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Other items associated with Jobs have \u003ca href=\"https://news.artnet.com/market/black-turtleneck-steve-jobs-auction-634268\">been sold at auctions\u003c/a> in recent years, sometimes reaching hefty prices — an \u003ca href=\"https://www.npr.org/2022/08/20/1118633842/the-apple-1-prototype-steve-jobs-used-has-sold-for-nearly-700-000\">Apple-1 Computer prototype\u003c/a> from the mid-1970s fetched $677,196.\u003c/p>\n\u003cp>The sandals were previously sold for a mere $2,000 at auction in 2016, Nolan said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The winning bidder did not want their name disclosed, but it was sold in the room at the Hard Rock Cafe in Times Square, according to Nolan. The runner-up bid was from a potential buyer in China.\u003c/p>\n\u003cp>This is far from the most someone has paid for footwear at auction.\u003c/p>\n\u003cp>Nike Air Ships worn by Michael Jordan in 1984 sold for \u003ca href=\"https://www.npr.org/2021/10/25/1049009323/michael-jordan-shoes-sneakers-auction\">$1.47 million a year ago\u003c/a>. Black Nikes worn by Kanye West at the 2008 Grammys \u003ca href=\"https://news.artnet.com/art-world/kanye-west-sneakers-sell-sothebys-1961885\">sold for $1.8 million\u003c/a> last year as well.\u003c/p>\n\u003cp>[aside postid='arts_13898598']The auction also included an NFT of images of the Birkenstocks as part of the sale.\u003c/p>\n\u003cp>But perhaps the most pressing question about the sandals, seeing as the auction house notes that they show “heavy wear”: Do they smell?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nolan only answered that they “do smell … of success.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Steve+Jobs%27+worn-out+Birkenstocks+sell+for+%24218%2C000+at+auction&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"Steve Jobs wore the sandals during the early days of Apple in the 1970s and '80s. It's a record price for a pair of sandals.","status":"publish","parent":0,"modified":1705006159,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":309},"headData":{"title":"Steve Jobs' Worn-Out Birkenstocks Sell for $218,000 at Auction | KQED","description":"Steve Jobs wore the sandals during the early days of Apple in the 1970s and '80s. It's a record price for a pair of sandals.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprByline":"James Doubek","nprImageAgency":"Julien's Auctions","nprStoryId":"1136637908","nprApiLink":"http://api.npr.org/query?id=1136637908&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2022/11/15/1136637908/steve-jobs-auction-sandals-birkenstocks-apple?ft=nprml&f=1136637908","nprRetrievedStory":"1","nprPubDate":"Tue, 15 Nov 2022 05:10:00 -0500","nprStoryDate":"Tue, 15 Nov 2022 05:10:48 -0500","nprLastModifiedDate":"Tue, 15 Nov 2022 05:10:48 -0500","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13921616/steve-jobs-worn-out-birkenstocks-sell-for-218000-at-auction","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sandals worn by \u003ca href=\"https://www.npr.org/2011/10/25/141653658/steve-jobs-a-computer-icon-on-life-death-and-apple\">Steve Jobs\u003c/a> in the early days of Apple sold for $218,750 at an auction in New York City on Sunday.\u003c/p>\n\u003cp>The brown suede Birkenstock Arizonas were worn by Jobs in the 1970s and 1980s during “many pivotal moments in Apple’s history,” according to the auction house.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13886943","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>It’s the highest price ever paid for a pair of sandals at auction, Julien’s Auctions executive director Martin Nolan told NPR, and a record for footwear at the auction house.\u003c/p>\n\u003cp>The sandals came from the collection of Mark Sheff, who managed Jobs’ Albany, Calif., estate in the 1980s. Other items associated with Jobs have \u003ca href=\"https://news.artnet.com/market/black-turtleneck-steve-jobs-auction-634268\">been sold at auctions\u003c/a> in recent years, sometimes reaching hefty prices — an \u003ca href=\"https://www.npr.org/2022/08/20/1118633842/the-apple-1-prototype-steve-jobs-used-has-sold-for-nearly-700-000\">Apple-1 Computer prototype\u003c/a> from the mid-1970s fetched $677,196.\u003c/p>\n\u003cp>The sandals were previously sold for a mere $2,000 at auction in 2016, Nolan said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The winning bidder did not want their name disclosed, but it was sold in the room at the Hard Rock Cafe in Times Square, according to Nolan. The runner-up bid was from a potential buyer in China.\u003c/p>\n\u003cp>This is far from the most someone has paid for footwear at auction.\u003c/p>\n\u003cp>Nike Air Ships worn by Michael Jordan in 1984 sold for \u003ca href=\"https://www.npr.org/2021/10/25/1049009323/michael-jordan-shoes-sneakers-auction\">$1.47 million a year ago\u003c/a>. Black Nikes worn by Kanye West at the 2008 Grammys \u003ca href=\"https://news.artnet.com/art-world/kanye-west-sneakers-sell-sothebys-1961885\">sold for $1.8 million\u003c/a> last year as well.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13898598","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The auction also included an NFT of images of the Birkenstocks as part of the sale.\u003c/p>\n\u003cp>But perhaps the most pressing question about the sandals, seeing as the auction house notes that they show “heavy wear”: Do they smell?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nolan only answered that they “do smell … of success.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Steve+Jobs%27+worn-out+Birkenstocks+sell+for+%24218%2C000+at+auction&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13921616/steve-jobs-worn-out-birkenstocks-sell-for-218000-at-auction","authors":["byline_arts_13921616"],"categories":["arts_1","arts_235","arts_75"],"tags":["arts_3397","arts_10744","arts_1935"],"affiliates":["arts_137"],"featImg":"arts_13921617","label":"arts_137"},"arts_13898598":{"type":"posts","id":"arts_13898598","meta":{"index":"posts_1591205157","site":"arts","id":"13898598","score":null,"sort":[1623405652000]},"guestAuthors":[],"slug":"roll-with-us-bending-corners-and-poppin-wheelies","title":"Roll With Us: Bending Corners and Poppin' Wheelies on Billboards","publishDate":1623405652,"format":"aside","headTitle":"Roll With Us: Bending Corners and Poppin’ Wheelies on Billboards | KQED","labelTerm":{},"content":"\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_13898688\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13898688 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/photo-4-800x1200.jpeg\" alt=\"Omar "Meez" Jones and Pershanté Hill standing on 7th Street in West Oakland, talking to each other in front of a billboard that features Jones' image.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-800x1200.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-1020x1530.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-160x240.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-768x1152.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-1024x1536.jpeg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-1365x2048.jpeg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-1920x2880.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-scaled.jpeg 1707w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Omar “Meez” Jones and Pershanté Hill standing on 7th Street in West Oakland, talking to each other in front of a billboard that features Jones’ image. \u003ccite>( Dev P. / @Creatvedev)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC9664600248\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/iamomeez/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley’s Omar “Meez” Jones\u003c/a> is a biker, photographer, graphic designer and entrepreneur. One of his top talents is his ability to take his lifestyle and make a living off of it.\u003c/p>\n\u003cp>Earlier this year, a series of Apple billboards promoting their “Hometown” campaign sprung up all around the Bay Area, featuring the silhouetted images of two bikers hitting wheelies. Those bikers are Jones and his good friend from North Oakland, \u003ca href=\"https://www.instagram.com/almighty__gioo/\" target=\"_blank\" rel=\"noopener noreferrer\">Almighty Gio.\u003c/a>\u003c/p>\n\u003cp>https://www.instagram.com/p/CL94_HRDH78/?utm_source=ig_web_copy_link\u003c/p>\n\u003cp>What I saw as a major tech company leveraging culture to earn cool points, Jones sees as a platform benefiting the culture he represents.\u003c/p>\n\u003cp>While there’s room for both to be true, Jones points out something that I overlooked: we breed hustlers in this region, so he’ll figure out a way to make it work in his favor.\u003c/p>\n\u003cp>On top of that, Jones is working to expand opportunities to a younger generation of East Bay bikers, setting them up with brands and employment opportunities.\u003c/p>\n\u003cp>Tune in for the second entry on the intersection of wheels, community, and culture as Jones and I discuss biking, billboards, and being a community “big bro.”\u003c/p>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Omar Jones.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Pen: So one of the bike groups you ride with and photograph is ABC– who are they?\u003c/em>\u003c/p>\n\u003cp>Omar: So ABC is a bike club in the Bay Area and every Wednesday we meet at King Kog in Oakland. And it just grew, 10 people at first, riding through COVID… Now we have like 150 to 200 riders, 250 riders. It pretty much grew into a big community.\u003c/p>\n\u003cp>\u003cem>Pen: What’s it like riding with that pack?\u003c/em>\u003c/p>\n\u003cp>Omar: It’s cool. A lot of people that we’re riding with, we know how to ride with each other. So that’s cool. But, the newer [riders], it’s kind of harder because they don’t really know how we ride. It’s not like they get in a way, but you gotta be cautious of your area because sometimes people crash. I mean, that’s going to happen with a big crowd of people moving through the streets. But we usually keep it very safe and super fun. We go like 10 miles every time with like 200 people.\u003c/p>\n\u003cp>\u003cem>Pen: There’s benefits to riding in groups, it’s fun being in that big pack of people and shutting down traffic, but it’s also dangerous, one slip up, people fall like dominoes.\u003c/em>\u003c/p>\n\u003cp>Omar: If somebody does crash, the whole pack stops and we just make sure everybody is good. That’s what’s cool, it’s like a real community, it’s not like we just keep going and leave people. Nah, everybody stops. We got people in our club that do the bike stuff and just to fix it real quick and just keep going.\u003c/p>\n\u003cp>\u003cem>Pen: ABC, what does it stand for?\u003c/em>\u003c/p>\n\u003cp>Omar: Another Bike Club, and the slogan is “Fun Is Serious Business.”\u003c/p>\n\u003cp>\u003cem>Pen: That’s just one of the collectives that you’re biking with, what’s another group?\u003c/em>\u003c/p>\n\u003cp>Omar: It’s called GoersGo. It’s a bunch of kids that I’m helping. That’s been a huge impact because it’s kids ages 12 to 18. I’ve just been kind of like impacting their lives.\u003c/p>\n\u003cp>Omar: For them to be able to tag along with me and just see how I move… I didn’t have a person like me at that age, so I know it’s an important time for them… I tell them all the time too, ‘I’m not going to always be here. I’m not going to always be able to be around you… That’s why I built this for you, you guys gotta support each other as a team.’\u003c/p>\n\u003cp>Omar: Whatever money comes to them is 100% theirs. I just have the resources to be able to put them in those positions, like having a photographer friend that happened to be doing an Apple campaign.\u003c/p>\n\u003cp>\u003cem>Pen: How does it feel to be a mentor?\u003c/em>\u003c/p>\n\u003cp>Omar: I’ve never been called a mentor. It’s like a Big Brother thing. I don’t see it like anything other than that…\u003c/p>\n\u003cp>\u003cem>Pen: So you’re deeply immersed in the culture of wheels and biking… And i’m wondering what are some of the other positive effects of biking culture?\u003c/em>\u003c/p>\n\u003cp>Omar: It’s just amazing to see all these kids riding these bikes, it’s good to see them off their phones, outside enjoying the weather because if they didn’t have the bikes, the streets is going to eat them up alive. I can’t even lie about that. I grew up around all that… This summer is gonna be why the murder rate is not as big, because kids are going to be out on their bikes, that’s how I feel…\u003c/p>\n\u003cp>\u003cem>Pen: Woah, you look at biking as a deterrent to violence?\u003c/em>\u003c/p>\n\u003cp>Omar: It’s worked in the past, ya know. I’ve seen Scraper Bikes, what they’ve done. It keeps me out of the street. And the kids around me, it keeps them outta the streets, that’s basically where I can see it going.\u003c/p>\n\u003cp>\u003cem>Pen: Alright, so the first time you saw the billboard with you and Gio hittin’ wheelies, how’d ya feel?\u003c/em>\u003c/p>\n\u003cp>Omar: The first time I saw it, I was like, damn, this is like incredible. Like to have the brand partner, that’s like, I wouldn’t say legendary, but people give me that status.\u003c/p>\n\u003cp>https://www.instagram.com/p/CL9X-t9sCEQ/?utm_source=ig_web_copy_link\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>Pen: Is there a negative side to being paired with Apple? Like I’ve heard people be like ‘oh, you might compromise culture’, is there anything negative?\u003c/em>\u003c/p>\n\u003cp>Omar: I’m an opportunity person, not an opportunist… I understand what I’m doing. I understand my purpose. I understand my vision. I understand who I need to align myself with. I understand all that so… Whatever people will say, that’s their opinion. But for me as a businessperson, that’s good business.