Olympian Kristi Yamaguchi Is ‘Tickled Pink’ to Inspire a Barbie Doll
Oakland's Jendayi Smith Has Designed Some of My Child's Favorite Toys
Greta Gerwig’s Oscars Snub Should Come as No Surprise
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With a schedule packed with ice skating practices, her Barbie dolls became her “best friends.”\u003c/p>\n\u003cp>So, it’s surreal for the decorated Olympian figure skater to now be a Barbie girl herself.\u003c/p>\n\u003cfigure id=\"attachment_13956584\" class=\"wp-caption aligncenter\" style=\"max-width: 794px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956584\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.54.50-AM.png\" alt=\"A doll of an ice skater stands, one leg stretched out and arms raised on the ice. The doll is wearing a black lace and chiffon costume. \" width=\"794\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.54.50-AM.png 794w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.54.50-AM-160x193.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.54.50-AM-768x929.png 768w\" sizes=\"(max-width: 794px) 100vw, 794px\">\u003cfigcaption class=\"wp-caption-text\">This image provided by Mattel in April 2024 shows the company’s Kristi Yamaguchi Barbie doll. \u003ccite>(Mattel via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s a huge, huge honor. I think a lot of pride comes along with it, not just recognizing the Olympic achievement, but also being recognized during AAPI Month and following in the footsteps of some incredible women that I idolize — Anna May Wong, Maya Angelou and Rosa Parks,” Yamaguchi told The Associated Press. “It’s hard to see me put in the category with them.”\u003c/p>\n\u003cp>[aside postid='arts_13933011']Yamaguchi, who became the first Asian American to win an individual figure skating gold medal, at the 1992 Winter Olympics, has been immortalized as a doll for Barbie’s “Inspiring Women Series,” Mattel announced Wednesday. The release is timed for Asian American and Pacific Islander Heritage Month, in May.\u003c/p>\n\u003cp>This isn’t Yamaguchi’s first doll depiction. In the ‘90s, touring show Stars on Ice put out a line of dolls modeled after notable skaters. The Barbie version is a lot more detailed.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Mattel duplicated everything the then 20-year-old medalist wore at the Olympics in Albertville, France: the sparkling black-and-gold brocade outfit designed by Lauren Sheehan, the gold hair ribbon and even a red-and-white bouquet like Yamaguchi held atop the podium.\u003c/p>\n\u003cp>Yamaguchi said both she and Sheehan are “just so tickled pink.”\u003c/p>\n\u003cp>She also is happy with the doll’s visage.\u003c/p>\n\u003cp>[aside postid='arts_13926336']“It looks like me for sure. You know, the eyes and just the shape of the face. And then, of course, the hair, for sure. I mean, it has the bangs that are the ’90s,” Yamaguchi said, chuckling.\u003c/p>\n\u003cp>She appreciates that the doll’s release comes on the high heels of the blockbuster \u003cem>Barbie\u003c/em> movie last year. Her daughters, ages 18 and 20, are fans of the Oscar-nominated film. Their initial reaction to their mother being a Barbie? Disbelief.\u003c/p>\n\u003cp>“When they found out I was getting a doll, they were kind of flabbergasted and being like, ‘What? Like Mom, like how do you qualify? But that’s way too cool for you,’” Yamaguchi said.\u003c/p>\n\u003cp>When Yamaguchi became a household name in the ’90s, most Asian American children were growing up feeling like toys-aren’t-us kids. If you were an Asian parent looking for an Asian doll in the U.S., you likely turned to independent mail-order companies or waited until you were visiting your country of heritage.\u003c/p>\n\u003cfigure id=\"attachment_13956586\" class=\"wp-caption aligncenter\" style=\"max-width: 1066px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956586\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.57.38-AM.png\" alt=\"Close up of a smiling doll's face with impeccably styled hair, wearing earrings.\" width=\"1066\" height=\"1058\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.57.38-AM.png 1066w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.57.38-AM-800x794.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.57.38-AM-1020x1012.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.57.38-AM-160x159.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.57.38-AM-768x762.png 768w\" sizes=\"(max-width: 1066px) 100vw, 1066px\">\u003cfigcaption class=\"wp-caption-text\">This image provided by Mattel in April 2024 shows the company’s Kristi Yamaguchi Barbie doll. \u003ccite>(Mattel via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Since then, the toy market has evolved somewhat with big companies like Mattel diversifying and independent entrepreneurs filling the void. Two Asian doll lines — Jilly Bing and Joeydolls — launched within the last year, one by an Asian American mother and the other by an Asian Canadian mother. Both could not find dolls that looked like their daughters.\u003c/p>\n\u003cp>Sapna Cheryan, a professor of psychology at the University of Washington who served a year on Mattel’s Barbie Global Advisory Council in 2018, said Asian Americans have long dealt with two stereotypes: the model-minority whiz kid or the perpetual foreigner. Toys can help dispel those myths, and instead signal acceptance and inclusivity.\u003c/p>\n\u003cp>Dolls modeled after real people can get people talking about their human counterparts. Cheryan applauded Barbie’s choice of Yamaguchi.\u003c/p>\n\u003cp>“There are so many Asian American athletes but they’re just not propped up in a way that athletes of other racial groups are,” said Cheryan, who researches cultural stereotypes and their impact on race and gender disparities. “Having a match in terms of racial identification or gender or both,” she said, is important in creating effective role models for kids.\u003c/p>\n\u003cp>[aside postid='arts_13955020']Mattel has mostly garnered praise for its diversity efforts but it’s had some missteps along the way. In 2021, the toy maker said it “fell short” by failing to include an Asian doll in a line of Tokyo Olympics-themed Barbies. In January, there was some backlash to Asian “You Can Be Anything” Barbies that seemed stereotypical. One was a violinist and the other a doctor in panda scrubs.\u003c/p>\n\u003cp>Tying Yamaguchi to Barbie, a symbol of American pop culture, is especially remarkable considering what she and her family have dealt with as Japanese Americans. The Fremont-raised skater has spoken about how her maternal and paternal grandparents were forced into U.S. incarceration camps in response to Japan’s 1941 attack on Pearl Harbor.\u003c/p>\n\u003cp>When she captured the gold over 50 years later, media coverage partially focused on why she didn’t seem to have many endorsement deals. In an AP article from 1992, a sports advertising executive blamed her Japanese heritage, citing an economic climate that was anti-Japan. “It’s wrong, wrong, wrong, but that is the way it is,” the executive said.\u003c/p>\n\u003cp>So while Barbie may seem like just a toy, it’s so much more for Yamaguchi.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“When kids see themselves or see someone who inspires them, then it just opens up their world and their imagination to what’s possible,” she said.\u003c/p>\n\n","blocks":[],"excerpt":"The Bay Area ice skating champ is thrilled that the new doll is coming out in time for AAPI Month.","status":"publish","parent":0,"modified":1713982988,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":23,"wordCount":952},"headData":{"title":"Kristi Yamaguchi Hopes Her New Barbie Will Inspire Asian Girls | KQED","description":"The Bay Area ice skating champ is thrilled that the new doll is coming out in time for AAPI Month.","ogTitle":"Olympian Kristi Yamaguchi Is ‘Tickled Pink’ to Inspire a Barbie Doll","ogDescription":"","ogImgId":"","twTitle":"Olympian Kristi Yamaguchi Is ‘Tickled Pink’ to Inspire a Barbie Doll","twDescription":"","twImgId":"","socialTitle":"Kristi Yamaguchi Hopes Her New Barbie Will Inspire Asian Girls %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Olympian Kristi Yamaguchi Is ‘Tickled Pink’ to Inspire a Barbie Doll","datePublished":"2024-04-24T18:23:08.000Z","dateModified":"2024-04-24T18:23:08.