Bandcamp Will Forfeit Its Share Of Sales Friday, Urges Direct Support Of Musicians
Woody Allen's Book Will Not Be Published After Hachette Employees Object
Teatro Zinzanni to Return to SF Waterfront—Permanently
Oakland Appoints Cultural Affairs Commissioners After Nine-Year Hiatus
Author Tour for Controversial ‘American Dirt’ is Canceled
New Leadership for SFFILM
Warhol Foundation Awards Bay Area Arts Organizations $482,000
National Endowment for the Arts Awards $1.7 Million to Bay Area Arts Groups
3 Bay Area Artists Receive $100,000 Creative Capital Grants
Sponsored
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The initiative will be active from 12:00 a.m. to 11:59 p.m Pacific time.\u003c/p>\n\u003cp>The global coronavirus outbreak has put many musicians in a state of extreme financial precarity as their main source of income, live performance, has been suspended while the world struggles to contain the pandemic. “For many artists, a single day of boosted sales can mean the difference between being able to pay rent or not,” Ethan Diamond, the CEO and co-founder of Bandcamp, writes. “Still, we consider this just a starting point. Musicians will continue to feel the effects of lost touring income for many months to come, so we’re also sharing some ideas below on how fans can support the artists they love and how artists can give fans new, creative ways to provide support.”\u003c/p>\n\u003cp>Typically, Bandcamp collects 15% of the revenue from sales of digital music made through its website and \u003ca href=\"https://apps.apple.com/us/app/bandcamp/id706408639\">app\u003c/a>, and 10% from sales of physical goods. It claims to have paid artists some $468 million since its \u003ca href=\"https://blog.bandcamp.com/2008/09/16/hello-cleveland/\">launch\u003c/a> in Sept. 2008, and $9.5 million over the past 30 days. Payments for sales of digital goods made through Bandcamp are typically paid to sellers within 48 hours, while the revenue from physical sales is transmitted directly to those artists’ or labels’ accounts.\u003c/p>\n\u003cp>In a postscript to Bandcamp’s announcement, Diamond reminds readers that the financial effects of the crisis will extend beyond musicians to those who make their living supporting them, “including record store owners and staff, tour managers, event producers, venue staff, lighting and sound professionals, janitors, photographers, bartenders, security guards, and more. We encourage you to find ways to reach out and support those affected in your local communities.”\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Oakland-based Bandcamp, a favorite of indie artists and labels, announced a one-day plan to boost profits for musicians facing financial losses during the coronavirus pandemic.","status":"publish","parent":0,"modified":1705021056,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":342},"headData":{"title":"Bandcamp Will Forfeit Its Share Of Sales Friday, Urges Direct Support Of Musicians | KQED","description":"Oakland-based Bandcamp, a favorite of indie artists and labels, announced a one-day plan to boost profits for musicians facing financial losses during the coronavirus pandemic.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Bandcamp Will Forfeit Its Share Of Sales Friday, Urges Direct Support Of Musicians","datePublished":"2020-03-19T18:00:31.000Z","dateModified":"2024-01-12T00:57:36.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprImageCredit":"Simone Golob","nprByline":"Andrew Flanagan","nprImageAgency":"Getty Images","nprStoryId":"817740137","nprApiLink":"http://api.npr.org/query?id=817740137&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2020/03/18/817740137/bandcamp-will-forfeit-its-share-of-sales-this-friday?ft=nprml&f=817740137","nprRetrievedStory":"1","nprPubDate":"Wed, 18 Mar 2020 13:02:00 -0400","nprStoryDate":"Wed, 18 Mar 2020 12:54:06 -0400","nprLastModifiedDate":"Wed, 18 Mar 2020 13:02:30 -0400","path":"/arts/13877056/bandcamp-will-forfeit-its-share-of-sales-friday-urges-direct-support-of-musicians","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Bandcamp, the digital storefront and streaming music platform used by hundreds of thousands of artists and thousands of record labels, will forgo collecting its share of revenue from sales on the site made this Friday, March 20, \u003ca href=\"https://daily.bandcamp.com/features/bandcamp-covid-19-fundraiser\">the company announced\u003c/a> on Tuesday. The initiative will be active from 12:00 a.m. to 11:59 p.m Pacific time.\u003c/p>\n\u003cp>The global coronavirus outbreak has put many musicians in a state of extreme financial precarity as their main source of income, live performance, has been suspended while the world struggles to contain the pandemic. “For many artists, a single day of boosted sales can mean the difference between being able to pay rent or not,” Ethan Diamond, the CEO and co-founder of Bandcamp, writes. “Still, we consider this just a starting point. Musicians will continue to feel the effects of lost touring income for many months to come, so we’re also sharing some ideas below on how fans can support the artists they love and how artists can give fans new, creative ways to provide support.”\u003c/p>\n\u003cp>Typically, Bandcamp collects 15% of the revenue from sales of digital music made through its website and \u003ca href=\"https://apps.apple.com/us/app/bandcamp/id706408639\">app\u003c/a>, and 10% from sales of physical goods. It claims to have paid artists some $468 million since its \u003ca href=\"https://blog.bandcamp.com/2008/09/16/hello-cleveland/\">launch\u003c/a> in Sept. 2008, and $9.5 million over the past 30 days. Payments for sales of digital goods made through Bandcamp are typically paid to sellers within 48 hours, while the revenue from physical sales is transmitted directly to those artists’ or labels’ accounts.\u003c/p>\n\u003cp>In a postscript to Bandcamp’s announcement, Diamond reminds readers that the financial effects of the crisis will extend beyond musicians to those who make their living supporting them, “including record store owners and staff, tour managers, event producers, venue staff, lighting and sound professionals, janitors, photographers, bartenders, security guards, and more. We encourage you to find ways to reach out and support those affected in your local communities.”\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13877056/bandcamp-will-forfeit-its-share-of-sales-friday-urges-direct-support-of-musicians","authors":["byline_arts_13877056"],"programs":["arts_1272"],"categories":["arts_835","arts_71","arts_69","arts_235"],"affiliates":["arts_137"],"featImg":"arts_13877059","label":"arts_1272"},"arts_13876101":{"type":"posts","id":"arts_13876101","meta":{"index":"posts_1591205157","site":"arts","id":"13876101","score":null,"sort":[1583528257000]},"guestAuthors":[],"slug":"woody-allens-book-will-not-be-published-after-hachette-employees-object","title":"Woody Allen's Book Will Not Be Published After Hachette Employees Object","publishDate":1583528257,"format":"standard","headTitle":"Woody Allen’s Book Will Not Be Published After Hachette Employees Object | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>\u003cstrong>Updated Friday at 3:10 p.m. ET\u003c/strong>\u003c/p>\n\u003cp>On Friday afternoon, Hachette Book Group (HBG) announced publicly and to its employees that it will not publish Woody Allen’s memoir, \u003cem>Apropos of Nothing\u003c/em>, as planned next month.\u003c/p>\n\u003cp>In a statement to NPR, the publisher said: “Hachette Book Group has decided that it will not publish Woody Allen’s memoir \u003cem>A Propos of Nothing\u003c/em>, originally scheduled for sale in April 2020, and will return all rights to the author.”\u003c/p>\n\u003cp>“The decision to cancel Mr. Allen’s book was a difficult one. At HBG we take our relationships with authors very seriously, and do not cancel books lightly. We have published and will continue to publish many challenging books. As publishers, we make sure every day in our work that different voices and conflicting points of views can be heard.”\u003c/p>\n\u003cp>“Also, as a company, we are committed to offering a stimulating, supportive and open work environment for all our staff. Over the past few days, HBG leadership had extensive conversations with our staff and others. After listening, we came to the conclusion that moving forward with publication would not be feasible for HBG.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The decision was announced to HBG’s employees as well at a brief town-hall meeting on Friday afternoon.\u003c/p>\n\u003cp>On Thursday afternoon, dozens of employees of the publishing imprints Grand Central Publishing and Little, Brown staged a walkout in both New York and Boston to protest Grand Central’s decision to publish Allen’s book.\u003c/p>\n\u003cp>Both imprints are owned by Hachette Book Group, the same house that published journalist Ronan Farrow’s \u003cem>Catch and Kill\u003c/em>. The walkout comes after Farrow \u003ca href=\"https://twitter.com/RonanFarrow/status/1234999252381618178\">announced\u003c/a> on Tuesday that he felt he could no longer work with HBG after the Allen acquisition.\u003c/p>\n\u003cp>Farrow is Allen’s son with actress Mia Farrow; his sister, Dylan Farrow, \u003ca href=\"https://www.vanityfair.com/style/2013/10/mia-farrow-children-family-scandal\">has accused\u003c/a> Allen of having sexually abused her as a child. Allen has long denied her allegations.\u003c/p>\n\u003cp>In his statement, Farrow wrote in part that HBG “concealed the decision from me and its own employees while we were working on \u003cem>Catch and Kill\u003c/em> — a book about how powerful men, including Woody Allen, avoid accountability for sexual abuse.”\u003c/p>\n\u003cp>[aside postID='news_11781549'label='Ronan Farrow on 'Catch and Kill,' the Weinstein Scandal and Investigative Journalism']\u003c/p>\n\u003cp>Dylan Farrow also released a \u003ca href=\"https://twitter.com/RealDylanFarrow/status/1234649622670430208/photo/1\">statement\u003c/a> on Monday evening, in which she said in part: “Hachette’s publishing of Woody Allen’s memoir is deeply upsetting to me personally and an utter betrayal of my brother whose brave reporting, capitalized on by Hachette, gave voice to numerous survivors of sexual assault by powerful men. … This provides yet another example of the profound privilege that power, money and notoriety affords. Hachette’s complicity in this should be called out for what it is and they should have to answer for it.”\u003c/p>\n\u003cp>Employees at both HBG’s New York and Boston offices participated in the Thursday walkout. Many also sent out an auto-reply email that read in part: “We stand in solidarity with Ronan Farrow, Dylan Farrow and survivors of sexual assault.” Those \u003ca href=\"https://twitter.com/davidfolkenflik/status/1235680790920523794?s=20\">include\u003c/a> Little, Brown executive editor Vanessa Mobley, who was the editor of \u003cem>Catch and Kill\u003c/em>.\u003c/p>\n\u003cp>In a statement sent to NPR Thursday afternoon, HBG CEO Michael Pietsch said: “We respect and understand the perspective of our employees who have decided to express their concern over the publication of this book. We will engage our staff in a fuller discussion about this at the earliest opportunity.”\u003c/p>\n\u003cp>NPR reached out for comment to Allen’s agent, who did not respond as of publication time.\u003c/p>\n\u003cp>The \u003cem>New York Post\u003c/em> \u003ca href=\"https://pagesix.com/2020/03/05/litlte-brown-staff-stages-walkout-in-support-of-ronan-and-dylan-farrow/\">reported\u003c/a> that HBG employees approached the company’s human resources department on Thursday afternoon to complain about the planned publication of Allen’s book. A Hachette employee told NPR that HBG’s CEO, Michael Pietsch, attempted to hold a town hall meeting on Thursday to discuss the issue, but the employees walked out before the meeting was held.\u003c/p>\n\u003cp>Farrow’s agent, \u003ca href=\"https://www.janklowandnesbit.com/people/lynn-nesbit\">Lynn Nesbit\u003c/a>, told NPR on Thursday, “I feel moved almost to tears by the walkout. It was such a brave gesture to management who, in my opinion, made such a misguided decision.”\u003c/p>\n\u003cp>Signing Allen, she said, was “a betrayal of Ronan, of the women in his book, of the issues in the book and of the staff of this publisher.” She added that Farrow is “grateful for the support of his colleagues at Little, Brown.”\u003c/p>\n\u003cp>Last year, \u003cem>The New York Times \u003c/em>reported that Allen had tried to sell the memoir to several major publishing houses, “only to be met with indifference or \u003ca href=\"https://www.nytimes.com/2019/05/02/movies/woody-allen-memoir.html\">hard passes\u003c/a>“; one source told NPR on Thursday afternoon that the title had been considered “radioactive” in the publishing world.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Farrow also said in his Tuesday statement that HBG had not fact-checked Allen’s memoir nor did it contact Dylan Farrow for any response. “It also shows a lack of ethics and compassion for victims of sexual abuse, regardless of any personal connection or breach of trust here. … I’ve also told Hachette that a publisher that would conduct itself in this way is one I can’t work with in good conscience.”\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\n","blocks":[],"excerpt":"On Friday afternoon, Hachette Book Group announced that it would no longer be publishing Allen's book. The decision comes after Ronan Farrow announced he could no longer work with his publisher.","status":"publish","parent":0,"modified":1705021148,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":903},"headData":{"title":"Woody Allen's Book Will Not Be Published After Hachette Employees Object | KQED","description":"On Friday afternoon, Hachette Book Group announced that it would no longer be publishing Allen's book. The decision comes after Ronan Farrow announced he could no longer work with his publisher.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Woody Allen's Book Will Not Be Published After Hachette Employees Object","datePublished":"2020-03-06T20:57:37.000Z","dateModified":"2024-01-12T00:59:08.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprImageCredit":"Pascal Le Segretain","nprByline":"Anastasia Tsioulcas","nprImageAgency":"Getty Images","nprStoryId":"812687472","nprApiLink":"http://api.npr.org/query?id=812687472&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2020/03/06/812687472/after-woody-allens-memoir-was-signed-book-publisher-s-employees-walk-out?ft=nprml&f=812687472","nprRetrievedStory":"1","nprPubDate":"Fri, 06 Mar 2020 15:27:00 -0500","nprStoryDate":"Fri, 06 Mar 2020 15:27:06 -0500","nprLastModifiedDate":"Fri, 06 Mar 2020 15:27:10 -0500","path":"/arts/13876101/woody-allens-book-will-not-be-published-after-hachette-employees-object","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Updated Friday at 3:10 p.m. ET\u003c/strong>\u003c/p>\n\u003cp>On Friday afternoon, Hachette Book Group (HBG) announced publicly and to its employees that it will not publish Woody Allen’s memoir, \u003cem>Apropos of Nothing\u003c/em>, as planned next month.