\u003c/p>\n\u003cp>Omar: I mean, our culture is [always] going to be compromised in some way. Like, we don’t necessarily control everything. We don’t necessarily have like an ESPN that’s owned by Black people.\u003c/p>\n\u003cp>\u003cem>Pen: I’ve, uh, related to that, but a lil different, I’ve been in conversations lately about how many images there are mounted of Black people in Oakland and how it seems like there’s more images of Black folks on buildings in Oakland as there’s an exodus of Black folks out of Oakland. And I’m wondering how you feel about that?\u003c/em>\u003c/p>\n\u003cp>Omar: I’ve grown up seeing the gentrification like. I wish I knew the market value of everything before everything kind of hit. But I also don’t think it’s too late either, because at the same time, I did get an Apple opportunity. So it’s like OK they’re in our backyard and now, they’re knocking on our door. So it may be a chance for us to have those opportunities… We’re the land of the hustlers, so we’re going to survive either way!\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"Biking culture in the Bay Area has always been noteworthy, but to see it featured on an Apple billboard is something to write home about. ","status":"publish","parent":0,"modified":1705008225,"stats":{"hasAudio":true,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":37,"wordCount":1396},"headData":{"title":"Roll With Us: Bending Corners and Poppin' Wheelies on Billboards | KQED","description":"Biking culture in the Bay Area has always been noteworthy, but to see it featured on an Apple billboard is something to write home about. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"source":"Rightnowish","sourceUrl":"https://www.kqed.org/podcasts/rightnowish","audioUrl":"https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/KQINC9664600248.mp3?updated=1623349131","sticky":false,"subhead":"Omar \"Meez\" Jones is making a living off of his lifestyle","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13898598/roll-with-us-bending-corners-and-poppin-wheelies","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_13898688\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13898688 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/photo-4-800x1200.jpeg\" alt=\"Omar "Meez" Jones and Pershanté Hill standing on 7th Street in West Oakland, talking to each other in front of a billboard that features Jones' image.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-800x1200.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-1020x1530.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-160x240.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-768x1152.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-1024x1536.jpeg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-1365x2048.jpeg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-1920x2880.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/photo-4-scaled.jpeg 1707w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Omar “Meez” Jones and Pershanté Hill standing on 7th Street in West Oakland, talking to each other in front of a billboard that features Jones’ image. \u003ccite>( Dev P. / @Creatvedev)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC9664600248\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/iamomeez/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley’s Omar “Meez” Jones\u003c/a> is a biker, photographer, graphic designer and entrepreneur. One of his top talents is his ability to take his lifestyle and make a living off of it.\u003c/p>\n\u003cp>Earlier this year, a series of Apple billboards promoting their “Hometown” campaign sprung up all around the Bay Area, featuring the silhouetted images of two bikers hitting wheelies. Those bikers are Jones and his good friend from North Oakland, \u003ca href=\"https://www.instagram.com/almighty__gioo/\" target=\"_blank\" rel=\"noopener noreferrer\">Almighty Gio.\u003c/a>\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"CL94_HRDH78"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>What I saw as a major tech company leveraging culture to earn cool points, Jones sees as a platform benefiting the culture he represents.\u003c/p>\n\u003cp>While there’s room for both to be true, Jones points out something that I overlooked: we breed hustlers in this region, so he’ll figure out a way to make it work in his favor.\u003c/p>\n\u003cp>On top of that, Jones is working to expand opportunities to a younger generation of East Bay bikers, setting them up with brands and employment opportunities.\u003c/p>\n\u003cp>Tune in for the second entry on the intersection of wheels, community, and culture as Jones and I discuss biking, billboards, and being a community “big bro.”\u003c/p>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Omar Jones.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Pen: So one of the bike groups you ride with and photograph is ABC– who are they?\u003c/em>\u003c/p>\n\u003cp>Omar: So ABC is a bike club in the Bay Area and every Wednesday we meet at King Kog in Oakland. And it just grew, 10 people at first, riding through COVID… Now we have like 150 to 200 riders, 250 riders. It pretty much grew into a big community.\u003c/p>\n\u003cp>\u003cem>Pen: What’s it like riding with that pack?\u003c/em>\u003c/p>\n\u003cp>Omar: It’s cool. A lot of people that we’re riding with, we know how to ride with each other. So that’s cool. But, the newer [riders], it’s kind of harder because they don’t really know how we ride. It’s not like they get in a way, but you gotta be cautious of your area because sometimes people crash. I mean, that’s going to happen with a big crowd of people moving through the streets. But we usually keep it very safe and super fun. We go like 10 miles every time with like 200 people.\u003c/p>\n\u003cp>\u003cem>Pen: There’s benefits to riding in groups, it’s fun being in that big pack of people and shutting down traffic, but it’s also dangerous, one slip up, people fall like dominoes.\u003c/em>\u003c/p>\n\u003cp>Omar: If somebody does crash, the whole pack stops and we just make sure everybody is good. That’s what’s cool, it’s like a real community, it’s not like we just keep going and leave people. Nah, everybody stops. We got people in our club that do the bike stuff and just to fix it real quick and just keep going.\u003c/p>\n\u003cp>\u003cem>Pen: ABC, what does it stand for?\u003c/em>\u003c/p>\n\u003cp>Omar: Another Bike Club, and the slogan is “Fun Is Serious Business.”\u003c/p>\n\u003cp>\u003cem>Pen: That’s just one of the collectives that you’re biking with, what’s another group?\u003c/em>\u003c/p>\n\u003cp>Omar: It’s called GoersGo. It’s a bunch of kids that I’m helping. That’s been a huge impact because it’s kids ages 12 to 18. I’ve just been kind of like impacting their lives.\u003c/p>\n\u003cp>Omar: For them to be able to tag along with me and just see how I move… I didn’t have a person like me at that age, so I know it’s an important time for them… I tell them all the time too, ‘I’m not going to always be here. I’m not going to always be able to be around you… That’s why I built this for you, you guys gotta support each other as a team.’\u003c/p>\n\u003cp>Omar: Whatever money comes to them is 100% theirs. I just have the resources to be able to put them in those positions, like having a photographer friend that happened to be doing an Apple campaign.\u003c/p>\n\u003cp>\u003cem>Pen: How does it feel to be a mentor?\u003c/em>\u003c/p>\n\u003cp>Omar: I’ve never been called a mentor. It’s like a Big Brother thing. I don’t see it like anything other than that…\u003c/p>\n\u003cp>\u003cem>Pen: So you’re deeply immersed in the culture of wheels and biking… And i’m wondering what are some of the other positive effects of biking culture?\u003c/em>\u003c/p>\n\u003cp>Omar: It’s just amazing to see all these kids riding these bikes, it’s good to see them off their phones, outside enjoying the weather because if they didn’t have the bikes, the streets is going to eat them up alive. I can’t even lie about that. I grew up around all that… This summer is gonna be why the murder rate is not as big, because kids are going to be out on their bikes, that’s how I feel…\u003c/p>\n\u003cp>\u003cem>Pen: Woah, you look at biking as a deterrent to violence?\u003c/em>\u003c/p>\n\u003cp>Omar: It’s worked in the past, ya know. I’ve seen Scraper Bikes, what they’ve done. It keeps me out of the street. And the kids around me, it keeps them outta the streets, that’s basically where I can see it going.\u003c/p>\n\u003cp>\u003cem>Pen: Alright, so the first time you saw the billboard with you and Gio hittin’ wheelies, how’d ya feel?\u003c/em>\u003c/p>\n\u003cp>Omar: The first time I saw it, I was like, damn, this is like incredible. Like to have the brand partner, that’s like, I wouldn’t say legendary, but people give me that status.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"CL9X-t9sCEQ"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003c/p>\n\u003cp>\u003cem>Pen: Is there a negative side to being paired with Apple? Like I’ve heard people be like ‘oh, you might compromise culture’, is there anything negative?\u003c/em>\u003c/p>\n\u003cp>Omar: I’m an opportunity person, not an opportunist… I understand what I’m doing. I understand my purpose. I understand my vision. I understand who I need to align myself with. I understand all that so… Whatever people will say, that’s their opinion. But for me as a businessperson, that’s good business.\u003c/p>\n\u003cp>Omar: I mean, our culture is [always] going to be compromised in some way. Like, we don’t necessarily control everything. We don’t necessarily have like an ESPN that’s owned by Black people.\u003c/p>\n\u003cp>\u003cem>Pen: I’ve, uh, related to that, but a lil different, I’ve been in conversations lately about how many images there are mounted of Black people in Oakland and how it seems like there’s more images of Black folks on buildings in Oakland as there’s an exodus of Black folks out of Oakland. And I’m wondering how you feel about that?\u003c/em>\u003c/p>\n\u003cp>Omar: I’ve grown up seeing the gentrification like. I wish I knew the market value of everything before everything kind of hit. But I also don’t think it’s too late either, because at the same time, I did get an Apple opportunity. So it’s like OK they’re in our backyard and now, they’re knocking on our door. So it may be a chance for us to have those opportunities… We’re the land of the hustlers, so we’re going to survive either way!\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13898598/roll-with-us-bending-corners-and-poppin-wheelies","authors":["11491","11528"],"programs":["arts_8720"],"categories":["arts_1","arts_21759"],"tags":["arts_3397","arts_1270","arts_1118","arts_1332","arts_1143","arts_822","arts_6764","arts_14614"],"featImg":"arts_13898685","label":"source_arts_13898598"},"arts_13886943":{"type":"posts","id":"arts_13886943","meta":{"index":"posts_1591205157","site":"arts","id":"13886943","score":null,"sort":[1601126119000]},"guestAuthors":[],"slug":"if-silicon-valley-were-a-sculpture-what-would-it-look-like","title":"If Silicon Valley Were a Sculpture, What Would It Look Like?","publishDate":1601126119,"format":"audio","headTitle":"If Silicon Valley Were a Sculpture, What Would It Look Like? | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>What is the structure that will say to the world, “Behold! \u003ca href=\"https://www.kqed.org/arts/13852981/does-silicon-valley-need-an-instagramable-icon\" target=\"_blank\" rel=\"noopener noreferrer\">This is Silicon Valley\u003c/a>! Look upon me — and then take a selfie for your social media feeds!”\u003c/p>\n\u003cp>Could it be “Nebula Tower,” shown above? From the proposal, it looks like the scaffolding on a construction project, but without a construction project inside.\u003c/p>\n\u003cp>Instead, there’s a conically shaped negative space inside, a nod to the original inspiration that led to this international search for an icon: a 207-foot-high light tower made of iron pipe and hoops that lit up the night sky in downtown San Jose from 1881 to 1915.\u003c/p>\n\u003cp>Or perhaps “Breeze of Innovation” is more to your liking. It promises to send 500 white rods shooting 200 feet into the sky, to represent Silicon Valley’s innovative companies. A similar tower-shaped empty space lurks inside here, too.\u003c/p>\n\u003cfigure id=\"attachment_13886950\" class=\"wp-caption aligncenter\" style=\"max-width: 526px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13886950 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/09/Breeze20of20Innovation-3.jpg\" alt=\""Breeze of Innovation," by Fer Jerez and Belen Perez de Juan of SMAR Architecture Studio, is one of the finalists in Urban Confluence Silicon Valley's design competition for an iconic landmark to represent the region.\" width=\"526\" height=\"526\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Breeze20of20Innovation-3.jpg 526w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Breeze20of20Innovation-3-160x160.jpg 160w\" sizes=\"(max-width: 526px) 100vw, 526px\">\u003cfigcaption class=\"wp-caption-text\">“Breeze of Innovation,” by Fer Jerez and Belen Perez de Juan of SMAR Architecture Studio, is one of the finalists in Urban Confluence Silicon Valley’s design competition for an iconic landmark to represent the region. \u003ccite>(Courtesy: Urban Confluence Silicon Valley)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The \u003ca href=\"https://www.urbanconfluencesiliconvalley.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Jose Light Tower Corporation\u003c/a> was originally formed with the idea that tower might be reinvented or reimagined.