young characters that reflect humanity\u003c/h2>\n\u003cp>When Ellie was growing up, their mom, Vanessa Ford, recalls a lack of books that captured her own child’s experience. Many of the book characters didn’t look like Ellie, Ford said.\u003c/p>\n\u003cp>For Ellie,\u003cem> I am Jazz\u003c/em> by Jazz Jennings was a formative work. The story follows the author’s own experience as a trans child.\u003c/p>\n\u003cp>“But as Ellie mentioned, ‘Jazz was not brown like me,’ ” Ford told NPR.\u003c/p>\n\u003cp>Ford and her husband set out to find books that represented Ellie, who is biracial. When the duo started writing \u003cem>Calvin \u003c/em>in 2018, which follows a young trans boy’s coming out story, Ford said they couldn’t find any books with transgender characters of color.\u003c/p>\n\u003cp>But over the years, the selection has expanded with the addition of books like \u003cem>My Rainbow\u003c/em> and Kyle Lukoff’s \u003cem>When Aidan Became A Brother.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13911382\" class=\"wp-caption aligncenter\" style=\"max-width: 384px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/calvin_custom-802a07a1aa43e7f9b6c931ebc7cc51da360b72db-s1600-c85.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13911382\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/calvin_custom-802a07a1aa43e7f9b6c931ebc7cc51da360b72db-s1600-c85.jpg\" alt=\"A lavender children's book showing a young African American boy's face\" width=\"384\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/calvin_custom-802a07a1aa43e7f9b6c931ebc7cc51da360b72db-s1600-c85.jpg 384w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/calvin_custom-802a07a1aa43e7f9b6c931ebc7cc51da360b72db-s1600-c85-160x188.jpg 160w\" sizes=\"(max-width: 384px) 100vw, 384px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">‘Calvin’ by JR and Vanessa Ford. \u003ccite>(Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In \u003cem>Calvin, \u003c/em>the Fords tell the story of a young trans boy, loosely based on the experiences of their own child, Ellie. In the book, Calvin tells his parents that he is a boy “in his heart, in his brain,” Ford says.\u003c/p>\n\u003cp>“We love you if you are a girl, boy, neither, or both,” Calvin’s dad says. “We love you whoever you are.”\u003c/p>\n\u003cp>After coming out, Calvin is met with nothing but support and acceptance. His friend calls him by his name, and in one scene, his grandparents give him a haircut. Nobody bullies Calvin and no one questions his identity, Ford says.\u003c/p>\n\u003cp>“It sends a message that trans kids can thrive and be happy and wonderful in their environments when those around them support and affirm who they are,” Ford told NPR.\u003c/p>\n\u003cp>Including\u003cem> Calvin\u003c/em> in classrooms was important for Ford, who was a teacher in D.C. public schools for 15 years. She said they’ve done virtual school and library visits all over the country, from Oregon to Pennsylvania to Texas.\u003c/p>\n\u003cp>“We want this being utilized in classrooms as a mirror to kids who need to see themselves, and a window for other kids who need to understand what it means to be gender diverse or transgender,” Ford said.\u003c/p>\n\u003ch2>A story about ‘unconditional love’\u003c/h2>\n\u003cp>Growing up, Maryann Jacob Macias loved ballet. But she didn’t like the itchy, polyester outfit that came with it. She was much more partial to the T-shirt and leggings, which was known as the boys’ costume.\u003c/p>\n\u003cp>A young Jacob Macias later dropped ballet altogether, because she felt she couldn’t do it in a way that was “comfortable for me,” she told NPR. But in her book, \u003cem>Téo’s Tutu\u003c/em>, she tells a story where a young Téo thrives in his tutu. It’s a story about “unconditional love,” she added.\u003c/p>\n\u003cfigure id=\"attachment_13911383\" class=\"wp-caption aligncenter\" style=\"max-width: 406px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/teos-tutu_custom-65c32be9d0d2500828b2bad6f5f2f7c0cdf13d35-s1600-c85.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13911383\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/teos-tutu_custom-65c32be9d0d2500828b2bad6f5f2f7c0cdf13d35-s1600-c85.jpg\" alt=\"A colorful children's book cover shows a young child with an Afro dancing in a tutu\" width=\"406\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/teos-tutu_custom-65c32be9d0d2500828b2bad6f5f2f7c0cdf13d35-s1600-c85.jpg 406w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/teos-tutu_custom-65c32be9d0d2500828b2bad6f5f2f7c0cdf13d35-s1600-c85-160x177.jpg 160w\" sizes=\"(max-width: 406px) 100vw, 406px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">‘Téo’s Tutu’ by Maryann Jacob Macias. \u003ccite>(Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the book, she introduces Téo who is growing up in an Indian and Colombian family, mirroring her own family. Téo loves dancing at home with his family, whether Cumbia or Bhangra, she said. And naturally, Téo is very excited for his first ballet class.\u003c/p>\n\u003cp>“When it comes time to decide which outfit to wear in the recital, whether it’s the sparkly tutu or the shimmering silver pants and T-shirt,” Jacob Macias said, “he wonders if the audience will love him back.”\u003c/p>\n\u003cp>Téo’s story tells readers that “you’re magnificent and you deserve to show up as your best self,” Jacob Macias said.\u003c/p>\n\u003cp>It also might help some readers feel seen. Jacob Macias recalls reading books when she was younger where she couldn’t see herself.\u003c/p>\n\u003cp>“I remember not having books where I felt represented as a little brown girl,” Jacob Macias told NPR. “It was always my dream to write those books and I feel very fortunate that I’m able to do that now.”\u003c/p>\n\u003ch2>Queer and trans communities are not monolithic\u003c/h2>\n\u003cp>In less than two weeks, Kyle Lukoff’s latest book \u003cem>Different Kinds of Fruit\u003c/em> is set for release. The book tells the story of Annabelle, who is just starting sixth grade. Annabelle, who’s realizing that she might not like boys the way some other girls do, befriends Bailey, the new kid.\u003c/p>\n\u003cp>Annabelle thinks they’re pretty cool, and she is drawn to their smile. She later learns that her father and Bailey might have something in common.\u003c/p>\n\u003cp>Annabelle’s father later reveals to her that he is trans, and he had given birth to her. But his local trans community wasn’t supportive of his choice, Lukoff told NPR.\u003c/p>\n\u003cp>The novel follows Annabelle’s emotional journey as she learns more about her parents and her own identity.\u003c/p>\n\u003cp>Lukoff hopes the novel shows that queer and trans communities are diverse. Queer and trans people don’t always agree with each other, whether on politics or in the ways folks talk about their identities, he said.\u003c/p>\n\u003cp>“I would love for people to come away from this book and realize that there’s no one correct way to interact with trans people because we often have different needs and experiences,” he said. “And also, that that’s okay.”\u003c/p>\n\u003ch2>A conversation starter for the youngest readers\u003c/h2>\n\u003cp>Behind Tyler Feder’s \u003cem>Bodies are Cool \u003c/em>was an immense spreadsheet. It was filled with all of the qualities of bodies that she wanted to document in the colorful book. The book, she says, carries a bit of a “Where’s Waldo” energy.\u003c/p>\n\u003cfigure id=\"attachment_13911384\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13911384\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85-800x800.jpg\" alt=\"A children's book with a pink background shows bodies of different shapes, sizes and colors\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85.jpg 1600w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">‘Bodies are Cool’ by Tyler Feder. \u003ccite>(Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In \u003cem>Bodies are Cool\u003c/em>, tons of people — maybe more than 100, Feder says — are shown with different gender presentations, hair types, skin colors, body sizes and shapes, she told NPR.\u003c/p>\n\u003cp>Even those who can’t read yet can engage with the book just by looking at the pages, and asking their parents questions if they have any.\u003c/p>\n\u003cp>The book includes folks with top-surgery scars in different stages of healing. Feder hopes the book shows that “it’s normal to be trans or visibly queer or very fat or with a really noticeable disability.”\u003c/p>\n\u003cp>Across all of the pages, joy is universal. Feder depicts colorful crowds of people who love each other, are friendly and are just having fun, she tells NPR.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“If [kids] just start out thinking that everyone’s fine how they are, they’ll grow up and not want to discriminate,” she said.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2022 NPR. To see more, visit \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=These+kids%27+authors+are+telling+the+stories+of+trans+youth.+Book+bans+won%27t+stop+them&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n","blocks":[],"excerpt":"As lawmakers push forward to curb queer and trans youth rights, children's authors who've written about gender-expansive and trans identities say storytelling is crucial.","status":"publish","parent":0,"modified":1705007019,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":46,"wordCount":1754},"headData":{"title":"Book Bans Won't Stop These Authors From Telling the Stories of Trans Youth | KQED","description":"As lawmakers push forward to curb queer and trans youth rights, children's authors who've written about gender-expansive and trans identities say storytelling is crucial.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Book Bans Won't Stop These Authors From Telling the Stories of Trans Youth","datePublished":"2022-03-31T21:12:10.000Z","dateModified":"2024-01-11T21:03:39.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Rina Torchinsky","nprStoryId":"1089726765","nprApiLink":"http://api.npr.org/query?id=1089726765&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2022/03/31/1089726765/these-kids-authors-are-telling-the-stories-of-trans-youth-book-bans-wont-stop-th?ft=nprml&f=1089726765","nprRetrievedStory":"1","nprPubDate":"Thu, 31 Mar 2022 13:48:00 -0400","nprStoryDate":"Thu, 31 Mar 2022 13:48:51 -0400","nprLastModifiedDate":"Thu, 31 Mar 2022 13:48:51 -0400","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","path":"/arts/13911374/book-bans-wont-stop-these-authors-from-telling-the-stories-of-trans-youth","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13911378\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/books_custom-295758b7fa31d8cf652582140125197368a94b7e-s1600-c85-copy-800x275.jpg\" alt=\"Three colorful children's book covers depict bodies of different sizes, colors and genders.\" width=\"800\" height=\"275\" class=\"size-medium wp-image-13911378\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/books_custom-295758b7fa31d8cf652582140125197368a94b7e-s1600-c85-copy-800x275.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/books_custom-295758b7fa31d8cf652582140125197368a94b7e-s1600-c85-copy-1020x351.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/books_custom-295758b7fa31d8cf652582140125197368a94b7e-s1600-c85-copy-160x55.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/books_custom-295758b7fa31d8cf652582140125197368a94b7e-s1600-c85-copy-768x264.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/books_custom-295758b7fa31d8cf652582140125197368a94b7e-s1600-c85-copy-1536x528.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/books_custom-295758b7fa31d8cf652582140125197368a94b7e-s1600-c85-copy.jpg 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Bodies are Cool’ by Tyler Feder, ‘Téo’s Tutu’ by Maryann Jacob Macias, and ‘My Rainbow’ by Trinity Neal and DeShanna Neal. \u003ccite>(Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was just two weeks ago that DeShanna Neal found out that \u003cem>My Rainbow,\u003c/em> a book she wrote with their daughter Trinity and published in 2020, was being targeted for a ban.\u003c/p>\n\u003cp>The book tells the story of designing and creating the perfect rainbow wig for a young Trinity, who transitioned when she was 4. It was \u003ca href=\"https://www.npr.org/2021/10/28/1050013664/texas-lawmaker-matt-krause-launches-inquiry-into-850-books\">one of 850 books \u003c/a>that Texas lawmaker Matt Krause targeted in October 2021 — unbeknownst to Neal until recently.