\u003c/p>\n\u003cp>In a statement to NPR, the publisher said: “Hachette Book Group has decided that it will not publish Woody Allen’s memoir \u003cem>A Propos of Nothing\u003c/em>, originally scheduled for sale in April 2020, and will return all rights to the author.”\u003c/p>\n\u003cp>“The decision to cancel Mr. Allen’s book was a difficult one. At HBG we take our relationships with authors very seriously, and do not cancel books lightly. We have published and will continue to publish many challenging books. As publishers, we make sure every day in our work that different voices and conflicting points of views can be heard.”\u003c/p>\n\u003cp>“Also, as a company, we are committed to offering a stimulating, supportive and open work environment for all our staff. Over the past few days, HBG leadership had extensive conversations with our staff and others. After listening, we came to the conclusion that moving forward with publication would not be feasible for HBG.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The decision was announced to HBG’s employees as well at a brief town-hall meeting on Friday afternoon.\u003c/p>\n\u003cp>On Thursday afternoon, dozens of employees of the publishing imprints Grand Central Publishing and Little, Brown staged a walkout in both New York and Boston to protest Grand Central’s decision to publish Allen’s book.\u003c/p>\n\u003cp>Both imprints are owned by Hachette Book Group, the same house that published journalist Ronan Farrow’s \u003cem>Catch and Kill\u003c/em>. The walkout comes after Farrow \u003ca href=\"https://twitter.com/RonanFarrow/status/1234999252381618178\">announced\u003c/a> on Tuesday that he felt he could no longer work with HBG after the Allen acquisition.\u003c/p>\n\u003cp>Farrow is Allen’s son with actress Mia Farrow; his sister, Dylan Farrow, \u003ca href=\"https://www.vanityfair.com/style/2013/10/mia-farrow-children-family-scandal\">has accused\u003c/a> Allen of having sexually abused her as a child. Allen has long denied her allegations.\u003c/p>\n\u003cp>In his statement, Farrow wrote in part that HBG “concealed the decision from me and its own employees while we were working on \u003cem>Catch and Kill\u003c/em> — a book about how powerful men, including Woody Allen, avoid accountability for sexual abuse.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"postID='news_11781549'label='Ronan Farrow on 'Catch and Kill,' the Weinstein Scandal and Investigative Journalism'"},"numeric":["postID='news_11781549'label='Ronan","Farrow","on","'Catch","and","Kill,'","the","Weinstein","Scandal","and","Investigative","Journalism'"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Dylan Farrow also released a \u003ca href=\"https://twitter.com/RealDylanFarrow/status/1234649622670430208/photo/1\">statement\u003c/a> on Monday evening, in which she said in part: “Hachette’s publishing of Woody Allen’s memoir is deeply upsetting to me personally and an utter betrayal of my brother whose brave reporting, capitalized on by Hachette, gave voice to numerous survivors of sexual assault by powerful men. … This provides yet another example of the profound privilege that power, money and notoriety affords. Hachette’s complicity in this should be called out for what it is and they should have to answer for it.”\u003c/p>\n\u003cp>Employees at both HBG’s New York and Boston offices participated in the Thursday walkout. Many also sent out an auto-reply email that read in part: “We stand in solidarity with Ronan Farrow, Dylan Farrow and survivors of sexual assault.” Those \u003ca href=\"https://twitter.com/davidfolkenflik/status/1235680790920523794?s=20\">include\u003c/a> Little, Brown executive editor Vanessa Mobley, who was the editor of \u003cem>Catch and Kill\u003c/em>.\u003c/p>\n\u003cp>In a statement sent to NPR Thursday afternoon, HBG CEO Michael Pietsch said: “We respect and understand the perspective of our employees who have decided to express their concern over the publication of this book. We will engage our staff in a fuller discussion about this at the earliest opportunity.”\u003c/p>\n\u003cp>NPR reached out for comment to Allen’s agent, who did not respond as of publication time.\u003c/p>\n\u003cp>The \u003cem>New York Post\u003c/em> \u003ca href=\"https://pagesix.com/2020/03/05/litlte-brown-staff-stages-walkout-in-support-of-ronan-and-dylan-farrow/\">reported\u003c/a> that HBG employees approached the company’s human resources department on Thursday afternoon to complain about the planned publication of Allen’s book. A Hachette employee told NPR that HBG’s CEO, Michael Pietsch, attempted to hold a town hall meeting on Thursday to discuss the issue, but the employees walked out before the meeting was held.\u003c/p>\n\u003cp>Farrow’s agent, \u003ca href=\"https://www.janklowandnesbit.com/people/lynn-nesbit\">Lynn Nesbit\u003c/a>, told NPR on Thursday, “I feel moved almost to tears by the walkout. It was such a brave gesture to management who, in my opinion, made such a misguided decision.”\u003c/p>\n\u003cp>Signing Allen, she said, was “a betrayal of Ronan, of the women in his book, of the issues in the book and of the staff of this publisher.” She added that Farrow is “grateful for the support of his colleagues at Little, Brown.”\u003c/p>\n\u003cp>Last year, \u003cem>The New York Times \u003c/em>reported that Allen had tried to sell the memoir to several major publishing houses, “only to be met with indifference or \u003ca href=\"https://www.nytimes.com/2019/05/02/movies/woody-allen-memoir.html\">hard passes\u003c/a>“; one source told NPR on Thursday afternoon that the title had been considered “radioactive” in the publishing world.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Farrow also said in his Tuesday statement that HBG had not fact-checked Allen’s memoir nor did it contact Dylan Farrow for any response. “It also shows a lack of ethics and compassion for victims of sexual abuse, regardless of any personal connection or breach of trust here. … I’ve also told Hachette that a publisher that would conduct itself in this way is one I can’t work with in good conscience.”\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13876101/woody-allens-book-will-not-be-published-after-hachette-employees-object","authors":["byline_arts_13876101"],"programs":["arts_1272"],"categories":["arts_73","arts_235"],"tags":["arts_1962","arts_596","arts_5050"],"affiliates":["arts_137"],"featImg":"arts_13876102","label":"arts_1272"},"arts_13875591":{"type":"posts","id":"arts_13875591","meta":{"index":"posts_1591205157","site":"arts","id":"13875591","score":null,"sort":[1582842232000]},"guestAuthors":[],"slug":"teatro-zinzanni-to-return-to-sf-waterfront-permanently","title":"Teatro Zinzanni to Return to SF Waterfront—Permanently","publishDate":1582842232,"format":"standard","headTitle":"Teatro Zinzanni to Return to SF Waterfront—Permanently | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>San Francisco City officials have given the green light for the return of \u003ca href=\"https://zinzanni.com/sf/\" target=\"_blank\" rel=\"noopener noreferrer\">Teatro ZinZanni\u003c/a> to the Embarcadero after an absence of nine years.\u003c/p>\n\u003cp>For just over a decade, from 2000 to 2011, the beloved entertainment spot attracted hundreds of thousands of tourists and locals to Pier 29 with its popular blend of circus, cabaret, comedy and dinner—all of it served up in a vintage wooden tent lined with mirrors and stained glass known as the “spiegeltent.”\u003c/p>\n\u003cp>But the Teatro ZinZanni company, which also has locations in Seattle and Chicago, was forced to shut down its San Francisco operation to make way for the 2013 America’s Cup sailboat race.\u003c/p>\n\u003cp>It’s been negotiating with city officials to reopen ever since.\u003c/p>\n\u003cfigure id=\"attachment_13875623\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13875623\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/RS41644_Palais-Nostalgique-Tent-photo-credit-Teatro-ZinZanni-qut-800x556.jpg\" alt=\"\" width=\"800\" height=\"556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/RS41644_Palais-Nostalgique-Tent-photo-credit-Teatro-ZinZanni-qut-800x556.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/RS41644_Palais-Nostalgique-Tent-photo-credit-Teatro-ZinZanni-qut-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/RS41644_Palais-Nostalgique-Tent-photo-credit-Teatro-ZinZanni-qut-768x534.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/RS41644_Palais-Nostalgique-Tent-photo-credit-Teatro-ZinZanni-qut-1020x709.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/RS41644_Palais-Nostalgique-Tent-photo-credit-Teatro-ZinZanni-qut.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Inside the spiegeltent. \u003ccite>(Teatro ZinZanni)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We have worked for almost a decade to return to the city we love,” said Teatro ZinZanni founder Norman Langill, in a statement about the $142 million project. “We know it would not have been possible without the strong support of the community, our artists and our fans.”\u003c/p>\n\u003cp>Over the past nine years, several circus shows in a similar vein to Teatro ZinZanni emerged in the Bay Area, including the \u003ca href=\"https://thesoileddove.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Soiled Dove\u003c/a>, held in a giant tent pitched on Broadway in downtown Oakland. Teatro ZinZanni’s return, say officials, is intended to be permanent.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Plans for the new Teatro ZinZanni—which will be housed in a different location, a port-owned seawall property at Embarcadero and Broadway (currently a parking lot)—will include a 192-room hotel and surrounding public park.\u003c/p>\n\u003cp>But the spiegeltent itself, known as the “Palais Nostalgique,” will be the same one that operated in San Francisco at Pier 29.\u003c/p>\n\u003cp>Teatro ZinZanni aims to reopen its doors in summer 2022.\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Since closing nine years ago, the beloved dinner theater venue aims to reopen its doors in summer 2022.","status":"publish","parent":0,"modified":1705021217,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":306},"headData":{"title":"Teatro Zinzanni to Return to SF Waterfront—Permanently | KQED","description":"Since closing nine years ago, the beloved dinner theater venue aims to reopen its doors in summer 2022.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Teatro Zinzanni to Return to SF Waterfront—Permanently","datePublished":"2020-02-27T22:23:52.000Z","dateModified":"2024-01-12T01:00:17.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13875591/teatro-zinzanni-to-return-to-sf-waterfront-permanently","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco City officials have given the green light for the return of \u003ca href=\"https://zinzanni.com/sf/\" target=\"_blank\" rel=\"noopener noreferrer\">Teatro ZinZanni\u003c/a> to the Embarcadero after an absence of nine years.\u003c/p>\n\u003cp>For just over a decade, from 2000 to 2011, the beloved entertainment spot attracted hundreds of thousands of tourists and locals to Pier 29 with its popular blend of circus, cabaret, comedy and dinner—all of it served up in a vintage wooden tent lined with mirrors and stained glass known as the “spiegeltent.”\u003c/p>\n\u003cp>But the Teatro ZinZanni company, which also has locations in Seattle and Chicago, was forced to shut down its San Francisco operation to make way for the 2013 America’s Cup sailboat race.\u003c/p>\n\u003cp>It’s been negotiating with city officials to reopen ever since.\u003c/p>\n\u003cfigure id=\"attachment_13875623\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13875623\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/RS41644_Palais-Nostalgique-Tent-photo-credit-Teatro-ZinZanni-qut-800x556.jpg\" alt=\"\" width=\"800\" height=\"556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/RS41644_Palais-Nostalgique-Tent-photo-credit-Teatro-ZinZanni-qut-800x556.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/RS41644_Palais-Nostalgique-Tent-photo-credit-Teatro-ZinZanni-qut-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/RS41644_Palais-Nostalgique-Tent-photo-credit-Teatro-ZinZanni-qut-768x534.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/RS41644_Palais-Nostalgique-Tent-photo-credit-Teatro-ZinZanni-qut-1020x709.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/RS41644_Palais-Nostalgique-Tent-photo-credit-Teatro-ZinZanni-qut.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Inside the spiegeltent. \u003ccite>(Teatro ZinZanni)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We have worked for almost a decade to return to the city we love,” said Teatro ZinZanni founder Norman Langill, in a statement about the $142 million project. “We know it would not have been possible without the strong support of the community, our artists and our fans.”\u003c/p>\n\u003cp>Over the past nine years, several circus shows in a similar vein to Teatro ZinZanni emerged in the Bay Area, including the \u003ca href=\"https://thesoileddove.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Soiled Dove\u003c/a>, held in a giant tent pitched on Broadway in downtown Oakland. Teatro ZinZanni’s return, say officials, is intended to be permanent.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Plans for the new Teatro ZinZanni—which will be housed in a different location, a port-owned seawall property at Embarcadero and Broadway (currently a parking lot)—will include a 192-room hotel and surrounding public park.\u003c/p>\n\u003cp>But the spiegeltent itself, known as the “Palais Nostalgique,” will be the same one that operated in San Francisco at Pier 29.\u003c/p>\n\u003cp>Teatro ZinZanni aims to reopen its doors in summer 2022.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13875591/teatro-zinzanni-to-return-to-sf-waterfront-permanently","authors":["8608"],"programs":["arts_1272"],"categories":["arts_1","arts_235","arts_1003","arts_967"],"tags":["arts_1707","arts_1146"],"featImg":"arts_13875629","label":"arts_1272"},"arts_13875113":{"type":"posts","id":"arts_13875113","meta":{"index":"posts_1591205157","site":"arts","id":"13875113","score":null,"sort":[1582138507000]},"guestAuthors":[],"slug":"oakland-appoints-cultural-affairs-commissioners","title":"Oakland Appoints Cultural Affairs Commissioners After Nine-Year Hiatus","publishDate":1582138507,"format":"standard","headTitle":"Oakland Appoints Cultural Affairs Commissioners After Nine-Year Hiatus | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>Oakland City Council voted Tuesday to approve the appointment of 11 people to the city’s long-dormant Cultural Affairs Commission. [aside postID=arts_13861153,arts_13873207,arts_13866026]\u003c/p>\n\u003cp>The commission, inactive since 2011, will advise city officials on policy affecting the arts, and advocate for the Cultural Funding Program (CFP), which awards $1 million to local artists and nonprofits annually. Its revival marks another step in the city’s fitful efforts to buoy the arts. \u003c/p>\n\u003cp>The appointees are working artists, nonprofit professionals and policy experts including Theo “Aytchan” Williams, director of Carnaval arts group SambaFunk; Jennifer Easton, public art director at Bay Area Rapid Transit; Diane Sanchez, a philanthropy consultant; and Kevin “Kev” Choice, an educator and musician who’s worked with Goapele and Lauryn Hill. (Full list below.) \u003c/p>\n\u003cp>Oakland Mayor Libby Schaaf praised the new commissioners and their connections to the city. “The importance of arts and culture in creating a vibrant and just city is shown by the breadth of experience of the commission members who are dancers, musicians, curators, cultural strategists, educators, non-profit administrators, lawyers, publishers, writers, storytellers, community organizers and civil engineers,” she said in a statement.