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It really boggles my mind that a philanthropic group or a government group or a company or \u003cem>someone\u003c/em> hasn’t built a public facing thing that is like the Space Needle or the Arch or the Statue of Liberty. We do need it, even if people don’t think we need it,” said Steve Borkenhagen, executive director of \u003ca href=\"https://www.urbanconfluencesiliconvalley.org\" target=\"_blank\" rel=\"noopener noreferrer\">Urban Confluence Silicon Valley\u003c/a>, an international competition designed to fill what he feels is a void in the civic landscape of San Jose.\u003c/p>\n\u003cp>\u003cb>\u003c/b>“Some people have said something like, ‘What about the Apple Spaceship or the NVIDIA building?’ Well, those are beautiful things, but they’re private. They’re not public. They don’t fulfill the same thing as public squares, public art, public architecture, places where you and I can sit and have a sandwich and have our heart race and think, ‘Wow, isn’t that beautiful? I want to show this to my children, share it with my grandchildren.'”\u003c/p>\n\u003cfigure id=\"attachment_13853000\" class=\"wp-caption aligncenter\" style=\"max-width: 1260px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13853000\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM.png\" alt=\"The Electric Light Tower was proposed by the publisher of the San Jose Mercury, the precursor of the Mercury News. In 1881, the tower was a pioneering use of electricity for municipal purposes.\" width=\"1260\" height=\"1018\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM.png 1260w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-160x129.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-800x646.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-768x620.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-1020x824.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-1200x970.png 1200w\" sizes=\"(max-width: 1260px) 100vw, 1260px\">\u003cfigcaption class=\"wp-caption-text\">The Electric Light Tower was proposed by the publisher of the San Jose Mercury, the precursor of the Mercury News. In 1881, the tower was a pioneering use of electricity for municipal purposes. \u003ccite>(Photo: Courtesy of San Jose State University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Once the folks behind the San Jose Light Tower Corporation recognized there was little to no demand for another replica of the light tower (there’s already a half-size version at San Jose’s History Park), the group opted instead for an open call to the world’s artists and architects.\u003c/p>\n\u003cp>\u003cb>\u003c/b>In 2019, the group got backing from the San Jose City Council as well as a spot for the ultimate winner in Guadalupe River Park. Thus came \u003ca href=\"https://www.urbanconfluencesiliconvalley.org/ccp47\" target=\"_blank\" rel=\"noopener noreferrer\">963 submissions\u003c/a> from around the world.\u003c/p>\n\u003cp>City leaders required the competition create community panel of more than 30 people that reviewed the submissions and came up with a short list of 47 designs, but Urban Confluence ultimately deferred to a \u003ca href=\"https://www.urbanconfluencesiliconvalley.org/the-jury\" target=\"_blank\" rel=\"noopener noreferrer\">jury\u003c/a> of 14 architects, artists and local park officials that chose three completely different designs.\u003c/p>\n\u003cp>“You put 14 really experienced, smart, sensitive people in a room. They make their own decisions,” said Borkenhagen.\u003c/p>\n\u003cfigure id=\"attachment_13886958\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13886958\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/09/Welcome-to-Wonderland-2-1-1024x485-1.png\" alt='\"Welcome to Wonderland,\" by Rish Saito, is a finalist in the Urban Confluence Silicon Valley competition.' width=\"1024\" height=\"485\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome-to-Wonderland-2-1-1024x485-1.png 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome-to-Wonderland-2-1-1024x485-1-800x379.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome-to-Wonderland-2-1-1024x485-1-1020x483.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome-to-Wonderland-2-1-1024x485-1-160x76.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome-to-Wonderland-2-1-1024x485-1-768x364.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">“Welcome to Wonderland,” by Rish Saito, is a finalist in the Urban Confluence Silicon Valley competition. \u003ccite>(Courtesy of Urban Confluence Silicon Valley)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All three \u003ca href=\"https://www.urbanconfluencesiliconvalley.org/3-finalists?hsCtaTracking=8add456c-c878-43ec-9f50-a77ea5208987%7C2f03878f-d6cf-4edd-9539-20887449e4c3\" target=\"_blank\" rel=\"noopener noreferrer\">finalists\u003c/a>, he said, have some kind of singular “magic” that makes them likely to draw foot traffic to the park, a key goal for the competition organizers.\u003c/p>\n\u003cp>\u003cb>\u003c/b>“Activation of the park is our ultimate goal. It’s not just for us to plop down some beautiful object in the park and walk away,” he said, noting the park is steps away from the SAP Center, Google’s massive planned expansion and Diridon Station. “T\u003cb>\u003c/b>he footprint of downtown San Jose is going to double in size in the next 10 years. \u003cb>\u003c/b>We expect to be the new epicenter of our downtown, that the epicenter is going to shift to the west.”\u003c/p>\n\u003cp>So what’s the third finalist?\u003c/p>\n\u003cp>“Welcome to Wonderland” is a 700 foot long sculptural homage to Antoni Gaudí and Lewis Carroll’s \u003cem>Alice in Wonderland,\u003c/em> walkable inside, and built of a neutral material like plaster or aluminum that allows it to be lit up in technicolor fashion at night. It’s the brainchild of \u003ca href=\"https://www.linkedin.com/in/rish-ryusuke-saito-85b92b1a9/\" target=\"_blank\" rel=\"noopener noreferrer\">Rish Saito\u003c/a>, who recently graduated from SCI-Arc, the Southern California Institute of Architecture.\u003c/p>\n\u003cfigure id=\"attachment_13886951\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13886951 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/09/Welcome20to20Wonderland.png\" alt='\"Welcome to Wonderland,\" by Rish Saito, is a finalist in the Urban Confluence Silicon Valley competition. ' width=\"1000\" height=\"384\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome20to20Wonderland.png 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome20to20Wonderland-800x307.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome20to20Wonderland-160x61.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome20to20Wonderland-768x295.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">“Welcome to Wonderland,” by Rish Saito, is a finalist in the Urban Confluence Silicon Valley competition. \u003ccite>(Courtesy of Urban Confluence Silicon Valley)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“My idea is how to make this a surreal environment by playing with abstraction. Some researchers say a violation of your expectation in a strange and fantastical circumstance refines the flexibility and creativity of your brain,” Saito said. \u003cb>\u003c/b>Silicon Valley and San Jose, he noted, is known for technological advancement, but he wants to celebrate the region’s history advancing imagination, wonder and innovation.\u003c/p>\n\u003cp>Next steps for Urban Confluence include ginning up more donations, as this landmark is primarily privately financed. One of the biggest donations to date comes from Adobe, which has packed the towers of its downtown headquarters with all kinds of \u003ca href=\"https://www.kqed.org/news/11187250/theres-a-secret-message-to-decode-in-san-jose\" target=\"_blank\" rel=\"noopener noreferrer\">public art\u003c/a>. But more money is needed.\u003c/p>\n\u003cp>Each designer will get a $150,000 stipend to develop the concepts into workable plans over the next few months with outside experts in landscaping, lighting, hydrology, and civil engineering. The winner be announced early next year. Groundbreaking is expected in 2022.\u003c/p>\n\u003cp>\u003cb>\u003c/b>And what of the critics? San Jose no stranger to \u003ca href=\"https://www.kqed.org/news/11668265/the-serpent-statue-in-san-jose-that-people-think-is-something-else\" target=\"_blank\" rel=\"noopener noreferrer\">controversy\u003c/a> over public art downtown. Borkenhagen is ready with answers, acknowledging there’s no hope of winning over everybody.\u003c/p>\n\u003cp>“We’re committed to building something magnificent and beautiful. But art and beauty are subjective,” he said, noting some people in Paris wanted to tear down the Eiffel Tower after the 1889 World’s Fair. “They thought it was an abomination.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"It's looking increasingly likely some iconic work of art is going up in Guadalupe River Park in 2022.","status":"publish","parent":0,"modified":1705020075,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":23,"wordCount":1074},"headData":{"title":"If Silicon Valley Were a Sculpture, What Would It Look Like? | KQED","description":"It's looking increasingly likely some iconic work of art is going up in Guadalupe River Park in 2022.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sourceUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/2020/09/MyrowSVLandmark.mp3","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/2020/09/MyrowSVLandmark.mp3","sticky":false,"subhead":"Design competition organizers want a singular icon installed in Downtown San Jose. ","path":"/arts/13886943/if-silicon-valley-were-a-sculpture-what-would-it-look-like","audioDuration":100000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>What is the structure that will say to the world, “Behold! \u003ca href=\"https://www.kqed.org/arts/13852981/does-silicon-valley-need-an-instagramable-icon\" target=\"_blank\" rel=\"noopener noreferrer\">This is Silicon Valley\u003c/a>! Look upon me — and then take a selfie for your social media feeds!”\u003c/p>\n\u003cp>Could it be “Nebula Tower,” shown above? From the proposal, it looks like the scaffolding on a construction project, but without a construction project inside.\u003c/p>\n\u003cp>Instead, there’s a conically shaped negative space inside, a nod to the original inspiration that led to this international search for an icon: a 207-foot-high light tower made of iron pipe and hoops that lit up the night sky in downtown San Jose from 1881 to 1915.\u003c/p>\n\u003cp>Or perhaps “Breeze of Innovation” is more to your liking. It promises to send 500 white rods shooting 200 feet into the sky, to represent Silicon Valley’s innovative companies. A similar tower-shaped empty space lurks inside here, too.\u003c/p>\n\u003cfigure id=\"attachment_13886950\" class=\"wp-caption aligncenter\" style=\"max-width: 526px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13886950 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/09/Breeze20of20Innovation-3.jpg\" alt=\""Breeze of Innovation," by Fer Jerez and Belen Perez de Juan of SMAR Architecture Studio, is one of the finalists in Urban Confluence Silicon Valley's design competition for an iconic landmark to represent the region.\" width=\"526\" height=\"526\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Breeze20of20Innovation-3.jpg 526w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Breeze20of20Innovation-3-160x160.jpg 160w\" sizes=\"(max-width: 526px) 100vw, 526px\">\u003cfigcaption class=\"wp-caption-text\">“Breeze of Innovation,” by Fer Jerez and Belen Perez de Juan of SMAR Architecture Studio, is one of the finalists in Urban Confluence Silicon Valley’s design competition for an iconic landmark to represent the region. \u003ccite>(Courtesy: Urban Confluence Silicon Valley)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The \u003ca href=\"https://www.urbanconfluencesiliconvalley.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Jose Light Tower Corporation\u003c/a> was originally formed with the idea that tower might be reinvented or reimagined.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It really boggles my mind that a philanthropic group or a government group or a company or \u003cem>someone\u003c/em> hasn’t built a public facing thing that is like the Space Needle or the Arch or the Statue of Liberty. We do need it, even if people don’t think we need it,” said Steve Borkenhagen, executive director of \u003ca href=\"https://www.urbanconfluencesiliconvalley.org\" target=\"_blank\" rel=\"noopener noreferrer\">Urban Confluence Silicon Valley\u003c/a>, an international competition designed to fill what he feels is a void in the civic landscape of San Jose.\u003c/p>\n\u003cp>\u003cb>\u003c/b>“Some people have said something like, ‘What about the Apple Spaceship or the NVIDIA building?’ Well, those are beautiful things, but they’re private. They’re not public. They don’t fulfill the same thing as public squares, public art, public architecture, places where you and I can sit and have a sandwich and have our heart race and think, ‘Wow, isn’t that beautiful? I want to show this to my children, share it with my grandchildren.'”\u003c/p>\n\u003cfigure id=\"attachment_13853000\" class=\"wp-caption aligncenter\" style=\"max-width: 1260px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13853000\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM.png\" alt=\"The Electric Light Tower was proposed by the publisher of the San Jose Mercury, the precursor of the Mercury News. In 1881, the tower was a pioneering use of electricity for municipal purposes.