\u003c/p>\n\u003cp>Bans on books about race and LGBTQ+ identities are common. Last year, stories about Black American history and diversity were among the most banned or protested books in schools and libraries, according to the \u003ca href=\"https://www.ala.org/advocacy/bbooks/frequentlychallengedbooks/top10\">American Library Association\u003c/a>. And in 2020, \u003ca href=\"https://www.hrc.org/press-releases/human-rights-campaign-foundation-releases-list-of-lgbtq-affirming-books-in-the-wake-of-discriminatory-book-bans-across-the-country\">eight of the 10\u003c/a> most challenged books covered the LGBTQ+ community.\u003c/p>\n\u003cp>As Republican lawmakers continue to push forward with efforts to curb the rights of queer and trans youth \u003ca href=\"https://www.npr.org/2022/03/30/1089462508/teachers-fear-the-chilling-effect-of-floridas-so-called-dont-say-gay-law\">and limit discussion in schools\u003c/a>, authors who’ve written about gender expansive and trans identities say that type of storytelling is crucial.\u003c/p>\n\u003cp>Books about trans identities need space in the classroom, said Cheryl Greene, the Welcoming Schools Director for the Human Rights Campaign.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Trans and nonbinary kids and LGBTQ+ families exist,” she said. “And you know, not talking about them doesn’t make them go away. It just sends the message that they’re not accepted.”\u003c/p>\n\u003cp>Teachers and educators are tasked with ensuring that all families and students are valued and feel like they belong, Greene said. That’s something that books can do, she added.\u003c/p>\n\u003ch2>A rainbow wig for Trinity\u003c/h2>\n\u003cp>DeShanna Neal remembers staying up late into the night making a wig for a young Trinity. Trinity’s brother helped picked out the colors, but it was up to Neal — who had never before made a wig — to put it all together.\u003c/p>\n\u003cp>Neal tells NPR that Trinity felt her gender expression wasn’t valid because her hair was too short. But Trinity, who is autistic, hated the feeling of hair on the back of her neck. Neal also didn’t want to give Trinity straight hair because she is Black, they added.\u003c/p>\n\u003cp>“It was like, ‘How do I make these all come together?’ ” Neal remembers asking. “Because every part of her, every intersection of her — and I teach all my kids this — every part of us is why we are a masterpiece.”\u003c/p>\n\u003cfigure id=\"attachment_13911381\" class=\"wp-caption aligncenter\" style=\"max-width: 450px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/myrainbow-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13911381\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/myrainbow-1.jpg\" alt=\"A yellow children's book showing an African-American woman wearing a rainbow flower crown.\" width=\"450\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/myrainbow-1.jpg 450w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/myrainbow-1-160x160.jpg 160w\" sizes=\"(max-width: 450px) 100vw, 450px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">‘My Rainbow’ by Trinity Neal and DeShanna Neal. \u003ccite>(Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Neal says she still has the picture of a young Trinity, who is now 18, smiling and putting on the wig for the first time. Many remembered Trinity as “the girl with the rainbow hair,” Neal said.\u003c/p>\n\u003cp>But the young author doesn’t let the attention get to her head, Neal said of her daughter. When the activist duo is tagged in something, Trinity is excited, but then she goes back to playing Roblox, Neal said.\u003c/p>\n\u003cp>Meanwhile, Trinity’s younger sister, Hyperion, has shared the book with her classmates.\u003c/p>\n\u003cp>“Nothing’s cooler than saying, ‘Yeah, my big sister is an author,’ ” Neal said of Hyperion. ” ‘Don’t mind me, my big sister met Obama.’ ”\u003c/p>\n\u003ch2>Young characters that reflect humanity\u003c/h2>\n\u003cp>When Ellie was growing up, their mom, Vanessa Ford, recalls a lack of books that captured her own child’s experience. Many of the book characters didn’t look like Ellie, Ford said.\u003c/p>\n\u003cp>For Ellie,\u003cem> I am Jazz\u003c/em> by Jazz Jennings was a formative work. The story follows the author’s own experience as a trans child.\u003c/p>\n\u003cp>“But as Ellie mentioned, ‘Jazz was not brown like me,’ ” Ford told NPR.\u003c/p>\n\u003cp>Ford and her husband set out to find books that represented Ellie, who is biracial. When the duo started writing \u003cem>Calvin \u003c/em>in 2018, which follows a young trans boy’s coming out story, Ford said they couldn’t find any books with transgender characters of color.\u003c/p>\n\u003cp>But over the years, the selection has expanded with the addition of books like \u003cem>My Rainbow\u003c/em> and Kyle Lukoff’s \u003cem>When Aidan Became A Brother.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13911382\" class=\"wp-caption aligncenter\" style=\"max-width: 384px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/calvin_custom-802a07a1aa43e7f9b6c931ebc7cc51da360b72db-s1600-c85.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13911382\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/calvin_custom-802a07a1aa43e7f9b6c931ebc7cc51da360b72db-s1600-c85.jpg\" alt=\"A lavender children's book showing a young African American boy's face\" width=\"384\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/calvin_custom-802a07a1aa43e7f9b6c931ebc7cc51da360b72db-s1600-c85.jpg 384w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/calvin_custom-802a07a1aa43e7f9b6c931ebc7cc51da360b72db-s1600-c85-160x188.jpg 160w\" sizes=\"(max-width: 384px) 100vw, 384px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">‘Calvin’ by JR and Vanessa Ford. \u003ccite>(Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In \u003cem>Calvin, \u003c/em>the Fords tell the story of a young trans boy, loosely based on the experiences of their own child, Ellie. In the book, Calvin tells his parents that he is a boy “in his heart, in his brain,” Ford says.\u003c/p>\n\u003cp>“We love you if you are a girl, boy, neither, or both,” Calvin’s dad says. “We love you whoever you are.”\u003c/p>\n\u003cp>After coming out, Calvin is met with nothing but support and acceptance. His friend calls him by his name, and in one scene, his grandparents give him a haircut. Nobody bullies Calvin and no one questions his identity, Ford says.\u003c/p>\n\u003cp>“It sends a message that trans kids can thrive and be happy and wonderful in their environments when those around them support and affirm who they are,” Ford told NPR.\u003c/p>\n\u003cp>Including\u003cem> Calvin\u003c/em> in classrooms was important for Ford, who was a teacher in D.C. public schools for 15 years. She said they’ve done virtual school and library visits all over the country, from Oregon to Pennsylvania to Texas.\u003c/p>\n\u003cp>“We want this being utilized in classrooms as a mirror to kids who need to see themselves, and a window for other kids who need to understand what it means to be gender diverse or transgender,” Ford said.\u003c/p>\n\u003ch2>A story about ‘unconditional love’\u003c/h2>\n\u003cp>Growing up, Maryann Jacob Macias loved ballet. But she didn’t like the itchy, polyester outfit that came with it. She was much more partial to the T-shirt and leggings, which was known as the boys’ costume.\u003c/p>\n\u003cp>A young Jacob Macias later dropped ballet altogether, because she felt she couldn’t do it in a way that was “comfortable for me,” she told NPR. But in her book, \u003cem>Téo’s Tutu\u003c/em>, she tells a story where a young Téo thrives in his tutu. It’s a story about “unconditional love,” she added.\u003c/p>\n\u003cfigure id=\"attachment_13911383\" class=\"wp-caption aligncenter\" style=\"max-width: 406px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/teos-tutu_custom-65c32be9d0d2500828b2bad6f5f2f7c0cdf13d35-s1600-c85.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13911383\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/teos-tutu_custom-65c32be9d0d2500828b2bad6f5f2f7c0cdf13d35-s1600-c85.jpg\" alt=\"A colorful children's book cover shows a young child with an Afro dancing in a tutu\" width=\"406\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/teos-tutu_custom-65c32be9d0d2500828b2bad6f5f2f7c0cdf13d35-s1600-c85.jpg 406w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/teos-tutu_custom-65c32be9d0d2500828b2bad6f5f2f7c0cdf13d35-s1600-c85-160x177.jpg 160w\" sizes=\"(max-width: 406px) 100vw, 406px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">‘Téo’s Tutu’ by Maryann Jacob Macias. \u003ccite>(Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the book, she introduces Téo who is growing up in an Indian and Colombian family, mirroring her own family. Téo loves dancing at home with his family, whether Cumbia or Bhangra, she said. And naturally, Téo is very excited for his first ballet class.\u003c/p>\n\u003cp>“When it comes time to decide which outfit to wear in the recital, whether it’s the sparkly tutu or the shimmering silver pants and T-shirt,” Jacob Macias said, “he wonders if the audience will love him back.”\u003c/p>\n\u003cp>Téo’s story tells readers that “you’re magnificent and you deserve to show up as your best self,” Jacob Macias said.\u003c/p>\n\u003cp>It also might help some readers feel seen. Jacob Macias recalls reading books when she was younger where she couldn’t see herself.\u003c/p>\n\u003cp>“I remember not having books where I felt represented as a little brown girl,” Jacob Macias told NPR. “It was always my dream to write those books and I feel very fortunate that I’m able to do that now.”\u003c/p>\n\u003ch2>Queer and trans communities are not monolithic\u003c/h2>\n\u003cp>In less than two weeks, Kyle Lukoff’s latest book \u003cem>Different Kinds of Fruit\u003c/em> is set for release. The book tells the story of Annabelle, who is just starting sixth grade. Annabelle, who’s realizing that she might not like boys the way some other girls do, befriends Bailey, the new kid.\u003c/p>\n\u003cp>Annabelle thinks they’re pretty cool, and she is drawn to their smile. She later learns that her father and Bailey might have something in common.\u003c/p>\n\u003cp>Annabelle’s father later reveals to her that he is trans, and he had given birth to her. But his local trans community wasn’t supportive of his choice, Lukoff told NPR.\u003c/p>\n\u003cp>The novel follows Annabelle’s emotional journey as she learns more about her parents and her own identity.\u003c/p>\n\u003cp>Lukoff hopes the novel shows that queer and trans communities are diverse. Queer and trans people don’t always agree with each other, whether on politics or in the ways folks talk about their identities, he said.\u003c/p>\n\u003cp>“I would love for people to come away from this book and realize that there’s no one correct way to interact with trans people because we often have different needs and experiences,” he said. “And also, that that’s okay.”\u003c/p>\n\u003ch2>A conversation starter for the youngest readers\u003c/h2>\n\u003cp>Behind Tyler Feder’s \u003cem>Bodies are Cool \u003c/em>was an immense spreadsheet. It was filled with all of the qualities of bodies that she wanted to document in the colorful book. The book, she says, carries a bit of a “Where’s Waldo” energy.\u003c/p>\n\u003cfigure id=\"attachment_13911384\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13911384\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85-800x800.jpg\" alt=\"A children's book with a pink background shows bodies of different shapes, sizes and colors\" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/bodies-are-cool_custom-ee0af9bdc0bd3b93cebe098d58f8b0582a1cce66-s1600-c85.jpg 1600w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">‘Bodies are Cool’ by Tyler Feder. \u003ccite>(Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In \u003cem>Bodies are Cool\u003c/em>, tons of people — maybe more than 100, Feder says — are shown with different gender presentations, hair types, skin colors, body sizes and shapes, she told NPR.\u003c/p>\n\u003cp>Even those who can’t read yet can engage with the book just by looking at the pages, and asking their parents questions if they have any.\u003c/p>\n\u003cp>The book includes folks with top-surgery scars in different stages of healing. Feder hopes the book shows that “it’s normal to be trans or visibly queer or very fat or with a really noticeable disability.”\u003c/p>\n\u003cp>Across all of the pages, joy is universal. Feder depicts colorful crowds of people who love each other, are friendly and are just having fun, she tells NPR.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“If [kids] just start out thinking that everyone’s fine how they are, they’ll grow up and not want to discriminate,” she said.