\u003c/p>\n\u003cp>Williams of SambaFunk, one of the Afro-diasporic dance and drumming organizations based in the city-owned Malonga Casquelourd Center for the Arts, said he’s pleased to represent performing arts often overlooked next to ballet and the symphony. Like most local arts figures with an eye on City Hall, Williams also sees a gap to close between officials’ praise of Oakland’s cultural life and investment in its perseverance. “So the main thing is more funding,” he said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“This conversation is old,” Williams added. “We have a document from ’98 about the woes of the Malonga, what was then the Alice Arts Center, and they’re almost verbatim the same as now.”\u003c/p>\n\u003cp>The commission is an unpaid one- to three-year position, and appointees are ineligible for CFP grants during their tenure. Commissioner Charmin Roundtree-Baaqee also serves on the Public Art Advisory Committee. A total of 93 people applied for the post, according to a staff report, and council members approved Schaaf’s 11 appointments Tuesday night. \u003c/p>\n\u003cp>Roberto Bedoya, Oakland’s cultural affairs manager since 2016, calls the commissioners “ambassadors and advocates,” describing their role as drumming up support for and illustrating the value of the Cultural Funding Program. In 2018, Oakland \u003ca href=\"https://www.kqed.org/arts/13827589/oakland-releases-draft-of-citys-cultural-plan-its-first-in-30-years\">adopted\u003c/a> a Cultural Plan for alleviating cost-of-living pressures on local artists and sustaining community identity, but city officials have not provided funding significant enough to enact most of its recommendations. \u003c/p>\n\u003cp>CFP staff is struggling under increased demand for grants. The number of applications rose 25 percent between 2018 and 2019 to a total of 171, CFP records show. Partly due to the mounting workload, with only a few staffers administering a multi-step ranking and approval process, this year sees the art-in-schools grant category temporarily suspended. According to the Cultural Plan, Oakland’s inflation-adjusted grant-making budget is half of what it was in 2001. \u003c/p>\n\u003cp>And it’s \u003ca href=\"https://www.kqed.org/arts/13861153/its-criminal-cultural-funding-cuts-frustrate-oakland-artists\">shrinking\u003c/a>: A onetime $230,000 nudge to the CFP budget from 2017 lapses this year, resulting in an expected 17 percent reduction. A $100,000 murals set-aside from 2017 also recently disappeared before it could be spent, Bedoya said at a recent committee hearing, due to anticipated revenue shortfalls after council members reduced cannabis taxes. “If I can have commissioners call up and say, ‘Gimme back that money,’ it would help a lot,” Bedoya said. \u003c/p>\n\u003cp>The Cultural Funding Program regularly supports organizations such as Creative Growth, The Crucible, Oakland Ballet, Ubuntu Theater Project and Pro Arts as well as individual artists such as Karen Smith, the subject of a recent \u003ca href=\"https://www.kqed.org/arts/13873207/the-hustle-karen-smith-metalsmith-oakland\">profile\u003c/a> for \u003ca href=\"https://www.kqed.org/thehustle\" rel=\"noopener noreferrer\" target=\"_blank\">The Hustle\u003c/a>, KQED’s series about artists and money. One storyline in Tommy Orange’s acclaimed 2018 novel \u003cem>There, There\u003c/em> draws on the author’s CFP-supported oral history project. \u003c/p>\n\u003cp>The Cultural Affairs Commission appointees are: \u003c/p>\n\u003cp>Roy Chan, Community planning manager at the Chinatown Community Development Center\u003c/p>\n\u003cp>Jennifer Easton, Public art director at San Francisco Bay Area Rapid Transit \u003c/p>\n\u003cp>Michael Orange, Founding director of Matatu\u003c/p>\n\u003cp>Vanessa Whang, Lead consultant on the Cultural Plan \u003c/p>\n\u003cp>Kevin “Kev” Choice, Music instructor at Oakland School for the Arts \u003c/p>\n\u003cp>JK Fowler, Founder and executive director of Nomadic Press\u003c/p>\n\u003cp>Michelle Lee, Founder of Whole Story Group \u003c/p>\n\u003cp>Diane Sanchez, Philanthropy consultant \u003c/p>\n\u003cp>Richard Raya, Legal educator at Centro Legal de la Raza \u003c/p>\n\u003cp>Charmin Roundtree-Baaqee, Founder of Art is Luv \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Theo “Aytchan” Williams, Director of SambaFunk \u003c/p>\n\n","blocks":[],"excerpt":"The commission’s revival marks another step in the city’s fitful efforts to support the arts. ","status":"publish","parent":0,"modified":1705021268,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":25,"wordCount":787},"headData":{"title":"Oakland Appoints Cultural Affairs Commissioners After Nine-Year Hiatus | KQED","description":"The commission’s revival marks another step in the city’s fitful efforts to support the arts. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Oakland Appoints Cultural Affairs Commissioners After Nine-Year Hiatus","datePublished":"2020-02-19T18:55:07.000Z","dateModified":"2024-01-12T01:01:08.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13875113/oakland-appoints-cultural-affairs-commissioners","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland City Council voted Tuesday to approve the appointment of 11 people to the city’s long-dormant Cultural Affairs Commission. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13861153,arts_13873207,arts_13866026","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The commission, inactive since 2011, will advise city officials on policy affecting the arts, and advocate for the Cultural Funding Program (CFP), which awards $1 million to local artists and nonprofits annually. Its revival marks another step in the city’s fitful efforts to buoy the arts. \u003c/p>\n\u003cp>The appointees are working artists, nonprofit professionals and policy experts including Theo “Aytchan” Williams, director of Carnaval arts group SambaFunk; Jennifer Easton, public art director at Bay Area Rapid Transit; Diane Sanchez, a philanthropy consultant; and Kevin “Kev” Choice, an educator and musician who’s worked with Goapele and Lauryn Hill. (Full list below.) \u003c/p>\n\u003cp>Oakland Mayor Libby Schaaf praised the new commissioners and their connections to the city. “The importance of arts and culture in creating a vibrant and just city is shown by the breadth of experience of the commission members who are dancers, musicians, curators, cultural strategists, educators, non-profit administrators, lawyers, publishers, writers, storytellers, community organizers and civil engineers,” she said in a statement.\u003c/p>\n\u003cp>Williams of SambaFunk, one of the Afro-diasporic dance and drumming organizations based in the city-owned Malonga Casquelourd Center for the Arts, said he’s pleased to represent performing arts often overlooked next to ballet and the symphony. Like most local arts figures with an eye on City Hall, Williams also sees a gap to close between officials’ praise of Oakland’s cultural life and investment in its perseverance. “So the main thing is more funding,” he said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“This conversation is old,” Williams added. “We have a document from ’98 about the woes of the Malonga, what was then the Alice Arts Center, and they’re almost verbatim the same as now.”\u003c/p>\n\u003cp>The commission is an unpaid one- to three-year position, and appointees are ineligible for CFP grants during their tenure. Commissioner Charmin Roundtree-Baaqee also serves on the Public Art Advisory Committee. A total of 93 people applied for the post, according to a staff report, and council members approved Schaaf’s 11 appointments Tuesday night. \u003c/p>\n\u003cp>Roberto Bedoya, Oakland’s cultural affairs manager since 2016, calls the commissioners “ambassadors and advocates,” describing their role as drumming up support for and illustrating the value of the Cultural Funding Program. In 2018, Oakland \u003ca href=\"https://www.kqed.org/arts/13827589/oakland-releases-draft-of-citys-cultural-plan-its-first-in-30-years\">adopted\u003c/a> a Cultural Plan for alleviating cost-of-living pressures on local artists and sustaining community identity, but city officials have not provided funding significant enough to enact most of its recommendations. \u003c/p>\n\u003cp>CFP staff is struggling under increased demand for grants. The number of applications rose 25 percent between 2018 and 2019 to a total of 171, CFP records show. Partly due to the mounting workload, with only a few staffers administering a multi-step ranking and approval process, this year sees the art-in-schools grant category temporarily suspended. According to the Cultural Plan, Oakland’s inflation-adjusted grant-making budget is half of what it was in 2001. \u003c/p>\n\u003cp>And it’s \u003ca href=\"https://www.kqed.org/arts/13861153/its-criminal-cultural-funding-cuts-frustrate-oakland-artists\">shrinking\u003c/a>: A onetime $230,000 nudge to the CFP budget from 2017 lapses this year, resulting in an expected 17 percent reduction. A $100,000 murals set-aside from 2017 also recently disappeared before it could be spent, Bedoya said at a recent committee hearing, due to anticipated revenue shortfalls after council members reduced cannabis taxes. “If I can have commissioners call up and say, ‘Gimme back that money,’ it would help a lot,” Bedoya said. \u003c/p>\n\u003cp>The Cultural Funding Program regularly supports organizations such as Creative Growth, The Crucible, Oakland Ballet, Ubuntu Theater Project and Pro Arts as well as individual artists such as Karen Smith, the subject of a recent \u003ca href=\"https://www.kqed.org/arts/13873207/the-hustle-karen-smith-metalsmith-oakland\">profile\u003c/a> for \u003ca href=\"https://www.kqed.org/thehustle\" rel=\"noopener noreferrer\" target=\"_blank\">The Hustle\u003c/a>, KQED’s series about artists and money. One storyline in Tommy Orange’s acclaimed 2018 novel \u003cem>There, There\u003c/em> draws on the author’s CFP-supported oral history project. \u003c/p>\n\u003cp>The Cultural Affairs Commission appointees are: \u003c/p>\n\u003cp>Roy Chan, Community planning manager at the Chinatown Community Development Center\u003c/p>\n\u003cp>Jennifer Easton, Public art director at San Francisco Bay Area Rapid Transit \u003c/p>\n\u003cp>Michael Orange, Founding director of Matatu\u003c/p>\n\u003cp>Vanessa Whang, Lead consultant on the Cultural Plan \u003c/p>\n\u003cp>Kevin “Kev” Choice, Music instructor at Oakland School for the Arts \u003c/p>\n\u003cp>JK Fowler, Founder and executive director of Nomadic Press\u003c/p>\n\u003cp>Michelle Lee, Founder of Whole Story Group \u003c/p>\n\u003cp>Diane Sanchez, Philanthropy consultant \u003c/p>\n\u003cp>Richard Raya, Legal educator at Centro Legal de la Raza \u003c/p>\n\u003cp>Charmin Roundtree-Baaqee, Founder of Art is Luv \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Theo “Aytchan” Williams, Director of SambaFunk \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13875113/oakland-appoints-cultural-affairs-commissioners","authors":["11091"],"programs":["arts_1272"],"categories":["arts_1","arts_835","arts_235"],"tags":["arts_3560","arts_1118","arts_746","arts_596","arts_1143","arts_5637"],"featImg":"arts_13861188","label":"arts_1272"},"arts_13874082":{"type":"posts","id":"arts_13874082","meta":{"index":"posts_1591205157","site":"arts","id":"13874082","score":null,"sort":[1580346166000]},"guestAuthors":[],"slug":"author-tour-for-controversial-american-dirt-is-canceled","title":"Author Tour for Controversial ‘American Dirt’ is Canceled","publishDate":1580346166,"format":"standard","headTitle":"Author Tour for Controversial ‘American Dirt’ is Canceled | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>NEW YORK (AP) — The publisher of Jeanine Cummins’ controversial novel “American Dirt” has canceled the remainder of her promotional tour, citing concerns for her safety.\u003c/p>\n\u003cp>[aside postID='news_11798033' label='What 'American Dirt' Gets Wrong'?']\u003c/p>\n\u003cp>The novel about a Mexican mother and her young son fleeing to the U.S. border had been praised widely before its Jan. 21 release and was chosen by Oprah Winfrey for her book club. But Mexican American writers have been among those strongly criticizing “American Dirt” for stereotypical depictions of Mexicans. Cummins is of Irish and Puerto Rican background and had herself raised questions about the narrative, writing in an author’s note at the end of the book that she had wondered if “someone slightly browner than me” should have done it.\u003c/p>\n\u003cp>“Jeanine Cummins spent five years of her life writing this book with the intent to shine a spotlight on tragedies facing immigrants,” Bob Miller, president and publisher of Flatiron Books, said in a statement Wednesday. “We are saddened that a work of fiction that was well-intentioned has led to such vitriolic rancor.\u003c/p>\n\u003cp>“Unfortunately, our concerns about safety have led us to the difficult decision to cancel the book tour.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Flatiron Books is instead hoping to organize a series of town hall discussions.\u003c/p>\n\u003cp>Cummins, 45, had made a handful of promotional appearances since her book was released, but over the past few days the St. Louis-based Left Bank Books had called off an event and Flatiron had canceled interviews in California. The tour for her heavily promoted book had been scheduled to last at least through mid-February, with planned stops everywhere from Seattle to Oxford, Mississippi.\u003cbr>\nMiller says that the town hall gatherings would include Cummins and her critics, calling it “an opportunity to come together and unearth difficult truths to help us move forward as a community.” On Wednesday, a spokesperson for Winfrey confirmed that Winfrey will meet as planned with the author next month and that the discussion will air in March on Apple TV Plus. “American Dirt” was the third novel picked by Winfrey since she began a partnership with Apple last year.\u003c/p>\n\u003cp>Earlier Wednesday, dozens of authors, including Valeria Luiselli, Viet Thanh Nguyen and Tommy Orange, published an open letter to Winfrey that urged her to reconsider her selection of Cummins’ novel.\u003c/p>\n\u003cp>“The book club provides a seal of approval that can still, we hope, be changed,” they wrote. “Good intentions do not make good literature particularly not when the execution is so faulty, and the outcome so harmful.”\u003c/p>\n\u003cp>Winfrey first chose “American Dirt” last fall, before any criticism had emerged and acknowledged in a pre-publication interview with the AP that she was unaware of any controversy. She has since posted a video on Instagram, saying that she had been following the debate and hoped for a broad discussion.