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Terry Tang, Associated Press","nprStoryId":"kqed-13956578","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13956578/kristi-yamaguchi-ice-skating-barbie-doll-aapi-month-olympics","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Like many little girls, a young Kristi Yamaguchi loved playing with Barbie. With a schedule packed with ice skating practices, her Barbie dolls became her “best friends.”\u003c/p>\n\u003cp>So, it’s surreal for the decorated Olympian figure skater to now be a Barbie girl herself.\u003c/p>\n\u003cfigure id=\"attachment_13956584\" class=\"wp-caption aligncenter\" style=\"max-width: 794px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956584\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.54.50-AM.png\" alt=\"A doll of an ice skater stands, one leg stretched out and arms raised on the ice. The doll is wearing a black lace and chiffon costume. \" width=\"794\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.54.50-AM.png 794w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.54.50-AM-160x193.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.54.50-AM-768x929.png 768w\" sizes=\"(max-width: 794px) 100vw, 794px\">\u003cfigcaption class=\"wp-caption-text\">This image provided by Mattel in April 2024 shows the company’s Kristi Yamaguchi Barbie doll. \u003ccite>(Mattel via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s a huge, huge honor. I think a lot of pride comes along with it, not just recognizing the Olympic achievement, but also being recognized during AAPI Month and following in the footsteps of some incredible women that I idolize — Anna May Wong, Maya Angelou and Rosa Parks,” Yamaguchi told The Associated Press. “It’s hard to see me put in the category with them.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13933011","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Yamaguchi, who became the first Asian American to win an individual figure skating gold medal, at the 1992 Winter Olympics, has been immortalized as a doll for Barbie’s “Inspiring Women Series,” Mattel announced Wednesday. The release is timed for Asian American and Pacific Islander Heritage Month, in May.\u003c/p>\n\u003cp>This isn’t Yamaguchi’s first doll depiction. In the ‘90s, touring show Stars on Ice put out a line of dolls modeled after notable skaters. The Barbie version is a lot more detailed.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Mattel duplicated everything the then 20-year-old medalist wore at the Olympics in Albertville, France: the sparkling black-and-gold brocade outfit designed by Lauren Sheehan, the gold hair ribbon and even a red-and-white bouquet like Yamaguchi held atop the podium.\u003c/p>\n\u003cp>Yamaguchi said both she and Sheehan are “just so tickled pink.”\u003c/p>\n\u003cp>She also is happy with the doll’s visage.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13926336","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“It looks like me for sure. You know, the eyes and just the shape of the face. And then, of course, the hair, for sure. I mean, it has the bangs that are the ’90s,” Yamaguchi said, chuckling.\u003c/p>\n\u003cp>She appreciates that the doll’s release comes on the high heels of the blockbuster \u003cem>Barbie\u003c/em> movie last year. Her daughters, ages 18 and 20, are fans of the Oscar-nominated film. Their initial reaction to their mother being a Barbie? Disbelief.\u003c/p>\n\u003cp>“When they found out I was getting a doll, they were kind of flabbergasted and being like, ‘What? Like Mom, like how do you qualify? But that’s way too cool for you,’” Yamaguchi said.\u003c/p>\n\u003cp>When Yamaguchi became a household name in the ’90s, most Asian American children were growing up feeling like toys-aren’t-us kids. If you were an Asian parent looking for an Asian doll in the U.S., you likely turned to independent mail-order companies or waited until you were visiting your country of heritage.\u003c/p>\n\u003cfigure id=\"attachment_13956586\" class=\"wp-caption aligncenter\" style=\"max-width: 1066px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956586\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.57.38-AM.png\" alt=\"Close up of a smiling doll's face with impeccably styled hair, wearing earrings.\" width=\"1066\" height=\"1058\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.57.38-AM.png 1066w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.57.38-AM-800x794.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.57.38-AM-1020x1012.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.57.38-AM-160x159.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-24-at-10.57.38-AM-768x762.png 768w\" sizes=\"(max-width: 1066px) 100vw, 1066px\">\u003cfigcaption class=\"wp-caption-text\">This image provided by Mattel in April 2024 shows the company’s Kristi Yamaguchi Barbie doll. \u003ccite>(Mattel via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Since then, the toy market has evolved somewhat with big companies like Mattel diversifying and independent entrepreneurs filling the void. Two Asian doll lines — Jilly Bing and Joeydolls — launched within the last year, one by an Asian American mother and the other by an Asian Canadian mother. Both could not find dolls that looked like their daughters.\u003c/p>\n\u003cp>Sapna Cheryan, a professor of psychology at the University of Washington who served a year on Mattel’s Barbie Global Advisory Council in 2018, said Asian Americans have long dealt with two stereotypes: the model-minority whiz kid or the perpetual foreigner. Toys can help dispel those myths, and instead signal acceptance and inclusivity.\u003c/p>\n\u003cp>Dolls modeled after real people can get people talking about their human counterparts. Cheryan applauded Barbie’s choice of Yamaguchi.\u003c/p>\n\u003cp>“There are so many Asian American athletes but they’re just not propped up in a way that athletes of other racial groups are,” said Cheryan, who researches cultural stereotypes and their impact on race and gender disparities. “Having a match in terms of racial identification or gender or both,” she said, is important in creating effective role models for kids.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955020","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Mattel has mostly garnered praise for its diversity efforts but it’s had some missteps along the way. In 2021, the toy maker said it “fell short” by failing to include an Asian doll in a line of Tokyo Olympics-themed Barbies. In January, there was some backlash to Asian “You Can Be Anything” Barbies that seemed stereotypical. One was a violinist and the other a doctor in panda scrubs.\u003c/p>\n\u003cp>Tying Yamaguchi to Barbie, a symbol of American pop culture, is especially remarkable considering what she and her family have dealt with as Japanese Americans. The Fremont-raised skater has spoken about how her maternal and paternal grandparents were forced into U.S. incarceration camps in response to Japan’s 1941 attack on Pearl Harbor.\u003c/p>\n\u003cp>When she captured the gold over 50 years later, media coverage partially focused on why she didn’t seem to have many endorsement deals. In an AP article from 1992, a sports advertising executive blamed her Japanese heritage, citing an economic climate that was anti-Japan. “It’s wrong, wrong, wrong, but that is the way it is,” the executive said.\u003c/p>\n\u003cp>So while Barbie may seem like just a toy, it’s so much more for Yamaguchi.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“When kids see themselves or see someone who inspires them, then it just opens up their world and their imagination to what’s possible,” she said.