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2022 NPR. To see more, visit \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=These+kids%27+authors+are+telling+the+stories+of+trans+youth.+Book+bans+won%27t+stop+them&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13911374/book-bans-wont-stop-these-authors-from-telling-the-stories-of-trans-youth","authors":["byline_arts_13911374"],"categories":["arts_1","arts_73"],"tags":["arts_928","arts_1683","arts_10278","arts_3226","arts_1377","arts_7565"],"affiliates":["arts_137"],"featImg":"arts_13911391","label":"arts_137"},"arts_13902779":{"type":"posts","id":"arts_13902779","meta":{"index":"posts_1591205157","site":"arts","id":"13902779","score":null,"sort":[1631210368000]},"guestAuthors":[],"slug":"books-can-help-kids-learn-about-what-happened-on-9-11-here-are-some-good-ones","title":"Books Can Help Kids Learn About What Happened on 9/11. Here Are Some Good Ones","publishDate":1631210368,"format":"standard","headTitle":"Books Can Help Kids Learn About What Happened on 9/11. Here Are Some Good Ones | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>When I was little, I used to love the books where you would connect the dots to make pictures. Some were very easy, you could tell what the picture was going to be even before you started, but some were very complex, and you had no idea what was going to emerge.\u003c/p>\n\u003cp>The topic of Sept. 11, 2001 is very complex. On that day, when I was trying to comfort a classroom of terrified eighth graders—much less understand it myself—I couldn’t see the dots that needed to be connected.\u003c/p>\n\u003cp>This month marks the 20th anniversary of the 9/11 attacks. My understanding of that day and what came before and after has been much altered in the 20 years since—though never as much as during these last few weeks. And as I prepare to share that day, its causes, its meaning, and its repercussions with my children, I have to find a way to connect the dots—as I was not able to do for my eighth graders two decades ago. Books will be my pencil.\u003c/p>\n\u003ch3>Dot 1: \u003cem>Shooting Kabul\u003c/em>\u003c/h3>\n\u003cp>[aside postid='arts_13901335']Dot number one is Dec. 24, 1979. I was five, and I already knew how to duck and cover. It was the day the Soviets invaded Afghanistan. It was still the Cold War, and it was the first wave of migration from Afghanistan. Fleeing conflict, conscription, and war, about 6 million Afghans fled their own country. It was 1979 when author Naheed Hasnat Senzai’s husband fled, and it was the year that became the inspiration for her award-winning middle-grade novel, \u003cem>Shooting Kabul\u003c/em>.\u003c/p>\n\u003cp>In the book, 11-year-old Fadi and his family bribe their way out of Afghanistan. Leaving behind their home and all their belongings, Fadi’s family is careful to avoid “the checkpoints set up by black-turbaned men on the main road.” As they carefully pick their way through Kabul’s once-lively streets, Fadi remembers the day his father told them they were going to escape.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“‘It’s because of t\u003cem>hem\u003c/em>, isn’t it?’ said Mariam, her eyes wise beyond her six years. They all knew who she meant-t\u003cem>hem\u003c/em>, the Taliban.'”\u003c/p>\n\u003ch3>Dot 2: \u003cem>The Bookseller of Kabul \u003c/em>and\u003cem> Nasreen’s Secret School\u003c/em>\u003c/h3>\n\u003cp>The second dot is 1989: After years of occupation, war and destruction, the Soviets were leaving Afghanistan, and someone was going to fill that vacuum. Asne Seirerstad’s bestselling \u003cem>The Bookseller of Kabul\u003c/em> tells the tale.\u003c/p>\n\u003cp>“‘First the Communists burn my books, then the Mujahedeen looted and pillaged, finally the Taliban burned them all over again.'”\u003c/p>\n\u003cp>The oppressive regime that had been born of the Mujahedeen was in charge.\u003c/p>\n\u003cp>[aside postid='arts_13901549']In Janette Winter’s picture book, \u003cem>Nasreen’s Secret School\u003c/em>, that oppression is at the center of daily life for girls in Afghanistan. In a country where art, music, and poetry once flourished, Nasreen’s father has been taken by the Taliban, her mother is missing, and her grandmother is determined to get her an education. Secret schools for girls were the only option, and the danger was ever-present. Educating girls would be a crime as long as the Taliban was in power.\u003c/p>\n\u003ch3>Dot 3: \u003cem>Nine, Ten \u003c/em>and \u003cem>Towers Falling\u003c/em>\u003c/h3>\n\u003cp>Which brings us back to September 2001, and another dot.\u003c/p>\n\u003cp>\u003cem>Nine, Ten\u003c/em>, a middle-grade novel by Nora Raleigh Baskin, can gently lead the way to an understanding of the tragedy of 9/11. The focus is not the events of that day, but rather the story of the two days leading up to it as told through the eyes of four kids whose lives are about to be changed. Will, in Shanksville, Pennsylvania, is struggling with the loss of his father; Aimee’s mom has to go to New York all the time for her banking job; Naheed is being bullied for wearing the hijab; and Sergio, who lives in Brooklyn, has just made friends with an NYC firefighter. Cleverly woven, this book is a good way to start the conversation with kids, without delving too deeply into the terrible events of the day itself.\u003c/p>\n\u003cp>A way to continue the gentle conversation is \u003cem>Towers Falling\u003c/em> by Jewell Parker Rhodes. For us adults, it’s hard to imagine that there is a whole generation of children that is so far removed from that day, who see it as a remnant of the ancient past. Fifth grader Dèja is one of those kids. She and her family live in a shelter because her father is too sick to work. She doesn’t know why he is sick or why he gets so depressed. She doesn’t even know two planes crashed into the World Trade Center. When Dèja has a school project on 9/11, what she thought she knew falls away, only to find healing at the end.\u003c/p>\n\u003ch3>Dot 4: \u003cem>America is Under Attack \u003c/em>and\u003cem> In the Shadow of the Fallen Towers\u003c/em>\u003c/h3>\n\u003cp>Where to go next is more difficult. There is no way to avoid the big dot. And there is no way to make it easy for kids to understand.\u003c/p>\n\u003cp>[aside postid='lowdown_14066']Don Brown has two books about that terrible day, published ten years apart.\u003cem> America is Under Attack\u003c/em>, which came out at the 10th anniversary of the terror attack, lays it all bare in a picture book style: the hijacked planes, the workers in the twin towers, the fear, the falling, all of it. Hyper-focused on an almost minute-by-minute account starting at 8 a.m., it is book best shared with an adult—and one that captures an almost incalculable immensity of feeling.\u003c/p>\n\u003cp>\u003cem>In the Shadow of the Fallen Towers\u003c/em> is Brown’s look back after 20 years and picks up where \u003cem>America is Under Attack\u003c/em> left off. There is more hindsight now, more ash, more rubble, more helpers—and more explanation. And that explanation is critical. In his second look back, Don Brown tries to explain what seems inexplicable. He reaches farther into why the Taliban would attack us, the terrible Islamophobia that came after, the attempts to stop it, and the decision to send American troops to Afghanistan.\u003c/p>\n\u003cp>These books can help kids work with adults to connect the dots.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>We see more dots today—20 years since 9/11—and there will be many more to appear in future years. And there are many dots that lead up to that day that I may never find. The picture only grows more complex. But we have to try to connect them, to remember, explain, learn—and to keep it from happening again.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Books+Can+Help+Kids+Learn+About+What+Happened+On+9%2F11.+Here+Are+Some+Good+Ones&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"On 9/11, it was impossible to connect the dots. Twenty years on, some books to help kids understand that fateful date.","status":"publish","parent":0,"modified":1705007775,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":1150},"headData":{"title":"Books Can Help Kids Learn About What Happened on 9/11. Here Are Some Good Ones | KQED","description":"On 9/11, it was impossible to connect the dots. Twenty years on, some books to help kids understand that fateful date.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Books Can Help Kids Learn About What Happened on 9/11. Here Are Some Good Ones","datePublished":"2021-09-09T17:59:28.000Z","dateModified":"2024-01-11T21:16:15.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprImageCredit":"Catie Dull","nprByline":"Juanita Giles","nprImageAgency":"NPR","nprStoryId":"1035408925","nprApiLink":"http://api.npr.org/query?id=1035408925&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2021/09/09/1035408925/books-can-help-kids-learn-about-what-happened-on-9-11-here-are-some-good-ones?ft=nprml&f=1035408925","nprRetrievedStory":"1","nprPubDate":"Thu, 09 Sep 2021 12:08:00 -0400","nprStoryDate":"Thu, 09 Sep 2021 12:08:32 -0400","nprLastModifiedDate":"Thu, 09 Sep 2021 12:08:32 -0400","templateType":"standard","featuredImageType":"standard","path":"/arts/13902779/books-can-help-kids-learn-about-what-happened-on-9-11-here-are-some-good-ones","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When I was little, I used to love the books where you would connect the dots to make pictures. Some were very easy, you could tell what the picture was going to be even before you started, but some were very complex, and you had no idea what was going to emerge.\u003c/p>\n\u003cp>The topic of Sept. 11, 2001 is very complex. On that day, when I was trying to comfort a classroom of terrified eighth graders—much less understand it myself—I couldn’t see the dots that needed to be connected.\u003c/p>\n\u003cp>This month marks the 20th anniversary of the 9/11 attacks. My understanding of that day and what came before and after has been much altered in the 20 years since—though never as much as during these last few weeks. And as I prepare to share that day, its causes, its meaning, and its repercussions with my children, I have to find a way to connect the dots—as I was not able to do for my eighth graders two decades ago. Books will be my pencil.\u003c/p>\n\u003ch3>Dot 1: \u003cem>Shooting Kabul\u003c/em>\u003c/h3>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13901335","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Dot number one is Dec. 24, 1979. I was five, and I already knew how to duck and cover. It was the day the Soviets invaded Afghanistan. It was still the Cold War, and it was the first wave of migration from Afghanistan. Fleeing conflict, conscription, and war, about 6 million Afghans fled their own country. It was 1979 when author Naheed Hasnat Senzai’s husband fled, and it was the year that became the inspiration for her award-winning middle-grade novel, \u003cem>Shooting Kabul\u003c/em>.\u003c/p>\n\u003cp>In the book, 11-year-old Fadi and his family bribe their way out of Afghanistan. Leaving behind their home and all their belongings, Fadi’s family is careful to avoid “the checkpoints set up by black-turbaned men on the main road.” As they carefully pick their way through Kabul’s once-lively streets, Fadi remembers the day his father told them they were going to escape.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“‘It’s because of t\u003cem>hem\u003c/em>, isn’t it?’ said Mariam, her eyes wise beyond her six years. They all knew who she meant-t\u003cem>hem\u003c/em>, the Taliban.'”\u003c/p>\n\u003ch3>Dot 2: \u003cem>The Bookseller of Kabul \u003c/em>and\u003cem> Nasreen’s Secret School\u003c/em>\u003c/h3>\n\u003cp>The second dot is 1989: After years of occupation, war and destruction, the Soviets were leaving Afghanistan, and someone was going to fill that vacuum. Asne Seirerstad’s bestselling \u003cem>The Bookseller of Kabul\u003c/em> tells the tale.\u003c/p>\n\u003cp>“‘First the Communists burn my books, then the Mujahedeen looted and pillaged, finally the Taliban burned them all over again.'”\u003c/p>\n\u003cp>The oppressive regime that had been born of the Mujahedeen was in charge.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13901549","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In Janette Winter’s picture book, \u003cem>Nasreen’s Secret School\u003c/em>, that oppression is at the center of daily life for girls in Afghanistan. In a country where art, music, and poetry once flourished, Nasreen’s father has been taken by the Taliban, her mother is missing, and her grandmother is determined to get her an education. Secret schools for girls were the only option, and the danger was ever-present. Educating girls would be a crime as long as the Taliban was in power.