\u003c/p>\n\u003cp>“I’ve spent the past few days listening to members of the Latinx community to get a greater understanding of their concerns, and I hear them. I do,” Winfrey said in the video. “What I want to do is bring people together from all sides to talk about this book.”\u003c/p>\n\u003cp>“American Dirt” has dramatized ongoing issues of diversity in publishing that mirror criticisms of Hollywood. From publishers and editors to booksellers and agents, the book industry is predominantly white. Miller acknowledged that the novel “exposed deep inadequacies” at Flatiron and apologized for how the novel was promoted.\u003c/p>\n\u003cp>“We should never have claimed that it was a novel that defined the migrant experience; we should not have said that Jeanine’s husband was an undocumented immigrant while not specifying that he was from Ireland,” he wrote. He also referred to a picture that surfaced on social media from a promotional dinner last May, when table centerpieces included barbed wire decorations based on the book’s cover image.\u003c/p>\n\u003cp>“We can now see how insensitive those and other decisions were, and we regret them,” Miller said.\u003c/p>\n\u003cp>Flatiron is a division of Macmillan and has had authors ranging from former Vice President Joe Biden to Winfrey, who also has her own imprint at Flatiron that is releasing an Alicia Keys memoir in March.\u003c/p>\n\u003cp>One of Cummins’ leading detractors, Myriam Gurba, tweeted Wednesday that she, too, had security concerns. She wrote she had received death threats because of her criticisms and added “Let’s talk about the SAFETY of MIGRANTS and LATINX ppl. That’s what that book was intended to do, right?”\u003c/p>\n\u003cp>Cummins was defended by Ann Patchett, the author and bookstore owner who runs Parnassus Books in Nashville and gave the book an early blurb. In an email to The Associated Press, she wrote that Cummins had done a “beautiful job talking about the journey she’s been on with this book,” but that she understood the decision to end the tour.\u003c/p>\n\u003cp>“For the record, I loved ‘American Dirt.’ I’ve never in my life seen this kind of public flogging,” she wrote.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Despite the criticism, Cummins’ novel was easily the top-selling work of fiction last week, according to NPD BookScan, which tracks around 85 percent of the print market. “American Dirt” sold more than 48,000 copies during its first week, even topping Delia Owens’ blockbuster “Where the Crawdads Sing,” which sold just under 25,000 copies.\u003c/p>\n\n","blocks":[],"excerpt":"Dozens of authors, including Valeria Luiselli, Viet Thanh Nguyen and Tommy Orange, published an open letter to Oprah Winfrey that urged her to reconsider her selection of Cummins’ novel.","status":"publish","parent":0,"modified":1705021394,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":941},"headData":{"title":"Author Tour for Controversial ‘American Dirt’ is Canceled | KQED","description":"Dozens of authors, including Valeria Luiselli, Viet Thanh Nguyen and Tommy Orange, published an open letter to Oprah Winfrey that urged her to reconsider her selection of Cummins’ novel.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Author Tour for Controversial ‘American Dirt’ is Canceled","datePublished":"2020-01-30T01:02:46.000Z","dateModified":"2024-01-12T01:03:14.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Hillel Italie, Associated Press","path":"/arts/13874082/author-tour-for-controversial-american-dirt-is-canceled","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>NEW YORK (AP) — The publisher of Jeanine Cummins’ controversial novel “American Dirt” has canceled the remainder of her promotional tour, citing concerns for her safety.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11798033","label":"label='What 'American Dirt' Gets Wrong'?'"},"numeric":["label='What","'American","Dirt'","Gets","Wrong'?'"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The novel about a Mexican mother and her young son fleeing to the U.S. border had been praised widely before its Jan. 21 release and was chosen by Oprah Winfrey for her book club. But Mexican American writers have been among those strongly criticizing “American Dirt” for stereotypical depictions of Mexicans. Cummins is of Irish and Puerto Rican background and had herself raised questions about the narrative, writing in an author’s note at the end of the book that she had wondered if “someone slightly browner than me” should have done it.\u003c/p>\n\u003cp>“Jeanine Cummins spent five years of her life writing this book with the intent to shine a spotlight on tragedies facing immigrants,” Bob Miller, president and publisher of Flatiron Books, said in a statement Wednesday. “We are saddened that a work of fiction that was well-intentioned has led to such vitriolic rancor.\u003c/p>\n\u003cp>“Unfortunately, our concerns about safety have led us to the difficult decision to cancel the book tour.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Flatiron Books is instead hoping to organize a series of town hall discussions.\u003c/p>\n\u003cp>Cummins, 45, had made a handful of promotional appearances since her book was released, but over the past few days the St. Louis-based Left Bank Books had called off an event and Flatiron had canceled interviews in California. The tour for her heavily promoted book had been scheduled to last at least through mid-February, with planned stops everywhere from Seattle to Oxford, Mississippi.\u003cbr>\nMiller says that the town hall gatherings would include Cummins and her critics, calling it “an opportunity to come together and unearth difficult truths to help us move forward as a community.” On Wednesday, a spokesperson for Winfrey confirmed that Winfrey will meet as planned with the author next month and that the discussion will air in March on Apple TV Plus. “American Dirt” was the third novel picked by Winfrey since she began a partnership with Apple last year.\u003c/p>\n\u003cp>Earlier Wednesday, dozens of authors, including Valeria Luiselli, Viet Thanh Nguyen and Tommy Orange, published an open letter to Winfrey that urged her to reconsider her selection of Cummins’ novel.\u003c/p>\n\u003cp>“The book club provides a seal of approval that can still, we hope, be changed,” they wrote. “Good intentions do not make good literature particularly not when the execution is so faulty, and the outcome so harmful.”\u003c/p>\n\u003cp>Winfrey first chose “American Dirt” last fall, before any criticism had emerged and acknowledged in a pre-publication interview with the AP that she was unaware of any controversy. She has since posted a video on Instagram, saying that she had been following the debate and hoped for a broad discussion.\u003c/p>\n\u003cp>“I’ve spent the past few days listening to members of the Latinx community to get a greater understanding of their concerns, and I hear them. I do,” Winfrey said in the video. “What I want to do is bring people together from all sides to talk about this book.”\u003c/p>\n\u003cp>“American Dirt” has dramatized ongoing issues of diversity in publishing that mirror criticisms of Hollywood. From publishers and editors to booksellers and agents, the book industry is predominantly white. Miller acknowledged that the novel “exposed deep inadequacies” at Flatiron and apologized for how the novel was promoted.\u003c/p>\n\u003cp>“We should never have claimed that it was a novel that defined the migrant experience; we should not have said that Jeanine’s husband was an undocumented immigrant while not specifying that he was from Ireland,” he wrote. He also referred to a picture that surfaced on social media from a promotional dinner last May, when table centerpieces included barbed wire decorations based on the book’s cover image.\u003c/p>\n\u003cp>“We can now see how insensitive those and other decisions were, and we regret them,” Miller said.\u003c/p>\n\u003cp>Flatiron is a division of Macmillan and has had authors ranging from former Vice President Joe Biden to Winfrey, who also has her own imprint at Flatiron that is releasing an Alicia Keys memoir in March.\u003c/p>\n\u003cp>One of Cummins’ leading detractors, Myriam Gurba, tweeted Wednesday that she, too, had security concerns. She wrote she had received death threats because of her criticisms and added “Let’s talk about the SAFETY of MIGRANTS and LATINX ppl. That’s what that book was intended to do, right?”\u003c/p>\n\u003cp>Cummins was defended by Ann Patchett, the author and bookstore owner who runs Parnassus Books in Nashville and gave the book an early blurb. In an email to The Associated Press, she wrote that Cummins had done a “beautiful job talking about the journey she’s been on with this book,” but that she understood the decision to end the tour.\u003c/p>\n\u003cp>“For the record, I loved ‘American Dirt.’ I’ve never in my life seen this kind of public flogging,” she wrote.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Despite the criticism, Cummins’ novel was easily the top-selling work of fiction last week, according to NPD BookScan, which tracks around 85 percent of the print market. “American Dirt” sold more than 48,000 copies during its first week, even topping Delia Owens’ blockbuster “Where the Crawdads Sing,” which sold just under 25,000 copies.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13874082/author-tour-for-controversial-american-dirt-is-canceled","authors":["byline_arts_13874082"],"programs":["arts_1272"],"categories":["arts_73","arts_235"],"featImg":"arts_13873826","label":"arts_1272"},"arts_13873582":{"type":"posts","id":"arts_13873582","meta":{"index":"posts_1591205157","site":"arts","id":"13873582","score":null,"sort":[1579711059000]},"guestAuthors":[],"slug":"new-leadership-for-sffilm","title":"New Leadership for SFFILM","publishDate":1579711059,"format":"audio","headTitle":"New Leadership for SFFILM | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://sffilm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SFFILM\u003c/a>, the non-profit which oversees the annual San Francisco International Film Festival, has appointed a new leader.\u003c/p>\n\u003cp>\u003ca href=\"https://www.imdb.com/name/nm0481666/\" target=\"_blank\" rel=\"noopener noreferrer\">Anne Lai\u003c/a>‘s resume is packed with high-profile Hollywood projects. She served as director Ridley Scott’s assistant on the big-budget spectacular \u003cem>Gladiator\u003c/em> starring Russell Crowe. She also worked as a \u003cspan style=\"font-weight: 400\">development executive \u003c/span>on other Scott projects, like \u003cem>Hannibal\u003c/em> and \u003cem>Black Hawk Down\u003c/em>.\u003c/p>\n\u003cp>But she’s spent the past 12 years at the Sundance Institute, nurturing emerging filmmakers in her role as director of creative producing and artist support.\u003c/p>\n\u003cp>“I love that San Francisco is home to many wonderful filmmakers, and having that base is a fundamental strength in growing a next generation of artists,” said Lai, responding to KQED’s questions via email. “There are lots of ideas to explore—within existing programs and potential new ones. One avenue I particularly believe in is creating connections and opportunities for artists to mentor each other, and generally be a sounding board for each other as they navigate creative, career, and strategic paths forward. I think that this type of relationship building can have a big impact on sustaining a career in filmmaking.”\u003c/p>\n\u003cp>Some of Lai’s projects to date have included local Bay Area talent, like Boots Riley’s \u003cem>Sorry to Bother You\u003c/em> and Joe Talbot’s \u003cem>The Last Black Man in San Francisco.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Filmmakers are at the center of our work, no matter if you’re talking about our youth education, artist development, or exhibition programs—and Anne has an excellent track record for championing important storytellers throughout her career,” said Rachel Rosen, SFFILM’s director of Programming, who plans to leave the organization after 20 years of service this summer to pursue consulting. “Her clear dedication to artists is going to plug in perfectly to our work in making sure important films are made, seen, and appreciated. She loves film and believes in its future, and that’s going to be a great match for our passionate audiences and the Bay Area arts community at large.”\u003c/p>\n\u003cp>Lai, who’s 48, was born and raised in Dayton, Ohio. She studied at the University of Michigan, and received a film production degree from the University of Southern California.\u003c/p>\n\u003cp>“Anne has supported all of our artists in a robust and meaningful continuum of support throughout the year,” said Michelle Satter, the founding director of the Sundance Institute’s Feature Film Program. “She has made an indelible and extraordinary contribution to the work of the Institute, especially in the creation of our work supporting producers and the field and the many filmmakers who got their films made with her insights, connections and creative and tactical feedback.”\u003c/p>\n\u003cp>Lai’s appointment comes approximately 10 months after former SFFILM executive director Noah Cowan unexpectedly resigned. (A spokesperson for SFFILM said Cowan is currently running a consultancy for film organizations and distribution agencies in Los Angeles.)\u003c/p>\n\u003cp>The organization has experienced a lot of change at the top in recent years. Prior to Cowan, SFFILM churned through four other executive directors in as many years.\u003c/p>\n\u003cp>Lai said the recent instability of SFFILM’s leadership isn’t a reflection of the organization as a whole.\u003c/p>\n\u003cp>“The overall organization, which includes the festival as well as its artist development and education programs, has been remarkably steady and strong, which I attribute to its tremendous staff and board,” Lai said. “I can only speak to my own intent, which is a huge desire to create a stable and healthy environment for SFFILM to continue to thrive.”\u003c/p>\n\u003cp>The San Francisco International Film Festival was founded in 1957 and is one of the country’s longest running annual movie gatherings.\u003c/p>\n\u003cp>Other Bay Area film organizations are excited about Lai’s arrival. “We congratulate SFFILM on selecting Anne to lead this important and vital San Francisco film institution,” said Stephen Gong, executive director of the \u003ca href=\"https://caamedia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Center for Asian American Media\u003c/a>. “We know Anne from her great work at the Sundance Institute and look forward to working with her to strengthen the Bay Area film community.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Lai is scheduled to start her new role in March, just in time for this year’s San Francisco International Film Festival, running April 8–21.\u003c/p>\n\n","blocks":[],"excerpt":"Anne Lai's resume is packed with high-profile Hollywood projects, but she's spent the past 12 years nurturing emerging filmmaking talent.","status":"publish","parent":0,"modified":1705021450,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":741},"headData":{"title":"New Leadership for SFFILM | KQED","description":"Anne Lai's resume is packed with high-profile Hollywood projects, but she's spent the past 12 years nurturing emerging filmmaking talent.