\" width=\"1260\" height=\"1018\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM.png 1260w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-160x129.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-800x646.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-768x620.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-1020x824.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/5b218a82a2fa13a462b50dbe_Screen-Shot-2018-06-13-at-5.18.57-PM-1200x970.png 1200w\" sizes=\"(max-width: 1260px) 100vw, 1260px\">\u003cfigcaption class=\"wp-caption-text\">The Electric Light Tower was proposed by the publisher of the San Jose Mercury, the precursor of the Mercury News. In 1881, the tower was a pioneering use of electricity for municipal purposes. \u003ccite>(Photo: Courtesy of San Jose State University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Once the folks behind the San Jose Light Tower Corporation recognized there was little to no demand for another replica of the light tower (there’s already a half-size version at San Jose’s History Park), the group opted instead for an open call to the world’s artists and architects.\u003c/p>\n\u003cp>\u003cb>\u003c/b>In 2019, the group got backing from the San Jose City Council as well as a spot for the ultimate winner in Guadalupe River Park. Thus came \u003ca href=\"https://www.urbanconfluencesiliconvalley.org/ccp47\" target=\"_blank\" rel=\"noopener noreferrer\">963 submissions\u003c/a> from around the world.\u003c/p>\n\u003cp>City leaders required the competition create community panel of more than 30 people that reviewed the submissions and came up with a short list of 47 designs, but Urban Confluence ultimately deferred to a \u003ca href=\"https://www.urbanconfluencesiliconvalley.org/the-jury\" target=\"_blank\" rel=\"noopener noreferrer\">jury\u003c/a> of 14 architects, artists and local park officials that chose three completely different designs.\u003c/p>\n\u003cp>“You put 14 really experienced, smart, sensitive people in a room. They make their own decisions,” said Borkenhagen.\u003c/p>\n\u003cfigure id=\"attachment_13886958\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13886958\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/09/Welcome-to-Wonderland-2-1-1024x485-1.png\" alt='\"Welcome to Wonderland,\" by Rish Saito, is a finalist in the Urban Confluence Silicon Valley competition.' width=\"1024\" height=\"485\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome-to-Wonderland-2-1-1024x485-1.png 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome-to-Wonderland-2-1-1024x485-1-800x379.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome-to-Wonderland-2-1-1024x485-1-1020x483.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome-to-Wonderland-2-1-1024x485-1-160x76.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome-to-Wonderland-2-1-1024x485-1-768x364.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">“Welcome to Wonderland,” by Rish Saito, is a finalist in the Urban Confluence Silicon Valley competition. \u003ccite>(Courtesy of Urban Confluence Silicon Valley)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All three \u003ca href=\"https://www.urbanconfluencesiliconvalley.org/3-finalists?hsCtaTracking=8add456c-c878-43ec-9f50-a77ea5208987%7C2f03878f-d6cf-4edd-9539-20887449e4c3\" target=\"_blank\" rel=\"noopener noreferrer\">finalists\u003c/a>, he said, have some kind of singular “magic” that makes them likely to draw foot traffic to the park, a key goal for the competition organizers.\u003c/p>\n\u003cp>\u003cb>\u003c/b>“Activation of the park is our ultimate goal. It’s not just for us to plop down some beautiful object in the park and walk away,” he said, noting the park is steps away from the SAP Center, Google’s massive planned expansion and Diridon Station. “T\u003cb>\u003c/b>he footprint of downtown San Jose is going to double in size in the next 10 years. \u003cb>\u003c/b>We expect to be the new epicenter of our downtown, that the epicenter is going to shift to the west.”\u003c/p>\n\u003cp>So what’s the third finalist?\u003c/p>\n\u003cp>“Welcome to Wonderland” is a 700 foot long sculptural homage to Antoni Gaudí and Lewis Carroll’s \u003cem>Alice in Wonderland,\u003c/em> walkable inside, and built of a neutral material like plaster or aluminum that allows it to be lit up in technicolor fashion at night. It’s the brainchild of \u003ca href=\"https://www.linkedin.com/in/rish-ryusuke-saito-85b92b1a9/\" target=\"_blank\" rel=\"noopener noreferrer\">Rish Saito\u003c/a>, who recently graduated from SCI-Arc, the Southern California Institute of Architecture.\u003c/p>\n\u003cfigure id=\"attachment_13886951\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13886951 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/09/Welcome20to20Wonderland.png\" alt='\"Welcome to Wonderland,\" by Rish Saito, is a finalist in the Urban Confluence Silicon Valley competition. ' width=\"1000\" height=\"384\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome20to20Wonderland.png 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome20to20Wonderland-800x307.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome20to20Wonderland-160x61.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/09/Welcome20to20Wonderland-768x295.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">“Welcome to Wonderland,” by Rish Saito, is a finalist in the Urban Confluence Silicon Valley competition. \u003ccite>(Courtesy of Urban Confluence Silicon Valley)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“My idea is how to make this a surreal environment by playing with abstraction. Some researchers say a violation of your expectation in a strange and fantastical circumstance refines the flexibility and creativity of your brain,” Saito said. \u003cb>\u003c/b>Silicon Valley and San Jose, he noted, is known for technological advancement, but he wants to celebrate the region’s history advancing imagination, wonder and innovation.\u003c/p>\n\u003cp>Next steps for Urban Confluence include ginning up more donations, as this landmark is primarily privately financed. One of the biggest donations to date comes from Adobe, which has packed the towers of its downtown headquarters with all kinds of \u003ca href=\"https://www.kqed.org/news/11187250/theres-a-secret-message-to-decode-in-san-jose\" target=\"_blank\" rel=\"noopener noreferrer\">public art\u003c/a>. But more money is needed.\u003c/p>\n\u003cp>Each designer will get a $150,000 stipend to develop the concepts into workable plans over the next few months with outside experts in landscaping, lighting, hydrology, and civil engineering. The winner be announced early next year. Groundbreaking is expected in 2022.\u003c/p>\n\u003cp>\u003cb>\u003c/b>And what of the critics? San Jose no stranger to \u003ca href=\"https://www.kqed.org/news/11668265/the-serpent-statue-in-san-jose-that-people-think-is-something-else\" target=\"_blank\" rel=\"noopener noreferrer\">controversy\u003c/a> over public art downtown. Borkenhagen is ready with answers, acknowledging there’s no hope of winning over everybody.\u003c/p>\n\u003cp>“We’re committed to building something magnificent and beautiful. But art and beauty are subjective,” he said, noting some people in Paris wanted to tear down the Eiffel Tower after the 1889 World’s Fair. “They thought it was an abomination.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13886943/if-silicon-valley-were-a-sculpture-what-would-it-look-like","authors":["251"],"categories":["arts_1","arts_835","arts_235","arts_70"],"tags":["arts_3397","arts_10278","arts_2640","arts_4642","arts_1084","arts_3001"],"featImg":"arts_13886945","label":"arts"},"arts_13858891":{"type":"posts","id":"arts_13858891","meta":{"index":"posts_1591205157","site":"arts","id":"13858891","score":null,"sort":[1559664720000]},"guestAuthors":[],"slug":"itunes-death-is-all-about-how-we-listen-to-music-today","title":"iTunes' Death Is All About How We Listen To Music Today","publishDate":1559664720,"format":"standard","headTitle":"iTunes’ Death Is All About How We Listen To Music Today | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>After 18 years, Apple is killing iTunes — well, sort of. The media management software for most Mac users (and many Windows users) is being broken into separate pieces for separate uses: Music, podcasts and television will soon have \u003ca href=\"https://www.apple.com/newsroom/2019/06/apple-previews-macos-catalina/\">their own apps\u003c/a> on the new Catalina Mac operating system.\u003c/p>\n\u003cp>Apple announced the move on Monday along with new hardware, including a new Mac Pro and Pro Display XDR, and entertainment and lifestyle features.\u003cbr>\n[aside postID='arts_13852882' hero='https://ww2.kqed.org/wp-content/uploads/sites/2/2019/03/today-at-apple-6-1020x680.jpeg' target='_blank']\u003cbr>\nBut the company’s presentation, at its developers conference in San Jose, Calif., offered a lot of suspense around iTunes. “Tell me about iTunes or leave me alone while I feverishly try to back up my library lmao,” \u003ca href=\"https://twitter.com/tonyisapoet/status/1135617456276291584\">tweeted\u003c/a> one user.\u003c/p>\n\u003cp>Apple laid to rest a misapprehension that the iTunes Store (where users purchase songs and albums for download) would be going away in favor of Apple Music (the company’s streaming service). The iTunes Store will remain, as will the music that people bought from it. But Apple did address a long-running complaint from users of the iTunes desktop app: mainly, that it’s trying to be too many things at once.\u003c/p>\n\u003cp>At Monday’s conference, Craig Federighi, Apple’s senior vice president of software engineering, joked about this. “Customers love iTunes and everything it can do,” he said, before sarcastically asking: “But if there’s one thing we hear over and over, it’s ‘Can iTunes do even more?’ ”\u003c/p>\n\u003cp>Apple announced it will be launching a new stand-alone music app for Mac, as well as a new and improved TV app and a podcast app. And it said device syncing will now be handled in the Finder, the macOS file manager. Apple did not say how syncing iPhones or iPads would be handled on Windows machines.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>iTunes will continue as a music store, but the new music app will be more closely aligned with Apple’s music-streaming service.\u003c/p>\n\u003cp>Apple has seen a \u003ca href=\"https://www.businessinsider.com/apple-biggest-iphone-sales-decline-in-3-years-gartner-says-2019-2\">decline in iPhone sales\u003c/a> due to a confluence of factors, including fewer buyers in China and an extended upgrade cycle. The company has been rebranding itself as a streaming-entertainment provider.\u003c/p>\n\u003cp>[aside postID='arts_13849625' hero='https://ww2.kqed.org/wp-content/uploads/sites/2/2019/01/Pandora.MAIN_-1020x574.jpg' target='_blank']\u003c/p>\n\u003cp>And it has made no secret of looking to grow its \u003ca href=\"https://www.npr.org/2019/03/25/706513097/apple-debuts-streaming-video-payment-card-and-news-subscription-services\">services businesses\u003c/a>, including the Apple Music streaming service, a forthcoming TV-streaming service and a magazine subscription service.\u003c/p>\n\u003cp>So is owning music becoming a thing of the past?\u003c/p>\n\u003cp>Streaming made up \u003ca href=\"https://www.digitalmusicnews.com/wp-content/uploads/2016/01/RIAA-2018-Year-End-Music-Industry-Revenue-Report.pdf\">75% of the music industry’s revenue last year\u003c/a>. It’s so lucrative that music streaming is where one of the fiercest battles against Apple’s alleged monopoly is being waged. In March, Spotify announced it had filed an antitrust complaint against Apple with the European Commission. Spotify says the 30% commission on all App Store purchases is unfair because it forces Spotify users to pay more.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>These accusations aren’t just happening in Europe. In the U.S., the Supreme Court recently ruled that a class action lawsuit accusing Apple of operating an App Store monopoly can proceed.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003c/div>\n\n","blocks":[],"excerpt":"After 18 years, Apple is killing iTunes — sort of. The software is being broken into separate pieces for separate uses on Mac computers: Music, podcasts and TV will soon have their own apps.","status":"publish","parent":0,"modified":1705026099,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":561},"headData":{"title":"iTunes' Death Is All About How We Listen To Music Today | KQED","description":"After 18 years, Apple is killing iTunes — sort of. The software is being broken into separate pieces for separate uses on Mac computers: Music, podcasts and TV will soon have their own apps.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"nprImageCredit":"Justin Sullivan","nprByline":"Andrew Flanagan, Jasmine Garsd","nprImageAgency":"Getty Images","nprStoryId":"729290123","nprApiLink":"http://api.npr.org/query?id=729290123&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2019/06/03/729290123/itunes-death-is-all-about-how-we-listen-to-music-today?ft=nprml&f=729290123","nprRetrievedStory":"1","nprPubDate":"Tue, 04 Jun 2019 09:59:00 -0400","nprStoryDate":"Mon, 03 Jun 2019 17:10:27 -0400","nprLastModifiedDate":"Tue, 04 Jun 2019 09:59:15 -0400","path":"/arts/13858891/itunes-death-is-all-about-how-we-listen-to-music-today","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>After 18 years, Apple is killing iTunes — well, sort of. The media management software for most Mac users (and many Windows users) is being broken into separate pieces for separate uses: Music, podcasts and television will soon have \u003ca href=\"https://www.apple.com/newsroom/2019/06/apple-previews-macos-catalina/\">their own apps\u003c/a> on the new Catalina Mac operating system.