\u003c/p>\n\u003ch3>Dot 3: \u003cem>Nine, Ten \u003c/em>and \u003cem>Towers Falling\u003c/em>\u003c/h3>\n\u003cp>Which brings us back to September 2001, and another dot.\u003c/p>\n\u003cp>\u003cem>Nine, Ten\u003c/em>, a middle-grade novel by Nora Raleigh Baskin, can gently lead the way to an understanding of the tragedy of 9/11. The focus is not the events of that day, but rather the story of the two days leading up to it as told through the eyes of four kids whose lives are about to be changed. Will, in Shanksville, Pennsylvania, is struggling with the loss of his father; Aimee’s mom has to go to New York all the time for her banking job; Naheed is being bullied for wearing the hijab; and Sergio, who lives in Brooklyn, has just made friends with an NYC firefighter. Cleverly woven, this book is a good way to start the conversation with kids, without delving too deeply into the terrible events of the day itself.\u003c/p>\n\u003cp>A way to continue the gentle conversation is \u003cem>Towers Falling\u003c/em> by Jewell Parker Rhodes. For us adults, it’s hard to imagine that there is a whole generation of children that is so far removed from that day, who see it as a remnant of the ancient past. Fifth grader Dèja is one of those kids. She and her family live in a shelter because her father is too sick to work. She doesn’t know why he is sick or why he gets so depressed. She doesn’t even know two planes crashed into the World Trade Center. When Dèja has a school project on 9/11, what she thought she knew falls away, only to find healing at the end.\u003c/p>\n\u003ch3>Dot 4: \u003cem>America is Under Attack \u003c/em>and\u003cem> In the Shadow of the Fallen Towers\u003c/em>\u003c/h3>\n\u003cp>Where to go next is more difficult. There is no way to avoid the big dot. And there is no way to make it easy for kids to understand.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"lowdown_14066","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Don Brown has two books about that terrible day, published ten years apart.\u003cem> America is Under Attack\u003c/em>, which came out at the 10th anniversary of the terror attack, lays it all bare in a picture book style: the hijacked planes, the workers in the twin towers, the fear, the falling, all of it. Hyper-focused on an almost minute-by-minute account starting at 8 a.m., it is book best shared with an adult—and one that captures an almost incalculable immensity of feeling.\u003c/p>\n\u003cp>\u003cem>In the Shadow of the Fallen Towers\u003c/em> is Brown’s look back after 20 years and picks up where \u003cem>America is Under Attack\u003c/em> left off. There is more hindsight now, more ash, more rubble, more helpers—and more explanation. And that explanation is critical. In his second look back, Don Brown tries to explain what seems inexplicable. He reaches farther into why the Taliban would attack us, the terrible Islamophobia that came after, the attempts to stop it, and the decision to send American troops to Afghanistan.\u003c/p>\n\u003cp>These books can help kids work with adults to connect the dots.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>We see more dots today—20 years since 9/11—and there will be many more to appear in future years. And there are many dots that lead up to that day that I may never find. The picture only grows more complex. But we have to try to connect them, to remember, explain, learn—and to keep it from happening again.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Books+Can+Help+Kids+Learn+About+What+Happened+On+9%2F11.+Here+Are+Some+Good+Ones&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13902779/books-can-help-kids-learn-about-what-happened-on-9-11-here-are-some-good-ones","authors":["byline_arts_13902779"],"categories":["arts_1","arts_73"],"tags":["arts_10061","arts_15221","arts_1683","arts_930","arts_15169"],"affiliates":["arts_137"],"featImg":"arts_13902780","label":"arts_137"},"arts_13901163":{"type":"posts","id":"arts_13901163","meta":{"index":"posts_1591205157","site":"arts","id":"13901163","score":null,"sort":[1628798736000]},"guestAuthors":[],"slug":"the-lorax-warned-us-50-years-ago-but-we-didnt-listen","title":"'The Lorax' Warned Us 50 Years Ago, But We Didn't Listen","publishDate":1628798736,"format":"standard","headTitle":"‘The Lorax’ Warned Us 50 Years Ago, But We Didn’t Listen | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>Call it fate or an unfortunate coincidence that Dr. Seuss’ \u003cem>The Lorax\u003c/em> celebrates its 50th anniversary the same week the United Nations releases an urgent report on the \u003ca href=\"https://www.npr.org/2021/08/09/1025898341/major-report-warns-climate-change-is-accelerating-and-humans-must-cut-emissions-\" target=\"_blank\" rel=\"noopener noreferrer\">dire consequences of human-induced climate change.\u003c/a> The conflict between the industrious, polluting Once-ler and the feisty Lorax, who “speaks for the trees,” feels more prescient than ever.\u003c/p>\n\u003cblockquote>\u003cp>“Once-ler!” he cried with a cruffulous croak.\u003cbr>\n“Once-ler! You’re making such smogulous smoke!\u003cbr>\nMy poor Swomee-Swans… why, they can’t sing a note!\u003cbr>\nNo one can sing who has smog in his throat.\u003c/p>\u003c/blockquote>\n\u003cp>[aside postid='arts_13865507']“He wanted a book that captured the effects of pollution on ecosystems and I would say it was really ahead of its time,” says anthropologist and evolutionary biologist Nathaniel Dominy, who teaches at Dartmouth. “The different species disappear from the narrative in succession,” he notes. “The Bar-ba-loots leave because they run out of food. The Swomee-Swans leave because the air is polluted. The humming fish leave because the water’s polluted. He’s describing what we would now call a ‘\u003ca href=\"https://www.nature.com/scitable/knowledge/library/trophic-cascades-across-diverse-plant-ecosystems-80060347/\" target=\"_blank\" rel=\"noopener noreferrer\">trophic cascade\u003c/a>,’ and for me, as a scientist, I just find that genius that he anticipated that concept by a decade or more.”\u003c/p>\n\u003cp>While it might be a children’s book, \u003cem>The Lorax\u003c/em>‘s ominous message of what happens when you harvest nature to death made it an icon of the environmental movement, spawning \u003ca href=\"https://www.npr.org/2009/07/29/111287573/the-next-dr-seuss-movie-the-lorax\" target=\"_blank\" rel=\"noopener noreferrer\">movie\u003c/a> and stage adaptations not to mention a gazillion school \u003ca href=\"https://www.sustainabilitysuperheroes.org/meet-the-lorax.html\" target=\"_blank\" rel=\"noopener noreferrer\">projects\u003c/a>.\u003c/p>\n\u003cp>With its mostly gray, scrappy, barren images, the story stood in sharp contrast to other books by Theodor Geisel (aka Dr. Seuss) such as \u003cem>The Cat in the Hat \u003c/em>and \u003cem>Green Eggs and Ham\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13901164\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13901164\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-800x1085.jpg\" alt=\"'The Lorax' by Dr. Seuss.\" width=\"800\" height=\"1085\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-800x1085.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-1020x1383.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-160x217.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-768x1041.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-1133x1536.jpg 1133w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-1511x2048.jpg 1511w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-1920x2603.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-scaled.jpg 1888w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘The Lorax’ by Dr. Seuss. \u003ccite>(Random House Books for Young Readers)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The environmental movement takes root\u003c/h3>\n\u003cp>Geisel began writing \u003cem>The Lorax\u003c/em> at a time of growing concern about the environment. \u003ca href=\"https://www.smithsonianmag.com/history/cuyahoga-river-caught-fire-least-dozen-times-no-one-cared-until-1969-180972444/\" target=\"_blank\" rel=\"noopener noreferrer\">Images\u003c/a> of an oil-slicked river in Cleveland catching fire in 1969, the first \u003ca href=\"https://www.npr.org/2020/04/22/840542049/earth-day-at-50-climate-activists-go-digital-amid-pandemic-shutdown\" target=\"_blank\" rel=\"noopener noreferrer\">Earth Day\u003c/a> in 1970 and other events helped build the movement and put it front and center. According to Geisel biographer Donald Pease, the author believed in the movement but didn’t care for its rhetoric. He thought it was “preachy and bossy,” says Pease.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Geisel was also furious about construction going on in his La Jolla, Calif., neighborhood. “They were destroying quite beautiful eucalyptus trees, and he wanted to do something about this, and he had to find a way to transform what he understood to be a propaganda-oriented perspective on these matters into a fable that even children could understand.” But, Pease explains, “he also was confronted with writer’s block.”\u003c/p>\n\u003ch3>Inspiration strikes during a trip to Kenya\u003c/h3>\n\u003cp>His wife, Audrey Geisel, suggested they go on a trip to the \u003ca href=\"https://www.fairmont.com/mount-kenya-safari/?goto=fiche_hotel&code_hotel=A5F4&merchantid=seo-maps-KE-A5F4&sourceid=aw-cen&utm_medium=seo+maps&utm_source=google+Maps&utm_campaign=seo+maps&y_source=1_MTIzNjE0MzUtNzE1LWxvY2F0aW9uLmdvb2dsZV93ZWJzaXRlX292ZXJyaWRl\" target=\"_blank\" rel=\"noopener noreferrer\">Mount Kenya Safari Club\u003c/a>. While they were there, “he caught a view in the mountains of elephants crossing,” says Pease. “He said afterward ‘the logjam broke’ and he was able to write 90% of \u003cem>The Lorax\u003c/em> that afternoon.”\u003c/p>\n\u003cp>“It is built on one of the most beautiful landscapes with a spectacular view of Mount Kenya so I’m not surprised Dr. Seuss was inspired by that,” says Wanjira Mathai, vice president and regional director for Africa at The World Resources Institute.\u003c/p>\n\u003cp>What can happen to that beauty is made vividly clear by the end of the story. The greedy Once-ler ravages the land by chopping down Truffula Trees. He needs them to make his “thneed” garment.\u003c/p>\n\u003cp>The Lorax is apoplectic.\u003c/p>\n\u003cblockquote>\u003cp>“I speak for the trees, for the trees have no tongues.\u003cbr>\nAnd I’m asking you, sir, at the top of my lungs” —\u003cbr>\nhe was very upset as he shouted and puffed —\u003cbr>\n\u003cem>“What’s that THING you’ve made out of my Truffula tuft?”\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>Spoiler alert: the land where once upon a time, “the grass was still green and the pond was still wet and the clouds were still clean” is destroyed by the Once-ler’s insatiable appetite to sell more “thneeds.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=8V06ZOQuo0k\u003c/p>\n\u003ch3>“Unless someone like you cares a whole awful lot …”\u003c/h3>\n\u003cp>The parallels with this week’s U.N. climate report are stark. “The report paints a very sobering picture of the unforgiving, unimaginable world we have in store if our addiction to burning fossil fuels and destroying forests continues,” says Mathai. She says Dr. Seuss’ eco-parable is a “powerful depiction” of this point, despite being written so many years ago. “The Thneed—read fossil fuels—is something ‘everyone needs.’ And sadly with the Lorax, the damage was done and the environment that was bustling with life, destroyed.”\u003c/p>\n\u003cp>\u003cem>The Lorax\u003c/em> ends with a kind of challenge.\u003c/p>\n\u003cblockquote>\u003cp>UNLESS someone like you\u003cbr>\ncares a whole awful lot,\u003cbr>\nnothing’s going to get better.\u003cbr>\nIt’s not.\u003c/p>\u003c/blockquote>\n\u003cp>[aside postid='arts_13893468']“He kind of says ‘I told you so,’ like, I told you this was going to be bad and now it’s bad,” says Mark Gozonsky, a writer and high school English teacher in Los Angeles whose students have \u003ca href=\"https://lithub.com/teaching-climate-change-with-the-lorax-and-the-jungle/\" target=\"_blank\" rel=\"noopener noreferrer\">analyzed\u003c/a> \u003cem>The Lorax\u003c/em> in the context of global warming. Like Mathai, Gozonsky is struck by the parallels with this week’s report. “The book ends on a question mark … ‘Well, what are you going to do about it?’ And that’s the very question mark that we land on today,” he says. So many years later scientists are still warning, “You’ve got … a couple of years to make a difference … Time, as we all know, is ticking away.”\u003c/p>\n\u003ch3>Finding hope in the last seed left\u003c/h3>\n\u003cp>Mathai still believes it’s important to be hopeful. Her mother was a little like the Lorax of Kenya, the very place that so inspired Geisel’s story. Nobel Peace Prize winner \u003ca href=\"https://www.npr.org/sections/thetwo-way/2011/09/26/140808866/nobel-laureate-wangari-maathai-a-global-icon-of-conservation\" target=\"_blank\" rel=\"noopener noreferrer\">Wangari Maathai\u003c/a> founded The Green Belt movement, which is credited with planting more than 51 million trees across the country, part of a campaign to end poverty.\u003c/p>\n\u003cp>“My mother … always talked about trees as a symbol of hope and so \u003cem>The Lorax\u003c/em> in many ways was that and remains that for me. That each of us can be such a potent agent of change. We can be custodians of hope.”\u003c/p>\n\u003cp>Just as she read \u003cem>The Lorax\u003c/em> when she was a girl, Mathai reads it to her two daughters today.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“The Once-ler saved that one seed and waited for someone who cared to come along. It will take each of us doing our part to reverse what is coming. The latest report indicates we have even less time to turn things around,” she says. Mathai takes heart that “we have a number of ‘Loraxes’ spreading the word and sounding the alarm.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27The+Lorax%27+Warned+Us+50+Years+Ago%2C+But+We+Didn%27t+Listen&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"Dr. Seuss' eco-parable turns 50 just as the United Nations releases a bleak report on human-induced climate change.","status":"publish","parent":0,"modified":1705007972,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":23,"wordCount":1214},"headData":{"title":"'The Lorax' Warned Us 50 Years Ago, But We Didn't Listen | KQED","description":"Dr. Seuss' eco-parable turns 50 just as the United Nations releases a bleak report on human-induced climate change.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"'The Lorax' Warned Us 50 Years Ago, But We Didn't Listen","datePublished":"2021-08-12T20:05:36.000Z","dateModified":"2024-01-11T21:19:32.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Elizabeth Blair","nprImageAgency":"Random House Books for Young Readers","nprStoryId":"1026385429","nprApiLink":"http://api.npr.org/query?id=1026385429&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2021/08/12/1026385429/the-lorax-dr-seuss?ft=nprml&f=1026385429","nprRetrievedStory":"1","nprPubDate":"Thu, 12 Aug 2021 09:36:00 -0400","nprStoryDate":"Thu, 12 Aug 2021 05:03:00 -0400","nprLastModifiedDate":"Thu, 12 Aug 2021 09:36:23 -0400","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/me/2021/08/20210812_me_the_lorax_warned_us_50_years_ago_but_we_didnt_listen.mp3?orgId=1&topicId=1032&aggIds=978593267&d=267&p=3&story=1026385429&ft=nprml&f=1026385429","nprAudioM3u":"http://api.npr.org/m3u/11026993258-2cd74c.m3u?orgId=1&topicId=1032&aggIds=978593267&d=267&p=3&story=1026385429&ft=nprml&f=1026385429","templateType":"standard","featuredImageType":"standard","path":"/arts/13901163/the-lorax-warned-us-50-years-ago-but-we-didnt-listen","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/me/2021/08/20210812_me_the_lorax_warned_us_50_years_ago_but_we_didnt_listen.mp3?orgId=1&topicId=1032&aggIds=978593267&d=267&p=3&story=1026385429&ft=nprml&f=1026385429","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Call it fate or an unfortunate coincidence that Dr. Seuss’ \u003cem>The Lorax\u003c/em> celebrates its 50th anniversary the same week the United Nations releases an urgent report on the \u003ca href=\"https://www.npr.org/2021/08/09/1025898341/major-report-warns-climate-change-is-accelerating-and-humans-must-cut-emissions-\" target=\"_blank\" rel=\"noopener noreferrer\">dire consequences of human-induced climate change.\u003c/a> The conflict between the industrious, polluting Once-ler and the feisty Lorax, who “speaks for the trees,” feels more prescient than ever.\u003c/p>\n\u003cblockquote>\u003cp>“Once-ler!” he cried with a cruffulous croak.\u003cbr>\n“Once-ler! You’re making such smogulous smoke!\u003cbr>\nMy poor Swomee-Swans… why, they can’t sing a note!\u003cbr>\nNo one can sing who has smog in his throat.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13865507","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“He wanted a book that captured the effects of pollution on ecosystems and I would say it was really ahead of its time,” says anthropologist and evolutionary biologist Nathaniel Dominy, who teaches at Dartmouth. “The different species disappear from the narrative in succession,” he notes. “The Bar-ba-loots leave because they run out of food. The Swomee-Swans leave because the air is polluted. The humming fish leave because the water’s polluted. He’s describing what we would now call a ‘\u003ca href=\"https://www.nature.com/scitable/knowledge/library/trophic-cascades-across-diverse-plant-ecosystems-80060347/\" target=\"_blank\" rel=\"noopener noreferrer\">trophic cascade\u003c/a>,’ and for me, as a scientist, I just find that genius that he anticipated that concept by a decade or more.”\u003c/p>\n\u003cp>While it might be a children’s book, \u003cem>The Lorax\u003c/em>‘s ominous message of what happens when you harvest nature to death made it an icon of the environmental movement, spawning \u003ca href=\"https://www.npr.org/2009/07/29/111287573/the-next-dr-seuss-movie-the-lorax\" target=\"_blank\" rel=\"noopener noreferrer\">movie\u003c/a> and stage adaptations not to mention a gazillion school \u003ca href=\"https://www.sustainabilitysuperheroes.org/meet-the-lorax.html\" target=\"_blank\" rel=\"noopener noreferrer\">projects\u003c/a>.\u003c/p>\n\u003cp>With its mostly gray, scrappy, barren images, the story stood in sharp contrast to other books by Theodor Geisel (aka Dr. Seuss) such as \u003cem>The Cat in the Hat \u003c/em>and \u003cem>Green Eggs and Ham\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13901164\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13901164\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-800x1085.jpg\" alt=\"'The Lorax' by Dr. Seuss.\" width=\"800\" height=\"1085\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-800x1085.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-1020x1383.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-160x217.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-768x1041.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-1133x1536.jpg 1133w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-1511x2048.jpg 1511w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-1920x2603.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/08/9780394823379-fullsize-rgb-1-_custom-ce2dbe7c595191743a0244f1d5b9e48193102611-scaled.jpg 1888w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘The Lorax’ by Dr. Seuss. \u003ccite>(Random House Books for Young Readers)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The environmental movement takes root\u003c/h3>\n\u003cp>Geisel began writing \u003cem>The Lorax\u003c/em> at a time of growing concern about the environment. \u003ca href=\"https://www.smithsonianmag.com/history/cuyahoga-river-caught-fire-least-dozen-times-no-one-cared-until-1969-180972444/\" target=\"_blank\" rel=\"noopener noreferrer\">Images\u003c/a> of an oil-slicked river in Cleveland catching fire in 1969, the first \u003ca href=\"https://www.npr.org/2020/04/22/840542049/earth-day-at-50-climate-activists-go-digital-amid-pandemic-shutdown\" target=\"_blank\" rel=\"noopener noreferrer\">Earth Day\u003c/a> in 1970 and other events helped build the movement and put it front and center. According to Geisel biographer Donald Pease, the author believed in the movement but didn’t care for its rhetoric. He thought it was “preachy and bossy,” says Pease.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Geisel was also furious about construction going on in his La Jolla, Calif., neighborhood. “They were destroying quite beautiful eucalyptus trees, and he wanted to do something about this, and he had to find a way to transform what he understood to be a propaganda-oriented perspective on these matters into a fable that even children could understand.” But, Pease explains, “he also was confronted with writer’s block.”\u003c/p>\n\u003ch3>Inspiration strikes during a trip to Kenya\u003c/h3>\n\u003cp>His wife, Audrey Geisel, suggested they go on a trip to the \u003ca href=\"https://www.fairmont.com/mount-kenya-safari/?goto=fiche_hotel&code_hotel=A5F4&merchantid=seo-maps-KE-A5F4&sourceid=aw-cen&utm_medium=seo+maps&utm_source=google+Maps&utm_campaign=seo+maps&y_source=1_MTIzNjE0MzUtNzE1LWxvY2F0aW9uLmdvb2dsZV93ZWJzaXRlX292ZXJyaWRl\" target=\"_blank\" rel=\"noopener noreferrer\">Mount Kenya Safari Club\u003c/a>. While they were there, “he caught a view in the mountains of elephants crossing,” says Pease. “He said afterward ‘the logjam broke’ and he was able to write 90% of \u003cem>The Lorax\u003c/em> that afternoon.”\u003c/p>\n\u003cp>“It is built on one of the most beautiful landscapes with a spectacular view of Mount Kenya so I’m not surprised Dr. Seuss was inspired by that,” says Wanjira Mathai, vice president and regional director for Africa at The World Resources Institute.\u003c/p>\n\u003cp>What can happen to that beauty is made vividly clear by the end of the story. The greedy Once-ler ravages the land by chopping down Truffula Trees. He needs them to make his “thneed” garment.\u003c/p>\n\u003cp>The Lorax is apoplectic.\u003c/p>\n\u003cblockquote>\u003cp>“I speak for the trees, for the trees have no tongues.\u003cbr>\nAnd I’m asking you, sir, at the top of my lungs” —\u003cbr>\nhe was very upset as he shouted and puffed —\u003cbr>\n\u003cem>“What’s that THING you’ve made out of my Truffula tuft?”\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>Spoiler alert: the land where once upon a time, “the grass was still green and the pond was still wet and the clouds were still clean” is destroyed by the Once-ler’s insatiable appetite to sell more “thneeds.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8V06ZOQuo0k'\n title='//www.youtube.com/embed/8V06ZOQuo0k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch3>“Unless someone like you cares a whole awful lot …”\u003c/h3>\n\u003cp>The parallels with this week’s U.N. climate report are stark. “The report paints a very sobering picture of the unforgiving, unimaginable world we have in store if our addiction to burning fossil fuels and destroying forests continues,” says Mathai. She says Dr. Seuss’ eco-parable is a “powerful depiction” of this point, despite being written so many years ago. “The Thneed—read fossil fuels—is something ‘everyone needs.’ And sadly with the Lorax, the damage was done and the environment that was bustling with life, destroyed.”\u003c/p>\n\u003cp>\u003cem>The Lorax\u003c/em> ends with a kind of challenge.\u003c/p>\n\u003cblockquote>\u003cp>UNLESS someone like you\u003cbr>\ncares a whole awful lot,\u003cbr>\nnothing’s going to get better.\u003cbr>\nIt’s not.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13893468","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“He kind of says ‘I told you so,’ like, I told you this was going to be bad and now it’s bad,” says Mark Gozonsky, a writer and high school English teacher in Los Angeles whose students have \u003ca href=\"https://lithub.com/teaching-climate-change-with-the-lorax-and-the-jungle/\" target=\"_blank\" rel=\"noopener noreferrer\">analyzed\u003c/a> \u003cem>The Lorax\u003c/em> in the context of global warming. Like Mathai, Gozonsky is struck by the parallels with this week’s report. “The book ends on a question mark … ‘Well, what are you going to do about it?’ And that’s the very question mark that we land on today,” he says. So many years later scientists are still warning, “You’ve got … a couple of years to make a difference … Time, as we all know, is ticking away.”\u003c/p>\n\u003ch3>Finding hope in the last seed left\u003c/h3>\n\u003cp>Mathai still believes it’s important to be hopeful. Her mother was a little like the Lorax of Kenya, the very place that so inspired Geisel’s story. Nobel Peace Prize winner \u003ca href=\"https://www.npr.org/sections/thetwo-way/2011/09/26/140808866/nobel-laureate-wangari-maathai-a-global-icon-of-conservation\" target=\"_blank\" rel=\"noopener noreferrer\">Wangari Maathai\u003c/a> founded The Green Belt movement, which is credited with planting more than 51 million trees across the country, part of a campaign to end poverty.