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"New Leadership for SFFILM","datePublished":"2020-01-22T16:37:39.000Z","dateModified":"2024-01-12T01:04:10.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/2020/01/SFInternationalFilmFestivalAppointsNewLeader.mp3","sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13873582/new-leadership-for-sffilm","audioDuration":54000,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://sffilm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SFFILM\u003c/a>, the non-profit which oversees the annual San Francisco International Film Festival, has appointed a new leader.\u003c/p>\n\u003cp>\u003ca href=\"https://www.imdb.com/name/nm0481666/\" target=\"_blank\" rel=\"noopener noreferrer\">Anne Lai\u003c/a>‘s resume is packed with high-profile Hollywood projects. She served as director Ridley Scott’s assistant on the big-budget spectacular \u003cem>Gladiator\u003c/em> starring Russell Crowe. She also worked as a \u003cspan style=\"font-weight: 400\">development executive \u003c/span>on other Scott projects, like \u003cem>Hannibal\u003c/em> and \u003cem>Black Hawk Down\u003c/em>.\u003c/p>\n\u003cp>But she’s spent the past 12 years at the Sundance Institute, nurturing emerging filmmakers in her role as director of creative producing and artist support.\u003c/p>\n\u003cp>“I love that San Francisco is home to many wonderful filmmakers, and having that base is a fundamental strength in growing a next generation of artists,” said Lai, responding to KQED’s questions via email. “There are lots of ideas to explore—within existing programs and potential new ones. One avenue I particularly believe in is creating connections and opportunities for artists to mentor each other, and generally be a sounding board for each other as they navigate creative, career, and strategic paths forward. I think that this type of relationship building can have a big impact on sustaining a career in filmmaking.”\u003c/p>\n\u003cp>Some of Lai’s projects to date have included local Bay Area talent, like Boots Riley’s \u003cem>Sorry to Bother You\u003c/em> and Joe Talbot’s \u003cem>The Last Black Man in San Francisco.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Filmmakers are at the center of our work, no matter if you’re talking about our youth education, artist development, or exhibition programs—and Anne has an excellent track record for championing important storytellers throughout her career,” said Rachel Rosen, SFFILM’s director of Programming, who plans to leave the organization after 20 years of service this summer to pursue consulting. “Her clear dedication to artists is going to plug in perfectly to our work in making sure important films are made, seen, and appreciated. She loves film and believes in its future, and that’s going to be a great match for our passionate audiences and the Bay Area arts community at large.”\u003c/p>\n\u003cp>Lai, who’s 48, was born and raised in Dayton, Ohio. She studied at the University of Michigan, and received a film production degree from the University of Southern California.\u003c/p>\n\u003cp>“Anne has supported all of our artists in a robust and meaningful continuum of support throughout the year,” said Michelle Satter, the founding director of the Sundance Institute’s Feature Film Program. “She has made an indelible and extraordinary contribution to the work of the Institute, especially in the creation of our work supporting producers and the field and the many filmmakers who got their films made with her insights, connections and creative and tactical feedback.”\u003c/p>\n\u003cp>Lai’s appointment comes approximately 10 months after former SFFILM executive director Noah Cowan unexpectedly resigned. (A spokesperson for SFFILM said Cowan is currently running a consultancy for film organizations and distribution agencies in Los Angeles.)\u003c/p>\n\u003cp>The organization has experienced a lot of change at the top in recent years. Prior to Cowan, SFFILM churned through four other executive directors in as many years.\u003c/p>\n\u003cp>Lai said the recent instability of SFFILM’s leadership isn’t a reflection of the organization as a whole.\u003c/p>\n\u003cp>“The overall organization, which includes the festival as well as its artist development and education programs, has been remarkably steady and strong, which I attribute to its tremendous staff and board,” Lai said. “I can only speak to my own intent, which is a huge desire to create a stable and healthy environment for SFFILM to continue to thrive.”\u003c/p>\n\u003cp>The San Francisco International Film Festival was founded in 1957 and is one of the country’s longest running annual movie gatherings.\u003c/p>\n\u003cp>Other Bay Area film organizations are excited about Lai’s arrival. “We congratulate SFFILM on selecting Anne to lead this important and vital San Francisco film institution,” said Stephen Gong, executive director of the \u003ca href=\"https://caamedia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Center for Asian American Media\u003c/a>. “We know Anne from her great work at the Sundance Institute and look forward to working with her to strengthen the Bay Area film community.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Lai is scheduled to start her new role in March, just in time for this year’s San Francisco International Film Festival, running April 8–21.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13873582/new-leadership-for-sffilm","authors":["8608"],"programs":["arts_1272"],"categories":["arts_1","arts_74","arts_235"],"tags":["arts_3772"],"featImg":"arts_13873589","label":"arts_1272"},"arts_13873585":{"type":"posts","id":"arts_13873585","meta":{"index":"posts_1591205157","site":"arts","id":"13873585","score":null,"sort":[1579653058000]},"guestAuthors":[],"slug":"warhol-foundation-awards-bay-area-arts-organizations-482000","title":"Warhol Foundation Awards Bay Area Arts Organizations $482,000","publishDate":1579653058,"format":"standard","headTitle":"Warhol Foundation Awards Bay Area Arts Organizations $482,000 | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>On Thursday, the Andy Warhol Foundation for the Visual Arts announced seven grants totaling $482,000 for Bay Area arts organizations and curators. This is part of $3.93 million in awards distributed nationally. [aside postID=arts_13873401,arts_13873232]\u003c/p>\n\u003cp>The local institutional recipients, selected from more than 250 applicants for fall funding, are Berkeley Art Museum and Pacfic Film Archive (BAMPFA), Oakland Museum of California (OMCA), San Francisco Art Institute (SFAI) and Canyon Cinema. Curators at BAMPFA, the Asian Art Museum of San Francisco and San Jose Museum of Art, also received research support. \u003c/p>\n\u003cp>BAMPFA received $100,000 for \u003cem>New Time: Art and Feminism in the 21st Century\u003c/em>, a survey of recent feminist art practices. The show anchors nationwide programming by dozens of institutions in the \u003ca href=\"https://feministartcoalition.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Feminist Art Coalition\u003c/a> during the 2020 presidential election. The coalition itself evolved from BAMPFA curator Apsara DiQuinzio’s Warhol Foundation-supported work in 2017. \u003c/p>\n\u003cp>The foundation also awarded OMCA $75,000 in exhibition support for \u003cem>Mothership: An Exploration into Afrofuturism\u003c/em>, and SFAI received $100,000 for \u003cem>Carlos Villa: A Retrospective of Ritual and Action\u003c/em>. Meanwhile, Canyon Cinema, the avant-garde and experimental film distributor in San Francisco, received a $60,000 grant for program support over two years. \u003c/p>\n\u003cp>The Bay Area was also well-represented in the Warhol Foundation’s curatorial research grant category, with local curators receiving three of seven awards ranging from $47,000 to $50,000. Their projects will shine new light on little-known international art movements and artists’ roles in political revolutions, eventually yielding scholarship and exhibitions, according to the announcement. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13847147/curator-abby-chen-to-head-asian-art-museums-contemporary-art-department\" rel=\"noopener noreferrer\" target=\"_blank\">Abby Chen\u003c/a>, head of the Asian Art Museum of San Francisco’s contemporary art department, is investigating Hong Kong artist-activists’ response to recent political turmoil. Lauren Schell Dickens, senior curator at the San Jose Museum of Art, is focused on themes of nationhood, identity, migration and colonialism in Filipino art, and BAMPFA’s senior film curator Susan Oxtoby is examining Indian cinema with an eye toward surfacing the work of women filmmakers. \u003c/p>\n\u003cp>In a statement, foundation president Joel Wachs said the selection “highlights the foundation’s commitment to art and exhibition-making that takes risks, and to its belief that artists are key contributors to sociopolitical and critical conversations taking place across the country.” \u003c/p>\n\u003cp>Rachel Bers, the foundation’s program director, made a similar statement. “In a moment when so much is at stake politically, socially and culturally, we are heartened to see such robust artistic engagement with the complexities, inequities and challenges of our time,” Bers said.\u003c/p>\n\u003cp>This funding round brings the Warhol Foundation’s total grants for the year to $7.94 million.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The announcement \u003ca href=\"https://www.kqed.org/arts/13873401/national-endowment-for-the-arts-awards-1-7-million-to-bay-area-arts-groups\" target=\"_blank\" rel=\"noopener noreferrer\">follows\u003c/a> \u003ca href=\"https://www.kqed.org/arts/13873232/3-bay-area-artists-receive-100000-creative-capital-grants\" target=\"_blank\" rel=\"noopener noreferrer\">news\u003c/a> of millions of dollars in funding for other local artists and arts organizations from national grant-makers Creative Capital and National Endowment for the Arts. \u003c/p>\n\n","blocks":[],"excerpt":"Among the recipients, BAMPFA received $100,000 for an exhibition anchoring nationwide programming by institutions in the Feminist Art Coalition. ","status":"publish","parent":0,"modified":1705021458,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":481},"headData":{"title":"Warhol Foundation Awards Bay Area Arts Organizations $482,000 | KQED","description":"Among the recipients, BAMPFA received $100,000 for an exhibition anchoring nationwide programming by institutions in the Feminist Art Coalition. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Warhol Foundation Awards Bay Area Arts Organizations $482,000","datePublished":"2020-01-22T00:30:58.000Z","dateModified":"2024-01-12T01:04:18.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13873585/warhol-foundation-awards-bay-area-arts-organizations-482000","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Thursday, the Andy Warhol Foundation for the Visual Arts announced seven grants totaling $482,000 for Bay Area arts organizations and curators. This is part of $3.93 million in awards distributed nationally. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13873401,arts_13873232","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The local institutional recipients, selected from more than 250 applicants for fall funding, are Berkeley Art Museum and Pacfic Film Archive (BAMPFA), Oakland Museum of California (OMCA), San Francisco Art Institute (SFAI) and Canyon Cinema. Curators at BAMPFA, the Asian Art Museum of San Francisco and San Jose Museum of Art, also received research support. \u003c/p>\n\u003cp>BAMPFA received $100,000 for \u003cem>New Time: Art and Feminism in the 21st Century\u003c/em>, a survey of recent feminist art practices. The show anchors nationwide programming by dozens of institutions in the \u003ca href=\"https://feministartcoalition.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Feminist Art Coalition\u003c/a> during the 2020 presidential election. The coalition itself evolved from BAMPFA curator Apsara DiQuinzio’s Warhol Foundation-supported work in 2017. \u003c/p>\n\u003cp>The foundation also awarded OMCA $75,000 in exhibition support for \u003cem>Mothership: An Exploration into Afrofuturism\u003c/em>, and SFAI received $100,000 for \u003cem>Carlos Villa: A Retrospective of Ritual and Action\u003c/em>. Meanwhile, Canyon Cinema, the avant-garde and experimental film distributor in San Francisco, received a $60,000 grant for program support over two years. \u003c/p>\n\u003cp>The Bay Area was also well-represented in the Warhol Foundation’s curatorial research grant category, with local curators receiving three of seven awards ranging from $47,000 to $50,000. Their projects will shine new light on little-known international art movements and artists’ roles in political revolutions, eventually yielding scholarship and exhibitions, according to the announcement. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13847147/curator-abby-chen-to-head-asian-art-museums-contemporary-art-department\" rel=\"noopener noreferrer\" target=\"_blank\">Abby Chen\u003c/a>, head of the Asian Art Museum of San Francisco’s contemporary art department, is investigating Hong Kong artist-activists’ response to recent political turmoil. Lauren Schell Dickens, senior curator at the San Jose Museum of Art, is focused on themes of nationhood, identity, migration and colonialism in Filipino art, and BAMPFA’s senior film curator Susan Oxtoby is examining Indian cinema with an eye toward surfacing the work of women filmmakers. \u003c/p>\n\u003cp>In a statement, foundation president Joel Wachs said the selection “highlights the foundation’s commitment to art and exhibition-making that takes risks, and to its belief that artists are key contributors to sociopolitical and critical conversations taking place across the country.” \u003c/p>\n\u003cp>Rachel Bers, the foundation’s program director, made a similar statement. “In a moment when so much is at stake politically, socially and culturally, we are heartened to see such robust artistic engagement with the complexities, inequities and challenges of our time,” Bers said.\u003c/p>\n\u003cp>This funding round brings the Warhol Foundation’s total grants for the year to $7.94 million.