\u003c/p>\n\u003cp>Apple announced the move on Monday along with new hardware, including a new Mac Pro and Pro Display XDR, and entertainment and lifestyle features.\u003cbr>\n\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13852882","hero":"https://ww2.kqed.org/wp-content/uploads/sites/2/2019/03/today-at-apple-6-1020x680.jpeg","target":"_blank","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cbr>\nBut the company’s presentation, at its developers conference in San Jose, Calif., offered a lot of suspense around iTunes. “Tell me about iTunes or leave me alone while I feverishly try to back up my library lmao,” \u003ca href=\"https://twitter.com/tonyisapoet/status/1135617456276291584\">tweeted\u003c/a> one user.\u003c/p>\n\u003cp>Apple laid to rest a misapprehension that the iTunes Store (where users purchase songs and albums for download) would be going away in favor of Apple Music (the company’s streaming service). The iTunes Store will remain, as will the music that people bought from it. But Apple did address a long-running complaint from users of the iTunes desktop app: mainly, that it’s trying to be too many things at once.\u003c/p>\n\u003cp>At Monday’s conference, Craig Federighi, Apple’s senior vice president of software engineering, joked about this. “Customers love iTunes and everything it can do,” he said, before sarcastically asking: “But if there’s one thing we hear over and over, it’s ‘Can iTunes do even more?’ ”\u003c/p>\n\u003cp>Apple announced it will be launching a new stand-alone music app for Mac, as well as a new and improved TV app and a podcast app. And it said device syncing will now be handled in the Finder, the macOS file manager. Apple did not say how syncing iPhones or iPads would be handled on Windows machines.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>iTunes will continue as a music store, but the new music app will be more closely aligned with Apple’s music-streaming service.\u003c/p>\n\u003cp>Apple has seen a \u003ca href=\"https://www.businessinsider.com/apple-biggest-iphone-sales-decline-in-3-years-gartner-says-2019-2\">decline in iPhone sales\u003c/a> due to a confluence of factors, including fewer buyers in China and an extended upgrade cycle. The company has been rebranding itself as a streaming-entertainment provider.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13849625","hero":"https://ww2.kqed.org/wp-content/uploads/sites/2/2019/01/Pandora.MAIN_-1020x574.jpg","target":"_blank","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And it has made no secret of looking to grow its \u003ca href=\"https://www.npr.org/2019/03/25/706513097/apple-debuts-streaming-video-payment-card-and-news-subscription-services\">services businesses\u003c/a>, including the Apple Music streaming service, a forthcoming TV-streaming service and a magazine subscription service.\u003c/p>\n\u003cp>So is owning music becoming a thing of the past?\u003c/p>\n\u003cp>Streaming made up \u003ca href=\"https://www.digitalmusicnews.com/wp-content/uploads/2016/01/RIAA-2018-Year-End-Music-Industry-Revenue-Report.pdf\">75% of the music industry’s revenue last year\u003c/a>. It’s so lucrative that music streaming is where one of the fiercest battles against Apple’s alleged monopoly is being waged. In March, Spotify announced it had filed an antitrust complaint against Apple with the European Commission. Spotify says the 30% commission on all App Store purchases is unfair because it forces Spotify users to pay more.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>These accusations aren’t just happening in Europe. In the U.S., the Supreme Court recently ruled that a class action lawsuit accusing Apple of operating an App Store monopoly can proceed.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13858891/itunes-death-is-all-about-how-we-listen-to-music-today","authors":["byline_arts_13858891"],"categories":["arts_69","arts_235"],"tags":["arts_3397","arts_6425","arts_746","arts_596","arts_4136","arts_1935"],"affiliates":["arts_137"],"featImg":"arts_13858892","label":"arts_137"},"arts_13853671":{"type":"posts","id":"arts_13853671","meta":{"index":"posts_1591205157","site":"arts","id":"13853671","score":null,"sort":[1553560348000]},"guestAuthors":[],"slug":"clash-of-the-tech-titans-apple-roars-into-streaming-entertainment","title":"Clash of the Tech Titans: Apple Roars Into Streaming Entertainment","publishDate":1553560348,"format":"audio","headTitle":"Clash of the Tech Titans: Apple Roars Into Streaming Entertainment | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Live streamers could be forgiven for wondering if the Oscars had moved to the Steve Jobs Theater in Cupertino Monday morning, because there were so many big Hollywood stars on stage. Steven Spielberg, Steve Carrell, J.J. Abrams, Reese Witherspoon, Jennifer Aniston, and… why am I burying the lede?\u003c/p>\n\u003cp>\u003cem>Oprah!\u003c/em> Why is \u003cem>she\u003c/em> working with Apple to deliver two documentaries and a book club? “Because they’re in a billion pockets, y’all! A billion pockets!” she roared to an adoring crowd.\u003c/p>\n\u003cp>In a reveal that lasted almost two hours, Apple announced major new forays into the worlds of news, gaming and entertainment. All three are mature industries with a lot of competition. But perhaps the tech giant’s gutsiest move is into entertainment. It’s hard to imagine how Apple TV+ — due to arrive sometime this fall — will be qualitatively different from the wide range of content already on offer.\u003c/p>\n\u003cp>See the “sizzle reel” from the Apple presentation.[youtube https://www.youtube.com/watch?v=Bt5k5Ix_wS8]\u003c/p>\n\u003cp>That said, Apple has been late to a game before, and still redefined the field of play. \u003ca href=\"https://www.cnet.com/profiles/iansherr/\" target=\"_blank\" rel=\"noopener\">Ian Sherr\u003c/a>, editor at large at CNET News, has seen it happen several times: with the personal computer, the tablet, and the smart phone.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“That’s one of the fascinating things about Apple. They always wait to see what works and what doesn’t, and then they come in and they do their own version of it, and it tends to be really successful,” Sherr said.\u003c/p>\n\u003cp>“Apple’s relationship with customers has started to wane over the past few years as the company has seen the role of its hardware diminish in people’s lives,” said \u003ca href=\"https://www.forrester.com/James-L.-McQuivey\" target=\"_blank\" rel=\"noopener\">James McQuivey\u003c/a>, an analyst at Forrester tracking digital disruption. “Focusing on more media and entertainment experiences that are exclusive to the Apple experience will revivify Apple’s relationship with its customers.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.blockandtackle.biz/home\" target=\"_blank\" rel=\"noopener\">Alex Ben Block\u003c/a>, who writes about the business of entertainment for a variety of media outlets, is more skeptical. “While it is hard to underestimate Apple, this moves them into an area where there is much greater competition. Entertainment is widely available at little or no cost, and competitors led by Netfilx and Amazon are already offering more than Apple, even with the star names involved,” Ben Block wrote.\u003c/p>\n\u003cp>He added, “The lesson of Amazon is that they had to offer a lot more than entertainment to get people to sign up for Prime, and they floundered until they had a hit series with \u003cem>Mrs. Maisel\u003c/em> which got people to sign up and continue. Apple needs to find its \u003cem>Mrs. Maisel\u003c/em> quickly or it could lose a ton of money.”\u003c/p>\n\u003cp>But Sherr believes Apple has the wherewithal to go up against the biggest names in streaming entertainment: Netflix, Amazon, and Disney. Notice how two of the three names on that list are also digital natives?\u003c/p>\n\u003cp>[aside postID='arts_13850292,arts_13836539,arts_13852981' label='Related Coverage']The biggest threat, if it ever materializes, would be from federal antitrust regulators. “The tech industry broadly has been going towards this trend of what’s called verticalization, where they own every bit of what I’m buying,” Sherr said.\u003c/p>\n\u003cp>One last thing: Apple is one of the most highly valued companies on the planet. And like its biggest rivals in Silicon Valley, Apple has the capacity to run at a massive loss. Maybe not indefinitely, but for longer than most Hollywood old-timers.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There is always room for disruption,” Sherr said. “If Apple does it right.”\u003c/p>\n\n","blocks":[],"excerpt":"Apple reveals the full extent of its Hollywood ambitions, after months of speculation. ","status":"publish","parent":0,"modified":1705026432,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":618},"headData":{"title":"Clash of the Tech Titans: Apple Roars Into Streaming Entertainment | KQED","description":"Apple reveals the full extent of its Hollywood ambitions, after months of speculation. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/2019/03/MyrowAppleEntertainment.mp3","sticky":false,"audioTrackLength":131,"path":"/arts/13853671/clash-of-the-tech-titans-apple-roars-into-streaming-entertainment","audioDuration":131000,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Live streamers could be forgiven for wondering if the Oscars had moved to the Steve Jobs Theater in Cupertino Monday morning, because there were so many big Hollywood stars on stage. Steven Spielberg, Steve Carrell, J.J. Abrams, Reese Witherspoon, Jennifer Aniston, and… why am I burying the lede?\u003c/p>\n\u003cp>\u003cem>Oprah!\u003c/em> Why is \u003cem>she\u003c/em> working with Apple to deliver two documentaries and a book club? “Because they’re in a billion pockets, y’all! A billion pockets!” she roared to an adoring crowd.\u003c/p>\n\u003cp>In a reveal that lasted almost two hours, Apple announced major new forays into the worlds of news, gaming and entertainment. All three are mature industries with a lot of competition. But perhaps the tech giant’s gutsiest move is into entertainment. It’s hard to imagine how Apple TV+ — due to arrive sometime this fall — will be qualitatively different from the wide range of content already on offer.\u003c/p>\n\u003cp>See the “sizzle reel” from the Apple presentation.\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Bt5k5Ix_wS8'\n title='//www.youtube.com/embed/Bt5k5Ix_wS8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>That said, Apple has been late to a game before, and still redefined the field of play. \u003ca href=\"https://www.cnet.com/profiles/iansherr/\" target=\"_blank\" rel=\"noopener\">Ian Sherr\u003c/a>, editor at large at CNET News, has seen it happen several times: with the personal computer, the tablet, and the smart phone.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“That’s one of the fascinating things about Apple. They always wait to see what works and what doesn’t, and then they come in and they do their own version of it, and it tends to be really successful,” Sherr said.\u003c/p>\n\u003cp>“Apple’s relationship with customers has started to wane over the past few years as the company has seen the role of its hardware diminish in people’s lives,” said \u003ca href=\"https://www.forrester.com/James-L.-McQuivey\" target=\"_blank\" rel=\"noopener\">James McQuivey\u003c/a>, an analyst at Forrester tracking digital disruption. “Focusing on more media and entertainment experiences that are exclusive to the Apple experience will revivify Apple’s relationship with its customers.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.blockandtackle.biz/home\" target=\"_blank\" rel=\"noopener\">Alex Ben Block\u003c/a>, who writes about the business of entertainment for a variety of media outlets, is more skeptical. “While it is hard to underestimate Apple, this moves them into an area where there is much greater competition. Entertainment is widely available at little or no cost, and competitors led by Netfilx and Amazon are already offering more than Apple, even with the star names involved,” Ben Block wrote.\u003c/p>\n\u003cp>He added, “The lesson of Amazon is that they had to offer a lot more than entertainment to get people to sign up for Prime, and they floundered until they had a hit series with \u003cem>Mrs. Maisel\u003c/em> which got people to sign up and continue. Apple needs to find its \u003cem>Mrs. Maisel\u003c/em> quickly or it could lose a ton of money.”\u003c/p>\n\u003cp>But Sherr believes Apple has the wherewithal to go up against the biggest names in streaming entertainment: Netflix, Amazon, and Disney. Notice how two of the three names on that list are also digital natives?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13850292,arts_13836539,arts_13852981","label":"Related Coverage "},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The biggest threat, if it ever materializes, would be from federal antitrust regulators. “The tech industry broadly has been going towards this trend of what’s called verticalization, where they own every bit of what I’m buying,” Sherr said.\u003c/p>\n\u003cp>One last thing: Apple is one of the most highly valued companies on the planet. And like its biggest rivals in Silicon Valley, Apple has the capacity to run at a massive loss. Maybe not indefinitely, but for longer than most Hollywood old-timers.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There is always room for disruption,” Sherr said. “If Apple does it right.