\u003c/p>\n\u003cp>“My mother … always talked about trees as a symbol of hope and so \u003cem>The Lorax\u003c/em> in many ways was that and remains that for me. That each of us can be such a potent agent of change. We can be custodians of hope.”\u003c/p>\n\u003cp>Just as she read \u003cem>The Lorax\u003c/em> when she was a girl, Mathai reads it to her two daughters today.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The Once-ler saved that one seed and waited for someone who cared to come along. It will take each of us doing our part to reverse what is coming. The latest report indicates we have even less time to turn things around,” she says. Mathai takes heart that “we have a number of ‘Loraxes’ spreading the word and sounding the alarm.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27The+Lorax%27+Warned+Us+50+Years+Ago%2C+But+We+Didn%27t+Listen&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13901163/the-lorax-warned-us-50-years-ago-but-we-didnt-listen","authors":["byline_arts_13901163"],"categories":["arts_1","arts_73","arts_75"],"tags":["arts_928","arts_1683","arts_1407"],"affiliates":["arts_137"],"featImg":"arts_13901170","label":"arts_137"},"arts_13894928":{"type":"posts","id":"arts_13894928","meta":{"index":"posts_1591205157","site":"arts","id":"13894928","score":null,"sort":[1617221390000]},"guestAuthors":[],"slug":"camping-is-an-adventure-for-all-americans-in-fatimas-great-outdoors","title":"Camping is an Adventure for All Americans in 'Fatima's Great Outdoors'","publishDate":1617221390,"format":"standard","headTitle":"Camping is an Adventure for All Americans in ‘Fatima’s Great Outdoors’ | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>Fatima Khazi is having a hard time at school—she’s in a new country, in a new city, her classmates make fun of how she speaks, they wrinkle their noses at the way her food smells, and on top of all that, she isn’t doing well in her classes. But Fatima is thrilled to escape for the weekend and go camping with her family. [aside postid='arts_13891275']\u003c/p>\n\u003cp>Ambreen Tariq’s new children’s book, \u003cem>Fatima’s Great Outdoors \u003c/em>is a story about an Indian immigrant family’s first time exploring the outdoors, and it’s as much a story about curiosity and adventure as it is about trying to assimilate as an immigrant in this country. Tariq says Fatima’s story is her own story. “Every moment in that book is real. Every snippet, every story.”\u003c/p>\n\u003cp>Tariq’s family moved from India to Minnesota during harsh winter months when she was just eight years old, and transitioning to a new life in a new country was challenging. She says she had a desire to fit in and be like everybody else. “I think this is a very universal immigrant feeling … And that really is Fatima’s experience.” While Fatima’s family might have sung Mohammad Rafi’s Hindi songs on the car ride to the campground, and eaten samosas along the way, Fatima makes her father promise that they will eat bacon for breakfast, “just like the other American families.” Tariq recalls begging her own parents to get beef bacon from the Halal butcher for their family camping trips growing up. “And yes, it was just a small thing when it comes to bacon … But for Fatima it’s a very big deal. It’s a moment where she feels like she’s doing it. She is actually camping like everybody else and enjoying it.”\u003c/p>\n\u003cfigure id=\"attachment_13894934\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13894934\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM-800x487.png\" alt=\"Tariq says that just like Fatima, she once asked her father for halal beef bacon so they could eat like other families on a camping trip.\" width=\"800\" height=\"487\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM-800x487.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM-1020x620.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM-160x97.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM-768x467.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM-1536x934.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM-1920x1168.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM.png 1996w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tariq says that just like Fatima, she once asked her father for halal beef bacon so they could eat like other families on a camping trip. \u003ccite>(Kokila)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tariq says that while nature is central to cultures throughout the world, “America has its own unique way of doing it. It’s very categorized.” According to the National Park Service’s most recent 10-year survey, \u003ca href=\"https://abcnews.go.com/Politics/americas-national-parks-face-existential-crisis-race/story?id=71528972\" target=\"_blank\" rel=\"noopener noreferrer\">77 percent\u003c/a> of those who visited the country’s 419 national parks were white. A lack of diversity in outdoor spaces is one of the reasons Tariq was compelled to write this book and start an online community called “\u003ca href=\"https://www.instagram.com/brownpeoplecamping/\" target=\"_blank\" rel=\"noopener noreferrer\">Brown People Camping\u003c/a>.”\u003c/p>\n\u003cfigure id=\"attachment_13894932\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13894932\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/03/whatsapp-image-2021-03-23-at-11.49.52-am_custom-c816efc87cc7a792c861f075d9aaf0a47af46dfc.jpe\" alt=\"A childhood photo of a young Ambreen inspired the creation of Fatima.\" width=\"200\" height=\"195\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/whatsapp-image-2021-03-23-at-11.49.52-am_custom-c816efc87cc7a792c861f075d9aaf0a47af46dfc.jpe 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/whatsapp-image-2021-03-23-at-11.49.52-am_custom-c816efc87cc7a792c861f075d9aaf0a47af46dfc-160x156.jpe 160w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003cfigcaption class=\"wp-caption-text\">This photo of a young Ambreen inspired the creation of Fatima. \u003ccite>(Courtesy of Ambreen Tariq)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She says there are many complex reasons that America’s outdoor spaces are primarily occupied by white people, like financial barriers to acquiring gear and outdoor know-how. “But there’s also a very deep and dark history in this country around feeling confident and safe being in remote places.” She cited the fact that many national parks sit on\u003ca href=\"https://www.npr.org/2019/02/24/697028570/overcoming-a-long-bitter-relationship-grand-canyon-and-tribes-mark-centennial\" target=\"_blank\" rel=\"noopener noreferrer\"> stolen Native American land\u003c/a>, or that Black people have\u003ca href=\"https://www.theguardian.com/environment/2018/jul/13/hiking-african-american-racism-nature\" target=\"_blank\" rel=\"noopener noreferrer\"> historically faced violence\u003c/a> in the woods. And for immigrants, she says, imagery like “Confederate flags and other things that happen in remote places” may signal that people of color aren’t safe or welcome in such places. “All of those reasons aside, this book is about saying, get out there, find your joy, find your safe space, build your community and do it the way you love it, because the outdoors is for everyone.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Tariq says she hopes more children of all backgrounds get the chance to experience the outdoors as she did. “For me and for Fatima what happens in that shining little moment when they enter that campground, it is just about them being curious and having fun.” She says for children like herself who didn’t have a privileged upbringing, that exposure can be especially formative. “When we went camping, we used to rent bikes, we would ride around the campground, we would meet strangers, we would meet other little kids and become sudden friends. We would go swimming in the lake. That’s not what our life was like when we were latchkey kids, came home, let ourselves in, made dinner for ourselves. You know, ‘don’t ever open the door. Don’t talk to a stranger.'”\u003c/p>\n\u003cp>While having parents with multiple jobs meant growing up quickly, in many ways, camping was just the opposite for Tariq. She hopes \u003cem>Fatima’s Great Outdoors \u003c/em>encourages more families to engage with nature in a meaningful way. “Other immigrant kids, other kids in general, especially city kids, could benefit from [nature] so much because it opens up another part of your mind and heart. It allows you to be curious. And a type of confidence that’s not really allowed on a daily basis. And that changes someone.”\u003c/p>\n\u003cfigure id=\"attachment_13894929\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13894929\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-800x971.jpg\" alt=\"The cover of 'Fatima's Great Outdoors,' by Ambreen Tariq and Stevie Lewis shows a family around a campfire.\" width=\"800\" height=\"971\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-800x971.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-1020x1238.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-160x194.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-768x932.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-1265x1536.jpg 1265w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-1687x2048.jpg 1687w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-1920x2331.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Fatima’s Great Outdoors,’ by Ambreen Tariq and Stevie Lewis. \u003ccite>(Kokila)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was edited for radio by Patrick Jarenwattananon and adapted for the Web by Jonaki Mehta and Petra Mayer.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Camping+Is+An+Adventure+For+All+Americans+In+%27Fatima%27s+Great+Outdoors%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"Ambreen Tariq's new children's book explores the immigrant experience of America's great outdoors—just as she did as a child.","status":"publish","parent":0,"modified":1705019245,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":895},"headData":{"title":"Camping is an Adventure for All Americans in 'Fatima's Great Outdoors' | KQED","description":"Ambreen Tariq's new children's book explores the immigrant experience of America's great outdoors—just as she did as a child.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Camping is an Adventure for All Americans in 'Fatima's Great Outdoors'","datePublished":"2021-03-31T20:09:50.000Z","dateModified":"2024-01-12T00:27:25.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Ailsa Chang","nprImageAgency":"Kokila","nprStoryId":"982718940","nprApiLink":"http://api.npr.org/query?id=982718940&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2021/03/30/982718940/camping-is-an-all-american-adventure-in-fatimas-great-outdoors?ft=nprml&f=982718940","nprRetrievedStory":"1","nprPubDate":"Tue, 30 Mar 2021 18:39:00 -0400","nprStoryDate":"Tue, 30 Mar 2021 16:31:00 -0400","nprLastModifiedDate":"Tue, 30 Mar 2021 18:39:59 -0400","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/atc/2021/03/20210330_atc_camping_is_an_all-american_adventure_in_fatimas_great_outdoors.mp3?orgId=1&topicId=1033&d=476&p=2&story=982718940&ft=nprml&f=982718940","nprAudioM3u":"http://api.npr.org/m3u/1982805775-bd82e8.m3u?orgId=1&topicId=1033&d=476&p=2&story=982718940&ft=nprml&f=982718940","templateType":"standard","featuredImageType":"standard","path":"/arts/13894928/camping-is-an-adventure-for-all-americans-in-fatimas-great-outdoors","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/atc/2021/03/20210330_atc_camping_is_an_all-american_adventure_in_fatimas_great_outdoors.mp3?orgId=1&topicId=1033&d=476&p=2&story=982718940&ft=nprml&f=982718940","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Fatima Khazi is having a hard time at school—she’s in a new country, in a new city, her classmates make fun of how she speaks, they wrinkle their noses at the way her food smells, and on top of all that, she isn’t doing well in her classes. But Fatima is thrilled to escape for the weekend and go camping with her family. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13891275","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Ambreen Tariq’s new children’s book, \u003cem>Fatima’s Great Outdoors \u003c/em>is a story about an Indian immigrant family’s first time exploring the outdoors, and it’s as much a story about curiosity and adventure as it is about trying to assimilate as an immigrant in this country. Tariq says Fatima’s story is her own story. “Every moment in that book is real. Every snippet, every story.”