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The announcement \u003ca href=\"https://www.kqed.org/arts/13873401/national-endowment-for-the-arts-awards-1-7-million-to-bay-area-arts-groups\" target=\"_blank\" rel=\"noopener noreferrer\">follows\u003c/a> \u003ca href=\"https://www.kqed.org/arts/13873232/3-bay-area-artists-receive-100000-creative-capital-grants\" target=\"_blank\" rel=\"noopener noreferrer\">news\u003c/a> of millions of dollars in funding for other local artists and arts organizations from national grant-makers Creative Capital and National Endowment for the Arts. \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13873585/warhol-foundation-awards-bay-area-arts-organizations-482000","authors":["11091"],"programs":["arts_1272"],"categories":["arts_1","arts_70"],"tags":["arts_3560","arts_2227","arts_1118","arts_1730","arts_596","arts_2755"],"featImg":"arts_11283308","label":"arts_1272"},"arts_13873401":{"type":"posts","id":"arts_13873401","meta":{"index":"posts_1591205157","site":"arts","id":"13873401","score":null,"sort":[1579190447000]},"guestAuthors":[],"slug":"national-endowment-for-the-arts-awards-1-7-million-to-bay-area-arts-groups","title":"National Endowment for the Arts Awards $1.7 Million to Bay Area Arts Groups","publishDate":1579190447,"format":"standard","headTitle":"National Endowment for the Arts Awards $1.7 Million to Bay Area Arts Groups | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>The National Endowment for the Arts (NEA) on Wednesday \u003ca href=\"https://www.arts.gov/news/2020/national-endowment-arts-announces-arts-project-grants-all-50-states-district-columbia-and\">announced\u003c/a> 1,187 grants totaling $27.3 million for arts organizations in every state in the nation, as well as the District of Columbia and Puerto Rico, including $1,730,000 for 72 groups in the nine-county Bay Area. [aside postID=arts_13873232,arts_13849264,arts_13831888]\u003c/p>\n\u003cp>The recipients include literary, film, dance, theater, music and visual arts organizations from granite-stepped institutions to tiny enterprises. All of the projects “connect people through shared experiences and artistic expression,” NEA chair Mary Anne Carter said in a statement.\u003c/p>\n\u003cp>New projects supported include San Francisco Museum of Modern Art’s Dawoud Bey photography retrospective; Anne Bluethenthal and Dancers collaboration with Skywatchers ensemble, \u003cem>Life in the Containment Zone\u003c/em>; playwright Ricardo Pérez González’s premiere \u003cem>Don’t Eat the Mangos\u003c/em>; and choreographer Deborah Slater’s \u003cem>inCIVILITY: A Seat at the Table\u003c/em>. \u003c/p>\n\u003cp>Grants in the “Art Works” category range $10,000-$100,000 and recognize projects that celebrate creativity and cultural heritage, while the $10,000 “Challenge America” awards support small and mid-sized organizations serving remote or marginalized populations. \u003c/p>\n\u003cp>President Donald Trump has for the past three years in a row proposed eliminating the NEA and its sister agency the National Endowment for the Humanities entirely. Congress has each time rejected Trump’s proposal, and last year actually boosted the agencies budgets by millions.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Creative Capital, the New York grant-making outfit formed 20 years ago in part to counter deep 1990s cuts to the NEA, also on Wednesday announced $100,000 awards for three local artists. \u003c/p>\n\u003cp>Below is a complete list of the local organizations to receive NEA funding this year. \u003c/p>\n\u003cp>Berkeley Repertory Theatre (aka Berkeley Rep)\u003cbr>\n$50,000 Berkeley, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the creation and development of new work in The Ground Floor program.\u003c/p>\n\u003cp>California Shakespeare Theater (aka Cal Shakes)\u003cbr>\n$30,000 Berkeley, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the creation and the world premiere production of a new play by Leila Buck and Evren Odcikin, and related project activities. \u003c/p>\n\u003cp>Central Works\u003cbr>\n$15,000 Berkeley, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the development and world premiere production of Tres Hermanas, a new play by Cristina Garcia. \u003c/p>\n\u003cp>Kala Institute\u003cbr>\n$25,000 Berkeley, CA\u003cbr>\nArt Works – Artist\u003cbr>\nCommunities To support residencies for artists working in print and digital media. \u003c/p>\n\u003cp>Small Press Distribution, Inc. (aka SPD)\u003cbr>\n$60,000 Berkeley, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support services to literary small press publishers, including the distribution and marketing of books.\u003c/p>\n\u003cp>Aimusic School\u003cbr>\n$20,000 Cupertino, CA\u003cbr>\nArt Works – Folk & Traditional Arts\u003cbr>\nTo support performances of traditional Chinese music and related educational activities.\u003c/p>\n\u003cp>Healdsburg Jazz Festival, Inc. (aka Healdsburg Jazz)\u003cbr>\n$20,000 Healdsburg, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support Artist and Inspiration: A Woman’s Spirit in Sound performances at the Healdsburg Jazz Festival.\u003c/p>\n\u003cp>API Cultural Center (aka Oakland Asian Cultural Center (OACC))\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support a performing arts program focused on world music and traditional Vietnamese instruments\u003c/p>\n\u003cp>AXIS Dance Company (aka AXIS)\u003cbr>\n$30,000 Oakland, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support a national tour of dance performances and engagement activities.\u003c/p>\n\u003cp>Bay Area Children’s Theatre (aka BACT)\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a Theatre for the Very Young production of Wheels on the Bus. \u003c/p>\n\u003cp>California Humanities\u003cbr>\n$20,000 Oakland, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support a touring program of independent films at community colleges throughout California. \u003c/p>\n\u003cp>Creative Growth, Inc.\u003cbr>\n$55,000 Oakland, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support programming for artists with disabilities. \u003c/p>\n\u003cp>Destiny Arts Center (aka Destiny or Destiny Arts)\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support spoken word and dance programming for youth. \u003c/p>\n\u003cp>Living Jazz\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support a music concert honoring Dr. Martin Luther King, Jr. \u003c/p>\n\u003cp>Omnira Institute\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support the Black-Eyed Pea Festival, a celebration of African-American music and art. \u003c/p>\n\u003cp>Project Bandaloop (aka BANDALOOP)\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the creation of a comprehensive archival plan with an in-house consultant versed in digital archiving.\u003c/p>\n\u003cp>Transit Books\u003cbr>\n$15,000 Oakland, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support the publication and promotion of books of fiction and nonfiction, including work in translation.\u003c/p>\n\u003cp>Djerassi Resident Artists Program\u003cbr>\n$35,000 Redwood City, CA\u003cbr>\nArt Works – Artist Communities\u003cbr>\nTo support artist residencies as part of the Playwright’s Initiative. \u003c/p>\n\u003cp>East Bay Center for the Performing Arts\u003cbr>\n$40,000 Richmond, CA\u003cbr>\nArt Works – Arts Education\u003cbr>\nTo support the Young Artist Diploma Program, a multidisciplinary arts education program for middle and high school students. \u003c/p>\n\u003cp>3rd I South Asian Independent Film (aka 3rd i Films)\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support 3rd i Films’ San Francisco International South Asian Film Festival and associated public programming. \u003c/p>\n\u003cp>Abada-Capoeira San Francisco\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Folk & Traditional Arts\u003cbr>\nTo support a series of educational workshops and a culminating performance. \u003c/p>\n\u003cp>American Conservatory Theatre Foundation (aka American Conservatory Theater)\u003cbr>\n$50,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a production of Toni Stone by Lydia R. Diamond. \u003c/p>\n\u003cp>Anne Bluethenthal and Dancers (aka ABD Productions)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the presentation of Life in the Containment Zone, directed by choreographer Anne Bluethenthal in collaboration with the ensemble Skywatchers. \u003c/p>\n\u003cp>Art of the Matter Performance Foundation (aka Deborah Slater Dance Theater)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the premiere of inCIVILITY: A Seat at the Table by choreographer Deborah Slater. \u003c/p>\n\u003cp>Asian Pacific Islander Cultural Center (aka APICC)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nChallenge America\u003cbr>\nTo support The United States of Asian America Festival, a multidisciplinary arts festival celebrating Asian and Pacific Islander American culture.\u003c/p>\n\u003cp>Bay Area Video Coalition, Inc. (aka BAVC)\u003cbr>\n$40,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the provision of video and audio preservation services.\u003c/p>\n\u003cp>California Lawyers for the Arts, Inc.\u003cbr>\n$60,000 San Francisco, CA\u003cbr>\nArt Works – Local Arts Agencies\u003cbr>\nTo support a multistate expansion of the Arts in Corrections Initiative. \u003c/p>\n\u003cp>Canyon Cinema Foundation (aka Canyon Cinema)\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support a curatorial fellowship, screening series, and national touring program of experimental film and video works. \u003c/p>\n\u003cp>Center for Asian American Media (aka CAAM)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support CAAMFest, a media arts festival that showcases the work of Asian and Asian-American artists, and related public programming. \u003c/p>\n\u003cp>Center for the Art of Translation\u003cbr>\n$50,000 San Francisco, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support the publication and promotion of international literature. \u003c/p>\n\u003cp>Chinese Culture Foundation of San Francisco (aka Chinese Culture Center)\u003cbr>\n$40,000 San Francisco, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support an exhibition exploring issues related to gender equity, civil rights, and inclusion. \u003c/p>\n\u003cp>City and County of San Francisco, California\u003cbr>\n$45,000 San Francisco, CA\u003cbr>\nArt Works – Local Arts Agencies\u003cbr>\nTo support a series of visual arts exhibitions and related programming commemorating the 50th anniversary of the San Francisco Arts Commission Galleries.\u003c/p>\n\u003cp>CounterPulse\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the Artist Residency and Commissioning (ARC) program, which provides space and support for emerging and mid-career choreographers.\u003c/p>\n\u003cp>Crowded Fire Theater Company (aka Crowded Fire)\u003cbr>\n$10,000\u003cbr>\nSan Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a production of The Displaced by Isaac Gomez. \u003c/p>\n\u003cp>Eyes and Ears Foundation (aka San Francisco International Arts Festival)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Presenting & Multidisciplinary Works\u003cbr>\nTo support artist fees and travel stipends as part of the San Francisco International Arts Festival. \u003c/p>\n\u003cp>Flyaway Productions\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support performances of Meet Us Quickly With Your Mercy by choreographer Jo Kreiter. \u003c/p>\n\u003cp>foolsFURY Theater Company (aka foolsFURY)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the FURY Factory Festival of Ensemble and Devised Theater. \u003c/p>\n\u003cp>Frameline\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the 44th San Francisco International LGBTQ+ Film Festival and Frameline Encore, a free year-round film exhibition program. \u003c/p>\n\u003cp>Golden Thread Productions\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a co-production of At The Periphery by Sedef Ecer, in a new translation by Evren Odcikin. \u003c/p>\n\u003cp>Gray Area Foundation for the Arts, Inc (aka Gray Area)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the Gray Area Festival and associated public programs.\u003c/p>\n\u003cp>Inneract Project, Inc\u003cbr>\n$20,000 SAN FRANCISCO, CA\u003cbr>\nArt Works – Design\u003cbr>\nTo support the Youth Design Academy, a series of programs introducing design concepts to middle and high school students.\u003c/p>\n\u003cp>Jewish Community Center of San Francisco (aka JCCSF)\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Presenting & Multidisciplinary Works\u003cbr>\nTo support arts programming components of the Re-imagine Freedom series. \u003c/p>\n\u003cp>Kronos Performing Arts Association (aka Kronos Quartet)\u003cbr>\n$35,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support the Kronos Festival. \u003c/p>\n\u003cp>Magic Theatre, Inc.\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the world premiere production of Don’t Eat the Mangos, a new play by Ricardo Pérez González. \u003c/p>\n\u003cp>ODC (aka ODC/Dance)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the creation and presentation of Decameron, Up for Air, a new dance work by ODC/Dance. \u003c/p>\n\u003cp>ODC Theater\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the creation and presentation of dance works as part of the performance series Interventions and Collaborations. \u003c/p>\n\u003cp>Open Architecture Collaborative, Inc.\u003cbr>\n$25,000 San Francisco, CA\u003cbr>\nArt Works – Design\u003cbr>\nTo support Pathways to Equity Fellowship, a leadership development program for community design practitioners. \u003c/p>\n\u003cp>Opera Parallele\u003cbr>\n$30,000 San Francisco, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support the world premiere of a revised and re-orchestrated production of Harvey Milk by composer Stewart Wallace and librettist Michael Korie.\u003c/p>\n\u003cp>Other Minds\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support the 25th annual Other Minds new music festival.\u003c/p>\n\u003cp>Philharmonia Baroque Orchestra and Chorale\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support performances of Aci, Galatea, e Polifemo by George Frideric Handel, with re-imagined recitatives by composer and sound designer Mark Grey. \u003c/p>\n\u003cp>Root Division\u003cbr>\n$25,000 San Francisco, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support the Second Saturday Exhibition Series, a collection of visual arts events and presentations of work by Bay Area artists. \u003c/p>\n\u003cp>San Francisco Cinematheque\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support public engagement activities for Crossroads 2020, a festival dedicated to experimental film, video, and performance-based cinema. \u003c/p>\n\u003cp>San Francisco Film Society (aka SFFILM)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the San Francisco International Film Festival and other curated film series. \u003c/p>\n\u003cp>San Francisco Green Film Festival (aka Green Film Fest)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the Impact Film program at the San Francisco Green Film Festival. \u003c/p>\n\u003cp>San Francisco Jazz Organization (aka SFJAZZ)\u003cbr>\n$30,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support the SFJAZZ Collective’s commissioning, development, and performance of new original works and touring activities. \u003c/p>\n\u003cp>San Francisco Jewish Film Festival (aka Jewish Film Institute)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support travel, theater rental, and staff costs for the Jewish Film Institute’s 40th San Francisco Jewish Film Festival.\u003c/p>\n\u003cp>San Francisco Museum of Modern Art (aka SFMOMA)\u003cbr>\n$45,000 San Francisco, CA\u003cbr>\nArt Works – Museums\u003cbr>\nTo support a traveling exhibition and catalogue of the work of photographer Dawoud Bey (b. 1953).