East Bay Artists Can Still Get Pandemic Relief Funding With This Grant
A New Student Filmmaking Grant Will Focus on Reproductive Rights
In Oakland, Plunging Hotel Tax Revenue Threatens to Gut Arts Funding
Survey: SF Arts Groups Expect $73 Million in Losses During Coronavirus Crisis
SF Pledges $2.5 Million to New Arts Relief Program
Oakland Appoints Cultural Affairs Commissioners After Nine-Year Hiatus
Warhol Foundation Awards Bay Area Arts Organizations $482,000
National Endowment for the Arts Awards $1.7 Million to Bay Area Arts Groups
An Oakland Metalsmith Risks Instability to Bring Metal Arts to Black Girls
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There’s the stalled momentum after two years of COVID restrictions, the ongoing risk of sickness—not to mention inflation and the ever-rising cost of living in the Bay Area. The fallout from the pandemic is real, but the vast majority of grants from 2020 are no longer taking applications, and artists are left to figure things out on their own.\u003c/p>\n\u003cp>Fortunately for those living in Alameda and Contra Costa counties, the \u003ca href=\"https://www.cciarts.org/EastBayReliefFund.html\" target=\"_blank\" rel=\"noopener noreferrer\">East Bay Relief Fund for Individuals in the Arts\u003c/a> is accepting applications for financial aid until noon on Sept. 28. The fund has $481,496 it plans to distribute to artists and cultural workers (that includes teaching artists, culture bearers, nonprofit employees and arts administrators).\u003c/p>\n\u003cp>People experiencing immediate hardship, especially those from historically marginalized communities, will be prioritized for grants of up to $2,000 to cover their expenses. The grant is open to artists at any stage of their careers and of all disciplines. [aside postid='arts_13915178']\u003c/p>\n\u003cp>Applicants will be notified of their acceptance on Oct. 5; after that, those approved can use the money in any way they see fit to improve their financial situations. The Kenneth Rainin Foundation leads the funding for this grant, with support from the Hellman Foundation, Phyllis C. Wattis Foundation, Gerbode Foundation, East Bay Community Foundation and Walter & Elise Haas Fund. The Center for Cultural Innovation (CCI) will administer the grants. The \u003ca href=\"https://www.cciarts.org/EastBayReliefFund.html\" target=\"_blank\" rel=\"noopener noreferrer\">application and more information can be found on CCI’s website\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Artists facing immediate financial hardship can apply for up to $2,000 from the Center for Cultural Innovation.","status":"publish","parent":0,"modified":1705006387,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":259},"headData":{"title":"East Bay Artists Can Still Get Pandemic Relief Funding | KQED","description":"Artists facing immediate financial hardship can apply for up to $2,000 from the Center for Cultural Innovation.","ogTitle":"East Bay Artists Can Still Get Pandemic Relief Funding With This Grant","ogDescription":"","ogImgId":"","twTitle":"East Bay Artists Can Still Get Pandemic Relief Funding With This Grant","twDescription":"","twImgId":"","socialTitle":"East Bay Artists Can Still Get Pandemic Relief Funding %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"East Bay Artists Can Still Get Pandemic Relief Funding With This Grant","datePublished":"2022-09-13T18:18:10.000Z","dateModified":"2024-01-11T20:53:07.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"WpOldSlug":"east-bay-artists-can-still-get-pandemic-relief-funding-with-this-grant","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","path":"/arts/13919062/east-bay-artists-pandemic-relief-funding-cci-grant","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s not easy being an artist in 2022. There’s the stalled momentum after two years of COVID restrictions, the ongoing risk of sickness—not to mention inflation and the ever-rising cost of living in the Bay Area. The fallout from the pandemic is real, but the vast majority of grants from 2020 are no longer taking applications, and artists are left to figure things out on their own.\u003c/p>\n\u003cp>Fortunately for those living in Alameda and Contra Costa counties, the \u003ca href=\"https://www.cciarts.org/EastBayReliefFund.html\" target=\"_blank\" rel=\"noopener noreferrer\">East Bay Relief Fund for Individuals in the Arts\u003c/a> is accepting applications for financial aid until noon on Sept. 28. The fund has $481,496 it plans to distribute to artists and cultural workers (that includes teaching artists, culture bearers, nonprofit employees and arts administrators).\u003c/p>\n\u003cp>People experiencing immediate hardship, especially those from historically marginalized communities, will be prioritized for grants of up to $2,000 to cover their expenses. The grant is open to artists at any stage of their careers and of all disciplines. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13915178","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Applicants will be notified of their acceptance on Oct. 5; after that, those approved can use the money in any way they see fit to improve their financial situations. The Kenneth Rainin Foundation leads the funding for this grant, with support from the Hellman Foundation, Phyllis C. Wattis Foundation, Gerbode Foundation, East Bay Community Foundation and Walter & Elise Haas Fund. The Center for Cultural Innovation (CCI) will administer the grants. The \u003ca href=\"https://www.cciarts.org/EastBayReliefFund.html\" target=\"_blank\" rel=\"noopener noreferrer\">application and more information can be found on CCI’s website\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13919062/east-bay-artists-pandemic-relief-funding-cci-grant","authors":["11387"],"categories":["arts_1"],"tags":["arts_3560","arts_11014","arts_10127","arts_10278","arts_1143"],"featImg":"arts_13919063","label":"arts"},"arts_13917744":{"type":"posts","id":"arts_13917744","meta":{"index":"posts_1591205157","site":"arts","id":"13917744","score":null,"sort":[1660757245000]},"guestAuthors":[],"slug":"a-new-student-filmmaking-grant-will-focus-on-reproductive-rights","title":"A New Student Filmmaking Grant Will Focus on Reproductive Rights","publishDate":1660757245,"format":"standard","headTitle":"A New Student Filmmaking Grant Will Focus on Reproductive Rights | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>A new grant program announced Wednesday by the \u003ca href=\"https://annenberg.usc.edu/research/aii\" target=\"_blank\" rel=\"noopener noreferrer\">Annenberg Inclusion Initiative\u003c/a>, a think tank based at the University of Southern California that studies diversity and inclusion in the entertainment industry, aims to support undergraduate filmmakers whose work focuses on reproductive rights.\u003c/p>\n\u003cp>[aside postid='arts_13912860']According to a statement shared with NPR, the “Reproductive Rights Accelerator” program will provide a minimum of three students with $25,000 in funding each to support the script development and production of short films.\u003c/p>\n\u003cp>“There are too few stories focused on these topics, and they rarely come from young people,” the initiative’s founder Stacy Smith wrote in an email. “We want the generation who will be most affected by current policies around reproductive health to have the chance to illuminate how these policies affect them.”\u003c/p>\n\u003cp>Smith said her organization is planning to reach students through social media and outreach to film schools. She added that any senior studying film in the U.S. can apply for a grant. Applications will open in September and winners will be selected later in the fall.\u003c/p>\n\u003cp>“Undergraduates have important stories to tell but often have limited opportunities to tell them,” said Smith. “This program should help change that.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Films addressing abortion aren’t a new phenomenon. For example, the silent movie \u003cem>Where Are My Children \u003c/em>dealt with the topic way back in 1916. But the genre has exploded in recent times. The \u003ca href=\"https://www.npr.org/2022/01/28/1076360032/highlights-from-the-2022-sundance-film-festival\" target=\"_blank\" rel=\"noopener noreferrer\">Sundance Film Festival\u003c/a> identified films about reproductive rights as “\u003ca href=\"https://www.sundance.org/blogs/festival-blog/what-to-watch-at-the-2022-festival-films-that-examine-the-fight-for-reproductive-rights/\" target=\"_blank\" rel=\"noopener noreferrer\">a clear theme\u003c/a>” in 2022, with such movies as \u003cem>Happening\u003c/em>, \u003cem>Midwives \u003c/em>and \u003cem>The Janes\u003c/em> appearing on this year’s festival lineup. And the organization issued a statement on social media presaging more such films in response to the Supreme Court decision overturning the federal right to an abortion.\u003c/p>\n\u003cp>[aside postid='arts_13914530']Supporters of the grant program point to the importance of the entertainment industry as a tool for highlighting important issues around human rights.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The entertainment community plays a critical role in educating people about their sexual and reproductive health and rights, including abortion,” said Caren Spruch, national director of arts and entertainment engagement for Planned Parenthood Federation of America, in a statement. “With Roe v. Wade overturned and birth control, LGBQT+ and other rights threatened, this new Annenberg Inclusion Initiative project will provide an invaluable tool to ensure audiences are reached with medically and legislatively accurate storytelling about these issues.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+new+student+filmmaking+grant+will+focus+on+reproductive+rights&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"USC's Annenberg Inclusion Initiative has created the program in response to the overturning of Roe v. Wade.","status":"publish","parent":0,"modified":1705006482,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":423},"headData":{"title":"A New Student Filmmaking Grant Will Focus on Reproductive Rights | KQED","description":"USC's Annenberg Inclusion Initiative has created the program in response to the overturning of Roe v. Wade.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"A New Student Filmmaking Grant Will Focus on Reproductive Rights","datePublished":"2022-08-17T17:27:25.000Z","dateModified":"2024-01-11T20:54:42.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprImageCredit":"bjones27","nprByline":"Chloe Veltman","nprImageAgency":"Getty Images","nprStoryId":"1117777738","nprApiLink":"http://api.npr.org/query?id=1117777738&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2022/08/17/1117777738/student-filmmaking-grant-reproductive-rights?ft=nprml&f=1117777738","nprRetrievedStory":"1","nprPubDate":"Wed, 17 Aug 2022 12:52:00 -0400","nprStoryDate":"Wed, 17 Aug 2022 10:00:11 -0400","nprLastModifiedDate":"Wed, 17 Aug 2022 12:52:26 -0400","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","path":"/arts/13917744/a-new-student-filmmaking-grant-will-focus-on-reproductive-rights","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>A new grant program announced Wednesday by the \u003ca href=\"https://annenberg.usc.edu/research/aii\" target=\"_blank\" rel=\"noopener noreferrer\">Annenberg Inclusion Initiative\u003c/a>, a think tank based at the University of Southern California that studies diversity and inclusion in the entertainment industry, aims to support undergraduate filmmakers whose work focuses on reproductive rights.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13912860","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>According to a statement shared with NPR, the “Reproductive Rights Accelerator” program will provide a minimum of three students with $25,000 in funding each to support the script development and production of short films.\u003c/p>\n\u003cp>“There are too few stories focused on these topics, and they rarely come from young people,” the initiative’s founder Stacy Smith wrote in an email. “We want the generation who will be most affected by current policies around reproductive health to have the chance to illuminate how these policies affect them.”\u003c/p>\n\u003cp>Smith said her organization is planning to reach students through social media and outreach to film schools. She added that any senior studying film in the U.S. can apply for a grant. Applications will open in September and winners will be selected later in the fall.\u003c/p>\n\u003cp>“Undergraduates have important stories to tell but often have limited opportunities to tell them,” said Smith. “This program should help change that.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Films addressing abortion aren’t a new phenomenon. For example, the silent movie \u003cem>Where Are My Children \u003c/em>dealt with the topic way back in 1916. But the genre has exploded in recent times. The \u003ca href=\"https://www.npr.org/2022/01/28/1076360032/highlights-from-the-2022-sundance-film-festival\" target=\"_blank\" rel=\"noopener noreferrer\">Sundance Film Festival\u003c/a> identified films about reproductive rights as “\u003ca href=\"https://www.sundance.org/blogs/festival-blog/what-to-watch-at-the-2022-festival-films-that-examine-the-fight-for-reproductive-rights/\" target=\"_blank\" rel=\"noopener noreferrer\">a clear theme\u003c/a>” in 2022, with such movies as \u003cem>Happening\u003c/em>, \u003cem>Midwives \u003c/em>and \u003cem>The Janes\u003c/em> appearing on this year’s festival lineup. And the organization issued a statement on social media presaging more such films in response to the Supreme Court decision overturning the federal right to an abortion.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13914530","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Supporters of the grant program point to the importance of the entertainment industry as a tool for highlighting important issues around human rights.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The entertainment community plays a critical role in educating people about their sexual and reproductive health and rights, including abortion,” said Caren Spruch, national director of arts and entertainment engagement for Planned Parenthood Federation of America, in a statement. “With Roe v. Wade overturned and birth control, LGBQT+ and other rights threatened, this new Annenberg Inclusion Initiative project will provide an invaluable tool to ensure audiences are reached with medically and legislatively accurate storytelling about these issues.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+new+student+filmmaking+grant+will+focus+on+reproductive+rights&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13917744/a-new-student-filmmaking-grant-will-focus-on-reproductive-rights","authors":["byline_arts_13917744"],"categories":["arts_1","arts_74"],"tags":["arts_9324","arts_3560","arts_977","arts_17766","arts_1674"],"affiliates":["arts_137"],"featImg":"arts_13917745","label":"arts_137"},"arts_13879146":{"type":"posts","id":"arts_13879146","meta":{"index":"posts_1591205157","site":"arts","id":"13879146","score":null,"sort":[1587670557000]},"guestAuthors":[],"slug":"in-oakland-plunging-hotel-tax-revenue-threatens-to-gut-arts-funding","title":"In Oakland, Plunging Hotel Tax Revenue Threatens to Gut Arts Funding","publishDate":1587670557,"format":"standard","headTitle":"In Oakland, Plunging Hotel Tax Revenue Threatens to Gut Arts Funding | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>In 2009, Oakland voters passed a ballot measure to increase arts funding as part of the city’s economic recovery from the Great Recession. [aside postID=arts_13878335,arts_13861153,arts_13873207]\u003c/p>\n\u003cp>Measure C raised the city’s hotel tax from 11 percent to 14 percent, with the added revenue supporting Oakland’s Cultural Funding Program, tourism agency Visit Oakland, festivals such as Art + Soul, and organizations including the Oakland Museum of California (OMCA) and Chabot Space and Science Center.\u003c/p>\n\u003cp>In the decade since, annual hotel tax revenue has more than tripled, reaching $33 million in 2019. Last year, roughly a third of the $1.2 million that Oakland granted to artists and small arts nonprofits derived from hotel taxes, and Oakland Museum of California received nearly $1 million from the fund.\u003c/p>\n\u003cp>Still, the benefits have been modest, outstripped by rising housing costs. Oakland arts figures have in recent years agitated elected officials for additional funding with mixed success—securing one time boosts only to see them dropped from subsequent budgets or diverted to other uses. \u003c/p>\n\u003cp>Now, a new economic crisis is erasing the limited gains and threatening to plunge public art support to historic lows.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>With the current shelter-in-place orders, Bay Area hotel occupancy rates have plummeted to below 20 percent, and in some cities, rates are in the single digits. Oakland’s budget director projects hotel tax revenue falling by $9 million to $18.01 million this fiscal year alone—part of a potential $80 million budget shortfall over the next 14 months.\u003c/p>\n\u003cp>“The size and scale of these revenue shortfalls is like nothing Oakland has ever before experienced,” reads the \u003ca href=\"https://oakland.legistar.com/LegislationDetail.aspx?ID=4420613&GUID=6DAD55FD-A354-4DE0-A6C0-E376CE95DDE2&Options=&Search=\">finance report\u003c/a> received by Oakland City Council on Tuesday.\u003c/p>\n\u003cfigure id=\"attachment_13875808\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/photo-by-Zoe-Mountain.jpg\" alt=\"The creation and erasure of a mural catalyzes an anti-gentrification coalition in 'Alice Street.'\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13875808\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-1020x574.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The creation and erasure of a mural catalyzes an anti-gentrification coalition in ‘Alice Street.’ \u003ccite>(Zoe Mountain/Courtesy of filmmaker)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Oakland Museum of California, the city’s largest cultural organization, has for the past two years relied on hotel tax allocation for approximately $70,000 per month in operations support.\u003c/p>\n\u003cp>“We’re anticipating that goes away completely for the foreseeable future,” Lori Fogarty, director of the museum, said in an interview. “That’s absolutely one of our biggest hits.”