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956578/kristi-yamaguchi-ice-skating-barbie-doll-aapi-month-olympics","authors":["byline_arts_13956578"],"categories":["arts_1","arts_75","arts_13238"],"tags":["arts_21887","arts_22109","arts_930","arts_12859"],"featImg":"arts_13956580","label":"arts"},"arts_13955020":{"type":"posts","id":"arts_13955020","meta":{"index":"posts_1591205157","site":"arts","id":"13955020","score":null,"sort":[1712013767000]},"guestAuthors":[],"slug":"jendayi-smith-oakland-barbie-mattel","title":"Oakland's Jendayi Smith Has Designed Some of My Child's Favorite Toys","publishDate":1712013767,"format":"aside","headTitle":"Oakland’s Jendayi Smith Has Designed Some of My Child’s Favorite Toys | KQED","labelTerm":{"site":"arts"},"content":"\u003cfigure id=\"attachment_13955171\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955171\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi.Main_.jpg\" alt=\"A Black woman in a pink sweater flashes two peace signs while inside a life-sized Barbie box\" width=\"960\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi.Main_.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi.Main_-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi.Main_-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi.Main_-768x1024.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Jendayi Smith is a 10-year veteran at Mattel, where she specializes in designing accessories and fashion for dolls. \u003ccite>(Courtesy Jendayi Smith)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>My seven-year-old daughter’s bedroom is decorated with colorful stickers and family photos, along with assorted stuffed animals tucked into a small circus tent. I know all of their names. There’s also a toy house from the movie \u003ci>Encanto\u003c/i>, and another house for her L.O.L. Dolls. Behind that is a soft pink toy box that holds the motherlode.\u003c/p>\n\u003cp>Among the mayhem of toys is an array of Barbies and their accessories. Plus there’s one Karma doll — a brown-skinned little girl with curly hair from Netflix’s animated children’s series, \u003cem>\u003ca href=\"https://en.wikipedia.org/wiki/Karma%27s_World\">Karma’s World\u003c/a>\u003c/em>, created by famed rapper and actor Chris “Ludacris” Bridges.\u003c/p>\n\u003cp>At this point I have no idea where all these toys came from: Christmas? Birthdays? Gifts from family? But that Karma doll, I know exactly where it came from. I remember going out and specifically buying it because my daughter and I both like the show, and because I was inspired that one of the people who helped create the doll is from Oakland.\u003c/p>\n\u003cfigure id=\"attachment_13955081\" class=\"wp-caption aligncenter\" style=\"max-width: 1624px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955081\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Karmas-World-3.png\" alt=\"\" width=\"1624\" height=\"1512\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Karmas-World-3.png 1624w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Karmas-World-3-800x745.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Karmas-World-3-1020x950.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Karmas-World-3-160x149.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Karmas-World-3-768x715.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Karmas-World-3-1536x1430.png 1536w\" sizes=\"(max-width: 1624px) 100vw, 1624px\">\u003cfigcaption class=\"wp-caption-text\">A ‘Karma’s World’ doll, plus accessories. \u003ccite>(Mattel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“That was one of the most exciting projects that I’ve worked on,” says \u003ca href=\"https://www.jendayikeen.com/\" target=\"_blank\" rel=\"noopener\">Jendayi Smith\u003c/a>, graphic design manager for Mattel’s dolls portfolio. She worked on a team that saw that project from pitch to product, and she even sang in a video proposal that was delivered to the \u003cem>Karma’s World\u003c/em> team. “Ludacris probably heard me sing when he heard this pitch,” Smith, a huge Ludacris fan, tells me.\u003c/p>\n\u003cp>The beauty of working on that toy wasn’t just Smith’s brush with stardom. It was the fact that Smith and her team created a doll that represents something much bigger. “To see Karma, a Black girl with big hair like me,” says Smith, “I was like, ‘Oh my God, this is the brand that I wanted as a child.’”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postID='arts_13954854']At Mattel, Smith has designed the “chip art,” or the flat background and scenery, for the revitalized version of the Polly Pocket toy. She’s added touches to the dolls from \u003cem>Harry Potter\u003c/em>, and helped design the Dapper Dan line of Barbie dolls.\u003c/p>\n\u003cp>Smith also designed the accessories for the \u003ca href=\"https://video.kqed.org/video/the-heart-soul-of-walker-ctkjzy/\">Madam C.J. Walker\u003c/a> doll, using advice from Madam C.J. Walker’s great-great granddaughter to change the doll’s blouse to the famed entrepreneur’s favorite color, purple, to be historically correct. And earlier this year, when Mattel debuted a series of \u003ca href=\"https://crosscolours.com/\">Cross Colours\u003c/a>–inspired Barbies, Smith was in the mix.\u003c/p>\n\u003cp>“Cross Colours was a huge part of my childhood,” says Smith, who was moved by the fashion line’s ethos and signature bright colors. “A lot of people think fashion can be vapid and not make anything meaningful, so I really connected to what Cross Colours meant and what it stood for. It stood for more than just looking cute. It was for the people.”\u003c/p>\n\u003cp>A fashionista since elementary school, Smith was taught to sew at the age of eight by her mother, a multitalented entrepreneur. Smith attended Oakland public schools — Skyline for high school and Montera for junior high — but it was her experience in elementary school, at Redwood Heights, that laid the foundation for her future. “That’s when I realized that I wanted to get into fashion,” Smith says. “I would draw little clothes and dress up my dolls.”\u003c/p>\n\u003cfigure id=\"attachment_13955082\" class=\"wp-caption aligncenter\" style=\"max-width: 1545px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955082\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi.jpeg\" alt=\"\" width=\"1545\" height=\"2492\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi.jpeg 1545w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-800x1290.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-1020x1645.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-160x258.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-768x1239.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-952x1536.jpeg 952w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-1270x2048.jpeg 1270w\" sizes=\"(max-width: 1545px) 100vw, 1545px\">\u003cfigcaption class=\"wp-caption-text\">Jendayi Smith as a toddler. \u003ccite>(Courtesy Jendayi Smith)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Now 40, Smith sports a forest green blazer, tan sweater, striped scarf and fly earrings as she tells me via video chat that she’s always styled her own clothes. Her friends and family know her as the person who wears “kind of weird clothes, and is always fashionable,” she says with a laugh. “It’s definitely part of my brand.”\u003c/p>\n\u003cp>But Smith’s path from East Oakland elementary school-aged designer to a decade of designing toys for one of the biggest companies in the world was a circuitous one.\u003c/p>\n\u003cp>At 18, she left the Town and went to the East Coast for college, attending Howard University with a focus in was fashion merchandising. The business side of the industry wasn’t \u003cem>exactly\u003c/em> what she wanted to do, but it proved to be an entry point.