\u003c/p>\n\u003cp>San Francisco Opera Association\u003cbr>\n$80,000 San Francisco, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support the west coast premiere of The Handmaid’s Tale by composer Poul Ruders and librettist Paul Bentley. \u003c/p>\n\u003cp>San Francisco Symphony (aka SFS)\u003cbr>\n$75,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support staff salaries and artist fees for an artist-in-residence program. \u003c/p>\n\u003cp>Southern Exposure (aka SoEx)\u003cbr>\n$25,000 San Francisco, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support a group exhibition and a series of public programs. \u003c/p>\n\u003cp>Stern Grove Festival Association\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Presenting & Multidisciplinary Works\u003cbr>\nTo support artist fees for the Stern Grove Festival. \u003c/p>\n\u003cp>Theatre of Yugen, Incorporated (aka Theatre of Yugen)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the creation and performance of the Native-Noh Project, a new work exploring the intersection of the Native American and Japanese-American immigrant experiences. \u003c/p>\n\u003cp>Women’s Audio Mission (aka WAM)\u003cbr>\n$35,000 San Francisco, CA\u003cbr>\nArt Works – Arts Education\u003cbr>\nTo support the expansion of Girls on the Mic, a digital media arts training and mentorship program in the San Francisco Unified School District and Oakland Unified School District. \u003c/p>\n\u003cp>World Arts West\u003cbr>\n$60,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support artistic fees and festival facility/production costs associated with the annual San Francisco Ethnic Dance Festival.\u003c/p>\n\u003cp>Zaccho SF (aka Zaccho Dance Theatre)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the choreographer fees of artists participating in the annual San Francisco Aerial Arts Festival.\u003c/p>\n\u003cp>ZYZZYVA, Inc.\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support the publication and promotion of the journal ZYZZYVA. \u003c/p>\n\u003cp>Opera Cultura\u003cbr>\n$10,000 San Leandro, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support a production of Frida by composer Robert Xavier Rodriguez with book by Hilary Blecher and lyrics and monologue by Migdalia Cruz.\u003c/p>\n\u003cp>Alternative Theater Ensemble (aka AlterTheater Ensemble)\u003cbr>\n$10,000 San Rafael, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the AlterLab new play development and production program. \u003c/p>\n\u003cp>California Film Institute (aka CFI)\u003cbr>\n$20,000 San Rafael, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support community engagement programs associated with the Mill Valley Film Festival.\u003c/p>\n\u003cp>Santa Rosa Symphony Association\u003cbr>\n$15,000 Santa Rosa, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support commissioning and artist fees for a new work by Mexican composer Enrico Chapela Barba premiering at Green Music Center at Sonoma State University.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Headlands Center for the Arts\u003cbr>\n$20,000 Sausalito, CA\u003cbr>\nArt Works – Artist Communities\u003cbr>\nTo support a residency program for emerging and mid-career artists and related public programming.\u003c/p>\n\n","blocks":[],"excerpt":"President Donald Trump has for the past three years in a row proposed eliminating the federal agency.","status":"publish","parent":0,"modified":1705021487,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":80,"wordCount":2427},"headData":{"title":"National Endowment for the Arts Awards $1.7 Million to Bay Area Arts Groups | KQED","description":"President Donald Trump has for the past three years in a row proposed eliminating the federal agency.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"National Endowment for the Arts Awards $1.7 Million to Bay Area Arts Groups","datePublished":"2020-01-16T16:00:47.000Z","dateModified":"2024-01-12T01:04:47.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13873401/national-endowment-for-the-arts-awards-1-7-million-to-bay-area-arts-groups","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The National Endowment for the Arts (NEA) on Wednesday \u003ca href=\"https://www.arts.gov/news/2020/national-endowment-arts-announces-arts-project-grants-all-50-states-district-columbia-and\">announced\u003c/a> 1,187 grants totaling $27.3 million for arts organizations in every state in the nation, as well as the District of Columbia and Puerto Rico, including $1,730,000 for 72 groups in the nine-county Bay Area. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13873232,arts_13849264,arts_13831888","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The recipients include literary, film, dance, theater, music and visual arts organizations from granite-stepped institutions to tiny enterprises. All of the projects “connect people through shared experiences and artistic expression,” NEA chair Mary Anne Carter said in a statement.\u003c/p>\n\u003cp>New projects supported include San Francisco Museum of Modern Art’s Dawoud Bey photography retrospective; Anne Bluethenthal and Dancers collaboration with Skywatchers ensemble, \u003cem>Life in the Containment Zone\u003c/em>; playwright Ricardo Pérez González’s premiere \u003cem>Don’t Eat the Mangos\u003c/em>; and choreographer Deborah Slater’s \u003cem>inCIVILITY: A Seat at the Table\u003c/em>. \u003c/p>\n\u003cp>Grants in the “Art Works” category range $10,000-$100,000 and recognize projects that celebrate creativity and cultural heritage, while the $10,000 “Challenge America” awards support small and mid-sized organizations serving remote or marginalized populations. \u003c/p>\n\u003cp>President Donald Trump has for the past three years in a row proposed eliminating the NEA and its sister agency the National Endowment for the Humanities entirely. Congress has each time rejected Trump’s proposal, and last year actually boosted the agencies budgets by millions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Creative Capital, the New York grant-making outfit formed 20 years ago in part to counter deep 1990s cuts to the NEA, also on Wednesday announced $100,000 awards for three local artists. \u003c/p>\n\u003cp>Below is a complete list of the local organizations to receive NEA funding this year. \u003c/p>\n\u003cp>Berkeley Repertory Theatre (aka Berkeley Rep)\u003cbr>\n$50,000 Berkeley, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the creation and development of new work in The Ground Floor program.\u003c/p>\n\u003cp>California Shakespeare Theater (aka Cal Shakes)\u003cbr>\n$30,000 Berkeley, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the creation and the world premiere production of a new play by Leila Buck and Evren Odcikin, and related project activities. \u003c/p>\n\u003cp>Central Works\u003cbr>\n$15,000 Berkeley, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the development and world premiere production of Tres Hermanas, a new play by Cristina Garcia. \u003c/p>\n\u003cp>Kala Institute\u003cbr>\n$25,000 Berkeley, CA\u003cbr>\nArt Works – Artist\u003cbr>\nCommunities To support residencies for artists working in print and digital media. \u003c/p>\n\u003cp>Small Press Distribution, Inc. (aka SPD)\u003cbr>\n$60,000 Berkeley, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support services to literary small press publishers, including the distribution and marketing of books.\u003c/p>\n\u003cp>Aimusic School\u003cbr>\n$20,000 Cupertino, CA\u003cbr>\nArt Works – Folk & Traditional Arts\u003cbr>\nTo support performances of traditional Chinese music and related educational activities.\u003c/p>\n\u003cp>Healdsburg Jazz Festival, Inc. (aka Healdsburg Jazz)\u003cbr>\n$20,000 Healdsburg, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support Artist and Inspiration: A Woman’s Spirit in Sound performances at the Healdsburg Jazz Festival.\u003c/p>\n\u003cp>API Cultural Center (aka Oakland Asian Cultural Center (OACC))\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support a performing arts program focused on world music and traditional Vietnamese instruments\u003c/p>\n\u003cp>AXIS Dance Company (aka AXIS)\u003cbr>\n$30,000 Oakland, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support a national tour of dance performances and engagement activities.\u003c/p>\n\u003cp>Bay Area Children’s Theatre (aka BACT)\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a Theatre for the Very Young production of Wheels on the Bus. \u003c/p>\n\u003cp>California Humanities\u003cbr>\n$20,000 Oakland, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support a touring program of independent films at community colleges throughout California. \u003c/p>\n\u003cp>Creative Growth, Inc.\u003cbr>\n$55,000 Oakland, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support programming for artists with disabilities. \u003c/p>\n\u003cp>Destiny Arts Center (aka Destiny or Destiny Arts)\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support spoken word and dance programming for youth. \u003c/p>\n\u003cp>Living Jazz\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support a music concert honoring Dr. Martin Luther King, Jr. \u003c/p>\n\u003cp>Omnira Institute\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nChallenge America\u003cbr>\nTo support the Black-Eyed Pea Festival, a celebration of African-American music and art. \u003c/p>\n\u003cp>Project Bandaloop (aka BANDALOOP)\u003cbr>\n$10,000 Oakland, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the creation of a comprehensive archival plan with an in-house consultant versed in digital archiving.\u003c/p>\n\u003cp>Transit Books\u003cbr>\n$15,000 Oakland, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support the publication and promotion of books of fiction and nonfiction, including work in translation.\u003c/p>\n\u003cp>Djerassi Resident Artists Program\u003cbr>\n$35,000 Redwood City, CA\u003cbr>\nArt Works – Artist Communities\u003cbr>\nTo support artist residencies as part of the Playwright’s Initiative. \u003c/p>\n\u003cp>East Bay Center for the Performing Arts\u003cbr>\n$40,000 Richmond, CA\u003cbr>\nArt Works – Arts Education\u003cbr>\nTo support the Young Artist Diploma Program, a multidisciplinary arts education program for middle and high school students. \u003c/p>\n\u003cp>3rd I South Asian Independent Film (aka 3rd i Films)\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support 3rd i Films’ San Francisco International South Asian Film Festival and associated public programming. \u003c/p>\n\u003cp>Abada-Capoeira San Francisco\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Folk & Traditional Arts\u003cbr>\nTo support a series of educational workshops and a culminating performance. \u003c/p>\n\u003cp>American Conservatory Theatre Foundation (aka American Conservatory Theater)\u003cbr>\n$50,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a production of Toni Stone by Lydia R. Diamond. \u003c/p>\n\u003cp>Anne Bluethenthal and Dancers (aka ABD Productions)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the presentation of Life in the Containment Zone, directed by choreographer Anne Bluethenthal in collaboration with the ensemble Skywatchers. \u003c/p>\n\u003cp>Art of the Matter Performance Foundation (aka Deborah Slater Dance Theater)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the premiere of inCIVILITY: A Seat at the Table by choreographer Deborah Slater. \u003c/p>\n\u003cp>Asian Pacific Islander Cultural Center (aka APICC)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nChallenge America\u003cbr>\nTo support The United States of Asian America Festival, a multidisciplinary arts festival celebrating Asian and Pacific Islander American culture.\u003c/p>\n\u003cp>Bay Area Video Coalition, Inc. (aka BAVC)\u003cbr>\n$40,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the provision of video and audio preservation services.\u003c/p>\n\u003cp>California Lawyers for the Arts, Inc.\u003cbr>\n$60,000 San Francisco, CA\u003cbr>\nArt Works – Local Arts Agencies\u003cbr>\nTo support a multistate expansion of the Arts in Corrections Initiative. \u003c/p>\n\u003cp>Canyon Cinema Foundation (aka Canyon Cinema)\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support a curatorial fellowship, screening series, and national touring program of experimental film and video works. \u003c/p>\n\u003cp>Center for Asian American Media (aka CAAM)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support CAAMFest, a media arts festival that showcases the work of Asian and Asian-American artists, and related public programming. \u003c/p>\n\u003cp>Center for the Art of Translation\u003cbr>\n$50,000 San Francisco, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support the publication and promotion of international literature. \u003c/p>\n\u003cp>Chinese Culture Foundation of San Francisco (aka Chinese Culture Center)\u003cbr>\n$40,000 San Francisco, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support an exhibition exploring issues related to gender equity, civil rights, and inclusion. \u003c/p>\n\u003cp>City and County of San Francisco, California\u003cbr>\n$45,000 San Francisco, CA\u003cbr>\nArt Works – Local Arts Agencies\u003cbr>\nTo support a series of visual arts exhibitions and related programming commemorating the 50th anniversary of the San Francisco Arts Commission Galleries.\u003c/p>\n\u003cp>CounterPulse\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the Artist Residency and Commissioning (ARC) program, which provides space and support for emerging and mid-career choreographers.\u003c/p>\n\u003cp>Crowded Fire Theater Company (aka Crowded Fire)\u003cbr>\n$10,000\u003cbr>\nSan Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a production of The Displaced by Isaac Gomez. \u003c/p>\n\u003cp>Eyes and Ears Foundation (aka San Francisco International Arts Festival)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Presenting & Multidisciplinary Works\u003cbr>\nTo support artist fees and travel stipends as part of the San Francisco International Arts Festival. \u003c/p>\n\u003cp>Flyaway Productions\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support performances of Meet Us Quickly With Your Mercy by choreographer Jo Kreiter. \u003c/p>\n\u003cp>foolsFURY Theater Company (aka foolsFURY)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the FURY Factory Festival of Ensemble and Devised Theater. \u003c/p>\n\u003cp>Frameline\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the 44th San Francisco International LGBTQ+ Film Festival and Frameline Encore, a free year-round film exhibition program. \u003c/p>\n\u003cp>Golden Thread Productions\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support a co-production of At The Periphery by Sedef Ecer, in a new translation by Evren Odcikin. \u003c/p>\n\u003cp>Gray Area Foundation for the Arts, Inc (aka Gray Area)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the Gray Area Festival and associated public programs.\u003c/p>\n\u003cp>Inneract Project, Inc\u003cbr>\n$20,000 SAN FRANCISCO, CA\u003cbr>\nArt Works – Design\u003cbr>\nTo support the Youth Design Academy, a series of programs introducing design concepts to middle and high school students.\u003c/p>\n\u003cp>Jewish Community Center of San Francisco (aka JCCSF)\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Presenting & Multidisciplinary Works\u003cbr>\nTo support arts programming components of the Re-imagine Freedom series. \u003c/p>\n\u003cp>Kronos Performing Arts Association (aka Kronos Quartet)\u003cbr>\n$35,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support the Kronos Festival. \u003c/p>\n\u003cp>Magic Theatre, Inc.