\u003c/p>\n\u003cp>The impact follows the cancellation of the museum’s annual gala March 14, which aimed to raise $350,000 (many supporters donated regardless), and comes atop the ongoing losses from ticket sales and programming. OMCA expects to lose $1.5 million through the summer.\u003c/p>\n\u003cp>The museum recently \u003ca href=\"https://www.kqed.org/arts/13878335/oakland-museum-of-california-announces-hours-reductions-affecting-106-workers\">reduced the hours\u003c/a> of 106 full-time employees, a measure meant to avoid layoffs. Only with the help of a federal loan was the museum able to temporarily restore them.\u003c/p>\n\u003cp>Fogarty noted the $2.5 million \u003ca href=\"https://www.kqed.org/arts/13877253/sf-pledges-2-5-million-to-new-arts-relief-program\">Arts Relief Program\u003c/a> in San Francisco, saying Oakland arts leaders could better organize to advocate for emergency relief from local government. But municipal budget crises tend to hasten privatization: The last recession spurred OMCA, for decades run by the City of Oakland, to reform as an independent nonprofit in 2011.\u003c/p>\n\u003cp>“There’s some parallels,” she said. “We were facing a decrease in funding then. But this is even more abrupt and far-reaching—I don’t know if there’s been a comparable moment.”\u003c/p>\n\u003cfigure id=\"attachment_13878341\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/OMCA-courtesy-OMCA.jpg\" alt=\"Plunging hotel tax revenue threatens an important funding source for the Oakland Museum of California.\" width=\"1920\" height=\"1116\" class=\"size-full wp-image-13878341\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-800x465.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-768x446.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-1020x593.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Plunging hotel tax revenue threatens an important funding source for the Oakland Museum of California. \u003ccite>(Courtesy OMCA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Roberto Bedoya, Oakland’s cultural affairs manager, said in a statement that the effects of city finances on his department will become clear in the coming months as officials reassess the budget.\u003c/p>\n\u003cp>The Cultural Funding Program (CFP) regularly supports performing arts organizations such as Oakland Ballet, Lower Bottom Playaz and Ubuntu Theater; murals by Community Rejuvenation Project and Attitudinal Healing Connection; and has funded projects by metalworker \u003ca href=\"https://www.kqed.org/arts/13873207/the-hustle-karen-smith-metalsmith-oakland\">Karen Smith\u003c/a>, \u003cem>\u003ca href=\"https://www.kqed.org/arts/13875585/in-alice-street-oakland-artist-activists-build-power-by-bridging-communities\">Alice Street\u003c/a>\u003c/em> director Spencer Wilkinson and \u003cem>There, There\u003c/em> author Tommy Orange.\u003c/p>\n\u003cp>In 2018 the cultural affairs unit published Oakland’s first \u003ca href=\"https://www.kqed.org/arts/13875113/oakland-appoints-cultural-affairs-commissioners\">Cultural Plan\u003c/a> in decades, detailing proposals to alleviate cost-of-living pressures on local artists and sustain community identity. Recently staff also worked to revive Oakland’s long-dormant \u003ca href=\"https://www.kqed.org/arts/13875113/oakland-appoints-cultural-affairs-commissioners\">Cultural Commission\u003c/a>. But the unit has struggled to win additional funding above and beyond its hotel tax allocation to enact most of its policy goals.\u003c/p>\n\u003cp>Even assuming a continuing uptick in hotel tax revenue, the CFP’s grant-making budget was poised to \u003ca href=\"https://www.kqed.org/arts/13861153/its-criminal-cultural-funding-cuts-frustrate-oakland-artists\">shrink\u003c/a> this year as a one-time boost from the 2017 budget cycle lapses.\u003c/p>\n\u003cp>And there’s recent precedent for officials raiding arts funds: $100,000 set aside for murals in 2017 disappeared before it could be spent, Bedoya said at a committee hearing earlier this year, due to anticipated revenue shortfalls after council members voted to reduce cannabis taxes.\u003c/p>\n\u003cp>Eric Arnold, Community Rejuvenation Project spokesperson and a longtime observer of Oakland’s equity and culture initiatives, believes the CFP’s few gains since the recession are in serious jeopardy—especially without a grassroots campaign to advocate for the program.\u003c/p>\n\u003cp>“The one-time increases for arts funding that we have seen came directly from community pressure,” Arnold said. “Right now, who’s even organized to make a budget request?”\u003c/p>\n\u003cfigure id=\"attachment_13861187\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development.jpg\" alt=\"A panel of the disappearing "Universal Language" mural, showing the Congolese artist Malonga Casquelourd, in front of Oakland's changing skyline.\" width=\"1920\" height=\"1155\" class=\"size-full wp-image-13861187\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-800x481.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-768x462.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-1020x614.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-1200x722.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A panel of the disappearing “Universal Language” mural, showing the Congolese artist Malonga Casquelourd, in front of Oakland’s changing skyline. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The San Francisco Arts Commission and related entity Grants for the Arts also expect hotel tax funding for cultural programs—significantly boosted by the 2018 passage of \u003ca href=\"https://www.kqed.org/news/11702680/proposition-e-seeks-to-restore-s-f-s-arts-and-culture-funding-clout\">Proposition E\u003c/a>—to dwindle as city finance officials \u003ca href=\"https://www.documentcloud.org/documents/6821861-March-Joint-Report-Memo-ACTIVE.html\">project\u003c/a> staggering losses of up to $288 million this fiscal year.\u003c/p>\n\u003cp>But San Francisco has more diversified revenue sources for its arts support, and Proposition E actually limits the losses to the Hotel Tax for the Arts fund. Hence, allocations to the fund are expected to only decline by $4.6 million to $28.8 million, according to a March 31 finance report.\u003c/p>\n\u003cp>Brent Miller, co-founder of Center for New Music, a San Francisco venue supported by Grants for the Arts, expects the grant-maker’s reserves to delay the effects on small nonprofits. For now, he’s more concerned about missing rental income that normally subsidizes programming.\u003c/p>\n\u003cp>“I’m hearing Grants for the Arts funding next year is kind of set in stone,” said Miller. “We’re really going to see the impact of that the following year, and then I don’t know what we’ll do.”\u003c/p>\n\u003cp>Arts funders at the state level are also shuddering. At a livestreamed California Arts Council meeting on April 1, commissioners debated relief measures, such as loosening grant restrictions to let organizations cover immediate payroll and rent costs with awards meant for specific projects.\u003c/p>\n\u003cp>The council’s grant-making budget has multiplied in recent years, totaling $35 million in 2020. But when talk turned to the council’s financial outlook, commissioners seemed to brace for cuts.\u003c/p>\n\u003cp>Ayanna Kiburi, the council’s deputy director, showed doubts about additional funding for cultural districts included in Governor Gavin Newsom’s budget proposal from this past January. “That probably won’t—we don’t know what’s going to happen,” Kiburi said.\u003c/p>\n\u003cp>The state funder is in turn awaiting federal support. The $2 trillion federal aid package approved last month includes $75 million each for the national endowments for the humanities and the arts, with 40 percent reserved for state partners such as California Arts Council.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>But the money remains in limbo. Nashormeh Lindo, a council member based in Oakland, said the “amount, timing and mechanism” of the additional national endowment funding is unknown.\u003c/p>\n\n","blocks":[],"excerpt":"A new economic crisis jeopardizes Oakland arts funding’s limited gains of the past decade.","status":"publish","parent":0,"modified":1705020857,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":31,"wordCount":1303},"headData":{"title":"In Oakland, Plunging Hotel Tax Revenue Threatens to Gut Arts Funding | KQED","description":"A new economic crisis jeopardizes Oakland arts funding’s limited gains of the past decade.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"In Oakland, Plunging Hotel Tax Revenue Threatens to Gut Arts Funding","datePublished":"2020-04-23T19:35:57.000Z","dateModified":"2024-01-12T00:54:17.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13879146/in-oakland-plunging-hotel-tax-revenue-threatens-to-gut-arts-funding","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 2009, Oakland voters passed a ballot measure to increase arts funding as part of the city’s economic recovery from the Great Recession. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13878335,arts_13861153,arts_13873207","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Measure C raised the city’s hotel tax from 11 percent to 14 percent, with the added revenue supporting Oakland’s Cultural Funding Program, tourism agency Visit Oakland, festivals such as Art + Soul, and organizations including the Oakland Museum of California (OMCA) and Chabot Space and Science Center.\u003c/p>\n\u003cp>In the decade since, annual hotel tax revenue has more than tripled, reaching $33 million in 2019. Last year, roughly a third of the $1.2 million that Oakland granted to artists and small arts nonprofits derived from hotel taxes, and Oakland Museum of California received nearly $1 million from the fund.\u003c/p>\n\u003cp>Still, the benefits have been modest, outstripped by rising housing costs. Oakland arts figures have in recent years agitated elected officials for additional funding with mixed success—securing one time boosts only to see them dropped from subsequent budgets or diverted to other uses. \u003c/p>\n\u003cp>Now, a new economic crisis is erasing the limited gains and threatening to plunge public art support to historic lows.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With the current shelter-in-place orders, Bay Area hotel occupancy rates have plummeted to below 20 percent, and in some cities, rates are in the single digits. Oakland’s budget director projects hotel tax revenue falling by $9 million to $18.01 million this fiscal year alone—part of a potential $80 million budget shortfall over the next 14 months.\u003c/p>\n\u003cp>“The size and scale of these revenue shortfalls is like nothing Oakland has ever before experienced,” reads the \u003ca href=\"https://oakland.legistar.com/LegislationDetail.aspx?ID=4420613&GUID=6DAD55FD-A354-4DE0-A6C0-E376CE95DDE2&Options=&Search=\">finance report\u003c/a> received by Oakland City Council on Tuesday.\u003c/p>\n\u003cfigure id=\"attachment_13875808\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/photo-by-Zoe-Mountain.jpg\" alt=\"The creation and erasure of a mural catalyzes an anti-gentrification coalition in 'Alice Street.'\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13875808\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/photo-by-Zoe-Mountain-1020x574.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The creation and erasure of a mural catalyzes an anti-gentrification coalition in ‘Alice Street.’ \u003ccite>(Zoe Mountain/Courtesy of filmmaker)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Oakland Museum of California, the city’s largest cultural organization, has for the past two years relied on hotel tax allocation for approximately $70,000 per month in operations support.\u003c/p>\n\u003cp>“We’re anticipating that goes away completely for the foreseeable future,” Lori Fogarty, director of the museum, said in an interview. “That’s absolutely one of our biggest hits.”\u003c/p>\n\u003cp>The impact follows the cancellation of the museum’s annual gala March 14, which aimed to raise $350,000 (many supporters donated regardless), and comes atop the ongoing losses from ticket sales and programming. OMCA expects to lose $1.5 million through the summer.\u003c/p>\n\u003cp>The museum recently \u003ca href=\"https://www.kqed.org/arts/13878335/oakland-museum-of-california-announces-hours-reductions-affecting-106-workers\">reduced the hours\u003c/a> of 106 full-time employees, a measure meant to avoid layoffs. Only with the help of a federal loan was the museum able to temporarily restore them.\u003c/p>\n\u003cp>Fogarty noted the $2.5 million \u003ca href=\"https://www.kqed.org/arts/13877253/sf-pledges-2-5-million-to-new-arts-relief-program\">Arts Relief Program\u003c/a> in San Francisco, saying Oakland arts leaders could better organize to advocate for emergency relief from local government. But municipal budget crises tend to hasten privatization: The last recession spurred OMCA, for decades run by the City of Oakland, to reform as an independent nonprofit in 2011.\u003c/p>\n\u003cp>“There’s some parallels,” she said. “We were facing a decrease in funding then. But this is even more abrupt and far-reaching—I don’t know if there’s been a comparable moment.”\u003c/p>\n\u003cfigure id=\"attachment_13878341\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/04/OMCA-courtesy-OMCA.jpg\" alt=\"Plunging hotel tax revenue threatens an important funding source for the Oakland Museum of California.\" width=\"1920\" height=\"1116\" class=\"size-full wp-image-13878341\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-800x465.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-768x446.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/04/OMCA-courtesy-OMCA-1020x593.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Plunging hotel tax revenue threatens an important funding source for the Oakland Museum of California. \u003ccite>(Courtesy OMCA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Roberto Bedoya, Oakland’s cultural affairs manager, said in a statement that the effects of city finances on his department will become clear in the coming months as officials reassess the budget.\u003c/p>\n\u003cp>The Cultural Funding Program (CFP) regularly supports performing arts organizations such as Oakland Ballet, Lower Bottom Playaz and Ubuntu Theater; murals by Community Rejuvenation Project and Attitudinal Healing Connection; and has funded projects by metalworker \u003ca href=\"https://www.kqed.org/arts/13873207/the-hustle-karen-smith-metalsmith-oakland\">Karen Smith\u003c/a>, \u003cem>\u003ca href=\"https://www.kqed.org/arts/13875585/in-alice-street-oakland-artist-activists-build-power-by-bridging-communities\">Alice Street\u003c/a>\u003c/em> director Spencer Wilkinson and \u003cem>There, There\u003c/em> author Tommy Orange.\u003c/p>\n\u003cp>In 2018 the cultural affairs unit published Oakland’s first \u003ca href=\"https://www.kqed.org/arts/13875113/oakland-appoints-cultural-affairs-commissioners\">Cultural Plan\u003c/a> in decades, detailing proposals to alleviate cost-of-living pressures on local artists and sustain community identity. Recently staff also worked to revive Oakland’s long-dormant \u003ca href=\"https://www.kqed.org/arts/13875113/oakland-appoints-cultural-affairs-commissioners\">Cultural Commission\u003c/a>. But the unit has struggled to win additional funding above and beyond its hotel tax allocation to enact most of its policy goals.\u003c/p>\n\u003cp>Even assuming a continuing uptick in hotel tax revenue, the CFP’s grant-making budget was poised to \u003ca href=\"https://www.kqed.org/arts/13861153/its-criminal-cultural-funding-cuts-frustrate-oakland-artists\">shrink\u003c/a> this year as a one-time boost from the 2017 budget cycle lapses.\u003c/p>\n\u003cp>And there’s recent precedent for officials raiding arts funds: $100,000 set aside for murals in 2017 disappeared before it could be spent, Bedoya said at a committee hearing earlier this year, due to anticipated revenue shortfalls after council members voted to reduce cannabis taxes.\u003c/p>\n\u003cp>Eric Arnold, Community Rejuvenation Project spokesperson and a longtime observer of Oakland’s equity and culture initiatives, believes the CFP’s few gains since the recession are in serious jeopardy—especially without a grassroots campaign to advocate for the program.\u003c/p>\n\u003cp>“The one-time increases for arts funding that we have seen came directly from community pressure,” Arnold said. “Right now, who’s even organized to make a budget request?”\u003c/p>\n\u003cfigure id=\"attachment_13861187\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development.jpg\" alt=\"A panel of the disappearing "Universal Language" mural, showing the Congolese artist Malonga Casquelourd, in front of Oakland's changing skyline.\" width=\"1920\" height=\"1155\" class=\"size-full wp-image-13861187\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-800x481.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-768x462.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-1020x614.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/07/Universal-Language-Mural-Obscured-by-Development-1200x722.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A panel of the disappearing “Universal Language” mural, showing the Congolese artist Malonga Casquelourd, in front of Oakland’s changing skyline. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The San Francisco Arts Commission and related entity Grants for the Arts also expect hotel tax funding for cultural programs—significantly boosted by the 2018 passage of \u003ca href=\"https://www.kqed.org/news/11702680/proposition-e-seeks-to-restore-s-f-s-arts-and-culture-funding-clout\">Proposition E\u003c/a>—to dwindle as city finance officials \u003ca href=\"https://www.documentcloud.org/documents/6821861-March-Joint-Report-Memo-ACTIVE.html\">project\u003c/a> staggering losses of up to $288 million this fiscal year.\u003c/p>\n\u003cp>But San Francisco has more diversified revenue sources for its arts support, and Proposition E actually limits the losses to the Hotel Tax for the Arts fund. Hence, allocations to the fund are expected to only decline by $4.6 million to $28.8 million, according to a March 31 finance report.\u003c/p>\n\u003cp>Brent Miller, co-founder of Center for New Music, a San Francisco venue supported by Grants for the Arts, expects the grant-maker’s reserves to delay the effects on small nonprofits. For now, he’s more concerned about missing rental income that normally subsidizes programming.\u003c/p>\n\u003cp>“I’m hearing Grants for the Arts funding next year is kind of set in stone,” said Miller. “We’re really going to see the impact of that the following year, and then I don’t know what we’ll do.”