\u003c/p>\n\u003cp>Tariq’s family moved from India to Minnesota during harsh winter months when she was just eight years old, and transitioning to a new life in a new country was challenging. She says she had a desire to fit in and be like everybody else. “I think this is a very universal immigrant feeling … And that really is Fatima’s experience.” While Fatima’s family might have sung Mohammad Rafi’s Hindi songs on the car ride to the campground, and eaten samosas along the way, Fatima makes her father promise that they will eat bacon for breakfast, “just like the other American families.” Tariq recalls begging her own parents to get beef bacon from the Halal butcher for their family camping trips growing up. “And yes, it was just a small thing when it comes to bacon … But for Fatima it’s a very big deal. It’s a moment where she feels like she’s doing it. She is actually camping like everybody else and enjoying it.”\u003c/p>\n\u003cfigure id=\"attachment_13894934\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13894934\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM-800x487.png\" alt=\"Tariq says that just like Fatima, she once asked her father for halal beef bacon so they could eat like other families on a camping trip.\" width=\"800\" height=\"487\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM-800x487.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM-1020x620.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM-160x97.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM-768x467.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM-1536x934.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM-1920x1168.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/Screen-Shot-2021-03-31-at-12.54.22-PM.png 1996w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tariq says that just like Fatima, she once asked her father for halal beef bacon so they could eat like other families on a camping trip. \u003ccite>(Kokila)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tariq says that while nature is central to cultures throughout the world, “America has its own unique way of doing it. It’s very categorized.” According to the National Park Service’s most recent 10-year survey, \u003ca href=\"https://abcnews.go.com/Politics/americas-national-parks-face-existential-crisis-race/story?id=71528972\" target=\"_blank\" rel=\"noopener noreferrer\">77 percent\u003c/a> of those who visited the country’s 419 national parks were white. A lack of diversity in outdoor spaces is one of the reasons Tariq was compelled to write this book and start an online community called “\u003ca href=\"https://www.instagram.com/brownpeoplecamping/\" target=\"_blank\" rel=\"noopener noreferrer\">Brown People Camping\u003c/a>.”\u003c/p>\n\u003cfigure id=\"attachment_13894932\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13894932\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/03/whatsapp-image-2021-03-23-at-11.49.52-am_custom-c816efc87cc7a792c861f075d9aaf0a47af46dfc.jpe\" alt=\"A childhood photo of a young Ambreen inspired the creation of Fatima.\" width=\"200\" height=\"195\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/whatsapp-image-2021-03-23-at-11.49.52-am_custom-c816efc87cc7a792c861f075d9aaf0a47af46dfc.jpe 200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/whatsapp-image-2021-03-23-at-11.49.52-am_custom-c816efc87cc7a792c861f075d9aaf0a47af46dfc-160x156.jpe 160w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003cfigcaption class=\"wp-caption-text\">This photo of a young Ambreen inspired the creation of Fatima. \u003ccite>(Courtesy of Ambreen Tariq)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>She says there are many complex reasons that America’s outdoor spaces are primarily occupied by white people, like financial barriers to acquiring gear and outdoor know-how. “But there’s also a very deep and dark history in this country around feeling confident and safe being in remote places.” She cited the fact that many national parks sit on\u003ca href=\"https://www.npr.org/2019/02/24/697028570/overcoming-a-long-bitter-relationship-grand-canyon-and-tribes-mark-centennial\" target=\"_blank\" rel=\"noopener noreferrer\"> stolen Native American land\u003c/a>, or that Black people have\u003ca href=\"https://www.theguardian.com/environment/2018/jul/13/hiking-african-american-racism-nature\" target=\"_blank\" rel=\"noopener noreferrer\"> historically faced violence\u003c/a> in the woods. And for immigrants, she says, imagery like “Confederate flags and other things that happen in remote places” may signal that people of color aren’t safe or welcome in such places. “All of those reasons aside, this book is about saying, get out there, find your joy, find your safe space, build your community and do it the way you love it, because the outdoors is for everyone.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Tariq says she hopes more children of all backgrounds get the chance to experience the outdoors as she did. “For me and for Fatima what happens in that shining little moment when they enter that campground, it is just about them being curious and having fun.” She says for children like herself who didn’t have a privileged upbringing, that exposure can be especially formative. “When we went camping, we used to rent bikes, we would ride around the campground, we would meet strangers, we would meet other little kids and become sudden friends. We would go swimming in the lake. That’s not what our life was like when we were latchkey kids, came home, let ourselves in, made dinner for ourselves. You know, ‘don’t ever open the door. Don’t talk to a stranger.'”\u003c/p>\n\u003cp>While having parents with multiple jobs meant growing up quickly, in many ways, camping was just the opposite for Tariq. She hopes \u003cem>Fatima’s Great Outdoors \u003c/em>encourages more families to engage with nature in a meaningful way. “Other immigrant kids, other kids in general, especially city kids, could benefit from [nature] so much because it opens up another part of your mind and heart. It allows you to be curious. And a type of confidence that’s not really allowed on a daily basis. And that changes someone.”\u003c/p>\n\u003cfigure id=\"attachment_13894929\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13894929\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-800x971.jpg\" alt=\"The cover of 'Fatima's Great Outdoors,' by Ambreen Tariq and Stevie Lewis shows a family around a campfire.\" width=\"800\" height=\"971\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-800x971.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-1020x1238.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-160x194.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-768x932.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-1265x1536.jpg 1265w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-1687x2048.jpg 1687w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/9171pqz6-tl_custom-04b60b3730224b50ea36a48bb53f83f5daa7e3ca-1920x2331.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Fatima’s Great Outdoors,’ by Ambreen Tariq and Stevie Lewis. \u003ccite>(Kokila)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was edited for radio by Patrick Jarenwattananon and adapted for the Web by Jonaki Mehta and Petra Mayer.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Camping+Is+An+Adventure+For+All+Americans+In+%27Fatima%27s+Great+Outdoors%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13894928/camping-is-an-adventure-for-all-americans-in-fatimas-great-outdoors","authors":["byline_arts_13894928"],"categories":["arts_1","arts_73"],"tags":["arts_1683","arts_930","arts_10527"],"affiliates":["arts_137"],"featImg":"arts_13894935","label":"arts_137"},"arts_13894744":{"type":"posts","id":"arts_13894744","meta":{"index":"posts_1591205157","site":"arts","id":"13894744","score":null,"sort":[1616794695000]},"guestAuthors":[],"slug":"beverly-cleary-creator-of-ramona-quimby-dies-at-104","title":"Beverly Cleary, Creator Of Ramona Quimby, Dies At 104","publishDate":1616794695,"format":"aside","headTitle":"Beverly Cleary, Creator Of Ramona Quimby, Dies At 104 | KQED","labelTerm":{"site":"arts"},"content":"\u003cfigure id=\"attachment_13894745\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/03/beverly-clearly_enl-91a4e4480b7fac30d952a96efeae60fa1edf2707-1020x1573.jpg\" alt=\"Beverly Cleary is the author behind many beloved characters, including Henry Huggins, Ellen Tebbits, Otis Spofford, and Beezus and Ramona Quimby (as well as Ribsy, Socks and Ralph S. Mouse).\" width=\"640\" height=\"987\" class=\"size-large wp-image-13894745\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/beverly-clearly_enl-91a4e4480b7fac30d952a96efeae60fa1edf2707-1020x1573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/beverly-clearly_enl-91a4e4480b7fac30d952a96efeae60fa1edf2707-800x1234.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/beverly-clearly_enl-91a4e4480b7fac30d952a96efeae60fa1edf2707-160x247.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/beverly-clearly_enl-91a4e4480b7fac30d952a96efeae60fa1edf2707-768x1184.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/beverly-clearly_enl-91a4e4480b7fac30d952a96efeae60fa1edf2707-996x1536.jpg 996w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/beverly-clearly_enl-91a4e4480b7fac30d952a96efeae60fa1edf2707.jpg 1328w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Beverly Cleary is the author behind many beloved characters, including Henry Huggins, Ellen Tebbits, Otis Spofford, and Beezus and Ramona Quimby (as well as Ribsy, Socks and Ralph S. Mouse). \u003ccite>(Terry Smith/Time)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Children’s author Beverly Cleary died Thursday in Carmel, Calif. She was 104 years old. Cleary was the creator of some of the most authentic characters in children’s literature — Henry Huggins, Ralph S. Mouse and the irascible Ramona Quimby.\u003c/p>\n\u003cp>Generations of readers tore around the playground, learned to write in cursive, rebelled against tuna fish sandwiches, and acquired all the glorious scrapes and bruises of childhood right along with Ramona.\u003c/p>\n\u003cp>Cleary’s simple idea — to write about the kids in her own neighborhood — ensured that her books have never gone out of print.\u003c/p>\n\u003cp>“I think children want to read about normal, everyday kids. That’s what I wanted to read about when I was growing up,” Cleary told NPR’s Linda Wertheimer in 1999. “I wanted to read about the sort of boys and girls that I knew in my neighborhood and in my school. And in my childhood, many years ago, children’s books seemed to be about English children, or pioneer children. And that wasn’t what I wanted to read. And I think children like to find themselves in books.”\u003c/p>\n\u003cp>Her writing style — clear, direct, uncomplicated — mirrored the author’s own trajectory. Cleary was still a young girl when she decided to become a children’s book author. By the 1940s she’d become a children’s librarian in Portland, Ore., and she remembers boys in particular would ask her: “Where are the books about kids like us?”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There weren’t any, so she sat down and wrote \u003ca href=\"http://www.npr.org/books/titles/311886766/henry-huggins\">Henry Huggins,\u003c/a> her first book about a regular little boy on Klickitat Street in Portland.\u003cem> Henry Huggins \u003c/em>was a hit upon first printing, but her readers wanted to hear more about the little girl who lived just up the street.\u003c/p>\n\u003cp>Ramona Quimby, the most famous of all of Cleary’s characters, was unforgettable. Mischievous, spunky and a hater of spelling, Ramona would be the first to tell you \u003ca href=\"http://www.npr.org/books/titles/311886444/ramona-the-pest\">she’s \u003cem>not\u003c/em> a pest\u003c/a> — no matter what anyone (especially her older sister Beezus) says. In the opening chapter of \u003cem>Ramona the Pest\u003c/em>, Ramona responds to her big sister:\u003c/p>\n\u003cblockquote>\n\u003cp>“I’m not acting like a pest, I’m singing and skipping,” said Ramona, who had only recently learned to skip with both feet. Ramona did not think she was a pest. No matter what others said, she never thought she was a pest. People who called her a pest were always bigger, so they could be unfair.\u003c/p>\n\u003c/blockquote>\n\u003cp>Cleary’s memories are cinematically detailed. In her autobiography \u003ca href=\"http://www.npr.org/books/titles/311887530/a-girl-from-yamhill-a-memoir\">A Girl From Yamhill\u003c/a>, she writes about clamping around on tin can stilts and yelling “pieface!” at the neighbor. She was an only child, who grew up in Portland during the Depression and still remembers when her father lost his job.