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13853671/clash-of-the-tech-titans-apple-roars-into-streaming-entertainment","authors":["251"],"categories":["arts_835","arts_71","arts_74","arts_235","arts_990"],"tags":["arts_2210","arts_3397","arts_6902","arts_3114","arts_5132","arts_3324","arts_596","arts_4642","arts_3001"],"featImg":"arts_13853695","label":"arts"},"arts_13823866":{"type":"posts","id":"arts_13823866","meta":{"index":"posts_1591205157","site":"arts","id":"13823866","score":null,"sort":[1518120002000]},"guestAuthors":[],"slug":"google-tell-me-about-the-exhibit-designed-in-california-at-sfmoma","title":"'OK Google, Tell Me About 'Designed in California' at SFMOMA.'","publishDate":1518120002,"format":"standard","headTitle":"‘OK Google, Tell Me About ‘Designed in California’ at SFMOMA.’ | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>If you visit the latest architecture and design exhibit at SFMOMA and begin to wonder if you accidentally stumbled into an electronics show, you’re probably in the right place.\u003c/p>\n\u003cp>To the left near the gallery entrance stands a large white Tesla Powerwall, bearing a prominent Tesla logo. On the adjacent shelf is a Google Nest thermostat and, above it, a 3DR Solo quadcopter drone with an attached camera. \u003c/p>\n\u003cp>Such tech devices — all \u003cem>Designed in California\u003c/em>, the exhibit’s title — are a peculiar greeting to a show at an art museum. That’s partially because they’re all commercially available products, some of which are very new. Case in point: also near the entrance, under plexiglass and with title card, is a Google Home Mini, the tech giant’s virtual assistant unveiled for public sale just three months ago.\u003c/p>\n\u003cfigure id=\"attachment_13823992\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/GoogleHomeMini.jpg\" alt=\"Google Home Mini, 2017.\" width=\"600\" height=\"337\" class=\"size-full wp-image-13823992\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-520x292.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Google Home Mini, 2017. \u003ccite>(Courtesy Google)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Is this art? Even if it is, it also feels like SFMOMA is signaling something. Much has been made in the past five years about tech workers’ lack of engagement with the arts in the Bay Area, and specifically about tech companies’ apparent reluctance to support arts organizations financially. Every arts organization in the Bay Area has wondered, in boardrooms and annual reports, how to turn this around. \u003c/p>\n\u003cp>I won’t go so far as to say that \u003cem>Designed in California\u003c/em> is an advertisement for tech — there’s more to the exhibit than the designs of Silicon Valley — but the three-month-old Google Home Mini, especially, feels like a signifier, a willingness to engage. (Were a curious CEO wondering how their company’s contribution might manifest at the museum, they’d need look no further than the large North Face tent prominently positioned in the center of the exhibit’s room. The North Face, visitors will note at the entrance, is a corporate sponsor of \u003cem>Designed in California\u003c/em>.)\u003c/p>\n\u003cfigure id=\"attachment_13823991\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-800x547.jpg\" alt=\"The North Face, Oval Intention tent, 1976.\" width=\"800\" height=\"547\" class=\"size-medium wp-image-13823991\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-800x547.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-768x525.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-240x164.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-375x256.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-520x355.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The North Face, Oval Intention tent, 1976. \u003ccite>(Don Ross)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>What I will say is that \u003cem>Designed in California\u003c/em> is a fun, jagged whisk through some of the state’s innovations of the past half-century. There is a fascinating through-line to be drawn from mid-century design concepts to the tech of today, but with a non-chronological layout, the exhibit leaves it largely up to the viewer to connect the dots between Ray and Charles Eames, the Ant Farm Collective, the Whole Earth Catalog and the 1973 how-to bible \u003cem>Nomadic Furniture\u003c/em> on up to the tech devices of the 1980s and today.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>My advice is to start your visit diagonally opposite of the entrance, where a 1966 film by the Eames, commissioned by IBM, plays above a recreation of the Eames’ boardroom, a long table with walls busily decorated with prints of seashells, photos of ships and other errata. Vacuum tubes and a Super 8 camera linger nearby, with an intercom system that looks like it was assembled from a DIY Sears kit beneath a shelf. \u003c/p>\n\u003cfigure id=\"attachment_13824012\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/EamesConfRoom-800x633.jpg\" alt=\"Charles and Ray Eames, Eames Office conference room, 1944–89. \" width=\"800\" height=\"633\" class=\"size-medium wp-image-13824012\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-800x633.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-160x127.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-768x608.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-1020x808.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-960x760.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-240x190.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-375x297.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-520x412.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Charles and Ray Eames, Eames Office conference room, 1944–89. \u003ccite>(Tom Bonner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The film, \u003cem>View From the People Wall\u003c/em>, is a delight. Screened through a viewer’s frame of shelving, on which sit old slide projectors, darkroom timers, mixers and reel-to-reel tape players, its editing is as aesthetically pleasing as any design in the show. More importantly, it’s a fantastic time capsule of an era when those creating code not only thought deeply about how to feed real-world problems into a computer (city planning, balancing a checkbook), but also bothered to explain to the public their reasons for doing so. There’s a wistful bygone feeling to IBM’s patient explanation, now, in the era of Facebook, Apple and Google secretly gaming algorithms and shrouding the private-information–gathering intentions of their global human experiment from its billions of test subjects. \u003c/p>\n\u003cp>For a somewhat more innocent look at personal computing, one wall is dedicated to early prototypes: for Apple’s early mouse (1980), the Macintosh touchscreen tablet (1984), the NeXT Cube desktop computer (1986), the first iPod (2001). There’s an instantly fun familiarity here, especially in the work of Susan Kare, who designed early icons for Macintosh that we still use today. \u003c/p>\n\u003cfigure id=\"attachment_13817888\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/Kare_Cover-800x450.png\" alt=\"Susan Kare, 'Sketch for Magic Cap graphical user interface,' c. 1992.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13817888\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-1020x574.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-1180x664.png 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-960x540.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-240x135.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-375x211.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-520x293.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover.png 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Susan Kare, ‘Sketch for Magic Cap graphical user interface,’ c. 1992. \u003ccite>(Courtesy the designer)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But the connection between IBM’s concepts in the ’60s and Silicon Valley’s in the ’80s isn’t clear — that is, until one walks around the North Face’s Oval Intention tent (1976) to the opposite wall, where photos and materials from the Ant Farm collective and the Whole Earth catalog fill in pieces of the story. (Wooden furniture from the Baulines Craft Guild and dishware from Heath Ceramics stick out as worthy anomalies; products of California, yes, but famous as handcrafted objects and not design solutions.)\u003c/p>\n\u003cp>And where are we now, as Californians, in our relationship with design? A phrase on the cover of a pamphlet from the Farallones Design Group surfaces a hint: “Our theory is pretty simple,” it reads. “Change your surroundings and you change yourself.”\u003c/p>\n\u003cfigure id=\"attachment_13823989\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-800x639.jpg\" alt=\"Hartmut Esslinger, Apple Macintosh touch-screen tablet prototype, 1984\" width=\"800\" height=\"639\" class=\"size-medium wp-image-13823989\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-800x639.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-768x614.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-240x192.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-375x300.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-520x415.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hartmut Esslinger, Apple Macintosh touch-screen tablet prototype, 1984. \u003ccite>(Collection SFMOMA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Designed in California\u003c/em> shows that our surroundings have changed from building furniture from scrap material ourselves to ordering a mass-produced tent from REI through our wearable computer eyeglasses; from checking on our sleeping babies by feeling their foreheads and soft breath with our palms to monitoring their vital signs from across the hall on a downloadable app connected to their crib; from actively choosing a record to play by the crackle of the fireplace to asking that our wireless AI assistant execute an .mp3 file while digitally raising the room temperature. \u003c/p>\n\u003cp>Are we racing toward the future, or stumbling? According to Google Home Mini, “I’m not sure how to help you with that.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Designed in California’ runs through May 27 at SFMOMA in San Francisco. For more information, \u003ca href=\"https://www.sfmoma.org/exhibition/designed-california/\" rel=\"noopener\" target=\"_blank\">click here\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The evolution of design in the Golden State runs from DIY furniture to consumer tech devices in this quick, jumbled show.","status":"publish","parent":0,"modified":1705028558,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":1033},"headData":{"title":"'OK Google, Tell Me About 'Designed in California' at SFMOMA.' | KQED","description":"The evolution of design in the Golden State runs from DIY furniture to consumer tech devices in this quick, jumbled show.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13823866/google-tell-me-about-the-exhibit-designed-in-california-at-sfmoma","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you visit the latest architecture and design exhibit at SFMOMA and begin to wonder if you accidentally stumbled into an electronics show, you’re probably in the right place.\u003c/p>\n\u003cp>To the left near the gallery entrance stands a large white Tesla Powerwall, bearing a prominent Tesla logo. On the adjacent shelf is a Google Nest thermostat and, above it, a 3DR Solo quadcopter drone with an attached camera. \u003c/p>\n\u003cp>Such tech devices — all \u003cem>Designed in California\u003c/em>, the exhibit’s title — are a peculiar greeting to a show at an art museum. That’s partially because they’re all commercially available products, some of which are very new. Case in point: also near the entrance, under plexiglass and with title card, is a Google Home Mini, the tech giant’s virtual assistant unveiled for public sale just three months ago.\u003c/p>\n\u003cfigure id=\"attachment_13823992\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/GoogleHomeMini.jpg\" alt=\"Google Home Mini, 2017.\" width=\"600\" height=\"337\" class=\"size-full wp-image-13823992\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/GoogleHomeMini-520x292.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Google Home Mini, 2017. \u003ccite>(Courtesy Google)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Is this art? Even if it is, it also feels like SFMOMA is signaling something. Much has been made in the past five years about tech workers’ lack of engagement with the arts in the Bay Area, and specifically about tech companies’ apparent reluctance to support arts organizations financially. Every arts organization in the Bay Area has wondered, in boardrooms and annual reports, how to turn this around. \u003c/p>\n\u003cp>I won’t go so far as to say that \u003cem>Designed in California\u003c/em> is an advertisement for tech — there’s more to the exhibit than the designs of Silicon Valley — but the three-month-old Google Home Mini, especially, feels like a signifier, a willingness to engage. (Were a curious CEO wondering how their company’s contribution might manifest at the museum, they’d need look no further than the large North Face tent prominently positioned in the center of the exhibit’s room. The North Face, visitors will note at the entrance, is a corporate sponsor of \u003cem>Designed in California\u003c/em>.)\u003c/p>\n\u003cfigure id=\"attachment_13823991\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-800x547.jpg\" alt=\"The North Face, Oval Intention tent, 1976.\" width=\"800\" height=\"547\" class=\"size-medium wp-image-13823991\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-800x547.