\u003c/p>\n\u003cp>[aside postID='arts_13952329']After graduating, she landed a gig in New York at Macy’s Merchandising Group, working in product development for utility bedding — pillows, mattress pads, any type of cover for your bed that’s off-white or white. “I remember calling my mom and crying. I was like, ‘I can’t do this anymore, I see in color,'” says Smith, lamenting that what she was doing wasn’t “fashion.”\u003c/p>\n\u003cp>She left and took a job at Anthropologie, where her creativity was reignited. She was soon recruited by someone looking for a personal shopper at Saks Fifth Avenue, which exposed her to the expensive world of high fashion.\u003c/p>\n\u003cp>“We were working with these high-end profile clients — millionaires and billionaires — who’d come to Saks and they’d have their personal shoppers pull all the clothes for them,” Smith says.\u003c/p>\n\u003cfigure id=\"attachment_13955172\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955172\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait.jpg\" alt=\"\" width=\"1920\" height=\"2556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait-800x1065.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait-1020x1358.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait-768x1022.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait-1154x1536.jpg 1154w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait-1538x2048.jpg 1538w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jendayi Smith, surrounded by dolls. \u003ccite>(Courtesy Jendayi Smith)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As eye-opening and luxurious as the position was, it didn’t satisfy her creative needs. So Smith applied to the Fashion Institute of Technology and got a second degree in fashion design. “After that I started working as a fashion designer in women’s cold weather accessories — hats, and scarves and gloves,” says Smith. But the company she worked for was soon bought out. Around that time, Smith began to yearn for the warm sun and familial roots of California, and left New York.\u003c/p>\n\u003cp>Back in Los Angeles, where she was born, she got word that Mattel was hiring. It wasn’t exactly fashion design, but Smith was impressed by the upbeat company culture and the aesthetics of the office (much livelier than depicted in the \u003cem>Barbie\u003c/em> movie, she says). Plus the position spoke directly to her and her husband’s interests.\u003c/p>\n\u003cp>[aside postID='arts_13952162']“We’d actually bonded over watching cartoons — \u003cem>Avatar\u003c/em> and Nickelodeon,” says Smith, adding that the couple’s shelves are filled with toys they’ve collected. “I was like: it makes sense.”\u003c/p>\n\u003cp>The position required her to use Illustrator and Photoshop to create clothes for dolls from the animated series \u003cem>Monster High\u003c/em>. What was initially a six-month contract turned into Smith staying at Mattel for 10 years. “I’ve worked on over 20 different brands since I’ve been here,” says Smith. “It’s been exciting to have the variety of work.”\u003c/p>\n\u003cp>When Mattel designs a doll, Smith explains, no single person does everything. They work in teams: one group might design the face, while another takes the hair and yet another does accessories.\u003c/p>\n\u003cfigure id=\"attachment_13955083\" class=\"wp-caption aligncenter\" style=\"max-width: 1080px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955083\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-X-Cross-Colours.jpg\" alt=\"\" width=\"1080\" height=\"1346\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-X-Cross-Colours.jpg 1080w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-X-Cross-Colours-800x997.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-X-Cross-Colours-1020x1271.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-X-Cross-Colours-160x199.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-X-Cross-Colours-768x957.jpg 768w\" sizes=\"(max-width: 1080px) 100vw, 1080px\">\u003cfigcaption class=\"wp-caption-text\">Cross Colours-inspired Barbies. \u003ccite>(Mattel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Smith credits \u003ca href=\"https://www.instagram.com/carlylenuera/?hl=en\" target=\"_blank\" rel=\"noopener\">Carlyle Nuera\u003c/a>, lead product designer for the Barbie brand, for bringing her into some of her favorite projects, including the \u003cem>Karma’s World\u003c/em> doll and the Madam C.J. Walker doll.\u003c/p>\n\u003cp>One day Smith received a message from her mom with a link to an article. Her mother, clearly excited, said, “This is the Madam C.J. Walker doll that just came out!” Smith proudly replied, “Yeah, I worked on that.”\u003c/p>\n\u003cp>In discussing what’s next, Smith is driven by improving diversity and inclusion in dolls. She knows, both from her own personal experience as a child and now as a mother of two, that having a diverse set of toys is important. With each toy comes a different story, and as an avid reader, Smith sees how simple child’s play helps introduce people to new stories, which leads to further understanding among people of different backgrounds.\u003c/p>\n\u003cfigure id=\"attachment_13955085\" class=\"wp-caption aligncenter\" style=\"max-width: 1060px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955085\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-Madame-CJ-Walker-1.png\" alt=\"\" width=\"1060\" height=\"1096\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-Madame-CJ-Walker-1.png 1060w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-Madame-CJ-Walker-1-800x827.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-Madame-CJ-Walker-1-1020x1055.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-Madame-CJ-Walker-1-160x165.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-Madame-CJ-Walker-1-768x794.png 768w\" sizes=\"(max-width: 1060px) 100vw, 1060px\">\u003cfigcaption class=\"wp-caption-text\">A Madam C.J. Walker doll, in the likeness of the famous entrepreneur of Black women’s beauty products. \u003ccite>(Mattel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I want to see how far we can go,” says Smith, ambitiously. “How many people can we reach with the brands that we work on? How many people can we make happy with bringing these toys to life and encouraging play?”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Looking at my daughter’s bedroom, she can add at least one more happy person to her long list of toy owners.\u003c/p>\n\n","blocks":[],"excerpt":"As graphic design manager for Mattel, Smith specializes in getting Black dolls right. ","status":"publish","parent":0,"modified":1712014941,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":27,"wordCount":1497},"headData":{"title":"Oakland's Jendayi Smith Has Designed Some of My Child's Favorite Toys | KQED","description":"As graphic design manager for Mattel, Smith specializes in getting Black dolls right. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Oakland's Jendayi Smith Has Designed Some of My Child's Favorite Toys","datePublished":"2024-04-01T23:22:47.000Z","dateModified":"2024-04-01T23:42:21.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955020/jendayi-smith-oakland-barbie-mattel","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13955171\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955171\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi.Main_.jpg\" alt=\"A Black woman in a pink sweater flashes two peace signs while inside a life-sized Barbie box\" width=\"960\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi.Main_.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi.Main_-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi.Main_-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi.Main_-768x1024.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Jendayi Smith is a 10-year veteran at Mattel, where she specializes in designing accessories and fashion for dolls. \u003ccite>(Courtesy Jendayi Smith)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>My seven-year-old daughter’s bedroom is decorated with colorful stickers and family photos, along with assorted stuffed animals tucked into a small circus tent. I know all of their names. There’s also a toy house from the movie \u003ci>Encanto\u003c/i>, and another house for her L.O.L. Dolls. Behind that is a soft pink toy box that holds the motherlode.