\u003c/p>\n\u003cp>Arts funders at the state level are also shuddering. At a livestreamed California Arts Council meeting on April 1, commissioners debated relief measures, such as loosening grant restrictions to let organizations cover immediate payroll and rent costs with awards meant for specific projects.\u003c/p>\n\u003cp>The council’s grant-making budget has multiplied in recent years, totaling $35 million in 2020. But when talk turned to the council’s financial outlook, commissioners seemed to brace for cuts.\u003c/p>\n\u003cp>Ayanna Kiburi, the council’s deputy director, showed doubts about additional funding for cultural districts included in Governor Gavin Newsom’s budget proposal from this past January. “That probably won’t—we don’t know what’s going to happen,” Kiburi said.\u003c/p>\n\u003cp>The state funder is in turn awaiting federal support. The $2 trillion federal aid package approved last month includes $75 million each for the national endowments for the humanities and the arts, with 40 percent reserved for state partners such as California Arts Council.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But the money remains in limbo. Nashormeh Lindo, a council member based in Oakland, said the “amount, timing and mechanism” of the additional national endowment funding is unknown.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13879146/in-oakland-plunging-hotel-tax-revenue-threatens-to-gut-arts-funding","authors":["11091"],"categories":["arts_1","arts_235"],"tags":["arts_820","arts_3560","arts_10126","arts_7819","arts_10278","arts_10422","arts_746","arts_596","arts_1143","arts_2755","arts_2628"],"featImg":"arts_13877010","label":"arts"},"arts_13877348":{"type":"posts","id":"arts_13877348","meta":{"index":"posts_1591205157","site":"arts","id":"13877348","score":null,"sort":[1585071453000]},"guestAuthors":[],"slug":"survey-sf-arts-groups-expect-73-million-in-losses-during-coronavirus-crisis","title":"Survey: SF Arts Groups Expect $73 Million in Losses During Coronavirus Crisis","publishDate":1585071453,"format":"standard","headTitle":"Survey: SF Arts Groups Expect $73 Million in Losses During Coronavirus Crisis | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>San Francisco arts organizations anticipate losing up to $73 million in earned income and donations if the novel coronavirus crisis proceeds through the summer, the results of a new survey show. More than half of the 145 surveyed organizations have reduced or suspended contractor work, and 28 percent of them reported contemplating employee layoffs.\u003c/p>\n\u003cp>Museums and performance venues are closed for the foreseeable future during a statewide shelter-in-place order. While some organizations \u003ca href=\"https://www.kqed.org/arts/13876676/livestreaming-through-the-pandemic-shuttered-bay-area-venues-get-inventive\" target=\"_blank\" rel=\"noopener noreferrer\">turn to livestreaming\u003c/a>, many more face at least a season’s worth of canceled or postponed programming. Now the San Francisco Arts Alliance survey shows how the sudden shutdown jeopardizes thousands of jobs in the cultural sector.\u003c/p>\n\u003cp>“It’s an unprecedented situation,” Deborah Cullinan, Yerba Buena Center for the Arts chief executive and co-chair of the SF Arts Alliance, an informal group of local arts leaders, said in an interview. “It requires us to really reconsider what we do and how we do it and who we do it for.”\u003c/p>\n\u003cp>[aside label=\"More Coverage\" tag=\"coronavirus\"]\u003c/p>\n\u003cp>The survey particularly impressed on Cullinan the art world’s reliance on independent contractors, and their unique vulnerability at a time of cutbacks. “We’re not alone in depending on contractors,” she said. “This is an opportunity for us to work across sectors with small businesses and other enterprises and push policy that benefits contractors at large.”\u003c/p>\n\u003cp>“We haven’t seen the worst,” Cullinan added. “All we can do is come out of this with new ideas.”\u003c/p>\n\u003cp>The San Francisco COVID-19 Arts Impact Survey results, which reflect large institutions and shoestring operations alike, as of Friday, Mar. 20 show anticipated losses of $47.8 million in earned income and $25.5 million in contributed income if the crisis proceeds until mid-September. Already, the survey respondents reported losses totaling tens of millions.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>More difficult than regaining visitors when the shelter orders lift will be recovering fundraising momentum. Individual and institutional donors tend to prioritize food, housing and other safety net services over arts and culture nonprofits, and arts fundraisers worry the declining stock market and likely economic recession will diminish the endowments of private foundations.\u003c/p>\n\u003cfigure id=\"attachment_13877357\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-24-at-10.49.09-AM.png\" alt=\"The San Francisco Arts Alliance surveyed arts organizations about the novel coronavirus' impact on revenue.\" width=\"1920\" height=\"1081\" class=\"size-full wp-image-13877357\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-24-at-10.49.09-AM.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-24-at-10.49.09-AM-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-24-at-10.49.09-AM-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-24-at-10.49.09-AM-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-24-at-10.49.09-AM-1020x574.png 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The San Francisco Arts Alliance surveyed arts organizations about the novel coronavirus’ impact on revenue. \u003ccite>(San Francisco Arts Alliance)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The immediate effects on arts workers have been unevenly distributed. Some major institutions, such as the San Francisco Museum of Modern Art, are currently paying regular wages to employees working remotely as well as most frontline staff, such as ticket takers, who cannot report to work. Yet even the San Francisco Symphony reported that it is considering hiring freezes and layoffs.\u003c/p>\n\u003cp>Contractors, though, such as audio-visual technicians and other event workers, have been the first to miss expected paychecks. The survey results show the 145 organizations employ 4,129 of these gig workers, twice the number of full-time staff, and because they lack benefits such as paid sick leave and healthcare, they’re especially threatened by the sudden loss of income.\u003c/p>\n\u003cp>Gabriel Nunez de Arco, 26, is a lighting designer and sound engineer who made some $2,000 a month working gigs at small theaters such as Joe Goode Annex and Counterpulse. Now his projected income is zero. He can pay his rent in April. After that, he’ll sell music gear. Otherwise he’s relying on community \u003ca href=\"https://www.kqed.org/arts/13876893/emergency-funds-for-freelancers-creatives-losing-income-during-coronavirus\">mutual aid\u003c/a> efforts: “Passing around the same $20,” as he put it. [aside postid='science_1957877']\u003c/p>\n\u003cp>De Arco was disappointed that the \u003ca href=\"https://www.kqed.org/arts/13877253/sf-pledges-2-5-million-to-new-arts-relief-program\">Arts Relief Program\u003c/a> announced by San Francisco Mayor London Breed on Monday didn’t appear to benefit freelance arts workers such as himself, and feels neglected by the organizations that once offered steady if low-paid gigs. “When shit hits the fan we’re disposable,” he said. “It’s very much parallel with all other kinds of gig workers.”\u003c/p>\n\u003cfigure id=\"attachment_10897951\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10897951\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/08/Davies-Full-Ext-Night-800x511.jpg\" alt=\"Davies Symphony Hall\" width=\"800\" height=\"511\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Davies-Full-Ext-Night-800x511.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Davies-Full-Ext-Night-400x255.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Davies-Full-Ext-Night-1180x753.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Davies-Full-Ext-Night-960x613.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Davies-Full-Ext-Night.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The San Francisco Symphony is considering hiring freezes and layoffs. Pictured is Davies Symphony Hall. \u003ccite>(Photo courtesy of San Francisco Symphony)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At SOMArts Cultural Center, technical event staff are furloughed, and a temporary worker was laid off, according to operations director Jena McRae Schwirtz. The organization is funneling cancellation fees to event staff. SOMArts is so far losing $20,000 due to cancellations, and expects the number to grow to $100,000, or 30% of projected annual rental revenue. Its annual spring fundraiser event, which last year brought in more than $20,000, is also cancelled.\u003c/p>\n\u003cp>In notoriously costly San Francisco, many arts workers lack savings. Renae Moua, 28, was contracted with SOMArts as an interim community engagement and impact manager through May, but they were let go after the fundraiser cancellation. “I don’t know what to do,” Moua said. “Housing and basic necessities like food are at the forefront of my worries.” (A SOMArts spokesperson said Moua’s healthcare coverage has been extended for two additional months.)\u003c/p>\n\u003cp>Most performing arts organizations are encouraging ticket holders to donate the ticket cost, while many others have launched online fundraisers. Gray Area, which restored and operates the Mission District’s Grand Theater, derives 75% of its revenue from rentals and tickets, and stands to lose $350,000. The lapse in programming, executive director Barry Threw said in a letter soliciting contributions to its $300,000 crowdfunding campaign, is an existential threat to the organization.\u003c/p>\n\u003cp>Many write-in comments on the survey describe pivots to digital programming and pledges to pay employees during the closures. Others are more grim. One large museum wrote: “Looking for funds to keep the organization going.” A performing arts group explained: “Without programming we have no income revenue to pay our teaching artists and facility staff. They are currently NOT being paid.”\u003c/p>\n\u003cp>And an indie musician wrote one word in an other personnel decisions column: “Cry.”\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"In the art world, contractors have been first to miss expected paychecks, while staff layoffs are rampant.","status":"publish","parent":0,"modified":1705021027,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":1000},"headData":{"title":"Survey: SF Arts Groups Expect $73 Million in Losses During Coronavirus Crisis | KQED","description":"In the art world, contractors have been first to miss expected paychecks, while staff layoffs are rampant.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Survey: SF Arts Groups Expect $73 Million in Losses During Coronavirus Crisis","datePublished":"2020-03-24T17:37:33.000Z","dateModified":"2024-01-12T00:57:07.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13877348/survey-sf-arts-groups-expect-73-million-in-losses-during-coronavirus-crisis","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco arts organizations anticipate losing up to $73 million in earned income and donations if the novel coronavirus crisis proceeds through the summer, the results of a new survey show. More than half of the 145 surveyed organizations have reduced or suspended contractor work, and 28 percent of them reported contemplating employee layoffs.\u003c/p>\n\u003cp>Museums and performance venues are closed for the foreseeable future during a statewide shelter-in-place order. While some organizations \u003ca href=\"https://www.kqed.org/arts/13876676/livestreaming-through-the-pandemic-shuttered-bay-area-venues-get-inventive\" target=\"_blank\" rel=\"noopener noreferrer\">turn to livestreaming\u003c/a>, many more face at least a season’s worth of canceled or postponed programming. Now the San Francisco Arts Alliance survey shows how the sudden shutdown jeopardizes thousands of jobs in the cultural sector.\u003c/p>\n\u003cp>“It’s an unprecedented situation,” Deborah Cullinan, Yerba Buena Center for the Arts chief executive and co-chair of the SF Arts Alliance, an informal group of local arts leaders, said in an interview. “It requires us to really reconsider what we do and how we do it and who we do it for.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More Coverage ","tag":"coronavirus"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The survey particularly impressed on Cullinan the art world’s reliance on independent contractors, and their unique vulnerability at a time of cutbacks. “We’re not alone in depending on contractors,” she said. “This is an opportunity for us to work across sectors with small businesses and other enterprises and push policy that benefits contractors at large.”\u003c/p>\n\u003cp>“We haven’t seen the worst,” Cullinan added. “All we can do is come out of this with new ideas.”\u003c/p>\n\u003cp>The San Francisco COVID-19 Arts Impact Survey results, which reflect large institutions and shoestring operations alike, as of Friday, Mar. 20 show anticipated losses of $47.8 million in earned income and $25.5 million in contributed income if the crisis proceeds until mid-September. Already, the survey respondents reported losses totaling tens of millions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>More difficult than regaining visitors when the shelter orders lift will be recovering fundraising momentum. Individual and institutional donors tend to prioritize food, housing and other safety net services over arts and culture nonprofits, and arts fundraisers worry the declining stock market and likely economic recession will diminish the endowments of private foundations.\u003c/p>\n\u003cfigure id=\"attachment_13877357\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/Screen-Shot-2020-03-24-at-10.49.09-AM.png\" alt=\"The San Francisco Arts Alliance surveyed arts organizations about the novel coronavirus' impact on revenue.\" width=\"1920\" height=\"1081\" class=\"size-full wp-image-13877357\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-24-at-10.49.09-AM.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-24-at-10.49.09-AM-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-24-at-10.49.09-AM-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-24-at-10.49.09-AM-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/Screen-Shot-2020-03-24-at-10.49.09-AM-1020x574.png 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The San Francisco Arts Alliance surveyed arts organizations about the novel coronavirus’ impact on revenue. \u003ccite>(San Francisco Arts Alliance)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The immediate effects on arts workers have been unevenly distributed. Some major institutions, such as the San Francisco Museum of Modern Art, are currently paying regular wages to employees working remotely as well as most frontline staff, such as ticket takers, who cannot report to work. Yet even the San Francisco Symphony reported that it is considering hiring freezes and layoffs.\u003c/p>\n\u003cp>Contractors, though, such as audio-visual technicians and other event workers, have been the first to miss expected paychecks. The survey results show the 145 organizations employ 4,129 of these gig workers, twice the number of full-time staff, and because they lack benefits such as paid sick leave and healthcare, they’re especially threatened by the sudden loss of income.\u003c/p>\n\u003cp>Gabriel Nunez de Arco, 26, is a lighting designer and sound engineer who made some $2,000 a month working gigs at small theaters such as Joe Goode Annex and Counterpulse. Now his projected income is zero. He can pay his rent in April. After that, he’ll sell music gear. Otherwise he’s relying on community \u003ca href=\"https://www.kqed.org/arts/13876893/emergency-funds-for-freelancers-creatives-losing-income-during-coronavirus\">mutual aid\u003c/a> efforts: “Passing around the same $20,” as he put it. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"science_1957877","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>De Arco was disappointed that the \u003ca href=\"https://www.kqed.org/arts/13877253/sf-pledges-2-5-million-to-new-arts-relief-program\">Arts Relief Program\u003c/a> announced by San Francisco Mayor London Breed on Monday didn’t appear to benefit freelance arts workers such as himself, and feels neglected by the organizations that once offered steady if low-paid gigs. “When shit hits the fan we’re disposable,” he said. “It’s very much parallel with all other kinds of gig workers.”\u003c/p>\n\u003cfigure id=\"attachment_10897951\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10897951\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2015/08/Davies-Full-Ext-Night-800x511.jpg\" alt=\"Davies Symphony Hall\" width=\"800\" height=\"511\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Davies-Full-Ext-Night-800x511.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Davies-Full-Ext-Night-400x255.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Davies-Full-Ext-Night-1180x753.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Davies-Full-Ext-Night-960x613.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Davies-Full-Ext-Night.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The San Francisco Symphony is considering hiring freezes and layoffs. Pictured is Davies Symphony Hall. \u003ccite>(Photo courtesy of San Francisco Symphony)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At SOMArts Cultural Center, technical event staff are furloughed, and a temporary worker was laid off, according to operations director Jena McRae Schwirtz. The organization is funneling cancellation fees to event staff. SOMArts is so far losing $20,000 due to cancellations, and expects the number to grow to $100,000, or 30% of projected annual rental revenue. Its annual spring fundraiser event, which last year brought in more than $20,000, is also cancelled.\u003c/p>\n\u003cp>In notoriously costly San Francisco, many arts workers lack savings. Renae Moua, 28, was contracted with SOMArts as an interim community engagement and impact manager through May, but they were let go after the fundraiser cancellation. “I don’t know what to do,” Moua said. “Housing and basic necessities like food are at the forefront of my worries.” (A SOMArts spokesperson said Moua’s healthcare coverage has been extended for two additional months.)