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-768x525.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-240x164.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-375x256.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent-520x355.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/The-North-Face_Oval-Intention-tent.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The North Face, Oval Intention tent, 1976. \u003ccite>(Don Ross)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>What I will say is that \u003cem>Designed in California\u003c/em> is a fun, jagged whisk through some of the state’s innovations of the past half-century. There is a fascinating through-line to be drawn from mid-century design concepts to the tech of today, but with a non-chronological layout, the exhibit leaves it largely up to the viewer to connect the dots between Ray and Charles Eames, the Ant Farm Collective, the Whole Earth Catalog and the 1973 how-to bible \u003cem>Nomadic Furniture\u003c/em> on up to the tech devices of the 1980s and today.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>My advice is to start your visit diagonally opposite of the entrance, where a 1966 film by the Eames, commissioned by IBM, plays above a recreation of the Eames’ boardroom, a long table with walls busily decorated with prints of seashells, photos of ships and other errata. Vacuum tubes and a Super 8 camera linger nearby, with an intercom system that looks like it was assembled from a DIY Sears kit beneath a shelf. \u003c/p>\n\u003cfigure id=\"attachment_13824012\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/EamesConfRoom-800x633.jpg\" alt=\"Charles and Ray Eames, Eames Office conference room, 1944–89. \" width=\"800\" height=\"633\" class=\"size-medium wp-image-13824012\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-800x633.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-160x127.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-768x608.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-1020x808.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-960x760.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-240x190.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-375x297.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom-520x412.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/EamesConfRoom.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Charles and Ray Eames, Eames Office conference room, 1944–89. \u003ccite>(Tom Bonner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The film, \u003cem>View From the People Wall\u003c/em>, is a delight. Screened through a viewer’s frame of shelving, on which sit old slide projectors, darkroom timers, mixers and reel-to-reel tape players, its editing is as aesthetically pleasing as any design in the show. More importantly, it’s a fantastic time capsule of an era when those creating code not only thought deeply about how to feed real-world problems into a computer (city planning, balancing a checkbook), but also bothered to explain to the public their reasons for doing so. There’s a wistful bygone feeling to IBM’s patient explanation, now, in the era of Facebook, Apple and Google secretly gaming algorithms and shrouding the private-information–gathering intentions of their global human experiment from its billions of test subjects. \u003c/p>\n\u003cp>For a somewhat more innocent look at personal computing, one wall is dedicated to early prototypes: for Apple’s early mouse (1980), the Macintosh touchscreen tablet (1984), the NeXT Cube desktop computer (1986), the first iPod (2001). There’s an instantly fun familiarity here, especially in the work of Susan Kare, who designed early icons for Macintosh that we still use today. \u003c/p>\n\u003cfigure id=\"attachment_13817888\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/Kare_Cover-800x450.png\" alt=\"Susan Kare, 'Sketch for Magic Cap graphical user interface,' c. 1992.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13817888\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-1020x574.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-1180x664.png 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-960x540.png 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-240x135.png 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-375x211.png 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover-520x293.png 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Kare_Cover.png 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Susan Kare, ‘Sketch for Magic Cap graphical user interface,’ c. 1992. \u003ccite>(Courtesy the designer)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But the connection between IBM’s concepts in the ’60s and Silicon Valley’s in the ’80s isn’t clear — that is, until one walks around the North Face’s Oval Intention tent (1976) to the opposite wall, where photos and materials from the Ant Farm collective and the Whole Earth catalog fill in pieces of the story. (Wooden furniture from the Baulines Craft Guild and dishware from Heath Ceramics stick out as worthy anomalies; products of California, yes, but famous as handcrafted objects and not design solutions.)\u003c/p>\n\u003cp>And where are we now, as Californians, in our relationship with design? A phrase on the cover of a pamphlet from the Farallones Design Group surfaces a hint: “Our theory is pretty simple,” it reads. “Change your surroundings and you change yourself.”\u003c/p>\n\u003cfigure id=\"attachment_13823989\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-800x639.jpg\" alt=\"Hartmut Esslinger, Apple Macintosh touch-screen tablet prototype, 1984\" width=\"800\" height=\"639\" class=\"size-medium wp-image-13823989\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-800x639.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-768x614.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-240x192.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-375x300.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet-520x415.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/Hartmut-Esslinger_Prototype-for-Apple-Macintosh-touch-screen-tablet.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hartmut Esslinger, Apple Macintosh touch-screen tablet prototype, 1984. \u003ccite>(Collection SFMOMA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Designed in California\u003c/em> shows that our surroundings have changed from building furniture from scrap material ourselves to ordering a mass-produced tent from REI through our wearable computer eyeglasses; from checking on our sleeping babies by feeling their foreheads and soft breath with our palms to monitoring their vital signs from across the hall on a downloadable app connected to their crib; from actively choosing a record to play by the crackle of the fireplace to asking that our wireless AI assistant execute an .mp3 file while digitally raising the room temperature. \u003c/p>\n\u003cp>Are we racing toward the future, or stumbling? According to Google Home Mini, “I’m not sure how to help you with that.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Designed in California’ runs through May 27 at SFMOMA in San Francisco. For more information, \u003ca href=\"https://www.sfmoma.org/exhibition/designed-california/\" rel=\"noopener\" target=\"_blank\">click here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13823866/google-tell-me-about-the-exhibit-designed-in-california-at-sfmoma","authors":["185"],"categories":["arts_70"],"tags":["arts_3397","arts_1118","arts_2304","arts_596","arts_1381","arts_3901"],"featImg":"arts_13823996","label":"arts"},"arts_13819045":{"type":"posts","id":"arts_13819045","meta":{"index":"posts_1591205157","site":"arts","id":"13819045","score":null,"sort":[1516197603000]},"guestAuthors":[],"slug":"children-are-embracing-virtual-assistants-and-maybe-thats-ok","title":"Children Are Embracing Virtual Assistants And Maybe That's OK","publishDate":1516197603,"format":"audio","headTitle":"Children Are Embracing Virtual Assistants And Maybe That’s OK | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Tech companies call it the “smart home.” You know, your refrigerator talks to Amazon. Your doorbell talks to Apple. Your virtual assistant talks to your kids. How do you feel about that last one? \u003cb>\u003c/b>\u003c/p>\n\u003cp>Graham Charles is a stay-at-home dad in San Francisco with two daughters: nine year-old Claudia , and 11 year-old Fern. They’ve had an Amazon Echo Dot for a little over a year.\u003c/p>\n\u003cp>Charles bought it for the house because he wanted to turn the lights on and off. “We have a home automation system but you have to find the app, and now I can just say ‘Alexa, turn off the kitchen counter lights.’”\u003c/p>\n\u003cp>The girls like to use it for help with homework and play music. A lot of kids (I’m not naming any names here) also like to encourage virtual assistants to say bad words or make fart sounds. \u003cb>\u003c/b>\u003c/p>\n\u003cp>Even though Charles bought the Dot, the virtual assistant is tracking everyone in the home who talks to it. The ostensible intent of the tracking is to deliver a more satisfying, personalized experience, but there are other directives: to track your habits for advertisers — and to make shopping effortless. What stops the girls from stuffing Charles’ Amazon shopping cart with chocolate or chips or whatever?\u003c/p>\n\u003cfigure id=\"attachment_13819178\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13819178\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-800x450.jpg\" alt=\"Meet the Google Home family. Three devices each ready to respond to the sound of your voice -- and your children's voices.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Meet the Google Home family. Three devices each ready to respond to the sound of your voice — and your children’s voices. \u003ccite>(Photo: Courtesy of Google)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You know, I haven’t done that before, but that’s a good idea,” Fern says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Great. Now I’m corrupting innocent children with my reporting.\u003c/p>\n\u003cp>But Charles says he’s not really worried about his kids behaving badly — or companies tracking his family, be they Amazon or Nabisco. Some \u003ca href=\"https://ww2.kqed.org/arts/2018/01/04/how-paranoid-should-you-be-about-your-nosy-virtual-assistant/\" target=\"_blank\" rel=\"noopener\">consumer advocates say\u003c/a> advertisers shouldn’t be allowed to, but Charles says, “I think the only thing that keeps kids safe is teaching them how to keep themselves safe.”\u003c/p>\n\u003cp>He adds, “I think that their world is going to be consumed with technology for their entire lives, so they’d better get used to making their own choices about it now.”\u003c/p>\n\u003cp>His daughter Claudia isn’t so optimistic. She says she even tapes over the camera on the computer she uses. I ask who she worries might be snooping on her. “Probably the President (Donald Trump).”\u003c/p>\n\u003cfigure id=\"attachment_13819179\" class=\"wp-caption aligncenter\" style=\"max-width: 620px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13819179\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/4999-2.jpg\" alt=\"Apple is expected to enter the market for virtual assistants later this year with a product called HomePod.\" width=\"620\" height=\"349\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2.jpg 620w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-520x293.jpg 520w\" sizes=\"(max-width: 620px) 100vw, 620px\">\u003cfigcaption class=\"wp-caption-text\">Apple is expected to enter the market for virtual assistants later this year with a product called HomePod. \u003ccite>(Photo: Courtesy of Apple)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Their lives are online. You know, some children have been tracked since they were in utero!” says Yalda Uhls, a research scientist who studies children and media at UCLA and works with Common Sense Media, a non-profit advocacy group for parents. She says there is no privacy for anyone in the way older generations used to think of it. Not even for kids.\u003c/p>\n\u003cp>“Think through every device you bring into the home that they’re going to touch. Because they are going to be tracked,” Uhls says.\u003c/p>\n\u003cp>What you can do, Uhls says, is help them navigate this brave new world by being a mentor instead of a policeman. “We’re in an attention economy, and yes, these devices grab our attention possibly more than, you know, a movie did, or a TV show did. So teach your child to be a smart consumer and to think about things.”\u003c/p>\n\u003cp>If Uhls lies awake at night worrying about the future, it’s usually because she just watched an episode of the science fiction show \u003cem>Black Mirror.\u003c/em> Like the one called, “Arkangel,” where a mom gets a chip implanted in her daughter’s brain that allows her to monitor what her child sees through a tablet. The idea is to protect her daughter, but, I don’t need to tell you it ends badly.\u003c/p>\n\u003cp>But that’s science fiction… right?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=yef_HfQoBd8]\u003c/p>\n\n","blocks":[],"excerpt":"It appears many parents who used virtual assistants take in stride the fact the manufacturers track their children.","status":"publish","parent":0,"modified":1705028760,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":696},"headData":{"title":"Children Are Embracing Virtual Assistants And Maybe That's OK | KQED","description":"It appears many parents who used virtual assistants take in stride the fact the manufacturers track their children.