\u003c/p>\n\u003cp>Among the mayhem of toys is an array of Barbies and their accessories. Plus there’s one Karma doll — a brown-skinned little girl with curly hair from Netflix’s animated children’s series, \u003cem>\u003ca href=\"https://en.wikipedia.org/wiki/Karma%27s_World\">Karma’s World\u003c/a>\u003c/em>, created by famed rapper and actor Chris “Ludacris” Bridges.\u003c/p>\n\u003cp>At this point I have no idea where all these toys came from: Christmas? Birthdays? Gifts from family? But that Karma doll, I know exactly where it came from. I remember going out and specifically buying it because my daughter and I both like the show, and because I was inspired that one of the people who helped create the doll is from Oakland.\u003c/p>\n\u003cfigure id=\"attachment_13955081\" class=\"wp-caption aligncenter\" style=\"max-width: 1624px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955081\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Karmas-World-3.png\" alt=\"\" width=\"1624\" height=\"1512\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Karmas-World-3.png 1624w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Karmas-World-3-800x745.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Karmas-World-3-1020x950.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Karmas-World-3-160x149.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Karmas-World-3-768x715.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Karmas-World-3-1536x1430.png 1536w\" sizes=\"(max-width: 1624px) 100vw, 1624px\">\u003cfigcaption class=\"wp-caption-text\">A ‘Karma’s World’ doll, plus accessories. \u003ccite>(Mattel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“That was one of the most exciting projects that I’ve worked on,” says \u003ca href=\"https://www.jendayikeen.com/\" target=\"_blank\" rel=\"noopener\">Jendayi Smith\u003c/a>, graphic design manager for Mattel’s dolls portfolio. She worked on a team that saw that project from pitch to product, and she even sang in a video proposal that was delivered to the \u003cem>Karma’s World\u003c/em> team. “Ludacris probably heard me sing when he heard this pitch,” Smith, a huge Ludacris fan, tells me.\u003c/p>\n\u003cp>The beauty of working on that toy wasn’t just Smith’s brush with stardom. It was the fact that Smith and her team created a doll that represents something much bigger. “To see Karma, a Black girl with big hair like me,” says Smith, “I was like, ‘Oh my God, this is the brand that I wanted as a child.’”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954854","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>At Mattel, Smith has designed the “chip art,” or the flat background and scenery, for the revitalized version of the Polly Pocket toy. She’s added touches to the dolls from \u003cem>Harry Potter\u003c/em>, and helped design the Dapper Dan line of Barbie dolls.\u003c/p>\n\u003cp>Smith also designed the accessories for the \u003ca href=\"https://video.kqed.org/video/the-heart-soul-of-walker-ctkjzy/\">Madam C.J. Walker\u003c/a> doll, using advice from Madam C.J. Walker’s great-great granddaughter to change the doll’s blouse to the famed entrepreneur’s favorite color, purple, to be historically correct. And earlier this year, when Mattel debuted a series of \u003ca href=\"https://crosscolours.com/\">Cross Colours\u003c/a>–inspired Barbies, Smith was in the mix.\u003c/p>\n\u003cp>“Cross Colours was a huge part of my childhood,” says Smith, who was moved by the fashion line’s ethos and signature bright colors. “A lot of people think fashion can be vapid and not make anything meaningful, so I really connected to what Cross Colours meant and what it stood for. It stood for more than just looking cute. It was for the people.”\u003c/p>\n\u003cp>A fashionista since elementary school, Smith was taught to sew at the age of eight by her mother, a multitalented entrepreneur. Smith attended Oakland public schools — Skyline for high school and Montera for junior high — but it was her experience in elementary school, at Redwood Heights, that laid the foundation for her future. “That’s when I realized that I wanted to get into fashion,” Smith says. “I would draw little clothes and dress up my dolls.”\u003c/p>\n\u003cfigure id=\"attachment_13955082\" class=\"wp-caption aligncenter\" style=\"max-width: 1545px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955082\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi.jpeg\" alt=\"\" width=\"1545\" height=\"2492\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi.jpeg 1545w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-800x1290.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-1020x1645.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-160x258.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-768x1239.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-952x1536.jpeg 952w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-1270x2048.jpeg 1270w\" sizes=\"(max-width: 1545px) 100vw, 1545px\">\u003cfigcaption class=\"wp-caption-text\">Jendayi Smith as a toddler. \u003ccite>(Courtesy Jendayi Smith)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Now 40, Smith sports a forest green blazer, tan sweater, striped scarf and fly earrings as she tells me via video chat that she’s always styled her own clothes. Her friends and family know her as the person who wears “kind of weird clothes, and is always fashionable,” she says with a laugh. “It’s definitely part of my brand.”\u003c/p>\n\u003cp>But Smith’s path from East Oakland elementary school-aged designer to a decade of designing toys for one of the biggest companies in the world was a circuitous one.\u003c/p>\n\u003cp>At 18, she left the Town and went to the East Coast for college, attending Howard University with a focus in was fashion merchandising. The business side of the industry wasn’t \u003cem>exactly\u003c/em> what she wanted to do, but it proved to be an entry point.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13952329","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>After graduating, she landed a gig in New York at Macy’s Merchandising Group, working in product development for utility bedding — pillows, mattress pads, any type of cover for your bed that’s off-white or white. “I remember calling my mom and crying. I was like, ‘I can’t do this anymore, I see in color,'” says Smith, lamenting that what she was doing wasn’t “fashion.”\u003c/p>\n\u003cp>She left and took a job at Anthropologie, where her creativity was reignited. She was soon recruited by someone looking for a personal shopper at Saks Fifth Avenue, which exposed her to the expensive world of high fashion.\u003c/p>\n\u003cp>“We were working with these high-end profile clients — millionaires and billionaires — who’d come to Saks and they’d have their personal shoppers pull all the clothes for them,” Smith says.\u003c/p>\n\u003cfigure id=\"attachment_13955172\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955172\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait.jpg\" alt=\"\" width=\"1920\" height=\"2556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait-800x1065.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait-1020x1358.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait-768x1022.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait-1154x1536.jpg 1154w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Jendayi-Smith.portrait-1538x2048.jpg 1538w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Jendayi Smith, surrounded by dolls. \u003ccite>(Courtesy Jendayi Smith)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As eye-opening and luxurious as the position was, it didn’t satisfy her creative needs. So Smith applied to the Fashion Institute of Technology and got a second degree in fashion design. “After that I started working as a fashion designer in women’s cold weather accessories — hats, and scarves and gloves,” says Smith. But the company she worked for was soon bought out. Around that time, Smith began to yearn for the warm sun and familial roots of California, and left New York.