\u003c/p>\n\u003cp>Most performing arts organizations are encouraging ticket holders to donate the ticket cost, while many others have launched online fundraisers. Gray Area, which restored and operates the Mission District’s Grand Theater, derives 75% of its revenue from rentals and tickets, and stands to lose $350,000. The lapse in programming, executive director Barry Threw said in a letter soliciting contributions to its $300,000 crowdfunding campaign, is an existential threat to the organization.\u003c/p>\n\u003cp>Many write-in comments on the survey describe pivots to digital programming and pledges to pay employees during the closures. Others are more grim. One large museum wrote: “Looking for funds to keep the organization going.” A performing arts group explained: “Without programming we have no income revenue to pay our teaching artists and facility staff. They are currently NOT being paid.”\u003c/p>\n\u003cp>And an indie musician wrote one word in an other personnel decisions column: “Cry.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13877348/survey-sf-arts-groups-expect-73-million-in-losses-during-coronavirus-crisis","authors":["11091"],"categories":["arts_966","arts_69","arts_235","arts_967","arts_70"],"tags":["arts_3560","arts_1018","arts_11014","arts_10278","arts_10422","arts_1766","arts_746","arts_596","arts_1381","arts_2207","arts_1955"],"featImg":"arts_13876911","label":"arts"},"arts_13877253":{"type":"posts","id":"arts_13877253","meta":{"index":"posts_1591205157","site":"arts","id":"13877253","score":null,"sort":[1584989926000]},"guestAuthors":[],"slug":"sf-pledges-2-5-million-to-new-arts-relief-program","title":"SF Pledges $2.5 Million to New Arts Relief Program","publishDate":1584989926,"format":"audio","headTitle":"SF Pledges $2.5 Million to New Arts Relief Program | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>San Francisco on Monday launched a relief fund to provide grants and low-interest loans to artists and arts organizations impacted by the novel coronavirus. Funded by an initial $2.5 million from the city, the Arts Relief Program aims to offset the economic toll of a cultural sector with next to no revenue for the foreseeable future due to a statewide shelter-in-place order.\u003c/p>\n\u003cp>“We need to do everything we can to stabilize our arts community now,” San Francisco Mayor London Breed said in a statement, acknowledging the loss of jobs as museums, galleries and performing arts venues shut down indefinitely. “I hope our public investment will encourage private donors to join us in supporting our vulnerable artists during this challenging time.”[aside postid='science_1957877']\u003c/p>\n\u003cp>The program offers up to $2,000 grants to individual artists and teaching artists, prioritizing those serving black, indigenous, immigrant, transgender and disabled populations. Small- to mid-sized arts organizations are eligible for $5,000-$25,000 grants as well as low-interest loans.\u003c/p>\n\u003cp>No limits appear to be set on uses of individual grants. The organization grants, administered by the Center for Cultural Innovation, may be used to pay rent and salaries, retain employees and “to help keep artists and organizations in San Francisco,” according to the announcement. The loans will be administered by the extant Arts Loan Fund of Northern California Grantmakers.\u003c/p>\n\u003cp>The city is contributing $1.5 million to the grants category, and $1 million to the loan category. The announcement encourages philanthropies to donate to the fund to expand its impact.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Arts Relief Program adds to a range of fundraisers and emergency grants for arts and nightlife figures. Musicians, dancers, actors and the many on-call or freelance workers who support the performing arts have found themselves out of work for practically an entire season. Many communities, such as \u003ca href=\"https://www.kqed.org/arts/13876535/classical-musicians-say-coronavirus-cancellations-are-financially-catastrophic\" target=\"_blank\" rel=\"noopener noreferrer\">classical musicians\u003c/a>, are crowdsourcing donations themselves.[aside label=\"More Coverage\" tag=\"coronavirus\"]\u003c/p>\n\u003cp>Small- to mid-sized arts organizations, meanwhile, are grappling with lost income from rentals and ticket sales, and they’re anticipating reduced donations. Some are beginning to lay off employees. SOMArts, for example, has lost some $20,000 in rental revenue, and expects the number to climb to $100,000, 30 percent of its projected 2020 rental revenue, within months.\u003c/p>\n\u003cp>Gabriel Nunez de Arco, a lighting designer and sound engineer, is disappointed the individual artist category doesn’t appear to have been created with freelance technical workers in mind. “We don’t get healthcare, we don’t get sick time and we don’t have anything to burn to make up for all of the lost gigs,” said de Arco, 26, who worked events regularly at venues such as Joe Goode Annex and Counterpulse. “It’s not obvious to me how we can access these funds.”\u003c/p>\n\u003cp>“San Francisco is defined by our vibrant arts and culture and we need to support this sector now more than ever,” Naomi Kelly, who runs SF’s Grants for the Arts agency, said in a statement. “Although this emergency has paused many live performances, we will do all we can to provide support to the artists and organizations who make them possible during this trying time.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>San Francisco also has a Give2SF Fund. Tax-deductible monetary contributions can be spent on various public efforts to respond to the coronavirus outbreak. As the Arts Relief Program announcement notes, the city is also soliciting donations of personal protective equipment for frontline health workers, cleaning supplies and technical equipment for telecommuting.\u003c/p>\n\n","blocks":[],"excerpt":"The relief fund provides grants and low-interest loans to artists and arts organizations impacted by the novel coronavirus. ","status":"publish","parent":0,"modified":1705021038,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":610},"headData":{"title":"SF Pledges $2.5 Million to New Arts Relief Program | KQED","description":"The relief fund provides grants and low-interest loans to artists and arts organizations impacted by the novel coronavirus. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"SF Pledges $2.5 Million to New Arts Relief Program","datePublished":"2020-03-23T18:58:46.000Z","dateModified":"2024-01-12T00:57:18.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/2020/03/VeltmanSFArts.mp3","sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13877253/sf-pledges-2-5-million-to-new-arts-relief-program","audioDuration":56000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco on Monday launched a relief fund to provide grants and low-interest loans to artists and arts organizations impacted by the novel coronavirus. Funded by an initial $2.5 million from the city, the Arts Relief Program aims to offset the economic toll of a cultural sector with next to no revenue for the foreseeable future due to a statewide shelter-in-place order.\u003c/p>\n\u003cp>“We need to do everything we can to stabilize our arts community now,” San Francisco Mayor London Breed said in a statement, acknowledging the loss of jobs as museums, galleries and performing arts venues shut down indefinitely. “I hope our public investment will encourage private donors to join us in supporting our vulnerable artists during this challenging time.”\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"science_1957877","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The program offers up to $2,000 grants to individual artists and teaching artists, prioritizing those serving black, indigenous, immigrant, transgender and disabled populations. Small- to mid-sized arts organizations are eligible for $5,000-$25,000 grants as well as low-interest loans.\u003c/p>\n\u003cp>No limits appear to be set on uses of individual grants. The organization grants, administered by the Center for Cultural Innovation, may be used to pay rent and salaries, retain employees and “to help keep artists and organizations in San Francisco,” according to the announcement. The loans will be administered by the extant Arts Loan Fund of Northern California Grantmakers.\u003c/p>\n\u003cp>The city is contributing $1.5 million to the grants category, and $1 million to the loan category. The announcement encourages philanthropies to donate to the fund to expand its impact.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Arts Relief Program adds to a range of fundraisers and emergency grants for arts and nightlife figures. Musicians, dancers, actors and the many on-call or freelance workers who support the performing arts have found themselves out of work for practically an entire season. Many communities, such as \u003ca href=\"https://www.kqed.org/arts/13876535/classical-musicians-say-coronavirus-cancellations-are-financially-catastrophic\" target=\"_blank\" rel=\"noopener noreferrer\">classical musicians\u003c/a>, are crowdsourcing donations themselves.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More Coverage ","tag":"coronavirus"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Small- to mid-sized arts organizations, meanwhile, are grappling with lost income from rentals and ticket sales, and they’re anticipating reduced donations. Some are beginning to lay off employees. SOMArts, for example, has lost some $20,000 in rental revenue, and expects the number to climb to $100,000, 30 percent of its projected 2020 rental revenue, within months.\u003c/p>\n\u003cp>Gabriel Nunez de Arco, a lighting designer and sound engineer, is disappointed the individual artist category doesn’t appear to have been created with freelance technical workers in mind. “We don’t get healthcare, we don’t get sick time and we don’t have anything to burn to make up for all of the lost gigs,” said de Arco, 26, who worked events regularly at venues such as Joe Goode Annex and Counterpulse. “It’s not obvious to me how we can access these funds.”\u003c/p>\n\u003cp>“San Francisco is defined by our vibrant arts and culture and we need to support this sector now more than ever,” Naomi Kelly, who runs SF’s Grants for the Arts agency, said in a statement. “Although this emergency has paused many live performances, we will do all we can to provide support to the artists and organizations who make them possible during this trying time.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>San Francisco also has a Give2SF Fund. Tax-deductible monetary contributions can be spent on various public efforts to respond to the coronavirus outbreak. As the Arts Relief Program announcement notes, the city is also soliciting donations of personal protective equipment for frontline health workers, cleaning supplies and technical equipment for telecommuting.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13877253/sf-pledges-2-5-million-to-new-arts-relief-program","authors":["11091"],"categories":["arts_1","arts_235"],"tags":["arts_3560","arts_10126","arts_10278","arts_10422","arts_746","arts_596","arts_1300"],"featImg":"arts_13876908","label":"arts"},"arts_13875113":{"type":"posts","id":"arts_13875113","meta":{"index":"posts_1591205157","site":"arts","id":"13875113","score":null,"sort":[1582138507000]},"guestAuthors":[],"slug":"oakland-appoints-cultural-affairs-commissioners","title":"Oakland Appoints Cultural Affairs Commissioners After Nine-Year Hiatus","publishDate":1582138507,"format":"standard","headTitle":"Oakland Appoints Cultural Affairs Commissioners After Nine-Year Hiatus | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>Oakland City Council voted Tuesday to approve the appointment of 11 people to the city’s long-dormant Cultural Affairs Commission. [aside postID=arts_13861153,arts_13873207,arts_13866026]\u003c/p>\n\u003cp>The commission, inactive since 2011, will advise city officials on policy affecting the arts, and advocate for the Cultural Funding Program (CFP), which awards $1 million to local artists and nonprofits annually. Its revival marks another step in the city’s fitful efforts to buoy the arts. \u003c/p>\n\u003cp>The appointees are working artists, nonprofit professionals and policy experts including Theo “Aytchan” Williams, director of Carnaval arts group SambaFunk; Jennifer Easton, public art director at Bay Area Rapid Transit; Diane Sanchez, a philanthropy consultant; and Kevin “Kev” Choice, an educator and musician who’s worked with Goapele and Lauryn Hill. (Full list below.) \u003c/p>\n\u003cp>Oakland Mayor Libby Schaaf praised the new commissioners and their connections to the city. “The importance of arts and culture in creating a vibrant and just city is shown by the breadth of experience of the commission members who are dancers, musicians, curators, cultural strategists, educators, non-profit administrators, lawyers, publishers, writers, storytellers, community organizers and civil engineers,” she said in a statement.\u003c/p>\n\u003cp>Williams of SambaFunk, one of the Afro-diasporic dance and drumming organizations based in the city-owned Malonga Casquelourd Center for the Arts, said he’s pleased to represent performing arts often overlooked next to ballet and the symphony. Like most local arts figures with an eye on City Hall, Williams also sees a gap to close between officials’ praise of Oakland’s cultural life and investment in its perseverance. “So the main thing is more funding,” he said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“This conversation is old,” Williams added. “We have a document from ’98 about the woes of the Malonga, what was then the Alice Arts Center, and they’re almost verbatim the same as now.”\u003c/p>\n\u003cp>The commission is an unpaid one- to three-year position, and appointees are ineligible for CFP grants during their tenure. Commissioner Charmin Roundtree-Baaqee also serves on the Public Art Advisory Committee. A total of 93 people applied for the post, according to a staff report, and council members approved Schaaf’s 11 appointments Tuesday night. \u003c/p>\n\u003cp>Roberto Bedoya, Oakland’s cultural affairs manager since 2016, calls the commissioners “ambassadors and advocates,” describing their role as drumming up support for and illustrating the value of the Cultural Funding Program. In 2018, Oakland \u003ca href=\"https://www.kqed.org/arts/13827589/oakland-releases-draft-of-citys-cultural-plan-its-first-in-30-years\">adopted\u003c/a> a Cultural Plan for alleviating cost-of-living pressures on local artists and sustaining community identity, but city officials have not provided funding significant enough to enact most of its recommendations. \u003c/p>\n\u003cp>CFP staff is struggling under increased demand for grants. The number of applications rose 25 percent between 2018 and 2019 to a total of 171, CFP records show. Partly due to the mounting workload, with only a few staffers administering a multi-step ranking and approval process, this year sees the art-in-schools grant category temporarily suspended. According to the Cultural Plan, Oakland’s inflation-adjusted grant-making budget is half of what it was in 2001. \u003c/p>\n\u003cp>And it’s \u003ca href=\"https://www.kqed.org/arts/13861153/its-criminal-cultural-funding-cuts-frustrate-oakland-artists\">shrinking\u003c/a>: A onetime $230,000 nudge to the CFP budget from 2017 lapses this year, resulting in an expected 17 percent reduction. A $100,000 murals set-aside from 2017 also recently disappeared before it could be spent, Bedoya said at a recent committee hearing, due to anticipated revenue shortfalls after council members reduced cannabis taxes. “If I can have commissioners call up and say, ‘Gimme back that money,’ it would help a lot,” Bedoya said. \u003c/p>\n\u003cp>The Cultural Funding Program regularly supports organizations such as Creative Growth, The Crucible, Oakland Ballet, Ubuntu Theater Project and Pro Arts as well as individual artists such as Karen Smith, the subject of a recent \u003ca href=\"https://www.kqed.org/arts/13873207/the-hustle-karen-smith-metalsmith-oakland\">profile\u003c/a> for \u003ca href=\"https://www.kqed.org/thehustle\" rel=\"noopener noreferrer\" target=\"_blank\">The Hustle\u003c/a>, KQED’s series about artists and money. One storyline in Tommy Orange’s acclaimed 2018 novel \u003cem>There, There\u003c/em> draws on the author’s CFP-supported oral history project. \u003c/p>\n\u003cp>The Cultural Affairs Commission appointees are: \u003c/p>\n\u003cp>Roy Chan, Community planning manager at the Chinatown Community Development Center\u003c/p>\n\u003cp>Jennifer Easton, Public art director at San Francisco Bay Area Rapid Transit \u003c/p>\n\u003cp>Michael Orange, Founding director of Matatu\u003c/p>\n\u003cp>Vanessa Whang, Lead consultant on the Cultural Plan \u003c/p>\n\u003cp>Kevin “Kev” Choice, Music instructor at Oakland School for the Arts \u003c/p>\n\u003cp>JK Fowler, Founder and executive director of Nomadic Press\u003c/p>\n\u003cp>Michelle Lee, Founder of Whole Story Group \u003c/p>\n\u003cp>Diane Sanchez, Philanthropy consultant \u003c/p>\n\u003cp>Richard Raya, Legal educator at Centro Legal de la Raza \u003c/p>\n\u003cp>Charmin Roundtree-Baaqee, Founder of Art is Luv \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Theo “Aytchan” Williams, Director of SambaFunk \u003c/p>\n\n","blocks":[],"excerpt":"The commission’s revival marks another step in the city’s fitful efforts to support the arts. ","status":"publish","parent":0,"modified":1705021268,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":25,"wordCount":787},"headData":{"title":"Oakland Appoints Cultural Affairs Commissioners After Nine-Year Hiatus | KQED","description":"The commission’s revival marks another step in the city’s fitful efforts to support the arts. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Oakland Appoints Cultural Affairs Commissioners After Nine-Year Hiatus","datePublished":"2020-02-19T18:55:07.000Z","dateModified":"2024-01-12T01:01:08.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13875113/oakland-appoints-cultural-affairs-commissioners","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland City Council voted Tuesday to approve the appointment of 11 people to the city’s long-dormant Cultural Affairs Commission. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13861153,arts_13873207,arts_13866026","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The commission, inactive since 2011, will advise city officials on policy affecting the arts, and advocate for the Cultural Funding Program (CFP), which awards $1 million to local artists and nonprofits annually. Its revival marks another step in the city’s fitful efforts to buoy the arts. \u003c/p>\n\u003cp>The appointees are working artists, nonprofit professionals and policy experts including Theo “Aytchan” Williams, director of Carnaval arts group SambaFunk; Jennifer Easton, public art director at Bay Area Rapid Transit; Diane Sanchez, a philanthropy consultant; and Kevin “Kev” Choice, an educator and musician who’s worked with Goapele and Lauryn Hill. (Full list below.) \u003c/p>\n\u003cp>Oakland Mayor Libby Schaaf praised the new commissioners and their connections to the city. “The importance of arts and culture in creating a vibrant and just city is shown by the breadth of experience of the commission members who are dancers, musicians, curators, cultural strategists, educators, non-profit administrators, lawyers, publishers, writers, storytellers, community organizers and civil engineers,” she said in a statement.\u003c/p>\n\u003cp>Williams of SambaFunk, one of the Afro-diasporic dance and drumming organizations based in the city-owned Malonga Casquelourd Center for the Arts, said he’s pleased to represent performing arts often overlooked next to ballet and the symphony. Like most local arts figures with an eye on City Hall, Williams also sees a gap to close between officials’ praise of Oakland’s cultural life and investment in its perseverance. “So the main thing is more funding,” he said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“This conversation is old,” Williams added. “We have a document from ’98 about the woes of the Malonga, what was then the Alice Arts Center, and they’re almost verbatim the same as now.”\u003c/p>\n\u003cp>The commission is an unpaid one- to three-year position, and appointees are ineligible for CFP grants during their tenure. Commissioner Charmin Roundtree-Baaqee also serves on the Public Art Advisory Committee. A total of 93 people applied for the post, according to a staff report, and council members approved Schaaf’s 11 appointments Tuesday night. \u003c/p>\n\u003cp>Roberto Bedoya, Oakland’s cultural affairs manager since 2016, calls the commissioners “ambassadors and advocates,” describing their role as drumming up support for and illustrating the value of the Cultural Funding Program. In 2018, Oakland \u003ca href=\"https://www.kqed.org/arts/13827589/oakland-releases-draft-of-citys-cultural-plan-its-first-in-30-years\">adopted\u003c/a> a Cultural Plan for alleviating cost-of-living pressures on local artists and sustaining community identity, but city officials have not provided funding significant enough to enact most of its recommendations. \u003c/p>\n\u003cp>CFP staff is struggling under increased demand for grants. The number of applications rose 25 percent between 2018 and 2019 to a total of 171, CFP records show. Partly due to the mounting workload, with only a few staffers administering a multi-step ranking and approval process, this year sees the art-in-schools grant category temporarily suspended. According to the Cultural Plan, Oakland’s inflation-adjusted grant-making budget is half of what it was in 2001. \u003c/p>\n\u003cp>And it’s \u003ca href=\"https://www.kqed.org/arts/13861153/its-criminal-cultural-funding-cuts-frustrate-oakland-artists\">shrinking\u003c/a>: A onetime $230,000 nudge to the CFP budget from 2017 lapses this year, resulting in an expected 17 percent reduction. A $100,000 murals set-aside from 2017 also recently disappeared before it could be spent, Bedoya said at a recent committee hearing, due to anticipated revenue shortfalls after council members reduced cannabis taxes. “If I can have commissioners call up and say, ‘Gimme back that money,’ it would help a lot,” Bedoya said. \u003c/p>\n\u003cp>The Cultural Funding Program regularly supports organizations such as Creative Growth, The Crucible, Oakland Ballet, Ubuntu Theater Project and Pro Arts as well as individual artists such as Karen Smith, the subject of a recent \u003ca href=\"https://www.kqed.org/arts/13873207/the-hustle-karen-smith-metalsmith-oakland\">profile\u003c/a> for \u003ca href=\"https://www.kqed.org/thehustle\" rel=\"noopener noreferrer\" target=\"_blank\">The Hustle\u003c/a>, KQED’s series about artists and money. One storyline in Tommy Orange’s acclaimed 2018 novel \u003cem>There, There\u003c/em> draws on the author’s CFP-supported oral history project. \u003c/p>\n\u003cp>The Cultural Affairs Commission appointees are: \u003c/p>\n\u003cp>Roy Chan, Community planning manager at the Chinatown Community Development Center\u003c/p>\n\u003cp>Jennifer Easton, Public art director at San Francisco Bay Area Rapid Transit \u003c/p>\n\u003cp>Michael Orange, Founding director of Matatu\u003c/p>\n\u003cp>Vanessa Whang, Lead consultant on the Cultural Plan \u003c/p>\n\u003cp>Kevin “Kev” Choice, Music instructor at Oakland School for the Arts \u003c/p>\n\u003cp>JK Fowler, Founder and executive director of Nomadic Press\u003c/p>\n\u003cp>Michelle Lee, Founder of Whole Story Group \u003c/p>\n\u003cp>Diane Sanchez, Philanthropy consultant \u003c/p>\n\u003cp>Richard Raya, Legal educator at Centro Legal de la Raza \u003c/p>\n\u003cp>Charmin Roundtree-Baaqee, Founder of Art is Luv \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Theo “Aytchan” Williams, Director of SambaFunk \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13875113/oakland-appoints-cultural-affairs-commissioners","authors":["11091"],"programs":["arts_1272"],"categories":["arts_1","arts_835","arts_235"],"tags":["arts_3560","arts_1118","arts_746","arts_596","arts_1143","arts_5637"],"featImg":"arts_13861188","label":"arts_1272"},"arts_13873585":{"type":"posts","id":"arts_13873585","meta":{"index":"posts_1591205157","site":"arts","id":"13873585","score":null,"sort":[1579653058000]},"guestAuthors":[],"slug":"warhol-foundation-awards-bay-area-arts-organizations-482000","title":"Warhol Foundation Awards Bay Area Arts Organizations $482,000","publishDate":1579653058,"format":"standard","headTitle":"Warhol Foundation Awards Bay Area Arts Organizations $482,000 | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>On Thursday, the Andy Warhol Foundation for the Visual Arts announced seven grants totaling $482,000 for Bay Area arts organizations and curators. This is part of $3.93 million in awards distributed nationally. [aside postID=arts_13873401,arts_13873232]\u003c/p>\n\u003cp>The local institutional recipients, selected from more than 250 applicants for fall funding, are Berkeley Art Museum and Pacfic Film Archive (BAMPFA), Oakland Museum of California (OMCA), San Francisco Art Institute (SFAI) and Canyon Cinema. Curators at BAMPFA, the Asian Art Museum of San Francisco and San Jose Museum of Art, also received research support. \u003c/p>\n\u003cp>BAMPFA received $100,000 for \u003cem>New Time: Art and Feminism in the 21st Century\u003c/em>, a survey of recent feminist art practices. The show anchors nationwide programming by dozens of institutions in the \u003ca href=\"https://feministartcoalition.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Feminist Art Coalition\u003c/a> during the 2020 presidential election. The coalition itself evolved from BAMPFA curator Apsara DiQuinzio’s Warhol Foundation-supported work in 2017. \u003c/p>\n\u003cp>The foundation also awarded OMCA $75,000 in exhibition support for \u003cem>Mothership: An Exploration into Afrofuturism\u003c/em>, and SFAI received $100,000 for \u003cem>Carlos Villa: A Retrospective of Ritual and Action\u003c/em>. Meanwhile, Canyon Cinema, the avant-garde and experimental film distributor in San Francisco, received a $60,000 grant for program support over two years. \u003c/p>\n\u003cp>The Bay Area was also well-represented in the Warhol Foundation’s curatorial research grant category, with local curators receiving three of seven awards ranging from $47,000 to $50,000. Their projects will shine new light on little-known international art movements and artists’ roles in political revolutions, eventually yielding scholarship and exhibitions, according to the announcement. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13847147/curator-abby-chen-to-head-asian-art-museums-contemporary-art-department\" rel=\"noopener noreferrer\" target=\"_blank\">Abby Chen\u003c/a>, head of the Asian Art Museum of San Francisco’s contemporary art department, is investigating Hong Kong artist-activists’ response to recent political turmoil. Lauren Schell Dickens, senior curator at the San Jose Museum of Art, is focused on themes of nationhood, identity, migration and colonialism in Filipino art, and BAMPFA’s senior film curator Susan Oxtoby is examining Indian cinema with an eye toward surfacing the work of women filmmakers. \u003c/p>\n\u003cp>In a statement, foundation president Joel Wachs said the selection “highlights the foundation’s commitment to art and exhibition-making that takes risks, and to its belief that artists are key contributors to sociopolitical and critical conversations taking place across the country.” \u003c/p>\n\u003cp>Rachel Bers, the foundation’s program director, made a similar statement. “In a moment when so much is at stake politically, socially and culturally, we are heartened to see such robust artistic engagement with the complexities, inequities and challenges of our time,” Bers said.\u003c/p>\n\u003cp>This funding round brings the Warhol Foundation’s total grants for the year to $7.94 million.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The announcement \u003ca href=\"https://www.kqed.org/arts/13873401/national-endowment-for-the-arts-awards-1-7-million-to-bay-area-arts-groups\" target=\"_blank\" rel=\"noopener noreferrer\">follows\u003c/a> \u003ca href=\"https://www.kqed.org/arts/13873232/3-bay-area-artists-receive-100000-creative-capital-grants\" target=\"_blank\" rel=\"noopener noreferrer\">news\u003c/a> of millions of dollars in funding for other local artists and arts organizations from national grant-makers Creative Capital and National Endowment for the Arts. \u003c/p>\n\n","blocks":[],"excerpt":"Among the recipients, BAMPFA received $100,000 for an exhibition anchoring nationwide programming by institutions in the Feminist Art Coalition. ","status":"publish","parent":0,"modified":1705021458,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":481},"headData":{"title":"Warhol Foundation Awards Bay Area Arts Organizations $482,000 | KQED","description":"Among the recipients, BAMPFA received $100,000 for an exhibition anchoring nationwide programming by institutions in the Feminist Art Coalition. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Warhol Foundation Awards Bay Area Arts Organizations $482,000","datePublished":"2020-01-22T00:30:58.000Z","dateModified":"2024-01-12T01:04:18.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13873585/warhol-foundation-awards-bay-area-arts-organizations-482000","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Thursday, the Andy Warhol Foundation for the Visual Arts announced seven grants totaling $482,000 for Bay Area arts organizations and curators. This is part of $3.93 million in awards distributed nationally. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13873401,arts_13873232","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The local institutional recipients, selected from more than 250 applicants for fall funding, are Berkeley Art Museum and Pacfic Film Archive (BAMPFA), Oakland Museum of California (OMCA), San Francisco Art Institute (SFAI) and Canyon Cinema. Curators at BAMPFA, the Asian Art Museum of San Francisco and San Jose Museum of Art, also received research support. \u003c/p>\n\u003cp>BAMPFA received $100,000 for \u003cem>New Time: Art and Feminism in the 21st Century\u003c/em>, a survey of recent feminist art practices. The show anchors nationwide programming by dozens of institutions in the \u003ca href=\"https://feministartcoalition.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Feminist Art Coalition\u003c/a> during the 2020 presidential election. The coalition itself evolved from BAMPFA curator Apsara DiQuinzio’s Warhol Foundation-supported work in 2017. \u003c/p>\n\u003cp>The foundation also awarded OMCA $75,000 in exhibition support for \u003cem>Mothership: An Exploration into Afrofuturism\u003c/em>, and SFAI received $100,000 for \u003cem>Carlos Villa: A Retrospective of Ritual and Action\u003c/em>. Meanwhile, Canyon Cinema, the avant-garde and experimental film distributor in San Francisco, received a $60,000 grant for program support over two years. \u003c/p>\n\u003cp>The Bay Area was also well-represented in the Warhol Foundation’s curatorial research grant category, with local curators receiving three of seven awards ranging from $47,000 to $50,000. Their projects will shine new light on little-known international art movements and artists’ roles in political revolutions, eventually yielding scholarship and exhibitions, according to the announcement. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13847147/curator-abby-chen-to-head-asian-art-museums-contemporary-art-department\" rel=\"noopener noreferrer\" target=\"_blank\">Abby Chen\u003c/a>, head of the Asian Art Museum of San Francisco’s contemporary art department, is investigating Hong Kong artist-activists’ response to recent political turmoil. Lauren Schell Dickens, senior curator at the San Jose Museum of Art, is focused on themes of nationhood, identity, migration and colonialism in Filipino art, and BAMPFA’s senior film curator Susan Oxtoby is examining Indian cinema with an eye toward surfacing the work of women filmmakers. \u003c/p>\n\u003cp>In a statement, foundation president Joel Wachs said the selection “highlights the foundation’s commitment to art and exhibition-making that takes risks, and to its belief that artists are key contributors to sociopolitical and critical conversations taking place across the country.” \u003c/p>\n\u003cp>Rachel Bers, the foundation’s program director, made a similar statement. “In a moment when so much is at stake politically, socially and culturally, we are heartened to see such robust artistic engagement with the complexities, inequities and challenges of our time,” Bers said.\u003c/p>\n\u003cp>This funding round brings the Warhol Foundation’s total grants for the year to $7.94 million.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The announcement \u003ca href=\"https://www.kqed.org/arts/13873401/national-endowment-for-the-arts-awards-1-7-million-to-bay-area-arts-groups\" target=\"_blank\" rel=\"noopener noreferrer\">follows\u003c/a> \u003ca href=\"https://www.kqed.org/arts/13873232/3-bay-area-artists-receive-100000-creative-capital-grants\" target=\"_blank\" rel=\"noopener noreferrer\">news\u003c/a> of millions of dollars in funding for other local artists and arts organizations from national grant-makers Creative Capital and National Endowment for the Arts. \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13873585/warhol-foundation-awards-bay-area-arts-organizations-482000","authors":["11091"],"programs":["arts_1272"],"categories":["arts_1","arts_70"],"tags":["arts_3560","arts_2227","arts_1118","arts_1730","arts_596","arts_2755"],"featImg":"arts_11283308","label":"arts_1272"},"arts_13873401":{"type":"posts","id":"arts_13873401","meta":{"index":"posts_1591205157","site":"arts","id":"13873401","score":null,"sort":[1579190447000]},"guestAuthors":[],"slug":"national-endowment-for-the-arts-awards-1-7-million-to-bay-area-arts-groups","title":"National Endowment for the Arts Awards $1.7 Million to Bay Area Arts Groups","publishDate":1579190447,"format":"standard","headTitle":"National Endowment for the Arts Awards $1.7 Million to Bay Area Arts Groups | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>The National Endowment for the Arts (NEA) on Wednesday \u003ca href=\"https://www.arts.gov/news/2020/national-endowment-arts-announces-arts-project-grants-all-50-states-district-columbia-and\">announced\u003c/a> 1,187 grants totaling $27.3 million for arts organizations in every state in the nation, as well as the District of Columbia and Puerto Rico, including $1,730,000 for 72 groups in the nine-county Bay Area. [aside postID=arts_13873232,arts_13849264,arts_13831888]\u003c/p>\n\u003cp>The recipients include literary, film, dance, theater, music and visual arts organizations from granite-stepped institutions to tiny enterprises. All of the projects “connect people through shared experiences and artistic expression,” NEA chair Mary Anne Carter said in a statement.\u003c/p>\n\u003cp>New projects supported include San Francisco Museum of Modern Art’s Dawoud Bey photography retrospective; Anne Bluethenthal and Dancers collaboration with Skywatchers ensemble, \u003cem>Life in the Containment Zone\u003c/em>; playwright Ricardo Pérez González’s premiere \u003cem>Don’t Eat the Mangos\u003c/em>; and choreographer Deborah Slater’s \u003cem>inCIVILITY: A Seat at the Table\u003c/em>. \u003c/p>\n\u003cp>Grants in the “Art Works” category range $10,000-$100,000 and recognize projects that celebrate creativity and cultural heritage, while the $10,000 “Challenge America” awards support small and mid-sized organizations serving remote or marginalized populations. \u003c/p>\n\u003cp>President Donald Trump has for the past three years in a row proposed eliminating the NEA and its sister agency the National Endowment for the Humanities entirely. Congress has each time rejected Trump’s proposal, and last year actually boosted the agencies budgets by millions.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Creative Capital, the New York grant-making outfit formed 20 years ago in part to counter deep 1990s cuts to the NEA, also on Wednesday announced $100,000 awards for three local artists. \u003c/p>\n\u003cp>Below is a complete list of the local organizations to receive NEA funding this year. \u003c/p>\n\u003cp>Berkeley Repertory Theatre (aka Berkeley Rep)\u003cbr>\n$50,000 Berkeley, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the creation and development of new work in The Ground Floor program.\u003c/p>\n\u003cp>California Shakespeare Theater (aka Cal Shakes)\u003cbr>\n$30,000 Berkeley, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the creation and the world premiere production of a new play by Leila Buck and Evren Odcikin, and related project activities. \u003c/p>\n\u003cp>Central Works\u003cbr>\n$15,000 Berkeley, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the development and world premiere production of Tres Hermanas, a new play by Cristina Garcia. \u003c/p>\n\u003cp>Kala Institute\u003cbr>\n$25,000 Berkeley, CA\u003cbr>\nArt Works – Artist\u003cbr>\nCommunities To support residencies for artists working in print and digital media. \u003c/p>\n\u003cp>Small Press Distribution, Inc. (aka SPD)\u003cbr>\n$60,000 Berkeley, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support services to literary small press publishers, including the distribution and marketing of books.