\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the world premiere production of Don’t Eat the Mangos, a new play by Ricardo Pérez González. \u003c/p>\n\u003cp>ODC (aka ODC/Dance)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the creation and presentation of Decameron, Up for Air, a new dance work by ODC/Dance. \u003c/p>\n\u003cp>ODC Theater\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the creation and presentation of dance works as part of the performance series Interventions and Collaborations. \u003c/p>\n\u003cp>Open Architecture Collaborative, Inc.\u003cbr>\n$25,000 San Francisco, CA\u003cbr>\nArt Works – Design\u003cbr>\nTo support Pathways to Equity Fellowship, a leadership development program for community design practitioners. \u003c/p>\n\u003cp>Opera Parallele\u003cbr>\n$30,000 San Francisco, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support the world premiere of a revised and re-orchestrated production of Harvey Milk by composer Stewart Wallace and librettist Michael Korie.\u003c/p>\n\u003cp>Other Minds\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support the 25th annual Other Minds new music festival.\u003c/p>\n\u003cp>Philharmonia Baroque Orchestra and Chorale\u003cbr>\n$15,000 San Francisco, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support performances of Aci, Galatea, e Polifemo by George Frideric Handel, with re-imagined recitatives by composer and sound designer Mark Grey. \u003c/p>\n\u003cp>Root Division\u003cbr>\n$25,000 San Francisco, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support the Second Saturday Exhibition Series, a collection of visual arts events and presentations of work by Bay Area artists. \u003c/p>\n\u003cp>San Francisco Cinematheque\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support public engagement activities for Crossroads 2020, a festival dedicated to experimental film, video, and performance-based cinema. \u003c/p>\n\u003cp>San Francisco Film Society (aka SFFILM)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the San Francisco International Film Festival and other curated film series. \u003c/p>\n\u003cp>San Francisco Green Film Festival (aka Green Film Fest)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support the Impact Film program at the San Francisco Green Film Festival. \u003c/p>\n\u003cp>San Francisco Jazz Organization (aka SFJAZZ)\u003cbr>\n$30,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support the SFJAZZ Collective’s commissioning, development, and performance of new original works and touring activities. \u003c/p>\n\u003cp>San Francisco Jewish Film Festival (aka Jewish Film Institute)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support travel, theater rental, and staff costs for the Jewish Film Institute’s 40th San Francisco Jewish Film Festival.\u003c/p>\n\u003cp>San Francisco Museum of Modern Art (aka SFMOMA)\u003cbr>\n$45,000 San Francisco, CA\u003cbr>\nArt Works – Museums\u003cbr>\nTo support a traveling exhibition and catalogue of the work of photographer Dawoud Bey (b. 1953).\u003c/p>\n\u003cp>San Francisco Opera Association\u003cbr>\n$80,000 San Francisco, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support the west coast premiere of The Handmaid’s Tale by composer Poul Ruders and librettist Paul Bentley. \u003c/p>\n\u003cp>San Francisco Symphony (aka SFS)\u003cbr>\n$75,000 San Francisco, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support staff salaries and artist fees for an artist-in-residence program. \u003c/p>\n\u003cp>Southern Exposure (aka SoEx)\u003cbr>\n$25,000 San Francisco, CA\u003cbr>\nArt Works – Visual Arts\u003cbr>\nTo support a group exhibition and a series of public programs. \u003c/p>\n\u003cp>Stern Grove Festival Association\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Presenting & Multidisciplinary Works\u003cbr>\nTo support artist fees for the Stern Grove Festival. \u003c/p>\n\u003cp>Theatre of Yugen, Incorporated (aka Theatre of Yugen)\u003cbr>\n$20,000 San Francisco, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the creation and performance of the Native-Noh Project, a new work exploring the intersection of the Native American and Japanese-American immigrant experiences. \u003c/p>\n\u003cp>Women’s Audio Mission (aka WAM)\u003cbr>\n$35,000 San Francisco, CA\u003cbr>\nArt Works – Arts Education\u003cbr>\nTo support the expansion of Girls on the Mic, a digital media arts training and mentorship program in the San Francisco Unified School District and Oakland Unified School District. \u003c/p>\n\u003cp>World Arts West\u003cbr>\n$60,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support artistic fees and festival facility/production costs associated with the annual San Francisco Ethnic Dance Festival.\u003c/p>\n\u003cp>Zaccho SF (aka Zaccho Dance Theatre)\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Dance\u003cbr>\nTo support the choreographer fees of artists participating in the annual San Francisco Aerial Arts Festival.\u003c/p>\n\u003cp>ZYZZYVA, Inc.\u003cbr>\n$10,000 San Francisco, CA\u003cbr>\nArt Works – Literary Arts\u003cbr>\nTo support the publication and promotion of the journal ZYZZYVA. \u003c/p>\n\u003cp>Opera Cultura\u003cbr>\n$10,000 San Leandro, CA\u003cbr>\nArt Works – Opera\u003cbr>\nTo support a production of Frida by composer Robert Xavier Rodriguez with book by Hilary Blecher and lyrics and monologue by Migdalia Cruz.\u003c/p>\n\u003cp>Alternative Theater Ensemble (aka AlterTheater Ensemble)\u003cbr>\n$10,000 San Rafael, CA\u003cbr>\nArt Works – Theater\u003cbr>\nTo support the AlterLab new play development and production program. \u003c/p>\n\u003cp>California Film Institute (aka CFI)\u003cbr>\n$20,000 San Rafael, CA\u003cbr>\nArt Works – Media Arts\u003cbr>\nTo support community engagement programs associated with the Mill Valley Film Festival.\u003c/p>\n\u003cp>Santa Rosa Symphony Association\u003cbr>\n$15,000 Santa Rosa, CA\u003cbr>\nArt Works – Music\u003cbr>\nTo support commissioning and artist fees for a new work by Mexican composer Enrico Chapela Barba premiering at Green Music Center at Sonoma State University.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Headlands Center for the Arts\u003cbr>\n$20,000 Sausalito, CA\u003cbr>\nArt Works – Artist Communities\u003cbr>\nTo support a residency program for emerging and mid-career artists and related public programming.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13873401/national-endowment-for-the-arts-awards-1-7-million-to-bay-area-arts-groups","authors":["11091"],"programs":["arts_1272"],"categories":["arts_1","arts_835","arts_967","arts_70"],"tags":["arts_3560","arts_1118","arts_1730","arts_596"],"featImg":"arts_13824382","label":"arts_1272"},"arts_13873232":{"type":"posts","id":"arts_13873232","meta":{"index":"posts_1591205157","site":"arts","id":"13873232","score":null,"sort":[1579129242000]},"guestAuthors":[],"slug":"3-bay-area-artists-receive-100000-creative-capital-grants","title":"3 Bay Area Artists Receive $100,000 Creative Capital Grants","publishDate":1579129242,"format":"standard","headTitle":"3 Bay Area Artists Receive $100,000 Creative Capital Grants | KQED","labelTerm":{"term":1272,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://creative-capital.org/\">Creative Capital\u003c/a>, the New York grant-making nonprofit, announced $100,000 awards for three Bay Area artists Wednesday as part of a $3.5 million funding round for projects nationwide.\u003c/p>\n\u003cp>Oakland filmmaker Rodrigo Reyes and Oakland dancer and social practice artist randy reyes (no relation) as well as San Francisco poet, essayist and editor Tonya Foster are among the 41 artists selected by a nine-member, multidisciplinary panel to receive $50,000 in career development services and $50,000 in project funding as 2020 Creative Capital Award winners.\u003c/p>\n\u003cp>Rodrigo Reyes, whose 2014 film \u003cem>Purgatorio\u003c/em> portrays life and death along the U.S.-Mexico border, won the award for an as-yet-untitled documentary about two Mexican migrants in rural California “told within the frame of the dramatic clash between systemic forces and personal choices that envelop young, incarcerated men of color in America,” according to the press release.\u003c/p>\n\u003cp>randy reyes, who’s been a fellow and resident at CounterPulse and Yerba Buena Center for the Arts, is launching \u003cem>Encuentro 33: LINE/AGE | Queer Neuro-Cognitive Architectures Hidden in Plain Site(s)\u003c/em>, a collaboration with a diverse, national cast of artists to develop performances “centering ecology, lineage and ritual through a choreographic lens,” the announcement reads.\u003c/p>\n\u003cp>Tonya Foster, meanwhile, is combining poetry, nonfiction prose and what the announcement calls “fictive FBI records” in \u003cem>Monkey Talk\u003c/em>, a multi-volume writing and multimedia project exploring surveillance and race. Foster, an assistant writing professor at California College of the Arts, is the author of two books and recipient of numerous fellowships and residencies.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Though these artists come to us from very different backgrounds, work in different fields, and explore a wide range of subjects, they share a dedication to pushing boundaries, both ours and their own,” Creative Capital president and executive director Suzy Delvalle said in a statement.\u003c/p>\n\u003cp>The 35 projects by 41 individual artists awarded this year were selected from a pool of more than 4,000 applicants. The announcement Wednesday details the demographics of the winners: 76 percent people of color, 54 percent women and 12 percent trans or gender nonbinary.\u003c/p>\n\u003cp>Creative Capital, formed 20 years ago in order to counter deep cuts to the National Endowment for the Arts, receives key funding from the Andy Warhol Foundation for the Visual Arts, the Doris Duke Charitable Foundation and the Surdna Foundation as well as individual donors.\u003c/p>\n\u003cp>The organization’s “venture philanthropy” approach stresses cash alongside professional development services, mentorship and gatherings in order to increase the money’s impact.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Applications for the next round of the now-annual Creative Capital Awards open Saturday, Feb. 1. \u003c/span>\u003c/p>\n\n","blocks":[],"excerpt":"Oakland and San Francisco artists Rodrigo Reyes, randy reyes and Tonya Foster are among the local recipients of this year’s prestigious national award. ","status":"publish","parent":0,"modified":1705021493,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":448},"headData":{"title":"3 Bay Area Artists Receive $100,000 Creative Capital Grants | KQED","description":"Oakland and San Francisco artists Rodrigo Reyes, randy reyes and Tonya Foster are among the local recipients of this year’s prestigious national award. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"3 Bay Area Artists Receive $100,000 Creative Capital Grants","datePublished":"2020-01-15T23:00:42.000Z","dateModified":"2024-01-12T01:04:53.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"templateType":"standard","featuredImageType":"standard","path":"/arts/13873232/3-bay-area-artists-receive-100000-creative-capital-grants","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://creative-capital.org/\">Creative Capital\u003c/a>, the New York grant-making nonprofit, announced $100,000 awards for three Bay Area artists Wednesday as part of a $3.5 million funding round for projects nationwide.\u003c/p>\n\u003cp>Oakland filmmaker Rodrigo Reyes and Oakland dancer and social practice artist randy reyes (no relation) as well as San Francisco poet, essayist and editor Tonya Foster are among the 41 artists selected by a nine-member, multidisciplinary panel to receive $50,000 in career development services and $50,000 in project funding as 2020 Creative Capital Award winners.\u003c/p>\n\u003cp>Rodrigo Reyes, whose 2014 film \u003cem>Purgatorio\u003c/em> portrays life and death along the U.S.-Mexico border, won the award for an as-yet-untitled documentary about two Mexican migrants in rural California “told within the frame of the dramatic clash between systemic forces and personal choices that envelop young, incarcerated men of color in America,” according to the press release.\u003c/p>\n\u003cp>randy reyes, who’s been a fellow and resident at CounterPulse and Yerba Buena Center for the Arts, is launching \u003cem>Encuentro 33: LINE/AGE | Queer Neuro-Cognitive Architectures Hidden in Plain Site(s)\u003c/em>, a collaboration with a diverse, national cast of artists to develop performances “centering ecology, lineage and ritual through a choreographic lens,” the announcement reads.\u003c/p>\n\u003cp>Tonya Foster, meanwhile, is combining poetry, nonfiction prose and what the announcement calls “fictive FBI records” in \u003cem>Monkey Talk\u003c/em>, a multi-volume writing and multimedia project exploring surveillance and race. Foster, an assistant writing professor at California College of the Arts, is the author of two books and recipient of numerous fellowships and residencies.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Though these artists come to us from very different backgrounds, work in different fields, and explore a wide range of subjects, they share a dedication to pushing boundaries, both ours and their own,” Creative Capital president and executive director Suzy Delvalle said in a statement.\u003c/p>\n\u003cp>The 35 projects by 41 individual artists awarded this year were selected from a pool of more than 4,000 applicants. The announcement Wednesday details the demographics of the winners: 76 percent people of color, 54 percent women and 12 percent trans or gender nonbinary.\u003c/p>\n\u003cp>Creative Capital, formed 20 years ago in order to counter deep cuts to the National Endowment for the Arts, receives key funding from the Andy Warhol Foundation for the Visual Arts, the Doris Duke Charitable Foundation and the Surdna Foundation as well as individual donors.\u003c/p>\n\u003cp>The organization’s “venture philanthropy” approach stresses cash alongside professional development services, mentorship and gatherings in order to increase the money’s impact.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Applications for the next round of the now-annual Creative Capital Awards open Saturday, Feb. 1. \u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13873232/3-bay-area-artists-receive-100000-creative-capital-grants","authors":["11091"],"programs":["arts_1272"],"categories":["arts_1","arts_235"],"tags":["arts_1118","arts_977","arts_596"],"featImg":"arts_10144402","label":"arts_1272"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. 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You ask the questions. You decide what Bay Curious investigates. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. 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On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. 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