\u003c/p>\n\u003cp>Back in Los Angeles, where she was born, she got word that Mattel was hiring. It wasn’t exactly fashion design, but Smith was impressed by the upbeat company culture and the aesthetics of the office (much livelier than depicted in the \u003cem>Barbie\u003c/em> movie, she says). Plus the position spoke directly to her and her husband’s interests.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13952162","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“We’d actually bonded over watching cartoons — \u003cem>Avatar\u003c/em> and Nickelodeon,” says Smith, adding that the couple’s shelves are filled with toys they’ve collected. “I was like: it makes sense.”\u003c/p>\n\u003cp>The position required her to use Illustrator and Photoshop to create clothes for dolls from the animated series \u003cem>Monster High\u003c/em>. What was initially a six-month contract turned into Smith staying at Mattel for 10 years. “I’ve worked on over 20 different brands since I’ve been here,” says Smith. “It’s been exciting to have the variety of work.”\u003c/p>\n\u003cp>When Mattel designs a doll, Smith explains, no single person does everything. They work in teams: one group might design the face, while another takes the hair and yet another does accessories.\u003c/p>\n\u003cfigure id=\"attachment_13955083\" class=\"wp-caption aligncenter\" style=\"max-width: 1080px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955083\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-X-Cross-Colours.jpg\" alt=\"\" width=\"1080\" height=\"1346\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-X-Cross-Colours.jpg 1080w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-X-Cross-Colours-800x997.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-X-Cross-Colours-1020x1271.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-X-Cross-Colours-160x199.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-X-Cross-Colours-768x957.jpg 768w\" sizes=\"(max-width: 1080px) 100vw, 1080px\">\u003cfigcaption class=\"wp-caption-text\">Cross Colours-inspired Barbies. \u003ccite>(Mattel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Smith credits \u003ca href=\"https://www.instagram.com/carlylenuera/?hl=en\" target=\"_blank\" rel=\"noopener\">Carlyle Nuera\u003c/a>, lead product designer for the Barbie brand, for bringing her into some of her favorite projects, including the \u003cem>Karma’s World\u003c/em> doll and the Madam C.J. Walker doll.\u003c/p>\n\u003cp>One day Smith received a message from her mom with a link to an article. Her mother, clearly excited, said, “This is the Madam C.J. Walker doll that just came out!” Smith proudly replied, “Yeah, I worked on that.”\u003c/p>\n\u003cp>In discussing what’s next, Smith is driven by improving diversity and inclusion in dolls. She knows, both from her own personal experience as a child and now as a mother of two, that having a diverse set of toys is important. With each toy comes a different story, and as an avid reader, Smith sees how simple child’s play helps introduce people to new stories, which leads to further understanding among people of different backgrounds.\u003c/p>\n\u003cfigure id=\"attachment_13955085\" class=\"wp-caption aligncenter\" style=\"max-width: 1060px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955085\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-Madame-CJ-Walker-1.png\" alt=\"\" width=\"1060\" height=\"1096\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-Madame-CJ-Walker-1.png 1060w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-Madame-CJ-Walker-1-800x827.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-Madame-CJ-Walker-1-1020x1055.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-Madame-CJ-Walker-1-160x165.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Barbie-Madame-CJ-Walker-1-768x794.png 768w\" sizes=\"(max-width: 1060px) 100vw, 1060px\">\u003cfigcaption class=\"wp-caption-text\">A Madam C.J. Walker doll, in the likeness of the famous entrepreneur of Black women’s beauty products. \u003ccite>(Mattel)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I want to see how far we can go,” says Smith, ambitiously. “How many people can we reach with the brands that we work on? How many people can we make happy with bringing these toys to life and encouraging play?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Looking at my daughter’s bedroom, she can add at least one more happy person to her long list of toy owners.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955020/jendayi-smith-oakland-barbie-mattel","authors":["11491"],"categories":["arts_1","arts_76"],"tags":["arts_21887","arts_10278","arts_12859"],"featImg":"arts_13955170","label":"arts"},"arts_13950821":{"type":"posts","id":"arts_13950821","meta":{"index":"posts_1591205157","site":"arts","id":"13950821","score":null,"sort":[1706052554000]},"guestAuthors":[],"slug":"greta-gerwig-oscars-snub","title":"Greta Gerwig’s Oscars Snub Should Come as No Surprise","publishDate":1706052554,"format":"standard","headTitle":"Greta Gerwig’s Oscars Snub Should Come as No Surprise | KQED","labelTerm":{},"content":"\u003cp>This years’ \u003ca href=\"https://www.kqed.org/arts/13950768/2024-oscar-nominations\">Oscar nominations have arrived\u003c/a>, and the most controversial snub by far is the exclusion of Greta Gerwig from the Best Director category for \u003ca href=\"https://www.kqed.org/arts/13931753/allan-doll-michael-cera-greta-gerwig-barbie-movie-review\">\u003cem>Barbie\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Last year, Gerwig pulled off the rare feat of making a movie both critically lauded and enormously commercially successful. (\u003ca href=\"https://www.kqed.org/arts/13931981/greta-gerwig-box-office-record-female-directors\">\u003cem>Barbie\u003c/em> broke the opening-weekend record for North American movie theaters\u003c/a> in 2023 with $162 million in ticket sales.) It was a visual and creative triumph which took a doll critiqued by feminists for decades and turned her into a patriarchy-smashing icon. Additionally, \u003cem>Barbie\u003c/em> contributed significantly to \u003ca href=\"https://www.npr.org/2023/08/11/1193283472/barbie-taylor-swift-beyonce\">the return of the monoculture\u003c/a> in 2023; it \u003ca href=\"https://www.kqed.org/arts/13939092/bay-area-trends-of-2023\">impacted pop culture\u003c/a> in so many indelible ways, it bordered on the obnoxious.\u003c/p>\n\u003cp>Still, it wasn’t enough for the Academy.\u003c/p>\n\u003cp>[aside postid='arts_13950768']Not only was Gerwig passed over for Best Director, but Barbie herself, Margot Robbie, was left out of the Best Actress category. This despite Ryan Gosling and America Ferrera getting nods in the Best Supporting Actor and Actress categories. Movie lovers, including MSNBC’s Jennifer Palmieri, \u003ca href=\"https://www.hollywoodreporter.com/movies/movie-news/greta-gerwig-barbie-2024-oscar-snub-backlash-1235804650/\">quickly took to social media to bemoan the snubs\u003c/a>.\u003c/p>\n\u003cp>“Both Gerwig and Robbie ignored,” \u003ca href=\"https://twitter.com/jmpalmieri/status/1749814660956828007\">Palmieri posted on X\u003c/a>. “It’s still so easy for Hollywood to overlook and discount artistic contributions of women — EVEN WHEN ITS THE POINT OF THE YEAR’S BIGGEST MOVIE! My God. It was nominated for best picture. Didn’t direct itself, friends!”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/jmpalmieri/status/1749814660956828007\u003c/p>\n\u003cp>Is this an irritating turn of events? Yes. Did the Academy miss all of the (not-even-subtly-conveyed) lessons of the film, about the quiet injustices doled out to women due to sexism? Probably. Should any of us really be surprised? Despite Gerwig previously receiving a Best Director nomination for \u003cem>Lady Bird\u003c/em>? Absolutely not.