\u003c/p>\n\u003cp>“I was embarrassed” she recalled. “I didn’t know how to talk to my father. I know he felt so terrible at that time that I just — I guess I felt equally terrible. And I think adults sometimes don’t think about how children are feeling about the adult problems.”\u003c/p>\n\u003cp>Cleary used her crystal clear recall to capture the tribulations of young children exquisitely in her books. “I’m just lucky. I do have very clear memories of childhood,” Cleary said. “I find that many people don’t, but I’m just very fortunate.”\u003c/p>\n\u003cp>Barbara Lalicki, who edited the 1999 Ramona book, \u003cem>Ramona’s World, \u003c/em>says Cleary steered the entire field of children’s writing away from fantasy and historical fiction. She was a “pioneer,” Lalicki says, in this “rooted-in-reality kind of book for children.”\u003c/p>\n\u003cp>Cleary’s books racked up awards, and were constantly reprinted and re-illustrated. Librarians kept shelves devoted entirely to Cleary’s books, and teachers read the books aloud to their students.\u003c/p>\n\u003cp>For about 30 years — despite objections from publishers who wanted her focus on writing more books — Cleary answered all of her fan mail herself. “I learned a lot from children’s letters,” Cleary said. “\u003ca href=\"http://www.npr.org/books/titles/311887036/dear-mr-henshaw\">Dear Mr. Henshaw\u003c/a> came about because two different boys from different parts of the country asked me to write a book about a boy whose parents were divorced. And so I wrote \u003cem>Dear Mr. Henshaw\u003c/em>, and it won the Newbery.”\u003c/p>\n\u003cp>Longtime children’s librarian Nancy Pearl remembers hearing “a wonderful, possibly apocryphal story” about Cleary going to speak to a class of second or third graders: “This little boy kept raising his hand, he had so much to ask her, and he said to her, ‘Mrs. Cleary, I understand how you write your books. … But where do you get your paper?’ … I think that’s how involved kids get in those books.”\u003c/p>\n\u003cp>Even with all the modern day distractions — videogames, music, movies and more — Cleary believed kids would keep on reading. “I don’t think anything takes the place of reading,” Cleary said in 2006. In one letter, a little girl said that reading in her room by herself was “like having a little television set in your head.”\u003c/p>\n\u003cp>Decades after they were written, Cleary’s books still ring true for children. “I think deep down inside children are all the same,” she said. “They want two loving parents and they would prefer a house with a neighborhood they can play in. They want teachers that they can like. I don’t think children have changed that much. It’s the world that has changed.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And Beverly Cleary, with her honest, straight-talking heroes and heroines, certainly changed it for the better. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2021 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Beverly+Cleary%2C+Creator+Of+Ramona+Quimby%2C+Dies+At+104&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n","blocks":[],"excerpt":"\"I think children want to read about normal, everyday kids,\" Cleary told NPR in 1999. \"I think children like to find themselves in books.\"","status":"publish","parent":0,"modified":1705019267,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":1043},"headData":{"title":"Beverly Cleary, Creator Of Ramona Quimby, Dies At 104 | KQED","description":""I think children want to read about normal, everyday kids," Cleary told NPR in 1999. "I think children like to find themselves in books."","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Beverly Cleary, Creator Of Ramona Quimby, Dies At 104","datePublished":"2021-03-26T21:38:15.000Z","dateModified":"2024-01-12T00:27:47.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprImageCredit":"Terry Smith","nprByline":"Zoe Chace","nprImageAgency":"Time ","nprStoryId":"311881785","nprApiLink":"http://api.npr.org/query?id=311881785&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2021/03/26/311881785/beverly-cleary-creator-of-ramona-quimby-dies-at-104?ft=nprml&f=311881785","nprRetrievedStory":"1","nprPubDate":"Fri, 26 Mar 2021 17:25:00 -0400","nprStoryDate":"Fri, 26 Mar 2021 17:25:45 -0400","nprLastModifiedDate":"Fri, 26 Mar 2021 17:26:10 -0400","templateType":"standard","featuredImageType":"standard","path":"/arts/13894744/beverly-cleary-creator-of-ramona-quimby-dies-at-104","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13894745\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/03/beverly-clearly_enl-91a4e4480b7fac30d952a96efeae60fa1edf2707-1020x1573.jpg\" alt=\"Beverly Cleary is the author behind many beloved characters, including Henry Huggins, Ellen Tebbits, Otis Spofford, and Beezus and Ramona Quimby (as well as Ribsy, Socks and Ralph S. Mouse).\" width=\"640\" height=\"987\" class=\"size-large wp-image-13894745\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/beverly-clearly_enl-91a4e4480b7fac30d952a96efeae60fa1edf2707-1020x1573.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/beverly-clearly_enl-91a4e4480b7fac30d952a96efeae60fa1edf2707-800x1234.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/beverly-clearly_enl-91a4e4480b7fac30d952a96efeae60fa1edf2707-160x247.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/beverly-clearly_enl-91a4e4480b7fac30d952a96efeae60fa1edf2707-768x1184.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/beverly-clearly_enl-91a4e4480b7fac30d952a96efeae60fa1edf2707-996x1536.jpg 996w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/03/beverly-clearly_enl-91a4e4480b7fac30d952a96efeae60fa1edf2707.jpg 1328w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Beverly Cleary is the author behind many beloved characters, including Henry Huggins, Ellen Tebbits, Otis Spofford, and Beezus and Ramona Quimby (as well as Ribsy, Socks and Ralph S. Mouse). \u003ccite>(Terry Smith/Time)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Children’s author Beverly Cleary died Thursday in Carmel, Calif. She was 104 years old. Cleary was the creator of some of the most authentic characters in children’s literature — Henry Huggins, Ralph S. Mouse and the irascible Ramona Quimby.\u003c/p>\n\u003cp>Generations of readers tore around the playground, learned to write in cursive, rebelled against tuna fish sandwiches, and acquired all the glorious scrapes and bruises of childhood right along with Ramona.\u003c/p>\n\u003cp>Cleary’s simple idea — to write about the kids in her own neighborhood — ensured that her books have never gone out of print.\u003c/p>\n\u003cp>“I think children want to read about normal, everyday kids. That’s what I wanted to read about when I was growing up,” Cleary told NPR’s Linda Wertheimer in 1999. “I wanted to read about the sort of boys and girls that I knew in my neighborhood and in my school. And in my childhood, many years ago, children’s books seemed to be about English children, or pioneer children. And that wasn’t what I wanted to read. And I think children like to find themselves in books.”\u003c/p>\n\u003cp>Her writing style — clear, direct, uncomplicated — mirrored the author’s own trajectory. Cleary was still a young girl when she decided to become a children’s book author. By the 1940s she’d become a children’s librarian in Portland, Ore., and she remembers boys in particular would ask her: “Where are the books about kids like us?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There weren’t any, so she sat down and wrote \u003ca href=\"http://www.npr.org/books/titles/311886766/henry-huggins\">Henry Huggins,\u003c/a> her first book about a regular little boy on Klickitat Street in Portland.\u003cem> Henry Huggins \u003c/em>was a hit upon first printing, but her readers wanted to hear more about the little girl who lived just up the street.\u003c/p>\n\u003cp>Ramona Quimby, the most famous of all of Cleary’s characters, was unforgettable. Mischievous, spunky and a hater of spelling, Ramona would be the first to tell you \u003ca href=\"http://www.npr.org/books/titles/311886444/ramona-the-pest\">she’s \u003cem>not\u003c/em> a pest\u003c/a> — no matter what anyone (especially her older sister Beezus) says. In the opening chapter of \u003cem>Ramona the Pest\u003c/em>, Ramona responds to her big sister:\u003c/p>\n\u003cblockquote>\n\u003cp>“I’m not acting like a pest, I’m singing and skipping,” said Ramona, who had only recently learned to skip with both feet. Ramona did not think she was a pest. No matter what others said, she never thought she was a pest. People who called her a pest were always bigger, so they could be unfair.\u003c/p>\n\u003c/blockquote>\n\u003cp>Cleary’s memories are cinematically detailed. In her autobiography \u003ca href=\"http://www.npr.org/books/titles/311887530/a-girl-from-yamhill-a-memoir\">A Girl From Yamhill\u003c/a>, she writes about clamping around on tin can stilts and yelling “pieface!” at the neighbor. She was an only child, who grew up in Portland during the Depression and still remembers when her father lost his job.\u003c/p>\n\u003cp>“I was embarrassed” she recalled. “I didn’t know how to talk to my father. I know he felt so terrible at that time that I just — I guess I felt equally terrible. And I think adults sometimes don’t think about how children are feeling about the adult problems.”\u003c/p>\n\u003cp>Cleary used her crystal clear recall to capture the tribulations of young children exquisitely in her books. “I’m just lucky. I do have very clear memories of childhood,” Cleary said. “I find that many people don’t, but I’m just very fortunate.”\u003c/p>\n\u003cp>Barbara Lalicki, who edited the 1999 Ramona book, \u003cem>Ramona’s World, \u003c/em>says Cleary steered the entire field of children’s writing away from fantasy and historical fiction. She was a “pioneer,” Lalicki says, in this “rooted-in-reality kind of book for children.”\u003c/p>\n\u003cp>Cleary’s books racked up awards, and were constantly reprinted and re-illustrated. Librarians kept shelves devoted entirely to Cleary’s books, and teachers read the books aloud to their students.\u003c/p>\n\u003cp>For about 30 years — despite objections from publishers who wanted her focus on writing more books — Cleary answered all of her fan mail herself. “I learned a lot from children’s letters,” Cleary said. “\u003ca href=\"http://www.npr.org/books/titles/311887036/dear-mr-henshaw\">Dear Mr. Henshaw\u003c/a> came about because two different boys from different parts of the country asked me to write a book about a boy whose parents were divorced. And so I wrote \u003cem>Dear Mr. Henshaw\u003c/em>, and it won the Newbery.”\u003c/p>\n\u003cp>Longtime children’s librarian Nancy Pearl remembers hearing “a wonderful, possibly apocryphal story” about Cleary going to speak to a class of second or third graders: “This little boy kept raising his hand, he had so much to ask her, and he said to her, ‘Mrs. Cleary, I understand how you write your books. … But where do you get your paper?’ … I think that’s how involved kids get in those books.”\u003c/p>\n\u003cp>Even with all the modern day distractions — videogames, music, movies and more — Cleary believed kids would keep on reading. “I don’t think anything takes the place of reading,” Cleary said in 2006. In one letter, a little girl said that reading in her room by herself was “like having a little television set in your head.”\u003c/p>\n\u003cp>Decades after they were written, Cleary’s books still ring true for children. “I think deep down inside children are all the same,” she said. “They want two loving parents and they would prefer a house with a neighborhood they can play in. They want teachers that they can like. I don’t think children have changed that much. It’s the world that has changed.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And Beverly Cleary, with her honest, straight-talking heroes and heroines, certainly changed it for the better. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2021 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Beverly+Cleary%2C+Creator+Of+Ramona+Quimby%2C+Dies+At+104&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13894744/beverly-cleary-creator-of-ramona-quimby-dies-at-104","authors":["byline_arts_13894744"],"categories":["arts_1","arts_73","arts_235","arts_1564"],"tags":["arts_928","arts_1683"],"featImg":"arts_13894747","label":"arts"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? 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Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. 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