\u003c/p>\n\u003cp>Aimusic School\u003cbr>\n$20,000 Cupertino, CA\u003cbr>\nArt Works – Folk & Traditional Arts\u003cbr>\nTo support performances of traditional Chinese music and related educational activities.\u003c/p>\n\u003cp>Healdsburg Jazz Festival, Inc. (aka Healdsburg Jazz)\u003cbr>\n$20,000 Healdsburg, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support Artist and Inspiration: A Woman’s Spirit in Sound performances at the Healdsburg Jazz Festival.\u003c/p>\n\u003cp>API Cultural Center (aka Oakland Asian Cultural Center (OACC))\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support a performing arts program focused on world music and traditional Vietnamese instruments\u003c/p>\n\u003cp>AXIS Dance Company (aka AXIS)\u003cbr>\n$30,000 Oakland, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support a national tour of dance performances and engagement activities.\u003c/p>\n\u003cp>Bay Area Children’s Theatre (aka BACT)\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a Theatre for the Very Young production of Wheels on the Bus. \u003c/p>\n\u003cp>California Humanities\u003cbr>\n$20,000 Oakland, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support a touring program of independent films at community colleges throughout California. \u003c/p>\n\u003cp>Creative Growth, Inc.\u003cbr>\n$55,000 Oakland, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support programming for artists with disabilities. \u003c/p>\n\u003cp>Destiny Arts Center (aka Destiny or Destiny Arts)\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support spoken word and dance programming for youth. \u003c/p>\n\u003cp>Living Jazz\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support a music concert honoring Dr. Martin Luther King, Jr. \u003c/p>\n\u003cp>Omnira Institute\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support the Black-Eyed Pea Festival, a celebration of African-American music and art. \u003c/p>\n\u003cp>Project Bandaloop (aka BANDALOOP)\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the creation of a comprehensive archival plan with an in-house consultant versed in digital archiving.\u003c/p>\n\u003cp>Transit Books\u003cbr>\n$15,000 Oakland, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support the publication and promotion of books of fiction and nonfiction, including work in translation.\u003c/p>\n\u003cp>Djerassi Resident Artists Program\u003cbr>\n$35,000 Redwood City, CA\u003cbr>\nArt Works – Artist Communities\u003cbr>\nTo support artist residencies as part of the Playwright’s Initiative. \u003c/p>\n\u003cp>East Bay Center for the Performing Arts\u003cbr>\n$40,000 Richmond, CA\u003cbr>\nArt Works – Arts Education\u003cbr>\nTo support the Young Artist Diploma Program, a multidisciplinary arts education program for middle and high school students. \u003c/p>\n\u003cp>3rd I South Asian Independent Film (aka 3rd i Films)\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support 3rd i Films’ San Francisco International South Asian Film Festival and associated public programming. \u003c/p>\n\u003cp>Abada-Capoeira San Francisco\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Folk & Traditional Arts\u003cbr>\nTo support a series of educational workshops and a culminating performance. \u003c/p>\n\u003cp>American Conservatory Theatre Foundation (aka American Conservatory Theater)\u003cbr>\n$50,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a production of Toni Stone by Lydia R. Diamond. \u003c/p>\n\u003cp>Anne Bluethenthal and Dancers (aka ABD Productions)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the presentation of Life in the Containment Zone, directed by choreographer Anne Bluethenthal in collaboration with the ensemble Skywatchers. \u003c/p>\n\u003cp>Art of the Matter Performance Foundation (aka Deborah Slater Dance Theater)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the premiere of inCIVILITY: A Seat at the Table by choreographer Deborah Slater. \u003c/p>\n\u003cp>Asian Pacific Islander Cultural Center (aka APICC)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nChallenge America\u003cbr>\nTo support The United States of Asian America Festival, a multidisciplinary arts festival celebrating Asian and Pacific Islander American culture.\u003c/p>\n\u003cp>Bay Area Video Coalition, Inc. (aka BAVC)\u003cbr>\n$40,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the provision of video and audio preservation services.\u003c/p>\n\u003cp>California Lawyers for the Arts, Inc.\u003cbr>\n$60,000 San Francisco, CA\u003cbr>\nArt Works – Local Arts Agencies\u003cbr>\nTo support a multistate expansion of the Arts in Corrections Initiative. \u003c/p>\n\u003cp>Canyon Cinema Foundation (aka Canyon Cinema)\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support a curatorial fellowship, screening series, and national touring program of experimental film and video works. \u003c/p>\n\u003cp>Center for Asian American Media (aka CAAM)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support CAAMFest, a media arts festival that showcases the work of Asian and Asian-American artists, and related public programming. \u003c/p>\n\u003cp>Center for the Art of Translation\u003cbr>\n$50,000 San Francisco, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support the publication and promotion of international literature. \u003c/p>\n\u003cp>Chinese Culture Foundation of San Francisco (aka Chinese Culture Center)\u003cbr>\n$40,000 San Francisco, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support an exhibition exploring issues related to gender equity, civil rights, and inclusion. \u003c/p>\n\u003cp>City and County of San Francisco, California\u003cbr>\n$45,000 San Francisco, CA\u003cbr>\nArt Works – Local Arts Agencies\u003cbr>\nTo support a series of visual arts exhibitions and related programming commemorating the 50th anniversary of the San Francisco Arts Commission Galleries.\u003c/p>\n\u003cp>CounterPulse\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the Artist Residency and Commissioning (ARC) program, which provides space and support for emerging and mid-career choreographers.\u003c/p>\n\u003cp>Crowded Fire Theater Company (aka Crowded Fire)\u003cbr>\n$10,000\u003cbr>\nSan Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a production of The Displaced by Isaac Gomez. \u003c/p>\n\u003cp>Eyes and Ears Foundation (aka San Francisco International Arts Festival)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Presenting & Multidisciplinary Works\u003cbr>\nTo support artist fees and travel stipends as part of the San Francisco International Arts Festival. \u003c/p>\n\u003cp>Flyaway Productions\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support performances of Meet Us Quickly With Your Mercy by choreographer Jo Kreiter. \u003c/p>\n\u003cp>foolsFURY Theater Company (aka foolsFURY)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the FURY Factory Festival of Ensemble and Devised Theater. \u003c/p>\n\u003cp>Frameline\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the 44th San Francisco International LGBTQ+ Film Festival and Frameline Encore, a free year-round film exhibition program. \u003c/p>\n\u003cp>Golden Thread Productions\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a co-production of At The Periphery by Sedef Ecer, in a new translation by Evren Odcikin. \u003c/p>\n\u003cp>Gray Area Foundation for the Arts, Inc (aka Gray Area)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the Gray Area Festival and associated public programs.\u003c/p>\n\u003cp>Inneract Project, Inc\u003cbr>\n$20,000 SAN FRANCISCO, CA\u003cbr>\nArt Works – Design\u003cbr>\nTo support the Youth Design Academy, a series of programs introducing design concepts to middle and high school students.\u003c/p>\n\u003cp>Jewish Community Center of San Francisco (aka JCCSF)\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Presenting & Multidisciplinary Works\u003cbr>\nTo support arts programming components of the Re-imagine Freedom series. \u003c/p>\n\u003cp>Kronos Performing Arts Association (aka Kronos Quartet)\u003cbr>\n$35,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support the Kronos Festival. \u003c/p>\n\u003cp>Magic Theatre, Inc.\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the world premiere production of Don’t Eat the Mangos, a new play by Ricardo Pérez González. \u003c/p>\n\u003cp>ODC (aka ODC/Dance)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the creation and presentation of Decameron, Up for Air, a new dance work by ODC/Dance. \u003c/p>\n\u003cp>ODC Theater\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the creation and presentation of dance works as part of the performance series Interventions and Collaborations. \u003c/p>\n\u003cp>Open Architecture Collaborative, Inc.\u003cbr>\n$25,000 San Francisco, CA\u003cbr>\nArt Works – Design\u003cbr>\nTo support Pathways to Equity Fellowship, a leadership development program for community design practitioners. \u003c/p>\n\u003cp>Opera Parallele\u003cbr>\n$30,000 San Francisco, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support the world premiere of a revised and re-orchestrated production of Harvey Milk by composer Stewart Wallace and librettist Michael Korie.\u003c/p>\n\u003cp>Other Minds\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support the 25th annual Other Minds new music festival.\u003c/p>\n\u003cp>Philharmonia Baroque Orchestra and Chorale\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support performances of Aci, Galatea, e Polifemo by George Frideric Handel, with re-imagined recitatives by composer and sound designer Mark Grey. \u003c/p>\n\u003cp>Root Division\u003cbr>\n$25,000 San Francisco, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support the Second Saturday Exhibition Series, a collection of visual arts events and presentations of work by Bay Area artists. \u003c/p>\n\u003cp>San Francisco Cinematheque\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support public engagement activities for Crossroads 2020, a festival dedicated to experimental film, video, and performance-based cinema. \u003c/p>\n\u003cp>San Francisco Film Society (aka SFFILM)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the San Francisco International Film Festival and other curated film series. \u003c/p>\n\u003cp>San Francisco Green Film Festival (aka Green Film Fest)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the Impact Film program at the San Francisco Green Film Festival. \u003c/p>\n\u003cp>San Francisco Jazz Organization (aka SFJAZZ)\u003cbr>\n$30,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support the SFJAZZ Collective’s commissioning, development, and performance of new original works and touring activities. \u003c/p>\n\u003cp>San Francisco Jewish Film Festival (aka Jewish Film Institute)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support travel, theater rental, and staff costs for the Jewish Film Institute’s 40th San Francisco Jewish Film Festival.\u003c/p>\n\u003cp>San Francisco Museum of Modern Art (aka SFMOMA)\u003cbr>\n$45,000 San Francisco, CA\u003cbr>\nArt Works – Museums\u003cbr>\nTo support a traveling exhibition and catalogue of the work of photographer Dawoud Bey (b. 1953).\u003c/p>\n\u003cp>San Francisco Opera Association\u003cbr>\n$80,000 San Francisco, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support the west coast premiere of The Handmaid’s Tale by composer Poul Ruders and librettist Paul Bentley. \u003c/p>\n\u003cp>San Francisco Symphony (aka SFS)\u003cbr>\n$75,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support staff salaries and artist fees for an artist-in-residence program. \u003c/p>\n\u003cp>Southern Exposure (aka SoEx)\u003cbr>\n$25,000 San Francisco, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support a group exhibition and a series of public programs. \u003c/p>\n\u003cp>Stern Grove Festival Association\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Presenting & Multidisciplinary Works\u003cbr>\nTo support artist fees for the Stern Grove Festival. \u003c/p>\n\u003cp>Theatre of Yugen, Incorporated (aka Theatre of Yugen)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the creation and performance of the Native-Noh Project, a new work exploring the intersection of the Native American and Japanese-American immigrant experiences. \u003c/p>\n\u003cp>Women’s Audio Mission (aka WAM)\u003cbr>\n$35,000 San Francisco, CA\u003cbr>\nArt Works – Arts Education\u003cbr>\nTo support the expansion of Girls on the Mic, a digital media arts training and mentorship program in the San Francisco Unified School District and Oakland Unified School District. \u003c/p>\n\u003cp>World Arts West\u003cbr>\n$60,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support artistic fees and festival facility/production costs associated with the annual San Francisco Ethnic Dance Festival.\u003c/p>\n\u003cp>Zaccho SF (aka Zaccho Dance Theatre)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the choreographer fees of artists participating in the annual San Francisco Aerial Arts Festival.\u003c/p>\n\u003cp>ZYZZYVA, Inc.\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support the publication and promotion of the journal ZYZZYVA. \u003c/p>\n\u003cp>Opera Cultura\u003cbr>\n$10,000 San Leandro, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support a production of Frida by composer Robert Xavier Rodriguez with book by Hilary Blecher and lyrics and monologue by Migdalia Cruz.\u003c/p>\n\u003cp>Alternative Theater Ensemble (aka AlterTheater Ensemble)\u003cbr>\n$10,000 San Rafael, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the AlterLab new play development and production program. \u003c/p>\n\u003cp>California Film Institute (aka CFI)\u003cbr>\n$20,000 San Rafael, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support community engagement programs associated with the Mill Valley Film Festival.\u003c/p>\n\u003cp>Santa Rosa Symphony Association\u003cbr>\n$15,000 Santa Rosa, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support commissioning and artist fees for a new work by Mexican composer Enrico Chapela Barba premiering at Green Music Center at Sonoma State University.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Headlands Center for the Arts\u003cbr>\n$20,000 Sausalito, CA\u003cbr>\nArt Works – Artist Communities\u003cbr>\nTo support a residency program for emerging and mid-career artists and related public programming.\u003c/p>\n\n","blocks":[],"excerpt":"President Donald Trump has for the past three years in a row proposed eliminating the federal agency.","status":"publish","parent":0,"modified":1705021487,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":80,"wordCount":2427},"headData":{"title":"National Endowment for the Arts Awards $1.7 Million to Bay Area Arts Groups | KQED","description":"President Donald Trump has for the past three years in a row proposed eliminating the federal agency.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"National Endowment for the Arts Awards $1.7 Million to Bay Area Arts Groups","datePublished":"2020-01-16T16:00:47.000Z","dateModified":"2024-01-12T01:04:47.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13873401/national-endowment-for-the-arts-awards-1-7-million-to-bay-area-arts-groups","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The National Endowment for the Arts (NEA) on Wednesday \u003ca href=\"https://www.arts.gov/news/2020/national-endowment-arts-announces-arts-project-grants-all-50-states-district-columbia-and\">announced\u003c/a> 1,187 grants totaling $27.3 million for arts organizations in every state in the nation, as well as the District of Columbia and Puerto Rico, including $1,730,000 for 72 groups in the nine-county Bay Area. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13873232,arts_13849264,arts_13831888","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The recipients include literary, film, dance, theater, music and visual arts organizations from granite-stepped institutions to tiny enterprises. All of the projects “connect people through shared experiences and artistic expression,” NEA chair Mary Anne Carter said in a statement.\u003c/p>\n\u003cp>New projects supported include San Francisco Museum of Modern Art’s Dawoud Bey photography retrospective; Anne Bluethenthal and Dancers collaboration with Skywatchers ensemble, \u003cem>Life in the Containment Zone\u003c/em>; playwright Ricardo Pérez González’s premiere \u003cem>Don’t Eat the Mangos\u003c/em>; and choreographer Deborah Slater’s \u003cem>inCIVILITY: A Seat at the Table\u003c/em>. \u003c/p>\n\u003cp>Grants in the “Art Works” category range $10,000-$100,000 and recognize projects that celebrate creativity and cultural heritage, while the $10,000 “Challenge America” awards support small and mid-sized organizations serving remote or marginalized populations. \u003c/p>\n\u003cp>President Donald Trump has for the past three years in a row proposed eliminating the NEA and its sister agency the National Endowment for the Humanities entirely. Congress has each time rejected Trump’s proposal, and last year actually boosted the agencies budgets by millions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Creative Capital, the New York grant-making outfit formed 20 years ago in part to counter deep 1990s cuts to the NEA, also on Wednesday announced $100,000 awards for three local artists. \u003c/p>\n\u003cp>Below is a complete list of the local organizations to receive NEA funding this year. \u003c/p>\n\u003cp>Berkeley Repertory Theatre (aka Berkeley Rep)\u003cbr>\n$50,000 Berkeley, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the creation and development of new work in The Ground Floor program.\u003c/p>\n\u003cp>California Shakespeare Theater (aka Cal Shakes)\u003cbr>\n$30,000 Berkeley, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the creation and the world premiere production of a new play by Leila Buck and Evren Odcikin, and related project activities. \u003c/p>\n\u003cp>Central Works\u003cbr>\n$15,000 Berkeley, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the development and world premiere production of Tres Hermanas, a new play by Cristina Garcia. \u003c/p>\n\u003cp>Kala Institute\u003cbr>\n$25,000 Berkeley, CA\u003cbr>\nArt Works – Artist\u003cbr>\nCommunities To support residencies for artists working in print and digital media. \u003c/p>\n\u003cp>Small Press Distribution, Inc. (aka SPD)\u003cbr>\n$60,000 Berkeley, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support services to literary small press publishers, including the distribution and marketing of books.