\u003c/p>\n\u003cp>The Academy has always been a law unto itself; it has historically favored white men doing white man things. When it comes to female directors getting their due, the most we can hope for is a little tokenism. Justine Triet is this year’s, for \u003cem>Anatomy of a Fall\u003c/em> — and, in the Academy Awards’ entire 95-year history, she’s only the eighth woman to be nominated in the directing category. Just three of those have ever actually taken home the trophy: Kathryn Bigelow for \u003cem>The Hurt Locker\u003c/em> in 2009, Chloé Zhao for \u003cem>Nomadland\u003c/em> in 2020 and Jane Campion for \u003cem>The Year of the Dog\u003c/em> in 2021.\u003c/p>\n\u003cp>[aside postid='pop_105648']Consider also the Academy’s maddening habit of doling out awards to established giants at the expense of younger talent. Do we really think Leonardo DiCaprio did better work in \u003cem>The Revenant\u003c/em> (the movie he finally won for) than in \u003cem>What’s Eating Gilbert Grape?\u003c/em> (the first movie he was nominated for)? Would you rather Martin Scorsese have an Oscar for \u003cem>Raging Bull\u003c/em> or \u003cem>The Departed\u003c/em>? Most would say the former, but the Academy made him wait 26 years. What we end up with are Oscars doled out because it’s time for a major figure to have one, rather than the actual work at hand or its cultural impact.\u003c/p>\n\u003cp>(Perhaps Greta Gerwig will finally get her statue 30 years from now for a movie that does moderate box office and gets film nerds talking. But there are no guarantees that even the highest echelons of female talent will get there in the end — \u003ca href=\"https://www.kqed.org/pop/105648/why-does-the-academy-keep-denying-glenn-close-an-oscar\">Glenn Close has never won an Oscar\u003c/a>, despite being nominated as an actress eight times in the past 40 years.)\u003c/p>\n\u003cp>The truth is, the Oscars have rarely — if ever — reflected the will of the people. (No, not even since they expanded the Best Picture category to 10 nominees in 2009.) For a while, it seemed, people were nearly done with the Academy Awards altogether. In 2016, the hashtag \u003ca href=\"https://www.kqed.org/arts/13895845/neither-oscarssowhite-nor-oscarssomale-what-a-difference-a-pandemic-makes\">#OscarsSoWhite\u003c/a> dominated social media after two years of every single nominee in lead and supporting acting categories being white. The fact that \u003cem>Beasts of No Nation\u003c/em>, \u003cem>Straight Outta Compton\u003c/em> and \u003cem>Creed\u003c/em> were shut out of almost every category that year caused further ire.\u003c/p>\n\u003cp>[aside postID='arts_13938908']During the many discussions around #OscarsSoWhite, Spike Lee, Will Smith and Michael Moore boycotted the Oscars. A recurring conversation emerged: Black women, in particular, were being ignored by the Academy. Only 11 Black women have ever won an Oscar, none for directing. Last year, \u003ca href=\"https://www.buzzfeednews.com/article/leylamohammed/angela-bassett-jamie-lee-curtis-oscars-snubbed\">after Angela Bassett’s loss to Jamie Lee Curtis\u003c/a>, the Academy scrambled to correct its snafu by giving Bassett an honorary award a few months later.\u003c/p>\n\u003cp>The problem is, and always has been, who makes up the Academy. Consider this: Between 1929 and 2015, on average, only 16 percent of nominees in all Oscar categories were women. Why? As late as 2022, \u003ca href=\"https://www.statista.com/statistics/321286/voters-academy-awards-gender/\">women only accounted for one third of Academy voters\u003c/a> — and the number that year was 10 percent higher than the prior year. So I ask again: Is it really all that surprising that Greta Gerwig didn’t get a Best Director nod for \u003cem>Barbie\u003c/em>?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Academy is a mess that often finds itself woefully out of touch. Despite a variety of token efforts in the past decade, the Academy will continue to slip until women and people of color are appropriately represented in its ranks. For now, \u003cem>Barbie\u003c/em> is at least nominated for Best Adapted Screenplay — a chance for Gerwig to get her Oscar. Just don’t be surprised if you find yourself throwing your cocktail at the TV on March 12. If history is to repeat itself, that award will probably go to a movie much less pink and much less female.\u003c/p>\n\n","blocks":[],"excerpt":"The Academy Awards has failed to acknowledge women, over and over. Why should this year be any different?","status":"publish","parent":0,"modified":1706054160,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":946},"headData":{"title":"Greta Gerwig and the Many Ways the Oscars Fails Female Talent | KQED","description":"The Academy Awards has failed to acknowledge women, over and over. Why should this year be any different?","ogTitle":"Greta Gerwig’s Oscars Snub Should Come as a Surprise to No One","ogDescription":"","ogImgId":"","twTitle":"Greta Gerwig’s Oscars Snub Should Come as a Surprise to No One","twDescription":"","twImgId":"","socialTitle":"Greta Gerwig and the Many Ways the Oscars Fails Female Talent %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Greta Gerwig’s Oscars Snub Should Come as No Surprise","datePublished":"2024-01-23T23:29:14.000Z","dateModified":"2024-01-23T23:56:00.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"commentary","sourceUrl":"https://www.kqed.org/artscommentary","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13950821/greta-gerwig-oscars-snub","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This years’ \u003ca href=\"https://www.kqed.org/arts/13950768/2024-oscar-nominations\">Oscar nominations have arrived\u003c/a>, and the most controversial snub by far is the exclusion of Greta Gerwig from the Best Director category for \u003ca href=\"https://www.kqed.org/arts/13931753/allan-doll-michael-cera-greta-gerwig-barbie-movie-review\">\u003cem>Barbie\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Last year, Gerwig pulled off the rare feat of making a movie both critically lauded and enormously commercially successful. (\u003ca href=\"https://www.kqed.org/arts/13931981/greta-gerwig-box-office-record-female-directors\">\u003cem>Barbie\u003c/em> broke the opening-weekend record for North American movie theaters\u003c/a> in 2023 with $162 million in ticket sales.) It was a visual and creative triumph which took a doll critiqued by feminists for decades and turned her into a patriarchy-smashing icon. Additionally, \u003cem>Barbie\u003c/em> contributed significantly to \u003ca href=\"https://www.npr.org/2023/08/11/1193283472/barbie-taylor-swift-beyonce\">the return of the monoculture\u003c/a> in 2023; it \u003ca href=\"https://www.kqed.org/arts/13939092/bay-area-trends-of-2023\">impacted pop culture\u003c/a> in so many indelible ways, it bordered on the obnoxious.\u003c/p>\n\u003cp>Still, it wasn’t enough for the Academy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13950768","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Not only was Gerwig passed over for Best Director, but Barbie herself, Margot Robbie, was left out of the Best Actress category. This despite Ryan Gosling and America Ferrera getting nods in the Best Supporting Actor and Actress categories. Movie lovers, including MSNBC’s Jennifer Palmieri, \u003ca href=\"https://www.hollywoodreporter.com/movies/movie-news/greta-gerwig-barbie-2024-oscar-snub-backlash-1235804650/\">quickly took to social media to bemoan the snubs\u003c/a>.\u003c/p>\n\u003cp>“Both Gerwig and Robbie ignored,” \u003ca href=\"https://twitter.com/jmpalmieri/status/1749814660956828007\">Palmieri posted on X\u003c/a>. “It’s still so easy for Hollywood to overlook and discount artistic contributions of women — EVEN WHEN ITS THE POINT OF THE YEAR’S BIGGEST MOVIE! My God. It was nominated for best picture. Didn’t direct itself, friends!”