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"audioUrl":"https://www.kqed.org/.stream/anon/radio/tcr/2018/01/AlexaKidsMyrow180118.mp3","sticky":false,"path":"/arts/13819045/children-are-embracing-virtual-assistants-and-maybe-thats-ok","audioDuration":167000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Tech companies call it the “smart home.” You know, your refrigerator talks to Amazon. Your doorbell talks to Apple. Your virtual assistant talks to your kids. How do you feel about that last one? \u003cb>\u003c/b>\u003c/p>\n\u003cp>Graham Charles is a stay-at-home dad in San Francisco with two daughters: nine year-old Claudia , and 11 year-old Fern. They’ve had an Amazon Echo Dot for a little over a year.\u003c/p>\n\u003cp>Charles bought it for the house because he wanted to turn the lights on and off. “We have a home automation system but you have to find the app, and now I can just say ‘Alexa, turn off the kitchen counter lights.’”\u003c/p>\n\u003cp>The girls like to use it for help with homework and play music. A lot of kids (I’m not naming any names here) also like to encourage virtual assistants to say bad words or make fart sounds. \u003cb>\u003c/b>\u003c/p>\n\u003cp>Even though Charles bought the Dot, the virtual assistant is tracking everyone in the home who talks to it. The ostensible intent of the tracking is to deliver a more satisfying, personalized experience, but there are other directives: to track your habits for advertisers — and to make shopping effortless. What stops the girls from stuffing Charles’ Amazon shopping cart with chocolate or chips or whatever?\u003c/p>\n\u003cfigure id=\"attachment_13819178\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13819178\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-800x450.jpg\" alt=\"Meet the Google Home family. Three devices each ready to respond to the sound of your voice -- and your children's voices.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/63_BP_PRODUCT_GRC_17118_17_07_17_GGL_63_03.max-2800x2800-2.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Meet the Google Home family. Three devices each ready to respond to the sound of your voice — and your children’s voices. \u003ccite>(Photo: Courtesy of Google)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You know, I haven’t done that before, but that’s a good idea,” Fern says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Great. Now I’m corrupting innocent children with my reporting.\u003c/p>\n\u003cp>But Charles says he’s not really worried about his kids behaving badly — or companies tracking his family, be they Amazon or Nabisco. Some \u003ca href=\"https://ww2.kqed.org/arts/2018/01/04/how-paranoid-should-you-be-about-your-nosy-virtual-assistant/\" target=\"_blank\" rel=\"noopener\">consumer advocates say\u003c/a> advertisers shouldn’t be allowed to, but Charles says, “I think the only thing that keeps kids safe is teaching them how to keep themselves safe.”\u003c/p>\n\u003cp>He adds, “I think that their world is going to be consumed with technology for their entire lives, so they’d better get used to making their own choices about it now.”\u003c/p>\n\u003cp>His daughter Claudia isn’t so optimistic. She says she even tapes over the camera on the computer she uses. I ask who she worries might be snooping on her. “Probably the President (Donald Trump).”\u003c/p>\n\u003cfigure id=\"attachment_13819179\" class=\"wp-caption aligncenter\" style=\"max-width: 620px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13819179\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/4999-2.jpg\" alt=\"Apple is expected to enter the market for virtual assistants later this year with a product called HomePod.\" width=\"620\" height=\"349\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2.jpg 620w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/4999-2-520x293.jpg 520w\" sizes=\"(max-width: 620px) 100vw, 620px\">\u003cfigcaption class=\"wp-caption-text\">Apple is expected to enter the market for virtual assistants later this year with a product called HomePod. \u003ccite>(Photo: Courtesy of Apple)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Their lives are online. You know, some children have been tracked since they were in utero!” says Yalda Uhls, a research scientist who studies children and media at UCLA and works with Common Sense Media, a non-profit advocacy group for parents. She says there is no privacy for anyone in the way older generations used to think of it. Not even for kids.\u003c/p>\n\u003cp>“Think through every device you bring into the home that they’re going to touch. Because they are going to be tracked,” Uhls says.\u003c/p>\n\u003cp>What you can do, Uhls says, is help them navigate this brave new world by being a mentor instead of a policeman. “We’re in an attention economy, and yes, these devices grab our attention possibly more than, you know, a movie did, or a TV show did. So teach your child to be a smart consumer and to think about things.”\u003c/p>\n\u003cp>If Uhls lies awake at night worrying about the future, it’s usually because she just watched an episode of the science fiction show \u003cem>Black Mirror.\u003c/em> Like the one called, “Arkangel,” where a mom gets a chip implanted in her daughter’s brain that allows her to monitor what her child sees through a tablet. The idea is to protect her daughter, but, I don’t need to tell you it ends badly.\u003c/p>\n\u003cp>But that’s science fiction… right?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yef_HfQoBd8'\n title='//www.youtube.com/embed/yef_HfQoBd8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13819045/children-are-embracing-virtual-assistants-and-maybe-thats-ok","authors":["251"],"categories":["arts_835","arts_235"],"tags":["arts_2210","arts_3397","arts_1118","arts_2304","arts_596","arts_3001","arts_1935"],"featImg":"arts_13819215","label":"arts"},"arts_13817097":{"type":"posts","id":"arts_13817097","meta":{"index":"posts_1591205157","site":"arts","id":"13817097","score":null,"sort":[1512778321000]},"guestAuthors":[],"slug":"reports-apple-buying-shazam-possibly-for-400-million","title":"Reports: Apple Buying Shazam, Possibly for $400 Million","publishDate":1512778321,"format":"standard","headTitle":"Reports: Apple Buying Shazam, Possibly for $400 Million | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>Apple is closing in on a deal to buy Shazam, the popular phone app, and sources put the price tag at about $400 million, according to reports from \u003ca href=\"https://techcrunch.com/2017/12/08/sources-apple-is-acquiring-music-recognition-app-shazam/\" rel=\"noopener\" target=\"_blank\">TechCrunch\u003c/a> and \u003ca href=\"https://www.recode.net/2017/12/8/16753996/apple-shazam-acquisition-music-streaming\" rel=\"noopener\" target=\"_blank\">Recode\u003c/a> published Friday.\u003c/p>\n\u003cp>A deal for the app, which identifies songs and other media by matching its soundwaves to a large database, is expected to be announced by Monday.\u003c/p>\n\u003cp>Designed in London by a company of the same name that was founded in 1999, Shazam debuted in 2002 on mobile phones and used SMS texts to inform its users which songs it heard. As of Sept. 2016, the company says the app has been downloaded over \u003ca href=\"http://variety.com/2017/digital/news/apple-acquires-shazam-1202634286/\" rel=\"noopener\" target=\"_blank\">1 billion times in over 190 countries\u003c/a>. \u003c/p>\n\u003cp>Apple has had a long relationship with Shazam, as it was one of the first apps available when the Apple app store opened in 2008; it continues to be popular, with users “Shazam-ing” media around 20 million times a day. (It did not make Apple’s list of most \u003ca href=\"https://itunes.apple.com/story/id1297105905\" rel=\"noopener\" target=\"_blank\">popular apps for 2017\u003c/a>.) The app also allows users to connect to iTunes to buy the tracks that were “Shazamed,” as well as to streaming services such as Spotify and Google Play.\u003c/p>\n\u003cp>The company was last valued at over $1 billion, according to \u003ca href=\"https://my.pitchbook.com/profile/50961-79/company/profile#board-members\" rel=\"noopener\" target=\"_blank\">PitchBook,\u003c/a> rendering Apple’s purchase price of $400 million a significant discount. Shazam has raised $143 million since 2002, and finally made a profit of $54 million last year due to advertising revenues.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the tech and music worlds, speculation has proliferated on the possible motives for Apple to buy the company, especially as the technology behind the app’s song-identification is reportedly \u003ca href=\"https://www.recode.net/2017/12/8/16753996/apple-shazam-acquisition-music-streaming\" rel=\"noopener\" target=\"_blank\">easy to replicate\u003c/a> nowadays. \u003ca href=\"https://www.theverge.com/2017/12/8/16753962/apple-shazam-acquisition-report\" rel=\"noopener\" target=\"_blank\">The Verge\u003c/a> posits that Shazam’s recently launched augmented-reality platform could be a starting point if Apple were to create its own version of \u003ca href=\"https://en.wikipedia.org/wiki/Google_Lens\" rel=\"noopener\" target=\"_blank\">Google Lens\u003c/a>. \u003c/p>\n\u003cp>Representatives from Apple and Shazam have declined to comment.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"Two tech blogs are reporting that the Cupertino-based company will announce a deal on Monday.","status":"publish","parent":0,"modified":1705028936,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":320},"headData":{"title":"Reports: Apple Buying Shazam, Possibly for $400 Million | KQED","description":"Two tech blogs are reporting that the Cupertino-based company will announce a deal on Monday.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"sticky":false,"path":"/arts/13817097/reports-apple-buying-shazam-possibly-for-400-million","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Apple is closing in on a deal to buy Shazam, the popular phone app, and sources put the price tag at about $400 million, according to reports from \u003ca href=\"https://techcrunch.com/2017/12/08/sources-apple-is-acquiring-music-recognition-app-shazam/\" rel=\"noopener\" target=\"_blank\">TechCrunch\u003c/a> and \u003ca href=\"https://www.recode.net/2017/12/8/16753996/apple-shazam-acquisition-music-streaming\" rel=\"noopener\" target=\"_blank\">Recode\u003c/a> published Friday.\u003c/p>\n\u003cp>A deal for the app, which identifies songs and other media by matching its soundwaves to a large database, is expected to be announced by Monday.\u003c/p>\n\u003cp>Designed in London by a company of the same name that was founded in 1999, Shazam debuted in 2002 on mobile phones and used SMS texts to inform its users which songs it heard. As of Sept. 2016, the company says the app has been downloaded over \u003ca href=\"http://variety.com/2017/digital/news/apple-acquires-shazam-1202634286/\" rel=\"noopener\" target=\"_blank\">1 billion times in over 190 countries\u003c/a>. \u003c/p>\n\u003cp>Apple has had a long relationship with Shazam, as it was one of the first apps available when the Apple app store opened in 2008; it continues to be popular, with users “Shazam-ing” media around 20 million times a day. (It did not make Apple’s list of most \u003ca href=\"https://itunes.apple.com/story/id1297105905\" rel=\"noopener\" target=\"_blank\">popular apps for 2017\u003c/a>.) The app also allows users to connect to iTunes to buy the tracks that were “Shazamed,” as well as to streaming services such as Spotify and Google Play.\u003c/p>\n\u003cp>The company was last valued at over $1 billion, according to \u003ca href=\"https://my.pitchbook.com/profile/50961-79/company/profile#board-members\" rel=\"noopener\" target=\"_blank\">PitchBook,\u003c/a> rendering Apple’s purchase price of $400 million a significant discount. Shazam has raised $143 million since 2002, and finally made a profit of $54 million last year due to advertising revenues.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the tech and music worlds, speculation has proliferated on the possible motives for Apple to buy the company, especially as the technology behind the app’s song-identification is reportedly \u003ca href=\"https://www.recode.net/2017/12/8/16753996/apple-shazam-acquisition-music-streaming\" rel=\"noopener\" target=\"_blank\">easy to replicate\u003c/a> nowadays. \u003ca href=\"https://www.theverge.com/2017/12/8/16753962/apple-shazam-acquisition-report\" rel=\"noopener\" target=\"_blank\">The Verge\u003c/a> posits that Shazam’s recently launched augmented-reality platform could be a starting point if Apple were to create its own version of \u003ca href=\"https://en.wikipedia.org/wiki/Google_Lens\" rel=\"noopener\" target=\"_blank\">Google Lens\u003c/a>. \u003c/p>\n\u003cp>Representatives from Apple and Shazam have declined to comment.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13817097/reports-apple-buying-shazam-possibly-for-400-million","authors":["93"],"programs":["arts_1272"],"categories":["arts_69","arts_235"],"tags":["arts_3397","arts_1448","arts_596"],"featImg":"arts_13817098","label":"arts_1272"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2023/08/possible-5gxfizEbKOJ-pbF5ASgxrs_.1400x1400.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/10/ATC_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. 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We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. 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Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/01/OOW_Tile_Final.png","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. 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