\u003c/p>\n\u003cp>Aimusic School\u003cbr>\n$20,000 Cupertino, CA\u003cbr>\nArt Works – Folk & Traditional Arts\u003cbr>\nTo support performances of traditional Chinese music and related educational activities.\u003c/p>\n\u003cp>Healdsburg Jazz Festival, Inc. (aka Healdsburg Jazz)\u003cbr>\n$20,000 Healdsburg, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support Artist and Inspiration: A Woman’s Spirit in Sound performances at the Healdsburg Jazz Festival.\u003c/p>\n\u003cp>API Cultural Center (aka Oakland Asian Cultural Center (OACC))\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support a performing arts program focused on world music and traditional Vietnamese instruments\u003c/p>\n\u003cp>AXIS Dance Company (aka AXIS)\u003cbr>\n$30,000 Oakland, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support a national tour of dance performances and engagement activities.\u003c/p>\n\u003cp>Bay Area Children’s Theatre (aka BACT)\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a Theatre for the Very Young production of Wheels on the Bus. \u003c/p>\n\u003cp>California Humanities\u003cbr>\n$20,000 Oakland, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support a touring program of independent films at community colleges throughout California. \u003c/p>\n\u003cp>Creative Growth, Inc.\u003cbr>\n$55,000 Oakland, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support programming for artists with disabilities. \u003c/p>\n\u003cp>Destiny Arts Center (aka Destiny or Destiny Arts)\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support spoken word and dance programming for youth. \u003c/p>\n\u003cp>Living Jazz\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support a music concert honoring Dr. Martin Luther King, Jr. \u003c/p>\n\u003cp>Omnira Institute\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support the Black-Eyed Pea Festival, a celebration of African-American music and art. \u003c/p>\n\u003cp>Project Bandaloop (aka BANDALOOP)\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the creation of a comprehensive archival plan with an in-house consultant versed in digital archiving.\u003c/p>\n\u003cp>Transit Books\u003cbr>\n$15,000 Oakland, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support the publication and promotion of books of fiction and nonfiction, including work in translation.\u003c/p>\n\u003cp>Djerassi Resident Artists Program\u003cbr>\n$35,000 Redwood City, CA\u003cbr>\nArt Works – Artist Communities\u003cbr>\nTo support artist residencies as part of the Playwright’s Initiative. \u003c/p>\n\u003cp>East Bay Center for the Performing Arts\u003cbr>\n$40,000 Richmond, CA\u003cbr>\nArt Works – Arts Education\u003cbr>\nTo support the Young Artist Diploma Program, a multidisciplinary arts education program for middle and high school students. \u003c/p>\n\u003cp>3rd I South Asian Independent Film (aka 3rd i Films)\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support 3rd i Films’ San Francisco International South Asian Film Festival and associated public programming. \u003c/p>\n\u003cp>Abada-Capoeira San Francisco\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Folk & Traditional Arts\u003cbr>\nTo support a series of educational workshops and a culminating performance. \u003c/p>\n\u003cp>American Conservatory Theatre Foundation (aka American Conservatory Theater)\u003cbr>\n$50,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a production of Toni Stone by Lydia R. Diamond. \u003c/p>\n\u003cp>Anne Bluethenthal and Dancers (aka ABD Productions)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the presentation of Life in the Containment Zone, directed by choreographer Anne Bluethenthal in collaboration with the ensemble Skywatchers. \u003c/p>\n\u003cp>Art of the Matter Performance Foundation (aka Deborah Slater Dance Theater)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the premiere of inCIVILITY: A Seat at the Table by choreographer Deborah Slater. \u003c/p>\n\u003cp>Asian Pacific Islander Cultural Center (aka APICC)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nChallenge America\u003cbr>\nTo support The United States of Asian America Festival, a multidisciplinary arts festival celebrating Asian and Pacific Islander American culture.\u003c/p>\n\u003cp>Bay Area Video Coalition, Inc. (aka BAVC)\u003cbr>\n$40,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the provision of video and audio preservation services.\u003c/p>\n\u003cp>California Lawyers for the Arts, Inc.\u003cbr>\n$60,000 San Francisco, CA\u003cbr>\nArt Works – Local Arts Agencies\u003cbr>\nTo support a multistate expansion of the Arts in Corrections Initiative. \u003c/p>\n\u003cp>Canyon Cinema Foundation (aka Canyon Cinema)\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support a curatorial fellowship, screening series, and national touring program of experimental film and video works. \u003c/p>\n\u003cp>Center for Asian American Media (aka CAAM)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support CAAMFest, a media arts festival that showcases the work of Asian and Asian-American artists, and related public programming. \u003c/p>\n\u003cp>Center for the Art of Translation\u003cbr>\n$50,000 San Francisco, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support the publication and promotion of international literature. \u003c/p>\n\u003cp>Chinese Culture Foundation of San Francisco (aka Chinese Culture Center)\u003cbr>\n$40,000 San Francisco, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support an exhibition exploring issues related to gender equity, civil rights, and inclusion. \u003c/p>\n\u003cp>City and County of San Francisco, California\u003cbr>\n$45,000 San Francisco, CA\u003cbr>\nArt Works – Local Arts Agencies\u003cbr>\nTo support a series of visual arts exhibitions and related programming commemorating the 50th anniversary of the San Francisco Arts Commission Galleries.\u003c/p>\n\u003cp>CounterPulse\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the Artist Residency and Commissioning (ARC) program, which provides space and support for emerging and mid-career choreographers.\u003c/p>\n\u003cp>Crowded Fire Theater Company (aka Crowded Fire)\u003cbr>\n$10,000\u003cbr>\nSan Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a production of The Displaced by Isaac Gomez. \u003c/p>\n\u003cp>Eyes and Ears Foundation (aka San Francisco International Arts Festival)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Presenting & Multidisciplinary Works\u003cbr>\nTo support artist fees and travel stipends as part of the San Francisco International Arts Festival. \u003c/p>\n\u003cp>Flyaway Productions\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support performances of Meet Us Quickly With Your Mercy by choreographer Jo Kreiter. \u003c/p>\n\u003cp>foolsFURY Theater Company (aka foolsFURY)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the FURY Factory Festival of Ensemble and Devised Theater. \u003c/p>\n\u003cp>Frameline\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the 44th San Francisco International LGBTQ+ Film Festival and Frameline Encore, a free year-round film exhibition program. \u003c/p>\n\u003cp>Golden Thread Productions\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a co-production of At The Periphery by Sedef Ecer, in a new translation by Evren Odcikin. \u003c/p>\n\u003cp>Gray Area Foundation for the Arts, Inc (aka Gray Area)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the Gray Area Festival and associated public programs.\u003c/p>\n\u003cp>Inneract Project, Inc\u003cbr>\n$20,000 SAN FRANCISCO, CA\u003cbr>\nArt Works – Design\u003cbr>\nTo support the Youth Design Academy, a series of programs introducing design concepts to middle and high school students.\u003c/p>\n\u003cp>Jewish Community Center of San Francisco (aka JCCSF)\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Presenting & Multidisciplinary Works\u003cbr>\nTo support arts programming components of the Re-imagine Freedom series. \u003c/p>\n\u003cp>Kronos Performing Arts Association (aka Kronos Quartet)\u003cbr>\n$35,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support the Kronos Festival. \u003c/p>\n\u003cp>Magic Theatre, Inc.\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the world premiere production of Don’t Eat the Mangos, a new play by Ricardo Pérez González. \u003c/p>\n\u003cp>ODC (aka ODC/Dance)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the creation and presentation of Decameron, Up for Air, a new dance work by ODC/Dance. \u003c/p>\n\u003cp>ODC Theater\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the creation and presentation of dance works as part of the performance series Interventions and Collaborations. \u003c/p>\n\u003cp>Open Architecture Collaborative, Inc.\u003cbr>\n$25,000 San Francisco, CA\u003cbr>\nArt Works – Design\u003cbr>\nTo support Pathways to Equity Fellowship, a leadership development program for community design practitioners. \u003c/p>\n\u003cp>Opera Parallele\u003cbr>\n$30,000 San Francisco, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support the world premiere of a revised and re-orchestrated production of Harvey Milk by composer Stewart Wallace and librettist Michael Korie.\u003c/p>\n\u003cp>Other Minds\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support the 25th annual Other Minds new music festival.\u003c/p>\n\u003cp>Philharmonia Baroque Orchestra and Chorale\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support performances of Aci, Galatea, e Polifemo by George Frideric Handel, with re-imagined recitatives by composer and sound designer Mark Grey. \u003c/p>\n\u003cp>Root Division\u003cbr>\n$25,000 San Francisco, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support the Second Saturday Exhibition Series, a collection of visual arts events and presentations of work by Bay Area artists. \u003c/p>\n\u003cp>San Francisco Cinematheque\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support public engagement activities for Crossroads 2020, a festival dedicated to experimental film, video, and performance-based cinema. \u003c/p>\n\u003cp>San Francisco Film Society (aka SFFILM)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the San Francisco International Film Festival and other curated film series. \u003c/p>\n\u003cp>San Francisco Green Film Festival (aka Green Film Fest)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the Impact Film program at the San Francisco Green Film Festival. \u003c/p>\n\u003cp>San Francisco Jazz Organization (aka SFJAZZ)\u003cbr>\n$30,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support the SFJAZZ Collective’s commissioning, development, and performance of new original works and touring activities. \u003c/p>\n\u003cp>San Francisco Jewish Film Festival (aka Jewish Film Institute)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support travel, theater rental, and staff costs for the Jewish Film Institute’s 40th San Francisco Jewish Film Festival.\u003c/p>\n\u003cp>San Francisco Museum of Modern Art (aka SFMOMA)\u003cbr>\n$45,000 San Francisco, CA\u003cbr>\nArt Works – Museums\u003cbr>\nTo support a traveling exhibition and catalogue of the work of photographer Dawoud Bey (b. 1953).\u003c/p>\n\u003cp>San Francisco Opera Association\u003cbr>\n$80,000 San Francisco, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support the west coast premiere of The Handmaid’s Tale by composer Poul Ruders and librettist Paul Bentley. \u003c/p>\n\u003cp>San Francisco Symphony (aka SFS)\u003cbr>\n$75,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support staff salaries and artist fees for an artist-in-residence program. \u003c/p>\n\u003cp>Southern Exposure (aka SoEx)\u003cbr>\n$25,000 San Francisco, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support a group exhibition and a series of public programs. \u003c/p>\n\u003cp>Stern Grove Festival Association\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Presenting & Multidisciplinary Works\u003cbr>\nTo support artist fees for the Stern Grove Festival. \u003c/p>\n\u003cp>Theatre of Yugen, Incorporated (aka Theatre of Yugen)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the creation and performance of the Native-Noh Project, a new work exploring the intersection of the Native American and Japanese-American immigrant experiences. \u003c/p>\n\u003cp>Women’s Audio Mission (aka WAM)\u003cbr>\n$35,000 San Francisco, CA\u003cbr>\nArt Works – Arts Education\u003cbr>\nTo support the expansion of Girls on the Mic, a digital media arts training and mentorship program in the San Francisco Unified School District and Oakland Unified School District. \u003c/p>\n\u003cp>World Arts West\u003cbr>\n$60,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support artistic fees and festival facility/production costs associated with the annual San Francisco Ethnic Dance Festival.\u003c/p>\n\u003cp>Zaccho SF (aka Zaccho Dance Theatre)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the choreographer fees of artists participating in the annual San Francisco Aerial Arts Festival.\u003c/p>\n\u003cp>ZYZZYVA, Inc.\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support the publication and promotion of the journal ZYZZYVA. \u003c/p>\n\u003cp>Opera Cultura\u003cbr>\n$10,000 San Leandro, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support a production of Frida by composer Robert Xavier Rodriguez with book by Hilary Blecher and lyrics and monologue by Migdalia Cruz.\u003c/p>\n\u003cp>Alternative Theater Ensemble (aka AlterTheater Ensemble)\u003cbr>\n$10,000 San Rafael, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the AlterLab new play development and production program. \u003c/p>\n\u003cp>California Film Institute (aka CFI)\u003cbr>\n$20,000 San Rafael, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support community engagement programs associated with the Mill Valley Film Festival.\u003c/p>\n\u003cp>Santa Rosa Symphony Association\u003cbr>\n$15,000 Santa Rosa, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support commissioning and artist fees for a new work by Mexican composer Enrico Chapela Barba premiering at Green Music Center at Sonoma State University.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Headlands Center for the Arts\u003cbr>\n$20,000 Sausalito, CA\u003cbr>\nArt Works – Artist Communities\u003cbr>\nTo support a residency program for emerging and mid-career artists and related public programming.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13873401/national-endowment-for-the-arts-awards-1-7-million-to-bay-area-arts-groups","authors":["11091"],"programs":["arts_1272"],"categories":["arts_1","arts_835","arts_967","arts_70"],"tags":["arts_3560","arts_1118","arts_1730","arts_596"],"featImg":"arts_13824382","label":"arts_1272"},"arts_13873207":{"type":"posts","id":"arts_13873207","meta":{"index":"posts_1591205157","site":"arts","id":"13873207","score":null,"sort":[1579032077000]},"guestAuthors":[],"slug":"the-hustle-karen-smith-metalsmith-oakland","title":"An Oakland Metalsmith Risks Instability to Bring Metal Arts to Black Girls","publishDate":1579032077,"format":"image","headTitle":"An Oakland Metalsmith Risks Instability to Bring Metal Arts to Black Girls | KQED","labelTerm":{"term":4525,"site":"arts"},"content":"\u003cp>Earlier this month, Oakland metalsmith \u003ca href=\"https://karensmithmetalartist.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Karen Smith\u003c/a> put the finishing touches on \u003cem>Mamedjarra the Sacred\u003c/em>, a sterling silver necklace. After nearly a year of work on the piece—a hammered crescent with dangling discs and frizzy strands—she shipped it to the Richmond Art Center, where it’s featured in a new group show, \u003cem>\u003ca href=\"http://richmondartcenter.org/exhibitions/art-of-the-african-diaspora-2020/\" target=\"_blank\" rel=\"noopener noreferrer\">Art of the African Diaspora\u003c/a>\u003c/em>. And then she started to pack up her East Oakland workspace, where Smith is being displaced after falling behind on rent.\u003c/p>\n\u003cp>[pullquote align='right' size='small']By the numbers…\u003c/p>\n\u003cul>\n\u003cli>2019 income: <$10,000\u003c/li>\n\u003cli>Home and studio rent: $800/month\u003c/li>\n\u003cli>2019 City of Oakland grant: $4,999\u003c/li>\n\u003cli>Time spent waiting for grant check: 5 months and counting\u003c/li>\n\u003cli>Silver: $18.09/ounce\u003c/li>\n\u003c/ul>\n\u003cp>[/pullquote]\u003c/p>\n\u003cp>“It’s a huge transitional time for me,” says Smith, wearing hoops and a black apron, as she demonstrates an acetylene torch on solderite in the small studio. “But a good one.”\u003c/p>\n\u003cp>Smith, who moved to Oakland in 1995 (she refuses to share her age), is shifting her metalwork practice from jewelry to a fine arts context, and launching a new nonprofit, \u003ca href=\"https://wewieldthehammer.org/\" target=\"_blank\" rel=\"noopener noreferrer\">We Wield the Hammer\u003c/a>, to bring the craft to other black women and girls through free, intensive workshops. The transition follows an influential apprenticeship in Senegal that took her abroad for most of 2018. “That was the start of the snowballing debt,” she says. “The trip was also a catalyst.”\u003c/p>\n\u003cp>Workspace and housing costs are the biggest challenges to artists in Oakland, according to a \u003ca href=\"http://www2.oaklandnet.com/oakca1/groups/ceda/documents/agenda/oak062138.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">city report\u003c/a> from 2016. What’s unique about Smith isn’t her financial struggles so much as her response: doubling down on as-yet-unprofitable projects. She’s loaning her equipment to a young metalsmith who’s teaching for We Wield the Hammer, which runs out of the Crucible in West Oakland, and foregoing a salary while fundraising for her fiscally-sponsored organization. She’s also speaking candidly about her experience, aiming to spur public investment in the arts.\u003c/p>\n\u003cfigure id=\"attachment_13873216\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873216\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Soldering-in-action-800x450.jpg\" alt=\"Smith demonstrates her acetylene torch on solderite.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Smith demonstrates her acetylene torch on solderite. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At a November meeting of the advisory committee to Oakland’s Cultural Funding Program (CFP), which awarded her nonprofit $4,999 in both 2018 and 2019 (though the latter check is still in the mail), Smith shared that her car was repossessed while she poured her energy into We Wield the Hammer, and advocated boosting grant amounts in the individual artist category.