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"singleTwitterStatus","attributes":{"named":{"id":"1749814660956828007"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Is this an irritating turn of events? Yes. Did the Academy miss all of the (not-even-subtly-conveyed) lessons of the film, about the quiet injustices doled out to women due to sexism? Probably. Should any of us really be surprised? Despite Gerwig previously receiving a Best Director nomination for \u003cem>Lady Bird\u003c/em>? Absolutely not.\u003c/p>\n\u003cp>The Academy has always been a law unto itself; it has historically favored white men doing white man things. When it comes to female directors getting their due, the most we can hope for is a little tokenism. Justine Triet is this year’s, for \u003cem>Anatomy of a Fall\u003c/em> — and, in the Academy Awards’ entire 95-year history, she’s only the eighth woman to be nominated in the directing category. Just three of those have ever actually taken home the trophy: Kathryn Bigelow for \u003cem>The Hurt Locker\u003c/em> in 2009, Chloé Zhao for \u003cem>Nomadland\u003c/em> in 2020 and Jane Campion for \u003cem>The Year of the Dog\u003c/em> in 2021.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"pop_105648","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Consider also the Academy’s maddening habit of doling out awards to established giants at the expense of younger talent. Do we really think Leonardo DiCaprio did better work in \u003cem>The Revenant\u003c/em> (the movie he finally won for) than in \u003cem>What’s Eating Gilbert Grape?\u003c/em> (the first movie he was nominated for)? Would you rather Martin Scorsese have an Oscar for \u003cem>Raging Bull\u003c/em> or \u003cem>The Departed\u003c/em>? Most would say the former, but the Academy made him wait 26 years. What we end up with are Oscars doled out because it’s time for a major figure to have one, rather than the actual work at hand or its cultural impact.\u003c/p>\n\u003cp>(Perhaps Greta Gerwig will finally get her statue 30 years from now for a movie that does moderate box office and gets film nerds talking. But there are no guarantees that even the highest echelons of female talent will get there in the end — \u003ca href=\"https://www.kqed.org/pop/105648/why-does-the-academy-keep-denying-glenn-close-an-oscar\">Glenn Close has never won an Oscar\u003c/a>, despite being nominated as an actress eight times in the past 40 years.)\u003c/p>\n\u003cp>The truth is, the Oscars have rarely — if ever — reflected the will of the people. (No, not even since they expanded the Best Picture category to 10 nominees in 2009.) For a while, it seemed, people were nearly done with the Academy Awards altogether. In 2016, the hashtag \u003ca href=\"https://www.kqed.org/arts/13895845/neither-oscarssowhite-nor-oscarssomale-what-a-difference-a-pandemic-makes\">#OscarsSoWhite\u003c/a> dominated social media after two years of every single nominee in lead and supporting acting categories being white. The fact that \u003cem>Beasts of No Nation\u003c/em>, \u003cem>Straight Outta Compton\u003c/em> and \u003cem>Creed\u003c/em> were shut out of almost every category that year caused further ire.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13938908","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>During the many discussions around #OscarsSoWhite, Spike Lee, Will Smith and Michael Moore boycotted the Oscars. A recurring conversation emerged: Black women, in particular, were being ignored by the Academy. Only 11 Black women have ever won an Oscar, none for directing. Last year, \u003ca href=\"https://www.buzzfeednews.com/article/leylamohammed/angela-bassett-jamie-lee-curtis-oscars-snubbed\">after Angela Bassett’s loss to Jamie Lee Curtis\u003c/a>, the Academy scrambled to correct its snafu by giving Bassett an honorary award a few months later.\u003c/p>\n\u003cp>The problem is, and always has been, who makes up the Academy. Consider this: Between 1929 and 2015, on average, only 16 percent of nominees in all Oscar categories were women. Why? As late as 2022, \u003ca href=\"https://www.statista.com/statistics/321286/voters-academy-awards-gender/\">women only accounted for one third of Academy voters\u003c/a> — and the number that year was 10 percent higher than the prior year. So I ask again: Is it really all that surprising that Greta Gerwig didn’t get a Best Director nod for \u003cem>Barbie\u003c/em>?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Academy is a mess that often finds itself woefully out of touch. Despite a variety of token efforts in the past decade, the Academy will continue to slip until women and people of color are appropriately represented in its ranks. For now, \u003cem>Barbie\u003c/em> is at least nominated for Best Adapted Screenplay — a chance for Gerwig to get her Oscar. Just don’t be surprised if you find yourself throwing your cocktail at the TV on March 12. If history is to repeat itself, that award will probably go to a movie much less pink and much less female.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13950821/greta-gerwig-oscars-snub","authors":["11242"],"categories":["arts_1","arts_2303","arts_74","arts_75"],"tags":["arts_3701","arts_9943","arts_21887","arts_2767","arts_10278","arts_21780","arts_2084","arts_3698","arts_7580"],"featImg":"arts_13938915","label":"source_arts_13950821"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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You ask the questions. You decide what Bay Curious investigates. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us","airtime":"SUN 2pm-3pm, MON 12am-1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png","officialWebsiteLink":"https://www.wnycstudios.org/shows/otm","meta":{"site":"news","source":"wnyc"},"link":"/radio/program/on-the-media","subscribe":{"apple":"https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2","tuneIn":"https://tunein.com/radio/On-the-Media-p69/","rss":"http://feeds.wnyc.org/onthemedia"}},"our-body-politic":{"id":"our-body-politic","title":"Our Body Politic","info":"Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.","airtime":"SAT 6pm-7pm, SUN 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://our-body-politic.simplecast.com/","meta":{"site":"news","source":"kcrw"},"link":"/radio/program/our-body-politic","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/our-body-politic/id1533069868","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw","spotify":"https://open.spotify.com/show/4ApAiLT1kV153TttWAmqmc","rss":"https://feeds.simplecast.com/_xaPhs1s","tuneIn":"https://tunein.com/podcasts/News--Politics-Podcasts/Our-Body-Politic-p1369211/"}},"pbs-newshour":{"id":"pbs-newshour","title":"PBS NewsHour","info":"Analysis, background reports and updates from the PBS NewsHour putting today's news in context.","airtime":"MON-FRI 3pm-4pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.pbs.org/newshour/","meta":{"site":"news","source":"pbs"},"link":"/radio/program/pbs-newshour","subscribe":{"apple":"https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2","tuneIn":"https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/","rss":"https://www.pbs.org/newshour/feeds/rss/podcasts/show"}},"perspectives":{"id":"perspectives","title":"Perspectives","tagline":"KQED's series of of daily listener commentaries since 1991","info":"KQED's series of of daily listener commentaries since 1991.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Perspectives-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/perspectives/","meta":{"site":"radio","source":"kqed","order":"15"},"link":"/perspectives","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/id73801135","npr":"https://www.npr.org/podcasts/432309616/perspectives","rss":"https://ww2.kqed.org/perspectives/category/perspectives/feed/","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"}},"planet-money":{"id":"planet-money","title":"Planet Money","info":"The economy explained. 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