One of the country’s most celebrated poets emerged from the largest housing development in North America just over 20 years ago. This month, Oakland’s Fox Theater offers you a chance to hear and celebrate the cultural staying power that is Nasir bin Olu Dara Jones, otherwise known as Nas.
Illmatic, Nas’ 1994 debut album, continues to stand apart as a crown jewel of ’90s hip hop. His unflinching delivery and terse lyrical code serve as a historical account of that decade’s inner city life and times. The storytelling and soundscape of the album and its raw energy all continue to represent communities under perpetual pressure, so relevant to a nation in which brutality, unemployment, and bias compose daily challenges.
On each of two evenings, the first is already sold out, Nas will perform his debut album in its entirety. Part celebration for having created what some have referred to as a Bible of hip hop, the performances will follow screenings of the documentary Nas: Time Is Illmatic, a film that explores the origins of that first, landmark album and the conditions from which Nas rose.
As a writer, my awe centered on how Nas shoved young poetry out of containers too small to accommodate it. New York City, its nascent slam poetry scene, any pair of stereo speakers, nothing could hold the godson’s vision. He transcended social devaluations of the black body with a worldview that rewrote and spoke his personal cosmos to such a degree that the culture, this American musical culture, shifted.
For me, not knowing him as the son of a jazz trumpeter, Nas’ single on the soundtrack to Zebrahead was my introduction. Then, a chance encounter with Illmatic in the stacks of a college radio station pulled me in soon after its release. Grazing turntable needle to record, the “Subway Theme” intro followed by the “Human Nature” loop a few grooves down — it all sounded like youth poised on the cusp of the impossible.