[pullquote size='medium' citation='Karen Smith']‘The cost of everything has gone up exponentially except grants and salaries.’[/pullquote]\u003c/p>\n\u003cp>“The cost of everything has gone up exponentially except grants and salaries,” she said during the public comment period. “The award is a pittance. I’m grateful—but it’s a pittance.” Smith continued, “I’m here because I want to put a face on what it means to be an artist in Oakland.”\u003c/p>\n\u003cp>Smith, who grew up in Brooklyn, divorced her husband in 2010. “I promised not to do things I don’t want to do anymore,” she says. She started a business, New Spirit Designs, making objects such as malas, or prayer beads, related to her practice as a Buddhist, which started 20 years ago at a daylong meditation. “I hadn’t been quiet for a day, ever, and over the course of the day my life changed,” she says. “I could actually listen to what was happening in my body.”\u003c/p>\n\u003cfigure id=\"attachment_13873215\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873215\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Sizing-rings-800x450.jpg\" alt=\"Sizing rings in Smith's soon-to-be-empty workspace. She's being displaced after falling behind on rent.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sizing rings in Smith’s soon-to-be-empty workspace. She’s being displaced after falling behind on rent. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Working with beads, though, left Smith unfulfilled. Several years ago she commissioned a metal bracelet, providing drawings to a craftsperson. “It was beautiful but it wasn’t what I envisioned,” she recalls. “That’s what made me realize I need to work with metal.” Through library books and online forums, she learned wire-wrapping, and then to use a butane torch. “Because I had no background, no idea what I was doing, I started out with silver—great way to burn money.”\u003c/p>\n\u003cp>Smith has made wedding bands, which run up to $2,000 for gold, and sold jewelry at farmers markets and craft fairs. “It’s a hardscrabble way to make a living,” she says, noting the physical toll and upfront costs. Now, though, Smith wants to make more work like her piece for \u003cem>Art of the African Diaspora\u003c/em>: sculpture, or “wearable art,” as she likes to say. She wants to use the metalsmithing techniques she learned through jewelry to create less everyday objects. As a former academic accustomed to valuing educational pedigree, being self-taught provokes some insecurity. “So I’m trying to position myself to consistently own the title ‘artist,’” she says.\u003c/p>\n\u003cp>“I mean, I’ll probably always make jewelry, like hoops—I’m a hoops whore,” she adds. “Every woman looks good in hoops. But hoops like these cost $40. I also make a pair that cost $340.”\u003c/p>\n\u003cfigure id=\"attachment_13873214\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873214\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Laughing-800x450.jpg\" alt=\"Smith is transitioning her metalwork from jewelry to a fine arts context.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Smith is transitioning her metalwork from jewelry to a fine arts context. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Smith describes her time in Senegal in 2018 as practically preordained, the result of one morning “hearing a voice.” She couldn’t find a formal apprenticeship program, but through academic contacts made some inroads with artisans in Dakar, the capital. “The first person who responded was a Senegalese man who said, ‘Does she know that women don’t wield the hammer? That we have that saying? That it’s transmitted father-to-son?’” she recalls. “I was like, sorry, no I don’t know about any of that. And he said, ‘Good, because it has to change.’”[aside label='Side Gigs and Successes' link1='https://www.kqed.org/arts/13827433/bay-area-artists-we-want-to-know-whats-your-hustle,Are you a Bay Area artist? Tell us about your hustle.' target=_blank]\u003c/p>\n\u003cp>She connected with a fifth-generation metalsmith named Ibrahim Sow and his apprentice son, Oumar Moida. “I think he thought initially that I was some young girl who wanted to make earrings on vacation for the ’gram,” she says. “When I got there he was amazed by my age, that I’m black—he was hella taken aback.” She learned to work from scratch: melting fine silver and copper to form sterling as well as making her own soldering alloy. She first stayed for two months and then, at Sow’s urging, returned for four-and-a-half more months later in 2018.\u003c/p>\n\u003cp>The patriarchal legacy of metalsmithing in Senegal created distance between Smith and the women around the artist village where she worked in Dakar. But she captured the interest of a young girl who’d stand silently in the studio doorway to watch. “I asked the teacher’s son about her and he said that she thought I was a ghost, that she’d never seen a woman doing what I was doing, so I had to be magic,” she says. “I thought, if she wants to learn, who will teach her?”\u003c/p>\n\u003cfigure id=\"attachment_13873213\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873213\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/is-torch-off-800x450.jpg\" alt=\"Because she's being displaced from her workspace, Smith is loaning her equipment to Ale'ah Bashir Baaqee, a young metal artist from Oakland.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Because she’s being displaced from her workspace, Smith is loaning her equipment to Ale’ah Bashir Baaqee, a young metal artist from Oakland. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Smith returned from Dakar inspired but stressed; she’d spent most of 2018 without income, and started last year with an illness that prevented her from working for several weeks. “When you work for yourself there’s no unemployment, no sick pay,” she says. Still, Smith found some part-time work teaching at the Crucible (where co-teaching a two-day workshop pays approximately $300). The industrial arts center hosted the first We Wield the Hammer session last summer, and Smith secured the CFP grants to buy materials and pay a teacher, Ale’ah Bashir Baaqee.\u003c/p>\n\u003cp>The second eight-week session of We Wield the Hammer, which Smith plans to expand to Senegal, starts this month with a cohort of six black women and girls between the ages of 14 and 24. Until she can draw a salary from the organization, she plans to use workspace at the Crucible for personal projects. Because she must vacate her studio by the end of January, Smith is loaning her equipment to Baaqee, a metal artist from Oakland. “I’m letting her borrow all of these hammers,” Smith says in the soon-to-be-empty studio. “This is my favorite hammer.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Aiming to spur public investment in the arts, Karen Smith says, 'I want to put a face on what it means to be an artist in Oakland.'","status":"publish","parent":0,"modified":1705021505,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":1493},"headData":{"title":"An Oakland Metalsmith Risks Instability to Bring Metal Arts to Black Girls | KQED","description":"Aiming to spur public investment in the arts, Karen Smith says, 'I want to put a face on what it means to be an artist in Oakland.'","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"An Oakland Metalsmith Risks Instability to Bring Metal Arts to Black Girls","datePublished":"2020-01-14T20:01:17.000Z","dateModified":"2024-01-12T01:05:05.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13873207/the-hustle-karen-smith-metalsmith-oakland","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Earlier this month, Oakland metalsmith \u003ca href=\"https://karensmithmetalartist.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Karen Smith\u003c/a> put the finishing touches on \u003cem>Mamedjarra the Sacred\u003c/em>, a sterling silver necklace. After nearly a year of work on the piece—a hammered crescent with dangling discs and frizzy strands—she shipped it to the Richmond Art Center, where it’s featured in a new group show, \u003cem>\u003ca href=\"http://richmondartcenter.org/exhibitions/art-of-the-african-diaspora-2020/\" target=\"_blank\" rel=\"noopener noreferrer\">Art of the African Diaspora\u003c/a>\u003c/em>. And then she started to pack up her East Oakland workspace, where Smith is being displaced after falling behind on rent.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"By the numbers…\u003c/p>\n\u003cul>\n\u003cli>2019 income: <$10,000\u003c/li>\n\u003cli>Home and studio rent: $800/month\u003c/li>\n\u003cli>2019 City of Oakland grant: $4,999\u003c/li>\n\u003cli>Time spent waiting for grant check: 5 months and counting\u003c/li>\n\u003cli>Silver: $18.09/ounce\u003c/li>\n\u003c/ul>\n\u003cp>","name":"pullquote","attributes":{"named":{"align":"right","size":"small","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s a huge transitional time for me,” says Smith, wearing hoops and a black apron, as she demonstrates an acetylene torch on solderite in the small studio. “But a good one.”\u003c/p>\n\u003cp>Smith, who moved to Oakland in 1995 (she refuses to share her age), is shifting her metalwork practice from jewelry to a fine arts context, and launching a new nonprofit, \u003ca href=\"https://wewieldthehammer.org/\" target=\"_blank\" rel=\"noopener noreferrer\">We Wield the Hammer\u003c/a>, to bring the craft to other black women and girls through free, intensive workshops. The transition follows an influential apprenticeship in Senegal that took her abroad for most of 2018. “That was the start of the snowballing debt,” she says. “The trip was also a catalyst.”\u003c/p>\n\u003cp>Workspace and housing costs are the biggest challenges to artists in Oakland, according to a \u003ca href=\"http://www2.oaklandnet.com/oakca1/groups/ceda/documents/agenda/oak062138.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">city report\u003c/a> from 2016. What’s unique about Smith isn’t her financial struggles so much as her response: doubling down on as-yet-unprofitable projects. She’s loaning her equipment to a young metalsmith who’s teaching for We Wield the Hammer, which runs out of the Crucible in West Oakland, and foregoing a salary while fundraising for her fiscally-sponsored organization. She’s also speaking candidly about her experience, aiming to spur public investment in the arts.\u003c/p>\n\u003cfigure id=\"attachment_13873216\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873216\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Soldering-in-action-800x450.jpg\" alt=\"Smith demonstrates her acetylene torch on solderite.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Soldering-in-action.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Smith demonstrates her acetylene torch on solderite. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At a November meeting of the advisory committee to Oakland’s Cultural Funding Program (CFP), which awarded her nonprofit $4,999 in both 2018 and 2019 (though the latter check is still in the mail), Smith shared that her car was repossessed while she poured her energy into We Wield the Hammer, and advocated boosting grant amounts in the individual artist category.\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"‘The cost of everything has gone up exponentially except grants and salaries.’","name":"pullquote","attributes":{"named":{"size":"medium","citation":"Karen Smith","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The cost of everything has gone up exponentially except grants and salaries,” she said during the public comment period. “The award is a pittance. I’m grateful—but it’s a pittance.” Smith continued, “I’m here because I want to put a face on what it means to be an artist in Oakland.”\u003c/p>\n\u003cp>Smith, who grew up in Brooklyn, divorced her husband in 2010. “I promised not to do things I don’t want to do anymore,” she says. She started a business, New Spirit Designs, making objects such as malas, or prayer beads, related to her practice as a Buddhist, which started 20 years ago at a daylong meditation. “I hadn’t been quiet for a day, ever, and over the course of the day my life changed,” she says. “I could actually listen to what was happening in my body.”\u003c/p>\n\u003cfigure id=\"attachment_13873215\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873215\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Sizing-rings-800x450.jpg\" alt=\"Sizing rings in Smith's soon-to-be-empty workspace. She's being displaced after falling behind on rent.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sizing-rings.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sizing rings in Smith’s soon-to-be-empty workspace. She’s being displaced after falling behind on rent. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Working with beads, though, left Smith unfulfilled. Several years ago she commissioned a metal bracelet, providing drawings to a craftsperson. “It was beautiful but it wasn’t what I envisioned,” she recalls. “That’s what made me realize I need to work with metal.” Through library books and online forums, she learned wire-wrapping, and then to use a butane torch. “Because I had no background, no idea what I was doing, I started out with silver—great way to burn money.”\u003c/p>\n\u003cp>Smith has made wedding bands, which run up to $2,000 for gold, and sold jewelry at farmers markets and craft fairs. “It’s a hardscrabble way to make a living,” she says, noting the physical toll and upfront costs. Now, though, Smith wants to make more work like her piece for \u003cem>Art of the African Diaspora\u003c/em>: sculpture, or “wearable art,” as she likes to say. She wants to use the metalsmithing techniques she learned through jewelry to create less everyday objects. As a former academic accustomed to valuing educational pedigree, being self-taught provokes some insecurity. “So I’m trying to position myself to consistently own the title ‘artist,’” she says.\u003c/p>\n\u003cp>“I mean, I’ll probably always make jewelry, like hoops—I’m a hoops whore,” she adds. “Every woman looks good in hoops. But hoops like these cost $40. I also make a pair that cost $340.”\u003c/p>\n\u003cfigure id=\"attachment_13873214\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873214\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Laughing-800x450.jpg\" alt=\"Smith is transitioning her metalwork from jewelry to a fine arts context.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Laughing.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Smith is transitioning her metalwork from jewelry to a fine arts context. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Smith describes her time in Senegal in 2018 as practically preordained, the result of one morning “hearing a voice.” She couldn’t find a formal apprenticeship program, but through academic contacts made some inroads with artisans in Dakar, the capital. “The first person who responded was a Senegalese man who said, ‘Does she know that women don’t wield the hammer? That we have that saying? That it’s transmitted father-to-son?’” she recalls. “I was like, sorry, no I don’t know about any of that. And he said, ‘Good, because it has to change.’”\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"Side Gigs and Successes ","link1":"https://www.kqed.org/arts/13827433/bay-area-artists-we-want-to-know-whats-your-hustle,Are you a Bay Area artist? Tell us about your hustle.","target":"_blank"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She connected with a fifth-generation metalsmith named Ibrahim Sow and his apprentice son, Oumar Moida. “I think he thought initially that I was some young girl who wanted to make earrings on vacation for the ’gram,” she says. “When I got there he was amazed by my age, that I’m black—he was hella taken aback.” She learned to work from scratch: melting fine silver and copper to form sterling as well as making her own soldering alloy. She first stayed for two months and then, at Sow’s urging, returned for four-and-a-half more months later in 2018.\u003c/p>\n\u003cp>The patriarchal legacy of metalsmithing in Senegal created distance between Smith and the women around the artist village where she worked in Dakar. But she captured the interest of a young girl who’d stand silently in the studio doorway to watch. “I asked the teacher’s son about her and he said that she thought I was a ghost, that she’d never seen a woman doing what I was doing, so I had to be magic,” she says. “I thought, if she wants to learn, who will teach her?”\u003c/p>\n\u003cfigure id=\"attachment_13873213\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873213\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/is-torch-off-800x450.jpg\" alt=\"Because she's being displaced from her workspace, Smith is loaning her equipment to Ale'ah Bashir Baaqee, a young metal artist from Oakland.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/is-torch-off.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Because she’s being displaced from her workspace, Smith is loaning her equipment to Ale’ah Bashir Baaqee, a young metal artist from Oakland. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Smith returned from Dakar inspired but stressed; she’d spent most of 2018 without income, and started last year with an illness that prevented her from working for several weeks. “When you work for yourself there’s no unemployment, no sick pay,” she says. Still, Smith found some part-time work teaching at the Crucible (where co-teaching a two-day workshop pays approximately $300). The industrial arts center hosted the first We Wield the Hammer session last summer, and Smith secured the CFP grants to buy materials and pay a teacher, Ale’ah Bashir Baaqee.\u003c/p>\n\u003cp>The second eight-week session of We Wield the Hammer, which Smith plans to expand to Senegal, starts this month with a cohort of six black women and girls between the ages of 14 and 24. Until she can draw a salary from the organization, she plans to use workspace at the Crucible for personal projects. Because she must vacate her studio by the end of January, Smith is loaning her equipment to Baaqee, a metal artist from Oakland. “I’m letting her borrow all of these hammers,” Smith says in the soon-to-be-empty studio. “This is my favorite hammer.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13873207/the-hustle-karen-smith-metalsmith-oakland","authors":["11091"],"series":["arts_4525"],"categories":["arts_1","arts_235","arts_70"],"tags":["arts_3560","arts_1118","arts_596","arts_1143","arts_4213"],"featImg":"arts_13873211","label":"arts_4525"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. 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